Podcasts about urda

Miguel Ángel Santolaria tiene de invitada a Carmen Gómez Urdañez, catedrática de Historia del Arte de la Universidad de Zaragoza, que nos hablará  de las obras que se pretenden realizar en el Palacio de La Lonja, que resultan un atentado cultural a tan emblemático edificio.

Este miércoles se estrena en el COAC 2025 la nueva chirigota de Moisés Serrano y José María Barranco ‘El Lacio', 'Pa rebeldía mi poesía, po cógela que es mía' donde militan tres rondeños: Rubén González, Pedro Benítez y Francisco Javier González Urda, que ha estado en el programa Hoy por Hoy explicando la experiencia de subirse en las tablas del teatro gaditano con una agrupación local.

20 Minute Softly Spoken Meditation   Old Lyran written as: Salome gam nan ben Urda - gan njber asala Hesporona! pronounced as: Saalome gam naan ben uurda gan njjber asaala hesporoona!   English: Peace be on the Earth, and among all creations! Deutsch: Friede sei auf der Erde, und unter allen Geschöpfen!   Who is allowed to participate? Anyone can participate in the meditation who possesses a clear, material consciousness (which must not be impaired by drugs, alcohol or a severe psychological illness). It is imperative that the decision to participate in the peace meditation is completely voluntary. Participants, say, a child for instance, must not be commanded into joining.   Age of participants As soon as a child is old enough to comprehend the issues around global peace (and only if the child willingly and voluntarily requests to participate).   Peace Meditation Schedule Each Peace Meditation session takes place on the first and the third weekends of the month (target day is always the first Saturday of the month).   Saturdays at 6:30 and 8:00 p.m. Central European Standard Time (respectively at 9:30 and 11 a.m. Pacific Standard Time, for instance) and at 7:30 and 9:00 p.m. Central European Summer Time (or at 11 a.m. Pacific Standard Time, respectively)   Sundays at 8:00 p.m. Central European Standard Time and at 9 p.m. Summer Time (or 11:00 a.m. and noon Pacific Standard Time, respectively).   Above times must be adhered to precisely.   https://www.figu.org/ch/ https://creationaltruth.org/Events/Peace-Meditation  

Hoy en «En Perspectiva» Mariana García de Alvear entrevista a D. José Miguel Fernández, rector de la Basílica Menor del Santísimo Cristo de la Vera Cruz en Urda (Toledo, España). La Basílica Menor del Santísimo Cristo es un santuario con una imagen impresionante del Señor. La imagen es un nazareno, vestido con vestimentas moradas y la cruz a cuestas, que invita a rezar y acercarte más al Señor. Entorno al año jubilar de la Basílica Menor, D. José Miguel Fernández nos cuenta la historia y significado del Cristo de Urda, invitándonos a ir de peregrinación a ver el Santísimo Cristo de la Vera Cruz en Urda.

Leadership Lessons From The Great Books #120 - Sonnets by William Shakespeare w/Christen Horne---00:00 A perfect example of changing personal growth.10:48 Shakespeare's sonnets reveal his intricate love life.23:57 Focus on cyclical, lyrical leadership, avoiding mechanistic pitfalls.33:25 Shakespeare wrote during a cultural transition period.46:19 Pleasure is fleeting; daily struggles persist relentlessly.56:24 Individual solutions shouldn't dictate broad policy approaches.01:07:24 Leaders face challenges with generational and relational changes.01:17:22 Middle management is overwhelmed by pressures from all sides.01:28:43 Ideological shifts challenge centralized institutions, proposing alternatives.01:38:45 Romanticism valued authenticity; declined due to 20th-century events.01:50:12 Individual paths are determined by God and luck.01:58:50 Aligning marriage aesthetics with meaningful connection, ideally.---Sir Patrick Stewart Reads Shakespeare's Sonnets - https://www.youtube.com/@ShakespeareNetwork/videosChristen Horne at World of Urda - https://worldofurda.com/---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the 2022 Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videosLeadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/Ldrs

Toñi Urda, delegada de segundo curso del programa José Saramago 50 Plus,  está promoviendo un viaje cultural a Roma con audiencia del Papa incluida

Wulfhild erfährt, dass auch Urda einst einen Bund mit dem GRËUL eingegangen ist, um ihr Dorf zu retten. Marten verbreitet derweil im Kloster Angst und Schrecken. Als das GRËUL dort auftaucht, hat Severin eine Idee. Mehr Infos: www.wdr.de/k/greul und hoerspiel@wdr.de Von Edgar Linscheid und Stuart Kummer.

