Podcasts about ayers rock

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 26ú lá de mí an Mheithimh, liomsa Lauren Ní Loingsigh. I 1992 chosain sé an IDA timpeall 13,950 míle punt chun post nua a chruthú an bhliain roimhe. I 2009 tháinig sé amach go mbeadh dianteannadh mór chun a bheith ann do drong coireacht eagratihe I gcúpla seachtain. I 2001 tháinig sé amach go mbeadh an rúnaí stáir de New Hampshire Mr William M Gardiner chun turas a thabhairt ar an tAonach Urmhumhan mar pháirt den turas chun a chlann a fháil. Bhí sé an fear is tábhachtaí sa toghchán na huachtaránachta I Meiriceá do 25 bhliain agus bhí sé chun taisteal lena athair agus a mhac chuig an chontae. I 2012 dúradh ba cheart go mbeadh daoine ábalta an Rock of Cashel a fheiceáil ag deireadh an lae nuair a bheadh an ghrian ag dul faoi na gréine cosúil leis an Astráil, sin de réir comhairleoir baile PJ Quinlan. Chuir sé cheist ar an bhainistíocht den áit chun ceist a chuir ar an OPW chun na huaireanta oscailte a leathnú. Sin David Guetta agus Kelly Rowland le When Love Takes Over – an t-amhrán is mó ar an lá seo I 2009. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 2000 tháinig sé amach go mbeadh Kentwood – áit chónaithe Britney Spears chun músaem a oscailt agus go mbeadh rudaí ann cosúil le post ó leantóir, ceirnín platanaim agus éadaí ón amhránaí. I 2005 dúradh go mbeadh na ticéid do cheolchoirm Rolling Stones sa Hollywood Bowl an-chostasach. Bhí na ticéid timpeall 249 punt – sin 2 punt gach nóiméad don cheolchoirm. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Chris O'Donnell I Meiriceá I 1970 agus rugadh amhránaí Ariana Grande I Meiriceá ar an lá seo I 1993 agus seo chuid de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 26th of June, with me Lauren Ní Loingsigh 1992: it cost the IDA an average of £13,950 to create a new job last year. 2009: the biggest every garda clampdown on organised crime gangs was set to be unleashed within weeks. 2001 – It was announced the United States Secretary for State of New Hampshire. Mr. William M. Gardiner will visit Nenagh as part ot a trip to discover his roots in the Emerald Isle. The man responsible for the most important primary in the United States presidential election for the past 25 years will visit Nenagh with his father and son, part of a nostalgic trip.  2012 - VISITORS to Cashel should be allowed to view the Rock at sunset, just as tourists to the Australian outback enjoy the sun setting over Ayers Rock, according to a Cashel Town Councillor. Cllr PJ Quinlan requested management to "immediately contact the office of the OPW to secure extended opening hours for the Rock of Cashel.  That was David Guetta and Kelly Rowland with When Love Takes Over – the biggest song on this day in 2009 Onto music news on this day In 2000 Britney Spears hometown of Kentwood, Louisiana announced that a new museum, due to open early next year, would include a section including fan mail, platinum records and genuine items of the singers clothing. 2005 Tickets for a forthcoming Rolling Stones gig at the Hollywood Bowl were set to become the most expensive in rock 'n' roll history. Fans would have to pay up to £249 for a seat - £2 per minute to watch the Stones. And finally celebrity birthdays on this day – actor Chris O'Donnell was born in America in 1970 and singer Ariana Grande was born in America on this day in 1993 and this is one of her songs. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

My special guest Sarah Barlett sit down to discuss her book National Geographic Guide to the World's Supernatural Places: More Than 250 Spine-Chilling Destinations Around the Globe.Witches and demons, ghosts and vampires, aliens and voodoo spirits… from spooky to chilling to downright weird, signs of the supernatural have terrified -- and fascinated -- people for centuries. Dare to discover some of the world's most puzzling enigmas in this remarkable book, which reveals a dazzling array of haunted castles, forbidden hideaways and otherwise eerie landmarks. Packed with rich illustrations, National Geographic's first-ever guide to the world's supernatural places showcases more than 250 spooky destinations around the globe. Uncover the origins of the vampire, found not only in Romania, but also in Madagascar and the Philippines. Encounter the array of ghosts said to haunt deserted battlefields, abandoned mental asylums, cemeteries and other spine-tingling sites. Consider the possibility of extraterrestrials spotted everywhere from Sedona, Arizona to Flatwoods, West Virginia. And experience the mystical origins of such extraordinary places as Ayers Rock, Australia and Chichén Itzá, Mexico. Vivid, dramatic, and chock full of inside information on when to visit, this spooky book will convince you that there might be more out there than meets the eye.Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio]

In this episode we hear from Stephen Durkin (CEO) and Melissa Holdsworth (COO) of Australasian Institute of Mining and Metallurgy (AusIMM), the proud recipient of the Association of the Year Award. They share how they transformed a 130-year-old organisation into a modern, thriving association. Through strategic leadership, digital innovation, and revenue diversification, they reveal the steps taken to build a growth mindset, foster a strong organisational culture, and enhance member engagement. Stephen and Melissa also provide invaluable lessons for other associations aiming to drive change and achieve excellence, while highlighting the critical role associations play in shaping industries and communities. Interesting fact: Sir Henry Ayers was the first president of the Australasian Institute of Mining and Metallurgy (AusIMM). He is also the namesake of Ayers Rock, now respectfully known by its traditional name, Uluru, connecting AusIMM to a significant piece of Australia's cultural and historical heritage. This episode is a must-listen for anyone looking to elevate their organisation and make a lasting impact. Find out more about AusIMM: www.ausimm.com Connect with Stephen Durkin: www.linkedin.com/in/stephen-durkin Connect with Melissa Holdsworth: www.linkedin.com/in/melissa-holdsworth-0aaab38

G'day! Kängurus, Koalas und der Ayers Rock... reichen diese Highlights um Australien-Skeptiker Andy Janz zu überzeugen, nach "down under" zu reisen? In der neuen Folge von "HIN & WEG: der Reisepodcast mit Sven Meyer und Andy Janz" ist Eva Seller, General Manager Continental Europe von Tourism Australia zu Gast. In dieser animierten Folge erzählt sie warum Australien so viel mehr als Känguru-Klischees zu bieten hat und warum sie sich schon vor Jahrzehnten in das Land auf der anderen Seite des Globus verliebt hat. Und das hat tatsächlich mehr mit den Menschen, als mit der (von Andy gefürchteten) Flora und Fauna Australiens zu tun. Sven, der sogar mal in Australien gelebt (und geliebt) hat ist sowieso von Destination "Oz" überzeugt und so vergeht eine interessante und lustige Touristik-Talk Runde wie im Fluge. Jetzt unbedingt hören!

I greet you in Jesus' precious name! It is Friday morning, the 13th of September, 2024, and this is your friend, Angus Buchan, with a thought for today.We start in Psalm 2:7:“You are My Son, Today I have begotten You.” Then we go straight to Luke 4:41:“You are the Christ, the Son of God!” And those are demons acknowledging Jesus Christ as the Son of God. “Then Luke 8:28, the same thing again:“What have I to do with You, Jesus, Son of the Most High God?”The first people to acknowledge Jesus Christ as the Son of God were demons - oh yes! Jesus says that He came into the world, not for those who are healthy but for those who are sick, ordinary people who have never met Jesus Christ in a special way. Folks, I want to tell you, as I record this message, there are Mighty Men Conferences taking place all over the world. Just yesterday I was on a zoom call with men in Australia that will be meeting at Ayers Rock, right in the heart of Australia, to pray for revival for the Mighty Men Conferences coming next year. There has just been one completed in Canada - beautiful! We have got over 20 Mighty Men Conferences happening in South Africa alone, 5 in a row in 5 weeks.. I want to tell you that God is on the move, and I want to tell you that Jesus Christ is the Friend of sinners like you and me. Now, for the ladies that are listening to this programme, I want to reassure you that the reason why Mighty Men takes place, is to teach men how to love, how to respect, how to honour and how to protect their women and children, how to put bread on the table, how to teach their children how to love Jesus and to stand up and be counted, and the Lord is doing that.Zacchaeus was a chief tax collector and Jesus went into his house to have a meal with him, the disciples said, “Lord, do you know who that man is?” He said, “Yes, I do know who he is.” I want to tell you that Zacchaeus got converted that day. He was that little short man who climbed up the sycamore tree to see Jesus coming. He gave 400% of everything that he took away from or stole from anybody else. I have seen letters sent to me from little children, 10 years old, in that big, beautiful handwriting - it makes me want to cry, “Thank you for giving me a new daddy after the Mighty Men weekend.” Women writing beautiful letters to us saying, “the man I fell in love with 20 years ago came back home this weekend.” Jesus is on the move, and He is here for the sinner and He is here for those who will put up their hand and say, “Lord, I will follow You.”Jesus bless you and have a wonderful day,Goodbye.

We set up camp at the Erldunda Roadhouse for a few nights at the Desert Oaks Campground, and Paul heads up to Alice Springs to get a new spare wheel and balance sorted on the 79.  Then it's time to hit the road towards Uluru and the Ayers Rock Resort Campground. We stop to take in the impressive views at Mount Connor, also known as Fooluru, before filling up with water and fuel at Curtin Springs Station. Then it's on to Yulara where we snag the best campsite and we explore around the resort including all the facilities and activities on offer. Plus we are excited to be supporting the brilliant work of the Royal Flying Doctor Service through a new partnership that will have you feeling good in more ways than one!  We've teamed up with Tim Adams Wines and Mr. Mick to donate $20 per dozen wines purchased using our FEELGOOD 15% discount code, to our favourite charity, the RFDS. Find out more details here - https://thefeelgoodfamily.com/gear-and-discounts/ Get your hands on our Red Centre eBook and start planning your road trip today! - https://shopthefeelgoodfamily.com/products/the-red-centre-ebook-the-ultimate-road-trip-through-central-australia Watch our brand new TV series Feel Good RoadTrips on the 7Plus streaming platform - https://thefeelgoodfamily.com/feelgood-roadtrips-channel-seven-tv-series/ This episode is proudly brought to you by our mates at Stratus Outdoors, Protect The Adventure.  Keeping plastic bottles out of landfill by turning them into quality camp gear. Take advantage of our 15% Discount - https://www.stratusoutdoors.com.au  (ENTER FEELGOOD DISCOUNT CODE) Listen to our Feel Good Road Trip Spotify playlist here -https://open.spotify.com/playlist/47S2LkmpBxztMEH8sw6Frt?fbclid=IwAR0Xk2BwpoAhbk5Xvl1cwadO2FzPVl2PHboIWNDPmtzW_F-1-4fKfw4AalU Be sure to Subscribe to our YouTube Channel and join us for all of the road trip adventures! Check out the footage from our latest episodes on our Family Travel Australia YouTube channel – https://www.youtube.com/@TheFeelGoodFamily Subscribe to Jasperoo - https://www.youtube.com/channel/UCceGx3esRSQBYZfWvf4KVtw Our YouTube channel www.youtube.com/thefeelgoodfamily has a new destination video every Sunday night at 6.30pm (AEST). We would love to connect with you on Facebook, Instagram and our website www.thefeelgoodfamily.com  Our Family Travel Australia Podcast is now LIVE and available on all podcast platforms, with a new episode aired every Friday night 8:30pm [AEST].

Bourbon Lens travels to Myrtle Beach, South Carolina to visit the Greg Norman Australian Grille.  Greg Norman Australian Grille is the premier bourbon spot in Myrtle Beach and we had the privilege to host an exclusive bourbon tasting and dinner pairing for some of their VIPs. We take you inside the "One Flight Up" Speakeasy at Greg Norman Australian Grille to learn more about the restaurant's food and beverage programs and their extensive bourbon offerings. Add the Greg Norman Australian Grille to your travel list for a can't-miss bourbon experience. Stream this episode on your favorite podcast app and be sure to drop us a review while you're there.  We are thankful for your support over the last 5 years. We must give the biggest shoutout to our growing Patreon Community of supporters! As always, we'd appreciate it if you would take a few minutes time to give us feedback on Bourbon Lens podcast. If you enjoy our content, consider giving us a 5 Star rating on your favorite podcast app, leave us a written review, and tell a fellow bourbon lover about our show. Follow us @BourbonLens on Instagram, Facebook, LinkedIn and X.  Also, consider supporting Bourbon Lens on Patreon for some of the behind the scenes, to earn Bourbon Lens swag, join the Bourbon Lens Tasting Club, and more. If you have any comments, questions, or guest suggestions, please email us at Info@BourbonLens.com. Check out BourbonLens.com to read our blog posts, whiskey news, podcast archive, and whiskey reviews. Cheers,Scott and JakeBourbon Lens   About Greg Norman Australian Grille Greg Norman Australian Grille is an Australian heritage restaurant on the waterfront at Barefoot Landing in Myrtle Beach, SC. Our innovative menu features exotic Australian fare and a wine list that has received the Wine Spectator Award of Excellence for 18 years, consistently ranking us as Myrtle Beach's premier steak and seafood restaurant. Guests can enjoy waterfront dining for lunch and dinner daily and Sunday brunch. Perfect patio pours are served during Happy Hour al fresco or in the Shark Pub where you can fill your glass as the boats float by. Waterborne patrons can enjoy 225 feet of dock space adjacent to the restaurant deck. We didn't invent waterfront dining. We only mastered it. The Best of Australia on the Carolina Coast. The exquisite décor of the Australian Grille will make you feel like you are dining in Sydney's finest harborside restaurant. The interior features rich grain leather and hand-crafted woods imported from across Australia and a hand-painted cathedral ceiling tops the main dining room, flanked by two artisan-crafted eucalyptus leaf chandeliers. Australian motifs and Aboriginal artwork adorn the walls throughout, while a full-length mural of Ayers Rock and cascading waterfalls transport bar guests to the Australian Outback. The Greg Norman Australian Grille offers diners, revelers, and families alike the ultimate dining experience. Questions or wish to reserve a table? Contact our host at (843) 361-0000 or book your reservation online (https://gregnormanaustraliangrille.com/reservations/) today. Greg Norman Australian Grille is located At Barefoot Landing in North Myrtle Beach, South Carolina. (4930 US-17 South, North Myrtle Beach, SC 29582). About Greg Norman Arguably the most successful athlete-turned-businessman in the world, Greg Norman is known as much for his entrepreneurial spirit in the boardroom as his dominance on the golf course. Greg Norman now transcends the game of golf, with over a dozen companies around the world bearing his name and the iconic shark logo as part of the Greg Norman Company, which he leads as non-executive Chairman. His internationally recognized brand boasts more than 120 golf course designs across six continents, a global real estate collection, award-winning wine, golf-inspired lifestyle apparel and a diverse investment division. In 2021, Greg Norman became the first and founding CEO of LIV Golf Investments, a newly formed company whose purpose is to holistically improve the health of professional golf on a global scale to help unlock the sports' untapped potential.

GUEST OVERVIEW: Marc Hendrickx is a geologist, blogger and author. In 2007 he started a Phd project at Macquarie University looking at the relationship between natural occurrences of asbestos and mesothelioma in South and eastern Australia. Marc's first foray into blogging was in 2009 with a blog called "ABC News Watch" https://abcnewswatch.blogspot.com/ The blog focused on fact-checking ABC news stories, particularly relating to ABC's biased climate change coverage, sending in complaints and publishing the results. The blog scored 33 upheld complaints and contributed to ABC altering its complaints handling process. A number of feature articles from the blog relating to ABC's biased news were published in The Australian Newspaper. He started his Right to Climb blog https://righttoclimb.blogspot.com/ in 2017 when the permanent closure of the Ayers Rock climb was announced. He has been a regular contributor to Quadrant magazine and the Spectator Australia. He is the author of a number of satirical books on climate change and Guides to climbing Ayers Rock and Mt Warning.

