American evangelist and baseball player
POPULARITY
5 episodes with Billy Sunday
5 episodes with Billy Sunday
5 episodes with Billy Sunday
3 episodes with Billy Sunday
2 episodes with Billy Sunday
3 episodes with Billy Sunday
2 episodes with Billy Sunday
2 episodes with Billy Sunday
2 episodes with Billy Sunday
En 1854, un niño enfermizo llamado Edward Kimball comenzó a enseñar en una escuela dominical. Un día, decidió hablarle a un joven vendedor de zapatos sobre Cristo. Ese joven era Dwight L. Moody, quien años después se convertiría en uno de los evangelistas más influyentes de la historia. Pero la historia no termina allí. Moody llevó a Cristo a F.B. Meyer, quien influyó en J. Wilbur Chapman, quien a su vez tocó la vida de Billy Sunday. Finalmente, Billy Sunday predicó y llevó a Cristo a un hombre llamado Mordecai Ham, quien en una cruzada evangelística alcanzó a Billy Graham, el evangelista más influyente del siglo XX.Lo que comenzó con un maestro de escuela dominical sin fama ni reconocimiento terminó impactando a millones de personas. Dios no mide la importancia por el tamaño de la plataforma, sino por la disposición del corazón.Tal vez sientes que lo que haces es pequeño e insignificante, pero nunca subestimes el impacto de un acto de obediencia. Dios usa lo que parece pequeño para grandes propósitos. La Biblia dice en Zacarías 4:10: “Porque los que menospreciaron el día de las pequeñeces se alegrarán…” (RV1960)
En 1854, un niño enfermizo llamado Edward Kimball comenzó a enseñar en una escuela dominical. Un día, decidió hablarle a un joven vendedor de zapatos sobre Cristo. Ese joven era Dwight L. Moody, quien años después se convertiría en uno de los evangelistas más influyentes de la historia. Pero la historia no termina allí. Moody llevó a Cristo a F.B. Meyer, quien influyó en J. Wilbur Chapman, quien a su vez tocó la vida de Billy Sunday. Finalmente, Billy Sunday predicó y llevó a Cristo a un hombre llamado Mordecai Ham, quien en una cruzada evangelística alcanzó a Billy Graham, el evangelista más influyente del siglo XX. Lo que comenzó con un maestro de escuela dominical sin fama ni reconocimiento terminó impactando a millones de personas. Dios no mide la importancia por el tamaño de la plataforma, sino por la disposición del corazón. Tal vez sientes que lo que haces es pequeño e insignificante, pero nunca subestimes el impacto de un acto de obediencia. Dios usa lo que parece pequeño para grandes propósitos. La Biblia dice en Zacarías 4:10: “Porque los que menospreciaron el día de las pequeñeces se alegrarán…” (RV1960)
David Stockton, Jeff Gokee, and CJ Bergmen discuss joy, causing a major distraction in the back pew of our church services, and dressing up as Billy Sunday and Martin Luther for Halloween.
Our 2024 Season Finale! Sean's on the bump with the extra long story of William Ashley Sunday. After a rough childhood, Sunday's speed was enough to earn a spot on the Chicago White Stockings but he would leave after a short career yo serve a bigger purpose! Preaching the word of God like no one had ever seen before.
The flamboyant baseball-legend-turned-preacher Billy Sunday stated, "If you have no joy in your religion, there's a leak in your Christianity somewhere!" That's not to say that life is all laughs. Hardly! Jesus anticipated His followers' deep sorrow. He predicted it. But He also assured them that their experience of sadness would be eclipsed by a greater experience of lasting joy.
The flamboyant baseball-legend-turned-preacher Billy Sunday stated, "If you have no joy in your religion, there's a leak in your Christianity somewhere!" That's not to say that life is all laughs. Hardly! Jesus anticipated His followers' deep sorrow. He predicted it. But He also assured them that their experience of sadness would be eclipsed by a greater experience of lasting joy.
Billy Sunday was born in 1862, the second year of America's Civil War. He died in 1935, during the Great Depression. Billy was a wildly flamboyant and controversial preacher, but he made an interesting observation:“More men fail through lack of purpose than lack of talent.”We'll talk more about purpose in just a minute, but first we need to talk about possibilities.I will say it plainly:What you see in the mirror isn't you.Look inside yourself and take inventory of what you find there.Realize that this is all you have to work with.Make the best of it.I will say it as Confucius might have said it:Gilded paper and bright ribbons adorn an empty vessel while gold hides in a rough wooden box.You will not find what is not there. But what lies inside you is easy to see.Everything within you is all that you have.Therefore, it must be enough.I will say it like an old warrior:Fancy uniforms don't win battles.It's not the size of the dog in the fight that matters, it's the size of fight in the dog.If you don't have it in you, it doesn't exist.Learn to use what you've got.This is how Yoda would have said it:Be invisible, you will.Inside yourself, you must look.Hmm. Flaws, you shall find.Magic, these are.I will say it as someone who loves you:You are the perfect you.No one else can be you as well as you can.You will be you for the rest of your life.It is time to discover what you can do.And now it is time to talk about purpose again.A sad voice inside you whispers: “Everyone talks about purpose, but no one can tell me what it is, or where to find it.”Quit listening to that whiner. Purpose is given to you by what you care about. Is there anything you care about?Of course there is.Are you ready for the real mind-blower?Purpose is given to you by everything you care about. You are overflowing with purpose. The problem is that you care about so many things that you are having a hard time choosing a purpose.Here is the good and happy news: You can have more than one purpose!In fact, you already do; and you have what it takes to make a difference.How many differences do you want to make?Pick two or three of them to get started. You can add other ones later, when you have taken these first ones as far as you choose to go. Sooner or later, you'll choose a few that will sink deep roots in you.Every oak tree begins as an acorn.Now go. Get started.Roy H. WilliamsPS – “It is better to burn the candle at both ends, and in the middle, too, than to put it away in the closet and let the mice eat it.” – Henry van DykeDavid Sauers used to be a commercial banker, but today he runs a service business with 50 branches nationwide. It's not the type of business that most people dream about owning. The nature of his business – and the powerful lessons you can learn from his success – will be revealed in this week's story. But here's an interesting twist: In a private note to Roy, roving reporter Rotbart wrote, “I love unusual guests and David Sauers definitely fits the bill.” The roving reporter is at it again! MondayMorningRadio.com
The incredible story of evangelist, Billy Sunday.
Samantha Nelson, freelance food writer, joins Bob Sirott to talk about the growing trend of non-alcoholic drinks at bars and why cocktails and mocktails tend to be around the same price. She also shares details about some places that are expanding their mocktails list, like Arbella, Billy Sunday, and Nobody’s Darling.