On today's episode, we continue exploring Dr. Urda's journey in the world of dentistry. She sheds light on the unique challenges and strategies associated with urban dental practices and how she's navigated these waters with grace and expertise. The highlight of today's talk focuses on Dr. Urda's transition to a larger facility and her evolving role within DSI, where she embraces both leadership and coaching responsibilities. This segment is especially invaluable for anyone looking to scale their practice or take on a more significant role within their organization. Missed the first part of our talk with Dr. Monica Urda? Head back to Part 1 to hear the beginnings of her fascinating journey and insights into building a successful dental practice. EPISODE RESOURCES www.smilesciencechicago.com https://www.truedentalsuccess.com Dental Success Network Subscribe to The Dentalpreneur Podcast

On today's episode, we are thrilled to welcome the incredibly talented Dr. Monica Urda. Born and raised in the northern suburbs of Chicago, Dr. Urda's impressive journey in dentistry started with her cum laude graduation from Loyola University, moving through Marquette School of Dentistry, and leading to her current position at Smile Science Chicago in Wicker Park. In Part 1 of this two-part series, Dr. Urda dives deep into the rapid growth of her practice. She shares her insights on the critical role of culture and systems in managing a busy dental practice efficiently. We also explore the nuances of building a strong team culture, a cornerstone of any thriving practice. Stay tuned as Dr. Urda unravels the secrets behind her successful career, offering valuable lessons for dental professionals at all stages. Don't forget to tune in tomorrow for Part 2, where we'll continue our conversation with Dr. Urda! EPISODE RESOURCES www.smilesciencechicago.com https://www.truedentalsuccess.com Dental Success Network Subscribe to The Dentalpreneur Podcast

Sınırları aşanlar, yeni bölümüyle yayında! Serimizin yeni bölümünde kripto camiasının sevilen ismi Doruk Tiryaki ile kazandıran yatırım stratejileri ile Bitcoin'in geleceği üzerine konuştuk. İyi dinlemeler. Midas uygulamasını indir: https://app.getmidas.com/gmih/mie6gpeu Midas'ın Kulakları: https://www.getmidas.com/midasin-kulaklari Twitter: https://twitter.com/getmidas Instagram: https://www.instagram.com/get_midas/ Not: Bu içerik, içeriğin yayınlandığı günkü veriler ve haberler baz alınarak hazırlanmıştır. Eğer varsa içerikte geçen hedef fiyat tahminleri, uzman ve analist yorumları bu içeriğin yayınlandığı tarihte geçerlidir. Bu tahmin ve yorumlar zaman içinde değişkenlik gösterebilmektedir. Bu podcast'te yer alan haberler ve haberlerin içerdiği şirketler hakkındaki bilgiler yatırım danışmanlığı kapsamında değildir. Bahsi geçen hisselerdeki; hisse adı, fiyatı ve grafikleri de dahil temsilidir, yatırım tavsiyesi değildir.

