Podcasts about New Brunswick

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: Welcome to part two of our discussion of the poems of Elizabeth Bishop. We are currently about. Oh, I'm okay. I'm proud of us. We're just about halfway through the Moose. That's not bad compared to our usual record. We're not halfway through stanza one. We're going. You know, it's about a bus trip. It's encouraging us to pick up the pace a little bit and get to our next stop. So we were just going to pick up with the woman in stanza 13 climbing into the bus. 0:41 Wes: Before you say that, I just want to make one little observation. 0:44 Erin: Oh, sure. 0:45 Wes: Just that we get right as soon as the light goes out, it's then that we get the barking of a dog and the smell of salt. First it's the smell of salt hay and then it's the barking of a dog. So smell is introduced. And is that the first time sound is really introduced in any. You know, we get the bus starting and all that, but I think that's right. It's very visual up to that point, I think. And then as soon as we lose the light, we get these new sensory modalities. The collie just supervised this dog, gives us a nice bark, and presumably we can't even see him. We just hear him. So I just love that. I just. I love the transition into darkness. It's so. 1:26 Erin: Yeah. 1:26 Wes: I don't know how else to say it. 1:28 Erin: Yeah. 1:28 Wes: And it's then that we. This really is the midpoint of the poem because now we're going to make this transition into the world of the bus, I guess. As the woman climbs in, we have 1:41 Erin: the ship's port lantern, as you said, being an indication that it's now nearly or fully dark outside. 1:47 Wes: She says red light swims through the dark. 1:50 Erin: Yeah. I'm assuming that at this point a bus would have some form of illumination, at least for when it's stopped and the doors open for people getting on and off the bus. Right. It would. It would light up on the inside interior. Yeah. 2:03 Wes: Yeah. 2:03 Erin: Or at least maybe it would stop, certainly if it were stopping at a station or a little, you know, whatever those things are called. Those little. Yeah, there's a word for it. 2:14 Wes: We need something to see the freckles by. 2:16 Erin: Right. We need something. Exactly. But wherever they would be stopping would have some form of street light illumination or something of that order. Anyway. 2:26 Wes: But it's interesting you say this, because I didn't picture a bus station at any point in this. And I just imagine people along the side of the road. 2:34 Erin: Right. But if it were a course, it 2:38 Wes: couldn't be that way. 2:39 Erin: Well, I don't think it's a station. I think it would be a stop with a. You know, like a lean to. You know, what are those things that just. 2:44 Wes: Yeah, sure. 2:45 Erin: That just protect you from the elements. 2:47 Wes: Yeah. Bust down. 2:48 Erin: Right. 2:48 Wes: Yeah. 2:49 Erin: And that would probably have at least a street light. But anyway, then we get the moonlight. Maybe my favorite. Oh, it's so hard to say, but maybe my favorite image in the poem is the hairy, scratchy, splintery moonlight and mist caught in them like lambswool on bushes in a pasture. Just. There's nothing. There's no image greater than that. That's unbelievable. 3:13 Wes: There's kind of a more wildness to this. Right. The image now, the hairiness and scratchiness and splinteriness. It's a bit less Domesticated, I guess, than the previous part of the poem. 3:27 Erin: That's a really good point. I hadn't thought of that. Even a suggestion of danger, like the lamb running. 3:34 Wes: I just thought, this is where the hobbits are entering Fangorn Forest. 3:39 Erin: Yes. Yeah, yeah, the New Brunswick. 3:41 Wes: But you go a little bit more. It's a little wilder and more primal. I think once you. Even if you're on a bus, once you get into the woods, there's something different about it. 3:52 Erin: That's right. 3:53 Wes: But yeah, you're right. The idea that the moonlight could get caught in that. That's a great image. 3:59 Erin: Something giving chase to the lamb would cause it potentially to get a little ensnared in the chase. 4:06 Wes: It's as if Lambswool has, you know, a lamb is brushed up on the bramble or whatever and left its will so that. So the moonlight, instead of making this cosmic journey and landing on articulating the environment, has been subordinated to the environment. Right. It's become. It's been captured by these hairy woods. It's caught on it and, you know, a piece of it has come off from being caught on something that's scratchy and splintery. So that. That. Yeah, this is the great reversal. And that's the place where you can really get some good sleeping. Yes, right. 4:44 Erin: Yes. And where dreamy things can happen. 4:47 Wes: Divagation. Yeah, wanderings. 4:51 Erin: I looked that up. Wandering, straying or digressing from a main course, path or topic. So like a digression as long as 4:59 Wes: the bus stays on track. 5:00 Erin: Yeah, that's right. 5:01 Wes: You do whatever you want with your mind. 5:02 Erin: That's right. And the night. I just looked on Google Maps while I was writing my little notes in the margins. And if you were to take a bus today from Great Village to Boston, it would take like 10 hours. So it definitely is a, yikes, full course of the night on this night bus. So I love what happens in stanza 16, which begins in the creakings and noises, an old conversation not concerning us, but recognizable somewhere back in the bus. So I really love that it's grandparents voices, she says, uninterrupted talking. This is where the I becomes an us. And this is a characteristic of a bishop. I think she's rather reluctant to use an I, capital I in a poem. She's more likely to use a we or an us. And here it's as if they're all part of the same family now in the bus and the adults. It's almost like everybody on the bus who isn't a grandparent is a child and the adults in the back are talking and we are all, oh, that doesn't concern us. Just go to sleep. It's none of your business. Just stop eavesdropping on us. Right, so there's some community that's been formed already by the people who are not the grandparents talking. Do you get that impression? 6:20 Wes: Yeah, it's a bit confusing. So, yeah, let's try to figure it out. Because it. So it begins. A dreamy navigation begins in the night. She doesn't say, I started dreaming or they started dreaming or we started dreaming. Although it seems almost like it's collective. Right. So that the bus is dreaming or everyone on the bus is dreaming together, which kind of lines up with the not concerning us later on, the gentle auditory slow hallucination. So that's a very interesting idea. Right. The dream is usually associated with subjectivity. Right. The cogito and Descartes. Right. The dream tells us that we might have trouble distinguishing reality from what's in our own minds. And we in our own minds are very potentially cut off from reality. But it's a. It's an alienated individual position here. The dream is. Seems to be collective. And perhaps it's collective because it's partly real. Right. Is that the conversation? I thought, okay, there's a conversation going on in the back of the bus and it is old people talking. But as you're lying back, you could sort of. You can't hear exactly what they're saying. And you might have that kind of half dream, Right. Where you're. The dream is kind of lined up with or intertwined with what's going on in reality. So she's hearing in the conversation of the old people, her grandparents voices. Is that the way you took this? Or. Or they, they're hearing the grandparents voices or. Yeah. How do we, how do we interpret this? 7:54 Erin: I interpreted it as, you know, people of the age of grandparents having a real conversation. But the idea that one could be having an auditory. I mean, we are given the word auditory slow hallucination. So the idea that there could be an auditory hallucination or kind of half dream of one's own grandparents having a conversation, or it may be superimposed on a real conversation kind of inaudible going on on the bus. I never noticed this before. The G in grandparents is capitalized. So it does seem to sit to suggest the speaker's particular grandparents rather than. 8:30 Wes: Oh, I was going to. I thought you were going to say archetypal grandparents. 8:34 Erin: Oh, yeah, I suppose it could be yeah, it could be read that way, too. I think all of these things are true, right? 8:40 Wes: Yeah. 8:40 Erin: I mean, the image works because of the, shall we say, universal particularity of this experience. 8:47 Wes: The ordinary way to write the poem would be to. And a much simpler way would be to put this in her point of view and not try to put it into a collective point of view. But that seems to be what she's doing. 8:59 Erin: Yes. The effectiveness, though, I think is the. And it could just be the speaker's perception of it, but the atmospheric quality, because everyone on the bus is going to share an experience shortly, but already they are sharing an experience and a kind of atmosphere that they're all listening to the hum and having that. You know, when you're in the car and you. Maybe when you're a kid and you put your ear up against, like, the. The car door or the window or something, and you hear orchestral music. I don't know if you ever had that. I used to always hear classical music when I would put my head up. 9:38 Wes: Yeah, I don't think I have that. 9:40 Erin: All kinds of. And I always think, like, I should write this down. But you always have, like, a hallucination of an orchestra playing songs. Different songs. Sometimes like fantastical songs. Yeah. You know, my particular experience maybe doesn't quite get at the. Yeah. The sense that this is shared. 9:57 Wes: Well, you're put into a kind of dreamy state, and yet you're getting at the auditory hallucination part. I mean, for me, I think, as a child, and this, I think, is very evocative of childhood. It's something about being half asleep or falling asleep. You're on a journey and there are adults in the car and there's some. Maybe some sense of safety, I think is very relevant to this poem. But being ensconced in the world of adults and not quite alone when you do this thing, which is potentially very lonely, which is go to sleep. And of course, a lot of kids don't want to go to sleep because that loneliness factor. But it's a much different experience if you're traveling. You're all on the way to something together. And of course, you're with people who are awake and, you know, are going 10:45 Erin: to be awake, maybe because the kids are falling asleep. Their. Their voices are lowered and softer. And maybe that also contributes Right. To the. The way in which. That lulls the children in the back simply because they're aware of not wanting to talk too loudly. Certainly that would be the case on a bus like this, where they're Having a conversation where they're talking in. In lower voices and maybe actually inducing that calm and hum for sleep in the people, the other people in the bus who aren't talking. 11:15 Wes: And the question is, what are the adults doing with their talk? Right. It's not going to work if your parents are just fighting. In this case, it's the grandparents. Voices are clearing things up and I guess bringing certain things to resolution, coming to terms with these losses. But a lot of it does sound a bit gossipy and not necessarily like the most comforting. 11:39 Erin: Yes. Yeah. 11:39 Wes: Sort of talk we could imagine. Yeah. 11:41 Erin: Well, you know, in a situation like this where you might be a child in this car, could be that you're coming back from whatever, like a, like a late night and then the adults in the car are working through whatever has just happened over the course of the night. And. Oh no, she was the one who had that long. Yeah. Who had the criminal record because of that thing, remember where they. Oh, yeah, yeah. That was like 20 years ago. So you sort of get that. But for an entire family history going back ages and ages, talking in eternity. Deaths, deaths and sicknesses. The year he remarried, the year something happened. Oh, yeah, what year was that? Right. Something about the journey afterwards or maybe away from home. If these people are also. If their home is Nova Scotia and they're departing it, you know, then there's that backwards looking quality where something about the idea of the journey and moving away from the place is giving the opportunity to then take stock and look back. So there's this sort of like dual action happening in the poem where the further the bus goes, the further back they're kind of looking from deaths and sicknesses to then remarriage and then childbirth. Son lost when the schooner found her. 12:58 Wes: These are all very blue collar tragedies, right? 13:00 Erin: Yes. 13:01 Wes: He was arrested for insider trading. 13:04 Erin: No, but I mean, you know, there's a reverse order to what's happening, you know, so we get. We have death, then sickness, then remarriage, then dying in childbirth. So there's a rewind is what I mean. Yeah. 13:17 Wes: Well, we come back in the end to death. The way it's all summed up. 13:20 Erin: Insider trading. Sorry. 13:23 Wes: Huh? 13:24 Erin: Sorry, Just insider trading. That really is funny. 13:31 Wes: And he had an affair. No. A sharp indrawn breath. Half grown, half acceptance. That means life's like that. We know it. Also death, you know, and then the question, what does also death mean there? Death knows it, we also know death. But it, you know, it made me wonder at various points I wondered. Well, Is this an element here of a journey to the underworld or to the afterlife? Maybe it's a job not claiming that that's strong thematic part of this, but maybe a hint of that type of thing. Because the journey, I mean, and it does seem like journeys are good places for this or like when I travel, it produces in me a very different state of mind. And I do find it very calming in a way, you know, especially actually being on the train or something like that, because you're in between two different locations and you maybe you're not caught up in the expectations or the constricting qualities of any particular location. If I'm at home, I have to do this and that work, or if I'm at a destination, then I'm dealing with relatives or I have to be a tourist or something like that. But there's something liberating about being in between two locations. So it does seem like a place for this type of dreamy hallucination or this reflection or this clearing of things up. It's almost like therapy. Right? That's what all of this sounds like. People are talking through their problems, but where is it that they get to in the end here? The half grown, half acceptance. So it's not fully acceptance. It sums things up with this, maybe a degree of resignation. So yeah, I don't know. What do you make of the stanza? 15:15 Erin: Well, they're traveling west significantly. Right. I do take a lot of this to be a kind of, say, pre figurement of death, even though at the same time the fact that they're in the woods, the fact that not to jump ahead too much, the fact that the moose will come out of the woods and appear notably in the middle of the road, there is a suggestion of middle age or middleness, or midway in the journey of our life, I found myself within a dark forest. So I think it works both ways, or perhaps it's working in several ways simultaneously for the various passengers. So maybe the speaker is experiencing something more akin to the Dante esque middle of the journey on the bus. And something about the bus journey is also, symbolically speaking, a kind of final bus journey for some of the other passengers. And that intersection seems significant, but I don't know how, just in the sense that there's a retrospective quality happening or maybe even a reversion to childhood that goes on for the speaker and the other people in the bus by virtue of the propinquity to these old people at the end of their life's journey. Because there is very little about middleness Here, come to think of it, other than the moose appearing in the middle of the road. Right. It seems that the other people on the bus are like children and the grandparents are the adults. 16:50 Wes: I mean, I think part of what's comforting when we're children is that feeling that adults know the answers and that adults know how to cope with all the dangers and have experience doing that and therefore can protect us. The reality, of course, as we realize as we get older, is that that's not true. So what they may have is more of this acceptance that's sort of highlighted in this stanza, which is potentially a good thing, but maybe a double edged sword because it does seem to be a form of dying. It does seem to be a form of the very thing that we want to be protected from. 17:30 Erin: There's also, though, that. What I used to call my mom, the external hard drive. I used to say back before she. 17:42 Wes: She liked that. 17:44 Erin: I think now it would make her sad because she'll say, you know, very openly that she. Her memory is gone. But it used to be that she knew all the, you know, you could ask her who said that at that one. You know, there's that kind of. I mean, that's a sort of jokey, gossipy scorekeeping thing that she would keep tabs on. But there's also just the idea of long memory being the history keeper, the record keeper, the, you know, and there's sort of settling accounts over the course of this conversation. Oh, right, it was that year. Okay. And then this happened and then, then that happened. And that's important too, I think, for, you know, it situates children in a context. Not just say this idea of death that you're referring to, but also how to situate oneself in a life. 18:34 Wes: Right. 18:34 Erin: There's a. There's a sort of frame that the grandparents or the elder relatives have that whole history up until you enter the narrative and where you fit within that. We mentioned in part one a little bit about Bishop's family history just to kind of prefigure the types of story that she inserts, I think very significantly into the poem, particularly about poor Amos who just wouldn't stop praying in the store and had to be. Had to be put away. Right. Of course she does a gender swap, but yeah, we all have family stories like this, of this kind of unruly behavior or madness of some kind or other or some sort of family drama. 19:19 Wes: Yeah. So it's universal. But the way she captures it is very clever with this talk that we don't quite know whether it's just the conversation of the people, the old people at the back of the bus, or whether it's her dream or whether it's both or somewhere in between. They're interlaced, those two things. And that. That interlacing gets at this aspect of universality. Although I think by the time we get to the stanza where she's fantasizing about the grandparents and the featherbed, this, it start. Seems to become inescapably personal, which is why I think of the. The point of view is getting more and more focused. Right. With. With time. Yeah. And potentially it's still universal, but it seems almost like a personal memory. Right. So talking the way they talked in the old feather bed. Right. The way they. Her. Her grandparents presumably in the old feather bed, peacefully on and on. Dim lamp light in the hall, down in the kitchen, the dog tucked in her shaw. Shawl. Yeah, get another. And get another dog here. 20:28 Erin: I love this. 20:29 Wes: The collie, the barking dog. And. Yeah, so this, this stanza is wonderful. And it gets at exactly this thing that you've been talking about, which is the, like, comfort of being a kid overhearing adults talking. It really, despite this talk of death. Right. A reconciliation with death. This is the point. Seems to be the point of view of a child who finds this very comforting. And. Right. She'll say in the next stanza, now it's all right now even to fall asleep, just as on all those nights, the way in which the adult world and the safety of protective figures can make sleep okay to do. And then suddenly that's interrupted. 