Podcasts about Director general

How can cross-border cooperation accelerate the transition to a circular economy in Europe's industrial heartland? This panel from the Circular Valley Forum 2025 brings together three senior public-sector leaders: Susanne Hagenkort-Rieger, Director General of the Economic Policy Department at the Ministry of Economy in North Rhine-Westphalia; Brigitte Mouligneau, Transition Manager at OVAM and Circular Flanders; and Arnoud Passenier, Circular Economy Advisor to the Government of the Netherlands. They discuss how their regions structure circular economy policy, where joint priorities lie, and why trilateral collaboration is essential for scaling circular value chains across chemicals, construction and battery materials. The conversation highlights the need for shared infrastructures, coordinated industry support and policy alignment to make circular business models viable at European scale. This episode is part of our series in collaboration with Circular Valley. The series features recorded sessions from the Circular Valley Forum 2025.

The European Commission's publication of their recommendation on “Increasing the Availability of Savings and Investment Accounts with Simplified and Advantageous Tax Treatment” on September 30th marks an important milestone on the EU Savings and Investment Union journey. As a leading European funds and asset management centre, Ireland has a key role to play in this significant development in the European asset management industry – but a roadmap will be necessary if the potential of this initiative is to be realised. This event discusses the practical steps – and challenges – in establishing Savings and Investment Accounts across the 27 member states of the EU and the important role of the Irish funds and asset management industry in this step-change in EU savings and investment culture. This event features a keynote address from John Berrigan, Director General of DG FISMA. The event also includes a panel discussion including John Berrigan as well as: Seán Páircéir, Partner and Global Head of Investor Services at Brown Brothers Harriman Jonathan Cleborne, Head of Europe at Vanguard Susan O'Reilly, Head of Funds, Markets and Securities, Financial Services Division - Department of Finance. Dr Orlaigh Quinn, (Moderator), Former Secretary General of the Department of Enterprise Trade and Employmen

Agustín Etchebarne @aetchebarne (Economista, Director General de la Fundación Libertad y Progreso) Te Cuento

TE CUENTO con Carlos Ponzio 01-12-2025 Entrevistas a: Agustín Etchebarne @aetchebarne (Economista, Director General de la Fundación Libertad y Progreso) Miguel Ángel Toma @TomaMiguelAngel (Ex Titular de la SIDE)

In October 1923, first BBC General Manager John Reith wrote to both 10 Downing Street and Buckingham Palace, inviting the Prime Minister and the King to broadcast on the near year-old BBC. Both refused. In November 2025, 17th BBC Director General Tim Davie resigned because... well we're still trying to find out exactly why. Again, politics is at play - though it's difficult to know if that's at the White House, the House of Commons or Broadcasting House. Dr Tom Mills, sociologist at Aston University and author of The BBC: Myth of a Public Service, joins us to whizz through 17 Directors General, their own politics and their battles with politics. Meet: John Reith, Frederick Ogilvie, Cecil Graves, Robert Foot, William Haley, Ian Jacob, Hugh Greene, Charles Curran, Ian Trethowan, Alasdair Milne, Michael Checkland, John Birt, Greg Dyke, Mark Thompson, George Entwistle, Tony Hall and Tim Davie. (Add some 'sirs' and 'lords' in there - I've only de-titled them here as we're often talking about them while they were DG, and it's confusing who was appointed what and when. No disrespect intended) All men, you may notice. There are a few women in this tale too - though not many, and usually by such names as Margaret Thatcher and Mary Whitehouse. It's a complex tale - I hope we make it less so for you. Oh and we have news of your festive audio treat - coming soon (to Radio 4!)   SHOWNOTES: Dr Tom Mills' book is The BBC: Myth of a Public Service Tom has co-written this article on a potential future for the BBC: https://www.common-wealth.org/publications/our-mutual-friend-the-bbc-in-the-digital-age Paul's Substack article on the 17 Directors General: https://paulkerensa.substack.com/p/who-let-the-dgs-out-the-17-bbc-directors Paul's Substack on last episode's Mass Telepathy broadcast re-enactment: https://paulkerensa.substack.com/p/the-bbcs-mass-telepathy-broadcast Apply to be BBC Director General! The job ad: https://careers.bbc.co.uk/job/Director-General/34415-en_GB/ Details of your audio festive treat - my new Radio 4 drama, about the first radio drama: https://www.facebook.com/paul.kerensa/posts/pfbid0MKWEGmjSgXaBGJqMS6FPpbga8XcRaDdqMkAqb6GT6ZNYcW65yfQKKnbrF6B7J4jal The BBC listings page for The Truth about Phyllis Twigg - 2:15pm, Christmas Eve 2025, Radio 4: https://www.bbc.co.uk/programmes/m002ntmx Original music is by Will Farmer.  Our survey of what you like/don't about this podcast is here - because like the 1925 panel, we can't read your mind: http://tiny.cc/bbcenturysurvey Paul's live show on the BBC origin story visits a variety of tour stops: www.paulkerensa.com/tour. This podcast is not made by today's BBC. It's just about the old BBC. Support us on Patreon (£5/mth - thanks if you do!), for bonus videos, writings, readings etc - it all helps support the podcast, and without that, there's no this. So thanks if you do! Or a one-off tip to Ko-fi.com/paulkerensa? Thanks for supporting us. I mostly use any kind £ to buy books. Then read books. Then absorb books. Then convert them into podcasts. Thanks for keeping the wheels turning. Please share/rate/review this podcast - it all really helps. Next time: Episode 110: The first BBC Armistice broadcast. More on this broadcasting history project at paulkerensa.com/oldradio  

Clement Manyathela speaks Dr Mlungisi Cele, the Director-General of the Department Of Science, Technology and Innovation on the sidelines of the CSIR annual Science Forum South Africa event to discuss science innovation in the country. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

En este quinto episodio de Bolsa de Valores, el Podcast, te acompaño en un recorrido profundo, pero claro, por algunos de los temas más técnicos y estratégicos del mundo financiero: curvas de valuación, la TIIE de Fondeo, derivados OTC vs. estandarizados y notas estructuradas.Soy Francisco González, Director General de Valmer, y en esta ocasión converso con Pedro Arroyo Espinoza, Director de Operación de Derivados en Monex, para desmitificar estos conceptos que, aunque complejos, son clave para la toma de decisiones financieras en mercados sofisticados.Hablamos de:¿Qué es la curva de TIIE de Fondeo y por qué es tan relevante hoy?Las diferencias entre derivados OTC y estandarizados (y cuándo usarlos)Cómo se construye una curva de tasas y su impacto en la valuación de instrumentos¿Qué son las notas estructuradas, por qué son atractivas y para quiénes?Este episodio es ideal si quieres entender cómo la técnica detrás de las curvas y derivados impulsa la innovación financiera, la gestión de riesgos y el diseño de portafolios más eficientes. No importa si eres nuevo en estos temas o si ya trabajas en la industria: aquí encontrarás explicaciones claras, ejemplos útiles y contexto actual.

Juan Manuel Valle, Director General de Afore Coppel y Luis Kuri, Director General de Afore Banamex

'My discovery of early Renaissance art was completely by accident in the National Gallery, by just walking down a few more stairs...I'd stay there for about an hour, and then I would come out, I'd close my eyes, and as I pushed the doors, I would imagine my paintings'. –Tracey Emin  In the first episode of the 2025 Frieze Masters Podcast, artist Tracey Emin, Nicholas Cullinan (director, British Museum), and their host Arturo Galansino (Director General, Fondazione Palazzo Strozzi) discuss their early experiences and evolving relationships within the arts, delving into topics such as intimacy and feelings of safety in the context of an institution, overcoming class struggle and illness, and speaking the truth.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  Full transcript available at frieze.com Dame Tracey Emin OBE is one of the most important contemporary artists of her generation, known for her autobiographical and confessional work. Nicholas Cullinan OBE, art historian and curator has been the Director of the British Museum since 2024, and prior to that was appointed the 12th Director of the National Portrait Gallery from 2015. They are joined by their host Arturo Galansino - art historian, curator, and Director General of the Fondazione Palazzo Strozzi in Florence, and the curator of this year's Frieze Masters Talks programme.  About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of the Palazzo Strozzi Foundation in Florence).   Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple.  The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.       