Juris Natanaēls Ramanis – 18.gadsimta dzejnieks, kura sacerētās dziesmas izplatījušās rokrakstā, bet viņa  manuskripts „Krusta skolas grāmata” unikāls ar paša autora ilustrācijām. Kāpēc plašāka sabiedrība par dzejnieku uzzināja tikai 20.gadsimta izskaņā un kādus noslēpumus vēl glabā Ramaņa biogrāfija? Pie Krimuldas baznīcas vēsturnieks Edgars Ceske izrāda apkārtni, arī skatu uz Krimuldas baznīcu, kādu 18.gadsimta beigās fiksējis Broce. Pie baznīcas ir arī piemiņas akmens mazāk zināmam rokrakstu grāmatas autoram Jurim Natanaēlam Ramanim. Stāsts raidījumā Grāmatai pa pēdām par vēl vienu 18.gadsimta latviešu tautības dzejnieku un viņa manuskriptu „Krusta skolas grāmata” aizraus jūs, pirmkārt, jau ar to, kā Edgars Ceske atklāja līdz tam nezināmu autoru, otrkārt, Ramaņa dzīvesstāsts ir romāna cienīgs, un, treškārt, joprojām daudz nezināmā. Raidījuma ceļabiedri šajā reizē vēstures zinātņu doktors Edgars Ceske Krimuldā un literatūrzinātnieks, Latvijas Nacionālās bibliotēkas vadošais pētnieks Pauls Daija Rīgā. Juris Natanaēls Ramanis bijis skolotājs un literāts. 1797.gadā izveidojis paša ilustrētu „Krusta skolas grāmatu”, tajā iekļaujot savus dzejoļus, oriģinālas un tulkotas reliģiskās apceres, tai skaitā Džona Banjana alegoriskā romāna „Svētceļnieka gaita” pārstāstu ar nosaukumu „Tas ar acīm redzēts ceļš uz debesīm”. Manuskripts saglabājies trijos norakstos. Savukārt mums ir iespēja lasīt „Krusta skolas grāmatas” transkripciju, jo 1995.gadā darbs izdots grāmatā ar Edgara Ceskes priekšvārdu un komentāriem, kā arī ar Skaidrītes Sirsones un Valda Villeruša rakstiem.   Bet atgriežamies Krimuldā, kur no 1769.gada aptuveni 10 gadus Ramanis ir Krimuldas draudzes skolotājs. Edgars Ceske rāda netālu no Krimuldas baznīcas 1993.gadā atklāto  piemiņas akmeni Jurim Natanaēlam Ramanim, ko darinājis tēlnieks Vilnis Titāns. Zināms, ka Ramanis dzimis 1742. vai 43.gadā skolotāja ģimenē, arī vidējais  brālis skolotājs, bet tēva brālis Indriķis Ramanis bijis  Allažu muižas pārvaldnieks. Bijis precējies ar Jērkules muižas mežsarga meitu Helēnu Kristiānu Frišenfeldi. Bijis trīs bērnu tēvs, ieredzēts skolotājs. Ramaņa meita un vecākais dēls nosaukti mācītāja Pelhava un viņa māsas vārdos, tātad  ir viņu krustbērni, par to liecina ieraksti baznīcas grāmatā un norāda uz sākotnēji labvēlīgām, pat draudzīgām attiecībām starp mācītāju un draudzes skolotāju. Skatot citas baznīcas grāmatas, ir atrastas norādes, ka Ramanis bijis skolotājs Ozolmuižā, privāti mācījis bērnus Bērzaunē, Cesvainē un Dzelzavā. Bet par viņa dzīves noslēgumu gan nekas nav zināms. Kādā no iepriekšējiem raidījumiem stāstījām par Ķikuļa Jēkabu un viņa dziesmām. Juris Natanaēls Ramanis ir nepilnus trīs gadus jaunāks par Ķikuļa Jēkabu un viņa sacerētās dziesmas tāpat izplatījušās rokas norakstos. Urda jautājums, kad Edgars Ceske pirmo reizi uzzinājis par dziesmu autoru Ramani, noskaidroju, ka tas bijis ap 1979.gadu , kad strādājis LNB Reto grāmatu un rokrakstu nodaļā. „Krusta skolas grāmata”, kā minēts titullapā, sarakstīta 1797.gadā. Tas ir krājuma sastādīšanas gads, jo kā uzskata Edgars Ceske, paši dzejoļi, tātad dziesmas, tapušas ilgākā laika posmā, apmēram 20 gados. „Ramaņa krājumā ievietotas 16 vairākpantu dziesmas,  kas varētu būt paša Ramaņa sacerētas, jo tādas nav izdevies konstatēt nevienā no 18.gs. latviešu valodā iespiestajiem dziesmu krājumiem. Neapšaubāmi Ramaņa sacerētas ir dziesmas ar autobiogrāfisku nokrāsu,” minēts pētījumā un Edgars Ceske norāda, ka Ramaņa dziesmas bija ķecerīgas. Dziesmās skarts sociālais moments, kas tajos laikos nedaudz atvieglināja ceļu rokrakstu grāmatai. Ramaņa manuskriptā „Krusta skolas grāmata” ne tikai dzeja, tajā arī tulkotas reliģiskas apceres, tai skaitā Džona Banjana romāna „Svētceļnieka gaita” pārstāsts ar nosaukumu „Tas ar acīm redzēts ceļš uz debesīm”. Dodos uz Latvijas Nacionālo bibliotēku, lai tiktos ar vadošo pētnieku Paulu Daiju, kurš interesējies par 18.gadsimta tulkošanas vēsturi.  Plašāk par projektu šeit:

Thesping with a thespian!Relentless charmer Nicholas Urda leaps willfully into the New Animal Podcast stratosphere to discuss a bevy of delights, including acting for the stage vs. the screen, ambition,  drive, his process and oh so much more!Our theme music is composed and performed by Matt Barile! When the leaves fall, he catches 'em!Please rate/review and subscribe to us on Apple Podcasts, Spotify or wherever you listen to podcasts! You're all wonderfully nuanced and endlessly kind!