21:07 Erin: But I love too. I mean, yes, it's so particular, but it also just in this one stanza does so many things in miniature that the poem is doing all along, this telescoping in again to a scene which. Which even as a child, if it were her childhood in particular that she's referencing, she couldn't possibly know or see. She wouldn't be able to see the grandparents in their featherbed. She would have to be picturing them in the featherbed and she wouldn't be able to see the dog in the hall. And also I wonder if this. If the stanza in its operation is kind of doing. I mean, this is just occurring to me now, but maybe it's doing that kind of hallucinatory work that has prior been described where we actually get a remix of, you know, this is the third dog in the poem. But it's also the elements in the stanza are a kind of recapitulation of the light, the red light swimming, the port Lantern becomes the lamp light in the hall. We get the dog barking now becomes the dog curled up in the shawl. And then maybe even because we also get kitchen, maybe the shawl is even a kind of transposition of the table, tablecloth shook out. Right. So there's something actually in the stanza which has that hallucinatory quality that she's describing where these three elements swim in the imagination and then become the lamplight and the dog and the shawl in this half asleep kind of dream space. Maybe that's pushing things too far, but it does seem to be. It's the dreamiest stanza perhaps in the whole poem. Maybe the following one. Now it's all right now even to fall asleep. But this gets interrupted that next stanza. So this one, I think is the real depth of the dreamy or borderline dreamy or hallucinatory moment. 23:00 Wes: Yeah, this is great because it really underlines the way deviation creates the capacity for stasis or for comfort. So the deviation of a bus trip or of the dreaming. Right. Which is movement, which is dynamic and has that momentum, forward momentum that we were talking about, sort of underwrites or grounds this ability to. For stasis, for stopping, for going to sleep, for feeling comforted as a child and safe, I think. And I keep repeating that word because of the. What's going to happen. The use of the word that's going to happen in this poem later. But yeah, I'm not sure if you were saying that explicitly, but that's what came to mind my mind as you were talking. This. The way in which this journey, devigation, motion can ground something that's going to be more static or stationary, which is what we're going to get in the moose. Because it interrupts the. It explicitly interrupts the motion of the bus and the external line of the poem in a way that parallels the comfort that's produced by the dreaming. 24:08 Erin: Yeah. In stanza 22 is where we have that break that you're describing. The moose finally appears. Well, the moose doesn't appear until stanza 23 finally appears. 24:21 Wes: We've been waiting for you. 24:22 Erin: We've been waiting for you. The title has promised that you would come and then here you are. It is foretold of your coming. 24:29 Wes: Comes through the curtains, takes his bow. Right. 24:32 Erin: We get nights, just as on all those nights. And then the moose's appearance, the lights turn on. And that rhyme you get, I mean, it's a very basic, simple rhyme. Right. But there's that sort of sudden jolt which is then also visualized where in the middle of night we have this appearance, this bright because of the headlights on it. Appearance of the moose. And it looms and sniffs at the bus's hot hood, which I'm assuming means that it thinks that the bus might be a boy moose. 25:06 Wes: No. Well, it's a very hot bus, I'll say that. 25:10 Erin: Ow. Ow. 25:14 Wes: That enamel. And it's dented and, you know, depends on if you like bad buses. No, just kidding. 25:21 Erin: Dented from its last encounter with a girl bus. 25:25 Wes: Yeah. It's funny because I wrote in my notes, but was just reading it stanza by stanza. And the previous stanza I'd said, okay to sleep, even with death looming. Looming for all of us, you know, all day one. You know, one day we all die. Blooming in that sense. And then suddenly the moose is looming, standing there, looming. And I thought, whoa, that's really interesting 25:45 Erin: that I. Oh, yes, chose. 25:48 Wes: Chose that word before I even got to the next stanza. Not to give some, you know, obvious rote sort of identification of the moose with death or the experience of the moose as having something to do with that. But obviously they're coming into contact here with something quite primal and important. It's not just, oh, look, there's a nice moose, but is he sniffing or she's sniffing the buses hot hood because she thinks it might be another moon. That hadn't actually occurred to me. 26:21 Erin: I must have been infected with that reading at some point that this was a frisky moose, that it otherwise doesn't seem frisky at all. It seems pretty. Like a pretty staid, respectable moose. 26:34 Wes: But frisky and ditzy. 26:39 Erin: That's right. Hello. 26:41 Wes: What? 26:41 Erin: Oh, look, I seem to be in the middle of the road. Pardon me. 26:46 Wes: So, towering, antlerous, high as a church, homely as a house. We're safe as houses, a man's voice assures us. Perfectly harmless. Which you presume, right, that the. The man making that assurance is. Precedes the idea of it being homely as a house and safe as houses. Even though. So. So she interestingly puts the associations before her associative responses before the actual stimulus. Right. I don't think she's the one who is thinking about how they must be safe and. And he's saying something. I mean, as far as I know. I don't know back then. But you were warned about bison and mooses, right? Or is it mooses or moose? I think we're warned because they don't. They. They seem harmless, but they're not. And so I was quite surprised by this stanza. And I thought this idea, okay, safe as houses. Well, yeah, houses ought to be safe, but they're not always safe. The bus, the moving container of the bus turns out to be, in a way safer and more conducive to reverie and dreaming and all of that. 27:59 Erin: No matter how you slice it, whether you see the moose as harmless, truly, or not so harmless, this has got to be just a little bit of a wink, right? A man's voice assures us. 28:09 Wes: I mean, I think we're definitely meant to be skeptical. 28:12 Erin: Yeah. 28:13 Wes: This perfectly harmless line, it's not there for us to nod our heads in agreement. 28:20 Erin: Oh, yeah, he's right, right, right. I think it's more like, oh, here's another mansplainer. 28:26 Wes: He's moose splaining. 28:28 Erin: Mooseplaining this woman moose to moose splaining. Just out for a good time, having her existence commented upon by another man's voice. Probably a podcaster. One of those male podcasters has a manosphere podcast. 28:45 Wes: Girl mooses are. 28:49 Erin: Then we get these childish again. The passengers are like children and having this childlike response to the appearance of the moose, including. It's awful, plain sad. So much judgment of women's bodies. 29:04 Wes: I mean, they're not good looking creatures. Let's just. They're, you know, put that on the table. Come on. They are in an ugly sort of way. 29:11 Erin: Yeah. I mean, okay, I guess they don't follow, you know, classical proportions. They don't represent the golden mean. 29:21 Wes: They're not into beauty society societal beauty standards. All right. 29:28 Erin: They are like cartoon characters. 29:29 Wes: They're miss Positive is what they are. 29:35 Erin: Well, what I love though, about the description, you know, we get several, I suppose. Yeah. Contradictory descriptions of the moose in a way, because we get homely as a house or safe as houses. We get awful plane. But then she looks the bus over grand otherworldly, so she has some gravitas. She's like a great character actress who. Who may not be beautiful in that leading lady way, but she's Kathy Bates. Yes. Yeah, well, that's maybe a bit insulting to Kathy Bates, who I do think is a very attractive woman, but. 30:19 Wes: Sorry, Kathy. 30:20 Erin: I know, I love her. 30:21 Wes: Come on the show sometime, please. 30:24 Erin: Oh my gosh, I would die. I love Kathy Bates anyway. And then we get curious creatures. Well, first we get the idea that it inspires joy and then we get curious creatures. So there's a. The joy is then immediately undercut by a kind of ambivalence. Right. So there's just all of these descriptions of the moose combine to create a kind of ambivalent portrait, such as it is, of the animal. 30:47 Wes: Are we going to be able to answer this question? Why? Why do they feel the sweet sensation of joy? I mean, I think I would probably feel it. 30:57 Erin: Why? Why do we all feel it? I mean, they have. Well, they've successfully done what I couldn't see a moose in real life. So they're like one up on Erin. Can't wait to go back and tell her we saw moose. Yeah, I've seen certain things. I can't think of a specific example of this, but I've had plenty of instances. Whether it is a wild animal or, I don't know, like a sunset or a really spectacular natural event of some kind or other. You do get that feeling of joy, kind of excitement. 31:28 Wes: Yeah. Unfortunately, most of my encounters with large animals are at zoos. I did see a bear once. I was going to the bathroom. My mom had a house in Front Royal, Virginia, at the beginning of the Appalachian Mountains. And it was up high on a. We called it a mountain, but it was, I guess, more of a hill. But so it was out, you know, it was kind of. There was a bear on the mountain, let's just put it that way. And, yeah, I was going to the bathroom one day and looking out the window. There's a window right. You know, above the toilet. And suddenly there's bear's face looking at me. Wow. What the. So, but that, you know, and. And that was majestic. No, just kidding. That it was. I. It was surprising. 32:13 Erin: Yeah. 32:14 Wes: And there's an element of fear that involved. Even if you're, you know, even if, you know, black bears are harmless and there's a wall between you. Some. Something scary about it. I didn't have time to feel like it's majestic. Yeah. You know, like you have had these experiences in. In nature, but I can't think of a encounter like this. But it. I seem sure that if I had an encounter like this, I would feel exactly the same way. So. Yeah. What is otherworldly about it? What is majestic about it? It's a big, dumb beast. And I say that with love, without any criticism in the sense that. Right. It's an encounter with something primal. And I think we have to take into account the size of the animal as well. I mean, it is interesting to run into a fox or something like that, but it's also a matter of scale here. But. Yeah. What is otherworldly about it? I mean, I think the most. The most obvious part of this is that you know, we have lost something in our humanity and becoming language using creatures and becoming self conscious creatures. And sometimes when we're confronted with an animal like this, we're confronted with that loss. We're not as connected to the environment because of the intermediation of something like language, which poetry of course tries to overcome. It tries to put language into a disintermediating. Sorry to use these business terms. I don't know why this is happening. Into a disintermediation. 33:46 Erin: Actualize. Yeah, yeah. 33:49 Wes: When it. Yeah, right. Synergize it's agenda. Often where language might put distance between us and the world. Poetry, I think, can undo that distance. Like I was saying, with the very vivid imagery, I can undo that distance with figurative language. And maybe that distance is also undone to some extent by the dreaming or the half dreaming hallucinatory state that she was in. And the comfort of that, the return to childhood, which is also a simpler time. I don't know. I'm thinking out loud here. But yeah, I wanted to try to get more at this, you know, the otherworldly status of the moose and the joy that comes from encountering it. 34:34 Erin: I was thinking to myself, is the moose's gaze really clearly encapsulated? And then I thought, yes, she regards us amicably. And then I was like, no, no, that's the passenger who gets on the bus. 34:44 Wes: Right. Does the moose have freckles? Yeah, that'd be an interesting twist, right? 34:50 Erin: But yeah, but there is one. 34:51 Wes: Turned her into a moose. 34:53 Erin: Well, I would think that this would be a more garden variety animal encounter and maybe even a more, to use a word, I don't like, problematic poem in terms of its relationship with the animal. If it were to focus on the gaze of the animal. Because I think that is the thing which is often at the core of these interactions with animals in which we project or hope to have a kind of meaningful encounter. You want to meet the gaze of the animal and in so doing understand it. Right. And of course you don't realize that you're just projecting onto it a kind of maybe mutual regard. She regards us amicably. That you are seeing it and it is seeing you. And there's an acknowledgement and there's this, you know, spiritual encounter that you have with this animal. And all of that, of course, is often quite silly. It's often quite reductive and fanciful and unrealistic. But I am thinking of an encounter that springs to mind is in Utah. I hiked the same trail almost every day. And I Would often hike it late in order to escape the full heat of the desert sun. Which is a little dangerous, right? Because sometimes the sun would be setting and then all kinds of things come out. And one time I was trying to get back to my car before it got completely dark. And what I thought was a wolf, but what must have been a coyote. And the coyotes in Utah are huge. They look like wolves and completely white. Came out from over a hill, crossed my path, turned, looked at me in the eyes for a very long time, turned and went over on the other side of the hill. I mean, curiously, then, of course, I got to the car and I actually found out that a beloved family member, an elderly family member of mine, had passed away. And I said, I think I just saw her. You know, I had this feeling of, like. I don't know, the sense of this connection, inherent connection between these two. This woman who was dear to me and this encounter. But, of course, that's all silliness. And the idea that I was having a sort of interaction through the gate. Some sort of reciprocal. Right. Interaction with this animal was also entirely just my own projecting onto the animal. However, I will say that that's an instance in which I felt fear. But then there was also this, like, joy at the encounter, I think fear because it was dark. Because I wasn't actually sure if this was a wolf because it blocked my path. It was far enough away that I didn't feel as threatened as I might have. But it was definitely a mixed perception. 37:28 Wes: You didn't shoot it and then hang it around your neck. No, because I was thinking. I just suddenly thought of the albatross poem. 37:37 Erin: Rime of the Ancient Mariner. 37:38 Wes: Rime of the Ancient Mariner. And that sort of relationship to the natural world where. I mean, I forget what we said about it, but maybe I said something about envy and wanting to kill the albatross for. Because of its freedom or something like that. I don't. I don't know. But I think it's important because, yeah, this is part of something about the encounter with the natural world. Whether it's a big moose or something else. Yes. Is otherworldly. Strangely enough, it's otherworldly to us, even though it's where we come from. It's uncanny, maybe. And Freud actually, in the German, I think uncanny is sort of like unhomelike is what the German sounds like. And Freud made a lot out of this. I think it's home, but it's a home from which we've become alienated. We're animals, we're something more than animals. And so that primal encounter brings us back to that foundation, that natural foundation in us, but we can't fully come to terms with it. And I think the other aspect of this, I think the death. Right. So there is a link to death. Just. And I was thinking about that when you described thinking of it as seeing. As seeing your departed loved one. Because if we could regress to that animal state, it would be a kind of death. I think that the association with the movement to the pre. Linguistic, natural foundation is something like the movement towards dying, but there's something comforting. 39:07 Erin: Yes. 39:07 Wes: Right. And we encounter that when we encounter the gaze. To have a. Have a gaze returned by an animal like that usually like, like our internal. Our entire psychological structure, what makes us self. Self conscious is the internalization of a human gaze. Right. To the extent that we. We get an animal gaze, I think we are returned to that more primal part of ourselves. And it does seem to me to have something to do with being reconciled to mortality. Right. Which is part of what the function of that dialogue between the elderly people is doing. 39:44 Erin: You're leading me into the one, say, reading of the moose that I wanted to get to. And I just want to say that I think the great thing about Bishop and about this poem and all her poems is that the moose is a moose. It's not a symbol. I hesitate to offer any kind of 40:03 Wes: direct reading, but that's her job on this podcast, though. 40:05 Erin: I know, I know. It's. Yeah. In the letters with Robert Lowell when he's writing to her about her poem at the fish houses, he says, alas, all my fish just become symbols. 40:16 Wes: Ah, very good. 40:17 Erin: I hesitate to reduce. I think what you've just said makes me think that it's the maternal, the mother. 40:25 Wes: Which also brings us back to the house. 40:28 Erin: Yes, the house. Yeah. It's something that comes like the clapboard churches, like clamshells seem to arise out of the ground, if you will, or are directly compared to these native creatures. The houses are then in turn used as comparisons for the moose, the maternal. The idea that this is something that returns us to nature, that this is the encounter that we would have presumably upon death. It's the loved one that is somehow comforting, maternal, and is a female moose. It's moose mom. I don't know. I don't know. Something going on there. 41:04 Wes: Moose mom. 41:05 Erin: Natural and strange at the same time, not us. And I guess that's why I. That's why I mentioned that the story of my grandfather at the beginning, because I don't know why I wanted so badly to see a moose right after my grandfather's death. But there was something, like, logical about it to me. And I was familiar with this poem, but I very much did not have. You know, it was not something that was the forefront of my mind at all. But I think there is this inherent connection, and it's silly. You know, I kind of can't believe I'm saying this, but I do. I do think there is this kind of connection between this desire that I felt to see this animal. Like the particular kind of primordial itch that the moose in particular seems to be scratching for me in that moment. For Bishop, in this poem, something that is at once safe and comforting and from another world, natural in that kind of elemental way. 42:00 Wes: Yeah. 42:01 Erin: That all kind of coalesce in that image. 42:04 Wes: Very good. 42:05 Erin: Okay. I think that's it, Wes. All we're left with is the dim smell of moose and an acrid smell of gasoline. 42:12 Wes: Oh, you know, we should have talked about that. Maybe we can start with that on our next Bishop recording. We'll. We'll begin with the smells, the smells and the significance of that image at the end. 42:25 Erin: Nice. 42:25 Wes: That smellage at the end. 42:26 Erin: Smellage. All right. Thank you. 42:29 Wes: Thank you.

