Podcasts about magnin

Nun bestätigt auch der FC Basel: Ludovic Magnin wird neuer FCB-Trainer. Er folgt auf Fabio Celestini, welcher nach dem Double-Gewinn den FCB verlässt. Ausserdem: · Hotels während Art-Woche nicht ausgebucht

durée : 00:32:54 - La Terre au carré - par : Mathieu Vidard - Dans "La Terre au carré", Léo Magnin, chargé de recherche en sociologie au CNRS et auteur de "La vie sociale des haies", retrace l'évolution contradictoire de ces éléments du paysage rural français, passés du statut d'obstacle à celui de rempart écologique. - invités : Léo Magnin - Léo Magnin : chargé de recherche en sociologie au CNRS - réalisé par : Jérôme BOULET

durée : 00:02:06 - Simon Magnin de l'Alterna SPVB, en compétition avec les Bleus pour la première fois

⛱️ Bonus summer Friday ep.

Dans cet épisode, je reçois Clarisse Magnin. Clarisse est un pur produit de la méritocratie: elle grandit à Cergy Pontoise au milieu de ses deux frères Passionnée de natation elle y développe son esprit de compétition et son gout du challenge. Avec Clarisse nous avons parlé de sa trajectoire personnelle et professionnelle au travers de plusieurs questions dont vous tirerez des enseignements précieux: - Comment provoquer sa chance pour ouvrir des portes à priori fermées grâce à l'audace et au culot ? - Comment continuer à avancer et à progresser lorsque l'on ne se trouve pas dans sa zone de comfort ? - Comment créer sa place dans l'un des plus grands cabinets de conseil au monde jusqu'à en devenir la dirigeante ? - Quelles astuces clés justement pour renforcer sa présence, sa légitimité, son impact en tant que femme et rester dans la pièces lorsque les discussions informelles et les décisions clés se font - Comment s'autoriser à être plus douce envers soi même et accueillir la vulnérabilité autrement que comme une faille ? - Comment vivre 4 maternités, post partum et avoir 4 enfants tout en conservant son ambition et son énergie professionnelle ? - Comment gérer une crise réputationnelle  - Comment l'IA transforme t-il le métier du consulting ? - Comment aborder l'ambition et en faire un moteur ?   Des réponses à ces questions et d'autres encore à retrouver sur l'épisode disponible sur Youtube et sur toutes les plateformes d'écoute ! Belle écoute !  NOTES DE L'ÉPISODE: Le podcast vous plaît ? Prenez 30 secondes pour le noter 5 étoiles sur Apple podcast ou Itunes, et commentez si vous le souhaitez, c'est très précieux pour moi !

Ty Magnin, former marketing leader at Appcues and UiPath, now CEO at Animalz, made a mistake that could've ended his career.While leading a team at UiPath, he accidentally uploaded a private doc that outlined a power shift — and the wrong person saw it. What followed was a firestorm of Slack messages, a panic spiral, and a career-defining moment of humility and growth.In this conversation, Ty shares the leadership mistakes that almost got him fired, the ambition that fueled (and nearly derailed) his rise, and the inner work that helped him become a more people-first CEO.Whether you're a VP, Head of Marketing, or startup operator navigating corporate politics, you'll see yourself in this one.Ty opens up about:How to recover from a mistake at workWhat not to do when ambition clouds your judgmentThe political landmine Ty triggered with one doc uploadWhy money didn't bring fulfillment after a $50B IPOHow to define success on your own termsThings to listen for:(00:00) Intro(02:44) Growing up fast: raising a kid while studying poetry and film(08:14) Early confidence, creative roots, and startup appeal(08:54) Thank you to our sponsor, Fullstory (14:30) Leaving Appcues for a leap in comp, lifestyle, and pressure(21:00) Learning the hard way who your stakeholders really are(32:00) Uploading a private doc… and the aftermath(40:22) The IPO money moment that changed his definition of success(47:35) The surf van, parenting balance, and CEO tension(53:01) Coaching others, defining legacy, and measuring impactA huge thanks to this episode's sponsor:Fullstory: Behavioral data that empowers - https://fullstory.com/valueResources:Connect with Ty:LinkedIn: https://www.linkedin.com/in/tylermagnin/Animalz official website: https://www.animalz.co/Connect with Andrew:LinkedIn: https://www.linkedin.com/in/andrewcapland/ Substack: https://media.deliveringvalue.coHire Andrew as your coach: https://deliveringvalue.co/coaching

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'Shopgirls' by Jessica Anya Blau is the story of 19-year-old Zippy, who works in petite dresses at I. Magnin, a legendary high-fashion department store in San Francisco.

Iris nous parle de son parcours, entre envie de peinture et droit pénal, de l'échec de son premier projet de long-métrage, elle nous explique comment elle a rebondi avec Le ravissement. Elle raconte les étapes du casting qui l'ont menées jusqu'à Hafsia Herzi, elle parle de son travail avec les actrices et acteurs. Elle partage son expérience de tournage et sa vision pour une meilleure dynamique réalisateur-producteur.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Jean-Marie Guénois nous propose de vivre davantage en chrétiens. Premier guide, sur l'exigeant et passionnant chemin, le père dominicain Thierry Magnin, auteur de « Le scientifique et l'ermite - Quand Teilhard de Chardin dialogue avec Charles de Foucauld », chez DDB. Les trajectoires du trappiste converti, devenu ermite au Sahara au milieu des Touaregs, et du jésuite, paléontologue reconnu travaillant sur le sens de l'évolution de l'univers, semblent aux antipodes. Pourtant, à y regarder de plus près, on observe de surprenantes convergences dans leurs recherches humaines et spirituelles. Pourtant, marqués par la guerre et les conflits, ils ont osé l'un et l'autre un chemin personnel de transformation intérieure en cherchant le Dieu caché qui se révèle tout particulièrement à travers le visage de Jésus de Nazareth. Nourris d'eucharistie et de fraternité, ils se sont efforcés de devenir, chacun à sa manière, les disciples d'un « Évangile vivant ». Anne-Marie Pelletier, dans « Vivre, au risque de l'autre La Bible contre l'identitarisme », également chez DDB, remarque combien les croyants sont aujourd'hui tentés par le repli sur soi et l'affirmation identitaire. Cette posture s'incarne de plus en plus dans des politiques, qui se réclament de la défense de « valeurs chrétiennes ». Tragique méprise, qui se dévoile dès l'instant où l'on ouvre les Écritures, dit l'auteur : dès les premières lignes de la Genèse s'affirme la dynamique d'un accueil, d'une ouverture à l'autre, qui est la condition de la vie. Et cela, sans naïveté, car la Bible sait combien la rencontre de l'autre comporte une dimension d'épreuve. Mais c'est l'épreuve même de la vie et la condition de son avenir, ce hors de quoi nous glissons vers la barbarie. Impossible d'esquiver cette vérité, sauf à user de la Bible à contresens. Enfin, Dom Olivier Quenardel, dans « Descendre vers le sommet - L'humilité dans la Règle de saint Benoît » chez EdB, montre toute la sagesse de celle-ci et tout le bien qu'elle peut nous apporter. Au-delà des communautés monastiques, bien des laïcs, hommes et femmes, en reçoivent un stimulant pour vivre leur baptême, et des chefs d'entreprise pour renouveler le style de leur gouvernance ! N'est-ce pas là un « signe des temps » ? Cet enseignement sur l'humilité, avec l'image paradoxale d'une échelle impossible à gravir autrement qu'en descendant, donne le ton à toute la Règle. Benoît y présente une forme de gradualité dans l'ascension de l'échelle. Plutôt que d'en faire une lecture légaliste et juridique, nous en ferons une lecture contemplative et mystérique, en cherchant à dégager, sous l'écorce de la lettre, l'eau vive qui peut désaltérer tout chercheur de Dieu. Une coproduction Le Jour de Seigneur, KTO et La Procure.