Ouça uma crônica do livro "Crônicas de Natal e histórias da minha avó", de Urda Alice Klueger, publicado em 2007, pela editora Hemisfério Sul. Ficha técnica: Sugestão: Matheus de Oliveira Soares (Sesc Prainha) Leitura: Gabrielle Amadigi Disarz (Sesc Prainha) Roteiro: Matheus de Oliveira Soares (Sesc Prainha) Edição: Marcos Oliveira (Sesc Ler Tijucas e Sesc São João Batista) Trilha sonora: “Opôs 3” de Ricardo Rodrigues (Sesc Curitibanos)

Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech,  getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l

Ist Ortruds wahrer Mörder ein Bär? Die Dorfgemeinschaft geht erneut auf die Jagd. An Arnulfs Stelle schließt sich Wulfhild den Männern an. Aber was macht die alte Urda in der Nähe des Bären? Währenddessen droht Gideon ein brutaler Exorzismus. Mehr Infos: www.wdr.de/k/greul und hoerspiel@wdr.de Von Edgar Linscheid und Stuart Kummer.

Ist Ortruds wahrer Mörder ein Bär? Die Dorfgemeinschaft geht erneut auf die Jagd. An Arnulfs Stelle schließt sich Wulfhild den Männern an. Aber was macht die alte Urda in der Nähe des Bären? Währenddessen droht Gideon ein brutaler Exorzismus. Mehr Infos: www.wdr.de/k/greul und hoerspiel@wdr.de Von Edgar Linscheid und Stuart Kummer.

Ouça um trecho do livro "No tempo das tangerinas", de Urda Alice Klueger, relançado em 2020, pela editora Hemisfério Sul. Ficha técnica: Sugestão: Cristiane de Oliveira Silva (Sesc Lages) Leitura: Cristiane de Oliveira Silva (Sesc Lages) Roteiro: Cheisy Calabria (Sesc Itajaí) Edição: Marcos Oliveira (Sesc Ler Tijucas e Sesc São João Batista) Trilha sonora: Jeasir Rego 2 (Sesc Palhoça)

Christen Horne is an opera singer turned fantasy author and teaches voice and piano lessons privately. Jacob Wise is her friend and has a background in banking. They are both co-authors of their first set of fantasy novels surrounding the mystical world of Urda. It goes bananas. New episodes every Monday and Friday. Links below. Check out Christen's and Jacob's stuff: https://worldofurda.com/ Join the Discord: https://discord.gg/qK59jACE5M Business/guest inquiries: lamjordan779@gmail.com Timestamps: (0:00) - Intro (2:30) - Dungeons and Dragons (9:55) - The fantasy books of Urda (13:30) - Christen and Jacob are opposites (25:35) - Star Wars (36:45) - "Rap battle" (40:45) - Everyone plays video games Follow on social media: Instagram - https://www.instagram.com/banana8ro/ TikTok - https://www.tiktok.com/@banana8ro YouTube - youtube.com/channel/UCQjJ6rzWbNhWbGTnnxsTB-w Intro music: https://www.youtube.com/channel/UC0qt5lpQLL87Tp8z48XuRKQ

Christen Horne is an opera singer turned fantasy author and teaches voice and piano lessons privately. Jacob Wise is her friend and has a background in banking. They are both co-authors of their first set of fantasy novels surrounding the mystical world of Urda. It goes bananas. New episodes every Monday and Friday. Links below. Check out Christen's and Jacob's stuff: https://worldofurda.com/ Join the Discord: https://discord.gg/qK59jACE5M Business/guest inquiries: lamjordan779@gmail.com Timestamps: (0:00) - Intro (2:30) - Dungeons and Dragons (9:55) - The fantasy books of Urda (13:30) - Christen and Jacob are opposites (25:35) - Star Wars (36:45) - "Rap battle" (40:45) - Everyone plays video games Follow on social media: Instagram - https://www.instagram.com/banana8ro/ TikTok - https://www.tiktok.com/@banana8ro YouTube - youtube.com/channel/UCQjJ6rzWbNhWbGTnnxsTB-w Intro music: https://www.youtube.com/channel/UC0qt5lpQLL87Tp8z48XuRKQ

Hostem středeční talkshow Na place s Davidem Novotným je bývalý úspěšný reprezentant v házené Daniel Čurda. Jaké důležité osobnosti ovlivňovaly jeho kariéru? Dokáže se během komentování házené držet zpátky? „Já jsem hodně emotivní člověk, baví mě to a myslím, že obecně sport je emotivní a házená extrémně,“ říká borec, který už se sportu nevěnuje profesionálně, ale spíše v roli funkcionáře. Poslechněte si celý rozhovor se sportovním ředitelem Dukly Praha.Všechny díly podcastu Na place můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V úterý 16. června 1942 přišel na pražské gestapo parašutista Karel Čurda a dobrovolně nacistům vyzradil všechno, co věděl o svých spolubojovnících a jejich podporovatelích z řad domácího odboje. Dvacet dní od atentátu na zastupujícího říšského protektora Reinharda Heydricha se tak díky němu gestapo dostalo na stopu Jana Kubiše a Josefa Gabčíka. Čurda ale nebyl jediným parašutistou s podobným osudem.Všechny díly podcastu Seriál Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Hablamos de la empresa Chiquilladas y de su participación en el Foro Lince con Elena de Urda y Xavi Soler, sus creadores, en el programa 'Hoy por Hoy Jaén'.

