Podcasts about Voice acting

This week on Toon'd In!, Jim Cummings welcomes the wildly talented and wonderfully eccentric Marty Grabstein! Best known as the unforgettable voice behind Courage the Cowardly Dog, Marty brings his signature blend of comedic chaos and heartfelt vulnerability to a conversation that's as unpredictable as it is endearing.From his roots in live-action and sketch comedy to discovering the beautifully bizarre world of Courage, Marty shares how a neurotic pink dog with a scream for the ages became an enduring icon of late-night cartoons and childhood nostalgia. He and Jim get into the weeds of what it takes to make fear funny, how silence can speak louder than words in animation, and why sometimes the weirdest roles end up being the most rewarding.

In this episode of The FMCG Guys, we are joined by Salomon Tenenbaum, Global Head of CPG Partnerships & Ad Sales at Wolt, to explore how Q-Commerce has evolved from hype to a true growth driver for brands. Wolt, the Finnish-born delivery platform now part of DoorDash and active in 30+ markets, is expanding from food delivery into grocery, retail and FMCG partnerships. Salomon shares his unconventional career journey and explains why quick commerce is not just about speed, but about data, distribution, and activation working together. We dive into the untapped potential of the channel, the role of retail media, and how FMCG leaders can break silos to unlock value. Tune in to hear about: Salomon's unique career journey from investment banking and travel retail in Asia, to Delivery Why Q-Commerce offers untapped potential for both conversion and consumer engagement Distribution vs. activation: why getting fundamentals right matters before flashy campaigns How near-instant shopper and basket data creates new opportunities for FMCGs The importance of aligning global and local teams, agencies, and distributors More Follow us on LinkedIn: https://www.linkedin.com/company/fmcgguys/   Audio Mixing by Rodrigo Chávez Voice Acting by Jason Martorell Parsekian

In this episode, we are joined by special guest Doc Wyatt, the founder and owner of Wandering Planet Toys, for the eighth Nancy Drew Diary, The Magicians Secret (2015).Wandering Planet:https://wanderingplanettoys.com/https://www.instagram.com/wanderingplanettoys/Doc's Instagram: https://www.instagram.com/otherland71Shop Nancy Drew Action Figures: https://www.bigbadtoystore.com/Search?HideInStock=false&HidePreorder=false&HideSoldOut=false&InventoryStatus=i,p,so&PageSize=20&SortOrder=Relevance&SearchText=Wandering%20Planet%20Toys&Brand=40244regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

In this episode of Bonfire Conversations, I sit down with Emma Harvey, founder of Harvey Voices, one of the UK's leading voice talent agencies.Emma shares her journey from drama school to building a powerhouse agency representing some of the industry's most recognized voices. We discuss:- How Harvey Voices began and grew into one of the UK's top agencies- What Emma looks for when signing new voice talent- The rise of video games and performance capture in voice acting- The challenges and opportunities of AI in the voiceover industry- Practical advice for aspiring voice actors who want to break into games- Tips for directors and developers when casting and working with voice talent- Emma's hopes for the next generation of voice actors- And many moreThis conversation is an invaluable resource for anyone dreaming of a voice acting career, as well as for developers, casting directors, and fans curious about the people who help bring voices to life.

In this episode, we speak with Erika Ferszt, CMO at Furla, the historic Italian leather goods house founded in 1927, to explore not only how brand building has transformed, but also how she's reinvented herself along the way. From starting out in New York ad agencies to a decade shaping Ray-Ban at Luxottica, ten years running her own consultancy, and now leading Furla into its next chapter, Erika's career mirrors the evolution of marketing itself — from big-budget campaigns to today's fast, fragmented, always-on environment. Together, we reflect on the balance between creativity, data and AI, the enduring importance of psychology and human patterns, and why networking is as essential as strategy for modern leaders. Tune in to learn about: How Furla's “Come Play With Us” campaign sets the tone for its new chapter Lessons Erika learned while helping Ray-Ban thrive in the early days of social media How marketing has shifted from agency monoliths to agile, real-time creativity Why psychology, pattern recognition and data are central to brand connection The role AI can play in sparking ideas — but never replacing human creativity Moving from Corporate to self-employed and to corporate again More Follow us on LinkedIn: https://www.linkedin.com/company/fmcgguys/   Audio Mixing by Rodrigo Chávez Voice Acting by Jason Martorell Parsekian

Send us a textHow To Fix Sibilance In this episode of A VO's Journey, we focus on one of the most distracting audio issues for voice actors: sibilance. Those sharp, piercing “S” sounds can cut through your recording and ruin an otherwise professional read—but with the right approach, they're manageable.We break down what sibilance is, why it happens, and the best ways to control it both while recording and in post-production. You'll learn mic techniques to reduce sibilance, how vocal delivery plays a role, and the tools available in your DAW (like de-essers and EQ adjustments) to smooth out your audio.If you've ever cringed at harsh “S” sounds in your playback, this episode will give you the practical steps you need to fix it and deliver clean, polished voice overs.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

Send us a textHow To Fix Plosives In Voice OverIn this episode of A VO's Journey, we tackle one of the most common problems voice actors face in their recordings: plosives. Those harsh bursts of air on letters like P and B can ruin an otherwise clean take—but the good news is, they're fixable.We break down what plosives are, why they happen, and most importantly, how to prevent and fix them. From mic technique and placement, to using pop filters and windshields, to editing tricks in post-production, you'll get practical solutions that work for any home studio setup.If you've ever listened back and heard that dreaded “pop,” this episode gives you the tools and confidence to clean up your audio and deliver broadcast-quality voice overs every time.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

This week on Toon'd In!, Jim Cummings welcomes the incomparable voice actress and queen of sass herself—Lori Alan! Known to millions as the voice behind Pearl Krabs (SpongeBob SquarePants), Diane Simmons (Family Guy), and The Boss (Metal Gear Solid series), Lori brings her powerhouse presence and razor-sharp wit to a lively, heartfelt, and hilariously candid conversation.From her early days in voiceover (spoiler: she was in a commercial before she could walk!) to finding her groove as one of animation's most versatile and in-demand talents, Lori shares the highs, the hustle, and the heart behind every performance. She and Jim dive into the art of bringing animated characters to life, the importance of emotional authenticity in voice acting, and the behind-the-scenes moments that shaped some of the most iconic voices in pop culture.

In this engaging conversation, Troy Holden and AJ DeLong delve into the world of podcasting technology, microphone choices, and the voiceover industry. Let's face it... they are GEARHEADS and love the gear and the excitement fo talking about it! They discuss how AJ bonds VO and WORKING AT SWEETWATER  (the candy store?), the importance of equipment, and the evolution of music shops. AJ shares his journey as a voice actor, the challenges of the industry, and the significance of training and networking. The discussion also touches on the importance of voice care, current projects, and the excitement of exploring new audio technology.The importance of choosing the right microphone for voice work.Sweetwater provides a unique experience for audio professionals.Daily life as a sales engineer involves interacting with various clients.Transitioning to band and orchestra rentals has opened new opportunities.The evolution of music shops reflects changes in the industry.Voice acting can lead to unexpected opportunities in audio drama.Training and coaching are crucial for success in voiceover work.Caring for one's voice is essential for voice actors... but we suck at it.Networking within the voiceover community can lead to valuable connections."I love tech. I just love the stuff.""You only live once. Don't worry about it."Chapters00:00 Introduction to Podcasting Technology03:02 Exploring Microphone Choices05:54 The Sweetwater Experience08:53 Transitioning to Band and Orchestra Rentals11:47 The Importance of Quality Instruments14:40 Nostalgia for Music Shops17:46 Balancing Voice Acting and Sales20:53 Lessons Learned in Voice Acting22:37 Navigating the Evolving Voiceover Landscape27:14 The Importance of Vocal Care and Maintenance32:33 Microphone Choices and Quality in Voiceover40:43 Finding Your Niche in Voiceover Work47:28 The Creative Energy of Conferences49:16 Navigating the Voiceover Roller Coaster51:22 The Passion Behind Voiceover Work52:25 The Journey to Voiceover Success53:19 The Unicorns of Voiceover54:33 Headphone Innovations for Voiceover01:01:23 The Importance of Proper Studio Setup01:05:47 Voiceover Gear and Signal Chain01:09:17 Connecting with the Voiceover Community

Send us a textScooby Panel #117 - In this episode, We sit down with Neil Fanning — best known as the voice of Scooby-Doo in the live-action films — for an in-depth conversation about his fascinating career in film and entertainment.We talk about:His extensive background as a stunt performerHow he became the voice of Scooby-DooThe story behind Scrappy-Doo's disappearance from the franchiseHis thoughts on the new Netflix live-action Scooby-Doo seriesAnd so much more!Whether you're a fan of voice acting, film stunts, or just love a peek behind the curtain of Hollywood productions, this episode is packed with great insights and fun stories.#NeilFanning #ScoobyDoo #PodcastInterview #VoiceActing #StuntPerformer #ScoobyDooMovie #BehindTheScenes #Netflix #ScrappyDoo #FilmIndustry #ScoobyDooLiveAction