In August 1980, the Chamberlain family decided to go on a family camping trip to Ayers Rock in Australia. Park rangers had been discussing a need to decrease the dingo population because they threatened humans. This proved itself when the Chamberlain's 10-week-old daughter Azaria disappeared from their tent. Join Mike and Gibby as they discuss Lindy Chamberlain and the death of baby Azaria. Lindy screamed to the other campers that the dingo had her baby. When investigators arrived, they found blood in the tent and tracks leading away. But they became convinced that Lindy had killed her daughter. You can help support the show at patreon.com/truecrimeallthetime Visit the show's website at truecrimeallthetime.com for contact, merchandise, and donation information An Emash Digital production

GUEST OVERVIEW: Marc Hendrickx is a geologist, blogger and author. In 2007 he started a Phd project at Macquarie University looking at the relationship between natural occurrences of asbestos and mesothelioma in South and eastern Australia. Marc's first foray into blogging was in 2009 with a blog called "ABC News Watch" https://abcnewswatch.blogspot.com/ The blog focused on fact-checking ABC news stories, particularly relating to ABC's biased climate change coverage, sending in complaints and publishing the results. The blog scored 33 upheld complaints and contributed to ABC altering its complaints handling process. A number of feature articles from the blog relating to ABC's biased news were published in The Australian Newspaper. He started his Right to Climb blog https://righttoclimb.blogspot.com/ in 2017 when the permanent closure of the Ayers Rock climb was announced. He has been a regular contributor to Quadrant magazine and the Spectator Australia. He is the author of a number of satirical books on climate change and Guides to climbing Ayers Rock and Mt Warning.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, Founder of Rubber Cheese.Download the Rubber Cheese 2023 Visitor Attraction Website Report - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. Show references: https://carbonsix.digital/https://www.linkedin.com/in/pmarden/Paul Marden is the Founder and Managing Director of Carbon Six Digital and the CEO of Rubber Cheese. He is an Umbraco Certified Master who likes to think outside the box, often coming up with creative technical solutions that clients didn't know were possible. Paul oversees business development and technical delivery, specialising in Microsoft technologies including Umbraco CMS, ASP.NET, C#, WebApi, and SQL Server. He's worked in the industry since 1999 and has vast experience of managing and delivering the technical architecture for both agencies and client side projects of all shapes and sizes. Paul is an advocate for solid project delivery and has a BCS Foundation Certificate in Agile. https://www.rubbercheese.com/https://www.linkedin.com/in/kellymolson/Kelly Molson is the Founder of Rubber Cheese, a user focused web design and development agency for the attraction sector. Digital partners to Eureka! The National Children's Museum, Pensthorpe, National Parks UK, Holkham, Visit Cambridge and The National Marine Aquarium.Kelly regularly delivers workshops and presentations on sector focused topics at national conferences and attraction sector organisations including ASVA, ALVA, The Ticketing Professionals Conference and the Museum + Heritage Show.As host of the popular Skip the Queue Podcast for people working in or working with visitor attractions, she speaks with inspiring industry experts who share their knowledge of what really makes an attraction successful.Recent trustee of The Museum of the Broads.  Transcription:  Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. In this new monthly slot, Rubber Cheese CEO Paul Marden joins me to discuss different digital related topics. In this episode, we'll talk about how you can make your site more interactive and the tasks and costs associated with that. You can subscribe on all the usual channels by searching Skip the Queue. Kelly Molson: Hello. Back for a fourth time. Paul Marden: Hello. Kelly Molson: What attraction have you visited most recently, and what did you love about it? Paul Marden: Do I go first? I always go first. Kelly Molson: We've got a format now. Don't break the format. I'm comfortable. Paul Marden: I went to the Titanic Museum just recently. We were exhibiting, actually, at the Association of Science and Discovery Centres at their annual conference in Belfast, which was actually at W5 in the Titanic quarter of Belfast. And I could talk loads about W5, which I will do in another session. But the place that I went to that I was most kind of emotionally moved by which I'm a bit of a geek and I'm fairly concrete in terms of my emotional stuff, for me to feel moved. Kelly Molson: Yeah. It's normally me that's got the blubbing. Paul Marden: Yeah. So I was blown away by the experience at the Titanic Museum. I've never been to a museum with so few artefacts, which, of course, is because everything was lost at sea. And so the whole museum is about telling the story through reproductions and immersive experiences, which was all amazing. But then you stumble upon one of the original artefacts as you're wandering around, and there's only a handful of them, but it hit me like a brick wall when I actually came across them. So there's a life jacket. There's only twelve of those left in existence, and they've got one of them at the museum. And you walk into this room, where all of the names of the victims of this tragedy are on this massive wall. And it's a darkened room, but lit in the centre of the room was this one life jacket. Paul Marden: Amazing. And then you walk around and there's a section talking about the root cause of the accident. And there are the keys to the binocular store from the crow's nest, which happened to be in the second officer's pocket. And he had to get off the ship in Southampton and he didn't get back on, and so there were no keys. And so the people that were in the crow's nest couldn't open the box with the binoculars that would have led them to see the iceberg. Kelly Molson: Wow. What a story. That wasn't in the film. Paul Marden: No, it wasn't in the film. So it's really impactful. And then the storytelling was amazing, but completely lost on me. So I was chatting to. I made a new friend, Lucinda Lewis, the CEO of Catalyst Science and Discovery Centre, and we would, like, both say how amazing it was, how impactful it was. And she was like, "Yeah, and the dominoes." And I'm like, "Dominoes? What dominoes?" Paul Marden: And she was like, "Did you not see when you were looking at all of the root causes, they wrote them on these big pillars that were toppling, showing you the domino effect." I was like, "Okay, yeah, that was completely lost on me." Kelly Molson: So lesson for you is you need to pay more attention to the interpretation next time. Paul Marden: Completely clueless to the subtext of what was going on around me. But the story was amazing. Kelly Molson: Story is really cool. Yeah. I have never heard that before. That's really impressive. I think that picture that you painted of all the names with the one kind of life jacket in the middle of it is so powerful. I can see it in my head, but I've never seen it. Paul Marden: That was only one of a dozen kind of really powerful memories that I've got of being just blown away by their storytelling and how they communicated what happened. It was just an amazing place. Kelly Molson: Nice. I've got it. I missed that I couldn't make it to the conference this year because I was elsewhere. Paul Marden: Absolutely. What have you been doing recently? Where have you been? Kelly Molson: So this is a very recent one, literally last week, last Thursday, I was very kindly invited to go and visit the Ashmolean Museum, which is a free to enter museum. But what I really liked is they have a very large donations area as you first walk in and you've got card donations. Beep. So easy. I never have cash, so that was a big thumbs up for me. The museum is brilliant. I mean, it has some brilliant exhibitions in it that are there. They're always there. But I was really keen to go and see their colour revolution exhibition, which is all around Victorian art, fashion and design. Some of you might not know this about me, but I was a graphic designer in the past, actually. Probably. Actually, loads of you people know about that. Loads. Kelly Molson: I was a graphic designer once upon a time and I was a packaging designer and just design and colour. And also I've got a real passion for kind of interior design as well. So all of these things just, I have a big love of. So this exhibition for me was like, "This is the one. This is a big tick." What I found really fascinating is that Victorian Britain has this kind of connotation of being really dull and dreary, and the exhibition was kind of exploring that. It's absolutely incorrect, but they start with Queen Victoria's morning dress, which is a really powerful image. So after Prince Albert's sudden death, she plunged into a very deep grief. And she actually wore. I didn't know this. She wore black for the remaining 40 years of her life. I had no idea that she. Kelly Molson: I mean, I knew she mourned for a really long time. I had no idea she never wore another colour again. So she's obviously such an iconic image, an iconic person of that era, that image probably sticks with you, which is why it adds to that illusion of Victorian's love in the dark completely. But they didn't they really love colour.  And they love to experiment with it. And they have a big thing about insects and animals and bringing that into the colours that they wore. And the jewellery, like, some of the jewellery, like this beetle necklace, was just incredible. And there is a lot of. I know that they have a lot of that in their kind of fabrics and their kind of artwork from that time as well. But what I really loved is really small artefact in the museum that I totally loved. So it was a very early colour chart, like a paint sample colour chart. So this is quite current for me at the minute. Kelly Molson: My office is full of furnishings because we're renovating a cottage in Norfolk and it's not ready, but I've had to order all the things for it or find them off Facebook Marketplace and eBay and charity shops and vintage places and my office. So colour chart and all of that kind of stuff is, like, right up here at the moment. But anyway, there was an 1814 Scottish artist called Patrick Syme, and he tried to solve the problem of how to describe colour by giving each one of them a name. But he draw nature to do this. So you have, like, mole's breath now from Barrow and ball and lighting green and those kind of stuff. Well, this is where this started in the Victorian age, so it's absolutely beautiful. I posted it on my LinkedIn. Kelly Molson: But this colour chart is just gorgeous and it gives a number for each colour. So number 54. Its name was Duck green. The animal that it was named after is the neck of Mallard. I actually thought the colour was neck of Mallard, which I was like, that's absolutely brilliant. The vegetable that it was similar to is the upper disc of yew leaves, and the mineral is. I don't know if I'm going to pronounce this Ceylanite and I Googled it isn't green. I had no idea what ceylanite is, but it's not green. Paul Marden: Yeah, I'd struggle to identify a yew tree, let alone the upper disc green of a yew tree's leaf. Kelly Molson: Well, there you go. Honestly, I loved it. I loved every minute of it. It was really interesting. And that for me was like, I know it's a really small artefact, but it was the standout one for me because it just connected with some of it is so current for me at the moment. It was £15 pounds to go and see this exhibition and that is money well spent. It's open now until the 18th of Feb 2024. So totally get yourselves along to visit that. And also their restaurant and food is top notch. Paul Marden: Was it good? Was it really okay? Kelly Molson: We'll talk about that another time. Paul Marden: We've done a few of the Oxford Uni museums, but we've not done the Ashmolean yet, so that needs to be on my list of places to go. Kelly Molson: Yeah, definitely worth a little visit. Okay. Right. We're going to talk about interactivity today. Making your website more interactive can improve engagement which is more likely to improve your conversion rate. But very few attractions have interactive elements, which is quite surprising, actually. So we're going to talk about how you can make your site a bit more interactive and immersive. So one, the stat from the survey is that, 53% of visitor attractions survey don't have any interactive elements on their websites. Kelly Molson: So that's like. I'm quite surprised about that because during the pandemic, went all in on interactivity. We had to. It was the only way that you could kind of get people to your site and get people engaged in what you were doing. And we're talking about things like virtual tours, interactive maps, or even just integrating video and audio on your site is a way of making it interactive as well. So, yeah, I was quite surprised that it was so low, actually. Paul Marden: Yeah, it surprised me as well, because a lot of the people that we talk to want that kind of interactive content added into their sites. Kelly Molson: Do you think. And I'm not trying to make us idiots here again, because we did enough of that on the last episode, but do you think that people understand that video and audio is an interactive element? Paul Marden: That's a good point. Kelly Molson: Or is our expectation of it to be more. Because audio and video, do we see that as a standard thing now? We don't see that as a special element. Paul Marden: That could be absolutely true. And we talked a lot about things that we could do to improve the survey for next time. There's a real risk, isn't there? Because you could ask a lot more very detailed questions. Do you have a virtual tour? Do you have an interactive map? Do you have video and audio on your site? And now, all of a sudden, we've gone from one question to three questions, and we're asking too much of everybody when they fill stuff in, so you end up having to have broader questions, but those broader questions themselves become a little ambiguous. So maybe there's an element of. It could be that there's a bunch of people in that 53% of people that don't have interactivity, that may have stuff that is video or audio that we would consider to be interactive, but they don't. Kelly Molson: Do you think as well, that because life has gone back to relative normality for the majority of us, that we just are not engaging with those things as much, or they just not seem to be as relevant anymore? Paul Marden: Yeah, it's interesting, isn't it? We talk about audience personas and trying to personalise the site to give people exactly the content that's relevant to them. Who is the target audience for the virtual tour? Is the target audience for a virtual tour the people that are going to come visit? Is it a way of enticing people to come and physically come on site? Is it a way of extending the reach of the attraction, or let's say it's a cultural or museum kind of setting? Is it a way for them to extend the reach of their collection to people that can't come. Understanding what the interactivity is there for and how it enables the audience to achieve the goal that they're trying to achieve. And for the clients, the attraction themselves, to be able to achieve what their goal is for that audience group is interesting. Paul Marden: Interactivity for its own sake doesn't help anyone if you're not really thought about why you're putting it there. Kelly Molson: Yeah, I was just trying to think. I've got a really good case study of this and I've forgotten the name of the place. I want to talk about it, but I've forgotten the name of it, so I'll give you an explanation of it instead. Years ago, so. Oh, God, I think this is. In 2015, Lee and I went to Australia on holiday. Lee actually asked me to marry him in Australia at Ayers Rock. It was very romantic. Paul Marden: Oh, wow. Kelly Molson: But one of the best, I should say that was the best trip, obviously, that was the best trip, but one of the other best trips that went on while were there. When were in Melbourne, I've gone to the island and I've forgotten the name of the island. It's come off totally out of my head. But went to see the little penguins, so the penguin parade that comes in. These penguins come in to shore every night and you can go and watch them come in. It's like an army of miniature penguins. And it genuinely is the most magical thing I've ever seen in my whole life. And you can't take photos because it hurts their eyes. So you're immersing yourself into this experience and it's all up here in my head. Kelly Molson: Well, during the pandemic, they started live broadcasting it on Facebook and I was like, "Shut up. This is amazing." Because it's an expensive trip back to Australia, but I'd love to do that again. I would absolutely 100% go back and do that again.  But this was like a magical opportunity to see it in my home office and watch it as well. So those kind of opportunities, I think, are pretty magical. Paul Marden: You reminded me of in the middle of lockdown, I was obsessed by watching the webcam at Monterey Bay Aquarium. Kelly Molson: I just got something else that got obsessed about a few weeks ago, which is I watched the webcam Sandringham have got. No, is it Sandringham or Balmoral? One of them have got a webcam with the Red Squirrels. I think it's Balmoral. And I got absolutely, totally obsessed with it. Had it on in the corner of the screen just while I was working, just going, "Is it there yet? Is it back yet? Red squirrel. Red squirrel."Paul Marden: I think it might be. The two of us were looking at penguins and sea otters during the height of the pandemic when were desperate to travel. Now, watching Red squirrels on a webcam might be, might not have the same justification for the rest of your day's life. Kelly Molson: It's really cool. It's really cool. You don't get to see red squirrels very often. Paul Marden: No, you don't. Kelly Molson: Anyway, apologies went off on a total tangent, but you can see, look, we've got really animated about this, so you can totally see the value of having those kind of experiences on your website and being to engage with different audiences. Paul Marden: Should we do a stat? Should we talk about some numbers?Kelly Molson: Yeah, what's the benefits? Paul Marden: Yeah. So HubSpot again. We talk about HubSpot data all the time. But HubSpot found that interactive content like quizzes, assessments and polls can increase time spent on a website by 80%. That one's lifted straight out of the survey that we put into there. But there's some more. The Content Marketing Institute shows that 81% of marketers agreed that interactive content grabbed more attention than static content. But that chimes with the data that we gathered from people, doesn't it? Because a lot of people do think that this is important stuff. Maybe not quite to the same level that the Content Marketing Institute found, but obviously people in the results set from our survey thought that this was important. Kelly Molson: Yeah. And I think it depends on what that interactive content is. So, interestingly, when we did the live webinar for the report, we had someone on the webinar mention that they were a bit worried about distraction. So we talk a lot about focusing people's attention on the job in hand, which is ultimately showcase what your attraction does, get them to buy a ticket. And this person said, are we distracting them from those journeys by doing that? But I don't know if it's part of the purchase journey. I think it might be post purchase. It feels for me like post purchase, getting them to come back and engage in your site, repeat visit stuff, just those things around quizzes and assessment and polls and stuff like that. And also this example that I just gave about the little penguins. Kelly Molson: I absolutely will go back to that place one day and being able to engage with it keeps it front and centre of my mind to go. When we go back to Australia, I'm going to take my kid to see that because she will love it. I'll make sure she loves it. And I don't know if it's part of the first point of engagement. I think it's post purchase engagement. Paul Marden: That's interesting. Yeah. What the problems say? Kelly Molson: Anyway, problems? Sustainability. Paul Marden: Yeah. Shall I share a bugbear of mine that I share regularly in meetings all the time. But a lot of interactive content, especially the stuff that uses video, can be inherently unsustainable. Video uses bandwidth. And a lot of people don't think of the impact that websites can have on CO2 emissions. Yeah, it's a link that I don't think many people make. I certainly didn't until there's been a lot of talk around in our industry about this in the last couple of years and it's really opened my eyes up. It's easy to understand if you work for an airline, you can see the CO2 emissions coming out the back of the plane, but if you build websites, you don't see it necessarily, but video consumes bandwidth and bandwidth takes all of these things, the compute power to produce the video and publish it out onto the Internet. Paul Marden: And then to shift all of that data across the Internet ultimately uses energy, and that energy comes at the cost of producing CO2. So one of the obvious ways, if we're just talking about video itself, because video is one kind of more interactive element, avoiding autoplaying videos, which is my absolute bugbear when you land on a home page of a website. And the video autoplays that for me, now that my eyes have been opened to the impact of it, I only used to see the conversion rate benefit, but now the cost associated with that is clear in my mind. And I think if we can avoid doing that and find other ways to increase conversion, I think that's really important. But also doing things to make sure that we understand what the sustainability impact of the web pages that we produce. Paul Marden: So as we make our web pages more complex, they will produce more CO2 as a result of doing that. And I think as people become more aware of this, the world is going to change. At the moment, the people that buy from us, this is not something that is front and centre of their minds in the buying process, I think, at the moment. And there's a lot of power in the hands of the marketers and the procurement people to make it so that technical people like us that build things are required to take that sustainability perspective into account when we're building things and making sure that we build things sustainably. Kelly Molson: And then there's accessibility. So interactive elements can be really great for people that can't visit your site, for one example. However, the digital aspect of that means that you could intentionally put something on your site which actually is less accessible for people who have visual impairments or hearing impairments, for example. Paul Marden: Yeah, absolutely. If you've got video with audio, have you got subtitles? If you've got video, do you have audio descriptions that describe what the video is showing? If you've got an interactive map, how would you provide a more accessible way of being able to see the interactive map? If you've got a 3D, interactive, immersive virtual tour, how will you interact with that? If you can't see it, to interact with it, those are all things that people need to be thinking about. And many of the institutions that we work with will have a statutory obligation to think about it as well. It's not just a nice to have, it's a statutory obligation to do it as well. Kelly Molson: Yeah, for sure. Okay, so who's doing it well? I think we should just caveat this one by saying that our report and a survey and subsequent report are all anonymous. Kelly Molson: If we ever share anyone's information, that is, in relation to the report data. We have asked for their express permission. Prior to this. Prior to sharing. In this instant, we've just gone out and found some stuff on people's websites and gone, “We really like this. This is really cool.” So we're not talking about these institutions in relation to survey data? Paul Marden: No, absolutely. Should we talk about. The first one in our list was Mary Rose Trust. And the Mary Rose Museum has got an amazing array of interactive artefacts that they've listed off the bottom of the seabed and made it available on the website so you can come.  Kelly Molson: With your mouse, you can turn it around. Not with your hand.Paul Marden: Not yet. The technology isn't quite there yet, but, yeah, you can interact with those artefacts and I think that's pretty amazing for an organisation like them, to be able to share those, because they've got an amazing collection of Tudor artefacts and to be able to share those with the outside world is really impressive. Yeah. Kelly Molson: So that's like a simple technology where you can kind of 3D model the artefact and you can spin it around and you can click on elements of it that will tell you a little bit about this part of it or where it was found or the condition of it, et cetera. So that is super cool. What was the other one on this list that you were like, “This is great.”Paul Marden: I really loved the Museum of London's Victorian Walk. It's a 3D tour affair and obviously they've scanned, taken photos and composed this together into this really cool 3D tour system that you can just move around and experience what life is like on a Victorian walk. I was blown away by, you were talking about the colour of Victorian England. Yeah, it was a really colourful experience. So in my mind, it was a bit like going into diagonally in Hogwarts in the Harry Potter world. It felt that kind of side street of London kind of thing. But you really got into it. It was very cool. Kelly Molson: Oh, that's one for me. So I should go and do that and do a little comparison of how colourful it was based on my Ashmolean experience. Paul Marden: Absolutely. Kelly Molson: Okay, next steps that someone can take if they're thinking about stuff like this. So assess what you can do really quickly and easily. So what do we already have? Paul Marden: Yeah, a lot of people are already going to have stuff, aren't they? So what video have they got? What audio have they got? Were they like Mary Rose and had a bunch of 3D scans of their artefacts that then you can stick into a tool and put onto your website. Obviously, if you've got a large collection and you want to 3D scan everything and put it onto your website, that's not a trivial undertaking, is it? But if you've already got the 3D scans of stuff and you need to then make it available on the website, then the step might be relatively much simpler than scanning your whole collection. Kelly Molson: Yeah. So have a look through your video, your audio, your 3D elements. What do you already have, what can you make more of? And then what can you easily add to your current site? Paul Marden: Yeah, absolutely. A lot of websites can add video and audio just straight out of the box. I'm going to get a bit geeky and talk about iframes, but essentially an iframe is a little cut out area of your website that you can post a little bit of content into that a lot of different interactive tools on the web will enable you to do so. The 3D models. There's a tool that you can create 3D models of the world in that we've used on a number of different projects. And then you just embed it as an iframe, which is essentially take a URL of your 3D scan and you pop it into your website and it comes out and works on the page as is. It's pretty awesome. And takes so little effort for your developers to be able to add it to the site. Kelly Molson: Cool. And then think about what you could commission or think about some of the things that you could potentially look at as a larger piece of project work. Paul Marden: Yeah, I mean, there's a brainstorming exercise, there, isn't there, of trying to get lots of people together and come up with creative ideas and think about what you can do. Some of the other stuff that we've talked about. Easy. Doesn't take a lot of effort. You've got the assets already or it's relatively easy to add them to your site. But what else could you do? That takes a lot of effort and planning. Kelly Molson: Ask your visitors. Ask people what more they'd like to see. Paul Marden: Yeah. Figuring out what your audience wants and how do you get them to that is step number one, isn't it? Kelly Molson: Okay, and then what kind of budget are we looking at for some of these things? Paul Marden: How long is a piece of string kind of question? This one isn't. It's really hard adding interactive maps onto your site that are fully accessible and easy to use. I guess you're looking at a few thousand pounds to be able to do that, potentially less depends on what you want to put into your interactive map, video and audio. If your website already supports it and you got a whole library of this stuff that you want to share with the outside world, it could cost you nothing but the time it takes you to add it to the site. And then you get into some of the more complex elements like the you can imagine that creating a 3D kind of immersive virtual walkthrough, that's not a trivial job. Paul Marden: If you want to go and photograph an entire exhibit, walk around the whole floor plan of your museum and create an amazing virtual tour. That's going to take some effort, both in terms of getting the right people to turn up with the right kit to be able to do that photography, and then in terms of the technology that's needed to turn that into a virtual tour, and then the effort to embed that into the website itself could be amazing. Probably not a cheap exercise.Kelly Molson: No, substantial investment, and just need to make sure that you're doing it for the right reasons and for the right audience as well. Also podcast if you are thinking about doing a podcast for your museum or your attraction, which I think is a genius idea, give us a shout and we'd be happy to share some of our kind of top tips. Kelly Molson: I think we did an episode on it back in the day with Paul Griffith from Painshill Park, who actually, he interviewed me on this podcast and we talked about some of the reasons that we did it, how we set it up, and some of the kind of costumes around that as well. So it's worth having a little bit through, dig through the archive, but if you got any questions on that then yeah, give us a shout. Good chat again today. I enjoyed this. Paul Marden: Been good, hasn't it? Kelly Molson: Yeah. I'll see you next time. Paul Marden: Thank you. Cheers, mate. Bye. Kelly Molson: Bye bye. Kelly Molson:  Thanks for listening to Skip The Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. The 2023 Visitor Attraction Website Report is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the report now for invaluable insights and actionable recommendations!

