Podcast appearances and mentions of Aaron Sorkin

In this bonus episode, Rob Henderson and I discussed the legacy of Aaron Sorkin, and the end of the political era that his work represented.Discussed in the episode:Sorkin interviewed on the BBC.Rob's NYT piece on The West Wing. Hosted on Acast. See acast.com/privacy for more information.

2025 ended with a real gut punch for us film lovers - the sudden and shocking death of Rob Reiner, alongside his wife Michele Singer.  This week, Emilio, Julian and Madeline welcome back friend of the pod and musician extraordinaire Matt Friedman to the table to talk about Reiner and his legacy as one of the most beloved and important American filmmakers of the last forty years.  The group discusses some of the famous individual scenes he helmed, unforgettable performances, Reiner's standout moments as an actor, the films of his that are  most personally resonant, and much more.You can check out Matt's incredible band, and see where he is playing next, by visiting their website: https://stilettobandnyc.com/You can also follow Matt and the band on Instagram @stilettobandnycIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Season 2 of Sports Night finds Aaron Sorkin's cult newsroom dramedy hitting its creative stride. Airing in 1999–2000 on ABC, the sophomore season deepens the tension between idealism and network interference as Casey McCall (Peter Krause) and Dan Rydell (Josh Charles) fight to preserve the integrity of their late-night highlight show. Felicity Huffman's Dana Whitaker continues to anchor the chaos as executive producer, balancing corporate pressure from the network's new ownership with loyalty to her staff.Behind the scenes, Sorkin pushed harder into serialized storytelling, moving away from the early laugh-track experiment and leaning into walk-and-talk dialogue, romantic entanglements, and ethical dilemmas about ratings, loyalty, and creative control. The season sharpens its critique of media consolidation while giving emotional weight to character arcs—especially Dana's authority, Natalie's growth, and Jeremy's insecurity. Smart, fast, and surprisingly heartfelt, Season 2 cements Sports Night as the blueprint for Sorkin's later triumphs.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

If you love The West Wing - this is the movie for you. Find out from Stephen just why that is so real as we unpack this US Politics gem. Written by Aaron Sorkin - that's a winner. Michael Douglas, again, winner. So fire up your Fetch on your Hisense TV and enjoy The American President with us!

The 1960 novel “To Kill a Mockingbird” became an American classic.    The 1962 film adaptation earned 8 Oscar nominations, 3 wins, and Atticus Finch the #1 spot on AFI's 2003 list of greatest movie heroes.   And the Pulitzer Prize awarded to Harper Lee is believed to be one factor behind her failed friendship with Truman Capote.   In this fascinating podcast, we discuss the legacy of Harper Lee's “To Kill a Mockingbird,” and trace the long journey of this classic work.    What elements of Harper Lee's own life are reflected in “To Kill a Mockingbird”? What does Mary Badham, who played Scout, consider her favorite memory from filming? What role did Harper Lee play in creating Truman Capote's book “In Cold Blood,” and what caused the long-time friends to drift apart? And why has Aaron Sorkin's adaptation of “To Kill a Mockingbird” for Broadway been referred to as a ‘rethink'?   We discuss all this and more!   Thank you to Scamanda creator/investigator Nancy Moscatiello for her shout-out at the top of the episode! Be sure to check out the podcast Scamanda, available everywhere podcasts are found, along with the docuseries of the same name, exclusively on Hulu. Our coverage of the case can be found in Episodes 198, 199, 205, and 206 (September & November 2025)!   How to support Scandal Water: Rate, review, and subscribe! Follow the show on your favorite app or Scandal Water Podcast YouTube channel.  Send your shoutouts to scandalwaterpodcast@gmail.com. Become a member on patreon.com/ScandalWaterPodcast or buymeacoffee.com/scandalwaterpod – which will also grant you access to fabulous bonus content! #OrderintheCourt #JuryDuty #Courtroom #ToKillaMockingbird #HarperLee #TrumanCapote #GregoryPeck #AtticusFinch #Scout #MaryBadham #InColdBlood #AcademyAward #Oscars #PulitzerPrize #JohnGrisham #BestSeller #NewYorkTimesBestSeller #ATimetoKill #TheFirm #Writer #AFewGoodMen #Film #Movies #Podcast #February 

Gene Sperling — the only person to serve as Director of the National Economic Council under two presidents (Clinton and Obama), a senior advisor to President Biden who oversaw the American Rescue Plan, and a consultant and co-writer on NBC's The West Wing — joins the Chuck Toddcast for a wide-ranging conversation. Sperling shares the wild story of how he ended up in Santa Monica, his brush with Aaron Sorkin's legal troubles, and his insider take on how real Washington compares to its fictional portrayals. The conversation then turns to Sperling's deep expertise on the economy, from his defense of the Biden administration's "soft landing" amid global post-Covid inflation to the political lessons of how rising prices have sunk presidencies on both sides of the aisle — including Biden's own re-election bid. The back half of the episode looks squarely at the future. Sperling, who says he's unlikely to serve in another Democratic administration, offers a forceful argument about what comes next: the rising threat of unchecked corporate and tech power, the urgent need for AI policy that puts working people first, and the lessons of globalization that policymakers can't afford to repeat. Drawing on themes from his book Economic Dignity, he makes the case that Americans are hungry for leaders who pair optimism with a real confrontation of economic injustice — and warns that a handful of AI and crypto companies, flush with lobbying dollars, could end up shaping the structure of the economy if left unchallenged. Get your wardrobe sorted and your gift list handled with Quince. Don't wait! Go to https://Quince.com/CHUCK for free shipping on your order and 365-day returns. Now available in Canada, too! Protect your family with life insurance from Ethos. Get up to $3 million in coverage in as little as 10 minutes at https://ethos.com/chuck. Application times may vary. Rates may vary. Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Gene Sperling joins the Chuck Toddcast 02:00 The wild story of how Gene ended up in Santa Monica 03:15 Aaron Sorkin couldn’t meet with Gene due to legal trouble 06:15 Real politics/news look nothing like “West Wing” or “The Newsroom” 07:30 The one truism about the West Wing is good people trying to do good 09:15 Politics is NOT like House of Cards 10:45 West Wing still remains viable, any chance of a reboot? 12:00 What’s the state of the economy? What do you look for? 12:45 Biden economy was strong growth, but high inflation 13:30 Biden achieved the “soft landing” they were trying for 14:45 Inflation was global and mostly due to Covid supply chain shocks 16:15 The American Rescue Plan had many positive effects 17:15 Every head of state poured money into economies during Covid 18:15 Covid was going to result in either inflation or recession 20:00 Obama couldn’t pass enough stimulus during Great Recession 21:00 A little extra stimulus can help offset future unknowns 21:45 Millennials’ future was permanently damaged by Great Recession 23:00 A generation had never seen high inflation until Covid 24:00 Anger over inflation sunk Biden’s re-election 25:00 Inflation is bipartisan, took down 3 different presidents 26:00 Inflation affects everyone, jobs & unemployment don’t 27:15 Every head of state suffered politically post pandemic 29:15 Will Biden baggage sink Pete Buttigieg, or is that overstated? 31:00 Biden’s conflict was empathy for suffering vs touting achievements 33:15 Biden had the tiniest of margins to pass major legislation 34:30 Gene is unlikely to work in a future Democratic administration 35:15 Pitchforks are being sharpened for corporations and big tech 36:00 Will worker rage fuel the next election? 37:00 Presidents that do well offer optimism, but confront economic injustice 38:30 People don’t want to feel like they are being extracted for profits 40:30 AI growth can’t come at the expense of working people 42:00 AI policy should be shaped around improving conditions for people 43:15 What lessons from globalization can be used to alleviate AI disruption? 45:00 Clinton believed in robust response to globalization 46:00 Clinton couldn’t implement strong safety net after losing congress 47:45 You have to have policies where people don’t feel left behind 49:30 We need to create and fund jobs that create dignity 50:15 We need to create an economic dignity floor for all Americans 52:15 When is a company too big to regulate? 54:30 If companies are disproportionately determining policies, they’re too big 55:15 Crypto & AI are getting what they want from huge lobbying money 56:00 A handful of AI companies could determine structure of the economy 58:15 The Trump White House has invited corporate influenceSee omnystudio.com/listener for privacy information.