Hoje o Blumencast está em Palhoça para conhecer pessoalmente a consagrada escritora blumenauense Urda Alice Klueger. Ela nos contou sobre seu tempo de infância, o contato com a comunidade hippie, as primeiras obras literárias e seus próximos livros que serão publicados em breve. SEJA MEMBRO DO BLUMENCAST E GANHE VANTAGENS EXCLUSIVAS: https://www.youtube.com/channel/UCVNTdDrNxPG2YPxJGeqtUZg/join Blumencast, o podcast de Blumenau! Canal da Urda Kluger: https://www.youtube.com/channel/UCk2OT98TidmhftBOOzILkoQ/videos Host: André Cantoni Siga a gente no instagram: @blumencast

V dnešnej epizóde sme sa rozprávali s Paľom Šurdom, špecialistom ORL, ktorý pracuje v Londýne. Aj keď sme sa moc nerozprávali o ORL, spomenuli sme, ako sa dostať do Londýna, ako to vyzerá v jednej z najväčších nemocníc vo Veľkej Británii. Povedal nám, cez aké rôzne pozície si musí začínajúci lekár prejsť. Bol to veľmi energetický rozhovor, v ktorom sme s Paľom porovnávali systémy zdravotníctva u nich a u nás. Ponúkol pomocnú ruku pre všetkých, ktorí by chceli ísť pracovať do Veľkej Británie. Viac už v našej epizóde. Príjemné počúvanie. --- Send in a voice message: https://anchor.fm/rozhovory-md/message

Francisco González Urda, entre risas: "Esto solo me pasa a mí"

Lynn Duke Urda, Founder and Director of the Gwinnett Young Singers north of Atlanta, has fascinating stories about the genesis of the Young Singers. In today's episode, Randy interviews Lynn about and the expansive programming she continues to build today. Lynn is the quintessential energetic, enthusiastic voice of experience for all of us who direct student choirs in our churches, schools, and communities. Please listen and be newly inspired for your work with today's teenagers.

Vypočujte si ďalší diel podcastu Chutný. Hosťami sú Dušan Čurda a Radúz Kmeťko z Lombardi pizza.  Radúz a Dušan spolupracovali vo firme, no po skúsenosti, kedy na pizzu čakali viac ako dve hodiny, sa rozhodli spraviť to inak a lepšie. To sa písal rok 2013. “Inšpirovali sme sa v New Yorku a keď sme im povedali, že spravíme takú pizzeriu v Bratislave, pozerali sa na nás ako na turistov, usmiali sa na nás”, spomínajú na svoj začiatok. 

Los científicos necesitan formarse continuamente: el conocimiento es muy amplio, incluso en una rama muy concreta de la ciencia, y hace falta tiempo y trabajo para interiorizarlo. Por eso es habitual que los científicos en sus primeras etapas, sobre todo durante el doctorado, acudan a "escuelas": reuniones en las que los científicos con más experiencia tratan de transmitir ese conocimiento a los más jóvenes. Esta semana visitamos el Taller de Altas Energías, la escuela más importante de física de partículas en España, y hablamos sobre cómo es eso de "ir a la escuela" a aprender cosmología o teoría cuántica de campos. Este año la escuela tiene lugar en Benasque (Huesca), en el Centro de Ciencias Pedro Pascual, un edificio pensado especialmente para las necesidades de un físico. Nos lo cuentan dos de los estudiantes de la escuela: Lourdes Urda, del CIEMAT, y David Muñoz, del Instituto de Física Corpuscular. Si os interesa aprender más sobre cómo es la carrera de un científico podéis escuchar los episodios s02e07 y s02e26. También os hablamos sobre las revistas científicas y cómo es el proceso de publicación en los capítulos s01e18 y s02e25. Este programa se emitió originalmente el 10 de septiembre de 2021. Podéis escuchar el resto de audios de La Brújula en la app de Onda Cero y en su web, ondacero.es

Comenzamos esta primera hora del domingo hablando sobre el Plan contra “las colas del hambre” y a favor del comercio de proximidad que ha creado URDA Alimenta. Para ello, nos acompaña Nélida Moraleda, portavoz de URDA Spain. Escuchar audio

Proslavila ho nehoda fekálního vozu a osm promile v krvi. Jak teď žije Milan Čurda? Milan Čurda je asi nejznámější opilec v Česku. V roce 2005 ho proslavila nehoda fekálního vozu, po které nadýchal neuvěřitelných osm promile alkoholu. Jak žije 16 let poté? Navštivte web CNN Prima NEWS na https://cnnprima.cz Sledujte CNN Prima NEWS na sociálních sítích: Facebook: https://facebook.com/cnnprima Instagram: https://instagram.com/cnnprima Twitter: https://twitter.com/cnnprima Youtube: https://www.youtube.com/c/CNNPrimaNEWSCZ #CNNPrimaNEWS   See omnystudio.com/listener for privacy information.