Qu'y a-t-il dans la tête des dirigeants mondiaux quelques semaines après l'arrivée de Donald Trump ? Quelles sont leurs craintes ? Décryptage avec Clarisse Magnin, directrice générale de McKinsey France invitée de l'émission Ecorama du 19 février 2025, présentée par Aude Kersulec sur Boursorama.com Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Alexandre Le Mer, en compagnie de Marion Gagnot et la rédaction d'Europe 1 vous accompagnent chaque jour de la semaine dès les premières lueurs du soleil avec de l'information et de la convivialité. L'émission parfaite pour commencer la journée du bon pied, et s'informer.

durée : 01:59:27 - Les Matins du samedi - par : Marguerite Catton - Au programme des Matins du samedi cette semaine : nous nous intéressons à l'OFB avec le sociologue Léo Magnin, à l'histoire de Mayotte et à ses perspectives avec les chercheuses Sophie Blanchy et Clémentine Lehuge, et enfin à la littérature carcérale syrienne avec l'éditeur Farouk Mardam-Bey. - réalisation : Jean-Christophe Francis - invités : Léo Magnin chargé de recherche en sociologie au CNRS; Sophie Blanchy Anthropologue, directrice de recherche émérite au CNRS; Clémentine Lehuger Docteure en science politique de l'université Paris 1 Panthéon-Sorbonne.; Farouk Mardam-Bey Directeur de la collection Sindbad aux éditions Actes Sud

durée : 00:09:07 - La Transition de la semaine - par : Marguerite Catton - Cette semaine, dans la Transition, on s'intéresse à l'Office Français de la Biodiversité (OFB) et à ses relations avec les agriculteurs. - réalisation : Jean-Christophe Francis - invités : Léo Magnin chargé de recherche en sociologie au CNRS

durée : 01:59:27 - Les Matins du samedi - par : Marguerite Catton - Au programme des Matins du samedi cette semaine : nous nous intéressons à l'OFB avec le sociologue Léo Magnin, à l'histoire de Mayotte et à ses perspectives avec les chercheuses Sophie Blanchy et Clémentine Lehuge, et enfin à la littérature carcérale syrienne avec l'éditeur Farouk Mardam-Bey. - réalisation : Jean-Christophe Francis - invités : Léo Magnin chargé de recherche en sociologie au CNRS; Sophie Blanchy Anthropologue, directrice de recherche émérite au CNRS; Clémentine Lehuger Docteure en science politique de l'université Paris 1 Panthéon-Sorbonne.; Farouk Mardam-Bey Directeur de la collection Sindbad aux éditions Actes Sud

Santiago Magnin es CEO y fundador de deinmobiliarios.com, la primera red inmobiliaria de bandera blanca en Argentina que le provee servicios a corredores inmobiliarios. Lic. en Administración (UBA) y Corredor Inmobiliario (UTN), ayudante ad honórem del curso para emprendedores de alto potencial de la FIUBA, miembro de “Entrepreneur's Organization” y estudiante en el “Instituto Baikal”. Durante los últimos años, recorrió inmobiliarias y universidades dando conferencias sobre bienes raíces, inversiones, emprendedurismo y economía conductual (llegando a dar una TEDx sobre el Efecto Ancla). Vive en Buenos Aires con su pareja y sus dos hijos. Entrevistado por Alan Daitch: emprendedor, inversor y miembro de EO Argentina.

Nun ist klar: Der BSC Young Boys wird künftig von Giorgio Contini trainiert. Contini übernimmt von Joël Magnin. Zuletzt war Giorgio Contini Co-Trainer der Schweizer Nati und hat in der Vergangenheit bereits vier Teams in der Super League trainiert. Weiter in der Sendung: · Spektakulärer Fund im Wallis: Polizei nimmt zwei Männer fest, die archäologische Objekte gesammelt haben. · Freiburger Kantonsparlament passt Bevölkerungsschutz an. · Portrait und Bedeutung: Die Stiftung Gertrud Kurz wurde vor 50 Jahren gegründet.

Mehdi nous raconte son parcours de journaliste, scénariste et réalisateur, du 93 à son premier jour sur un plateau, il nous parle de sa culture politique, de son envie de parcourir le monde, et bien sûr de toutes les étapes de production de son premier long-métrage sans oublier la violence de la sortie. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Discover the story of Marget Larsen, a trailblazing designer whose iconic Christmas boxes, bold typography, and fearless creativity shaped mid-century advertising and design in San Francisco right as the psychedelic / counterculture era was budding, with industry insights from guest Sean Adams, previous AIGA President, and Dean at Art Center._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book — Baseline ShiftDesign Observer Article by Sean AdamsCommunication Arts FeatureBook — Earthquakes, Mudslides, Fires & Riots: California and Graphic Design by Louise SandhausAbout MargetMarget Larsen was a trailblazing designer and art director who transformed mid-20th-century advertising with her bold, unconventional approach. Born in San Francisco in 1922, Larsen began her career at I. Magnin, where she discovered her passion for typography and lettering while taking night classes at the California School of Fine Arts. She rose to prominence as the art director at Joseph Magnin, a trendsetting department store, where her iconic Christmas boxes turned gift packaging into collectible works of art. Larsen later joined the boutique agency Weiner & Gossage, where her groundbreaking ads combined witty copy with daring typography, earning national acclaim. From designing bread wrappers to creating fundraising sweatshirts for Beethoven enthusiasts, Larsen's fearless creativity knew no bounds. Despite her immense contributions, Larsen's name remains largely forgotten in design history, though her work continues to inspire with its playful wit and timeless innovation. She passed away in 1984, leaving behind a legacy that shaped advertising, packaging, and graphic design as we know it. About SeanSean Adams is a celebrated designer, author, and educator whose work has shaped the design industry for decades. As the Dean of the Visual Art and Communication Design Department at ArtCenter College of Design, Sean has mentored countless designers while championing the importance of design history and storytelling. He is the only two-term national president in AIGA's 100-year history and a recipient of the prestigious AIGA Medal, the organization's highest honor. Sean co-founded the renowned design firm AdamsMorioka, working with iconic clients like Disney, The Academy of Motion Picture Arts and Sciences, and The Metropolitan Opera. He has authored several influential books, including The Designer's Dictionary of Color and How Design Makes Us Think. As a passionate advocate for elevating overlooked figures in design history, Sean brings his expertise and insight to today's conversation about Marget Larsen's remarkable contributions to the field.Follow Sean:Instagram: @seanaadamsWebsite: AdamsMorioka.comLinkedIn: Sean Adams ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

La France, après la Seconde Guerre mondiale, a entrepris un vaste remembrement de ses terres. Une politique d'aménagement rural qui vise à regrouper et redistribuer les parcelles agricoles pour optimiser l'exploitation et donc, encourager une agriculture plus productive. Ce remembrement a totalement remodelé les paysages et a même provoqué des divisions au sein des villages. Quelles en sont les véritables répercussions ? Avec : - Léo Magnin, sociologue, chargé de recherche au CNRS, auteur du livre La vie sociale des haies, éditions La Découverte - Léandre Mandard, doctorant au Centre d'histoire de SciencesPo Paris, conseiller historique de la bande dessinée Champs de bataille, l'Histoire enfouie du remembrement, d'Ines Léraud et Pierre Van Hove, éditions La revue dessinée et Delcourt

