Podcasts about paulas

'Esmorza amb mi', Desayuna conmigo, es la película que escribe y dirige Iván Morales y que protagoniza Anna Alarcón, junto a Marina Salas, Iván Massagué y Álvaro Cervantes. Este es un proyecto de guion que se convirtió primero en obra de teatro, estrenada en la Sala Beckett de Barcelona en 2018, y que tras una larga trayectoria, ha vuelto para ser película. La historia cuenta cuatro relatos entrelazados, cuatro personas cuyas vidas se cruzan, y reflexiona sobre la manera en que nos relacionamos, los patrones que construimos y cómo estos pueden ayudarnos o limitarnos. La película arranca con un accidente que alterará profundamente la vida de estas cuatro personas.En la Pequeteca recomendamos acercarse a la Feria del Libro de Madrid, donde se celebran talleres para descubrir cómo nacen los libros. Uno de ellos gira en torno a '¿Tu mono quiere un plátano?', de Paula Sánchez Arévalo, con ilustraciones de Jose Fragoso.Con Víctor Mora exploramos el vínculo entre dos creadores considerados posmodernos por la historiografía y los estudios culturales: el cineasta David Lynch y la fotógrafa Nan Goldin. Ambos han abordado la realidad y la cultura desde perspectivas poco convencionales.Y terminamos en Santiago de Compostela, donde las Torres Hejduk —obra del arquitecto estadounidense John Hejduk en la Cidade da Cultura— han sido intervenidas por el colectivo Basurama. Mónica Gutiérrez y Rubén Lorenzo han revestido una de las torres con plástico y han cubierto la otra de formas de colores llamativas y aparentemente inofensivas, pero que en la cercanía revelan un mensaje de alerta.Escuchar audio

Was haben eine kuschelige Jogginghose, perfekter Schlaf und ein gut gefülltes Bankkonto gemeinsam? Für Paulas heutigen Gast Senna Gamour sind sie viel wichtiger als jede Beziehung. Die beliebte Sängerin und Backkünstlerin spricht offen über ihre Dating-Vergangenheit und warum sie als selbstbewusste Single-Frau am glücklichsten ist. In dieser Folge teilen die beiden nicht nur ihre Erfahrungen mit Herzschmerz, sondern auch ungehemmt ihre Gedanken zu Körperfunktionen und den wahren Geheimnissen des Glücks. Viel Freude bei dieser erfrischend ehrlichen Episode!

Unser heutiger Gast ist freischaffende Köchin aus Leidenschaft. Die Teilnahme an der Koch-TV-Show „The Taste“, die sie auch gewonnen hat, hat ihr Augen und Herz für dieses Universum geöffnet. Seitdem lebt und liebt sie Kulinarik – und hat nun ihr erstes Kochbuch veröffentlicht. Im Gespräch mit carpe diem-Host Holger Potye erklärt Paula Bründl, die ein Psychologie- Studium absolviert hat, bevor sie ihre Kochleidenschaft entdeckt hat, was kochen eigentlich mit uns macht. Was löst es in uns aus? Warum ist es nicht egal, was wir essen und wie wir konsumieren? Und wie hängen Kochen und Psychologie eigentlich zusammen? Kochen ist immer Teil der Lösung Für Paula ist Kochen zugleich auch eine Schule des Lebens. Die Lösung für viele Herausforderungen und Probleme, denen wir in der Welt begegnen, findet man ihrer Meinung nach, indem man mit dem Kochen anfängt. Daher ist es wichtig die Zugangshürde zum Kochen möglichst klein zu machen. Essen für die Seele „Gutes, authentisches, ehrliches Essen besitzt eine einzigartige Kraft, die berührt“, meint Paula. Wenn es einmal also gerade nicht so rundläuft, ist für die Salzburger Köchin gutes Essen mit Menschen, die ihr lieb und wichtig sind, die beste Therapie.   Was wir außerdem aus dieser Episode mitnehmen: • Warum positive mentale Glaubenssätze im Leben wichtig sind • Wieso Stärken stärken viele Nachteile ausgleicht • Warum es Sinn macht, sich immer auf die Suche nach seinem USP zu begeben • Wieso eine Portion gesunde Naivität stets von Vorteil ist • Wie man kreativ kocht • Wie kochen uns dabei hilft, unser Leben zu strukturieren • Wieso wir übers Kochen mehr über uns lernen können • Wieso Paula auf Rohmilch schwört • Wie man seine Potentiale ausleben lernt Viel Vergnügen mit dem Podcast! Show Notes: Wer mehr über Paula Bründl erfahren möchte, schaut HIER vorbei. Paulas neues Buch „Endlich kochen: 64 Rezepte, die dein Leben bereichern, versprochen!“ ist im Handel! im Servus Verlag Im Podcast erwähnte Bücher & Podcasts Buch: „Beweg dich! Und dein Gehirn sagt danke“ von Manuela Macedonia Follow us on ...   Instagram Homepage YouTube WhatsApp: +43 664 88840236 Email: podcast@carpediem.life Producers: Holger Potye & Agentur Soundfeiler  Wenn euch dieser Podcast gefallen hat, dann abonniert ihn, schreibt einen Kommentar, chattet mit uns via WhatsApp und gebt ihm 5 Sterne auf Apple Podcasts oder Spotify (Sterne-Wertung am Smartphone möglich). Wir freuen uns ganz besonders über Post, Anregungen und Ideen an: podcast@carpediem.life Wusstest du schon, dass du jetzt via WhatsApp mit uns Kontakt aufnehmen kannst? Das geht ganz einfach. Speichere die carpe diem-Podcast-Nummer +43 664 88840236 in deinen Kontakten ab. Dann öffne dein WhatsApp und schick uns eine Nachricht. Egal ob als Text- oder Sprachnachricht. Wir freuen uns immer über Lob, Kritik, Anregungen, Themenideen und Vorschläge für Wunschgäste. Und auf deine Stimme.

Nyfunna syskon, oväntade (och ökända?) blodsförvanter eller dramatiska händelser som förändrat en hel släkts öde! I det här avsnittet delar inringarna med sig av sina familjehistorier. Lyssna på alla avsnitt i Sveriges Radio Play. P4 Stockholm berättar om systrarna Elin och Paulas överraskande upptäckt efter ett DNA-test – de har över 30 syskon! Detta eftersom systrarna är så kallade donatorbarn. Hör fler oväntade släktstorys i Karlavagnen onsdag.Familjehistorier i Karlavagnen med Christian OlssonRing oss, mejla på karlavagnen@sverigesradio.se eller skriv till oss på Facebook och Instagram. Slussen öppnar klockan 21:00 och programmet börjar klockan 21:40.

durée : 00:05:25 - C'est une chanson - par : Frédéric Pommier - Avec Julie Delarme, il est à l'affiche du Petit Montparnasse dans "Le voyage de Paula S.", pièce dont il signe aussi le texte. Au micro de Frédéric Pommier, Marc Citti évoque "God" de Prince, morceau qui lui rappelle un spectacle qu'il a joué dans la Cour d'honneur du Palais des papes à Avignon.

María Paula Sánchez, mejor conocida como Green Amarilla contó a Kienyke.com cómo surgió su amor por el Running y lo importante que es la 10k Night Race de Enel en la que participará este año.

Hello everyone.Join Keri and Matthew returning from their Christmas break with 14 (count 'em!) new Patrons along for the ride.Massive thanks to Catherine, Aimee, Julian, Robert, Jennifer, Angus, Douglas, Suzanne, William, Elizabeth, Kate, Kath and both Paulas for signing up as well as a huge thank you to all our existing patrons too for their help.Carving up the family farm this week, we found:How to claim your money back on mis-sold Grundy items.What really happened up on Lakey Ridge Farm.Explore the Bridge Farm loyalty scheme and all it brings.Some actual Archers 'reality' to boot, including Rochelle theories, cheese succession and Neil being lovely.Thanks for all your support.Produced by Matthew WeirBecome a beautiful patron of The Cider Shed and receive early ad-free episodes and our exclusive Patreon-only midweek specials. It really REALLY helps us out.https://www.patreon.com/thecidershedTo help us out with a lovely worded 5 star review hit the link below. Then scroll down to ‘Ratings and Reviews' and a little further below that is ‘Write a Review' (this is so much nicer than just tapping the stars

Saruna par jaunās galerijas “ASNI” pieredzi, kopā ar citām galerijām šogad rīkojot Mazo mākslas mesi un gleznotājas Paulas Zariņas-Zēmanes izstādi "Acis atvērtas, aizvērtas", kas aplūkojama no 13. decembra. Jaunākajā darbu sērijā, kuru ievada ideja par mākslas darba rašanās impulsu (jeb stāstu mākslinieces acu priekšā), māksliniece eksperimentē ar glezniecības medija iespējām, galeriju ASNI atklājot kā maiguma un siltuma pilnu telpu, kurā patverties no gada noslēgumam ierastās steigas. Gleznas izstādē papildina arī mākslinieces autortehnikā radīti keramikas objekti. Jaunā mākslas galerija “ASNI”sevi pieteica brīdī, kad ēka pretī Nacionālajam Mākslas muzejam tika remontēta. Fasāde bija aizsegta. Abas galeristes – Auguste  Petre un Elīna Drāke – fokusējas uz Baltijas jaunajiem māksliniekiem, kā arī kopsadarbībām ar starptautiskiem kuratoriem, nekaunoties no Austrumeiropas vārda. Galerija “ASNI” plāno ne tikai izstādes, bet arī iespēju radīt īpašu mākslas satiksmes pieturu. Tikko atvērta mākslinieces Paulas Zariņas-Zēmanes personālizstāde "Acis atvērtas/ aizvērtas". Galerijā “ASNI” tiekamies ar mākslinieci un Elīnu Drāki.

Diese Folge ist besonders spannend, weil DU live dabei bist, wie ich zusammen mit meiner Gästin Paula einen echten Hotseat durchführe!

Rick Paulas was here last year to talk about THE LADY IN GREENPOINT and PALMER HOTEL-- now he's back to talk about MALINKO, a horror masterpiece about Route 66, ghost towns, and a mysterious late-night radio show.