Conocemos más detalles de la web www.chiquilladas.es con Elena de Urda, una de sus responsables, en 'Hoy por Hoy Jaén'.

Today's guest is Alana Marie Urda. Alana is the Co-Founder and Artistic Director of Amalgamate, where she pursues using dance for a purpose through her choreographic works, documentaries and company events. Alana has envisioned and produced a range of distinguished dance events, charity projects, and educational workshops with Amalgamate. Her repertoire has been celebrated in renowned NYC venues and tours both nationally and internationally. Commissioned for numerous projects, she has set choreography on dancers across the states and presented work at Jacob's Pillow Inside/Out Series, Boston University, BBKings, Sant'Angelo in Vado, Italy, Brunei, Asia, The Times Center, Ailey Citigroup, and Merce Cunningham Studio. She is Assistant Director of The Trinity School After School Program, and a Teaching Artist at New York City Center and The Events in Orlando, FL. For more on this podcast with episode show notes: Movers & Shapers: A Dance Podcast.

Ileana Stan cu povestile si retetele ei minunate: astazi, urda de stana.

Bezatkritumu dzīvesveids ir iespējāms jeb kā dzīvot zaļi un mazināt radīto atkritumu daudzumu, interesējamies raidījumā Kā labāk dzīvot. No 12. līdz 18. jūlijam Cēsīs norisināsies Zero Waste (bezatkritumu dzīvesveida) vasaras skola, ko organizē Ruckas mākslas rezidenču centrs sadarbībā ar Cēsu novada pašvaldību, biedrību "Zaļā Brīvība" un iniciatīvu "Tīri.Labi." un SIA ZAAO. Zero Waste vasaras skola ir nedēļu ilga programma jauniem cilvēkiem, kuri vēlas iegūt un papildināt bezatkritumu dzīves veidam nepieciešamās zināšanas un kļūt par šīs kustības vēstnešiem savās kopienās. Plānots, ka vasaras skolas dalībnieki sešu dienu laikā apgūs dažādas bezatkritumu dzīvesveida prasmes, kā arī iemaņas un zināšanas bezatkritumu dzīvesveida popularizēšanai. Par gaidāmo vasaras skolu stāsta Ruckas Mākslas Rezidenču centra vadītāja, Zero Waste Vasaras skolas idejas iniciatore Ieva Goba. Uzklausām arī Zero Waste Vasaras skolas vasaras skolas dalībnieci Elīnu Kristiņu un dabas un tehnoloģiju parka "URDA" vadītāju Aritu Smalko-Borisēviču. Biedrības “Zaļā brīvība” pārstāve Ilze Jēče skaidro, ko nozīmē bezatkritumu dzīvesveids, kā mazināt radīto atkritumu daudzumu un kā bezatkritumu dzīvesveids attīstīstās Liepājā. Kādas iniciatīvas tiek īstenotas Cēsīs, lai īstenotu bezatkritumu dzīvesveidu, stāsta Cēsu Novada Pašvaldības pārstāvis Kārlis Pots. 2019. gadā festivāla “Lampa” laikā Cēsu novada pašvaldība parakstīja bezatkritumu memorandu un apņēmās kļūt par pirmo bezatkritumu pilsētu Latvijā. Skaidrs, ka nevar sasniegt visus sabiebrības slāņus uzreiz, tāpēc sāka ar izglītojošām aktivitātēm skolās un bērnudārzos. Viens solis bezatkritumu dzīvesveida īstenošanā – Cēsīs būs kopienas ledusskapis. Tāpat bija iecere pilsētas svētkos Cēsīs šogad attiekties no plastmasas traukiem ātro uzkodu un dzērienu tirgotājiem.    

Poďme premýšľať o chlapoch, ktorí si vybrali zradu, smrť susedov a umlčanie charakteru a o tom, či sme im skutočne vzdialení, ako si myslíme. *** Ak sa vám páči obsah, ktorý tvoríme, a chcete našu snahu oceniť a pomôcť tomuto projektu napredovať, vášmu daru budeme vďační na: SK0283605207004206569938

V ďalšom dieli podcastu SZH sa Martina Uličná rozprávala s trénerom HC Dukla Praha a hádzanárskym komentátorom Danielom Čurdom. - Dostane sa tento rok Dukla do finále Challenge Cupu? - Čo odkázal trénerom slovenskej mužskej reprezentácie? - Aký je jeho komentátorský sen?