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: A poem about a map opens north and south, the first collection of the great 20th century poet Elizabeth Bishop. And since maps have been associated with her poetic vision, at once telescoping and binocular, and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also handheld, man made intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative and personal. Over the next few episodes, we'll be reading a selection of some of Bishop's most anthologized poems, starting with the moose as expressions of, among other things, her map, like imagination. This is Erin O'Luanaigh. And this is Wes Alwan, and you're listening to Subtext. Wes, have you ever seen a moose in the wild? 1:12 Wes: I have not, but I have seen Instagram videos of them and people getting too close, and I've heard that they actually are quite dangerous. 1:23 Erin: Oh, perfectly harmless. 1:24 Wes: As cute as they look. So not safe as houses. Which is a very surprising line, unless you think that houses maybe aren't as safe as they seem or ought to be. But that's something we'll talk about later. How about you? 1:38 Erin: I have not. And I actually, it's become a running joke among certain friends of mine that I haven't seen a moose because I long to see a moose in the wild. This is my dearest wish. 1:52 Wes: Is that the first time anyone said that in history? I long to see. 1:56 Erin: I don't know. 1:57 Wes: It's a good first line for a poem, actually. Why do you long. Long to see a moose in the wild? 2:03 Erin: Really? Maybe because of the poem. I don't know. I just really want to, but I. Maybe this will become significant without getting too personal or maybe with getting too personal. With apologies to the listeners. Ten years ago now, when my grandfather passed that summer, my grandmother wanted to go up to Maine and revisit certain places that she had been with him. And we ended up going to Acadia. And I was so excited to see. Am just. I got it into my head that I had to go to Acadia and see a moose. And I even bought a sweatshirt. I'm not wearing it right now. I looked down to see if I was wearing it. It's the same size and shape as this one. This is a Yankees, 1996 World Series sweatshirt. 2:42 Wes: It's not a Rocky and Bullwinkle sweatshirt, is it? 2:45 Erin: No, no, no. It's an acadia and it has a. It has a mousse on it. And so I bought it the first day that I was there and I was like, this is my sweatshirt and it has a moose on it. And I'm gonna. I'm gonna see a moose. And I did not see a moose. And then I. I bought a moose sweatshirt in, I think Grand Teton, and I was like, I'm gonna see a moose. And I did not see a moose. And then I lived obviously many years in Utah, and things would happen. Everybody knew I wanted to see a moose. And I would go to these trails where you could see moose. And I would like be going up a trail and someone would be coming down saying, there are moose up there. We just saw a moose. You just saw baby moose. I'd get all upsided and I would. I would run up and it was gone and people would taunt me. 3:32 Wes: So you don't want to see like a magic white heart or something like that? 3:38 Erin: No, no, I just want to see him. Even the garden variety moose? No, no. Just a humble moose will hide itself from me when. When it knows that I am after it. 3:49 Wes: Because they are a goofy, right? Are they majestic? Are they goofy looking? Are they both? 3:55 Erin: I think they're both. And I think that kind of qual quality is really well captured in the poem. No, I mean that quality of if not being then looking safe as houses or being a gargantuan size, and yet having. I know this is a female moose, which I believe is called a cow, as opposed to a bull. Right. But the bulls, even their horns have that hand like quality to them. You know, it looks kind of like an outstretched hand. 4:22 Wes: Interesting. 4:24 Erin: Yeah. They're not majestic. 4:25 Wes: Yeah, I think that's important to the poem. It's not some obviously majestic creature, although it is large and there is majesty in it in the poem, but it's not the typical majesty that you can just get from, oh, look at this beautiful animal. 4:41 Erin: Yeah. And this is kind of why I brought up my grandfather. There was some connection for me as I think there is something quite personal going on with the moose at the end, other than the shared experience of everybody in the bus, all of that. Like there's something bigger than us, more than us, and yet familiar in a way. And it's magical in a sense, because to see it is kind of a rare thing. Yet it also comes out of the landscape that she's that she's grown up in and that she's part of. I think there's a. Yeah. A lot of interesting dualities going on. 5:17 Wes: Okay. So maybe you can read the whole thing and then you could give a little bit. Or we could give a little bit of the biographical background because this is a bus trip she actually took. Right. 5:26 Erin: Yeah. 5:27 Wes: The significance of Nova Scotia, which is where she's departing from in the poem and all of that stuff. But. Yeah. Do you want to start by reading? 5:35 Erin: Sure. The moose from narrow provinces of fish and bread and tea, home of the long tides, where the bay leaves the sea twice a day and takes the herrings long rides where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home, where silted red sometimes the sun sets facing a red sea and others veins the flats. Lavender rich mud and burning rivulets. On red gravelly roads, down rows of sugar maples, past clapboard farmhouses and neat clapboard churches, bleached ridged as clam shells, past twin silver birches through late afternoon a bus journeys west, the windshield flashing pink, pink glancing off of metal, brushing the dented flank of blue beat up enamel, down hollows, uprises and waits patient, while a lone traveler gives kisses and embraces to seven relatives and the collie supervises goodbye to the elms, to the farm, to the dog. The bus starts. The light grows richer. The fog shifting, salty, thin, comes closing in. Its cold round crystals form and slide and settle in the white hen's feathers in gray glazed cabbages on the cabbage roses and lupins like apostles. The sweet peas cling to their wet white string on the whitewashed fences. Bumblebees creep inside the foxgloves and evening commences. One stop at Bass river, then the economies, lower middle, upper five islands. Five houses where a woman shakes a tablecloth out after supper. A pale flickering gone the Tantramar marshes and the smell of salt hay. An iron bridge trembles and a loose plank rattles but doesn't give way. On the left a red light swims through the dark. A ship's port lantern. Two rubber boots show illuminated, solemn. A dog gives one bark. A woman climbs in with two market bags. Brisk, freckled, elderly. A grand night. Yes, sir. All the way to Boston. She regards us amicably. Moonlight as we enter the New Brunswick woods. Hairy, scratchy, splintery moonlight and mist caught in them like lamb's wool. On bushes in a pasture the passengers lie back, snores some long sighs. A dreamy divagation begins in the night, a gentle auditory slow hallucination in the creakings and noises, an old conversation not concerning us but recognizable somewhere back in the bus, grandparents, voices uninterruptedly talking in eternity, names being mentioned. Things cleared up finally. What he said, what she said, who got pensioned. Deaths, deaths and sicknesses. The year he remarried, the year something happened, she died in childbirth. That was the son lost when the schooner foundered. He took to drink. Yes, she went to the bad when Amos began to pray, even in the store and finally the family had to put him away. Yes, that peculiar affirmative. Yes, a sharp indrawn breath, half grown, half acceptance. That means life's like that, we know it. Also death talking the way they talked in the old featherbed, peacefully on and on, dim lamplight in the hall, down in the kitchen, the dog tucked in her shawl. Now it's all right now, even to fall asleep, just as on all those nights. Suddenly the bus driver stops with a jolt, turns off his lights. A moose has come out of the impenetrable wood and stands there, looms rather in the middle of the road. It approaches, it sniffs at the bus's hot hood, towering antlerless, high as a church, homely as a house or safe as houses, a man's voice assures us, perfectly harmless. Some of the passengers exclaim in whispers, childishly, softly, sure are big creatures. It's awful plain. Look, it's a she. Taking her time. She looks the bus over, grand, otherworldly. Why. Why do we feel. We all feel the sweet sensation of joy? Curious creatures, says our quiet driver, rolling his Rs. Look at that, would you? Then he shifts gears for a moment longer by craning backward. The moose can be seen on the moonlit McAdam. Then there's a dim smell of moose, an acrid smell of gasoline. 11:05 Wes: Thank you. Very nice. It's really great to hear it spoken out loud. Spoken is the wrong word. It's the word read, performed. Do you want to say anything about the form of the poem before I ask you about some of the autobiographical background? 11:22 Erin: Yeah. Short lines, six line stanzas, 20, I believe. 28 stanzas in all. Irregularly rhymed, should we say? Kind of like a lot of bishop, you know, we get A, B, C. Then sometimes not rhymed where you might expect. So the rhymes peek their heads out and then. And then recede. Chatty a little bit in places, lots of repetitions of words. But that. That's something we could talk about More. But, yeah, kind of. Kind of mysterious form. One of the best things I've ever heard or read, I guess, about Bishop was by Michael Hoffman, who wrote quite a bit about her. And he said that it seems as though every time Bishop is writing, whether in form or in a kind of nonce form that she's creating, that she seems to be just inventing every form, like from scratch. You know, there's no blueprint. She doesn't have a familiar style in which she writes or particular kind of verse form that she seems to gravitate to. And when she writes, you know, a sistina or a villanelle or a sonnet or something like that, it seems like she's almost inventing the form as she goes along. And in this instance, there's a real. I keep wanting to say homemade after Crusoe in England. But, yeah, I think that's maybe what he was trying to get at, that homemade quality, that sort of bespoke kind of quality. And in the places where the rhyme goes in and out, I think that's really exemplified. 12:53 Wes: Well, it better be bespoke. She took forever to write it. 12:55 Erin: Yeah, that's right. She started this in, I think, 1946. 13:01 Wes: And then she finished it when this 13:04 Erin: was published in Geography 3. So she finished it in the 70s. 13:07 Wes: Okay. 13:08 Erin: Geography 3 came out in 1977. And this must have been published before then, individually, perhaps in the New Yorker, I think. Oh, geography three is 76. I would say maybe 72 is the date that comes to mind. Don't quote me on that. 13:24 Wes: Do we know why it took her so long? Obviously, she put it down for a couple days here and there. 13:29 Erin: It was the July 15th issue, 1972. So close to the day that we're recording. Why did it take her so long? She just worked on things forever and ever and ever. You see it, if you read. I highly recommend to listeners that they Get Words in Air. A very, very thick book of all the letters between Bishop and her friend Robert Lowell. You see her bringing up things or even mentioning in a description that she's writing to Lowell in a letter, a line that will later show up in a poem. Yeah. Low rate of productivity is great to. 14:08 Wes: You know, I can relate to that. 14:11 Erin: I take it as my model, honestly. Like, you know, live. Live Large and die with a slim Collected is kind of a. 14:19 Wes: Kind of a great Monroe Doctrine. But call it. What's another name? Bishpro. 14:28 Erin: That's right. 14:29 Wes: Is it right that she was forced to complete it because she agreed to read it this is something for deadlines. Right. At Harvard's Phi Beta Kappa ceremony. 14:38 Erin: I didn't know that. I know she read it at that ceremony, but I didn't know that that's what. The impetus for completing it. But that doesn't surprise me. 14:45 Wes: Yeah. So deadlines help every once in a while. 14:47 Erin: Absolutely, absolutely. 14:49 Wes: And then biographically. Right. This is based on a trip that she actually took, and she. She'd been to visit relatives in Nova Scotia and then came back on this bus trip. And the. There really was a moose. There really was a collie. Seven relatives for the rest of it. Yeah, yeah. Seven else. 15:11 Erin: Yeah, yeah. The specificity and all of it's. You know, there is a kind of like a photo realism, not just in the style, but in the. You know, we could sort of be certain that these things happened the way that she is recording them somehow, and yet she's spinning it into something more than just reportage. 15:30 Wes: So she was raised partly by her grandparents in Great Village, Nova Scotia. Right. Her. Her father had died in infancy and her mother was institutionalized. 15:41 Erin: That's right, yeah. 15:41 Wes: She aged at. When she was 5. 15:43 Erin: That's right. 15:44 Wes: So it's important just because. Yeah. The bus is leaving Nova Scotia, but go. Go ahead. 15:48 Erin: Yeah, it is important. She was born in 1911 in Worcester, Massachusetts, and she's buried there. I've seen her grave up there. It has a line or two lines from the bite on her tombstone. All the untidy activity continues. Awful but cheerful. Yeah. So she was born in 1911. Her father died, I think, of Bright's disease when she was 8 months old. And then her mother was institutionalized when she was 5, and she never saw her again. She didn't die until the 30s, I think, while Bishop was at Vassar. 16:23 Wes: Do we know what she was institutionalized for? Mental illness in general? 16:28 Erin: Yes. I don't know exactly what. In a short story of Bishop's, she describes as her. A scream coming from her mother. And whatever was wrong was exacerbated by her husband's death. And so then Elizabeth was left to be raised by her grandparents in Nova Scotia who were quite poor. And I guess she was kind of running around barefoot on the farm and stuff like that. And her father's family were very wealthy, and so when they came up to visit Elizabeth, they were, I guess, horrified by the fact that she was just like, you know, running around, hanging out with farm animals. And they took her to. Back with him to Worcester, and she was very unhappy there. Very ill child. She had asthma and eczema. And really, like, I think almost died of both at one time or other, very unhappy. And then eventually she moved to an aunt's house in, I want to say, in Revere, Massachusetts, and she was a little happier there. And then she went to Vassar, and I've been to the Vassar campus to see various buildings associated with Bishop and also to see. They did a really fabulous exhibition of her postcards at the Vassar Library a couple of years ago, which I really loved, seeing her hand and her little. In jokes and asides and really amazing to see. Anyway, at Vassar, the librarian there set up a meeting between Bishop and Marianne Moore, who became a mentor to her. They were very close. And then also over the course of her life, she was very close with and had an important friendship with Lowell. Hence the enormous book of letters. I have it here. It's so heavy I could barely pick it up. But this is a great book. It's kind of like an epistolary novel. Yeah. And she was. I think it's important to say, too, that she was a lesbian who had a very long relationship with a Brazilian architect named Lota de Mecedo Soares, who was her partner in Brazil for 15 years. She lived down there, known for travel. A lot of her collections, whether it's Geography three, which is the most obvious one, or north and south, have. There are a lot of Brazilian pumps. There are a lot of geographical poems. The first poem in her first collection, north and south, was the Map, which is often read as a kind of ars poetica. She's known for these types of, you know, sweeping landscapes that the moose begins with, and an interest in landscape and in this kind of bird's eye view. But then also you get these telescoping details, like a cinematic close up interspersed. Much is made of that in Bishop, of that kind of vision of hers, and specifically of, I don't know, the idea that she creates these. These beautiful miniatures, which is true, but maybe sometimes can be a little. I mean, she's revered, as she should be, and she's one of the most popular poets and she also has a great ear and she has so many other great things going on. So I don't want to exclusively focus on that kind of visual element, though it's there and it's very rich. 19:43 Wes: So from narrow provinces of fish and bread and tea. That's a very good opener. Why are they narrow provinces? And what is the. What are the fish and bread and tea doing? Fish and bread sounds vaguely like it could be a biblical reference, but maybe it's not. But you add tea. Right. There's something mundane here and perhaps restricted, provincial. And that's what she's going to be departing from. I mean, well, begins with the tides, but. 20:12 Erin: Yeah, right. Yeah, that's right. Narrow in a few kinds of ways. Because there's a strange. Because of the Bay of Fundy, there's almost that like U shaped corridor of land around it. So Nova Scotia is kind of narrow. And then up into. Then there's the narrow isthmus. I don't know, I don't know if I'm using that word correctly. Up into New Brunswick. Yeah, so there's something maybe a little, I don't want to say spiritually narrow, maybe somewhat limited or like practical. Practical and, you know, just the necessities and a place we learn that that is. That maybe has to be stalwart in response to the vagaries of the water around it. The Bay of Fundy, I was reading online, the tide, over the course of just one tide, can rise and fall 50ft because the bay is like a giant funnel. When it goes out, it just leaves this vast, open, muddy plain basically behind it. 21:16 Wes: She portrays this very beautifully. We get the image of the tide retreating and then the flats that are being illuminated by the setting sun as burning rivulets. And then there's almost a transition into the bus ride when she says on red gravelly roads, eventually the subject of that is going to be the bus. Although in the beginning, before we get to the bus, it looks like the rivulets have almost become roads. So you almost get the sense like the tides come in and it's going to go further inward, it's going to go all the way to Boston, but it's going to become the inhabitants of the bus who are much like the herrings. Right. In the first stanza. The herrings on the tides take herrings on long rides. So it's almost as if as the tide comes in, she is caught in the tide and brought along with it towards her destination. 22:08 Erin: That's right, yeah. And the bay itself, the water itself is also like a traveler, you know, you might go to visit it and find it's not at home, it's gone out for on a trip or something. So there's also that connection as well. Whereas the roads are part of this more solid and dependable and the water being fickle and not always depended on to be there. 22:31 Wes: Well, I was going to say there's something very poignant about the way she describes the tides and whether they're in or out. And I can't put my finger on it exactly. It's almost. It's this idea of. Right. Where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home. If the tide is in or coming in the river clashes with it in a wall of brown foam. Is that the idea now? And what's the image there? Is it always a wall of brown foam? Well, either way, I just. Something about this idea of. It depends on whether the bay is at home or something like that. It's a poignant image. 23:12 Erin: It is. It's that sense of just. Of disappointment or just missing someone, like a missed opportunity. Seems kind of surprisingly emotionally resonant, considering that she's talking about a tide. 23:25 Wes: And we. You know, it introduces the idea of home and. Which I think will be significant. And later on we'll talk about whether the moose is safe as houses and the reflections of the elderly and all that stuff. But. 23:40 Erin: And boundaries, too, right. You have very slippery boundary between the bay and the. And the sea, between the rivers and the bay that feeds them. And I think that boundary very much plays into the idea of home. And you could say that the bus seems to be a part of that too. Right. Like the bus becomes the home. So there's a little bit of the slippery idea of this transposition of home life into the bus, or the people on the bus all becoming the. We like a family within it. The way that it can literally cross national boundaries. It's going to Boston across the border. 24:18 Wes: Yeah. And then they'll be observing provincial life, I guess, from within the bus. And. And, you know, a woman shaking out an apron, for instance, or home life. But, yeah, I had the same thought to you. The bus. The interior of the bus becomes its own kind of mobile home, I guess. I guess the wall brown foam part. There's that push and pull, or it's a matter of who's doing the pushing. Right. In one case, the brown foam. The wall of brown foam is caused as. As the river pushes on the retreating tide. And the other case, it's the tide pushing back against the river as it comes in. But in either case, there's a clash there. 24:58 Erin: Then there are places, though, where there's blurring of boundaries. Like one of my favorite lines in the whole poem, the idea of the churches as ridged as clamshells. She always takes that. This is much remarked upon among scholars of Bishop. Where you get the thing that's. That's really big, suddenly reduced in size to the handheld, but coming out of the same idiom. You know, both the clamshell and this clapboard church are in a way equally native to Nova Scotia. The brilliance of connecting those two things and fishing being an industry in the area, you know, sort of springing out of the fishing industry. 25:42 Wes: Yeah. And shells are what's left as the tide retreats. Right. As it's as if the houses are just the natural residue of a retreating tide. 25:52 Erin: That's great. 25:52 Wes: From the beginning of the poem, there's a sense of momentum, and almost like you, at least in my case, I felt like I'm on a camera moving over the landscape, and it starts with the tide, and then it moves to the burning rivulets. Right. So now we're hovering over. I don't know what you would call it, a. A tidal plane. Anyway, she calls it the flats. Right. So all the silt, and we're moving along there, and then suddenly we're on a gravelly road. So the sun takes over from the sea. The redness of the sun. And then the bus takes over from the sun. But that's the momentum of the poem is from sea to sun to bus. 26:37 Erin: Yeah. The bus flashes pink. We get lots of pairs of the same word, creating a kind of chime with each other. So we get the windshield flashing pink. Pink glancing off of metal. And we wonder, I suppose, because part of the reason why the roads are red is because of the clay content. Right. Of the road itself. So we get that combination of, like, something red in the road or in the composition of the soil and rock of the area. 27:07 Wes: Laterite, I think, which I only know because of Graham Green, who I've been reading. Oh, and what heart of the matter. He's talking about laterite houses, like. So from the red clay, you can make, you know, homes from as well, and common in Sierra Leone. So he used the word like a hundred times before he finally looked it up. All right. There must be something that's going to not know what he's talking about. I'm like, oh, okay, now I get it. Yeah. 27:41 Erin: So that's the mineral, the. 27:44 Wes: It's reddish. Yeah. Reddish clay type of soil, topsoil or something like that. I should know more about this because I used to write about this, too, when I was writing about transportation and engineering. 27:56 Erin: Right. 27:57 Wes: It's important what kind of soil you're building on. But anyway, I remember nothing about that. But, yeah. So it could be the right word. Who knows? But. But, yeah. So you're getting at the. Yeah. The way the redness of the sun is interacting with the. 28:12 Erin: Yes, it's coming. 28:13 Wes: The redness of the soil. 28:14 Erin: Yeah. And that kind of redness coming from below and above to glint off of the bus. The windshield is flashing pink from the sun and the metal is flashing pink from the road. They're both brushing the dented flank of the blue beat up enamel from one direction or the other, it seems. Yeah. Sort of tunnel of red in which the. In which the bus is traveling. 28:41 Wes: Such a vivid image that she gives us. It made me think, you know, sometimes it's almost better than film. It's more vibrant or more. Don't know how to say it, but I was thinking about this because in some of the philosophy podcasts we do, there are philosophers who deny that we have imagery in our head. Exactly. Or we can never. Which seems true. Right. We can't imagine anything with the vividness that we would have if we actually saw it. But it makes me think when I read a poem like this, but also. And also reading some of the novels I've been reading. Well, there's a special kind of vividness to figurative language that perception can't capture. In some ways it's more. More vivid, definitely. 29:26 Erin: I think the sonic quality of the word, the repeated. Right. It's on the one hand a repeated image, but then it also creates that kind of just the soundscape, makes them feel somehow more synesthetic to say, but somehow more picturable or more tangible or more. I don't know, the pink glancing off metal, the dented flank beat up enamel. You know, there's just. It's like. I think that's contributing to it, to the vividness of the image. And yeah, you talked about momentum, too. I mean, this entire. This whole first sentence is six stanzas long. It ends with. And Akali supervises. So there's also that kind of. Yeah. Locomotive propulsion of the camera work, so to speak, Zooming in and then following the road into the bus. And then the bus arrives to sort of catch again, quite cinematically the scene that's actually happening or the place where the eye, if there is an eye in the poem, actually is the lone traveler embracing these relatives with the collie watching on. So there's a sense in which the I eye of the poem doesn't actually catch up with the speaker until stanza six and the end of this first sentence until we get goodbye to the elms, to the farm, to the dogs. So there's kind of lamination at that moment of the I eye and the capital I. 30:49 Wes: We seem to be gradually getting more of a point of view. Right. It's very omniscient in the beginning, hovering over the landscape. And I think gradually we're going to be getting a her point of view in the bus and then a we. But also just to note, this is one. I think this is the first of three pauses. Right. There's gonna. It's gonna pause here, the bus. The momentum is gonna stop as the bus lets on the lone traveler, which I presume is her. Right. Her saying goodbye. And then there'll be a pause when the amicable freckled woman gets on. She's there because we need everything to be in threes. And then we. Then we're gonna pause for the moose in the very end. I didn't miss anything. Right. There's not other places where we stop? 31:32 Erin: No. I mean, there are, of course, stanzas that end some more definitively than others and stopped with a period. There's a stop at Bass River. Right. So there is a little bit of that kind of start. Stop syntactically. But I think you're right that those are the stops where there's content. 31:49 Wes: Content goes. 31:50 Erin: Yes. And where there's a very particular. Yeah, the content of the bus, except for the moose obviously doesn't get on the bus. But there's a stop that's motivated, let's say, rather than just being described as various stops along the way where we don't know who got on and who got off or whatever. Certainly there's also a movement toward that more personal experience of the speaker. But then there are also things that the speaker couldn't possibly know or you know, because once she's said goodbye to everyone and gets on the bus, then we also get the sort of nature show close ups. The crystals of fog, the lupins like apostles, the sweet peasants clinging. One of my favorite parts, clinging to their wet white string on the whitewashed fences. Again, we get two uses of white right next to each other. Bumblebees creeping in the foxgloves. All things you really can't see from certainly from a moving bus. 32:43 Wes: Yeah, the point of view gets focused very, very gradually, maybe through the whole palm. Maybe it's not fully focused until the very end, but. Yeah. So you're pointing out something important which is at the sort of omniscient point of view is still here in these very. What do you call it when you take a close up with your phone? Macro, ironically. Yeah. These very close up pictures of flora and fauna and very Beautiful. 33:12 Erin: Yeah. They compound and then they get more and more loaded and mysterious. And just when we're about to maybe go over the edge, we get recalled back a little bit. That's at least how I'm reading, for instance, stanza 12, about the ship's port lantern and the boot and the bark of the dog. And then suddenly a woman climbs on the bus. And so we're sort of stopped from going off into some sort of train of thought that you could follow there down a rabbit hole. But I love that stanza on red light swimming through the dark. It reminds me of the last stanza of disillusionment, of 10 o'. Clock. Do you know the old sailor, drunk and asleep in his boots, catches tigers in red weather? I think that's how it goes, the Stevens bomb, because we get the boots and the red light in the ship, so they're probably. No. No real connection there. 34:07 Wes: So all of these little intricate descriptions that she's giving, right. It begins with the light growing richer, which I take it mean, means we're approaching dusk and evening, or we're in dusk and it's evening is approaching and a kind of mini winter, Right. Something. It's a diurnal cycle, but there's a bit of a parallel to something seasonal. Right. So we get crystals forming and the images like sweet peas clinging and the bumblebees inside foxgloves. As evening commences, it's almost like. I don't know if this is true, but it's almost as if we're getting the response of the animals and flora and fauna to the commencement of evening. That's our first indication of it. So I was surprised to see, okay, it's still light out enough for us to see a woman shaking a tablecloth out after supper. And that is beautifully described as a pale flickering. Right. Almost as if that's something like the light reflecting off the enamel bus, or not pink anymore, but just a flickering of pale light and then gone, I suppose. Does that mean that we're now without light? Is that sort of the way nighttime is ushered in by the end of the next stanza? And it's in the next stanza that we see a red light in the dark. Now we have a ship in the dark. So it's almost as if. Yeah, the shaking of the tablecloth is like a magician. Abracadabra. Now it's nighttime, Right? 35:39 Erin: Yeah. I love that. Yeah. You're making me realize how many connections there are to Keats in this poem. Right. There's something Keatsian about it, very. To Autumn, you get the sweet peas clinging on the fence. You get that image of fecundity things on top of other things. You know, the mossed cottage trees and the late flowers for the bees. And then the shaking out of the tablecloth is like the hair lifted by the winnowing wind. Right. Because there's. There's wind, there are flowers and bees. And then there's also, of course, redness and that image of, you know, like the evening. Autumn. Evening redness. And maybe this is. Yeah. Rows of sugar maples. Those could be red as well. If we're in an autumnal landscape, can't be too late because everything is, you know, it's got to be like August, maybe because we have this. Or. No, I guess maybe not. Gray glazed cabbages. I don't know enough about cabbages to know at what point in their development. 36:40 Wes: Yeah. Whatever season it is. I just think that the evening is almost like a mini winter. It gets colder and we see the. 36:46 Erin: Definitely. 36:47 Wes: We see the effects of it. But, yeah, maybe autumn is probably the logical season for. 36:53 Erin: Right. Yeah. And that point. Or that point in the transition from summer to autumn where, I mean, even on a summer night in Nova Scotia, the evening temperature is quite autumnal regardless. And so when the woman climbs on with the market bags, we get. 37:09 Wes: Shall we take a. Shall we? 37:12 Erin: Oh, yes. 37:13 Wes: Let's let the freckled amicable woman on in part two. 37:17 Erin: She'll have to wait. 37:18 Wes: Let's not let her on the bus yet. 37:20 Erin: You have to wait for everyone else to get off before you can get on. It's one of the cardinal rules of public transportation. Okay, we will continue in part two. Thank you. 37:29 Wes: Thank you.

