Podcasts about amont

durée : 00:24:57 - En amont de Parcoursup, on parle insertion et orientation professionnelles avec l'université de Pau

À l'approche des Jeux olympiques, le collectif le Revers de la médaille alerte sur l'expulsion des populations précaires de Paris. Le collectif qui rassemble quelque 80 associations d'aide aux personnes les plus fragiles, déplore la « quasi-inexistence » de diagnostic social en amont des expulsions et la volonté « d'invisibiliser » la pauvreté. Les explications de Paul Alauzy, coordinateur veille sanitaire à Médecins du monde et porte-parole du collectif.

Les deux jeunes qui sont morts dans un accident après avoir tiré sur deux automobilistes hier à Montréal étaient âgés d'à peine 16 et 14 ans.Entrevue avec Johnley Pierre, président et fondateur de l'organisation NSK (Nous faisons ce que nous pouvons, en créole!).Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Chaque jour, Céline Géraud et ses invités font un point complet sur l'actualité.

Un livre, Un lecteur, émission présentée par Florence Berthout. Elle reçoit Isabelle Corbier  qui présentera « Les chants de Maldorors de Lautréamont » du Comte de Lautréamont. À propos du livre : «   Les chants de Maldorors de Lautréamont » paru aux éditions Le Livre de Poche Lorsqu'en 1869, sous le pseudonyme de Lautréamont, Isidore Ducasse fait imprimer Les Chants de Maldoror, c'est un texte inclassable que le jeune poète de vingt-trois ans offre aux lecteurs. Cette épopée de la peur, des ténèbres et du mal, qui brandit son attirail de cruautés et fait sourdre un fond de terreur infantile dans les amples strophes de ses six chants, demeura à peu près sans écho à sa parution : il fallut donc attendre sa redécouverte par les surréalistes pour que ce livre où s'inaugure la transgression moderne prît sa vraie place. L'année suivante, les Poésies, dont on ignore si l'édition fut diffusée, démentaient leur titre en proposant, écrites en prose, un ensemble de maximes et de réflexions, acerbes parfois, mais aiguës, sur la littérature et la morale. Le livre fut-il alors lu ? Quelques mois plus tard, Ducasse mourait mystérieusement.

Bonjour, un poème sur le brigadier... Rimbaud. Enjoy et à demain!

durée : 00:05:15 - Elsa Laganier, service de prévisions des crues Rhône amont Saône

J'ai rencontré Julie Bassinot au début de l'été. Elle m'a raconté des choses que je n'avais pas encore eu l'occasion d'entendre. Que ce soit dans ses projets de commande avec WIP, son travail de recherche pendant des résidences ou en tant qu'enseignante, Julie place l'humain au centre et travaille étroitement avec les différents maillons de la chaîne du graphisme. Avec un grand intérêt pour l'objet imprimé, les procédés d'impression et la matérialité des choses qui définissent son esthétique, c'est toujours une démarche empirique qui guide la pratique de Julie.   ➡️  @eilujtoni @wip.eu wipoffice.eu  Les références et noms cité.e.s : - Alain Damasio - Ecole Estiennes - la HEAR, Haut Ecole des Arts du Rhin - Marie Damageux, co-fondatric e de WIP Office avec Julie - Atelier Tout Va Bien - Nicolas Verschaeve, projet Sillages  - Margot Bernard - Andréa de chez Tipi Bookshop  à Bruxelles - Typographie Gap Sans, Étienne Ozeray & Alexandre Liziard - Hidden Islam publié chez Rorohf et mis en page par Nicolo Degiorgis - Les Presses du réel - Imprimerie Lézard Graphique  Découvrez les sons qu'écoutent les invité.e.s sur la playlist Graphic Matter Pour vous inscrire à la newsletter Graphic Matter, c'est ici !   Pour suivre les actualités du podcast sur instagram @graphicmatterpodcast On se retrouve toutes les deux semaines pour une nouvelle rencontre.  Vous voulez m'encourager, me faire un retour, n'hésitez pas à laisser des étoiles et un commentaire, ça aide le podcast à se faire connaître. Merci ❤️ Conception, production, curation, graphisme : Louise Gomez

Quand on se prépare pour aller enfanter, peu importe notre projet de naissance, il importe de se préparer aussi à un potentiel changement de scénario, comme par exemple un transfert de la maison à l'hôpital, ou une même, une urgence. Sans mettre trop d'emphase sur les détails de chaque possibilité, explorer plutôt la logistique derrière un changement soudain et rapide de lieu et de professionnel responsable, ainsi que les outils d'adaptation, les différents mindsets pour faire face à ce changement. La très grand majorité du temps, quand on respecte le processus physiologique de la naissance, tout va bien. Mais parfois, parce que la vie est ainsi, une urgence ou des difficultés se présentent en chemin et nous demande de nous adapter. Dans cet épisode, Karine explore avec vous différents mindset et préparation en amont pour vous outiller si jamais vous venez qu'à faire partie de ces rares cas. Comme elle dit: «On ouvre le tiroir, on regarde ce qu'il y a dedans, on l'organise avec les bons outils, puis, on le referme en espérant ne jamais avoir à l'ouvrir!» Bonne écoute! Pour préparer la naissance et le postnatal en conscience, découvrez toutes les préparations virtuelles de Quantik Mama en cliquant sur ce lien: https://quantikmama.com/les-cours-en-ligne/

La remontée du fleuve Casamance constitue une croisière captivante. Ziguinchor, mouillage paisible, souvent fréquenté par de "vrais" voyageurs, bénéficie d'une ambiance sympathique et conviviale, et vaut vraiment le détour. 👉 Lire l'article et voir les photos. En savoir plus sur les sujets abordés dans cet épisode : Sénégal Escale casamance Le magazine Bateaux.com apporte un éclairage nouveau aux plaisanciers au travers de 12 chaines d'information : Voilier.com MotorBoat.fr SemiRigide.com Multicoque.com Regate.com NavigationFluviale.com GrandeCroisiere.com Conseils Techniques Equipement et Accastillage SuperYachts.fr Culture Nautique GlisseNews.com Avec une diffusion en 5 langues (Français 🇫🇷, Anglais 🇺🇸, Allemand 🇩🇪, Italien 🇮🇹 et Espagnol 🇪🇸) et un lectorat reparti dans plus de 140 pays 🌍, Bateaux.com est considéré comme la première commaunauté de plaisanciers avec le réseau social dédié au nautisme Yacht-Club.com. Bateaux.com est édité de concert avec le magazine BoatIndustry.fr à destination des professionnels de la plaisance 🇫🇷, qui se décline à l'international avec BoatIndustry.de pour l'allemand 🇩🇪, BoatIndustry.com pour l'anglais 🇺🇸, BoatIndustry.es pour l'espagnol 🇪🇸 et BoatIndustry.it pour l'italien 🇮🇹. ✉️ N'hésitez pas à nous envoyer un commentaire ou une news en cliquant ici. 👉 Et n'oubliez pas de laisser 5 étoiles si l'information vous a plu 🙏.

durée : 00:04:29 - Le Polar sonne toujours 2 fois - par : Ilana Moryoussef - Pour son entrée dans la collection « La Noire » de Gallimard, Pierre Pelot revient à ses premières amours, le western, avec un texte au titre poétique et qui en dit long sur son projet, "Loin en amont du ciel".

