Podcasts about lincoln center jazz orchestra

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This week, journalist Larry Tye discusses his recent book The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America with reporter Gregory Royal Pratt, accompanied by live jazz from the Richard D. Johnson Trio. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.AWM PODCAST NETWORK HOMEMore about The Jazzmen:From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans—the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country's most gifted, engaging, and enduring African-American musicians.About the writers:LARRY TYE is a former reporter at the Boston Globe, off now writing books and running a Boston-based fellowship program for health journalists. The Jazzmen is his ninth book, with others including Home Lands, the upbeat tale of a thriving Jewish diaspora; Superman, the biography of America's longest-lasting (Jewish) hero; and Bobby Kennedy, which looks at RFK's transformation from Joe McCarthy's protege to a liberal icon. Tye graduated from Brown University and was a Nieman Fellow at Harvard. Tye is co-spearheading a drive to revive local journalism on Cape Cod, where he spends 90 percent of his time.GREGORY ROYAL PRATT covered every day of Mayor Lori Lightfoot's term and was deeply sourced in City Hall, as well as in the other offices of local, state, and national politics that shaped the mayor's administration. Pratt has won several national awards for his political and investigative reporting and he is a regular commentator about the city on local and national media, including appearances on CNN and NPR.RICHARD D. JOHNSON was invited to become a member of Wynton Marsalis' Septet and the Lincoln Center Jazz Orchestra, which he did from 2000-2005. As a representative of the United States through the U.S. State Department, Richard was named United States Musical Ambassador. Currently Richard is the founding member of “AFAR music” a jazz record label focusing on Jazz and Salsa musicians. Also Richard has been an Assistant Jazz Piano Faculty member at Peabody Conservatory of Johns Hopkins University in Baltimore, MD since 2019. Richard also serves as the piano instructor for the Ravinia Jazz Program located in Chicago, IL.

Lila Downs is one of the most influential artists in Latin America. She has one of the most unique voices in the world and is known for her charismatic performances. His own compositions combine genres and rhythms as diverse as Mexican rancheras and corridos, boleros, jazz standards, hip-hop, cumbia and popular American music. Frequently her lyrics focus on justice, immigration and women's problems.She grew up in both Minnesota and Oaxaca, Mexico, her mother is from the Mixtec indigenous group and her father was Scottish-American. Lila sings in Spanish, English and several native American languages ​​such as Zapotec, Mixtec, Nahuatl, Mayan and Purepecha.She has recorded duets with artists as diverse as Mercedes Sosa, Caetano Veloso, Juanes, Nora Jones, Juan Gabriel, Carla Morison, Natalia LaFourcade, Santana , The boss, Nina Pastori, Soledad, Diego La Cigala, Aida Cuevas, Toto La Momposina, and Bunbury. Chavela Vargas “named” Lila as her “successor.”She has been invited to sing with symphonies such as the Chicago Symphony Orchestra, the San Francisco Symphony and the UNAM Symphony in Mexico, as well as with Wynton Marsalis and the Lincoln Center Jazz Orchestra. He has given concerts at Carnegie Hall, the Lincoln Center, the Teatro Colón in Buenos Aires, the Hollywood Bowl and the National Auditorium in Mexico City. She was invited by Barack Obama to sing in the White House, and acted in the Oscars for her participation in the film Frida. Lila has recorded nine studio albums.She has been nominated for nine Grammy awards and has won six.Maggie & Lila discuss her first appearance at the infamous Monterey Jazz Festival and her amazing performance + members of her current band. Source: https://www.liladowns.com/language/en/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

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Jacob is a young man from St. Louis who is new and thriving on the New York jazz scene. He has performed with the Vanguard Jazz Orchestra, the Jazz at Lincoln Center Jazz Orchestra and numerous other groups.

Bruce Williams is a jazz saxophonist who hails from our nation's capital of Washington, D.C. He has made his presence known on the jazz scene by garnering critical attention with his own enthusiastically received CD releases - "Brotherhood" and "Altoicity" - issued on Savant Records. He's made an indelible impression as a sideman on over twenty other CD and video recordings. Bruce has performed, toured, and recorded with a long roster of jazz legends - Little Jimmy Scott, Frank Foster, The Lincoln Center Jazz Orchestra, Stanley Cowell, Louis Smith, Cecil Brooks III, The Count Basie Orchestra, The World Saxophone Quartet, Russell Gunn, Curtis Fuller, and Roy Hargrove to name a few. Bruce Williams is a versatile saxophone stylist, performing in a variety of diverse playing environments - from traditional to hip-hop to the avant-garde. He has been an honored recipient of awards from DownBeat magazine and The Charlie Parker Music and More Foundation. His ability to perform masterfully in a range of jazz styles has placed him on two Grammy nominated recordings and sent him to numerous cities throughout the US and abroad in France, Italy, Germany, Scandinavia, the West Indies, Lebanon, and Japan. ​Bruce Williams is currently the newest and youngest member, of the internationally recognized jazz group, "The World Saxophone Quartet". Bruce is currently a member of a newly founded group by legendary drummer Ben Riley, the "Thelonious Monk Legacy Septet". Bruce also leads four bands of his own - a quartet, a quintet, a jazz organ trio, and a progressive electric jazz group. ​A noted jazz educator and mentor to young jazz musicians; Bruce has given master classes at Ohio State, Iowa State, The Jazz Institute of New Jersey, The University of the District of Columbia, Princeton University, The New Jersey Performing Arts Center "Jazz For Teens" program, and the Paris Conservatory in France. He has served as adjunct saxophone instructor at both the New School for Social Research (Mannes School of Music) in NYC, Princeton, and Bard College . He's currently an ensemble coach for the Jazz department at Julliard.  ​Bruce Williams has been mentored by some of the best in the business including Frank Foster, Branford Marsalis, Joe Ford, Laura George, William Shadle,Oliver Lake and Cecil Brooks III. All of the above experiences have aided Bruce Williams in becoming a confident doubler and one of the premier jazz alto and soprano saxophonists in the world today. (Republished from Brucewilliams-saxophone.com)