The battle for the Land Speed Record in the 1960s - Campbell, the Arfons, and Breedlove.  From the archives of the International Motor Racing Research Center (IMRRC) comes the digitally remastered version of "Land Speed Records" 2014 presentation by George Webster as part of their Center Conversations series. Learn about the post-war through 1965 period in the motorsports discipline of land speed records in places like Daytona Beach, the Bonneville Salt Flats, the United Kingdom and Ayers Rock in Australia with notable racers like Campbell, the Arfons and Breedlove.  CHECK OUT THE FULL-LENGTH VIDEO VERSION ON YOUTUBE! This episode is part of our HISTORY OF MOTORSPORTS SERIES and is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family - and was recorded in front of a live studio audience. ======================================================================== Check out our membership program and go VIP at: https://www.patreon.com/gtmotorsports Other cool stuff: https://linkin.bio/grantouringmotorsports GTM = Years of racing, wrenching and Motorsports experience brings together a top notch collection of knowledge, stories and information. #everyonehasastory #gtmbreakfix - gtmotorsports.org

Hear about travel to Uluru and Central Australia as the Amateur Traveler talks to travel blogger Chris Fry from AquariusTraveller.com about her most recent trip to the red center of Australia. https://amateurtraveler.com/travel-to-uluru-and-central-australia/ Why should someone go to Central Australia? Chris says, "I Like visiting Uluru for the Aboriginal culture, the art, the history, learning about the Dreamtime. I think it's where I first started learning about the Aboriginal history and our First Nations people and it's one of the best places to actually learn about it there. Some of the tour guides are actually Aboriginal, so they will actually tell you their history, how they grew up and everything like that, so yes, I think it's great for Australians, it's great for tourists to actually learn about that first hand from the people who have been living here for 65 million years." Chris recommends this itinerary: Day 1: Arrival in Alice Springs Arrive in Alice Springs and check into your accommodation. Take some time to explore the local area and get acquainted with the surroundings. Day 2: Exploring Alice Springs Visit the Royal Flying Doctors Museum to learn about its vital role in providing healthcare to remote regions. Explore the town's Aboriginal galleries, showcasing dot paintings and supporting local communities. Wander through Todd Mall, the central shopping district, where you can find souvenirs and enjoy lunch at one of the cafes. Discover the fascinating animal parks in Alice Springs, including a desert animal park and a kangaroo sanctuary. Day 3: Road Trip around Alice Springs Embark on a road trip along Larapinta Drive, exploring various gorges and stunning landscapes. Visit Simpson Gap, known for its white ghost gums, and a chance for a refreshing swim. Explore Standley Chasm, a narrow gorge with striking rock formations, best experienced during midday sunlight. Discover Ochre Pit, showcasing Aboriginal history through vibrant rock colors used for painting. Enjoy a swim at Ormiston Gorge, a popular swimming spot surrounded by towering cliffs. Explore Glen Helen Gorge and witness part of the Finke River. Day 4: Palm Valley 4WD Adventure Join a 4WD bus tour to Palm Valley, experiencing the rugged terrain and unique red cabbage palms. Learn about the Aboriginal history of the area and witness the contrasting colors of the landscape. Stop at Hermannsburg, an Aboriginal community, for a cultural experience. Return to Alice Springs in the evening and relax. Day 5: Journey to Kings Canyon Begin the road trip to Kings Canyon, taking the longer route for a scenic drive and passing notable landmarks. Fuel up at the Old Andado Roadhouse and explore the surrounding area. Arrive at Kings Canyon Resort, check-in, and relax for the evening. Day 6: Kings Canyon Hiking Adventure Embark on the Kings Canyon Rim Walk, a challenging but rewarding hike with stunning views. Explore the Garden of Eden, a sacred Aboriginal site with a water pool. Exercise caution around cliff edges and enjoy the unique rock formations. Optional: Take the shorter Kings Creek Walk, providing a different perspective of the area. Return to the resort for a relaxing evening. Day 7: Exploring Yulara, the Gateway to Uluru Wake up and start the day by driving to Yulara, the town that services visitors to Uluru. Yulara: Learn about the town, which has hotels, camping facilities, a tourist information center, restaurants, cafes, groceries, and fuel stations. Consider hiring a car for convenience. Distance from Uluru: Yulara is about 30 minutes away from Uluru, making it a convenient base for exploring the area. Relax and familiarize yourself with the amenities in Yulara. Consider a shuttle bus for convenient transportation within the town. Day 8: Uluru National Park Exploration Purchase a National Park Pass for 3 days and start your first day in Uluru. Sunrise and Sunset: Enjoy the specific sunrise and sunset platforms in Uluru, perfect for photographers. Daytime Activity: Embark on the 10-kilometer walk around the base of Uluru, experiencing different shapes and formations created by nature. Uluru's Beauty: Marvel at the impressive dimensions of Uluru, a single rock monolith measuring about 2.2 miles long, 1.5 miles wide, and 348 meters high. Explore various formations and sacred sites, and enjoy the unique features of Uluru. Day 9: Extended Uluru National Park Experience Return to Uluru National Park for a second day of exploration. Sunrise or Sunset: Choose between sunrise and sunset at designated areas, or consider the Field of Lights experience, an art installation with 50,000 solar-powered bulbs. Optional Activities: Consider camel rides, Sounds of Silence dinner, or a helicopter flight for a unique perspective. Aboriginal Cultural Experiences: Visit the tourist information center for information on local tours, including the opportunity to make or paint your own didgeridoo. Day 10: The Ogres (Kata Tjuta) Adventure Journey to Kata Tjuta, about 45 minutes from Yulara. Hiking: Explore the Walpa Gorge Walk, an easy one-hour return walk through the middle of two rocks. Optionally, embark on the Valley of the Winds walk, a three-hour return walk offering stunning views. Afternoon/Evening: Relax and unwind, considering the Sounds of Silence dinner or enjoying the amenities at your accommodation. Day 11: Return to Alice Springs Morning: Begin the journey back to Alice Springs, stopping at the Oldunder Roadhouse. Safety Reminder: Stay vigilant on the road due to potential encounters with free-roaming wildlife, such as cows and camels. Return to Alice Springs and explore attractions like the truck museum or take a photo at the Alice Springs entrance sign. Central Australia has some challenges like the prices, the flies and the red dirt getting everywhere, but it is also a unique and beautiful corner of Australia that is worth a visit.

Evan Cohen (in for Greeny) asks if Ohio State fans would rather beat Michigan or win the National Championship? Washington jumped Florida State last night in the CFP - is that the right move? Deion Sanders doesn't know where Mt. Rushmore is... and Hembo is less than pleased. Learn more about your ad choices. Visit megaphone.fm/adchoices

**Listener Discretion is Advised** The Battle at Ayers Rock... --- Support this podcast: https://podcasters.spotify.com/pod/show/the-bardic-college/support

Jane Matthews, a tour guide for Overseas Adventure Travel, highlights the wonders of her home country, Australia. The in-depth discussion starts with excellent suggestions for travel Down Under, and about the Aboriginal culture. She goes on to share her expertise about, among many other things: Sydney, Melbourne, the Blue Mountains, Ayers Rock (Uluru), the island of Tasmania, and of course, the Great Barrier Reef.Jane ends with a fond memory, and we finish the interview with the indescribable sounds of a didgeredoo._____Jane Matthews lives in Sydney, Australia, She joined OAT as a guide in 2018.Besides showing off her country, she enjoys traveling, cooking Asian food, Aboriginal history, and sewing._____Podcast host Lea Lane blogs at forbes.com, has traveled to over 100 countries, and  has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books' of  the year). She has contributed to many guidebooks and has written thousands of travel articles. Contact Lea- she loves hearing from you!  @lealane on Twitter; PlacesIRememberLeaLane on Insta; Places I Remember with Lea Lane on Facebook; Website: placesirememberlealane.com.  New episodes drop every other Tuesday, wherever you listen. Please consider sharing, following, rating and reviewing this award-winning travel podcast. 