SITE INTERNET : https://barkene.fr/

Les évêques congolais ont dénoncé ce lundi 22 mai  l'instrumentalisation politique des tensions intercommunautaires dans l'ouest de la République Démocratique du Congo. A l'origine de cette affaire, de simples litiges fonciers entre les Tekes et Yakas habitants la région. Mais derrière les manœuvres politiciennes, sévissent les manipulations de l'information.   Notre invitée Colette Braeckman, journaliste au Soir de Bruxelles et spécialiste de l'Afrique centrale fait le point sur la nature de ce conflit qui a fait plus de 300 morts depuis juin 2022. On revient en particulier sur cette infox répandue sur WhatsApp, lui attribuant un article qu'elle n'a pas écrit.La chronique de Grégory Genevrier: Une vidéo détournée pour faire croire au déploiement de troupes de l'Otan en UkraineLa chronique de Monique Ngo Mayag d'AFP factuel à Dakar: Attention à cette infox sur les mutilations des nez des statues égyptiennes

Vorstellung des einzigen Werkes des Baudelaire-Schülers Isidore Ducasse aus Montevideo, der sehr jung in Paris verstarb. Insbesondere der erste von sechs "Gesängen des Maldoror" bildet den Inhalt des Podcasts, um Strukturen und Motive des Künstlers und Erfinders des "Surnaturalisme" aufzuzeigen.

Enero Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun 1. Los niños del agua – Charles Kingsley 2. Memorias del subsuelo – Fiodor Dostoievski 3. El tío Silas – Sheridan Le Fanu 4. Alicia en el país de las maravillas – Lewis Carroll 5. Viaje al centro de la tierra – Julio Verne 6. Crimen y castigo – Fiódor Dostoievski 7. María – Jorge Isaacs 8. Teresa Raquin – Émile Zola 9. La piedra lunar – Wilkie Collins 10. Mujercitas – Louisa May Alcott 11. El idiota – Fiódor Dostoievski 12. Los cantos de Maldoror – Conde de Lautréamont --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

durée : 01:29:59 - Les Nuits de France Culture - par : Albane Penaranda - Un siècle de recherches passionnées et d'études savantes n'a pas réussi à percer entièrement le mystère de la vie de Lautréamont. Isidore Lucien Ducasse de son vrai nom, qui mourut à l'âge de vingt-quatre ans de tuberculose, est tenu par ses lecteurs comme l'inventeur du roman poétique. Lautréamont malgré l'extrême brièveté de sa vie ne fut pourtant pas tout à fait un inconnu, puisque l'ouvrage pour lequel il devint célèbre, Les Chants de Maldoror était en attente de publication, si l'auteur s'amendait de certains excès contenu dans l'ouvrage, quand il mourut à son domicile en 1870. * Par Hubert Juin - Avec François Caradec, Noël Arnaud, Alain Jouffroy, Marcelin Pleynet et Philippe Sollers - Réalisation Anne Lemaitre

« Les inconnus connus » d'Éric Russon : Bien dans ses bottes. Spéciale Comte de Lautréamont, l'auteur des Chants de Maldoror, disparu le 24 novembre 1870. On en parle avec Jean-Luc Steinmetz, qui a géré l'édition de ses Œuvres complètes, sorties à La Pléiade en 2009. Toutes les notions qui permettent de penser la littérature – auteur, lecteur, texte, genre, plagiat, parodie, humour, ironie – sont mises à la question par Lautréamont. Il nous requiert d'abord par une révolte majeure. Il nous intrigue non moins par les procédés auxquels il a recouru pour la dire : sa technique de combat. Et il nous aide à concevoir ce qu'est la fiction moderne. Mais combien de lecteurs a-t-il touché en son temps? Une dizaine peut-être. Ouvrages non diffusés, mort précoce : les conditions d'un oubli définitif étaient réunies. Il y eut pourtant renaissance, grâce à des entremetteurs avisés, et à des rééditions, comme celle des Poésies dont André Breton alla recopier à la Bibliothèque nationale les seuls exemplaires alors connus. Au fil des ans, le nombre des lecteurs s'est accru. Et parmi eux des écrivains, accompagnateurs distants ou prosélytes inconditionnels, ont reconstruit Lautréamont en édifiant leur œuvre propre. C'est pourquoi ce volume leur fait place : il propose une édition nouvelle de l'œuvre – parue sous l'anonyme en 1868 (le Chant premier), sous pseudonyme en 1869 (Les Chants de Maldoror par «le comte de Lautréamont»), sous patronyme en 1870 (Poésies I et Poésies II d'Isidore Ducasse) ; puis, dans un dossier de Lectures, il donne la parole aux écrivains : les premiers médiateurs, les surréalistes ensuite, pour qui Lautréamont représente le phénomène littéraire absolu, et enfin tous ceux qui, de Césaire à Le Clézio, de Ponge à Sollers, virent en Ducasse une pierre de touche. D'autres consciences, dans l'avenir, approcheront ces textes. Le mauvais esprit des Chants ne peut que provoquer une riposte. Et le ton formulaire des Poésies en fait un vocabulaire pour le futur. Un tel «Grand Combat» n'a pas de raisons de cesser. L'œuvre, pourtant, «s'échappe quand même» (Le Clézio). Sa violence, ses blasphèmes, ses perversions, son «cri d'ironie immense» couvrent à jamais Ducasse, irrégulier devenu régulateur, d'une enveloppe d'authentique mystère.

