Podcast appearances and mentions of Aaron Sorkin

Today, I'm joined by two-time Oscar-nominated cinematographer Jeff Cronenweth.Jeff joins me to talk about his work on Tron: Ares, which is now in theaters. He also shot Amazon's Being the Ricardos for director Aaron Sorkin, starring Nicole Kidman and Javier Bardem. Kidman was so impressed with Jeff's work that she later asked him to shoot her now-famous AMC Theatres commercial.We also dive into his long-running collaboration with David Fincher on films like Fight Club, The Social Network, and Gone Girl. Plus, Jeff gives us a glimpse into his latest project — the just-begun follow-up to The Social Network, titled The Social Reckoning. Aaron Sorkin is not only writing but also directing this one, with a stellar cast that includes Jeremy Allen White, Mikey Madison, Jeremy Strong, Betty Gilpin, and Bill Burr.When I first heard about The Social Reckoning, my initial reaction was, “Why on earth would they make that?” But the more I've thought about it, the more I've realized it's an essential story — a vital piece of modern history that deserves to be explored and cemented in the public consciousness.Today's episode of the Following Films Podcast is brought to you by Google Workspace. We use Google Workspace to keep things running smoothly and efficiently here at Following Films, and I can't recommend it enough. Try it for your business and see how it can help you stay organized and connected. If you sign up using my link, you'll get a discount — and you'll be supporting the show: https://referworkspace.app.goo.gl/G6uF.Tron: Ares is now playing in theaters everywhere. Go see it on the biggest screen you can — it's an incredible cinematic experience.I hope you enjoy the conversation.

In this episode, Sean and James discuss the 2020 film The Trial of the Chicago Seven, a historical legal drama written and directed by Aaron Sorkin. Based on true events, the film dramatizes the trial of seven anti–Vietnam War activists charged with conspiracy and inciting riots during the 1968 Democratic National Convention in Chicago.See omnystudio.com/listener for privacy information.

We finally reach the end of Season Two of Aaron Sorkin's THE NEWSROOM. The two-parter finale ELECTION NIGHT PART I and II sends us on a nostalgic reverie back to the 2012 - the last election before everything changed. PLUS: Government shutdowns and Kamala Harris's memoir. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/661-our-are-envy-140674442

I've been hated by the Party of Hate for five years and counting, maybe longer. For a while, I tricked myself into thinking it was people who didn't really know me. They judged me on my tweets or my opinions. But then, after I came out as a Trump voter, I felt hate even from the people who did know me.I've seen sons disown their mothers, wives disown their husbands. I've felt the hatred from the people in my town who put up alienating lawn signs that seem to come from a good place until you think about what they're really saying: agree with us, or we will hate you. When I was a kid, my stepdad forbade us from using the word “hate.” We were not allowed to say it for any reason, not “I hate brusselsprouts,” “I hate doing the dishes,” or most especially, “I hate you.”I felt it bubbling up so many times - what is a better word, I would wonder. There is no better word, I would conclude. Hate is the word we use to describe that all-consuming heat that bubbles up inside us that we can't control. There are perfect words for things, or as Anton Chigurh said in No Country for Old Men, “you pick the one right tool.”What is love? I knew what that was the first time I saw my baby's face. What is hate? What all of us felt in November of 2016 when Donald Trump won the election. From that day forward, for the next ten years, we would be defined by and consumed by hate.The hate wrapped itself around us. It comforted us. It made us feel morally superior and less alone in our misery and less helpless in our actions. It justified everything we did, whether it was protesting Trump's inauguration or forming the #Resistance. It justified even worse, beating up, spitting on, and knocking the red hats off of Trump supporters. The rulers of the Left's aristocracy, the empire that is now in tatters, said nothing. They seemed to delight in watching all of us good soldiers protest, even smash windows and burn buildings to show how angry we were, because that made them feel less like the failures they are. Blame Trump, blame the voters for the crime of voting them out. Blame anyone but themselves.All of culture was now consumed by the hatred that blotted out the sun and kept us trapped in a long, dark winter of misery and rage. It was our obligation as citizens of utopia to take a side against the half of America that had betrayed Barack Obama and Hillary Clinton. Hollywood, universities, corporations, institutions, book publishing, libraries, and restaurants all sent the same message to the Red Hats: you are not welcome here.The directive from on high was not to “normalize” what was not “normal.” The people didn't just vote in Trump to represent them — that would be democracy. This was something else. This was an affront to all the better people —the ones with all the power. Those who called themselves the good side, the moral side, the side written by Aaron Sorkin and directed by Steven Spielberg, the lawn sign people who say JUST BE KIND, were in the grips of an emotion they could not name, let alone control.You do not speak like we do. You do not believe what we believe. You do not accept our version of reality. We don't want you here. We hate you. Hate was what we were feeling, and yet hate was a word we'd given away. It didn't mean this overwhelming sensation that made us use our social media to demonize and dehumanize the working class. It meant people who did not go along with our progressive ideology. It started back in the 1990s with the fight for gay marriage. “Love is love” meant you're with us. “Hate” meant you were against us. Hate was what all of those bad people over there were, the God people, the Conservatives, that's what defined them, not us.Without the right words to describe what we were feeling, we had to find other words. Nazi, fascist, dictator, bigot, homophobe, racist, rapist, xenophobe, transphobe. And when that wasn't enough, we had to go after how he looked, his weight, his hair, his hands, his skin, his relationship with his family, the cars he drove, the food he ate.Trump was the only thing we could see because hate was the only thing we could feel. Like this woman on TikTok who embodies so much of what defines the Left today.It wasn't that Trump didn't troll or provoke us or give as good as he got. He did. Every one of his tweets drove us deeper into our hatred. How could he say that? That's not funny. That's not a joke. That's offensive. Presidents don't talk that way. Who would dare talk that way? Don't laugh. Take it seriously. Don't normalize him. Maybe for a while, the hatred was an understandable response to someone who offended everything we stood for. But after years of it, even I couldn't take it anymore. It wasn't just poison I could feel — a poison that began to make me sick — it was poison in our culture. It touched everything, ruined everything, destroyed a once-mighty movement, and collapsed an empire. That hate we felt, that united us, meant everything had to be sucked into it, like a black hole. Jokes weren't funny. Movies were dystopian and apocalyptic, and still are. Keep the people afraid. We are oppressed, said the wealthy ruling class. Hate became a useful weapon for the empire. They could police thought and speech to aim their weapon at anyone who disagreed with them, defied their rules, and thought for themselves. Two Minutes of Hate Although they will deny it and wish for it not to be true, what we all built back when Obama won was like 1984. We built an “inside” that kept everyone else on the “outside.” If you wanted to be on the “inside,” you had to follow our strict rules; otherwise, you were out.In 1984, Big Brother uses Two Minutes of Hate to keep the people consumed by an emotion that prevents them from ever thinking for themselves. Who would want to be hated like that?And yet, that described exactly what it was like to watch everyone I knew every single day on social media. It spilled over into real life because the media drove it — from morning news on NPR and the networks, through the day with social media feedback loops, to cable news, and late-night comedy. It was Two Minutes of Hate all day, every day.I didn't want to be part of it, and I had to know what was true and what wasn't. In 1984, we know Big Brother is lying about Goldstein, if Goldstein even existed. The version of Trump we thought existed was the same kind of useful illusion. What was the way out of this, I wondered. I'd already felt the wrath of my friends online for asking questions or breaking our strict code of thought and speech. They hated me, too. So I decided to try to reprogram my brain by cutting off all information coming from the media and social media.It wasn't easy. I filled up my head with only news from the Right. I wanted to know who they really were. I had to know if any of it was true. What I eventually found out was that no, it wasn't true. Every screeching accusation is a choice to condemn someone on flimsy evidence without giving them the benefit of the doubt. How can we live like this, I thought. We must be able to tolerate one another. But how? The first thing I needed to do was remember what words really meant. NewspeakNewspeak is necessary in 1984 for the same reason it's necessary on the Left. Like masks, it identifies who is who in a civilization migrating online, where words are sometimes all we have to decide who is who.Our manipulation of words like 'love' and 'hate' meant that they became elastic over time. We used them for our own purposes to drive our agenda. Break the rules of language, no matter how crazy and ridiculous they become, and you are HATE. The worst offender of Newspeak is undoubtedly “Gender Affirming Care.” It's a word game for them. You can't oppose it without opposing the “affirmation” of their gender. It is demanded and mandated. Which is how we get videos like this.Children are conditioned to obey these strict rules because waiting on the other side for them is Two Minutes of Hate, or a lifetime of it.Obey our rules, or else it's all done with rainbows and unicorns and a smile. Now look at how Charlie Kirk approached this difficult subject, with compassion and grace, but also by edging ever so closely to the truth. Is it any wonder they had to silence him by any means necessary? Child-like words are given for extreme procedures that they are in no way ready for. Top surgery is, in reality, a double mastectomy on a pre-teen or teenage girl who can't consent. Bottom surgery is either chemical or surgical castration, or mutilating your otherwise healthy organs to fake male body parts. The words became ways to define this bizarre new fundamentalism that has overtaken so many young people, and why so many of them are fleeing for freer, saner pastures. Did you know there was a word called Adultism? It means, “behaviors and attitudes based on the assumption that adults are better than young people, and entitled to act upon young people without their agreement. This mistreatment is reinforced by social institutions, laws, customs, and attitudes.” Heterosexism, cisgender — so many words. All it means is that you cannot question any of it and must follow these words to decide the meaning of things, rather than what you know in your mind and heart to be true; it's 2+5=5.Trump's biggest crime was that he stripped away gentle language and spoke the plain truth. None of their weapons of war — the Two Minutes of Hate — worked on him. We forgot the lesson from our childhood about the power of words. They are just words. They are not bullets whizzing through the air from rooftops. They are not shooting a CEO on the streets of New York. They are not setting fire to Teslas.I don't have to look far to see what the Left has become. I only have to scroll social media, and the algorithm gives me what is most popular. Yes, these are just words, but more and more lately, violence is echoing them. And on TikTok:Sticks and StonesCharlie Kirk was silenced because the shooter said he “spread too much hate” and it could “not be negotiated down.” An assassin did the dirty work. The end result was the same. That he wasn't immediately silenced, that his voice got louder as people mourned him and defended him, brought the hate back with a white hot fury. I've been waiting for five years for those I know on the Left to snap out of it, to thaw out, to find their humanity and their tolerance. Yet every day, it just seems to get worse. Because to them, they are becoming hate while combating what they have defined as hate. That's not everyone on the Left. I know some brave people who still treat me with kindness and decency. Those who lead their party, however, including their influencers, journalists, celebrities, and comedians, are the ones defined by hate that leave no room for any middle ground.Here is Jesse Kelly:Those who aren't consumed by hate are too afraid to stand up to the party. They can't even stand up against text messages that fantasize about violence and death against Republicans. Here is Abigail Spanburger in a debate with Winsome Earle-Sears, refusing to back off her support of Jay C. Jones:But I know that violence on the Left in the era of Trump is not new. The issue dates back to 2015 and has been reported on by Tucker Carlson and Liz Wheeler, tracing its origins to Trump's first term.But the Left controls the media narrative, and even if that's changing, it isn't changing fast enough. There aren't enough Democrats willing to stand up against any of it. Here is Pam Bondi and Benny Johnson on the arrest of a man who threatened Johnson's life:When I found my way into Trump world, I found exactly the opposite of what I expected: hate. I found tolerance. I found decency. I found kindness. I found love. It was unusual to find people who were not eternally miserable, bearing the weight of the world on their shoulders, like most progressives. Many of them are not driven by politics but rather by a higher power, and that is what prevents them from becoming a people and a movement defined by hate. There is also a lightness in escaping totalitarian oppression that polices every word that comes out of your mouth. It feels good to speak the truth, and it feels good to feel free. The death of Charlie Kirk has shaken moderate Democrats out of their hate stupor because of how so many on the Left reacted to his death.The Democrats didn't used to be the party of hate. But powerful people don't like having things taken away from them. In their fury and fanaticism, almost nothing of what they built, supposedly on inclusion and tolerance, remains. All that's left is the thing they can't name, the thing they can't extinguish: that all-consuming hate. I don't know how we end this madness. I don't have any hope that the Democrats will emerge from it any time soon. I guess that means we must move on without them to shape an America that, at the very least, understands the meaning of fundamental words like love and hate. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Join hosts Ernesto Santos and Matt Diaz as we discuss the latest entertainment news including a sequel to The Simpsons Movie is officially in the works & new updates announced on Aaron Sorkin's sequel to The Social Network. We'll then chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'” including our thoughts on The Paper, Alien Earth & Marvel Zombies. Later, we'll give you our SPOILER REVIEW of One Battle After Another, from director Paul Thomas Anderson and stars Leonardo DiCaprio, Sean Penn & Benicio Del Toro. Time Stamps:16:34 - Entertainment News43:34 - Whatcha Watchin'01:09:29 - Unknown Number: The High School Catfish01:26:54 - The White Lotus S301:35:23 - The Paper01:51:32 - Alien: Earth02:04:56 - Eyes of Wakanda02:10:46 - Marvel Zombies02:25:00 - One Battle After Another Review