On August 17, 1980, the Chamberlain family was camping near the famous Ayers Rock in Australia's Outback. The family consisted of father Michael, Mother Lindy, and their three children, 9-week-old Azaria, and her brothers: 6-year-old Aidan and 4-year-old Reagan. The Chamberlains and a few other families gathered to enjoy a bonfire and a cookout, but moments later baby Azaria was gone! Her mother Lindy emerged after a piercing scream, horribly shaken, she yelled, “The dingo's got my baby,” and with that, the tragedy of the Chamberlain family had only just begun…Baby Azaria was gone, and the nation was against Lindy, believing the Dingo story was just a sick cover-up. Was Lindy Chamberlain innocent? Did a Dingo really take her baby? We'll be covering the shocking case of Azaria Chamberlain on today's True Crime Recap.Watch True Crime Recaps on Facebook, TikTok, YouTube or Snapchat! Follow us on Instagram and Twitter. New episodes weekly!

The warmth of a few classics along with more obscure titles this time around. Enjoy! Tracklist: Jazz Trio, Clear Path Ensemble, Joe Pass, Quiver, Catalyst, Ayers Rock, Brian Auger Trinity, Roy Ayers

  Best of the Outback, Ayers Rock, Australia       In this episode: The FAQ is on how to use packing cubes. The destination is the Outback and Ayers Rock, Australia. The lesson learned is Don't give up too easily. The tip is We May Never Pass This way Again, by Seals & Crofts, back from the memory banks.   FAQ: What are the advantages of Packing Organizers or travel compression bags? How can I pack a suitcase best using cubes?  The best way to pack a smaller suitcase, that is one you want to carry on, is using cubes. Many airlines limit your size of carry on, so find out the exact dimensions and get a suitcase small enough to bring. The advantages are efficiency, saving space, keeping clothes clean and dry and prevent you from overpacking. The cubes are zippered fabric containers, which fit into small spaces so that you are not only more organized, you can bring more. I use four cubes, and they are rectangular in shape, lightweight and have strong zippers. Although the compression bags are good, the cubes don't need to release air, are more durable and stack neatly. Plus, there will be fewer creases in your clothes. The best way to use them is to lineup everything you want to bring and then organize on how you best want to travel. One cube could be for day 2 of your trip, so everything is easy to access. One cube could be your toiletries and cords. One cube could be a pair of shoes and surround that with smaller items. You'll notice the fabrics, the shapes of your items and the weight will make a difference. I prefer folding instead of rolling, but you can do a combination so it's more compact. It may take you several tries to get everything into the cubes, but once you do, you're all set for your trip.  https://www.neverendingvoyage.com/how-to-use-packing-cubes-carry-on-travel/ Today's Episode is about the Outback and Ayers Rock, Australia   It is a six-hour drive through bush country from Alice Springs to Ayers Rock. Depending on the amount of rain, this can look very barren or colorful. I stayed at a motel not far from The Olgas, which are 12 miles southwest of Ayers Rock. I walked through the gorge with new friends from New South Wales, Australia. From Sunset Strip, I watched Ayers Rock change color, with about 250 viewers at that spot. It's one of the most photographed rocks in the world. I watched a slide show about the area, and then went out for a moonlight drive to see the rock under the stars. The area has no pollution, clouds or competing light, so they are the most brilliant I've ever seen. The culture here is all about the Uluru, the native people from the area. Their folk music is worth a listen. You'll need to see the sunrise, even if it's freezing cold. When I visited, you could still climb Ayers Rock, although you no longer can do this, because it's sacred to the native people. It was one of the most exciting and fun adventures of my lifetime. From the top of the rock, we had such a clear view to the horizon and further. To get to the top, I followed a white dotted line, and along the way, I sang songs that made my heart light and the journey easy. Even if you can't climb the rock, you can still become inspired and awed at the colorful palate of nature who changes cues throughout the day at this rock. From light to dark and every color in between, I found much peace at this spot. Back in Alice Springs, I found a desert-like town and a global village of travelers. It was a bit like Las Vegas, only much smaller. Yes, there were casinos and I went to them. Aboriginal artifacts like boomerangs and weapons were found here, too. This is the Outback.   Today's Mistake-Don't give up too easily, for example on windsurfing.   It took me nearly 40 tries to learn how to windsurf in Fiji. It was on the 40th try that I finally learned how to make the sail sing. So don't get discouraged, because it may take you a long time, but once you get it and learn the basics, you'll be sailing.    Today's Travel Advice- We may never pass this way again.    The Seals & Crofts song makes me smile. Think of all the things you do when you travel and all the memories you store. Remember that you may not get back to this place again, so do what you like, even if it's just resting and relaxing. Enjoy your time on the road and seeing or resting for the next day! Life, love and fun is just begun. See the show notes for the link to the song.   https://www.youtube.com/watch?v=TvyDKkMYEZ0   Today I want to bring meaning to your travel. Send me your travel tip. You can send it to my Facebook page, group, or Instagram. You can send to my Twitter, blog, and maybe you'll see your tips in my next travel book on independent destinations.   What's on your bucket list?   Connect with Dr Travelbest Website Drmarytravelbest.com Mary Beth on Twitter Dr. Mary Travelbest Twitter  Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram

This mini ep takes a look at ground breaking Australian rock band, Ayers Rock. Formed in 1973, Ayers Rock were the first Australian act signed with Mushroom Records to break internationally. When Ayers Rock recorded their debut album, Big Red Rock, they recorded it live-in-the-studio and it was a ground breaking album.

Sam Cheung, Carlyn Greenwald, and Ivan Vukovic, three regular everyday Americans, are back to discuss The Crown Season 4, Episode 6: Terra Nullius. Together, they try to determine which Olivia Rodrigo song best encapsulates the episode, and Carlyn shares the circumstances which led to her knowledge of Ayers Rock.

Originally Aired: 12/02/11FOLLOW US ON:Facebook: https://goo.gl/rwvBfwInstagram: https://www.instagram.com/ozarkmtpubTwitter: https://goo.gl/LunK5DWebsite: https://goo.gl/2d5cX4ASSOCIATED LINKS:Ozark Mountain Publishing, Inc.: https://goo.gl/xhgoAPQuantum Healing Hypnosis Academy: https://goo.gl/64G7RD

In loving memory of Valerie Barrow Dec 17 1932 - June30 2022 For those who are unfamiliar with Valerie you are in for a treat! We had Valerie set to join us in what would certainly be a wonderful episode. Unfortunately in the process of emailing back and forth Valerie has transitioned and is beginning the next chapter of her souls evolution. We strongly believe in Valeries message so we decided to continue to share it and have put together this highlight video from one of our favorite interviews of hers. Valerie was full of wisdom and galactic knowledge. We hope you enjoy. Please share far and wide if you feel called ❤️ My name is Valérie Judith Barrow and I have been asked by the Ancient Creator Ancestor Spirit, Alcheringa, to write a continued story about the monolith in the centre of Australia—known by the ancient indigenous people as Uluru. Uluru was named Ayers Rock when white people came to settle on this ancient land. Alcheringa tells us he has resided on this earth from its creation. Now it's time for him to tell us about the Star People and how they were appointed to restore this beautiful earth to its original creation. Please note that the Star People, including myself and my husband John, deeply respect the talent and knowledge that the Indigenous people of Australia have. The Star People confirm they are the first created humans, meaning Light men, and they are the oldest living race on Earth. I have been initiated many times in my life, enabling an understanding of important creation stories of the Australian Indigenous people and their Dreaming. My knowledge of Uluru comes from the ‘Alcheringa Sacred Stone' (wrapped in paperbark and tied with string belonging to the Indigenous people). I shared my sacred stone work with my Aboriginal friend, Gerry Bostock, who helped me, over many years, to understand the Indigenous customs and cultures. He confirmed their Ancient Dreaming Story of Uluru coming from the stars. Gerry was an elder, healer, film-maker, and storyteller/writer and gave lectures at university. And so, as a Star Person, I hope that the existence of Uluru and its Magic, such as how it came from the stars, can be understood by everyone. The Indigenous people know and tell the stories I'm about to tell but in different ways. I now want to explain in a scientific way. But it is still the same information. SECRET SPACE CONFERENCE LIVESTREAM REPLAY AVAILABLE HERE!!!

“Ich mache das, worauf ich Bock habe” ist Christina Wechsel`s Leitsatz und sie ist schon lange raus aus der Pubertät… Christina ist ein so herzerwärmendes Beispiel für ganzheitliche Heilung, für ansteckende Motivation und unbändige Lebensfreude. Zwischen “mein Körper war perfekt” und “mein Körper war ein Trümmerhaufen” liegen nur Bruchteile von Sekunden, als sie auf dem lang ersehnten Weg zum Ayers Rock in Australien einen schweren Autounfall hat. Ab da ticken die Uhren anders, Christina verliert ihren Unterschenkel und lernt mit einer Prothese zu leben, wieder Sport zu treiben und einfach zu leben. Im Außen heilt sie im wahrsten Sinne Schritt für Schritt und dann will die Seele heilen. Erst als sie beides zusammen bringt, ein Ritual für ihr verlorenes Bein macht und die Trauer und den Schmerz einlädt, fühlt sie sich auch im Inneren und wird wieder ganz. https://www.instagram.com/gefuehlsecht_podcast/ https://www.instagram.com/katmagnussen https://www.instagram.com/zisatrautmann https://www.instagram.com/christina_change_

Uluru, or Ayers Rock, is a massive sandstone monolith in the heart of the Northern Territory's arid "Red Centre". Uluru is sacred to indigenous Australians and is thought to have started forming around 550 million years ago. It's within Uluru-Kata Tjuta National Park, which also includes the 36 red-rock domes of the Kata Tjuta (colloquially “The Olgas”) formation. Geetha Mathivanan explains the uniqueness of Uluru and its importance to the Aboriginal communities in “Namma Australia”. It was originally broadcasted in 2018.  - சுமார் 50 கோடி ஆண்டுகளுக்கு முன்பு உருவானதாக ஆய்வுகள் கூறும் உலுரு பாறை என்பது வெறும் ஒற்றைப் பாறையல்ல. ஏன் உலுரு பாறை இந்த நாட்டின் பூர்வீக மக்களுக்கு புனிதமானது? அதிமுக்கியத்துவம் மிக்கது? ஆஸ்திரேலியாவின் உலுரு எனும் அதிசயப் பாறை குறித்த அரிய தகவல்களை “நம்ம ஆஸ்திரேலியா” நிகழ்ச்சி மூலம் முன்வைக்கிறார் கீதா மதிவாணன் அவர்கள். இந்த நிகழ்ச்சி முதலில் 2018 ஆம் ஆண்டு ஒலிபரப்பானது. இது ஒரு மறு ஒலிபரப்பும், மீள் பதிவுமாகும். 

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Welcome to the Instant Trivia podcast episode 366, where we ask the best trivia on the Internet. Round 1. Category: Sports 1: Because of WWII, these 2 NFL teams combined squads in '43 to become the "Stegles". the Steelers and Eagles. 2: Regret, Genuine Risk and Winning Colors are the only fillies to win this Triple Crown race. Kentucky Derby. 3: On September 19, 1992 Sergei Bubka broke the world record in this event for the 32nd time. the pole vault. 4: Sport in which you might leave a bucket, Christmas tree or picket fence. bowling. 5: Australian Rules, American and Association describe sports that are all named this. Football. Round 2. Category: Duncan 1: "Funny Face" star who can certainly separate the wheat from the chaff. Sandy Duncan. 2: Cawder Castle, which claims to be the site of this man's killing of Duncan I, was built 400 years after the event. Macbeth. 3: Procter and Gamble really took the cake when it acquired this brand in 1956. Duncan Hines. 4: This No. 1 NBA draft pick signed with the San Antonio Spurs July 24, 1997. Tim Duncan. 5: Duncan Regehr played Zorro and Duncan Renaldo was famous for playing this Old West hero. The Cisco Kid. Round 3. Category: All Ears 1: Nickname of the V-shaped indoor TV antenna. rabbit ears. 2: In the '70s she ended her TV variety show by tugging on her ear as a signal to grandma. Carol Burnett. 3: Made up of fat, it's the loosely hanging lower part of the auricle. earlobe. 4: According to folklore, if your ears are doing this, someone is talking about you. burning. 5: Of the five standard U.S. coins, the one on which you can see the right ear of a president. (Lincoln) Penny. Round 4. Category: Rock 1: The Colonial Dames donated an elegant portico that was erected around this rock in 1920. Plymouth Rock. 2: For hundreds of years, the Barbary apes have rocked atop the world-famous Rock of this. Gibraltar. 3: In 2007 she won an Oscar for "I Need To Wake Up", a song she wrote for "An Inconvenient Truth". Melissa Etheridge. 4: Brownstone is a variety of this rock, formed when grains of quartz and other minerals are bound together. sandstone. 5: You'll find this geological attraction about 280 miles from Alice Springs. Ayers Rock. Round 5. Category: In Your Hearts 1: AKA a myocardial infarction, it occurs when blood flow to the heart is blocked or stopped. heart attack. 2: A surgeon may implant one of these to steady an irregular heartbeat. pacemaker. 3: The number of chambers in the human heart. 4. 4: The main artery leaving the heart, its diameter can be as big as a garden hose. aorta. 5: While systole refers to the tightening of the heart, this is the period between contractions. diastole. Thanks for listening! Come back tomorrow for more exciting trivia!

Uluru or Ayers Rock is one of Australias most recognizable natural landmarks. It is a huge rock, as big as a mountain, located about 450 Km south west of Alice Springs, at 863 m above the sea level.The rocks size is 2.4 km by 1.6 km and 335 m height. - نعم، إنها أولورو أو آيرز روك في وسط الشمال الأسترالي، على بعد 450 كم تقريباً، جنوب غرب مدينة أليس سبرينجز في مقاطعة أراضي الشمال، وهي تكوين صخري مدرج على قائمة مواقع التراث العالمي لمنظمة اليونسكو.

Der Mythologie Podcast für kulturbanausische Menschen geht bereits in die 15. Runde. Sarah erzählt Steffi einen Mythos der indigenen Bevölkerung Australiens. Es geht um die Entstehung des Uluru (aka Ayers Rock) und um die mythischen australischen Völker der sogenannten Traumzeit, die dafür verantwortlich waren. Lange Geschichte schnell erzählt: Die Windluka - Mulgasamen-Menschen - löschen aus verletztem Stolz erst das Volk der Mala - Hasenkänguru-Menschen - aus (bzw. vertreiben es) und starten dann (mithilfe von Giftschlangen-Menschen) einen epischen Kampf mit den Kunia - Teppichschlangen-Menschen -, in dessen Verlauf der Uluru als Inselberg mitten auf dem flachen Land entsteht. Geht gut ab, also viel Spaß.Steffi und Sarah sprechen wie immer auch kurz über den Prinzen und haben endlich endlich endlich mit dem Sommerhaus der Stars starten können. Einiges daran hat die beiden sehr aufgeregt. Außerdem gehen unsere beiden Heldinnen einen für sie voraussichtlich noch verheerenden Handel ein... Die heutigen Sad-Song-Tipps der 90er und frühen 2000er lauten: "Whole Again" von Atomic Kitten und "Closer" von Tegan und Sara. Ab jetzt gibt es auch eine Spotify-Playlist mit dem schönen Namen "sad songs from mythos und wahrheit" (Disclaimer: Nicht alle Songs sind sad, weil Sarah am Anfang nicht richtig zugehört hat und Steffi nicht sad ist und Sarah eigentlich auch nicht).

Bob'n Down Under (Airdate 9/27/2021) Australia is one of the top dream destinations for a lot of Americans. From beautiful beaches to Ayers Rock and even eating insects, Bob reflects on the first time he traveled there, something he'd been dreaming of since he was a kid. The Bob & Sheri Oddcast: Everything We Don't, Can't, Won't, and Definitely Shouldn't Do on the Show!

