Podcasts about Flanders Fields

The Timeless Appeal of "In Flanders Fields": A Sherlock Holmes AdventureThis radio drama, set during World War I, follows Sherlock Holmes and Dr. Watson as they navigate a tense situation at the front lines. The story unfolds with the mysterious disappearance of a Shakespearean actor, leading to a series of events that reveal espionage, betrayal, and the importance of morale during wartime. Holmes takes the stage to deliver a performance, risking his life while uncovering a plot that could jeopardize the upcoming battle. The narrative highlights themes of loyalty, sacrifice, and the impact of war on individuals and society.In the midst of the First World War, the radio play "In Flanders Fields" brings together the legendary detective Sherlock Holmes and his trusted companion Dr. Watson in a thrilling wartime mystery. Set against the backdrop of an impending battle, the story unfolds with Holmes stepping into the spotlight to perform in place of a missing Shakespearean actor. This play, part of a war bond rally, underscores the importance of morale and support during the war years.The narrative weaves themes of loyalty, patriotism, and the enduring spirit of the theater, as Holmes and Watson navigate espionage and intrigue. The play not only entertains but also serves as a reminder of the resilience and courage required in times of conflict. As Holmes takes the stage, the audience is transported to a time when the power of performance could uplift spirits and unite people in a common cause.The clever writing of Dennis Green and Anthony Boucher ensures that the essence of Sir Arthur Conan Doyle's characters is preserved, while also adapting them to the unique challenges of wartime. "In Flanders Fields" is a testament to the enduring appeal of Sherlock Holmes and the timeless nature of storytelling that transcends generations.Subscribe now to explore more adventures of Sherlock Holmes and discover how these classic tales continue to resonate in today's world.TakeawaysThe radio drama was a morale booster during wartime.Sherlock Holmes and Dr. Watson are timeless characters.The story is set against the backdrop of World War I.The importance of art and performance in difficult times.Holmes's deductive reasoning is central to the plot.The tension between personal loyalty and national duty is explored.The narrative reflects on the impact of war on society.The character of Maitland Morris symbolizes the conflict of loyalty.The show must go on, even in the face of danger.The story concludes with a poignant reflection on war and its consequences.Sherlock Holmes, radio drama, World War II, Flanders Fields, Basil Rathbone, Nigel Bruce, wartime morale, mystery, adventure, classic literature

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

Military Historian, Author, and Battlefield Guide Paul Reed join Sean to discuss a BBC documentary that he took part in, Meet The Ancestors Series 5, Episode 3: The Forgotten Battlefield. The documentary details a group of amateur archaeologists called The Diggers, who discovered a complex trench system over 200 fallen soldiers, in the Ieper (Ypres) and Boesinghe (now Boezinge).In an act of what Paul describes as "rescue archaeology" the diggers and historians-including Paul himself, race against time to uncover as much as they can before the area is completely covered by the building of an industrial estate. Paul also talks about what happened after the cameras stopped rolling.From the educational remit of British television in the early 2000's, to the emergence of amateur archaeology, and World War One remembrance and myths, this episode has it all.Raised Questions:-Did you know the BBC made a rival programme to Channel Four's Time Team?-Why weren't professional archaeologists interested in World War One battlefields back in the early 2000's?-Why wouldn't The Diggers be allowed to do their work today?-Why does wood survive in Flanders Field?-Why is it important to show the reality of war in documentaries?Chapters:0:06 Welcome to Review It Yourself1:14 Revisiting The Forgotten Battlefield2:55 The Evolution of BBC Documentaries7:31 The Role of 'The Diggers'9:19 Post-War Reconstruction Challenges10:48 Discoveries Beneath the Surface13:53 Amateurs vs. Professionals in Archaeology15:28 The Significance of Archaeological Finds21:02 Understanding the Reality of War23:28 The Human Cost of Conflict30:15 The Reality of Identification34:59 Forgotten Events of the Past38:54 The Fog of War40:47 Officer Casualties and Leadership45:44 Findings from the Battlefield Trench47:45 Unearthing History56:34 The Weight of Remembrance1:01:20 Reflections on Loss1:06:21 The Reality of War1:08:09 Commemoration vs. Reality1:16:56 Modern Discoveries1:23:05 The Role of DNA1:28:58 The Future of Historical Narratives1:33:57 Sharing Knowledge and PassionThe Programme on BBC iPlayer (UK Only): https://www.bbc.co.uk/iplayer/episode/b0074n0m/meet-the-ancestors-series-5-3-the-forgotten-battlefieldPaul's Podcast: Further Information can be found in Paul's podcast: The Old Front Line:-Battlefield Archaeology & Essex Farm Episode (3rd April 2020).-Forgotten Battlefield: The Reunion Episode (1st April 2023).The Old Front Line Website: https://oldfrontline.co.uk/Thanks for Listening!Find us here: X: @YourselfReviewInstagram: reviewityourselfpodcast2021 Hosted on Acast. See acast.com/privacy for more information.

