Podcasts about Wash Westmoreland

Peter Gabriel fait partie des nombreux musiciens qui ont rendu hommage à l'ancien président américain Jimmy Carter, décédé le 29 décembre à l'âge de 100 ans. Dans un message intitulé "Quel homme ! Quelle vie !", l'ancien leader de Genesis explique : "Le président Jimmy Carter était un homme extraordinaire et un politicien rare qui a toujours défendu l'idéalisme, la compassion et les droits de l'homme, en particulier les droits des femmes et de ceux qui souffrent d'une réelle oppression." Jimmy Carter, un "président rock & roll", porte-drapeau de tant de minorités. Vous le savez, l'un des événements ciné musique de 2025 sera la sortie de A Complete Unknown le biopic sur Bob Dylan, retraçant son passage controversé de la guitare acoustique à l'électrique au milieu des années 60. Le rôle principal sera tenu par Timothée Chalamet mais "Bob Dylan a tellement contribué au film qu'il a revu le scénario avec le réalisateur James Mangold ! Ils ont lu tout le scénario à haute voix. Mangold se chargeait de chaque partie de la mise en scène, et Bob Dylan ne lisait que ses dialogues à lui. Tout au long de ce processus, [Dylan] est resté assis à écrire des notes. Et à la fin de la dernière séance, il a signé le scénario et a dit : "Go with God." L'une des personnes à l'origine du biopic sur Bob Dylan travaillerait sur un film consacré à Syd Barrett, co-fondateur de Pink Floyd . C'est le producteur Peter Jaysen qui a révélé que Syd Barrett et Mama Cass, chanteuse des Mamas & The Papas sont tous deux en lice pour un traitement sur grand écran. Peter Jaysen a donc eu la chance de travailler avec Wash Westmoreland, le grand scénariste-réalisateur, sur un film consacré à Syd Barrett, et a eu de multiples entretiens avec la fille de Mamma Cass, Owen, pour acquérir les droits de son livre, My Mama Cass". --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Talking About Kenji Mizoguchi's Ugetsu with our guest, production designer Yôhei TanedaIn this episode of Movies We Like, we are thrilled to have production designer Yôhei Taneda join us to discuss his fascinating career and one of his favorite films, Kenji Mizoguchi's 1953 classic, Ugetsu. Taneda shares his journey into the world of production design, from his early days as an art student to his experiences working on both Japanese and American films, such as Kill Bill: Volume 1, The Hateful Eight, the Monster Hunt films, The Flowers of War, and When Marnie Was There.Throughout the episode, Taneda offers unique insights into the art of production design, discussing the intricacies of creating immersive worlds for both live-action and animated films. He delves into the challenges of balancing the director's vision with his own artistic sensibilities, and the importance of collaborating with other departments to create a cohesive visual experience.As the conversation turns to Ugetsu, Taneda explores the film's haunting aesthetic and the ways in which Mizoguchi's use of space and design elements contribute to its ghostly atmosphere. He draws comparisons between Ugetsu and other Japanese films of the era, highlighting the symbolic significance of water and the influence of Noh theater on the film's visual style.Ugetsu remains a timeless masterpiece, a testament to Mizoguchi's artistic vision and the power of cinema to transport audiences to otherworldly realms. Taneda's passion for the film and his deep appreciation for its craft make for a captivating discussion that will leave listeners eager to revisit this haunting classic. We had a wonderful time delving into the artistry behind Ugetsu and exploring Taneda's remarkable career in production design.A very special thanks to Hiroshi Tominaga for being our translator for this episode!Film SundriesFind Yôhei on Instagram or visit his websiteYôhei on IMDbBuy our Akira Kurosawa T-shirt!Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxdMore About Yôhei TanedaFor the past two decades, Yôhei Taneda has collaborated with filmmakers from across the globe, amassing an impressive list of accolades and credits, including Kill Bill: Vol. I with Quentin Tarantino, Flowers of War with Zhang Yimou, and the animated Ghost in the Shell 2: Innocence with Mamoru Oshii.  For The Flowers of War, an epic film about the Nanjing Massacre, Taneda recreated the period sets for the film in Nanjing. Released in 70 countries, the film was at the time one of the highest budgeted and most successful Chinese films ever made. Taneda's other international credits include the Keanu Reeves-directed Man of Tai Chi, Raman Hui's Monster Hunt, Tarantino's western The Hateful Eight, John Woo's Manhunt, and Wash Westmoreland's Netflix feature Earthquake Bird.Among Taneda's many notable non-English language productions are Swallowtail Butterfly, directed by Shunji Iwai; Sleepless Town, directed by Le Chi Ngai; The Wow–Choten Hotel and The Magic Hour, directed by Koki Mitani; and Hula Girls and Villain, directed by Sang-il Lee. Taneda's work helped foster the remarkable success of Koki Mitani's Ghost of a Chance (Suteki Na Kanashibari) and Wei Te-Sheng's Taiwanese film Warriors of the Rainbow, which earned the Best Film Award at the Tapei Golden Horse Festival.Taneda has also collaborated with Studio Ghibli on such animated films as the critically acclaimed When Marnie Was There, which earned among its many awards and nominations an Academy Award nomination for Best Animated Film.  With Studio Ghibli, he also curated Karigurashi no Arietty x Yohei Taneda, an art exhibition giving the public an opportunity to view “film art” as a stand-alone presentation. Hosted by the Tokyo Museum of Contemporary Art, the event attracted more than 700,000 people during its tour.In addition to an Art Directors Guild Award nomination in the U.S. for his work on Kill Bill: Vol. 1, Taneda has been awarded the prestigious Purple Ribbon Medal in Japan and the Incentive Award from the Japanese Agency for Cultural Affairs.Beyond representing a substantial body of cinematic work, Taneda's artistic endeavors span art installations, stage art, special images, jacket designs for CDs and DVDs, and several books that he has authored. Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for

We are so thrilled to welcome actor Jesse Garcia to Tipsy Casting! Jess and Jenn dove in with Jesse on his journey from living in a small town in Wyoming to leading the Searchlight feature "Flamin' Hot", directed by Eva Longoria! Jesse Garcia stars in the Disney+ feature, ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY. He can currently be seen in the Netflix feature, THE MOTHER, opposite Jennifer Lopez. He recently shot the Village Roadshow, Michael Olmos directed feature, MURDER CITY, opposite Stephanie Sigman. He can also currently be seen in the Amy Redford film, ROOST opposite Summer Phoenix , which played at the Toronto Film Festival (TIFF). He can also be seen starring as the lead role in the Eva Longoria-directed biopic for Searchlight, FLAMIN' HOT, based on the Flamin' Hot Cheetos creator Richard Montanez, that premiered at SXSW 2023. Currently streaming, he can be seen in the Michael Bay blockbuster, AMBULANCE, opposite Jake Gyllenhaal. He also just wrapped the Amazon pilot ONCE UPON A TIME IN AZTLAN opposite George Lopez. Before that, he shot the new season of NARCOS.  Garcia is an American actor best known for his award-winning film Quinceañera written and directed by Wash Westmoreland and Richard Glatzer, executive produced by Todd Haynes. The film won both the Grand Jury Prize and the Audience Award at the 2006 Sundance Film Festival in the Dramatic Independent Feature Competition. Garcia won Best Actor at the 2007 ALMA Awards for his role as Carlos, a troubled gay teenager. His television work also includes Edward James Olmos' movie WALKOUT for HBO, recurring roles on SONS OF ANARCHY, TERMINATOR: THE SARAH CONNOR CHRONICLES and THE SHIELD. Resources: Jesse Garcia's IMDB Jesse Garcia's Instagram ──────────────────────────── ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting --- Send in a voice message: https://podcasters.spotify.com/pod/show/tipsycastingpodcast/message

Un diálogo con Andrea Slachevsky Chonchol (experta en Alzheimer, neuropsicología, neurociencias cognitivas) para reflexionar sobre las dimensiones sociales y políticas de la demencia, la vejez y las enfermedades neurodegenerativas. Se destaca la utilidad formativa de la película Still Alice dirigida por Richard Glatzer y Wash Westmoreland y protagonizada por Julianne Moore. 'Tras las Líneas. Conversaciones con Manuel Antonio Garretón' es una propuesta semanal de análisis y divulgación en ciencias sociales, presentado por el Departamento de Sociología de la Universidad de Chile, y con el auspicio del COES (Centro de Estudios de Cohesión y Conflicto Social). Este programa también llega a Ud. gracias al financiamiento del Fondo de Fomento de Medios de Comunicación Social del Gobierno de Chile y del Consejo Regional. Recomendamos revisar y compartir el archivo de 124 conversaciones. Tenemos la seguridad de que encontrarán temas no sólo interesantes o coyunturales sino también de mayor permanencia. Ejes para el análisis sobre las estructuras societales de nuestra época en clave Chilena, Latinoamericana y global.