In this episode of The Truth in This Art podcast, host Rob Lee sits down with Warren Wolf Jr., a highly regarded multi-instrumentalist who has made a name for himself in the world of jazz. Warren shares his musical journey with listeners, starting from his upbringing in Baltimore, Maryland, where his father played a major role in shaping his musical career. He talks about his exposure to different genres of music, including classical, ragtime, and jazz, and how he has been able to incorporate these influences into his music.Warren also discusses his education at Peabody Preparatory, the Baltimore School for the Arts, and Berklee College of Music, where he honed his skills and became an active performer. He emphasizes the importance of having a diverse range of musical interests and how it has helped him become a successful musician. Warren also shares details about his recordings as a leader and his collaborations with various musicians, including his tours with Tia Fuller, Bobby Watson's "Live and Learn" Sextet, and Christian McBride & "Inside Straight." Listeners can also look forward to hearing about his upcoming record release with Mack Ave recording label.Throughout the episode, Warren highlights the value of continuous learning and growth as a musician, and how his practice regimen has helped him achieve success in his career. This conversation is a must-listen for anyone interested in jazz or music in general, and provides valuable insights into the life and experiences of one of the most talented musicians of our time. Don't miss out on this fantastic conversation with Warren Wolf Jr. on The Truth in This Art podcast.Creators & Guests Rob Lee - Host Warren Wolf - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★

All live performances tonight: Frank Sinatra with Count Basie & The Orchestra, Ben Webster, Ella Fitzgerald, Roy Eldridge, Chet Baker & Gerry Mulligan, Billy Taylor & Gerry Mulligan, George Benson, The Dave Brubeck Quartet, and the Lincoln Center Jazz Orchestra featuring Wynton Marsalis.

Eric Lewis, known as ELEW, is a multi-talented artist with a career that spans the worlds of music performance, composition, and film production. Eric started his music career as a jazz and concert pianist playing with Wynton Marsalis and the Lincoln Center Jazz Orchestra and winning the prestigious Thelonious Monk International Piano Competition. Reinventing himself as ELEW, he pioneered the crossover musical techniques Rockjazz, Counterbop, and Piano Turntablism. Among many other accolades, Eric has opened for Josh Groban, produced tracks for Lil' Wayne, appeared on America's Got Talent, spoken at TED, and performed at the White House for the Obamas.In this conversation, Chris Sparks takes you inside the mind of a musical genius as ELEW shares the strategy, mindset, and principles required to put on an epic performance. You'll learn how to reverse-engineer a creative vision, the keys to reinvention as an artist, why preparation seeds adaptability, how to overcome perfectionism, career lessons from the world of blitz chess, and much more.For the video, transcript, and show notes, visit https://forcingfunctionhour.com/elew.

On tonight's broadcast, swing era and the 1950s: Cab Calloway, Fats Waller with Jack Teagarden & Eddie Condon, Louis Armstrong, Quintette du Hot Club de France, Sammy Price And His Bluesicians, Ella Fitzgerald, Shorty Rogers, Oscar Peterson, Illinois Jacquet, Ernie Wilkins And His Orchestra, Bobby Hackett, and the Lincoln Center Jazz Orchestra with Wynton Marsalis.

On tonight's broadcast, swing era and the 1950s: Cab Calloway, Fats Waller with Jack Teagarden & Eddie Condon, Louis Armstrong, Quintette du Hot Club de France, Sammy Price And His Bluesicians, Ella Fitzgerald, Shorty Rogers, Oscar Peterson, Illinois Jacquet, Ernie Wilkins And His Orchestra, Bobby Hackett , and the Lincoln Center Jazz Orchestra with Wynton Marsalis.

This week Connor is joined by Jazz musician and IWU professor Todd Williams. Todd has played with bands such as the Wynton Marsalis Quartet, Septet, and the Lincoln Center Jazz Orchestra in venues ranging from Carnegie Hall to the White House. Listen in to learn how to break into the music industry, what it's like auditioning for Wynton Marsalis, and why teaching music is important. Follow Todd:Website: http://www.toddmaxmusic.com/Spotify: https://open.spotify.com/artist/3NVHlbpleMQsgYAhWmthSW?si=zFuqTIymQUm5JBVGhAsDDgAmazon: https://www.amazon.com/music/player/albums/B0B1W9FN98?ref=sr_1_1&keywords=introducing+quartet+trio&crid=2EN8B8N0CUDM6&sprefix=introducing+quartet+trio%2Caps%2C85&qid=1664549126&sr=8-1

109. epizód: Amit a színpadon tapasztalok, azt másnap a tanteremben átadom a fiataloknak (Vendég: Kováts Péter) Figyelme nem csak a fiatalokra, hanem a feledésbe merülő elődökre is fókuszál. Míg korábban sokan úgy tudták, a veszprémi Auer Lipót orosz volt, addig podcastunk mini-közvéleménykutatása is igazolja, hogy ma már a CNC-esztergályos is tényeket sorol a mester zenéjéről és szülőhelyéről. Kováts Péter a fejébe vette és életre keltette az Auer-kultuszt. Ez egyébként New Yorkban már 100 éve is honos volt, amit igazol Péter története a zenészcsillag búcsúztatásáról. Így írták az egykori tudósítások: a hatalmas tömeg betörte a templomajtót, hogy emlékül téphessenek az emberek egy-egy szirmot bálványuk sírcsokrából. Közben választ kapunk arra is, hogy egy rendkívüli tehetségű mai gyerek eljuthat-e a klasszikus zene világának csúcsára Veszprémből. Az epizódból sok más mellett kiderül, hogy egy éjszakai autózásból miként születik a klasszikus kamarazenekar és a cigány folklorzenekar közös koncertje. Hogy milyen az igazi veszprémi zene? Igen, a verbunkos felé is elkanyarodunk. Mondhatnánk azt is, hogy szpojlerezzük a következő VeszprémFest műsorát, amikor arról beszél, reméli, az első sorban lesz helye Wynston Marsalis és a Lincoln Center Jazz Orchestra koncertjén.

Ashley Pezzotti is the vocalist with the Lincoln Center Jazz Orchestra under the direction of Wynton Marsalis. Ashley and I have a wonderful discussion about her performing and recording career in New York and in particular her performing with the LCJO!!

