Podcast appearances and mentions of Aaron Sorkin

Bugonia, Roofman, Fantastic 4, and Weapons trailers. The Batman Part II script, no Akira for Waititi, Lilo & Stitch 2, Street Fighter castings, Steven Spielberg will never retire, Frozen songwriters for Princess Bride, Johhny Knoxville hosts Fear Factor, Dave Bautista Rom Com, Aaron Sorkin back for Social Network 2, Denis Villaneueve for Bond

(00:22) Blood Of My Blood, la serie spin-off di Outlander(01:25) Denis Villeneuve regista del prossimo film su James Bond(02:52) Possibili interpreti per il ruolo di James Bond(04:08) Aaron Sorkin e il sequel di The Social Network(05:12) Very Young Frankenstein, spin-off di Frankenstein Junior

Sean and Amanda start the show by reacting to two huge news headlines from this week, with Denis Villeneuve set to direct the next James Bond film and Aaron Sorkin set to write and direct a sequel to ‘The Social Network' (1:38). Then, they get behind the steering wheel to discuss Joseph Kosinski's highly anticipated action blockbuster ‘F1,' starring Brad Pitt. They talk about how the electrifying filmmaking displayed throughout the racing scenes makes the film worth the price of admission, acknowledge some of its noticeable flaws, and hypothesize whether or not it will perform well at the box office (23:00). Later, Sean is joined by Kosinski, who discusses why this was the most difficult shooting environment he's ever experienced, how he feels about the major studios' relationship to the theatrical experience at large, and much more (1:12:26). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joseph Kosinski Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to another Episode of the Media Boat Podcast. We start with Spotify getting a nasty letter from some US Senators. Next, several Netflix games will be going away from the platform next month. Later, South Park lawsuits heat up as South Park Studios accuses its new parent company of foul play. We wrap it up with a look at future films including what Denis Villeneuve, Aaron Sorkin, and Steven Spielberg have coming soon to a theater near you. We also have thoughts on HAIM and The Bear. All this and more on this weeks episode of the Media Boat Podcast.

TP FOR YOUR BUNGHOLE! Beavis and Butthead are back again, but this time in Call of Duty! Sonic is opening the doors to guest racers, while Mario is saying arrivederci to anyone that's not from the mushroom kingdom. The Street Fighter movie starts casting, and Chicken Run is heading to consoles. Plus Elio bombs, and the Social Network is getting a sequel, so much for wanting more original ideas. The Buffy reboot moves closer to reality, and Raymond is staying in the past. Plus a review of Ironheart.

Aaron Sorkin is making a second 'Social Network' movie, Trump Mobile dropped its 'made in the USA' claims, and YouTube will increase the minimum age for live streaming to 16. It's Thursday June 26th and here's a quick look at tech in the news this morning from Engadget. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including the massive news that Denis Villeneuve has been tapped to direct the next JAMES BOND film. Plus Aaron Sorkin is writing a sequel to The Social Network, Doug Liman is directing an adaptation of Stephen King's The Stand, the new Fantastic 4: First Steps and Eden trailers, Ironheart review, Heat 2 is a go and casting is underway, director Joseph Kosinski wants a Days of Thunder and F1 crossover, Ratatouille 2 in the works, Daisy Edgar Jones in new Sense and Sensibility.  and more!#JamesBond #DC #MARVEL #Disney #denisvilleneuve  #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:38 Denis Villeneuve Tapped for James Bond Franchise12:42 Who Will Play James Bond and the "Bond Girl" Now?28:38 Aaron Sorkin to Write and Direct The Social Network II39:14 Sony and Michael Mann Ramp Up HEAT 2 Production- Will It Happen?44:06 Disney Announces a Lilo & Stitch Sequel46:14 Joseph Kosinski Talks F1 and Days of Thunder Crossover Film48:04 Daisy Edgar Jones to Lead New Sense and Sensibility Adaptation50:43 Doug Liman to Adapt Stephen King's THE STAND for Theatrical Feature54:14 Ironheart 2 Minute Review56:18 New Fantastic 4 Trailer Thoughts57:07 Questioning Authenticity of SUPERMAN First Reactions, Pre Hate vs Pre Love1:04:31 Jurassic World: Rebirth Review1:10:08 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  

After celebrating his 60th last night Clairsy needed a strong Berocca this morning and the guys spoke about the moment you just know that you’re overdue a haircut (it involves John Ritter). Lisa found out she’s been doing something wrong her whole life… applying perfume. On The Shaw Report, Aaron Sorkin is set to reprise his hit Facebook movie with a sequel to The Social Network in the works. The guys opened the phone and text line to ask, ‘What did you do on your first date?’. Our resident movie expert Ben O’Shea stopped by to review the latest Hollywood blockbuster F1. Comedian Jon Pinder brought the laughs into the studio, he came in to chat about his new comedy show Julius Geezer, first dates and his upcoming trip to the UK to see Oasis not once but twice.See omnystudio.com/listener for privacy information.