Garth Heckman The David Alliance TDAgiantslayer@gmail.com Website: www.aegisdefensesolutions.com Insta: For anyone in IL. Luke is a linseed professional counselor who specializes with kids, teens, and families in Christian Counseling. If you or someone you know is struggling with anxiety, mood challenges, ADHD, and other mental health concerns, reach out to Luke https://www.whitestoneresources.com/counselors-list/lmerrill My media channels all go to Garth Heckman starting today… Today I uploaded a clip of me unloading a 30 round mag in my new Glock 19X and then add some flavor to it with another weapon thrown in… Text me 30 second interviews of you asking people “whats it take to be a man” (and send me yours as well) Please let people know this is not a gender question… just simply in each persons mind we have a simple theory of what it takes to be a man… I will post them on all my social meads channels… hey I would love to hear from women as well. There are no right or wrong answers… and I don't just want christian men, so if a guy cusses we will edit it out if its really bad. I once asked my wife to do something… quite hard for her, and maybe even selfish on my part… but she smiled and obeyed… it was at that moment that I realized all the obedience on my part had created a oneness that we had never had up to that point… and in that oneness came a deep power to work, live and minister together…. In the middle of the night, there was a pastor in Chicago who was awakened from his sleep. He heard the Holy Ghost tell him to go down to the Chicago train station and preach the Gospel. He thought to himself, “that's silly. Why would God ask me to do that?” So he rolled over and went back to sleep. The same thing happened again, and then a third time, until finally the man gave in and drove to the train station. When he arrived no one was there, but he was obedient and preached a basic Gospel message and even gave an altar call even though it seemed no one was even listening. Afterwards, he went home. Years later that same pastor went to a Billy Sunday meeting where the great evangelist gave his testimony of how he received salvation. He said, “I was down at the Chicago train station, and there was a man preaching the Gospel, and even though I couldn't see him nor did I know where the voice was coming from, he led me to the Lord that night!” Billy Sunday reached millions of people with the Gospel through his ministry. Handstand at the slurpy machine. Obedience is a fancy term for faith. You can't have one without the other. Obedience is a muscle. The more you practice it the stronger it gets. Obedience brings power - If I can trust you I will give you more power. The talents… you get more. Obedience is not always understood by you - So many times I have scratched my head and asked God why? And all he replies is just do it. Many times later I understand and see why. Obedience is uncomfortable Most of the time… but I will say this, the more you practice obedience the easier it becomes… never completely a walk in the park, but definitely easier and easier. Obedience is not understood by the masses Radical obedience will never be understood by the lukewarm and the lost. Obedience is the first domino Once you obey in the small things… the big things open up to you. Obedience and its fall out many times happens later - Obedience is like compound interest. At the 16th year your interest just about matches your investment. At year 40 it is more than 3X's your investment. I.e. if you invest 185k, in 40 years it will be worth over 800K. Obedience is the greatest interest you would ever want to reap. Obedience to those over you is just as important as Obedience to God If you can't obey those in power over you, it will be almost impossible for God to use you in obedience to him.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
Dirt poor and struggling with a severe speech impediment, Billy Sunday Birt grows tough and violent. He quickly replaces reading and writing for whiskey-running and armed robbery. While Birt's reputation for retribution is no secret, the people of Barrow County don't suspect how cruel he is until neighbors start disappearing and bodies begin surfacing along the banks of the Mulberry. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. For more details, visit our website www.blackbarrelmedia.com and check out our social media pages. We're @OldWestPodcast on Facebook, Instagram and Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join us as we celebrate the impact of fathers in shaping lives and legacies. Explore how the essence of fatherhood, from prayerful guidance to steadfast protection and nurturing provision, anchors families in faith and values. Discover the wisdom of scriptures and thinkers like Billy Sunday and Billy Graham, reflecting on the pivotal role fathers play in their family's story.
May 9, 2024 - Former mayor Paul Osborne joined Byers & Co to talk about Decatur Tribune's digital paper website getting hacked, evangelist Billy Sunday, the passing of Ed Booth, and politics. Listen to the podcast now!See omnystudio.com/listener for privacy information.
One of the exciting episodes of my life was working on the Billy Graham Crusade at the Meadowlands in northern New Jersey. It was incredibly organized. One thing that was especially well organized was security. There were thousands of people coming and going, so of course, security had to be very well thought through. Now, it was my privilege to be the Chairman of that crusade. And I'll tell you, if I was stopped I still had to have my badge on. It didn't matter what your title was, because if you didn't wear your badge, you weren't going anywhere. One night we were entering the arena, and one of Billy Graham's staff was with me. But he had forgotten his badge. Well, when the guard stopped us, I had my badge. He knew who I was. I said, "Now, this is really a good guy, honest. He's OK. In fact he's on Billy Graham's staff." But do you know how he finally got in? On my credentials. It worked. I'm Ron Hutchcraft and I want to have A Word With You today about "False Hope of Heaven." Our word for today from the Word of God comes from Romans 14. The second half of verse 10 says, "We will all stand before God's judgment seat." It's a sobering sentence isn't it? Then the verse says, "So then, each of us will give an account of himself to God." So when we're judged by God we will all be one-on-one with Him. Nobody's going to be standing there with you. There are some who hope to make it with God because of a connection they have, like my friend from the Billy Graham staff who got in on my badge. Well, no one else's badge will count when you stand before God. You might try to say, "Lord, my parents were great Christians; my wife, what a spiritual lady! Think about how much my son, my daughter was into this, Lord. My brother's in the ministry. My grandmothers prayed for me for years. She prays all the time. You know, she's really religious." Or maybe we could try other connections and say, "Lord, you know I was a good Presbyterian. I was a good Baptist. I was a strong Catholic." But none of our connections will matter to God. Nobody else's faith is going to impress Him. Every man will give account of himself to God. You say, "Lord, I spent years in the church." Billy Sunday said years ago, "Being in church will not make you a Christian any more than being in a garage will make you a car." In 2 Timothy 1:5, Paul says of Timothy, "I know the faith that was in your grandmother, Lois, and then in your mother, Eunice. And now lives in you also." See, God has no grandchildren. You have to have your own relationship with Him. You've got to have a badge of your own. Have you personally been to that cross where Jesus paid for your sin? Because that's what the badge says to get you into heaven. See, I've been to the cross of Jesus. I went there to have my sins forgiven, knowing there was nothing I could do; no good works, no religion, no noble life that could ever get my sins forgiven because of the death penalty of my sin. I know Jesus is my only hope. But you've got to go there for yourself. No one can go there for you. It could be He's brought us together today so you could actually feel His knocking on the door of your heart. Listen to it. Open up to the Savior. All the other people you know who belong to Jesus Christ will not get you into heaven. They just make you all the more responsible because you've had so many chances to hear it. If you don't know Jesus; if you're not sure you belong to Him, let this be the day where you say, "Jesus, you who died for my sins, who came out of that grave to come in and change my life, I surrender that life to you. I am yours." Our website is all about getting this relationship started. Would you make that the next thing you do? Would you go to ANewStory.com. If you're not sure you have a badge of your own, get to the cross of Jesus today. Don't miss heaven because you thought that someone else could get you in.
The Spirit of the Law Part 1: The Heart of Murder Matthew 5:21-26 Cultivating a Murderous Attitude (vv. 21-22) You have heard it said but I say to you Confronting a Murderous Attitude (vv. 23-24a) Confrontation in worship Conviction in worship Consistency in worship Correcting a Murderous Attitude (vv. 24b-26) First reconcile Then worship Find liberty More to Consider The scribes and Pharisees were evidently seeking to restrict the application of the sixth commandment to the deed of murder alone, to the act of spilling human blood in homicide. If they refrained from this, they considered that they had kept the commandment. And this apparently is what the rabbis taught the people. But Jesus disagreed with them. The true application of the prohibition was much wider, he maintained. It included thoughts and words as well as deeds, anger and insult as well as murder. John Stott Hate is like acid. It can damage the vessel in which it is stored as well as destroy the object on which it is poured. Ann Landers, Bits Pieces, September 17, 1992, p. 3. A man who hates to be slapped on the back packs his coat with TNT and waits for this man who always slaps his back. His idea is when he hits me, I will get him, I'll blow him up. Hate kills both the person who you hate, but also yourself as well. Hating people is like burning down your own house to get rid of a rat. H.E. Fosdick A lady once came to Billy Sunday and tried to rationalize her angry outbursts. "There's nothing wrong with losing my temper," she said. "I blow up, and then it's all over." "So does a shotgun," Sunday replied, "and look at the damage it leaves behind!" Billy Sunday.