Send us a textIn this episode of A VO's Journey Podcast, we pull back the curtain on what makes VO Journey Academy unique—every one of our coaches is an active working voice actor. That means the training you receive isn't just theory; it's built from real-world, day-to-day experience in the industry.We also dive into a technical topic every voice actor should understand: noise floor. What is it, why does it matter, and how do you figure it out in your own recordings? We break down what a proper noise floor should look like, how to measure it, and what it reveals about your recording environment and audio quality.Whether you're here for the business insights, the tech tips, or both, this episode will give you practical takeaways you can apply immediately on your own VO journey.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

Tune in every Friday for more WOW Report.10) Hot Podcast: Julia Louis Dreyfus's Wiser Than Me @00:519) South Park Continues to Troll ReTHUGlicans @06:078) Hot Podcast 2: New Heights @08:217) Things That Make Tom Go Oww!: NH Wasp Attack @18:246) …And Just Like That's Shitty Series Finale @25:115) Hot Ticket: & Juliet @30:084) Casey Kasem's Top 40 Countdown from This Week in 1975 @36:313) Scandal Rocks the Norwegian Royal Family @39:452) Televerse ‘25: Music Supervising & Voice Acting @41:311) Newsom Trolls Trump @46:46

Send us a textIn this episode of A VO's Journey Podcast, we dive into the world of voice over conferences—events that bring actors, coaches, and industry pros together under one roof. Are they worth your time and money? We break it down with an honest look at the pros and cons.On the plus side, conferences can be an incredible way to network, meet casting directors, learn new skills, and immerse yourself in the VO community. But on the flip side, they can be expensive, overwhelming, and sometimes leave you wondering if the investment was worth it.We'll talk about how to decide if a conference is right for you, how to make the most of your time and money, and how these events fit into your bigger voice over journey. Whether you're thinking about your first conference or have been to a few already, this episode will give you insights to help you plan smart.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

Send us a textIn this episode of A VO's Journey, we dig into one of the most important topics for any voice actor building a business: the difference between marketing and sales. While these two terms are often used interchangeably, they serve very different purposes—and both are critical to your success in voice over.We'll break down what marketing really means (building awareness, visibility, and brand), what sales really means (converting opportunities into paying clients), and how the two overlap in a practical way for voice actors. From building trust with your audience to closing the deal, you'll come away with a clear understanding of how to balance both sides of the business and start landing more work.Whether you're brand new to VO or looking to grow your client base, this episode will give you the clarity and strategy you need to move forward.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9  Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

In this episode of The FMCG Guys, Daniel is joined by Charlotte Bailey-Sane, Marketing, Digital & E-commerce Director at Nutrition and Health Leader ADM, to explore how she's driving growth in the fast-evolving health & wellness space. Charlotte shares her journey from agency life into brand leadership, why she's always been drawn to e-commerce and digital transformation, and how she's built an integrated marketing and digital function at ADM. She also discusses making D2C work in niche categories, protecting brand equity across channels, and leading hybrid teams in a rapidly changing environment. Key takeaways include: Building ADM's digital & e-com team from scratch Making D2C work in pet and equine supplements Balancing data with gut instinct in marketing Protecting brand equity across channels Leading and building culture in hybrid teams More Follow us on LinkedIn: https://www.linkedin.com/company/fmcgguys/   Audio Mixing by Rodrigo Chávez Voice Acting by Jason Martorell Parsekian

Send us a textHow Are You Going To Get Paid?In this podcast episode, Gabby Nistico and Anthony Pica talk about how you should use a variety of options when billing customers in order to get the most voice over work you can. 50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