Dominic LeBlanc to brief provincial ministers and advisers on Canada–U.S. trade talks. Wildfires strain B.C. tourism as visitors stay away. Experts fear New Brunswick's balsam fir is struggling to survive after record drought. Nigel Farage wins UK by-election. Vote counting suspended in Zambia's presidential election over violence and stolen ballots. Accused killer Luigi Mangione expected to plead guilty to federal charges in New York.

One violent headshake, one flash of a giant's eyeballs, and then the hook comes flying back at us. That's the kind of moment that turns a regular day on the water into a permanent memory, and it's where this chapter of Diaries of a Lodge Owner starts: with the fish that would have changed everything on tournament day. We walk through a Gloucester Pool bass tournament run that had first place within reach, right down to the current in the channel and the exact piece of cover that begged for one last cast. From there, we get practical about the details that matter in bass fishing: how a Senko falls, what your line tells you, and why circle hooks can betray you when the hook size is wrong. If you've ever lost a big largemouth at the boat and replayed every decision, you'll feel this one. Then we head to Lake Nipigon for a speckled trout story that ends in the worst way: a loaded rod that suddenly goes dead. It's a deep dive into trolling spoons, barrel swivels, line twist, and the painful truth that a 3 cent snap swivel can undo thousands of dollars of gear and the opportunity of a lifetime. The lesson that follows is simple, brutal, and useful everywhere: your system is only as strong as the weakest link. We also shift into the memories you measure in meaning, not inches, including a New Brunswick striped bass trip with family, reflections on loss, and why big water like Lake Nipissing demands respect. If these stories spark one of your own, share it with us. Subscribe, leave a review, and send this episode to a friend who still talks about “the one that got away.”

On the phone-in: Doris Dunphy, president of PEI Pickleball ÎPÉ and Deborah McNamara, general manager of the Halifax Pickleball Club guide us through the world of pickleball. And off the top of the show, we'll hear how New Brunswick public health's tick tracker is reporting that exposure to ticks known to carry Lyme disease is more than double the average for the past three years.

photo by derek oven on unsplash A live, off-air, half-hour recording of the BBC World Service special Antarctic Midwinter Broadcast on 21 June 2026 beginning at 21:30 UTC.The broadcast, hosted by Cerys Matthews, featured messages and music for the members of the staff of the British Antarctic Survey (BAS) overwintering in Antarctica at the Rothera (Antarctic Peninsula), King Edward Point, and Bird Island (South Georgia) research stations. In addition to personal messages from family and friends, there were interviews with Professor Dame Jane Francis, Director of BAS; and Lousiane Ferlier, an archivist at the Royal Society in London who is digitizing the photographs of the first midwinter celebration during Robert Scott's discovery expedition of 1901-04. As sometimes happens, the first few words of the introduction were not transmitted: "This is the BBC World Service calling Antarctica ...".The recording is of the transmission on 12070 kHz from the BBC's Woofferton, England, transmitting station. The sender had a registered power of 300 kW with antenna beam 182 degrees. The transmission was received on a Belka-DX receiver with a Sangean ANT-60 7-metre wire antenna outdoors in Hanwell (just outside Fredericton), New Brunswick, Canada, in pseudo-synchronous (AM2) mode with 50 Hz - 2.7 kHz bandwidth. Reception was quite good with excellent signal strength but with occasional lightning burst noise and digital utility station interference. The additional parallel frequencies of 9510 kHz from Woofferton and 9460 kHz from Ascension were heard but not as well as 12070 kHz. A studio quality, slightly longer, podcast version is available on the BBC World Service website. BBC World Service Annual Antarctic Midwinter Broadcast: June 21, 2026 Richard Langley Download

New Brunswick has some of the best bird hunting around, and this week Reid sits down with Mark Symes, President of The Ruffed Grouse Society Canada and a longtime resident of the region, to talk about the incredible bird resource in eastern Canada, why the region's wingshooting tourism has changed over the decades, and what you can actually expect on a New Brunswick hunt. Mark also opens up about his own path from bird hunter to conservationist, and how that journey put him at the head of RGS Canada.

Rhys and Jesse dive into the mystery of the “extinct” Eastern Cougar in Nova Scotia and New Brunswick—sharing sightings, sketchy government responses, dubious DNA tests, and why officials might prefer this big cat to stay officially dead. Along the way, they detour into conspiracy vans in Vancouver, wild listener theories, dating updates, autobahn anxiety, and the surprising sex lives of kangaroos.0:00 – Sleep Tracking & Being Exhausted1:00 – Introducing the Eastern Cougar “Cryptid”2:20 – Cold Open: Conspiracies & Canada Is Boring Intro3:38 – Back from Break: Rhys and Jesse Reunite4:05 – Ridiculous Cryptids & Livestock Jokes5:00 – What Is the Eastern Cougar, Really?6:00 – Sightings, Photos & “It Just Looks Like a Cougar”7:30 – Dashcam Cougar, Trail Cams & Blurry Evidence9:30 – Government Takes the Tape (Conveniently Lost)10:30 – “Mistaken Identity” Animals & Official Charts11:55 – Cougar Bar Jokes & Karaoke Research13:00 – Biologists, DNA Evidence & Exotic Pets14:20 – Snake Pets, Smells & Listener Call to Action16:40 – More DNA Evidence & Jesse Calls Out Bad Science18:05 – Extinction, Habitat Loss & Elusive Big Cats19:00 – Why the Government Won't Admit Cougars Exist20:16 – Nova Scotia Politics & Reluctance to Change20:57 – Condos, Empty Buildings & Rich Investors21:29 – Do We Believe in the Eastern Cougar?22:07 – Small Talk Dimension Intro (STD Zone)22:56 – Rhys's Europe Trip & Autobahn Anxiety24:57 – Jesse's Dating Life Update25:34 – Listener Jess's Top 3 Conspiracies27:26 – Heartfelt Comment from Listener in Australia28:00 – Kangaroos, Three Genitals & Weird Biology29:26 – Googling Kangaroo Anatomy Live30:19 – Teasing the Next Lake Monster EpisodeFor premium content, socials, merch, to leave a voicemail or message us go to canadaisboring.com Hosted on Acast. See acast.com/privacy for more information.

Humble's New Brunswick experience / Johnny Slapshot qualifies for the Provincials / Fred's move and all that goes with it / The Retirement Sherpa and his wife renew their vows / Stan is struggling / The Orange Imbecile continues to outdo himself / Dan Duran the anchorman Hosted on Acast. See acast.com/privacy for more information.