Explicit Content Warning - Don't let Trace's mom listen to this!To celebrate the 20th anniversary of The Ring (2002), we're checking out Wash Westmoreland's gay porn parody, The Hole (2003), starring Tag Eriksson, Josh Hammer, Jason Adonis, Derec Lang, Adam Killian,T.J. Hart and Trent Atkins as Gangbang Boy.Join us as we break down this 1 hour 50 minute (!) narrative, which features a future Bravo reality TV star, an Anthony Starr from The Boys lookalike, a "cum!" chanting bukkake scene and gently homophobic and/or hilariously satirical take-downs of gay culture and stereotypes. Plus: the soft core version and why the bisexual fantasy scene works best for us!References: Jeffrey Escoffier. Scripting the sex: Fantasy, narrative, and sexual scripts in pornographic films.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteBe sure to support the boys on Patreon!Theme Music: Alexander Nakarada Hosted on Acast. See acast.com/privacy for more information.

Sous les yeux éblouis de leur fils, ils dansent sur la musique de Nina Simone... Dans cet épisode, Victoire, Pascale, Marianne, Jeanne et Hugo comparent le premier roman phénomène d'Olivier Bourdeaut, En attendant Bojangles, à son adaptation en film avec Virginie Efira et Romain Duris. Un petit garçon mène une vie hors du commun, rythmée par les fêtes perpétuelles que ses parents organisent. C'est sa mère en particulier qui mène la danse, cette femme excentrique aux multiples prénoms, que son père aime d'un amour fou, mais dont l'originalité recèle une vérité plus tragique... Mais le film de Régis Roinsard est-il fidèle à l'oeuvre originale ? Réponse dans l'épisode !  3 min 30 : On commence par parler du roman En attendant Bojangles écrit par Olivier Bourdeaut et paru en 2016. 40 min 05 : On enchaîne sur son adaptation en film réalisée par Régis Roinsard avec Virginie Efira et Romain Duris, sortie au cinéma en 2022. 1 h 41 min 56 : On termine sur nos recommandations autour d'Olivier Bourdeaut, de Régis Roinsard et de la folie. Si vous avez lu ou vu En attendant Bojangles, n'hésitez pas à partager votre avis avec nous !

Listen along as we discuss Netflix's Netflix's one hundred and ninety-first film, the 2019 psychological thriller ‘Earthquake Bird' directed by Wash Westmoreland starring Alicia Vikander, Riley Keough, Naoki Kobayashi and Jack Huston.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'Are you an avid reader of horoscopes?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'House Arrest', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Week 2 of our Keira Knightley theme month. This week we watched the 2018 movie Colette. This movie was directed by Wash Westmoreland. 

Welcome to Episode 4 of Scripted by Paradox House... This week we spend some quality time with award-winning writer, Rebecca Lenkiewicz. Listen in as Daisy goes deeper into the process of writing for film, tv and theatre where golden knowledge lies. You're in for a treat. Rebecca Lenkiewicz is a British playwright and screenwriter. She is best known as the author of Her Naked Skin (2008), which was the first original play written by a living female playwright to be performed on the Olivier stage of the Royal National Theatre. Several of Rebecca's plays have been published individually, and in 2013 Faber & Faber published a collection. Rebecca wrote on Secret Diary of a Call Girl for television. She co-wrote the Polish-language film Ida (2013) with Paweł Pawlikowski, its director. The film is set in Poland in the 1960s and is the story of what happens when a novitiate nun first learns that she is an orphan of Jewish parenthood. The first version of the screenplay was written in English by Lenkiewicz and Pawlikowski, when it had the working title Sister of Mercy. Pawlikowski then translated the screenplay into Polish and revised it. The screenplay for Ida won the European Screenwriter category at the 27th European Film Awards in 2014,[29] and the Oscar for Best Foreign Film at the ceremony on 22 February 2015. She co-wrote, with director Sebastian Leilo, the script for the adaptation of Disobedience in 2017. She and collaborators Wash Westmoreland and Richard Glatzer wrote the screenplay for Colette in 2018. More recently for TV, Rebecca was the lead writer for Steve McQueen's hard-hitting series, Small Axe (2020), which is based on the real-life experiences of London's West Indian community and is set between 1969 and 1982. Enjoy!

De Jeanne-Claude (et Christo) à Colette (et Willy), nombreuses sont les artistes qui, pendant quelques années ou tout au long de leur vie, ont vécu dans l'ombre d'un homme glorifié pour son talent créatif. Une invisibilisation qui remonte à la nuit des temps. Si vous aimez Mansplaining, pensez à l'exprimer en lui donnant la note maximale sur iTunes et ailleurs, en en parlant autour de vous, et en laissant plein de commentaires bienveillants sur les réseaux sociaux. Suivez Slate Podcasts sur Facebook et Instagram (retrouvez-y aussi le compte de Mansplaining). Pour échanger et découvrir de nouveaux podcasts, rejoignez le Slate Podcast Club sur Facebook. Références: The Wife (Björn Runge, 2017, d'après La Doublure de Meg Wolitzer) Colette (Wash Westmoreland, 2017) Margaux Brugvin à propos de Jeanne-Claude et Christo Eva Kirilof à propos de Jeanne-Claude et Christo Rebecca Amsellem Janet Sobel, la génie qu'on ne connaît pas, Les Glorieuses, 7 juillet 2021 Titiou Lecoq, Les Grandes Oubliées (L'Iconoclaste, 2021) Magali Lesauvage, «Femmes artistes, omission plus possible», Libération.fr, 10 août 2017 Caroline Bongrand, Eiffel et moi (Sixième(s), 2020) Thomas Messias, «“The Wife”, ou comment les hommes piétinent le talent des femmes», Slate.fr Crédits: Mansplaining est un podcast de Thomas Messias, produit par Slate.fr sous la direction de Christophe Carron et Benjamin Saeptem Hours. Montage: Aurélie Rodrigues Musique: «Warm Sea», Savvier

Discutimos acerca de la película The Father(2020) Dir: Florian Zeller y de cómo las enfermedades mentales juegan con nuestra mente. Además de las películas; Memento(2000) Dir: Christopher Nolan, Still Alice(2014) Dir: Richard Glatzer, Wash Westmoreland, Inland Empire(2006) Dir: David Lynch, El hijo de la novia(2001) Dir: Juan José Campanella. --- Send in a voice message: https://podcasters.spotify.com/pod/show/toma2podcastdecine/message

We all need some light relief, so join us (again) to play ‘If I Was a Painting’. See links below. Jacques-Louis David, Madame Récamier, née Julie (known as Juliette) Bernard (1777-1849), known as Portrait of Juliette Récamier, Musée du Louvre, Paris (1800): https://www.louvre.fr/en/oeuvre-notices/madame-recamier François Gérard, Portrait de Juliette Récamier, Musée Carnavalet, Paris (c. 1805): http://www.carnavalet.paris.fr/fr/collections/portrait-de-juliette-recamier-1777-1849 Jan van Eyck, The Arnolfini Portrait, National Gallery, London (about 1434): https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait Hans Memling, The Donne Tryptich, National Gallery, London (about 1478): https://www.nationalgallery.org.uk/paintings/hans-memling-the-donne-triptych Oorijzers – ‘Ear-irons’ – Part 1, Atelier Nostalgia (27 September 2016): https://ateliernostalgia.wordpress.com/2016/09/27/oorijzers-ear-irons-part-1/ John Singer Sargent, Mr. and Mrs. I. N. Phelps Stokes, Metropolitan Museum of Art, New York (1897): https://www.metmuseum.org/toah/works-of-art/38.104/ Wash Westmoreland (director), Andrea Flesch (costume designer), Colette (2018): https://www.imdb.com/title/tt5437928/ James Jacques Tissot, Frederick Burnaby, National Portrait Gallery, London (1870): https://www.npg.org.uk/collections/search/portrait/mw00932/Frederick-Burnaby François-Hubert Drouais, Madame de Pompadour at her Tambour Frame, National Portrait Gallery, London (1763-4): https://www.nationalgallery.org.uk/paintings/francois-hubert-drouais-madame-de-pompadour-at-her-tambour-frame Otto Dix, Bildnis der Journalistin Sylvia von Harden, Centre Pompidou (1926): https://www.centrepompidou.fr/cpv/resource/cjyXKB7/rzEpd6 August Sander, Sekretärin beim Westdeutscher Rundfunk in Köln (1931): https://art.rmngp.fr/fr/library/artworks/august-sander_sekretarin-beim-westdeutscher-rundfunk-in-koln_epreuve-gelatino-argentique_1931