While Trump and his administration are the ones politicizing the rule of the law, ignoring due process, and annihilating democratic norms, it's Republicans leaders saying and doing nothing in response that poses a bigger threat to our country and democracy. Meanwhile, when it comes to the Middle East, we don't know who Trump is talking to—or listening to. Plus, when Bush 43, McCain, and Jeb pushed for immigration reform, the romantic idealism of Aaron Sorkin, and the sounds of kids and dogs.  (An unfiltered) Nicolle Wallace joins Tim Miller. show notes Nicolle's new pod, 'The Best People' Matt Gaetz arguing with his mom via text *Get $35 off your first box of wild-caught, sustainable seafood—delivered right to your door. Go to: https://www.wildalaskan.com/BULWARK

In this episode of JKL Media recorded on June 22nd, hosts Jesse, Karen, and Lou discuss their appreciation for Aaron Sorkin's works, with a primary focus on his film 'The Trial of the Chicago 7'. Jesse expresses his admiration for Sorkin's storytelling, highlighting the significant impact Sorkin's works have had on him. Karen and Lou also share their thoughts on the film, discussing the authenticity of its historical portrayal, the strong cast performances, and the relevance of its themes in today's political climate. Lou brings a non-American perspective, pointing out the challenges of dramatizing real events while retaining accuracy. The discussion touches on the broader context of political manipulation within judicial systems and the need for contemporary figures who are willing to stand up for their beliefs as vehemently as historical activists like Abby Hoffman. The episode concludes with reflections on how current events mirror past political @jessejacksondfw @aleveria @LouWSytsma

Will and Luke hash out their differences w/r/t appreciating Aaron Sorkin as they tackle Season 2 Episode 3 of THE NEWSROOM ("Willie Pete"), which offers a surprisingly cogent critique of "the boys on the bus" as well as a lot more of Sorkin's peculiar gender politics. PLUS: We check in on our favourite Who's Line is it Anyway cast member. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/628-ballad-of-13-130688755

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

At some point in the 15 years since its release, THE SOCIAL NETWORK (2010) became a historical document. We're joined by our official Silicon Valley correspondent Wendy Liu to discuss why its complicated perspective on startup culture resonated so strongly, and what the passage of time has revealed about people like Zuckerberg. And of course, we get into the Aaron Sorkin of it all. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/130141170

Chuck Todd opens with two issues he calls “dead rail” issues; issues that voters care about but don't vote on… campaign finance reform and the national debt. He explains why both parties aren't incentivized to address either issue, and provides a brief update on the latest developments for the upcoming midterm and presidential elections.Then, he sits down with acclaimed television writer and producer Debora Cahn, the creative force behind both "The West Wing" and Netflix's hit series "The Diplomat." Cahn shares behind-the-scenes insights from her time in Aaron Sorkin's writers' room, revealing how the team worked to make "The West Wing" realistic and even infused elements of musical theater into the show. She discusses the origins and development of "The Diplomat," explaining how her experience working on "Homeland" prepared her for tackling international diplomacy, and how COVID-19 unexpectedly helped with the show's early development process.They delve into how real-world events have shaped "The Diplomat's" narrative, particularly Russia's invasion of Ukraine, which completely changed the show's plot trajectory. Cahn explores the challenges of creating "news adjacent" content in today's rapidly changing political landscape, where she notes that satire feels off-limits for this decade. She also discusses her approach to writing strong but complex female characters, the differences between working with Shonda Rhimes versus Aaron Sorkin, and how she uses storytelling to give voice to government workers. The interview touches on everything from using real UK embassy locations for filming to incorporating recent political events and the casting of Michael McKean in a Biden-inspired role.Finally, he answers listeners' questions in the Ask Chuck segment, addressing topics like the best path to learning journalism, whether Kamala Harris could lose the California gubernatorial race and how to maximize black voter turnout in the south.Timeline:00:00 Introduction00:30 The “third-rail” issues in American politics that are untouchable01:45 Medicaid is a lifeline for more than just poor people02:20 Dead rail issues are issues that you can ignore and voters don't care03:10 Voters agree on need for campaign finance reform, but don't vote on it05:00 Both parties only care about the national debt when they're out of power07:00 Voters don't care about campaign finance or the debt until it affects them09:00 The Republicans are more fiscally irresponsible than Democrats10:30 New campaign ad rolls out with purely AI generated people11:30 Senator Jeff Merkeley may step down12:30 Senator Ed Markey may face primary challenge13:00 Rahm Emmanuel attending Iowa event, could it regain 1st primary status?14:30 Debora Cahn joins the Chuck ToddCast! 15:45 How did she create "The Diplomat" and "West Wing"? 17:00 How important was it to make the West Wing realistic? 19:00 How did you infuse musical theater into West Wing? 20:15 What was the writers' room like? 22:30 How long has she been working on The Diplomat? 25:15 How did working on Homeland prepare her for The Diplomat? 28:30 The origin of The Diplomat 30:00 Covid actually HELPED with early development 31:00 Were the characters modeled off real people? 33:45 Using a real embassy for the set 36:30 Has the narrative arc changed from the original vision? 38:45 Russia's invasion of Ukraine changed the show's entire plot 40:45 Using the PM of the UK character to caricature Trump 42:15 Satire is off the table for this decade 43:30 Giving voice to government workers via storytelling 47:00 Has the UK foreshadowed trends in US politics? 48:15 The downside to being "news adjacent"? 49:45 Writing about strong women but making it messy 51:15 Working with Shonda Rhimes vs Aaron Sorkin 53:30 Whose story would she like to tell? 56:00 Traditional journalism vs. influencer culture 56:45 The Newsroom wasn't an accurate portrayal of TV journalism 58:00 What events from the past few months does she want to incorporate? 59:45 Michael McKean is great as the Biden character57:50 Chuck's thoughts on the interview with Debora Cahn 58:20 Ask Chuck 58:40 Is college or an apprenticeship better for learning journalism? 1:02:30 Could Kamala Harris lose in the primary for CA governor? 1:06:05 What can Democrats do to maximize the black vote in the south? 1:11:50 NBA playoffs reaction