Walter Blythe stands as the moral conscience of Rilla of Ingleside. In this episode, Dr. Corey McEleney joins us to examine Walter's transformation from a conflict-averse college student into a celebrated war hero, and how his empathetic reflections on war allowed L.M. Montgomery to to wrestle with her own doubts. We also turn to WWI battlefield poetry, tracing its evolution from  patriotic fervor to some of the most searing critiques of the war. The poems mentioned or discussed by Corey McEleney are here: In Flanders Fields by John McCrae The Poet As Hero by Siegfried Sassoon Glory of Women by Siegfried Sassoon They by Siegfried Sassoon The General by Siegfried Sassoon Dulce et Decorum Est by Wilfred Owen You can find more about Corey McEleney at Fordham University. Inspired by: Corey is inspired by the novel Regeneration by Pat Barker for a fictionalized account of the WWI poet/soldier Siegried Sassoon. Kelly is inspired by the movie 1917 directed by Sam Mendes for a realistic portrayal of WWI inspired by Sam Mendes' own grandfather. Ragon is inspired by the novel The Everlasting by Alix E. Harrow for a fantastical time travel love story that's also a reflection on war, heroism and propaganda. You can support the pod by shopping through our Bookshop link for any books we've recommended!   If you want to get a free logo sticker from us, either leave us a review on Apple Podcasts or share your love for the pod on social media!  Send us a photo of your share or review at either our email: kindredspirits.bookclub@gmail.com or on our KindredSpirits.BookClub Instagram. 

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

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Choice Classic Radio presents Sherlock Holmes. Today we bring to you the episode titled “In Flanders Field.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

WWI (1914-18) was a global conflict whose horrendous battlefields consumed a generation of young Christian men on Europe’s Western Front. Canadian soldier John McCrae (a Presbyterian; 1872-1918) and American humanitarian Moina Michael (a Methodist; 1869-1944) sparked a remembrance movement in honor of the war dead and veterans, forever inspired by the phrase “Between the crosses, row on row.” Christians & Just War books at https://amzn.to/4p0d33q In Flanders Fields books & souvenirs at https://amzn.to/4hRLO8W WWI books & souvenirs available at https://amzn.to/494Lp0u ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Mark's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credit: The Daily Poem podcast with Sean Johnson presented by Goldberry Studios-John McCrae's "In Flanders Fields" May 26, 2025; Red Poppies-Flowers of Remembrance (Baker Creek Heirloom Seeds at rareseeds.com; A Forest Melody by Tellsonic, Awakening Wilderness); Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting. See omnystudio.com/listener for privacy information.

World War One was a global conflict whose horrendous battlefields consumed a generation of young men on Europe’s Western Front. One such man was Canadian medical doctor, poet, and soldier John McCrae. His experiences on the battlefield moved him to compose “In Flanders Fields” which became the most famous poem of The Great War. Moina Michael, an American woman moved by the poem, was inspired to adopt the red poppy as a symbol of remembrance for those who died in the War to end all Wars—her life's work advocating for veterans' welfare as "The Poppy Lady," spread this remembrance movement throughout North America, parts of Europe, and beyond. In Flanders Fields books & souvenirs at https://amzn.to/4hRLO8W WWI books & souvenirs available at https://amzn.to/494Lp0u ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's video channel: https://youtube.com/c/TIMELINE_MarkVinet Mark's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: The Daily Poem podcast with Sean Johnson presented by Goldberry Studios-John McCrae's "In Flanders Fields" May 26, 2025; Red Poppies-Flowers of Remembrance (Baker Creek Heirloom Seeds at rareseeds.com; A Forest Melody by Tellsonic, Awakening Wilderness); Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Is it sleepy-time yet? Almost.  The McFarlands guide The Growing Season into the final stretch of the horticultural season on this week's episode of The Growing Season.Poppies kick off the show and Jack, Lynne and Matt McFarland discuss poppy bloom time and why they don't use many poppies on designs.  Hint:  think peonies. Why did poppies grow vigorously in Flanders Fields?  You'll be surprised to know. An extended version of "Imagine If You Will" takes the listeners back 100 years to find out how homeowners were prepping their flower beds for the winter in 1925. What were the major changes between what was happening then vs. now in fall garden prep? LOTS OF MANUAL LABOUR.  Seed saving was fashionable. Matt dives into "root cellars."  Weed prevention practices in 1925 will blow your mind. Jumping up 50 years into 1975 changes the rules of fall flowerbed prep. The trio discuss how they used to fall prep clients flower beds 20 years ago vs. what they do now.  It's a drastic difference.  Do you "rough up" the garden soil before the snow flies?   Do you cut the perennials down to the ground?   Do you fertilize? Willows are a pain in the bottom. You'll find out why. Should you be doing a heavy prune at this time of the year? There are two schools of thought. Catalytic converters and leaves.  Its a thing.  The five most common mistakes made during "bed time" are discussed. How do you address those piles of leaves in an efficient manner?  Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE.Subscribe to The Growing Season podcast.  CLICK HERE.