Aaron Apter is a corrective exercise specialist and professional drummer based out of Nashville, TN. Having a uniquely specific education and professional credentials in both music performance and pain management, Aaron combines both practices in a way that directly addresses the needs of musicians who want to correct nagging injuries without impacting their career. He has worked with a wide variety of acts ranging from Cirque Du Soleil to the Lincoln Center Jazz Orchestra to War. In 2022, Aaron founded PR3 Performance, a company designed to help musicians resolve chronic pain without having to see a surgeon or miss a performance. In this episode, Aaron talks about:    Both adapting to a scene and learning from an environment    Prioritizing his health    Surviving a serious bike accident that changed his life    Aaron's unique coaching practice - PR3 Performance    Aaron's work to build back Matt's health with a focus on drumming    Load vs Capacity    Building a tolerance through recovery    Being the best version of yourself

Yacht Rock! Love Is A Drag! Foreign affairs! Bandleader and trumpeter, Mike Sailors fires on all cylinders as the consummate jazz musician. In our chat, we discuss our mutual admiration for curating involved shows for an audience, a record off the beaten path with a fascinating history, and a castle gig that needed more than a little magic to satisfy the guests. FEATURED RELEASE:The New Alchemy Jazz Orchestra“Let's Duel” (2019) Getting to Know: Mike Sailors Mike Sailors has performed around the world in Japan and Europe, as well as throughout the United States and Canada. He has appeared at venues such as the Blue Note (Tokyo, Sapporo and New York), Dizzy's Club Coca Cola, The Jazz Standard, Yoshi's, The Jazz Standard, The Jazz Kitchen, Carnegie Hall, Lincoln Center, Symphony Space, the Bowery Ballroom, Smalls Jazz Club as well as the Tokyo Blue Note Jazz Festival, the EFG London Jazz Festival, the Detroit Jazz Festival and the Montreal Jazz Festival. Mike was also a featured guest artist at the 2015 North Carolina Music Educators Conference, as well as a featured guest artist and composer at the 2013 Brevard Music Festival. Sailors has worked as a sideman for bands and artists including the Birdland Big Band, Bobby Sanabria and The Multiverse Big Band, the Fat Cat Big Band, the Baby Soda Jazz Band, the Hot Sardines, the Captain Black Big Band led by Orrin Evans, The Jason Marshall Big Band, Cynthia Sayer and The Mingus Jazz Orchestra. His past experience also includes performances with The Gerald Wilson Orchestra, Jon Hendricks, McCoy Tyner, Marcus Belgrave, Willie Nelson, Dale Watson, Rodney Whitaker and John Clayton. He's also appeared as a featured soloist with the Cincinnati Symphony Orchestra, the Gulf Coast Symphony Orchestra and the Jacksonville Symphony Orchestra. Mike also was an active Trumpet player in the NYC Broadway scene. Past shows include Beautiful - The Carole King Story, Be More Chill and The Prom. Along with an active performing career, Sailors has maintained a busy career in composition. His first commission, dating back to 2005, came from the North American Saxophone Alliance (N.A.S.A). The piece featured the late Dewey Redman and was later recorded and featured on Redman's last commercial recording “Live with Dewey Redman”. Since then, Sailors has been hired by the likes of Mack Avenue Records, Decca Records, the Columbus Jazz Orchestra, the Lincoln Center Jazz Orchestra, Arturo O'Farrill and the Afro Latin Jazz Orchestra as well as a host of internationally known musicians including Ryan Kisor, Sean Jones, Rodney Whitaker, Pete Bernstein, Jimmy Cobb and many others. He has also written for TV, most recently for TD Ameritrade. His band, The New Alchemy Jazz Orchestra, recently released an album featuring his compositions. The self-tilted album features originals penned by Sailors, and is distributed by Outside In Music.Originally from Charleston, South Carolina Mike grew up playing in his local church. He went on to attend the University of North Carolina at Greensboro in 2001, Michigan State University in 2007 and The University of Texas in 2010. In 2019, Sailors joined the faculty of The University of Texas Butler School of Music, where he leads the Jazz Trumpet Studio and mentors young artists looking to build careers in music. He currently splits his time between New York City and Austin, Texas. In Austin, he spends his time leading bands for a variety of different occasions, as well as touring nationally and internationally. Watch the full interview on our YouTube channel here!

This week on Jazz Unlimited with Paul Anthony we'll feature the double threat work of Camille Thurman who is a regular member of the sax section with the Lincoln Center Jazz Orchestra and their vocalist, too. We'll also listen to Sonny Rollins +4 with a cut from the last Album made by trumpeter Clifford Brown and Richie Powell before their untimely death in a car crash on the PA turnpike three months later. Other cuts from Sophie Milman, Wes Montgomery, Milt Jackson and Oscar Peterson.

Alexa Tarantino's album Firefly is her third recording as a leader in the last three years. But she's not only busy writing music for her own quartet, she's been involved with groups like the Jazz at Lincoln Center Jazz Orchestra, Sherrie Maricle & The DIVA Jazz Orchestra, Cecile McLorin Salvant's OGRESSE Ensemble and Arturo O'Farrill & The Afro-Latin Jazz Orchestra. In this episode, she walks us through the composition process on tunes like "The Firefly Code," "Surge Capacity" and "Daybreak" while also talking about the unique process of recording during a pandemic. We also discuss the difference between playing in an all-woman group vs. an ensemble where she's the only female, what changes when you play with people you're comfortable with on a personal level, and her educational program "The Alexa Approach." The Alexa Tarantino Quartet is rounded out with Behn Gillece on vibraphone, Rudy Royston on drums, Art Hirahara on piano and Boris Kozlov on bass. Learn more about Alexa at alexatarantino.com and check out her album anywhere you stream music.

Good News: A high schooler won full-ride scholarship to college and is now taking his former college savings to create a fund for students to come after him, Link HERE. The Good Word: A brilliant quote from the remarkable mind of Oscar Wilde. Good To Know: A great bit of trivia about pre-eraser technology… Good […]

Jason is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford and Delfeayo. Together, the four brothers and their patriarch Ellis, comprise New Orleans venerable first family of jazz. By age six, not only had Jason gotten his first real drum set, but he was also taking lessons from the legendary New Orleans drummer James Black. At age seven he was sitting in with his father’s jazz group, as well as playing with his trombonist brother Delfeayo.  Jason was progressing so rapidly as a drummer that in 1984 his father started using him consistently on engagements. Jason was starting to become a seasoned road veteran before the age of nine, even traveling to the prestigious Berklee School of Music in Boston for Delfeayo’s senior recital. Shortly after graduation from NOCCA high school in 1995, Marsalis ascended to the drum throne of a new group lead by virtuoso pianist and former sideman for Wynton Marsalis, Marcus Roberts. Despite a demanding touring schedule with Roberts, Marsalis furthered his educational goals by attending Loyola University in New Orleans, as well as studying composition with Roger Dickerson at Southern University. The sense of style and tastefulness that Marsalis exhibits in his playing explains why is a highly sought after musician. This style has been well documented on recordings with artists such as the Lincoln Center Jazz Orchestra, Marcus Printup and Marcus Roberts to name but a few. He has also produced two albums under his own name, Year of the Drummer (1998) and Music in Motion (2000), as well as producing a reissue of his father’s earlier recorded work, Syndrome (1996).