Spéciale Comte de Lautréamont, l'auteur des Chants de Maldoror, disparu le 24 novembre 1870. On en parle avec Jean-Luc Steinmetz, qui a géré l'édition de ses Oeuvres complètes, sorties à La Pléiade en 2009. Toutes les notions qui permettent de penser la littérature – auteur, lecteur, texte, genre, plagiat, parodie, humour, ironie – sont mises à la question par Lautréamont. Il nous requiert d'abord par une révolte majeure. Il nous intrigue non moins par les procédés auxquels il a recouru pour la dire : sa technique de combat. Et il nous aide à concevoir ce qu'est la fiction moderne. Mais combien de lecteurs a-t-il touché en son temps? Une dizaine peut-être. Ouvrages non diffusés, mort précoce : les conditions d'un oubli définitif étaient réunies. Il y eut pourtant renaissance, grâce à des entremetteurs avisés, et à des rééditions, comme celle des Poésies dont André Breton alla recopier à la Bibliothèque nationale les seuls exemplaires alors connus. Au fil des ans, le nombre des lecteurs s'est accru. Et parmi eux des écrivains, accompagnateurs distants ou prosélytes inconditionnels, ont reconstruit Lautréamont en édifiant leur œuvre propre. C'est pourquoi ce volume leur fait place : il propose une édition nouvelle de l'œuvre – parue sous l'anonyme en 1868 (le Chant premier), sous pseudonyme en 1869 (Les Chants de Maldoror par «le comte de Lautréamont»), sous patronyme en 1870 (Poésies I et Poésies II d'Isidore Ducasse) ; puis, dans un dossier de Lectures, il donne la parole aux écrivains : les premiers médiateurs, les surréalistes ensuite, pour qui Lautréamont représente le phénomène littéraire absolu, et enfin tous ceux qui, de Césaire à Le Clézio, de Ponge à Sollers, virent en Ducasse une pierre de touche. D'autres consciences, dans l'avenir, approcheront ces textes. Le mauvais esprit des Chants ne peut que provoquer une riposte. Et le ton formulaire des Poésies en fait un vocabulaire pour le futur. Un tel « Grand Combat » n'a pas de raisons de cesser. L'œuvre, pourtant, «s'échappe quand même» (Le Clézio). Sa violence, ses blasphèmes, ses perversions, son «cri d'ironie immense» couvrent à jamais Ducasse, irrégulier devenu régulateur, d'une enveloppe d'authentique mystère.

Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech,  getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l

Advertimos que este relato puede herir la sensibilidad del escuchante. Esta noche celebramos 400 programas con un especial dedicado a "Los Cantos de Maldoror" del Conde de Lautréamont > Primer canto. Todos los jóvenes poetas quieren gritarle algo al mundo, con temeridad y sin mesura, gritar algo auténtico que los demás no puedan ignorar... Algo que marque la diferencia, que salte por encima del ruido de las maquinarias y de los disparos de las trincheras y de las voces de los políticos y los dueños de los periódicos. Algo que sirva de transformación y metamorfosis, de revolución o revelación, una purga que pase a través de la muerte y el silencio, que tenga vida y música propia... Isidore Lucien Ducasse, también conocido como el conde de Lautreamont, fue uno de esos poetas, murió con 24 años y sin saber que su obra, sus cantos de Maldoror, dejarían una huella imborrable en las generaciones que estaban por llegar. Hay quien lo considera todavía hoy, un provocador, pero no hay nada de gratuito en sus textos, muchos interpretan su obra como un reflejo del horror de la perdida y la guerra, una muestra de las cosas abyectas que alberga el alma humana y que tan solo pueden ser redimidas a través de la poesía, solo en ella cabe construir a partir de la destrucción y él mismo nos advierte, “mis palabras están llenas de veneno”, porque en la dosis adecuada, hasta los venenos puede ser la salvación... Gracias a todos por ayudarnos a llegar a los 400 programas. Sin vosotros nada de esto habría sido posible. Esta noche, en nuestro #podcast de iVoox Gracias a la colaboración de https://twitter.com/tortuliapodcast y a https://twitter.com/Vuelodelcometa Que han hecho posible esta triple colaboración dedicada a la vida y obra de #Lautremont. Ya tenéis disponible el episodio de El Vuelo del Cometa aquí: https://www.ivoox.com/cantos-maldoror-libro-maldito-de-audios-mp3_rf_90762677_1.html y muy pronto en el Cisne Más Negro Aquí: https://www.ivoox.com/podcast-cisne-mas-negro_sq_f11200390_1.html No podía caer mejor que en esta conmemoración... Más de diez años haciendo #podcast! Y esperemos que sean muchos más! Gracias a todos los amigos y escuchantes y #mecenas que habéis estado siempre al otro lado. A los que nos escuchan porque no queda tiempo para #leer, a los que nos escuchan para poder dormir o para soñar despiertos. Solo esperamos seguir estando a la altura de tamaña audiencia! Si te ha gustado este episodio síguenos en redes y hazte mecenas en Ivoox! https://linktr.ee/noviembrenocturno Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Advertimos que este relato puede herir la sensibilidad del escuchante. Esta noche celebramos 400 programas con un especial dedicado a "Los Cantos de Maldoror" del Conde de Lautréamont > Primer canto. Todos los jóvenes poetas quieren gritarle algo al mundo, con temeridad y sin mesura, gritar algo auténtico que los demás no puedan ignorar... Algo que marque la diferencia, que salte por encima del ruido de las maquinarias y de los disparos de las trincheras y de las voces de los políticos y los dueños de los periódicos. Algo que sirva de transformación y metamorfosis, de revolución o revelación, una purga que pase a través de la muerte y el silencio, que tenga vida y música propia... Isidore Lucien Ducasse, también conocido como el conde de Lautreamont, fue uno de esos poetas, murió con 24 años y sin saber que su obra, sus cantos de Maldoror, dejarían una huella imborrable en las generaciones que estaban por llegar. Hay quien lo considera todavía hoy, un provocador, pero no hay nada de gratuito en sus textos, muchos interpretan su obra como un reflejo del horror de la perdida y la guerra, una muestra de las cosas abyectas que alberga el alma humana y que tan solo pueden ser redimidas a través de la poesía, solo en ella cabe construir a partir de la destrucción y él mismo nos advierte, “mis palabras están llenas de veneno”, porque en la dosis adecuada, hasta los venenos puede ser la salvación... Gracias a todos por ayudarnos a llegar a los 400 programas. Sin vosotros nada de esto habría sido posible. Esta noche, en nuestro #podcast de iVoox Gracias a la colaboración de https://twitter.com/tortuliapodcast y a https://twitter.com/Vuelodelcometa Que han hecho posible esta triple colaboración dedicada a la vida y obra de #Lautremont. Ya tenéis disponible el episodio de El Vuelo del Cometa aquí: https://www.ivoox.com/cantos-maldoror-libro-maldito-de-audios-mp3_rf_90762677_1.html y muy pronto en el Cisne Más Negro Aquí: https://www.ivoox.com/podcast-cisne-mas-negro_sq_f11200390_1.html No podía caer mejor que en esta conmemoración... Más de diez años haciendo #podcast! Y esperemos que sean muchos más! Gracias a todos los amigos y escuchantes y #mecenas que habéis estado siempre al otro lado. A los que nos escuchan porque no queda tiempo para #leer, a los que nos escuchan para poder dormir o para soñar despiertos. Solo esperamos seguir estando a la altura de tamaña audiencia! Si te ha gustado este episodio síguenos en redes y hazte mecenas en Ivoox! https://linktr.ee/noviembrenocturno