Esta semana, charlamos con José Luis Díaz Mariscal, Director General de la empresa «Juguettos» -en la sección con «Marina de Empresas», conoceremos a: «Soulei» –  CEO Rubén Colomer «STR-DRONES», con Quique Llop Gimeno -en «Comunicación 5.0», Amalia López comenta los problemas actuales de «META» en España -«En Medios», Fran Ramos [...]

Stephen Grootes catches up with Director General of National Treasury, Duncan Pieterse, about the introduction of the department’s new infrastructure and development finance bond. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Hoy en Desde el Paddock tuvimos un episodio especial con un invitado que vive en primera fila la evolución digital del mundo: Marco Casarín, Director General de Meta México. Con él platicamos sobre cómo las plataformas están cambiando la manera en que vivimos el deporte, cómo consumimos Formula 1 y qué viene para el futuro de la industria del contenido.También nos metimos de lleno al análisis semanal con Memorizando el Circuito y un nuevo Alex Facts para los fans más clavados. En Pregúntale a Memo respondimos una duda interesante: si en su carrera llegó a vivir una situación parecida a lo que pasó con McLaren. La respuesta dejó buena reflexión sobre cómo un error mínimo te cambia todo un fin de semana.Además, hablamos de uno de los lanzamientos más importantes del automovilismo eléctrico: la nueva docuserie Formula E Driver. Cuatro episodios que nos llevan directo a lo que pasa dentro y fuera de los garages con Pascal Wehrlein, Antonio Félix da Costa, Dan Ticktum, Oliver Rowland y Taylor Barnard. Tensión, celebraciones y momentos que normalmente no vemos. Estará disponible a partir del 28 de noviembre en Amazon Prime Video.Un episodio lleno de historias, análisis y una gran conversación con Marco Casarín sobre la conexión entre tecnología, comunidad y automovilismo.Gracias por ser parte de Desde el Paddock. Síguenos en todas nuestras redes para no perderte dinámicas exclusivas, noticias y contenido de la comunidad.