Get ready to serve at the pleasure of the (fictional) president because today we are joined by consultant and crafter, Margo Mullin (she/her) for a walk and talk about the 1990s political classic; WEST WING! We chat about the waves of political burnout and optimism, the rise of the political drama on TV, Aaron Sorkin's whip-smart dialogue, great speeches, career defining performances and the not-so-enduring fantasy of a competent and morally sound American president. Plus, we play a game of ‘West Wing or White House' and discuss the actual size of the continent of Africa.  The Fandom Show Podcast is available wherever you get your podcasts and you can also watch on YouTube https://www.youtube.com/@FandomShowPod! Want to learn more about this as well as all our episodes, and get access to even more fandom? Check us out at Patreon.com/TheFandomShow Produced by Andrew Ivimey as part of The From Superheroes

Lex and Brian don’t know if women have special powers, but maybe Aaron Sorkin does. Season two of Sports Night kicks off with a killer montage as Casey tries to work up the courage to ask Dana out. Jeremy and Natalie are fighting. Isaac’s back. There’s a lot to unpack - and a lot to love. You’re listening to Sorkin’ In It on the Incomparable podcast network, so stick around. Lex Friedman and Brian Warren.

Lex and Brian don’t know if women have special powers, but maybe Aaron Sorkin does. Season two of Sports Night kicks off with a killer montage as Casey tries to work up the courage to ask Dana out. Jeremy and Natalie are fighting. Isaac’s back. There’s a lot to unpack - and a lot to love. You’re listening to Sorkin’ In It on the Incomparable podcast network, so stick around. Lex Friedman and Brian Warren.

Send Kris and Rob a Text Message!In 1986, Marine David Cox helped carry out a Code Red at Guantanamo Bay on a Private who fully recovered from his injuries. When David and nine others were faced with a court-martial and an Other Than Honorable Discharge, he refused a plea deal, stood trial, and walked free; his attorney arguing that he was following orders. That courtroom drama would go on to inspire Aaron Sorkin's A Few Good Men. But David's story didn't end there.In 1994, Cox was found shot to death—execution-style. Wallet intact. No robbery. No suspects. No justice.This week on Hitched 2 Homicide, we're peeling back the Hollywood polish and military records to expose the haunting, unsolved truth behind one of the most infamous cases of military justice—and murder—in U.S. history.