Chuck Todd takes a hard look at the state of American governance and institutional trust — or the lack of it. He starts by reflecting on the historical significance of three consecutive one-term presidents, ranking his top five most underrated commanders-in-chief and arguing that both Biden and Trump are unlikely to be viewed as consequential a century from now. From there, Todd pivots to a searing indictment of the current moment: from the Epstein reckoning exposing the government's inability to tell the truth, to DHS being treated as a political plaything by Kristi Noem and Corey Lewandowski, to the DOD endangering lives in the El Paso FAA incident with zero accountability, to Moderna alleging that HHS refused to even review an mRNA flu vaccine under RFK Jr.'s watch. He connects the dots across a pattern of institutional dishonesty — a Justice Department focused on narrative management, masked ICE agents no one can justify, a fired antitrust chief clearing the way for powerful interests, and a "hostage system" style of governing that holds federal paychecks as leverage — making the case that when the government lies this often, it forfeits the benefit of the doubt on everything, and that the Epstein scandal isn't just a story about one man, but a mirror reflecting a system designed to protect the powerful. Then, Gene Sperling — the only person to serve as Director of the National Economic Council under two presidents (Clinton and Obama), a senior advisor to President Biden who oversaw the American Rescue Plan, and a consultant and co-writer on NBC's The West Wing — joins the Chuck Toddcast for a wide-ranging conversation. Sperling shares the wild story of how he ended up in Santa Monica, his brush with Aaron Sorkin's legal troubles, and his insider take on how real Washington compares to its fictional portrayals. The conversation then turns to Sperling's deep expertise on the economy, from his defense of the Biden administration's "soft landing" amid global post-Covid inflation to the political lessons of how rising prices have sunk presidencies on both sides of the aisle — including Biden's own re-election bid. The back half of the episode looks squarely at the future. Sperling, who says he's unlikely to serve in another Democratic administration, offers a forceful argument about what comes next: the rising threat of unchecked corporate and tech power, the urgent need for AI policy that puts working people first, and the lessons of globalization that policymakers can't afford to repeat. Drawing on themes from his book Economic Dignity, he makes the case that Americans are hungry for leaders who pair optimism with a real confrontation of economic injustice — and warns that a handful of AI and crypto companies, flush with lobbying dollars, could end up shaping the structure of the economy if left unchallenged. Finally, Chuck hops into the ToddCast Time Machine to revisit the publishing of the Communist Manifesto and argues that while its critiques of the excesses of capitalism were correct… it’s revolutionary prescriptions led to the worst authoritarian states in modern history. He also answers listeners’ questions in the “Ask Chuck” segment. Get your wardrobe sorted and your gift list handled with Quince. Don't wait! Go to https://Quince.com/CHUCK for free shipping on your order and 365-day returns. Now available in Canada, too! Protect your family with life insurance from Ethos. Get up to $3 million in coverage in as little as 10 minutes at https://ethos.com/chuck. Application times may vary. Rates may vary. Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Chuck Todd’s introduction 03:30 We’ve had 3 straight one term presidents, deem them all failures 04:45 Inability to win reelection will always be seen as an asterisk 05:45 Top 5 most underrated presidents 06:00 James Polk was the only voluntary one term president 06:45 James Garfield was a fierce advocate for civil rights 07:30 George H.W. Bush was accomplished, but not a good politician 08:30 John Quincy Adams laid out modern American infrastructure 09:00 Jimmy Carter did many things that have aged well 10:15 In 100 years, Biden & Trump likely won’t be viewed as consequential 11:45 Biden & Trump can’t be evaluated fairly for many years 12:30 What does a real reckoning look like in the Trump era? 13:45 The institution least capable of reckoning with Epstein is the government 14:15 The private sector is forcing accountability, the government isn’t 15:15 Trust is the currency of government, and Trump’s doesn’t have it 16:15 The Justice Department is only worried about narrative management 17:30 The system looks like a club, designed to protect the powerful 18:45 Epstein is a test of whether the government can tell the truth 20:00 DHS shutting down, politicians using paychecks as leverage 20:30 We a governing via a “hostage system” 21:45 There isn’t a single good argument for masking ICE agents 22:15 The Democrats’ demands are not extreme, they’re common sense 23:15 Noem & Lewandowski treating DHS like their personal plaything 24:00 Pattern of government saying one thing, facts saying another 25:15 Whatever Noem says first, you can’t believe it. She gaslights the public 26:00 The government has lied too many times, gets no benefit of the doubt 26:45 El Paso FAA incident is case study for public distrusting institutions 27:45 DoD was lying to the FAA, FAA pulled the emergency brakes 29:00 DoD put lives in danger with no accountability 29:30 Moderna says HHS refused to review MRNA flu vaccine 30:15 The U.S. is not a stable country to develop & release products 31:00 Kennedy only offers crackpot theories & totally unfit for office 32:00 We can’t trust the government to tell us the truth about anything 32:30 DOJ fired antitrust chief, powerful interests get what they want 34:00 Epstein isn’t just a scandal, it’s a mirror 43:30 Gene Sperling joins the Chuck Toddcast 45:30 The wild story of how Gene ended up in Santa Monica 46:45 Aaron Sorkin couldn’t meet with Gene due to legal trouble 49:45 Real politics/news look nothing like “West Wing” or “The Newsroom” 51:00 The one truism about the West Wing is good people trying to do good 52:45 Politics is NOT like House of Cards 54:15 West Wing still remains viable, any chance of a reboot? 55:30 What’s the state of the economy? What do you look for? 56:15 Biden economy was strong growth, but high inflation 57:00 Biden achieved the “soft landing” they were trying for 58:15 Inflation was global and mostly due to Covid supply chain shocks 59:45 The American Rescue Plan had many positive effects 1:00:45 Every head of state poured money into economies during Covid 1:01:45 Covid was going to result in either inflation or recession 1:03:30 Obama couldn’t pass enough stimulus during Great Recession 1:04:30 A little extra stimulus can help offset future unknowns 1:05:15 Millennials’ future was permanently damaged by Great Recession 1:06:30 A generation had never seen high inflation until Covid 1:07:30 Anger over inflation sunk Biden’s re-election 1:08:30 Inflation is bipartisan, took down 3 different presidents 1:09:30 Inflation affects everyone, jobs & unemployment don’t 1:10:45 Every head of state suffered politically post pandemic 1:12:45 Will Biden baggage sink Pete Buttigieg, or is that overstated? 1:14:30 Biden’s conflict was empathy for suffering vs touting achievements 1:16:45 Biden had the tiniest of margins to pass major legislation 1:18:00 Gene is unlikely to work in a future Democratic administration 1:18:45 Pitchforks are being sharpened for corporations and big tech 1:19:30 Will worker rage fuel the next election? 1:20:30 Presidents that do well offer optimism, but confront economic injustice 1:22:00 People don’t want to feel like they are being extracted for profits 1:24:00 AI growth can’t come at the expense of working people 1:25:30 AI policy should be shaped around improving conditions for people 1:26:45 What lessons from globalization can be used to alleviate AI disruption? 1:28:30 Clinton believed in robust response to globalization 1:29:30 Clinton couldn’t implement strong safety net after losing congress 1:31:15 You have to have policies where people don’t feel left behind 1:33:00 We need to create and fund jobs that create dignity 1:33:45 We need to create an economic dignity floor for all Americans 1:35:45 When is a company too big to regulate? 1:38:00 If companies are disproportionately determining policies, they’re too big 1:38:45 Crypto & AI are getting what they want from huge lobbying money 1:39:30 A handful of AI companies could determine structure of the economy 1:41:45 The Trump White House has invited corporate influence 1:49:45 What if Ro Khanna and Thomas Massie ran on “accountability” ticket 1:51:00 A bipartisan ticket of “pox on both their houses” could be powerful 1:51:45 ToddCast Time Machine February 21st, 1848 1:52:00 Marx & Engels publish the communist manifesto 1:52:45 Monarchies were colliding with modern economic forces 1:54:15 Marx argued that capitalism is destabilizing if left unchecked 1:55:15 If the manifesto was called something else, how would we view it? 1:55:45 Marx doesn’t argue reform, says that capitalism will destroy itself 1:56:30 Communist states didn’t emerge until decades after manifesto 1:57:15 Manifesto gave dictators arguments to grab power 1:58:00 Marx talked in economics, dictators exploited his language 1:59:30 Communism took hold in places where industrialization fell behind 2:00:15 Manifesto gets invoked badly by both sides in American politics 2:01:00 Marx’s diagnosis was spot on, his solutions were questionable 2:02:30 Lack of regulation for AI will push people to radicalism 2:03:00 Ask Chuck 2:03:15 Does something seem off with the administration’s economic numbers? 2:07:30 Do we need a punchier title than “Gate” for political scandals? 2:10:00 Do we need to withhold congressional salaries during shutdowns? 2:14:00 Missing intellectuals like Rahm Emmanuel leading the country 2:16:00 What is the criteria for impeachment of cabinet members? 2:18:45 Favorite football/baseball players as a kid?See omnystudio.com/listener for privacy information.

For our next President in our Good Presidents month, we hit up the quintessential American President: The American President. Generic name? Sure. Love story or political drama? Both. With amazing performances from Michael Douglas, Annette Bening, Martin Sheen, David Paymer, Samantha Mathis, and Michael J. Fox; witty writing from Aaron Sorkin; and deft direction from Rob Reiner, the American President is a movie that we need right now.

Keeping with tradition, we follow up our best of 2025 episode with its natural companion: our episode on the most anticipated films of 2026. After an odd 2025 where many of our most exciting picks turned out to fall short of expectations, we can only hope that 2026 might fare better. Indie gems, huge blockbusters in Nolan's The Odyssey and Dune: Messiah, and other new projects from beloved auteurs, 2026 is shaping up to pack quite a punch. Tune in and find out our individual picks!