9. novembrī Latvijas Nacionālā mākslas muzeja 3. stāva vestibilā izskanēs Valsts akadēmiskā kora “Latvija” koncertprogramma “Gleznainais romantisms”, kurā kori diriģēs Artūrs Švarcbahs, bet soliste būs vijolniece Paula Šūmane. Programmas centrā - angļu komponista Ralfa Vona-Viljamsa skaņdarbs “The Lark Ascending” (“Cīrulis padebešos”). Izskanēs arī  Anglijas vēstures, literatūras un dabas iedvesmoti šī autora opusi “Bushes and Briars” (“Caur krūmiem un ērkšķiem”) un “Three Shakespeare Songs” (“Trīs Šekspīra dziesmas”), kā arī austriešu komponista Gustava Mālera solodziesmas “Urlicht” (“Pirmatnējā gaisma”), “Die zwei blauen Augen” (“Divas zilas acis”) un “Ich bin der Welt abhanden gekommen” (“Esmu zudis šai pasaulei”), kuras jauktajam korim aranžējis Klituss Gotvalds. Sarunas ievadā Artūrs stāsta par savām attiecībām ar VAK "Latvija" un savu jauno statusu kā kormeistaram. Runājam par koncerta norises vietas meklējumiem un izvēli par labu Latvijas Nacionālā mākslas muzeja 3. stāva vestibilam. Tā kā programmas centrā būs angļu komponista R. Vona-Viljamsa un G. Mālera kormūzika, kura Latvijā neskan bieži, Artūrs atklāj, ka to iepazinis, dziedot Zviedrijas Radio kori un piedaloties dažādos kordiriģentu konkursos. Paula dalās ar savu līdzšinējo pieredzi, sadarbojoties ar kori, un atklāj savu skatījumu uz skaņdarbu " The Lark Ascending"; uzzinām, ka koncertā viņas vijole būs dzirdama arī J.S. Baha un E. Izaī skaņdarbos, kuri labi papildinās kopējo šī koncerta noskaņu. Artūrs Švarcbahs: Latvijas Nacionālais mākslas muzejs, manuprāt, ir ļoti atbilstošs šai koncertprogrammai. Kad dziedāju Zviedrijas Radio korī, man bija pirmā īstā sastapšanās ar šāda veida mūziku - gan ar Gustava Mālera dziesmu pārlikumiem, gan ar “The Lark Ascending”. Jau tad nodomāju, ka ļoti vēlētos kādu dienu nevis pats dziedāt, bet būt priekšā korim, izpildot šos skaņdarbus. Paulas Šūmanes solo skaisti skanēs šajā lieliskajā Ralfa Vona-Viljamsa skaņdarbā, kas oriģinālā rakstīts vijolei un klavierēm, pēc tam komponists izveidojis pārlikumu vijolei un orķestrim. Varbūt tā klausītāji to visvairāk ir dzirdējuši. Šoreiz koris pildīs orķestra uzdevumus? Paula Šūmane: Jā, un es gribētu uzsvērt, ka šī versija ar kori ir kaut kas pavisam unikāls un īpašs - tas nav tikai pārlikums, bet tam ir pievienotā vērtība, jo korim ir dziedājums un teksts. Šis liriskais moments un dzīvas balsis - to, manuprāt, nekas nespēj aizstāt. Mēģinājumos, kad stāvu balsu ielenkumā un sajūtu tās vibrācijas, ir pilnīgi terapeitiska sajūta. Domāju, ka arī klausītāji to noteikti sajutīs. Tas ir burvīgi. Ko no vijolnieka prasa muzicēšana ar kori? Cik daudz jāspēj pielāgoties, mainīties, atkāpties vai gluži otrādi? Paula Šūmane: Ir atšķirības, noteikti. Instrumentālistiem mehānisms ir atšķirīgs, bet tieši balss un šī dzīvība, kas nāk no cilvēka, man liekas fascinējoša. Man ir jāuzasina savi jutekļi un spēlējot jāiztēlojas, ka es ar savu vijoli dziedu, vēl vairāk nekā es to parasti darītu.  

Un reciente estudio mostró que el 19 por ciento de los australianos encuestados no se lava las manos luego de ir al baño, mientras que el 42 por ciento no lo hace antes de manipular alimentos. Los expertos advierten que lavarse las manos correctamente puede prevenir enfermedades. En SBS Audio conversamos con la microbióloga Ángela Kavanagh y la profesora de enfermería Paula Sánchez.

LIVE-STREAM am Dienstag um 12 Uhr "Von Null auf Personal Brand mit LinkedIn: Die 3 Schritte für enorme Sichtbarkeit in der Zielgruppe" ➔ Hier anmelden: https://xhauer.com/live-stream-podWelche LinkedIn Ads-Formate eigenen sich für welche Phasen eures Marketing-Funnels? Welche Zielgruppenstellungen führen zu Traffic und Leads unter Marktpreis? Wie nutzt du die Kraft von Remarketing-Ads auf LinkedIn klug? Welche Ad-Creatives in Form von Bildern und Videos funktionieren besonders gut? Paula gibt alle Antworten in dieser Folge.Praxis-Vorlagen zu B2B-Marketing bekommst du auf unserer Downloads-Seite:► https://xhauer.com/downloads-podcastDiese Folge ist ein Vortrag beim Digital Bash:► https://digitalbash.de Hosted on Acast. See acast.com/privacy for more information.

Estrenamos sexta temporada y lo hacemos hablando con Paula Sánchez, entrenadora del fútbol base del Levante UD y Atlético Saguntino. En este #ValentaRadio6x01 trataremos con Paula la figura del técnico en el fútbol base, los valores que se deben transmitir a los más pequeños, las dificultades que existen de prosperar en los banquillos siendo mujer y mucho más. Podcast presentado por Miguel Martínez y elaborado por EsportBase Media para la Federació de Futbol de la Comunitat Valenciana.

Highlights:00:00 Intro01:50 The meaning of “Equilibrium Intuitive”03:45 The explanation of kinesiology and muscle testing05:39 A demonstration of muscle testing with Graham08:14 How Paula got interested in kinesiology11:09 Meeting her mentor and her spiritual journey16:12 Paula's understanding of Jesus17:09 How to pray effectively?21:01 Helping clients to unblock themselves23:44 Why do we take on others' emotions?25:31 Challenges are meant to help us grow28:46 Paula's first "enough is enough" moment32:08 Paula's second “enough is enough” moment33:42 The importance of setting boundaries38:51 How spirituality helps in difficult situations43:07 Paula's experience of guidance in life46:41 Paulas's current coaching work48:15 How does Paula cleanse herself after her work49:32 The magic painting questions52:01 Wrapping-up Find Paola Sellarohttps://www.instagram.com/equilibrium_intuitive/https://linktr.ee/equilibriumwithpaola Find Graham WardleLinks - https://grahamwardle.komi.io/Facebook - https://facebook.com/GrahamWardleOnline/Instagram - https://instagram.com/grahamwardle/Twitter - https://twitter.com/GrahamWardle *** Important Notice: Please Read Carefully ***Graham does not have a private fan club, talent management representative, or cyber security team. Unfortunately, there are many fraudsters who create fake accounts pretending to be Graham or associated with him, attempting to deceive and scam the public. These scams have become increasingly elaborate and sophisticated, resulting in significant financial losses for many victims, with some losing thousands of dollars.One of the latest tactics used by these scammers involves pretending to be cyber security experts who claim they can help you recover lost funds. This is another layer of deception designed to exploit those who have already been victimized.It is crucial to remain vigilant and cautious. If any accounts reach out to you claiming to represent Graham or offering services on his behalf, please report and block these accounts immediately. Do not engage with them or provide any personal or financial information.Remember, Graham communicates only through his official channels and would never solicit personal information or money from his audience. Stay safe and protect yourself from these malicious scams.

Die Mädels plaudern über ihre liebsten Körperteile, ihre peinlichsten Erlebnisse, Körperbehaarung und über Paulas hartnäckiges Haar an der Kniekehle. Außerdem sprechen sie über ihre Fantasien und mit wem sie gerne für einen Tag ihr Leben und ihren Körper tauschen wollen würden und warum sie vögelnde Männer visuell einfach nicht ansprechend finden. Besonders spannend wird es bei der Frage, welche Eigenschaften sie an der jeweils anderen besonders gut und schlecht finden. Und was glaubt ihr, welche mysteriöse Geburtstagsüberraschung Paula für Sophia geplant hat? ***** Merchandise unter 4bfeh.shop ***** Möchtet Ihr auch im Podcast zu hören sein? Dann sendet eine Sprachnachricht mit einer Grußbotschaft und eurer Lieblingsepisode via Instagram an 4bruestefuereinhalleluja https://www.instagram.com/4bruestefuereinhalleluja/ und mit ein wenig Glück könnt ihr Teil der Episoden werden. Mit der Einsendung seid Ihr damit einverstanden, dass Eure Botschaft im Podcast "4 Brüste für ein Halleluja" veröffentlicht wird. Eingesendete Nachrichten via Mail an 4brueste@seven.one, auf Instagram und tiktok an 4bruestefuereinhalleluja können Teil der Episoden werden. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

La violencia y las agresiones contra el personal médico han aumentado significativamente, según un estudio. La pandemia de Covid-19 disparó este tipo de incidentes contra los trabajadores de salud. Escucha la entrevista con la ex-enfermera de cuidados críticos y profesora de enfermería, Paula Sánchez.

Send us a textWhat does it take to transition from an administrative role to a technical expert in financial planning? Join us as we talk with Paula Guedes, a dynamic practice lead at Foster Denovo. Paulas journey from Brazil to the UK, pursuing a master's in finance and economics, and working her way up from an entry-level position to a chartered paraplanner, is nothing short of inspiring. She shares how her analytical strengths and passion for financial planning have shaped her career, offering valuable insights for women aspiring to make their mark in this predominantly male-dominated profession. Communication is the cornerstone of any successful financial planning team. In this episode, Paola elaborates on the crucial relationship between financial advisers and paraplanners, emphasising the benefits of fostering a team atmosphere. She reveals how paraplanners can enhance client confidence by simplifying complex financial information, and discusses the unique perspective non-native English speakers can bring to the table. Celebrating the achievements of women in finance, Paola advocates for greater diversity and inclusion, making a compelling case for why the profession needs more female leaders.Paulas story of ambition and growth is both motivating and instructive. After significant personal milestones, such as the birth of her daughter, she returned to work with renewed vigor, tackling challenging qualifications and securing a promotion to chartered paraplanner. She highlights the importance of continuous learning, viewing failure as a stepping stone rather than a setback. By sharing her experiences at Foster Denovo, including the firm's impressive gender diversity and people-centric approach, Paula underscores the significance of personal growth and development within the company. Her journey serves as a testament to the power of ambition, resilience, and the pursuit of excellence in one's career.  if you are interested in joining Foster Denovo  - Click here Begin your financial planning career journey todayWhether you are looking to become a paraplanner, administrator, mortgage and protection adviser or financial planner, the Financial Planner Life Academy is for you. With limited entry-level job roles, giving yourself the best financial planning career education, will not only kick start your financial planning journey with relevant qualifications and skills, but it'll also help you achieve success much faster.&nbsBe sure to follow financial planner life on YouTube for extra content about a career within Financial Planning HIT THAT SUBSCRIBE BUTTON! If you're looking to start your career in Financial Planning, check out the Financial Planner Life Academy hereReach out to Sam@financialplannerlife.com in regards to sponsorship, partnerships, videography or career development.

Rokas Grajauskas ir Mykolas Jankaitis švenčia 200-ąji Enbą, jame skiriami pažymiai vakarų konferencijų komandų tarpsezoniams. Tinklalaidės partneriai: – Novastar.lt – itin platus buitinės technikos ir elektronikos prekių asortimentas ypač geromis kainomis! http://novastar.lt – geriausiai vertinama internetinė elektronikos prekių parduotuvė pagal evertink.lt duomenis 2024-08-29. Visą rugsėjo mėnesį – KOMPIUTERIŲ IŠPARDAVIMAS – nuolaidos beveik visiems nešiojamiems kompiuteriams! – Nealkoholinis alus „Gubernija“, daugiau informacijos – https://gubernija.lt/ Temos: Įžanga, gimtadienis ir įžeidinėjimai (0:00); Iš akmens sultis išspaudę „Mavericks“ (10:44); Dar vieną čempioną paleidę „Nuggets“ (28:21); „Warriors“ bandymas pasispardyti (39:23); Ar „Rockets“ pašaukė geriausią naujoką? (43:58); Superinėj arenoj – vidutinė sudėtis (50:18); Vėl pagalbos nesulaukiantis karalius (57:50); Grizlių tarpsezonį nuspręsiantis milžinas (1:03:51); Naujokais finansines problemas sprendžiantys „Timberwolves“ (1:08:00); Esminio klausimo neišsprendę, bet sudominę „Pelicans“ (1:11:17); Pavydėtinoje situacijoje esantys „Thunder“ (01:16:17); Ar „Suns“ pavyko išspręsti esminę problemą? (1:19:47); Ar Aytonas gali tapti trečiu centru rotacijoje? (1:25:39); Nuo gynybos nusisukusi „Kings“ vasara (1:33:00); Paulas – kempinė su magiškomis sultimis (1:40:51); Nepernelyg įdomūs „Jazz“ (1:45:16).