This man is known as the most dangerous man in Georgia history.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org . A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org . A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
This Breakpoint was originally published on February 21, 2023. ___ Two weeks ago, what started as a routine (and, according to the preacher, “lackluster”) chapel service at Asbury University became something remarkable. Instead of heading off to classes, students stayed to pray and worship. Services have continued ever since, with people traveling from near and far to join in prayer, repentance, and song. What is being called a “revival” by some and an “awakening” by others has now spread to other Christian colleges. The past few days echo the revivals that were experienced in the recent past on other Christian college campuses, including one at Wheaton College in 1995, and those at Asbury in 1970 and 1950. In each case, there were seemingly spontaneous expressions from students of prayer, confession, and praise. The revivals of the past are an indelible part of Asbury's historical memory, and many who experienced the 1970 revival have prayed ever since for it to happen again. Revivals have been, in fact, a consistent, distinct feature of American religious life since before our nation's founding. The First Great Awakening, in the early 1700s, was part of a larger, trans-Atlantic spiritual renewal centered on personal conversion, an emphasis that had a transformative effect on the emerging American consciousness. The idea that a genuinely converted, common ploughboy was spiritually ahead of an unconverted bishop contributed to a growing anti-hierarchical attitude in the colonies. This, in time, contributed to a growing anti-monarchial mood, setting the stage for revolution. The Second Great Awakening, which swept the nation decades later, coupled a similar focus on conversion with postmillennial eschatology. Among the results was a drive for social reform. Abolitionism, temperance, and efforts against prostitution became calling cards of what came to be known as evangelicalism. Other revivals followed, and most included an added focus on foreign missions. The Prayer Meeting, or Businessmen's Revival, of the 1850s was followed by revivals in the camps of both armies during the Civil War, the urban efforts and revival preaching of D.L. Moody of the 1870s and 80s, and the theatrics of Billy Sunday's revivals at the turn of the century. Soon after came the Azusa Street Revival in California, which led to a massive growth of Pentecostalism and the charismatic movement worldwide, and then eventually led to the Jesus People of the 1970s. And those are only the “big” ones. Simply put, revivalism, with a focus on a personal faith with public implications, dramatically shaped American life and culture and is a major reason that America remained more religious than Europe for so long. At the same time, revivals and revivalism have always faced a good deal of criticism, including charges of excess, hyper-emotionalism, manufactured techniques, and anti-intellectualism. Jonathan Edwards, a major figure of the First Great Awakening, understood the dangers inherent to revivalist fervor, but he also believed in these unusual times when the Holy Spirit moved among a people. Perhaps America's greatest intellectual, Edwards prayed and worked toward revival, and he offered criteria for evaluating it. According to Edwards, a true work of the Holy Spirit elevates Christ, opposes sin and Satan, prizes the Bible, distinguishes truth from error, and manifests love. He also understood that in the midst of such a movement, there would be things to oppose as well. All of this is helpful as we try to grasp what has happened at Asbury, and now beyond, over these last two weeks. We'd do well to remember Jesus' warning that there will be tares among the wheat, and that the remarkable times in which the power of God and goodness of Christ are made manifest are ways in which God graciously prepares us for life off of the mountaintops. Though, like Peter and John, we may want to remain in such times and places, He will eventually have work for us to do elsewhere. Critics would do well to recall the history of God working through awakenings and revival, both in this nation and elsewhere, as well as the faithful who sincerely believe that God has answered their years of praying for revival to return to Asbury. What we can all be sure of (and thankful for!) is that God is constantly at work in His world, sometimes in extraordinary but most often in “ordinary” ways. God is constantly speaking through His world, through His Word, and ultimately, in His Son. May we have the ears to hear Him. And may He grant us the hearts to pray that an awareness of sin and a passion for God and His people would grow in the hearts of these students, long after the mountaintop high of the revival has faded in their memory. This Breakpoint was co-authored by Dr. Glenn Sunshine. For more resources to live like a Christian in this cultural moment, go to colsoncenter.org.
We've been following the chain of faith from Edward Kimball to DL Moody, then from Moody to Wilbur Chapman and on through Billy Sunday and Mordecai Ham until we've finally reach the man himself, William Franklin Graham. Graham needs little introduction so we'll just jump right into the story.RESOURCESThe Billy Graham Library: https://billygrahamlibrary.org/blog-billy-graham-and-the-florida-bible-institute/iDisciple: https://www.idisciple.org/post/the-impact-of-oneChristian History Institute: https://christianhistoryinstitute.org/magazine/issue/billy-grahamBillygraham.org: https://billygraham.org/about/biographies/billy-graham/The Billy Graham Library: https://billygrahamlibrary.org/billy-graham/Christianity Today: https://www.christianitytoday.com/history/people/evangelistsandapologists/billy-graham.htmlMy Hero: https://myhero.com/billy-grahamThe Gospel Coalition: https://www.thegospelcoalition.org/blogs/justin-taylor/interview-billy-grahams-best-biographer/Inspirational Christians: https://www.inspirationalchristians.org/evangelists/reverend-billy-graham-ordinary-man-extraordinary-call/Christianity.com: https://www.christianity.com/church/church-history/timeline/1801-1900/mordecai-ham-outspoken-evangelist-11630588.htmlAunty Faith: https://auntyfaith.com/2020/09/01/the-biography-of-mordecai-ham-the-southern-revivalist/Florida Backroads Travel: https://www.florida-backroads-travel.com/temple-terrace-florida.htmlWUSF: https://www.wusf.org/news/2018-02-21/rev-billy-graham-found-evangelical-voice-in-temple-terrace-tampa
Over the last few episodes we've been building up the chain of faith that leads to Billy Graham. We've seen how the devotion and life of Sunday school teacher Edward Kimball led to the conversion of a young DL Moody. Then how Moody inspired Wilbur Chapman to go into full-time evangelism which led to Chapman giving Billy Sunday his start as an evangelist. And that's where we pick up the chain today as we take a deeper dive into the life of Billy Sunday.RESOURCESChristianity Today: https://www.christianitytoday.com/history/people/evangelistsandapologists/billy-sunday.htmlGot Questions?: https://www.gotquestions.org/Billy-Sunday.htmlRomans1015: https://romans1015.com/billysunday/Wholesome Words: https://www.wholesomewords.org/biography/bsunday3.htmlTravis Agnew: https://www.travisagnew.org/2013/07/22/the-chain-of-events-for-billy-grahams-conversion/
"Trials can develop us but temptations can destroy us." Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” Pastor Ray shares his next message in the series Faith—Just Live It, titled “Trials VS Temptation.”
This week we conclude our series on Billy Sunday. We discuss his many ties to the KKK and other crazy tales of his remaining years. Visit our patreon for more content www.patreon.com/excompod and our store for shirts and stickers! www.excompod.com
Picture it, the turn of the millennium, and the dawn of the online music revolution. jD just shelled out his last few dollars on The Tragically Hip's seventh studio record, Music at Work, unaware that it would mark the end of an era for him - his final first-day purchase. From there we take a deep dive into the album's reception, its relevance today, and the debate if it was a step out of The Hip's comfort zone.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today! https://bit.ly/GHTTHTicketsTranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weir
TranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weird that I did not expect to where I'm at so far in the discography of this band for him to slowly become one of my almost favored guitar players. And this guy that I never knew before. I fucking love his fucking guitar playing, dude. It's fucking awesome. Track 1:[1:38:09] Yeah, he's really good. Track 3:[1:38:11] That's an amazing gift for you, bro. What's that? So that's an amazing gift for you to have this discovery of a new influence. Track 2:[1:38:19] Totally, absolutely Tim, absolutely. Track 3:[1:38:22] So Train Overnight, the next
Side 1 - Radio Adventure and Drama. Jack Armstrong. The Lone Ranger. Sgt. Preston and Yukon King. Terry and The Pirates. Famous Jury Trials. Dangerous Assignment. Mr. Keene, Tracer of Lost Persons. Gang Busters. Suspense. The Shadow. Side 2 - The Classic Radio News Broadcasts. KDKA Election Returns. Pres. Coolidge presents Charles Lindberg to Congress. Amos 'n Andy on Hoover-Smith campaign. Eddie Cantor on 1929 Crash. Billy Sunday on prohibition. FDR is inaugurated. Edwin C. Hill. Bruno Hauptman is executed. The Hindenburg disaster.
This week we go further into the rhetoric and craziness of the Baseball player turned evangelist, Billy Sunday. Check out our website for shirts and stickers! www.excompod.com
Happy 4th of July! While we're celebrating our nation's independence and the individual freedoms over backyard cookouts and late-night fireworks, we also can't help but wonder: What does it look like to be an independent woman? In this episode of This Grit and Grace Life, Darlene Brock and Julie Bender unpack the characteristics of an independent woman. They also discuss the importance of identifying your value outside of your job title or relationship status and, most importantly, how to channel confidence and find contentment in who you are. The independent woman is one who makes a difference because she knows what she brings to the table. Is that you? Quote of the episode: “We have to find independence in ourselves...it comes with you finding your worth." —Darlene Brock Resources Mentions: —Listen to this podcast episode: "Is Your Man a Keeper? Here's How to Be Sure — 214" —Heed this advice from Billy Sunday: "Take 15 minutes each day to let God talk to you. Take 15 minutes a day to talk to Him. And then spend 15 minutes a day telling others about the Savior." Related Content: —For insight into what a healthy relationship looks like, read: "This Is What a Well-Loved Woman Feels" Follow Us on Social Media! Facebook Instagram Twitter Pinterest
Happy 4th of July! While we're celebrating our nation's independence and the individual freedoms over backyard cookouts and late-night fireworks, we also can't help but wonder: What does it look like to be an independent woman? In this episode of This Grit and Grace Life, Darlene Brock and Julie Bender unpack the characteristics of an independent woman. They also discuss the importance of identifying your value outside of your job title or relationship status and, most importantly, how to channel confidence and find contentment in who you are. The independent woman is one who makes a difference because she knows what she brings to the table. Is that you? Quote of the episode: “We have to find independence in ourselves...it comes with you finding your worth." —Darlene Brock Resources Mentions: —Listen to this podcast episode: "Is Your Man a Keeper? Here's How to Be Sure — 214" —Heed this advice from Billy Sunday: "Take 15 minutes each day to let God talk to you. Take 15 minutes a day to talk to Him. And then spend 15 minutes a day telling others about the Savior." Related Content: —For insight into what a healthy relationship looks like, read: "This Is What a Well-Loved Woman Feels" Follow Us on Social Media! Facebook Instagram Twitter Pinterest
This week we start our look into the life of Billy Sunday, the baseball player turned Preacher Extraordinaire.