“You can't handle the truth…”   If you're a fan of  the 1992 classic “A Few Good Men”-- a film is widely considered to be one of the top 10 courtroom dramas in American film history– this episode is for you!   What mystery surrounds a Marine involved in the real-life incident that inspired “A Few Good Men”? How did Aaron Sorkin's sister (and cocktail napkins) help him create the story? Why did a TV exec question Demi Moore's casting? And what have Jack Nicholson's castmates said about their experience working with the legendary actor?   We discuss all this and more, including a brief tribute to director Rob Reiner.    How to support Scandal Water: Rate, review, and subscribe! Follow the show on your favorite app or Scandal Water Podcast YouTube channel.  Send your shoutouts to scandalwaterpodcast@gmail.com. Become a member on patreon.com/ScandalWaterPodcast or buymeacoffee.com/scandalwaterpod – which will also grant you access to fabulous bonus content! #OrderintheCourt #JuryDuty #Courtroom #AFewGoodMen #AaronSorkin #RobReiner #TomCruise #JackNicholson #DemiMoore #KevinPollack #KevinBacon #Film #Movies #Podcast #February

In this episode, we break down MONEYBALL — the sports drama that turned statistics, failure, and belief into one of the most compelling stories ever told. We dive into Brad Pitt's performance as Billy Beane, Aaron Sorkin's razor-sharp dialogue, and how the film transforms data and spreadsheets into real emotional stakes. We analyze the themes of ego, tradition versus innovation, and why Moneyball works even if you don't care about baseball. From quiet character moments to its unconventional ending, this movie proves that winning isn't always the point — and we break down exactly why it hits so hard.   Chapters: 00:00 Jonah Hill for the win 6:47 The problem with true sports movies 12:46 The historical inaccuracies 20:22 The original plan for the movie & BTS stories 28:21 How Chris Pratt got this movie 30:39 The brutal nature of cutting players 33:36 Dark story behind the scenes of this movie 37:14 Brad Pitt knows how to perform for bangers 38:55 Making inside baseball digestible 41:15 How they shot in multiple stadiums within budget 42:35 Questionable decisions in this movie 44:34 Beautiful filmmaking in the small moments 49:33 A performance heavy movie 53:19 Brad Pitt finish your beer! 1:01:15 The ending... not a fan 1:03:30 The most brutal person in this movie 1:06:10 The smallest detail Kade loves 1:12:13 Our official rating & final thoughts 1:16:25 Cue the music

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Most movies weren't directed by Steven Soderbergh, but few were as notably not directed by Steven Soderbergh as this one: MONEYBALL, the true story of the 2002 Oakland Athletics' revolutionary sabermetrics-based hiring strategy, was 5 days from shooting when Sony pulled the plug on Soderbergh's version. After a rewrite by Aaron Sorkin and a few cast change-ups, a slicker, Fincher-lite version directed by Bennett Miller made it to theaters, and we're talking about the whole deal. This ep has it all, quite frankly: in-depth script revision analysis, baseball talk, sports politics, and a long conversation about how statistics and "disruption" inform the world. It turns out everything is Moneyball, maybe? Give this one a listen, folks. As always, thanks to Jetski for our theme music and to Jeremy Allison for our artwork.

Jon Lovett is a former speech writer for Barack Obama, a progressive activist and co-host of a global hit political podcast. Sounds serious, right? Yet, out of the four hosts of the popular Pod Save America, Lovett it is known as the funny one. He's a comedian who appeared on a season of Survivor, wrote a political sitcom that lasted one season and even worked on Aaron Sorkin's The Newsroom. Lovett joins Good Weekend Talks ahead of his podcast's Australian tour for a chat about everything from how Australia should deal with Trump to the way Democrats and America generally are coping with the increasingly confronting events of Trump's second term. Today's episode is hosted by Good Weekend senior writer Melissa Fyfe.See omnystudio.com/listener for privacy information.

The Senate Banking Committee on Thursday delayed its scheduled markup hearing for the Clarity Act, after Brian Armstrong, CEO of the crypto exchange Coinbase, voiced opposition. Meanwhile, Bank stocks crashed slightly after a bullish earnings week.~This episode is sponsored by Uphold~Uphold Get $20 in Bitcoin - Signup & Verify and trade at least $100 of any crypto within your first 30 days ➜ https://bit.ly/pbnuphold00:00 intro00:03 Sponsor: Uphold00:27 Brian Armstrong Stops CLARITY Act00:57 DeFi Fights Back01:20 Elizabeth Warren Amendments01:30 CNBC Blames Coinbase01:59 Banks Need Help?02:50 Bank Stocks Crash03:19 Smart Money Exits Banks03:37 Bank of America Earnings Call04:55 Banks terrified05:15 Senator struggles to defend Banks06:00 Competition?06:27 Aaron Sorkin says Coinbase is too powerful06:42 Lobby vs People Power07:41 Ripple, Robinhood, Kraken didn't read?08:50 Coinbase explains bill problems09:33 Freedom of Speech10:02 Cynthia Lummis disappointed?10:21 Bitwise Flip-Flops10:50 Who Are These Idiots?11:20 StandWithCrypto Campaign worked12:15 Call Your Congressman!!12:52 What Happens Next?13:44 Polymarket Odds Crash14:25 outro#Crypto #XRP #Bitcoin~Coinbase Crashes BANKS!!

Sports Night is an American half-hour comedy-drama centered on a fictional cable sports news program of the same name. Season 1 premiered on ABC on September 22, 1998, following the creative staff as they navigate friendships, romantic entanglements, and ethical dilemmas while producing a nightly broadcast under constant network pressure. Created by Aaron Sorkin and produced by Imagine Television and Touchstone Television, the first season established the show's fast, dialogue-driven style and tension between journalistic integrity and ratings demands.The ensemble cast includes Robert Guillaume as managing editor Isaac Jaffe, Felicity Huffman as executive producer Dana Whitaker, Peter Krause as anchor Casey McCall, Josh Charles as co-anchor Dan Rydell, Sabrina Lloyd as senior associate producer Natalie Hurley, and Joshua Malina as associate producer Jeremy Goodwin. Recurring guest roles in season one featured William H. Macy as ratings consultant Sam Donovan and Brenda Strong as rival producer Sally Sasser.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

“You can't handle the truth.” Join Ian & Liam for our 313th episode as we step into the pressurised courtroom, moral brinkmanship, and razor-sharp dialogue of Rob Reiner's A Few Good Men (1992). Button up the dress whites, take your seats, and prepare for a film obsessed with duty, power, and the stories institutions tell themselves to survive. This week we discuss: Aaron Sorkin's dialogue as a weapon — rhythm, repetition, and confrontation. Is this peak Sorkin, or the moment his style becomes unmistakably dominant? Tom Cruise as Lt. Kaffee — charming, evasive, underestimated. Is this Cruise's most interesting performance precisely because he starts behind the power curve? Jack Nicholson's Colonel Jessup — operatic, terrifying, magnetic. Does the film become his the moment he enters it? The courtroom structure — how the film drip-feeds information, builds pressure, and engineers one of the most famous climaxes in cinema history. The ethics at the heart of the story — where does responsibility lie: with the men who carried out orders, or the system that created them? Ian talks about criticisms of the ending and if they're reading the film correctly  We explores how masculinity functions in the film — honour, obedience, pride, and camaraderie The supporting cast — Demi Moore's steely professionalism, Kevin Bacon's moral slipperiness, and who almost got Kevin Pollak's role That scene — inevitability versus surprise. Does the famous monologue work because it's shocking, or because it feels unavoidable? The ending — justice served, or merely order restored? What actually changes once the truth is out? And finally, whether A Few Good Men is the Best Film Ever — or simply one of the most watchable, endlessly quotable courtroom dramas ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week, Nick is joined by returning guest and friend of the Gimme Three Podcast, Ryan Lacen. The two celebrate the life, career, and some of their all-time favorites in this tribute to the legendary Rob Reiner.- First up: can you handle the truth? Rob Reiner directs Aaron Sorkin's first screenplay—Tom Cruise, Demi Moore, and Jack Nicholson star in A Few Good Men. - Second: misery loves company. Rob Reiner directs his second Stephen King adaptation in the Academy Award-winning thriller, Misery. - Finally, we explore a film that blends all that makes a Rob Reiner film great; comedy, adventure, and romance are all on display in The Princess Bride.What is your favorite Rob Reiner film? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Ep. 305, Recorded 1/3/2025. “With us, not with us” We Didn't Start the Fire edition. Bears post season tickets. Case closed for Waymo. M&M are like Froot Loops. Raiders equilibrium. Stormtrooper takedown. Slow bingeing Aaron Sorkin. Netflix grinds Dewayne's gears. Todd watches movies for Christmas and commercials for New Year's Eve. Dewayne is steamed.

In this episode, we break down A FEW GOOD MEN — one of the most intense courtroom dramas ever made and a master class in dialogue, tension, and character conflict. We dive into Aaron Sorkin's sharp writing, Rob Reiner's direction, and how the film creates explosive drama using nothing but ego, truth, and moral pressure. We analyze Tom Cruise and Jack Nicholson's legendary confrontation, why "You can't handle the truth!" became iconic, and how the movie turns ideology into its own form of warfare. From the courtroom structure to the character motivations, we explore why A Few Good Men still holds up as one of the smartest and most gripping dramas ever put on film.   Chapters: 00:00 RIP Rob Reiner 6:02 The true story behind this movie 11:01 Perfectly written characters 18:11 Every side in this movie has a good argument 21:16 Jack Nicholson stories 25:05 The perfect ending 31:45 Why Aaron Sorkin is a G 35:38 Love interest or love interest not? 39:35 Demi Moore... 42:13 Behind the scenes stories 48:32 The details hidden in the dialogue 53:01 Robert Richardson's resume is insane 55:38 Respect is actually disrespectful 57:40 Very much not legally accurate 1:00:37 Our official rating & final thoughts 1:04:09 Cue the music