We open with Herlinda Heras calling from Belgium. Leah Scurto of PizzaLeah and Fairfax Brewing Co's Dan McGarry talk to Daedalus Howell after that. Herlinda is on a barge on a canal in Belgium, on a beer voyage sponsored by Visit Flanders, the tourist bureau. Herlinda's tour has taken her near the sites of some important battles of World War One. It included a visit to Flanders Fields. They visited the Saint Sixtus Abbey in Westvleteren, Belgium. The monks who live there and make beer were quite surprised when one of their beers came out Number One on RateBeer dot com. “The poor monks didn't know what to do with themselves, but now it's quite the destination.” They went to Rodenbach for a blending class and also to Chimay. Vinny and Natalie from Russian River Brewing Co. are also in Belgium for the Brussels Beer Challenge. However they and Herlinda are on different itineraries this time and won't meet up over there. Herlinda has also visited some small local breweries in France and Belgium. She will have a lot to say about her trip on next week's show. "It's tough but somebody's got to do it." Visit our sponsor PizzaLeah in Windsor for the finest pizza menu, great beers and the most authentic flavors around!

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

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In this latest episode of The Table of Content, Michael and Albert take some time to reflect on Memorial Day with two poems. "In Flanders Fields" by John McCrae and "Memorial Day" by Alfred Joyce Kilmer become the subjects of a conversation focused on honoring soldiers, recognizing their great sacrifice and how God is a part of it all. Tune in to this episode! Link to: "In Flanders Fields" https://youtu.be/lo_E06J1AT4 Link to: "Memorial Day" https://youtu.be/bhaVNfpyB5o

Prattville artist Julianne Hansen tells the story of the Alabama Poppy Project and how World War One and Flanders Field inspired it.

Today's poem has become one of the most famous 20th-century war poems–in part because of its ability to grant fallen soldiers a voice that is earnestly patriotic without becoming jingoistic. Perhaps the balance is a reflection of the steadiness of the Canadian veteran who penned it. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

We commemorate the brave sacrifices of our fallen soldiers because they gave their last full measure of devotion for our country and liberty. Learn how Memorial Day started as a tribute to fallen Union soldiers in the Civil War.  It started through many local efforts and became a national, uniform celebration with the leadership of General Logan of the Grand Army of the Republic.Explore how over time, Memorial Day was the setting for brilliant speeches and commemorations, and changed to include all war dead during World War I.Review how more recently, a 1 minute silent Moment of Remembrance has been added to Memorial Day, which occurs at 3:00 pm local time.The future of our country and freedom rests with us to carry on their supreme sacrifices, and to failure to remember that could lead to our doom.Highlights include statistics about America's war dead, Pericles, Thucydides, Abraham Lincoln, the Gettysburg Address, David Wills, Edward Everett, Patriot Week, Leah Warren, Arlington National Cemetary, Major General John Logan, the Grand Army of the Republic,  Logan's General Order No. 11, President James Garfield, Frederick Douglass, Justice Oliver Wendell Holmes, Decoration Day, John McCrae, We Shall Not Sleep, a/k/a In Flanders Fields, Mania Michael, Ladies Home Journal, Armistice Day, veterans Day, Uniform Monday Holiday Act, National Moment of Remembrance Act, Carmella LaSpanda, President Bill Clinton, and many others.To learn more about America & Patriot Week, visit www.PatriotWeek.org. Our resources include videos, a TV series, blogs, lesson plans, and more.Read the entire Declaration of Independence here: https://patriotweek.org/2021/07/24/the-declaration-of-independence-september-11/Check out Judge Michael Warren's book America's Survival Guide, How to Stop America's Impending Suicide by Reclaiming Our First Principles and History at amazon, or other major on-line retailers.Join us!

In this powerful and emotional Memorial Day special, Janae and Ronnie take listeners on a journey of remembrance, honor, and gratitude. From stirring poems to heartfelt interviews, they reflect on the true meaning of Memorial Day—not just as a long weekend, but as a sacred time to remember those who made the ultimate sacrifice for freedom. Featuring a poignant letter from a Civil War soldier, reflections from a retired Command Sergeant Major, community voices, and a breathtaking live performance of “God Bless the USA,” this episode is both a tribute and a call to remember.

In the heart of every shadow that plagues our communities, from the silent cries of the trafficked to the silent battles of addiction, We Fight Monsters stands as a beacon of hope and defiance. Born from the shared experiences of those who've faced the abyss and emerged to tell the tale, our organization is a testament to the power of resilience and the strength of unity. We are the ones who navigate the night to bring back the lost, who stand in the face of evil not with weapons, but with the unwavering belief in redemption and recovery. Ben is a daddy to eight (sometimes ten), grandparent to one, humanitarian, fighter of evil, bringer of hope, formerly addicted, alcoholic and homeless. He's also the owner of BlackRifle Co, a data intelligence and digital media agency not to be confused with the coffee company of similar name, and co-founder of two non-profits—We Fight Monsters and Flanders Field—that help people in some of the worst places in America and the world. Ben loves sharing that his wife Jess can drive, load, and fire a M18 Hellcat, a WWII tank destroyer. He’s also the only crackhead ever invited to CIA headquarters. When they’re not in South Memphis helping others rebuild their lives after addiction, Ben and Jess can be found in rural Georgia where they live with their family.See omnystudio.com/listener for privacy information.