In this episode of A Casual Review, Jacob & Mon discuss the importance of family, sibling rivalries and how they would cope if given life changing news in Still Alice (Glatzer & Westmoreland, 2014).If you'd like to see more of us and keep up to date with new episodes then follow us here:@acasualreview@jacobpmullins@mon_christian__

En este segundo episodio vamos a estar conversando con Javier Hernández, buen amigo de hace unos añitos, cinéfilo, le encantan los cortometrajes y todo lo que merezca una estatuilla de oro. La película escogida para hoy es Still Alice del año 2014 escrita y dirigida por Richard Glatzer y Wash Westmoreland, basada en la novela de Lisa Genova. Únete y disfruta de este episodio interesante mientras analizamos la película y exploramos la enfermedad del Alheimer's a edad temprana. ¿Como pueden seguir a Javier? Instagram: javier_heath_hernandez Facebook: Javier L. Heath Hernandez

Pensez aux films que vous aimez. Aux actrices et acteurs que vous admirez. N'avez-vous par remarqué, que dans la plupart des cas les hommes sont majoritairement plus âgés que les femmes ? Ce constat, si il peut être fait, c'est parce qu'il n'est pas le résultat d'un cas isolé. En mai 2018, alors que la 71ème édition du Festival battait son plein, que 82 femmes montaient symboliquement les marches du tapis rouge, une pétition rassemblait des milliers de signature. Mise en place par l'AAFA ( l'association des actrices et acteurs de France), et crée par l'actrice Marina Tomé, un manifeste a été mis en ligne suggérant une théorie ou plutôt un réel problème de société celui du « tunnel des 50 ans ». « Une commission de l'AAFA a fait le calcul, les femmes de plus de 50 ans représentent 1/4 de la population française. Pourtant dans les films sortis en 2016, on ne leur a attribué que 6% des rôles. Le sujet reste tabou. » comme le relève France Inter.  Mais pourquoi ce sujet est-il tabou ? Pourquoi les femmes de plus 50 ans se font-elles rares au point parfois de complètement disparaitre de nos écrans ?  Participantes : Pauline - @paulinemallet_ / Amandine @MotherOfSighs_ / Laura @CookieTime_LE / Manon @MnFrankenstein Invitées : Taïna Allen @miladytay / Jeanne Le Bozec  Création, animation, réalisation, montage et mixage son : Pauline Mallet Extrait ouverture de l'épisode : Mamma Mia! - Phyllida Lloyd (2008) Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées et/ou conseillées (par ordre chronologique de sortie) Films  Ève - Joseph L. Mankiewicz (1950) Qu'est-il arrivé à Baby Jane ? - Robert Aldrich (1962) Shining - Stanley Kubrick (1980) Titanic - James Cameron (1997) Lost in Translation - Sofia Coppola (2004) Mamma Mia! - Phyllida Lloyd (2008) Summer Wars - Mamoru Hosoda (2009) Pas si simple - Nancy Meyers (2009) Expendables - Sylvester Stallone (2010) Potiche - François Ozon (2010) Happiness Therapy - David O. Russell (2012) Still Alice - Richard Glatzer et Wash Westmoreland (2014) It Follows - David Robert Mitchell (2014) Maps to the Stars - David Cronenberg (2014) Into the Woods - Rob Marshall (2014) 45 ans - Andrew Haigh (2015) Les Délices de Tokyo - Naomi Kawase (2015) The Visit - M. Night Shyamalan (2015) Gloria Bell - Sebastián Lelio (2018) Le Grand Bain - Gilles Lellouche (2018) The Old Man and the Gun - David Lowery (2018) Dans un jardin qu'on dirait éternel - Omori Tatsushi (2018) La Mule - Clint Eastwood (2018) Ça : chapitre 2 - Andrés Muschietti (2019) Once upon a time in Hollywood - Quentin Tarantino (2019) Queens - Lorene Scafaria (2019) Relic - Natalie Erika James (2020) Drunk - Thomas Vinterberg (2020) Sacrées Sorcières - Robert Zemeckis (2020) Séries  Grace and Frankie - Marta Kauffman et Howard J. Morris (Netflix) Hollywood - Ryan Murphy (Netflix) Dix pour cent - Fanny Herrero / Saison 4 épisode 5 (France 2) Livres / Articles de presses / expositions / vidéos / podcast  Charles-Antoine Courcoux , Gwénaëlle Le Gras et Raphaëlle Moine, L'âge des stars : Des images à l'épreuve du vieillissement, Éditions L'Âge d'Homme (2017) → https://www.u-bordeaux-montaigne.fr/fr/actualites/nouvelles-publications/l-age-des-stars-des-images-a-l-epreuve-du-vieillissement.html?fbclid=IwAR2dFX2xhGuTavh5YawVzBtNNBShZT9MET9kylcfDAPWaoiZL3DPu1aa9mQ Mona Chollet, Sorcières - La puissance invaincue des femmes, Ville d'édition, Éditions La Découverte (2019) → https://www.editionsladecouverte.fr/catalogue/index-Sorci__res-9782355221224.html Le site de Taïna Allen  → https://critiquepopculture.com Son article sur le film Eiffel  → https://critiquepopculture.com/2020/06/27/eiffel-illustration-du-male-gaze-au-service-du-patriarcat/ Notre épisode en deux parties sur les Studios Ghibli  → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-1 → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-2 Articles sur les différences d'âges : Sexisme : pourquoi les actrices sont toujours plus jeunes que leurs partenaires ?  → https://www.terrafemina.com/article/sexisme-pourquoi-les-actrices-sont-toujours-plus-jeunes-que-leurs-partenaires_a352204/1 Article sur les différences d'âges au sein des « love interests » dans les films de fiction → https://www.vulture.com/2013/04/leading-men-age-but-their-love-interests-dont.html Article du Monde sur les différences d'âges entre les acteurs et les actrices  → https://www.lemonde.fr/les-decodeurs/article/2018/05/19/au-cinema-les-acteurs-vieillissent-mais-pas-leurs-conquetes_5301536_4355770.html Article concernant les actrices de plus de 50 ans  Tunnel de la comédienne de 50 ans  → https://aafa-asso.info/tunnel-de-la-comedienne-de-50-ans/?fbclid=IwAR1bE-zuyZZErtZ0eL_kuD3UeGFtgTDgBohsuOuHIqyxp9hbAMh9bdQhs1o Absence des actrices de plus de 50 ans  → https://www.franceinter.fr/culture/cinema-le-tabou-de-l-absence-de-role-pour-les-actrices-de-plus-de-50-ans?fbclid=IwAR0MvaJ1LngDIRfYNaplvCrrOphaAv3s_KiKooWjr9DQ09lWy734KUtfJTw L'interview de Maggie Gyllenhaal  → https://www.independent.co.uk/arts-entertainment/films/features/maggie-gyllenhaal-interview-kindergarten-teacher-metoo-hollywood-deuce-a8808421.html Articles sur le Hagsploitation  → https://mubi.com/fr/lists/the-hagsploitation-grand-dame-guignol-the-psycho-biddy-horror-subgenre?fbclid=IwAR2sKDRC5H1JfGv05e78d4--OeFCWugVXyRI_ZN2ejsQ3ERbzSInHagZ4Js → https://www.theguardian.com/film/2018/jan/18/hagsploitation-horrors-obsession-with-older-women-returns?fbclid=IwAR1UvDGziPTv-gKyVeA-eUFQm9ye2drrWlqhlktv0jvb1m2U40JBGL_C7Kc