Sabato 9 novembre 2024, ho avuto il piacere di girare il centro storico del piccolo paese di Sparone. Siamo in provincia di Torino, precisamente nell'alto Canavese in valle Orco. In questa avventura, grazie alla grande disponibilità della popolazione, ho ripercorso le principali tappe storiche di sfruttamento delle miniere di rame, l'antico lavoro del Magnin e tante altre particolarità per cui vale la pena fare un bel giretto a Sparone, senza troppa fatica e con occhi grandi per catturare la meraviglia del borgo. Andate a Sparone non come turisti ma come ospiti e visitate il bel museo "officina dei mestoli"... Ricordatevi di contattare il comune perché il museo è aperto solo su appuntamento! #marketingterritoriale #marketingturistico #landexplorer #sparone

durée : 00:20:07 - C'est bon ça, c'est fait en Isère ? - Jérôme Magnin réalise de la cueillette en altitude pour ensuite passer à la transformation et vous proposer des produits gourmands

Die Wirkung des Trainerwechsels scheint bei den Young Boys bereits wieder verpufft. Das erste Spiel unter Interimstrainer Joël Magnin gegen Luzern hatten die Berner noch gewinnen können. Nun landete der Meister in Lugano wieder auf dem Boden der Realität.  Weiter in der Sendung: * Der Alte ist auch der Neue: SP-Politiker Reto Müller bleibt Stadtpräsident von Langenthal. Im Gemeinderat und im Stadtrat legt die SVP zu. Die Präsidentin Corinna Grossenbacher sagt, die Bevölkerung wünsche sich mehr bürgerliche Politik.  * Der Schönausteg beim Tierpark Dählhölzli in Bern wird über den Winter saniert. Wir stellen uns vor, was die Brücke selber darüber denkt. 

L’Histoire des haies, du bocage, nous en dit long sur notre Histoire tout court. Histoire de la paysannerie, des mondes agricoles…Et Histoire de la société française. … Avec Léo Magnin, sociologue du CNRS. La vie sociale des haies – Éditions La Découverte. Rencontre organisée par la librairie Les Temps Sauvages. Cet article La vie sociale des haies est apparu en premier sur Polémix et la Voix Off.

Im aktuellen YB-Podcast ist Meistertrainer Joël Magnin zu Gast. Mit kurzem Unterbruch ist der frühere Spieler seit 2002 Teil von YB. Im März hat er das Amt als Interimstrainer übernommen und YB zum 17. Meistertitel geführt. Er erzählt uns von der intensiven Zeit als Trainer der 1. Mannschaft: Wie er die Meisterfeierlichkeiten erlebt hat, was er aus diesen Erfahrungen mitnimmt in seine Arbeit als U21-Trainer und wie wichtig die mentale Komponente für den Erfolg ist. Der YB-Podcast wird präsentiert von swisscasinos.ch. Die fantastische online Casino-Welt von Swiss Casinos.

It's so hot in the middle of the day in Dubai, in the United Arab Emirates, Karis Magnin said, she would never go to Kite Beach when the sun's out. But by 11 p.m., the temperature drops to around 88 degrees Fahrenheit, and the humidity also decreases a little. The beach is open all night. “It's comfortable, and the breeze is nice,” Magnin said as she sipped her iced tea and ate bratwurst at a table near the sand, with her friend, Ashley Taylor Smith, on a recent night.The two weren't alone — the beach was packed, and the boardwalk was abuzz.Scientists say 2023 was the hottest year on record, and that it was hotter than it's been in thousands of years. Cities and towns all over the world have been affected, and many, like Dubai, have started to find ways to adapt to the hotter new reality. In May of 2023, the municipality of Dubai designated several night beaches — open 24 hours and free to access — to make the city more attractive, improve quality of life and boost tourism, according to a government video posted on X. Dubai Municipality produced a video, which it posted on X, about its night beaches. Credit: Dubai Municipality on X In the face of the region's extreme weather, night beaches are one way to appeal to more people, it adds.The beaches in Dubai are uniquely equipped for the adjustment. They have floodlights, digital screens projecting safety information, late-night dining options, games, jogging areas and rides. And the lifeguards remain on duty into the wee hours of the morning to counter the risks of swimming at night.EJ Yco, who runs the iced tea stand at Kite Beach, said he generally opens at 2 p.m., but that people don't usually start showing up until 7 p.m. or 8 p.m. Before then, it's just too hot and humid.“You cannot stay outside or you're going to burn up,” he said. “So, the people like to come at night.”Melissa Finnecane, a behavioral scientist and also the vice president of science and innovation at the Union of Concerned Scientists, said that coastal communities all over the world have been scrambling to find ways to deal with the effects of climate change. Families play on a public beach with the Burj al-Arab hotel behind them in Dubai, United Arab Emirates, Friday, May 29, 2020.  Credit: Jon Gambrell/AP In Fiji, resorts have started offering more indoor activities for guests who need a break from the heat or shelter from storms; the coastal town of Montauk in New York has created a plan to relocate part of the community inland; and in the Maldives, the government has built an artificial island to make up for land lost to sea-level rise.  “We do have to think about adaptation strategies,” she said, adding, “We really are going to be struggling more and more.”  Finnecane said that the most-important consideration is still preventative measures, such as reducing carbon emissions. But mitigating the effects of climate change is not just an engineering challenge.“Social infrastructure, meaning the places people gather to spend time and build strength as a community,” are also important, she emphasized. Like at Kite Beach — where Magnin and Smith looked out at the gulf waters illuminated by floodlights. “This is great,” Smith said. “It just feels really relaxed. You can make a day out of it” —  or a night.

It's so hot in the middle of the day in Dubai, in the United Arab Emirates, Karis Magnin said, she would never go to Kite Beach when the sun's out. But by 11 p.m., the temperature drops to around 88 degrees Fahrenheit, and the humidity also decreases a little. The beach is open all night. “It's comfortable, and the breeze is nice,” Magnin said as she sipped her iced tea and ate bratwurst at a table near the sand, with her friend, Ashley Taylor Smith, on a recent night.The two weren't alone — the beach was packed, and the boardwalk was abuzz.Scientists say 2023 was the hottest year on record, and that it was hotter than it's been in thousands of years. Cities and towns all over the world have been affected, and many, like Dubai, have started to find ways to adapt to the hotter new reality. In May of 2023, the municipality of Dubai designated several night beaches — open 24 hours and free to access — to make the city more attractive, improve quality of life and boost tourism, according to a government video posted on X. Dubai Municipality produced a video, which it posted on X, about its night beaches. Credit: Dubai Municipality on X In the face of the region's extreme weather, night beaches are one way to appeal to more people, it adds.The beaches in Dubai are uniquely equipped for the adjustment. They have floodlights, digital screens projecting safety information, late-night dining options, games, jogging areas and rides. And the lifeguards remain on duty into the wee hours of the morning to counter the risks of swimming at night.EJ Yco, who runs the iced tea stand at Kite Beach, said he generally opens at 2 p.m., but that people don't usually start showing up until 7 p.m. or 8 p.m. Before then, it's just too hot and humid.“You cannot stay outside or you're going to burn up,” he said. “So, the people like to come at night.”Melissa Finnecane, a behavioral scientist and also the vice president of science and innovation at the Union of Concerned Scientists, said that coastal communities all over the world have been scrambling to find ways to deal with the effects of climate change. Families play on a public beach with the Burj al-Arab hotel behind them in Dubai, United Arab Emirates, Friday, May 29, 2020.  Credit: Jon Gambrell/AP In Fiji, resorts have started offering more indoor activities for guests who need a break from the heat or shelter from storms; the coastal town of Montauk in New York has created a plan to relocate part of the community inland; and in the Maldives, the government has built an artificial island to make up for land lost to sea-level rise.  “We do have to think about adaptation strategies,” she said, adding, “We really are going to be struggling more and more.”  Finnecane said that the most-important consideration is still preventative measures, such as reducing carbon emissions. But mitigating the effects of climate change is not just an engineering challenge.“Social infrastructure, meaning the places people gather to spend time and build strength as a community,” are also important, she emphasized. Like at Kite Beach — where Magnin and Smith looked out at the gulf waters illuminated by floodlights. “This is great,” Smith said. “It just feels really relaxed. You can make a day out of it” —  or a night.