Jazz trombonist and composer Kalia Vandever joins us to chat about conceptualizing her album In Bloom, funding this project through touring and crowdsourcing, identifying a recording engineer and studio, and developing her compositional voice throughout the process. We talk about her start in community education through the Herbie Hancock Institute Peer-to-Peer Program and the importance of encouraging students to connect with one another through community engagement initiatives. Kalia shares about her experience working in a historically male-dominated industry, her article “Token Girl”, and how to support women and artists of ALAANA backgrounds in professional and educational settings. And she offers strategies for developing jazz skills after being trained in a non-jazz idiom. Kalia Vandever is a trombonist, composer, and educator living in Brooklyn, NY. She released her debut album, "In Bloom" in May, 2019 which features all of her original compositions written for quartet and duo with guitar. She has toured and performed nationally with her quartet, as well as her solo project. She has performed in such venues as Carnegie Hall, Sydney Opera House, Walt Disney Concert Hall, Preservation Hall, the Hollywood Bowl, The Jazz Gallery, The Blue Whale, Dizzy's Club Coca-Cola, SMOKE Jazz Club, the Blue Note, and the Rose Theater at Jazz at Lincoln Center. Kalia moved from Los Angeles, CA to New York City in 2013 to study at the Juilliard School where she received her Bachelor of Music degree in Jazz Studies. She has played with the following musicians whom she admires greatly, Ingrid Jensen, Herbie Hancock, Tyshawn Sorey, Darcy James Argue's Secret Society, Fabian Almazan, Wynton Marsalis and the Lincoln Center Jazz Orchestra, Joel Ross, Maria Grand, and others. She is also known for her work as a composer and arranger. She has been commissioned to write pieces for the Tesla Quartet, Metropolis Ensemble, Katherine Kyu Hyeon Lim, and more. The transcript for this episode can be found here. Resources discussed in this episode: Kalia Vandever, In Bloom Kalia Vandever, “Token Girl” Herbie Hancock Institute Peer-to-Peer Program Jazz at Lincoln Center's Jazz Academy Kalia Vandever, Tesla Quartet, “Variation: Meditation” Kalia Vandever, The Westerlies, “Calling Me Back Home” For more information about Kalia Vandever, please visit her website, Instagram, and YouTube.

The show where we uncover the stories, processes, and worldviews behind NYC’s most artful and creative musicians. Purchase Charles McPherson's Jazz Dance Suites: https://charlesmcpherson1.bandcamp.com/album/charles-mcphersons-jazz-dance-suites Apple Podcasts: https://podcasts.apple.com/us/podcast/brave-sound-podcast/id1537645722 Spotify: https://open.spotify.com/show/5ByvBpLEwvf1FkyZr40d11 Today's Guest: Charles McPherson was born in Joplin, Missouri and moved to Detroit at age nine. After growing up in Detroit, he studied with the renowned pianist Barry Harris and started playing jazz professionally at age 19. He moved from Detroit to New York in 1959 and performed with Charles Mingus from 1960 to 1972. Mr. McPherson has performed at concerts and festivals with his own variety of groups, consisting of quartets, quintets to full orchestras. Charles was featured at Lincoln Center showcasing his original compositions 15 years ago, and once again joined Wynton Marsalis and J@LC Orchestra in April, 2019 honoring his 80th Birthday where they arranged and performed 7 of Charles’ iconic original compositions. Charles has toured the U.S., Europe, Japan, Africa and South America with his own group, as well as with jazz greats Barry Harris, Billy Eckstine, Lionel Hampton, Nat Adderly, Jay McShann, Phil Woods, Wynton Marsalis, Tom Harrell, Randy Brecker, James Moody, Dizzy Gillespie, and others. McPherson has recorded as guest artist with Charlie Mingus, Barry Harris, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra with Wynton Marsalis. He has recorded as a leader on Prestige, Fantasy, Mainstream, Discovery, Xanadu, Arabesque, Capri and several smaller labels in Europe and Japan. Charles was the featured alto saxophonist in the Clint Eastwood film “Bird,” a biopic about Charlie Parker. Charles has received numerous awards, including the prestigious Don Redman Lifetime Achievement Award and an Honorary Doctor of Fine Arts from California State University San Marcos. Charles performed this past April at the NEA Jazz Master’s 2019 performance during Stanley Crouch’s tribute. Widely recognized as a prolific composer, Charles is now Resident Composer for the San Diego Ballet, where he has written three original suites for chamber music and jazz combos. In the summer of 2019, Dr. Donnie Norton will compile the entire book of Charles’ compositions for publication. McPherson remains a strong, viable force on the jazz scene today. Throughout his six decades of being an integral performer of the music, Charles has not merely remained true to his Be Bop origins but has expanded on them. Stanley Crouch says in his New York Times article on Charles, “he is a singular voice who has never sacrificed the fluidity of his melody making and is held in high esteem by musicians both long seasoned and young.” Charles is a frequent guest at universities all over the world and also teaches privately. Many of his former students have gone on to have careers of their own in jazz, and have earned National Jazz Student Awards. Charles had the honor of being the subject of the Ph.D. candidate Dr. Donnie Norton’s Doctoral Dissertation: “The Jazz Saxophone Style of Charles McPherson: An Analysis through Biographical Examination and Solo Transcription.” Find him at https://charlesmcpherson.com/ Your hosts: Michael Shapira: michaelxshapira.com @michaelxshapira Austin Zhang: austinzhang.org @austindiscovers Learn more: https://bravesound.org/ Instagram: @bravesoundnyc