Heute: Die Ladies plaudern über Hochzeiten, Terminierungschwierigkeiten, die Plus Ones, Single sein ohne Reue, Makro-Mikro-Pläne und Paulas gefährliche Begegnung im Baumarkt und ihre Karrierepläne als Wrestling Managerin. Erfahrt in gewohnt ausgelassener Manier, warum Paula alles über den rostigen Rüsselkäfer weiß, ein Leben ohne Routinen führt und Sophia ein Dutzend Erinnerungswecker und vielleicht bald schwarze Haare hat. Der Aha-Moment dieser Folge: Du kannst das Leben nicht verhindern! Hört rein! ***** Merchandise unter 4bfeh.shop ***** Möchtet Ihr auch im Podcast zu hören sein? Dann sendet eine Sprachnachricht mit einer Grußbotschaft und eurer Lieblingsepisode via Instagram an 4bruestefuereinhalleluja https://www.instagram.com/4bruestefuereinhalleluja/ und mit ein wenig Glück könnt ihr Teil der Episoden werden. Mit der Einsendung seid Ihr damit einverstanden, dass Eure Botschaft im Podcast "4 Brüste für ein Halleluja" veröffentlicht wird. Eingesendete Nachrichten via Mail an 4brueste@seven.one, auf Instagram und tiktok an 4bruestefuereinhalleluja können Teil der Episoden werden. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja

In late 2019, an unremarkable galaxy with the catalog number SDSS1335+0728 suddenly started shining brighter than ever. Curious as to why, astronomers used data from space and ground-based observatories to track changes in the galaxy's brightness and concluded that we are witnessing the sudden awakening of the massive black hole at the galaxy's core. The results were published in Astronomy & Astrophysics in June 2024 with lead author Paula Sánchez Sáez, an astronomer at the European Southern Observatory in Germany. Join Deputy Director of the Carl Sagan Center, Simon Steel, in a chat with Dr. Sánchez Sáez about these results and what they mean for our understanding of galaxies and their black holes. (Recorded 1 August 2024.) Press release: https://www.eso.org/public/news/eso2409/

Im Juli gibt es ganz spezielle Folgen von Ab ins Bett, die Classics. [Unterstützt den Podcast jetzt!](https://www.paypal.com/donate/?hostedbuttonid=PJC64Y47GDJZA) Im Juli gibt es ganz spezielle Folgen von Ab ins Bett, die Classics. **Nicht vergessen: Drücke den "FOLGEN" Button und lasse eine Bewertung da! ** Mehr Infos zu Ab ins Bett findet du auf [www.abinsbett.net](http://www.abinsbett.net) [Unterstützt den Podcast jetzt!](https://www.paypal.com/donate/?hosted_button_id=PJC64Y47GDJZA) **Nicht vergessen: Drücke den "FOLGEN" Button und lasse eine Bewertung da! ** Mehr Infos zu Ab ins Bett findet du auf [www.abinsbett.net](http://www.abinsbett.net)

Hoy hablamos de Tecnología y Proptech. SIMED Innova/Open Call for Startups. Entrevista a Paula Sánchez Collado, CEO de CoCircular.

Hoy hablamos de Tecnología y Proptech. SIMED Innova/Open Call for Startups. Entrevista a Paula Sánchez Collado, CEO de CoCircular.

Hoy hablamos de Tecnología y Proptech. SIMED Innova/Open Call for Startups. Entrevista a Paula Sánchez Collado, CEO de CoCircular.

Deutschland - Schweiz 1:1, das ist der Titel! In der heutigen Morgenfolge sprechen Kathrin und Tommy mit der Sexualtherapeutin und Podcasterin Paula Lambert. Sie diskutieren über Fußball und die Rivalität zwischen Messi und Ronaldo. Paula vergleicht die beiden mit Käse und Wurst, Wein und Bier und findet schockierender Weise die Stones und die Beatles völlig überbewertet.Anschließend geht es um die Spiele des Tages bei der Fußball-EM. Paula Lambert tippt auf Siege für Spanien und Italien, womit diese beiden Nationen ins Achtelfinale einziehen würden. Kathrin würde es Kroatien gönnen, wegen des kroatischen Fußballtrainers ihres Sohnes.Zum Schluss sprechen sie noch über Paulas kommende Tour "Sex Education - die lustigste Gruppentherapie der Welt". Paula verspricht Einblicke, warum es manchmal besser ist, Single zu sein oder viel Sex zu haben und wie man die richtigen Leute kennenlernt. Auf Kathrins Frage nach einem Tipp für mehr Sex trotz des anstrengenden täglichen Podcasts rät Paula zu Mittags-Sex als "Vorbereitungsmittel".Außerdem diskutieren die Moderatoren das aktuelle Gerichtsverfahren gegen Björn Höcke, die politische Landschaft und die Auswirkungen von Höckes Aussagen. Ein weiteres Thema ist das Ende der Spargelsaison und eine nostalgische Geschichte über Spargelanbau in der DDR. Schließlich werfen sie einen Blick auf ein kurioses Ereignis in Griechenland, bei dem Millionäre durch ein Feuerwerk Waldbrände verursachten. Die Folge endet mit einer humorvollen Reflexion über die Herausforderungen eines täglichen Podcasts und einer Aufforderung an die Hörer, Kommentare und Bewertungen zu hinterlassen.Inhalt:00:00:00 Einleitung und Jingle-Suche00:01:26 Diskussion über Fußballspieler00:02:48 Analyse von Fußballübertragungen00:04:42 Geburtstagskind Lionel Messi00:08:39 Paula Lamberts Einschätzung zu Fußballspielen00:11:30 Paula Lambert über ihre Tour00:13:01 Rückblick auf Podcast-Start während WM00:14:02 Björn Höcke und seine Aussagen00:17:59 Diskussion über ethnische Homogenisierung00:22:23 Millionärsjacht und Waldbrand auf HydraWas wir gelernt haben: Mittags-Sex ist das neue Daydrinking - erfunden von Paula Lambert!Ab 17 - der tägliche Podcast mit Kathrin und Tommy Wosch. Montag bis Freitag. Morgens und Abends. Immer um Fünf!Instagram: @ab17podcast Hosted on Acast. See acast.com/privacy for more information.