He walked the halls of The West Wing, stirred up trouble on Scandal, and got his start with Aaron Sorkin long before walk-and-talks became TV legend. Josh Malina joins us for a fast-paced trip through his 90s and 2000s career. From Sports Night beginnings to the roles that made him a household face. Expect sharp wit, behind-the-scenes stories, and plenty of that signature Malina mischief we all love. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Wynn Everett, is riding an incredible professional wave, having booked five shows this year. She takes us through her early years studying theater in Georgia, then landing a five-year job running the green room at Good Morning America—where she met everyone from bestselling authors to First Ladies and Hollywood stars. Those connections would later prove invaluable. Wynn reflects on the patience and clear intent it took to finally land representation at Gersh. She also shares some unforgettable “That One Audition” stories, including a hilarious rhythm argument with Aaron Sorkin over the word “tits” that secured her role in Charlie Wilson's War. She also reveals her highly specific audition process, using music and physical “maps," and explains why her radical decision to move back to the Southeast became the best career choice she ever made. These are the unforgettable stories that landed Wynn Everett right here. Credits: Chad Powers M.I.A. Agent Carter Doom Patrol The Newsroom Merv DTF St. Louis This is Us Ordinary Joe Young Rock Sweet Magnolias The Walking Dead Teenage Bounty Hunters Modern Family Grey's Anatomy Charlie Wilson's War Guest Links: IMDB: Wynn Everett, Actress, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: 60% off ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

In this episode of Wise_N_Nerdy, Charles and Joe are joined by the amazing Audie Norman for a fun and insightful ride through fandom, fatherhood, and a few unexpected laughs. The show kicks off with the Question of the Week: If you could learn any one spell or power from a fantasy world, what would it be? From the practical magic of prestidigitation and the versatility of wild shape in Dungeons & Dragons, to the Great Sage ability from That Time I Got Reincarnated as a Slime, the hosts dream big. Teleportation powers also come up—whether it's the flashy leaps from Jumper or Apparition from Harry Potter.Before rolling the dice, Charles unveils the show's new logo, a design created by Audie himself. The random dice roll kicks things off with Bad Dad Jokes, this time themed around polar bears—with Charles giving a shoutout to Nathan Fillion for his own stream of dad jokes online.Next up is the "How Do I…?" segment where Charles, Joe, and Audie talk through the creative process behind designing the new Wise_N_Nerdy logo. From concept to final touches, they share the story of what makes the design special for the show and its community.The dice then land on "What Are You Nerding Out About?", where Joe brings back a fan-favorite guessing game: figuring out the plot of an anime just from its title. This week's challenge? Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin. Meanwhile, Audie nerds out about Aaron Sorkin, diving into classics like The West Wing and Studio 60 on the Sunset Strip. Charles wraps up the segment with some personal excitement, celebrating his birthday with gifts like an electric drum kit and Borderlands 4.In "Daddy, Tell Me a Story," Audie shares his journey into podcasting—how he started listening, what inspired him, and what eventually pushed him to create his own show. Finally, the dice close out the night with the "Parliament of Papas", where Joe tells a heartfelt and complicated story about his mother's wedding ring. Passed down through siblings, the ring sparked both love and family division when one sister asked for it back after a difficult engagement fell apart.This episode blends laughs, stories, and deep dives into the worlds of fandom and family—proving once again why listeners love to Find your FAMdom with Wise_N_Nerdy.