Bienvenidos, cinéfilos hierberos, a un nuevo episodio de Cinefilia y Otras Hierbas, cine, televisión, música y videojuegos para escuchar.Hoy, continuamos con nuestro ciclo dedicado al gran Aaron Sorkin –ese maestro del diálogo afilado que nos hace creer que la política puede ser tan entretenida como un partido de tenis verbal–, nos sumergimos en Charlie Wilson's War, esa película del 2007 que, admitámoslo, no es la primera que viene a la mente cuando pensamos en su filmografía, pero que destila ese ingenio sorkiniano que tanto adoramos.Imaginemos el panorama: finales de los años 80, la Guerra Fría en su apogeo, y un congresista texano llamado Charlie Wilson –conocido como "Good Time Charlie" por su afición a las fiestas, el whiskey y las compañías femeninas– que, de repente, se convierte en el artífice de la operación encubierta más grande de la historia de la CIA. La película se basa en el libro homónimo de George Crile, un tomo de 500 páginas repleto de detalles históricos que Sorkin adaptó con maestría, condensando intrigas geopolíticas en diálogos que chisporrotean como fuegos artificiales. ¿Cómo llegó Sorkin al proyecto? Pues, en un raro acto de agresividad profesional –él mismo lo admite–, leyó el libro y lo persiguió con ahínco, convirtiéndolo en el único guion que ha "cazado" de esa manera. Y vaya si lo logró: su énfasis en los personajes imperfectos pero heroicos, como Wilson, que pasa de playboy a salvador de los muyahidines afganos, es puro Sorkin, recordándonos sus obras como The West Wing, donde la burocracia se vuelve poesía.Tom Hanks interpreta a Wilson con esa calidez hankiana que hace que hasta un político corrupto parezca simpático. Detrás de cámaras, el director Mike Nichols, en lo que sería su última película, aportó su toque magistral y supo manejar el caos de enemigos históricos colaborando –pakistaníes, israelíes, afganos– en la narrativa real, algo que el guion de Sorkin plasma con ironía sutil.Julia Roberts, Philip Seymour Hoffman, Amy Adams, Ned Beatty y Emily Blunt completan la constelación de estrellas de este filme que cuenta una historia tan absurda, que no puede sino ser cierta....¡Y lo es!La película fue bien recibida en general, con un 82% de aprobación en Rotten Tomatoes, donde se alaba cómo "entretiene e informa" gracias al guion astuto de Sorkin y actuaciones sólidas. Muchos críticos la vieron como una excelente comedia oscura basada en hechos reales, destacando a Hanks como un antihéroe encantador. Sin embargo, no todo fue aplausos: algunos la tildaron de "falsa y nada divertida", con "la peor actuación de la carrera de Roberts" En premios, brilló con 5 nominaciones a los Globos de Oro –mejor película comedia, actor para Hanks, actriz de reparto para Roberts, actor de reparto para Hoffman y guion para Sorkin–, más una nominación al Oscar para Hoffman como mejor actor de reparto. La Guerra de Charlie Wilson es, quizá, la película menos conocida y popular de Sorkin –eclipsada por hits como La Red Social o El Juicio de los 7 de Chicago–, y tal vez la más "floja" de su catálogo. Pero, no les quepa duda, incluso una "floja" de Sorkin es mejor que muchas de las producciones que inundan las pantallas hoy en día: cargada de inteligencia, humor sofisticado y una lección histórica que, con un guiño irónico, nos recuerda que la política puede ser absurdamente entretenida. ¿Listos para desentrañar más? ¡No se pierdan el episodio!Patreon: patreon.com/cinefiliayotrashierbas⁠Correo: cinefiliayotrashierbas@gmail.com No olviden suscribirse, compartir este episodio y dejar un comentario y un like, eso nos ayudará a crecer y a encontrar más audiencia. ¡Que lo disfruten!#AaronSorkin⁠ ⁠#TomHanks⁠ ⁠#Cine⁠ ⁠#JuliaRoberts

This week, we honour the memory of a very good man as we reconvene to finally discuss a movie that had been in our on-deck circle well before this past week's tragedy -- a movie that fits very snuggly within our wheelhouse as a very Tom Cruise and When Harry Met Sally...-centric podcast, and we'll be up front about that because you can handle the truth. It's 1992's A Few Good Men, directed by Rob Reiner, written by Aaron Sorkin, and starring Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kiefer Sutherland, Kevin Pollak, J.T. Walsh, James Marshall, Wolfgang Bodison, Xander Berkeley, Noah Wyle, Cuba Gooding Jr., and Christopher Guest. Sorkin, adapting his own stage play, feels capable of keeping some of his most annoying lib tendencies in check than he is today (even if they do poke through in points), and Cruise and Nicholson both do a great job of making his dialog sound like they're coming out of the mouths of real people, which we know is no small feat. A great movie, and another example of Reiner's ability to play in any sandbox as a master of any genre he chose to take on, in this case a paranoid legal thriller. It's also been a minute since we last spoke, so we've got a lot of a theatrical field trips to report on, with reviews of Bugonia, Wake Up Dead Man!, The Running Man, Die My Love, Keeper, Predator: Badlands and Train Dreams. If you'd like to watch the movie before listening along to our discussion, A Few Good Men is not currently streaming or rentable in Canada, but you can purchase it on Amazon and YouTube, or find a good copy on VHS at the thrift, just like Hayley did. Other works discussed on this episode include LOST, Stranger Things, Best In Miniature, Materialists, Eddington, Freaky Tales, Glass Onion, Prey, A Very Jonas Christmas Movie, Romy & Michelle's High School Reunion, and Freakier Friday. We'll be back some time in the new year talking about lord knows what, but keep an eye on our Instragram for all the latest. Until then, we'll see you at the movies!!

Jack Howard and Mark Kermode talk about The Social Network – written by Aaron Sorkin and directed by David Fincher – and the upcoming sequel, The Social Reckoning, scheduled for release on 9 October 2026.Written and directed by Aaron Sorkin, it will be a companion piece to the original film and will focus on the fallout from The Facebook Files, the 2021 investigation into Facebook's practices. The new movie will feature a different cast, with Jeremy Strong playing Mark Zuckerberg, Mikey Madison as former engineer. Frances Haugen and Jeremy Allen White as Wall Street Journal reporter Jeff Horwit. Hosted on Acast. See acast.com/privacy for more information.

Our Mike Nichols 2000s miniseries continues with one of the director's strangest career anomalies: Charlie Wilson's War. Phil and Emily are joined by critic and writer Sonia Saraiya to unpack how Nichols, Aaron Sorkin, Tom Hanks, and Julia Roberts came together to make a political dramedy that feels breezy on the surface but carries enormous historical weight underneath.The conversation digs into the true story behind the film Charlie Wilson, Joanne Herring, and CIA operative Gust Avrakotos and how their covert efforts armed Afghan fighters during the Soviet Afghan War. Phil breaks down the film's compressed narrative and its reluctance to grapple with the long-term consequences of U.S. involvement, including the geopolitical chain reaction the movie only gestures toward. Sonia and Emily explore Sorkin's ideology, the movie's softened satire, and how the adaptation diverged from the darker, sharper script Nichols originally signed onto.From Philip Seymour Hoffman's electric performance to Nichols' complicated, last-years-of-his-career filmmaking context, the episode traces how the movie became both an accessible studio comedy and a missed opportunity for deeper political reckoning. They also examine the infamous alternate ending, Nichols' battle over the cut, and the creative tug-of-war between Hanks, Sorkin, and the studio.Whether you've revisited Charlie Wilson's War recently or haven't thought about it since 2007, this episode highlights why the film is entertaining, frustrating, and uniquely revealing about the final chapter of Mike Nichols' film career. Hosted on Acast. See acast.com/privacy for more information.

S.E. Cupp is a nationally syndicated columnist, author, podcaster and TV commentator. She hosts Off the Cupp, a podcast which focuses on mental health, and which features interviews with celebrities and newsmakers. She is a columnist at the New York Daily News and has also been published in the New York Times, Vanity Fair, Rolling Stone, Washington Post and many other publications. She is currently a political commentator at CNN. She regularly interviews authors for CSPAN's BookTV, and is a regular guest on The View, Real Time w/Bill Maher, Jimmy Kimmel Live!, Watch What Happens Live and others. SE has also consulted on Aaron Sorkin's The Newsroom and AppleTV's The Morning Show, and has made cameos on House of Cards and SNL. As an author SE has written two books, Losing Our Religion: The Liberal Media's Attack on Christianity, and co-authored Why You're Wrong About the RIght. She is on the Advisory Board of Cornell University's Institute of Politics and Global Affairs and INARA.org, and is a No Kid Hungry ambassador. S.E.'s back in The Back Room to discuss Trump, the election, the shutdown, MAGA, Marjorie Taylor Greene, Megyn Kelly, Mamdani, the midterms and more! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Movie News Roundup — A fast-paced intro to the week's biggest film headlines, from Sydney Sweeney's PR problem to Heat 2 finally moving forward with director Michael Mann and Leonardo DiCaprio possibly being attached, plus the official title and release date for The Social Network II, written and directed by Aaron Sorkin. We also get an Ocean's 14 Update with George Clooney teasing a new chapter in the heist franchise. We map out potential plots and possible casts while we also dive into the news about Bradley Cooper starring opposite Margot Robbie in a new Ocean's 11 prequel. We speculate on tone, era, and how this would fit into the beloved franchise universe. In addition, we dive into Michael B. Jordan and Austin Butler being in talks for Joseph Kosinski's take on Miami Vice. We explore how a modern reboot could reinterpret the Miami underworld and style for today's audiences. Nostalgia junkies will also love the news about  Brendan Fraser and Rachel Weisz being rumored to return in a fourth installment of The Mummy franchise as well as Gremlins 3 landing a 2027 release date with Chris Columbus directing. We also take a look at the exciting announcement that Tom Ford has set  a bold new project with an all-star cast. We forecast stylistic choices, potential genres, and where this film could fit in Ford's auteur catalog following his last film in 2016. We then wrap things up with movie trailers for Scream 7, Marty Supreme, The Housemaid, Primate, Toy Story 5 and The Devil Wears Prada 2. Did you miss the news? Because we sure missed bringing it to you!

