Podcasts about airwaves

Russian drones and warplanes have been increasingly breaching the airspace of NATO countries. Admiral Joachim Rühle, (ret.) is the former Chief of Staff of the Supreme Headquarters Allied Powers Europe, the headquarters of Command Operations - including defense, deterrence, and training to Ukrainians - in Belgium. He talked about Moscow's incursions, its acts of sabotage, and how to manage this complex alliance. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Ibiza evolves, how does its soul survive the commercialization of club culture?Igor Marijuan is one of Ibiza's most influential tastemakers — a DJ, radio pioneer, and co-founder of Ibiza Global Radio and Akasha, two cultural cornerstones of the island's precious sonic identity. For over two decades, he's helped define what the world hears when it thinks of Ibiza: free-spirited, timeless, and deeply rooted in community.From the early days of underground radio to building the sound movement of Akasha during the stillness of the pandemic, Igor has redefined what club culture can stand for: music over money and essence over ego. In this episode, he shares his vision for a more sustainable future for the island and the electronic scene at large - one that honors authenticity, accessibility, and respect for the music's spiritual roots by rejecting inflated headline fees and honoring community instead of competition.“Everyone wants to take from Ibiza. Few ask what they're giving back.”Join us as we explore:✅ How Ibiza's soul endures beyond the social media illusion ✅Pushing back against astronomical DJ fees and exclusivity contracts✅ The new realities in 2025 between venues and artists in Ibiza✅ How to build longevity as an artist in the age of algorithms✅ The cultural divide shaping the North of the island✅ What bookers really look for when receiving 50+ requests a day➤ Watch the FULL PODCAST here: http://bit.ly/4p7NBdj➤ Follow us at:Instagram:⁠⁠ https://www.instagram.com/missionmakers/⁠⁠Instagram:⁠⁠ https://www.instagram.com/dj.n1nja/⁠⁠X:⁠⁠ https://x.com/dj_n1nja⁠⁠TikTok:⁠⁠ https://www.tiktok.com/@dj_n1nja⁠⁠Soundcloud:⁠⁠ https://soundcloud.com/dj-ninja⁠⁠➤ Credits:Music: Mission Makers - N1NJA (Unreleased)Producer: Farah Nanji

Jessica Brandt knows a lot about influence. She was the director of the Foreign Malign Influence Center, which served as intermediary between the U.S. intelligence community and the public. It alerted private citizens and the public to disinformation operations orchestrated by adversaries overseas. Jessica explains how the toolkit has gotten larger, more sophisticated, and is being wielded by more countries than ever before. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Ibiza evolves, how does its soul survive the commercialization of club culture?Igor Marijuan is one of Ibiza's most influential tastemakers — a DJ, radio pioneer, and co-founder of Ibiza Global Radio and Akasha, two cultural cornerstones of the island's precious sonic identity. For over two decades, he's helped define what the world hears when it thinks of Ibiza: free-spirited, timeless, and deeply rooted in community.From the early days of underground radio to building the sound movement of Akasha during the stillness of the pandemic, Igor has redefined what club culture can stand for: music over money and essence over ego. In this episode, he shares his vision for a more sustainable future for the island and the electronic scene at large - one that honors authenticity, accessibility, and respect for the music's spiritual roots by rejecting inflated headline fees and honoring community instead of competition.Join us tomorrow as we explore:✅ How Ibiza's soul endures beyond the social media illusion ✅Pushing back against astronomical DJ fees and exclusivity contracts✅ The new realities in 2025 between venues and artists in Ibiza✅ How to build longevity as an artist in the age of algorithms✅ The cultural divide shaping the North of the island✅ What bookers really look for when receiving 50+ requests a day“Everyone wants to take from Ibiza. Few ask what they're giving back.”➤ Watch the FULL PODCAST here: http://bit.ly/4p7NBdj➤ Follow us at:Instagram:⁠⁠ https://www.instagram.com/missionmakers/⁠⁠Instagram:⁠⁠ https://www.instagram.com/dj.n1nja/⁠⁠X:⁠⁠ https://x.com/dj_n1nja⁠⁠TikTok:⁠⁠ https://www.tiktok.com/@dj_n1nja⁠⁠Soundcloud:⁠⁠ https://soundcloud.com/dj-ninja⁠⁠➤ Credits:Music: Mission Makers - N1NJA (Unreleased)Producer: Farah Nanji➤ For show notes + more on our host visit:⁠⁠https://mission-makers.com/⁠⁠⁠⁠https://www.dj-ninja.com/⁠⁠

12 - We are back! Dom takes us through Friday's rally, detailing what the atmosphere was like, the show at Mulligan's, and the people he encountered while there. 1210 - As Trump secured a deal to end the Israel-Gaza War, why are media pundits still upset about the results? Why is the Biden administration trying to take credit? 1215 - Side - all-time trailblazer/pioneer 1220 - Jimmy Kimmel claims there is no Antifa? Is this the new leftist talking point? 1230 - Your calls. A former 1210 employee had nothing but nice things to say about the station. 1240 - Who wasn't able to secure a 40-yard pass from Henry? 1 - Turning Point Action - South Jersey leader Heather Torno joins the program today. How much has her chapter's popularity exploded since Charlie Kirk's death? What is this celebration for his birthday going to look like? How is Turning Point connecting with the youth? What is Heather's message as a friend and mother? What races are the chapter focused on? 110 - Are we letting China poison our water supply in Massachusetts? 120 - Will we get to the bottom of how a crazed man was able to set the Governor's Mansion ablaze with Josh Shapiro and family inside? Your calls. 135 - A female security guard is being charged with murder after shooting a homeless person causing a disturbance at an IHOP. Was this the right charge? 140 - Your calls. 150 - Continuing with the story of a security guard at IHOP charged with first-degree murder. Why is Krasner's treatment of violence here so backwards? Your calls. 2 - Scott Presler joins us today after a wild weekend rally down the shore. Is he always in work mode? What was his major message to New Jersey this weekend? Why does Early Voting really matter? What is Scott's big plan tomorrow in Doylestown? Why does Bucks County need your vote? When will we hear from Scott tomorrow? 215 - Dom's Money Melody! 220 - Which hostages had the worst treatment? Why does that matter to Christine Amanpour? Returning to the Biden admin, trying to take credit for the hostages being freed. Why was Trump able to get this done then, compared to Biden's inaction? 240 - Your calls. 250 - The Lightning Round!

Send us a textIt's draft day at Ripstop on the Record! In this episode, we sit down with Francesca Hall and Ryan Campbell for the very first Fabric Draft. Each person builds a six-category roster of technical fabrics, covering packs, bags, quilts/sleeping systems, shelters, apparel, and mesh in a snake-style draft.Which fabrics made the cut? Which powerhouse materials were left on the table? And who built the strongest lineup? From classics like 1000D Cordura® and Silpoly XL to cutting-edge picks like ULTRA™ 200 and Polartec® Alpha Direct with Wool, this episode is a fun (and competitive) deep dive into the world of performance textiles.Guests: Ryan Campbell | Wandering Goat, Francesca Hall | @madeby_francescaDrafts Choices:Ryan: Pack/bag: ULTRA 200 Apparel: Alpha with Wool Shelter: 1.1 oz Silpoly XL 2nd GenPack/Bag: 1000D Cordura Quilt: 0.9 oz  MEM 15 ECO Jameson:Mesh: Venom MAXPack/Bag: 210D Venom Gridstop Apparel: alpha 4008 Shelter: 0.67 oz DCFPack/Bag: RVX15Francesca: Apparel: 5.2 oz AIRWAVE 4-Way Ripstop Pack/Bag: EPX200Bag/Bag: 1.9 oz PU Coated Ripstop Quilt/sleeping bag: Mem 15 poly tag printable Apparel: 3.4 oz nylon Taslan Find Us on Social Media

Excelsior Journeys: The Road to Creativity is now a proud member of the Podmatch Podcast Network. On this week's episode of Excelsior Journeys: The Road to Creativity, host & producer George Sirois sits down with bilingual poet Katerina Stoykova. From Bulgaria to Kentucky, Katerina started writing and publishing her poetry over the past couple of years, and she is the founder and senior editor of Accents Publishing, as well as the creator of the Accents Podcast on WUKY.Excelsior Journeys: The Road to Creativity exists primarily as a platform for creatives of all kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Excelsior Journeys: The Road to Creativity is now a proud member of the Podmatch Podcast Network, and you can access all shows in the network by clicking HERE.