Pensez aux films que vous aimez. Aux actrices et acteurs que vous admirez. N’avez-vous par remarqué, que dans la plupart des cas les hommes sont majoritairement plus âgés que les femmes ? Ce constat, si il peut être fait, c’est parce qu’il n’est pas le résultat d’un cas isolé. En mai 2018, alors que la 71ème édition du Festival battait son plein, que 82 femmes montaient symboliquement les marches du tapis rouge, une pétition rassemblait des milliers de signature. Mise en place par l’AAFA ( l'association des actrices et acteurs de France), et crée par l’actrice Marina Tomé, un manifeste a été mis en ligne suggérant une théorie ou plutôt un réel problème de société celui du « tunnel des 50 ans ». « Une commission de l'AAFA a fait le calcul, les femmes de plus de 50 ans représentent 1/4 de la population française. Pourtant dans les films sortis en 2016, on ne leur a attribué que 6% des rôles. Le sujet reste tabou. » comme le relève France Inter.  Mais pourquoi ce sujet est-il tabou ? Pourquoi les femmes de plus 50 ans se font-elles rares au point parfois de complètement disparaitre de nos écrans ?  Participantes : Pauline - @paulinemallet_ / Amandine @MotherOfSighs_ / Laura @CookieTime_LE / Manon @MnFrankenstein Invitées : Taïna Allen @miladytay / Jeanne Le Bozec  Création, animation, réalisation, montage et mixage son : Pauline Mallet Extrait ouverture de l'épisode : Mamma Mia! - Phyllida Lloyd (2008) Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées et/ou conseillées (par ordre chronologique de sortie) Films  Ève - Joseph L. Mankiewicz (1950) Qu'est-il arrivé à Baby Jane ? - Robert Aldrich (1962) Shining - Stanley Kubrick (1980) Titanic - James Cameron (1997) Lost in Translation - Sofia Coppola (2004) Mamma Mia! - Phyllida Lloyd (2008) Summer Wars - Mamoru Hosoda (2009) Pas si simple - Nancy Meyers (2009) Expendables - Sylvester Stallone (2010) Potiche - François Ozon (2010) Happiness Therapy - David O. Russell (2012) Still Alice - Richard Glatzer et Wash Westmoreland (2014) It Follows - David Robert Mitchell (2014) Maps to the Stars - David Cronenberg (2014) Into the Woods - Rob Marshall (2014) 45 ans - Andrew Haigh (2015) Les Délices de Tokyo - Naomi Kawase (2015) The Visit - M. Night Shyamalan (2015) Gloria Bell - Sebastián Lelio (2018) Le Grand Bain - Gilles Lellouche (2018) The Old Man and the Gun - David Lowery (2018) Dans un jardin qu’on dirait éternel - Omori Tatsushi (2018) La Mule - Clint Eastwood (2018) Ça : chapitre 2 - Andrés Muschietti (2019) Once upon a time in Hollywood - Quentin Tarantino (2019) Queens - Lorene Scafaria (2019) Relic - Natalie Erika James (2020) Drunk - Thomas Vinterberg (2020) Sacrées Sorcières - Robert Zemeckis (2020) Séries  Grace and Frankie - Marta Kauffman et Howard J. Morris (Netflix) Hollywood - Ryan Murphy (Netflix) Dix pour cent - Fanny Herrero / Saison 4 épisode 5 (France 2) Livres / Articles de presses / expositions / vidéos / podcast  Charles-Antoine Courcoux , Gwénaëlle Le Gras et Raphaëlle Moine, L’âge des stars : Des images à l’épreuve du vieillissement, Éditions L'Âge d'Homme (2017) → https://www.u-bordeaux-montaigne.fr/fr/actualites/nouvelles-publications/l-age-des-stars-des-images-a-l-epreuve-du-vieillissement.html?fbclid=IwAR2dFX2xhGuTavh5YawVzBtNNBShZT9MET9kylcfDAPWaoiZL3DPu1aa9mQ Mona Chollet, Sorcières - La puissance invaincue des femmes, Ville d’édition, Éditions La Découverte (2019) → https://www.editionsladecouverte.fr/catalogue/index-Sorci__res-9782355221224.html Le site de Taïna Allen  → https://critiquepopculture.com Son article sur le film Eiffel  → https://critiquepopculture.com/2020/06/27/eiffel-illustration-du-male-gaze-au-service-du-patriarcat/ Notre épisode en deux parties sur les Studios Ghibli  → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-1 → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-2 Articles sur les différences d’âges : Sexisme : pourquoi les actrices sont toujours plus jeunes que leurs partenaires ?  → https://www.terrafemina.com/article/sexisme-pourquoi-les-actrices-sont-toujours-plus-jeunes-que-leurs-partenaires_a352204/1 Article sur les différences d’âges au sein des « love interests » dans les films de fiction → https://www.vulture.com/2013/04/leading-men-age-but-their-love-interests-dont.html Article du Monde sur les différences d’âges entre les acteurs et les actrices  → https://www.lemonde.fr/les-decodeurs/article/2018/05/19/au-cinema-les-acteurs-vieillissent-mais-pas-leurs-conquetes_5301536_4355770.html Article concernant les actrices de plus de 50 ans  Tunnel de la comédienne de 50 ans  → https://aafa-asso.info/tunnel-de-la-comedienne-de-50-ans/?fbclid=IwAR1bE-zuyZZErtZ0eL_kuD3UeGFtgTDgBohsuOuHIqyxp9hbAMh9bdQhs1o Absence des actrices de plus de 50 ans  → https://www.franceinter.fr/culture/cinema-le-tabou-de-l-absence-de-role-pour-les-actrices-de-plus-de-50-ans?fbclid=IwAR0MvaJ1LngDIRfYNaplvCrrOphaAv3s_KiKooWjr9DQ09lWy734KUtfJTw L’interview de Maggie Gyllenhaal  → https://www.independent.co.uk/arts-entertainment/films/features/maggie-gyllenhaal-interview-kindergarten-teacher-metoo-hollywood-deuce-a8808421.html Articles sur le Hagsploitation  → https://mubi.com/fr/lists/the-hagsploitation-grand-dame-guignol-the-psycho-biddy-horror-subgenre?fbclid=IwAR2sKDRC5H1JfGv05e78d4--OeFCWugVXyRI_ZN2ejsQ3ERbzSInHagZ4Js → https://www.theguardian.com/film/2018/jan/18/hagsploitation-horrors-obsession-with-older-women-returns?fbclid=IwAR1UvDGziPTv-gKyVeA-eUFQm9ye2drrWlqhlktv0jvb1m2U40JBGL_C7Kc

Claudine at School by Colette/Claudine à l'école (1937)In the first half of the episode, we discuss Claudine at School by Colette. In the second half of the episode, we discuss the 1937 film adaptation, Claudine à l'école, directed by Serge de Poligny. This episode will also include discussion of the 2018 film, Colette, directed by Wash Westmoreland.The following sources were consulted for this episode:IMDbLa cinémathèque françaiseThe Atlantic's article about the age of consent in FranceCheck out our review on GoodReads.Follow us on Twitter at FadeoutBooksEmail us at fadeoutbooks@protonmail.comSound editing by Miranda.Our theme song is "I'll Build a Stairway to Paradise," composed by George Gershwin and performed by the Paul Whiteman Orchestra.

Matt & Nicole watch and review the latest movie from Wash Westmoreland, Colette (starring Keira Knightley) and a movie from the 100 Movie Bucket list that needs to be removed, Leon: The Professional.

O episódio de As Perennials esta semana fala de escuta. Um dos atos mais difíceis dos nossos dias é o de escutar. Mas praticar uma escuta ativa tem sido considerado o novo "abraçar", em função da pandemia e do distanciamento social. Desde o início desta temporada nos propusemos a escutar e incorporar ainda mais vocês no nosso podcast. Por isso nada melhor do que falarmos sobre este tema com uma de vocês: Juliana Braga, mineira radicada em Porto Alegre, a nossa perennial de julho. E você? Tem escutado bastante? Contem pra gente. Queremos sempre ouvi-las! Nesta temporada, mais do que nunca. E sempre através dos nossos canais: Instagram: @asperennials Facebook: /asperennials Site: www.asperennials.com.br (que está sendo reformulado e volta em breve) Email: falecom@asperennials.com.br ———————————————-------------- FICHA TÉCNICA Direção e edição: Rodrigo James (@rodrigojames) Fotos: Márcio Rodrigues (@marciorodriguesphoto) Agencia de Comunicação: Oficina 161 (@oficina161) ————————————————————— DICAS PERENNIALS A Mailda indicou os livros "O Inferno Somos Nós", de Leandro Karnal e Monja Coen: https://amzn.to/3gkIHpa e "Felicidade: Modos de Usar", de Mário Sérgio Cortella, Leandro Karnal e Luiz Felipe Pondé: https://amzn.to/305azrM A Fernanda indicou o filme "Bem Vindo à Marly-Gomont", de Julien Rambaldi: https://www.netflix.com/title/80123740 e o livro "Escravidão", de Laurentino Gomes: https://amzn.to/30Rd7Jk A Nat indicou o filme "Collette", de Wash Westmoreland: https://bit.ly/305DFYe E a Juliana indicou os livros "A Vida Invisível de Eurídice Gusmão", de Martha Batalha: https://amzn.to/2CY9Dwz, "As Alegrias da Maternidade", de Buchi Emecheta: https://amzn.to/3hIyPpI e "As Cinco Linguagens do Amor", de Gary Chapman: https://amzn.to/30V3sSb