Cuisine centrale, achat d'instruments de musique, végétalisation, ou encore création de voies cyclables, ce sont les principaux projets du premier pacte de cohérence métropolitain, adopté dans le cadre de la Conférence territoriale des maires de Rhône Amont. Décines-Charpieu, Jonage, Vaulx-en-Velin et Meyzieu sont les communes concernées par ces futurs aménagements. 7 axes ont été définis dans le pacte de cohérence métropolitain, pour une enveloppe budgétaire de 7 millions d'euros. « Une volonté de la métropole de travailler avec l'ensemble des maires des communes, et de le faire pour le bien des habitants » Pour Bruno Bernard, Président EELV de la Métropole, « c'est une volonté de la métropole de travailler avec l'ensemble des maires des communes, et de le faire pour le bien des habitants ». Pour Christophe Quiniou, maire LR de Meyzieu, « la CTM Rhône Amont propose une vision commune des maires qui ont travaillé pour la satisfaction de leurs habitants ». « Le déploiement des pistes cyclables permettra la mise en place des « Vendoux » à Meyzieu » nous explique le maire. Autrement dit, « les vendredis où l'on choisit un mode doux de déplacement pour se rendre à l'école ». « Ce projet de territoire ne donne pas de solution par rapport à d'autres sujets qui peuvent crisper les maires et la métropole et notamment le volet investissement » selon Christophe Quiniou. Pour Hélène Geoffroy, maire PS de Vaulx-en-Velin, « la volonté était la prise en compte de la spécificité de la commune de Vaulx-en-Velin mais également de créer un projet commun avec les autres communes ». « Nous avons voulu démocratiser l'accès à la culture avec l'achat d'instruments de musique à hauteur de 500 000 € que nous pourrons mettre à disposition des jeunes dans les écoles élémentaires des quatre communes » détaille la maire de Vaulx. La CTM Rhône Amont est donc le premier projet de territoire voté, mais ne sera pas le seul. Le projet de territoire de Villeurbanne a déjà été voté. Les prochains seront ceux de Lyon et Porte du Sud. Tous les projets de territoires sur la Métropole de Lyon seront votés d'ici la fin de l'année.

durée : 00:05:36 - Invité de la Rédaction France Bleu Drôme Ardèche - Dans 5 jours on vote pour le premier tour des législatives. Près de 640.000 électeurs en Drôme Ardèche sont appelés à choisir leur prochain ou prochaine députée.

Dans cet épisode, Karine vous parle de l'importance de préparer la naissance en amont. Pourquoi préparer une chose qui est à la base inscrite dans la nature de nos cellules? Découvrez pourquoi à travers ce court épisode. Pour plus d'infos sur la préparation virtuelle à la naissance de Quantik Mama, cliquez ici: https://quantikmama.com/les-cours-en-ligne/

Je suis ravie de vous retrouver pour un nouvel épisode d'Immersion Comptable. Dans cet épisode j'ai une conversation avec Arthur Waller, le co-fondateur et président de Pennylane. Pennylane est une plateforme réunissant un logiciel de production pour les EC et un outil de pilotage pour leurs clients. Elle a été créée début 2020 juste avant la crise sanitaire mais ça ne l'a pas empêché de croître de façon spectaculaire. Ils sont passés de 0 à 700 clients en moins d'un an. Incroyable ! Arthur nous raconte cette belle aventure. Il nous explique son parcours et comment Pennylane est née. Il insiste beaucoup sur le fait d'avoir un projet bien réfléchi en amont avant de se lancer. Pour Pennylane, les associés ont passé plus de 6 mois dans la préparation du projet avant de passer à l'action. Arthur a eu la gentillesse de faire un retour sur la stratégie d'acquisition clients de Pennylane et sur le budget qu'ils y consacrent. Il nous explique aussi comment se passe la relation avec leurs clients. Pour financer le projet, les associés de Pennylane ont fait plusieurs levées de fonds. Pourquoi des levées de fonds ? Comment ça s'est passé ? Les réponses sont dans cet épisode. Enfin, nous avons parlé de la place de la RSE au sein de Pennylane. Il est temps pour moi de laisser la place à Arthur Waller.

De plus en plus reconnu, le dossier d'affaires joue un rôle critique en amont de toute la méthodologie en gestion de projet.  Benoit Lalonde et Roxanne Laplante-Robert de GPBL Penser Projet sont unanimes : sans un dossier d'affaires bien monté, le cycle de vie du projet au complet risque de démarrer sur les chapeaux de roues!  L'escamotage de cette étape clé avant l'exécution du projet peut se révéler lourd de conséquences. Découvrez, dans cet épisode du podcast Penser Projet, comment monter un bon dossier d'affaires pour vos projets.  Écoutez-le ici et téléchargez notre gabarit de dossier d'affaires!

L'atmosphère s'est détendue hier sur le plan géopolitique lorsque Moscou a réaffirmé qu'il n'y avait pas de préparatif d'invasion de l'est de l'Ukraine. Après les mouvements violents enregistrés au cours des dernières séances sur les indices, les opérateurs semblaient finalement attendre un discours rassurant de la part de Jerome Powell à l'issue de cette première réunion.   Autre signe d'un certain apaisement sur les marchés, l'indice de la peur, le VIX, mesurant la volatilité sous-jacente du marché américain est retombé aux alentours des 27 points, après avoir atteint un plus haut d'un an proche des 40 points ce lundi.   Les marchés actions ont donc terminés la journée dans la vert, compensant ainsi une bonne partie de la baisse enregistrée en début de semaine, notamment en Europe. 

Dr. Amontè Martin, Sr., Ph.D., stopped by to talk about his journey to obtain his Doctorate Degree and explain how to and why to, trust the process. Follow Dr. Martin Sr. Ph.D.: Personal Twiter: https://mobile.twitter.com/nprocesswe... Podcast Twitter: https://mobile.twitter.com/OvercomeAc...

Amont the topics on today's show: a tough night for Lil'Jordan last night but we made it better for him. Plus more on Brandon Hyde returning next year and some disappointment in Adam Schefter's Tweet yesterday. Near the bottom of Hour 1, PressBox Ravens beat writer Bo Smolka checked in to discuss how the O-Line might flush out whenever Ronnie Stanley returns and whether there might be a short leash for Ty'Son Williams if his fumble issues continue. Later in Hour 1, NFL Network/FOX Sports analyst Bucky Brooks checked in to discuss some of the insane things we hear about Lamar Jackson and why he absolutely should not be running less. Near the bottom of Hour 2, our new segment "Senator's Suggestions" as Maryland State Senator Justin Ready helped us preview the weekend of college football. Then we listened to Part 2 of the Tyus Bowser Show with Anthony Levine Sr. and went In The Kitchen with Kyle for some delicious biscuits.

"BFM STORY" du lundi au jeudi de 17h à 19h avec Olivier Truchot et le vendredi avec Aurélie Casse. Deux heures pour faire un tour complet de l'actualité en présence d'invités pour expliquer et débattre sur les grands sujets qui ont marqué la journée.