BOSSes, get ready for an electrifying conversation with a true entertainment icon. In this episode of the VO Boss Podcast, Anne Ganguzza is joined by the legendary Rolonda Watts, an Emmy-winning, talk show host, actress, and award-winning voice actor. Rolonda's career is a masterclass in professional reinvention. From her groundbreaking syndicated talk show, The Rolonda Show, to her powerful voice acting work on Professor Wiseman in Curious George and her on-screen roles in Mind Your Business and Survival of the Thickest, she embodies the art of pivoting with purpose. The hosts discuss how her journey from journalism to entertainment shaped her, why listening is the most important tool for any communicator, and the life philosophies that have guided her to become a true BOSS.   00:01 - Anne (Host) Hey, bosses, Anne Ganguzza, you know your journey in voiceover is not just about landing gigs. It's about growing both personally and professionally. At Anne Ganguzza Voice Productions, I focus on coaching and demo production that nurtures your voice and your confidence. Let's grow together. Visit Anneganguzza.com to find out more. 00:48 Visit anganguza, hey. Hey everyone, welcome to the VO Boss Podcast. I'mGanguzzayour host, Anne Ganguza, and I have something amazing for you 00:53 , bosses, today.  00:55 Today's guest is a one-woman entertainmentRolondaempire. She's done it all award-winning journalistRolonda daytime talk show host, actor, stand-up comic, best-selling author and one of the most recognizable voices in voiceover. You may have heard her as Professor Wiseman on Curious GeorgeRolonda in the Proud FamilyRolonda kung Fu Panda and now Invincible Fight Girl. She's also the annoucer and promo voice of the Sherry Show, where Sherry Shepard calls her a daytime talk show legend, which I happen to agree. Rolanda Watts is currently lighting up the screen on Bounce TV's hit comedy Mind your Business which I always get to see all the shorts on the Facebook feed, by the way where she plays Lucille, the sharp, sassy family matriarch that keeps it real with tough love and somehow I feel like that just echoes your character to a T. And she I feel like that just echoes your character to a T, and she's also appearing in the upcoming season of Netflix's Survival ofRolondathe Thickest, and was recently inducted into the prestigious Silver Circle by the National Academy of Television Arts and Sciences at the 2024 Emmys, recognizing her lifetime of groundbreaking work in television.  02:04 Bosses, please welcome the incomparable Rolanda Watts, thank you. Thank you, rolanda. I have to tell you, you know I'm a big fan. I mean, I've said this to you before, but, bosses, I am the biggest fan of Rolanda. I actually know Rolanda from watching her on daytime talk TV, and that was a while ago. I want to say that daytime talk shows had just kind of come into like being, and you're one of the first that I watched and I just I just you, your personality, just everything about you was just amazing. It's just magnetic, and so I am so excited to be able to interview you, a talk show host. So I was like, oh man, how am I going to prepare to talk to you? But you are just so gracious and wonderful, and so that kind of gave me a little bit of of hope that I wouldn't completely flub it up today, rolanda.  03:05 - Rolonda (Guest) I don't think you would do that, Anne.  03:08 - Anne (Host) My goodness. So for the bosses, who you know don't really know your story and how you started off, I mean, my gosh, you're a media empire, so I don't even like we could have like five days worth of interviews with you, but it all started as broadcast journalism correct interviews with you, but it all started as broadcast journalism correct?  03:28 - Rolonda (Guest) Yes, Tell us about that. Well, I grew up in Winston-Salem, North Carolina, and I, you know, I went to well, it's a long story about how I became an actor, but it all started with being 12 years old and going to Broadway with my family and seeing Guys and Doll and I was just like, oh my God, I love the stage and that's what I Anne do. So I went to Spelman and majored in theater arts and then there weren't a lot of roles when I got out of college. There just wasn't a track for folks who looked like me in the acting world, and so I fell in love with journalism, went to Columbia's Graduate School of Journalism and I was a news reporter and investigative anchor woman and producer for many years for New York WABC, WNBC Inside.  04:16 - Anne (Host) Edition, and that's impressive. And all of a sudden. Well, yeah, I was an investigative journalist. I mean you just said it like it came so easy. But I Anne imagine at the time. I mean you must have had to really work to get yourself in that space.  04:33 - Rolonda (Guest) Well, it was a crazy time because it was the 1980s. There weren't a lot of women in investigative news reporting, not in New York City, and so it was a groundbreaking time for women and and there was so much in the news, especially in New York, it was the big gang wars, the mob wars. You know, gotti hadn't even come into into play yet, so it was murder and mayhem. I was covering, wow and yeah, an inside edition. I was more murder and mayhem.  05:04 - Anne (Host) I remember that.  05:06 - Rolonda (Guest) Yeah. And then a man by the name of Roger King, who in heaven remains the number one selling as human being in television, asked me if I would like to do my very own syndicated talk show. So for four years I did the Rolanda show and then, when that was over let's loop back to the 12 year old who wore the subway token around her neck as a good luck charm. I said I'm not going to be on a porch when I'm 80 years old, going I could have, would have, should have. I am going to take my chances and go for my lifelong dream and make that 12 year old inside of me happy.  05:41 And I took off and went to Hollywood and that's where I became an actor and a writer and a producer and had my own production company and stumbled into voice acting and all of these things were part of what so many people call me the reinventionist. But I have had to reinvent my life for so many reasons and so many times. But I believe that isRolondamany different things that I've done and it's all around one thing and that's what we do as voice actors Good storytelling.  06:13 - Anne (Host) Yeah, absolutely Absolutely. And it's so interesting because before I had really come into like knowing you again, after you know, watching your talk show, and then knowing you as in voiceover yeah, the Anne and promo voice of the Sherry show, how interesting. Like you started to talk show, you're like a legend and talk show in my, in my brain. I'm like Rolanda, that's so awesome, like you. And now you kind of came full circle back to it a little bit Right, being the Anne and the promo voice.  06:46 And I was watching a clip of you the other day and Sherry was saying something. She was going on. She was gushing about you, which I get that. She was gushing about you and it was so interesting. She was giving you this credit about talking about your talk show and how wonderful you were and you turned it right. The conversation went right back to her about how wonderful she was and I was just blown away by how gracious that was and I just thought, well, no wonder. Well, no wonder you made such a great talk show host, such a great communicator, such a great actor and stand-up comedian and everything, because you just have this wonderful way of connecting with people.  07:29 - Rolonda (Guest) Well, you're awfully sweet, Anne. I'm going to receive all of that, but I thank you for that. You know it's, it's it. I, you know I was. I get blown away too, because Sherry does not hold back about what. What do the folks say? Giving me my flowers? And it's nice to receive them when you can smell them. You know, you know, know, it's really interesting because we did pave the way for sherry and and kelly and and drew and tamron all of them and I also know the hard work that those ladies are doing.  08:04 This job called talk is not easy. The politics that go on, the struggles day to day, the whole idea that the show is bigger than you as a human. It's very trying and you're out there by yourself. So I of course give her her flowers back because you can hand over the baton, but if the person can't run with it it really doesn't count. So to be able to see that continuum is a beautiful, beautiful thing.  08:29 And you know what's really funny is that Sherry's executive producer, who you see on the show all the time, John Murray. John was a college student when he first came to see my show and that's when he got the TV bug. He was bitten by the TV bug and so I would invite him back. In fact, one time I put him on the show so he could come and see how the producers worked and the behind the scenes working Skip to him becoming the executive producer of the Sherry show, and he said there's no other voice that we would have introduced, Sherry, and pass on the legacy than you. So it's really good. I mean, you got to be nice to kids, because they're coming up and they'll be your boss.  09:10 - Anne (Host) Right. Isn't that the truth?  09:12 - Rolonda (Guest) It is, it's like full circle.  09:13 - Anne (Host) You've, really you've done so much and you are.  09:15 I feel as though you've got. I feel like, look, I know how busy I am and I do a lot of stuff, but I feel like you, you're, you're doing it all. I mean you're, you're in that sitcom and I see, I'm thankful. I see the clips that you're posting on Facebook and it's so funny how the Rolanda that I know right, that I had a conversation with at VO Atlanta, I mean I feel like it is just so true to your character. Tell us a little bit about that role. I feel like you're just having the best time doing it.  09:44 - Rolonda (Guest) Oh my God, Lucille Williams, or Lucille is just one of the most wonderful characters. I mean, she's just great. And this coming weekend she's going to break off into her cougarlicious life, I know, oh wow.  10:05 She and her besties. They call themselves the silver sneakers. The nieces have convinced them that they need to give up the old guys, who just need a nurse and a purse, and go and get some of the young guys to go get some cool you know, be cougars and so we see how that works. But it's very, you know, it's fun to play her. She's sassy, she's the matriarch of the family, but at the same time we're writing storylines that give her a full bodied woman-ness. At this certain age, absolutely, absolutely.  10:42 - Anne (Host) I love that.  10:43 - Rolonda (Guest) But Mind your Business is a wonderful sitcom. It's one of those wonderful family sitcoms. It's produced by Bentley Evans, who did Jamie Foxx and Martin, so you're going to get that kind of zany funniness, but it's. But my character is lost her business almost during covid and calls on her family to come in and help save the business. And so she moves in with the family to save some money and all hell breaks loose. They need more of a referee than they do business partners. Now.  11:14 - Anne (Host) I love it. Now, if I'm correct, you're on season two, is that correct?  11:20 - Rolonda (Guest) We're on season two. That's right.  11:22 - Anne (Host) That's right Will there be more seasons. We certainly hope so. I hope so too.  11:25 - Rolonda (Guest) Listen, we're depending on you to watch and binge and love it. We're on Bounce TV or the Brown Sugar app and you Love it.  11:32 - Anne (Host) We're on Bounce TV or the Brown Sugar app and you can go look up where you can watch it. Yeah, I love that. Well, ok, so All right, we have to. Now we have to come to the voiceover aspect of things. So you actually have been doing voiceover since you came to LA, right?  11:46 - Rolonda (Guest) And well, you know what's so crazy, Anne, is that I was doing voiceover work, promos and Anne and voiceovers, and I didn't even know I was a voice actor, because I was doing all of that stuff for my show. I mean, had I known I was a voice actor at that time, I would have had a very different contract, trust me. But but it let meRolonda you know. But, just being a news reporter for so many years in New York City and on Inside Edition across the nation, people just knew my voice. And when, when I moved to LA and gave up the whole news and talk business to come out here and be an actor and a producer, nine months into the game the writers went on strike and instead of hosting an internationally syndicated talk show, I was on the picket line serving pizza to the striking writers.  12:39 And I was like what am I going to do? And I had to eat, I had to pay my rent, I mean what, what? And it was like I'm not going back to news, so what am I going to do? And I remembered that I used to call 411 back when you used to get information and the operator even knew my voice. They would go is this Rolanda. And so I said well this, I know I've got a voice, I'll go do voice acting. And I could not catch a cold because I didn't understand what the business was about. I had a voice and I had a microphone, but I had no idea what voice acting was about. I had a voice and I had a microphone, but I had no idea what voice acting was about.  13:14 So I went over to Calumson and Calumson over there in Burbank and I took a class and that thing saved my life because those that was the one of the that was the well, it was one of the longest strikes in Hollywood nine months and by that time I had created a whole new career and the voice actors weren't on strike. So I said this is a great backup for my physical acting and there are times and when my voice works more than my physical acting and now that I'm becoming a woman of a certain age those roles aren't coming in as quickly. But, honey, I can play a hot 30 year old.  13:53 - Anne (Host) Well, my voice. I love that you're using the woman of a certain age because, as a woman of a certain age, as well, what are you?  14:02 - Rolonda (Guest) going to do.  14:04 - Anne (Host) Exactly. I mean, I say use it Right, I mean absolutely. And so let's talk just for a brief moment about what. So acting and voice acting, same, different, what? What would you say are the key differences? Because you said, oh, I had to go to Kalmanson and Kalmanson, right.  