Ty Magnin, CEO of Animalz, isn't interested in pretending to be Nostradamus. The marketing world is constantly evolving, so rather than try to predict the future, he's changing with it. Hear how he and the Animalz team are adjusting their strategies for success, finding inventive ways to incorporate AI into their workflows, and exploring distribution channels beyond SEO to cultivate results for their clients. 

Las guerras actuales han despertado muchas preguntas sobre el final de los tiempos. ¿Qué podemos decir los cristianos al respecto? Recordá que podés seguirnos en Facebook e Instagram, dejanos tus comentarios y si te gusta compartilo…

Join Nate Matherson as he sits down with Ty Magnin for the thirty-first episode of the Optimize podcast. Ty is the CEO of Animalz, a content marketing agency for enterprise companies, startups, and VC firms. He previously led marketing teams at Emotive, UiPath, and Appcues. In our episode today, Ty and Nate review a turbulent 2023 for content marketing agencies and envision what's ahead for the industry in 2024. During the episode, Ty shares his experience experimenting with AI-generated content, the results, and his lingering skepticism of the efficacy of AI-generated content in SEO channels in 2024. In this week's deep dive, Ty shares his thoughts on the importance of ROI tracking and how diversifying content channels, content adaptability, and distribution play a crucial role in performance metrics. Rounding out the episode, Ty and Nate discuss SGE, user search behavior, and other predictions for content marketing in 2024. Closing out the episode is our popular lightning round of questions! For more information, please visit www.positional.com or email us at podcast@positional.com.Resources:Join Positional's Private Beta Here: www.positional.comCheck-in with Nate on LinkedIn & TwitterCheck-in with Ty on LinkedIn & Twitter

In this fascinating episode, we chat with Ed Magnin. From his first encounter with video games to pioneering developments on the Apple II, Ed shares his unique insights and experiences. We explore the early days of online services in 1979, his involvement with iconic companies like Cinemaware and MicroProse, and the intricacies of porting games across platforms like the Amiga, Apple II, and GameBoy. Ed's passion for 1950s sci-fi and its influence on his work, the dynamic culture at Cinemaware, and his journey through the evolving gaming landscape from the SNES to mobile gaming are all on the table. Contents: 00:00 - The Week's Retro News Stories 38:34 - Ed Magnin Interview Please visit our amazing sponsors and help to support the show: Bitmap Books https://www.bitmapbooks.com/ Get 3 months of ExpressVPN for FREE: https://expressvpn.com/retro We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon: https://theretrohour.com/support/ https://www.patreon.com/retrohour Get your Retro Hour merchandise: https://bit.ly/33OWBKd Join our Discord channel: https://discord.gg/GQw8qp8 Website: http://theretrohour.com Facebook: https://www.facebook.com/theretrohour/ Twitter: https://twitter.com/retrohouruk Instagram: https://www.instagram.com/retrohouruk/ Twitch: https://www.twitch.tv/theretrohour Show notes: Atari 50 gets free updates: https://tinyurl.com/2t6p2x2t Turok 3 is remastered: https://tinyurl.com/587t2f5d Cyborg force comes to neo geo, dreamcast, and PSP: https://tinyurl.com/mwpdv4sf SEGA Partners With Anicorn To Launch $800 Mega Drive/Genesis Watches: https://tinyurl.com/3cv23rfh A new Commodore console?: https://tinyurl.com/yc6a8svb

Le symbole-même des cabinets de conseil Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Ty Magnin, CEO at Animalz, shares his 3-tier content strategy that's driven by AI. Download the free powerups cheatsheet: https://marketingpowerups.com/045/

On episode #32, Jimmy speaks with Ty Magnin from Animalz. They discuss: What Ty is learning from customers and sales How important will SEO be in 2024? His recommendations for diversifying content

Cette semaine, PAUSE vous ouvre les portes d'un métier de l'ombre, en vous emmenant à la rencontre de Clarisse Magnin, la directrice générale du bureau français de l'un des plus grands cabinets de conseil au monde, McKinsey.  Diplômée d'HEC et de la Sorbonne, elle y entre pour un stage et ne quittera finalement plus jamais le cabinet. Ambitieuse, perfectionniste, fonceuse, elle gravit rapidement les échelons du cabinet jusqu'à devenir la seule française membre du comité de direction mondial en 2018, et à être nommée directrice générale de McKinsey France en 2021. Une nouvelle fonction prise juste avant que le cabinet ne vive une crise médiatique la plus retentissante que le bureau français ait connu depuis son implantation.  Mais derrière ce bourreau de travail qui a à cœur de faire rayonner son entreprise, il y a aussi une aventurière avec des convictions écolos, au point d'avoir quasiment basculé végan, engagée auprès d'associations comme la Croix Rouge et SOS Suicides, qui a pour objectif de changer le système de l'intérieur.  Diversité, égalité des chances, les rouages et les dessous des grandes décisions business… Le temps d'une pause, elle revient sur son parcours brillant en évoquant sa vision du monde du travail, et se confie sur ses prochains objectifs. 