Welcome to Watch. Review. Repeat. On the very first installment of "Brews, News, & Previews", Colton and Andrew recap the biggest headlines and trailers as of November 2025! 00:00:00 - Episode Teaser/Intro Music/Opening 00:07:20 - Andrew's Totally Embarrassing Dad Joke of the Episode! 00:09:49  - Robert Redford, Oscar-Winning Actor and Director and Sundance Founder, Dead at Age 89 00:14:14  - Drew Struzan, Renowned Poster Artist for 'Star Wars', 'Blade Runner', and More, Dead at Age 78 00:16:27 - 'Annie Hall' and 'The Godfather' Actress Diane Keaton Dead at Age 79 00:18:57 - Aaron Sorkin's 'The Social Reckoning' Dated for Fall 2026 00:24:41 - Shawn Levy Reveals First Look at 'Star Wars: Starfighter' 00:27:55 - Marvin Jones III To Play Crime Boss Tombstone In 'Spider-Man: Brand New Day' 00:30:04 - Rick Moranis and Bill Pullman to Join Josh Gad and Lewis Pullman in 'Spaceballs 2' 00:35:44 - Saoirse Ronan, Anna Sawai, and Aimee Lou Wood Join Cast of 'Beatles' Biopics  00:39:33 - Michael B. Jordan and Austin Butler in Talks to Headline 'Miami Vice' Reboot 00:43:27 - Taylor Sheridan and Peter Berg to Team Up For 'Call of Duty' Film 00:45:53 - Brendan Fraser and Rachel Weisz Back for New 'The Mummy' Film 00:52:12 - Warner Bros. Discovery Considering Full Sale 00:56:35 - 'Bugonia' Official Trailer 01:01:10 - 'The Witcher' Season 4 Official Trailer 01:07:19 - 'Star Wars: Visions' Volume 3 Official Trailer 01:10:35 - 'Die My Love' Official Trailer 01:13:36 - 'Pluribus' Official Trailer 01:18:14 - 'Nuremberg' Official Trailer 01:22:16 - 'Hamnet' Official Trailer 01:27:15 - 'Stranger Things 5' Official Trailer 01:32:03 - 'Jay Kelly' Official Trailer 01:37:05 - 'Dust Bunny' Official Trailer 01:41:57 - Catching Up With Andrew (Florida-Georgia Game, Sports Betting, 'Jurassic World Rebirth', 'Star Wars: Visions' Volume 3, 'Dancing with the Stars', Magic: The Gathering, Halloween Trick or Treating, 'Task') 01:57:48 - Catching Up With Colton ('Austin Powers: International Man of Mystery', 'Pirates of the Caribbean: The Curse of the Black Pearl', 'Tower of Terror', 'Sinners' IMAX, 'IT: Welcome to Derry', 'Love is Blind' Season 9, Sports Check-In, Pokemon Violet, Deftones - Private Music) 02:15:03 - Conclusion/Outro Music Visit our website! Support us on Patreon! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Andrew Ross Sorkin (1929: The Inside Story of the Greatest Crash in Wall Street History) is a financial columnist, TV anchor, and author. Andrew joins the Armchair Expert to discuss a kid telling him when he was young that god drew him wrong, actually working with Aaron Sorkin (no relation) on his show The Newsroom, and landing an unofficial internship at The New York Times as a senior in high school. Andrew and Dax talk about why his motto as a finance journalist was ‘chasing interesting,' understanding not trusting the stock trading system because it doesn't deserve to be trusted, and his tips for getting ChatGPT to tell the truth with verifiable facts. Andrew explains writing an exposé on going into debt to buy stocks, shocking and unexpected stories of fallout from the stock market crash of 1929, and parallels he sees in current financial trends accompanied by an argument for transparency.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Cinematography Podcast Episode 333: Jeff Cronenweth Two-time Oscar-nominated cinematographer Jeff Cronenweth, ASC is known for visually defining modern classics like Fight Club and The Social Network. With TRON: ARES, he melded three distinct realities: the digital Grid, the gritty real world, and the retro feel of the grid in the original TRON. Jeff's involvement with TRON: ARES began through his long-standing relationship with Jared Leto. After working together on Fight Club, Leto, who stars as Ares and is a producer on the film, personally asked Jeff to meet with director Joachim Rønning. Jeff found that Rønning had established a remarkably clear vision for TRON: ARES from the start by storyboarding every scene. Having a clear plan was crucial, given the complexity of the environments and the technical demands of the shoot, which included a challenging seven weeks of night shooting in downtown Vancouver. Jeff chose ARRI DNA LF lenses for their character, flare, and artifacting, even for the digital setting, and the film was framed for IMAX. The core challenge for Jeff was using visual language to differentiate the film's three central environments, drawing inspiration from the franchise's past while exploring something new. 1. The Main Grid: Predictable Perfection Referencing the "pristine" aesthetic of TRON: Legacy, the new film's main Grid environment is defined by machine code—a world that is predictable and perfect. Look: Sharp, clean lines, saturated colors, and a highly geometric, mechanical feel. Color Coding: The classic blue/gray/white color palette is reserved for the good guys, while the presence of the bad guys is immediately signaled by the use of red. 2. The Real World: Embracing the Grit In TRON: ARES, for the first time, the computer programs emerge into the real world. Reality required a darker, grittier visual separation from the digital realm. Look: Shooting in Vancouver's downtown allowed reflections in large glass buildings to enhance the environment's texture. Practical locations, like a chase that concluded with lightcycles crashing into bales of recycled paper on a pier, further grounded the action. 3. ENCOM/Mainframe Grid: A Nod to the Original To connect back to the franchise's roots, the scenes where the character Ares ventures into the original ENCOM grid to find Flynn needed to match the look of the 1982 film. Reference: The 1982 TRON's grid scenes were shot in black and white and then hand-painted to achieve the glowing effect. To mimic this analog feel, Jeff intentionally doubled the amount of grain and desaturated the color, creating a look that closely matches the original.  Light is both a symbol and a weapon in Tron: Ares. To get the look, visual effects, costumes, props and cinematography had to work closely together. LED lights were installed in costumes, props and sets, and practically controlled through a dimmer board. This gave the VFX team a base to build upon. The lightcycles, some of which were built as practical, towable props, had LEDs built in and connected to dimmer boards as well. The lights provided real, interactive reflections on the actors and surrounding environment. Jeff also used light beams on set to simulate a recognizer scanning a high-rise office. The VFX crew could then track and enhance these practical effects in post-production. Jeff's choices were crucial for the post-production team. “We all knew what the goals were and what the scenes were going to be about,” he says. “It was a wonderful experience because it took all of us to be in harmony all the time.” See TRON: ARES in theaters Jeff is currently shooting The Social Reckoning, with director Aaron Sorkin. Hear our previous interviews with Jeff Cronenweth: https://www.camnoir.com/ep150/ https://www.camnoir.com/ep72/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod

This week on Forgotten Cinema, the Mikes dive into "Charlie Wilson's War" (2007), the sharp, witty, and surprisingly accessible political drama written by Aaron Sorkin and directed by Mike Nichols.Both Mike Butler and Mike Field really enjoy this film for its stellar performances across the board; especially from Philip Seymour Hoffman, who steals every scene he's in. His portrayal of CIA operative Gust Avrakotos brings some of the best dialogue and energy in the film, including one of Field's favorite movie scenes of the last 30 years.The Mikes discuss how Sorkin's script delivers complex political maneuvering and historical context with humor and clarity, never getting bogged down in heavy-handed messaging while still hinting at the long-term consequences of the events depicted. Smart, funny, and full of quotable lines, "Charlie Wilson's War" stands as both an engaging character study and a reminder of how power, charm, and ego can shape history.

Dana and Tom with 5x Club Member, Christine Duncan, and Adam Freed (Managing Editor and Senior Film Critic at (MovieArcher.com)) discuss The American President (1995) for its 30th Anniversary: directed by Rob Reiner, written by Aaron Sorkin, cinematography by John Seale, music by Marc Shaiman, editing by Robert Leighton, starring Michael Douglas, Annette Bening, Martin Sheen, Michael J. Fox, and Richard Dreyfuss.Plot Summary: President Andrew Shepherd (Michael Douglas) is a widowed, popular U.S. president preparing for re-election. His life changes when he meets Sydney Ellen Wade (Annette Bening), a passionate environmental lobbyist. Their romance quickly blossoms, but it also sparks political controversy as the media and his rival, Senator Bob Rumson (Richard Dreyfuss), question his judgment and character.As public pressure grows, Shepherd must choose between protecting his political career or following his heart. With the help of his loyal Chief of Staff A.J. MacInerney (Martin Sheen) and adviser Lewis Rothschild (Michael J. Fox), he learns that true leadership means standing up for what's right — even when it's unpopular.Guests:Christine Duncan - Wife of Dana and Mother of Tom17x guest: Pretty Woman, Sleepless in Seattle, When Harry Met Sally, There's Something About Mary, My Fair Lady, Pillow Talk, The Odd Couple, Bringing Up Baby, A Few Good Men - Revisit, Guess Who's Coming to Dinner, Top Gun, Dial M for Murder, Anatomy of a Murder, Gone Girl, Roman Holiday Revisit, The Apartment, Men of...

“You really have to be unwaveringly obsessed..." Harry Stebbings' career began at the age of 13, when he watched The Social Network — David Fincher and Aaron Sorkin's brooding portrayal of the earliest days of Facebook. But whereas many of us watched that film and thought: “I'd quite like to be a tech founder”, Harry watched it and thought: “Gosh. I want to be a venture capitalist.” A few years later, and with £200 pounds in the bank and not a single contact in the VC world, Harry started his podcast, The Twenty Minute VC. Now, more than 10 years and 1400 episodes later, Harry has pivoted his juggernaut-like podcast into his very own VC fund — one that has backed 13 unicorns to-date. Here, in a beautifully candid interview, Harry tells the podcast about the AI start-up sphere; why he chooses to work nine-to-nine, six days a week; how his often lonely childhood formed his entrepreneurial mindset; the dangers of social media usage; and the things that make him optimistic about the future.