After a healthy break, we finally return to Aaron Sorkin's THE NEWSROOM. In the first episode of season two ("First Thing We Do, Let's Kill All the Lawyers"), we find Will McAvoy and his team learning of a movement to Occupy Wall Street and debating the ethics of predator drones. PLUS: A roundup of American politics news, including David Hogg, Joe Biden, and a Woodstock for centrists. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus Catch up on our coverage of The Newsroom's first season - https://www.patreon.com/collection/1429433 See Luke interview Grace Blakeley at the 2025 Ellen Meiksins Wood Lecture on May 20 - https://broadbentinstitute.ca/events/2025-ellen-meiksins-wood-lecture/ Subscribe to Luke's Substack - https://www.lukewsavage.com/ Will's book Ed Wood: Made in Hollywood USA - https://orbooks.com/catalog/ed-wood/

Welcome to the LIVING FOR THE BOYLE review series!  Daniel Francis Boyle originally hailed from Manchester, England and his filmmaking career took off thirty years ago in 1995 with the release of acclaimed cult thriller Shallow Grave.  And ever since then, Danny Boyle (as he's officially known) has carved out a uniquely successful career not only achieving box office success several times but also winning a few Oscars along the way.  During this time period, he has also become one of MY personal favorite directors, having helmed excellent ORIGINAL stories spanning several genres including children's fantasy, science fiction, crime drama, horror, and biopic.  Over the next few months, I will be reviewing some of my favorite entries from his filmography in the lead-up to the long-awaited sequel to one of his more successful films….28 Years Later which will be released in the U.S. on June 20!From the Oscar-winning writer (Aaron Sorkin) of The Social Network comes another "Based Upon a True Story" exploration of one of the titans of the digital revolution, this time the titular Steve Jobs played by Oscar-nominee Michael Fassbender (Shame, Black Bag).  This story takes behind the scenes in the lead-up to three VERY different product launches headlined by the eventual Apple CEO in 1984, 1988, and culminating in 1998 with the launch of the revoluationairy IMac computer for home and office use.  Along the way, we not only learn about the various ups-and-downs of the Apple/Mac brand as overseen by Jobs but much of his personal drama as well, especially his tumultuous relationship with his daughter Lisa.  This Oscar nominated drama was directed by Boyle and featured a stellar cast including Kate Winslet, Michael Stuhlbarg, Jeff Daniels, and Seth Rogen.Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

We present our review of The West Wing (Season 5)!The fifth season of the American political drama television series The West Wing aired in the United States on NBC from September 24, 2003, to May 19, 2004, and consisted of 22 episodes. This was the first season with executive producer John Wells as showrunner after series creator Aaron Sorkin departed the series at the end of the previous season.The fifth season had star billing for nine major roles, all of which were filled by returning main cast members from the fourth season. The cast was credited in alphabetical order except for Martin Sheen, who was listed last. Stockard Channing is only credited for the episodes in which she appears.The fifth season opens with First Daughter Zoey Bartlet being rescued from her abductors. President Bartlet takes the presidency back from acting president Walken, but is forced back into a level of powerlessness. He comes to terms with the actions that led to his daughter's kidnapping, a new Republican Speaker of the House (Walken has had to resign in order to assume the presidency) who forces Bartlet into several decisions he does not want to make, including the nomination of an unimpressive Democrat, "Bingo Bob" Russell, for vice president. The conflict with the new Speaker comes to a head in "Shutdown", when the Speaker tries to force the President into cutting federal spending more than had been agreed to and Bartlet refuses, forcing the federal government into a shutdown. Bartlet regains some of his power, cutting a deal to get a liberal Chief Justice, and season five ends with a bombing in Gaza leading Bartlet to push for Israeli peace talks and Josh to grow closer to Donna after she is critically wounded. The fifth season begins toward the end of Bartlet's first year of his second term (fifth year overall) in office. By the end of the season, over a year has elapsed.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Walk with us through the West Wing and into the heart of The American President, where romance meets realpolitik under the soft glow of the White House. We're diving into this Aaron Sorkin-penned blend of idealism, charm, and sharp political drama, unpacking the chemistry between Michael Douglas and Annette Bening, the dream of a more noble presidency, and what this film says about leadership, image, and the power of personal conviction. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

Dimitri and Khalid explore the deadly climax of the Molly Maguire phenomenon in 1870s Pennsylvania coal country, including: Pinkerton spy James McParlan's exposure and narrow escape from Schuylkill County, the spectacular(ly corrupt) murder trials from 1876-78 that captivated the nation, Reading Railroad President Franklin B. Gowen's mesmerizing star turn as lead prosecutor in the courtroom, his four hour Aaron Sorkin monologue about the perfidious Irish conspiracy threatening the very foundations of our (Protestant Capitalist) Republic, squealing witnesses and Pennsylvania Dutch jurors, McParlan/McKenna on the witness stand, Gowen's relentless drive to convict Hibernian leader “Black Jack” Kehoe of a Civil War murder he didn't commit, Black Thursday and the Day of the Rope, executing two Mollies just after Governor Hartranft grants a reprieve, the Great Railroad Strikes of 1877, two descendants of convicted Mollies becoming militant IRA-supporting Teamster leaders in the 20th century, Gowen's HOTGAF arc going off the rails, the Reading's slide into crushing debt and bankruptcy, getting forced out of the game by a rising JP Morgan, and Franklin Gowen grimly imitating the tactics of his Molly adversaries by shooting a mine boss - himself - in 1889.  For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