14:22 - Rolonda (Guest) So there are some things, yeah, oh, absolutely.  14:25 - Anne (Host) Bosses need to know that are different and I absolutely always tell people yes, you should, you should, you know, take acting classes. But also there are some, some differences.  14:35 - Rolonda (Guest) Yeah, I find that there there's. It's just a different set of muscles, I think that's what you would say. One is just strictly your imagination and I think, well, for me, one helps the other. Well, for instance, the character I play we talked about Lucille, lucille talks like this she's got a little quiver in her voice and she just real high pitch, like that. So some of those tricks that we learn in terms of texture and pitch and pacing and all of that that we do as we imagine our characters, I do the same thing when I see the character on the page and I say how does that voice, what? What is it about her voice that's going to make her stand out. And they know that's Lucille, that's part of her, because she doesn't have cause. That character doesn't have this voice, not my voice. So I think that that that helps me find my characters In fact.  15:29 In fact I did a play and I had I did three plays at one time. Craziest thing in the world never been done Did three plays at one time, playing 10 different characters, from a nine-year-old girl to a 76-year-old grandmother, and all of those are different voices. You know, one was a journalist, one was a, you know, grandmother one, a, a little girl who grew up in mississippi. I mean, those are just such different voices and I also have bring my physical things, like when I'm thinking of a character in my voice, acting. I think what would they wear?  16:04 Shakespeare said, the clothes make the man and the woman too. Are they wearing a cape that they sold over there, you know? Are they carrying a sword? Does she have really tight bobs in her hair? I mean, does she have a mustache? So there are all kinds of things that I think. If I'm in my prop room or my wardrobe room and it's just my imagination, what can I do to help bring those things to light? Just the way, when they put the wig on and the clothes and the heels on for stage or screen, you could become that character. You do the same in your imagination, yeah.  16:37 - Anne (Host) I love that, I love that parallel.  16:40 That makes so much sense, actually, and it's interesting. So, for voice actors, who have not necessarily acted, what sort of tips would you have to for them to be better actors? Let's say, because it's funny, I do a lot of the stuff that people don't think you need to act for in terms of voiceover, like corporate narration or e-learning, and they think that you don't need to act. But in reality you're always a character, and so when I'll say to my students, envision that scene, it's just to them they're like what, why? Why do I need to do that? Why don't I just read the words? You know why?  17:20 - Speaker 3 (Announcement) I hear it. Yeah, exactly, you know why?  17:22 - Rolonda (Guest) Because we're not looking for readers, we're looking for actors, and I think that's one of the biggest mistakes that folks make who don't become a VO boss is because they don't understand what this industry is about. It's really not even about your voice. It's not about I mean, everybody has a beautiful, unique voice, because there are no two voices alike but it's the acting that's going to make you so different. It's those subliminal things under those lines. Sometimes you have a whole commercial that tells a whole life story in four lines and they, they fought over those lines. Attorneys, 50 people made all those lines. So they mean something. What is the story we're telling here? Right, and who am I in this story and who am I talking to? You know all of those questions. Where am I? Why am I even this story and who am I talking to? You know all of those questions. Where am I? Why am I even talking about this toilet paper? You know, and I'm a bear.  18:21 Why am I. Even I'm a mama bear. I mean why? You know why am I, and I'm not going to act like a bear, but I'm going to act like a mom who's concerned about her kids not wiping themselves. And that's just real stuff. So how do you tap into the authenticity? How do you make it human? Because what our job is is to connect with another human being. That's something that folks down there on Madison Avenue, the big advertisers, can't do in their suits, so they depend on us as actors, to be human, to be just plain old ourselves and human. No bravado, as we're hearing so much in our copy and in our instruction and directions as actors. Authenticity, throw it away, just give it to me. No salesy, no Anne, and I got to tell you that's the hardest thing in the world to do. Even for us seasoned actors, it's sometimes hard to shake off the the, the formality and just get real with it. You know and feel comfortable and confident with that.  19:21 - Anne (Host) Can I ask you to repeat that, can you that you said, you said what you said. It was hard, it's hard, it is hard, right. It is so hard Like I love it because you create that scene Right. It is so hard, like I love it because you create that scene Right In which those words make sense, right.  19:36 And tell a story and sometimes those words are really we don't know. We don't know that, Like I, have some people that are almost indignant that they don't have a storyboard or they don't. They don't understand the words. So therefore, if they don't, they're just kind of well, let's just say them then.  19:58 - Rolonda (Guest) Right In a melody that I think they want to hear. Rolonda, that's great, then they'll have a melody that they just heard, but they won't have the commercial.  20:03 - Anne (Host) I love it, so yes, so you said it's hard, rolanda says it's hard, it is.  20:09 - Rolonda (Guest) I go on record as saying the hardest thing I've ever had to do whether it was talk, tv or vocal or physical acting is being myself. Now in life, I have no problem beingRolondaauthentically Rolanda. What you see is Rolonda you get. But it's something that happens when we pick up that script and that microphone is in front of us and, all of a sudden, things start changing and happening. We're just not ourselves. I don't sound like myself. I don't like toRolondahear my voice. It takes, it's really acting. When you hear people who sound like how did they get that job? They don't even sound like a voice actor. It's because they are turning themselves Rolonda a virtual pretzel justRolondato sound like that, to sound so normal.  20:58 I remember when I first started doing my talk show um, the, the demand of being a, an actor I mean not an actor, but a talk show host with a talk show called rolanda was that you had to be Rolanda. You couldn't be the news reporter anymore. That was crucial to the success, and so it was very hard to even do it then, and I can remember my bosses and my partners calling going get that news reporter out of there, bring back Rolanda. And I said but I've got this crazy laugh and a raspy voice and I, you know, I'm a Southern accent and that's everything that makes my brand. I mean, it's crazy, but that's Rolanda. When you say Rolanda, that's what you hear. So whatever that is about you, whatever that quirky, crazy thing that you think is your fault, that's going to be your greatest asset. You know, when I was a little kid, they called me froggy and I always played all the guys in all my all girls school plays and I thought that was a real fault of mine. And now I can play women, men, little boys, pirates, anything in this industry of voice acting, and there's no limitation. The only limitation is your imagination. It's not about the equipment, it's not even about your voice. It's about your brilliant imagination and what you bring to that character, not even the microphone, what you bring to that character that nobody else thought about. That made that animator go. Oh, I can't wait to draw this character, um, and to make the casting director's job easy. They want you to win, they want you to get this job, so give it to them, show them your special sauce.  22:43 But I think it takes real practice, practice, practice. Like carnegie hall, they say. You just don't walk up into carnegie hall and start playing the violin. No, you got to learn how the instrument works. You got to learn how to maintain it, take care of it, how to make love to that instrument so it delivers that God given art and craft that you've put into it. You've got to do the work. And a lot of people think, well, I can just go pick this up and read. And the sad thing is, and they don't take classes and they have no idea what they're doing wrong. The worst thing that can happen is you go years and years and years building on the wrong stuff because you never took the time to learn the right stuff. You don't know what you don't know. Yeah, that's so.  23:29 - Anne (Host) I'm.  23:29 - Rolonda (Guest) I'm real big on training and classes so that you get the education and the acting experience and you understand how to break down scripts, you understand the vocabulary of this industry and how to network and and and use your resources that are right there at your fingertips.  23:46 - Anne (Host) Well, I think I think you're probably very much a VO Boss on using those resources and networking throughout your whole career. That's absolutely something that I feel that you've you've done so successfully. What would you say is probably the most important thing tip that you could give to to ensure success in this industry? Because it's a evolving industry and, yes, being the the queen of reinvention, right, you've had to reinvent yourself, and reinvent yourself not only in, you know, voiceover, but in, like all the media and how it's evolved over the years. So what would be your, your best tip to ensure success? Don't quit there. You go.  24:26 - Rolonda (Guest) I like that. The only people who don't succeed in voice acting are people who quit. I like that. You know, even the greatest ones. And you know, when we're at the VO Atlanta conference and we're with the greats I mean we're with Bob, who's Porky the pig, and we're with Joe, who's every network's Anne and when you hear these, these, these major vo stars and pros say, man, I do 50 to 100 auditions and may not nab the job a lot of us went whoa.  24:59 - Anne (Host) thank god, it's just not us, because yeah, I mean I can show you a stack in my head. I'm like oh, thank god, because, yeah, I, I just did a ton, I know, yeah, and look, listen I hear some auditions from this month okay yeah, am, I, am, I am I booking every one of them?  25:16 - Rolonda (Guest) no, but that's but. But you have to change your mindset. Every time I show up that microphone and I'm doing an audition, I'm not going up there. Well, I'm not going to get the job anyway. If you've got a bad attitude like that, it's time for you to jump into a classroom and just realign yourself, because this is a long game. And let me tell you what's going to happen when you get great you nab that job, you go and do that commercial. One hour it's gone and you're right back to auditioning again. So don't put all of your emphasis on just the job, but the but, the practice, the maintenance of it. Uh, going to conferences like the VO Atlanta conference, vo Dallas conference, sosa look up these places. That's a good place to hobnob. This is a very solo business. You're a solopreneur, you're by yourself, you, your microphone, your computer and your imagination. That's it. So get out and join memberships. Like Anne. You can come and take my class, the voice acting masterclass with Rolanda. In fact, I'm going to offer your listeners a very special deal if they're interested.  26:29 But that's another way that we build community and you learn what's the cutting edge. Right now we're dealing with AI. What does that mean? Staying on the cutting edge of things that are going to affect your career and really take it as a business. This is not just a hobby. Understand how your taxes work, understand the legalities and understand the questions to ask when you're signing a contract. Now just don't run out there all willy-nilly and not ask the right questions or your voice will be used forever and you not get paid. You know the video game people just had a strike and got some. Where are we moving forward in the business?  27:10 Be able to talk intelligently about the business. So when you're out there meeting people, they know, oh okay, this is somebody really serious. This isn't just somebody who just got a microphone on amazon and call themselves a voice actor, because there's a lot of that. But I say that um, really, just don't quit and understand that every time you show up in front of that microphone, it's another opportunity to show you a special sauce. And if the casting director doesn't get you into this particular job and that's not their decision, it's the producer's or whoever the client is. If you don't make it then, then at least they've heard you. I get a lot of times where they're. Rolonda same client will keep calling me back and I know I've impressed them in those other auditions I've done, so I know they're looking for something for me, so I just keep showing up, doing the best that I possibly can and finding ways to make it different. Because they've heard the same audition 50 million times, sometimes 500 times.  