In this episode, podcast host Dr. David Wright speaks with Todd Williams, one of the finest woodwind artists of today. His fame began when he became a member of the Wynton Marsalis Quintet, Septet and the Lincoln Center Jazz Orchestra in the late 1980s. Since then, he has played with many of the world’s greatest musicians and in front of audiences all over the world.As Dr. Wright and Todd begin their conversation, Todd explains the significance of jazz as a form of music in America. With Todd’s vast knowledge of this genre of music, he explains its connection to just about every music form in existence today. His is a unique perspective on jazz having played with some of the early pioneers of this type of music, such as members of the Duke Ellington orchestra when he became a member of the Lincoln Center Jazz Orchestra.Todd explains the story of how he met Wynton Marsalis and eventually became a member of his band. It was the solos he learned that earned him a spot in Wynton’s band. Dr. Wright asked if Todd could play an example, which he does.As the story continues, Todd explains the good parts and the bad parts of fame and being part of a top jazz band traveling the world. He speaks candidly about the temptations and his personal struggle to reconcile the faith he knew as a child with the life he was leading during these years on the road.In 1990, he came to a crossroads and determined to seek the Lord, “come what may”. He earned the nickname “The Deacon” from Wynton and the other band members as he boldly proclaimed his love for Jesus. Eventually, Todd left the band and began to pursue other ways of putting his musical talents to good use.Following the playing of a song from his most recent CD, Todd shared about his passion for teaching college students today, ending with advice for students of today.Learn more about Todd Williams.Find Todd Williams music on Amazon, Barnes & Noble, at Wynton Marsalis, Lincoln Center Jazz Orchestra and Times City Church.Learn more about Practicing the Art of Faithful Presence.Learn more about host David Wright.

Ahora Jazz desde casa. Con Wynton Marsalis, "Le Dancing Pepa", Andrew Cyrille, Dado Moroni, Bernardo Sassetti y la "Lincoln Center Jazz Orchestra" con W.Marsalis entre otros. "Miércoles de actualidad, novedades y noticias" y con ruido de fondo (desde casa). Iniciamos mes acudiendo de nuevo a música del trompetista Wynton Marsalis, uno de los motores esenciales del jazz mundial de los últimos 35 años, con cada vez con mayor peso, calado e influencia a nivel social y político. Escribe y graba la... canalextremadura.es

Enjoy the podcast? Support the show with a one-time or monthly donation via PayPal (thank you!)In this episode we are speaking with saxophonist, composer, and educator Danny Janklow. Now based in Los Angeles, Danny spent several years living & playing in Philadelphia where he was mentored by Dick Oatts, and other great musicians at Temple University. Since then, he has been an in-demand sideman in a wide variety of musical contexts, was a semi-finalist in the Monk competition, and has released multiple projects as a leader. We discuss the importance of recognizing the legacy of jazz, why you must be versatile to be successful, his biggest advice for younger musicians, and much more. Connect with Danny:Website: https://dannyjanklow.com/Instagram: https://www.instagram.com/dannyjanklow/Facebook: https://www.facebook.com/Dannyjanklowmusic/For more episodes please visit berniesbootlegs.comAbout Danny, courtesy of dannyjanklow.com:"Saxophonist, multi-Instrumentalist, educator, producer & composer Danny Janklow is quickly gaining international recognition for his soulful and innovative musical voice. His heart-felt, passionate, and highly energetic music has reached and inspired thousands of listeners from Japan to Holland to Mexico. His live performances, often described as “emotionally charged” and “vibrant celebrations,” leave his listeners always wanting more…Born in Tarzana, CA in 1989, Danny Janklow was handed the saxophone at the age of 11. His life would soon change as he was introduced to the remarkable sounds of Charlie Parker, Cannonball Adderley, and John Coltrane. Just 2 years later, it was obvious to all that the music had chosen him. During his time at Agoura High School, Danny was recognized by Wynton Marsalis and the Lincoln Center Jazz Orchestra as the first-ever triple instrument “Outstanding Soloist” on tenor saxophone, flute and clarinet.In 2007, Danny was awarded a full-tuition scholarship to Philadelphia’s Temple University Boyer College of Music and Dance where he was mentored by saxophone legend Dick Oatts and incredible trumpeter Terell Stafford. In 2010, Danny won 1st place in the North American Saxophone Alliance (NASA) competition held in Athens, Georgia. While living on the east coast, he frequently played at the Village Vanguard with the Vanguard Jazz Orchestra, the Kimmel Center, the Apollo in Harlem, and Dizzy’s Club Coca-Cola in New York.After graduating in 2011, Danny moved back to Los Angeles to take the scene by storm. He rapidly became one of LA’s most in-demand saxophonists and bandleaders. In August 2012, he won 1st place at the Detroit Jazz Festival Saxophone Competition and headlined on that year’s festival. He took part in a 2-year Mentor program teaching at Stanford Jazz Camp where he discovered his deep passion for teaching students of all ages. In 2013, he was selectively chosen as a semi-finalist to compete in the Thelonious Monk International Saxophone Competition in Washington D.C.Danny has enjoyed the pleasure of sharing the stage and recording with the likes of Stevie Wonder, Kendrick Lamar, Herbie Hancock, Wayne Shorter, George Benson, Aloe Blacc, Jose James, Wynton & Branford Marsalis, Benny Golson, Eric Reed, John Beasley, Ben Williams, Jason Moran, Wallace Roney, Savion Glover, Vanguard Jazz Orchestra, Bill Holman Big Band, Gordon Goodwin, and Jimmy Heath."Support the show (http://berniesbootlegs.com/support)

About: RPE Duo, formed in 2009 during Matt Postle (trumpet) and Radek Rudnicki’s (electronics) PhD studies at the University of York (UK). They have been featured at festivals and toured in the UK, Europe, USA, and New Zealand including the Manchester Jazz Festival and FONT Festival in New York City. Matt Postle (USA) is an improvising trumpet artist currently based in Charlotte, USA. He has worked with a wide range of artists and ensembles including Kenny Wheeler, Ingrid Jensen, Lincoln Center Jazz Orchestra, and Norwegian Wind Ensemble. He is a full-time music instructor at Central Piedmont Community College (Charlotte, NC) and has taught at several other universities in the US and abroad from 2005-2018. Radek Rudnicki (Poland) is a sound artist and sound designer. He is working with new media, multidisciplinary art and science projects and performs audiovisual works. Radek is creating sound design and composing for immersive experiences, installations, film, contemporary dance and 3D video mapping events. He is performing with live musicians, sequencers, groove machines and modular synthesizers. Links: http://mattpostlemusic.com http://radek-rudnicki.net/ http://www.wavefolder.net/~~~/rpe-duo/