The town that Billy Sunday couldn't shut down, but Lori Lightfoot sure could! Tune in to hear what FORMER Mayor Lori Lightfoot is up to now! Karoline broadcasts live from the Community Oven in Epping, NH! She shares her weekly Saturday routine, where she debates none other than Barney Frank live on Newsmax. Then, Karoline discusses the heated battle between major television networks to host the Republican debates.
In the early Twentieth Century Billy Sunday was America's foremost evangelist, whose admirers included young men, ex-presidents, and titans of industry. Today we're asking the hard questions about Billy -- like, was he any good at baseball? Transcript, sources, links and more at https://order-of-the-jackalope.com/a-month-of-billys/ Key sources for this episode include Robert Bruns' Preacher: Billy Sunday & Big-Time American Evangelism; William G. McLoughlin Jr.'s Billy Sunday Was His Real Name; and baseball-reference.com. Part of the That's Not Canon Productions podcast network. https://thatsnotcanon.com/ This week we're co-promoting with fellow TNC podcast Broadway and Other Kiwi Dreams, a podcast hosted by James Shera exploring the lives and minds of theatre practitioners in and around the New Zealand performing arts industry. https://play.acast.com/s/broadway-and-other-kiwi-dreams/ Discord: https://discord.gg/Mbap3UQyCB Twitter: https://twitter.com/orderjackalope Tumblr: https://orderjackalope.tumblr.com Email: jackalope@order-of-the-jackalope.com
Who was Billy Sunday? What is Billy Sunday most known for? How did Billy Sunday become a successful evangelist?
On today's episode of Godly Goosebumps, Pastor Dudley Rutherford shares the story of Edward Kimble, a simple shoe salesman and Sunday school teacher. Little did Edward know that when he began to evangelize to and eventually bring his co-worker to Christ, that this co-worker would become the greatest evangelist of his time. This co-worker's name was Dwight L. Moody. All because of one man's faith – Edward Kimble, Dwight L. Moody came to Christ, who touched Frederick Meyer, who reached Wilbur Chapman, who helped Billy Sunday, who invited Mordecai Ham, who ultimately reached Billy Graham.
Make sure to join us for this awesome broadcast classic where Bob Enyart interviews Jonathan Cahn on the end times, AND for the first 10 minutes of our Bob Enyart End Times seminar. To get the entire seminar, click here! * About this Interview and on this Page: We a'e eagerly looking forward to the coming of our Lord Jesus Christ, but that should not make us vulnerable to fake news, even Christian fake news, and confused Bible teaching... - Rejecting The Harbinger's Claim of Divine Signs (far below) - Leading End Times Preachers All Dyin' of Old Age (just below) - List of the Erroneous Calculated Dates - Last Days vs. Last Minutes - The Timing of Christ's Return has Changed And related BEL Resources: - Debunking the Blood Moon Claims with a Creationist Astronomer - Bob Schedules Meet with End Times Preacher 9/24/17 (after predicted rapture) - BEL Y2K Survival Kit Cuts Power to House (so our wives don't think that were nuts) - Two Decades After 9/11 End Times Predictions Still Pending - Bob Enyart's End Times Seminar filmed four days after 9/11 to a live and "still here" audience!* 2016 Update: If Christian brother Jonathan Cahn would have paid closer attention to Bob's comments in this interview, and had taken this written show summary to heart, he could have averted the embarrassment of his failed prophecy of economic collapse for 2015. Further, at rsr.org/blood-moons#rsr-vs-the-apocalypse-gurus we make our argument that while the predictions of the End Times gurus are systematically wrong, here at Bob Enyart Live and RSR our biblically-based general and science predictions have an uncanny way of being confirmed! This is a Special Edition of Real Science Radio. * LIST OF LEADING END TIMES PREACHERS * Leading End Times Preachers All Dyin' of Old Age: The modern end-times movement really took off way back in the 1970s and 1980s. Did all the big-name end times teachers think that they would still be preaching in their 70s, 80s, and 90s, and as a group dying of old age? No, of course not. We discuss this in a series on BEL beginning on May 14th, 2018 for the 70th anniversary of the modern State of Israel. See specifically the program, How to turn perfectly good Scripture into bad predictions. We love these guys, and Bob personally (and literally) sat at the feet of Chuck Smith and Chuch Missler for scores of Bible studies. But clearly, their dying of old age indicates that they got something very wrong in their interpretation of the headlines and the Scriptures... - Tim LaHaye (90, 1926 - 2016, Left Behind Series) - Chuck Smith (86, 1927 - 2013, founder, Calvary Chapel) - Chuck Missler (83, 1934-2018, end times teacher) - Harold Camping (92, 1921-2013, founder, Family Radio) - Hal Lindsey (91, b. 1929, Late Great Planet Earth) - Noah Hutchings (92, 1922-2015, six decades on Southwest Radio Church) - Irvin Baxter (75, 1945-2020, Endtime Ministries) as described by B.E. - John Hagee (81, b. 1940; recent error: Blood Moons) - Jack Van Impe (88, 1931-2020; had celebrated his 60-year anniversary with Rexella; began in ministry in 1948 and as a preacher in 1952). See Enyart discuss all this with WND readers. * 2020 Update: * List of the Erroneous Calculated Dates: Here's an example of the never-ending, and so far, universally incorrect, calculating of end times dates by a Christian author, and then another example by the leader of the Jehovah's Witnesses... * Remember When -- The Dates & The Headlines: Countless Christians were told that the following dates were significant because they represented end-times markers. Thousands of news headlines were misinterpreted prophetically to arrive at these erroneous dates. Of course the Lord will return one day, and hopefully, soon. But confused teachers used events and dates like these to confuse others. - 1850 for the ascent of the Anti-Christ (calculated by London's protestant scholar Robert Fleming, V.D.M in 1701 by adding to 608 A.D. the "1260 days" of Revelation, converting each day to a year - 1948 the nation of Israel is reconstituted in the Middle East - 1957 European Common Market (ECM) established with six nations - 1973 The ECM added three more nations, prophecy teachers added this up to Daniel's "ten toes" - 1980 In the decade of the 80s, three more nations joined the ECM, still adding up to Daniel's ten toes - 1993 The European Union (EU) was formed with 12 nations - 1995 Ten Nation European Alliance (WEU) formed, claimed to be Daniel's 10-toed prophecy - 2001 Islamic terrorist attack on America, claimed to represent the end times - 2010 Ten Nation European WEU decides to disband claimed as major fulfillment of prophecy - 2011 Ten Nation WEU officially disbands and absorbed into the EU - 2016 The now 28-nation EU begins to unravel with the UK's Brexit and Italy's no-confidence vote- 2020 With the U.K. officially out, the EU is down to 27 nations.* Counting Backwards From 2020: It's been... 1,520 years since A.D. 500, the year when Irenaeus, et al, predicted that Jesus would return 1,220 years since A.D. 800, the year when Sextus Julius Africanus predicted Armageddon 1,020 years since A.D. 1000, the year when Pope Sylvester II, et al, predicted the beginning of the end 176 years since 1844 when the early 7th Day Adventists believed Christ would have returned 170 years since 1850 when Robert Fleming, writing in 1700 A.D., calculated the anti-Christ's reign 142 years since 1878 when Jehovah's Witnesses said would be the last year for the church on earth 116 years since 1914 when the Jehovah's Witnesses said it would be the end 99 years since 1921 when the JW's said millions now living will never die 84 years since 1936, the year when Herbert W. Armstrong predicted the end (updated to 1943, '72, '75) 72 years since 1948 when Israel became a nation again after World War II 63 years since 1957 when the European Common Market was Daniel's ten-nation alliance 39 years since 1981 when Chuck Smith, et al, taught the seven-year tribulation would begin 35 years since 1985, the year Lester Sumrall wrote about in his book, I Predict 1985 38 years since 1982, the year Pat Robertson predicted would be the end of the world 32 years since 1988 a generate after Israel became a nation with 88 reasons for the Rapture in '88 26 years since 1994, the year that Harold Camping predicted would start the great tribulation 23 years since 1997, the year that Bishop James Ussher predicted would be the end of the world20 years since 2000, when the Y2K bug was predicted to herald the end times, and when and Lester Sumrall predicted would be the end, and when Jerry Falwell predicted would see God's judgment. 19 years since 2001 when America was attacked on 9/11 13 years since 2007, the year Pat Robertson wrote in 1990 would be the end 6 years since 2014 when the blood moons were supposed to indicate the end times.