28:12 So what can you do to make it a little different and still stay within the parameters? So there's Ganguzza kinds of tricks and strategies and all kinds of things that you can do to stand Ganguzza and also how you market yourself like anything else. This is a brand Just because Rolonda have a microphone. Anything else this is a brand. Just because you have a microphone doesn't mean you have a brand. So reallyRolonda you know, that's one of the things I tell my students all the time. Once you get the breaking down the script and understand how the microphone and the vocab let's, let's talk about marketing, social marketing. How do we brand ourselves? How can you be one name like Rolanda and people immediately know what that means, and so that's really knowing your stuff and knowing your own voice too, that's so interesting because for a while, when I first started, I had different names.  29:00 - Anne (Host) I mean I, of course I started VO Peeps, I have VO Boss, and then I have Anne Ganguza brand and I'm like I really just need to wrap it all up into the Anne Ganguza brand. So finally, people say I need an Anne Ganguza, like I need a Rolanda. I need an Anne Ganguza, and so I love that that you have that brand and you build on that brand. But, rolanda, let me ask you a question, because I saw the stack of auditions. Do you I mean still, do you get, still I say still do you get an imposter syndrome?  29:31 - Rolonda (Guest) I think I'm pretty much. I'm pretty much at this time in my life. I know who I am. You know I'm not trying to. I've done enough and achieved enough and have enough confidence in myself. I think you know what I think this is. The other thing about this industry is confidence, because you can hear I can hear through a microphone. If you're not confident and you don't even believe yourself, if you see it, I'm going to see it. If you believe it, I'm going to believe it. And that's half the battle, I mean, and that's also part of the practice of this art and this craft, is learning how to still your nerves. Breathing is so much a part, warming up is so much a part of it and it's a full body job. This is an inside job because your beautiful vocal cords are right here in this body encases it. So you got to work out, you got to stretch. You know I love this. Old morgan freeman used to say that the secret to his great voice was a good, deep yawn.  30:29 Absolutely, you know because it just loosens up everything and these 41 muscles up here need to be worked out. A lot of people just jump right up, start reading, don't even warm up their mouths.  30:40 - Anne (Host) As evidenced by your. I think it was yesterday when I saw you on Facebook and you were like all right, I'm going back to the gym.  30:48 - Rolonda (Guest) I know. I messed up.  30:50 - Anne (Host) That's it. I'm going back.  30:54 - Rolonda (Guest) I'm a hot mess but.  30:56 - Anne (Host) I think that warming up I mean it helps, it absolutely does. Just a physical walk, you know, if you go to the gym, a physical warmup does absolutely help. Now, we did talk, we touched upon the confidence issue. We did talk, we touched upon the confidence issue, and one thing that I'm really excited about is that in let's see, is it in September, on the 17th, we are going to have you doing a guest directorship for the VO bosses on improv to improve your confidence and connection. So we will be talking about how bosses can remain confident or stay confident or get confident in the booth, and I love that.  31:35 You said that we can hear. We can hear that confidence and it's really interesting because even if you're telling a story and it may not be the story that ends up being on the video or the commercial right or the commercial right If we're auditioning and we're telling a story and we're convinced of it and we are confident in it, then the people listening, the casting directors, the people that will cast us, will believe it as well, and I think that's one of the telltale signs that they say, ah, shortlist, or that's what's gonna get you the gig.  32:05 - Rolonda (Guest) I think confidence and that's really believing in yourself and being able to take chances and risks. Because you know, think about it. The casting director is hearing 500 people say the same three lines. What are you going to bring to that story that's going to make a difference? I'll give you an example.  32:23 I did an at t commercial and it was about it. It was a very little short commercial and it was about a young girl who sees her mother, who has gone out for girls night at a salsa club, and she says mom, is this you on social media? And the mother goes oh, yes, honey, we were out with Raul last night and we were just dancing and then I something happened. And I said and I just to world. That was not even a line in the script, but I just had this imagination, cuz I used to go out salsa with my girlfriends in California and, honey, when Eduardo would ask us to dance, we would to world. And that just brought that into that like an aunt Lucille, and that's what got me the gig. And it was, and it was just that little button that we say, you know, because they've heard 500 times that people say the same thing yes, I went salsaing with my girlfriend, but nobody twirled but me, nobody's.  33:26 - Anne (Host) nobody else is twirling except for Rolanda. Nobody else is.  33:29 - Rolonda (Guest) honey, that's how much fun I had, which lets you know what that video must have looked like, that the girl saw.  33:36 Absolutely, absolutely, and listen and the fact that these old ladies were even on social media, lets, you know, those boys were young. They taught him how to tick and tock and twirl, you know. So I'm having a whole imaginative thing about going out with my girlfriends and then my girlfriend, my daughter, catching me. Oh please, child, we had a good time. You know, we don't care about what people think at this age. So bringing all of those things, even my own wisdom at this age, like I don't care, honey, I'm twirling with Eduardo because the guys my age don't twirl, so I'm bringing all of that fun into it, you know.  34:11 Another example was when I did judge Joe Brown. You know I was the Anne for that show and when I was doing the audition we had to, you know, was a promo, so I would have to read the line and then listen to the sound bite and then read the line in between. And listen to the sound bite, read, read the line. And I was so big. Judge Joe was such a crazy, freaking judge show. I would say, coming up today on Judge Joe, I'm going to slit your tire and I'm going to beat Shaniqua Mary can't stand, john and then I'm going to cut your other tire and then I would be.  34:46 And then one time I just went, whoa, the next Judge, joe. Honey, they fell on the floor. I was so busy listening that I was reacting like an at home person and I was like, ooh, on the next Joe. I was so irreverent that they created a little animation called lady justice and it was a little bug and I made up this whole story that lady justice was in love with joe just like the daytime audience was gone. Joe, tell them, joe, that's judge, joe, you know because I know the daytime audience. Yeah, so that's the other question we asked who are you talking to?  35:30 - Speaker 3 (Announcement) absolutely, this wasn't the inside edition audience. This. Don't be afraid to take that risk.  35:53 - Rolonda (Guest) You can do a straight one on the next Judge. Joe and Shanique was going to go, but honey, one time let it rip and show them that you can have fun. Fun is the main key. If it's not fun, don't do it.  36:05 - Anne (Host) Yeah, I agree, I think if you can make, if you can make someone laugh, if you can, if you can, if you can bring a smile to that casting director, that person listening to you, oh my goodness. And speaking of because normally I try to make this, you know, a 30 minute podcast, but I do want to touch upon. I do want to touch upon the fact that you are a stand up comedian as well, and we had quite a conversation at VO Atlanta on that, and so I feel like that's just all embedded in your personality and I think you were always a funny person, like from maybe a young girl. But talk to us about being at stand up comedy is tough.  36:41 - Rolonda (Guest) Oh, it's really tough.  36:42 - Anne (Host) But you know something that's a rough audience.  36:45 - Rolonda (Guest) Know your audience. Who are you talking to? That's true. And you know something Lunell taught me that she said know your audience, be able to switch on a dime, whatever. But I'm going to tell you just, VO bosses, that comedy helps immensely. It helps your timing, you know. So much of comedy comes in threes. So when you're doing animation or even some fun commercials, what's that third line where the funny ABC?  37:10 - Anne (Host) read right Where's that?  37:11 - Rolonda (Guest) Where's that? Third line where the funny? Or they want an ABC. Read Right, where's that? Where's that? Where's the funny? And that also gives you the confidence and the imagination and and I tell you funny, joan Rivers told Sherri Shepherd funny girls always work, funny women, funny girls always work, funny women, funny women always work. So adding a little humor to something I think makes you stand out. But I love the craft of comedy. I'm uh got uh some comedy shows here in New York at the comedy village comedy in Harlem, and then I'm going to go out to flappers in LA this winter December for the holidays and I'm opening for Lunell and that's really exciting so yeah, I'm getting my comedy on Awesome.  37:58 - Anne (Host) Look out for me on Netflix one day. I do not doubt it. Well, rolanda, it has been such a pleasure. I wish I could talk to you for another. Well, another five episodes.  38:07 - Rolonda (Guest) Oh, wait a minute. Wait a minute Speaking of Netflix. I got to do this and we're talking about Michelle Boutot's show survival of the thickest.  38:15 - Anne (Host) I'm on that one as well on Netflix. Awesome. Oh, and before and before we actually go, talk to us a little bit about September 17th improv to improve your confidence. A little bit about what we're going to, we're going to be diving into in that class.  38:30 - Rolonda (Guest) Oh, I can't wait to that class because improv is such a great way to gain your confidence, to loosen up and to have a whole bunch of fun. The beautiful thing about improv is there are certain rules that we go by, but it's just fun and it's going to help you tap into your authenticity. One good example we improv every day in life. You talk to your lover very different than you do to your boss, and don't let your best girlfriend call you in the middle of the day, and then, when your mother calls, listen to all the different voices that we have, and that's a lot of improv too. Improv also helps you listen and much of acting is about listening and I think you will surprise yourself, and part of the improv to improve your confidence is finding your own voice and discovering things through this exercise about your own experiences and about your being able to to react on a dime and have fun and laugh about it. Then when you you get those scripts, you can improv in your head.  39:32 I always do a little role play before I start, something Like if I have to play an old grandma, then I talk like an old grandma. Okay, I spin and rush them out. Our teeth don't fit too well. You got a little pain in the rats every once in a while. So you keep building these wonderful things that help you. Listen, you may not get that job, but you know you're going to doggone. Put in the effort because you've done the work. You know you. You will be so surprised, all the places that your voice will take you. And improv too. I mean there are times you're going to meet strangers, a new boss, and going to have to improv too. I mean there are times you're going to meet strangers, a new boss and going to have to improv too.  40:13 So improv is going to be a fun exercise for us. We're going to then take scripts, break down those scripts and do some acting. I'm going to teach you about Uta Hagen's nine questions. We're going to talk a little bit, a bit about Sandy Meisner's techniques, and these are just little things that you can put in your hip pocket that will help you. When you go out into the world and you're in that booth by yourself and you look to the right and the left and there's nobody there but padded walls, what are you going to do? You're not going to freak out, because we're going to learn about warmups and what we do with all this body when we're nervous and behind a microphone, because I can hear nervousness, I can hear it. So let's uh, let's work on that rolanda, did you hear my nerves?  40:57 - Anne (Host) did you hear my nerves when I was interviewing you are so not nervous listen, you need to make it easy.  41:05 - Rolonda (Guest) You've got the ganguza method, that's it there you my own method. I want to be gangouza'd. I love it.  41:12 - Speaker 3 (Announcement) I love it oh my gosh.  41:14 - Anne (Host) Thank you so so much. It has been such a pleasure talking to you today.  41:19 - Rolonda (Guest) You know how much fun we have. We get together and start talking and the sun can come up.  41:23 - Anne (Host) So true, so true.  41:23 - Rolonda (Guest) Thank you, thank you so much.  41:25 - Anne (Host) I so true, thank you. Thank you so much. I'm so excited for you, for our class in September. Bosses, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses, like Rolanda and myself. Find out more at IPDTLcom.  41:42 - Rolonda (Guest) I just wanted to add this that if any of your listeners wanted to check out my voice acting masterclass voice acting masterclass I'm going to offer 50% off if they use the code VO Boss 50.  42:01 - Anne (Host) Oh, I love it. Vo Boss 50.  42:01 - Rolonda (Guest) I'll put that on the show notes, guys. Thank you so much, Just for your listeners. 50% off. Vo Boss listeners go to Rolandacom.  42:08 - Anne (Host) Awesome Thanks. Bye bosses. Thank you, Rolandacom. Awesome Thanks, Bye bosses. Thank you, Rolanda. Bye.  42:13 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via ipdtl.   