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

Ben Owen is an Army Infantry veteran, a father to eight children, graduate of the University of Alabama, and American Patriot. From startups to Fortune 500 companies, Ben has excelled in leadership, strategy, raising brand awareness and sales. He is the President of digital media and data intel company Black Rifle Co, co-founder of We Fight Monsters, and CEO of Flanders Fields, where his mission is to stand up as many Flanders owned clean living facilities as possible to get veterans clean and off the streets through volunteer missions in the United States and around the world.  As a previously homeless and addicted veteran, Ben has seen some of the worst the world has to offer. In this episode, he shares his story of rising above the extraordinary hardships he's faced in order to bring hope and help to as many people as he can. Shawn Ryan Show Sponsors: https://ShawnLikesGold.com | 855-936-GOLD #goldcopartner https://amac.us/srs https://meetfabric.com/shawn https://americanfinancing.net/srs | 866-781-8900 | NMLS 182334, www.nmlsconsumeraccess.org https://hillsdale.edu/srs https://patriotmobile.com/srs | 972-PATRIOT This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/srs and get on your way to being your best self. https://helixsleep.com/srs https://rocketmoney.com/srs https://prizepicks.onelink.me/LME0/SRS https://blackbuffalo.com Ben Owen Links: Instagram - https://www.instagram.com/therealbenowen/ LinkedIn - https://www.linkedin.com/in/therealbenowen Facebook - https://www.facebook.com/p/Ben-Owen-100077606762984/ Black Rifle Co - https://www.blackrifle.company/ Flanders Fields - https://flandersfields.org/ We Fight Monsters - https://wefightmonsters.org/ Once American - https://onceamerican.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Randy and Dean Warren talk about the latest in professional cycling.  The 2025 Tour Down Under begins in Australia this week with the women racing then a few days later the men.  The anticipation of a new road racing season excites the Warren brothers with all the possibilities.  Is Tadej Pogačar racing to win every race, can he win E3 Saxo Classsic and Gent-Wevelgem in Flanders Fields?  

This week on Storylines, the voices of Canadian World War One soldiers, sharing their stories of the front lines. You'll hear these veterans talk about poison gas attacks, shellfire, the mud, the air war, and even the food.   The stories come from interviews with World War One veterans done for the CBC program Flanders Fields which first aired on November 11, 1964. Also, a story from Montreal about a century-old Catholic church that faced a dilemma over what to do with its bells.After the bell tower was damaged, the church faced the prospect of losing bells that had rung out for generations during worship services, weddings, and funerals. Instead, the choir director at Sacré-Coeur-de-Jésus found a way to preserve them, ensuring they will continue to resonate with the congregation and community for years to come.Produced and reported by Simon Nakonechny and originally aired on The Sunday Magazine. Hear the Soldiers of WW1 Speak was produced by Craig DessonStorylines is part of the CBC Audio Doc Unit

This week, we talk about In Flanders Fields by John McCrae, along with other World War I poems in honour of Remembrance Day.

This week on the ‘OPE: Three Years Later' series, Scott is joined by three incredible individuals who have been working the safe passage and resettlement efforts from the collapse of Afghanistan - Jazz Cannon, Ben Owen, and Jess Owen. Jazz escaped Afghanistan with her family in the 90's and now works with Legend Group to help evacuate American citizens and Afghan Allies left behind. Ben and Jess Owen are the CEO and Executive Director of their non-profit, Flanders Fields, where they help veterans and give them a new purpose in life. Join Scott, Jazz, Ben, and Jess to learn more about what they're doing to continue to #HonorThePromise and #FinishTheMission.  CONTEXT ON THIS SERIESIn August of 2021, the United States Government officially withdrew from Afghanistan leaving hundreds of thousands of at-risk Afghans vulnerable to Taliban brutality. Immediately, the impact of this moral injury was apparent on out Afghan allies and veteran populations with many of them left behind to deal with the aftermath that no one was coming.Scott and a team of combat veterans began to leverage their network of relationships to provide safe passage and ultimately relocation of hundreds of at-risk Afghans. Scott now has the opportunity to share the story of those Afghan Allies who made it out and of those who are still fighting their way to safety today, alongside many of the extraordinary men and women who made this possible. In this podcast series, Scott sits down with some of the members of Pineapple Express to share their stories and reflect on where we are one year later after the collapse of Afghanistan.  PREVIOUS EPISODES ON AFGHANISTAN:“Finding Meaning in the Madness of War”“Saving Space Monkey: Storytelling in Real Time”“Chaos in Kabul”“Operation Pineapple: Deadline”“Afghan Bombing” Operation Pineapple Continues”“Punching Above Your Weight” Operation Pineapple Express: https://operationpineappleexpress.com/Operation Pineapple Express Relief:  https://operelief.org ADDITIONAL RESOURCESFlanders Fields: https://flandersfields.org/Legend Group: https://www.legend.ngo/ Operation Angel Wing: https://www.operationangelwing.org/Emergency Assistance: (865) 352-6699Non-Emergency Assistance: operationangelwing@gmail.com  Join Rooftop Nation!    Website: https://www.rooftopleadership.com/ Facebook: https://www.facebook.com/ScottMannAuthor Instagram: https://www.instagram.com/scottmannauthor LinkedIn: https://www.linkedin.com/company/rooftop-leadership Twitter: https://twitter.com/RooftopLeader Youtube: https://www.youtube.com/channel/UCYOQ7CDJ6uSaGvmfxYC_skQ

Toolbox: On Speechwriting and public speaking. Research and preparation for the town Memorial Day speech. Finding the story and pulling it together... and, doing so as the first woman to speak at this event. The holy trinity of writing. Title quote from John McCrae's poem, In Flanders Fields.