Can you handle the truth? Sure, back in 1992, this military courtroom drama was a critical and box office smash. Tom Cruise! Demi Moore! Jack Nicholson! And all that yelling! How could it miss? But now, decades later, are we ready to issue a Code Red on this Oscar-nominated Best Picture? Is Cruise's cocksure persona the best fit for this heavy-handed tale of loyalty? Is Jack's manic line readings too big for this jurisdiction? And, for the love of God, will anyone listen to Demi's Joann, like, ever? The Old Roommates head to the mess hall and revisit all the speeches and shenanigans through their middle-aged lens. Join them!Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#AFewGoodMen #RobReiner #AaronSorkin #TomCruise #DemiMoore #JackNicholson #KieferSutherland #KevinBacon

In the SEASON FINALE of our coverage of Aaron Sorkin's THE NEWSROOM, we find the show's many threads continuing, if not coalescing, in Episode 10 ("The Greater Fool"). We assess where the show has taken us so far, and assess the good (not much) and the bad (plenty). Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "The End of Resistance History" by Charlotte E. Rosen - https://proteanmag.com/2025/01/20/the-end-of-resistance-history/

This week! It's another rare TV episode as we tackle all three seasons of Aaron Sorkin's The Newsroom. We discuss Sorkin's terrible history of writing for women, the worst episode of this TV show -- or any Sorkin TV show -- or any TV show??, and how awful Jim is. GET OUT OF HERE JIM.   This episode brought to you by Fast Growing Trees. Fast Growing Trees provide you with top-notch plants, the easiest way possible, delivered right to your home. This Spring they have the best deals, for your yard, up to half off on select plants and other deals. And listeners to our show get 15% off their first purchase when using the code LOVE at checkout.    Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 90 of the Director Watch Podcast, the boys are joined by film critic Tom O'Brien to discuss the final film in their Mike Nichols series, Charlie Wilson's War (2007). For the last film in Mike Nichols' filmography, he attempts again to try and make a political commentary that will stand out as one of best to ever get made. As someone who has tackled the human condition so well throughout his films, Nichols has also chased the idea of making a political film from his films of the 70s, to even a film on this series in Primary Colors. This time working with a script from Aaron Sorkin, Nichols does his best to tell the story of a Texas congressman and the CIA who worked together on a covert operation to support the Afghan mujahideen during the Soviet–Afghan War. Led by Tom Hanks, Julia Roberts, and Philip Seymour Hoffman's stellar performances, Charlie Wilson's War is mostly the best political film Nichols made; you just wonder if he ever needed to chase this whale in the first place considering this film is still a lesser script from the acclaimed screenwriter behind it. Ryan, Jay, and Tom break down their thoughts on the film, Sorkin as a figure in Hollywood, how uneventful the film feels, Hanks wanting Nichols for this film, the greatness of Hoffman, as well as the guys final rankings of Nichols' filmography, and a reminder of the next film series the guys will be covering after their upcoming bonus episode for Nichols' Angels in America. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week with a bonus episode for the Mike Nichols' series with a review of his acclaimed miniseries, Angels in America. You can rent it via iTunes and Amazon Prime rental or stream on Max in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Episode 8 of THE NEWSROOM ("The Blackout, Part 1: Tragedy Porn") finds Aaron Sorkin considering media ethics through lens of three 2011-era scandals of varying magnitude: Anthony Weiner, Casey Anthony, and NSA surveillance. His conclusions find him returning to some pet grievances. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/124709344

We present our review of The West Wing (Season 3)!The third season of the American political drama television series The West Wing aired in the United States on NBC from October 3, 2001 to May 22, 2002 and consisted of 21 episodes and 2 special episodes.The season premiere was delayed by the September 11, 2001 terrorist attacks in the United States. When the season did return, the first episode was a special episode titled "Isaac and Ishmael," in which the main cast paid tribute to those affected by the attacks and informed viewers about what to expect from the delayed premiere.Series creator Aaron Sorkin acknowledged in October 2002 that the terrorism-related plots designed to keep the series relevant after the real-life attacks were awkward at times, saying "from week to week, you felt like you were writing the show handcuffed, a little bit. I didn't know how to write it anymore. It was a constant search for what I wasn't doing that used to make the show work. Maybe there was a way to make it work. There probably was. I wasn't able to find it in twenty-two episodes."Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We finally arrive at the legendary Bin Laden episode of THE NEWSROOM ("5/11") and discover that surrounding that iconic clip on the airplane is Aaron Sorkin's most revealing meditation yet on what he thinks journalism should be. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/124082719