This week's So Many Sequels is stacked with news, reviews, and hot takes:Sterling Harjo's new FX/Hulu series The Lowdown puts Tulsa in the spotlight with Ethan Hawke leading the charge.Josh gives a glowing review of PTA's One Battle After Another starring Leonardo DiCaprio and Sean Penn.Garrett dives back into the Taken franchise (yes, Liam Neeson still has a particular set of skills).David gets schlocky with Tales from the Crypt: Demon Knight and Bordello of Blood.We react to Aaron Sorkin's follow-up to The Social Network, plus the new Mandalorian & Grogu trailer.And of course, we wrap up with box office breakdowns and a tease of American Psycho and “So Many Scares vs. Jason” for October.

The Republican-run government has shut down, Trump is using misinformation to blame Democrats, and Erin and Alyssa explain what's at stake. Then they dive into Ezra Klein's recent bad takeapalooza, on everything from Charlie Kirk's legacy to pro-life Democrats. And, of course, there's the latest Epstein files news, some races to watch in Virginia, and a big week for creeps, overall. They wrap up in the Sanity Corner with a discussion about their excitement for Aaron Sorkin's The Social Reckoning and a petty roast of Ivanka Trump's Instagram. Explaining the G.O.P.'s Misleading Talking Point on the Looming Shutdown (NYT 9/29)Ta-Nehisi Coates on Bridging Gaps vs. Drawing Lines (NYT 9/28)RFK Jr. launches FDA review of abortion pill (ABC News 9/24)Musk, Thiel and Bannon named in Epstein docs released by Dems (Axios 9/26)Elon Musk's Father Accused of Child Sexual Abuse (NYT 9/25)Money manager Howard Rubin detained in sex trafficking case after feds cite hitman threat (CNBC 9/26)Ryan Walters steps down as Oklahoma schools chief to lead anti-teachers union group (The 19th News 9/26)The State of Our Nation: Gauging Americans' political opinions in 2025 (The 19th* 9/25) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt appears as though Marvel Studios much speculated film that was slated to release between Avengers: Doomsday and Avengers: Secret Wars in July 2027, won't be happening after all; or at least not that July, as Disney has replaced the untitled project with a sequel to The Simpsons Movie dated for July 23, 2027. The move comes as a surprise to many Marvel fans who anticipated a possible Doctor Strange or Shang-Chi sequel to take place between the Avengers tentpoles but is in keeping with what Bob Iger and Kevin Feige have promised about a slowdown in production. Elsewhere, with Marvel Zombies premiering on Disney Plus last week, Marvel TV head Brad Winderbaum teased a possible season 2, but emphasized that would be contingent on viewership and new Disney Plus subscriptions. Meanwhile, Elizabeth Olsen took the opportunity to share that although she recorded lines for the series, she doesn't remember anything about the show or plot. It was a huge week for trailers from a bevy of our favorite franchises, so lets run them down with another good old fashioned Trailer Park:Insomniac and Sony released the first gameplay trailer for Marvel's Wolverine on the PS5, which will release in fall of 2026.Lucasfilm unveiled a new trailer for Star Wars; Visions Volume 3 which also announced the cast that includes Anna Sawai, Freddie Highmore, George Takei, Harvey Guillén, Jodie Turner-Smith, Judith Light, Simu Liu, Stephanie Hsu, and Steve Buscemi.The final trailer for Jon M. Chu's Wicked: For Good released last Wednesday morning to much acclaim.And finally, a new trailer for 20th Century's Avatar: Fire and Ash teased more of the villainous faction and stakes.Director Denis Villeneuve shed new light on his upcoming version of 007 for Amazon/MGM; sharing that the casting process will begin next year after he's completed production on Dune: Part Three for Warner Bros and that he is looking to cast a “relatively unknown” “fresh face” actor in their 20s or 30s. Additional criteria the filmmaker included is that the performer must hail from the British Isles and be male, as well as his desire to capture what Fleming called “a blunt instrument” — the lethal but “extremely dull, uninteresting man to whom things happened.” If Villeneuve and team stay true to these parameters, it potentially rules out many fan-casted favorites and seems to be in more alignment with the Broccoli family's traditions with the character than expected with new creatives in control.Mark Ronson is slated to reunite with Greta Gerwig to score her Chronicles of Narnia adaptation at Netflix. Ronson previously served as executive music producer for Gerwig's Barbie.Amazon MGM Studios‘ adaptation of Rebecca Yarros' bestselling novel Fourth Wing is closing in on a new showrunner. Wednesday Season 2 executive producer Meredith Averill is in final negotiations to board the project as writer and executive producer.Sony revealed that Spider-Man: Beyond the SpiderVerse will arrive a week earlier than expected, and land on June 18, 2027. Notably, that new date will cover the Juneteenth holiday as well as Father's Day. It previously was dated for June 25, 2027.Comedian Bill Burr is in talks to join the cast of Aaron Sorkin and Sony Pictures' sequel to The Social Network, after Jeremy Strong, Mikey Madison and Jeremy Allen White were officially cast. The film also has been retitled The Social Reckoning and will officially hit theaters on Oct. 9, 2026.A newly created AI “actress” named Tilly Norwood, designed by the studio Xicoia under Particle6, has reportedly drawn interest from Hollywood talent agencies. The announcement sparked major backlash from real actors, with critiques about replacing human talent, the ethics of compositing real faces, and calls to boycott agencies that represent AI personas.

“You don't get to nearly 300 episodes without making a few enemies.” Join Ian, Liam & Kev for our 298th episode as we log on, code furiously, and sue each other over The Social Network (2010). Megs? She's not with us this week—she's in “Facebook jail” for excessive poking (it was bound to happen). We're carrying around a chicken for a week in our 298th episode as we discuss: Our best day for downloads ever—and it's not even close. Our trip to an award show (well… kind of). A new Patreon joins the fold—proof we're building our very own social network. Just how much credit should the money man get vs the idea man? What is it that makes Aaron Sorkin's writing so great—and why does this film feel like it moves at the speed of thought? What's the one part we think the film gets wrong? Does the absence of errors make a film a masterpiece—or does it need a few rough edges to feel human? Jesse Eisenberg as Zuckerberg: sympathetic genius or socially awkward supervillain? Fincher's precision—how much of the film's impact comes from direction versus dialogue? And finally, whether The Social Network is the Best Film Ever—or just the sharpest film of the 2010s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Academy Award winner Aaron Sorkin's follow-up to “The Social Network,” now officially titled “The Social Reckoning,” will hit theaters on Oct. 9, 2026, Sony Pictures announced Friday. The contentious demise of a throuple resulted in the arrest of a female member of the polygamous trio, police report. Responding to a 10 PM domestic disturbance call, police in Summerfield, Florida encountered Devon Driscoll, 26, who “advised she wants her ex-boyfriend and ex-girlfriend to get kicked out of the house.” Two men have been arrested after a fight over a Netflix account ended with gunfire. Brian Travis Reynolds, 19, and Anthony Constante, 19, were taken into custody this week in connection with an incident outside a home on Calle Briseno, according to the Bexar County Sheriff's Office. A content creator has completed a "ridiculous journey" to the Isles of Scilly in a bath. YouTuber Max Fosh travelled across the sea from Sennen Cove in Cornwall to Hugh Town. The adventure took place on Wednesday, with a number of islanders greeting the content creator at the finish line. FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

Johnny adds Sebastian Maniscalco to his 'Legion of Cool Comedians' for promoting Frigidaire's stone-baked pizza ovens and mentions Maniscalco's upcoming tour dates, including an appearance at the Riyadh Comedy Festival. The podcast also highlights Jessica Kirson's performance at the same festival, touching on her advocacy for free speech in comedy.Additionally, news about Bill Burr potentially joining Aaron Sorkin's 'The Social Network 2' cast is shared. T  Burr is just back from the Riyadh Comedy Festival.And the berve of that guy Jay Leno.  He;s out there oding chairty events  3D-printing a toilet seat for Harrison Ford.  He's the worst!Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Become a premium subscriber! (no ads). For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING and the bonus “DCN8” show.You also get 25+ other series  (it's only $4.99 a month with a free-trial month)Contact John at john@thesharkdeck dot com  Media Thoughts is mcdpod.substack.com dailycomedynews.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews www.buymeacoffee.com/dailycomedynews  

00:00: ☀️ Bom dia Tech!01:17:

On this week's episode Disney's roller-coaster week leads the headlines with streaming price hikes, record-breaking Jimmy Kimmel ratings, and a first look at The Mandalorian & Grogu. But that's just the start! Then the guys dive deep into Warner Bros. sharpening its Weapons for awards season while Superman dominates HBO Max, Universal turning Oz gold with Wicked: For Good, and Sony stirring the pot with Aaron Sorkin's The Social Reckoning and a Spider-Verse date shift. Plus, Hallmark's The Way Home lands on Netflix, Avatar: Fire and Ash drops a fiery trailer, Baywatch makes a splashy comeback, and Apple shocks by shelving Jessica Chastain's The Savant.We're also serving up our Top 5 Timeless Films, our Box Office Recap led by Demon Slayer: Infinity Castle, and the IMDb Top Trenders, including the legendary Robert Redford. Hollywood's buzzing, and we've got every twist, turn, and surprise covered!Chapters: News Tease 0:00Intro Music 2:37Show Open 2:57DGA News 4:54SAG-AFTRA/WGA News 6:30Disney News 7:53Fox News 17:54Warner Bros News 19:33Paramount News 28:04NBC Universal News 33:22Sony News 39:32Amazon MGM Studios News 43:54Netflix News 47:39Apple News 51:49Top 5 Favorite Timeless Films 56:39Box Office 1:20:41IMDb Pro Top Trending 1:24:17Goodbyes 1:25:07Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

In this episode, we break down The Social Network. We dive into David Fincher's directing style, Aaron Sorkin's razor-sharp script, and the way the film explores themes of ambition, betrayal, friendship, and greed. We analyze the layered performances of Jesse Eisenberg, Andrew Garfield, and Justin Timberlake, as well as the brilliant use of music and pacing. More than a story about Facebook, this is a film about obsession, power, and the cost of success.   Chapters: 00:00 Mark Zuckerberg is doing alright 12:44 Full screenwriting & filmmaking mastery 22:45 Mark just wants to be frat guy 30:47 Justin Timberlake you doucher 36:15 The Hollywood star on the OG facebook 38:43 The sketchy behavior of Mark Zuckerberg 41:16 How they somehow made this story interesting 45:41 Disney was not happy with Brenda Song 48:30 Andrew Garfield is too likable 52:02 Our official rating & final thoughts 56:09 Cue the music

For the first time ever, Sean, Amanda, and Chris are doing a movie character draft! Today, they draft their favorite characters from Paul Thomas Anderson's filmography. But before diving in, they react to a handful of news headlines, including the speculation that David Ellison and Paramount plan on making a strong bid to acquire Warner Bros. Discovery, new information regarding key details about Aaron Sorkin's ‘The Social Network II', and the recent awards buzz surrounding Sydney Sweeney's performance in the upcoming boxing film ‘Christy' (1:38). Then, they talk through their personal relationships to Anderson's work (25:15), introduce the new categories (41:19), and finally draft their characters (49:27). Hosts: Sean Fennessey and Amanda Dobbins Guest: Chris Ryan Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

West Wing creator Aaron Sorkin talks to Nick Ahad about his award winning and record-breaking adaptation of To Kill a Mockingbird, Harper Lee's seminal American novel about racial injustice and childhood innocence. This play is about to tour around the UK, with Richard Coyle returning to his West End role of Atticus Finch. Sorkin also hints at what we can expect to see in his follow-up The Social Network, the Oscar winning film based on the creation of Facebook.Nick visits Bradford Live, the newly restored building in the centre of Bradford. For two decades the building lay derelict after being a hub of public entertainment in the city from the 1930s. Lee Craven, the founding director of Bradford Live, the organisation that led the renovations, and Councillor Susan Hinchcliffe, the leader of Bradford Council discuss the work involved in the restoration and the significance of the building in Bradford's cultural and economic landscape.80s pop star Toyah on her life, career, new found fame during lockdown and her new greatest hits package Chameleon, which celebrates her 45 years in music.Raymond Antrobus discusses his prose memoir, The Quiet Ear, about growing up between worlds: Jamaican and British, deaf and hearing, sign and spoken language, and becoming the award-winning poet whose work explores all these experiences.Presenter: Nick Ahad Producer: Ekene Akalawu

On the 78th episode of Bomb Squad Matinee, Austin, Tanner, Joe V, and Rein discuss David Fincher's 2010 biopic drama The Social Network. After 15 years of critical acclaim, is this film still making friends, or has it made enemies? Do David Fincher's directing and Aaron Sorkin's writing come together perfectly? What does the gang think of Facebook? Tune in to find out!

How far is one of America's most famous liberal creators willing to accommodate a critique of institutional power? We return to Aaron Sorkin's THE NEWSROOM with Season 2 Episode 7 ("Red Team III"), which brings the "Operation Genoa" story to a startling conclusion. PLUS: Checking in on Gavin Newsom's new Based rebrand. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/650-i-love-lucy-137519725

As a lifelong Democrat, I always thought the problem of gun violence was easy to solve. Just get rid of the guns. It was one of the most important issues for us as Bill Clinton rallied voters to the polls in 1992. But back then, it wasn't mass shootings that we worried about. It was handguns. Just look at this scene in Aaron Sorkin's The American President, released in 1995, where Michael Douglas has to bury protecting the climate to pass a weapons bill, but by the end, he realizes he doesn't have to sacrifice anything. He can and will get both.Four years later, Eric Harris and Dylan Klebold would become famous by shooting up Columbine High School with illegally purchased weapons. That led to the renewal of the now-expired 1994 Assault Weapons Ban originally implemented after Patrick Edward Purdy killed five children at an elementary school in Stockton, California, in 1989. We had a joke back then called “going postal,” referring to the same kind of person who would open fire on post offices or other office buildings. It seemed like men reacted violently to being rejected, either by a job or a woman. School shootings were rare. But Columbine hit differently than any tragedy that came before it.It wasn't just the crime itself; it was the pleasure the shooters took in carrying it out, performing for the security cameras, the casual cruelty, and later, how they became subversive icons. All of these years later, many of our early theories about them turned out to be wrong. They weren't really bullied. For them, it was more about the thrill of killing and gaining fame for it. By 1999, two significant changes had occurred in American society. The 24-hour news cycle, thanks to the O.J. Simpson trial, and the rise of the internet, which could give us our news even faster. However, it did something else as well. It allowed ordinary people to become famous overnight. That's still true. Anyone can get famous for anything. Mass shooters also have their influencers and platforms. But even more importantly, like the Columbine shooters, they are all caught up in the romance of building a mythology behind their planned shootings, their grand statements against society as they carry out their evil acts. They seem to have empathy for other shooters. They want to be like them. They want to be feared and remembered. The more evil the deed, the greater the myth. The endgame always seems to be suicide, go out with a bang. Solving that problem, understanding it, trying to get ahead of it, proved too difficult, so we pivoted to the guns. Always the guns. Just get rid of the guns, and the problem will be solved.Like these TikTokers: I used to believe that. I also demonized people who carried them, and it was an easy excuse to blame the other side. What else is new? At least we want to do something about it, I would say. For this reason, I began studying mass shooters. I thought that if I could identify the one thing they had in common, maybe we could find a way to reach them before they decide to pick up a gun.Every time I brought it up to anyone I knew on the Left, I would always get the same answer: it's the guns. Take away the guns, solve the problem. They didn't want to talk about anything else. If you lived through the Oklahoma City bombing and 9/11, it seemed obvious that if people want to kill, there are other ways. Just look at suicide bombers, or people who drive trucks through crowds, or go on stabbing sprees. No, guns just made it easier, but taking them away is not only impossible, it doesn't solve the problem. In my research, I came across a site called GunViolence.org. They lay out just how rare mass shootings are compared to the rest of the shootings in America. I was shocked when I actually looked at the numbers. Here is their ten-year review:Gun deaths are part of the everyday reality for many working-class families living in high-crime cities, and yet, in the post-George Floyd America, even talking about “Black on Black” crime is strictly verboten. It has to be the guns. On August 27, the same day as the most recent shooting in Minneapolis at a Catholic school, several other people lost their lives to gun violence. Like this:And this:And this - a man shot in his home in Mississippi. Two more:How about this shooting, captured on Facebook Live and viewed by millions in Chicago: The same party that thinks guns are the problem have not only refused Trump's help to bring in the National Guard to clean up crime, but have also attempted to “defund the police,” called all police “racists” all through 2020, and continue to ignore crime in cities like Los Angeles where all of the products have to be locked away and criminals aren't even prosecuted for theft under $1000.There is no question that the Democrat brand lately stands for defending and protecting criminals and crime rather than protecting citizens. They won't talk about how residents in DC are relieved to be able to walk on the streets and feel safe at night. This latest shooter, Robert/Robin Westman, bought his guns legally. Giffords.org gives Minnesota a grade of “B.” Yet, here are their suggestions to improve that grade:None of these improvements would have stopped Westman from shooting his gun through the window while Catholic students were praying on the second day of school. He did it because he knew that they were too trusting and that there would be few barriers in his way. For a guy like Westman, or any of the latest trend of trans and nonbinary perpetrators of violence, wearing a mask of a woman offers an extra layer of protection, but it also reveals someone who doesn't want to be who he is in a society that no longer has any use for men. Not only won't they look into it, but their greatest fear coming out of the event was whether they would offend the transgender community.You see how easy it is to blame the guns? Then, you never have to look at anything else, uncomfortable things, things no one can even talk about.And for those complaining that the Republicans are “politicizing a tragedy,” know this: all the Democrats have done for the last 30 years is politicize tragedies. Never let a crisis go to waste. And the answer is always the guns. Because “it's the guns,” we never had to face what we'd done to contribute to making this country worse. We never had to confront what the feminist movement had done to men. Listen to how these women talk on TikTok. It isn't just that men have fled the Democratic Party. It's that they've been abandoned by them and, worse, they've been demonized.I am not excusing violence, certainly not mass murder, certainly not of children. But how can we not even talk about what has happened to men over the past 20 years that has brought them to the point where so many of them feel like there is no place for them in society, that they are loathed at best, invisible at worst? And if we don't understand them, if we don't see them, if we don't know how to reach them, how can we possibly stop them? Oh, don't worry, we'll just take away the gun. That will solve the problem.We never had to confront what psych meds might have done to potential mass shooters. We weren't even allowed to bring it up lest we offend those afflicted with mental illness. At least now, under Trump, we have RFK, Jr. to take a look, finally, at whether or not these drugs had any impact on mass shootings. After the massacre at Sandy Hook, I realized we lost the gun debate. Adam Lanza's guns were locked up. But he stole them, shot his mother in the face, and went on a rampage, where he would later end his life.I knew that wasn't about the guns. It couldn't be. So what else was going on? How can we prevent this problem from happening again? The guns? Seriously? That's all you got? Yes, that's all they got. Even now. But what I know now is that we have to do the other thing. We have to pivot to protecting children — schools, churches, parks, restaurants. We must ensure our buildings are shooter-proof, just as we make sure they are earthquake-proof. Debating about guns for 30 more years isn't going to do anything. And then, we have to have a serious conversation about the deeper issues at play, not just with the most recent shooting, but with all mass shootings. How is it that they become celebrities? Why do men feel left behind? Why do they think they need something like this to be valued? Why did this shooter and so many others of late feel they had to transition or identify as something other than a man to be seen and valued? What can we do as a society to help them?We live in a take-no-prisoners new world of algorithms and isolation. It will likely disrupt our species in ways we can't even fathom. But one thing I know for sure is that to make the conversation only about guns is to be unprepared for everything that's coming next. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