Sometimes it's just a pleasure to sit back and listen.  This is one of those moments - for me, certainly, but hopefully for you too.  I had the pleasure of sitting and chatting with two icons of the industry - Sean Conboy and the inimatable nonagenarian, Stuart Clark who is not only still shooting at the age of 97 but is a considerable racontour (you can hear me and Sean laughing in the background throughout!) Stuart started his career in 1941, so his stories are not only entertaining but are fascinating as they cover every photography development from glass plate through to the state of the art digital wizardry we're facing today. This interview is worth listening to every one of its 90 or so minutes! Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript [00:00:00] Paul: So there are so, so many things I love about being in this industry, the things we get to do, and in particular, this podcast, and one of the many things is having these moments that you're about to hear, where I get to sit and chat with someone I've known for a very long time, Sean Conboy, fantastic photographer, and just a wonderful human being. [00:00:20] And someone he introduced me to, a guy called Stuart Clark.  [00:00:23] Now Stuart is 98 years old in July this year. Self proclaimed as one of the oldest working photographers in the country, and I'm not sure that anyone's going to argue with that. He started training as a photographer in 1940. That makes this, he's been working as a photographer for 84 years. [00:00:46] And the whole of this interview is taking place in what was, his photography studio in a little town just outside Leeds. It's his front living room, but it's huge. It's got a high ceiling and you can imagine how the lighting would have been hot, continuous lights and families just having the best time with someone who I learned very quickly, is a storyteller and a raconteur, uh, just a wonderful, a wonderful human being. There are lots of things to listen out for in the following interview, and let me draw your attention to just a few. Uh, listen out for the flash powder story. It's very funny. Uh, the story of, uh, People retouching, lots of retouching stories from the 1940s and billiard ball complexions. [00:01:31] . Doing multiple jobs in a day. He used to do three or four jobs in a day, and have the timing so accurate that could include photographing a wedding. He learned his craft. He's great. [00:01:42] He's spent time creating images for press, looking for alternative, alternative images and looking for PR images that no matter how much a sub editor crops them, the brand or at least the story is still very much intact. He talks about the utter love of the job and appreciating what a privileged position photographers like ourselves are in every day of the week. [00:02:07] He talks a little about the role of agencies and how they now manage messages from companies in a way that probably they never did. He talks about relationships and he talks about being positive and persistence. He also talks about the role of the Institute. [00:02:24] Finally, he talks a little bit about photographers always being the fag end of everything, but in the end, what he talks about really, It's the love of his job and the love of his clients.  [00:02:35] Why am I telling you all of this upfront? Well, this is a long interview, but the sound of Stuart's voice and the history that it represents, as well as the fact that he's more current than an awful lot of photographers who I know right now who are much younger, uh, but just, there's something in his, his entire manner that is captivating and enthralling, informative and useful. And so, although it's a long interview, I thought I'd just explain a little bit about why I found it so appealing and why I've left the edit almost entirely intact. I've removed a few lumps and bumps where we all managed to hit a microphone as we're gesticulating. [00:03:16] So picture the scene, there's myself, Sean and Stuart sitting, in armchairs and on couches. [00:03:27] And if you're wondering why it took me quite so long, this interview is actually, it goes back to February of this year, and why it took me quite so long to get it out, it was partly because there was a lot of of lumps to remove and partly because it was this trip, this interview, this podcast that I was returning home from when the Land Rover blew up. [00:03:46] And frankly, I think there's a little bit of trauma there with a six and a half thousand pound bill to re, to replace and repair piston number two. I think my heart just, I needed a minute just to not recall it every single time I try to edit this particular podcast down. It's a wonderful interview. Please enjoy. [00:04:06] I know it's quite long, um, but what an absolute legend. I'm Paul and this is the Mastering Portrait Photography Podcast.  [00:04:32] So, firstly, Stuart, thank you for welcoming us into your home. We've driven quite a long way, uh, to come and see you. Sean, uh, recommended we speak to you, because the number of stories you have make even his collection of stories look Insignificant. [00:04:48] And as we all know, Sean, The Footnote Conboy has more stories than any man I've ever met up until probably this, this moment in time. So to kick the conversation off, how did you become a photographer? [00:05:05] Stuart: It was an unfortunate or fortunate chain of events because, um, I was at the Leeds College of Art in 1940, 41, and I had the desire and intention of being a commercial artist, which is now referred as graphic designer and at that time, being wartime, there was little advertising being done, and so, uh, perhaps I was not sufficiently talented, but I finished up working for a firm who were essentially photoengravers, but they had a commercial photography studio as well, and they were short of somebody to join them, and I went in there and became virtually an apprentice photographer. This was very interesting because at that time, again, there was very little commercial photography advertising being done, and so all our efforts, or most of our efforts, were centred on war work, which involved going round the factories and, uh, Photographing for record purposes, the input of the particular company. And in those days, I can tell you that that was not a very comfortable proposition because we were on total blackout, and therefore, all the fumes in the factory, whatever they were, had very little chance of escaping, so you've got the fumes and the heat, and then of course we were only Illuminating scenes with flash powder, which was an added hazard, and, and so Photography outside in the factories was not very pleasant, but inside the factory, or in the studio, we were also doing war work, and that was to photograph silhouettes, scale models of all aircraft of both the enemy and, uh, and, uh, Home, uh, Aircraft for identification purposes, so that the air gunners were not shooting our own planes down in action. And another very interesting thing which I have always remembered was that the four, or the eight cannons In the Spitfire, that was four in each wing, were harmonized to converge at a point away from the Spitfire so that the Fire, the maximum fire point was when those two lots of cannons converged. [00:08:34] The only reference that the pilots had was a silhouette which we had photographed, so that he could visualize that silhouette in the, aiming sight of his  [00:08:50] guns.  [00:08:51] Paul: a very early heads up display.  [00:08:53] Stuart: Indeed.  [00:08:54] Paul: Yeah. [00:08:55] Stuart: And, so, that was quite an important element, I think, of our war work for the Air Ministry. [00:09:03] The main factory was engraving the, conical, rangefinder cones for 25 pound howitzers. [00:09:14] Paul: Right. [00:09:15] Stuart: And at the time of leaving school, everybody had to be doing war work.  [00:09:21] And so I went to the company on the pretext of doing war work of that nature, rather than going round snapping. [00:09:31] Paul: Right. [00:09:32] Sean: Stuart, could you also, um, I mean you've told me many great tales about your time actually in the, uh, armed services film unit, i think that might be quite interesting,  [00:09:42] Stuart: Well, I was called up and because of my interest in mechanical things and gadgetry and so forth, I finished up in the Royal Army Service Corps. But a friend of my mother's husband suggested that I applied for a trade test in photography. And one day I was called up to the orderly room and they said, We've got the movement order here for you. Um, to go to Pinewood Studios, of all places. I don't know what this is about, but anyway, here's your movement order. So, I went down to Pinewood, and we had a trade test, and I think I finished up, uh, top of the, the, uh, examination. But then I was returned to unit at Catterick, and I was up there for another few months, and then I was posted. And eventually, after about six weeks of the posting, I got another movement order to go back to Pinewood Studios, where I started my course in cinephotography, [00:11:06] and still photography. Now, this was the last course. before Pinewood closed down and the unit closed down. I'm talking about Pinewood closing down, Pinewood was the headquarters of the Army Film and Photographic Unit from when it was formed in October 41. [00:11:35] The course included preparation for action photography, essentially. when the course started, the war was still on in Central Europe. but before the course finished, it, uh, the war finished. [00:11:58] And The Japanese War was still going on until September of the same year, which was 45. But we were still being trained, and when the course finished, we had very little to do but just wait to see what happened. And so from September to, um, December of that year, we were just hanging about in the studios. [00:12:30] We were then posted to the Far East, in fact to Malaya, where the No. 9 unit was formed. Having been moved by Batten's headquarters, Mountbatten's headquarters, from Ceylon to Singapore, thought that it would be probably much more congenial there than in Ceylon, India. [00:12:57] So number nine was there and it's interesting to note that right at this moment an exhibition is being produced for the photographer's gallery on Bert Hardy's life and Bert Hardy at the time that I there was, in fact, the stills captain in charge of all the still photography in Malay Command. Or the, not Malay Command, the Far East Command, because we had outstations in Java and Hong Kong, and even, uh, one guy, uh, was in, um, in Hiroshima. So that was the formation of the, the, uh, Far East, Southeast Asia Command photographic, uh, outfit. until it closed down, uh, in September, August September of 46, and we are then dispersed Some went to the Imperial War Museum, the Imperial, uh, war, graves Commission, et cetera, and six of us went back to Vienna, where we joined number 9, Public Relations, because unit had been disbanded completely. So, there in, uh, in Austria, we were doing what they call Local Boy Stories, and we made a couple of films on the Irish regiments and also the East Yorkshire, not the East Yorkshire, the Yorkshire regiments who were guarding and on guard duties at the palace, Shurnbran Palace, which everybody has heard of, and um, and so that carried on until, uh, the Until I was demobbed in 1947, December. came home and went back to the company I originally started with because they were compelled to take people for 12 months. And at the end of that time, I decided to leave I had a bit of a a difference of opinion with the studio manager, who was RAF, and I was Army, and I was a sergeant as well, and I don't think he was quite that when he was in the RAF photographic section, but there was a resentment anyway. [00:16:02] of my presence.  [00:16:03] So, I went to the firm called C. R. H. Pickards, who were one of the finest industrial, uh, and leading industrial photographic units, companies, in the north of England. [00:16:24] It was there, then, that I began to learn industrial photography. And we photographed all sorts of various things, from factory engineering, factories, products and so forth, lathes, milling machines, railway engines, all manner of things. And that's where I cut my teeth on industrial photography. [00:16:56] Sean: And, and Stuart, what sort of, um, equipment would you be using in those days? not  [00:17:01] Stuart: so ha!  [00:17:02] Sean: but how  [00:17:03] would you be lighting these spaces in those days  [00:17:05] Stuart: um The equipment that we were using was always, almost always, whole plate, six a half, eight by, eight and a half, six a half, uh, folding field cameras. when I started, we [00:17:29] were on glass plates. But then the advent of film came in. And this was obviously much lighter stuff to carry around. And every, exposure had to count. Now in today's terms, where you press the button and pick the best out of however many, all we used to do was a duplicate at the most. So we used to There was a variation in the exposure or the aperture setting, and that was the only difference the two exposures. [00:18:19] So what we used to do was develop one side of the, uh, the double dark slides, see what they were like, if they wanted a little bit more or a bit less development, that was applied to second side. And, don't know whether you've ever heard of the expression of, um, developing by, uh, vision. But we used to have a very dim green light, and the sensitive film. [00:18:59] was not, uh, sensitive to the green light.  [00:19:03] Paul: All right.  [00:19:04] Stuart: But you had to be in the darkroom for ten minutes for your eyes to become adjusted, and you could then see absolutely every detail of the, the development process. And when the highlights started to you, to, To show a dark mark through the back of the antihalation backing, then the development was just about right, if but if you wanted a little bit more contrast, then you just pushed it on. If it had been a dull day, a dull, miserable day, then you pushed the development on a little bit further. [00:19:49] Sean: And  [00:19:49] Stuart: you've asked  [00:19:50] Sean: be, how would you be lighting some of these scenes? I'm very intrigued at that  [00:19:53] Stuart: I  [00:19:53] Sean: that  [00:19:53] Stuart: about to say that. [00:19:54] Um, for big areas, we used to use flash powder. And a little bit of flash powder goes a long way, believe me. But it was pretty dangerous stuff. And um, I remember we photographed a wedding on one occasion at the Majestic Hotel Harrogate. And there were 450 people. at the reception and they wanted a photograph to show as many of the people as possible. So we put the whole plate camera on a table stood up there with tray into which I poured flash powder. [00:20:38] Now then, this was actuated. with a percussion cap, like we used to have in little [00:20:46] hand pistols for toys. and when you pulled the release catch, that ignited the cap, [00:20:56] that ignited the flash powder. [00:21:00] So, the exposure was only going to be once. One exposure. [00:21:07] And so, the photographer I was with, he said, right everybody. Look this way, and I want to be making sure that everybody keeps still. [00:21:21] I'm going to count five for you, but don't move until I've finished counting. [00:21:29] So the idea was to take the sheath out of the slide. With having put a cap over the lens, shutter, just an open lens with a cap or a lid on the front. [00:21:46] And the technique was to take the cap off hold it in front of the lens, so that that allowed the vibration or any vibration in the camera to settle down and then take the exposure. the idea was count 1, 2, 3, 4, then take the cup off. And on four I ignited the flash gun and then the cup went on and the guy that I was worth put the sheath back and said, right, let's get out of here quick. The reason for that was that you got the brightness, got the, the buildup of the available lights. then it's just topped off, illuminated with the flash, not a very big one, I hasten to add. But the significance of flash powder was that there was a flame which simply went upwards.  [00:23:00] And that was it, that was all there was to be seen. But, it produced smoke, which used to go into, onto the ceiling, and it would roll across the ceiling, carrying with it the grains of the flash powder, which had obviously changed colour from [00:23:24] silver [00:23:25] To yellow, that was okay. But when the waiters came to move the, uh, soup plates, what they found was a white circle on a yellow  [00:23:47] cloth. [00:23:51] And you can also visualize the fact that a lot of people had a lot of. Little flash powder grains in their hair  [00:24:01] as well. well. By the time that [00:24:04] By the time that this happened, we were halfway back to Leeds.  [00:24:08] Sean: Very good.  [00:24:09] Stuart: But this this was the scourge of flash powder because you could only take one shot. Because the place used to, the whole of the place, the factory, if you using a large amount of powder, made a lot of smoke, and it just collected on the ceiling and it obscured it, the vision. So, we used to use photo floods, these were overrun pearl lamps, we used to have six on a button. And if the subject was still, we could go around on a long lead and paint scene with light. And that was, and that became established, So flash balder started to go, [00:25:08] Paul: Right. [00:25:10] Stuart: but you see, at this time, flash bulbs hadn't really got going. [00:25:17] The GEC flash bulbs, which were foil filled, were about the only thing that was available. Um, in this, in this country. And they were sympathetic. [00:25:31] And the GEC Warehouse in Leeds on one occasion, uh, a consignment of, um, bulbs came, [00:25:43] Uh, [00:25:44] in a, in a case, and, uh, one of the attendants decided that he would test them to see whether they were all alright. [00:25:54] So [00:25:54] he fired one. [00:25:57] and 50 flashbulbs, because [00:26:01] they had to be in contact with each other. If they were separate, it didn't work, but when you put them side by side, they were sympathetic. [00:26:11] Paul: What [00:26:11] happens?  [00:26:13] Stuart: Well, the whole lot  [00:26:14] went  [00:26:14] off. A whole box full of, um, flashbulbs, and they weren't cheap at that time.  [00:26:22] So  [00:26:23] really,  [00:26:23] that was, that was the basic equipment which we used to [00:26:29] use. [00:26:31] And [00:26:32] it was all, [00:26:33] it [00:26:34] was all, uh, 8x6. [00:26:37] Sometimes it was 10x8. [00:26:41] The, uh, the railway engines, which we used to photograph for the Hunsley's Engine Company [00:26:47] and hudderswell Clark's in Leeds, we always used to use 10x8 for those. Now it was interesting there because we used to have a particular date for going to photograph them. And [00:27:04] they were all finished up in black, white and grey paint. Because that served the cost of retouching the finished print. [00:27:15] There was very little photography done at that time. Apart from views and so forth. But anything that meant a machine, a lathe the, or whatever, it always had to go to the process retoucher who airbrushed the reflections or put one or two, put a shadow in or whatever it is. It was a highly skilled, uh, process. Uh, process, retoucher with white lines and so forth. But the interesting thing about these two railway engine companies was. that they only painted them on one side, the side that was being photographed. [00:27:59] Paul: And [00:28:01] Stuart: we used to go back to the studio, develop them straight away, yes, the negatives are alright, as soon as that happened, then they would strip all the black, white, and grey paint off and finish up in the customer's required, required colours. [00:28:23] Paul: Wow. [00:28:25] So, so the bit that strikes me is retouching has been part of this art  [00:28:30] Sean: a long time. Well,  [00:28:33] Paul: I mean, think about [00:28:33] it, right? Because we, there's a lot of debate about retouching and post production. That rages. Even now, but when you think about a manufacturer only painting one side of a train, they're painting it colours that repro well, and then it's being handed on to a retoucher, retouching's been going on for a very long time.  [00:28:51] Stuart: Well of course, everything at that time was, was, um, retouched, and most portraits finish up with complexions like billiard balls. There were no shadows, etc.  [00:29:03] Paul: haha, It's like nothing's changed!  [00:29:07] Stuart: Indeed. Indeed, and, and when people speak now in condemnation of, oh well you can see the retouching and so forth, well the only thing that you have to do now is to make sure that it doesn't show. But, it was, really when Photoshop and the like came in on the scene, this was manna from heaven. [00:29:32] Paul: Yeah. [00:29:33] Stuart: Because it cut out the need to do the work on the actual print. To retouch transparencies was a rather different process altogether. [00:29:48] And it was  [00:29:49] Sean: difficult process to be [00:29:50] Stuart: Oh yes, and very highly skilled. And the firm that I worked for, Giltrous Brothers, who were the photo engravers, they used to retouch twenty, twenty [00:30:02] four, twenty glass plates. Whereby, when you talk about printing today, and I think the, uh, top of the range, uh, Epson, Uh, printer works in, uh, we're printing 11 colors, but the, limited edition photolitho, uh, illustrations were, uh, certainly on, on 13 colors [00:30:36] And from 13 separate plates. All of which were retouched. [00:30:42] Paul: So [00:30:42] the plates were retouched separately?  [00:30:45] Stuart: correct?  [00:30:45] Oh yes.  [00:30:46] Paul: Wow. [00:30:48] Stuart: So [00:30:48] Paul: each of these plates is a black and [00:30:49] white plate that's going to take one color ink? [00:30:52] Sean: Correct. I understood the [00:30:52] Paul: the process right? [00:30:53] Sean: Yeah.  [00:30:54] Stuart: process, right? Retouches were earning more than photographers at any time.  [00:31:01] Sean: It's most interesting to hear this, Stuart, because you come into my era when I was learning photography and the discipline of the transparency, the 4x5 and 8 inch transparency, and of course there, retouching was an anathema because if we retouched the transparency, we started to lose some quality. [00:31:17] Stuart: Yes. we to, it was a period of photography, I think, more than ever, when we had to get everything right in the camera because the client demanded the transparency. Whereas the processes you were using enabled this retouching method, which is very, very interesting. [00:31:29] There are certain elements, as you well know, with your, even with your skills, whereby there are elements which cannot be lit out or exposed out or  [00:31:43] whatever. And there has to be some artwork, or whatever you call it, retouching done. And at the end of the day, most of the photography which, which I was taking and involved with, was going to be reproduced. And so if it was retouched at source, before it got to the retouchers on the reproduction, uh, side. [00:32:11] of the plate making, then that was, it was as we wanted it rather than what they thought it should be.  [00:32:20] Paul: As ever photographers being control freaks.  [00:32:24] Stuart: Well, after something like two to three years at Picards, by which time I got a fair amount of idea of what's going on.  [00:32:37] Um, I decided that, um, I ought to seek pastures new and became a staff photographer for the 600 Group Of Companies just on the west side of Leeds. And there I photographed secondhand machinery, which they used to recondition and I photographed the, lathes and milling machines, drilling machines and that sort of thing, and they were then printed on and they, all these were taken on the half plate camera, which is half the size of a whole plate camera, obviously, um, and, um. they were made on 6x4 glossy prints, and these were distributed by the appropriate department to potential buyers. And I was there for three and a half years. But I'd got to the stage where I'd photographed everything that didn't move, and I was becoming rather dissatisfied with life. So I  [00:33:49] Paul: Do you mind if I ask how old are you at this point? [00:33:53] Stuart: this point? Well, let me see, I would be about, twenty, twenty four, twenty, what, twenty five. Right. Twenty five, six.  [00:34:03] Paul: Right. [00:34:04] Stuart: I was dissatisfied because I didn't think I was getting anywhere. [00:34:09] Sean: So you were, you were ambitious, really, to take your photography on to another level and, and have more control, would you say, over what you were doing [00:34:16] Stuart: you could say that, yes. just say to work for yourself, Stuart?  [00:34:20] Sean: The Thing is that the, the company that I worked for. was part of the A. H. Leach corporate, uh, company at Brighouse, which was, uh, a very big organization with studios in Cambridge, Manchester, Glasgow. Um, and the prospects of moving to any one of those places was stalemate because they were well staffed was no flexibility for moving, and so I thought, well the only way to see whether I am a capable photographer was to make it on my own, see if I could make it on my own. And in fact started the business in some premises now occupied by the local library. down at the bottom end of the village. [00:35:19] Stuart: But this was going on for some time, two or three years, and then the question of getting married. [00:35:27] came into the reckoning, and this house in which we're sitting now became available, and very suitable because the front room lounge in which we now sit became my portrait studio. [00:35:46] And across the top of the window, which is facing opposite you, was a bank of Kodak, um, lighting with five, four 500 watt lamps in each for general illumination. [00:36:04] And So then I had a spotlight which is, was behind you for lighting the hair and then a fill in light on this side. And by this time, we'd moved on to two and a quarter square, real film cameras, 12 on 120. [00:36:22] I hadn't really at that stage got into, back into the industrial scene because I was doing social photography, weddings and portraits, to build up a reserve of capital to move on to buying more advanced equipment. [00:36:44] And the changes at that time were considerable. 5x4 were on the, on the fringe. At the time that I'm speaking of, German 9x12 plate cameras were still being used for press photography. And there they were, on the touchline at Heddingley, these, the local press photographers, with box of 9x12 single shot plates freezing to death, and um, and that's it, one off shots. [00:37:26] But I missed the point earlier on, I think, of saying that uh, every shot had to count. And, over the years, that has influenced me considerably, because I've always made sure that everything was right before I took the exposure. [00:37:48] And whatever the, whatever the occasion was, whether it was an industrial scene or a social scene, you look at the subject before you, to begin with, and then start looking round and see what's happening in the background. Because, if you do that, it saves retouching, and that's an absolute classical instance of today, where people, when Photoshop came, what about so and so? [00:38:22] Oh, don't bother about that, I'll take it out. I can take it out in Photoshop, and I've heard speakers come to the Institute and talk about, Oh, I do this and do that, and I've said, well, how long does it take you to do that? Oh, well, a couple of hours or so, like that. It could have all been addressed in the taking, and that would have been eliminated. [00:38:51] And when you talk about 2 or 3 hours retouching, well how much do you charge for, oh well I'll throw it all in. [00:39:00] And the number of people who I've heard say that, oh well I'll just include it. I think they've got a bit wise to it now because Uh, any extramural activities are chargeable by the hour, and, uh, and it's certainly in need of that, but what I would say to any in, up and coming photographer, they need to sure of what it is that they're taking to avoid having to retouch it afterwards, albeit that in today's terms, [00:39:40] With the relaxation of dress and disciplines and so forth, Um, I don't think it quite matters. And so, I think as far as today is concerned, I would find it difficult to go back to being a photographer in today's terms. Because, I can sit in a restaurant or in a room, somebody's room or whatever, and I'm looking at the, the vertical lines of the structure to, to see whether that line lines up with that, and it's surprising how often I can see lines that are out, even buildings. [00:40:27] I could see buildings that, that were not, um, vertical. completely vertical and line up with the I sit there looking at the streets and doors and windows and it's very, it's very difficult to get out of that discipline into the much more free and relaxed attitude towards photography today. [00:40:56] I don't know whether I, whether you would agree with that or not. [00:41:00] Sean: Stuart, I would agree with what you're saying and it's like the photographer's eye, your whole life has been trained by your eye viewing scenes and viewing situations and it's quite impossible to turn that off really. [00:41:10] That's part of you and how you see things, so no, I couldn't agree with you more. So Stuart, tell me, you obviously, the room we're in now was your studio, and you're in here, you're now married, you're doing more social photography, as you said, and obviously starting to make money. Where did the business go from there? [00:41:29] What was your sort of next stage really? Because I believe you had another studio then in the village, is that correct?  [00:41:35] Stuart: The children grew up and we were running out of room space, [00:41:40] So an opportunity came in the main street down the road to take over a building, um, which I was able to use the ground floor and turn it into a studio, a reception studio and darkroom. And, uh, during that time, I was doing, um, mainly social photography, but also, I had got associated with the local newspaper which circulated in this area, and I virtually, without being on the strength, I virtually became the staff photographer for the whole of the circulation area. [00:42:32] So on a Saturday in the summer, it was not unknown for me to do perhaps 11 cover 11 eventualities such as garden parties, a flower show, etc. and also fit in a complete wedding. So, [00:43:00] Paul: So,  [00:43:00] Stuart: so [00:43:01] my time, my, my mind used to work like a, like [00:43:07] a clock, uh, a precision clock, because it was, it was timed to the nth degree. Um, what time is the, uh, what time is the wedding? How long will the service be? Where's the reception? And I had a mental, uh, mental, uh, memo of the distance from here to there, and the length of time it takes to get from, from there to there. [00:43:36] And, as far as the, as the newspaper is concerned, I tried to take a different picture. at each occasion, so that we don't want the same picture of women serving tea, uh, for the WI, the church of this and that and the other. Um, I tried to make a different picture. So that training and experience fitted me in good stead for when the industrial scene tailed off. [00:44:15] Sean: I've just, uh, I've just, um, picked a photograph up here. [00:44:18] Stuart's got quite a number of his photographs in the room with us here. It's a very nice PR, press type shot here of Harry Ramsden's Fish and Chips shop, and it's got a very 1980s mobile phone and the world famous in this part of the world, Nora Batty which some of you may know from a famous last of the summer wine tv show and i think this is to do with the flotation of Harry Ramsden because it became quite a successful company didn't it so talk a little bit about this photograph Stuart it's very captivating and i think very very well executed [00:44:50] Stuart: Well, the story as you've already identified, I'm surprised that you have, because that was when they went public. And, uh, the, story was the Harry Ramsden fish restaurant, which, it was the center of all activities, just on the outskirts of Leeds, and they, as you said, they got Nora Batty there, who was a very leading personality at the time, and, of course, telephones, you can see the size of that, that mobile telephone, which is about the size of a half of a brick. Um, this was the, um, the story. And the essential thing was to locate the seed of the picture with the name of the, the company. across the top of the, the print or the format. [00:45:46] Sean: And if I could just butt in there Stuart just to say sorry to do this but I think it's important to get this across that I've just picked this image up and the story has come straight across to me. We've got the mobile phone. You've got the Financial Times, which is holding the fish and chips. You've got the sort of banker type chap behind her. [00:46:02] It just shows the skill that's gone into that picture, that an image is telling that story to me all these years later. Because I presume this photograph is 30 or 40 years old, Stuart. Am I correct there?  [00:46:12] Stuart: It's quite a long time. And the essential thing about that picture, uh, Sean, is that however much a sub editor chops it down. There was always be something of the story there, because the nearest or the furthest down that they could chop it would be across the top of the bloke's head, but it would still say Harry on the left hand side. [00:46:42] And, and, that was the, the art of, at that time, of getting the story across for public relations. Include the company's name or the brand in the background somewhere so that it had to be seen and it couldn't be taken out.  [00:47:03] Paul: I ask you a question? Have you always loved being a [00:47:06] Stuart: being a photographer? Oh, absolutely.  [00:47:09] I wouldn't do anything else. Um, had a very enjoyable life in every aspect of it. And I'll tell you one thing about it, and Sean will agree with me on this. Photography, photographers are in a very privileged position, and they don't realize how much so. Because so often, they are in, at the ground floor of activity. A conference, a confidential conference projecting the aims of the company. [00:47:46] I was in a company when I was in the conference actually, when the whole of the regional bank managers were in a conference at Harrogate, and they were told then, that we were going to dispose of the buildings, our assets, and I photographed several banks which were up for sale and they were simply being sold off. The managers didn't know. What's the photograph for? Oh, it's just for the estate. I knew what they were, why they were selling it. It was going on the market. [00:48:25] You know all these little convenience grocery shops and so on, on filling stations, I was in the conference there for all the ESSO managers in the region, when the the project was put to them that we're going to put these little kiosks, or whatever it is, and, and, and there I was. Um, and we were privy to information that was light years ahead of the actual official announcement. [00:48:59] Paul: Yeah. [00:48:59] Stuart: Metahall, for instance, um, I was in the conference when they were talking about what their footprint was needed to be to make that viable. And there are several instances such as that. And you do get it to a more personal level, where we've got, uh, injuries, personal injuries to photograph. [00:49:26] Oh well, what about Snow? [00:49:29] Well, [00:49:29] And you just can't get involved with passing that or repeating that information. [00:49:35] Paul: Yeah. [00:49:36] Stuart: It's confidential. And as I said, photographers are so often right in the heart of things. And I'm sure, Sean, that in today's terms, you'll be more exposed to it than I was with them. [00:49:51] Sean: Well, very much so Stuart. [00:49:52] Very much so. Yeah. I mean, it's, I can't tell you how many NDAs I've signed in my career, so, yeah, absolutely. Absolutely.  [00:50:00] So Stuart, so you've now got the studio, the, the biggest studio now on in the, in the, in the village here. And you're obviously doing your social, your weddings, you're obviously doing a lot of PR. [00:50:11] Did you start to do, did the industrial photography come back a little bit more as well? [00:50:15] Stuart: Yes But I was, I was extremely fortunate and the odd thing about it was that the connection came through the, uh, the work of the local paper because three miles from here was the control room for the Central Electricity Generating Board and they were having an open night and the local paper was invited to to cover the, the event. So I went along and took a few photographs of whatever was going on and had a bit of a look around the place and subsequently then I was approached by their, their public relations department for the northeast region. Would I take a photograph of something else?  [00:51:13] From that stemmed the work, which really became the mainstay of my activities with the Central Electricity Generating Board. [00:51:26] Again, I wasn't on the staff, but I was vir, virtually became the staff photographer for the Northeast Region. And the amazing thing is that here I was, photographing power stations, the grand openings of power stations, starting with Thorpe Marsh, which was the, down in Doncaster, which had two 400 megawatt sets, which were the f The Forerunner, they Thorpe Marsh was really the testbed for the, um, the 400 megawatt stations which followed. [00:52:13] And there again, this was being in on the ground floor whenever there was a fault down there or whatever. or a problem, um, I was called in to, to, to take the photographs.  [00:52:27] Sean: So [00:52:28] Stuart, would you say that, um, he's very interesting listening to this about how your business built. Would you say that networking was a great part of building your business? [00:52:37] Stuart: Networking, well they call it networking now, and it's, it's contacts really. And I think, I'm sure that you'll agree that being in the right place at the right time, and that really applies to anything, the theatrical world, et cetera, and, not necessarily knowing the people, the right people, but getting on with them, and being able to mix with people, and behave in a way that people expect you to. So  [00:53:10] Sean: Would you have any sort of advice or tips for a young photographer or somebodnew breaking into photography and how to. build a business? Have you anything to add there at all?  [00:53:22] Stuart: I think that in today's terms, it is extremely difficult for photographers. And I'll tell you why, because I think that the opportunities which I just mentioned are remote, probably remote in the extreme. Social photography is something else, and the, the website, and all the various media opportunities, with which I am unfamiliar and have no knowledge of because I've not had the need to do it. But I am aware because I look at what people are doing. And that's another instance of success. Of keeping an eye on what other people are doing. If you admire anybody's particular work, then that sets the example and the criteria to work to. But as far as going back to contact is concerned, I have the distinct impression now that not only photography, but everything now stems from public Relations and I don't know whether you've noticed it or not, but if there's, if there are any problems, on the one hand, of people's behavior or their activities, or whatever it may be, adversely or favorably, and the promotion of brands and industries and business, it all seems to stem now very much from the agencies.  [00:55:12] If you read question of the so and so company are going to introduce this product or [00:55:22] service or whatever it is, or they've taken over a business. the [00:55:27] statements attributed to the managing director or chief executive or accountant or whatever it is, right across the board, a great many of the people that are being quoted, I would suggest, are not capable of speaking and thinking the way that the statement appears in print. And it raises sometimes, a lot of suspicion as to just what is behind this thing. This business with the post office. It's full of it. And so the point that I'm making is that advertising agencies, that's another one, the advertising agencies are in direct contact with the, um, with the brand or the company. [00:56:24] And so the opportunities of the photographers, in my judgment, are minimized because of the hold. that the advertising agencies have on the job.  [00:56:43] And  [00:56:43] they,  [00:56:45] they will say who they want and who should be employed. They may think them best or otherwise. And it also then comes down to, rights, and I bet you are right in the thick of this, that, uh, you are the, the favorite bloke on the, on the block, and whilst ever that person is engaged in that company, your situation is secure. But suddenly, if he goes to pastures new, and they've already got their established photographers, as far as you're concerned, you've lost that company. [00:57:28] Sean: Very  [00:57:28] Stuart: company.  [00:57:29] Sean: very true. Yeah, yeah.  [00:57:30] Stuart: Is it true? [00:57:31] Paul: But there's always opportunities with these things, I mean, in the end, there are more photographs being created today than ever historically, I think you're right about the structures of advertising agencies, though this isn't my world, when someone moves on, there's an opportunity, and there's always the opportunity to stay as well, there is risk, of course there's risk, but equally, you could be the guy he takes with you. [00:57:54] So how do you make that happen? [00:57:56] Sean: Well, I think it's very apt because I've had two or three key clients in my career that have moved numerous times, you know, seriously big companies and they've taken me with them, yeah. And not only that, in some cases, they've taken me to their new company. And it's gone well. They've then moved on to another company and taken me with them, but the company they've left still retains me. [00:58:19] So there's a benefit that way. But I think it's really, I greatly believe in the, in the networking, keeping in touch with people, making an effort at all times. And I think, I know we've got today's digital world and there's lots of advantages to that, but also personal contact I think is still really, really important. [00:58:38] Relationships and personal contact. [00:58:40] Stuart: What you are saying is, is correct. And I remember an uncle of mine who was a milkman and, had a, a big dairy, and he once said to my mum, oh, well, it's so and so, he's come again, a rep has come. It's been three times, so really it deserves an order. [00:59:03] There's a  [00:59:04] lot  [00:59:05] Paul: in [00:59:05] Stuart: a lot in [00:59:06] truth in that, backs and it backs up what you were just saying, of keeping in contact, and, of course as far as advertising is concerned, or mail shots. the first one they take no notice of and throw away. The second one, oh well, there's another one from this so and so. The third one, it is usually reckoned that the person will be activated by that And so, as you said, keeping in contact is very important. [00:59:42] But I'm bound to say that breaking in a lot of it is by accident, but certainly the persistence of contact is very important. [00:59:56] And when you consider, you see, over the years we have thought of Only the Institute, or I have, and I've done, I've put a lot of time and work into it, as other people have, without which we might have been a lot more better off or a lot wealthier than we in fact are. [01:00:20] Sean: Stuart, did, did, when we say the institute, it's the British Institute Professional Photography we're talking about here. And I, I'm a member too, and that's how I met Stuart through the institute. Through your long career as a photographer, how important did you find the, The Institute and the ability to mix and talk and, and, and work, you know, get information from other photographers, I suppose. [01:00:41] How important did you find that  [01:00:44] Stuart: Photographers, um, are, as you know, very, very much individualists. they work a lot on their own, and when you consider that there are probably 7 or 10, 000 practicing photographers in this country, and so few of them belong to anything.  [01:01:10] It makes you wonder how all those people survive. but, it really comes back to, to, uh, what we were saying earlier, of contact, those people must be in contact with other people. [01:01:29] Their reputation goes before them, obviously, and when you consider the situation with the Royals, for instance, who, from time to time, have official photographs taken, um, by names that I've never heard of, where you would perhaps expect that they are members of the, this organization, the Royal Photographic Society, as a case in point. Um, these people are not members of them and so how they I'm not talking about the Litchfields, I'm talking about the other people who officially, officially photograph, uh, in recent times, the, um, William and Kate's family, the, their birthday or whatever anniversary it was. So, those people, um, are plowing their own furrow. [01:02:33] But going back to the the meaning of the institute, whereby people are individual, the opportunity over the past years was for all these individuals to rub shoulders with each other and the networking that went on then. For instance, you go to a meeting and you're chatting away, and a couple of blokes have a common, common interest, uh, uh, or they're equal practitioners, but suddenly, one of them comes up with a problem that he can't answer, and so he's able to phone this guy in Nottingham, or wherever, because he is not in competition down the street. He can't ask the guy down the street how to tackle the question, but the man in Nottingham will willingly bare his soul for you, and keeping in contact with, um, with other people to solve problems where they have them is incredibly useful, in my judgment.    NOTE: to see the rest of the transcript, head over to https://masteringportraitphotography.com (it exceed the normal limit for podcast texts!)