Today, I'm joined by two-time Oscar-nominated cinematographer Jeff Cronenweth.Jeff joins me to talk about his work on Tron: Ares, which is now in theaters. He also shot Amazon's Being the Ricardos for director Aaron Sorkin, starring Nicole Kidman and Javier Bardem. Kidman was so impressed with Jeff's work that she later asked him to shoot her now-famous AMC Theatres commercial.We also dive into his long-running collaboration with David Fincher on films like Fight Club, The Social Network, and Gone Girl. Plus, Jeff gives us a glimpse into his latest project — the just-begun follow-up to The Social Network, titled The Social Reckoning. Aaron Sorkin is not only writing but also directing this one, with a stellar cast that includes Jeremy Allen White, Mikey Madison, Jeremy Strong, Betty Gilpin, and Bill Burr.When I first heard about The Social Reckoning, my initial reaction was, “Why on earth would they make that?” But the more I've thought about it, the more I've realized it's an essential story — a vital piece of modern history that deserves to be explored and cemented in the public consciousness.Today's episode of the Following Films Podcast is brought to you by Google Workspace. We use Google Workspace to keep things running smoothly and efficiently here at Following Films, and I can't recommend it enough. Try it for your business and see how it can help you stay organized and connected. If you sign up using my link, you'll get a discount — and you'll be supporting the show: https://referworkspace.app.goo.gl/G6uF.Tron: Ares is now playing in theaters everywhere. Go see it on the biggest screen you can — it's an incredible cinematic experience.I hope you enjoy the conversation.

In this episode, Sean and James discuss the 2020 film The Trial of the Chicago Seven, a historical legal drama written and directed by Aaron Sorkin. Based on true events, the film dramatizes the trial of seven anti–Vietnam War activists charged with conspiracy and inciting riots during the 1968 Democratic National Convention in Chicago.See omnystudio.com/listener for privacy information.

We finally reach the end of Season Two of Aaron Sorkin's THE NEWSROOM. The two-parter finale ELECTION NIGHT PART I and II sends us on a nostalgic reverie back to the 2012 - the last election before everything changed. PLUS: Government shutdowns and Kamala Harris's memoir. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/661-our-are-envy-140674442

I've been hated by the Party of Hate for five years and counting, maybe longer. For a while, I tricked myself into thinking it was people who didn't really know me. They judged me on my tweets or my opinions. But then, after I came out as a Trump voter, I felt hate even from the people who did know me.I've seen sons disown their mothers, wives disown their husbands. I've felt the hatred from the people in my town who put up alienating lawn signs that seem to come from a good place until you think about what they're really saying: agree with us, or we will hate you. When I was a kid, my stepdad forbade us from using the word “hate.” We were not allowed to say it for any reason, not “I hate brusselsprouts,” “I hate doing the dishes,” or most especially, “I hate you.”I felt it bubbling up so many times - what is a better word, I would wonder. There is no better word, I would conclude. Hate is the word we use to describe that all-consuming heat that bubbles up inside us that we can't control. There are perfect words for things, or as Anton Chigurh said in No Country for Old Men, “you pick the one right tool.”What is love? I knew what that was the first time I saw my baby's face. What is hate? What all of us felt in November of 2016 when Donald Trump won the election. From that day forward, for the next ten years, we would be defined by and consumed by hate.The hate wrapped itself around us. It comforted us. It made us feel morally superior and less alone in our misery and less helpless in our actions. It justified everything we did, whether it was protesting Trump's inauguration or forming the #Resistance. It justified even worse, beating up, spitting on, and knocking the red hats off of Trump supporters. The rulers of the Left's aristocracy, the empire that is now in tatters, said nothing. They seemed to delight in watching all of us good soldiers protest, even smash windows and burn buildings to show how angry we were, because that made them feel less like the failures they are. Blame Trump, blame the voters for the crime of voting them out. Blame anyone but themselves.All of culture was now consumed by the hatred that blotted out the sun and kept us trapped in a long, dark winter of misery and rage. It was our obligation as citizens of utopia to take a side against the half of America that had betrayed Barack Obama and Hillary Clinton. Hollywood, universities, corporations, institutions, book publishing, libraries, and restaurants all sent the same message to the Red Hats: you are not welcome here.The directive from on high was not to “normalize” what was not “normal.” The people didn't just vote in Trump to represent them — that would be democracy. This was something else. This was an affront to all the better people —the ones with all the power. Those who called themselves the good side, the moral side, the side written by Aaron Sorkin and directed by Steven Spielberg, the lawn sign people who say JUST BE KIND, were in the grips of an emotion they could not name, let alone control.You do not speak like we do. You do not believe what we believe. You do not accept our version of reality. We don't want you here. We hate you. Hate was what we were feeling, and yet hate was a word we'd given away. It didn't mean this overwhelming sensation that made us use our social media to demonize and dehumanize the working class. It meant people who did not go along with our progressive ideology. It started back in the 1990s with the fight for gay marriage. “Love is love” meant you're with us. “Hate” meant you were against us. Hate was what all of those bad people over there were, the God people, the Conservatives, that's what defined them, not us.Without the right words to describe what we were feeling, we had to find other words. Nazi, fascist, dictator, bigot, homophobe, racist, rapist, xenophobe, transphobe. And when that wasn't enough, we had to go after how he looked, his weight, his hair, his hands, his skin, his relationship with his family, the cars he drove, the food he ate.Trump was the only thing we could see because hate was the only thing we could feel. Like this woman on TikTok who embodies so much of what defines the Left today.It wasn't that Trump didn't troll or provoke us or give as good as he got. He did. Every one of his tweets drove us deeper into our hatred. How could he say that? That's not funny. That's not a joke. That's offensive. Presidents don't talk that way. Who would dare talk that way? Don't laugh. Take it seriously. Don't normalize him. Maybe for a while, the hatred was an understandable response to someone who offended everything we stood for. But after years of it, even I couldn't take it anymore. It wasn't just poison I could feel — a poison that began to make me sick — it was poison in our culture. It touched everything, ruined everything, destroyed a once-mighty movement, and collapsed an empire. That hate we felt, that united us, meant everything had to be sucked into it, like a black hole. Jokes weren't funny. Movies were dystopian and apocalyptic, and still are. Keep the people afraid. We are oppressed, said the wealthy ruling class. Hate became a useful weapon for the empire. They could police thought and speech to aim their weapon at anyone who disagreed with them, defied their rules, and thought for themselves. Two Minutes of Hate Although they will deny it and wish for it not to be true, what we all built back when Obama won was like 1984. We built an “inside” that kept everyone else on the “outside.” If you wanted to be on the “inside,” you had to follow our strict rules; otherwise, you were out.In 1984, Big Brother uses Two Minutes of Hate to keep the people consumed by an emotion that prevents them from ever thinking for themselves. Who would want to be hated like that?And yet, that described exactly what it was like to watch everyone I knew every single day on social media. It spilled over into real life because the media drove it — from morning news on NPR and the networks, through the day with social media feedback loops, to cable news, and late-night comedy. It was Two Minutes of Hate all day, every day.I didn't want to be part of it, and I had to know what was true and what wasn't. In 1984, we know Big Brother is lying about Goldstein, if Goldstein even existed. The version of Trump we thought existed was the same kind of useful illusion. What was the way out of this, I wondered. I'd already felt the wrath of my friends online for asking questions or breaking our strict code of thought and speech. They hated me, too. So I decided to try to reprogram my brain by cutting off all information coming from the media and social media.It wasn't easy. I filled up my head with only news from the Right. I wanted to know who they really were. I had to know if any of it was true. What I eventually found out was that no, it wasn't true. Every screeching accusation is a choice to condemn someone on flimsy evidence without giving them the benefit of the doubt. How can we live like this, I thought. We must be able to tolerate one another. But how? The first thing I needed to do was remember what words really meant. NewspeakNewspeak is necessary in 1984 for the same reason it's necessary on the Left. Like masks, it identifies who is who in a civilization migrating online, where words are sometimes all we have to decide who is who.Our manipulation of words like 'love' and 'hate' meant that they became elastic over time. We used them for our own purposes to drive our agenda. Break the rules of language, no matter how crazy and ridiculous they become, and you are HATE. The worst offender of Newspeak is undoubtedly “Gender Affirming Care.” It's a word game for them. You can't oppose it without opposing the “affirmation” of their gender. It is demanded and mandated. Which is how we get videos like this.Children are conditioned to obey these strict rules because waiting on the other side for them is Two Minutes of Hate, or a lifetime of it.Obey our rules, or else it's all done with rainbows and unicorns and a smile. Now look at how Charlie Kirk approached this difficult subject, with compassion and grace, but also by edging ever so closely to the truth. Is it any wonder they had to silence him by any means necessary? Child-like words are given for extreme procedures that they are in no way ready for. Top surgery is, in reality, a double mastectomy on a pre-teen or teenage girl who can't consent. Bottom surgery is either chemical or surgical castration, or mutilating your otherwise healthy organs to fake male body parts. The words became ways to define this bizarre new fundamentalism that has overtaken so many young people, and why so many of them are fleeing for freer, saner pastures. Did you know there was a word called Adultism? It means, “behaviors and attitudes based on the assumption that adults are better than young people, and entitled to act upon young people without their agreement. This mistreatment is reinforced by social institutions, laws, customs, and attitudes.” Heterosexism, cisgender — so many words. All it means is that you cannot question any of it and must follow these words to decide the meaning of things, rather than what you know in your mind and heart to be true; it's 2+5=5.Trump's biggest crime was that he stripped away gentle language and spoke the plain truth. None of their weapons of war — the Two Minutes of Hate — worked on him. We forgot the lesson from our childhood about the power of words. They are just words. They are not bullets whizzing through the air from rooftops. They are not shooting a CEO on the streets of New York. They are not setting fire to Teslas.I don't have to look far to see what the Left has become. I only have to scroll social media, and the algorithm gives me what is most popular. Yes, these are just words, but more and more lately, violence is echoing them. And on TikTok:Sticks and StonesCharlie Kirk was silenced because the shooter said he “spread too much hate” and it could “not be negotiated down.” An assassin did the dirty work. The end result was the same. That he wasn't immediately silenced, that his voice got louder as people mourned him and defended him, brought the hate back with a white hot fury. I've been waiting for five years for those I know on the Left to snap out of it, to thaw out, to find their humanity and their tolerance. Yet every day, it just seems to get worse. Because to them, they are becoming hate while combating what they have defined as hate. That's not everyone on the Left. I know some brave people who still treat me with kindness and decency. Those who lead their party, however, including their influencers, journalists, celebrities, and comedians, are the ones defined by hate that leave no room for any middle ground.Here is Jesse Kelly:Those who aren't consumed by hate are too afraid to stand up to the party. They can't even stand up against text messages that fantasize about violence and death against Republicans. Here is Abigail Spanburger in a debate with Winsome Earle-Sears, refusing to back off her support of Jay C. Jones:But I know that violence on the Left in the era of Trump is not new. The issue dates back to 2015 and has been reported on by Tucker Carlson and Liz Wheeler, tracing its origins to Trump's first term.But the Left controls the media narrative, and even if that's changing, it isn't changing fast enough. There aren't enough Democrats willing to stand up against any of it. Here is Pam Bondi and Benny Johnson on the arrest of a man who threatened Johnson's life:When I found my way into Trump world, I found exactly the opposite of what I expected: hate. I found tolerance. I found decency. I found kindness. I found love. It was unusual to find people who were not eternally miserable, bearing the weight of the world on their shoulders, like most progressives. Many of them are not driven by politics but rather by a higher power, and that is what prevents them from becoming a people and a movement defined by hate. There is also a lightness in escaping totalitarian oppression that polices every word that comes out of your mouth. It feels good to speak the truth, and it feels good to feel free. The death of Charlie Kirk has shaken moderate Democrats out of their hate stupor because of how so many on the Left reacted to his death.The Democrats didn't used to be the party of hate. But powerful people don't like having things taken away from them. In their fury and fanaticism, almost nothing of what they built, supposedly on inclusion and tolerance, remains. All that's left is the thing they can't name, the thing they can't extinguish: that all-consuming hate. I don't know how we end this madness. I don't have any hope that the Democrats will emerge from it any time soon. I guess that means we must move on without them to shape an America that, at the very least, understands the meaning of fundamental words like love and hate. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Join hosts Ernesto Santos and Matt Diaz as we discuss the latest entertainment news including a sequel to The Simpsons Movie is officially in the works & new updates announced on Aaron Sorkin's sequel to The Social Network. We'll then chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'” including our thoughts on The Paper, Alien Earth & Marvel Zombies. Later, we'll give you our SPOILER REVIEW of One Battle After Another, from director Paul Thomas Anderson and stars Leonardo DiCaprio, Sean Penn & Benicio Del Toro. Time Stamps:16:34 - Entertainment News43:34 - Whatcha Watchin'01:09:29 - Unknown Number: The High School Catfish01:26:54 - The White Lotus S301:35:23 - The Paper01:51:32 - Alien: Earth02:04:56 - Eyes of Wakanda02:10:46 - Marvel Zombies02:25:00 - One Battle After Another Review