SEASON 4 EPISODE 5: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: THE DISASTA IN ALASKA The Disasta in Alaska - starring the cheeseburger-eating surrender monkey. We have, to quote Churchill, suffered a defeat, without a war. Because we forget we don’t MERELY have an evil, deranged president, we have an evil, deranged president who is also a moron. Now, Trump - Putin’s butt boy, his errand carrier - will deliver Putin’s message to Zelensky in Washington. He will be accompanied by EU President von der Leyen, NATO Secretary General Rutte, Presidents Macron of France and Stubb of Finland, Prime Ministers Starmer of the U-K and Meloni of Italy, and Chancellor Merz of Germany. Trump will be accompanied by a large selection of mirrors. I suspect Trump will parrot what he remembers of Putin's message (whatever Trump's staff didn't leave on the printer of the business center at the Hotel Captain Cook in Anchorage) and tell Zelensky that the way to achieve an end to the war in Ukraine is: to lose. The best thing Zelensky and the Europeans could say in response would be to state that they are withdrawing their recognition of the government of the United States of America because it is just too effing stupid. From the Disasta in Alaska to the Occupied territory of Washington, D.C. And don’t forget what Trump today DOUBLING the number of National Guard in DC with new recruits from Ohio, West Virginia, and South Carolina (all of them, far more violent than DC) means: It means he’s read his cratering polls number and declared war on the United States of America. Also: we rejoin the Trumpstein Cover-up Scandal, already in progress. B-Block (30:02) THE WORST PERSONS IN THE WORLD: International Fop Piers Morgan FINALLY does a journalism - posts a meme of Trump on his way to meet Putin and Trump is wearing kneepads - and then DELETES the first journalism of his life? Pam Bondi proudly admits The Deep State has defeated her fascist DOJ with nothing more than a Sweet Onion Chicken Teriyaki Sub. And the battle of the most overrated people in their field: neither CNBC's Andrew Ross Sorkin nor House Democratic mis-Leader Hakeem Jeffries repeat Andrew Cuomo's canard that Democratic NYC mayor nominee Zohran Mamdani lives in a rent-CONTROLLED apartment when he, like HALF of all NYC renters (myself included) lives in a rent-STABILIZED apartment. Sorkin repeats this FOUR times, Jeffries doesn't correct him, and Jeffries who is theoretically a congressman from New York STILL refuses to endorse his own party's nominee, chosen by its MEMBERS, for mayor OF New York. Sorkin should be fired and Jeffries should resign. C-Block (43:00) THINGS I PROMISED NOT TO TELL: Somebody wrote last week that Aaron Sorkin's HBO "Newsroom" version of some of what happened to Countdown on MSNBC was the worst fictionalization of journalism in the English language. I think that's an exaggeration. It wasn't nearly that good.See omnystudio.com/listener for privacy information.

Today on What's My Frame I'm joined by Casting Professional and Actor, Andrew Dahreddine. Andrew is based between Los Angeles and New York. He is currently casting Lauren Minnerath's debut feature film, CLARE (which has been supported by Sundance, Tribeca, and SXSW); Stacey Maltin and Jay DeYonker's feature film, C-SIDE (working title); and Rebecca Louisell's film, THE TRIP, which is one segment of the upcoming anthology feature film, THROUGH THE BLINDS. Andrew previously worked with Barden/Schnee Casting on television shows for Apple TV+ (the breakout series, PALM ROYALE), Paramount+ (SCHOOL SPIRITS), and ABC (ALASKA DAILY), as well as many films including the upcoming feature, CODE 3 (Rainn Wilson, Lil Rel Howery, and Aimee Carrero); and EZRA (Robert De Niro, Bobby Cannavale, Rose Byrne).Additional selected casting credits include: the FX limited series, THE PATIENT (starring Steve Carell & Domhnall Gleeson); Aaron Sorkin's Oscar-nominated Netflix feature film, THE TRIAL OF THE CHICAGO 7; and the first season of the Emmy-nominated Hulu series, RAMY. Andrew has also been the casting director for many short films that have competed at festivals including SXSW, BFI, SIFF, Palm Springs ShortFest, HollyShorts, Vienna Shorts, and many others.As an actor, Andrew was a series regular on the comedy series, 86'd, for BRIC TV. He also has appeared in many national commercials, and was the lead role in the second season premiere of Homicide City on Investigation Discovery.A BFA graduate of NYU's Tisch School of the Arts and the Stella Adler Studio of Acting, Andrew has performed in many stage productions, as well. Selected credits include: Kenneth Branagh and Rob Ashford's epic Macbeth at the Park Avenue Armory; the Lincoln Center Festival's Russian-language adaptation of Miss Julie (dir. Thomas Ostermeier) at NY City Center. He also appeared in several productions with The Drilling Company, and received praise in the New York Times for his performance in their version of As You Like It. Regionally, he spent a season with the Alabama Shakespeare Festival, as well as one summer at Boston's Commonwealth Shakespeare Company, in their production of Coriolanus. Andrew is a fierce union advocate, and a proud member of SAG-AFTRA; the Hollywood Teamsters Local 399 - Casting Shop; and Actors Equity Association. #UnionStrongFor more follow Andrew on Instagram @Dramaddine or visit www.andrewdahreddine.com -What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We finally did it. We lib out for 90 minutes to the first two seasons of Aaron Sorkin's most successful project: The West Wing. A centrist liberal projection of an idealized America in the year 2000.  We break out our characters, and do a deep dive on Somebody's going to emergency, somebody's going to Jail, In Excelsis Dio, and Shiboleth. And then wrap up by trying to identify the very difficult question of “just what exactly does the Bartlett administration stand for anyway?”Give Remember Shuffle a follow on Twitter⁠⁠⁠⁠⁠ And on Instagram⁠⁠⁠⁠ ⁠@RememberShufflePod⁠⁠⁠⁠⁠ to interact with the show between episodes. It also makes it easier to book guests.  Join the patreon to support the shuffle bois and for an extra episode per month at⁠ ⁠https://www.patreon.com/c/RememberShuffle