What you'll learn in this episode:   Why it's harder to find quality vintage and modern costume jewelry today than in years past How Rosie secured a spot as an appraiser on Antiques Roadshow  What Rosie looks for in the pieces she collects, wears and sells in her shop Where the term “costume jewelry” came from and its history Why Rosie is one of the only people in America who will repair costume jewelry   About Rosie Sayyah Rosie Sayyah has been selling and repairing vintage and estate jewelry from her shop, Rhinestone Rosie, in Seattle since 1984. In the early 1980s, Rosie felt her family tradition of dealing in antiques calling to her. Upon leaving her corporate career in television, she decided to open a jewelry store that not only had unique, exciting items for sale, but also where she could restore greatness to jewelry that had fallen into disrepair. Teaching herself about vintage costume and estate jewelry culture and repair through books, hobby shops, and hands-on experience, Rosie has become a national expert in the field. In the late 1990s, she began appearing regularly on “Antiques Roadshow” on PBS TV and continues today as one of their expert appraisers.   Photos available on TheJewelryJourney.com   Additional resources: Website Instagram Facebook Twitter Transcript: Rosalie Sayyah, aka Rhinestone Rosie, first got jewelry lovers' attention as an appraiser on Antiques Roadshow. But she has earned her customers' loyalty for her ability to repair vintage costume jewelry and perfectly match missing rhinestones when no one else can. She joined the Jewelry Journey Podcast to talk about why so few jewelers will repair costume jewelry; what she looks for in the pieces she buys; and how to start a costume jewelry collection of your own. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   Today, I'm talking with Rhinestone Rosie. You may already be familiar with Rosie. She has her own retail outlet in Seattle, and she does a strong mail order business. You may be familiar with her by seeing her on Antiques Roadshow giving the price of vintage jewelry to people who want to know.    All I know is that whenever I have a piece and I can't find the stone that's the right size, or I know it would be impossible to find the right kind, the color of the stone, or I know it's out of production—maybe it's a really old piece—I turn to her. She hasn't let me down yet. Many of her stones are out of stock elsewhere, but somehow she manages to find them. We'll hear all about her business today. Welcome to the program.   Rosie: Thanks for having me. It's a pleasure. I love to talk about jewelry.   Sharon: I'm so glad you're here. How did you choose the name Rhinestone Rosie?   Rosie: It was kind of a joke. I was an English minor in college, and alliteration is something that's very memorable. I was dealing with my sister over the mail. She was sending me pieces and I would sell them. Just as a joke, I signed a check Rhinestone Rosie and it stuck.    Sharon: So, from the get-go, from day one, the name of your business was Rhinestone Rosie.   Rosie: That's right. That's correct.   Sharon: Does Rhinestone Rosie refer to any kind of costume jewelry stones or just rhinestones?   Rosie: Oh no, we deal with all kinds of jewelry. Beads and metals and pearls, all materials, and actually all ages. We do a lot of repairs. In our shop, our inventory goes from, I would say, the 1870s through present day.   Sharon: I know you have some pretty old vintage pieces, but I don't know how old the antique line goes. A hundred years?   Rosie: Exactly.   Sharon: When did you first become attracted to rhinestones?   Rosie: It's hard to say. My parents had a secondhand business, and they repaired things and sold them. This was in Orlando, Florida. I helped my mom reupholster furniture, and sometimes in the old furniture, we would find a piece of jewelry and she would give it to me. It wasn't always rhinestones. I collected rocks when I was a kid, and they always had cut glass in the store. They had a secondhand store, and I just loved that cut glass. I've always liked shiny things, so that must have been what led me to this.   Sharon: And that includes all the shiny costume jewelry.   Rosie: Exactly, yes. And I like to work with my hands. I've been doing that since I was a little girl. So, working with things, that was just a natural offshoot.   Sharon: How did you get into the repair aspect of it? From your parents?   Rosie: No, actually after I had my baby, Lucia, I had a friend who had a vintage store in Seattle, and I would help her. I would bring home clothing and patterns and do mending on clothes, and she always had broken jewelry. I asked her one day, “Do you ever fix this?” She goes, “Oh, nobody really does. I do it once in a while.” So, I did some research and found out that nobody really repaired this jewelry. I thought, “Hmm, this is something I can do,” and I went to the local hobby shop, the guys that did model cars and model airplanes. They told me what lead solders to use, what glues to use, what paints to use. They were very helpful. They told me all kinds of stuff. I'm self-taught, so there it is. I bought a bunch of books and read the books. I learned how to knot in between beads and practiced through trial and error. I had to go through a lot of stuff.   Sharon: But you did this all yourself. As you were saying, there aren't that many other places that do it.   Rosie: No, I don't think there's a full business anywhere that does it. A lot of dealers will do some of their own. A lot of my contemporaries who did similar things have all either passed on or decided to go a different route. I think I've got a monopoly on it.   Sharon: I don't know anybody else who does it or has a store like yours, but I didn't want to say it without knowing for sure.   Rosie: I think you're right.   Sharon: That's why I'm surprised you're not in New York.   Rosie: Oh, no, we left Florida in 1973. We got as far across the country as we could. We wanted a big city, which Seattle is, and water and a temperate climate. We ended up settling here.    Sharon: It sounds like you made the right choice, but in terms of jewelry and being surrounded by jewelry, I think of New York first, Chicago maybe.   Rosie: I know. A lot of my contemporaries on the Road Show are from back East. I am an anomaly for sure, but it is what it is. That's what I do and I do it well, if I might say.   Sharon: I know in my jewelry cabinet, I have a pile of things and say, “Oh, that should go to Rhinestone Rosie's because I know she can fix it. There's nobody else that does that.” Until I found you, there were pieces I would toss or, like you're saying, give away or just say, “I can't do anything with it.”   Rosie: Exactly, I remember. You did come into my shop. It was a pleasure to meet you in person one time. We did close for about three months during the pandemic. Now we're only open three days a week in the brick-and-mortar store, although our online is still going on. I have people coming in almost daily with their pile of stuff that's been saved for two or three years. They're finally in the shop to get fixed.   Sharon: That's interesting. I noticed that you're only open a few days a week, which seemed to be fewer than before.   Rosie: Yes.   Sharon: What percentage of your business is mail order?   Rosie: I would say mail order and repair—because we do local repair. Of course, people walk in, and then people mail us things from all over the world. I think it's about a 50/50 split, for online sales and for walk-in sales and repair.   Sharon: Wow! I have a friend who was a little hesitant about sending something that was precious to them. It wasn't a precious item, but it was precious to them. I did it. I didn't have any compunction. She did it, too. Where do you source the stuff you have, your vintage pieces? Where do you get them?   Rosie: People just bring it into the store. Sometimes, I'll go to a yard sale or something and pick a piece, but mostly it's people that are downsizing or someone just passed. The family has chosen the pieces they want. Sometimes there's even a note in the collection, “Take this to Rhinestone Rosie.” It's kept me going, and I don't have to go out and beat the bushes.   Sharon: That's great. Have you found it's harder to get things in or harder to find things because costume jewelry—   Rosie: Oh yeah, the good stuff. I know there were a lot of manufacturers at the time, but I'd say the high-end pieces are in collectors' hands, and they go from one collector to another collector. They're not normally available in the market. Every once in a while, you will see that someone found something in a box of junk or something. What was so fun on the Road Show is uncovering something like that, but most of the time, it's hard. It's hard to find the good stuff, so you've got to change your focus. Right now, it's more modernist and clean lines, big, chunky necklaces. It's different than it was in, say, the 20s, 30s and 40s. Some people change.   Sharon: Do you think that costume jewelry has become more popular over the years or right now?   Rosie: People need to learn about the vintage pieces because there are lots of ones like dress clips or fur clips. They have a different way of attaching to the fabric, shall we say, but today a lot of stuff is coming out of China and Korea. There are very, very good contemporary artists making costume jewelry.   Sharon: With eBay and all the online sources, do you think it's harder to find? People know what they have, let's say.   Rosie: I don't think they know what they have, but I think there's a lot of the lower-end stuff. You could buy costume jewelry in a dime store. You could buy it in a pharmacy. You could buy it in a department store. You could buy it at a jewelry story. Jewelry stores and department stores usually sold the best quality. A lot of people bought the lower-end pieces because they were cheap, 10¢, 25¢, sometimes $1. I've seen more of that and less of the higher-end pieces.   Sharon: The audience can't see this, but maybe you'll send a picture. You have a beautiful Juliana necklace on. Do you think people know if they have a piece of jewelry on, I shouldn't bring that to you, I should try and sell it elsewhere?   Rosie: It's funny because they say, “I didn't think you wanted that big, ugly stuff. It's too gaudy,” and I'm like, “I want that. I want big, bold and ugly.” This is what people don't understand, especially in the plastics. It's very hard to find good Bakelite and celluloid and other plastics these days because people just toss them. But if they have something like the necklace I have on, I think it would give them pause, and they would bring something like that to me and I would be glad.   Sharon: As the market changes, like you mentioned, if it's cleaner lines or contemporary, do you change with it?   Rosie: Oh sure. Part of my job, Sharon, is educating people on what they have, how to wear it, where it came from, when it was made, what the materials are. I'll have someone come in. Let's say they're going to a wedding and they want a pair of earrings, and they think rhinestones can only be that clear, diamond-looking thing. When they walk in the shop, they realize it can be red, green, blue, purple with an iridescent coating like the necklace I have on, and they go out with a green pair of earrings instead of the clear ones. My job is not only educating people on what they have, but how to wear it, how to take care of it and, yes, it can be fixed. Don't let your high-end jeweler tell you that it can't be fixed. Just keep looking and you'll find me.   Sharon: That's really true. I have found that a lot of high-end jewelers tell me they can't do anything, and somebody who's more an engineering type feels they can do something with it. They can fix it.   