Hors de lui Bookmakers #12 - L'écrivain du mois : Alain DamasioNé à Lyon en 1969 sous le nom d'Alain Raymond, ce fils d'un carrossier et d'une professeure d'anglais rêvait, adolescent, « de changer la société ». Mais sa timidité l'empêche de s'engager pleinement dans les cercles militants. Alors pour exprimer sa « rage », ce lecteur compulsif de philosophie (Nietzsche, Foucault, Deleuze) va se brancher avec intensité sur un champ d'expression qu'il ne pratique quasiment jamais dans ses lectures : le roman, pour sa capacité à actionner « du désir, de la joie » et de nouveaux affects pour des luttes fertiles.Il en écrira seulement trois en vingt ans, disponibles au catalogue d'une maison indépendante, La Volte : « La Zone du Dehors » (1999), « La Horde du Contrevent » (2004) et « Les Furtifs » (2019). Trois ambitieux pavés conceptuels au souffle narratif étourdissant, trois laboratoires du style riches en néologismes, en jeux de mots ou en allitérations, trois « long-sellers » qui, complétés par le recueil de nouvelles « Aucun souvenir assez solide » (2012) et toutes les rééditions en poche chez Gallimard, atteignent aujourd'hui un total d'1,2 million de livres vendus, sans compter les traductions. Alain Damasio a publié ce printemps aux éditions Rageot la refonte d'une nouvelle de 2014, « Scarlett et Novak », narrant l'agression d'un jeune homme privé de son intelligence artificielle. En partenariat avec Babelio. (3/3) Hors de luiLe cosmos est son campement. Avec « La Horde du Contrevent », deuxième roman publié aux éditions La Volte en 2004, Alain Damasio s'aventurait avec maestria dans les dunes de la fantasy en peignant un monde sans cesse battu par le vent, de jour comme de nuit, qui force les humains à se terrer dans les villages. Pendant huit siècles, de courageux « hordiers » font bloc pour tenter d'avancer à « contrevent » et percer le mystère de cette malédiction – sans succès. Mais de vaillants prétendants reprennent la route et se serrent les coudes afin de poursuivre, au cours de vingt-sept années de haute lutte contre l'élément déchaîné dont ils ont appris à déchiffrer la musique et le phrasé, « ce rêve têtu, de la plus haute crétinerie, cette chimère d'atteindre un beau jour le bout de la Terre, tout là-haut, l'Extrême-Amont, à boire le vent à sa source – la fin de notre quête, le début de quoi ? ». Pensé comme le premier volet d'un diptyque inachevé, l'ouvrage s'écoule à plus de 350 000 exemplaires en grand format, décroche le Grand prix de l'Imaginaire et se voit traduit en quatre langues. Or, pour accoucher de cette « hydre de 700 pages », ode polyphonique « au lien et au mouvement », l'écrivain a dû, lors de six mille heures de travail étalées sur trois ans à la lisière de la dinguerie, surmonter sa solitude dans une cabane perdue aux confins du maquis corse et porter « au creux de sa gorge » vingt-trois personnages, dont certains – comme le traceur Golgoth, la soigneuse Aoi, « l'aéromaître » Oroshi ou le troubadour Caracole – sont devenus cultes. « Cuculte même », dit parfois Damasio à propos de ce grand-œuvre que le triomphe a rendu « stupidement intouchable » aux yeux des fans.Nourri aux « Mille plateaux » de Gilles Deleuze et Félix Guattari, ce roman fou-furieux sur le dépassement de soi a réussi l'exploit de franchir les frontières du genre pour conquérir un autre public grâce aux tourbillons de son écriture, « pure rafale de langage » sidérante d'inventions syntaxiques et de ruptures de rythme. En témoigne cette très longue scène de joute oratoire, où deux athlètes du verbe s'affrontent à coups de palindromes ou de mono-voyelles, comme si « Game of Thrones » rencontrait l'OuLiPo. Comment Alain Damasio a-t-il fait pour bâtir un tel « pont d'air » entre son imaginaire et le roman qui fit basculer sa vie ? Est-il vrai que cet architecte onirique travaille sans plan ? Pourquoi conseille-t-il à tous les auteurs, à toutes les autrices, d'avoir un autre métier ? Ce sont les sujets de ce troisième et dernier épisode, ouvert à tous les vents.  Enregistrement : mai 2021 - Entretien, découpage, lectures : Richard Gaitet - Prise de son, montage : Sara Monimart - Réalisation, mixage : Charlie Marcelet - Musiques originales : Samuel Hirsch - Machines : Clément Cliquet - Illustration : Sylvain Cabot - Remerciements : Jeanne Robet - Production : ARTE Radio - Musiques originales : Samuel Hirsch

Vente d'une entreprise à son enfant : simple en principe, complexe fiscalement | Si je meurs, je fais quoi ? Bien prévoir en amont pour éviter les problèmes après le décès Voir https://www.cogecomedia.com/vie-privee/fr/ pour notre politique de vie privée

Au sud de Clermont-Ferrand coule une rivière : L'Alagnon.  C'est à Massiac que nous avons croisé le chemin de cette rivière. Guillaume Ponsonnaille a grandi là-bas, il est aujourd'hui directeur du Syndicat Interdépartemental de Gestion de l'Alagnon.  Il nous raconte ses souvenirs de première pêche, le rôle essentiel qu'ont ces rivières peu connues pour les grands fleuves comme la Loire, la survie de la biodiversité aquatique à l'heure du réchauffement climatique…  Un podcast des agences de l'eau. Une co-création La Souffleuse et Monkey Sound Studio. Production et conception éditoriale: Lorine Le Louvier -  Sound design et mixage: Evan Gauter - Musique: Olivier Delhomme. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:58:45 - Les Cours du Collège de France - par : Merryl Moneghetti - Quel effet peut avoir une décision juridique dans un cas particulier sur les comportements des acteurs sociaux à l’échelle de toute une société? Demande Alain Wijffels. Que sont les « policy considerations » dans le droit anglo-saxon d’aujourd’hui? - réalisation : Anne Sécheret - invités : Alain Wijffels Professeur, spécialiste de l’histoire comparative du droit

durée : 00:02:46 - Circuit court France Bleu Besançon - Le Plateau des Mille Étangs, sa nature préservée, sa biodiversité : un terrain idéal pour les ruches et la récolte de miels aux 1000 saveurs... et même d'érable ! bienvenue au pays des ruches de François Grosjean, apiculture Miel des 1000 Étangs, à Amont-et-Effreney (70)

Déshypnose : Frédéric VINCENT, créateur du Zéro Mental et spécialiste du changement rapide, précise certains points dans cette vidéo extraite de l'un de ses séminaires.

L'équipe de France affronte ce mercredi soir à domicile l'Ukraine. Un match qui marque le lancement de la campagne des Bleus au mondial 2022. Des qualifications particulières pour les champions 2018 qui joueront sans public pour éviter toute contamination. La Coupe du monde qui se tiendra à la fin de l'année 2022 au Qatar est fortement contestée en raison des conditions de travail des immigrés sur les chantiers. L'analyse de François Verdenet, journaliste au quotidien sportif l'Équipe. 