Dana and Tom with 5x Club member, Peterson W. Hill, revisit The Social Network (2010): directed by David Fincher, written by Aaron Sorkin, cinematography by Jeff Cronenweth, music by Trent Reznor and Atticus Ross, starring Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer.Plot Summary: The Social Network dramatizes the turbulent origins of Facebook, tracing its rise from a dorm room project to a global tech empire. The story centers on Harvard student Mark Zuckerberg (Jesse Eisenberg), whose brilliance and ambition lead him to create a revolutionary social networking site. But as Facebook explodes in popularity, personal relationships unravel and legal battles erupt. Former friends and collaborators—including Eduardo Saverin (Andrew Garfield), Sean Parker (Justin Timberlake), and the Winklevoss twins (Armie Hammer)—clash over ownership, betrayal, and the blurred lines between genius and opportunism. It's a tale of innovation, ego, and the cost of success in the digital age.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940), La Dolce Vita (1960)Chapters:00:00 Introduction and Welcome02:34 Cast for The Social Network03:28 Welcome Back, Peterson07:42 How Important is The Social Network in Culture?16:32 Background for The Social Network20:12 Is This David Fincher's Best Film?25:49 Relationship(s) to The Social Network31:42 Plot Summary for The Social Network32:46 What is The Social Network About?52:24 Did You Know?58:34 First Break59:38 The Stanley Rubric - Legacy01:08:23 The Stanley Rubric - Impact/Significance01:16:01 The Stanley Rubric - Novelty01:21:00 Second Break01:21:42 In Memoriam01:23:16 The Stanley Rubric - Classicness01:54:02 The Stanley Rubric - Rewatchability01:56:40 The Stanley Rubric - Rewatchability01:58:51 Remaining Questions for The Social Network02:06:56 Thank You to Peterson02:08:25 Remaining Thoughts for the Week02:14:46 CreditsYou can also find this episode in full video on YouTube.You can now follow us on

Is it a bird? Is it a plane? Is it a stage play? Is it the script stating the themes of the movie multiple times? Is it a hallmark ending that wraps up everything smoothly? No! It is an Aaron Sorkin film! Just kidding SorKING, we love you. But do we love his 2015 semi-biopic Steve Jobs? Is it a modern classic? Our links: YouTube Channels: - https://www.youtube.com/@colorlesswonderland - https://www.youtube.com/@mattsbookshelf4084 Instagram: - https://www.instagram.com/matts.bookshelf - https://www.instagram.com/colorlesswonderlandd Letterboxd: - https://letterboxd.com/TylerColorless/ - https://letterboxd.com/mattsbookshelf/ Intro music: https://www.youtube.com/watch?v=HGMQbVfYVmI

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesWith the MCU's latest big screen offering now in theaters, as rabid fans, it only makes sense to look to the future, and apparently Marvel and Sony agree, as myriad fresh details surrounding the franchise's next film, Spider-Man: Brand New Day began hitting the internet all weekend. First, last Friday morning Sony released a 9-second video teasing features of Spidey's new suit, which was quickly followed up with a 23-second video with star Tom Holland, in suit, performing some minor acrobatics the next day. Finally, The Hollywood Reporter confirmed the longstanding rumor that Mark Ruffalo is reprising his role as Bruce Banner/The Hulk for the film, while Better Call Saul actor, Michael Mando, was also announced to be returning as Mac Gargan/The Scorpion.The Fantastic Four: First Steps continued its box office reign, raking in $39.6 million its second weekend for a $368 million total global haul. While far from a defeat, the staggering 67% drop from the flick's first weekend presents a significant loss in momentum and is in stark contrast with expectations, which were largely fueled by positive reception and strong word of mouth among critics and fans. Elsewhere, Superman crossed the $550 million milestone internationally, and Jurassic World: Rebirth passed $750 million at the global box office after 5 weeks in theaters, becoming only the third film of 2025 to do so behind Lilo & Stitch and A Minecraft Movie. Amazon MGM's upcoming James Bond film being directed by Dune's Denis Villeneuve, is quickly coming together as Peaky Blinders creator Steven Knight has been hired to pen the script. Apart from Peaky Blinders, Knight has enjoyed a storied career on the small screen as a screenwriter, director and producer involved with projects such as Apple TV's See and Netflix's All The Light We Cannot See, while also co-creating Who Wants To Be A Millionaire? As far as big screen contributions, he wrote the screenplays for Eastern Promises and Spencer, which were both Oscars-nominated, and directed the films Hummingbird, Locke and Serenity, the 2019 film starring Matthew McConaughey and Anne Hathaway. Considering candidates for our new Bond, as if we could ever get enough of Tom Holland, the actor went on record to voice his reverence for the role as the “pinnacle” for British actors, while seemingly disqualifying himself by announcing another break from acting in 2027.Per Deadline, Matt Smith has joined the cast of Shawn Levy's Star Wars: Starfighter in a villain role, set to appear alongside Ryan Gosling and Mia Goth in the film set for May 28, 2027. The House of the Dragon star gets another shot at the Star Wars universe after previously being cast in The Rise of Skywalker but ultimately not appearing in the final film.John Krasinski announced he's returning to direct, write and produce A Quiet Place Part III, set for release on July 9, 2027; no cast or story details have been revealed.Disney and Lucasfilm announced Star Wars: A New Hope will return to theaters on April 30, 2027, to celebrate the 50th anniversary of the film.Aaron Sorkin has his sights set on Oscar winner Mikey Madison and Emmy winner Jeremy Allen White to star in The Social Network Part II, with Madison potentially playing a whistleblower and White as journalist Jeff Horwitz behind the explosive Facebook Files exposé. While no formal offers have been made, sources say these are Sorkin's top choices for the sequel that will explore Facebook's role in various controversies rather than serving as a direct continuation of the 2010 film.

TIME TO RANK SOME CRAZY STUFF!Come join the discord! https://discord.gg/VgcmCvp3fcTweet us your thoughts at #GeekSpeakPod-TIMESTAMPS-0:00 - Intro1:14 - Double Teamed (DCOM)16:54 - Space Balls 2 19:24 - He-Man: Masters of the Universe First Look20:58 - DCU Batman Issues21:30 - The Batman II Script Complete23:39 - Clayface Movie Casting Update26:46 - Cat in The Hat News28:52 - Michael Bay x Transformers Again33:29 - The Social Network 2 announced with Aaron Sorkin writing/directing35:20 - Denis Villeneuve announced as new James Bond director and Bond casting rumors40:28 - Spider-Man 90s to Continue41:20 - Spider-Man: Brand New Day News45:42 - Tiny Chef Show Cancellation48:50 - Movie Remake Tier ListOfficial GeekSpeak Socials: http://linktr.ee/GeekSpeakPodSean's Socials: https://linktr.ee/seanwilliamsfilmmakerJosh's Twitter: https://twitter.com/J_Rudy28Support this show http://supporter.acast.com/geekspeak-podcast. Hosted on Acast. See acast.com/privacy for more information.