* Last Days vs. Last Minutes: Many years ago my call screener put through to me someone who told him that the diseases in the world were evidence of the Last Days. The guy, Jim from Columbus, Ohio asked me, "Bob, where do you stand on the Ebola virus?" I answered, "I'm against it." Looking at the news events listed above, when they occurred popular prophecy teachers claimed they represented end times prophecies. Well, it's been a long time since. The "end times" is a lot longer than any of them would have predicted. As we say at Denver Bible Church to those misinterpreting last-days prophecies, "From now only, will you only tell us about the Last Minutes?" Afterall, the most famous end-times teachers are all dying of old age and these last-days interpretations have been around for more than half a century. * The Bible shows the Timing of Christ's Return has Changed: You can link directly to this section as kgov.com/second-coming-timing or kgov.com/second-coming-timing-has-changed. For most folks, before reading this list we recommend praying, "Lord, if Your Word clearly teaches something that I will tend to reject because it conflicts with some of my biases, please help me to be humble before You and willing to challenge my preexisting beliefs." - God Views the End Times Calendar as Changeable: "I, the LORD, will hasten it in its time" Isa. 60:22 - Believers Can Change the Time of Christ's Return: Peter wrote that believers too should set about, "hastening the coming of the day of God" 2 Pet. 3:12 - Even the Length of the Tribulation will Change: Jesus said that, "those days will be shortened" Mat. 24:22 - Like God Shortening His Punishment of Israel: the Old Testament precedents for God shortening the coming Tribulation, include, "choose... seven years... Or... three months... Or... three days' plague..." And David said... "His mercies are great..." So the Lord heeded the prayers for the land, and the plague was withdrawn from Israel. 2 Sam. 24:12-17, 25 - For God Promised Mercy Regardless of Prophecy If...: "The instant I speak concerning a nation [Israel], to destroy it, if that nation against whom I have spoken turns from its evil, I will repent of the disaster that I thought to bring upon it." Jer. 18:7-8 (see also a dozen more Category 1 verses like that one, including the next, about Nineveh) - Again, Get This Down, God Promises Mercy Regardless of Prophecy If: "...forty days, and Nineveh shall be overthrown! [But then] they turned from their evil way; and God repented from the disaster that He had said He would bring upon them, and He did not do it." Jonah 3:10 - Before You Get Through Israel's Villages: "...I say to you, you will not have gone through the cities of Israel before the Son of Man comes." Mat. 10:23 (yet this did not happen, because as warned, God changed His plan for Israel; Jer. 18:9-10; Rom. 11) - Some of You Won't Die Until: "there are some standing here who shall not taste death till they see the Son of Man coming in His kingdom." Mat. 16:28 (this didn't refer to the Transfiguration which occurred about a day later; see too Mark 9 and Luke 9; yet they all did die, because God changed His plan for Israel, and grafted in the Gentiles; Jer. 18:9-10; Rom. 11) - John Might Not Die Before: "Then this saying went out among the brethren that this disciple would not die. Yet Jesus did not say to him that he would not die, but, 'If I will that he remain till I come, what is that to you?'" John 21:23 - This Generation Won't Pass Until: "Assuredly, I say to you, this generation will by no means pass away till all these things take place." Mat. 24:34 (yet that generation did pass away, because God changed His plan for Israel and instead grafted in the Gentiles; Jer. 18:9-10; Rom. 11) - Before Paul, Believers Sold their Homes: "all who were possessors of lands or houses sold them, and brought the proceeds of the things that were sold, and laid them at the apostles' feet; and they distributed to each as anyone had need." Acts 4:34-35; 5:1-2 (this behavior, appropriate at the time, changed after Paul's Acts 9 conversion when God grafted in the Gentiles) - Christ's Soon Return Permeated His Teachings: "Sell what you have and give alms" Luke 12:33; "And everyone who has left houses... or lands, for My name's sake..." Mat. 19:29. "...do not worry about your life, what you will eat; nor about the body, what you will put on" Luke 12:22. The "ravens... neither sow nor reap" yet "God feeds them" Luke 12:24. "He commanded them to take nothing for the journey except a staff——no bag..." Mark 6:8. "Provide neither gold nor silver nor copper in your moneybelts..." Mat. 10:9. "Sell all that you have and distribute to the poor, and... come, follow Me" Luke 18:22. (yet He did not return soon, as He had warned that He may change His mind). And even that Jesus went about all Galilee preaching "the gospel of the kingdom" Mat. 4:23; 9:35; 24:14; Mark 1:14-15 and Jesus said, "The time is fulfilled, and the kingdom of God is near. Repent and believe in the gospel [of the kingdom]" Mark 1:15; Mat. 3:2; 4:17 - With Homes Sold, They Became Poor: Remember that "all who were possessors of lands or houses sold them... and they distributed to each as anyone had need." Acts 4:34-35; 5:1-2 - It Was the Converts of the Twelve Who Fell into Poverty: 1 Cor. 16:1–4; 2 Cor. 8:1-9:15; Gal. 2:10; Rom. 15:25–31; Acts 11:27–30; 24:17 for communism quickly fails; the sale of pesonal property was to be a short-term tactic to survive the Tribulation and enter the Kingdom; the Postponement led to their poverty. - Paul's Converts Kept Their Homes and Provided Relief: (The "apostle to the Gentiles" was able to raise relief from his converts) 1 Cor. 16:1–4; 2 Cor. 8:1-9:15; Gal. 2:10; Rom. 15:25–31; Acts 11:27–30; 24:17 to support the believers in Judea who fell into poverty; they hadn't immediately become poor after selling their property, but after the delay in Christ's previously-expected soon return - God Warned He may Not Give Israel their Kingdom as Prophesied: "And the instant I speak concerning a nation and concerning a kingdom, to build and to plant it, if it does evil in My sight so that it does not obey My voice, then I will repent concerning the good with which I said I would benefit it." Jer. 18:9-10 (see also Jer. 18:7-8; for God, unlike a juvenile judge, does not make empty threats) - One Year Probation Followed Three-Year Earthly Ministry: "'Look, for three years I have come seeking fruit on this fig tree [figuratively, Israel] and find none. Cut it down...' But he answered and said, 'Sir, let it alone this year also, until I dig around it and fertilize it. And if it bears fruit, well. But if not, after that you can cut it down.'" Luke 13:7-9 - Daniel's Seventieth Week Suspended: The prophet Daniel's 490-year prophecy (Dan. 9:24-27) of 483 years between the command to rebuild Jerusalem (by Artaxerxes Neh. 2:1-8) until the execution of the Messiah, followed by the next seven years that were to be the Great Tribulation (Mat. 24:15; Mark 13:14); but Israel rejected their resurrected Messiah so as God had warned (Jer. 18:9-10) He changed what He had prophesied for them by postponing both the tribulation and the Kingdom it would usher in. - After the Cross Ten Signs of the Tribulation Were Evident: See chapter 9 of kgov.com/the-plot for details; in the year beginning with Christ's death the signs of the Great Tribulation that occurred included the outpouring of the Holy Spirit, signs and wonders, earthquakes, believers beaten by councils, the laying on of hands to imprison, arrests leading to occasion for testimony, martyrdom, expectation of an abbreviated end times and of the soon appearance of signs in the sun, moon, and stars, irresistible wisdom displayed. - Fulfillment of Prophetic Seven Feasts of Israel Suspended: God ceased the apparent fulfillment of the Feasts of Israel on their very calendar days, for Jesus died on the day the Jews killed the Passover lamb; He was in the tomb during Unleavened Bread; raised on Firstfruits; gave the Holy Spirit on Pentecost; and He "tabernacled" among us (John 1:14, with the Greek saying not "dwelt" but "tabernacled"), likely fulfilling that feast; but the remaining two feasts including Trumpets are yet awaiting fulfillment, as God postponed His prophetic plan for Israel. - Jesus Hardly Spoke About the End Times Until Just Before the Cross: The apocalyptic Olivet Discourse happened when Jesus said to His disciples, "You know that after two days is the Passover, and the Son of Man will be delivered up to be crucified." Mat. 26:1-2 - God the Son Didn't Know the Timing: and neither did God the Holy Spirit but only the Father, for it is in His purview to decide when Jesus shall return. Just Google: open theism verses, and see Category 15, which includes the following: The Holy Spirit, third person of the Godhead, did not know something that the Father knew, namely, the planned day and hour of the Second Coming Mark 13:32 and of course that lack of knowledge did not negate His divinity for the quantitative attribute of omniscience is not like the absolute qualitative attributes; likewise, no man, no angel, nor even the Son knew, for "of that day and hour no one knows, not even the angels of heaven, but My Father only" of the persons of the Godhead, with even the Second Person not knowing the timing of the Second Coming which was in the purview of the Father alone Mat. 24:36. - Israel's End Times Signs Not Relevant Today: When the Lord temporarily set aside Israel's Kingdom and their covenant