This week listen in on my convo with Amonté, a third-year Ph.D. student studying Forestry Resource and Conservation at the University of Florida. Amonté shares a story unlike any other on the podcast, mostly because his original life plan didn’t include a career in academia, but football. But after getting his GED, a Bachelor’s in Agricultural Business and Economic Landscape and Design from Florida A&M, and a Master’s in Agricultural Education from Purdue, Amonté finds himself, by day, teaching and researching how to use school gardens for contextual learning. When he’s not in the classroom, Amonte is co-hosting his podcast, “The Process,” and raising his two kids with his lawyer wife. Power couple! Hello! An important story about the cruciality of supporting your community, paying homage to those who came before you, and paving the way for those who will follow, Amonté gives us a history lesson and shows us how success is not a linear process.   Amonté’s Lesson from the Trap? Listen to the episode to find out how these cult favorites inspire Amonté!). Follow Amonté on IG & Twitter: @AmonteMartin S Support his pod, The Process, on IG: @overcome_achieve.

This week listen in on my convo with Amonté, a third-year Ph.D. student studying Forestry Resource and Conservation at the University of Florida. Amonté shares a story unlike any other on the podcast, mostly because his original life plan didn’t include a career in academia, but football. But after getting his GED, a Bachelor’s in Agricultural Business and Economic Landscape and Design from Florida A&M, and a Master’s in Agricultural Education from Purdue, Amonté finds himself, by day, teaching and researching how to use school gardens for contextual learning. When he’s not in the classroom, Amonte is co-hosting his podcast, “The Process,” and raising his two kids with his lawyer wife. Power couple! Hello! An important story about the cruciality of supporting your community, paying homage to those who came before you, and paving the way for those who will follow, Amonté gives us a history lesson and shows us how success is not a linear process.   Amonté’s Lesson from the Trap? Listen to the episode to find out how these cult favorites inspire Amonté!). Follow Amonté on IG & Twitter: @AmonteMartin S Support his pod, The Process, on IG: @overcome_achieve.

Mt 1,1-25 Jézus Krisztus, Dávid fiának, Ábrahám fiának nemzetségtáblája. Ábrahám nemzette Izsákot, Izsák nemzette Jákobot, Jákob nemzette Júdát és testvéreit. Júdának született Perec és Szerach, Támártól. Perec nemzette Hecromot, Hecrom nemzette Aramot. Aram nemzette Aminadabot, Aminadab nemzette Nachsont, Nachson nemzette Salmont. Salmonnak született Boász, Ráchábtól. Boásznak született Jobed, Ruttól. Jobed nemzette Izájt, Izáj nemzette Dávid királyt. Dávidnak született Salamon, Urija feleségétől. Salamon nemzette Rechabeámot, Rechabeám nemzette Abiját, Abija nemzette Azát. Aza nemzette Jozafátot, Jozafát nemzette Jorámot, Jorám nemzette Uziját. Uzija nemzette Jotámot, Jotám nemzette Acházt, Acház nemzette Hiszkiját. Hiszkija nemzette Manasszét, Manassze nemzette Amont, Amon nemzette Joziját. Jozija nemzette Jechonját és testvéreit - a Babilonba való elhurcoláskor. A Babilonba hurcolás után: Jechonja nemzette Sealtielt, Sealtiel nemzette Zerubbábelt. Zerubbábel nemzette Abihudot, Abihud nemzette Eljakimot. Eljakim nemzette Acort. Acor nemzette Cádokot, Cádok nemzette Achimot, Achim nemzette Eliudot. Eliud nemzette Eleazárt, Eleazár nemzette Mattant, Mattan nemzette Jákobot. Jákob nemzette Józsefet, Máriának a férjét, aki a Krisztusnak nevezett Jézust szülte. Így a nemzedékek száma: Ábrahámtól Dávidig tizennégy nemzedék, Dávidtól a Babilonba való elhurcolásig tizennégy nemzedék, és a Babilonba való elhurcolástól Krisztusig tizennégy nemzedék. Jézus Krisztus születésének ez a története: Anyja, Mária, Józsefnek a jegyese, még mielőtt egybekeltek volna, úgy találtatott, hogy gyermeket fogant a Szentlélektől. Férje, József igaz ember volt, nem akarta a nyilvánosság előtt megszégyeníteni, ezért úgy határozott, hogy titokban bocsátja el. Míg ezen töprengett, megjelent neki álmában az Úr angyala, és így szólt hozzá: „József, Dávid fia, ne félj magadhoz venni feleségedet Máriát, hiszen a benne fogant élet a Szentlélektől van! Fiút szül, akit Jézusnak nevezel el, mert ő szabadítja meg népét bűneitől.” Ezek azért történtek, hogy beteljesedjék, amit az Úr a próféta szavával mondott: Íme a szűz fogan és fiat szül, Emmánuel lesz a neve. Ez azt jelenti: Velünk az Isten. József erre fölébredt álmából és úgy tett, ahogy az Úr angyala parancsolta. Magához vette feleségét, de nem ismerte meg, míg világra nem hozta fiát, akinek a Jézus nevet adta. Lk 17,12-19 Abban az időben, amikor Jézus betért az egyik faluba, szembejött vele tíz leprás férfi. Megálltak távol, és hangosan mondták: „Jézus, Mester! Könyörülj rajtunk!” Amikor meglátta őket, ezt mondta nekik: „Menjetek, és mutassátok meg magatokat a papoknak!” Történt pedig, hogy amíg mentek, megtisztultak. Az egyikük, amikor látta, hogy meggyógyult, visszament, hangosan dicsőítette az Istent, és arcra borult az ő lábainál, hálát adva neki. Ez pedig szamariai volt. Erre Jézus azt mondta: „Nemde tízen tisztultak meg? Hol van a többi kilenc? Nem akadt más, aki visszajött volna, hogy dicsőítse az Istent, csak ez az idegen?” Aztán így szólt hozzá: „Kelj föl és menj! A hited meggyógyított téged.” Tamás László görögkatolikus papnövendék előadásában

20/12/20 21:56 Bonsoir à tous ! Et voici ma nouvelle collection de Podcast : RELIGIOUS. Hier, j'ai eu ce nom en tête et j'ai eu envie de vous raconter mon chemin de Foi. Mais je souhaite l'exprimer de manière simple, de manière à ce qu'il soit préhensible par les plus petits : ceux qui n'ont pas eu d'instruction religieuse. La série RELIGIOUS présentera (normalement) des podcasts courts qui s'autosuffiront, c'est à dire sans lien avec tous mes autres écrits. Oui, il y a toujours un lien, mais là, j'aimerais que même sans m'avoir lue par ailleurs, le podcast soit accessible au plus grand nombre et aux plus petits. L'Evangélisation des pauvres. Ce podcast d'introduction, par contre, est une exception. En effet, il est lié à la Saga STPI. Pour ceux qui me suivent : la Collection de Podcast "Les 1001 nuits pour PETH", est une collection Religieuse-Liturgique qui est plutôt destinées à ceux qui ont non seulement un enseignement liturgique, mais surtout charismatique. La Collection de Podcast "RELIGIOUS" se situe par conséquent en Amont, bien en Amont. L'aval, c'est pour PETH. (Je parle d'Aval dans {Livre : Astrid, Eric et Ivana en rires et en verves, P58, écrit du 12/12/14 06:54}) Je vous souhaite une bonne soirée et vous publie le podcast n°2 de la série RELIGIOUS, là, dans la foulée. AstridP 20/12/20 22:05