Post Malone Biography Flash a weekly Biography. Post Malone has had a relatively quiet few days in terms of confirmed breaking news, but the biggest verified development is that his touring machine is still very much active, with Setlist fm showing upcoming BIG ASS Stadium Tour dates including YQM Country Fest in New Brunswick on August 29 and later stops in Hong Kong and Taiwan, which matters biographically because it signals his ongoing expansion as a global live act[3]. Setlist fm also lists a July 28 stadium show in Salt Lake City and other recent tour entries, reinforcing that he remains in a high demand stadium phase rather than slowing down[3]. The clearest recent headline is his Sesame Street appearance. According to the Dallas News and related entertainment coverage, Post Malone sang with Elmo on Sesame Street, a mainstream family friendly crossover that extends his unusual reach beyond country and pop into children's television[9]. That is a notable long term biographical marker because it adds to his reputation as one of the few modern stars who can move fluidly between genres and audiences[9]. A YouTube entertainment roundup also reported that a special featuring him was set to premiere on Netflix and PBS Kids, with Malone performing a reimagined version of I Had Some Help, though that specific distribution detail should be treated as secondary until confirmed by the program's official channels[13]. There is also fresh cultural chatter around his country credibility. Rolling Stone noted that even Post Malone invited Braxton Keith onstage at Stagecoach earlier this spring to perform Keith's own Cozy, a detail that is not a new event this week but continues to circulate because it underscores Malone's serious embrace of the country scene and his role in elevating newer acts[2]. Yahoo Entertainment also resurfaced his 2024 Grand Ole Opry debut and the Post Malone and Friends Live at the Opry event, which remains one of the most important milestones in his country pivot[7]. On social media, the only directly surfaced official account in the available results is his Snapchat profile, but no verified new post content was included in the search results, so any claim of a specific fresh social media message would be unconfirmed[1]. Likewise, recent web chatter about a World Cup final performance, including reports that he debuted unreleased material, appears in lower reliability coverage and should be treated as unverified for this script[10][20]. Thank you for listening, and subscribe to never miss an update on Post Malone and search the term Biography Flash for more great Biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

After a provincial politician in New Brunswick made international headlines for delivering a speech containing obvious AI prompts, and as the House of Commons continues to lean on hybrid proceedings and a voting app, it's clear technology is changing politics. But are these changes helping or hurting politicians? The House asks a panel of three past MPs: former interim Conservative leader Candice Bergen, former Liberal cabinet minister Marco Mendicino and former NDP MP and provincial cabinet minister Nathan Cullen. Plus, as the federal government shared plans this week for a new medical countermeasures laboratory meant to improve preparedness for future health emergencies, south of the border, a Republican-led Senate committee held former top U.S. health official Dr. Anthony Fauci in contempt of Congress for declining to answer questions about COVID-19. Host Catherine Cullen checks in with Mona Nemer, Canada's chief science advisor since 2017, about this moment in public trust and the path forward for pandemic preparedness.And, more than half of all households in Nunavut are food insecure, according to Statistics Canada. As part of The House's ongoing summer series on food security, Joseph Murdoch-Flowers, executive director at the Qajuqturvik Community Food Centre in Iqaluit, joins the program to talk about the work his group is doing to help and how the federal government could improve its efforts.This episode features the voices of:Candice Bergen, former Conservative Party interim leader and senior strategic advisor at Signal HillMarco Mendicino, former Liberal cabinet minister and senior counsel at CasselsNathan Cullen, former NDP MP and vice-president with StrategyCorpMona Nemer, Chief Science Advisor of CanadaJoseph Murdoch-Flowers, executive director at the Qajuqturvik Community Food Centre

Weed laws, fake pot shops, zoo trivia, a workers' comp guy who secretly wanted to be a game show host, and a first-time comic bombing gloriously all in one night. Thank you, Omaha! Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Sep 23rd - Puyallup, WA Oct 2nd - Anaheim, CA Oct 3rd - San Diego CA Oct 9th - Bozeman, MT OCT 10th - Salt Lake City, UT Oct 17th - Atlanta, GA Oct 18th - Birmingham, AL Oct 21st - Madison, WI and Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) This episode is brought to you by Betterhelp! Our listeners get 10% off their first month at ⁠⁠⁠Betterhelp.com/aboutlastnight⁠⁠⁠ this is a paid advertisement from BetterHelp Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pacific Gold has reshaped its leadership team while advancing drilling at the flagship Wild Dog Project in Papua New Guinea. Pirate Gold identified widespread advanced argillic alteration at the Clipper Brook target within its Treasure Island Project in central Newfoundland. Outcrop Silver reported high-grade results from the Morena and Aguilar targets at its Santa Ana silver-gold project in Colombia. Asante Gold updated the mineral inventories at its Bibiani and Chirano mines in Ghana, reporting a combined 4.6 million ounces of measured and indicated resources, plus 1.8 million inferred ounces. Osisko Gold reported drilling from the Proserpine target, seven kilometres southeast of its Cariboo Gold deposit in British Columbia. Galway Metals reported fourteen holes from the Southwest Deposit at its Clarence Stream gold project in New Brunswick. Aztec Minerals reported step-out results from its Tombstone Project in Arizona, expanding shallow oxide gold-silver mineralization into the newly acquired North Extension Zone. Adyton Resources increased the indicated resource at its Gameta Gold Project on Fergusson Island, Papua New Guinea, by 131 percent following its 2025 infill drilling program. And with a big shout-out to our own Trevor Hall, I'm pleased to report that Mr. Hall has joined the board of directors for Apex Critical Metals, adding mining-sector communications and community-engagement experience as the company advances the Rift Rare Earth Project in Nebraska. The Mining Stock Daily morning briefing is produced by Clear Commodity Network. It is distributed throughout the world through your podcast network of choice, and at Clear Commodity Network.The information presented should not be considered investment advice. Mining Stock Daily and its affiliates are not responsible for any loss arising from any investment decision in connection with the material presented herein. Please do your own research or speak with a licensed financial representative before making any investment decisions.Integra is a growing precious metals producer in the Great Basin of the Western United States. Integra is focused on demonstrating profitability and operational excellence at its principal operating asset, the Florida Canyon Mine, located in Nevada. In addition, Integra is committed to advancing its flagship development-stage heap leach projects: the past producing DeLamar Project located in southwestern Idaho, and the Nevada North Project located in western Nevada. Learn more about the business and their high industry standards over at integraresources.comVizsla Silver is advancing the Panuco silver-gold project in Sinaloa, Mexico — one of the highest-grade silver development projects in the world. The project hosts the world's largest, undeveloped high-grade silver resource, and the company has been aggressively expanding its drill program to grow that resource ahead of a development decision. Learn more at vizslasilver.ca.Equinox Gold is a growth-focused gold producer operating mines across the Americas. With cornerstone assets like the Greenstone Mine in Ontario and the Valentine Gold Project in Newfoundland & Labrador, Equinox is advancing a new generation of large-scale, long-life gold operations. Learn more about their portfolio and development pipeline at equinoxgold.com.Revival Gold is one of the largest pure gold mine developer operating in the United States. The Company is advancing the Mercur Gold Project in Utah and mine permitting preparations and ongoing exploration at the Beartrack-Arnett Gold Project located in Idaho. Revival Gold is listed on the TSX Venture Exchange under the ticker symbol “RVG” and trades on the OTCQX Market under the ticker symbol “RVLGF”. Learn more about the company at revival-dash-gold.com

Why This Episode MattersWhat local sourcing looked like before restaurants had reliable farm-to-kitchen distribution.Why supporting local agriculture is an economic commitment not merely a menu description.How “farm-to-table” became vulnerable to greenwashing and what genuine sourcing requires.Why whole-animal butchery, preservation and culinary craft are increasingly difficult to sustain under modern restaurant economics.Why “sustainable seafood” may be too simple and how ocean warming, acidification, habitat loss shape the larger story of what reaches the plate. The BanterMark Pascal and Francis Schott return from Tales of the Cocktail with lessons in hospitality...and staffing. They share Ti Martin's story about transforming a frazzled guest's evening with one perfectly timed gin and tonic, then recap what happened when their New Orleans beefsteak produced an unexpected third shift for the hosts. Thirty-four years into the restaurant business, apparently there are still new ways to discover that you need two more employees.The ConversationBaltimore chef and restaurateur Spike Gjerde joins The Restaurant Guys for a candid discussion about what it actually takes to build a regional food system.Spike, Mark and Francis compare the early days of sourcing local ingredients, when chefs drove to farmers markets or directly from farm to farm because restaurant distribution simply did not exist. Spike explains why Woodberry Kitchen pushed the idea much further, even excluding ingredients such as lemons so more of the restaurant's purchasing dollars could remain with Mid-Atlantic growers.They explore large-scale preservation, farm-to-table greenwashing and the tension between environmental responsibility and economic survival. Spike also reflects on Parts & Labor, his restaurant and butcher-shop experiment designed around whole-animal butchery and the stubborn reality that nearly everyone still wanted rib eye and tenderloin.The conversation turns to the rising cost of skilled labor, the loss of culinary craft and the pressure pushing restaurants toward standardized, premade food. Spike explains how his newer restaurants broaden Woodberry's original mission by applying local agricultural relationships to the cuisines of Provence, Spain and the Levant.Finally, they challenge the language of “sustainable seafood,” discuss the ecological importance of Chesapeake menhaden and revisit Shoofly, Spike's premium diner concept that may simply have arrived before diners were ready for a $24 omelet.Guest BioSpike Gjerde is a Baltimore chef and restaurateur best known for Woodberry Kitchen and his decades-long commitment to strengthening regional food systems. He received the 2015 James Beard Award for Best Chef: Mid-Atlantic.Timestamps00:00 Tales of the Cocktail, live shows and a lesson in hospitality07:40 Spike Gjerde and the early days of local sourcing14:25 Why local food became an economic mission20:05 Farm-to-table greenwashing and the future of regional food systems27:15 Whole-animal butchery and the Parts & Labor experiment31:10 Rising labor costs and the disappearance of culinary craft35:40 The Ecco Project: expanding the mission beyond farm-to-table40:10 Sustainable seafood—and a diner concept that may have arrived too early47:35 The diner, the record-store owner and a wild New Brunswick crime story InfoSpike's PlacesWoodberry Kitchen https://www.woodberrykitchen.com/Ecco Project https://www.eccoproject.com/Subscribe: Restaurant Guys' Regularhttps://restaurantguysregulars.buzzsprout.com/Magyar Bankhttps://www.magbank.com/Stage Left Wine Shophttps://www.stageleftwineshop.com/Our PlacesStage Left Steakhttps://www.stageleft.com/Catherine Lombardi Restauranthttps://www.catherinelombardi.com/Stage Left Wineshophttps://www.stageleftwineshop.com/Reach Out to The Guys!TheGuys@restaurantguyspodcast.com

In this episode Sarah and Sheri talk with Laurens van Esch about St. Stephens University's (SSU) Certificate in Reconciliation Studies program. This program was designed to equip settlers to live into relations of peace and friendship, and to take seriously the work of reconciliation. Learn more about this one of a kind theological program at the links below. Originally from the Netherlands, Dr. Laurens van Esch teaches history and political philosophy at St. Stephen's University, on the homeland of the Peskotomuhkati Nation in New Brunswick, Canada. Over the years, he has participated in various forms of Indigenous solidarity efforts through organizations such as Community Peacemaker Teams, Mennonite Church Canada, and the Canadian Friends Service Committee (Quakers). At St. Stephen's University, he currently serves as co-director of the Centre for Reconciliation Studies, which seeks to equip non-Indigenous people to commit to an ongoing process of reconciliation as invited by the Canadian Truth and Reconciliation Commission. Laurens loves to reflect on how the study of the past relates to the pursuit of justice in the present, and is particularly interested in the power of story, religion, and commemorative practices within emancipatory social movements. Show notes: St. Stephen's University Certificate in Reconciliation Studies Program website: www.ssu.ca/certificate-in-reconciliation-studies Application page: www.ssu.ca/application Check out our online monthly trainings: tinyurl.com/Trainings2026 Sarah's and my book: So That We and Our Children May Live: Following Jesus in Confronting the Climate Crisis Sarah's and my Substack: So That We and Our Children May Live You can follow the Coalition to Dismantle the Doctrine of Discovery on Instagram (@coalitiontodismantle) and Facebook (https://www.facebook.com/dismantlediscovery)

Today's phone-in: we gather round the campfire and share memories and experiences from summer camp. Plus, a New Brunswick lawyer is facing allegations of improperly using AI in his work. We ask an expert about AI's role in law.

TikTok told Laura that Amsterdam was one of the most toddler-friendly cities in Europe, so she decided to find out for herself!In August 2025, Laura and her husband traveled from New Brunswick, Canada, to Amsterdam with their 2.5-year-old daughter for a full week of family adventures. And they were pleasantly surprised by just how much the city offered for little kids!Laura shares how they created a toddler-friendly rhythm with morning activities, afternoon naps and plenty of time for parks, playgrounds and snacks. From the zoo and NEMO Science Museum to biking through Vondelpark, exploring kid-friendly museums, cruising the canals and tasting their way through local markets, this trip proves that Amsterdam can be an incredible European destination - even with a toddler in tow! This episode is available to watch on YouTube: https://www.youtube.com/@kelseygravesIf you'd like to share about your trip on the podcast, email me at: kelsey@triptalespodcast.comBuy Me A Coffee: https://buymeacoffee.com/kelseygravesFollow me on Instagram: https://www.instagram.com/kelsey_gravesFollow me on TikTok: https://www.tiktok.com/@mskelseygravesJoin us in the Trip Tales Podcast Community Facebook Group: https://www.facebook.com/groups/1323687329158879Mentioned in this episode:- My dog's favorite cheese bones https://amzlink.to/az0E1x241YPSw- Laura's favorite travel stroller https://amzlink.to/az0PlFvKKApuj- Halifax Airport - "Welcome Pickups" Transfer Company- The Concert Hotel- Vondelpark- Attractions included in the iAmsterdam City Card/Pass: ARTIS Amsterdam Zoo, Moco Museum (modern art), NEMO Science Museum, STRAAT (Street Art Museum), Rijksmuseum, National Maritime Museum, Bike Rental- Restaurants/Food: Cobra Cafe, Groot Melkhuis, Bakers & Roasters, Fabel Friet for Dutch fries - Pizza Canal Cruise- Albert Heijn grocery stores- DAY TRIPS: Zaanse Schans, Leiden (Paco Ciao speakeasy-type restaurant), Delft- NDSM Wharf & Ferry (free)- Pancake Boat Tour- Sarphatipark- parkrun- Max Euwe Centre Chess Museum - De Pijp neighborhood: Albert Cuyp Markt for Stroopwafels from Rudy's and Kibbeling fish bitesTrip Tales is a travel podcast sharing real vacation stories and trip itineraries for family travel, couples getaways, cruises, and all-inclusive resorts. Popular episodes feature destinations like Marco Island Florida, Costa Rica with kids, Disney Cruise Line, Disney Aulani in Hawaii, Beaches Turks & Caicos, Park City ski trips, Aruba, Italy, Ireland, Portugal's Azores, New York City, Alaska cruises, and U.S. National Parks. Listeners get real travel tips, itinerary recommendations, hotel reviews, restaurant recommendations, and inspiration for planning their next vacation, especially when traveling with kids.

Jon came!Grey day today, only about 19.Isabelle will be going on a trip soon.Jon and I will be eating like kings….Isabelle also got a cool residency thing in New Brunswick. Pretty exciting.Jon thinks there should be more schools…

Dr. Phil Live with Nicky Paris, Chris Larson, Rhys Nicholson hits Brisbane, and this crowd does not hold back. From wild “therapy” sessions to a full drag runway walk-off with Pauline, Brisbane River, and Caitlyn Jenner, it's nonstop high-energy crowd work, savage life advice, and Aussie chaos from start to finish. Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Sep 23rd - Puyallup, WA Oct 2nd - Anaheim, CA Oct 3rd - San Diego CA Oct 9th - Bozeman, MT OCT 10th - Salt Lake City, UT Oct 17th - Atlanta, GA Oct 18th - Birmingham, AL Oct 21st - Madison, WI and Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailPreview of the Annual Newfoundland and Labrador Folk Festival with artists from Atlantic Canada and abroad.https://www.facebook.com/ron.moores.18https://podcast.ronmoores.com/

Plus: WestJet and its flight attendants' union issue dueling strike and lockout notices, Prime Minister Mark Carney isn't planning to use Canadian oil exports to the U.S. as leverage in trade negotiations, a New Brunswick politician calls the AI prompts he accidentally left in a speech to the provincial legislature a “learning experience”, Toronto's fire chief calls lithium-ion battery fires the greatest public safety risk facing the city, and how is the “looksmaxxing” phenomenon impacting young men? We love feedback at The Big Story, as well as suggestions for future episodes. You can find us: Through email at hello@thebigstorypodcast.ca  Or @thebigstory.bsky.social on Bluesky Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

As governments accelerate AI and emerging tech adoption, Tony Daye, Chief Digital Officer, Finance and Treasury Board, Government of New Brunswick explores why trust, transparency, and governance are now just as critical as innovation itself. Featuring insights from the Government of New Brunswick, it highlights how embedding accountability and ethics into day-to-day decision-making helps agencies move faster without losing public confidence. The conversation focuses on practical ways to scale digital innovation responsibly from day one—putting clear governance around AI use, building ethical safeguards into delivery, and strengthening cross-agency coordination so innovation and oversight stay aligned. The takeaway: you can scale transformative technologies with control and confidence, while keeping citizen trust at the centre. Tony Daye, Chief Digital Officer, Finance and Treasury Board, Government of New Brunswick For more great insights head to www.PublicSectorNetwork.co  

Interview with Lewis Lawrick, President & CEO of Magna Terra MineralsRecording date: 23rd July 2026Magna Terra Minerals (TSXV:MTT) is a Toronto-headquartered exploration company advancing a diversified portfolio of precious and critical metals projects across two jurisdictions: Atlantic Canada and Santa Cruz Province, Argentina. The investment case centres on a management team with a specific, verifiable prior success in the same geological setting, a capital-efficient funding model built on partner-funded option agreements, and a first-mover copper-cobalt discovery that remains largely unexplored by outside analysts.President and CEO Lewis Lawrick previously founded Anaconda Mining, which became Signal Gold and grew the Goldboro deposit in Nova Scotia from an inferred 700,000 ounces to more than 3 million ounces before merging with NexGold. Chief geologist David Copeland and senior geologist Tanya Tettelaar who are both part of that earlier success now apply the same systematic, data-driven targeting approach at Magna Terra, and management frames this continuity of team as the primary reason significant shareholder Michael Gentile who holds roughly 17% of the company took his position.The portfolio's most technically distinctive asset is Humber, a 50,000-hectare, 100%-owned copper-cobalt project in western Newfoundland staked entirely on the company's own regional geochemical analysis, with no underlying royalty. A new discovery, the Birch Zone, now extends over 4.2 kilometres of strike with grab samples up to 1.26% copper, and management is targeting a first-pass drill programme by fall 2026 pending further geophysics. In New Brunswick's historic Bathurst Mining Camp, Rocky Brook has returned high-grade copper and gold values from trenching and surface sampling across a 30-kilometre land position, while the newly staked Prospect Or's Dream project has identified an epithermal gold vein system over a 7.2-kilometre strike length.Rather than fund every project through dilutive equity raises, Magna Terra has optioned two assets to partners who are independently drilling them. Gold Hunter Resources holds an option on the Great Northern and Viking projects for total consideration of $10.075 million and began a 10,000-metre drill programme there in June 2026; Magna Terra's resulting approximately 19% equity stake in Gold Hunter (roughly 55 million shares) gives it leveraged exposure to that drilling without further capital outlay. In Argentina, Lunex Metals Corp. holds a $2.375 million option on the Luna Roja project and reported encouraging initial drill results in July 2026, including a new mineralised centre north of the historic discovery zone.Financially, Magna Terra held just over $1 million in cash at the time of the underlying interview, with total working capital near $3.5 million once its marketable securities positions are included. Additional financing will likely be required to advance Humber past target generation. For investors, the near-term catalysts to watch are continued drill results from Gold Hunter and Lunex which are both funded independently of Magna Terra, alongside progress toward a maiden drill programme at Humber, represents the company's most differentiated, wholly-owned exploration target.View Magna Terra Minerals' company profile: https://www.cruxinvestor.com/companies/magna-terra-mineralsSign up for Crux Investor: https://cruxinvestor.com

Coming to you from The Mission Folk Music Festival (well, the show was mostly inspired by this year's festival lineup!) Some fabulous songs and tunes from a wide variety of artists who are either performing at Mission or at next month's Edmonton Folk Music Festival, with songs from Mali, Niger, Mauritania, Guinea, Guinea-Bissau, Cuba, India, Taiwan, Ukraine, Persia, Montreal, and Vancouver - and that was just in the first hour!! Then we headed off to Louisiana, Kelowna, Kaslo, PEI, Manitoba, Nova Scotia, New Brunswick, Alberta, and back to B.C. before taking in songs and tunes from England, Scotland, and Ireland! I peppered the selections with some little anecdotes and a bit of (I hope) slightly more useful information. Canada's folk festival season: the best music in the finest surroundings - with wonderful people!