Rosie: Exactly, yeah. I spend a lot of time re-repairing things that someone else did. “My father soldered it or my husband,” or “I used this kind of glue.” A lot of our repairs are removing the glue and old solder and getting it down to a basic where I can rebuild it back.   Sharon: Is it you or does somebody else work with you on repairs?   Rosie: Me and my daughter, we both do it in the shop. We don't send it out. We don't work with gold, and we don't do silver solder. We do lead solder. But yeah, these hands, that's what they do.   Sharon: Did you approach Antiques Roadshow or did they find you?   Rosie: It's funny. In 1997, they did the first launch of the program, and Seattle was one of the test cities. Some of my mentors who do fine antique jewelry said, “Rosie, you should have been there. We had so much costume jewelry come in and we didn't know what to tell people.” Long story short, my background is in television. I used to be a producer. I made commercials, and I knew the producer was the one to call.    So, I called WGBH, a guy named Peter, and I said, “Hey, my name is Rhinestone Rosie,” and there was a beat. I said, “I'm not a stripper. I can walk and talk at the same time. I'm fairly presentable on camera and I know about costume jewelry.” He said, “Yes, we would love to have you.” So, in 1998 in Portland, Oregon, it was my first show. I don't think I taped. I was a little bit afraid. I've always been behind the camera, not in front of the camera, but I got over that pretty quick. Yeah, I did call him up and I said, “You need me.” I did it for 20 years.   Sharon: That's sort of connected to this question. I didn't know how to phrase it, but it seems to me that a lot of stylists would come in and say, “I'm doing a 40s show. What do I need?” Does that ever happen, that you have a stylist come in?   Rosie: It happened a lot more before the pandemic. Whether things changed in that industry, I don't know, but yes, we had a lot of stylists or a magazine shoot. If they were doing a shoot, they would come in and pick out pieces. We used to rent our pieces, but we don't do that anymore because people just wouldn't return them. But yes, we get stylists. We would get theater seamstresses, the designers, the costume makers for theaters. We didn't get a lot of movie people in, but maybe this'll help. We can help them if they need us.   Sharon: Is it hard to decide what color or what kind of jewelry somebody should have?    Rosie: What I do is ask them about their lifestyle and what they want the piece for. I look at them. I see how they're dressed, how their hair is cut, and I can pretty well sus out if they're an edgy person or they're a modest person, kind of timid. We have tiny, little earrings, big, bold, down-to-the-shoulder dusters, and you can usually tell by talking to someone. Someone who's got nose piercings and whole-body tattoos, they're not going to go for something real mild.    You can pick up on their body language. That's helped me a lot, plus I encourage people to bring in outfits and put them on. It's like the Barbie doll thing, just dress them and put jewelry on. They can try it on, and if the necklace is too short, we can adjust things. We can change earrings. Most of our earrings are clip-on or screw-back. We can change them to pierced if they want. We do that with our jewelry, or we can do it with your jewelry.   Sharon: What's your return policy if they decide they want to take it home and try it?   Rosie: They get a store credit.   Sharon: A few of the pieces don't work. Maybe it's your daughter who told me that something wouldn't work. I can't even tell the stone apart from the original stones. How do you decide that? How do you decide if it's going to work? Can you tell us about some of the pieces that haven't worked, where you've had to come back to somebody and say, “I can't find anything”?   Rosie: Some of the older stones, I would say pre-1910 to the late 1800s, a lot of those stones, I can't find. I've taken stones out of pieces. I try very hard. If the piece comes in and the stone I'm matching is slightly discolored, I'm not going to put a brand new, shiny stone in its place. I will try to find in my pile of stones one that is slightly discolored. I try very hard to match it.   But, yeah, there are times when we just can't fix a clasp or it's in a place that's too thick for us to solder or the thread is so weak and the restringing cost is prohibitive. We do understand sentimental value. We try to let people know that we appreciate what they have and we understand. It doesn't matter to us if it cost 25¢. If it's important to you, it's important to us. So, if we honestly can't fix it, we tell them, “No, we can't fix it. We can't help you.”   Sharon: How did you get your inventory? You have quite an inventory of stones that you can put in pieces.   Rosie: 40 years. I do have a source for new stones. Sometimes I'll even go to Etsy and try to find something, but I've taken a lot of stones out of pieces. There have also been people through the years—like there was a lady who made earrings that sold in Nordstrom. Her name was Nellie, and she called me up and said, “I'm going out of business. Would you consider buying some of my stones?” That kind of thing. Jewelry stores have back inventory. When they close, I love to go in and dig around in their storerooms.   But I can't buy stones that are unfoiled. I don't do a lot of that because if you glue an unfoiled stone in, the foil is what makes a rhinestone shine. It's like a little mirror. So, if it has no foil on it, I can't really use it. A lot of stones out there have no foil backing, and I can't use those. But most of time, it's just here and there. People hear about me, or they have a hobby or they know somebody who's fixed their own jewelry and they're wanting to sell. I'll look and see what they have, and I'll pick and choose what I might use.   Sharon: Did you have any reservations about opening this kind of store in Seattle?   Rosie: No. I had it all over the kitchen table, and my husband said, “Hey, you'd better start a business because this has taken over our house.” I had no idea how to do it, but all I needed was the license. I shared space. Actually, right next door to where my shop is now, I was in the front of her store. I just had a desk and some jewelry behind me.    Now, this is a really good story. Again, my background is television, but I also have a degree in advertising and public relations. So, I printed up business cards and marched into I. Magnin and Frederick & Nelson and the major boutiques in downtown Seattle. I said, “This is what I do. I can help you,” and I walked out of every place with something to repair. That gave me street cred, so I could say, “I repair jewelry for I. Magnin or Nordstrom.”    I've never been afraid of talking about my abilities to do what we do and that we do it well, and I've always been true and honest and open to my customers. I learned that from my parents. That's how they ran their business. I started with very little cash. I didn't get any loans. It was a bootstrap business, and it's grown to what it is. I'm very proud of it.   Sharon: As I was putting these questions together, I kept asking myself, “What are you doing in Seattle?”   Rosie: Why in Seattle? I just ended up where I was.    Sharon: It's a nice place, but I wouldn't think of it as the first place I'd open anything.   Rosie: We're busy enough. There's a lot of money in Seattle and there are a lot of people. They might dress in Gore-Tex or flannel or whatever, but they like a little bit of bling. The thing is it belonged to grandma or Aunt Masie or somebody, so it's sentimental. It's not always something they're going to wear all the time. I don't wear jewelry all the time, but it's something you look at and hold and treasure. I wanted to preserve that for people.   Sharon: You don't wear jewelry all the time. That's interesting. I don't have jewelry on today. A lot of times I realize I don't have any jewelry on. People used to say, “Well, you're the kind of person who wouldn't go out without earrings.” Do you stop and put on a vintage piece?   Rosie: Well, I'm not an earring girl. I wear rings, watches, necklaces and brooches. Usually, I only wear them when I'm in the shop or if I'm giving a talk, a lecture. I do a lot of lecturing for groups about the history and culture of rhinestones. Sometimes I'll even dress totally vintage, the shoes, the hat, the dress, the jewelry, usually from the 40s. That's what my era seems to be. This is a 50s, 60s necklace I have on. Of course, when I did the Roadshow, I always wore jewelry and people loved it. I would get so many emails, “I love your jewelry. That's cool.”    Sharon: I always say something. If he's watching the show, “Oh, it's Rhinestone Rosie.” I can see why the jewelry gets attention.   Rosie: Oh, yeah.   Sharon: Do you collect anything?    Rosie: I didn't start as a collector. I started as a merchant, so my collection is just based on what I learned about. Since I did so much lecturing, I liked to have a piece of almost every major name that I could show to people. I do have that type of a collection. For some reason, I collect vintage watches. I have maybe 50 watches. It's insane.    As far as jewelry, I think my whole collection is very modest because I purge occasionally. I find if I'm not wearing it, I will take it to the shop. We'll sell it, and people get excited when they find out it is something I have worn and loved. I don't mind doing it. I'm not afraid to separate myself from some major pieces. Right now, I'm more into the clean, modernist lines, a lot of metals. Mexican 40s jewelry I really like to wear. Usually my clothes are very simple, one color, and then the jewelry is the standout part of it.   Sharon: Do you think that older Mexican jewelry is included in modernist?   Rosie: In what?   Sharon: In modernist?    Rosie: Oh yes, they were influenced by it greatly. In the 40s and 50s, some of that jewelry is –   Sharon: It is beautiful.   Rosie: Yeah, I would say it's definitely influenced by a modernist approach, yes. It shows in the Pre-Columbian and the Spanish people that came over, but that's what makes it intriguing. Look at Georg Jensen. You can have that flow, that feel in the 40s Mexican pieces. I have seen new designers make pieces that take my breath away. They're crazy, like things that wrap around your neck and stand out, nothing I could possibly wear, but I certainly appreciate.    I don't know what we would call today's costume jewelry. This term came about because Coco Chanel, Elsa Schiaparelli, they made costumes. Their clothing was costume, and they said, “It needs something.” So, the jewelry that went with it, the term costume jewelry came from that happening.   Sharon: That's interesting. What if they had made it out of real pearls and real gold?   Rosie: Chanel combined both. She wasn't afraid to wear costume and fine jewelry at the same time. As matter of fact, the word rhinestone—the best costume or stones came out of Europe, near the Rhine River. The first piece of rhinestone was a water-washed piece of crystal that came from the Rhine River. So, the name rhinestone has become ubiquitous, like Kleenex or anything like that. It is actually from a piece of crystal from the Rhine River, because the best stuff still does come out of Europe.   Sharon: That's interesting.   Rosie: They make the very best. Certain brands or names in costume jewelry use these incredible stones. You just can't find them anymore. They don't make them anymore.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