Die erste große Liebe Paula ist acht Jahre alt und hat ihre erste große Liebe. Sie hat Angst davor, es jemandem zu sagen. Niemand weiß es, nur sie selbst. Aber der Junge hat sie sicher auch gern. Sie verbringen sehr viel Zeit miteinander. Paula und Paul gehen zusammen in dieselbe Schule, in dieselbe Klasse und machen alles gemeinsam. Sie sitzen sogar jeden Tag nebeneinander. Aber auch nach der Schule sehen sie sich. Fast jeden Tag spielen sie miteinander. Sie spielen Harry Potter und lassen Vögel mit ihrem Zauberstab fliegen. Da auch ihre Häuser nebeneinander liegen, haben sich Paulas Eltern mit Pauls Eltern angefreundet. Am Wochenende machen sie alle zusammen Ausflüge. Heute sind sie in Pauls Haus. Sie dürfen einen Film am Fernseher schauen und sie suchen sich „die kleine Meerjungfrau“ aus. Arielle hat rote Haare wie Paula und ist sehr mutig. Paula will auch so mutig sein! Soll sie Paul ihre Gefühle gestehen? Zusammen liegen sie im Bett von Pauls Eltern und schauen den Film. Dann schaut Paula ihn an. „Weißt du was?“, sagt sie, „ich fühle mich sehr glücklich, wenn ich so nah bei dir bin …“ Paul hat sie nicht gehört, er ist sehr auf den Film fokussiert. Paula schlägt ihm leicht auf den Kopf. Jetzt hat sie seine Aufmerksamkeit. „Aua“, ruft er. „Ich habe mit dir geredet“, erklärt Paula und Paul entschuldigt sich bei ihr. „Ich wollte dir sagen …“, sie hat Angst, aber redet trotzdem weiter, „dass ich mich so froh fühle, wenn ich so neben dir liege.“ Paul schaut wieder auf den Fernseher. „Dann schauen wir uns morgen auch einen Film an. Ich möchte mit dir „Hotel Transsilvanien“ ansehen.“, sagt er ihr. Paula ist ein bisschen traurig, weil er sie nicht verstanden hat. Aber das ist nicht so schlimm. Sie war mutig und hat ihm gesagt, wie sie sich fühlt! FRAGEN ZUM TEXT: 1. Wer ist Paulas große Liebe? 2. Kannst du dich an deine erste große Liebe erinnern? Wenn ja, beschreibe eine schöne Erinnerung, die du daran hast. 3. Was spielen Paula und Paul meistens zusammen? 4. Wo sind Paula und Paul heute? Und was machen sie? 5. Warum möchte Paula ihm auf einmal ihre Gefühle gestehen? 6. Erkläre in eigenen Worten, was „Gefühle gestehen“ bedeutet. 7. Paula schlägt Paul leicht auf den Kopf. Warum? 8. Hat diese Geschichte ein trauriges oder glückliches Ende? Begründe deine Meinung. 9. Hättest du dich mit 8 Jahren auch getraut, deiner großen Liebe deine Gefühle zu sagen? 10. Paula sagt: „Ich fühle mich sehr glücklich ...“. Kannst du ein anderes Wort für „glücklich“ finden? #einfachdeutschlernencom #dldh #deutschlernendurchhören #deutschlernendurchhörencom #IOS_DldH #deutschlernenmitdialogen #@DldH #ANDROID_DldH #appDldH #App_DeutschlernendurchHören