Philip Dusenberry once said, “I have always believed that writing advertisements is the second most profitable form of writing. The first, of course, is ransom notes.”I can testify that Dusenberry is correct. The best ad writers make more money than the most highly paid lawyers and heart surgeons.Great advertising makes an enormous difference in the top line revenue of a company. A reputation for being able to write great ads makes an enormous difference in your bank account. But only if you get paid according to the growth of the businesses you write for.Did you notice that I ended that sentence with a preposition? A pedantic will tell you that I should have said, “But only if you get paid according to the growth of the businesses for whom you write ads.” But I chose not to do that. If you can tell me why, you might have the makings of an ad writer.Do you have a friend who reads the books of the world's most famous authors?If you say, “Call me Ishmael,” and your friend says, “Moby Dick,” your friend has the ingredients to bake a wordcake.Say to your friend, “Two roads diverged in a yellow wood.”If your friend says, “Robert Frost,” he or she has the ability to lead people to places they have never been.Say, “The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.”If your friend looks at you and says, “Tom Robbins died last month,” they definitely have the makings of ad writer.“As you read, so will you write.”If the cadence and rhythm and unpredictable phrases singular to poets, screenwriters and novelists are echoing in your brain, your mind will spew rainbows of words like ocean water from the blowhole of a whale.Luke records Jesus as having said, “Out of the abundance of the heart, the mouth speaks.” If you want to know what is inside a person, listen to what they say and read what they write.The minds of great writers are filled with the music of other great writers. Music cannot flow from your fingertips if it does not live in your mind.I don't mean to be unkind, but most writers have no music in their mind.Tom Robbins told NPR in 2014, “I would tell stories aloud to himself, but always out in the yard with a stick in my hand. I would beat the ground as I told the story. And we moved fairly frequently. We would leave houses behind where one section of the yard was completely bare from where I had destroyed the grass. But I realized much later in life that what I was doing was drumming. I was building a rhythm. Even today as a writer I pay a lot of attention to the rhythm in my work.”When Tom Robbins died, hypnotic passages from his bestselling novels were quoted by NPR and The New York Times in their eulogies of his life.Character dialogue written by Aaron Sorkin is the standard by which all screenwriting is judged. Aaron says, “It's not just that dialogue sounds like music to me. It actually is music. Anytime someone is speaking for the purpose of performance, whether they're doing it from a pulpit in a church, whether it's a candidate on the stump or an actor on a stage, anytime they're speaking for the purposes of performance, all the rules of music apply.”The workload of my 81 Wizard of Ads partners will soon be at maximum capacity.I am looking for brilliant ad writers. Between now and the end of the year I will onboard a small group of writers who are worth a lot more money than they are currently being paid. They will attend the partner meeting this autumn.Selection, orientation, and enculturation requires diligence and patience on both sides.Our journey will begin when you send exactly 12

Some stories shape us in ways we don't even realize—until we take a step back and see the bigger picture. In this solo episode, I'm pulling back the curtain on two untold tales from my past: the unexpected way I found myself on the set of Hoosiers as a little girl (a moment that unknowingly shaped my career path), and the time I went on a date with one of the most brilliant minds in Hollywood, Aaron Sorkin. But this isn't just about fun anecdotes—it's about how saying yes to certain moments can make lasting impact and how true transformation happens when we bravely revisit, heal, and rewrite our own stories.  If you're ready to take ownership of your past and step into your power, this episode is your invitation. Use code CATT to get 15% off my favorite, science-backed skincare from OneSkin. Head to OneSkin.co and use my code now for healthier, younger looking skin that works in the cellular level.  thecattwalk.com Learn more about your ad choices. Visit megaphone.fm/adchoices