Recebemos a Prof. Adriana Leitão (Linguística – UFRJ) para falar sobre a relação entre tempo e linguagem, e como a expressão desse conceito tão complexo é afetada pela doença de Alzheimer. Neste episódio, anunciamos o sorteio de um exemplar do livro Chomsky: a reinvenção da linguística (Gabriel de Ávila Othero e Eduardo Kenedy [Orgs.]). >>> SUMÁRIO 00:00:00 a 00:12:59Recados iniciais (nota de falecimento da Prof. Miriam Lemle, anúncio do sorteio, entre outros) e apresentação da convidadaBloco 1 >>> 00:13:00 a 00:45:42 O conceito de tempo: da física à linguísticaBloco 2 >>> 00:45:43 a 01:11:18Gramática Gerativa: pressupostos básicos, a expressão de tempo e aspectoBloco 3 >>> 01:11:19 a 01:28:39A desintegração do tempo na doença de AlzheimerRecomendações e encerramento >>> 01:28:40 a 01:47:13 >>> NOSSOS CONTATOS APOIE O LÍNGUA LIVRE > PARTICIPARAM DO EPISÓDIO REFERÊNCIAS DO EPISÓDIO RECOMENDAÇÕES CRÉDITOS TRILHA SONORA COMO CITAR ESTE EPISÓDIO

Alig pár hónap alatt jutott el a mozikba, illetve az Oscar-jelölésig két király(nő)dráma, három szellemírónős sztori, egy női szuperhős és legutóbb egy pankrátorlány története. Új adásunkban megbeszéljük, hogy * ez feminista új hullám vagy csak véletlen egybeesés, * Brie Larson vagy Gal Gadot-e a hitelesebb akcióhős, * túlkompenzál-e a Marvel, * kellenek-e fekete nemesek egy skót királyi udvarba, * miért dobálta meg Árpa Attila Keira Knightley-t, * van-e lelkük a floridai Barbie-babáknak, * és mennyire igazak az igaz történetek? A mikrofon mögött: Varga Dénes, Pozsonyi Janka, Huber Zoltán, Baski Sándor. Menetrend: 01:30 – Marvel kapitány (Captain Marvel, r: Ryan Fleck, Anna Boden) 23:15 - Két királynő (Mary Queen of Scots, r: Josie Rourke) 43:52 - Colette (r: Wash Westmoreland) 58:14 - A férfi mögött (The Wife, r: Björn Runge) 1:07:44 - Megbocsátasz valaha? (Can You Ever Forgive Me?, r: Marielle Heller) 1:20:04 - Családi bunyó (Fighting with My Family, r: Stephen Merchant)

L'année 2019 touche bientôt à sa fin mais il y a encore des films, et pas des moindres, à aborder pour 24FPS, le podcast ciné avec ou sans spoiler ! Voici les 10 films abordés sans spoiler par Jérôme et Julien dans cet épisode : Retour à Zombieland de Ruben Fleischer (à partir de 0:07:05) Wounds de Babak Anvari (à partir de 0:34:00) Dolemite Is My Name de Craig Brewer (à partir de 0:46:35) Hors Normes de Eric Toledano et Olivier Nakache (à partir de 1:00:20) Doctor Sleep de Mike Flanagan (à partir de 1:07:55) Le Roi de David Michôd (à partir de 1:45:11) L'Oiseau-Tempête de Wash Westmoreland (à partir de 1:59:15) À Couteaux Tirés de Rian Johnson (à partir de 2:11:50) Midway de Roland Emmerich (à partir de 2:45:25) The Irishman de Martin Scorsese (à partir de 3:10:00) Bonne écoute, et n'hésitez pas à partager les titres des œuvres que vous regardez sur votre téléphone ! Crédits musicaux : Master Of Puppets de Metallica, issu de l'album Master Of Puppets (1986), et Sweet Virginia des Rolling Stones, issu de l'album Exile On Main St. (1972)

On this week's show we move through the gears with a review of 'Le Mans '66' before jumping from the sixties to the eighties with our thoughts on 'Earthquake Bird', Wash Westmoreland's adaptation of Susanna Jones' debut novel. Running Order In The Foyer: The AV Club Films of the Decade List / Nic Cage to play Nic Cage / Fede Alvarez returns / Pom Klementieff joins M:I 7&8 Popcorn Movies: The Fanatic / Luce / 2040 / The Game Changers / Stuber / Blue Story Coming Attractions: Frozen 2 / Harriet / 21 Bridges / Them That Follow / Judy and Punch / La Belle Epoche / Greener Grass / Blue Story Features: Le Mans '66 / Earthquake Bird Credits: Star Wars Jedi Fallen Order / Soupy Norman

Felicity Jones talks about The Aeronauts. Plus film reviews including The Shining sequel Doctor Sleep, comedy Brittany Runs a Marathon and Ken Loach’s new drama Sorry We Missed You. Mark Kermode also reviews mystery Earthquake Bird directed by Wash Westmoreland. Mark and Simon chat through all the films worth seeing in UK cinemas in the UK Box Office Top Ten, we tell you the best and worst films on TV next week and recommend a home entertainment purchase in DVD of the Week. 00.29.35 Box Office Top 10 00.47.14 Felicity Jones Interview 01.01.29 The Aeronauts Review 01.11.29 Brittany Runs a Marathon Review 01.15.16 After the Wedding Review 01.20.54 Sorry We Missed You Review 01.37.17 Dr Sleep Review 01.47.41 Making Waves Review 01.51.09 Earthquake Bird Review Download the Kermode and Mayo podcast from the BBC Sounds app. We welcome your contributions: Email: mayo@bbc.co.uk Twitter: @wittertainment

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Japanese actor, Naoki Kobayashi, told us about why he was drawn to the role of Teiji in Wash Westmoreland's thriller Earthquake Bird. The post Naoki Kobayashi – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

British director Wash Westmoreland spoke to us from the BFI London Film Festival premiere of Earthquake Bird about his 1989 Japan-set thriller. The post Wash Westmoreland – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

MK3D Live! with directors Joanna Hogg, Wash Westmoreland and Tom Harper talking about their new projects and the film making process...Want to come to a recording of a Mark Kermode Live in 3D show at the BFI Southbank in London?You can book tickets to next month’s MK3D here:https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9FD162DC-3C10-43AB-ADCC-31364C1822AE&BOparam::WScontent::loadArticle::context_id=9F31E26A-0485-48B9-B9CB-4BA957BE7942If it says it's sold out - don’t despair, there are often returns so check again nearer the time.Follow Mark @KermodeMoviewww.markkermode.co.ukKermode On Film is produced by HLA Agency and Hidden FlackProducers Hedda Archbold, Nick Freand Jones and Tom Whalley See acast.com/privacy for privacy and opt-out information.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Alicia Vikander told us how playing in the cello and speaking Japanese were all in a day's work in Wash Westmoreland's Earthquake Bird. The post Alicia Vikander – Earthquake Bird #LFF2019 appeared first on Fred Film Radio.

Jason Solomons speaks to the star of Harriet, Cynthia Erivo, Rocks director Sarah Gavron and President of the London Film Festival jury, Wash Westmoreland

Director and co-writer Gurinder Chadha’s BLINDED BY THE LIGHT features a Pakistani-British teenager falling in love with Bruce Springsteen’s music while feeling misunderstood in a working class English town in 1987.   In recommendations, Mark Pfeiffer highlights Jennifer Kent’s revenge film THE NIGHTINGALE about a young woman convict who goes into the 1820s Tasmanian wilderness in search of the men who killed her family. Paul Markoff picks Richard Glatzer and Wash Westmoreland’s STILL ALICE with Julianne Moore as a woman with an early onset diagnosis of Alzerheimer’s Disease. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ BLINDED BY THE LIGHT clip courtesy New Line Cinema THE NIGHTINGALE clip courtesy IFC Films STILL ALICE clip courtesy Sony Pictures Home Entertainment Music: "Parasail" by Silent Partner Recorded August 31, 2019.