of circumcision and grafted in the Body of Christ with its covenant of grace (this is not replacement theology), God's new sign, so to speak, of the end of the Body of Christ's time on earth is the "fullness of the Gentiles", whatever He means by that, be it a billion believers to populate heaven, or the Gospel preached worldwide, or holiness within the Body, etc.; so that, when "the fullness of the Gentiles has come in" then God will graft Israel back in again, "for God is able to graft them in again", and thereby resume the countdown on their end times calendar; Rom. 11:11-32. - To Read More about the Changed Date of the Second Coming: Click to get a copy of Bob Enyart's life's work, The Plot: An Overview of the Bible is the Key to its Details and review the list of 33 Categories of more than 500 scriptures at opentheism.org/verses. * Tonight on Denver's 7News: Bob Enyart said on 7News to Colorado's ABC audience that Christians who say that the death penalty is immoral are unwittingly accusing God the Father of being unjust, for He required a payment of death to pay for the sin of the world. We thank God for the opportunity to promote the principles of the Gospel on the nightly news! Please also see AmericanRTL.org/death-penalty. Now Back to the Harbinger: * Enyart & Cahn Agree on the Theme of The Harbinger: Bob Enyart interviews Jonathan Cahn, the NY Times bestselling author of The Harbinger. Bob appreciates Cahn's warning to an America defiant of God but Enyart disagrees with Cahn's claim that 9/11 was a specific sign from God. See just below Bob's notes regarding his reasons for disagreeing with Jonathan Cahn's claims of a specific divine message in the events following the Attack on America. * Rejecting The Harbinger's Claim of Divine Signs: (This is not meant to be harsh, for we love and appreciate Jonathan Cahn, and though airing a daily radio talk show, we don't want to be like David who became battle hardened; yet, this is meant to be direct.) The last nine minutes of audio on today's program were recorded twelve years ago at an End Times seminar conducted in Winona Lake, Indiana only four days after Sept. 11, 2001. Bob Enyart predicted that sincere Christian authors (who love and honor God and preach the Gospel) would find a Bible passage with a few uncanny similarities to 9/11, and so would claim that therefore Al Qaeda's attack on America was a sign from God. Consider Jonathan Cahn's few parallels (which get repeated often) from Isaiah 9:10 to 9/11 events. In the audio from September 2001, Bob Enyart illustrates how easy this is to claim fulfillment of a prophetic pattern when, compared to the Harbinger, he quoted more, and more significant, 9/11 parallels, not from Isaiah but from Revelation 17 and 18. As one small example, the greater parallel between Scripture and 9/11 is not a sycamore and a fir tree, but Washington DC and NYC debating the patent rights of murdered unborn children so that "the merchants of the earth" can buy and sell the "the bodies and souls of men." So Bob intentionally misinterpreted the Scriptures to show how easily (and even innocently) this is done, and while Cahn's parallels get to select from events over a period of years, Bob's many more prophetic parallels were all fulfilled on the very day of September 11th. Harbinger Expert Critic says: "Bob, I read your analysis this morning and it was dead right on every point." - David James, 3/24/13 The Internet hasn't existed for 2,700 years. Jonathan Cahn's nine harbingers are based on a quote in the Bible of men defiant against God, who, after suffering God's judgment, repeated in utter ignorance, "The bricks have fallen down, but we will rebuild with hewn stone; the sycamores are cut down, but we will replace them with cedars" (Isaiah 9:10). If the web had been forever, a Google search would probably return countless pages recording, after attacks, utterances throughout Judeo-Christian history of that quote. About 18 minutes into the program, Jonathan Cahn says about Isaiah 9:10 and the December 7, 1941 attack on Pearl Harbor that back then, "you don't have anyone quoting the Scripture of judgment." Perhaps, perhaps not. In the very center of the Internet's page of Pearl Harbor Quotes we read Isaiah 9:10, not in the NIV or NASB, because those versions were translated later, but in the King James Version. Cahn chose to present his message in a book of fiction. Not unlike the folks who think Star Wars is real, for many readers, Cahn's literary device blurs the distinction between truth and fiction. The requisite suspension of disbelief necessary to enjoy the elements of the story, a wary reporter, a surprised liaison, and an unnamed prophet with curious ancient seals, works to bias the reader who emerges from the novella into the real world lacking the desire to expend the mental energy necessary for an objective consideration of The Harbinger's theological claims. The first harbinger (i.e., a seal in the book's metaphor) is the 9/11 attack. Cahn says at about 6:30 into today's program that a first attack is a sign of God's judgment and that God's protection will be further lifted if the nation does not repent. Bob suggests to Cahn that not unlike 9/11, Pearl Harbor suffered 3,000 casualties, about 2,400 of whom were killed. We live here, today, and so we are inclined to discount far-flung attacks over the last 2,700 years and view the world, unsurprisingly, through our own eyes. Bob mentioned to Jonathan that years ago he had interviewed the beloved Hal Lindsey who, through a similar here-and-now-centered interpretation, suggested that the Second Coming would be in 1988. (This was not unlike superstitious European Christians who would panic when pestilence coincided with Halley's Comet, nor unlike those who thought Jesus would return on the Y2K computer bug, nor unlike those who thought that lightning strikes signified judgment from Zeus, until that is lightning rods ruined the divine aim. Superstition, sadly, is as rampant among Christian authors as it was among the Greeks who worshiped the pantheon.) We interpret our own suffering as though it were of biblical proportion, as Cahn said at about 21:40, that in addition to the harbingers (signs), America has suffered "economic collapse". Well, collapse means different things to different people. Within 48 hours of our prerecorded interview, Dow Jones reached an all time high, and at the very minute today's show began, Reuters reported, "Housing starts point to growing economic momentum." Compare that just to even recent decimation by tsunami, typhoon, earthquake, and to the countries bankrupted, the millions slaughtered, and tens of millions ruined by war, and even to the billions in Asia and Africa who've truly suffered debilitating poverty. That's economic collapse, whereas if God brought economic sanctions against America, it wouldn't look like a downturn, and it wouldn't primarily hurt the poor and middle class. Given the freedom to be arbitrary, fans of Nostradamus (who apparently predicted the second coming, to America in the year 2013, of Twinkies and Ding Dongs) and Jean Dixon point to fulfillment of prophecy. Ironically, Isaiah 9:10 itself is not even a prophecy, so any claimed fulfillment is metaphorical at best. However, The Harbinger itself fulfilled an actual prophecy, uttered in the very week of 9/11, at that End Times seminar, which predicted that such books would be written :). And I'm not even a prophet. Over a million Americans were killed in the civil and world wars. Weren't those lives worth a Bible verse? Around 25 minutes into the program, Bob agrees with The Harbinger, in that "for Israel, being a prophet was a matter of life or death" (p. 9). Enyart then explains that today, God has withdrawn His accountability system for prophets. Jonathan did not anticipate Bob's statement that stoning a false prophet to death is no longer commanded, nor permitted, by God, as the New Testament says, that with "the priesthood being changed [by Christ], of necessity there is also a change of the law" (Hebrews 7:12). So today, while Christians tend to forget and forgive (often without even admitting) the false prophecies of their brethren, unbelievers have long memories and stumble over our false prophecies and prophetic interpretations. The actual parallel between Israel and America, regarding 732 B.C. and 2001, is only thematic, not divinely particular. When a nation ignores God, she becomes increasingly weak and vulnerable to destruction from within and without. Contrary to The Harbinger's emphasis (p. 19), this is true for Israel and America and for Italy, Germany, and Argentina. Christians disagree terribly over interpretation of the plain words in the Bible. Realize how loose our interpretations will then be of events! What is the meaning of a flood? An earthquake? An attack? It is God! Or perhaps it's the devil! Or was it, in fact, Osama bin Laden? Jesus disapproved of such interpretations of current events in Luke 13:1-5, and when Enyart debated D. James Kennedy's Professor of New Testament from Knox Theological Seminary, this very passage, regarding 2,000-year-old headlines of murder and a fallen tower, was central to the matter. The Harbinger makes the important observation that, "during