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Keith Melton is a historian who's been an advisor to the US Intelligence Community for decades. An avid collector and board member at The International Spy Museum, Keith has donated thousands of artifacts, and one of the most historically important is the axe used to assassinate Leon Trotsky. Keith found the weapon after decades of searching. In 2007,  he spoke with Peter Earnest, the founding executive director of the International Spy Museum, about Trotsky's assassination and tracking down the  weapon used for the job. Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/ And if you have feedback or want to hear about a particular topic,  you can reach us by E-mail at SpyCast@Spymuseum.org,  "This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC." Learn more about your ad choices. Visit megaphone.fm/adchoices

Fianna Fáil's Jim Gavin has emerged as the candidate with the strongest national radio footprint in the run-up to the 2025 Presidential election, according to new research from Irish PR intelligence platform Everhaze. Analysis of 2,500 radio clips over the past twelve weeks shows that while Independent Catherine Connolly leads overall mentions (36.3%), Gavin (33.5%) pulls ahead in terms of national airwaves share, with 34.9% of his coverage on national talk formats. By contrast, Connolly's campaign is more heavily weighted to local outlets (68.6% of her coverage) and Heather Humphreys' profile is even more locally concentrated (71.3%). This national advantage translates into strong presence across high-reach talk shows such as The Pat Kenny Show, Newstalk Breakfast, and The Anton Savage Show, where margins between candidates are typically slim but Gavin remains consistently competitive. On local radio, however, Connolly retains the edge, leading in 13 counties including Donegal (+22pp) and Galway (+18pp). Gavin posts selective peaks (notably Louth, where he dominates with 77.5% of mentions) and converts his national presence into 8 county leads overall. Humphreys, meanwhile, has a more concentrated footprint, with standout strength in Cavan/Monaghan (+12pp lead). Sentiment analysis underscores a three-way contrast: Humphreys records the most positive net tone (+12pp), Gavin trends neutral-positive (+5pp), while Connolly faces a more polarised balance (?3pp). Speaking about the findings of the report, James McCann, CEO of Everhaze said: "With nominations closed and facing into the four week sprint, each candidate will be looking to own the share of voice across the national airwaves to capture undecided voters. Outside of Dublin the counties of Longford, Leitrim and Roscommon have heard the least from all candidates so far which is unsurprising given the battle for the urban centres of Dublin, Cork, Limerick and Galway. As the campaign heats up its every candidate's race to lose in presenting a clear narrative and message to the public." Everhaze is an Irish-built PR intelligence platform that tracks real-time media coverage across radio, print, and online sources in Ireland and the UK. Its technology combines broadcast capture with AI-driven analysis to map who is getting talked about, where, and in what tone. The platform is widely used by communicators to monitor campaigns, understand sentiment shifts, and measure share of voice. As part of the 2025 Presidential campaign, Everhaze has launched the "Battle of the Airwaves" tracker, a live view of how each candidate is performing week-by-week on radio. The tracker highlights: Share of voice across national vs local stations County-by-county exposure showing where candidates are winning or lagging Sentiment balance, capturing whether coverage is favourable, critical, or neutral Programme battlegrounds, where margins between rivals are razor-thin Updated weekly, the Battle of the Airwaves gives voters, journalists, and campaign teams a transparent lens on who is winning the media war as the race for Áras an Uachtaráin heats up. See more stories here. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: https://anchor.fm/irish-tech-news If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News have a range of services available to help promote your business. Why not drop us a line at Info@IrishTechNews.ie now to find out more about how we can help you reach our audience. You can also find and follow us on Twitter, LinkedIn, Facebook, Instagram, TikTok and Snapchat.

12 - Jimmy Kimmel is back! How does Dom rate his comeback and his apology to the viewers? We play audio and get Dom's reaction. 1205 - What is Kimmel going to say about anti-ICE sentiment written on shell casings as a gunman opened fire at a Dallas ICE facility? 1210 - Side - associated with Westerns 1220 - Who had more “TDS” last night? Kimmel or De Niro? 1235 - We need to get Ryan Walters on! He is looking to implement TPUSA chapters in schools across the state of Oklahoma. 1240 - Your calls. 1250 - Will they say that the shooting at the ICE facility was political? 1 - Sunlight is the best disinfectant! Through emails obtained by concerned parents and the Del-Val Journal, the Bucks County Commissioners think people still don't care about their draconian lockdowns and disregarding science. So, we welcome parent and friend of the show Jamie Cohen Walker to the program. What is the messaging that the board of commissioners in Bucks have given to parents like Jamie? How do these people keep winning re-election in the county? What will happen to these disgraced board members? Is Dr. Damsker still “locked in the basement,” so to speak? 110 - Automated Balls and Strikes are coming to the MLB in 2026! Will this be good for the game, or will unforeseen problems pop up? 120 - Dom likes how Dr. Oz explains the Trump administration's stance compared to RFK and the President himself. Why are there so many diagnoses? Your calls. 135 - Lt. Colonel Allen B. West joins us today after a shooting at an ICE facility in Dallas. How are the Cowboys looking? How concerning is the rise in violence against ICE facilities in Texas? Is there a link between political violence and gender dysphoria? How jarring is it that Charlie Kirk was murdered from a long distance, like a president would be murdered? Should these places have better security for these events? Why is Colonel West in Nova Scotia? 140 - Your calls. 150 - Do leftists understand why ICE agents have to be masked now? 155 - Wrapping up. 2 - They're addressing politics and Jimmy Kimmel on… “Live with Kelly and Mark”? Did the couple/talk show hosts miss the point in their rare political statement? 210 - Your calls. 215 - Dom's Money Melody! 220 - Why did New Jersey police officers not endorse Mikie Sherrill and instead side with Jack Ciattarelli? 235 - Republican Candidate for Mayor of Downingtown Rich Bryant joins us today. What is Rich's background as a political candidate? What are the problems that affect the borough? How does Rich campaign opposite a transgender opponent? Why is their funding coming from outside of Downingtown? What kind of voters reside in Downingtown? 250 - The Lightning Round!

Simon's live update for James O'Brien's morning programme on the UK's LBC.