Send us a textYou Have A Demo - Now What?In this episode, Gabby Nistico and Anthony Pica talk about what to do after you have your first voice over demo. There are many different paths to take for voice over after you have your demo:1. Sharing your voice over demo2. Have a plan3. Get voice over training50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

This week on Toon'd In!, Jim Cummings welcomes the legendary animator, writer, director, and Darkwing Dad himself—Tad Stones! The creative force behind Darkwing Duck, Chip ‘n Dale: Rescue Rangers, Buzz Lightyear of Star Command, and the Aladdin sequels and series sits down for a no-holds-barred chat packed with passion, nostalgia, and a few myth-busting surprises (yes, we're talking about Darkwing and Batman... again).From his early days at Disney during the Eisner boom to crafting some of the most beloved Saturday morning staples of all time, Tad shares what it really took to bring these shows to life—story pitches, character development, late-night rewrites, and the moments that made it all worthwhile. He and Jim reflect on their collaborations, the evolution of TV animation, and why the heart behind the art still matters most.

Our guests are Gardar Stefánsson, Founder & CEO, and Lauren Larsen, Global Marketing Director at GoodGood, the Icelandic brand disrupting the spreads aisle with no-added-sugar jams, nut butters, and chocolate spreads. What started as a pivot from surplus stevia stock has become a fast-growing business with products now in Europe and major U.S. retailers like Whole Foods, Walmart, and Kroger. With a mission to make everyday pantry staples healthier—without compromising on taste—GoodGood runs a lean, global team and blends data-driven decisions with gut instinct to build a loyal consumer base. Tune in to hear about: How a jam experiment in an Icelandic kitchen sparked a global food brand Why GoodGood's spreads have 88% fewer calories—without cutting flavor The bold move to the U.S. and how it unlocked rapid growth Using smart packaging and cultural insights to win U.S. shoppers Running a $10M+ business with just 15 people and clear OKRs Balancing community-building, authenticity, and data in brand marketing More Follow us on LinkedIn: https://www.linkedin.com/company/fmcgguys/   Audio Mixing by Rodrigo Chávez Voice Acting by Jason Martorell Parsekian

Send us a textOpen Forum Friday - Toy Voice OversHey everyone, we are going to be publishing our podcast everyday as well as going live Monday through Friday on YouTube. https://www.youtube.com/@AVOsJOURNEYIn this episode, Gabby Nistico (Cohost), and I, talk about Toy Voice Overs, Bonnie Williams, our amazing VO Journey Coach AND new voice of the animated series of Jurassic Work Rebirth (Scarlett Johanssons character).Check us out here:50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

In this episode, hosts Becky and Kori discuss the 15th Nancy Drew Diary, The Professor and the Puzzle (2017). regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

Support my work on Patreon- https://patreon.com/realdavejackson Join the Tales from the Backlog Discord server- https://discord.gg/V3ZHz3vYQR Buy me a coffee on Ko-fi- https://ko-fi.com/realdavejackson A good friend of mine likes to say "every game is somebody's favorite game", but I'm always intrigued when some oddball picks enter those conversations, and DoubleFine's Psychonauts is mentioned often enough that I felt like I had to play it someday. And my show patrons (thank you!) made it a point to vote it onto the show, so away we go for a discussion about a fascinating game! Guest info: Marc aka Try of My Life in Gaming * Check out My Life in Gaming on YouTube https://www.youtube.com/@mylifeingaming * Check out The Backloggery https://backloggery.com/ TIMESTAMPS * 0:00 Title Card * 0:18 Intros * 4:46 Personal Histories with Psychonauts * 10:34 Opening Thoughts * 16:20 Story Setup, Comedic Tone * 23:48 Visual Aesthetic * 32:25 Music * 35:37 Voice Acting * 40:49 A Fun Story with Odd Pacing * 55:43 Platforming and Combat * 1:13:15 Cool But Unintuitive * 1:27:11 Wrap-Up Thoughts/Recommendations * 1:33:57 My Life In Gaming/The Backloggery/King of Games * 1:42:32 SPOILER WALL/Patron Thank-Yous * 1:44:33 Spoiler Section Music used in the episode is credited to Peter McConnell. Tracks used: Title and Credits Montage, Whispering Rock Psychic Summer Camp, The Meat Circus, Fighting for the Cause in Lungfishopolis, Agent Cruller's Sacred Hall, The Milkman Conspiracy Social Media: BlueSky- https://bsky.app/profile/tftblpod.bsky.social Instagram- https://www.instagram.com/talesfromthebacklog/ Cover art by Jack Allen- find him at https://linktr.ee/JackAllenCaricatures

Tables turned! Bridget Melton sat in the host chair for The ADNA Podcast, grilling me about my new book A Voice Actor's Guide to Audio Description Performance. We dug into privilege, allyship, and why I open the book by addressing the awkward-but-important question: “Why listen to a sighted guy talk about AD?” Bridget appreciated that the book stays laser-focused on performance for film and TV, without wandering into every other AD niche, and we explored how performers and writers can “salsa dance” between script and delivery to keep blind audiences immersed, even when the words are limited. I shared why access to visuals matters for performance, how production ownership of AD could change everything, and the surprising ripple effects of SAG Awards requiring AD on screeners. From deft “dialogue dodging” to scene-shift signaling, from the dream of live, in-production AD collaboration to the reality of working in silos, we covered the craft, the advocacy, and the small-but-mighty ways performers can elevate the work. Bridget's thoughtful questions brought out the heart of why I do this, and why better AD is access as well as honoring the story. Bridget was one of the first to ask to interview me about my book, A Voice Actor's Guide To Audio Description Performance. Follow her at BridgetMelton.com

This week on Toon'd In!, Jim Cummings welcomes the endlessly versatile, outrageously talented, and effortlessly cool Jeff Bennett—the unforgettable voice behind Johnny Bravo, Brooklyn from Gargoyles, Dexter's Dad, the Man With the Yellow Hat, and so many more animated icons!With a voice that can shapeshift into just about anything, Jeff brings a treasure trove of stories, laughter, and behind-the-scenes magic to the mic. He and Jim dig into the golden age of '90s animation, the joy (and madness) of switching between wildly different characters, and what it takes to stay grounded while playing some of the most eccentric voices in the biz.