I had negotiated this trip in exchange of hard work in the USA and when it actually happened, I was a little overwhelmed. It was my first trip to Australia ever with a very large tour group and a complete airline chaos in the country. Let me tell you, how we improvised and turned this trip in the a huge success with the biggest tip I ever received in all the 11 tour guiding years. Find out about what's under the toilet lid in the Northern Territory and if the Ghan has wooden seats. Listen to my apology to the Anangu people for climbing Ayers Rock and many more snippets about the continent down under. Fly with me to Kangaroo Island and let's visit the little penguins on Philip Island. Let me know if you like my podcasts, send me a message and share with all your family and your friends. • Please subscribe, comment, like, and share this podcast with your family, loved ones, and friends. I would love to hear from you You can find me on: Facebook: https://www.facebook.com/elisabeth.toufexis Instagram: elisabethvilligertoufexis Support this podcast

Learn how to create positive experiences through every interaction with this year's recipient of the Clubs NSW Heart of the Community Award Paul Allan. Paul shares his journey in the industry from Ayers Rock Resort to Club Taree leading a small and mighty team. 

"People come a very long way to have that connection to country, connection to animals, to people, to culture."

"People come a very long way to have that connection to country, connection to animals, to people, to culture."

After the sun had set on August 16th, 1980 at Ayers Rock in Central Australia, 32-year-old Lindy Chamberlain ran from the tent at her campsite towards the communal barbecue area, screaming that a dingo had her baby. Nine-week-old Azaria Chamberlain, who'd been put to sleep just a few minutes earlier by her mother, Lindy, had disappeared from the tent. Lindy watched as a dingo ran out of their tent, carrying something in its mouth. A search ensued, but the baby's remains were never found. Was a wild dingo to blame for the death of the baby girl, or were her parents covering up a murder? Wanna join our email list and be the first to know about all the haps with Killer Queens?  Just visit this link:killerqueens.link/join. Just enter your name and email and you'll be added to the list for more gal-paliin' around with us! You'll also get a freebie just for signing up!  If you want more episodes, you can join our Patreon! For about $0.33/day, you can have 3 brand new Killer Queens episodes each week and over 150 full length bonus episodes to binge RIGHT NOW! That's less than you'd pay for a Surge! Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes Support Our AMAZING Sponsors: Best Fiends: Download the 5 star-rated puzzle game, Best Fiends FREE today on the App Store or Google Play. That's FRIENDS without the R – Best Fiends! Amazon Music: If you've never tried Amazon Music Unlimited, now's a great time! For a limited time, new customers can try Amazon Music Unlimited FREE for 30 days. No credit card required! Just go to Amazon.com/QUEENS Vodacast: The Pill Club: Right now, when you go to THEPILLCLUB.COM/QUEENS The Pill Club is offering a $10 donation to Bedsider.org for every Killer Queens listener who becomes a patient. Your donation will help low-income individuals get access to birth control through Bedsider.org © 2021 Killer Queens Podcast. All Rights Reserved Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon

We make the most of our time, and enjoy a number of different walks and experiences around Uluru and the spectacular Kata Tjuta. It is not until you are standing in the midst of these giants that you really get a perspective for just how impressive they are!We camp off grid at the Ayers Rock Resort campground, spending our nights warming up around the campfire. Plus we enjoy the beautiful Field of Light experience, an amazing art installation in the desert, enjoy an outback cinema like no other and take in all the beauty of sunset over the rock while we cook up a delicious damper on the Weber. Check out our latest episode on our YouTube channel -   https://youtu.be/mUkJghu_U98  Our YouTube channel www.youtube.com/thefeelgoodfamily has a new destination video every Sunday night at 6.30pm (AEST). We would love to connect with you on Facebook, Instagram and our website www.thefeelgoodfamily.com.au Our Family Travel Australia Podcast is now LIVE and available on all podcast platforms, with a new episode aired every Friday night 8:30pm [AEST].

Uluru also known at Ayers Rock is a massive sandstone monolith in the “Red Center” of Australia. For more, watch this video. Never heard of the magpie or “Swoopers” attacking people – I wasn't kidding. Gabrielle mentioned Stephen Denning. I was not familiar with him. I found numerous books he authored including The Leader's Guide to Storytelling. Aristotle's Three Types of Rhetoric: Ethos, Logos and Pathos. Gabrielle is the author of several books including Stories for Work and Magnetic Stories Gabrielle can be found at https://gabrielledolan.com/ and you can subscribe to her newsletter and get a 7 Day Storytelling Starter Kit for free.

Καύσωνας στην Αθήνα και στην Ελλάδα, και μιλάμε για τον καιρό, για το κρύο, για τη ζέστη και για σχετικές εμπειρίες μας με ακραίες θερμοκρασίες. Επίσης: φράπες (όχι «φραπές») και μπομπονέλες! Σημειώσεις εκπομπής (show notes) Ayers Rock (https://en.wikipedia.org/wiki/Uluru) Επτά λίμνες της Ρίλα (https://en.wikipedia.org/wiki/Seven_Rila_Lakes) Κυκλώνας Ιανός (https://el.wikipedia.org/wiki/%CE%9C%CE%B5%CF%83%CE%BF%CE%B3%CE%B5%CE%B9%CE%B1%CE%BA%CF%8C%CF%82_%CE%BA%CF%85%CE%BA%CE%BB%CF%8E%CE%BD%CE%B1%CF%82_%CE%99%CE%B1%CE%BD%CF%8C%CF%82) Προγνωστικοί χάρτες αφρικανικής σκόνης (https://www.meteo.gr/dustMaps.cfm) Τι είναι το μελτέμι; (https://el.wikipedia.org/wiki/%CE%9C%CE%B5%CE%BB%CF%84%CE%AD%CE%BC%CE%B9) Πρόταση της εβδομάδας Φράπα - Pomelo (https://www.mednutrition.gr/portal/efarmoges/leksiko-diatrofis/16422-pomelo-frapa) Μπομπονέλα - παγωμένο καρπούζι σε ξυλάκι - συγγνώμη, δεν βρήκα φωτογραφίες στο ελληνικό ίντερνετ! Παράξενη Ελλάδα Βιβλίο (https://iwrite.gr/bookstore/parakseni-ellada/) Πάντα Βρέχει (https://www.ekdromi.gr/blog/%CF%84%CE%BF-%CF%86%CE%B1%CF%81%CE%AC%CE%B3%CE%B3%CE%B9-%CF%80%CE%AC%CE%BD%CF%84%CE%B1-%CE%B2%CF%81%CE%AD%CF%87%CE%B5%CE%B9/) Απομαγνητοφώνηση Δημήτρης: [0:20] Γεια σας και καλώς ήρθατε σε άλλο ένα επεισόδιο του Easy Greek podcast, του podcast που σας μαθαίνει ελληνικά με αυθεντικούς διαλόγους. Μαζί σας είναι ο Δημήτρης, αυτός είμαι εγώ και η... Μαριλένα: [0:35] Και εγώ είμαι η Μαριλένα. Δημήτρης: [0:38] Πώς είσαι, Μαριλού; Ζεσταίνεσαι τόσο πολύ όσο εγώ; Μαριλένα: [0:41] Ναι, δεν, δεν είμαι καλά αυτή τη στιγμή. Έχουμε καύσωνα στην Αθήνα. Δημήτρης: [0:46] Έχουμε καύσωνα και όχι μόνο αυτό, δεν μπορούμε να έχουμε air-condition γιατί κάνουνε θόρυβο, δεν μπορούμε να 'χουμε ανεμιστήρες γιατί κάνουνε θόρυβο, δεν μπορούμε να 'χουμε ανοιχτά τα παράθυρα γιατί είμαστε δίπλα σε έναν πολυσύχναστο δρόμο και ουσιαστικά κάνουμε ηχογράφηση από τα δωμάτια που είναι πιο κοντά στο δρόμο, ε... οπότε είναι δύσκολη φάση. Πριν μιλήσουμε παραπάνω για τον καιρό γιατί αποφασίσαμε αυτό να είναι το θέμα μας μ' αυτή τη ζέστη, μας βγήκε φυσικά η ανάγκη να μοιραστούμε τον πόνο μας, ε... να παίξουμε λίγο ένα ηχητικό, το πρώτο μας ηχητικό μήνυμα που μας έστειλε ακροατής, για την ακρίβεια ακροάτρια. Σας το βάζω. Κατερίνα Γεια σας, είμαι η Κατερίνα. Είμαι 15 χρονών και ακούω το podcast σας εδώ και μερικούς μήνες. Ε, ζω στο Βερολίνο γιατί η μητέρα μου είναι Γερμανίδα και ο πατέρας μου είναι απ' την Ελλάδα. Κι έτσι για να εξασκηθώ λίγο περισσότερο στην ελληνική γλώσσα έψαξα ελληνικά podcast και ευτυχώς βρήκα εσάς. Μου αρέσει το podcast σας, τα θέματα για τα οποία μιλάτε είναι πάντα ενδιαφέροντα και συνεχίστε έτσι και να 'στε καλά. Δημήτρης: [2:10] Ευχαριστούμε πάρα πολύ, Κατερίνα, που μας έστειλες αυτό το μήνυμα, να 'σαι καλά που μας ακούς, χαιρόμαστε που σε βοηθάμε να κρατήσεις μία επαφή με τη γλώσσα. Μιλάς πολύ ωραία όπως και να 'χει. Άμα θέλετε και εσείς να ακούσετε τη φωνή σας στο podcast μας, μπορείτε να κάνετε ό,τι έκανε και η Κατερίνα, μπορείτε να μας στείλετε ένα ηχητικό μήνυμα. Θα χαρούμε πολύ να το ακούσουμε. Λοιπόν, Μαριλού, εσύ μπορείς πιο εύκολα το κρύο, το πολύ κρύο ή την πολλή ζέστη; Τι αντέχεις περισσότερο; Μαριλένα: [2:43] Τίποτα από τα δύο. (Χαίρω πολύ) Εγώ έχω το εξής θέμα: όταν έχει πολλή ζέστη, όπως τώρα, λέω «πω-πω να 'χε πολύ κρύο», όταν έχει πολύ κρύο λέω «πω-πω να είχε πολλή ζέστη». Ή τουλάχιστον ζέστη. Κοίτα, νομίζω ότι αντέχω τη ζέστη πιο πολύ, ίσως επειδή και το δέρμα μου είναι πιο... πιο σκούρο και πιο μελαχρινό κάπως να το αντέχει. Ε... Από την άλλη, δεν περνάω καλά σήμερα. Και σκέφτομαι ότι και το κρύο μου αρέσει. Δηλαδή... Όχι βέβαια το πάρα πολύ κρύο, στο πάρα πολύ κρύο μού βγαίνει ένας φόβος που τον έχω κληρονομήσει, εσύ το ξέρεις πάρα πολύ καλά, από τον μπαμπά μου ο οποίος φοβάται πάρα πολύ, παιδιά, πάρα πάρα πολύ το κρύο. Είναι, νομίζω, ο μεγαλύτερος του φόβος. Μην κρυώσει και μην αρρωστήσει και μην πονέσει ο λαιμός του. Όπως λέει χαρακτηριστικά, μην παγώσει η μέση του. Οπότε μου το έχει περάσει αυτός και σε μένα και άπαξ και έχει κρύο ξαφνικά νομίζω ότι πονάει ο λαιμός μου, ότι θα ανεβάσω πυρετό, ότι θα πέσω στο κρεβάτι για πολλές μέρες. Οπότε, ναι, κατά κύριο λόγο προτιμώ το κρύο. [4:00] Αλλά το φοβάμαι κιόλας. Δηλαδή αντέχω και τη ζέστη, αντέχω και το κρύο αλλά το κρύο το φοβάμαι περισσότερο. Για μένα. Για το μωρό φοβάμαι περισσότερο τη ζέστη. Θα σου πω μετά γι' αυτό. Δημήτρης: Δεν φοβάσαι την αφυδάτωση, Μαριλού; Για την υπόλοιπη απομαγνητοφώνηση, γίνετε μέλη μας στο Patreon (https://www.patreon.com/easygreek).

Ayers Rock were the first Mushrooms Records band to sign an international recording deal. And not just with any old 'Mickey Mouse' American record label either - no less than A&M Records run by the legendary Herb Alpert and Jerry Moss Ayers Rock created some incredible rock jazz soundscapes and they were the first Australian band to tour the American stadium circuit, playing before massive crowds in the years prior to the Aussie onslaught by the likes of LRB, AC/DC, INXS. Our special guest is Ayers Rock's multi instrumentalist Col Loughnan  

Before our 92 day journey on the Oz Bus concluded, we made one more epic stop at Ayers Rock.

A masterclass in giving someone the finger; Melissa Leong calls in from Ayers Rock; Tony Martin gets some sponsors; you call with your questions for Ask Browny and we make some announcements about our Big Brother event! A Nova Podcast Podcast Produced & Edited By Andy Zito Executive Producer: Jack Charles Producers: Victoria Wall & Brodie Pummeroy Additional Audio Production: Tim Mountford See omnystudio.com/listener for privacy information.