Programa correspondiente al 29 de septiembre de 2019, domingo XXVI del tiempo ordinario, Jornada Mundial del Migrante y Refugiado. Contamos con la sección 'El domingo desde mi parroquia', del Padre Julio Rodrigo, la presentación del mes misionero extraordinario, por el P. José María Calderón, director nacional de las Obras Misionales Pontificias y con la entrevista semanal, hoy al Padre Juan Alberto Ramírez, párroco de Urda con motivo de la celebración del día del Cristo de la Veracruz y el jubileo concedido a esta localidad manchega.

After growing up working for the Binghamton Mets, Connor Gates now runs the Game Night Presentation for the AHL's Binghamton Devils. After spending time in all aspects of the B-Mets Operation, Connor's tenure ended after Year 1 of new ownership. The Minor Side of Life features candid conversations about the business and promotional aspect of Minor League Sports. Host Rob Sternberg brings nearly a decade of experience to the table and chats with a guests who've worked in a Front Office, or played or performed on the Minor League stage.   THANK YOU TO OUR SPONSOR: The Minor Side of Life is presented by Promotional Adventures. Based in California, Promotional Adventures is a full service advertising specialties company offering a wide range of promotional items to promote your company. Dustin and his team will help countless Minor League and Major League teams find a cost effective way to market and promote their organizations with custom promotional items. With the number of companies they work with the possibilities are only limited by your imagination. Get a quote from today by e-mailing dustin@promotionaladventures.com.

Hello everybody! Happy Friday :D I'm finally back! This week I tell you about how Odin lost his eye and how Odin gained knowledge from the runes. Patreon - https://www.patreon.com/asgardpodcast Facebook - facebook.com/asgardpodcast Twitter - twitter.com/urdathors Have a great weekend everyone! - Urda

Záhradného architekta Martina Čurdu poznáte z TV relácie Nová záhrada, kde so svojimi kolegami prerábajú záhrady na nádherné miesta, kde radi v lete oddychujeme. Čo ale robil celú zimu? A na čo je vo svojej záhrade pyšný najviac? Spýtali sa ho Majo, Miša a Adriana.

Atkritumu poligona “Daibe” teritorijā izveidots Latvijā pirmās nacionālas nozīmes vides izglītības infrastruktūras dabas un tehnoloģiju parks "Urda". Par šāda parka nepieciešamību un kā tas varētu uzlabot sabiedrības interesi par atkritumu šķirošanu, saruna raidījumā Kā labāk dzīvot. Stāsta atkritumu apsaimniekošanas uzņēmuma ZAAO valdes priekšsēdētājs Aivars Sirmais un "Urdas" vides izglītības infrastruktūras 3K radītāja, biedrības Media Gids valdes priekšsēdētāja Dženita Katiša. Jaunā vides izglītības infrastruktūra „Urda” nav izklaide, tā ir mācību vieta. Centrs vairāk domāts skolēniem. Tā ir domāta kā vieta, kur iepazīt un apgūt kompetenču izgltību vides zinātnēs. Tā ir vieta, kur sniedz zināšanas un kur tās var nostiprināt līdz lietošanas līmenim. „”Urda” ir vieta, kur jau šobrīd tiek radīts mehānisms skolām, augstskolām, pašvaldībām, lai runātu, stāstītu un arī nodrošinātu mācību saturu un infrastruktūru, kur sniegt zināšanas, lai cilvēki gatavotos tam, ka daudz kas mainīsies,” norāda Dženita Katiša.

¿Como vamos a estar dos meses completos sin dar la murga? Por eso decidimos aprovechar la invitación de Cinefan Úbeda y realizar un programa especial desde allí nada más y nada menos que con la compañía del actor y director Jaime Ordóñez. Con el hemos hablado de sus personajes en "Aquí no hay quien viva", de sus películas con Alex de la Iglesia, de su estreno como director con "El Berrido de los Silencios", del cine de videoclub y de las mejores Spoff movie como TOP SECRET o ATERRIZA COMO PUEDAS. No te lo puedes perder. Y todo con la colaboración especial de la organización de CineFan Úbeda, Pedro Uceda, Almudena Moreno, Xavi Soler, Elena de Urda y Juan Pablo videoclubsero.