When the poem, Flander's Field by John McCrae, written about a battle during World War 1 is read at Memorial Day ceremonies, most people miss the second sentence because the reader normally gets choked up after the first sentence. Here is a reading of the poem by AP's Lisa Dwyer.

Show #2161 Show Notes: Come to the Annual Huddle: https://coachdavelive.com/event/the-annual-national-huddle In Flanders Fields – John McCrae: https://www.poetryfoundation.org/poems/47380/in-flanders-fields Arlington Flyover: https://www.facebook.com/reel/990692779390604 Psalm 78: https://www.biblegateway.com/passage/?search=psalm+78&version=KJV Brighteon Sues Big Tech and Government: https://www.naturalnews.com/2024-05-27-brighteon-media-sues-google-facebook-twitter-newsguard-homeland-security-department-of-defense-censorship-collusion.html Galatians 3:28-29 https://www.biblegateway.com/passage/?search=Galatians%203:28-29&version=KJV What is […]

In this special segment, "Three Good Things," we delve into the true origins of Memorial Day, a day deeply rooted in American history and marked by profound significance. Contrary to popular belief, the first Memorial Day observance took place on May 1, 1865, in Charleston, South Carolina, where thousands of freed African Americans honored fallen Union soldiers. We also explore the poignant legacy of John McCrae's poem "In Flanders Fields," which gave us the poppy as a symbol of remembrance. Join us as we reflect on the sacrifices made by soldiers and the enduring pain of those they left behind.

When the poem, Flander's Field by John McCrae, written about a battle during World War 1 is read at Memorial Day ceremonies, most people miss the second sentence because the reader normally gets choked up after the first sentence. Here is a reading of the poem by AP's Lisa Dwyer.

Fr. Eric Nicolai preached today November 11: at the 11th hour, the 11th day, the 11th month in 1918, the bugle sounded to announce the ceasing of all hostilities. Today we remember the fallen. Now Poppy is emblem of Remembrance Day due to the poem "In Flanders Fields" written by Canadian physician Lieutenant-Colonel John McCrae.  In Flanders fields the poppies blow Between the crosses, row on row,  That mark our place; and in the sky  The larks, still bravely singing, fly Scarce heard amid the guns below.  We are the Dead. Short days ago  We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie  In Flanders fields.  Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high.  If ye break faith with us who die We shall not sleep, though poppies grow  In Flanders fields.

Baritone and composer Roderick Williams and violinist Jennifer Pike - the youngest ever winner of BBC Young Musician of the Year at the time in 2002, aged just 12 - join Cerys Matthews and Jeffrey Boakye to add five more tracks to the playlist. The musical choices take us from one of the most famous tunes in the UK (composer unknown) to a Labi Siffre hit famously sampled by Eminem, via arguably the most recognisable film theme of all time. Labi Siffre makes an appearance to look back on his 1975 classic. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: God Save the Queen (from 1888 and 1898) In Flanders Fields by Charles Ives and John McCrae Jaws – Main Title by John Williams Violin Sonata No.2 in G Major: III Perpetuum mobile by Maurice Ravel I Got the... by Labi Siffre Other music in this episode: Yeke Yeke by Mory Kante Let's Go Fly a Kite from Mary Poppins God Save the King, performed by Roderick Williams and Le Concert Spirituel Hen Wlad Fy Nhadau (Land of My Fathers) - the National Anthem of Wales Der Vogelfänger bin ich ja from The Magic Flute by Wolfgang Amadeus Mozart Vespers of 1610: Deus in adiutorium meum intende by Claudio Monteverdi Opening of La Valse by Maurice Ravel To Those Who Pass the Borough from Peter Grimes by Benjamin Britten Flight of the Bumblebee by Nikolai Rimsky-Korsakov My Name Is by Eminem