TBJ122: Shelagh Abate on playing horn on Broadway, meeting Sting and the importance of networking. She gives us a great overview of life in a Broadway pit and what it takes to get (and stay) there. From her bio: SHELAGH ABATE is unquestionably one of New York’s most sought-after musicians. Shelagh’s love for the horn is almost as old as her love for music itself. Known for her simultaneously warm and assertive sound, her versatility and musical intuition has earned her a place in the lexicon of NYC’s busiest performers. Shelagh has opened more than one dozen Broadway productions. Among them are Mary Poppins, A Gentleman’s Guide to Love and Murder, South Pacific, Honeymoon in Vegas, Evita, Fiddler on the Roof, Anastasia, and most currently Disney’s Frozen. Since arriving in New York in 2006, she has performed regularly with The Metropolitan Opera Orchestra, The Mostly Mozart Festival, The American Ballet Theater, The American Symphony Orchestra, The Opera Orchestra of New York, is third horn with the Greenwich Symphony Orchestra and has been principal horn of the Vermont Symphony Orchestra under the artistic direction of Jaime Laredo since 1999. During the course of her career, she has been conducted by some of the great musicians of our time; Seiji Ozawa, Simon Rattle, Andre Previn, James Conlon, Gunther Schuller, James DePriest, Robert Spano, Carl St. Clair, John Williams, Marin Alsop, Jaime Laredo, Keith Lockhart, and Placido Domingo, to name a few. Shelagh has established fluency in the commercial realm as well as the classical, having performed as part of the Lincoln Center Jazz Orchestra with Wynton Marsalis, Michel Legrand, the ensembles of Earl McDonald, Gary Morgan, Jamie Baum, John Allmark, John Vanore and Greg Hopkins. Shelagh has recorded, performed live in concert, as well as on televised events with Sting, The Who, Tony Bennett, Rufus Wainwright, Lady Gaga, Barry Manilow, Joni Mitchell, Trey Anastasio, Club d’Elf, Josh Groban, Brian Wilson, Linda Ronstadt, and most recently with the 2019 Tony Awards at Radio City Music Hall. Chamber music has been at the very core of Shelagh’s success as a musician. A winner of the Coleman Competition (2000), and a founding member of the award-winning Triton Brass (Fischoff, Lyon & Concert Artist’s Guild, 2005), Shelagh has collaborated with her world-class and longtime colleagues in order to achieve what is only artistically possible through such an intimate medium. Together they have shared their gifts with many thousands of others through live performances, recordings, and through education. Shelagh will be returning as faculty with Triton Brass to the Boston University Tanglewood Institute for their 2019 season. She also served as faculty for more than a decade with the renown Atlantic Brass Quintet International Summer Seminar.  Through these summer programs, Shelagh is proud to have influenced, shaped and enriched the lives of many dozens of tomorrow’s musicians. Shelagh is an Artist in Residence at Boston College, and The Boston Conservatory of Music where she has performed and conducted clinics and masterclasses on a regular basis since 2003. Shelagh’s early musical influences include extensive study with the Boston Symphony Orchestra’s Richard Sebring, Toronto Symphony’s principal horn Neil Deland, and renowned pedagogue and performer Laura Klock. She has been a fellow at the Tanglewood Music Center and with The National Repertory Orchestra. Shelagh holds a B.A. from Boston College, an M.M. from The University of Massachusetts at Amherst where she was a recipient of the Howard W. Lebow Scholarship, and an Artist Diploma from The New England Conservatory of Music, where she was a Walkenier Scholar. Shelagh is proud to be a Stephens Horns artist, playing one of the very first horns handcrafted by Stephen Shires https://www.stephenshorns.com.   In this fun and lively discussion, we cover: In the Lexicon! Fun with pronunciations Amhad Rashad Baseball cards Erasers and jewelry Going to school with Andy Bove Trent Austin's bio writer Playing on Broadway eight times a week Playing Disney's Frozen Name-dropping  How playing on Broadway works Dealing with repetition How the sub pool works and how to get started as a player Dormant subs Networking The impact of social media on networking Jeff Nelsen Be nice Pit orchestra size and the state of the industry Horn job pool on Broadway Horn writing rant Horn: The Cornstarch of the Orchestra Triton Brass Working with Sam Pilafian Playing with famous people from Trey Anastasio to Barry Manilow and Sting Being married to Tony Kadleck Facebrace LINKS: Shelagh's site Triton Brass Vermont Symphony Orchestra Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Portada para el nuevo álbum de Andrea Motis 'Do Outro Lado Do Azul' para el sello Verve, extraordinario talento el de esta mujer que lleva años arrebatando nuestro corazón. Seguimos con ricas fusiones de jazz invitando a Rubén Blades junto a la Lincoln Center Jazz Orchestra de Wynton Marsalis. El sello Blue Note cumplió 80 años en enero, anuncian una serie de reediciones en vinilo de algunos de sus álbumes más importantes, el primero de ellos tendrá como protagonista a Dexter Gordon. El lado gipsy del jazz nos lo trae el trío de Marcus Schinkel, y en cuanto al jazz con sabor a blues es Catherine Russell quien nos presenta su nuevo disco. Cerramos con Norah Jones que sigue publicando para Blue Note su evolución hacia el pop elegante .

Portada para el nuevo álbum de Andrea Motis 'Do Outro Lado Do Azul' para el sello Verve, extraordinario talento el de esta mujer que lleva años arrebatando nuestro corazón. Seguimos con ricas fusiones de jazz invitando a Rubén Blades junto a la Lincoln Center Jazz Orchestra de Wynton Marsalis. El sello Blue Note cumplió 80 años en enero, anuncian una serie de reediciones en vinilo de algunos de sus álbumes más importantes, el primero de ellos tendrá como protagonista a Dexter Gordon. El lado gipsy del jazz nos lo trae el trío de Marcus Schinkel, y en cuanto al jazz con sabor a blues es Catherine Russell quien nos presenta su nuevo disco. Cerramos con Norah Jones que sigue publicando para Blue Note su evolución hacia el pop elegante .