New Brunswick guide Jason Curtis shares what 39 years around grouse, woodcock, and wild birds have taught him about developing young bird dogs. Nick welcomes Jason back to the podcast eight years after their first conversation. They start on the Miramichi River, where a fall trip can combine Atlantic salmon fishing with grouse and woodcock hunting, then move into the part of the conversation that hit closest to home: raising a puppy for her first season. Jason explains why he begins exposure work early, how he introduces a wing, birds, a bell, and gunfire without turning puppyhood into a formal training program, and why short sessions woven into everyday life can build the foundation for later work. He and Nick also talk about what younger dogs pick up from older dogs, why solo hunting time still matters, and how real contacts with wild birds can change a dog quickly. The conversation also covers New Brunswick's changing woodcock migration, the timing of a Miramichi cast-and-blast trip, and what visiting hunters need to know about guides, lodges, and the short October window. Chapters 00:00 How wild birds change a young dog 01:52 Jason Curtis returns to the Birdshot Podcast 06:05 Miramichi River salmon outlook 12:27 Planning a grouse, woodcock, and salmon trip 17:09 October cover and the changing woodcock migration 22:52 Jason's path into 39 years of guiding 30:58 Bringing home a new bird dog puppy 35:01 Early puppy exposure and the first bird-dog lessons 41:03 Building steadiness through everyday routines 46:42 Introducing birds and gunfire 51:03 Wild woodcock close to home 52:54 What puppies learn from older dogs 59:27 Planning a New Brunswick upland trip 1:06:13 Bringing young hunters into the uplands 1:07:31 What a strong grouse and woodcock day looks like 1:09:14 Connect with Jason Curtis Questions from the episode When does Jason Curtis begin working with a bird dog puppy? Jason starts as soon as the puppy comes home, but he keeps the work light and playful. He uses short sessions with a wing, a small check cord, and simple moments around food or doorways to introduce the idea of standing still and paying attention. At that age, the goal is exposure and foundation, not polished performance. How does Jason introduce a young dog to birds and gunfire? He begins with sound at a distance while the puppy is occupied and confident, then closes that distance gradually. Around 12 weeks, he may introduce planted birds at a preserve. By roughly 16 weeks, when the individual dog is handling each step well, he likes to begin finding wild birds in real cover. Why are wild birds valuable for a young bird dog? Wild birds teach lessons that planted birds cannot fully reproduce. Their scent, movement, escape behavior, and use of cover require the dog to adjust naturally. Jason has watched young dogs make visible progress after several consecutive days of good wild-bird contacts, especially in New Brunswick covers with strong grouse and woodcock numbers. Do young bird dogs learn from older dogs? They can learn a great deal about range, recall, routine, and backing by watching experienced dogs. Jason still believes the puppy needs solo time so it develops independence instead of simply following. The older dogs help establish the pattern, while individual contacts teach the puppy how to hunt for itself. When is the best time for a New Brunswick cast-and-blast trip? The overlap runs from the September 15 woodcock opener through the October 15 salmon close, but the full grouse, woodcock, and salmon window is October 1 through October 15. Hunters can float and combine both pursuits in one day, or hunt the cooler morning and fish the river later. Does a nonresident need a guide to hunt in New Brunswick? Yes. Jason explains that hunters coming from outside New Brunswick need a licensed guide. A lodge is the simplest all-inclusive route, while an Airbnb paired with the right independent guide can also work. Guide availability is limited during the prime October weeks, so the relationship and timing matter. Connect with Jason Curtis Email: uplandhunter3@gmail.com Instagram: https://www.instagram.com/jasoncurtismiramichi/ Facebook: https://www.facebook.com/jason.curtis.722439 Listen and follow Spotify: https://open.spotify.com/show/17EVUDJPwR2iJggzhLYil7 Apple Podcasts: https://podcasts.apple.com/us/podcast/birdshot-podcast/id1288308609 YouTube: https://www.youtube.com/@birdshot.podcast Instagram: https://www.instagram.com/birdshot.podcast/ Website: https://www.birdshotpodcast.com/ Sponsors This episode is brought to you by Upland Gun Company and Final Rise. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Greatest Generation Live welcomes one of the last surviving Canadian veterans of D-Day, Jim Parks, for a conversation about his extraordinary journey from the beaches of Normandy to the final victory over Nazi Germany. Jim enlisted in the Canadian Army while still underage and spent nearly three years training in Britain before landing with the Royal Winnipeg Rifles on Juno Beach on June 6, 1944. Assigned to arrive just ahead of the main assault, his landing craft struck an obstacle and he was forced to swim ashore without his rifle. From that chaotic beginning, Jim fought through the brutal Normandy campaign at Putot and Carpiquet, crossed Belgium and the Netherlands, battled at the Leopold Canal and in the Rhineland, and finished the war in Germany as a sergeant. Jim has a remarkable gift for storytelling. He vividly recalls the confusion and terror of the invasion, the comrades he lost, the small moments of humanity that sustained soldiers in combat, and the challenges of returning home after the war. His reflections remind us that history is made not only by armies and generals, but by ordinary young people asked to do extraordinary things. Joining Glenn Flickinger as co-hosts are history teacher at Crestwood Preparatory College Scott Masters and author, historian Marc Milner. Marc is a Canadian military and naval historian, author of several books including SECOND FRONT: Anglo-American Rivalry and the Hidden Story of the Normandy Campaign. He is Director of the Gregg Centre for the Study of War and Society at the University of New Brunswick. Together they will help place Jim's experiences in the broader story of Canada's pivotal role on D-Day and the liberation of Northwest Europe by exploring the campaign, Jim's life before and after the war, and the importance of preserving these firsthand memories for future generations. For more information about Crestwood's Oral History Project, visit: https://ohp.crestwood.on.ca/ Bring your questions and join us for out conversation with someone who can tell us what it was like to come ashore on D-Day.

On the phone-in: Gardening expert Niki Jabbour takes questions about roses, raised beds and more. And off the top of the show, we ask a criminology professor why New Brunswick is the outlier when it comes to a decrease in crime across Canada.

Adam Ray brings his Dr. Phil LIVE tour to Cleveland with special guests Sal Vulcano, Jerry Ferrara, Rick Glassman, Brent Morin and more! From crowd roasts to tequila shots and dating advice gone wrong – this was a wild night! Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! July 24th - Orlando, FL July 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Sep 23rd - Puyallup, WA Oct 2nd - Anaheim, CA Oct 3rd - San Diego CA Oct 9th - Bozeman, MT and Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Wednesday, July 22nd, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com. I'm Adam McManus. (Adam@TheWorldview.com) By Jonathan Clark and Adam McManus Christian convert in Somaliland, Africa poisoned to death by Muslim family Morning Star News reports a Christian convert was poisoned to death in Somaliland earlier this month. Somaliland is a partially recognized state in the Horn of Africa. Islam is the official religion of the state. Converting to another religion is punishable by death.  Back in April, Sharif Ali came to Christ secretly. However, his Muslim relatives suspected his conversion and eventually poisoned him. His own family poisoned him! Before his death, he told a visiting underground church leader, “If I die, I rejoice because I have believed in [Jesus].” Psalm 116:15 says, “Precious in the sight of the LORD is the death of His saints.” Amnesty withdraws report that Christian pro-life groups are a threat Amnesty International withdrew a recent report that labeled Christian and pro-life groups as a threat. The British organization claims to support humans rights. However, the group's July report smeared Christian organizations as “anti-rights.”  One of those organizations was Christian Concern. Tim Dieppe is the head of public policy at Christian Concern. He said, “The multiple successes in our cases relating to Christian freedoms and right to life show that Christian Concern, far from being ‘anti-rights' is actually very much on the right side of rights. Truth is on our side. It is Amnesty that is now anti-rights.” French legislature legalized assisted suicide France's National Assembly passed a bill to legalize assisted suicide last week.  The measure now awaits approval by France's Constitutional Council before it can become law.  The National Council of Evangelicals of France lamented the passing of the bill. A spokesman said, “[We call] on the evangelical Protestant churches of France to redouble their efforts in providing support, visiting and offering comfort. Today more than ever, our local communities are called upon to be witnesses of hope, presence and practical solidarity amongst the most vulnerable.” Proverbs 24:11 says, “Deliver those who are drawn toward death, and hold back those stumbling to the slaughter.” Arkansas gave $1.7 million to pro-life pregnancy centers In the United States, Arkansas awarded $1.7 million to pro-life pregnancy resource centers over the last year, reports LifeNews.  The state's legislature also voted to increase this funding to $3.5 million over the next year.  Arkansas is among 19 states that provide some form of alternatives to abortion funding for life-affirming pregnancy help organizations. States with the biggest programs include Texas, Florida, Tennessee, and Oklahoma. Trump pauses billion dollars in Medicaid to CA and MN over fraud The Trump administration is pausing over one billion dollars in Medicaid funding to California and Minnesota.  U.S. Health Secretary ‌Robert F. Kennedy Jr. said the reason is suspected fraud and noncompliance.  Listen to his comments.  KENNEDY: “If your state wants Medicaid funding, it must meet basic documentation requirements. If we suspect fraud, you will not receive taxpayer dollars until you prove that those payments are legitimate. “That's how we make America healthy again. That's how we restore the integrity of our democracy. And that's how we make America great again!” Trump imposes 50 percent tariffs on Canadian goods U.S. President Donald Trump announced new tariffs on Canadian goods on Monday.  The 50 percent tariff will affect a wide range of products from wine to hockey sticks and cement.  The White House stated, “President Trump is taking action to hold Canada accountable for its continued discrimination against and unreasonable and unequal treatment of U.S. commerce that has burdened and disadvantaged hardworking Americans.” Wooden beams from Solomon's Temple discovered Archaeologists recently unearthed wooden beams from Solomon's Temple in Jerusalem.  King Solomon built this temple, known as the First Temple, in the 10th century B.C. The Babylonian king, Nebuchadnezzar, destroyed this temple later in 586 B.C. The Israel Antiquities Authority is now unearthing the charred remains of the structure.  Dr. Johanna Regev is studying the charred beams. She told The Jerusalem Post, “It is very rare in Israel to find wood with such a large number of growth rings. Here in the City of David, we found thick beams with many rings. ... Until now, we could date finds within a range of hundreds of years. Now, we can attain much greater precision, narrowing the dating range down to as little as 10 years.” McVeda kids in Great Falls, Montana raised $347 for The Worldview Melissa McVeda in Great Falls, Montana wrote, “My family listens to The Worldview several days every week. Being a busy mom and in a rural area, I am not able to catch other news sources very often. We really appreciate the convenience of being able to listen to The Worldview when it works with our schedule -- usually lunchtime -- rather than trying to get our radio to the right spot at the right minute to catch radio news. “We also appreciate that The Worldview team has done the legwork of bringing the news stories to us rather than us surfing the internet to find them. “We especially perk up when there is world event news, Good Samaritan stories, stories having to do with children, other Christians, and historical stories like the one you wrote and voiced on the anniversary of Perpetua's martyrdom. “My older children, Anna, age 10 and Eppie, almost 9, have organized a fundraiser for The Worldview, aided by their younger siblings Claire, age 7, and Caleb, age 5. They sold homemade items at our farm on Monday, with plans to continue fundraising one to two times per week. That first day, combined with their own contributions, brought in $205. Attached is a photo of Eppie with the fundraiser table and her older cousin, Grace, who joined in the fun. May Christ be glorified by what you and the team do with this program.” Well, let me tell you. Last night, I surprised the McVeda family in Great Falls, Montana with a phone call.  I called them and got a chance to talk to the whole family on speaker phone.  There were lots of giggles in between their answers. Since they have regular customers who buy fresh milk from them, they decided to set up a table and sell their homemade goodies which included chocolate chip cookies, meringue cookies, iced tea, and crocheted hand puppets. You heard me correctly. Hand puppets including a boar, a rabbit, and a Welsh Corgi. Anna and Eppie McVeda spent three to four hours each crocheting the puppets which they sold for approximately $20 each. Can you believe that? They spent hours of their time crocheting hand puppets to raise money for the six-member Worldview newscast team. It's incredible!  And Claire and Caleb helped make the tea and the cookies. Last night, Caleb confessed to me that he ate a couple of the cookies as well. I don't blame him. The McVeda kids in Great Falls, Montana said they were inspired by a boy who sold lemonade last year in our listenership to help fund this important cause.  If you are a kid, do you want to help raise money for The Worldview as well? Every dollar counts. Now, if you're not old enough to have email yet, make sure to have your parents email me to let me know how you are raising the money for this Christian newscast. 7 Worldview listeners gave $1,517 And finally, by Tuesday night at 7:45pm Central, 7 Worldview listeners stepped up to the plate and invested their treasure to fund the six-member team behind The Worldview for another year. We were touched by the generosity of Jeff in Boise, Idaho who gave $75 and the McVeda family in Great Falls, Montana who raised $142. And we're grateful to God for Dawn in Estero, Florida who gave $200, Loren in Brighton, Colorado who gave $300, Carlee in Keswick Ridge, New Brunswick, Canada who pledged $25/month for 12 months for a gift of $300, and Krystoffer in Fullerton, California who gave $500. Those 7 gifts add up to $1,517. Ready for our new grand total? Drum roll please. (drum roll sound effect) $43,755 (sound effect of people cheering) That means, in just three days, we need to raise $37,471.50 to hit our $81,226.50 goal by this Friday, July 24th! The finish line is $123,500 by Friday, July 31st to be fully funded for another year. Listen, if four kids under the age of 11 in Great Falls, Montana can raise $347 in a matter of two weeks with an initial donation of $205 and the one last night for $142, what could you give? If you were touched by their generosity of time and treasure, I wonder whether you might consider making a one-time donation of $347 yourself. If 108 Worldview listeners gave $347 – just like the McVeda kids did – today, on Wednesday, July 22nd by 8:00pm central, we will have hit our July 24th goal one day early.  Listen, you are one of tens of thousands of people listening to the sound of my voice at this moment.  Will you be one of 108 people to give $347 right now? Please, go to TheWorldview.com, click on Give, select the dollar amount, and make sure to click on the “recurring” button if that's your wish.  And remember, if you want to continue your monthly pledge to The Worldview that you started in a previous year, please let me know so we can count your generous ongoing gift toward our total. Let's see what the Lord will do on this Wednesday. I have a sneaking suspicion that at least 108 of you will rise to the occasion and make that $347 one-time donation. Just go to TheWorldview.com and click on Give. Close And that's The Worldview on this Wednesday, July 22nd, in the year of our Lord 2026. Subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