Hey Wicked Hunters, Welcome to another episode of The ART of Photography Podcast with Stanley Ar. Today I want to introduce Johannes Reinhart who's a master in performance photography but also in finding unique perspectives in common places. He shared how to approach photography with an open mind to be able to capture one that is unique to you. For those of you who want to learn more about Johannes: www.johannes.com.au Instagram: https://www.instagram.com/johannesreinhart/ If you want to watch the video podcast, head to https://youtu.be/g4ttCEb7GLc  Other ways to listen and subscribe to the podcast: Spotify - http://bit.ly/twhspotify  Apple Podcast - https://bit.ly/Theartofphotography  Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr  Website: podcast.thewickedhunt.com   Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr  For those of you who want to see more of The Wicked Hunt Photography: Instagram: https://www.instagram.com/thewickedhunt/    Facebook: https://www.facebook.com/thewickedhunt/ Masterclass: https://www.TheWickedHuntPhotography.com    Photo print: https://www.TheWickedHunt.com/  Don't forget to let us know your favourite part of the Podcast on the comment below and subscribe ----------------------- Johannes Reinhart  0:00   It's really like keeping an open mind. Like, look around and keep an open mind and don't get stuck on. I want to take this particular photo Stanley Aryanto - The Wicked Hunt  0:18   here, we can do this Welcome back to The Art of Photography podcast where we share our passion as a photographer, and we share how photography has brought hope, purpose and even happiness to our life. So today we have someone very special from Perth. I met him back during one of the project is called the 730 project. We were we were doing that as fundraising. And he is definitely one of the top Perth event photographer and one of the most creative photographer out there. He definitely find beautiful things in the order in ordinary things. So I'm very excited to welcome Johan is, are you doing your hunters? Johannes Reinhart  1:09   Yeah, good. Thank you. Thanks for having me. Stanley Aryanto - The Wicked Hunt  1:12   Yeah, no, great. How's things back in Perth? Johannes Reinhart  1:15   Pretty good. We don't have much COVID restrictions or life goes mostly normal. Stanley Aryanto - The Wicked Hunt  1:21   And it's crazy. It's just amazing. Yeah, yeah, it's crazy. I mean, like, it's crazy how people can you know, all the everything's open to venues and stuff. Like there's practically banging? Well, I guess that's the one advantage of being the most isolated city in the world. A Johannes Reinhart  1:37   definitely. Yeah. Stanley Aryanto - The Wicked Hunt  1:40   All right. So like, thanks a lot for coming in. And yeah, we met on, you know, that is 730 project there. And I think that was the first time I met you, which was a little bit embarrassing, because you're very young. It looks like everyone knows you. And you got definitely one of the top photographers begging for them, especially to learn from. Give us a little bit just introduction about yourself, you know, where are you? Where are you coming from in what type of photography you do and how you kind of get there. Johannes Reinhart  2:15   Because I come from Germany, and it's where the accent is, I moved to Australia, I think I was 25. And I live here for 20 years already. And I started photography, probably around 25 years ago, like proper way, I bought my first SLR camera and then really gotten into it. And in the last summit in 2003, I started going out professionally as well maybe like, after 789 years, being really keen photographer. So I shot a wedding at you know, we went to a wedding and took some pictures. And that turned out better than the ones from the wedding photographer. And the same thing happened again that year for another wedding. And then I thought I'm becoming a wedding photographer. So I started Yes, I started off as a wedding photographer, you know, just like, Okay, I'm a wedding photographer now. And that's why they're and you know, and then learning and then all learning and then digital came around. And then everything had to be learned kind of new, you know, computers and colour management, all that. And then and then after a couple of years, I didn't really pick up my camera anymore. Because I was associated picking the camera up with Burke and and then through some coincidence, and there was this photographer, like PIP photographers and Kurth group on Flickr. And then people being like going out and meeting each other. And I always did photography in isolation, really. And so Oh, there's other people like me, isn't that amazing? And then I went out and to the mates and we shared the photos after on online I mean, it's all normal now but back then, it was like to start off the internet, so to speak. And then I've really reignited my passion for photography. And I also realised what I've lost with you know, not picking up the camera for myself anymore for my own book. Just for playing around and then yeah, and then I never stopped, you know, taking pictures for myself and my personal work is really important to me, like I mean I'm really busy doing professional work which I kind of shoot everything nowadays, but I concentrated events and especially performance and a bit of commercial and bit of everything and teaching obviously. So it's it's a nice variety nowadays, that I can Stanley Aryanto - The Wicked Hunt  4:37   set that up. So would you say that performance and art photography is your main passion? Is that why you kind of you know, sway into that categories or Johannes Reinhart  4:51   nothing? Well yes and no performance for that used to be a passionate because it was so you know a such a different world. Hold on I Love You know, having access and the camera is a bit like a passport as the saying goes. So you Yeah, I I, I had total passion for performance photography and now I'm doing it for maybe over 10 years and then so it's not in I really love it. But it's it's kinda it's not this strange, exotic real animals, everything kind of becomes quite normal, which is really interesting, isn't it? And it's definitely a passion but at the moment I'm, I'm, I'm more kind of interested in my personal work I'm more interested in like, which sometimes performance matches like themes like light and shadow and alienation and life and death and loneliness and and subcultures, which, which performance, obviously, part of. Stanley Aryanto - The Wicked Hunt  5:51   Yeah, that's, that's really cool. I think definitely one of the photo that really catch caught my eyes on that project was that, just that the way you play with the shadow, you know, playing that contrast, it was it was, I never actually do that, in previous to that it was, it was mostly about, you know, trying to get the even lighting, make sure that all the subject is lined up. And it was, it was definitely a big mind shift, when, when I first saw that I was like, wow, like, you know, like, you don't have to see the dark, like, you don't have to see what's under the shadow, it actually could create something, like, quite unique about it. So that was really cool to see. What, what inspires you to, you know, do to do that kind of photography in the first place? Is it just as a, like, accident that you kind of come across it? Or was there an inspiration somewhere along the line Johannes Reinhart  6:49   that already leads back to my childhood? Because I, I've been really drawn to, you know, days to be black and white photographs and magazines and papers. I don't know where I've seen them. But I've been really drawn to Yeah, with the stark contrast the images, which, which those sometimes used to do and then when I had a camera, I kind of tried to do that. And obviously it doesn't quite work like that. And then you come to Australia and the sun is so much harsher than in Europe, as you know. Yeah, it's crazy. Like in Germany, if I should, in the middle of the diet, it's like a kind of overcast ish, almost overcast dish down here, the lights really soft in comparison. And in Perth, we have this extraordinary hard light. So you can create you know, if you expose for the highlights and your shadows become really deep and dark and, and I really love that kind of effect. And I'm, I'm naturally drawn towards it that just sort of an extension of myself really? Stanley Aryanto - The Wicked Hunt  7:47   Well that's, that's really interesting, you know, like, because, you know, most photographers look for that soft light, right? Where we're taught, like, hey, you know, go in the morning, or go in the afternoon where the light is soft. But here you are, like just taking advantage of something totally different. Something that's just so harsh, and people would probably stay at home, I probably would be stay at home by that time. But you take that into advantage. That's really cool. Johannes Reinhart  8:14   So can I just say something for that? Yeah, for sure. So it also came through necessity because I'm a stay at home dad, and I look after my kids and when they were little. So now they're teenagers, but whenever little is like during the day was the only time I could go out and have my own life. So, so I was like, I felt like I'm the lunchtime photographer, you know, the middle of the day here, I'm out and then I just kind of had to do with what I got. And then that's another layer that kind of added on to that. Yeah, that's I think Stanley Aryanto - The Wicked Hunt  8:45   that's that's also an important factor. You know, a lot of a lot of photographers out there, especially the one that can just start it, see those explosive sunset or sunrise, you know, for landscape or, you know, a special lighting and we are so fixated with those lighting, that, you know, if we go to the location, and then we didn't get that light, we would just pack our gear and go home which, you know, you said it perfectly sometimes you just have to take advantage of were what was the condition that you have? So that's that's really amazing. Yeah, so what what was your what's your biggest inspiration if there is any, you know, what, what, how does this creativity mind works? Like, you know, what sparked this create DVD? I suppose. Johannes Reinhart  9:35   That's a really hard question for me. It's like, I just thought back and mind I mean, the Magnum photographers used to inspire me. And now because I do photography for a long time and like 20 years intensively really, or obsessively could say, so now at the moment my inspirations really kind of trying to go deeper in my own personal work and vision and whatever that means, I don't even know what that means but but that's the kind of place I want to go to. So I kind of work on projects, I just finished a book from a Japan holiday that I might free books out of it, one family, one, street photography, and one that's about to do with, you know, the temporary nests of everything in our whole life. And, and, and, and that's just me, you know, being in middle age and trying to get my head around, but I'm going to die 40 years, maybe sooner. And just kind of being more aware of my time is limited here. And, and it just comes out in the work I should naturally and then it's like sequencing and putting it together and finding the theme. And just how I photograph, usually it's very much based on serendipity, I kind of go through everything a little bit. I something pops up, and then I go Oh, that's interesting. And I take note and and then over time I work out what are the important themes in my work, or what are themes in my work that just naturally come up and trying to kind of dig in on that and move forward. And so it's all like it, it's, it's a little bit like just finding myself and photography helps me to kind of put a light to what's in my subconscious then I can learn our game that's going on, because the subconscious was like maybe a year ahead or half a year ahead of what you actually know what's going on. And, and then just trying to combine it with my photography and learn about myself and my feelings. And, and, and also have fun and just like we beat New Zealand in January, which was very, very good timing and very lucky. And I was so excited about you know, discovering all I mean, we go for those beautiful nature walks and seeing those amazing things and, and I'm there with my camera as I can capture it and I'm so excited. And I think photography with photography, the the whole worlds like a treasure box, really. And it's just like, going out and discovering what's around the corner here and what's there and, and that brings a lot of joy into for me and capturing that it's a lot more fun for me than just seeing it. So because then I guess I can go hey, look at this. Look, look what I've seen, you know, and I mean, when I go with my family, I go oh, look at this and amazing, they're lucky or whatever. And once I take a picture, sometimes they go oh, that's actually not bad. Yeah, that's, Stanley Aryanto - The Wicked Hunt  12:43   that's a it's really funny, isn't it? Like, and it's really cool as well, like, how so basically, you're saying, you know, use photography as a way to express yourself and, you know, express your kind of inner thought and where you can going or what's in your head? In terms of photograph? Yeah, so like that, I find that it's really definitely one of the reasons that a lot, a lot of us do photography as a creative outlet. So how does that you know, how do you look beyond the ordinary? You know, because I see a lot of your photos, you, you, you focus on things that people wouldn't focus on just the quirky things, the little small details. And that was the one thing that I really noticed, you know, when I was there next, you cannot watch your work. It was just like, wow, and it was just like, how did he think of this just like blow you out of your mind, because it's not something that people would normally think about. Johannes Reinhart  13:47   When it comes to I think there's two different layers of it. One is I'm not interested in just another pretty picture. So I'm, I you know, that's how you start off or that's how I started off, you know, trying to emulate the photographer scene and emulate, you know, the great photos or, you know, Christian Fletcher took this photo of something and you know, and Duncan and you have that in mind when you go to Ayers Rock and you're trying to take kinda that similar photo and then you're very proud when just looks kind of similar. And then and then the next step was like, more finding my own voice and because I mean me lighting is just a great thing to learn photography, but then it's really like it might have been when I went to photo for you, which might have been 2003 or four. There was photo for you and then I went there and I say in photography that kind of found confronting is like, what this is, like supposed to be good photography, you know, because it wasn't just pretty pictures and then and that kind of really opened up my my world and seeing this was photography and that is photography and then going okay, what is it that I do? And I guess then I took a little bit of is a free pass to explore, go a little more me personal. And for a number of years, I was really struggling with that, you know, like this is popular and you feel like you're supposed to do what's popular, right. But then it's also but I prefer those pictures, you know. And then eventually, I ended up winning prices winning documentary photographer of the year, at the IPP with my own picture with that, yeah, put my own pictures in, I actually won. And I was like, amazing. And then that really manifested in my, okay, I, I basically, I won those prices, because I did what I did my own thing anyway. And then it's after that, it became really easy to just follow my own thing. And nowadays, I just do my photography, the why, in my personal work, do my photography that the way I want to do it. And then and it's very easy just to and then the other part of that is I go out and I try, I basically go out with an open mind and just look around and see what I find. And just trust in my gut instinct and trust in serendipity and, and often start with light in our NSA some interesting light somewhere, and then I look closer, and then I find something and then if I react to it, and then I start to take pictures of it. And then I mean, obviously if I react to it, and there's there's something that interests me, and I just kind of follow that. So yeah, like a treasure hunt, like, like in New Zealand. Yeah, that's, that's come out the way I like it in a way, which does not there many pretty pictures. But I don't know, oh, they're a little more more clutter, they're not as clean, I think I could shoot a lot more cleaner. If I and I do that more in my commercial work, where things are more orderly and clean. And in my personal work, it's sometimes maybe a little messy, but there's still some structure to it. And I guess my brain is a bit messy. So it just comes out like that. Stanley Aryanto - The Wicked Hunt  17:03   So that's, that's really cool to hear. And, you know, it's, I think a lot, a lot of people out there might have that thinking of, or pressure I should say, or pressure of reproducing something that you know, is beautiful as what the status quo accepted. So that's great to hear that you say that because, you know, it was a testament to itself that you you were able to win an awards just by being original. So you know, what sort of advice would you say to people who kind of just started and struggled to find their voice or, you know, try to find to be where you are right now. And they are still in the emulation sort of period. Yeah, Johannes Reinhart  17:51   I mean, just be yourself. Really, it's, it's sounds simple. And it is it is hard, because I mean, the old trying to fit in, like all of us, and I mean, the older you grow, maybe then you have a bit more luck with that, I just do my own thing, I think he probably really helps. It also really helps that I I had recognition with doing what I do. And then you know, it took like 10 years to get there. And I was sometimes really torn and not knowing what I'm supposed to do and, and but I learned by winning awards, I learned that you know, it doesn't really matter, like it's you just do your own thing and and if you get recognition, that's great. And if you don't get recognition at least you do work that's meaningful to you. And and that's I think that's a bigger price than winning awards. By ending up having photos they mean something to you and I got a couple of projects that that you know, they go a lot deeper and they're a lot more they're kind of important that in my life the kind of key the mark sort of key points and that came out in photography and I have a lot of pretty pictures that are really nice that you could hang up the wall but I don't really I don't have no deeper connection to them so they they're just kind of nice in our and maybe they get likes on Facebook or Instagram but they don't they don't do anything other than just being pretty to me and and I guess for your listeners if you if you just go out and you do you do what you connect with and you do things uy uy just means you like it like this and you're like high contrast or low contrast and it's just do that and and don't worry about you know the likes and what how it resonates with other people initially because if you just posted it just post you what you will really like to do over a period of time you will attract the people who connect to that kind of thing. And then you know in the long run you're gonna get your your recognition run by people liking what you do. And don't worry so much about the gatekeepers. You know, like we all we get recognition from our friends or friends, God is amazing. This is awesome, you know, but we want it from some strange, unknown people like an industry or somewhere that that we don't even know. But we want the recognition from them. And, and I mean, what does what's more important your friends are some random stranger really. So put emphasis on that to just play like, you know, move, move the blocks around a bit and give yourself the freedom to just go and explore. Stanley Aryanto - The Wicked Hunt  20:36   Yeah, that's that's a really good advice. I think that's, it's really powerful to say that, you know, do what, express yourself and do what do what's right for you and let those people that resonate with you follow you and not worry about those people who doesn't follow you, or doesn't resonate with you. So I think that's a really good advice. So, you know, you were sharing earlier about meeting up with this group of photographers and they were going out together and that kind of sparks back your your photography after kind of a wall, how important it is to have a community and you know, being able to be part of community in terms of progressing your photography, I guess not only just progressing your photography, but also enjoying photography. Johannes Reinhart  21:31   Yeah, I think it's like, for me, it's more enjoying photography and also enjoying connecting to people and, and sometimes I guess we feel, you know, like, I had this from a lot of photographers or artists, they feel a little isolated. I feel like I'm a bit weird. And then you go to a photographer's me, then you go, or I'm not the only weird one. There's, there's lots of us. That's, that's a really nice thing too. You know, I mean, I have friends of our family friends, we have friends who get my photography, and we have friends who just don't get you know that they like to pretty pictures and they go, Oh, that's great. But if I show them like my RT book, then I go it's all a bit strange and random. You know, not not everybody's gonna get it. And, and yeah, photography mates. It's nice to meet those people. And you can, I mean, human connection is like, many when you look at life, I think that's, that's the biggest thing, like your family and friends comes, I think when you all that comes before everything else it will crystallise for I think for most people. And photography is like a way to make friends and to meet people and be don't feel so lonely and isolated, I guess. Stanley Aryanto - The Wicked Hunt  22:46   Yeah, it's, it's actually really interesting that you say that, because sometimes photography, for me is a good thing. It's a thing to run away and actually be alone and isolated. And I think it's one of the reasons why I like to do Astro photography, because, you know, he was so serene, like, you know, being out there at night. And yet you you don't feel alone, because you know, you get to enjoy all the stars. And it just give me a perception that there's somebody out there. So yeah, it's really, it's really interesting to see that different perspective. And you know, how everyone have that different perspective. So what, sir, yeah, Johannes Reinhart  23:25   good. Yeah, but um, I totally get what you do. And I do that too. And, and I'm an introvert and I need time on on my own, but then it's, it's also really nice to be kind of connected to photographic community. Like, for me, it's a real benefit. To be, you know, to have that community. Yeah. And then, also going out alone. I mean, my best pictures I usually take when I'm on my own, because that's where you can really focus and connect with what you're photographing. Stanley Aryanto - The Wicked Hunt  23:57   Yeah, it's, yeah, it's, it's very interesting. I mean, like, one of the things that I like about hanging out with like, other photographers is just the inspiration and different perspective that I get learn from them. And, you know, like, for example, when I was meeting you or like, for example, now I'm part of the collective exhibitions, shorts, photo exhibition, and that was that there was a big sort of mind shift in my photography, because I saw some photography that I've never seen before. And I was like, wow, like, you know, possibilities, just analysts. So so that's really cool that you know, you kind of have that realisation and you know, follow that your own path. So how how do you translate a lot of this in terms of to your do your professional work you know, because then you how do you how do people can see is like, Okay, I'll hire Your Highness because he's really good. When a lot of your photo are more like, you know, really artsy and Really, I should say that a lot of people, like you say, hard to resonate with. Johannes Reinhart  25:06   I mean, the ones I've posted are mostly mostly like what I consider the cool photos. And then so that's in other performance ones, a lot of them apply to most of them. And some event photos sometimes I post but mostly it's like work I finished the job and I kind of move on to the next one. So it kind of works because I have enough people who know me and know my work and I've worked for them previously or that you hear recommendations are made my business kind of doesn't run online, it is just like word of mouth and, and I don't actually post that much. I started posting a little bit more with COVID since I lost all my work and then I thought oh, maybe I should post a bit of this what I can do kind of thing for you. Yeah, the business is it's a little bit different as an I photograph to you know, you need a product or you need a promo shot or you need a photo for specific purpose and trying to deliver on that purpose and provide value to you. And I've been very lucky because I shot weddings for almost 15 years. And then I realised I don't have the passion for it anymore. And I thought it's time to move on. And I was really worried that you know, I don't get enough business after because that's my bread and butter. And then I just realised very quickly that I said no to a lot of jobs when you know when when people ring as I can you do this next week, and often they go can you do this next week, and I always had to say no, because I've been booked out with weddings, and I didn't really realise that so so much. So that really helped and I started teaching and then over the over the years I've build up performance photography, especially at fringe and a little bit during the year to that kind of Yeah, just just just by doing it passion first for passion for a while and then you know works kind of crystallised out of that and then more work crystallised out of that. And nowadays, I don't shoot many shows for free anymore, so to speak, you know, the most of them are paid. And when I shoot free, I'm shooting very different. I'm picturing fairy, like I'm trying to get artistic photos, which are sometimes better, or I find them better, but they're really hard to photograph and you missed a lot of good shots, if you follow down at artistic rabbit hole, because then I go blurry, and I go, you know, all sorts of stuff. Because I'm really, in my personal work, I'm experimenting, like a lot, and I just, I just play around in a way. And through the applying, I'm learning and become a better photographer, which then feeds into my professional work that, you know, I have all those tricks up my sleeve that I could, you know, this scenario could do this, and that's an I could do that. And I you know, break it up here a little bit and they and and also realised over the years people book me for my artistry, not just for commercially pretty, like, you know, nice, nice images, they also want a little bit on maybe extra feeling or something. Stanley Aryanto - The Wicked Hunt  28:18   Yeah, that's, that's really cool. Because, you know, at the end of the day, it's it's come back to what you say about being yourself and then just let those people who can resonate, you know, come to you and not worry about those. So that that really, really good to see how that translate just not only in the personal side, but also to professional so so I want to talk more about your event photography side of things, you know, you take the amazing event photos, performances and stuff like that. Whereas a lot of this angle came from you know, like the the creativity and you know, playing around with the lights and so forth, the poses and so forth. Johannes Reinhart  29:02   Well, depending on where it is, it always often always starts with light, I look for good light. And as an event photographer, especially if performance photographer, you you are a little bit at the mercy of the lighting guy or the lighting, shot out show connections last week that had amazing lighting and now in it, it makes my job to create powerful images like much easier even though I was like a crazy man. But, but you know, like if they liked it well and they have to smoke for extra effect and all that that really adds or like in French, you know, the Spiegeltent shows so much better than some of the other venues where you just have one spotlight, and that's about it and then you a lot more limited in what you can do as a photographer. So light comes first and then the performance because I mostly should live performance. It's And it's really, by, by doing a lot of my doing a lot of photography does this kind of sixth sense to know when to press the button and things line up to you kind of now, I mean, you, you keep a light, you know, is obviously something I pay a lot of attention towards, and then the performance to and and, you know, you soom in and you zoom out and just trying to anticipate what's going to happen next, which then experience experience really helps, you know, like, you've seen a lot of shows and do certain things do you think art is probably going to something, something big is gonna happen? Maybe soon, that I better be ready to capture that, you know, over fire, you know, when I go fire, you know, and you have to then underexposed before it starts. So you're ready, and then and you hope you do, right. And because there's only one goes on often. And then you know, zoom out a bit, because often that that fire goes up. So it's just the experience and trial and error and, and everything I do you I kind of put in a memory bank, and I was like anything you've ser that works, I put in a memory bank. And I just kind of keep building on that. Yeah, that's cool. Stanley Aryanto - The Wicked Hunt  31:11   I do that as well, in terms of the memory bank, I think like, you know, you find a little quirky technique that comes up really nice, or that you really like you just like, oh, yeah, that's, that's a good technique, if it and then, you know, eventually, you have so many libraries you could play around with. But, um, and then, sorry, yeah, Johannes Reinhart  31:30   can I just add on to this. The other thing, the obvious thing that I haven't mentioned is, there's also the performance, I mean, they they bring their own artistry and creativity to this day, and their talent to the stage, and that, it kind of makes my job easy in a way, you know, because I don't have to make it all update, they create this world that I then really just kind of capture sometimes. And sometimes I'll fill in my own. Also with the Stanley Aryanto - The Wicked Hunt  31:58   with the live performances, you know, I see a lot of your work with the performance photography, it's, it's, it's usually on a dark condition, right, it's really dark, and then you got maybe a spotlight and hence what you say about how light is important. The ticker is true in terms of how do you go about and thinking about you know, because the most important things is in photography is light timing and placement, right, those three really dries the type of photo that you get. So how do you go about this thing? And how do you you know, how do you know when it's how do you decide I suppose not to know because you know, knowing can be from experience, but how do you decide when you want to go to this angle that angle or overexposed underexposed, and so forth. Johannes Reinhart  32:54   A lot of it is it's, it's a bit like being a documentary photographer, or wedding photographer, where you just you kind of photograph and you anticipate what's going to happen next and you think, is just going to be better from this side or that side. Or, or sometimes I like to move around. So it's not all just the same angles, there's not just you know, same angles as a TV camera will be which often is the best angle like the front and centre, you know, but you know, if you run around and you should from the sign up closer and shoot up and you just get more variety for for the client. And then you Yeah, it's really like trusting my gut instinct a lot. Or I'm going oh my god, this is gonna happen I'd better shoot off to the middle again, because then just needs to be photographed in the middle. So it's, it's I think previous visualisation plays a big role in that that you experience the performance especially where you can anticipate you kind of know a few things by seeing a lot of shows that this might go this way or that might go that way. And and then yeah, and then just paying attention to light and your camera settings and under exposes like I'm mostly exposed more to the right so I don't really try and blow on highlights but then sometimes I just go darker and then it's just I say something and I I react to it and I go I got to photograph it this way or that way and everything happens so fast that you really just kind of I don't know like it's like it's being driven Stanley Aryanto - The Wicked Hunt  34:30   cool. Yeah. Yeah. Cuz you go to this to this performance is the first time isn't it? It's not like you go there once and then you can watch Johannes Reinhart  34:40   a lot of Yeah, on most shows I should one time sometimes i I'm lucky. I should, you know, like, design people who put shows on and then some parts of that is similar as seen a couple of performers that I rephotographed and then sometimes so you design your shows or whatever, start off this I'm going to change it later slide. It gives me more sense of what might happen. But yeah, a lot of them is just reacting to because every time they put on a different show, it's usually it is a different show. And then you just kind of, but that also keeps it really fresh. I mean, if I photographed a snapshot twice, I could, I could improve some photos of that. Definitely. But then by photographing a show once it keeps it fresh, and it's better for the budget of the company twice. Stanley Aryanto - The Wicked Hunt  35:37   Yeah, like, that's, that's really cool advice. And it's, yeah, I find it great. I mean, I've never really done it myself. But just in my head thinking about, man, how do you know when you know things going to happen? And you know, when kind of placing yourself and especially when you saw it for the first time is, it's almost like you always have to be ready or something like that. A? Yeah. Johannes Reinhart  35:59   I take a lot of photos. Usually. It's not like film. Stanley Aryanto - The Wicked Hunt  36:06   It's that's the good thing about the digital camera. Right? Yeah. Cool. So now that's awesome. I love how how you share your perspective, or you hear that, you know, go with your gut. I think you said that a lot in this conversation, conversation is that go with your gut, and trust yourself and express yourself. I think those are the few things that are really important. So if you were to go back, let's say, you know, let's say you wake up tomorrow, and you lost all your skills, and you have to start all over again. How would you do? Like, you know, for those of you for those of the listeners who kind of just get started and want to get to it, you know, how would you do it? What are the steps that you would take? Johannes Reinhart  36:55   So what I, what I really, if I lose everything, I kind of want to lose it in a way that I also don't remember that I had the skill before. So I can just be fresh. And the beauty is like, the beauty is, when you don't do photography for very long, that you have this kind of inner sense, and everything is new and exciting and fresh. And I don't have that anymore, because I've been doing it so long. And yes, I can get probably a really good quality consistently. But the images that excite me, for me, it's much harder to get those images, because you just don't find them very often. And when you when you're just starting out, you know, like an image that maybe five years from that time you took it you think, Oh, this is amazing. And three years ago, oh, actually, it wasn't. But at the time was amazing, and a lot more things are amazing. And that, that that is really so beautiful. And I think it needs to be enjoyed. And rather than trying to be somewhere at the top, whatever the top might be, because, um, you know, that all those things are kind of, I feel like they're a little bit concepts, you know, I mean, I don't see myself at the top, I just do my photography. And, and it's, it's really great that I'm very lucky that I have a lot of people connect to my work. I made people who told me that they really love my photography, and I really valued it and, and appreciate it. At the same time, I just kind of do it for myself, it's kind of a little bit selfish, you know, exploring my little rabbit hole of photography, so to speak. And, and, yeah, and, and each stage you are on, like whether you're just starting out, or whether you're doing this for 10 or 20 years, it's, it's, there's a benefit to it, and you but you can't have everything and so just enjoy the state you in and not worry so much about, I guess external validation, that's, I think, a really big tip and just kind of do your own thing and, and ply and feel free and try not to force things too much. You know, I see a lot of people that kind of create it to the block, you know, because they kind of want to do something, but then in any event, I do that myself and you know, like a year and a half ago, I was like I wanted to do some great project, you know, I'm thinking about the outcome. Instead of thinking about the actual project and doing the project kind of freely, you know, I'm thinking about the outcome and because I want the outcome to be great. I put pressure on myself to even you know, even get started and can be blocked to even start which is kind of really the opposite of when you start out and pick up a camera and everything is just kind of playful and nice. And so I guess we all try to keep more of that so and I would really enjoy like you know, just starting out and and not knowing what I was good at and just you know, kind of just playing around. Stanley Aryanto - The Wicked Hunt  39:59   That's that's cool. I think that's really cool. You know, the fact that you see just focused on on having fun and enjoying it, that's, that's really amazing. We just have that conversation right there. You say something about, you know, just just gonna go your own way, enjoy it have that first perspective and have enjoy that first back first perspective. And as you kind of get get along, the more you do it that that excitement can go away. So, for yourself, um, you know, how do you keep the excitement going like do not burn now in photography, and to keep enjoying photography. Johannes Reinhart  40:41   I mean, I burn out once or twice a year, usually, usually when I work too much, and it's kind of I've gotten, I'll just say, I'm alright with that. I know, I need to back off, like, I just can't work all the time. But then, and then there's also lose my mojo at least once a year, if not three times a year, when I lose my mojo that I don't want to, I don't feel like picking up the camera. And I usually force myself to pick up the camera and just go, you know, I feel like, everything's a bit jaded and bit boring or whatever. And, and I'm not really in the mood to force myself to go out and take pictures, you know. And by going out, I find, you know, once I find something that I just really cool, then that gives me the first spark and then that leads to Oh, that's really cool, too. And then, you know, I got three of really cool things. And then then I'm back in, you know, enjoying photography and, and doing it. So for me, it really works to push myself and force myself not to not to force myself to pick up the camera and, and that will I learn from that, that, hey, I really love this. Because by doing it, I realised how much I actually love just capturing moments and, and looking at things. Because it's also reminds me of when I've been out on a photo walk, you know, and I'm thinking, you know, like, oh, isn't that nice? Here? Yes, I don't have to perfect clouds for this perfect landscape shot that you probably hoping for, you know, but I still find things here and there. And isn't it just nice just to be out in that beautiful environment and soak up the atmosphere even though it's not perfect for photography. And then I thought, you know, that was poor landscape photographer who make a living, they go out and I think ash clouds are wrong. And it's, it's, it's the same sunset at the beach. But it's two different approaches, right? One is like, I'm so happy I can be here and enjoy it. And the others, like our shirt is not working. Because I want perfection. And Perfection doesn't happen every day. And I'm trying to be more than that, that first one, we're just trying to enjoy my environment. Even if I don't get the perfect pictures, and I'm quite famous. So Stanley Aryanto - The Wicked Hunt  43:02   it's interesting that you say like, because I think I'm not well, maybe I'll just speaking for myself, but I feel like a lot of photographers out there are really perfectionist about their art, like, you know, they, they really want to make sure that everything's right that you know that the noise is really low. Well, most of the most of the time, like the viewer actually just enjoy it the way it is. So what have you, you know, what advice or what have you got to say to the listeners out there who really basically stopped progressing further or stopped taking more photo because they're looking for that perfect one photo. Johannes Reinhart  43:42   Yes. Like, open your eyes. And, and I guess, you know, you go down to the beach, just use the beach as an example you go down and, and you want to take this amazing picture of like a shovel of rock, you know, like, iconic web location. And then the clouds is you know, there, you take a really great photo there when the clouds landscape is as always to do the clouds have to be in the right spot. So it frames it just the right way, right. And you want to match them with sunset time. If those two things don't match up, you know, you can go there like 200 times a year and maybe five or six times a year you get something that's close to perfect. And maybe once a year or once every two years from that spot that you think is the best spot to photograph you might only get that once and then but the thing is like when the clouds are a little off you can move left or right to Frank a subject you know so you don't get it from the perfect spot but just by moving around a lot. You can you know work compositionally and then when you open your eyes you can find a lot of other things you know there's this decide Robin Sugarloaf that looks a little bit like a hawk, you know that. You can just take a photo of that and last time I was there after sunset, I was like seagulls landing on and Flying offence I took kind of, you know, sumed in the big lens and, and took photos of that in blurry birds and, and it's really like keeping an open mind, you know, like, look around and keep an open mind and don't get stuck on, I want to take this particular photo and but it's more like reacting to what's around you and making making the most of it working with what you got in and then looking around you know and keep keep looking to see what you find. Stanley Aryanto - The Wicked Hunt  45:28   Yeah, that's, that's awesome that is really awesome. Like to get those kinds of photos I would imagine because, you know, those, those story that you just told me there, I was just thinking that requires a lot of observation and actually, you know, looking into the different thing and looking actually quite deep into the scene, right? How how long you usually spend in a spot do until you can, you know, come up or notice those quirky things that most people don't notice it. Johannes Reinhart  46:01   Yeah, no, I totally, I don't have much patience. I really thought about taking up painting and it's like, when I see them, I spent like three hours on a painting and it's on quarter finished or something it's like bigger than not for me. Stanley Aryanto - The Wicked Hunt  46:22   Yeah, I as Johannes Reinhart  46:23   long as if I don't find anything interesting, then I just usually keep walking, you know, walking around, and then and if I find something interesting, then I stay and linger on and then it depends on because, you know, often the lights good when Mendes happens and then so either now I got a couple hours I go out, you know, I'll go photographing for an hour or two. And then then I need to go home. Because it's like, it's time. So I just want the round. Really just, you know, I go to an area where I think there could be something. And then sometimes the light works, and sometimes the light doesn't work. So it's really like sometimes you got you got it, there's nothing here, you know, and then you just keep walking and, you know, it's always good to be out. That's what I tell myself anyway. And but you have to be out there because it's like hunting and then sometimes in Alabama think oh, there's nothing here then I see this tree and I'm really drawn towards this tree, you know, like, because the branches kind of reach up. And obviously, that's something I really connect with reaching up to the sky at the moment sort of thing and, and then you know, and then I photograph final group composition for that branch. And that, you know, that I find so so amazing at that time. And then the next thing is a bird lands on it. And then I you know, there's just a little extra something and then wait for the bird to be in the right spot. And then And that's like me like spending eight minutes just photographing just this tray with a bird and then I think is time to move on. You know, like the bird hasn't been that the perfect spot, but it's good enough. And I'm kind of I don't feel like engaged anymore. So I move on. I guess that's when I moved home and I don't feel engaged. Wow, Stanley Aryanto - The Wicked Hunt  48:04   that's really interesting to hear that you are now patient guy because, you know, I saw a lot of that formula requires a lot of patience and you know, observation and actually watching you know, for a while until you kind of see those things. Johannes Reinhart  48:19   Yeah, usually, yeah, like, contract to cut every so I don't, I don't usually wait more than five minutes when I see like an error. I think I'd be a really cool picture and waiting for someone to come through it. And yeah, five minutes is I find it very hard to stand on a street corner without feeling like I'm going to be being up to something better so but by moving around, I mean that's that's a downside to that because I sometimes don't have this, you know, the perfect composition for people just walking through but then I'm not interesting, just pictures of people walking, for example. So when I walk straight and I might see a character that I'm gonna think oh, you know, that looked really interesting and I now over there does this doorway and so I kind of shoot off and trying to get him at that that doorway or, or just kind of react to the scene much more and I think the good side of that is that the photos are kind of more fresh than not as stage so to speak. And and by I think that really worked in the long run for me because sometimes you're lucky and you see something that's, that's out of the ordinary and obviously and then trying to capture it and and also try to capture it well and not just you know, just pointing the camera I'm thinking about okay, where are they going? What see I love it. What can I work with here? You know, sci fi at the beach, and that's this rainbow you know, and obviously none of the normal thing is to photograph the rainbow but then the next step is to step back and go. What else is around kits that can sell something I can use with the rainbow you know, some static element or is there Hey, that's a couple Hey, Guys, do you mind if I take a picture of you in rainbow? And it just kind of work with what you got? Or there's a dog and you chase the dog in front of that in the rainbow maybe or something? I don't know, especially when he left legs up. That'd be a picture anyway. Sorry. Yes, I react to and, and trying to make things work for what I got a lot. Stanley Aryanto - The Wicked Hunt  50:23   Awesome. So it's more like so literally where you say that you just basically capture a moment when it's there like you don't wait for it to happen. You don't stage us. You say it happens, then you capture it free? Yeah. Wow. That's amazing. Well, thanks a lot, Johan, is, you know, it's been a interesting conversation there. And there's a lot of things to do learn from that just both be so philosophically as well as technically in photography. So that's great. Like, thanks a lot for sharing that. So share with us what what kind of because you say you're like working in project, you have a project that you're working on at the moment? Johannes Reinhart  51:08   Yeah, I have one project I worked on for a week last year. It's called What's it called silently falling apart, and then I'm totally blocked to kind of restart it again. So that's going to be an exhibition in the long run, maybe, maybe in 22. Maybe even later, because it's it's a project that I'm trying to go deeper with this one, and I'm trying to really kind of shoot it till I feel like I got nothing left to give in this project not not to finish prematurely. Yeah, so that might be a while. And I guess the resistance is big for this project. So I'm kind of have to work with my own fears of overcoming and try not to put pressure on myself. And I, you know, there's a couple of blocks I've shifted in my head. So I give myself an opening to tell myself just be playful, just just basically see what happens, you know, don't don't make this bigger thing where you don't want to go into just kind of be playful and see what happens. That's, that's where I'm going. But lately, I've been really busy with work again, and then. And then it keeps going to school holidays and an astringent. And this after finishing this kind of an exhibition. And in digital next year, we plan for the book project and, and things just keep moving. Yeah. Awesome. I'll get there. Stanley Aryanto - The Wicked Hunt  52:33   I'm glad to hear I'm looking forward to that. But for the listener who's wanting to hear more about you and wanting to learn more about you where what is the best place for them to find you. Johannes Reinhart  52:46   So the best place is my website that's at www.yohannes.com.au. So Johan is J out h a double n Es. And there's a signup form to my newsletter, I started a newsletter a couple of months ago, that's kind of inspirational newsletter that I show a bit of what I do and then and it's really meant to kind of be more inspirational and not like, you know, like, yeah, it's got my voice a little bit and I think it's, it's quite nice. And then there's photo Mate, I'm going to do a bimonthly photo mate if you're from Perth. So that's where you're going to find out about that. And the productivity tips like yeah, better, like five different little things. And, and that keeps me on my toes and on top of everything else. And then Facebook and Instagram Yanis. Reinhard, yeah, Stanley Aryanto - The Wicked Hunt  53:40   awesome. Awesome. Yeah, no, no worries, I will make sure that I have all that in in the description. So if you didn't get that, don't worry, it's all gonna be in description. But look, thanks a lot. You're honest, for being with us. And yeah, that was a great conversation there. And we can do so thank you very much for tuning in. And like I say, if you want to learn more about your harness, you can look it up in the description below. You can check out some of his art photos as well as his performance photo. I just love his performance photo. It's it's so it's so unique as well, this is just out there. And don't forget to subscribe below and follow. Let me know in the comment below. What do you think of this conversation? Let me know if you try some of them. You know, Hannah's tips there about coming up with something really different and something that really interesting that helps you to express yourself instead of just you know, taking photo that is the most popular one out there. But thanks a lot for tuning in. We get hunters and I will see you again next week. Until next time, Johannes Reinhart  54:58   thanks so much for having me. Awesome thank you bye  