How can you write science-based fiction without info-dumping your research? How can you use AI tools in a creative way, while still focusing on a human-first approach? Why is adapting to the fast pace of change so difficult and how can we make the most of this time? Jamie Metzl talks about Superconvergence and more. In the intro, How to avoid author scams [Written Word Media]; Spotify vs Audible audiobook strategy [The New Publishing Standard]; Thoughts on Author Nation and why constraints are important in your author life [Self-Publishing with ALLi]; Alchemical History And Beautiful Architecture: Prague with Lisa M Lilly on my Books and Travel Podcast. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How personal history shaped Jamie's fiction writing Writing science-based fiction without info-dumping The super convergence of three revolutions (genetics, biotech, AI) and why we need to understand them holistically Using fiction to explore the human side of genetic engineering, life extension, and robotics Collaborating with GPT-5 as a named co-author How to be a first-rate human rather than a second-rate machine You can find Jamie at JamieMetzl.com. Transcript of interview with Jamie Metzl Jo: Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. So welcome, Jamie. Jamie: Thank you so much, Jo. Very happy to be here with you. Jo: There is so much we could talk about, but let's start with you telling us a bit more about you and how you got into writing. From History PhD to First Novel Jamie: Well, I think like a lot of writers, I didn't know I was a writer. I was just a kid who loved writing. Actually, just last week I was going through a bunch of boxes from my parents' house and I found my autobiography, which I wrote when I was nine years old. So I've been writing my whole life and loving it. It was always something that was very important to me. When I finished my DPhil, my PhD at Oxford, and my dissertation came out, it just got scooped up by Macmillan in like two minutes. And I thought, “God, that was easy.” That got me started thinking about writing books. I wanted to write a novel based on the same historical period – my PhD was in Southeast Asian history – and I wanted to write a historical novel set in the same period as my dissertation, because I felt like the dissertation had missed the human element of the story I was telling, which was related to the Cambodian genocide and its aftermath. So I wrote what became my first novel, and I thought, “Wow, now I'm a writer.” I thought, “All right, I've already published one book. I'm gonna get this other book out into the world.” And then I ran into the brick wall of: it's really hard to be a writer. It's almost easier to write something than to get it published. I had to learn a ton, and it took nine years from when I started writing that first novel, The Depths of the Sea, to when it finally came out. But it was such a positive experience, especially to have something so personal to me as that story. I'd lived in Cambodia for two years, I'd worked on the Thai-Cambodian border, and I'm the child of a Holocaust survivor. So there was a whole lot that was very emotional for me. That set a pattern for the rest of my life as a writer, at least where, in my nonfiction books, I'm thinking about whatever the issues are that are most important to me. Whether it was that historical book, which was my first book, or Hacking Darwin on the future of human genetic engineering, which was my last book, or Superconvergence, which, as you mentioned in the intro, is my current book. But in every one of those stories, the human element is so deep and so profound. You can get at some of that in nonfiction, but I've also loved exploring those issues in deeper ways in my fiction. So in my more recent novels, Genesis Code and Eternal Sonata, I've looked at the human side of the story of genetic engineering and human life extension. And now my agent has just submitted my new novel, Virtuoso, about the intersection of AI, robotics, and classical music. With all of this, who knows what's the real difference between fiction and nonfiction? We're all humans trying to figure things out on many different levels. Shifting from History to Future Tech Jo: I knew that you were a polymath, someone who's interested in so many things, but the music angle with robotics and AI is fascinating. I do just want to ask you, because I was also at Oxford – what college were you at? Jamie: I was in St. Antony's. Jo: I was at Mansfield, so we were in that slightly smaller, less famous college group, if people don't know. Jamie: You know, but we're small but proud. Jo: Exactly. That's fantastic. You mentioned that you were on the historical side of things at the beginning and now you've moved into technology and also science, because this book Superconvergence has a lot of science. So how did you go from history and the past into science and the future? Biology and Seeing the Future Coming Jamie: It's a great question. I'll start at the end and then back up. A few years ago I was speaking at Lawrence Livermore National Laboratory, which is one of the big scientific labs here in the United States. I was a guest of the director and I was speaking to their 300 top scientists. I said to them, “I'm here to speak with you about the future of biology at the invitation of your director, and I'm really excited. But if you hear something wrong, please raise your hand and let me know, because I'm entirely self-taught. The last biology course I took was in 11th grade of high school in Kansas City.” Of course I wouldn't say that if I didn't have a lot of confidence in my process. But in many ways I'm self-taught in the sciences. As you know, Jo, and as all of your listeners know, the foundation of everything is curiosity and then a disciplined process for learning. Even our greatest super-specialists in the world now – whatever their background – the world is changing so fast that if anyone says, “Oh, I have a PhD in physics/chemistry/biology from 30 years ago,” the exact topic they learned 30 years ago is less significant than their process for continuous learning. More specifically, in the 1990s I was working on the National Security Council for President Clinton, which is the president's foreign policy staff. My then boss and now close friend, Richard Clarke – who became famous as the guy who had tragically predicted 9/11 – used to say that the key to efficacy in Washington and in life is to try to solve problems that other people can't see. For me, almost 30 years ago, I felt to my bones that this intersection of what we now call AI and the nascent genetics revolution and the nascent biotechnology revolution was going to have profound implications for humanity. So I just started obsessively educating myself. When I was ready, I started writing obscure national security articles. Those got a decent amount of attention, so I was invited to testify before the United States Congress. I was speaking out a lot, saying, “Hey, this is a really important story. A lot of people are missing it. Here are the things we should be thinking about for the future.” I wasn't getting the kind of traction that I wanted. I mentioned before that my first book had been this dry Oxford PhD dissertation, and that had led to my first novel. So I thought, why don't I try the same approach again – writing novels to tell this story about the genetics, biotech, and what later became known popularly as the AI revolution? That led to my two near-term sci-fi novels, Genesis Code and Eternal Sonata. On my book tours for those novels, when I explained the underlying science to people in my way, as someone who taught myself, I could see in their eyes that they were recognizing not just that something big was happening, but that they could understand it and feel like they were part of that story. That's what led me to write Hacking Darwin, as I mentioned. That book really unlocked a lot of things. I had essentially predicted the CRISPR babies that were born in China before it happened – down to the specific gene I thought would be targeted, which in fact was the case. After that book was published, Dr. Tedros, the Director-General of the World Health Organization, invited me to join the WHO Expert Advisory Committee on Human Genome Editing, which I did. It was a really great experience and got me thinking a lot about the upside of this revolution and the downside. The Birth of Superconvergence Jamie: I get a lot of wonderful invitations to speak, and I have two basic rules for speaking: Never use notes. Never ever. Never stand behind a podium. Never ever. Because of that, when I speak, my talks tend to migrate. I'd be speaking with people about the genetics revolution as it applied to humans, and I'd say, “Well, this is just a little piece of a much bigger story.” The bigger story is that after nearly four billion years of life on Earth, our one species has the increasing ability to engineer novel intelligence and re-engineer life. The big question for us, and frankly for the world, is whether we're going to be able to use that almost godlike superpower wisely. As that idea got bigger and bigger, it became this inevitable force. You write so many books, Jo, that I think it's second nature for you. Every time I finish a book, I think, “Wow, that was really hard. I'm never doing that again.” And then the books creep up on you. They call to you. At some point you say, “All right, now I'm going to do it.” So that was my current book, Superconvergence. Like everything, every journey you take a step, and that step inspires another step and another. That's why writing and living creatively is such a wonderfully exciting thing – there's always more to learn and always great opportunities to push ourselves in new ways. Balancing Deep Research with Good Storytelling Jo: Yeah, absolutely. I love that you've followed your curiosity and then done this disciplined process for learning. I completely understand that. But one of the big issues with people like us who love the research – and having read your Superconvergence, I know how deeply you go into this and how deeply you care that it's correct – is that with fiction, one of the big problems with too much research is the danger of brain-dumping. Readers go to fiction for escapism. They want the interesting side of it, but they want a story first. What are your tips for authors who might feel like, “Where's the line between putting in my research so that it's interesting for readers, but not going too far and turning it into a textbook?” How do you find that balance? Jamie: It's such a great question. I live in New York now, but I used to live in Washington when I was working for the U.S. government, and there were a number of people I served with who later wrote novels. Some of those novels felt like policy memos with a few sex scenes – and that's not what to do. To write something that's informed by science or really by anything, everything needs to be subservient to the story and the characters. The question is: what is the essential piece of information that can convey something that's both important to your story and your character development, and is also an accurate representation of the world as you want it to be? I certainly write novels that are set in the future – although some of them were a future that's now already happened because I wrote them a long time ago. You can make stuff up, but as an author you have to decide what your connection to existing science and existing technology and the existing world is going to be. I come at it from two angles. One: I read a huge number of scientific papers and think, “What does this mean for now, and if you extrapolate into the future, where might that go?” Two: I think about how to condense things. We've all read books where you're humming along because people read fiction for story and emotional connection, and then you hit a bit like: “I sat down in front of the president, and the president said, ‘Tell me what I need to know about the nuclear threat.'” And then it's like: insert memo. That's a deal-killer. It's like all things – how do you have a meaningful relationship with another person? It's not by just telling them your story. Even when you're telling them something about you, you need to be imagining yourself sitting in their shoes, hearing you. These are very different disciplines, fiction and nonfiction. But for the speculative nonfiction I write – “here's where things are now, and here's where the world is heading” – there's a lot of imagination that goes into that too. It feels in many ways like we're living in a sci-fi world because the rate of technological change has been accelerating continuously, certainly for the last 12,000 years since the dawn of agriculture. It's a balance. For me, I feel like I'm a better fiction writer because I write nonfiction, and I'm a better nonfiction writer because I write fiction. When I'm writing nonfiction, I don't want it to be boring either – I want people to feel like there's a story and characters and that they can feel themselves inside that story. Jo: Yeah, definitely. I think having some distance helps as well. If you're really deep into your topics, as you are, you have to leave that manuscript a little bit so you can go back with the eyes of the reader as opposed to your eyes as the expert. Then you can get their experience, which is great. Looking Beyond Author-Focused AI Fears Jo: I want to come to your technical knowledge, because AI is a big thing in the author and creative community, like everywhere else. One of the issues is that creators are focusing on just this tiny part of the impact of AI, and there's a much bigger picture. For example, in 2024, Demis Hassabis from Google DeepMind and his collaborative partner John Jumper won the Nobel Prize for Chemistry with AlphaFold. It feels to me like there's this massive world of what's happening with AI in health, climate, and other areas, and yet we are so focused on a lot of the negative stuff. Maybe you could give us a couple of things about what there is to be excited and optimistic about in terms of AI-powered science? Jamie: Sure. I'm so excited about all of the new opportunities that AI creates. But I also think there's a reason why evolution has preserved this very human feeling of anxiety: because there are real dangers. Anybody who's Pollyanna-ish and says, “Oh, the AI story is inevitably positive,” I'd be distrustful. And anyone who says, “We're absolutely doomed, this is the end of humanity,” I'd also be distrustful. So let me tell you the positives and the negatives, and maybe some thoughts about how we navigate toward the former and away from the latter. AI as the New Electricity Jamie: When people think of AI right now, they're thinking very narrowly about these AI tools and ChatGPT. But we don't think of electricity that way. Nobody says, “I know electricity – electricity is what happens at the power station.” We've internalised the idea that electricity is woven into not just our communication systems or our houses, but into our clothes, our glasses – it's woven into everything and has super-empowered almost everything in our modern lives. That's what AI is. In Superconvergence, the majority of the book is about positive opportunities: In healthcare, moving from generalised healthcare based on population averages to personalised or precision healthcare based on a molecular understanding of each person's individual biology. As we build these massive datasets like the UK Biobank, we can take a next jump toward predictive and preventive healthcare, where we're able to address health issues far earlier in the process, when interventions can be far more benign. I'm really excited about that, not to mention the incredible new kinds of treatments – gene therapies, or pharmaceuticals based on genetics and systems-biology analyses of patients. Then there's agriculture. Over the last hundred years, because of the technologies of the Green Revolution and synthetic fertilisers, we've had an incredible increase in agricultural productivity. That's what's allowed us to quadruple the global population. But if we just continue agriculture as it is, as we get towards ten billion wealthier, more empowered people wanting to eat like we eat, we're going to have to wipe out all the wild spaces on Earth to feed them. These technologies