Welcome to this week's captivating episode of “Tuesday Night Detectives” on Vintage Classic Radio. Tonight, we delve into the enigmatic world of "The New Adventures of Sherlock Holmes" with the masterful Basil Rathbone portraying the iconic detective and Nigel Bruce as his loyal companion, Dr. Watson. In the suspense-filled episode, “In Flanders Fields,” originally aired on May 14th, 1945, Holmes and Watson find themselves entangled in a wartime mystery set against the backdrop of the haunting Flanders battlefields. As they navigate through the clues woven into wartime espionage, they uncover a plot that could change the course of history. The episode features an incredible supporting cast, including Mary Gordon as Mrs. Hudson, and special guest stars Denis Green and Anthony Boucher. Following Holmes' riveting adventure, we present "The Adventures of Ellery Queen," with Hugh Marlowe bringing the sharp-witted detective Ellery Queen to life. In the episode “The Scarecrow and the Snowman,” which first graced the airwaves on January 20th, 1944, Ellery Queen investigates a bizarre case involving a mysterious scarecrow and a snowman that stands in a field — even though it hasn't snowed. Marlowe's performance is complemented by Santos Ortega as Inspector Queen and Marian Shockley as Nikki Porter. Together, this dynamic cast leads us through twists and turns that only the brilliant mind of Ellery Queen can unravel. Join us as we step back in time to celebrate these classic radio detective stories, featuring cunning plots and unforgettable characters that continue to thrill listeners just as they did when they first broadcasted. Tune in and be part of the mystery!

11-11-2023 In Flanders Fields By John McCrae

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement

Arming Ourselves With Poetry, Film & Discussion on Memorial Day: 1917  Memorial Day is here. Sarah and Jennie urge Screen Cares listeners to respect the extraordinary bravery and sacrifice of all armed forces and their families by choosing to seek civil discourse rather than looking for an enemy among us. By thoughtfully screening 1917, we are reminded that there is a real human cost in war and that as articulated in Amanda Gorman's optimistic poem, “The Hill We Climb,” America is “not broken but simply unfinished.”  1917 (2019) - IMDb For those who are Deaf or hard of hearing, please visit this link for the transcript of this episode of Screen Cares: Episode Transcript Special Thanks to all who have served and lost in armed conflicts. We see you, your families, and your sacrifices.  Episode Host: Sarah Woolverton-Mohler Co-Host: Jennie Ziverk Carr                 Screen Shares Rating:  1917 is an excellent Family Screen to share in any experiences and memories that an intergenerational viewing may stir up, as well as a (cautionary) Little Screen to help provide older adolescents with the context that violence in real life is very different than that often portrayed in action movies, and that Memorial Day celebrations come at a cost.  Screen Sparks: Use our Screen Sparks to discuss 1917 and the incredible significance of Memorial Day as you consider the use of war movies, depiction of violence and truth with those you care about: There are many types of violence– slapstick/comedy, domestic, sci-fi/superhero, horror/torture, war and more. Do you feel that all violence should be treated the same? Do war movies make you feel more or less optimistic about the human condition? In an emotional moment in 1917, Blake is mortally wounded and asks Schofield if he was dying. Schofield says,  “yes, I think you are.” How do you know when to share the truth and when to gloss it over? Check out our socials pages (Facebook, Instagram, Twitter, and Youtube) share your thoughts with the Screen Cares Community this week.   Resources & Background In Flanders Fields Leonard Cohen recites “In Flanders Fields” by John McCrae | Legion Magazine 1 complaint led a Florida school to restrict access to Amanda Gorman's famous poem Amanda Gorman Book Bans - PEN America The Real World War I History Behind the Movie 1917 There Are No Small Parts, Only Long Memories Redshirt (stock character) - Wikipedia Redshirting (academic) - Wikipedia Violence in the Media and Entertainment (Position Paper) | AAFP   Behind the Scenes: News clipping of host Sarah at the age of two on the day of her naturalization playing "patriotic peekaboo".   

Hour 3 We close the hour with a reading. Audio from WGIG-AM and FM in Brunswick, GA

This newscast includes Leonard Cohen's dramatic reading of the 1915 poem In Flanders Fields.

IN THE NEWS Long-troubled Fort Hood has been redesignated Fort Cavazos, in honor of Gen. Richard Edward Cavazos, a veteran of both the Korean and Vietnam wars and the first Hispanic four-star general. THIS WEEK'S GUEST Terri Tanielian, Special Assistant to the President for Veterans Affairs, is a nationally recognized expert in veteran and mental health policy. She discusses how the White House is tackling veterans issues such as suicide and homelessness, as well as how they are supporting military families and caregivers. RAPID FIRE  A very good girl deploys on carrier Ford: Sage the service dog Marines to deactivate historically female recruit training battalion The Story of Poppy Day Special Guest: Terri Tanelian.

Lieutenant-Colonel John McCrae, a Canadian doctor, wrote the war poem ‘In Flanders Fields', which inspired the symbol of the poppy to commemorate members of the military killed in ...

Slechts 1 van de heilige drie eenheid deed zondag mee in Gent Wevelgem. Wout van Aert stak er, samen met ploeggenoot Laporte, dan ook gelijk zo ver bovenuit dat ie hem de overwinning cadeau kon doen. Wat een weelde. In de achtergrond spartelden de mindere goden tegen in de natte blubber van de Plugstreets. Wie doet Jumbo wat aanstaande zondag?Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Sherlock Holmes 440514-In Flanders Field http://oldtimeradiodvd.com