September 24, 2025 ~ Matt Friedman, co-founder of Tanner Friedman Strategic Communications discusses the return of Jimmy Kimmel. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Secret Service dismantles an illegal network. Jaguar Land Rover (JLR) extends the shutdown production plants. The EU probes tech giants over online scams. Iranian APT Nimbus Manticore expands operations in Europe. North Korean Kimsuky deploys a shortcut-based espionage campaign. Github and Ruby Central roll out supply-chain security upgrades. Lastpass warns of macOS ClickFix campaign using fake GitHub repos. AT&T's CISO warns hackers mimic Salt Typhoon's unconventional tactics. CISO Perspectives host Kim Jones previews the upcoming season. An attorney pays $10K for AI hallucinations. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest CISO Perspectives host Kim Jones previews the upcoming season, sharing what's ahead for listeners. From leadership challenges to the evolving role of the CISO, Kim highlights the conversations and insights you can expect this season.You can check out the season opener here. Selected Reading Cache of Devices Capable of Crashing Cell Network Is Found Near U.N. (The New York Times) Secret Service Disrupts Threat Network Near UN General Assembly (YouTube) JLR extends shutdown – again – as toll on workers laid bare (The Register) The EU is scrutinizing how Apple, Google, and Microsoft tackle online scams (The Verge) Nimbus Manticore Deploys New Malware Targeting Europe (Check Point Research) Kimsuky attack disguised as sex offender notice information (Logpresso) GitHub tightens npm security with mandatory 2FA, access tokens (Bleeping Computer) NPM package caught using QR Code to fetch cookie-stealing malware (Bleeping Computer) LastPass: Fake password managers infect Mac users with malware (Bleeping Computer) Telecom exec: Salt Typhoon inspiring other hackers to use unconventional techniques (CyberScoop) Attorney Slapped With Hefty Fine for Citing 21 Fake, AI-Generated Cases (PCMag) Share your feedback. What do you think about CyberWire Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at cyberwire@n2k.com to request more info. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vinny Troia is at home on the Dark Web. The veteran hacker has developed relationships with cyberactors who have quietly stolen sensitive data from the far corners of the world. Vinny sells that data to law enforcement and intelligence agencies, like the CIA. His book, Grey Area: Dark Web Data Collection and the Future of OSINT, is out this October. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trump in Town for the UN General Assembly, ANTIFA Named as a Domestic Terrorist Organization, Kimmel Will Return to the Airwaves, Is Tylenol an Autism Factor? And What Did Kamala Harris Say on MSNBC Learn more about your ad choices. Visit megaphone.fm/adchoices

Elenore Sturko gets ousted from Conservative Caucus Guest: Elenore Sturko, Independent MLA Why are doctors interested in Canada, but not moving to practice here? Guest: Phil Martin, the chief executive of Physicians For You, a Canadian physician recruitment agency Jimmy Kimmel will return to the airwaves Guest: Ethan Bearman, California Entertainment Lawyer What is Antifa? Guest: Mark Bray, Professor of Global History and Radicalism at Rutgers University Overdose prevention sites will remain open for now Guest: Douglas King, Executive Director, TAPS (Together Against Poverty Society) Another expansion of the BCGEU strike action Guest: Paul Finch, BCGEU President Learn more about your ad choices. Visit megaphone.fm/adchoices

Jimmy Kimmel will return to the airwaves Guest: Ethan Bearman, California Entertainment Lawyer Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Disruption/Interruption, host KJ sits down with Charles Goetz, CEO of Powercast, to discuss the future of wireless power. Charles shares how Powercast’s patented RF technology is changing the way we think about batteries, sustainability, and powering devices at a distance. From industrial sensors to consumer electronics, discover how a truly wireless world is becoming reality—and what it means for innovation, sustainability, and the edge of AI. Key Takeaways: RF Wireless Power Enables True Wireless Charging [11:35]Powercast’s technology captures radio frequency (RF) energy from the air and converts it into usable power, enabling devices to be charged at distances up to 80 feet and beyond. Sustainability: Reducing Battery Waste [22:50]Billions of batteries end up in landfills each year. Powercast’s RF technology can eliminate or reduce the need for disposable batteries, as seen in Samsung’s TV remotes, which will keep 700 million batteries out of landfills over 10 years. RF Power is a Game-Changer for IoT and Edge Devices [27:46]As AI and IoT expand, the need for power at the edge grows. RF wireless power enables small, distributed devices to operate sustainably without frequent battery changes. The Future is Seamless, Not Plugged In [18:18]The vision is a world where “our stuff takes care of us”—devices are always powered, connected, and require less maintenance from users. Quote of the Show [18:18]:“Instead of us spending so much time taking care of our stuff, our stuff is just going to seamlessly take care of us. And that’s going to be very cool and very powerful.”- Charles Goetz Join our Anti-PR newsletter where we’re keeping a watchful and clever eye on PR trends, PR fails, and interesting news in tech so you don't have to. You're welcome. Want PR that actually matters? Get 30 minutes of expert advice in a fast-paced, zero-nonsense session from Karla Jo Helms, a veteran Crisis PR and Anti-PR Strategist who knows how to tell your story in the best possible light and get the exposure you need to disrupt your industry. Click here to book your call: https://info.jotopr.com/free-anti-pr-eval Ways to connect with Charles Goetz: LinkedIn: https://www.linkedin.com/in/charles-goetz-aa670036/ Company Website: https://www.powercastco.com/ How to get more Disruption/Interruption: Amazon Music - https://music.amazon.com/podcasts/eccda84d-4d5b-4c52-ba54-7fd8af3cbe87/disruption-interruption Apple Podcast - https://podcasts.apple.com/us/podcast/disruption-interruption/id1581985755 Spotify - https://open.spotify.com/show/6yGSwcSp8J354awJkCmJlDSee omnystudio.com/listener for privacy information.

Keith Bulfin was a banker, not a spy. But then came a special client–a supposed coffee importer who was actually a banker for Mexican and Colombian drug cartels. Soon, U.S. authorities were knocking on Keith's door. He ended up behind bars in a maximum security prison. While in prison, Bulfin ended up befriending leaders of drug cartels and eventually became their private banker, while secretly feeding intelligence to the U.S. government. It was a descent into a world few see and fewer survive. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Government is casting a wider net, seeking to police people's thoughts as expressed on social media and use those posts to have people fired or to deny visas to potential visitors and workers — again, based on their thoughts and opinions. The news about visa denials came even as the vice president of the United States used his government office to guest host Charlie Kirk's former radio show and make more threats to use government as a weapon against people solely for political purposes. Mornings with Pat Kreitlow is powered by UpNorthNews, and it airs on several stations across the Civic Media radio network, Monday through Friday from 6-9 am. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X, and YouTube.