¿Como vamos a estar dos meses completos sin dar la murga? Por eso decidimos aprovechar la invitación de Cinefan Úbeda y realizar un programa especial desde allí nada más y nada menos que en compañía del actor y director Jaime Ordóñez. Con el hemos hablado de sus personajes en "Aquí no hay quien viva", de sus películas con Alex de la Iglesia, de su estreno como director con "El Berrido de los Silencios", del cine de videoclub y de las mejores Spoff movie como TOP SECRET o ATERRIZA COMO PUEDAS. No te lo puedes perder. Y todo con la colaboración especial de la organización de CineFan Úbeda, Pedro Uceda, Almudena Moreno, Xavi Soler, Elena de Urda y Juan Pablo videoclubsero.

¿Como vamos a estar dos meses completos sin dar la murga? Por eso decidimos aprovechar la invitación de Cinefan Úbeda y realizar un programa especial desde allí nada más y nada menos que en compañía del actor y director Jaime Ordóñez. Con el hemos hablado de sus personajes en "Aquí no hay quien viva", de sus películas con Alex de la Iglesia, de su estreno como director con "El Berrido de los Silencios", del cine de videoclub y de las mejores Spoff movie como TOP SECRET o ATERRIZA COMO PUEDAS. No te lo puedes perder. Y todo con la colaboración especial de la organización de CineFan Úbeda, Pedro Uceda, Almudena Moreno, Xavi Soler, Elena de Urda y Juan Pablo videoclubsero.

Meet Sue, your “Feel Good Guidess,” who shares the secrets to embracing your authentic self and never underestimating the power of feeling good.   Sue Urda is the co-founder of the Powerful You! Women’s Network, which connects women toward personal, professional, and spiritual growth. Urda has been honored twice on Inc. Magazine’s list of the 500 fastest growing private companies and is an Amazon #1 bestselling author. Under her Powerful You! Publishing network, she has also helped nearly 200 women achieve their dream of filling up their pages too.   Sue’s lifelong mission of personal discovery, and her sometimes messy journey, have led her to love the life she has designed. She now lives and teaches everyday practices that really work as a way of paying it forward. Today’s podcast is all about Sue’s mission: find the feel good and live in that space every day.   Key takeaways:   Saying your next “hello”! Does networking make your heart pulse and give you sweaty palms? Learn the one INSTRUMENTAL thing you can do to create an authentic connection quickly and easily without breaking a sweat. [6:05] Finding clarity within. Are you the kitty cat who looks in the mirror and sees a lion? Uncover the REAL questions to ask yourself in order to become the “new” you…the version of you that can R-O-A-R! [9:30] Living a conscious life. Is your work life about paychecks, feeding your family, and going on vacation two weeks during the year? Find out how to uphold your priorities (maybe add another week of vacation, too!) and still make an impact on the world by asking yourself this ONE question…[13:06] Recognizing you’re stuck. Congratulations! You’ve realized you’re in a rut and are unhappy about your current situation. It’s a GOOD thing, really! Ready to try on some rose-colored glasses and be blinded by what your future looks like? Start here…[17:27] Practicing what feels good. You take your vitamins, workout five days a week, and meditate daily. Are you still unable to tap into that happy mindset? Learn the two daily practices that will leave you feeling endlessly empowered at [25:46]. SPOILER ALERT: It’s not another meditation or workout regimen. Tune in and turn the volume up for a dose of inspiration and life lessons. That’s how we Live Lead and Play!

On our trip to Hawaii I discovered a History's Hottie that told her own story of December 7, 1941.

This Saturday on Fordham Conversations, Heart attacks leave a mental mark -- but how to treat victims, if they refuse to step foot on a psychiatry ward? Psychologist Rachel Annunziato found a way. Then, a look at heart trauma in the Charles Dickens classic, Great Expectations with English professor Kathleen Urda.

Another fantastic year to look forward to ....What are your intentions for the year? Are you letting the "R" word get you down or....are you like me and refuse to claim that in your household? Listen in as my unstoppable woman of power inspirational speaker from Powerful You Network Sue Urda, speaks to us about The Power of Intentions - How to Live in Joy,Grace and Ease. In this interview you'll learn The power of choice and how to harness it The six steps to manifesting your intention and desires How to be the deliberate creator of your life through simple actions . You'll definitely want to sit down after hearing this powerful interview and set your intentions for the rest of the year....make sure you share this with a friend. Attention boomer women coming Tuesday February 24th join me for Powerful You tele-network call.... Topic:Broad Cast Your Passion … 7 Fast Action Steps to Podcasting Your Business. Go here now to register http://powerfulyou.com/Speakers/Speakers.htm You'll discover: What exactly is Podcasting - Why every business owner needs to be podcasting …especially during the recession -How podcasting your business will make you a celebrity in your industry -The many ways to monetize from a radio show or podcast without changing much of what you are currently doing . - The insider secrets that others are using to establish themselves as the obvious expert in their field Enjoy the show! Raven