Paulas und Sophias Jahresrückblick 2023: Wofür sind wir dankbar? Was durften wir lernen? Und was sind Vorsätze für nächstes Jahr? Kanzlerin und Liebesorakel Paula feiert Silvester gemeinsam mit Sophia und es werden fleißig Silvester-Traditionen auseinandergenommen. Fischschuppen im Geldbeutel, geschälte Trauben, Knoblauch in allen Ecken und Mandarinen im Meer - der neuste Schrei für alle Single-Frauen da draußen? Natürlich nur mit Beschriftung und Handynummer. Während Paula bescheuerte Weihnachtsfilme schaut, denkt Sophia am Ende des Jahres viel über sich selbst nach: Zeigt sie sich von außen so, wie sie sich von innen fühlt? Warum war sie als Kind so vernarrt in Werwolf- und Gruselgeschichten? Fragen, die es vielleicht in 2023 noch zu beantworten gilt. Wenn ihr Vorsätze habt, schreibt sie uns gerne auf unserem IG + TikTok Kanal. Wir wünschen euch einen fantastischen Rutsch und hören uns im neuen Jahr! Eingesendte Nachrichten via Mail an 4brueste@seven.one, auf Instagram und tiktok an 4bruestefuereinhalleluja können Teil der Episoden werden. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja

In dieser Folge 4BFEH reden Paula Lambert und Sophia Thiel über Fettes Brot, HP Baxxter, die Elevator Boys, kuriose Weihnachtsgeschenke, den Dauerbrenner Dating und interessante Erziehungsstile. Sophia ist zurück und berichtet neben ihrer Corana-Erkrankung von einem ereignisreichen Wochenende. Paula, unsere Bundeskanzlerin der Herzen, hat mit Hilfe der Community bereits einen Partei-Namen gefunden – langsam wird es also ernst! Ihr erfahrt, wie Paula ihren Partner Christian vor HP Baxxter so richtig in Verlegenheit bringen konnte und welcher Elevator Boy der Liebling unserer beiden Ladies ist. Im Zusammenhang mit Paulas Unsicherheit über ihren Erziehungsstil, berichtet Sophia über ihre einschlägige Erfahrungen mit Alkohol und wie ihre Eltern damit umgegangen sind. Außerdem bekommt ihr eine musikalische Showeinlage von Sophia und erfahrt Paulas größten Wunsch zu ihrem 50. Geburtstag. Was Fettes Brot und eine Paartherapie damit zu tun haben, erfahrt ihr nur hier. Hört rein! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja

Na, leck mich am A…! Sophia ist nämlich umgezogen, doch hält ihre neue Traumwohnung Schätze und Überraschungen der besonderen Art für sie bereit. Zum Glück ist Mama Thiel dabei. Paula bangt um einen ihrer Schützlinge, der nach einem geplatzten Abszess operiert wurde und nun wieder auf dem OP-Tisch liegt. Für Auflockerung sorgen eine Lovestory vom Besuch bei Paulas ältestem Sohn in Cornwall und News aus der Reihe „Sophias Dating Tagebuch“: diesmal ein französischer Rugby-Spieler, der es Sophia angetan hat. Ob da vielleicht mehr geht? Und psssst, liebe Männer, über allem fliegt das dringende Gefühl mal klarzustellen, was Frauen während digitaler Flirtaktivitäten wirklich tun. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja

Episode 89: The Four Ps: A Portal, a Poltergeist, and two Paulas. (oh my!)This week we are recapping the most recent episode of The Dead Files “Burning Hatred” (Season 15 Episode 11) which aired October 5, 2023. We welcomed our new Patron, Roxanne to the Ghosty Fam. We also discussed geography, the pain of living with someone, and Steve's wardrobe. Content Warning:This is a general content warning, many of the episodes of the TV show talk about murders, some even involving children. So that may come up in our conversation as well. So please proceed with that in mind. But if you already watch The Dead Files you'll be prepared.  In this episode we mention child death in history, friend's pet death, so trigger warning for those who need it. Also, while Amy, Cindy, and Steve's swears are bleeped on TV, ours are not.The Activity Continues is a podcast where soul sisters, Amy and Megan usually chat about the TV show, The Dead Files. Our other soul sister Amy (AP) keeps us in check with facts, figures, and other fun things. We talk about pets, true crime, ghost stories, haunts, dreams, and other creepy paranormal shit and sometimes we interview really cool people. Whether it be a paranormal professional, a Dead Files client, or a friend with cool stories.So, grab your beverage of choice, hop in the car, don't worry, Steve's driving, and join us when… The Activity Continues.This episode was recorded on October 23, 2023, and released on November 2, 2023.Episode links:Online game of US States: https://www.geoguessr.com/vgp/3003Disclaimer:This podcast is in no way affiliated with the Travel Channel, Painless TV, the TV show The Dead Files or any of its cast or crew. We're just a couple of fans that love the show and want to build a community of like-minded people who would enjoy hanging out and discussing the episodes and similar content.Credits:Hosted by: Amy Lotsberg and Megan AustinCo-Host/Fact-Checker: Amy PiersakProduction, Artwork, and Editing: Amy Lotsberg at Collected Sounds Media, LLC.Theme song. “Ghost Story” and segment music by Cannelle https://melissaoliveri.com Socials and other goodies:Our website, https://www.theactivitycontinues.com/ Facebook Page: https://www.facebook.com/theactivitycontinues Instagram: https://www.instagram.com/theactivitycontinues/ Twitter: https://twitter.com/TheActivityCont   Blog for extras: https://www.theactivitycontinues.com/blog/Patreon: https://www.patreon.com/theactivitycontinuesYouTube: https://bit.ly/TAC_videos Newsletter sign-up: http://eepurl.com/hWnBLL SEND US YOUR PARANORMAL STORIES!Email: theactivitycontinues@gmail.com (maybe it will be read on the show!)Or visit our website, https://www.theactivitycontinues.com/ and click on the microphone icon to leave a message and maybe it will be played on the show!BE OUR GUEST!Are you a The Dead Files client? Or a paranormal professional? Let us know by filling out our guest form:https://www.theactivitycontinues.com/guests/intake/AffiliateThree Spirit Drinks. They create plant-based non-alcoholic elixirs. https://us.threespiritdrinks.com/theactivitycontinues and use the promo code THEACTIVITYCONTINUES for 15% off your entire order. Send us cool stuff at:Collected Sounds Media, LLC8014 Olson Memorial Hwy 55 Box 240Golden Valley, MN 55427-4712 Thank you for listening, take care of yourselves. We'll see you next week!A Paranormal PodcastSupport this podcast at — https://redcircle.com/collected-sounds2/donations

Upcoming Event!How Can Mindfulness Help You Reach Financial Independence?Do you want to reduce money anxiety, but don't know who to trust?Would you like to learn how to set up and manage your own retirement plan?Do you want to know how we create a passive income stream you can't outlive?If yes, join us and learn how to answer the 4 critical financial independence questions:Am I on track for financial independence?What do I need to do to get on track?How do I design a mindful investing portfolio?How do I manage that portfolio and my income over time through changing markets?Learn more: https://courses.mindful.money/financial-independence-bootcampPaul Merriman is a nationally recognized authority on mutual funds, index investing, and asset allocation. He founded Merriman Wealth Management in 1983, retired from the firm in 2012, and created the Merriman Financial Education Foundation. Everything he does is dedicated to providing investors of all ages with information and tools to make informed decisions for their own best interests. Today, Paul joins the show to reflect on early financial lessons he learned, discuss the current state of financial education, and share the top three decisions everyone must make in their financial lives.

Welcome to the September edition of RECESS with Breanna and Mands! This month we have a delicious mixed bag of questions from you, beautiful listener. We start off with some easy breezy questions before going a little deeper – of course with some lols along the way. Tune in to hear answers to questions like: 

Join Brad and Jack as they interrogate Kandyce and Paula this episode! Candace was sent on a super secret mission, so we will hopefully get her back for another episode. From their pest control origins to Paulas hemorrhoids... we cover it all!Don't forget to subscribe for new episode notifications! Find us on instagram @tftcpodcast and Twitter @crawlspacetalesSupport the showPest Control Humor Depot on FacebookInsta: @tftcpodcastTikTok: @tftc2.0Our Website

Auswege suchen, Lösungen finden, Neues wagen: Nach dem Daily Business Bericht vom ersten Berghain-Besuch und dessen Partyspätfolgen über verrückte Träume bis hin zur Frage, welcher Zeitraum zum Recovern vom Alltag optimal wäre, erzählen die beiden von ihrem gemeinsamen Escape Room Erlebnis auf einem Geisterschiff. Sophia ist angefixt. Schafft sie es mit ihrer Überraschung jetzt doch, Paula für Lost Places zu begeistern? Wenn ihr außerdem wissen wollt, welches Sophias und Paulas frühere Lieblingsmagazine waren, welches die gefährlichste Sexstellung ever ist und wie es um Sophias aktuelle Dating-Aktivitäten steht, hört rein. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja Folgt uns gerne für mehr Insights auf Social Media: INSTAGRAM https://www.instagram.com/4bruestefuereinhalleluja/ TikTok https://www.tiktok.com/@4bruestefuereinhalleluja

Paula befindet sich in ihrem persönlichen Ping-Pong zwischen Berlin, Hamburg und England. Überraschend gesteht sie Sophia, dass etwas in ihrer Schilddrüse wächst, was da nicht hingehört. Sophia bekommt Besuch von Fotograf Andy, mit dem sie um die Häuser zieht. Inspiriert vom Abiball von Paulas ältestem Sohn plaudern unsere Lymphmassage-Fans über vergangene Jugendlieben und skurrile Fashion-Fauxpas. Der Traum vom eigenen Stylisten und was passiert, wenn Wimpern einfach zu schwer werden… Hört rein! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/4_brueste_fuer_1_halleluja

La historia es conocida: la humanidad al borde de la extinción debido a una pandemia global. En este mundo tenemos que escoltar a una joven llamada Ellie en un peligroso viaje hacia un grupo de resistencia...Pero lo interesante no está en el argumento, ni siquiera en los objetivos principales que plantea The Last of Us, el videojuego de Naughty Dog, está en las implicaciones emocionales y su visión única sobre la naturaleza humana, la relación entre empatía y violencia, el concepto de género y, en definitiva, en la reflexión sobre lo que significa ser humano en un mundo al borde del abismo...De ello se encarga The Last Of Us. La humanidad en juego (Ed. Dolmen Games), un ensayo colectivo coordinado por Diego González, que se sube a la Nabucodonosor con dos coautoras del libro, Igone Martínez y Paula Sáez.También conversamos con Duque de Champagne transitando por los relatos apocalípticos y con la mirada en la nueva serie de El Eternauta.Escuchar audio

Nueva Gales del Sur se dirige a las urnas el 25 de marzo para determinar el líder del estado, en lo que se espera que sea una contienda electoral apretada. El costo de vida, la vivienda y la sanidad son algunas de las preocupaciones de los residentes del estado a las que los principales partidos tratan de ofrecer soluciones. La falta de profesionales de la salud es el problema más apremiante para el sindicato de enfermeras que ha llevado al gobierno a los tribunales por la falta de cumplimiento con la ratio por paciente. Le profesora de enfermería y candidata al senado por Socialist Alliance, Paula Sánchez explica a SBS Spanish los problemas de su sector.