01. John Monkman - Pumpui 02. The Prodigy, Loskin, Mott - Breathe 03. Max Graham, Second Sine, Allan Mcloud - Chance To Escape 04. Kronika, Arina Tyler - Staying Alive 05. Anthony - French Kiss 06. Riko & Gugga - Fan Halen 07. Bijou, Datti - Mind Eraser 08. Cold Mind, Alex Yikker - Like it Talking 09. Camelphat, John Cala - Sunshine 10. Stan Kolev - Soul Fragments 11. Touch The Sound - Loca 12. Alex O'rion - Luna 13. Ruben Karapetyan - Synesthesia 14. Kontaktees - Moments In Love 15. Wally Lopez - Inspire To Make A Difference 16. Luca Abayan - Lucid Dreams 17. Stan Kolev - Originate 18. The Wash - I Surrender 19. Sebastian Sellares - Abaddon 20. Nuran - Tension 21. Airwave, Soniddo, Imal - The Final Simulation 22. Skyhunter, Juan Sapia - Redemption 23. Anma - Greatness in Darkness 24. Michael A - Savanna 25. Sistersweet - Asena 26. Trebuen - The End 27. Protoculture - Chromaflora 28. Ed Lopes - Counterclockwise 29. Oliver Koletzki, Talmirage - Own Me 30. Danmic's - Serenity 31. Pasindu, Noise Generation - Synthetic 32. No Hopes, Max Freeze - Rise Up 33. Plastic Robots, Alphano, Atric - No Break 34. Emilian, Panic Chase, Mad&lynn - Una Guitarra 35. Nick Warren, Landikhan, Iv - in, Gorje Hewek - In The Dark 36. Guy Mantzur, Kamilo Sanclemente - The Future is in the Past 37. Traumhouse - Everlasting 38. Jadon Fonka, Vihanga - Dreams We Had In Ceylon 39. Coqueit - Scylla 40. Monojoke, Amaare, Zankee Gulati - One Note 41. Paul Hamilton, Cathy K, Vulturem - Luke 42. Jamie Stevens, Meeting Molly, The Wash - Illusionist 43. Haft, Peyman S - Reflections 44. Redspace - Neuroleptic 45. Ivan Lozano - Towards Me 46. Riko & Gugga - Prophet 47. J Lauda, Noiyse Project - Meridian 48. Protoculture - In Bloom 49. Ivan Lozano - Volantis 50. Jack Lazarus - Cosmic Transmission 51. Joe Fisher, Stub - Reality Exchange 52. Space Motion, Synthetix - Look At Me 53. Billie Eilish, Temple Gate, Maezbi - The Greatest 54. Gowzer - It's All or Nothing 55. Sofi Tukker, Crush Club - Swing 56. Rokazer - Together 57. Hank, Gorge, Nick Curly - Control 58. Jayy Vibes, Kazko - Rising Sun 59. D.j. Macintyre, Rockka - Martian Boogie 60. U.v - Voices 61. Mr. Mojo, Kyotto - Senses 62. Modbit - Vision 63. Will Dekeizer - Dixieland 64. Byhon, Emi Ca - Quantum 65. Polo (AR) - Nostalgia Del Presente 66. Leandro Dizeo, Igcio, Nicholas Van Orton - Hidden Dimension 67. Kamadev - Want Forever 68. Rudra - Impermanence 69. Andres Moris, Emphi - The Choice 70. Underworld, D - nox, Emi Galvan - Dark & Long

01. John Monkman - Pumpui 02. The Prodigy, Loskin, Mott - Breathe 03. Max Graham, Second Sine, Allan Mcloud - Chance To Escape 04. Kronika, Arina Tyler - Staying Alive 05. Anthony - French Kiss 06. Riko & Gugga - Fan Halen 07. Bijou, Datti - Mind Eraser 08. Cold Mind, Alex Yikker - Like it Talking 09. Camelphat, John Cala - Sunshine 10. Stan Kolev - Soul Fragments 11. Touch The Sound - Loca 12. Alex O'rion - Luna 13. Ruben Karapetyan - Synesthesia 14. Kontaktees - Moments In Love 15. Wally Lopez - Inspire To Make A Difference 16. Luca Abayan - Lucid Dreams 17. Stan Kolev - Originate 18. The Wash - I Surrender 19. Sebastian Sellares - Abaddon 20. Nuran - Tension 21. Airwave, Soniddo, Imal - The Final Simulation 22. Skyhunter, Juan Sapia - Redemption 23. Anma - Greatness in Darkness 24. Michael A - Savanna 25. Sistersweet - Asena 26. Trebuen - The End 27. Protoculture - Chromaflora 28. Ed Lopes - Counterclockwise 29. Oliver Koletzki, Talmirage - Own Me 30. Danmic's - Serenity 31. Pasindu, Noise Generation - Synthetic 32. No Hopes, Max Freeze - Rise Up 33. Plastic Robots, Alphano, Atric - No Break 34. Emilian, Panic Chase, Mad&lynn - Una Guitarra 35. Nick Warren, Landikhan, Iv - in, Gorje Hewek - In The Dark 36. Guy Mantzur, Kamilo Sanclemente - The Future is in the Past 37. Traumhouse - Everlasting 38. Jadon Fonka, Vihanga - Dreams We Had In Ceylon 39. Coqueit - Scylla 40. Monojoke, Amaare, Zankee Gulati - One Note 41. Paul Hamilton, Cathy K, Vulturem - Luke 42. Jamie Stevens, Meeting Molly, The Wash - Illusionist 43. Haft, Peyman S - Reflections 44. Redspace - Neuroleptic 45. Ivan Lozano - Towards Me 46. Riko & Gugga - Prophet 47. J Lauda, Noiyse Project - Meridian 48. Protoculture - In Bloom 49. Ivan Lozano - Volantis 50. Jack Lazarus - Cosmic Transmission 51. Joe Fisher, Stub - Reality Exchange 52. Space Motion, Synthetix - Look At Me 53. Billie Eilish, Temple Gate, Maezbi - The Greatest 54. Gowzer - It's All or Nothing 55. Sofi Tukker, Crush Club - Swing 56. Rokazer - Together 57. Hank, Gorge, Nick Curly - Control 58. Jayy Vibes, Kazko - Rising Sun 59. D.j. Macintyre, Rockka - Martian Boogie 60. U.v - Voices 61. Mr. Mojo, Kyotto - Senses 62. Modbit - Vision 63. Will Dekeizer - Dixieland 64. Byhon, Emi Ca - Quantum 65. Polo (AR) - Nostalgia Del Presente 66. Leandro Dizeo, Igcio, Nicholas Van Orton - Hidden Dimension 67. Kamadev - Want Forever 68. Rudra - Impermanence 69. Andres Moris, Emphi - The Choice 70. Underworld, D - nox, Emi Galvan - Dark & Long

More details on WFAN-Jomboy Media Partnership as discussed on OneLegUpAlex Sports : https://t.co/WiFjZ8uMIF

Send us a textLaunch#090625-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by New York's own DJ duo FLAGRANT DRVMS.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters

AirWaves #108: Skyhook-Thinking and partnering differently by NAVAIR

This Thursday marks the 24th anniversary of the September 11th terrorist attacks, which spawned a decade-long search for the man behind them – Osama Bin Laden. Ed Bogan was the Chief of Operations for the CIA Counterterrorism Center's Pakistan / Afghanistan Department. He takes us into agency headquarters, where he oversaw the raid on Bin Laden's compound, and tells us what lessons can be learned from The Global War on Terror. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plus: Databricks is set to make $4 billion in revenue for its fiscal year ending in January. And OpenAI is backing an AI-made animated feature film. Anthony Bansie hosts. Learn more about your ad choices. Visit megaphone.fm/adchoices

01. Plastic Robots, Alphano, Atric - No Break 02. J Lauda, D.j. Macintyre, Gabo Martin - Strange Wonders 03. Pasindu, Noise Generation - Synthetic 04. Bolier, Yasmin Jane, Orjan Nilsen - Airwaves 05. Danmic's - Serenity 06. Emilian, Panic Chase, Mad&lynn - Una Guitarra 07. Jeff Ozmits, Miguel Ante - Dance of Eternity 08. Coqueit - Scylla 09. Guy Mantzur, Kamilo Sanclemente - The Future is in the Past 10. Drumstone, Olivier Giacomotto - Moondust 11. Traumhouse - Everlasting 12. Karpovich, Djvedo - Dream All 13. Redspace - Neuroleptic 14. Michael Cassette - Water Sports 15. Haft, Peyman S - Reflections 16. Monojoke, Amaare, Zankee Gulati - One Note 17. Ivan Lozano - Towards Me 18. Space Motion, Synthetix - Look At Me 19. J Lauda, Noiyse Project - Meridian 20. Brk, Max Freeze - New Sound 21. Ivan Lozano - Volantis 22. Sinan Arsan, Monojoke, Amaare - Plethora 23. Billie Eilish, Temple Gate, Maezbi - The Greatest 24. Jayy Vibes, Kazko - Rising Sun 25. Affkt - Kamatoro 26. Rokazer - Together 27. Anturage, Densh - Tiamat 28. Will Dekeizer - Dixieland 29. Dan Sushi - Metrum 30. Dp - 6 - Motion Chaos 31. Haft - Oblivion 32. Imad, Peace Control, Jardin Du Son, Anton Khabbaz, Dyl - Smoke 33. Rudra - Impermanence 34. Cahen - Line 35. Byhon, Emi Ca - Quantum 36. Milkwish, Van Dope, Jerome Isma - ae - Rivers 37. Leandro Dizeo, Igcio, Nicholas Van Orton - Hidden Dimension 38. Mind Echoes, Mayro - Near The Sky 39. Perc Capsule - When The Silence Is Too Loud 40. Influence (IN) - Washout 41. Mr. Mojo, Kyotto - Senses 42. Shri (ind), Brian David - Back 43. Sofi Tukker, Crush Club - Swing 44. Dr Green, Perc Capsule - Vaid 45. U.v - Voices 46. Giza Djs, Far&high - The Snake Charmer 47. Michael A - Sunbeam 48. Krasa Rosa - Lukoshko 49. Max Graham, Second Sine, Allan Mcloud - Chance To Escape 50. Andre Gazolla - Spiritual Fragment 51. Bijou, Datti - Mind Eraser 52. The Prodigy, Loskin, Mott - Breathe 53. Dowden, Mazayr - Deflator 54. Stan Kolev - Soul Fragments 55. Steve Parry, Renato Cohen - What You Make It 56. Camelphat, John Cala - Sunshine 57. Ruben Karapetyan - Synesthesia 58. Otava - Deep Sky Objects 59. Proff, Diana Miro - Momentum 60. Matan Caspi - Amour 61. Fabri Lopez - Hite 62. Sebastian Sellares - Abaddon 63. Maur - Dance Machine 64. The Wash - I Surrender 65. Ed Lopes - Counterclockwise 66. Luis Torres - Love At The Rave 67. Trebuen - The End 68. Michael A - Savanna 69. Airwave, Soniddo, Imal - The Final Simulation 70. Quivver - All I Wanna

01. Plastic Robots, Alphano, Atric - No Break 02. J Lauda, D.j. Macintyre, Gabo Martin - Strange Wonders 03. Pasindu, Noise Generation - Synthetic 04. Bolier, Yasmin Jane, Orjan Nilsen - Airwaves 05. Danmic's - Serenity 06. Emilian, Panic Chase, Mad&lynn - Una Guitarra 07. Jeff Ozmits, Miguel Ante - Dance of Eternity 08. Coqueit - Scylla 09. Guy Mantzur, Kamilo Sanclemente - The Future is in the Past 10. Drumstone, Olivier Giacomotto - Moondust 11. Traumhouse - Everlasting 12. Karpovich, Djvedo - Dream All 13. Redspace - Neuroleptic 14. Michael Cassette - Water Sports 15. Haft, Peyman S - Reflections 16. Monojoke, Amaare, Zankee Gulati - One Note 17. Ivan Lozano - Towards Me 18. Space Motion, Synthetix - Look At Me 19. J Lauda, Noiyse Project - Meridian 20. Brk, Max Freeze - New Sound 21. Ivan Lozano - Volantis 22. Sinan Arsan, Monojoke, Amaare - Plethora 23. Billie Eilish, Temple Gate, Maezbi - The Greatest 24. Jayy Vibes, Kazko - Rising Sun 25. Affkt - Kamatoro 26. Rokazer - Together 27. Anturage, Densh - Tiamat 28. Will Dekeizer - Dixieland 29. Dan Sushi - Metrum 30. Dp - 6 - Motion Chaos 31. Haft - Oblivion 32. Imad, Peace Control, Jardin Du Son, Anton Khabbaz, Dyl - Smoke 33. Rudra - Impermanence 34. Cahen - Line 35. Byhon, Emi Ca - Quantum 36. Milkwish, Van Dope, Jerome Isma - ae - Rivers 37. Leandro Dizeo, Igcio, Nicholas Van Orton - Hidden Dimension 38. Mind Echoes, Mayro - Near The Sky 39. Perc Capsule - When The Silence Is Too Loud 40. Influence (IN) - Washout 41. Mr. Mojo, Kyotto - Senses 42. Shri (ind), Brian David - Back 43. Sofi Tukker, Crush Club - Swing 44. Dr Green, Perc Capsule - Vaid 45. U.v - Voices 46. Giza Djs, Far&high - The Snake Charmer 47. Michael A - Sunbeam 48. Krasa Rosa - Lukoshko 49. Max Graham, Second Sine, Allan Mcloud - Chance To Escape 50. Andre Gazolla - Spiritual Fragment 51. Bijou, Datti - Mind Eraser 52. The Prodigy, Loskin, Mott - Breathe 53. Dowden, Mazayr - Deflator 54. Stan Kolev - Soul Fragments 55. Steve Parry, Renato Cohen - What You Make It 56. Camelphat, John Cala - Sunshine 57. Ruben Karapetyan - Synesthesia 58. Otava - Deep Sky Objects 59. Proff, Diana Miro - Momentum 60. Matan Caspi - Amour 61. Fabri Lopez - Hite 62. Sebastian Sellares - Abaddon 63. Maur - Dance Machine 64. The Wash - I Surrender 65. Ed Lopes - Counterclockwise 66. Luis Torres - Love At The Rave 67. Trebuen - The End 68. Michael A - Savanna 69. Airwave, Soniddo, Imal - The Final Simulation 70. Quivver - All I Wanna