durée : 00:08:24 - La Question du jour - par : Marguerite Catton - Près de 20 000 km de haies disparaissent chaque année en France. Si certaines mesures ont tenté de ralentir le phénomène, celui-ci n'en reste pas moins une menace pour la biodiversité. Incitations financières et nouvelles règlementations sont au cœur d'un Pacte annoncé ce vendredi. - invités : Léo Magnin chargé de recherche en sociologie au CNRS

Mae Brussell, the Magnin family, Edgar Magnin, Reformed Judaism, the influence of Judaism on Mae Brussell, Mae's background prior to the JFK assassination, Richard Nixon, Ronald Reagan, JFK assassination, Warren Commission, Charles Manson, Northern California in the late 1960s/early 1970s, Zodiac killer, SLA, Jim Jones, People's Temple, Zebra murders, Students for a Democratic Society (SDS), Chicago Seven, The Big Lebowski, Tom Hayden, Paul Krassner, Addie Hoffman, Jerry Rubin, Yippies, Robert Anton Wilson, Discordianism, Forteanism, Fortean Society, Charles Winans, Rolling Stone lawsuit, Texas psychedelic scene, Texas scene brought to California, The Realist, Dick Gregory, Larry Flynt, pornography, Mae Brussell as Jewish scholar, the death of Mae Brussell's daughter, false rumors online about the death of her daughter, what became of Mae's documents, the Mae Brussell Research Library, Colonel Michael Aquino, Mae and Mae's family relationship to Michael Aquino Additional information on donating and contributing to the Library can be found here:The Mae Brussell Research Libraryhttps://maebrussellresearchlibrary.com/ The Realist Archives:https://www.ep.tc/realist/Music by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In Part 3, we meet Mini Bar's Operations Manager, Erin Kehoe. Erin is a sixth-generation San Franciscan. Her uncle researched family history, which was complicated by the fact that her grandma was orphaned. When you consider time in the state of California, her family history goes back here to when it was part of Mexico. Much like John, she was born at Kaiser on Geary. In fact, Erin says, John's mom could've delivered her and her twin sister. She comes from a lineage of twins, actually. Her mom was one of four sets of twins. Erin's dad was a firefighter with the SFFD, though the family lived down in South San Francisco when Erin was young. They did spend lots of time at her grandma's place in the Sunset, the same house her dad and his brothers grew up in and which the family sold only recently. Erin remembers trips into The City when she young to go to places like Ghirardelli Square, the Emporium, and I. Magnin department store. They went to some football games at Candlestick, but not so much Giants games. She says that she grew up somewhat sheltered until, as a teenager, she and her twin sister discovered goth and industrial music. She recalls stories of calling in to Live 105 for ticket giveaways and how her mom would drop her and sister off at places like Slim's. Around the time they turned 18, the sisters started going to clubs and places like the Trocadero. This got her into the SF nightlife scene, and she says she "never looked back." But her job at Mini Bar is her first bartending gig. Erin did work in the service industry for 20+ years, at joints like the Peppermill in Daly City, B44 and Café Bastille on Belden Lane, and then at both the original and the current location of Bar Crudo. That restaurant's 2009 move to Divisadero is how Erin started coming to Mini Bar. She met John quickly and right away, he wanted her to work at Mini Bar. Only problem was—she didn't bartend (yet). Fast-forward to 2021, when her friend Susan was bartending at Mini and asked Erin yet again to consider coming on, which she did. Four months later, they asked her to manage the bar. Erin takes her work seriously, and she thinks that she was someone Mini Bar could count on. She picked up the bartending side quickly, but didn't know where to start with curating art shows. And so, she went through archived Mini Bar emails and found people she recognized. From there, she put together a show, and then things started rolling. Erin soon met Anita Beshirs (curator of the current show at Mini Bar), and the two are good friends now. She says she's honored to be part of art and community. When the conversation shifts to our upcoming show, Hungry Ghosts, Erin mentions that she had wanted to branch out and try something different. Joining forces with a podcast feels for her like the beginning of something new at Mini Bar. We end Part 3 with a chat about the current show at the bar, which Erin says "is very SF."  "Around Town" features Jack Keating, Millie Kwong, Missstencil, Anne-Louise Petersson, and Danielle Bellantonio. "Anita crushed it," Erin says, congratulating her friend. We agree. We hope to see you all at Mini Bar on August 17 at 6 p.m. for the opening of Hungry Ghosts. Thanks for listening throughout our fifth season, and we'll see you soon!