John, LB and Niki peruse the menu of life and choose a number of appetizing topics to sate their hunger for discussion, including LB's new towels, hanging out with BTS, another installment of Scam Text Theater, the complete plot of The Substance (so spoiler warning obvs), if Aaron Sorkin wrote Dawson's Creek, our definitive ranking of the Barenaked Ladies, more drug physics, and y'all? Somehow even more.Welcome to If You're Driving, Close Your Eyes, a podcast about navigating the cruelty, chaos, and wonder of our terrifying world. Niki, John, LB— and our producer Jordo— try to find meaning and clarity one or twelve subjects at a time: from the menu at Cheesecake Factory to a human man dressed up as Snoopy tucking you into bed.Who are we?: We are Niki Grayson (https://twitter.com/godsewa) (the Buster Keaton of basketball), John Warren (https://twitter.com/FloppyAdult) (business boy and wassail pervert, short), LB Hunktears (https://twitter.com/hunktears) (handsome genius, 5'8", America's Gamer), and producer Jordan Mallory (https://bsky.app/profile/jordo.bsky.social) (frog with computer). Music by Jordan Mallory and Art by Max Schwartz (https://maxds.itch.io/).Follow the show: https://www.twitter.com/ifyouredriving Support us: https://www.patreon.com/ifyouredriving Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode six of THE NEWSROOM ("Bullies"), Aaron Sorkin brings some much-needed shading and complexity to the character of Will McAvoy. But of course, "complexity" and "self-flattery" can sometimes overlap. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/599-newsroom-6

We present our The West Wing Season 2 Review!The second season of the American political drama television series The West Wing aired in the United States on NBC from October 4, 2000 to May 16, 2001 and consisted of 22 episodes.The second season made frequent use of flashbacks, revealing Bartlet's campaign for the presidency in the period prior to events covered in the first season. The first two episodes, "In the Shadow of Two Gunmen, Part I" and "In the Shadow of Two Gunmen, Part II", showed how many of the central characters were introduced to Josiah Bartlet, his campaign for the presidential nomination, and his election. Aaron Sorkin originally planned to have such flashbacks as a major part of the entire season, but budget and logistical demands prevented this.The second season had star billing for eight major roles. Seven of these were filled by returning main cast members from the first season, while Moira Kelly departed the cast at the end of the previous season. Rob Lowe once again receives star billing, while Martin Sheen receives the "and" credit for his role as President Josiah Bartlet. The rest of the ensemble, now including previously recurring Janel Moloney, are credited alphabetically.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/raduli...FB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1...

The Arab Spring hits THE NEWSROOM in its fifth episode ("Amen"), but once again Aaron Sorkin finds himself more concerned with Will McAvoy's workplace dramas, including a nefarious attempt by the ACN morning show to bring his downfall. PLUS: Was the '60s "the decade where everything changed"? At least one magazine cover believes so! PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/122160705

The lads pledge to the Phoenix Club and destroy democracy as they cover David Fincher and Aaron Sorkin's 2010 techbro parable: The Social Network. Topics include Trent Reznor and Atticus Ross' iconic score, the polarizing nature of Sorkin's writing, and what it means to live in a world ruled by Augustus Caesar wannabes like Mark Zuckerberg.   TICKETS TO GO SEE JOSH'S PLAY AT THE TANK IN NEW YORK CITY!   Want more TWOAPW? Get access to our full back catalogue of premium/bonus episodes by subscribing for $5/month at Patreon.com/worstofall!   Media Referenced in this Episode: The Social Network. Dir. David Fincher. 2010 “10 Years Later, Author Ben Mezrich On The Book Behind ‘The Social Network'” by Anhar Karim. Forbes. October 20th, 2020. “A Young Mark Zuckerberg's Early Mistake” by Shachar Bar-on. 60 Minutes. January 13th, 2008. “CONFIRMED: Aaron Sorkin Creates Facebook Page, Writing Facebook Movie” by Dan Kois. Vulture. August 27th, 2008. “Facebook's Other Privacy Issue” by Eriq Gardner. The Hollywood Reporter, November 30, 2007 “Joe Rogan Experience #2255 - Mark Zuckerberg.” “Mark Zuckerberg: How to Build a Future” by Y Combinator. “Tell-All Book: Zuckerberg Set Up Facebook To Get Laid” by Nick Douglas. Gawker. May 22nd, 2008. “What Producers Do: Explaining The Social Network's Social Network” by Claude Brodesser-Akner. Vuture. February 24th, 2011.   TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “The M.A.R.K.-BOT” // Written by A.J. Ditty // Feat. Brian Alford as “Mark Zuckerberg”

Amanda Dobbins (The Big Picture podcast) joins Matt and Tim to discuss the 1995 Rob Reiner directed, Aaron Sorkin written film, The American President. Michael Douglas plays President Andrew Shepherd. Give a speech then give a listen. Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amanda Dobbins https://instagram.com/akdobbins Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Amanda Dobbins (The Big Picture podcast) joins Matt and Tim to discuss the 1995 Rob Reiner directed, Aaron Sorkin written film, The American President. Michael Douglas plays President Andrew Shepherd. Give a speech then give a listen. Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amanda Dobbins https://instagram.com/akdobbins Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