He walked the halls of The West Wing, stirred up trouble on Scandal, and got his start with Aaron Sorkin long before walk-and-talks became TV legend. Josh Malina joins us for a fast-paced trip through his 90s and 2000s career. From Sports Night beginnings to the roles that made him a household face. Expect sharp wit, behind-the-scenes stories, and plenty of that signature Malina mischief we all love. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Wynn Everett, is riding an incredible professional wave, having booked five shows this year. She takes us through her early years studying theater in Georgia, then landing a five-year job running the green room at Good Morning America—where she met everyone from bestselling authors to First Ladies and Hollywood stars. Those connections would later prove invaluable. Wynn reflects on the patience and clear intent it took to finally land representation at Gersh. She also shares some unforgettable “That One Audition” stories, including a hilarious rhythm argument with Aaron Sorkin over the word “tits” that secured her role in Charlie Wilson's War. She also reveals her highly specific audition process, using music and physical “maps," and explains why her radical decision to move back to the Southeast became the best career choice she ever made. These are the unforgettable stories that landed Wynn Everett right here. Credits: Chad Powers M.I.A. Agent Carter Doom Patrol The Newsroom Merv DTF St. Louis This is Us Ordinary Joe Young Rock Sweet Magnolias The Walking Dead Teenage Bounty Hunters Modern Family Grey's Anatomy Charlie Wilson's War Guest Links: IMDB: Wynn Everett, Actress, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: 60% off ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

In this episode of Wise_N_Nerdy, Charles and Joe are joined by the amazing Audie Norman for a fun and insightful ride through fandom, fatherhood, and a few unexpected laughs. The show kicks off with the Question of the Week: If you could learn any one spell or power from a fantasy world, what would it be? From the practical magic of prestidigitation and the versatility of wild shape in Dungeons & Dragons, to the Great Sage ability from That Time I Got Reincarnated as a Slime, the hosts dream big. Teleportation powers also come up—whether it's the flashy leaps from Jumper or Apparition from Harry Potter.Before rolling the dice, Charles unveils the show's new logo, a design created by Audie himself. The random dice roll kicks things off with Bad Dad Jokes, this time themed around polar bears—with Charles giving a shoutout to Nathan Fillion for his own stream of dad jokes online.Next up is the "How Do I…?" segment where Charles, Joe, and Audie talk through the creative process behind designing the new Wise_N_Nerdy logo. From concept to final touches, they share the story of what makes the design special for the show and its community.The dice then land on "What Are You Nerding Out About?", where Joe brings back a fan-favorite guessing game: figuring out the plot of an anime just from its title. This week's challenge? Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin. Meanwhile, Audie nerds out about Aaron Sorkin, diving into classics like The West Wing and Studio 60 on the Sunset Strip. Charles wraps up the segment with some personal excitement, celebrating his birthday with gifts like an electric drum kit and Borderlands 4.In "Daddy, Tell Me a Story," Audie shares his journey into podcasting—how he started listening, what inspired him, and what eventually pushed him to create his own show. Finally, the dice close out the night with the "Parliament of Papas", where Joe tells a heartfelt and complicated story about his mother's wedding ring. Passed down through siblings, the ring sparked both love and family division when one sister asked for it back after a difficult engagement fell apart.This episode blends laughs, stories, and deep dives into the worlds of fandom and family—proving once again why listeners love to Find your FAMdom with Wise_N_Nerdy.

In this episode of Wise_N_Nerdy, Charles and Joe are joined by the amazing Audie Norman for a fun and insightful ride through fandom, fatherhood, and a few unexpected laughs. The show kicks off with the Question of the Week: If you could learn any one spell or power from a fantasy world, what would it be? From the practical magic of prestidigitation and the versatility of wild shape in Dungeons & Dragons, to the Great Sage ability from That Time I Got Reincarnated as a Slime, the hosts dream big. Teleportation powers also come up—whether it's the flashy leaps from Jumper or Apparition from Harry Potter.Before rolling the dice, Charles unveils the show's new logo, a design created by Audie himself. The random dice roll kicks things off with Bad Dad Jokes, this time themed around polar bears—with Charles giving a shoutout to Nathan Fillion for his own stream of dad jokes online.Next up is the "How Do I…?" segment where Charles, Joe, and Audie talk through the creative process behind designing the new Wise_N_Nerdy logo. From concept to final touches, they share the story of what makes the design special for the show and its community.The dice then land on "What Are You Nerding Out About?", where Joe brings back a fan-favorite guessing game: figuring out the plot of an anime just from its title. This week's challenge? Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin. Meanwhile, Audie nerds out about Aaron Sorkin, diving into classics like The West Wing and Studio 60 on the Sunset Strip. Charles wraps up the segment with some personal excitement, celebrating his birthday with gifts like an electric drum kit and Borderlands 4.In "Daddy, Tell Me a Story," Audie shares his journey into podcasting—how he started listening, what inspired him, and what eventually pushed him to create his own show. Finally, the dice close out the night with the "Parliament of Papas", where Joe tells a heartfelt and complicated story about his mother's wedding ring. Passed down through siblings, the ring sparked both love and family division when one sister asked for it back after a difficult engagement fell apart.This episode blends laughs, stories, and deep dives into the worlds of fandom and family—proving once again why listeners love to Find your FAMdom with Wise_N_Nerdy.

This week's So Many Sequels is stacked with news, reviews, and hot takes:Sterling Harjo's new FX/Hulu series The Lowdown puts Tulsa in the spotlight with Ethan Hawke leading the charge.Josh gives a glowing review of PTA's One Battle After Another starring Leonardo DiCaprio and Sean Penn.Garrett dives back into the Taken franchise (yes, Liam Neeson still has a particular set of skills).David gets schlocky with Tales from the Crypt: Demon Knight and Bordello of Blood.We react to Aaron Sorkin's follow-up to The Social Network, plus the new Mandalorian & Grogu trailer.And of course, we wrap up with box office breakdowns and a tease of American Psycho and “So Many Scares vs. Jason” for October.