We discuss which painting we would most like to live in ... See links below. Jacques-Louis David, Madame Récamier, née Julie (known as Juliette) Bernard (1777-1849), known as Portrait of Juliette Récamier, Musée du Louvre, Paris (1800): https://www.louvre.fr/en/oeuvre-notices/madame-recamier François Gérard, Portrait de Juliette Récamier, Musée Carnavalet, Paris (c. 1805): http://www.carnavalet.paris.fr/fr/collections/portrait-de-juliette-recamier-1777-1849 Jan van Eyck, The Arnolfini Portrait, National Gallery, London (about 1434): https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait Hans Memling, The Donne Tryptich, National Gallery, London (about 1478): https://www.nationalgallery.org.uk/paintings/hans-memling-the-donne-triptych Oorijzers – ‘Ear-irons’ – Part 1, Atelier Nostalgia (27 September 2016): https://ateliernostalgia.wordpress.com/2016/09/27/oorijzers-ear-irons-part-1/ John Singer Sargent, Mr. and Mrs. I. N. Phelps Stokes, Metropolitan Museum of Art, New York (1897): https://www.metmuseum.org/toah/works-of-art/38.104/ Wash Westmoreland (director), Colette (2018): https://www.imdb.com/title/tt5437928/ James Jacques Tissot, Frederick Burnaby, National Portrait Gallery, London (1870): https://www.npg.org.uk/collections/search/portrait/mw00932/Frederick-Burnaby François-Hubert Drouais, Madame de Pompadour at her Tambour Frame, National Portrait Gallery, London (1763-4): https://www.nationalgallery.org.uk/paintings/francois-hubert-drouais-madame-de-pompadour-at-her-tambour-frame Otto Dix, Bildnis der Journalistin Sylvia von Harden, Centre Pompidou (1926): https://www.centrepompidou.fr/cpv/resource/cjyXKB7/rzEpd6 August Sander, Sekretärin beim Westdeutscher Rundfunk in Köln (1931): https://art.rmngp.fr/fr/library/artworks/august-sander_sekretarin-beim-westdeutscher-rundfunk-in-koln_epreuve-gelatino-argentique_1931

Alig pár hónap alatt jutott el a mozikba, illetve az Oscar-jelölésig két király(nő)dráma, három szellemírónős sztori, egy női szuperhős és legutóbb egy pankrátorlány története. Új adásunkban megbeszéljük, hogy * ez feminista új hullám vagy csak véletlen egybeesés, * Brie Larson vagy Gal Gadot-e a hitelesebb akcióhős, * túlkompenzál-e a Marvel, * kellenek-e fekete nemesek egy skót királyi udvarba, * miért dobálta meg Árpa Attila Keira Knightley-t, * van-e lelkük a floridai Barbie-babáknak, * és mennyire igazak az igaz történetek? A mikrofon mögött: Varga Dénes, Pozsonyi Janka, Huber Zoltán, Baski Sándor. Menetrend: 01:30 – Marvel kapitány (Captain Marvel, r: Ryan Fleck, Anna Boden) 23:15 - Két királynő (Mary Queen of Scots, r: Josie Rourke) 43:52 - Colette (r: Wash Westmoreland) 58:14 - A férfi mögött (The Wife, r: Björn Runge) 1:07:44 - Megbocsátasz valaha? (Can You Ever Forgive Me?, r: Marielle Heller) 1:20:04 - Családi bunyó (Fighting with My Family, r: Stephen Merchant)

LA CHRONIQUE CINE les mercredi et vendredi à 9h et 20h. Jeanne Beyrand nous parle des sorties des films. Cette semaine, deux films à l'affiche "Colette" de Wash Westmoreland avec Keira Knightley, Dominic West et Eleanor Tomlinson et "The Front Runner" de Jason Reitman avec Hugh Grant et Molly Ephraim.

Sam talks to writer-director Wash Westmoreland about his new film Colette, in cinemas now.  A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi. In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.

Au sommaire : Marc Choquet présente "Colette" par Wash Westmoreland avec Keira Knightley, "Doubles vies" par Olivier Assayas avec Guillaume Canet, Juliette Binoche et Vincent Macaigne.

Au sommaire : Marc Choquet présente "Colette" par Wash Westmoreland avec Keira Knightley, "Doubles vies" par Olivier Assayas avec Guillaume Canet, Juliette Binoche et Vincent Macaigne.

Les sorties ciné de la semaine du mercredi 16 janvier 2019, avec notamment "Colette" le biopic américain de Wash Westmoreland, avec Keira Knightley, "Doubles Vies", une romance francaise de Olivier Assayas, avec Guillaume Canet, Juliette Binoche, Vincent Macaigne et Nora Hamsawi. Enfin, "Une jeunesse dorée", un drame français de Eva Ionesco, avec Isabelle Huppert, Melvil Poupaud, et Galatea Bellugi. Intview de Justine Thibaudat pour son interprétation dans la pièce de théâtre "Kean" de Alexandre Dumas mise en scène de Alain Sachs au Théâtre 14 à Paris.

We discuss sexuality, period drama, and Keira Knightley and Dominic West’s starring roles in our review of Wash Westmoreland’s ‘Colette’, with film critics Anna Smith and Tim Robey.

In this episode, the team are joined by Curzon's very own programmer Lydia Penke, as well as director Jason Reitman (Juno, Up in the Air, Tully) to talk about two of the week's biggest releases: Colette and The Front Runner.Colette is a truly modern, complex woman: a libertine and bisexual, she also made her fortune from her wits and pushed back against the patriarchy. Wash Westmoreland presents an elegant but not sanitised view of turn of the century Paris, where we watch as Colette (Keira Knightley) is seduced and married by notorious rake Willy (Dominic West). Pushed into ghostwriting novels for this charismatic cad, she uses her exuberance to push back against all constrictions placed on her in this rich portrait of a dazzling talent.In The Front Runner, it's 1988 and Gary Hart, played Hugh Jackman, is the likeable and inspirational Democratic nominee, winning hearts and minds on the campaign trail. But he's unwilling to open up about his family life, and the press unearth explosive details that begin to derail his marriage and his political aspirations. the personal fall out from this tabloid story changed the course of American politics.Discussing the films this week are Steven Ryder, Lydia Penke, Kelly Powell and Jake CunninghamFollow the team on Social Media:@ks_powell - Kelly@jakehcunningham - Jake@SamHowlett_1 - Sam@hydra815 - StevenProduced and Edited by Jake CunninghamMusic from Incompetech.com Hosted on Acast. See acast.com/privacy for more information.

This week on Out Takes, we turned the spotlight on COLETTE, the radiant new film from Wash Westmoreland starring Keira Knightly. COLETTE brings the untold story of author and bisexual icon Sidonie-Gabrielle Colette and her famous […] http://media.blubrry.com/out_takes/p/joy.org.au/outtakes/wp-content/uploads/sites/310/2018/12/JOY-2018_OuttakesDec17_Colette_TheWife.mp3 Podcast: Play in new window | Download (Duration: 56:34 — 47.0MB) Subscribe or Follow Us: Apple Podcasts | Android | Spotify | RSS The post COLETTE with Director Wash Westmoreland appeared first on Out Takes.

This week saw the passing of two greats of cinema, Nicolas Roeg and Bernardo Bertolucci. Still Alice director Wash Westmoreland discusses his new film about French novelist Colette. We look at why German TV is having a moment, and a review of Steve McQueen's female heist movie, Widows.

This week saw the passing of two greats of cinema, Nicolas Roeg and Bernardo Bertolucci. Still Alice director Wash Westmoreland discusses his new film about French novelist Colette. We look at why German TV is having a moment, and a review of Steve McQueen's female heist movie, Widows.

Keira Knightley and Dominic West join writer/director Wash Westmoreland and producer Elizabeth Karlsen to discuss their new film Colette, about the French writer of the smash-hit Claudine series and her relationship with writing, her complex love life and herself. Listen to the end to hear what Keira really thought of performing that infamous sarcophagus scene!