Tonight, my guest is Sarah Bartlett who's here to discuss the book she wrote for National Geographic called Supernatural Places. Want more paranormal episodes? Follow our new podcast 'Paranormal Fears' on any podcast app or Apple Podcasts. Enjoy the AD-FREE versions of our latest episodes and our archives right now from anywhere in the world. Follow us on Instagram @mysteriousradio Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio Visit our website: https://www.mysteriousradio.com Witches and demons, ghosts and vampires, aliens and voodoo spirits from spooky to chilling to downright weird, signs of the supernatural have terrified -- and fascinated -- people for centuries. Dare to discover some of the world's most puzzling enigmas in this remarkable book, which reveals a dazzling array of haunted castles, forbidden hideaways and otherwise eerie landmarks. Packed with rich illustrations, National Geographic's first-ever guide to the world's supernatural places showcases more than 250 spooky destinations around the globe. Uncover the origins of the vampire, found not only in Romania, but also in Madagascar and the Philippines. Encounter the array of ghosts said to haunt deserted battlefields, abandoned mental asylums, cemeteries and other spine-tingling sites. Consider the possibility of extraterrestrials spotted everywhere from Sedona, Arizona to Flatwoods, West Virginia. And experience the mystical origins of such extraordinary places as Ayers Rock, Australia and Chichén Itzá, Mexico. Vivid, dramatic, and chock full of inside information on when to visit, this spooky book will convince you that there might be more out there than meets the eye. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The most difficult part of any endeavor is taking the first step, making the first decision." We discuss Tracks by Robyn Davidson and her empowering 273-day, 1700-mile trek across the western Australian desert with four camels and a dog. Why she did it, what total solitude in the desert (without screens) would be like, why people care so much about names, and how exciting it is to get to know plants! Includes a can't-miss scary camel story from Uncle John.   For additional content follow Black Gold Cabin on Instagram @blackgoldcabin and find us on AirBnbRoyalty Free Music Provided By:"Without Limits" Ross Budgen (YouTube Channel) Licensed under Creative Commons: By Attribution 3.0 License"Sands of Mystery" Trey VanZandt (YouTube.com/c/treyvanzandt) Licensed under Creative Commons: By Attribution 3.0 LicenseReferencesDavidson, Robyn. Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback (1980).Davidson, Robyn. National Geographic, “Alone Across the Outback,” May 1978.Tracks. Directed by John Curran, performances by Mia Wasikowski and Adam Driver, See-Saw Films, 2013.Nick Smolan, Inside Tracks: Robyn Davidson's Solo Journey Across the Outback (2014).