It's Tuesday, July 21st, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Kevin Swanson, Timothy Reed and Adam McManus Chinese pastor reveals prison conditions The Chinese pastor, just released from prison, because of the U.S. President's intervention, spoke out about his experience in a Wall Street Journal article. Ezra Jin said eight of his church members are still in prison, in rough conditions. He wrote that “[They] are confined in cramped cells and sleep on floor mats in blistering heat. Many leave behind young families. I won't rest until they see freedom.” Throughout the day, the Christians were required to sit on hard benches and could not stand up without requesting permission of the authorities. The pastor further stated, “These Christians love their nation. They only want to worship God peacefully, according to the Bible, and to serve others, especially the poor, the disabled, and the elderly.” 900 people in Congo, Africa have died from E-bola That E-bola outbreak in Congo, Africa has now killed over 900 people and will soon be the second worst E-bola outbreak in history. At least 36 health workers have contracted the disease and died in the outbreak. Samaritan's Purse has two treatment centers operating right now in the Congo. At least one of the ministry workers has been diagnosed with the disease, and is being treated in Frankfurt, Germany. State Secretary Marco Rubio denounces leftist political violence Secretary of State Marco Rubio spoke at a summit on political terrorism attended by representatives from more than 60 countries. Rubio explained the culture of violence and revolution that is on the rise with the Left, both in the United States and across the world.  Listen. RUBIO: “You are here because your political leaders are being attacked and stabbed and shot in your streets, because your businesses have been bombed, because your railways have been sabotaged, because your police officers have been beaten and burned. You are here because this is real, and it is getting worse. It can no longer be denied. It can no longer be ignored because it is time to crush this evil forever. “The simple fact is, none of this that I've just described is new. Far-left political terrorism is not a recent-day modern novelty. It is not a fiction manufactured by conservative politicians. For most of the modern era, it was, in fact, the dominant form of political violence.” Romans 13:3 says, “For rulers are not a terror to good works, but to evil. Do you want to be unafraid of the authority? Do what is good, and you will have praise from the same.” Vice President J.D. Vance and Usha welcome fourth child Psalm 127:3 declares, “Children are a heritage of the Lord. The fruit of the womb is His reward.” Vice President J.D. Vance and his wife Usha welcomed their fourth child into the world — Alec Neel Vance, reports LifeSiteNews.com. The Vice President spoke at a Right to Life event last year in this vein. VANCE: “So let me say very simply: I want more babies in the United States of America.” (cheering) He went on to say, “I want more happy children in our country, and I want beautiful young men and women who are eager to welcome them into the world and eager to raise them." This marks the first time in more than 150 years that a sitting Vice President has had a child born into the family while in office. Also, Donald Trump, a father of five, represented a shift after Presidents Bill Clinton's one child, George W. Bush's two children, and Barack Obama's two children. 7,000 Americans contracted cyclospora virus, many from Taco Bell Here in the states as many as 7,000 Americans are suspected to have contracted the cyclospora virus, a parasitic disease producing weeks of diarrhea. The Associated Press reports that federal health officials have identified lettuce from Mexico served at Taco Bell locations across five U.S. states as a source. Last Thursday, the Centers for Disease Control and Prevention warned consumers not to eat shredded iceberg lettuce from Taco Bell restaurants in Indiana, Kentucky, Michigan, Ohio and West Virginia. A record number of cyclospora cases have been reported in more than 30 states. The FDA's traceback investigation identified a single supplier of iceberg lettuce from Mexico. Officials suspect that the lettuce was watered with feces-contaminated water. So far, the disease is most prevalent in New York, Michigan, and North Carolina. Republicans wants to curtail surveillance Flock cameras Conservative Republicans in the United States House of Representatives put forward a bill to curtail the surveillance being conducted through devices such as Flock cameras. The bill, filed by Republican Congressman Keith Self of Texas, would force police departments to obtain a warrant to search through camera data and license plate readers when looking for criminals.  Representative Self explained, “Americans' Fourth Amendment right to be secure in their privacy does not disappear just because of new technology or artificial intelligence. Americans have a constitutional right to be secure in their persons, houses, papers, and effects, and our government is supposed to get a warrant before invading that privacy. This bill simply restores that protection.”  As of 2025, Flock is used by over 6,000 municipalities in the United States. The company had raised a total of $950 million in venture funding, with a $7.5 billion valuation. Court: Amish parents cannot abstain from school vaccinations The U.S. Second Court of Appeals ruled against the Amish community in New York, which had sued to abstain from school vaccinations. The ruling strips parents of their right to abstain from school vaccinations for their children due to religious reasons.  The New American pointed out, “Should the case reach the Supreme Court of the United States, as legal experts expect, the decision could have nationwide implications for religious exemptions in all 45 states that currently allow them for school vaccines.” America's hot summer It's a hot summer, especially in the Western states. Billings, Montana topped out at a record 111 degrees on Sunday. Salt Lake City also set record temperatures. And ABC News reports that 100 million Americans will experience extreme temperatures this week. Forecasters are expecting 20-30 degrees hotter than the average temperatures. Aspen Fires in Colorado burned 100,000 acres The Colorado Aspen Acres Fire is the biggest fire in the country thus far — burning down 100,000 acres, reports The Colorado Sun. The Pacific Northwest has two big fires raging now as well. First, the Hay Creek Complex fire has burned over 92,000 acres, and the Rowe Creek Complex fire has burned 36,000 acres. Spain wins Soccer's World Cup On Sunday, Spain beat Argentia 1-0 in the final World Cup soccer game, reports ABC News. ANNOUNCER: “At long, long last, Spain's magic moment. Spain are the champions. Spain have seized their second star. The kings of Europe have conquered the world.” President Donald Trump showed up at the Met Life Stadium to hand off the reward. Two million Spanish fans took to the streets to cheer the world champions as they travelled down Madrid's historic avenues from near Moncloa Palace. Unapologetic prayer at NASCAR NASCAR stock car racing opened up its FaithFest Jesus is Lord 250 with a prayer this weekend in North Wilkesboro, North Carolina.   Listen to the unapologetic prayer by Craig Church of Faith Fest Evangelistic Ministries. CHURCH: “Let us pray. Thank you, Father, for this historic moment here at North Wilkesboro Speedway. I pray your blessings over the drivers, this team, the race in this place. Jesus Christ, use John 3:16 to change lives across this nation. ‘For God so loved the world that it did His only begotten Son, that whosoever believeth on Him should not perish, but have everlasting life.' “I want to proclaim Jesus Christ is Lord to the glory of God. God bless America. Revive us again. And I pray this prayer in the most precious and powerful name I know, Jesus Christ. Amen.” Rhode Island Worldview listener calls newscast “a treasure trove” A listener in Rhode Island wrote, “Adam, I first heard The Worldview as a featured spot on Sermon Audio. Since that time, I have listened faithfully without hardly ever missing an episode via the Apple podcasts app. “In fact, it's the first podcast of the day that I listen to while tidying my home before starting my shift as a remote scheduling coordinator and customer service representative.  “I have also recommended it to my friends. One of my closest friends is a new listener and she will ‘binge listen' to the previous week's episodes on her way to church.  “I am extremely grateful to you and your team for this ministry. I don't know of a broadcast like it! World news from a Christian worldview? In about 5 minutes? Updates on the persecuted church? Scripture references? This broadcast is a treasure trove!” 9 Worldview listeners gave $3,285 And finally, by Monday night at 8:50pm Central, 9 Worldview listeners stepped up to the plate and invested their treasure to fund the six-member team behind The Worldview for another year. Our thanks to Jennifer in Florence, Texas and Carlee in Keswick Ridge, New Brunswick, Canada – both of whom gave $25. We were touched by the generosity of Paul and Elise in Beacon, New York who gave $200, Jared in Lakeland, Florida who gave $275, Rich and Wendy in Elma, Washington who gave $300, and Grady in Bedford, Texas who pledged $30/month for 12 months for a gift of $360. And we're grateful to God for Derrick and Vivia in Florida City, Florida who gave $500, Troy and Jennifer in Horseshoe Bend, Arkansas who pledged $50/month for 12 months for a gift of $600, and Tara in Loretto, Minnesota who gave $1,000. Those 9 gifts add up to $3,285. Ready for our new grand total? Drum roll please. (drum roll sound effect) $42,238 (sound effect of people cheering) That means, in just four days, we need to raise $38,988.50 to hit our $81,226.50 goal by this Friday, July 24th!  The finish line is $123,500 by Friday, July 31st to be fully funded for another year. By the way, Monday morning's report of 26 donations was the high water mark for this year's fundraiser. With your help, can you be one of 30 folks to make a donation or a pledge today for my report on Wednesday? In order to hit our July 24th goal, we need to find 11 Worldview listeners who will pledge $100/month for 12 months or give a one-time gift of $1,200, 20 folks who will pledge $50/month or give a one-time gift of $600, and 44 listeners who will pledge $25/month or give a one-time gift of $300. Please, go to TheWorldview.com, click on Give, select the dollar amount, and make sure to click on the “recurring” button if that's your wish.  Remember, if you want to continue your monthly pledge to The Worldview that you started in a previous year, please let me know so we can count your generous ongoing gift toward our total. How can you help? Close And that's The Worldview on this Tuesday, July 21, in the year of our Lord 2026. Subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In this episode Rob Fickett sits down with New Brunswick outdoorsmen Nathan Robinson and Derek Burgoyne. We talk about their incredible spring shed hunt where they picked up more than 70 sheds in just two days, what they learned from covering that much moose country, and how it all ties into their upcoming season.We also discuss the unbelievable luck of both drawing New Brunswick moose tags in the same zone this year and break down how they're scouting, preparing, and getting ready for the hunt ahead.If you love shed hunting, moose hunting, and hearing from hunters who put in the work year-round, this episode is for you.Support the showFind us on Facebook! Click Here!Find us on Instagram! Click Here!Find us on Youtube! Click Here!Check out or website! Click Here!

The Trump administration takes aim at the International Criminal Court, and a Canadian judge who works there. One of her friends says she's paying a professional and personal price for doing her job. A wildfire forced them to evacuate this week -- and now, members of Whitesand First Nation are anxiously waiting to hear what's become of their community.After his son died fighting for Ukraine, a New Brunswick is launching an organization to help other families of foreign fighters who've been captured, killed -- or gone missing. In the UK, Labour eagerly turns the page on the disastrous Keir Starmer era by confirming Andy Burnham as the new leader of the party -- and soon, the country. A technology reporter embarks on an investigation of the author who published a biography of her that was written by AI -- a book that's nothing more than a slop in the face. Our guest was overwhelmed to finally see -- and smell -- an elusive monkey that lurks in Congolese rainforests, pursing its bright-orange lips and emitting a unique and unavoidable odour. As It Happens, the Friday Edition. Radio that does the funky monkey.

Dr Phil is coming back to you, but this time from Sydney, Australia, with Gary Owen, Tim Minchin, Dr. Chris Brown, Magic Mike Webb, and more! Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! July 18th - Edmonton, AB July 19th - Winnipeg, CAN July 24th - Orlando, FL July 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Sep 23rd - Puyallup, WA Oct 2nd - Anaheim, CA Oct 3rd - San Diego CA Oct 9th - Bozeman, MT and Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) This Episode's Sponsor HomeChef! 50% off and free shipping for your first box PLUS free dessert for life! Go to ⁠⁠⁠⁠Homechef.com/ALN⁠⁠⁠⁠ Must be an active subscriber to receive free dessert. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of Murder: True Crime Stories, host Carter Roy follows the chaotic investigation into the 1922 killings of Edward Hall and Eleanor Mills in New Bruns…In Part 2 of Murder: True Crime Stories, host Carter Roy follows the chaotic investigation into the 1922 killings of Edward Hall and Eleanor Mills in New Brunswick, New Jersey. From the very beginning, the case was a mess. Two counties fought over jurisdiction, the crime scene was overrun by sightseers stripping bark from the crabapple tree, and an eccentric local woman known as "the Pig Woman" came forward claiming she had seen everything. Suspicion landed on Edward's wealthy widow, Frances Hall, and her two brothers, but bringing them to justice would prove far more difficult than anyone expected. What followed was years of dead ends, a tabloid bombshell that forced the case back open, and one of the most sensational trials of the Jazz Age.Head over to our Murder True Crime Stories YouTube channel to WATCH our video episodes: https://www.youtube.com/@MurderTrueCrimeStoriesIf you're new here, don't forget to follow Murder: True Crime Stories to never miss a case! Want all 2 parts of every case all at once? Join Crime House+ and get both parts of each case dropped at once ad-free. Join at crimehouseplus.com or if you're listening on Apple Podcasts, tap “Try Free” at the top of this show's page. Murder: True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios.

Welcome to the Farmer Rapid Fire, brought to you by Pioneer Seeds Canada! Today on the show, host Shaun Haney is broadcasting from Halifax, Nova Scotia. Shaun Haney and today's co-host Lyndsey Smith are joined by Ethan Wallace of Seaforth, Ontario; Cedric MacLeod of Centreville, New Brunswick; Bill Prybylski of Yorkton, Saskatchewan; Tyler Fulton of... Read More

In this episode, I answer a question about what to do when children create artwork or craft projects during child-centered play therapy. Should they take their creations home? Should therapists keep them? And if a child spends an entire session coloring or painting, are they missing out on "more important" therapeutic work? I explain why the child's creations should never be displayed in the playroom, how to approach the child's choice to take projects home or leave them with the therapist, and why preparing parents ahead of time to respond neutrally is an important part of preserving the therapeutic process. I also address a deeper assumption hidden within the question—the idea that some ways of spending a play therapy session are better than others. Child-centered play therapy calls us to release that mindset entirely. Whether a child spends the session creating art, building, talking, sitting quietly, or doing nothing at all, I explain why every moment is therapeutically valuable when we truly trust the child, embrace expectancy rather than expectations, and remain fully committed to the CCPT model. New Live Training Events Announced: Indiana, New Jersey & Tampa dates are locked in and registration is open for Indiana and New Jersey. Go to iamccpt.live for more information. Podcast Meetups! Come hang out with me. I'm hosting casual Play Therapy Podcast listener meetups in Denver and Seattle on Aug. 4th and 6th, and I just added New Brunswick, New Jersey on Oct. 18th. I'd love to connect with you in person! Learn more and RSVP at https://www.playtherapypodcast.com/meetup/ New Resource for Play Therapists: The Parent Companion for Play Therapy is now available at author pricing for therapists. Created specifically to help parents better understand the child-centered play therapy process, this book is designed to support parent engagement, improve buy-in, and reduce attrition throughout the therapeutic journey. As a listener of the Play Therapy Podcast, you can order a copy for just $8 (our cost plus shipping). Click here to order your author-priced copy. ** Limit 1 per therapist, offer valid in the Continental U.S. only. Order copies for your practice and save with discounted bulk pricing. Bulk ordering makes it easy to place Parent Companion for Play Therapy directly into the hands of the parents you serve. PlayTherapyNow.com is my HUB for everything I do! playtherapynow.com. Sign up for my email newsletter, stay ahead with the latest CCPT CEU courses, personalized coaching opportunities and other opportunities you need to thrive in your CCPT practice. If you click one link in these show notes, this is the one to click! Topical Playlists! All of the podcasts are now grouped into topical playlists on YouTube. Please go to https://www.youtube.com/kidcounselorbrenna/playlists to view them. If you would like to ask me questions directly, check out www.ccptcollective.com, where I host two weekly Zoom calls filled with advanced CCPT case studies and session reviews, as well as member Q&A. You can take advantage of the two-week free trial to see if the CCPT Collective is right for you. Ask Me Questions: Call ‪(813) 812-5525‬, or email: brenna@thekidcounselor.com Brenna's CCPT Hub: https://www.playtherapynow.com CCPT Collective (online community exclusively for CCPTs): https://www.ccptcollective.com Podcast HQ: https://www.playtherapypodcast.com APT Approved Play Therapy CE courses: https://childcenteredtraining.com Facebook: https://facebook.com/playtherapypodcast Common References: Cochran, N., Nordling, W., & Cochran, J. (2010). Child-Centered Play Therapy (1st ed.). Wiley. VanFleet, R., Sywulak, A. E., & Sniscak, C. C. (2010). Child-centered play therapy. Guilford Press. Landreth, G.L. (2023). Play Therapy: The Art of the Relationship (4th ed.). Routledge. Landreth, G.L., & Bratton, S.C. (2019). Child-Parent Relationship Therapy (CPRT): An Evidence-Based 10-Session Filial Therapy Model (2nd ed.). Routledge. https://doi.org/10.4324/9781315537948 Benedict, Helen. Themes in Play Therapy. Used with permission to Heartland Play Therapy Institute.

Welcome to the Farmer Rapid Fire, brought to you by Pioneer Seeds Canada! Today on the show, host Shaun Haney is broadcasting from Halifax, Nova Scotia. Shaun Haney and today's co-host Lyndsey Smith are joined by Ethan Wallace of Seaforth, Ontario; Cedric MacLeod of Centreville, New Brunswick; Bill Prybylski of Yorkton, Saskatchewan; Tyler Fulton of... Read More

In September 1922, the bodies of an Episcopal priest and a married choir singer were found posed beneath a crabapple tree on a quiet lane outside New Brunswick…In September 1922, the bodies of an Episcopal priest and a married choir singer were found posed beneath a crabapple tree on a quiet lane outside New Brunswick, New Jersey. Their torn-up love letters had been scattered around them like a verdict. Edward Hall was the most respected minister in town, and Eleanor Mills was one of his most devoted parishioners. The affair between them had been the worst-kept secret in the congregation for years, ignored by neighbors and tolerated by spouses, until someone decided it was time to end it. In Part 1 of Murder: True Crime Stories, host Carter Roy traces the years-long affair that divided a small New Jersey community, the two very different marriages it tore apart, and the final days before two lovers met whoever was waiting under that tree.Head over to our Murder True Crime Stories YouTube channel to WATCH our video episodes: https://www.youtube.com/@MurderTrueCrimeStoriesIf you're new here, don't forget to follow Murder: True Crime Stories to never miss a case! Want all 2 parts of every case all at once? Join Crime House+ and get both parts of each case dropped at once ad-free. Join at crimehouseplus.com or if you're listening on Apple Podcasts, tap “Try Free” at the top of this show's page. Murder: True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios.