Holmes and Watson help the world war one effort in this great mystery written by Edith Meyers and performed in the spring of 1945 while WWII was still raging in the Pacific. ANDROID USERS- 1001 Radio Crime Solvers- Coming Soon 1001's Best of Jack London- https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMMzA0OTMyMjE1Mg/episode/ZGZjY2U4ZmUtNzMzYi0xMWVkLWE3NzUtMmY1MGNmNGFiNDVh?hl=en&ved=2ahUKEwifjrqi8-L7AhViM1kFHQ1nA_EQjrkEegQICRAI&ep=6 1001 Radio Days right here at Google Podcasts FREE: https://podcasts.google.com/search/1001%20radio%20days 1001 Classic Short Stories & Tales at Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMNzU3MzM0Mjg0NQ== 1001 Heroes, Legends, Histories & Mysteries at Google Podcasts: https://podcasts.google.com/search/1001%20heroes 1001 Sherlock Holmes Stories (& Tales from Arthur Conan Doyle) https://podcasts.google.com/search/1001%20sherlock%20holmes 1001 Ghost Stories & Tales of the Macabre on Spotify: https://podcasts.google.com/search/1001%20ghost%20stories 1001 Stories for the Road on Google Podcasts https://podcasts.google.com/search/1001%20stories%20for%20the%20road Enjoy 1001 Greatest Love Stories on Google Podcasts https://podcasts.google.com/search/1001%20greatest%20love%20stories 1001 History's Best Storytellers: (author interviews) on Stitcher https://www.stitcher.com/show/1001-historys-best-storytellers APPLE USERS Catch 1001's Best of Jack London- Coming Soon Catch 1001 Radio Crime Solvers- https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMMzA0OTMyMjE1Mg/episode/ZGZjY2U4ZmUtNzMzYi0xMWVkLWE3NzUtMmY1MGNmNGFiNDVh?hl=en&ved=2ahUKEwifjrqi8-L7AhViM1kFHQ1nA_EQjrkEegQICRAI&ep=6 Catch 1001 Heroes on any Apple Device here (Free): https://podcasts.apple.com/us/podcast/1001-heroes-legends-histories-mysteries-podcast/id956154836?mt=2  Catch 1001 CLASSIC SHORT STORIES at Apple Podcast App Now: https://podcasts.apple.com/us/podcast/1001-classic-short-stories-tales/id1078098622 Catch 1001 Stories for the Road at Apple Podcast now:  https://podcasts.apple.com/us/podcast/1001-stories-for-the-road/id1227478901 NEW Enjoy 1001 Greatest Love Stories on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-greatest-love-stories/id1485751552 Catch 1001 RADIO DAYS now at Apple iTunes!  https://itunes.apple.com/us/podcast/1001-radio-days/id1405045413?mt=2 NEW 1001 Ghost Stories & Tales of the Macabre is now playing at Apple Podcasts! https://podcasts.apple.com/us/podcast/1001-ghost-stories-tales-of-the-macabre/id1516332327 NEW Enjoy 1001 History's Best Storytellers (Interviews) on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-historys-best-storytellers/id1483649026 NEW Enjoy 1001 Sherlock Holmes Stories and The Best of Arthur Conan Doyle https://podcasts.apple.com/us/podcast/1001-sherlock-holmes-stories-best-sir-arthur-conan/id1534427618 Get all of our shows at one website: https://.1001storiespodcast.com REVIEWS NEEDED . My email works as well for comments: 1001storiespodcast@gmail.com SUPPORT OUR SHOW BY BECOMING A PATRON! https://.patreon.com/1001storiesnetwork. Its time I started asking for support! Thank you. Its a few dollars a month OR a one time. (Any amount is appreciated). YOUR REVIEWS ARE NEEDED AND APPRECIATED! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Flanders Fields by lotuseaters.com

Sometimes, it's good to remember that even amidst some of the most horrific moments in history, it's still possible to create something of beauty and significance.

We'll look back on Veteran's Day with a special focus on "In Flander's Fields" by John McCrae and poppies. 

This week on the ‘OPE: One Year Later' series, Scott is joined by three incredible individuals who have been working the safe passage and resettlement efforts from the collapse of Afghanistan - Jazz Cannon, Ben Owen, and Jess Owen. Jazz escaped Afghanistan with her family in the 90's and now works with Legend Group to help evacuate American citizens and Afghan Allies left behind. Ben and Jess Owen are the CEO and Executive Director of their non-profit, Flanders Fields, where they help veterans and give them a new purpose in life. Join Scott, Jazz, Ben, and Jess to learn more about what they're doing to continue to #HonorThePromise and #FinishTheMission.  CONTEXT ON THIS SERIESIn August of 2021, the United States Government officially withdrew from Afghanistan leaving hundreds of thousands of at-risk Afghans vulnerable to Taliban brutality. Immediately, the impact of this moral injury was apparent on out Afghan allies and veteran populations with many of them left behind to deal with the aftermath that no one was coming.Scott and a team of combat veterans began to leverage their network of relationships to provide safe passage and ultimately relocation of hundreds of at-risk Afghans. Scott now has the opportunity to share the story of those Afghan Allies who made it out and of those who are still fighting their way to safety today, alongside many of the extraordinary men and women who made this possible. In this podcast series, Scott sits down with some of the members of Pineapple Express to share their stories and reflect on where we are one year later after the collapse of Afghanistan.  PREVIOUS EPISODES ON AFGHANISTAN:“Finding Meaning in the Madness of War”“Saving Space Monkey: Storytelling in Real Time”“Chaos in Kabul”“Operation Pineapple: Deadline”“Afghan Bombing” Operation Pineapple Continues”“Punching Above Your Weight” Operation Pineapple Express: https://operationpineappleexpress.com/Operation Pineapple Express Relief:  https://operelief.org ADDITIONAL RESOURCESFlanders Fields: https://flandersfields.org/Legend Group: https://www.legend.ngo/ Operation Angel Wing: https://www.operationangelwing.org/Emergency Assistance: (865) 352-6699Non-Emergency Assistance: operationangelwing@gmail.com  Join Rooftop Nation!    Website: https://www.rooftopleadership.com/Facebook: https://www.facebook.com/RooftopLeadershipInstagram: https://www.instagram.com/rooftop_leadershipLinkedIn: https://www.linkedin.com/company/rooftop-leadershipTwitter: https://twitter.com/RooftopLeaderYoutube: https://www.youtube.com/channel/UCYOQ7CDJ6uSaGvmfxYC_skQ 