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Mientras trabajaba en el Observatorio Vaticano durante la oposición de Marte en 1858, el astrónomo italiano Angelo Secchi notó una gran característica triangular de color azul, a la que él llamó el «Escorpión Azul». Esta misma formación nubosa estacional fue vista por el astrónomo inglés Joseph Norman Lockyer en 1862, y ha sido vista por otros observadores. Durante la oposición de 1862, el astrónomo holandés Frederik Kaiser se dedicó a hacer dibujos de Marte. Al comparar sus ilustraciones con las de Huygens y el filósofo natural inglés Robert Hooke, pudo refinar aún más el período de rotación de Marte. Su valor de 24 horas 37 minutos y 22'6 segundos es preciso dentro de una décima de segundo. En agosto de 1877, el astrónomo estadounidense Asaph Hall descubrió las dos lunas de Marte utilizando un telescopio de 660 mm en el Observatorio Naval de los Estados Unidos.​ Los nombres de los dos satélites, Fobos y Deimos, fueron escogidos por Hall basado en una sugerencia de Henry Madan, un instructor de ciencias en el Eton College en Inglaterra. Durante la oposición de 1877, el astrónomo italiano Giovanni Schiaparelli utilizó un telescopio de 22 cms para ayudar a producir el primer mapa detallado de Marte. Estos mapas contenían características notables a las que llamó canali, que más tarde se demostró que eran una ilusión óptica. Estos canali eran supuestamente rectas largas en la superficie de Marte a las que dio nombres de ríos famosos de la Tierra. Su término canali fue mal traducido en inglés como canales. En 1886, el astrónomo inglés William Frederick Denning observó que estas características lineales eran de naturaleza irregular y mostraban concentraciones e interrupciones. En 1895, el astrónomo inglés Edward Walter Maunder se convenció de que las características lineales eran meramente la suma de muchos detalles más pequeños. Camille Flammarion escribió en su obra La Planète Mars et Ses Conditions d'Habitabilité de 1892, acerca de cómo estos canales se asemejaban a los canales artificiales, y que una raza inteligente podría usarlos para redistribuir el agua a través de un mundo marciano agonizante. Abogó por la existencia de tales habitantes, y sugirió que podían ser más avanzados que los humanos. Comenzando 1901, el astrónomo estadounidense A. E. Douglass intentó fotografiar las características de los canales de Marte. Estos esfuerzos parecían tener éxito cuando el astrónomo estadounidense Carl O. Lampland publicó fotografías de los supuestos canales en 1905. Aunque estos resultados fueron ampliamente aceptados, luego fueron cuestionados por el astrónomo griego Eugène Antoniadi, el naturalista inglés Alfred Russel Wallace y otros como simples rasgos imaginados. A medida que se usaban telescopios más grandes, se observaron menos canali largos y rectos. Durante una observación realizada en 1909 por Flammarion con un telescopio de 84 cm, se observaron patrones irregulares, pero no se observó ningún canali. En la década de 1870 Schiaparelli observó un oscurecimiento superficial causado por nubes amarillas. En 1909, Antoniadi descubrió que Marte parecía más amarillo durante las oposiciones cuando el planeta estaba más cerca del Sol. Sugirió que la causa de las nubes eran arena o polvo soplado por el viento. En 1894, el astrónomo estadounidense William Wallace Campbell encontró que el espectro de Marte era idéntico al espectro de la Luna, poniendo en duda la creciente teoría de que la atmósfera de Marte era similar a la de la Tierra. Las detecciones previas de agua en la atmósfera de Marte fueron explicadas por condiciones desfavorables, y Campbell determinó que la firma del agua provenía enteramente de la atmósfera terrestre. Aunque estuvo de acuerdo en que las capas de hielo indicaban que había agua en la atmósfera, no creía que las capas fueran suficientemente grandes para permitir que se detectara vapor de agua.​ En ese entonces, los resultados de Campbell fueron considerados polémicos y fueron criticados por los miembros de la comunidad astronómica. Aun así, el astrónomo americano Walter Sydney Adams confirmó los resultados en 1925. Utilizando un termopar de vacío conectado al Telescopio Hooker de 2'54 m en el Observatorio del Monte Wilson, en 1924 los astrónomos estadounidenses Seth Barnes Nicholson y Edison Pettit fueron capaces de medir la energía térmica que irradiaba la superficie de Marte. Determinaron que la temperatura variaba desde –68°C en el polo hasta 7°C en el ecuador.​ A partir del mismo año, las medidas de energía radiada de Marte fueron hechas por el físico estadounidense William Coblentz y el astrónomo estadounidense Carl Otto Lampland. Los resultados mostraron que la temperatura nocturna en Marte descendía a –85°C, lo que indica una «enorme fluctuación diurna» en las temperaturas.​ La temperatura de las nubes marcianas se midió en –30°C. En 1926, al medir las líneas espectrales de los movimientos orbitales de Marte y la Tierra, el astrónomo estadounidense Walter Sydney Adams fue capaz de medir directamente la cantidad de oxígeno y vapor de agua en la atmósfera de Marte. Determinó que «las condiciones extremas de desierto» eran frecuentes en Marte.​ En 1934, Adams y el astrónomo americano Theodore Dunham, Jr. encontraron que la cantidad de oxígeno en la atmósfera de Marte era menor de un uno por ciento de la cantidad que hay en una misma área en la tierra. En 1927, el estudiante holandés Cyprianus Annius van den Bosch hizo una determinación de la masa de Marte basada en los movimientos de las lunas marcianas, con una precisión del 0'2%. Este resultado fue confirmado por el astrónomo holandés Willem de Sitter y publicado en 1938. La emisión de rayos X de Marte fue observada por primera vez por los astrónomos en 2001 utilizando el Observatorio Chandra de Rayos X, y en 2003 se demostró que tenía dos componentes. El primer componente es causado por rayos X del Sol que se dispersan en la atmósfera superior de Marte; el segundo proviene de interacciones entre iones que dan lugar a un intercambio de cargas. En 1983, el análisis del grupo de meteoritos de shergottita, nakhlita y chassignita (SNC) mostró que podrían haberse originado en Marte.​ Se cree que el meteorito ALH84001, descubierto en la Antártida en 1984, se originó en Marte, pero tiene una composición totalmente diferente a la del grupo SNC. En 1996, se anunció que este meteorito podría contener evidencia de fósiles microscópicos de bacterias marcianas. Sin embargo, este hallazgo sigue causando controversia. El análisis químico de los meteoritos marcianos encontrados en la Tierra sugiere que la temperatura ambiente cercana a la superficie de Marte ha estado muy probablemente por debajo del punto de congelación del agua durante gran parte de los últimos cuatro mil millones de años. Michael Neil, Galactic Sound Station, Dreamscapist, Liquid Mind, Terminus Void, Airwaves, Astelyon, Hollan Holmes, InDi0ne-X, Isostatic. 🎧 El playlist detallado: lostfrontier.org/space.html#1060Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Today we'll take you to the final stop in our Diaspora on the Airwaves series — this time to the Vatican, where, surprisingly, you can also hear broadcasts in Slovak. In the second part of the program, we'll turn to our series Who Was That and introduce you to the Evangelical pastor Samuel Zoch. We'll look at his life story and the important role he played in Slovak history.

In September 2021, Pope Francis made his first—and only—visit to Slovakia. Despite strict COVID-19 restrictions, thousands of Slovaks traveled across the country for a chance to see the beloved pontiff. Among them were filmmakers Stanislav Piatrik and Mária Piatriková, who documented the historic visit through powerful footage and interviews with notable Slovaks. Their work culminated in the new documentary Návšteva (The Visit). In the first half of this episode, we sit down with the directors to discuss the significance of Pope Francis's visit and their experimental approach to storytelling. In the second half, we continue our series Diaspora on the Airwaves, exploring Slovak media abroad—this time from Szeged, Hungary.

It's been 50 years since the assassination of the CIA's former Station Chief in Athens, Richard Welch. At the time, he was the agency's highest level officer killed in the line of duty. A Greek, Marxist terrorist group called 17 November claimed responsibility for his death, but that was just the beginning. Former senior operations officer Ralph Mariani remembers that time and carries on Welch's memory. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff Whittle spent years behind the microphone as a DJ, newsman, and sportscaster. Today, he's traded in the airwaves for dumbbells and resistance bands. As the founder of Silver Strong Fitness, Jeff helps older adults and people with disabilities regain their strength, restore mobility, and stay active—whether in his gym or through online sessions around the world. In this episode of Walk and Roll Live, Doug reconnects with his former radio colleague to talk about Jeff's career shift, the passion that drives his work, and how fitness can transform lives at any age or ability. Walk and Roll Live 