help provide different paths toward increasing agricultural productivity with fewer inputs of land, water, fertiliser, insecticides, and pesticides. That's really positive. I could go on and on about these positives – and I do – but there are very real negatives. I was a member of the WHO Expert Advisory Committee on Human Genome Editing after the first CRISPR babies were very unethically created in China. I'm extremely aware that these same capabilities have potentially incredible upsides and very real downsides. That's the same as every technology in the past, but this is happening so quickly that it's triggering a lot of anxieties. Governance, Responsibility, and Why Everyone Has a Role Jamie: The question now is: how do we optimise the benefits and minimise the harms? The short, unsexy word for that is governance. Governance is not just what governments do; it's what all of us do. That's why I try to write books, both fiction and nonfiction, to bring people into this story. If people “other” this story – if they say, “There's a technology revolution, it has nothing to do with me, I'm going to keep my head down” – I think that's dangerous. The way we're going to handle this as responsibly as possible is if everybody says, “I have some role. Maybe it's small, maybe it's big. The first step is I need to educate myself. Then I need to have conversations with people around me. I need to express my desires, wishes, and thoughts – with political leaders, organisations I'm part of, businesses.” That has to happen at every level. You're in the UK – you know the anti-slavery movement started with a handful of people in Cambridge and grew into a global movement. I really believe in the power of ideas, but ideas don't spread on their own. These are very human networks, and that's why writing, speaking, communicating – probably for every single person listening to this podcast – is so important. Jo: Mm, yeah. Fiction Like AI 2041 and Thinking Through the Issues Jo: Have you read AI 2041 by Kai-Fu Lee and Chen Qiufan? Jamie: No. I heard a bunch of their interviews when the book came out, but I haven't read it. Jo: I think that's another good one because it's fiction – a whole load of short stories. It came out a few years ago now, but the issues they cover in the stories, about different people in different countries – I remember one about deepfakes – make you think more about the topics and help you figure out where you stand. I think that's the issue right now: it's so complex, there are so many things. I'm generally positive about AI, but of course I don't want autonomous drone weapons, you know? The Messy Reality of “Bad” Technologies Jamie: Can I ask you about that? Because this is why it's so complicated. Like you, I think nobody wants autonomous killer drones anywhere in the world. But if you right now were the defence minister of Ukraine, and your children are being kidnapped, your country is being destroyed, you're fighting for your survival, you're getting attacked every night – and you're getting attacked by the Russians, who are investing more and more in autonomous killer robots – you kind of have two choices. You can say, “I'm going to surrender,” or, “I'm going to use what technology I have available to defend myself, and hopefully fight to either victory or some kind of stand-off.” That's what our societies did with nuclear weapons. Maybe not every American recognises that Churchill gave Britain's nuclear secrets to America as a way of greasing the wheels of the Anglo-American alliance during the Second World War – but that was our programme: we couldn't afford to lose that war, and we couldn't afford to let the Nazis get nuclear weapons before we did. So there's the abstract feeling of, “I'm against all war in the abstract. I'm against autonomous killer robots in the abstract.” But if I were the defence minister of Ukraine, I would say, “What will it take for us to build the weapons we can use to defend ourselves?” That's why all this stuff gets so complicated. And frankly, it's why the relationship between fiction and nonfiction is so important. If every novel had a situation where every character said, “Oh, I know exactly the right answer,” and then they just did the right answer and it was obviously right, it wouldn't make for great fiction. We're dealing with really complex humans. We have conflicting impulses. We're not perfect. Maybe there are no perfect answers – but how do we strive toward better rather than worse? That's the question. Jo: Absolutely. I don't want to get too political on things. How AI Is Changing the Writing Life Jo: Let's come back to authors. In terms of the creative process, the writing process, the research process, and the business of being an author – what are some of the ways that you already use AI tools, and some of the ways, given your futurist brain, that you think things are going to change for us? Jamie: Great question. I'll start with a little middle piece. I found you, Jo, through GPT-5. I asked ChatGPT, “I'm coming out with this book and I want to connect with podcasters who are a little different from the ones I've done in the past. I've been a guest on Joe Rogan twice and some of the bigger podcasts. Make me a list of really interesting people I can have great conversations with.” That's how I found you. So this is one reward of that process. Let me say that in the last year I've worked on three books, and I'll explain how my relationship with AI has changed over those books. Cleaning Up Citations (and Getting Burned) Jamie: First is the highly revised paperback edition of Superconvergence. When the hardback came out, I had – I don't normally work with research assistants because I like to dig into everything myself – but the one thing I do use a research assistant for is that I can't be bothered, when I'm writing something, to do the full Chicago-style footnote if I'm already referencing an academic paper. So I'd just put the URL as the footnote and then hire a research assistant and say, “Go to this URL and change it into a Chicago-style citation. That's it.” Unfortunately, my research assistant on the hardback used early-days ChatGPT for that work. He did the whole thing, came back, everything looked perfect. I said, “Wow, amazing job.” It was only later, as I was going through them, that I realised something like 50% of them were invented footnotes. It was very painful to go back and fix, and it took ten times more time. With the paperback edition, I didn't use AI that much, but I did say things like, “Here's all the information – generate a Chicago-style citation.” That was better. I noticed there were a few things where I stopped using the thesaurus function on Microsoft Word because I'd just put the whole paragraph into the AI and say, “Give me ten other options for this one word,” and it would be like a contextual thesaurus. That was pretty good. Talking to a Robot Pianist Character Jamie: Then, for my new novel Virtuoso, I was writing a character who is a futurist robot that plays the piano very beautifully – not just humanly, but almost finding new things in the music we've written and composing music that resonates with us. I described the actions of that robot in the novel, but I didn't describe the inner workings of the robot's mind. In thinking about that character, I realised I was the first science-fiction writer in history who could interrogate a machine about what it was “thinking” in a particular context. I had the most beautiful conversations with ChatGPT, where I would give scenarios and ask, “What are you thinking? What are you feeling in this context?” It was all background for that character, but it was truly profound. Co-Authoring The AI Ten Commandments with GPT-5 Jamie: Third, I have another book coming out in May in the United States. I gave a talk this summer at the Chautauqua Institution in upstate New York about AI and spirituality. I talked about the history of our human relationship with our technology, about how all our religious and spiritual traditions have deep technological underpinnings – certainly our Abrahamic religions are deeply connected to farming, and Protestantism to the printing press. Then I had a section about the role of AI in generating moral codes that would resonate with humans. Everybody went nuts for this talk, and I thought, “I think I'm going to write a book.” I decided to write it differently, with GPT-5 as my named co-author. The first thing I did was outline the entire book based on the talk, which I'd already spent a huge amount of time thinking about and organising. Then I did a full outline of the arguments and structures. Then I trained GPT-5 on my writing style. The way I did it – which I fully describe in the introduction to the book – was that I'd handle all the framing: the full introduction, the argument, the structure. But if there was a section where, for a few paragraphs, I was summarising a huge field of data, even something I knew well, I'd give GPT-5 the intro sentence and say, “In my writing style, prepare four paragraphs on this.” For example, I might write: “AI has the potential to see us humans like we humans see ant colonies.” Then I'd say, “Give me four paragraphs on the relationship between the individual and the collective in ant colonies.” I could have written those four paragraphs myself, but it would've taken a month to read the life's work of E.O. Wilson and then write them. GPT-5 wrote them in seconds or minutes, in its thinking mode. I'd then say, “It's not quite right – change this, change that,” and we'd go back and forth three or four times. Then I'd edit the whole thing and put it into the text. So this book that I could have written on my own in a year, I wrote a first draft of with GPT-5 as my named co-author in two days. The whole project will take about six months from start to finish, and I'm having massive human editing – multiple edits from me, plus a professional editor. It's not a magic AI button. But I feel strongly about listing GPT-5 as a co-author because I've written it differently than previous books. I'm a huge believer in the old-fashioned lone author struggling and suffering – that's in my novels, and in Virtuoso I explore that. But other forms are going to emerge, just like video games are a creative, artistic form deeply connected to technology. The novel hasn't been around forever – the current format is only a few centuries old – and forms are always changing. There are real opportunities for authors, and there will be so much crap flooding the market because everybody can write something and put it up on Amazon. But I think there will be a very special place for thoughtful human authors who have an idea of what humans do at our best, and who translate that into content other humans can enjoy. Traditional vs Indie: Why This Book Will Be Self-Published Jo: I'm interested – you mentioned that it's your named co-author. Is this book going through a traditional publisher, and what do they think about that? Or are you going to publish it yourself? Jamie: It's such a smart question. What I found quickly is that when you get to be an author later in your career, you have all the infrastructure – a track record, a fantastic agent, all of that. But there were two things that were really important to me here: I wanted to get this book out really fast – six months instead of a year and a half. It was essential to me to have GPT-5 listed as my co-author, because if it were just my name, I feel like it would be dishonest. Readers who are used to reading my books – I didn't want to present something different than what it was. I spoke with my agent, who I absolutely love, and she said that for this particular project it was going to be really hard in traditional publishing. So I did a huge amount of research, because I'd never done anything in the self-publishing world before. I looked at different models. There was one hybrid model that's basically the same as traditional, but you pay for the things the publisher would normally pay for. I ended up not doing that. Instead, I decided on a self-publishing route where I disaggregated the publishing process. I found three teams: one for producing the book, one for getting the book out into the world, and a smaller one for the audiobook. I still believe in traditional publishing – there's a lot of wonderful human value-add. But some works just don't lend themselves to traditional publishing. For this book, which is called The AI Ten Commandments, that's the path I've chosen. Jo: And when's that out? I think people will be interested. Jamie: April 26th. Those of us used to traditional publishing think, “I've finished the book, sold the proposal, it'll be out any day now,” and then it can be a year and a half. It's frustrating. With this, the process can be much faster because it's possible to control more of the variables. But the key – as I was saying – is to make sure it's as good a book as everything else you've written. It's great to speed up, but you don't want to compromise on quality. The Coming Flood of Excellent AI-Generated Work Jo: Yeah, absolutely. We're almost out of time, but I want to come back to your “flood of crap” and the “AI slop” idea that's going around. Because you are working with GPT-5 – and I do as well, and I work with Claude and Gemini – and right now there are still issues. Like you said about referencing, there are still hallucinations, though fewer. But fast-forward two, five years: it's not a flood of crap. It's a flood of excellent. It's a flood of stuff that's better than us. Jamie: We're humans. It's better than us in certain ways. If you have farm machinery, it's better than us at certain aspects of farming. I'm a true humanist. I think there will be lots of things machines do better than us, but there will be tons of things we do better than them. There's a reason humans still care about chess, even though machines can beat humans at chess. Some people are saying things I fully disagree with, like this concept of AGI – artificial general intelligence – where machines do everything better than humans. I've summarised my position in seven letters: “AGI is BS.” The only way you can believe in AGI in that sense is if your concept of what a human is and what a human mind is is so narrow that you think it's just a narrow range of analytical skills. We are so much more than that. Humans represent almost four billion years of embodied evolution. There's so much about ourselves that we don't know. As incredible as these machines are and will become, there will always be wonderful things humans can do that are different from machines. What I always tell people is: whatever you're doing, don't be a second-rate machine. Be a first-rate human. If you're doing something and a machine is doing that thing much better than you, then shift to something where your unique capacities as a human give you the opportunity to do something better. So yes, I totally agree that the quality of AI-generated stuff will get better. But I think the most creative and successful humans will be the ones who say, “I recognise that this is creating new opportunities, and I'm going to insert my core humanity to do something magical and new.” People are “othering” these technologies, but the technologies themselves are magnificent human-generated artefacts. They're not alien UFOs that landed here. It's a scary moment for creatives, no doubt, because there are things all of us did in the past that machines can now do really well. But this is the moment where the most creative people ask themselves, “What does it mean for me to be a great human?” The pat answers won't apply. In my Virtuoso novel I explore that a lot. The idea that “machines don't do creativity” – they will do incredible creativity; it just won't be exactly human creativity. We will be potentially huge beneficiaries of these capabilities, but we really have to believe in and invest in the magic of our core humanity. Where to Find Jamie and His Books Jo: Brilliant. So where can people find you and your books online? Jamie: Thank you so much for asking. My website is jamiemetzl.com – and my books are available everywhere. Jo: Fantastic. Thanks so much for your time, Jamie. That was great. Jamie: Thank you, Joanna.The post Writing The Future, And Being More Human In An Age of AI With Jamie Metzl first appeared on The Creative Penn.