"Young new Orleans-bred trombonist and singer, Jeffery Miller has no shortage of believers who recognize his talent." This is obviously true, as Jeffrey has subbed in with the Lincoln Center Jazz Orchestra, played in the Disneyland College Band, with the Wynton Marsalis Septet, and is on full scholarship to Julliard.  We recently sat down with Jeffery for dinner at a local restaurant. Here's the result! Pardon the other guest's noise.  http://hyperurl.co/losecontroljm

"Young new Orleans-bred trombonist and singer, Jeffery Miller has no shortage of believers who recognize his talent." This is obviously true, as Jeffrey has subbed in with the Lincoln Center Jazz Orchestra, played in the Disneyland College Band, with the Wynton Marsalis Septet, and is on full scholarship to Julliard.  We recently sat down with Jeffery for dinner at a local restaurant. Here's the result! Pardon the other guest's noise.  http://hyperurl.co/losecontroljm

Riley Mulherkar www.rileymulherkar.com has been recognized as a "smart young trumpet player" by The New York Times and a "youngster to keep an eye on" by The Wall Street Journal. He is a founding member of The Westerlies a Seattle Bred, NYC Based brass quartet www.wersterliesmusic.com Riley works with renowned artists, Wynton Marsalis, Dee Dee Bridgewater, Anna Deveare Smith and Alan Cumming. He has shows coming up late June with Alan Cumming at Joe's Pub and The Carlyle. He is also a regular member of the Lincoln Center Jazz Orchestra.  He's the Artistic Director for Jazz at Joy in Aiken, bringing leading young talent to the historic city of Aiken, South Carolina.  He's off to a great start to his career, and I also believe he is somebody to keep an eye on for great things in the future.

The third episode of the Burning Ambulance podcast features an interview with pianist Myra Melford. Melford has been a prominent figure on the jazz avant-garde since the late 1980s, having worked with numerous figures affiliated with the AACM, including Henry Threadgill, Roscoe Mitchell, Joseph Jarman, Nicole Mitchell, and Leroy Jenkins. She’s also led several of her own groups, including Trio M with bassist Mark Dresser and drummer Matt Wilson; the Myra Melford Trio with bassist Lindsey Horner and drummer Reggie Nicholson, which later became the Myra Melford Expanded Ensemble with the addition of trumpeter Dave Douglas and saxophonist Marty Ehrlich; Be Bread, which explored a blend of jazz and traditional Indian music, which Melford has studied extensively; and Snowy Egret, which includes guitarist Liberty Ellman, cornet player Ron Miles, bassist Stomu Takeishi, and drummer Tyshawn Sorey, and with whom she just recorded a new album, due out in 2018. She’s got many other projects going as well, many of which are explored in this interview. Melford also discusses her early studies and her path to becoming a professional musician; her exploration of Indian music; her role as a professor at UC Berkeley; her participation in the Lincoln Center Jazz Orchestra's “Handful of Keys” salute to jazz piano history; and much more. It’s a fascinating, nearly hour-long conversation I hope you’ll enjoy.

Phil Freeman talks to pianist Myra Melford.

Warren Wolf took a break from a week long series of classes, workshops, and performances with the SF Jazz Collective in Sonoma to speak with OTS SFO.  Best known for his work on Vibraphone, he has also performed or recorded with some of the biggest names in jazz, including Ron Carter, Kenny Barron, Bobby Watson, Nicholas Payton, Tia Fuller, Terri Lynn Carrington, Wynton Marsalis and the Lincoln Center Jazz Orchestra, and many more. Wolf grew up in  Baltimore, MD., and trained on vibraphone, marimba, drums, and piano beginning at age three. After attending prestigious regional arts schools, he went on to graduate from Berklee College of Music in Boston, and quickly became a fixture on the performing and recording scene there. He came to prominence as a member of bassist/composer Christian McBride’s “Inside Straight” band. Most recently, he has been a member of the SF Jazz Collective and was featured on live recordings from the Collective’s last two seasons, and will be performing and recording in support of the new season addressing the music of Miles Davis. We spoke about the above, along with family, career, fitness, and his secret desire to become a professional wrestler.  He also released his third recording for Mack Avenue with an all-star line up entitled "Convergence". EDITORS NOTE: The song "King of Two Fives" was originally released in error to read "Kind of Two Fives" through digital media. 

In this episode we get to speak with vibraphonist Warren Wolf as he travels the country. Warren is a multi-instrumentalist from Baltimore, MD. From the young age of three years old, Warren has been trained on the Vibraphone/Marimba, Drums, and Piano. Under the guidance of his father Warren Wolf Sr., Warren has a deep background in all genres of music. Beginning with classical music, Warren had studied classical composers from Bach, Beethoven, Mozart, Paganini, Brahms, Vivaldi and Shostakovich. Warren also studied ragtime music learning music from the songbooks of Scott Joplin, Harry Brewer and Geroge Hamilton Green. In Jazz, Warren has studied artist and composers from Charlie Parker, Miles Davis, Duke Ellington, Louis Armstrong, Freddie Hubbard, Clifford Brown, Herbie Hancock, Oscar Peterson, Milt Jackson, Bobby Hutcherson, Cal Tjader, Return to Forever, Weather Report, Wynton Marsalis and many others. After graduating from Berklee in May of 2001, Warren became an active musician on the Boston local scene. Warren was hired in September of 2003 to become an instructor in the percussion department at Berklee College of Music. Warren taught private lessons on the Vibraphone and Drums, as well as teach a beginners keyboard class for entering freshman drumset majors. Musicians that Warren has played with or recorded with are Wynton Marsalis and The Lincoln Center Jazz Orchestra, Jeremy Pelt and "Creation", Nicholas Payton, Tim Warfield, Adonis Rose, Donal Fox, Anthony Wonsey, Aaron Goldberg, Cyrus Chestnut, Lewis Nash, Willie Jones, Eric Reed, Mulgrew Miller, Terri Lyne Carrington, Yoron Israel, Larry Willis, David "Fathead" Newman, Stefon Harris, Reuben Rogers, Kevin Eubanks, Curtis Lundy, Steve Davis, Duane Eubanks, Ron Carter, Wycliffe Gordon, Robert Glasper, Esperanza Spaulding and many others.