Près de 21 millions d'électeurs sont appelés aux urnes ce dimanche au Venezuela pour désigner leurs députés. Le PSUV, le parti du président Nicolas Maduro, entend bien récupérer l’Assemblée nationale, la dernière institution du pays qu’il ne contrôle pas. Des élections législatives qu'une large partie de l'opposition appelle à boycotter, Juan Guaido en tête. Pour en parler, Paola Wasquez, chargée de recherche au CNRS et spécialiste du Venezuela, est au micro de Charlotte Derouin.

durée : 00:02:16 - Circuit court France Bleu Besançon - Le Plateau des Mille Étangs... sa nature préservée... sa biodiversité... un terrain idéal pour les ruches et la récolte de miels aux 1000 saveurs ! bienvenue au pays des ruches de François Grosjean, apiculteur à Amont-et-Effreney (70)

by John Ashbery

À lʹalpage, e-bike et parcs à vaches ne font pas toujours bon ménage. Les stations valaisannes misent de plus en plus sur la saison dʹété pour développer leurs activités et cela ne fait pas toujours lʹunanimité. Le milieu du tourisme a besoin du charme des vaches et les agriculteurs de la manne des visiteurs. Est-il possible dʹavoir le beurre et lʹargent du beurre de montagne? Reportage: Tristan Miquel Réalisation: Didier Rossat Production: Véronique Marti

durée : 00:09:53 - Un voyage : la Seine et nos amours - par : François Sureau - C’est à Paris, au 7 rue du Faubourg-Montmartre, dans la cour du restaurant le Bouillon Chartier que François Sureau choisit d’évoquer Isidore Lucien Ducasse, plus connu sous son pseudonyme de comte de Lautréamont. Né à Montevideo en Uruguay, l’auteur des "Chants de Maldoror" est mort ici même. - réalisation : Vincent Decque

Éviter les problèmes en amontJ'ai pensé à vous durant nos vacances chez ma mère. Un matin où j'étais allée courir, j'ai retrouvé notre fille de presque 3 ans couverte de nutella, sur sa bouche, ses mains et ses vêtements, et ma mère en train de la débarbouiller. Elle était très surprise de la vitesse avec laquelle notre fille s'était salie et de l'ampleur de la “catastrophe”.Pour nous, rien de grave, les vêtements sont faits pour être lavés et pour le quotidien, nous ne mettons aux enfants que des vêtements faciles à laver et qui en ont vu d'autres… Mais cela a été l'occasion de discuter avec ma mère de ce que nous faisions à la maison pour éviter les problèmes avant qu'ils ne se posent.Car chez nous aussi, il est arrivé plusieurs fois que notre fille, toujours la même, se salisse beaucoup au petit déjeuner et se barbouille de chocolat. Car à l'époque, les enfants avaient entre autres du muesli au chocolat au petit déjeuner.J'aurais pu imposer à ma fille de mettre un bavoir, ce qu'elle déteste, ou rester à côté d'elle à bondir au moindre geste un peu maladroit pour essuyer le début de tâche, mais franchement, j'avais mieux à faire de mes matinées… Et surtout je préférais passer un moment détendue plutôt que de stresser pour une chose aussi superficielle.La solution était toute simple : les enfants aimaient tout autant le muesli aux fruits, j'ai donc arrêté d'acheter du muesli au chocolat et ils n'ont plus que du muesli aux fruits pour le petit déjeuner ! Tout le monde est content et on évite la première cause de salissure au petit déjeuner (je vous rassure, il y en a d'autres, mais généralement rien de catastrophique donc nous laissons passer).Souvent, face à une difficulté, il est plus facile d'adapter l'environnement pour tout simplement empêcher le problème de survenir. L'idée doit vous paraître d'une simplicité enfantine, mais la mettez-vous vraiment en pratique au quotidien ?Quel est un problème récurrent que vous rencontrez chez vous ? Comme pourriez-vous modifier l'environnement pour qu'il ne se pose plus ? C'est un principe au coeur de la pédagogie Montessori : on ne cherche pas à changer l'enfant, on change son environnement.Et si vous ne savez pas par où commencer pour adapter l'environnement et éviter les difficultés du quotidien, je vous encourage à aller voir ma mini-formation Aménager sa maison Montessori, remplie de conseils et d'astuces, par exemple pour éviter que votre enfant ne mette ses chaussures à l'envers, pour éviter qu'il ne mette un short en hiver, pour éviter les accidents quand votre enfant veut se laver les mains et de manière générale pour favoriser son indépendance et son bon développement.Si vous avez aimé cette capsule Parentalité et que vous voulez avoir une chance de remporter deux jeux des éditions La Caverne, Mystic Les saints de la légende dorée et Dynastie Les Mérovingiens, il vous suffit d'aller mettre une note et un avis sur ce podcast, sur Apple podcasts (si vous avez un iPhone) ou iTunes (si vous avez un PC sur lequel vous pouvez la télécharger). Dès que nous aurons atteint les 100 avis je tirerai au sort le vainqueur !Le site des MontessouricettesNotre communauté gratuiteLe catalogue des formations

durée : 00:39:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Pour sa Nuit rêvée Jean-Pierre Kalfon raconte "sa vie de cinéma", un parcours riche en rencontres. Il est passé devant la caméra de Godard, Rivette, Truffaut, Granier-Deferre, Lelouch, Verneuil ou encore Pollet. Entretien 2/3 par Albane Penaranda. - réalisation : Virginie Mourthé - invités : Jean-Pierre Kalfon

Notre invitée: Muriel Vercez, chargée de mission Architecture durable au parc du Haut-Jura. Le Parc naturel régional du Haut-Jura met en place un atelier collectif sur la rénovation de maison, samedi 14 mars à Prémanon, à l’espace des mondes polaires, de 14h à 18h. Un atelier proposé dans le cadre de ses permanences de conseil architectural & paysager pour les particuliers. Cet atelier est ouvert à tous les particuliers ayant un projet de rénovation, de réhabilitation ou d’agrandissement de leur maison, sur les communes de Bois d’Amont, Lamoura, les Rousses ou Prémanon. Ils bénéficieront de temps d’échanges collectifs et de conseils personnalisés et gratuits des architectes du CAUE du Jura et du Parc du Haut-Jura, ainsi que d’un technicien de l’AJENA, Energie et environnement en Bourgogne-Franche Comté. Il faut s'inscrire avant le 9 mars. + d'infos: https://www.caue39.fr/ http://www.parc-haut-jura.fr/ https://www.lesrousses.com/