Today on Pogo City Radio host Andrew Bedlam, kicks things off with the brand-new Spiky Tops cover of “Party in Paris” from the new UK Subs tribute record on Violated Records. We talked about the tribute comp finally being out, the Spiky Tops track being released, and shouted out Nanu Art for the artwork. Of course we snuck in some plugs the upcoming Spiky Tops show this Thursday at Cinco de Mayo's in New Brunswick with The Droogettes, where copies of the UK Subs tribute will be available. Up next Andrew Bedlam, recapped the recent Nicky Lopez show, including the brutal heat, almost dying of heat stroke, and how much fun it was playing with Moose Knuckle and CTE again. Not to mention the violence in between sets, as well as all the sexy clown play... you read that right! Andrew Bedlam also reminds everyone to check out Crash Bang Boom, shoutout to Stephanie!!!, Of course we covered some Spiky Tops updates, including the new “I Wanna Pogo” artwork and progress on the upcoming record. You'll also hear some details for Studzilla 4 happening Labor Day weekend in Syracuse, featuring Spiky Tops, The Droogettes, The War Lovers, and a bunch more. Bands Played Spiky Tops, Moose Knuckle, CTE, The Droogettes, The War Lovers, The Murder Junkies & Blanks 77

Craig Carton and Big Mac put Rutgers intern Joe through a series of timed challenges to test his sports and pop culture knowledge. They discuss the famous fat sandwiches of New Brunswick before Joe attempts to name famous Michaels, Beatles songs, and New York Giants quarterbacks. The group also debates New York Jets Hall of Famers and the evolution of food truck culture. 01:00 - Intern Challenge Intro 02:33 - Famous Michaels Trivia 03:54 - Beatles Song Challenge 04:47 - Giants Quarterback Trivia 07:23 - Jets Hall Famers

Between 1997 and 2006, an overweight pizza delivery man named Ronald Dominique strangled 23 men across rural Louisiana, and almost no one has ever heard his name.A deep-dive article on all of the obscure legends featured in the first section of tonight's podcast: https://weirddarkness.com/obscure-legends/EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/BayouStranglerREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/3fyw74cjFEATURED STORIES IN THIS EPISODE: Spine-tingling ghost stories and eerie myths... come to life! Are any of them actually true? We'll explore the more obscure side of folklore with ghosts and legends that don't get the same amount of attention others do – but are certainly not to be ignored! (Myths And Ghosts You May Never Have Heard Of) *** In the quiet town of Essex, Maryland, the disappearance of nine-year-old Alva Jean Parris shattered the peace of summer 1960. Walking just three blocks to her aunt's house, she vanished without a trace, only for her body to be found days later, hidden beneath a makeshift grave. Decades have passed, but the mystery of who took Alva Jean and why remains unsolved. (Who Killed Alva Jean?) *** He's a little-known serial killer. Ronald J. Dominique, dubbed the Bayou Strangler, went on a decade-long murder spree in rural Louisiana, killing 23 men. (The Bayou Strangler)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:49.323 = Myths And Ghosts You May Never Have Heard Of00:33:02.110 = The Bayou Strangler ***00:49:50.242 = Who Killed Alva Jean?00:54:23.489 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Myths And Ghosts You May Never Have Heard Of” sources: Cara Duke at ListVerse.com:https://weirddarkness.tiny.us/bddryv6h; Mysteries of Canada: https://weirddarkness.tiny.us/yckwn5y5; Brendan-Noble.com: https://weirddarkness.tiny.us/2p8audhk; Factschology.com: https://weirddarkness.tiny.us/ycxzdhwa,https://weirddarkness.tiny.us/v7rdp57c, https://weirddarkness.tiny.us/bdfcswwk; InuitMyths.com: https://weirddarkness.tiny.us/puzuc272, TheIrishRoadTrip.com: https://weirddarkness.tiny.us/vj824vwb; DallasTerrors.com: https://weirddarkness.tiny.us/2p8s8crn; NewEnglandHistoricalSociety.com:https://weirddarkness.tiny.us/8r4zmkpt“The Bayou Strangler” by Oliver Mason for The-Line-Up.com, used with permission: https://weirddarkness.tiny.us/mt8tnyh4 (BOOK: “The Bayou Strangler” by Fred Rosen: https://amzn.to/49RIiWj) “Who Killed Alva Jean?” source: Robert A. Waters at KidnappingMurderAndMayhem.com: https://weirddarkness.tiny.us/2p8ab932(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: April 23, 2024This episode of Weird Darkness travels from obscure folklore across four continents to a little-known Louisiana serial killer and a Maryland child murder that has gone unsolved for more than sixty years.It opens with a tour through the ghosts and monsters that rarely make the usual lists: the Dungarvon Whooper, the murdered lumber-camp cook named Ryan whose whoops still echo along New Brunswick's Dungarvon River; the strzyga of Slavic myth, a two-hearted, twin-souled demon that takes the form of a barn owl before it feeds; Lady Koi Koi, the red-heeled teacher whose clicking footsteps haunt boarding schools across Nigeria, Ghana, and South Africa; the banshee of North Carolina's Tar River, tied to a flour miller named Dave Warner and the Revolutionary War redcoats who drowned him in 1781; the Headless Nun of Miramichi, the murdered Sister Marie who wanders French Fort Cove asking where her head has gone; the Kludde, a chain-rattling shapeshifting dog from Belgian and Dutch folklore; the Inupasugjuk, the rarely-seen giants of Inuit tradition; the Dearg Due of County Waterford, an abused Irish bride who rose from her grave near the Tree of Strongbow to drain the blood of her father and husband; the Goatman of Old Alton Bridge near Denton, Texas, an 1884 iron truss bridge also tied to the lynching of black goat farmer Oscar Washburn; and the Stratford Knockings of 1850, the poltergeist that draped Reverend Eliakim Phelps's Connecticut mansion in funeral crepe and centered on his eleven-year-old stepson Harry.From there the episode turns to Ronald Joseph Dominique, the Louisiana pizza delivery man dubbed the Bayou Strangler, who raped and strangled twenty-three men between 1997 and 2006 while evading police for nearly a decade. Drawing on Fred Rosen's book The Bayou Strangler, the segment follows the killing of Oliver LeBanks, beaten with a tire iron and dumped beneath a highway overpass near Metairie, and traces Dominique's earlier victims across St. Charles Parish, from nineteen-year-old David Mitchell in July 1997 to twenty-year-old Gary Pierre and thirty-eight-year-old Larry Ranson, most of them gay African American men lured with the promise of paid sex. It introduces Detective Lieutenant Dennis Thornton of the Jefferson Parish sheriff's office, who worked the LeBanks scene and set himself the task of linking the killings that DNA evidence would finally tie to Dominique.The episode closes with the June 10, 1960 disappearance of nine-year-old Alva Jean Parris, who vanished walking three blocks to her aunt's house from the Riverdale Apartments in Essex, Maryland. Five days later, searchers found her shoes in a marsh and her body in a shallow grave concealed with linoleum, sod, and twigs beside an abandoned farmhouse, her abdomen and pelvis coated in lye. Assistant Medical Examiner Dr. William Lovitt found decomposition too advanced to confirm a cause of death, though strangulation was suspected, and despite polygraph tests, a solid alibi clearing her mother Fredonia, and tips about a man seen in a sailor's hat, no suspect was ever charged in a case that remains open today.

From New Brunswick camping and lobster to wheel position weighing, Smoky Mountain RV rentals, and premium national park trips, this episode helps RVers plan smarter, travel safer, and understand what every pound really means.Discover New Brunswick camping options, from off-grid dark sky stays to full-hookup resorts, glamping, lobster, and horse camping.Learn why wheel position weighing reveals safety issues a basic truck stop scale may miss. Hear how Miss Daisy became a Smoky Mountains RV rental business built around setup, checklists, and real-world lessons. Understand why premium RV rentals are growing near western national parks and who is driving that demand.John talks with Salma Burney of the New Brunswick Campground Owners Association about camping options, history, lobster, off-grid stays, and why the exchange rate may make Canada especially appealing for American RVers.Then Jim and Rene sit down with Trey Selman from the RV Safety & Education Foundation to explain wheel position weighing, weight distribution, tire safety, water weight, and why every item you pack matters.Rose and Glynn talk with RV Entrepreneur Bob Ashcraft about turning "Miss Daisy" into a Smoky Mountains RV rental business and writing a book to help new campers avoid expensive lessons.Bob wraps up with Becky Goodell, CEO of Blacksford RV Rentals, on premium RV rental growth near western national parks and why more travelers want the RV experience without buying first.Get Complete Show Notes & Full Transcripthttps://podcast.rvlife.com/rvlife163/Connect & Learn Morehttps://facebook.com/rvlifepodcast/https://instagram.com/rvlifepodcast/https://www.facebook.com/groups/rvlifemovementSpecial  Discount Codes: Click Link & Use Code* RV LIFE Pro  25% off at check out

Adam breaks down his stand up and Dr. Phil shows all over Australia, as well as his new show "The Adam Ray Show" on Netflix Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! July 18th - Edmonton, AB July 19th - Winnipeg, CAN July 24th - Orlando, FL July 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Sep 23rd - Puyallup, WA Oct 2nd - Anaheim, CA Oct 3rd - San Diego CA Oct 9th - Bozeman, MT and Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) This Episode's Sponsor HomeChef! 50% off and free shipping for your first box PLUS free dessert for life! Go to ⁠⁠⁠⁠Homechef.com/ALN⁠⁠⁠⁠ Must be an active subscriber to receive free dessert. Learn more about your ad choices. Visit megaphone.fm/adchoices

Campobello Island is in southwestern New Brunswick, Canada, near the border with Maine. With trade, fishing, and shipbuilding flourishing on Campobello in the 1820s, it was decided that a lighthouse was needed. The lighthouse and the other station buildings were constructed in 1829 on a tiny island just offshore, accessible by land only at low tide. The 51-foot tower is one of the oldest surviving wooden lighthouses in North America. The station remained staffed with resident keepers until its automation in 1986. A group called the Friends of the Head Harbour Lightstation was formed in 2000 to preserve the site and its history. Ilana Grallert is on the board of the Friends of the Head Harbour Lightstation and performs all kinds of functions for the group, as you'll hear. Ilana was formerly a processing specialist at the special collections library of Dartmouth College. Head Harbour Light Station, New Brunswick, Canada. Photo by Jeremy D’Entremont.

Today on The Natural Birth Podcast we have Emma.Emma is a mama of two from New Brunswick, Canada. She is incredibly passionate about physiological birth and a woman's personal intuition of this natural event. Unfortunately there is very little access to natural pregnancy, birth, and postpartum support in her province in Canada, so navigating this world was challenging in both her pregnancies. Her first birth was followed and attended in hospital by a doula, though things did not unfold as hoped. With lots of emotional and physical preparation, her most recent birth was a redemptive, beautiful free-birth in her ensuite bathtub with her most intimate family members and best friend of over 20 years present.Curious about Emma? Find her in instagram as @emm_honeyWant to work with Anna or join The Sacred Birth Worker Mentorship?Find Anna's Website, about her Mentorship & How to Work with Her, as well as all Links & Resources she mentions in the episode here:www.sacredbirthinternational.com/links-podcast

A Girls’ Road Trip: From Texas (U.S.) to Prince Edward Island (Canada) by Eula Woodyard McKown https://www.amazon.ca/Girls-Road-Trip-Prince-Edward/dp/1963851242 A Girls’ Road Trip: From Texas (U.S.) to Prince Edward Island (Canada) recounts the travels of four women from Texas who drove to Prince Edward Island enjoying various spots along the way. The women also enjoyed visiting and sightseeing with friends as they traveled. Included in the book are descriptions of their activities in Kentucky, Ohio, Pennsylvania, New York, Massachusetts, Rhode Island, New Hampshire, and Maine as they traveled to Canada. After entering Canada, the women enjoyed excursions in New Brunswick and Prince Edward Island. They continued their adventures as they returned home through Vermont, New York, Tennessee, and Arkansas. A person who has wanted to travel, but has been unable to do so, will enjoy reading this book to experience vicariously the journey of the four women as they crossed the northeastern United States and Canada.

Check out THE ADAM RAY SHOW on NETFLIX! New episodes EVERY FRIDAY Subscribe to Adam's Youtube.com/adamraycomedy for new episodes of DR. PHIL LIVE ( i'm sure you do all this already ) Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com Tour dates!July 18th - Edmonton, AB July 19th - Winnipeg, CAN July 24th - Orlando, FL July 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI This episode is brought to you by Betterhelp! Our listeners get 10% off their first month at ⁠⁠⁠Betterhelp.com/aboutlastnight⁠⁠⁠ this is a paid advertisement from BetterHelp Learn more about your ad choices. Visit megaphone.fm/adchoices

Eugene! If you were in the room that night, this is your replay. Get ready for Mr. Larson, teachers, strip clubs, frisbee golf, meat sweats, and, you know, all the important stuff. If you weren't, this is the next best thing: grab a drink, hit play, and let Eugene get a little unhinged in your living room. Like, Subscribe, and keep coming back for more! Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! June 23rd & 24th - Melbourne, VIC June 24th - Melbourne, VIC June 26th - Auckland, NZ July 18th - Edmonton, AB July 19th - Winnipeg, CAN July 24th - Orlando, FLJuly 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug 9th - Halifax, CA Aug 23rd - Tempe, AZ Aug 29th - Vancouver, BC Sep 12th - Mississauga, ON Sep 18th - Honolulu, HI Dr. Phil Live! June 20th - Brisbane, QLD June 21st - Melbourne, VIC This Episode's Sponsor HomeChef! 50% off and free shipping for your first box PLUS free dessert for life! Go to ⁠⁠⁠⁠Homechef.com/ALN⁠⁠⁠⁠ Must be an active subscriber to receive free dessert. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's here! The Randolph Davies and the Kickass official concert is finally available. From the outrageous life of Randolph Davies comes songs about TikTok addiction, wives and lovers, Michael Jackson "did it", Dancing boat captains, a guy that can't remember his kids' names, and so much more. Randolph takes over the stage at Austin's legendary Comedy Mothership for a night of pure chaos. 01:11 "Done Some Shit" 05:18 "Dana" 18:06 "TikTok" 23:28 "Little Bit" 30:00 "Secret Surprise" 40:47 "Asian Baby" 58:10 "Anal Is A Gateway" 01:00:16 "Porn" Featuring the incredible KB Band, crowd participation, "sponsors," confessions, and enough off-the-rails moments to make HR departments nationwide nervous. This is Randolph Davies live. No plan. No filter. No survivors. Tickets for the "Who Is Me" tour and merch available at https://www.adamraycomedy.com  Tour dates! June 15th & 16th - Brisbane City, AU June 17th - Sydney, NSW June 23rd & 24th - Melbourne, VIC June 24th - Melbourne, VIC June 26th - Auckland, NZ July 18th - Edmonton, AB July 19th - Winnipeg, CAN July 24th - Orlando, FL July 25th - Fort Lauderdale, FL July 26th - Tampa, FL July 31st - Aug 2nd - San Jose, CA Aug 4th - 6th - New Brunswick, NJ Aug. 9th - Halifax, CA Aug 23rd - Tempe, AZ Dr. Phil Live! June 18th - Sydney, NSW June 20th - Brisbane, QLD June 21st - Melbourne, VIC This Episode's Sponsor HomeChef! 50% off and free shipping for your first box PLUS free dessert for life! Go to ⁠⁠⁠⁠Homechef.com/ALN⁠⁠⁠⁠ Must be an active subscriber to receive free dessert. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pull up a chair and pour yourself a drink! For the third installment in our occasional series on important conservative books, or important books written by or embraced by conservatives, we take up Leo Strauss's Natural Right and History, based on his 1949 Walgreen Lectures at the University of Chicago (where he taught for two decades) and published in 1953. To help us, we called on our friend Matt Dinan, a political theorist who's associate professor in the Great Books Program at St. Thomas University in New Brunswick, Canada. If you've listened to previous episodes and wanted us to go deeper on Leo Strauss, the German-Jewish political philosopher who came to the United States after fleeing Nazism, "Straussianism," and what they might have to do with American conservatism and our present political moment, here you go. After offering some background on Strauss and the context of Natural Right and History's publication, we discuss Strauss's patriotic appeal to Americans in the book's introduction, walk listeners through the chapters that follow (explaining what "natural right" is and why it's paired with "history" in the title along the way), and close out by exploring Strauss's ambiguous relationship to American conservatism—and more! Sources: Leo Strauss, Natural Right and History (1953) — On Tyranny (1963) — Spinoza's Critique of Religion (1965) Harry V. Jaffa, Thomism and Aristotelianism: A Study of the Commentary by Thomas Aquinas on the Nicomachean Ethics (1952) James W. Ceaser, "The American Context of Leo Strauss's Natural Right and History," Perspectives on Political Science, Spring 2008 Richard Velkley, Heidegger, Strauss, and the Premises of Philosophy: On Original Forgetting (2011) — "On the Roots of Rationalism: Strauss's 'Natural Right and History' as Response to Heidegger," The Review of Politics, Spring 2008 ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!