Lyric'lee's music delivers a wonderful mix of Jazz, Hip Hop, and R&B. Through her music, Lyric'lee allows you to see into her deepest thoughts, feelings, and convictions. She is a unique & gifted artist. You will love her voice, and she plays most of her own instrumentals. Virginia Caldwell (Stage Name Lyric'Lee), a Board Certified Music Therapist, is an instrumentalist as well as a singer and a songwriter. She has studied flute and other woodwinds for over 20 years. Virginia attended Michigan State University and graduated with a Bachelor's and a Master's in Music Therapy. While at MSU, she studied with Richard Sherman (Principal of the Lansing Symphony and Chautauqua Symphony) Rodney Whitiker (Formerly of the Lincoln Center Jazz Orchestra), Ron Blake, Diego Rivera, and Sunny Wilkinson. As an artist, Virginia's stage name is Lyric'lee. A highlight of her past performance opportunities include; opening for names such as Morris Day and the Time, Dwele, and Ludacris.  When located in Lansing Michigan Virginia (Lyric'lee) and her band regularly performed around town and had a standing gig at 621. She currently performs around Chicago and the mid-Michigan area, and Detroit. Lyric'lee has an album available for purchase on iTunes entitled Journal Entries. She is currently working on her second album as well as writing, arranging, and singing on other artist projects. Virginia has played flute with the Jackson Symphony and the Chicago Metropolitan Symphony. She has taught flute and sax lessons and clinics around Chicago's Hyde Park area and the South Suburbs since she was 18. For more information about music therapy as a profession click here. For more information on music therapy click here.

Trumpeter Sean Jones joined the Berklee faculty as chair of brass last year, adding to an already very long list of striking careeer accomplishments as a recording artist, educator, and artistic director of the Cleveland and Pittsburgh jazz orchestras. He has performed and/or recorded with Joe Lovano, Jimmy Heath, and Nancy Wilson, as well as with Marcus Miller, Herbie Hancock, and Wayne Shorter in the 2011 Tribute to Miles tour. He has released seven albums as a leader on the Mack Avenue Records imprint. Jones was originally a drummer but discovered the trumpet at the age of 10 upon hearing Miles Davis’s Kind of Blue and Amandla. Soon after earning his master’s degree from Rutgers University, he was named lead trumpeter for the Lincoln Center Jazz Orchestra—a position he held for six years while continuing to tour, perform, and record regularly. Jones performs on July 31, 2015 at the Newport Jazz Festival with the Berklee Concert Jazz Orchestra.

By Adam Olenn July 11, 2011 Bassist Matthew Rybicki '95 has performed with Wynton Marsalis and the Lincoln Center Jazz Orchestra, Nnenna Freelon, Renee Fleming, Mark Whitfield, and a host of other jazz luminaries on storied stages like the Village Vanguard and the Blue Note, and at festivals from Italy to Taiwan. Rybicki taught the inaugural bass course in the Essentially Ellington Band Director Academy at Jazz at Lincoln Center and served as musical director for Jazz in the Schools and Lincoln Center's Department of Programs and Services for People with Disabilities. His musical workshops at the Whitney Museum were included in their acclaimed Romare Bearden exhibition. His debut album, Driven, includes performances by jazz greats Ron Blake, Freddie Hendrix, Gerald Clayton, and Ulysses Owens, and showcases Rybicki's compositions.

Jesse R. McGuire, Sr., B.Th, M.Div, D.Min, Winner, 2009 NATAS EMMY® Award Author, International Recording Artist, Actor, Doctor of Ministry. Jesse McGuire is an American trumpeter from Phoenix, Arizona, famous for his execution of the Star Spangled Banner, which he has performed for three U.S. presidents, and at several major sporting events, most notably the 2000 Daytona 500 and game 7 of the 2001 World Series. He was lead trumpet for the Lincoln Center Jazz Orchestra of New York City and for the band Tower of Power. Dr. McGuire talks to us about living with dyslexia and what he does to help others.

Blue Note recording artist Dianne Reeves is the pre-eminent jazz vocalist in the world today. As a result of her virtuosity, improvisational prowess and unique jazz and R&B stylings, Reeves was awarded the Grammy for Best Jazz Vocal Performance for three consecutive recordings—a Grammy first in any vocal category. Reeves appeared and performed in George Clooney's “Good Night, and Good Luck,” the Academy Award nominated film that chronicles Edward R. Murrow's confrontation with Senator Joseph McCarthy. The soundtrack recording of “Good Night, and Good Luck” provided Reeves her fourth Best Jazz Vocal Grammy in 2006. Reeves has recorded and performed extensively with Wynton Marsalis and the Lincoln Center Jazz Orchestra. She has also recorded with Chicago Symphony Orchestra conducted by Daniel Barenboim and was a featured soloist with Sir Simon Rattle and the Berlin Philharmonic. Reeves was the first Creative Chair for Jazz for the Los Angeles Philharmonic and the first singer to ever perform at the famed Walt Disney Concert Hall. Reeves worked with legendary producer Arif Mardin (Norah Jones, Aretha Franklin) on the Grammy winning A Little Moonlight, an intimate collection of ten standards featuring her touring trio. In 2007 Reeves was featured in a documentary on the all-too-brief life of Billy Strayhorn. Dianne's most recent album is When You Know, which was released in 2008. Check out: http://www.diannereeves.com/

Vor knapp drei Jahren bat Wynton Marsalis ihn, eine längere Komposition für das Lincoln Center Jazz Orchestra zu schreiben. Die einzige Bedingung war, das sie ein verbindendes Thema haben sollte. Der Saxofonist Ted Nash musste nicht lange überlegen: Während einer Tour mit dem Lincoln Center Jazz Orchestra war ihm die Idee gekommen, als er in Malaga das Wohnhaus von Picasso gesehen hatte. Im Februar 2007 kam es dann zur New Yorker Premiere von Nashs Komposition „Portrait in Seven Shades“. Interview mit Ted Nash.

On October 18 at 8 pm, the Grand Opening Concert was held in the 1,200-seat Rose Theater. It featured the Lincoln Center Jazz Orchestra, led by Wynton, and an array of special guests.

On January 9, 2003, Wynton Marsalis with the Lincoln Center Jazz Orchestra, the National Orchestra of France directed by Kurt Masur and the Morgan State Choir from Baltimore, performed “All Rise” in Paris.

On January 9, 2003, Wynton Marsalis with the Lincoln Center Jazz Orchestra, the National Orchestra of France directed by Kurt Masur and the Morgan State Choir from Baltimore, performed “All Rise” in Paris.

On January 9, 2003, Wynton Marsalis with the Lincoln Center Jazz Orchestra, the National Orchestra of France directed by Kurt Masur and the Morgan State Choir from Baltimore, performed “All Rise” in Paris.