Colette (Biography, Drama, History) Colette is pushed by her husband to write novels under his name. Upon their success, she fights to make her talents known, challenging gender norms.Director: Wash WestmorelandWriters: Richard Glatzer (screenplay by), Wash Westmoreland (screenplay by) Stars: Keira Knightley, Eleanor Tomlinson, Dominic West - (IMDb) Movies First RSS feed:  https://feeds.megaphone.fm/BIT7197946000 Stream podcast episodes on demand from www.bitesz.com/moviesfirst  (mobile friendly).  Subscribe, rate and review Movies First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, PocketCasts, CastBox.FM, Podbean, Acast, Spreaker etc.For more, follow Movies First on Facebook, Twitter and Google+:Facebook - @moviesfirsttwitter - @MoviesFirstGoogle+ -  https://plus.google.com/u/1/b/116201551232774363704/108207704769091029605  YouTube Channel: https://www.youtube.com/channel/UCatJQHaVabIvzCLqO16XvSQ  If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you.#movies #cinema #entertainment #podcast #reviews #moviesfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Moon Zappa interviews writer/director Wash Westmoreland (Still Alice, The Last of Robin Hood) about his new film, Colette. 

Jason Solomons is joined by directors Carol Morley, Wash Westmoreland and Naziha Arebi.

Does the biopic about a 19th century French writer Colette bring her to life? This episode features a conversation on a film which seems to be of the moment. Gender dynamics, intellectual property, relationships ... history. Host Jonathan Schwartz is joined by podcast favorites Ange-Marie Hancock Alfaro, Anita Dashiell-Sparks, and Alex Ago. Let us know what you think of the film and our conversation at Facebook or Twitter. @BedrosianCenter, @AubreyHi, @AngeMarieH, @esouthersHVE, @jonHLYP, @USCPrice, @AlessandroAgo

Writer/Director Wash Westmoreland discusses his new film COLETTE with Dana Schwartz (Entertainment Weekly). Recorded at the Landmark in Los Angeles on 9/22/18

Director Wash Westmoreland discusses his film, Colette, with fellow director Scott McGehee. Set in the dawn of 20th century, the film tells the story of Sidonie-Gabrielle Colette, a talented young writer who moves from her childhood home to Paris after she weds a writer known commonly as "Willy." Convinced by Willy to ghostwrite for him, Colette pens a bestselling semi-autobiographical novel that becomes a cultural sensation and spawns sequels. But her fight to regain creative ownership drives her to overcome societal constraints and challenge gender roles. See photos and a summary of this event below: https://www.dga.org/Events/2018/Nov2018/Colette_QnA_0918.aspx

After marrying a successful Parisian writer known commonly as “Willy” (Dominic West), Sidonie-Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette's fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. Director and screenwriter Wash Westmoreland stops by to talk about the story behind a remarkable trailblazing feminist, writer, performer and cultural icon whose influence has inspired artists for the last 100 years. For news and updates go to: bleeckerstreetmedia.com/colette

In Theaters, Friday September 21, 2018ColetteAfter moving to Paris, author Sidonie-Gabrielle Colette agrees to ghostwrite a semi-autobiographical novel for her husband. Its success soon inspires her to fight for creative ownership and overcome the societal constraints of the early 20th century.Starring: Keira Knightley, `Dominic West, Eleanor Tomlinson, Denise GoughDirected by: Wash WestmorelandProduced by: Elizabeth Karlsen, Pamela Koffler, Michel Litvak, Christine VachonWritten by: Wash Westmoreland, Rebecca Lenkiewicz, Richard GlatzerDistributed by: Bleecker Street, 30West, LionsgateRuntime: 151 minutes See acast.com/privacy for privacy and opt-out information.

Jonathan's feature film work includes Wristcutters: A Love Story, The High Cost Of Living, Breathe In, and the Sundance Grand Jury Prize winner Like Crazy.  Jonathan has collaborated with director Andrew Haigh on the HBO series Looking, the film 45 Years starring Charlotte Rampling, and most recently the gritty coming of age tale Lean on Pete.  Jonathan has recently been working on Wash Westmoreland's  upcoming Earthquake Bird, starring Alicia Vikander.

From a bustling red carpet awaiting Keira Knightley, I interview Dominic West, Ray Panthaki and director, Wash Westmoreland of the Oscar-worthy film, Colette, at the Sundance Film Festival. For more information, visist TheDinnerParty.tv .

The 2018 Sundance Film Festival just wrapped up, and the Critic and the Referee are back to give you their inside scoop on what went down while in those snowy mountains. This was the Critic and the Referee's 2nd year attending the film festival and it didn't disappoint. Enjoy our coverage of day 1 and day 2 of Sundance Film Festival 2018!Day1Hearts Beat LoudRelease: January 26, 2018 (Sundance)A father and daughter form an unlikely songwriting duo in the summer before she leaves for college.Starring: Nick Offerman, Kiersey Clemons, Toni Collette, Sasha Lane, Ted Danson, Blythe DannerDirected by: Brett HaleyProduced by: Sam Bisbee, Houston King, Sam SlaterWritten by:Brett Haley, Marc BaschCinematography by: Eric LinDistributed by:Gunpowder & SkyRuntime: 97 minutesBlind SpottingRelease: January 18, 2018 (Sundance)A raucous, rap-filled and often revealing story of male friendship on the rapidly gentrifying streets of Oakland, California.Starring: Janina GavankarDirected by: Carlos López EstradaProduced by: Jess Calder, Keith Calder, Rafael Casal, Daveed DiggsWritten by:Rafael Casal, Daveed DiggsCinematography by: Robby BaumgartnerDistributed by:LionsgateRuntime: 97 minutesThe Catcher Was a SpyRelease: January 19, 2018 (Sundance)In the midst of World War II, major league catcher Moe Berg (Paul Rudd) is drafted to join a new team: the Office of Security Services (the precursor to the CIA). No ordinary ballplayer, the erudite, Jewish Ivy League graduate speaks nine languages and is a regular guest on a popular TV quiz show. Despite his celebrity, Berg is an enigma - a closeted gay man with a knack for keeping secrets. The novice spy is quickly trained and sent into the field to stop German scientist Werner Heisenberg before he can build an atomic bomb for the Nazis.Starring: Paul Rudd, Guy Pearce, Jeff Daniels, Paul Giamatti, Sienna MillerDirected by: Ben LewinProduced by: Kevin Scott Frakes, Tatiana Kelly, Buddy Patrick, Jim YoungCinematography by: Andrij ParekhRuntime: 138 minutesDay2Don't Worry, He Won't Get Far on FootRelease: January 19, 2018 (Sundance) - May 11, 2018 (United States)After nearly dying in a car accident, the last thing Oregon slacker John Callahan intends to do is give up alcohol. Encouraged by his girlfriend and a charismatic sponsor, Callahan reluctantly enters a treatment program and discovers that he has a knack for drawing. The budding artist soon finds himself with a new lease on life when his edgy and irreverent newspaper cartoons gain a national and devoted following.Starring: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Udo Kier, Carrie Brownstein, Steve Zissis, Mark WebberDirected by: Gus Van SantProduced by: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicholas LhermitteCinematography by: Christopher BlauveltDistributed by: Amazon StudiosRuntime: 113 minutesWild LifeRelease: January 20, 2018 (Sundance)In 1960, a boy watches his parents' marriage fall apart after they move to Montana, and his mother falls in love with another man.Starring: Jake Gyllenhaal, Carey Mulligan, Ed Oxenbould, Zoe Margaret CollettiDirected by: Paul DanoProduced by: Jake Gyllenhaal, Oren Moverman, Riva Marker, Ann Ruark, Alex SaksCinematography by: Diego GarcíaRuntime: 144 minutesColetteRelease: January 20, 2018 (Sundance)The story of a marriage, Colette shows the lengths one woman must go to escape her husband's control and claim her voice as an artist.Starring: Keira Knightley, Dominic WestDirected by: Wash WestmorelandProduced by: Elizabeth Karlsen, Pamela Koffler, Michel Litvak, Christine VachonWritten by: Wash Westmoreland, Richard GlatzerRuntime: 151 minutes See acast.com/privacy for privacy and opt-out information.