Celine González, Profesora asociada de la División de Estudios Políticos del CIDE

Clement Manyathela speaks to Zane Dangor, who is the Director-General of the Department of International Relations and Cooperation to reflect on key takeaways from South Africa hosting the first G20 on the continent. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Hanadi Al Yafei, Director General of Child Safety Department joins us on the show to share details about the upcoming event. Child Safety Forum 2025 will be held on November 26th at Sharjah's Al Jawaher Reception and Convention Centre. Operating under the theme "Protect Their Innocence", the event will bring together experts, specialists, and policymakers from the UAE and abroad, along with government entities and educational institutions dedicated to child and family protection. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio

Reforms must tackle judicial and public procurement processes to deliver infrastructure. When political will and technical expertise align, Ireland can achieve anything. But we need to tackle the roadblocks first. All to discuss with Shane Dempsey, Director General of the Association of Consulting Engineers Ireland.

New ideas on reaching climate targets as COP30 gets underway In this episode of The Sound of Economics, host Rebecca Christie sits down with Bruegel's Georg Zachmann and professor Jos Delbeke, former Director General of the European Commission's climate division, to discuss how Europe can use its ambitious climate targets to best catalyse global decarbonisation. Zachmann proposes to develop the European Emission Trading System into an anchor for mitigation activities in other sectors and countries. Delbeke acknowledges the need to enhance the ETS so that it can continue to play its important role in the efficient decarbonisation of the EU economy. But he cautions against a direct use of foreign mitigation credits in EU trading systems. Ten years after the Paris accord, how can Europe be more proactive in the global debate and make the most of this year's UN climate conference? Related research: Zachmann, G. (2025) 'A Strawman Proposal to Use International Flexibility in Achieving Developed Countries Climate Targets to Catalyse Global Decarbonisation', De Gruyter Bill Europe's energy future: balancing climate goals and competitiveness, Bruegel event, 14 November 2025 International decarbonisation through coalitions of the willing: carbon pricing, climate finance, trade and nature, Bruegel event, 20 November 2025 

El riesgo de liquidez da la idea de ser invisible, hasta que se vuelve una crisis. Es por eso que esta información debe ser fundamental en cualquier estrategia financiera.En esta segunda entrega sobre la gestión de riesgos, Francisco González, Director General de Valmer, empresa del Grupo Bolsa Mexicana de Valores (Grupo BMV) y Vicente García Vilatela, Director de Riesgos ALM y Fondos, analizan cómo este tipo de riesgo puede poner en jaque incluso a instituciones sólidas.El episodio aborda cómo herramientas como Valrisk permiten monitorear, anticipar y reducir vulnerabilidades financieras. Un contenido esencial para entender cómo la gestión del riesgo puede ser el factor que diferencia la estabilidad del colapso.

In this episode of All In – The Sustainable Business Podcast, Chris Coulter and David Grayson speak with Marco Lambertini, Convener of the Nature Positive Initiative and former Director General of WWF International, and Dorothy Maseke, FSD Africa and Head of the African Natural Capital Alliance (ANCA). The discussion covers Becoming Nature Positive, a new book that Marco and Dorothy contributed to (and can be found for free online here), how companies can best integrate nature into their strategies, and how best to finance Nature-Based Solutions.  

Alan and Janine discuss the potential candidates for the top job in British media—and there's no shortage of suspects.The pair break down the candidates' CVs and even ring up one Lionel Barber on holiday to get his thoughts...Plus, one listener asks who signs off on decisions like the one to edit the Trump speech that got BBC's Panorama programme into such hot water. Where does an editor's responsibility end? Hosted on Acast. See acast.com/privacy for more information.

Welcome to our BBC special episode where we discuss the *********** of a week where the UK's national broadcaster shot itself in the foot, and then in the other foot and then again in the face. It comes just a week after the most glorious of success stories for the BBC - The Celebrity Traitors. So as well as focussing on the departure of the Director General and Head of News - we have invited an old friend back to talk about treachery, deceit, lying and generally being a traitor. Welcome back Paul 'Van Der Traitors' Gorton! Enjoy Hosted on Acast. See acast.com/privacy for more information.

The BBC is in turmoil. A leaked dossier exposing a misedited speech of United States President Donald Trump and other editorial concerns has triggered resignations at the top - and a $1bn lawsuit threat from the US leader. Why the leak surfaced now, and who steps in next, are still open questions. Most importantly, will the BBC be able to recover from this moment? Contributors: Ben de Pear – Former editor, Channel 4 News Jane Martinson – Professor, University of London Karishma Patel – Former newsreader, BBC Tom Mills – Author, The BBC: Myth of a Public Service On our radar This week, Ahmed al-Sharaa became the first Syrian president ever to set foot in the White House. A landmark diplomatic trip filled with photo ops and political theatre, marking his transition from a US-designated terrorist to an ally. Meenakshi Ravi reports. AI slop tsunami: Is the internet now a junkyard? Elettra Scrivo explores how social media platforms are rapidly changing with the surge of AI content. Low-quality, mass-produced, artificially generated content, otherwise known as AI slop, is designed to trigger the algorithms and generate revenue for Big Tech companies. Featuring: Drew Harwell – Technology reporter, The Washington Post Mark Lawrence Garilao – AI video content creator Myojung Chung – Associate professor, Northeastern University

Dorji Dhradhul, former Director General of the Tourism Council of Bhutan, joins Jeremy to talk about the Trans Bhutan Trail, a newly redeveloped historical trail of more than 400 kilometers that crosses the Himalayan kingdom of Bhutan from west to east.  Dorji also informs Jeremy about Bhutan's high value, low volume tourism policy, and how it impacts travel to Bhutan and the experience trekkers have in Bhutan.  And of course they discuss Gross National Happiness!To learn more, Dorji's website:  https://dojidhratyul.com/Questions, comments, or suggestions:  trailsworthhiking@gmail.comInstagram:  @trailsworthhikingpodcast