Touch Dip welcomes Rho Marsh over just to chat about stuff cause we haven't in awhile!  Rho and I go way back and we just always had a connection and enjoy talking... so this week its me and RHO for THE SHOW!

Achieving Success with Olivia Atkin Episode 145 "Achieve The Light Within And Own Every Shadow with Actress Gabrielle Walsh"Olivia talks personal and professional achievements with Actress Gabrielle Walsh. Gabrielle has been captivating audiences with her performances across film, television, and voice acting. She first made waves with her breakout role in Paranormal Activity: The Marked Ones and has continued to impress in series like The Vampire Diaries, Shameless, 9-1-1, and Lucifer. Currently, she stars as Lacey Quinn on NBC's gripping drama Found, where she plays a law student and survivor using her past to help others find hope and justice. Gabrielle brings emotional depth, strength, and authenticity to every role she takes on. Her journey is a powerful example of what it means to stay committed to your passion, evolve with your craft, and use your platform to make an impact.Join Olivia every Tuesday as she brings on top notch guests to talk about how they are Achieving Success! Career Development Book and More at Achieving-success.comStay Connected With Us:Linkedin: https://www.linkedin.com/company/achieving-success-llcInstagram: @_achievingsuccessTwitter: @_achievesuccessFacebook: @Achieving SuccessBecome a supporter of this podcast: https://www.spreaker.com/podcast/achieving-success-with-olivia-atkin--5743662/support.

#527 Ever wondered if voice acting could be your next creative side hustle — or even a full-time career? In this inspiring and information-packed episode, host Brien Gearin sits down with professional voice actor Darren Roebuck, best known for voicing Toy Freddy in Five Nights at Freddy's and Poco in Brawl Stars. Darren shares how he accidentally fell into voice acting, turned his home studio into a thriving business, and carved out a niche in a competitive and evolving industry. From acting chops and audio setup to audition strategy, client management, and the impact of AI, Darren offers a behind-the-scenes look at what it really takes to make it as a voice actor in 2025. Whether you're curious about the earning potential or looking to break into the industry yourself, this episode delivers invaluable insights and actionable advice! What we discuss with Darren: + Accidental start in voice acting + Importance of acting over voice + Building a home recording studio + Finding gigs on freelance platforms + Types of voiceover work available + Income potential and career tiers + Impact of AI on voiceover industry + Marketing, networking, and repeat clients + Using coaching to improve skills + Staying resilient during market downturns Thank you, Darren! Check out DJR Voice Over at DJRVoiceOver.com. Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠video podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of this episode! To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. And follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Want to hear from more incredible entrepreneurs? Check out all of our interviews ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

Weird week, weird month, weird podcast.  Lst minute stuff from July and is it time YOU made a pivot also??

This week on Toon'd In!, Jim Cummings welcomes the brilliantly funny, fiercely talented, and always unpredictable April Winchell—the unforgettable voice behind Clarabelle Cow, Sylvia from Wander Over Yonder, and a legacy of sharp, standout characters across animation and beyond!From outrageous comedy to heartfelt performances, April brings her signature wit and candor to a conversation that's equal parts hilarious and insightful. She and Jim reminisce about their adventures behind the mic, the creative chaos of classic cartoons, and the art of bringing eccentric, lovable characters to life in a way only she can.

IT'S FINALLY HERE!!! The sisters have been looking forward to Date Everything! for SO long, and it does not disappoint! Join us for a first look at this utterly unique sandbox dating sim that features all (YES we said ALL) your favorite voice actors. Expect us to dive into the punny names, chaotic interactions, and a how much we love the representation in this game.Games discussed: Date Everything, 9 R.I.P., Uma MusumeNone of the games or characters discussed belong to us.Support the show

In this episode, hosts Becky and Kori discuss the 7th book in the Nancy Drew Diaries series, The Phantom of Nantucket (2014).CW: discussion of eating disorders and body shaming. regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

In this episode of High Notes, we sit down with Tom Keegan, an acclaimed performance director behind major AAA titles such as Jedi: Fallen Order, Wolfenstein, Call of Duty, World of Warcraft and more.Based in LA, Tom reflects on his creatively rich upbringing and his path to becoming a leading figure in video game performance direction. The conversation looks at the evolution of voice performance in games, the power of subtext, and what sets video game acting apart from other forms of voice work.He also previews his upcoming book, The Complete Guide to Video Game Performance Directing: Place, Time, Action, offering practical insights into the craft, your own creativity, and other deeply human aspects of game development.Whether you're an aspiring actor, director, or simply fascinated by the art behind your favourite games, this episode offers a compelling look into the world of interactive storytelling.https://www.tomkeegan.net/https://www.imdb.com/name/nm1146741/https://www.instagram.com/tomkstudios/https://www.routledge.com/The-Complete-Guide-to-Videogame-Performance-Directing-Place-Time-Action/Keegan/p/book/9781032914541?srsltid=AfmBOoroDSYuJU8bQauYeiIyWVq2CgLfuM35ClTVL7dvRCk4BhaG2UdiSubscribe to the BRAVA newsletter for news updates, training opportunities, and more from the world of business, acting and voice: https://www.brava.uk.com/subscribe00:00 Introduction to High Notes Podcast00:52 Meet Tom Keegan: Journey to Video Game Performance Direction02:58 The Art of Voice Acting in Video Games04:12 Tom Keegan's New Book: A Guide for Directors and Actors10:03 Understanding Place, Time, and Action in Voice Acting12:31 Common Mistakes in Performance Capture and VO Booths17:02 BRAVA: Elevate Your Voice Acting Skills17:46 Tapping into Emotional Truth in Imaginary Worlds20:22 The Physicality of Voice Acting23:28 The Evolution of Voice Performance24:32 Casting Voice Actors for Games26:32 Finding Subtext in Game Scripts28:49 Unlocking Great Performances31:56 Self-Care for Directors and Actors35:00 The Importance of Coaching36:41 Skills for Iconic Storytelling Projects38:36 Conclusion and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

This week on Toon'd In!, Jim Cummings welcomes the sensational, sharp-witted, and incredibly talented Susanne Blakeslee—the powerhouse voice behind iconic characters like Wanda in The Fairly OddParents, Maleficent in Kingdom Hearts, Lady Tremaine in Cinderella III: A Twist in Time, and countless others across animation and gaming!From fairy godmothers to formidable villains, Susanne shares her journey through decades of voice acting, what it takes to bring animated icons to life, and how she found her unique voice in a crowded industry. With warmth, insight, and plenty of behind-the-scenes stories, she and Jim dive into the artistry, adaptability, and sheer fun of the craft.

Charles and Jake join the podcast tis week and it's like we never left off but... We sure miss Alden who is doing WELL by all means just busy in his other work!  As usual we scatter and jump on several topics mainly catching up on our first half of 2025 and plans for the rest of the year AND we will ALL THREE be in Dalls for OVC Aug 22-24!  Always good to have my guys on!

Your favorite blerds are back this week bringing you all of their thoughts on everything happening in nerd culture. This week we're joined by a special guest; Will Gwasera, the Creative Director for the upcoming game, Yasuke: A Lost Descendant. In this engaging conversation, Will shares his journey as a multi-hyphenate creative, from his early days of modding games to the development of his own indie game. He discusses the challenges and triumphs of game development, the importance of teamwork and presentation, and his passion for voice acting.  Will emphasizes the power of self-education and the inspiration he hopes to provide to others pursuing their creative dreams. Will also discusses his journey in voice acting, the importance of trial and error, and how he draws inspiration from various anime and games. He shares insights on character development, the unique soundtracks for his game, and the challenges of pitching to publishers. Will also offers valuable advice for aspiring game developers, emphasizing the importance of starting and self-teaching. You don't want to miss this amazing episode.   Time Stamps: Intro and Nerdy Things-00-12:52 Will Gwasera Interview 12:52-01:24:27 Outro: 01:24:27-01:26:39   Make sure to subscribe to our Youtube Channel, or listen to us on your podcast app of choice!   Follow Will Gwasera on all platforms at:  ⁨@DallienceRNG⁩  Follow Yasuke: A Lost Descendant on all platforms: @Yasukethegame Discord: https://discord.gg/yWaJAv549M   Follow Blerds and Nerds! https://linktr.ee/blerdsnerds   Email us: Blerdsnerds@gmail.com   Follow Us! Shannon: https://www.instagram.com/luv_shenanigans James: https://www.instagram.com/llsuavej Jaja: https://www.instagram.com/jajasmith3   *Disclaimer* We do not own the rights to some of the images.    