01. Traumhouse - Everlasting 02. Hobin Rude, Digital Mess - Lure 03. Monojoke, Amaare, Zankee Gulati - One Note 04. Chris Arna, Morbus - Track I Don't Even Love You 05. Haft, Peyman S - Reflections 06. W.d.l, Nobe - Stop & Drop 07. Moguai, Bhaskar, Bright Sparks - Lost generation 08. Alex O'rion - Void 09. Coqueit - Scylla 10. Soan, Nagval - Kalahari 11. J Lauda, D.j. Macintyre, Gabo Martin - Strange Wonders 12. Crusy, Yaneth Sandoval, Eduardo G - La Bruja 13. Pasindu, Noise Generation - Synthetic 14. Emilian, Panic Chase, Mad&lynn - Una Guitarra 15. Bolier, Yasmin Jane, Orjan Nilsen - Airwaves 16. Airwave, Soniddo, Imal - The Final Simulation 17. Michael A - Savanna 18. Ilias Katelanos, Alej Ch - The Dom 19. Trebuen - The End 20. Ed Lopes - Counterclockwise 21. The Wash - I Surrender 22. Sebastian Sellares - Abaddon 23. Stan Kolev, Matan Caspi - Piperro 24. Vegaz Sl, Enzo Vood, Noiyse Project - Gandhabba 25. Matan Caspi - Amour 26. Ryan Nasty, Snyl, Aves Volare - Lust Groove Version 27. Stan Kolev - Anatta Flow 28. Ruben Karapetyan - Synesthesia 29. Ev Rymd, Shemow - Lisa 30. Otava - Deep Sky Objects 31. Zac, Mayro - Wonderful Sun 32. Stan Kolev - Soul Fragments 33. Moby - Trouble So Hard 34. Phillosopher - Lightwaves 35. Praise - Nfs 36. The Prodigy, Loskin, Mott - Breathe 37. Max Graham, Second Sine, Allan Mcloud - Chance To Escape 38. Andre Gazolla - Spiritual Fragment 39. Avis Vox - Across the Line 40. Ilias Katelanos, Plecta - Pulsecraft 41. Re - type - Dalliance 42. Mayro - Give Us Time 43. Sofi Tukker, Crush Club - Swing 44. Hoten - Relentless 45. Manqo - Tough 46. Mr. Mojo, Kyotto - Senses 47. Gero Pellizzon - Prometeo 48. Rokazer - Together 49. Max Wexem, Maxxim - Pocahontas 50. Perc Capsule - When The Silence Is Too Loud 51. Henri Bergmann, Fat Cosmoe, Wennink - Higher Dimension 52. Michael A - Sunbeam 53. Will Dekeizer - Dixieland 54. Second Sine - Omniverse 55. Vintage Culture, Malou - Ame Et L'Or 56. Jayy Vibes, Kazko - Rising Sun 57. Lakshmi - Que Tal 58. Lusid, Moontalk - Less Talk 59. Haft - Oblivion 60. Byhon, Emi Ca - Quantum 61. Konstantin Sibold, Adam Sellouk - Day 'N' Night 62. Das Pharaoh, Fuenka, Kostya Outta - Theed 63. Ivan Lozano - Towards Me 64. Fernando Olaya - Casablanca 65. Alexey Union, Anna Almani - New Dawn 66. Sinan Arsan, Monojoke, Amaare - Plethora 67. Turaniqa, Yocon - Energy 68. Dezza, Estiva - Lost In You (Falling In Love) 69. Ivan Lozano - Volantis 70. Brk, Max Freeze - New Sound

Diaspora on the Airwaves - part 8. Slovak Sound Check. Slovak music.

In today's programme, we bring you the seventh part of the series Diaspora on the Airwaves, this time dedicated to Ukraine. Afterwards, we'll look at the life and work of theatre artist Andrej Bagar and also talk about the theatre in Nitra that bears his name.

We return to November, 1979 when radical Iranian students seized the US Embassy in Tehran and took dozens of Americans hostage.  Mark and Cora Lijek were two American officials stuck in Tehran, and in 2008 they shared their story with the late Peter Earnest, the founding director of the International Spy Museum. And this time they were joined by retired CIA officer Tony Mendez, who passed away in 2019. Tony helped plan and execute an elaborate deception and disguise operation, exfiltrating the diplomats before the Iranians figured it out. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

01. Otava - Deep Sky Objects 02. Ruben Karapetyan - Synesthesia 03. Haft, Kiaro, Makhmurian - Vortex 04. Dowden - Diatom 05. Darin Epsilon - Mindshadows 06. Ruben Karapetyan, Maze 28 - Moai 07. Sebastian Sellares - Abaddon 08. Deeplomatik - Bless Vibes 09. Sinan Arsan, Kostya Outta - Dispersal 10. Airwave, Soniddo, Imal - The Final Simulation 11. Ed Lopes - Counterclockwise 12. Camelphat, Monolink, Innellea - Shelter 13. Trebuen - The End 14. J Lauda, Noiyse Project - Meridian 15. Andrea Oliva, Moeaike - I Love You So 16. Deflee, Panic Chase - Slammin 17. Ivan Lozano - Towards Me 18. Zuccasam - Treno 19. Gai Barone, Luke Brancaccio, Michael A - Got to Get it Started 20. Way Out West, Eelke Kleijn - Surrender 21. Brk, Max Freeze - New Sound 22. Artbat, Armin Van Buuren - Take Off 23. Dj Hellena - C'est Toi 24. Byhon, Emi Ca - Quantum 25. Lee Coombs, The Drumattic Twins - Tribal Tension 26. Haft - Oblivion 27. Rokazer - Together 28. Vintage Culture, Malou - Ame Et L'Or 29. Perc Capsule - When The Silence Is Too Loud 30. Manqo - Tough 31. Will Dekeizer - Dixieland 32. Gozlan, Deflee Panic Chase - Long Time 33. Donny J - Say Again 34. Oliver Koletzki - Copal 35. Sofi Tukker, Crush Club - Swing 36. Michael A - Sunbeam 37. Kamcoco, Kike Roldan - Wearing Sunglasses 38. Ilias Katelanos, Plecta - Pulsecraft 39. Nobe, Matvienkov - Wanna Feeling 40. David Lindmer, Alphadog - Never Enough 41. Abity, Fjl - Transistor 42. The Prodigy, Loskin, Mott - Breathe 43. Andre Gazolla - Spiritual Fragment 44. Praise - Nfs 45. Phillosopher - Lightwaves 46. Fabrication, Alegra, Second Sine - A Method For Closure 47. Deflee - Shake 48. Antdot, Tato, Soa - Morar No Mar 49. J Lauda, D.J. Macintyre, Gabo Martin - Strange Wonders 50. Noiyse Project - Turbulence 51. Iio, Nadia Ali, Va Mo La - Rapture 52. Bolier, Yasmin Jane, Orjan Nilsen - Airwaves 53. Zehv - Okami 54. Leandro Dizeo, Igcio, Benja Molina - Remote Affinity 55. W.D.L, Nobe - Stop & Drop 56. Rockka, Digital Mess - Necromancer 57. Monojoke, Amaare, Zankee Gulati - One Note 58. Indigo Man, Mayro - Similarity 59. Gaston Sosa - San Luis 60. Chris Arna, Morbus - Track I Don't Even Love You 61. Ruback, Amesens - Dune 62. Alan Cerra - For All Time 63. Alex O'Rion - Void 64. Marco Fredrick - Breakthrough 65. Helvetic Nerds - Persistence 66. Sabrina Rivas - Eye Of The Tigress 67. Eli David, Favio Inker - Eyes Low 68. Soan, Nagval - Kalahari 69. Dave Shtorn, Yonsh - Space Odyssey 70. D.J. Macintyre, Axel Zambrano, Juan Arce - Uranus 71. Naasa - Serca A Mi

For the sixth installment of our summer mini-series Diaspora on the Airwaves — originally produced by Ingrid Slaninková from RSI's Slovak section — we head to the Austrian city of Eisenstadt to meet Mirka Špring and Monika Caudr, members of the editorial team behind the local Slovak radio programme Rádio Dia:tón and the TV show Czech and Slovak Echoes. In their native language, they spotlight the achievements and stories of the Slovak community living in the region. In Episode 15 of Slovak Sound Check, we make counting in Slovak simple — no math degree required.