Notre invitée: Muriel Vercez, chargée de mission Architecture durable au parc du Haut-Jura. Le Parc naturel régional du Haut-Jura met en place un atelier collectif sur la rénovation de maison, samedi 14 mars à Prémanon, à l’espace des mondes polaires, de 14h à 18h. Un atelier proposé dans le cadre de ses permanences de conseil architectural & paysager pour les particuliers. Cet atelier est ouvert à tous les particuliers ayant un projet de rénovation, de réhabilitation ou d’agrandissement de leur maison, sur les communes de Bois d’Amont, Lamoura, les Rousses ou Prémanon. Ils bénéficieront de temps d’échanges collectifs et de conseils personnalisés et gratuits des architectes du CAUE du Jura et du Parc du Haut-Jura, ainsi que d’un technicien de l’AJENA, Energie et environnement en Bourgogne-Franche Comté. Il faut s'inscrire avant le 9 mars. + d'infos: https://www.caue39.fr/ http://www.parc-haut-jura.fr/ https://www.lesrousses.com/

durée : 00:04:20 - Le coup de coeur FB Orléans

durée : 00:03:25 - Le coup de coeur FB Orléans

Entrevue avec Camil Bouchard, professeur retraité de psychologie communautaire de l’UQAM et auteur du rapport Un Québec Fou de ses Enfants : On devrait davantage agir en amont auprès des familles et enfants.

durée : 00:39:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Pour sa Nuit rêvée Jean-Pierre Kalfon raconte "sa vie de cinéma", un parcours riche en rencontres. Il est passé devant la caméra de Godard, Rivette, Truffaut, Granier-Deferre, Lelouch, Verneuil ou encore Pollet. Entretien 2/3 par Albane Penaranda. - réalisation : Virginie Mourthé - invités : Jean-Pierre Kalfon

durée : 00:59:32 - Par les temps qui courent - par : Marie Richeux - Nous recevons le peintre pour son exposition à Collection Lambert à Avignon, dans le cadre du festival « Viva Villa » intitulé cette année "La fin des forêts". L'occasion d'évoquer son rapport au réel et au images, et son plaisir à peindre au quotidien. - réalisation : Anna Holveck, Charlotte Roux - invités : Thomas Lévy-Lasne Artiste peintre

durée : 00:59:32 - Par les temps qui courent - par : Marie Richeux - Nous recevons le peintre pour son exposition à Collection Lambert à Avignon, dans le cadre du festival « Viva Villa » intitulé cette année "La fin des forêts". L'occasion d'évoquer son rapport au réel et au images, et son plaisir à peindre au quotidien. - réalisation : Anna Holveck, Charlotte Roux - invités : Thomas Lévy-Lasne Artiste peintre

Entrevue avec Karel Ménard, directeur-général du Front commun québécois pour une gestion écologique des déchets : Même le ministre de l’environnement Benoît Charette admet que l’industrie du recyclage est en crise au Québec.

Edição de 12 de julho 2019

We celebrate our first year of the podcast with this reflection episode. In this episode, we introduce a new member of our team, we discuss our experiences as hosts of the podcast during the first year, what trust the process means to us, our intended purpose and impact for the podcast, and our plan for the future.

durée : 00:07:49 - Le disque qui vaut le détour France Bleu Besançon - Le disque qui vaut le détour de Caroline disquaire à Forum Besançon

Pour voir la version vidéo : https://youtu.be/d3xldCZ9Cik ----- Jusqu'à quel point faut-il préparer les sujets en amont du Sprint ? Quels risques à ne pas préparer, ou au contraire à trop préparer ? Comment trouver le bon équilibre ? Découvrez-en plus dans la description ci-dessous

durée : 00:47:56 - France Bleu découverte, l'invité capitale FB Paris -

Dans ce nouvel épisode je vais vous parler de comment préparer ces poses et ses éclairages pour réaliser une séance de photographie en studio.Pour aider le podcast → S'abonner aux podcasts : http://bit.ly/2Xmoczo→ Les Backstages sur Instagram par Guillaume : http://bit.ly/2G2959J→ Les Backstages sur Instagram par Céline : http://bit.ly/2EwDgD7

Get to know the co-host of The Process Podcast - Amonté Martn.

Un groupe d'élite, formé dès l'enfance à faire face, part des confins d'une terre féroce, saignée de rafales, pour aller chercher l'origine du vent. Ils sont vingt-trois, un bloc, un noeud de courage : la Horde. Ils sont pilier, ailier, traceur, aéromaître et géomaître, feuleuse et sourcière, troubadour et scribe. Ils traversent leur monde debout, à pied, en quête d'un Extrême-Amont qui fuit devant eux comme un horizon fou.Voix : Aurore Serra Pour plus d'informations sur la confidentialité de vos données, visitez Acast.com/privacy

Pompidou, dis-nous tout ! Le podcast dans lequel Pompidou nous dit tout ! animé par Pompidou et Walter Proof Episode 2 sur une question de Maori et Aude Les chansons : Le chien L'âge bête Nous génération L'âge de nos actes Le violent seul Mireille Il y a longtemps Alors, raconte Place des grands hommes Dans dix ans Pose tes questions à Pompidou par téléphone, sur le répondeur, ou en envoyant un fichier audio à

No matter what we do in our lives, giving birth to children and raising them to be healthy adults is THE most important achievement in our lives, but  it’s also THE most difficult.  Why? Because there really is no book or resource on earth that can prepare you for the real thing. In walks Tara Darlington, one of the newest hosts on eWNRadio Network featuring her show "Empowering Motherhood.".Tara hails all the way from "down under" in Australia!  She is the mother of 6 children (no twins!), a Yoga Teacher and Energy Healer and educates mothers on how to take back their innate power of mothering all the way from pregnancy until the day your children walk out the door on their own.Amont other things, you will learn:The 3 most important aspects of parentingHow parenting styles change with each childThe importance of empowering yourself as a motherHow to empower your childrenBest practices for discplineThe role of a step-parent

No matter what we do in our lives, giving birth to children and raising them to be healthy adults is THE most important achievement in our lives, but  it’s also THE most difficult.  Why? Because there really is no book or resource on earth that can prepare you for the real thing. In walks Tara Darlington, one of the newest hosts on eWNRadio Network featuring her show "Empowering Motherhood.".Tara hails all the way from "down under" in Australia!  She is the mother of 6 children (no twins!), a Yoga Teacher and Energy Healer and educates mothers on how to take back their innate power of mothering all the way from pregnancy until the day your children walk out the door on their own.Amont other things, you will learn:The 3 most important aspects of parentingHow parenting styles change with each childThe importance of empowering yourself as a motherHow to empower your childrenBest practices for discplineThe role of a step-parent

Rishi Manchanda a travaillé comme médecin dans South Central Los Angeles pendant dix ans. Il en est venu à réaliser que son travail ne consistait pas uniquement à traiter les symptômes des patients, mais aussi à comprendre ce qui les rend malade, les raisons en amont, comme une mauvaise alimentation, un emploi stressant ou le manque d'air frais. Il s'agit d'un vibrant appel aux médecins pour qu'ils portent attention à la vie qu'ont leurs patients en dehors de la salle d'examen.