We continue our conversation with lauded Cinematographer Giles Nuttgens in the second part of our discussion. Ranging from the technical aspects of Anthropomorphic both historically and currently, his partnership with David Mackenzie and last year's Oscar Nominated success Hell or High Water, to the "challenge of his career" filming Semih Kaplanoğlu's black and white film epic Grain, and some recommendations of great cinematographers to study. Bio Giles Nuttgens recently completed photography on director Wash Westmoreland’s period drama Colette, starring Keira Knightley as a struggling French novelist. Previously, he lensed David Mackenzie’s Hell or High Water, which premiered in Un Certain Regard at 2016’s Cannes Film Festival to critical acclaim. Starring Jeff Bridges, Chris Pine and Ben Foster, Nuttgens earned a 2017 BAFTA Film Award nomination for Best Cinematography for his work. In 2016 Nuttgens also worked on The Fundamentals of Caring, which first screened at Sundance.The film follows Craig Roberts, Paul Rudd and Selena Gomez as a trio who connect on a life changing crosscountry journey. The last film to ever be shot on black-and-white Kodak 35mm film, Nuttgens shot Grain in Istanbul. Ironically, the movie tells the story of a seed geneticist attempting to save the last batch of genetically unmodified wheat. Nuttgens’ other feature credits also include: Young Ones and God Help the Girl, which both premiered at the 2014 Sundance Film Festival; and The D Train (starring Jack Black and James Marsden) and What Maisie Knew (starring Julianne Moore and Alexander Skarsgard) – both shot with his long-time collaborators, the directing team Scott McGehee and David Siegel. With director Deepa Mehta, Nuttgens lensed Midnight’s Children, based on the bestselling Salman Rushdie novel. Nuttgens’ also shot Mehta’s elemental trilogy Fire, Earth and Water. Water received a 2007 Oscar nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography. In 2007, Nuttgens’ “sigh-inducingly evocative” (the Telegraph) cinematography for Mister Foe earned Best Cinematography awards at the Copenhagen Film Festival and British Film Festival in Dinard, as well as a Best Cinematography nomination at the 2008 Evening Standard Awards. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned Nuttgens the 2001 Sundance Film Festival Award for Best Cinematography and a nomination in the same category at the 2002 Independent Spirit Awards. BBC trained, Nuttgens was one of the youngest cameramen ever to be appointed to the BBC and worked on a variety of dramas, documentaries and news program. Nuttgens remembers an exceptional experience in his early career spending four months in the Brazilian jungle sleeping on the sandbanks on the side of the Araguaia River. There, he ate dried manioc flour and the red-bellied Amazonian piranha that he fished for every day. Giles is represented by DDA. CinematographyfilmdirectorThe OscarsGiles NuttgensDavid MackenzieChris PineBen FosterJeff BridgesAnthromorphicBlack and WhiteHell or High WaterGrainSarejevo Film FestivalReference FIlmsTurn OverPaul RuddFundamaSelena Gomez      

Lauded cinematographer Giles Nuttgens recently completed photography on director Wash Westmoreland’s period drama Colette, starring Keira Knightley as a struggling French novelist. Previously, he lensed David Mackenzie’s Hell or High Water, which premiered in Un Certain Regard at 2016’s Cannes Film Festival to critical acclaim. Starring Jeff Bridges, Chris Pine and Ben Foster, Nuttgens earned a 2017 BAFTA Film Award nomination for Best Cinematography for his work. In 2016 Nuttgens also worked on The Fundamentals of Caring, which first screened at Sundance.The film follows Craig Roberts, Paul Rudd and Selena Gomez as a trio who connect on a life changing crosscountry journey. The last film to ever be shot on black-and-white Kodak 35mm film, Nuttgens shot Grain in Istanbul. Ironically, the movie tells the story of a seed geneticist attempting to save the last batch of genetically unmodified wheat. Nuttgens’ other feature credits also include: Young Ones and God Help the Girl, which both premiered at the 2014 Sundance Film Festival; and The D Train (starring Jack Black and James Marsden) and What Maisie Knew (starring Julianne Moore and Alexander Skarsgard) – both shot with his long-time collaborators, the directing team Scott McGehee and David Siegel. With director Deepa Mehta, Nuttgens lensed Midnight’s Children, based on the bestselling Salman Rushdie novel. Nuttgens’ also shot Mehta’s elemental trilogy Fire, Earth and Water. Water received a 2007 Oscar nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography. In 2007, Nuttgens’ “sigh-inducingly evocative” (the Telegraph) cinematography for Mister Foe earned Best Cinematography awards at the Copenhagen Film Festival and British Film Festival in Dinard, as well as a Best Cinematography nomination at the 2008 Evening Standard Awards. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned Nuttgens the 2001 Sundance Film Festival Award for Best Cinematography and a nomination in the same category at the 2002 Independent Spirit Awards. BBC trained, Nuttgens was one of the youngest cameramen ever to be appointed to the BBC and worked on a variety of dramas, documentaries and news program. Nuttgens remembers an exceptional experience in his early career spending four months in the Brazilian jungle sleeping on the sandbanks on the side of the Araguaia River. There, he ate dried manioc flour and the red-bellied Amazonian piranha that he fished for every day. Giles Nuttgens is represented by DDA.

Quoi de mieux que 16 films abordés sans spoiler pour en finir avec les mois de mars et avril 2015 dans 24FPS, le podcast ciné (avec ou) sans spoiler ?Alors voici la liste des films abordés par Jérôme et Julien dans cet épisode hors-série : It Follows de David Robert Mitchell (à partir de 0h02m35) The Voices de Marjane Satrapi (à partir de 0h15m20) These Final Hours de Zak Hilditch (à partir de 0h21m40) Big Eyes de Tim Burton (à partir de 0h27m00) Son of a Gun de Julius Avery (à partir de 0h46m45) Selma de Ava DuVernay (à partir de 0h51m30) Still Alice de Richard Glatzer et Wash Westmoreland (à partir de 1h01m25) Hacker de Michael Mann (à partir de 1h10m40) Gunman de Pierre Morel (à partir de 1h27m55) Night Run de Jaume Collet-Serra (à partir de 1h33m45) Divergente 2 : L'Insurrection de Robert Schwentke (à partir de 1h41m45) Diversion de Glenn Ficarra et John Requa (à partir de 1h47m00) Enfant 44 de Daniel Espinosa (à partir de 2h00m45) Indian Palace : Suite royale de John Madden (à partir de 2h15m55) Lost River de Ryan Gosling (à partir de 2h21m25) Inherent Vice de Paul Thomas Anderson (à partir de 2h42m40)Bonne écoute, et n'hésitez pas à nous dire ce que vous avez pensé de Inherent Vice !Crédits musicaux : Ole Man Trouble de Otis Redding, issu de l'album Otis Blue/Otis Redding Sings Soul (1965).

Julianne Moore is in Oscar contention for playing a woman struggling with Alzheimer's in Still Alice. The film was directed by a married couple with their own story of battling a debilitating disease.

Nevina Satta, Direttore, Sardegna Film Commission. Still Alice, regia de Richard Glatzer, Wash Westmoreland. A chimbanta annos Alice, dotzente de linguìstica in sa Columbia University,... More The post Nevina Satta – Sardegna Film Commission #RomaFF9 appeared first on Fred Canale Sardu » FRED Podcast Sardu. Nevina Satta – Sardegna Film Commission #RomaFF9 was first posted on ottobre 24, 2014 at 3:18 pm.©2015 "Fred Canale Sardu". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Wash Westmoreland, Director, Still Alice. Festival Section: Gala. Fred meets Wash Westmoreland, co-director with Richard Glatzer of STILL ALICE which has been presented at the 9th edition of Rome Iternational Film Festival in the Gala Section. The Film, starring an amazing Julianne Moore, tells the story of 50 years old Alice Howland, [...] The post Wash Westmoreland – Still Alice #RomaFF9 appeared first on Fred Film Radio.

Filmmakers Vohn Regensburger, Wash Westmoreland, Richard Glatzer, and Chris Bruno talk about their new movies: A Remarkable Life and The Last of Robin Hood. Regensburger is the writer/director of the first film, which stars Bruno, who also helped with the writing and served as one of the producers. Glatzer and Westmoreland are the writers/directors of the second offering to be discussed. Film critic Mack Bates will co-host.   A Remarkable Life tells the story of a man who finds his life falling apart and is forced to examine his identity, his manhood and his sense of self. Lenny (played by Bruno) faces loss of his job, a son with Asperger's Syndrome, and a wife who's fallen in love with the son's female doctor. It's a highly entertaining film - but one that gives us a lot to think about. Director Regensburger also composed the impressive music score, just as he did for his first film, Last of the Romantics. The Last of Robin Hood  follows Errol Flynn's scandalous affair with a star-struck teenage girl. Kevin Kline plays Flynn in his later years -- not the heartthrob from The Adventures of Robin Hood. Dakota Fanning and Susan Sarandon play the young girl and her mother who enables the affair, respectively. This fascinating film deals with fame and the high price it can exact. Glatzer and Westmoreland have also written and directed Quinceanera, Pedro, The Fluffer and Grief.    

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