Diaspora on the Airwaves - 7th round. Liptovská Mara dam and its hidden histories. Slovak Sound Check

Hosts Nate Wilcox and Ryan Harkness discuss Pirate Radio in the UK in the 1990s. The discussion is based on Simon Reynolds' chapter "This Sound Is For the Underground" from "⁠Energy Flash: A Journey Through Rave Music and Dance Culture⁠." ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Let It Roll is proud to be part of ⁠⁠⁠Pantheon Podcasts.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Texans GM Nick Caserio was LIVE on Our Airwaves Tues Morning! Caserio's Wish for IMPROVEMENT in the Offense for Texans? PROTECT. THE. FOOTBALL, Folks!! full 606 Wed, 20 Aug 2025 03:07:53 +0000 uYKxIAqbdeLugJFpLv8AivUIgZHUElyv sports The Drive with Stoerner and Hughley sports Texans GM Nick Caserio was LIVE on Our Airwaves Tues Morning! Caserio's Wish for IMPROVEMENT in the Offense for Texans? PROTECT. THE. FOOTBALL, Folks!! 2-6PM M-F © 2025 Audacy, Inc. Sports

We'll go back in time to November, 1979 when radical Iranian students seized the US Embassy in Tehran and took dozens of Americans hostage. Six US officials managed to find refuge with Canadian embassy staff, and 11 weeks later, the CIA led a daring operation to sneak them out of Iran disguised as a Hollywood film crew. Mark and Cora Lijek were two of those officials, and in 2008 they shared their story with the late Peter Earnest, the founding director of the International Spy Museum. Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reza Olangian, a dual US-Iranian citizen, left behind his life in Silicon Valley to spy for Iran in the capital. And by the time DEA special agent Jeffrey James Higgins found out about him in 2011, Olangian was trying to acquire hundreds of surface-to-air missiles. That kicked off an elaborate, multi-country sting operation… and a 25-year prison sentence. Jeffrey believes the Iranians are using more surrogates to acquire weapons today.  Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Washington and Tehran have a long and complicated history, with tensions that rise, fall and then rise again. Just this summer, we watched the U.S. and Israel strike Iran's nuclear infrastructure. This month, SpyCast is bringing you a series of special episodes on Iran, looking back and forward, to unveil the country's intelligence priorities, capabilities, and tactics. First in our series is Fariba Nawa. She's a journalist who shows us that if you want to learn about Iranian intelligence, one of the best places to look is Turkey. It may be a member of NATO, but it's also a country where Iranian dissidents flee because of their shared border. And as Tehran tries to lure certain Iranians back, Israel tries to recruit them. It's a complex, deadly game that Fariba has been bravely documenting through the podcast Lethal Dissent. Listen to Lethal Dissent here or wherever you get your podcasts.  Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Codenamed "Agent 202," Kendall Myers went undetected as a spy for Cuba for nearly 30 years. He worked at the State Department's Foreign Service Institute, secretly spying for Cuba out of an earnest love for the island, its people, and their leader Fidel Castro.  Myers was caught in 2009, after he retired. State Department Security Specialist and former Diplomatic Security Special Agent Bill Stowell was part of the team that worked the case. He shared new exclusive details with SpyCast, as Myers continues to serve a life sentence for espionage.  If you liked this episode, check out these links: Queen of Cuba with Peter J. Lapp The Skinny on Cuban Intelligence with Ean Forsyth | SpyCast Caught in the Act : Catching Che Guevara (Cuba and the CIA) Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today he's one of the most wanted men in the world, but before Jan Marsalek fled to Russia, he was the COO of payment-processing firm Wirecard.  Officials and investigators say Marsalek used the company to finance Moscow's covert operations and spy networks in Africa and Europe. In 2020, nearly €2 billion vanished from Wirecard, along with Marsalek. Financial Times reporter Sam Jones has been uncovering new details through his reporting on Season 3 of Hot Money: Agent of Chaos.  To hear more, listen to Season 3 of Hot Money: Agent of Chaos on Apple, Spotify, or wherever you get your podcasts. If you liked this episode, check out these links: Russia's Fake Identity Assembly Line in Brazil | SpyCast "The Minions": Putin's Expendable Spies | SpyCast Russian Assassinations in the UK: Inside Three Notorious Cases with Historian Nigel West Curator's Corner: Kevin P. Riehle on Russian Intelligence Prefer to watch your podcasts? Find us on YouTube at https://www.youtube.com/@IntlSpyMuseum/podcasts.  Subscribe to Sasha's Substack, HUMINT, to get more intelligence stories: https://sashaingber.substack.com/  And if you have feedback or want to hear about a particular topic, you can reach us by E-mail at SpyCast@Spymuseum.org.  This show is brought to you from Goat Rodeo, Airwave, and the International Spy Museum in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edwin Howard Armstrong isn’t exactly a well-known inventor, but his work in radio literally changed communications around the globe. But his most famous invention – FM radio – became a source of constant frustration after he developed it. Research: Armstrong, Edwin H. “Frequency Modulation and Its Future Uses.” The Annals of the American Academy of Political and Social Science, vol. 213, 1941, pp. 153–61. JSTOR, http://www.jstor.org/stable/1024069 Armstrong, Edwin H. “Personalities in Science.” Scientific American, vol. 154, no. 1, 1936, pp. 3–3. JSTOR, http://www.jstor.org/stable/26144367 “First public radio broadcast.” Guinness World Records. https://www.guinnessworldrecords.com/world-records/381969-first-public-radio-broadcast “FM Inventor Dies in Fall.” The Patriot News. Feb. 2, 1954. https://www.newspapers.com/image/1094174282/?match=1&terms=%22Edwin%20Howard%20Armstrong%22 Lessing, Lawrence P.. "Edwin H. Armstrong". Encyclopedia Britannica, 14 Dec. 2024, https://www.britannica.com/biography/Edwin-H-Armstrong Lessing, Lawrence P. “Man of High Fidelity: Edwin Howard Armstrong.” Bantam. 1969. Lessing, Lawrence P. “The Late Edwin H. Armstrong.” Scientific American, vol. 190, no. 4, 1954, pp. 64–69. JSTOR, http://www.jstor.org/stable/24944524 “Proceedings of the Institute of Radio Engineers, Volume 5.” Institute of Radio Engineers. 1917. Accessed online: https://books.google.com/books?id=YEASAAAAIAAJ&source=gbs_navlinks_s “Radio Broadcast.” Garden City, N.Y.: Doubleday, Page & Co., 1922-1930. https://babel.hathitrust.org/cgi/pt?id=iau.31858044013914&view=1up&seq=277 “Telephoning Without Wires.” The Fort Wayne Journal Gazette. Oct. 20, 1907. https://www.newspapers.com/image/29125618/?match=1&terms=audion%20%22de%20Forest%22 Tsividis, Yannis. “Edwin Armstrong: Pioneer of the Airwaves.” Columbia Magazine. April 1, 2002. https://magazine.columbia.edu/article/edwin-armstrong-pioneer-airwaves Turner, H. M. “Dr. Edwin H. Armstrong, Edison Medalist.” The Scientific Monthly, vol. 56, no. 2, 1943, pp. 185–87. JSTOR, http://www.jstor.org/stable/17796 “What’s the Difference Between AM and FM Radio?” National Inventors Hall of Fame. Aug, 16, 2023. https://www.invent.org/blog/trends-stem/difference-between-am-fm See omnystudio.com/listener for privacy information.