Hail the Chosen One, or King of the Jews. President Trump described himself as both this week where the big stories reigned supreme.  In the studio as always is Tim Wilms Editor of Chief of The Unshackled, David Hiscox Editor of The XYZ, joining us for the first half of the show Richard Wolstencroft from the Melbourne Underground Film Festival and the Report from Tiger Mountain, and later on via Skype returning is Australian Meditations. Trump has been talking himself up as Isrealis greatest ally, even suggesting Jews in America should vote for him on that basis. He was successful in having Israel ban two members of the congressional squad Ilhan Omar and Rashida Tlaib from traveling to the West Bank. Trump made a pitch to purchase the island of Greenland from Denmark, but the offer was not well received by the Danish Prime Minister. Jeffrey Epstein's death has been officially ruled a suicide by the medical examiner, despite all of the irregularities and suspect circumstances surround his death in custody while awaiting fresh child sex trafficking charges. Australia is assisting the United States in sending warships to patrol the Straight of Hormuz, the strategic sea passage to the Persian Gulf and the Arab states. Iran has seized two oil tankers traveling through to flex its diplomatic muscle in the wake of the US tearing up the nuclear deal. Alan Jones and SockGate has continued. ABC's Media Watch program on Monday night revealed more comments he made against Jacinda Ardern. Sleeping Giants Oz and Mad Fucking Witches have pressured 22 advertisers to withdraw from his radio program. The new owners of 2GB Nine seem to be laying the groundwork to dismiss Jones. Pauline Hanson went to climb Ayers Rock before the activity is banned this October. However she sought permission from the two sons of Paddy Uluru and the Anangu Council of Elders. Later this week she was banned from Twitter for suggesting climate protestors should be moved on with a cattle prod. The Queensland Government is finally promising to introduce tougher laws to crack down on invasive and disruptive climate and vegan protesters in the state. Premier Annastacia Palaszczuk has been under pressure not just on that issue but the alleged corrupt activities of her Deputy Jackie Trade and Chief of Staff. The Proud Boys went to Portland in the US state of Oregon again and triggered Antifa. All the Proud Boys did was show up and Antifa with their armed violence again proved why President Trump is right in looking into listing them as a domestic terror organisation. The battle against the legalisation of abortion until birth in New South Wales has had a significant victory with more time allowed for consultation. This following a highly successful rally for life outside the Parliament Tuesday evening. Religious leaders and institutions have played a huge part in the renewed movement to protect human life. The upholding of the jury conviction against Cardinal George Pell by the Supreme Court of Victoria has still led to a community divided. Many believe the probability of him sexually assaulting the two choir boys in St Patrick's Cathedral was zero. It has led to a further credibility attack on the Catholic Church. The Unshackled Links: https://www.theunshackled.net/ https://www.youtube.com/c/TheUnshackled https://www.facebook.com/TUnshackled/ XYZ Links: https://www.xyz.net.au/ https://www.facebook.com/itsyourxyz Matty's Modern Life Channel: https://www.youtube.com/user/mattus52 Matty Rose/XYZ Live https://www.youtube.com/channel/UCsVPqW6Mi0XP6hOXTE4sT6g Richard Wolstencroft Links: https://www.theunshackled.net/reportfromtigermountain/ http://muff.com.au/ See omnystudio.com/listener for privacy information.

After a week off due to the ill health of the hosts The Uncuckables and we cram as much news and discussion into an extended show as possible. As well as David Hiscox, Editor of The XYZ and Tim Wilms Editor of Chief of The Unshackled returning also back from absence is James Fox Higgins of The Rational Rise. The world came to know who the Squad were: the progressive Democrat freshman congresswomen Alexandria Ocasio-Cortez of New York, Ilhan Omar of Minnesota, Ayanna Pressley of Massachusetts and Rashida Tlaib of Michigan. Trump has clearly had enough of these anti-American socialists and told them on Twitter to go back where they came from. The Squad have called for Trump to be impeached due to his racism and human rights abuses at the southern border. But their labeling of illegal immigration dentition facilities as concentration camps inspired an Antifa terrorist attack. Elite pedophile rings can no longer be dismissed as mere conspiracy theories with the arrest of pedophile billionaire Jeffrey Epstein on fresh child sex charges. But it would seem the internet is trying to divert the public's attention away from this scandal which implicates powerful people. The Storm Area 51 Facebook event has now taken over the internet instead. Hollywood is remaking classic movies replacing the lead characters with people of colour. The Little Mermaid Ariel is now black, and 007 is now a black woman. It is clear that Hollywood is helping to reshape demographics and the multicultural messaging in western societies. We review the recent court cases featuring prominent nationalists Tommy Robinson, Avi Yemini, Neil Erikson and Blair Cottrell. We finish by looking at the pending ban on climbing Ayers Rock because it is allegedly owned by the Aboriginal people and a sacred site. But it appears to be a cover for telling white people off again for being racist and insensitive. The Unshackled Links: https://www.theunshackled.net/ https://www.youtube.com/c/TheUnshackled https://www.facebook.com/TUnshackled/ XYZ Links: https://www.xyz.net.au/ https://www.facebook.com/itsyourxyz Matty's Modern Life Channel: https://www.youtube.com/user/mattus52 Matty Rose/XYZ Live https://www.youtube.com/channel/UCsVPqW6Mi0XP6hOXTE4sT6g The Rational Rise/James Fox Higgins Links: https://www.youtube.com/channel/UCdEfsAy6rUDPnm9HwKA_asg https://www.facebook.com/theJFHshow/ http://therationalrise.com/ See omnystudio.com/listener for privacy information.

It was another violate news week around the world. To discuss and analyse it all once again is Senior Editor of The Unshackled Damien Ferri. The biggest political story is United States President Donald Trump taking on four far-left progressive Democrat freshman congresswomen known as the squad: Alexandria Ocasio-Cortez of New York, Ilhan Omar of Minnesota, Ayanna Pressley of Massachusetts and Rashida Tlaib of Michigan. In a series of tweets, he accuses them of hating American suggests they go back and help fix the totally broken and crime infested places from which they came. Trump has yet again been called a racist and the Democrat controlled house passed a resolution condemning his tweets. But Republicans now appreciative of his successes in office have not succumbed to media pressure to condemn Trump. Most rational commentators see Trump's attacks on the Squad as part of his 2020 re-election strategy to position himself as being the pro-American candidate and the Democratic Party as trying to undermine American values and greatness. The Democrats have been trying to undermine the US's southern border security attacking ICE detention facilities and raids. An Antifa member attempted a terror attack on an ICE facility in the US state of Washington armed with bombs and a rifle but was shot dead by police before he could harm anyone. Back in Australia climbing Ayers Rock is set to be officially banned due to the alleged spiritual significance of the site to Indigenous Australians. This seems to more of a case of those in the indigenous grievance industry finding another way to tell white people off for being disrespectful. Former Greens leader Bob Brown has decided he doesn't like wind-farms due to their environmental and atheistic impact in his home state of Tasmania. He is now opposed to coal, hydro, coal seam gas and now wind power. There have been more anti-Adani coal mine protests in Brisbane which intentionally block peak hour traffic. The Queensland Labor Government has reluctantly approved the mine but seems to be perfectly happy to enable these disruptive protests led by Marxist group Socialist Alternative and extreme environmentalist group Extinction Rebellion. The Unshackled Links: Website: https://www.theunshackled.net Facebook: https://www.facebook.com/TUnshackled Twitter: https://twitter.com/Un_shackled Free eBook: http://theunshackledbattlefield.net/ The Unshackled Shows: The Unshackled Waves: http://www.theunshackledwaves.net The Report from Tiger Mountain: https://www.theunshackled.net/reportfromtigermountain/ The Uncuckables: https://www.youtube.com/channel/UCDg6qZbQt68DJ4gmHWhOCuw Support Our Work: Membership: http://www.theunshackled.net/membership Donate: https://www.theunshackled.net/donate/ Subscribestar: https://www.subscribestar.com/theunshackled Patreon: https://www.patreon.com/theunshackled Paypal: https://www.paypal.me/TheUnshackled Store: https://www.theunshackled.net/store/ Other Social Links Facebook Group: https://www.facebook.com/groups/theunshackled/ Instagram: https://www.instagram.com/the_unshackled Minds: https://www.minds.com/The_Unshackled Gab: https://gab.ai/theunshackled MeWe: https://mewe.com/p/theunshackled Telegram: https://t.me/theunshackled Bitchute: https://www.bitchute.com/channel/theunshackled/ Theme Music Super Power Cool Dude by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/ Support the show: http://theunshackled.net/membership/ See omnystudio.com/listener for privacy information.

Reisen Reisen - Der PodcastAustralien ist mehr als Sydney, Great Barrier Reef, Ayers Rock, Melbourne! Unser Tipp: West Australien. Ein Roadtrip von der coolsten einsamen Stadt der Welt (Perth) zu Walhaien, menschenleeren Korallenriffs, grandiosen Campingplätzen, super Menschen, 1.000 Kängurus, epochalen Barbeques und Sonne, Sonne, Sonne. Ach so: Auf dem Weg nach Australien liegt ja Asien. Singapur zum Beispiel. Zwischenstopp empfohlen!Alles zu dieser Traumreise in unserem Podcast! Hosted on Acast. See acast.com/privacy for more information.