The Czech republic is the Pays d'Honneur for this biennial event. De Mains De Maîtres is dedicated to the profound artistry of making things by hand. This, the 5th edition of the biennale, has grown into one of the most prestigious applied Art and Design events in the Greater Region. De Mains de Maîtres was founded in 2016 under the patronage of Their Royal Highnesses, the Grand Duke and Grand Duchess of Luxembourg.  The mission is to honour craftsmanship and give visibility to those who shape our world with their hands. In this conversation we will discuss how craftsmanship connects heritage, identity, sustainability, and emotional well-being across generations. It is linked to the materials around us, the conversations and subversions of the day, the need to slow down and connect with our world through our hands and our heads. Artistry of this level is worth elevating, celebrating, respecting and encouraging through our educational system - another theme of the conversation. This year hosts Czechia as the Pays d'Honneur, bringing centuries of glassmaking, ceramics, puppetry and design heritage to Luxembourg. My guests this week are: - Her Excellency, Ambassador Barbara Karpetová, who has been instrumental in coordinating Czechia's participation. - Tom Wirion, Director General of the Chambre des Métiers. - Embroidery artist Yanis Miltgen, whose sculptural textile work has gained international acclaim. - Ceramicist Ellen van der Woude, whose work is influenced by nature, harmony and emotional resonance. Ambassador Barbara Karpetová speaks so eloquently about the changing borders and names of her homeland, and how, throughout this, the language of the artists developed its own conversation with people. The humour that can be spotted in artisans' work through generations of history; the means to remain resilient through periods of political repression. Craft can hold the history and identity of a nation's people. Her Excellency also highlighted the psychological importance of making: the sense of satisfaction in producing something from beginning to end, and the power of craft to reconnect us with our own creativity which is so easily lost in an era of screens and speed. Ambassador Barbara also spoke about the rich material landscape of ‘Bohemia' which easily allowed the arts of certain genres to flourish, such as glass-making. On the Luxembourg side, Tom Wirion, Director General of the Chambre des Métiers, underscored how essential the craft sector is to the country's cultural landscape. Tom noted that one of the greatest challenges remains perception: encouraging young people (and parents) to view skilled trades as a stable, innovative, and rewarding career path. “Buying a crafted object,” he explained, “means investing in a gesture, not just a product.” His vision is to make artisans visible, valued, and actively supported through new pathways, partnerships, and gallery collaborations.  And naturally the educational system has to allow this subject to shine more too. Ceramic artist Ellen van der Woude, formerly a lawyer, turned to ceramics after personal loss and found profound therapeutic power in clay. Her sculptures embrace movement, tension, harmony, and imperfection: an homage to nature's organic balance. For this edition, she presents three works inspired by the transition from winter to spring, reminding us that renewal follows even the longest winters.  Ellen's own confidence in realising that she was indeed an artist only settled once she won the Jury Prize in the first edition of De Mains de Maîtres. She went on to win numerous other awards since. Yanis Miltgen, at just 24 years, found embroidery at the age of 15. Like Ellen, he found working with his hands and mind to be therapy as he had panic attacks at school. Yanis has won the most prestigious embroidery prize (just last week in London); the Hand & Lock Prize. He also won “Les de(ux) mains” Prize from the Comité Colbert (which is ‘the voice of luxury in France). Yanis has brought embroidery to an entirely new level of textile sculptural artistry, merging embroidery with metal, silicone, and reclaimed materials. His pieces, often requiring hundreds of hours, push the boundaries of what textile art can be: scientific in process, poetic in effect. We are reminded at the end by Ambassador Karpetová that even we, as customers, continue this line of artisan appreciation, as we observe the flow of an artists hands' into our homes, or gifting to a loved one. The continuity of time and art, heritage and thought, all combined. These are the things of divine creation which we can contemplate. To stand amongst these curated pieces, visit De Mains De Maîtres 20th to 23rd of November, 10am to 6.30pm, no entrance fee at 19 Avenue de la Liberté. Useful Links https://www.demainsdemaitres.lu/en/ Czech Embassy • Website: https://mzv.gov.cz/luxembourg • Facebook: https://www.facebook.com/AmbassadeTchequeLuxembourg/ Tom Wirion – Chambre des Métiers • https://www.cdm.lu • LinkedIn: https://www.linkedin.com/in/tom-wirion/ Yanis Miltgen • Instagram: https://www.instagram.com/miltgen_design/?hl=en Ellen van der Woude • Website: http://www.ellenvanderwoude.com • Instagram: https://www.instagram.com/ellenvanderwoude/ • Facebook: https://www.facebook.com/madebyEF/

Des and the teams break up the week's big news. Including: the resignation of the BBC's Director General amid the Trump Panorama controversy, the early release of prisoners from Scottish jails, anger from knitters in Shetland about a new TV show, a potential challenge to the Prime Minister and more.Lead Writer: Jennifer WalkerAdditional material: Ian Searle, Alex Buchanan, Mark Granger, Chris Stanners, Simon Paul Miller, Nathan Cowley, Gregor Paton, Conor O'Loughlin, Marina Smith, Lucy Rycroft-Smith, Claire Cox, Carl JonesProducer: Chris Quilietti Senior Producer: Lauren Mackay Series Producer: David Flynn Researcher: Jodie White Script Editor: Keiron NicholsonAn Eco-Audio certified Production

The Czech republic is the Pays d'Honneur for this biennial event. De Mains De Maîtres is dedicated to excellence in craftsmanship, creativity, and the profound artistry of making things by hand. This, the 5th edition of the biennale, has grown into one of the most prestigious applied Art and Design events in the Greater Region. De Mains de Maîtres was founded in 2016 under the patronage of Their Royal Highnesses, the Grand Duke and Grand Duchess of Luxembourg.  The mission is to honour craftsmanship and give visibility to those who shape our world with their hands. In this conversation we will discuss how craftsmanship connects heritage, identity, sustainability, and emotional well-being across generations. It is linked to the materials around us, the conversations and subversions of the day, the need to slow down and connect with our world through our hands and our heads. Artistry of this level is worth elevating, celebrating, respecting and encouraging through our educational system - another theme of the conversation. This year hosts Czechia as the Pays d'Honneur, bringing centuries of glassmaking, ceramics, puppetry and design heritage to Luxembourg. My guests this week are: - Her Excellency, Ambassador Barbara Karpetová, who has been instrumental in coordinating Czechia's participation. - Tom Wirion, Director General of the Chambre des Métiers. - Embroidery artist Yanis Miltgen, whose sculptural textile work has gained international acclaim. - Ceramicist Ellen van der Woude, whose work is influenced by nature, harmony and emotional resonance. Ambassador Barbara Karpetová speaks so eloquently about the changing borders and names of her homeland, and how, throughout this, the language of the artists developed its own conversation with people. The humour that can be spotted in artisans' work through generations of history; the means to remain resilient through periods of political repression. Craft can hold the history and identity of a nation's people. Her Excellency also highlighted the psychological importance of making: the sense of satisfaction in producing something from beginning to end, and the power of craft to reconnect us with our own creativity which is so easily lost in an era of screens and speed. Ambassador Barbara also spoke about the rich material landscape of ‘Bohemia' which easily allowed the arts of certain genres to flourish, such as glass-making. On the Luxembourg side, Tom Wirion, Director General of the Chambre des Métiers, underscored how essential the craft sector is to the country's cultural landscape. Tom noted that one of the greatest challenges remains perception: encouraging young people (and parents) to view skilled trades as a stable, innovative, and rewarding career path. “Buying a crafted object,” he explained, “means investing in a gesture, not just a product.” His vision is to make artisans visible, valued, and actively supported through new pathways, partnerships, and gallery collaborations.  And naturally the educational system has to allow this subject to shine more too. Ceramic artist Ellen van der Woude, formerly a lawyer, turned to ceramics after personal loss and found profound therapeutic power in clay. Her sculptures embrace movement, tension, harmony, and imperfection: an homage to nature's organic balance. For this edition, she presents three works inspired by the transition from winter to spring, reminding us that renewal follows even the longest winters.  Ellen's own confidence in realising that she was indeed an artist only settled once she won the Jury Prize in the first edition of De Mains de Maîtres. She went on to win numerous other awards since. Yanis Miltgen, at just 24 years, found embroidery at the age of 15. Like Ellen, he found working with his hands and mind to be therapy as he had panic attacks at school. Yanis has won the most prestigious embroidery prize (just last week in London); the Hand & Lock Prize. He also won “Les de(ux) mains” Prize from the Comité Colbert (which is ‘the voice of luxury in France). Yanis has brought embroidery to an entirely new level of textile sculptural artistry, merging embroidery with metal, silicone, and reclaimed materials. His pieces, often requiring hundreds of hours, push the boundaries of what textile art can be: scientific in process, poetic in effect. We are reminded at the end by Ambassador Karpetová that even we, as customers, continue this line of artisan appreciation, as we observe the flow of an artists hands' into our homes, or gifting to a loved one. The continuity of time and art, heritage and thought, all combined. These are the things of divine creation which we can contemplate. To stand amongst these curated pieces, visit De Mains De Maîtres 20th to 23rd of November, 10am to 6.30pm, no entrance fee at 19 Avenue de la Liberté. Useful Links https://www.demainsdemaitres.lu/en/ Czech Embassy • Website: https://mzv.gov.cz/luxembourg • Facebook: https://www.facebook.com/AmbassadeTchequeLuxembourg/ Tom Wirion – Chambre des Métiers • https://www.cdm.lu • LinkedIn: https://www.linkedin.com/in/tom-wirion/ Yanis Miltgen • Instagram: https://www.instagram.com/miltgen_design/?hl=en Ellen van der Woude • Website: http://www.ellenvanderwoude.com • Instagram: https://www.instagram.com/ellenvanderwoude/ • Facebook: https://www.facebook.com/madebyEF/