In this powerful second installment, Molly Bloom takes us from her lowest point—convicted felon, millions in debt, and under FBI indictment—to the surprising turn that led her back into the spotlight. She shares how the same athletic grit that carried her down Olympic slopes helped her weather mob threats and a RICO case, and ultimately propelled her into publishing a memoir and partnering with Aaron Sorkin to bring Molly's Game to the big screen. Along the way, Molly reveals the hard lessons of maintaining integrity under pressure, the freedom found in losing everything, and the resilience required to rewrite your own story. She also opens up about balancing motherhood with newfound opportunities, her unlikely journey through Hollywood, and the personal triumph of starting a family against all odds. Timestamps00:00 – Rock Bottom Reveal: From poker queen to convicted felon in millions of debt01:00 – Athletic Grit, Part II: How Olympic lessons powered Molly's comeback02:30 – Motherhood vs. Ambition: Battling mom-guilt, building your support “village,” finding stillness07:00 – Rewriting the Rulebook: From burnout to a recovery toolkit of meditation, rest & self-compassion10:00 – Integrity Under Fire: Turning down the easy plea and standing by your values12:00 – The Mob, the Gun, the Mirror: Surviving extortion and confronting your moral drift16:00 – Indictment & Advocacy: Choosing transparency with federal prosecutors over plea-bargain fame20:00 – Betting on a Story: From a 10-copy book launch to winning Aaron Sorkin's Hollywood trust24:00 – From Courtroom to Red Carpet: The surreal leap from sentencing hearing to Oscar buzz28:00 – True Jackpot: Family: Defying 1% IVF odds to welcome daughter Fiona33:00 – Closing Hand: Your Next Chapter: Molly's challenge to turn every setback into a comebackNotable Quotes“I just remember making a promise to the universe: I will never abandon my values, my family, or myself ever again.” Molly Bloom“If you're unwilling to take another bold risk after a bad beat, you'll stay right where you are.” Molly Bloom“There's a freedom in losing everything—because then you can't be anyone but who you really are.” Molly Bloom“I met Aaron Sorkin by betting on the best horse in Hollywood, even when my own book had sold ten copies.” Molly BloomValuable ResourcesMolly's Game (Aaron Sorkin, 2017) & Molly's Game memoir by Molly BloomKey TakeawaysIntegrity Pays Dividends: Choosing values over easy outs—even under federal indictment—builds lifelong credibility.Leverage Athletic Grit: The discipline that wins races can also power comebacks after personal and professional collapse.Build Your Village: Sustainable success requires support: mentors, family, hired help, and radical self-care.Own Your Story: When life derails you, the only way forward is to become the author of your own narrative.Bet on Yourself: Even if your first “hand” flops (book sales, legal battles), bold risks can unlock game-changing opportunities.Redefine the Jackpot: True victory lies not in money or fame, but in resilience, relationships, and the chance to start anew.Tune in for more wisdom from Molly's journey—and get ready to play your next hand with courage and conviction.Connect with Dwayne KerriganFacebookInstagram

The central theme of this podcast episode revolves around the nuanced examination of the film "The American President," a cinematic work that intertwines romance with political drama. We delve into the complexities of the film's narrative, discussing its portrayal of a widowed U.S. President engaging in an illicit relationship with an environmental lobbyist. This film, penned by the esteemed Aaron Sorkin and directed by Rob Reiner, raises pertinent questions about the intersection of personal and political lives in the public sphere. Throughout our discourse, we reflect on the implications of the evolving political landscape, noting how contemporary events render certain scenarios less awkward than they may have appeared at the time of the film's release. The episode culminates in a critical analysis of the film's strengths and limitations, offering listeners a comprehensive understanding of its significance in both cinematic and political contexts.Support us:https://www.patreon.com/whatsourverdictEmail us: hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

Corbin and Matt talk about THE SOCIAL NETWORK, David Fincher's (And also Aaron Sorkin's) parable about the fouding of Facebook and the terrible dream of what felt like was coming next. Topics include: capital and moral hazard, the Winkelvosses and Eduardo, the movie's make believe version of Zuckerberg, Fincher setting the palate for the future by accident, and a bunch of other stuff. I dont know if you can see but this episode is very long. Corbin recc. Ellis recc. Next episode is about "Certified Copy." Have a good day!

You ask us if we've got a god complex? Let me tell you something: we ain't gods, we're podcasters! NostalgiaCast sidles up to the surgical table with a look back at MALICE, directed by Harold Becker and starring Alec Baldwin, Nicole Kidman, and Bill Pullman. Join Jonny and Darin as they sort through the twisty, turny, Aaron Sorkin-y stylings of this wannabe Hitchcock-ian thriller—maybe the first to include serial killers, child murder, and thick New Yawk accents purely as "flavor."   SPOILER WARNING! Please see the movie itself before listening to Jonny and Darin discuss its many jaw-dropping twists!

The timeline of Aaron Sorkin's THE NEWSROOM is getting further and further into the 2012 presidential election... so it only makes sense that Season 2 Episode 6 ("One Step Too Many") is the horniest episode yet! We catch up on some shocking developments in the "Genoa tip," and find out the true meaning of "discretionary time." PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/640-time-part-16-134860722

In this riveting first installment, Dwayne sits down with Molly Bloom, they trace her journey from a straight-A student and elite mogul skier—who overcame major spinal surgery—to California, where an identity crisis set her on an unexpected path into the world of high-stakes underground poker. Along the way, Molly reflects on the powerful roles family dynamics, honesty, and courage have played in her life. She shares how the pivotal “20 Seconds of Courage” mindset transformed her decision-making, and reveals how meticulous attention to sensory details and genuine empathy— “effective presence”—became the secret sauce that elevated her from server to sought-after host of billionaire poker tables. Molly also imparts hard-won lessons in resilience, parenting, and emotional intelligence, including techniques like cognitive reappraisal and value inventories that anyone can apply to amplify personal and professional success.Time Stamps:00:00 – Opening Hand: From Olympic Moguls to Underground Poker01:30 – The Truth Deal: Scoliosis Surgery, Law School & Reclaiming Honesty04:00 – Identity All-In: Chasing Warmth After a Career-Defining Fall07:00 – First Hand Played: How “Tip Molly” Became the Table's Secret Weapon09:30 – Family Face-Off: Lessons from a Stern Father & Compassionate Mother13:00 – Parenting Like a Pro: Building Resilience in Your Kids19:00 – The 20-Second Bet: A Simple Hack for Courageous Action23:00 – Rock-Bottom Royal Flush: Freedom Found in Failure25:30 – Service Mastery: Elevating the Guest Experience at Billionaire Tables30:00 – Emotional Footprint: The Art of “Effective Presence”36:00 – Empathy Unlocked: Navigating Easy vs. Hard Connections41:30 – Sensory High-Stakes: Designing Unforgettable, Multi-Sense Experiences49:00 – Outsider's Edge: Creativity & Loyalty from the Poker Fringe54:00 – Part 2 Tease: Scaling Empires, Legal Battles & ReinventionNotable Quotes“If you're asking how I went from a straight-A student and elite athlete to running an underground crime syndicate, yeah, there's some causes and conditions there.” Molly Bloom“People are going to forget what you said and what you did. They're not going to forget the way you made them feel.” Dwayne Kerrigan“20 seconds of courage. That's all it takes to send the email that changes your career.” Molly BloonValuable ResourcesFilm & Memoir: Molly's Game (movie by Aaron Sorkin) & Molly's Game memoir by Molly BloomEmotional Intelligence: Daniel Goleman's Emotional Intelligence; research on the “emotional footprint” meta-analysisMindfulness & Reappraisal: Byron Katie's Loving What Is; practice journals for cognitive reappraisal (“What else could this mean?”)Risk & Courage: Brené Brown's work on vulnerability; prompts for “20 seconds of courage” challengesKey TakeawaysInventory Your Values: Write down who you want to be, how you want to treat people, and then audit your behavior regularly.Practice 20 Seconds of Courage: Before fear spins you out, commit just 20 seconds to take the leap—send the ask, make the call, pitch the idea.Cultivate Effective Presence: Focus on the emotional footprint you leave: genuine curiosity, empathetic listening (“listening to discover”), and small acts of service.Use Cognitive Reappraisal: When conflict arises, reframe instantly (“What else could this mean?”) to defuse negativity and maintain inner calm.Design for All Senses: In any client-facing situation—from podcasts to boardrooms—mind...