En este jueves de entrevistas partimos comentando los 12 nombres que formarán parte de la Comisión de Expertos, los 14 integrantes del Comité Técnico de Admisibilidad y la llegada de Franco Parisi a Chile. Además, en alianza con la Pontificia Universidad Católica publicamos el reportaje "Fondo Espejo: La deuda con el transporte en Chile” de las periodistas Belén Miranda, Lisette Núñez y Paula Sánchez. Puedes revisarlo completo en subela.cl y escuchar la entrevista completa junto a Belén y Lisette donde explicaron las razones tras la brecha de calidad entre los sistemas de micros del país. Y hoy también nos visitó Soulfía, la exitosa cantante nacional que mañana se presentará en el Sunset Mirador y que próximamente estará en el Festival Chilean Wey.

Randonaútica sigue siendo una de las aplicaciones más misteriosas de internet. Es algo de lo que ya hemos hablado en otros capítulos, pero, es increíble pensar que, después de haber contado tantos casos, se siguen produciendo algunos todavía más impactantes, con más misterio, con más terror, e, incluso, con más cadáveres... Muchas gracias a los actores de doblaje que han participado en el capítulo: - ANDRÉS MORALEDA @amoraledag (Instagram y Twitter) - GEMMA ESTEBAN Por supuesto gracias a todos vosotros, mecenas por acompañarnos sin parar. ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Dahmm22, Guardi C. G., Alejandro F. P., Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sheila G., Francisca C. V., Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., Rubén G., Vikki V., María Cecilia C. V., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E., Vale C., Juan M, Angie V., Orion M., Nerea N., Neah, Alicia B., Lisa M., David S. A., Fani, Ika, Ismael R., Moreno B. A., Laura M. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Twitch: TerroresNocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

Os traemos la Ficción Sonora que recreamos en directo, en nuestro canal de Twitch (@terroresnocturnos_trn). Y no es ni más ni menos, que el Chat Room más maldito de todo Internet, y que está controlado por un usuario, cuyo origen es desconocido a día de hoy... NFTSmile. Muchas gracias a los actores de doblaje que han participado en el capítulo: - JORGE ZAMORANO @ZamoSound (Twitter) @jorge_zamo (Instagram) - ALBERTO MARTINEZ @arbolesxhora (Twitter e Instagram) - ANDRÉS MORALEDA @amoraledag (Instagram y Twitter) Por supuesto gracias a todos vosotros, mecenas por acompañarnos sin parar. ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Dahmm22, Guardi C. G., Alejandro F. P., Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sheila G., Francisca C. V., Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., Rubén G., Vikki V., María Cecilia C. V., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E., Vale C., Juan M, Angie V., Orion M., Nerea N., Neah, Alicia B., Lisa M., David S. A., Fani, Ika, Ismael R., Moreno B. A., Laura M. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Twitch: TerroresNocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

Volvemos al mundo de las Leyendas Urbanas, pero más bien, nos centramos en las Creepypastas, en los orígenes de las historias tenebrosas que uno puede imaginar... Y lo hacemos con las historias de: "The Nurse Ann", "The Rake" y "El origen de Slenderman". Muchas gracias a los actores de doblaje que han participado en este capítulo: - GEMMA ESTEBAN - PABLO DÍEZ @P1Dubber (Twitter) @diezpablo10 (Instagram) - ALBERTO MARTÍNEZ @arbolesxhora (Twitter e Instagram) - JOSE LUIS GARCÍA @alaguair70 (Twitter) @alaguair (Instagram) Por supuesto gracias a todos vosotros, mecenas por acompañarnos sin parar. ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Dahmm22, Guardi C. G., Alejandro F. P., Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sheila G., Francisca C. V., Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., Rubén G., Vikki V., María Cecilia C. V., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E., Vale C., Juan M, Angie V., Orion M., Nerea N., Neah, Alicia B., Lisa M., David S. A., Fani, Ika, Ismael R., Moreno B. A., Laura M. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Twitch: TerroresNocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

En este capítulo os hablaremos de una de las mansiones más encantadas del mundo, construido casi por "obligación" por su dueña: Sarah Winchester, esposa de William Winchester, creador de la reconocida escopeta "Winchester"; ¿Tendrá alguna relación este arma, con la propia mansión? Muchas gracias a la actriz de doblaje que ha participado en el capítulo: - GEMMA ESTEBAN Por supuesto gracias a todos vosotros, mecenas por acompañarnos sin parar. ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Dahmm22, Guardi C. G., Alejandro F. P., Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sheila G., Francisca C. V., Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., Rubén G., Vikki V., María Cecilia C. V., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E., Vale C., Juan M, Angie V., Orion M., Nerea N., Neah, Alicia B., Lisa M., David S. A., Fani, Ika, Ismael R., Moreno B. A., Laura M. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Twitch: TerroresNocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

En este especial de Halloween os traemos el primer capítulo realizado en directo a través de nuestro canal de Twitch, TerroresNocturnos_trn, y os contamos las historias escritas por Charles Dickens y W. W. Jacobs: "El Guardavía", y "la Pata de Mono". Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Twitch: TerroresNocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

Os traemos uno de los casos más perturbadores que investigó la familia Warren, sobre una niña que le atacó un ente cuando fue al cementerio, a visitar a una amiga suya, con un oscuro final... Muchísimas gracias por la participación a: - ANEYMA LEÓN @aneymaleon (Twitter) - ALEJANDRA CARRIL @aleejandracv (Twitter) @alejandraaacv (Instagram) Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art Este episodio está patrocinado por Hayu. Dirígete a Hayu.com para comenzar tu prueba gratuita. --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

Jeffrey Dahmer se considera uno de los asesinos más temidos de la historia. Un hombre que ha sobrepasado los límites, que ha acabado con la vida de personas inocentes, las ha descuartizado e incluso, en el peor de los casos, se ha comido su propia carne... En este capítulo, os contaremos toda su historia. Muchísimas gracias por la participación a: - PABLO DÍEZ @P1Dubber (Twitter) @diezpablo10 (Instagram) - ANEYMA LEÓN @aneymaleon (Twitter) - ALBERTO MARTINEZ @arbolesxhora (Twitter e Instagram) Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art Este episodio está patrocinado por Hayu. Dirígete a Hayu.com para comenzar tu prueba gratuita. --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

Todo el mundo conoce el caso de los niños salvajes, niños humanos que fueron abandonados por sus padres, y criados por lobos, perros... Esta vez nuestra es Genie, una niña que no vivió entre animales, sino con un monstruo, con su padre. Muchísimas gracias por la participación a: - JESSICA DE JESÚS: @jessicaadjc (Twitter) @jesskidrauhl (Instagram) Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art Este episodio está patrocinado por Hayu. Dirígete a Hayu.com para comenzar tu prueba gratuita. --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

El caso de Kenneka Jenkins es uno de los casos sin cerrar en EEUU, con una teoría policial que explica que, la joven se metió en un congelador por accidente, pero... ¿Es esta toda la verdad? ¿Y si no fue un accidente? Muchísimas gracias a los actores que han participado en este capítulo: - GEMMA ESTEBAN - NOELIA GÓMEZ MARTÍN @noeliagomezfm (Instagram) @NoeliaGomezFM (Twitter) Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message

¿Qué sentirías si supieras que entre los pasillos de tu facultad divagan almas en pena? ¿Que, en la silla sobre la que te sientas, hubo decenas de personas que murieron antes que tú? En este capítulo, las universidades encantadas. Muchísimas gracias a los actores que han participado en este capítulo: - ANDRÉS MORALEDA @amoraledag (Instagram y Twitter) - GEMMA ESTEBAN Por supuesto gracias a todos nuestros mecenas que nos habéis acompañado en esta tercera temporada ¡Sois los mejores! Camarzana1, José Manuel D. G., Consuelo, Laura D., Ramiro C., Samuel C., Ana C., Clara R., Lara M., Claudia, Xavito B., Laura, Iván De Benito P., Marcos M. V., Naiara G. G., TorpeKun, Míriam Z., Sara S. C., María Jesús B., Eva V., Paloma del Soterraño S. M., Ferran B. L., Fernando F. M., José Antonio M. H., Patri J., Sandra S. C., Antonio A., Sara D., Beatriz G., Mónica M., Maxbiag, Carmen S. S., Raquel., Rocio B., Alejandro L. G., Sebastian Q., Lorena R. T., Nox21, Andréa E., Víctor I., Alba R., Diego G., Raul M. G., Klap K., Miguel Ángel S. G., Julia E. S., Jonathan L. G., Noelia M., Jose C., David G. A., Virginia, Nardo1000, Diego C. A., Mayte S.M., Cynthia, Homero R. D. C., Desirée G. A., Miguel Ángel S., Andres C., Antonio S. M., Vero, Ana, Yaiza M. G., Piteas De Adunte, Manuel Jesús F. V., Ian T. A., Felix R. G., David Z., Jaime A. B., Natalia E. N., Pep V., Alejandro, Adrián A. C., Vicco S., Nico, Beatriz S., Juan Carlos V. P., Carla, Manuel G. C., Adrian, Ángel M. CRC., Moreyba S., Inés B. P., Patricia, Maciej Adrián R. A., Borja O. D. U., Pedro O. A., Daniela G., Blegoner P., Antonino D. M., Belén L. M., Andrea D., Robert, Marta G., Nonina, Cuervo Aqua, Tamara, Sara P., María R. M., Maite Y., Raquel N., Hellnukk, Iris, Miriam S. G., David G. A., Vanesa, Rut, Maria Merino P. D. R., Merce A., Sergio N., Maria Ignacia V., Laura S., Ezequiel Y., HumaDracobane, M Moar, Alvaro S. C., Aleix C., Regina G. M., Alejandra A., Alba, Erika T., Sandra A. L., Dahmm22, Guardi C. G., Alejandro F. P., Elena, Clara, Julia Salomon, Angel, Lionmind, Broke S., Thehob, Natanael C. S., Judith P. C., José A., David, Barbara P. J., Laura R., Patricia O. P., Arianna T. M., Juan L., Ana, Mariana D., Carlos Javier V. B., Sofía, Oscar Mata G. D. C., Marta B., Javier A. S., José Luis H. M., Chris, Ramiro, Victor N., Micaela, Joan Marc P. S., Miguel Diego A. C., Javier M. P., Mafdet23, Nina S., Yara, Patricia L. C., Laura N., Carmen, Bea T., Javier C., Marino Adolfo B. A., Dg, Bea G., Jorge H., Ismael G., Paula S., Nicole N., Rebeca P., Ana B., AlvaroArteaga27, Alexander J. G., Kumagoro 93, Carlos E., Sara C.Labrada, Jose Angel C. L., Sheila G., Francisca C. V., SYNL, Beto L. O., Luis M., Lucia G., Marcela V., Joey B., Mireia S., T. Kuznetsov, Patricia C. R., Rubén G., Vikki V., María Cecilia C. V., Srtanognog., Fran M., Eva L. F., Jose J., Inma, Juan Miguel P. P., marenostrum93, Moar Moar L., Victor E. ¿Quieres contactar con nosotros? Tiktok: @terroresnocturnos.trn Twitter: @TerroresN Instagram: @terroresnocturnos_trn Instagram Emma Entrena: @emma.e_trn Instagram Silvia Ortiz: @sil_trn Instagram David Fernández Marcos: @davidfm55 Instagram The Gray: @thegray.art Facebook: Terrores Nocturnos Correo: terroresnocturnosradio@gmail.com Realizado por David Fernández Marcos Presentado por Emma Entrena y Silvia Ortiz Ilustración de TheGray.art --- Send in a voice message: https://anchor.fm/terroresnocturnos/message