Episode 236: I will discuss The Golden Bear Family Restaurants, and The I. Magnin Department Stores in Chicago. Clips from the show are credited by The Museum of Classic Chicago Television (www.FuzzyMemories.TV) by Rick Klein. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Episode 236: I will discuss The Golden Bear Family Restaurants, and The I. Magnin Department Stores in Chicago. Clips from the show are credited by The Museum of Classic Chicago Television (www.FuzzyMemories.TV) by Rick Klein. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Cuando las personas escuchan conceptos como cristianos, pastores o iglesia, suelen pensar que es un gran emporio económico, personajes que tienen jets privados o incautos que dan su dinero sin cuestionar nada. ¿Por qué esta mentalidad? ¿Qué hay de cierto en ella? ¿Podemos hacer algo al respecto? En esta conversación con el genio de Lucas Magnin vamos a estar explorando a profundidad los asuntos que de allí se desprenden y cómo podemos enfrentar mejor esta realidad

Frases extrañas y predicciones sobre el futuro… ¿eso es un profeta? En este episodio te voy a contar 7 verdades bíblicas que van a cambiar tu mirada para siempre. Apoya mi trabajo ★ Única vez: A través de Paypal ► https://paypal.me/lucasyalmen ★ Mensualmente: Convirtiéndote en Patreon ► https://www.patreon.com/lucasmagnin ★ Comprando mis libros: Usá mi cupón "COM-LUCAS" para un descuento en compras superiores a 30 euros (envío gratis a España, México y EE. UU.; al resto del mundo, envío gratis al comprar + de 60 de euros). Aplica para todos los libros de Clie. ► https://www.clie.es/autor/lucas-magnin Mis redes ★ YouTube ► https://bit.ly/2mNAMKM ★ Instagram ► https://instagram.com/lucas_magnin ★ Facebook ► https://www.facebook.com/lucasmagninoficial ★ Twitter ► https://twitter.com/lucas_magnin

¿Qué es la modernidad? ¿Qué características tiene? ¿Y la posmodernidad? Te explico la historia de manera sencilla en 10 minutos. Apoya mi trabajo ★ Única vez: A través de Paypal ► https://paypal.me/lucasyalmen ★ Mensualmente: Convirtiéndote en Patreon ► https://www.patreon.com/lucasmagnin ★ Comprando mis libros: Usá mi cupón "COM-LUCAS" para un descuento en compras superiores a 30 euros (envío gratis a España, México y EE. UU.; al resto del mundo, envío gratis al comprar + de 60 de euros). Aplica para todos los libros de Clie. ► https://www.clie.es/autor/lucas-magnin Mis redes ★ YouTube ► https://bit.ly/2mNAMKM ★ Instagram ► https://instagram.com/lucas_magnin ★ Facebook ► https://www.facebook.com/lucasmagninoficial ★ Twitter ► https://twitter.com/lucas_magnin

La Historia resumida en 11 minutos de forma clara, sencilla y dinámica. Apoya mi trabajo ★ Única vez: A través de Paypal ► https://paypal.me/lucasyalmen ★ Mensualmente: Convirtiéndote en Patreon ► https://www.patreon.com/lucasmagnin ★ Comprando mis libros: Usá mi cupón "COM-LUCAS" para un descuento en compras superiores a 30 euros (envío gratis a España, México y EE. UU.; al resto del mundo, envío gratis al comprar + de 60 de euros). Aplica para todos los libros de Clie. ► https://www.clie.es/autor/lucas-magnin Mis redes ★ YouTube ► https://bit.ly/2mNAMKM ★ Instagram ► https://instagram.com/lucas_magnin ★ Facebook ► https://www.facebook.com/lucasmagninoficial ★ Twitter ► https://twitter.com/lucas_magnin

La vida de Jesús de Nazaret ha cautivado a millones de personas durante 2000 años. ¿Cuál es el motivo de esa fascinación? Te lo cuento en 10 minutos. Fragmento de la prédica "Lealtad". Apoya mi trabajo ★ Única vez: A través de Paypal ► https://paypal.me/lucasyalmen ★ Mensualmente: Convirtiéndote en Patreon ► https://www.patreon.com/lucasmagnin ★ Comprando mis libros: Usá mi cupón "COM-LUCAS" para un descuento en compras superiores a 30 euros (envío gratis a España, México y EE. UU.; al resto del mundo, envío gratis al comprar + de 60 de euros). Aplica para todos los libros de Clie. ► https://www.clie.es/autor/lucas-magnin Mis redes ★ YouTube ► https://bit.ly/2mNAMKM ★ Instagram ► https://instagram.com/lucas_magnin ★ Facebook ► https://www.facebook.com/lucasmagninoficial ★ Twitter ► https://twitter.com/lucas_magnin

AABP Executive Director Dr. Fred Gingrich is joined by AABP members from Kansas State University, Dr. Michael Kleinhenz and Dr. Hans Coetzee. Our guests discuss research that indicates cattle feel pain even when they do not exhibit outward signs of pain and some common procedures where the animal can benefit from an analgesic protocol. Providing appropriate pain management is not only our moral obligation from the oath we took as veterinarians, but also is expected by customers and consumers. There are also benefits to the animal and the producer when these procedures are managed with appropriate analgesic protocols. We discuss how to manage with current supply chain issues for lidocaine as well as the types of drugs that can be used when developing analgesic protocols for producers. Kleinhenz reviews a recent publication that discusses aspirin use in lactating dairy cows, appropriate withholding times, and its efficacy for reducing inflammation in cows. We also review some of the challenges that veterinarians may face when discussing pain management with clients and how we can overcome those challenges to speak for the cow or calf and advocate for appropriate animal care.  Links:Current attitudes of veterinarians and producers regarding the use of local and systemic analgesia in beef and dairy cattle in the United StatesElizabeth C.S. Johnstone, Johann F. Coetzee, Pablo J. Pinedo, Lily Edwards-CallawayJAVMA, Vol. 258. No. 2https://doi.org/10.2460/javma.258.2.197Determination of milk concentrations and pharmacokinetics of salicylic acid following acetylsalicylic acid (aspirin) administration in postpartum dairy cowsB.R. Fritz, M.D. Kleinhenz, S.R. Montgomery, G. Magnin, M.S. Martin, M. Weeder, A.K. Curtis, J.F. CoetzeeJ Dairy Sci, Vol. 105, No. 2https://doi.org/10.3168/jds.2021-21507 AABP Resource Approaching Pain in Cattle  

Programa oficial de la iglesia Discípulos de Cristo en el Señorial 

L'After foot, c'est LE show d'après-match et surtout la référence des fans de football depuis 15 ans ! Les rencontres se prolongent tous les soirs avec Gilbert Brisbois et Nicolas Jamain avec les réactions des joueurs et entraîneurs, les conférences de presse d'après-match et les débats animés entre supporters, experts de l'After et auditeurs. RMC est une radio généraliste, essentiellement axée sur l'actualité et sur l'interactivité avec les auditeurs, dans un format 100% parlé, inédit en France. La grille des programmes de RMC s'articule autour de rendez-vous phares comme Apolline Matin (6h-9h), les Grandes Gueules (9h-12h), Estelle Midi (12h-15h), Super Moscato Show (15h-18h), Rothen s'enflamme (18h-20h), l'After Foot (20h-minuit).