national judgment, both the righteous and the wicked perish" (p. 30). Then Cahn writes, thankfully, that God was not with Al Qaeda, but he claimed this as part of the prophetic pattern, in that, God was not with Israel's enemies who attacked her. But again this is arbitrary, for there were plenty of times when God Himself orchestrated the attacks on Israel in punishment for her national adultery. Yet it is wrong to extrapolate from those extraordinary biblical interventions that, therefore, God is the one who orchestrates a molester's rape of a child, or the Holocaust. Attributing to God the designs of the wicked comes close to blasphemy, except that it is done in ignorance, although often, through negligent ignorance. Jonathan Cahn says, rightly I assert, that God was not with Al Qaeda, yet because of a degree of superstition, he then interprets defiance against Islamic terrorism as defiance against God. Is Israel defiant today against God? Yes. (Sadly, like America they are a nation of socialists who defend abortion and homosexuality.) Does that mean that Israel's defiance of Hamas is inherently condemnable? Of course not. Cahn takes a Time magazine reporter's perfectly valid quote as a double entendre, with the entire thrust of the book implying that the defiance is against God, even though it is typically explicitly stated, as in this case, that it is against Islamic terrorists. "Rebuilding Ground Zero was going to be America's statement of defiance," (p. 63, from July 1, 2008) "to those who attacked us."Four days after the attack on American on 9/11, in our End Times seminar at Winona Lake (home of a famous Bible center, Billy Sunday, and a prayer launch pad for Billy Graham's first crusade), I didn't have to stretch the details, as Jonathan does somewhat, to make far greater and more substantive parallels between 9/11 and the book of Revelation. The world trade center, her sins had reached to heaven, the nations, peoples, tongues, and languages, Babylon the great, is fallen, the kings of the earth see the smoke of her burning, standing at a distance for fear of her torment, watching the smoke of her ruin, the merchants of the earth have become rich through the abundance of her luxury, her plagues will come in one day, death and mourning, she will be utterly burned with fire, for strong is the Lord God who judges her, alas, that mighty city, for in one hour your judgment has come, their commerce has ceased, no merchandising today of gold and silver, precious stones and pearls, silk and scarlet, every kind of object, of wood, bronze, iron, and marble, incense, wine and oil, flour and wheat, cattle and sheep, pork bellies, and bodies and souls of men. For in the previous week, the targets of God's wrath, New York and Washington D.C. were debating the patent rights of the tiniest innocent babies, the embryos destroyed so that their bodies could be harvested and sold, by the Israelis, to businesses around the world, while American financial interests were angered that they may not be collecting the royalties they were demanding. And on the Hudson and in the New York harbor, all who travel by ship, and as many as trade on the sea, stood at a distance and cried out when they saw the smoke of her burning, saying, "What is like this great city?" Both can't be correct, but either or both, the Harbinger and the Revelation 17-18 prophetic "parallels", could be wrong. As the above paragraph demonstrates, the more powerful and biblically extensive prophetic interpretation of 9/11 is not The Harbinger, but The Revelation. And that one is certainly wrong! For one, I intended it to be wrong. And secondly, if Revelation 18 was being fulfilled before our eyes on September 11, 2001 that would mean that we are now twelve years into Revelation chapter 19, and by now, the Second Coming should have occurred. So if the strong prophetic parallel (Revelation) isn't true, the weak one (Harbinger) probably isn't true either. Allow me to be petty. A sycamore tree and a Norwegian fir (the claimed sixth and seventh signs) do not come close to the extraordinary depth of substance and parallel between 9/11 and Revelation 17 and 18. Besides (and these are insignificant, but mentioned because such trivialities in reverse, are used in The Harbinger to make its point. The World Trade Center wasn't made of bricks. (On the contrary, it is noted for being the first supertall building to be made without masonry.) And yes, (p. 72) New York City and America rebuilt. But so did Berlin. And Rome, one could say. Destroyed cities throughout history rebuilt, with notable exceptions like Nineveh. Isaiah speaks of many sycamores, not one as at the WTC. And as Cahn acknowledges, that tree destroyed on 9/11 had the same name, sycamore, but it was a different kind of tree; in fact, a different species, and a different genus. And a different family, and a different order. If it were much different, it wouldn't be a tree, one could say. (But then again, what couldn't one say?) Isaiah says the Sycamores (plural, not singular) would be cut down (not crushed) and replaced with woods of cedar, not with a single pine tree. (2014 Update: And as the replacement of the tree was a sign of the end times, so was the removal of the tree, after it died, said Cahn.) The Harbinger also embraces the invalid contradiction of freedom yet being forced, justifying this by saying, "It takes two oars to make a boat go straight" (p. 86). Yes, but that boat illustration presents not even a theoretical contradiction, let alone an actual one. And the world isn't going straight, unless we mean straight to hell. Some of the claimed fulfillments of the prophetic pattern are really the same thing, repeated references to the attack itself, and tower falling, and the rebuilding, and the quoting, in hubris, it is true, of Isaiah 9:10 to rebuild, as by one significant government official who was… John Edwards? That disgraced non-official failed vice-presidential candidate. The 8th harbinger, coming with some peculiar justification in that spoken words are invisible, has to do with the Lincoln Memorial in Washington, which is as it should be because D.C. was also a target (although there was no harbinger from Shanksville, Pennsylvania, for that was not an intended target no doubt). A claim repeated about slavery and the civil war is that every drop of shed blood was due to the judgment of God. So then why could the British and much of the world end slavery without a similar judgment? (That could be answered, but would require prophetic interpretations specific to the unique history of each country.) And a biblical hewn stone did not need to be quarried from a mountain, let alone in upstate New York, though that claim adds flavor to the fiction and yet another confirmation of the prophecy! One would think that bureaucracy could not thwart a divine sign. That stone, though, that Jonathan writes so much about, being quarried and celebrated, ended up not as the cornerstone at ground zero but at a suburban office building. For Mayor Bloomberg, et al., changed the One World Trade Center design and diverted one of the harbingers… to Long Island. A few words about Jonathan Cahn. We don't think that we convinced him, nor even gave him pause. Yet, at the same time, we don't think that he loves God any less than we do, nor do we believe that God approves more of us than He does of Cahn. We're just asking God to help us to do our best to rightly divide, and to urge all believers to rightly divide, the Word of Truth. The Ten Commandments judge Roy Moore publicly apologized here on KGOV.com for misinterpreting something as simple as a court ruling. When the U.S. Supreme Court upheld the partial-birth abortion "ban", Judge Moore, currently Alabama's chief justice, praised that ruling as a godly pro-life victory. Traveling to Birmingham, Alabama we challenged him to actually read the opinion, and he did, and so admitted that it was the most brutally wicked ruling in the history of the U.S. Supreme Court (and that's saying something). So there's hope for Jonathan too :) The great upside of Cahn's book is its theme, which is the nation's desperate need to turn to God and the horror of losing His blessing, for as Jonathan quoted a Bible commentary, "The defiance of God shuts out immeasurable good" (p. 76). The Harbinger's downside though, is that many of its Christian readers will become even more superstitious. -Pastor Bob Enyart Denver Bible Church (See also Bob's Writings at KGOV.com/writings, and Bob's End Times seminar, and his super fun verse-by-verse study of the Book of Revelation!) Today's Resources: Bob Enyart's Last Days Bible Studies! Have it your way! You can enjoy Bob's: * Last Days Bible teaching on the end times (downloadable or on MP3 CD) * End Times seminar in Indiana given the week of 9/11 (downloadable or on MP3 CD) * Verse-by-verse studies on 1 Corinthians and 1 & 2 Thessalonians, both of which address rapture passages, or * Bob's Bible Study on The Book of Revelation, or read the End Times chapter in Bob's life's work, * The Plot. With any of these resources, you'll get the benefit of decades of Bible research!* See Our Bible Study Resources: We invite you to check out our theologythursday.com or our monthly subscriptions.