In this conversation,Tim will delve into the significance of improvisation in voice acting, emphasizing the importance of authenticity, emotional connection, and the necessity of training and coaching. They all discuss the challenges of navigating the voice acting industry, the role of personal experiences in performance, and the value of community and networking. The conversation also touches on the realities of voice acting, the importance of maintaining a positive mindset, and the resources available for aspiring voice actors.voice acting, improv, authenticity, emotional connection, training, coaching, community, networking, personal experiences, industry insights

This week on Toon'd In!, Jim Cummings welcomes the legendary, lovable, and endlessly versatile Sean Astin—the iconic actor behind unforgettable roles like Samwise Gamgee in The Lord of the Rings, Mikey in The Goonies, Rudy, and the voice of Raphael in Teenage Mutant Ninja Turtles (2012), among many others!From Middle-Earth to mutant sewer lairs, Sean takes us through the highs, the heart, and the humor of a career that spans decades across film, TV, and voiceover. Hear what it was like bringing depth to beloved characters, stepping into iconic franchises, and growing up in a Hollywood legacy—plus some hilarious behind-the-scenes moments you won't want to miss.

After a MUCH DESERVED week off we are BACK and with my buddy Charles Coats the VO LIFE welcomes the multi-talented AMANDA ELGIE! Amanda is a member of the same club as Charles and I ... 5 years in and still standing! Enjoy meeting Amanda and hear about her journey from COLLEGE PROFESSOR to a fun and rewarding VO career. 

This week on Toon'd In!, Jim Cummings welcomes the heroic, humble, and hands-down awesome Matt Lanter—the voice behind none other than Anakin Skywalker in Star Wars: The Clone Wars, plus standout roles in Timeless, Justice League: Throne of Atlantis, and more!From Jedi missions to time-traveling adventures, Matt takes us on a journey through his career in front of the mic and behind the camera. Hear what it's like stepping into the boots of a Skywalker, how he found the emotional depth of Anakin, and why Clone Wars fans are some of the most passionate in the galaxy. With stories from the studio, unexpected fan moments, and some serious Star Wars love, this episode is a Force to be reckoned with.

Send us a textPatts remains a beloved part of Peanuts history—not just as a voice, but as a vibrant connection to the heartwarming, sometimes bittersweet, world of Charlie Brown and friends. Whether you're revisiting those specials for nostalgia or introducing them to your children for the first time, chances are Patricia Patts' voice will be part of that unforgettable experience.Patricia Patts is set to make a special appearance at one of Missouri's biggest pop culture events, the ToyMan Show in St. Louis, MO, on Sunday, July 13, 2025. This massive gathering of collectors, fans, cosplayers, and creators offers attendees a unique chance to meet the iconic voice of Peppermint Patty in person. Fans can snap photos, grab autographs, and chat with Patricia about her time voicing the beloved Peanuts character, starring in Annie, and hosting The Peanuts Gallery Podcast. Whether you're a lifelong fan or discovering her work for the first time, Patricia's appearance is a can't-miss moment at this all-ages celebration of nostalgia and fandom.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

This week, the team tackles the most common myths about the Tri-Booth – the portable recording solution trusted by countless voice actors and audio pros. From misconceptions about its sound isolation, to confusion about setup and portability, we dig into what's real and what's just internet chatter. Andrew shares his first-hand experience using a Tri-Booth on the road, Robbo explains how it compares to permanent studio spaces, and George breaks down the physics of why it works (or doesn't) in certain environments. If you've been considering a Tri-Booth or wondering whether it's worth the investment, this episode will give you the clarity you need to make an informed choice. Highlights: What the Tri-Booth can and can't do for your sound How real users set it up successfully Why some people expect miracles from any portable booth The biggest mistakes people make when judging its performance How it compares to purpose-built spaces Episode Resources:

This week on Toon'd In!, Jim Cummings welcomes the dazzling, dynamic, and downright divine Susan Egan—the voice (and face!) behind legendary roles like Megara in Hercules, Rose Quartz in Steven Universe, and the original Belle on Broadway in Beauty and the Beast!From the bright lights of Broadway to the recording booth of your favorite animated classics, Susan shares her incredible journey through stage and screen. Hear how she brought sass, soul, and strength to her iconic roles, what it was really like working with Disney during the Renaissance era, and why Meg is still one of the coolest heroines ever animated. With stories, laughs, and a little behind-the-scenes Disney magic, it's an episode you won't want to miss.

Join hosts Becky and Kori for both versions of The Bungalow Mystery (1930, 1960). This episode also contains spoilers for the 12th Nancy Drew PC Game, Secret of the Old Clock.regularnancydrew.com patreon.com/regularnancydrewinstagram.com/RegularNancyDrewyoutube.com/@regularnancydrew facebook.com/people/Regular-Nancy-Drew/61558695320536/Music: “Kool Kats” by Kevin MacLeodSpecial Thanks to Ryan Ransom for his Voice Acting skills

Ever watched Spider-Man swinging across the city and heard crowds gasping, yelling, or whispering in the background? Those voices don't record themselves—loopers do that. In this episode, we meet voice actors who specialize in looping and learn how they bring background scenes to life. They share stories from the studio, tips for aspiring loopers, and insights into why this small community is so important to every production.

In this episode of The VO Life, hosts Troy Holden and Rodney Turner, along with guest Jessica Mathison, explore the multifaceted world of voiceover acting. They discuss Jessica's unexpected journey into voiceover, the importance of branding, the role of technology, and the significance of coaching and research in building a successful voiceover career. The conversation also touches on the emerging field of user-generated content (UGC) and the necessity of authenticity in voice acting. Throughout the discussion, the hosts share personal anecdotes and insights, providing valuable advice for both new and experienced voice actors.Chapters00:00Welcome to the VO Life03:38Jessica's Journey into Voiceover14:28Building a Voiceover Business27:20Lessons from Voiceover Projects30:34The Journey of Voice Acting Setups34:26Exploring User Generated Content (UGC) Opportunities39:37The Evolution of Technology in Voice Acting43:28Authenticity in Voice Acting and Coaching47:59Personal Stories and Growth in Voice Acting

This week on Toon'd In!, Jim Cummings welcomes the inimitable, unstoppable, and undeniably unforgettable Charlie Adler—the voice behind iconic characters like Cow and Chicken, the Red Guy, Ed and Bev Bighead, Starscream, and so many more!From his early days navigating the animation boom of the '90s to directing and shaping voices behind the scenes, Charlie shares hilarious stories, surprising insights, and his thoughts on what it really takes to stay relevant (and sane) in the wild world of voice acting. Expect big laughs, bigger personalities, and the kind of behind-the-mic magic only Jim and Charlie can deliver.

Send us a textIn this episode of A VO's Journey Podcast, we're diving deep into one of the most important relationships in the voice over industry—your relationship with casting directors. Whether you're just starting out or looking to land higher-level gigs, understanding what casting directors are looking for (and how to consistently get on their radar) is essential to booking more work.You'll learn:What casting directors really care about when hiring VO talentHow to stand out in online casting platforms and live auditionsPractical strategies to Book More Work!Common mistakes that keep you off their shortlist—and how to fix themTips for following up, staying visible, and remaining top-of-mindIf you've ever wondered how to move from auditioning to booking consistently, this episode gives you the actionable advice you need.Listen in and start booking more work—smarter, not harder.LEARN MORE ABOUT VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Get “The Free 4 Steps To Start and Grow Your Voice Over Business Guide” Here: https://www.avosjourney.com/pl/2147543159 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

No need to grab Ray, this week television, voice acting and comedy legend Brad Garrett joins Jim to discuss 30 years of friendship and career history. Stay Toon'd!Listen on Spotify: bit.ly/4fHWwxa Listen on Apple: bit.ly/3AmUYZi Support on Patreon: patreon.com/jimcummingspodcast Order a Cameo from Jim: cameo.com/toondinjimcummingsBecome a supporter of this podcast: https://www.spreaker.com/podcast/toon-d-in-with-jim-cummings--5863067/support.