On this episode of The Snub Club, the battalion, along with special guest Editor Joe, investigates 1992's A Few Good Men. Directed by Rob Reiner and starring Tom Cruise, Demi Moore, and Jack Nicholson, A Few Good Men was nominated for four Academy Awards but lost on awards night. In this episode, Sarah, Danny, Caleb, and Joe discuss Aaron Sorkin, one of cinema's most iconic courtroom crashouts, and Rock of Ages.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

Eric, Jeff, Sheek, Styles and Jadakiss got together in Yonkers to break down The Social Network, the 2010 American biographical drama film portraying the founding of the social networking website Facebook and its founder Mark Zuckerberg, directed by David Fincher, written by Aaron Sorkin, starring Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hammer and Max Minghella. We discuss the impact of social media, what makes "genius," how file sharing changed the music business, what billionaires we trust, if "The Social Network" is the film of our generation, whether it matters that there's creative license in a film like this and much more! PLUS: Sheek listens to ItsTheReal, Pumpkleta and The Adventures of Karate Man!!! Hosted on Acast. See acast.com/privacy for more information.

This week we're EXPLODING with movie news! Denis Villeneuve tackling James Bond? YES, PLEASE! Doug Liman taking on Stephen King's “The Stand?” We're in! And HOLD ON... Jon Bernthal is BACK as The Punisher in Spider-Man: Brand New Day alongside Tom Holland. PLUS: Kim K as a Bratz villain?! A *”Social Network” sequel from Aaron Sorkin?! A new “Harold & Kumar” adventure?! Clayface cast in the DCU?! And a TRUCKLOAD of trailers for “The Naked Gun,” “I Know What You Did Last Summer,” “Springsteen: Deliver Me From Nowhere,” “Weapons,” “The Strangers: Chapter 2,” “The Fantastic Four: First Steps,” and the Channing Tatum-starring *”Roofman!” Join us for all this and more in this latest episode of Back to the Blockbuster.

Happy 4th of July!What better way to celebrate our nation's independence by returning to a time of cultural optimism for the inner workings of our nation's politics. Aaron Sorkin's fantastical take on the inner workings of the staff at the White House provided some top notch entertainment in the early '00s, and Matt and Brian are finally talking about it!Tune in as they discuss Jed Bartlett, Toby Ziegler, CJ Cregg, Josh Lyman and all of your other favorite characters and plotlines!

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt's been debated and anticipated…but Matt Reeves finally confirmed via Instagram on June 27 that he and co-writer Mattson Tomlin have completed their script for The Batman Part II. Variety reports that the film is scheduled to release on October 1, 2027, which - if true - will mean this sequel comes out more than five years after the first film. Both James Gunn and Reeves have been repeatedly asked about the state of the film, with Gunn recently rebuking online pressure for Reeves and remarking that a script is expected in June and - ta da, the Dark Knight arrived on time!One half of the big decisions needed to move the James Bond franchise forward has been made. Dune director Denis Villneuve will usher in the next 007 for Amazon MGM as the mega corp looks to refresh and restart the classic spy film franchise. David Heyman and Amy Pascal, who have already been announced as producers, will be joined by Tonya Lapointe who will serve as an executive producer alongside the director. Villneuve referred to Bond as “sacred territory” for him as a filmmaker.This week audiences said “YES” to original films, with the Brad Pitt-led F1 speeding to number one at the box office with a $144 million global takeover. Apple, who released the film, integrated it into their retail stores - with surprise appearances by Pitt and CEO Tim Cook - offered reduced tickets using ApplePay, and offered a deeper dive on Apple Maps of the Grand Prix race tracks, as well as other unique marketing opportunities. M3GAN 2.0 got a road rash, opening to just $10.2 million, and How to Train Your Dragon stayed strong at number two bringing in a three week domestic total of $200 million.Amazon MGM Studios has released the full trailer for Project Hail Mary, the upcoming film adaptation of the 2021 science fiction novel from The Martian author, Andy Weir. Directed by Phil Lord and Christopher Miller, the movie stars Ryan Gosling as a sixth-grade science teacher sent into space to save Earth. It is scheduled to hit theaters on March 20, 2026.Disney has announced a sequel to its live action Lilo and Stitch film. The news comes as the film approaches the $1 billion dollar mark at the global box office.Edgar Wright's latest film The Running Man released a trailer today. The movie is adapted from a Stephen King novel and stars Glen Powell, Colman Domingo, Josh Brolin, William H. Macey, and others in a dystopian game show style action flick.Curtis Jackson aka 50 Cent has joined the cast of Legendary Entertainment's feature adaptation of the video game Street Fighter. Jackson will play Balrog, a disgraced boxer who is also the bodyguard of the villain. Sources tell The Hollywood Reporter that he is deep into training for the part and will be doing his own stunts. David Dastmalchian has also been cast to play baddie M. Bison.Sources tell Deadline that The Social Network director Aaron Sorkin has been set to direct The Social Network Part II for Sony Pictures. Insiders say that while it's being called part two, it's not a straight sequel but rather a follow-up to the original movie.WandaVision and Agatha All Along creator Jac Schaeffer is replacing Moira Walley-Beckett as showrunner for the Fourth Wing series adaptation at Amazon MGM Studios. Schaeffer signed an overall deal with the studio. The series is produced by Michael B. Jordan's company, Outlier Society.Over the weekend at car festival Fuel Fest, Vin Diesel spoke to a crowd of fans and confirmed a tentative release window for the next installment of the Fast and the Furious franchise for April of 2027. He also mentioned that he wants to reunite his character with Paul Walker's character Brian O'Conner. Since Walker passed away in 2013, he would have to be digitally inserted into the film.FX announced today that The Bear has been renewed for a fifth season.

In this week's episode, we discuss Aaron Sorkin writing and directing a follow-up to 'The Social Network' as well as Denis Villeneuve officially signing to direct the next James Bond film. After that, we review this week's top 10 at the box office. Brendan then breaks down our additional headlines and Ryan gives his thoughts on '28 Years Later', 'F1', and 'Megan 2.0'!

Bugonia, Roofman, Fantastic 4, and Weapons trailers. The Batman Part II script, no Akira for Waititi, Lilo & Stitch 2, Street Fighter castings, Steven Spielberg will never retire, Frozen songwriters for Princess Bride, Johhny Knoxville hosts Fear Factor, Dave Bautista Rom Com, Aaron Sorkin back for Social Network 2, Denis Villaneueve for Bond

Sean and Amanda start the show by reacting to two huge news headlines from this week, with Denis Villeneuve set to direct the next James Bond film and Aaron Sorkin set to write and direct a sequel to ‘The Social Network' (1:38). Then, they get behind the steering wheel to discuss Joseph Kosinski's highly anticipated action blockbuster ‘F1,' starring Brad Pitt. They talk about how the electrifying filmmaking displayed throughout the racing scenes makes the film worth the price of admission, acknowledge some of its noticeable flaws, and hypothesize whether or not it will perform well at the box office (23:00). Later, Sean is joined by Kosinski, who discusses why this was the most difficult shooting environment he's ever experienced, how he feels about the major studios' relationship to the theatrical experience at large, and much more (1:12:26). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joseph Kosinski Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

While Trump and his administration are the ones politicizing the rule of the law, ignoring due process, and annihilating democratic norms, it's Republicans leaders saying and doing nothing in response that poses a bigger threat to our country and democracy. Meanwhile, when it comes to the Middle East, we don't know who Trump is talking to—or listening to. Plus, when Bush 43, McCain, and Jeb pushed for immigration reform, the romantic idealism of Aaron Sorkin, and the sounds of kids and dogs.  (An unfiltered) Nicolle Wallace joins Tim Miller. show notes Nicolle's new pod, 'The Best People' Matt Gaetz arguing with his mom via text *Get $35 off your first box of wild-caught, sustainable seafood—delivered right to your door. Go to: https://www.wildalaskan.com/BULWARK

Will and Luke hash out their differences w/r/t appreciating Aaron Sorkin as they tackle Season 2 Episode 3 of THE NEWSROOM ("Willie Pete"), which offers a surprisingly cogent critique of "the boys on the bus" as well as a lot more of Sorkin's peculiar gender politics. PLUS: We check in on our favourite Who's Line is it Anyway cast member. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/628-ballad-of-13-130688755

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

At some point in the 15 years since its release, THE SOCIAL NETWORK (2010) became a historical document. We're joined by our official Silicon Valley correspondent Wendy Liu to discuss why its complicated perspective on startup culture resonated so strongly, and what the passage of time has revealed about people like Zuckerberg. And of course, we get into the Aaron Sorkin of it all. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/130141170