From Jonny Quest to Animal House to The West Wing, Tim Matheson has spent over seven decades in Hollywood, and he's finally telling all in his new memoir, Damn Glad to Meet You: My Seven Decades in the Hollywood Trenches.In this episode, Tim shares behind-the-scenes stories from his legendary career, working with Hollywood icons like Lucille Ball, Steven Spielberg, and Aaron Sorkin. He spills on the wild days of Animal House, playing a fictional Vice President on The West Wing, and his transition from actor to director.Watch on PopCrimeTV: https://www.youtube.com/watch?v=2aIk9jAUP8Y"I went to audition for that movie, and Farley bursts in the room grabs me. He just adored Animal House, what I did in it, and he treated me like his brother. We played around and auditioned, did the audition together, and he's the reason I got it. I mean, because he loved what I did in Animal House....and anybody who'd had anything to do with John Belushi was okay with him," Tim Matheson on working with Chris Farley in Black Sheep. Hosted on Acast. See acast.com/privacy for more information.

Daniel Pemberton is an Academy Award-nominated English composer and songwriter. In 1994, at the age of 16, he recorded an album in his bedroom using a multitrack cassette recorder. It caught the attention of the music producer Pete Namlook, who released it on his label, leading to a flurry of soundtrack commissions. In the years that followed, my guest wrote music for TV shows including Peep Show, The Dark Crystal, Enola Holmes, and Slow Horses.But it's his feature film work for which he is best known. He has collaborated with many of the world's leading directors, composing for Ridley Scott's The Counselor, Danny Boyle's Steve Jobs, Guy Ritchie's The Man from U.N.C.L.E., Michael Mann's Ferrari, and Aaron Sorkin's The Trial of the Chicago 7 –– for which he was nominated for an Oscar. He has also composed the soundtrack for the Oscar-winning Spider-Man: Into the Spider-Verse, and several video games including LittleBigPlanet and Concord. In 2009, the Guardian's Paul Moody said of my guest: “few know his name but millions hear his music almost every day.” Be attitude for gains. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

Today's episode in our history of revolutionary ideas is about a medieval movement that used the ancient past to rethink and reimagine the present and the future. David talks to historian Eric Nelson about humanism and its enormous impact on the history of ideas. How did humanism emerge out of catastrophe? What did it do to the hold of Church and Empire on the medieval mind? Was humanist politics really revolutionary politics? And where is the ‘human' in humanism? As part of our Great Political Films series we are hosting a special screening of Network (1976) at the Regent Street Cinema in London on 18th March, followed by a live podcast recording with David and Helen Lewis. Aaron Sorkin said: ‘No predictor of the future – not even Orwell – has ever been as right as Network.' Come see why! Tickets now available https://www.ppfideas.com/event-list Next up in The History of Revolutionary Ideas: The Reformation 1: Luther Past Present Future is part of the Airwave Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Our journey through Aaron Sorkin's THE NEWSROOM arrives at Episode 4 ("I'll Try to Fix You"), in which the power of a conscientiously-run newsroom helps save Gabby Giffords' life, and Will McAvoy takes a courageous stand against gossip in all its forms. The news is overwhelmingly bad right now, so we frankly had a nice time retreating to 2012. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Danielle & Brett are back after a mini-hiatus to react to this year's Oscar nominations, the frustrating duopoly of Emelia Perez and The Brutalist as front runners and there rest of the acting nominees. They also discuss the sweaty Aaron Sorkin qualities of Saturday Night, Danielle discusses the evolution gameplay in The Traitors season 3, Brett dives into some of the quirks he noticed in Juror No. 2. Follow Hey Julie on Bluesky and submit your questions ⁠⁠@HeyJulieBB⁠⁠.bsky.social, our ⁠⁠Discord server⁠⁠, or email us ⁠heyjuliebigbrother@gmail.com⁠! Watch Hey Julie on ⁠⁠YouTube⁠⁠ Follow Brett ⁠⁠@BrettRader⁠⁠.bsky.social Follow Danielle ⁠⁠@DingDongDani.bsky.social

In episode three of THE NEWSROOM, "The 112th Congress," Will McAvoy finally runs afoul of the people who really run the network. We discuss what Aaron Sorkin gets right about news media and the people who own it, in addition to all the things he gets wrong. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/591-facts-are-3-120499773

On our Patreon, we will be discussing the full run of Aaron Sorkin's THE NEWSROOM. This is the first episode. Join us on Patreon - https://www.patreon.com/michaelandus

Hot on the heels of our magisterial Studio 60 on the Sunset Strip project, we return to the Aaron Sorkin mines with the Sorkiest Sorkin show that ever Sorked. We begin our deep dive into THE NEWSROOM with the pilot episode, "We Just Decided To." PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/119311355