Following resignations of the BBC's Director General and the CEO of BBC News in light of accusations of institutional bias in the organisation, Andrea Catherwood puts listener comments about the integrity of the BBC and its coverage of the scandal to the former Radio 4 Controller Mark Damazer.As the story on Andrew Mountbatten-Windsor continues to play out, the Senior Royal Correspondent Daniela Relph shares how she navigates a story of this sensitivity and magnitude. We pose listeners' responses, including a query over naming conventions. And there's a moving conversation on 6 Music that's been nominated for Feedback interview of the year by listener Bruce Shortland. He suggests a beautiful conversation between Chris Hawkins and the rapper Rosca Onya.Presenter: Andrea Catherwood Assistant Producer: Jac Phillimore Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

A bizarre briefing war has exploded in Westminster, with Wes Streeting accused of plotting a coup against Keir Starmer. Ed Balls and George Osborne analyse the ‘toxic culture' in Number 10: who was really behind the briefing, and has this ‘self-destructive' move inadvertently strengthened Streeting while fatally weakening the Prime Minister?Meanwhile, the BBC is in turmoil, with its Director General and Head of News resigning over the Donald Trump Panorama controversy. With George himself now tipped for the top job, the pair unpack the corporate governance collapse. And, can Donald Trump really win his $1 billion lawsuit against the British broadcaster?Finally, Ed and George turn to Donald Trump snubbing the G20 over his claims of a "genocide" in South Africa. They explore the deepening divisions in the MAGA movement over controversial figures like Nick Fuentes, and ask if this identity politics of the "woke right" is a brand that Nigel Farage is about to import to the UK.Thanks for listening. To get episodes early and ad-free join Political Currency Gold. If you want even more perks including our exclusive newsletter, join our Kitchen Cabinet today:

Stephen Grootes speaks to Duncan Pieterse, Director-General of the National Treasury, and SARS commissioner, Edward Kieswetter about the mid-term budget delivered by Finance Minister Enoch Godongwana. Pieterse discusses the budget’s key priorities, including fiscal consolidation, infrastructure investment, and balancing social spending with economic constraints. In other interviews, Charles de Wet, Executive in the Tax practice at ENS, chats about the tax implications of the mid-term budget. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Stephen Grootes speaks to Duncan Pieterse, Director General of the National Treasury, and SARS Commissioner Edward Kieswetter about the Mid-Term Budget delivered by Finance Minister Enoch Godongwana. Pieterse discusses the budget’s key priorities, including fiscal consolidation, infrastructure investment, and balancing social spending with economic constraints. He highlights how the measures aim to support South Africa’s GDP growth, strengthen public finances, and create conditions for sustainable economic recovery in a country where the economy has struggled with low growth, high unemployment, and persistent fiscal pressures. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

On this week's edition of The Media Show Katie Razzall and Ros Atkins take you inside the biggest crisis to hit the BBC in decades. A Panorama edit of Donald Trump's speech has spiralled into a leadership meltdown, culminating in the simultaneous resignation of the Director General and Head of News. The BBC Chair is under fire, the Board is divided, and the President of the United States is threatening legal action. All this as the BBC begins negotiations for a license fee renewal in a shifting media landscape. Joining the show to make sense of it all are: John Shield, former BBC communications chief, now at the advisory firm Teneo, Jamie Angus former World Service director and Today programme editor, Tim Montgomerie, journalist and cohost of Not Another One podcast, Jane Martinson, Guardian columnist and with the view from America the former editor of Vanity Fair and The New Yorker Tina Brown. Producer: Lisa Jenkinson Assistant Producer: Martha Owen

Dan has entered fatherhood just in time for the shutdown to end. Mortgages are now 50 years. Jews and Communitists are in the news. Honestly I'm tired just listen to the show or have AI summarize it for you.   Producers for MMO #193 Executive Producers Nail Lord of Gaylord Make Good Dono: We'd never forget you brother   Fiat Fun Coupon Producers R from parts uknown Eli the Coffee Guy Sharky Shark Trashman Sir Cascadia Cbrooklyn112 Praetor Wiirdo of the Not So Flat Lands   Booster Producers   netned          | 20,000 | BAG DADDY BOOSTER! mugdaddy    | 15,000 trailchicken   | 3,333 SirSeatSitter | 1,234 SirSeatSitter | 1,234 boolysteed    | 1,230 fairvolty         | 195 fairvolty         | 192 NostrGang    | 101   Creative Producers: Episode Artwork Woof does it again with his cultured view of France's new cocaine "problem". Zou classless Ameri-cons won't understand.   Follow Us: X/Twitter MMO Show John Dan Youtube (while it lasts) MMO Show Livestream Rumble MMO Show Livestream Twitch MMO Show Livestream   Shownotes: Dan's Sources STL Alderwoman blames Palestinian gas station owners for crime Rep. Ro Khanna calls Sen. Chuck Schumer "out of touch," says "he is not meeting the moment" Christianity is facing an existential threat in Nigeria President Trump says Kazakhstan joined the Abraham Accords: What was their president's response? Europe sees a rise of narcotics shipments from Latin America | DW News What does the US want from Syria’s Ahmed al-Sharaa? | DW News STL Alderwoman blames Palestinian gas station owners for crime Rep. Ro Khanna calls Sen. Chuck Schumer "out of touch," says "he is not meeting the moment"   John's Shownotes Shutdown            DW Report on Shutdown            CBS Report on Shutdown TSA   Antisemitism            Dave Portnoy Starkville   Climate            DW Report on COP30            Global South Countries Map   50 Year Mortgage            CNBC Report     Media            BBC CEO and Director-General resign over edited Trump speech                        Trump Edit and Original   Jews            Cruz Antisemitism   Mamdami            No problem too large for government   Tech            FBI Subpoenas Identity of Owner of Archive.Today

The BBC has this week been rocked by a series of controversies, leading its Director General and Head of News to resign, and President Donald Trump threatening to sue the corporation over an edit it made to his January 6th, 2021 speech in one of its programmes, which the BBC admits was misleading. How did the management of the world's most trusted news broadcaster reach crisis point, and what does this tell us about today's media landscape? BBC culture and media editor Katie Razzall explains. Producers: Viv Jones, Xandra Ellin and Hannah Moore Executive producer: James Shield Sound engineer: Travis Evans Senior news editor: China Collins(Photo: BBC headquarters in London. Credit: Andy Rain/EPA/Shutterstock)

Teniente coronel Daniel Fernando Gutiérrez Rojas, director general del Inpec by Diario La república

What is Brazil trying to achieve with COP30? It's Day Two in Belém and all eyes are on the host nation. Join Christiana Figueres and Tom Rivett-Carnac as they unpack how the country is shaping the first days of COP30 - and the quiet strategy behind Ambassador André Corrêa do Lago's leadership. With the release of the Call of Belém for the Climate, they explore what may be a masterstroke of multilateral diplomacy. And friend of the show Thais Bilenky joins us to break down how the early days of the summit are playing out in Brazilian media and on the streets of Belém.With the support of the Arapyaú Institute, this episode also turns the spotlight on Brazil's own climate progress. How is a nation, standing at the bridge between the Global North and the emerging Global Majority, using this moment of global attention to tell a new story: one defined by solutions, not sacrifice? We hear from Renata Piazzon, Director General of Arapyaú, whose mission is to reframe Brazil's climate story - showing the opportunity that lies in regeneration, restoration, and a thriving social bioeconomy. And Marina Silva, Brazil's Minister for the Environment and Climate Change, joins Christiana to share her call for an Ethical Global Stocktake - a reminder that sustainability is not only a way of doing, but a way of being.Learn more:

The BBC's had a pretty bad week, North and South of the border. We look at the suggestions that Robbie Gibb, the right-winger on the BBC board, has led a bit of a coup to get rid of the Director General and Head of News. What happens next? Does the license fee payer have to cough up millions to compensate Donald Trump for apparent hurt to his reputation?We discuss that, plus the hurt to Yesers in Scotland and that there has hardly been a mention of the lack of trust, visible and measurable in Scotland as a result of handling of the Indyref. We examine some of the most outragous examples of BBC Bias and recall the protests. We also look also at prisons and the problems in England with the mistaken release of dangerous offenders. We also discuss planned early release in Scotland. What's that about, and why are our prisons filled to bursting? Donate to support the Podcast https://lesleyriddoch.com/podcast/subscribeLinksMagnus Turpie  If you would like to support Magnus Turpie and Friends you can vote for them at Question 11 and Dick Gaughanich at Question 6https://projects.handsupfortrad.scot/scotstradmusicawards/voting/Listen to the full band https://www.youtube.com/@mcturpie/videosWatch the Scotland's Lost Forests Filmhttps://youtu.be/MuTV1SiYeu4Forest film write up in the National https://www.thenational.scot/news/25610918.lesley-riddoch-launched-new-film-scotlands-missing-forests/London Calling: BBC bias during the 2014 Scottish independence referendumhttps://youtu.be/TXQYuLUAbyw?si=H1mN3ZCRFDsKLcnBScotcast about BBC bias on Panorama starts with Senior Producer Natalie Higgins and Martin GeisslerThen Brian Taylor and Liz Lloyd on IndyRefhttps://www.bbc.co.uk/sounds/play/m002m077YouGov Media Trust findingshttps://yougov.co.uk/politics/articles/45744-which-media-outlets-do-britons-trust-2023 ★ Support this podcast ★

Una fase del segundo proceso de solicitud de levantamiento de inmunidad contra el presidente de la República tendrá escenificación el próximo viernes, cuando el mandatario acuda a la comisión legislativa especial que evalúa el caso. Esta vez no se trata de una acusación penal como la primera, sino de una petición del TSE para determinar si entra a analizar 15 denuncias por beligerancia política de 25 presentadas a la fecha. La beligerancia política no es un delito, es una infracción a las normas establecidas para garantizar la cancha pareja en el juego electoral. Este capítulo es solo parte de la historia de confrontación del Ejecutivo contra el Tribunal Supremo de Elecciones. Zapote rechaza abiertamente la imparcialidad que exige la legislación costarricense al gobierno de turno en cada campaña electoral y por ello ha ejecutado una estrategia en dos frentes: por un lado, argumentando una supuesta "mordaza" qué dizque le impide hacer rendición de cuentas y por otro, atacando abiertamente no a los mensajes normativos, sino a los mensajeros que son los magistrados y funcionarios; voces públicas que llaman al cumplimiento de las reglas del fair play de la contienda. Gustavo Román, Director General de Estrategia y Gestión Política del TSE ha sido el último en la mira. Pilar Cisneros lo acusa (formalmente) no solo de beligerancia política, sino que mediáticamente lo exhibe como un funcionario público que goza de privilegios y asegura que ha calificado al mandatario de matón y dictador, aunque nunca haya pronunciado el nombre del presidente Chaves Robles. Por eso, conversamos con Román Jacobo

Richard Ayre is a former Controller of Editorial Policy and Deputy Chief Executive of BBC News, and later became a member of the BBC Trust. We discuss the BBC's crisis: how the organisation should respond to legal threats from Trump; the resignations of Tim Davie and Deborah Turness; the actions and inaction of the editorial guidelines and standards committee; and the wider impact on BBC journalism.Richard also explains the process for appointing a new Director General, the implications for Charter Renewal, and the failures of the current governance system."Ministers have the power now to insert onto the shortlist people of their own choosing, irrespective of what any independent panel says. It's corrupt. It invites corruption. We have to take all public appointments out of political hands, and that includes the non-executive directors of the BBC."Listen to all our episodes here: https://podfollow.com/beebwatch To support our journalism and receive a weekly blog sign up now for £1.99 per month www.patreon.com/BeebWatch/membership @beebwatch.bsky.social@BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.com Hosted on Acast. See acast.com/privacy for more information.

BBC Chair Samir Shah has apologised for an "error of judgement" in how a documentary edited a speech by Donald Trump. Also on the programme, the presidents of the US and Syria will speak at a historic meeting at the White House; and, red kite chicks from England have been sent to Spain in order to bring the species back from the brink of extinction.(People walk outside BBC Broadcasting House after Director General of BBC Tim Davie and Chief Executive of BBC News Deborah Turness resigned following accusations of bias at the British broadcaster, including in the way it edited a speech by U.S. President Donald Trump, in London, Britain, November 10, 2025. REUTERS/Jack Taylor)

It seems that the BBC is once again setting the news agenda – via tales of its own incompetence. The Corporation has spent days battling accusations that it aired a doctored clip of a speech by President Trump in a Panorama documentary back in January 2021. The White House Press Secretary has called the Beeb ‘100 per cent fake news' while Kemi Badenoch has demanded that ‘heads must roll' ... and now they have. For Tim Davie, the Director-General of the BBC, announced his resignation, alongside Deborah Turness, his senior colleague and CEO of News. But will two scalps be enough? James Heale speaks to Tim Shipman and Sonia Sodha. Produced by Oscar Edmondson. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts.Contact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

The election of Egypt's Khaled El-Enany as the new Director General of UNESCO and the recent announcement from Prime Minister Mitsotakis that Greece and Egypt have worked to preserve the status of Saint Catherine's Monastery at Mount Sinai have put cultural heritage in the spotlight. Dr. Elizabeth Prodromou, an expert on religious freedom issues and cultural heritage, joins Thanos Davelis as we look into these developments, the concerns around El-Enany's election, and the broader use of cultural heritage as a geopolitical tool.You can read the articles we discuss on our podcast here:Khaled El-Enany elected Director-General of UNESCOEgypt's Enany set to lead UNESCO despite criticism of heritage record at homePM: Greece and Egypt have safeguarded spiritual character of Sinai MonasteryGreece, US ink 20-year LNG contractUAE envoy says aid to Gaza will be scaled up, Cyprus is key route

Why have the BBC's Director General and Head of News both suddenly resigned? Is this an internal 'coup' at the BBC or a 'concerted' attack by its usual enemies? How is American-style polarisation spreading to UK media, and what does it mean for the quality of our journalism? Join Rory and Alastair as they answer all these questions and more. __________ Social Producer: Celine Charles Video Editor: Josh Smith Assistant Producer: Daisy Alston-Horne Producer: Evan Green, India Dunkley Senior Producer: Callum Hill Exec Producer: Tom Whiter Learn more about your ad choices. Visit podcastchoices.com/adchoices

The BBC's Director General and head of news are forced to resign in a confected row about Donald Trump's incendiary Jan 6 speech. Overdue accountability for mediocre leaders, or a successful drive-by from lifelong enemies of the BBC – and dangerous interference in British democracy from Trump? Plus, Rachel Reeves' budget plans crystallise, COP30 shows the dire state of climate action, the junior doctors' strike… and Somerset Dracula rises from his grave. Ros Taylor sets out the week ahead with Andrew Harrison.  www.patreon.com/bunkercast  Written and presented by Andrew Harrison. Producer: Liam Tait. Audio production: Simon Williams. Music by Kenny Dickinson. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Scott Bryan, media commentator and broadcaster, on the resignations of the BBC's Director General and chief executive of news following the controversial edit of a speech by Donald Trump which featured in a documentary.

Nolan talks to former BBC editor Roger Bolton and ex BBC home affairs corr Danny Shaw

US President Donald Trump has threatened the BBC with a $1bn lawsuit over edits the Panorama programme made to a speech he gave before the January 6 Capitol riots. We assess the significance of the lawsuit and the resignations of the Director General and the CEO of BBC News. Also on the programme: why Democrats aren't happy about a deal aimed at ending the longest government shutdown in US history; and on a rare trip back home, a UK-based Russian writer finds out how people are dealing with the war in Ukraine.

Sam reveals there might be some Traitors style plotting going on behind the scenes in the government. But from who? And how might Keir Starmer see off this challenge? Budget speculation continues, and specifically – who is and is not a “working person”? And, should it occur, what would the consequences be of breaking a manifesto commitment? How perilous a moment for Starmer could this be? And after the BBC's Director General and CEO of News resign, what does Starmer now say about the organisation? And who will come next in the top BBC job?

Juan Carlos Anaya, Director General del grupo consultor de mercados agrícolas