What Memorial Day is all about and the colorful history behind why we celebrate. Screw The Commute Podcast Show Notes Episode 600 How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Training Center - https://imtcva.org/ Higher Education Webinar – https://screwthecommute.com/webinars See Tom's Stuff – https://linktr.ee/antionandassociates 03:27 Tom's introduction to Memorial Day Facts 03:56 Decoration Day 06:28 Wearing a red poppy 07:51 In Flanders Fields poem 09:03 Uniform Monday Holiday Act 10:34 Flags flying at half staff and full staff 12:00 Changing the date of the Indianapolis 500 Entrepreneurial Resources Mentioned in This Podcast Higher Education Webinar - https://screwthecommute.com/webinars Screw The Commute - https://screwthecommute.com/ Screw The Commute Podcast App - https://screwthecommute.com/app/ College Ripoff Quiz - https://imtcva.org/quiz Know a young person for our Youth Episode Series? Send an email to Tom! - orders@antion.com Have a Roku box? Find Tom's Public Speaking Channel there! - https://channelstore.roku.com/details/267358/the-public-speaking-channel How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Retreat and Joint Venture Program - https://greatinternetmarketingtraining.com/ KickStartCart - http://www.kickstartcart.com/ Copywriting901 - https://copywriting901.com/ Disabilities Page - https://imtcva.org/disabilities/ Memorial Day Sale! - https://screwthecommute.com/mday/ About Memorial Day from Veterans Affairs - https://www.va.gov/opa/speceven/memday/ Memorial Day History - https://www.history.com/topics/holidays/memorial-day-history 10 Quick Facts on In Flanders Fields - https://www.veterans.gc.ca/eng/remembrance/information-for/educators/quick-facts/flanders-field Why Memorial Day Is a Three-Day Weekend - https://time.com/4346170/memorial-day-three-day-weekend/ Memorial Day Flag Etiquette & Protocol - https://www.gettysburgflag.com/memorial-day-flag-etiquette The Indianapolis 500 Story - https://scholarworks.iu.edu/journals/index.php/imh/article/view/24247/29896 Email Tom: Tom@ScrewTheCommute.com Internet Marketing Training Center - https://imtcva.org/ Related Episodes Blog Posts and Site Structure - https://screwthecommute.com/599/ More Entrepreneurial Resources for Home Based Business, Lifestyle Business, Passive Income, Professional Speaking and Online Business I discovered a great new headline / subject line / subheading generator that will actually analyze which headlines and subject lines are best for your market. I negotiated a deal with the developer of this revolutionary and inexpensive software. Oh, and it's good on Mac and PC. Go here: http://jvz1.com/c/41743/183906 The Wordpress Ecourse. Learn how to Make World Class Websites for $20 or less. https://screwthecommute.com/wordpressecourse/ Join our Private Facebook Group! One week trial for only a buck and then $37 a month, or save a ton with one payment of $297 for a year. Click the image to see all the details and sign up or go to https://www.greatinternetmarketing.com/screwthecommute/ After you sign up, check your email for instructions on getting in the group.

Laurens en Stefan gaan verder. En ze zijn niet alleen. Ze zijn in Flanders Fields om Gent Wevelgem na te beschouwen en dat doen ze bij de boys van de Polderblues. Florian Vermeersch, Brent van Moer en ook Viktor Verschaeve schuift even aan. De schitterende putsch van Higuita en Carapaz in Catalonië wordt uitgebreid besproken en Viktor mag uitleggen hoe hij die dag zijn moraal behield. Ook de orgie van Lefevre komt aan bod want Florian heeft nog geen corona gehad en Brent wel. De angst in het peloton is nog steeds groot aangezien de koersen waar het om gaat voor de deur staan. Laten we hopen dat hij gespaard blijft want de strijd om de World Tour plekken is gaande. Tactiek, vriendschap en pech binnen Lotto Soudal komen aan bod maar hoe zit het nou met die sirene? Je hoort het allemaal in de Live Slow Ride Fast podcast... Meer verhalen, achtergronden en film?