In this episode of Prophetic History I discuss Sarah Dunn Clarke, the Pacific Garden Mission, Billy Sunday, Billy Graham and Spiritual DNA. --- Send in a voice message: https://anchor.fm/practicalprophetic/message Support this podcast: https://anchor.fm/practicalprophetic/support
Luke 1:42-45 Elizabeth gave a glad cry and exclaimed to Mary, “God has blessed you above all women, and your child is blessed. Why am I so honoured, that the mother of my Lord should visit me? When I heard your greeting, the baby in my womb jumped for joy. You are blessed because you believed that the Lord would do what he said.” There's lots of joy in the scriptures surrounding the birth of Jesus. But I love the fact that the first person to leap with joy was John the Baptist while he was still in his mother's womb! He began his ministry early! John would be the one who paved the way for Jesus 30 years later and this was a beautiful recognition of the significance of his cousin. Joy is consistently a sign of God being at work. When the Holy Spirit is at work in a person's life, there will always be joy; it is one of the fruits of the Spirit. It naturally and inevitably flows from a life deliberately seeking to live in line with God's will. Billy Sunday is the wonderful name of an American baseball player who became a famous evangelist in the early years of the 20th Century. He once said: “If you have no joy in your religion, there's a leak in your Christianity somewhere.” It's a matter of great sadness that very few people outside the Church would ever imagine the Christian faith had anything to do with joy. They see our buildings, hear about our squabbles, and get a picture of all the worst sides of the Church. The best way of turning the tide is not by lecturing people about the joy of Christian faith but by living it. And that means that we all need to listen hard to Billy Sunday's words and check that we don't have a leak. Question: In what ways have you found joy in your Christian faith? Prayer: Lord God, thank you for the joy that you have brought into my life. Help me to live so close to you that I will always be full of your joy. Amen
What is an "Evangelical Entrepreneur"? There is a long history of Evangelical Entrepreneurs in this country. We trace a long line of leading figures from the likes of Dwight L. Moody to Billy Sunday to Billy Graham and Jerry Falwell to Paula White and Robert Jeffress. Are there common themes and grievances in the messages of these leaders that we're still hearing today? What are some of the hallmarks of Evangelicalism that led to its close alignment with the Republican Party? What do Evangelicals see in Donald Trump? We explore all that and more in this conversation with David Clary. David Clary is an award-winning author and news editor at The San Diego Union-Tribune. Clary's latest book is Soul Winners: The Ascent of America's Evangelical Entrepreneurs, which we discuss at length in this episode. David's previous book, Gangsters to Governors: The New Bosses of Gambling in America, explores how and why states have encouraged and promoted the expansion of legalized gambling in America. Interestingly, that book was cited five times in the U.S. Supreme Court's majority opinion that struck down the federal ban on sports gambling in May 2018. Before joining the Union-Tribune in 2002, David worked in a variety of editing and design roles at The Plain Dealer in Cleveland. He is a native of Central New York and studied Journalism and PoliSci at Syracuse University. www.sandiegouniontribune.com www.davidclaryauthor.com/ julieroys.com/ twitter.com/coreysnathan
I greet you in Jesus' precious name. It is Sunday morning, the 23rd of October 2022, and this is your friend, Angus Buchan, with a thought for today.“The just shall live by faith.”Romans 1:17That small little verse convicted the great reformer, Martin Luther. It also convicted the great revivalist, John Wesley, and brought them to a saving knowledge of Jesus Christ as Saviour. The just shall live by faith, the righteous shall live by faith. You see, faith is a doing word, it's a verb. It is not a noun like “a table” or “a chair”, faith is an action word. Billy Sunday, the great American baseball player who became a wonderful evangelist, said, “Don't stop telling your boy to do right, but show him also how to.” Jesus walked on the water first, then he called Peter to follow him. Dad, and this is very serious, don't tell your boy not to drink, show him by not drinking yourself. Mom, don't tell your daughter not to dress cheaply or suggestively, show her by how you dress. If there is one thing that young people cannot stomach, it's hypocrisy. People say one thing and do another. We need to be honest with our families. We really do, because that is the only way that they will change. In fact, I will go so far as to say many people do not come to church because of the double standards that they so often see. Paul, the Apostle, was very bold. In 1 Corinthians 11:1, he said, “Imitate me, just as I also imitate Christ.”Now, that is a very powerful statement. The case of, “Don't do what I do, do what I tell you” never, ever works. It never worked with my children. What we've got to do is say, “Just do what I am doing”, and then, of course, follow up with action. That is exactly what Jesus did. Whenever He preached, whenever He taught, whatever He did, He did it by example. We need to be good examples, not only to our children, not only to our parents but to the unbeliever. He must see that what you say is what you mean.Have a wonderful Sunday. Jesus bless you richly,Goodbye.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org. A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
The old evangelist Billy Sunday said, “Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.” How many of us have our fingerprints on the doorknob, and wonder why we fell to the devil's lures? Today on A NEW BEGINNING, Pastor Greg Laurie brings us good insight on the spiritual environment we're living in. It's a look at the spiritual battle being waged all around us, whether we realize it or not . . . and how we're all combatants in the fight. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org. A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.
Soul Winners: The Ascent of America's Evangelical Entrepreneurs by David Clary American evangelicals have always been innovators. They reimagined what a church could be, whether it was a humble tent in a rural field or a high-tech urban megachurch. They embraced new forms of media to spread their message to the masses. They thrived in a fiercely competitive religious marketplace. In Soul Winners, journalist David Clary argues that this entrepreneurial spirit has indelibly shaped evangelical ministries and their worldview. For generations, evangelical leaders have partnered with tycoons to pay for their churches, crusades, and campuses. In turn, evangelicals adopted the pro-business, anti-government values of their conservative benefactors. White evangelicals evolved into the Republican Party's most loyal voting bloc. The close relationship between business and evangelicals has produced the growth-oriented megachurches that dot the nation's landscape. Pastors such as Rick Warren used market research and management theory to create their “seeker-sensitive” churches. Televangelists and “prosperity gospel” preachers, most notably Joel Osteen, tell their audiences that faith will be rewarded in this world as well as in the kingdom to come. Clary's narrative approach brings to life colorful characters such as the ballplayer-turned-preacher Billy Sunday, who condemned the “godless social service nonsense” of liberal churches, and Billy Graham, who brought evangelicalism into the highest precincts of business and politics. Soul Winners offers a fresh, balanced perspective on evangelicals and the consequences of their enduring influence on American life.
Session 15 | This session was recorded at First Baptist Church Hendersonville, NC on August 24, 2022.
Happy Monday! Janice and Deena spend this happy Monday discussing the Supreme Court Decision to overturn Roe vs. Wade, revival, Billy and Nell Sunday, the completeness we have in Christ, the reason we were created, and more. For more information on Nell Sunday, the wife of evangelist Billy Sunday, check out this podcast by Shari House - Nell Sunday: Being a Help Meet. Today also features A Word of Encouragement with Vicky Mutchler and CW Today with Loretta Walker. Be sure to subscribe to this podcast and please share this podcast with your friends so we may be an encouragement to them through the music and programming on Faith Music Radio. Music is brought to you by Faith Music Missions. Learn more here >>> https://www.faithmusicmissions.org Eleven2One Facebook Eleven2One on Instagram
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