The Republican-run government has shut down, Trump is using misinformation to blame Democrats, and Erin and Alyssa explain what's at stake. Then they dive into Ezra Klein's recent bad takeapalooza, on everything from Charlie Kirk's legacy to pro-life Democrats. And, of course, there's the latest Epstein files news, some races to watch in Virginia, and a big week for creeps, overall. They wrap up in the Sanity Corner with a discussion about their excitement for Aaron Sorkin's The Social Reckoning and a petty roast of Ivanka Trump's Instagram. Explaining the G.O.P.'s Misleading Talking Point on the Looming Shutdown (NYT 9/29)Ta-Nehisi Coates on Bridging Gaps vs. Drawing Lines (NYT 9/28)RFK Jr. launches FDA review of abortion pill (ABC News 9/24)Musk, Thiel and Bannon named in Epstein docs released by Dems (Axios 9/26)Elon Musk's Father Accused of Child Sexual Abuse (NYT 9/25)Money manager Howard Rubin detained in sex trafficking case after feds cite hitman threat (CNBC 9/26)Ryan Walters steps down as Oklahoma schools chief to lead anti-teachers union group (The 19th News 9/26)The State of Our Nation: Gauging Americans' political opinions in 2025 (The 19th* 9/25) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt appears as though Marvel Studios much speculated film that was slated to release between Avengers: Doomsday and Avengers: Secret Wars in July 2027, won't be happening after all; or at least not that July, as Disney has replaced the untitled project with a sequel to The Simpsons Movie dated for July 23, 2027. The move comes as a surprise to many Marvel fans who anticipated a possible Doctor Strange or Shang-Chi sequel to take place between the Avengers tentpoles but is in keeping with what Bob Iger and Kevin Feige have promised about a slowdown in production. Elsewhere, with Marvel Zombies premiering on Disney Plus last week, Marvel TV head Brad Winderbaum teased a possible season 2, but emphasized that would be contingent on viewership and new Disney Plus subscriptions. Meanwhile, Elizabeth Olsen took the opportunity to share that although she recorded lines for the series, she doesn't remember anything about the show or plot. It was a huge week for trailers from a bevy of our favorite franchises, so lets run them down with another good old fashioned Trailer Park:Insomniac and Sony released the first gameplay trailer for Marvel's Wolverine on the PS5, which will release in fall of 2026.Lucasfilm unveiled a new trailer for Star Wars; Visions Volume 3 which also announced the cast that includes Anna Sawai, Freddie Highmore, George Takei, Harvey Guillén, Jodie Turner-Smith, Judith Light, Simu Liu, Stephanie Hsu, and Steve Buscemi.The final trailer for Jon M. Chu's Wicked: For Good released last Wednesday morning to much acclaim.And finally, a new trailer for 20th Century's Avatar: Fire and Ash teased more of the villainous faction and stakes.Director Denis Villeneuve shed new light on his upcoming version of 007 for Amazon/MGM; sharing that the casting process will begin next year after he's completed production on Dune: Part Three for Warner Bros and that he is looking to cast a “relatively unknown” “fresh face” actor in their 20s or 30s. Additional criteria the filmmaker included is that the performer must hail from the British Isles and be male, as well as his desire to capture what Fleming called “a blunt instrument” — the lethal but “extremely dull, uninteresting man to whom things happened.” If Villeneuve and team stay true to these parameters, it potentially rules out many fan-casted favorites and seems to be in more alignment with the Broccoli family's traditions with the character than expected with new creatives in control.Mark Ronson is slated to reunite with Greta Gerwig to score her Chronicles of Narnia adaptation at Netflix. Ronson previously served as executive music producer for Gerwig's Barbie.Amazon MGM Studios‘ adaptation of Rebecca Yarros' bestselling novel Fourth Wing is closing in on a new showrunner. Wednesday Season 2 executive producer Meredith Averill is in final negotiations to board the project as writer and executive producer.Sony revealed that Spider-Man: Beyond the SpiderVerse will arrive a week earlier than expected, and land on June 18, 2027. Notably, that new date will cover the Juneteenth holiday as well as Father's Day. It previously was dated for June 25, 2027.Comedian Bill Burr is in talks to join the cast of Aaron Sorkin and Sony Pictures' sequel to The Social Network, after Jeremy Strong, Mikey Madison and Jeremy Allen White were officially cast. The film also has been retitled The Social Reckoning and will officially hit theaters on Oct. 9, 2026.A newly created AI “actress” named Tilly Norwood, designed by the studio Xicoia under Particle6, has reportedly drawn interest from Hollywood talent agencies. The announcement sparked major backlash from real actors, with critiques about replacing human talent, the ethics of compositing real faces, and calls to boycott agencies that represent AI personas.

“You don't get to nearly 300 episodes without making a few enemies.” Join Ian, Liam & Kev for our 298th episode as we log on, code furiously, and sue each other over The Social Network (2010). Megs? She's not with us this week—she's in “Facebook jail” for excessive poking (it was bound to happen). We're carrying around a chicken for a week in our 298th episode as we discuss: Our best day for downloads ever—and it's not even close. Our trip to an award show (well… kind of). A new Patreon joins the fold—proof we're building our very own social network. Just how much credit should the money man get vs the idea man? What is it that makes Aaron Sorkin's writing so great—and why does this film feel like it moves at the speed of thought? What's the one part we think the film gets wrong? Does the absence of errors make a film a masterpiece—or does it need a few rough edges to feel human? Jesse Eisenberg as Zuckerberg: sympathetic genius or socially awkward supervillain? Fincher's precision—how much of the film's impact comes from direction versus dialogue? And finally, whether The Social Network is the Best Film Ever—or just the sharpest film of the 2010s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Academy Award winner Aaron Sorkin's follow-up to “The Social Network,” now officially titled “The Social Reckoning,” will hit theaters on Oct. 9, 2026, Sony Pictures announced Friday. The contentious demise of a throuple resulted in the arrest of a female member of the polygamous trio, police report. Responding to a 10 PM domestic disturbance call, police in Summerfield, Florida encountered Devon Driscoll, 26, who “advised she wants her ex-boyfriend and ex-girlfriend to get kicked out of the house.” Two men have been arrested after a fight over a Netflix account ended with gunfire. Brian Travis Reynolds, 19, and Anthony Constante, 19, were taken into custody this week in connection with an incident outside a home on Calle Briseno, according to the Bexar County Sheriff's Office. A content creator has completed a "ridiculous journey" to the Isles of Scilly in a bath. YouTuber Max Fosh travelled across the sea from Sennen Cove in Cornwall to Hugh Town. The adventure took place on Wednesday, with a number of islanders greeting the content creator at the finish line. FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first time ever, Sean, Amanda, and Chris are doing a movie character draft! Today, they draft their favorite characters from Paul Thomas Anderson's filmography. But before diving in, they react to a handful of news headlines, including the speculation that David Ellison and Paramount plan on making a strong bid to acquire Warner Bros. Discovery, new information regarding key details about Aaron Sorkin's ‘The Social Network II', and the recent awards buzz surrounding Sydney Sweeney's performance in the upcoming boxing film ‘Christy' (1:38). Then, they talk through their personal relationships to Anderson's work (25:15), introduce the new categories (41:19), and finally draft their characters (49:27). Hosts: Sean Fennessey and Amanda Dobbins Guest: Chris Ryan Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

How far is one of America's most famous liberal creators willing to accommodate a critique of institutional power? We return to Aaron Sorkin's THE NEWSROOM with Season 2 Episode 7 ("Red Team III"), which brings the "Operation Genoa" story to a startling conclusion. PLUS: Checking in on Gavin Newsom's new Based rebrand. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/650-i-love-lucy-137519725

SEASON 4 EPISODE 5: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: THE DISASTA IN ALASKA The Disasta in Alaska - starring the cheeseburger-eating surrender monkey. We have, to quote Churchill, suffered a defeat, without a war. Because we forget we don’t MERELY have an evil, deranged president, we have an evil, deranged president who is also a moron. Now, Trump - Putin’s butt boy, his errand carrier - will deliver Putin’s message to Zelensky in Washington. He will be accompanied by EU President von der Leyen, NATO Secretary General Rutte, Presidents Macron of France and Stubb of Finland, Prime Ministers Starmer of the U-K and Meloni of Italy, and Chancellor Merz of Germany. Trump will be accompanied by a large selection of mirrors. I suspect Trump will parrot what he remembers of Putin's message (whatever Trump's staff didn't leave on the printer of the business center at the Hotel Captain Cook in Anchorage) and tell Zelensky that the way to achieve an end to the war in Ukraine is: to lose. The best thing Zelensky and the Europeans could say in response would be to state that they are withdrawing their recognition of the government of the United States of America because it is just too effing stupid. From the Disasta in Alaska to the Occupied territory of Washington, D.C. And don’t forget what Trump today DOUBLING the number of National Guard in DC with new recruits from Ohio, West Virginia, and South Carolina (all of them, far more violent than DC) means: It means he’s read his cratering polls number and declared war on the United States of America. Also: we rejoin the Trumpstein Cover-up Scandal, already in progress. B-Block (30:02) THE WORST PERSONS IN THE WORLD: International Fop Piers Morgan FINALLY does a journalism - posts a meme of Trump on his way to meet Putin and Trump is wearing kneepads - and then DELETES the first journalism of his life? Pam Bondi proudly admits The Deep State has defeated her fascist DOJ with nothing more than a Sweet Onion Chicken Teriyaki Sub. And the battle of the most overrated people in their field: neither CNBC's Andrew Ross Sorkin nor House Democratic mis-Leader Hakeem Jeffries repeat Andrew Cuomo's canard that Democratic NYC mayor nominee Zohran Mamdani lives in a rent-CONTROLLED apartment when he, like HALF of all NYC renters (myself included) lives in a rent-STABILIZED apartment. Sorkin repeats this FOUR times, Jeffries doesn't correct him, and Jeffries who is theoretically a congressman from New York STILL refuses to endorse his own party's nominee, chosen by its MEMBERS, for mayor OF New York. Sorkin should be fired and Jeffries should resign. C-Block (43:00) THINGS I PROMISED NOT TO TELL: Somebody wrote last week that Aaron Sorkin's HBO "Newsroom" version of some of what happened to Countdown on MSNBC was the worst fictionalization of journalism in the English language. I think that's an exaggeration. It wasn't nearly that good.See omnystudio.com/listener for privacy information.

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter.You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate.Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports NightThis episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices