Podcasts about mng

Making fantasy worlds into living, growing worlds means giving them a history of change and growth and shifts in technology and culture, not to mention governments and borders.  We talk about building history, historical ages and generational shifts, as well as diving into what are the historical ages in the world of the MNG, and how has it grown? Also! It is Hugo Award voting time! And we would love your consideration for Best Fancast. [Transcript TK]

It's been a while since we spent some time in the world of the MNG! So in this episode, we apply some topics from recent episodes as well as some worldbuilding staples to the cultures we've been developing in our ongoing co-created world. We play with nifty biology! We consider the monstrous! We think about love and education and phases of growth! How does Mirraden conceputalize and use the Gates? What is courtship like in Fjallanir? What legends scare a Griastan? In this episode, we do some applied worldbuiding! Also! It is Hugo Award voting time! And we would love your consideration for Best Fancast. [Transcript TK]

Host C.J. Sullivan detonates bombs for both concurrent MNG games of GB/NYG & TEN/MIA. C.J. then recaps the entire NFL Week 14 Sunday including the bad beats, bad calls, and bad behavior by Brittany Mahomes' husband. Finally, a Man in a Box segment about the Shohei Ohtani coverage and signing. Picks with bits are for tobacco use only....its the 100th Episode!Join the SGPN community #DegensOnlyDiscuss with fellow degens on Discord - https://sg.pn/discordSGPN Merch Store - https://sg.pn/storeDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSupport us by supporting our partnersUnderdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdogWatch Bottom Line BombsYouTube - https://www.youtube.com/@BottomLineBombsFollow The CJ Sullivan On Social MediaInstagram - https://www.instagram.com/cj_sullivan_was_takenTwitter - https://twitter.com/CJSullivan_TikTok - https://www.tiktok.com/@.cjsullivanWebsite: https://www.cjsullivancomedy.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Host C.J. Sullivan detonates bombs for both concurrent MNG games of GB/NYG & TEN/MIA. C.J. then recaps the entire NFL Week 14 Sunday including the bad beats, bad calls, and bad behavior by Brittany Mahomes' husband. Finally, a Man in a Box segment about the Shohei Ohtani coverage and signing. Picks with bits are for tobacco use only....its the 100th Episode! Join the SGPN community #DegensOnly Discuss with fellow degens on Discord - https://sg.pn/discord SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTube Check out our website - http://sportsgamblingpodcast.com Support us by supporting our partners Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Watch Bottom Line Bombs YouTube - https://www.youtube.com/@BottomLineBombs Follow The CJ Sullivan On Social Media Instagram - https://www.instagram.com/cj_sullivan_was_taken Twitter - https://twitter.com/CJSullivan_ TikTok - https://www.tiktok.com/@.cjsullivan Website: https://www.cjsullivancomedy.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Host C.J. Sullivan detonates bombs for both concurrent MNG games of GB/NYG & TEN/MIA. C.J. then recaps the entire NFL Week 14 Sunday including the bad beats, bad calls, and bad behavior by Brittany Mahomes' husband. Finally, a Man in a Box segment about the Shohei Ohtani coverage and signing. Picks with bits are for tobacco use only....its the 100th Episode! Join the SGPN community #DegensOnly Discuss with fellow degens on Discord - https://sg.pn/discord SGPN Merch Store - https://sg.pn/store Download The Free SGPN App - https://sgpn.app Check out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTube Check out our website - http://sportsgamblingpodcast.com Support us by supporting our partners Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdog Watch Bottom Line Bombs YouTube - https://www.youtube.com/@BottomLineBombs Follow The CJ Sullivan On Social Media Instagram - https://www.instagram.com/cj_sullivan_was_taken Twitter - https://twitter.com/CJSullivan_ TikTok - https://www.tiktok.com/@.cjsullivan Website: https://www.cjsullivancomedy.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

More on the MNG deployment to Kuwait, Jeff from Superior, a security guard at a Macy's in Philly was stabbed and killed, J-Serv checked in with us, its National Cookie Day and Wear Brown Shoes Day, and the Christmas City of the North song...See omnystudio.com/listener for privacy information.

Die Ravens nach dem Spiel gegen die Lions ein Titelkandidat? Bill Belichick holt seinen 300. Sieg und schockt die Bills! Bei den 49ers gibt es Verletzungssorgen vor dem MNG gegen die Vikings! (44:00) MNG Preview+++ Alle Rabattcodes und Infos zu unseren Werbepartnern findet ihr hier: https://linktr.ee/downsettalk ++++++ Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

August 11, 2023 is the 50th anniversary of hip-hop. What started out mostly as a spoken word artform has become a worldwide juggernaut. Thanks to the moguls who pushed the genre forward, hip-hop went from 0 to 100.In this episode, we rank the 50 greatest moguls in hip-hop's history. We reached out to industry experts — from artists to execs to media personalities — to help us compile the list. Friend of the pod, Zack O'Malley Greenburg, joins me to count them down from No. 50 to No. 10:39 How do we define “mogul”7:06 Honorable mentions09:10 The “Don't overlook their influence” group (ranks 50-41)16:19 The “Playing chess not checkers” group (ranks 40-31)23:38 The “Our impact runs deep” group (ranks 30-21)33:47 No. 2035:37 No. 1937:56 No. 1841:32 No. 1744:27 No. 1647:21 No. 1551:22 No. 14 55:55 No. 1359:09 No. 121:00:46 No. 111:02:16 No. 101:04:39 No. 91:06:44 No. 81:10:20 No. 71:14:06 No. 61:15:37 No. 51:17:11 No. 41:20:53 No. 31:29:06 No. 21:30:34 No. 11:33:22 Who got snubbed?1:35:42 What trends stick out from the list?1:41:21 Who would you pick to run your empire?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: ownership. Was just such an important thing for Nipsey. Such an important thing for Berner. And, you know, interviewing the two of them, I would say, their mindset around ownership was the closest I've ever seen to Jay Z.[00:00:13] Dan Runcie Intro Audio: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:39] Dan Runcie Guest Intro: This episode is a celebration to hip hop's 50th anniversary. This is a countdown on the 50 greatest moguls ever in hip hop. I'm joined by Zack O'Malley Greenburg, friend of the pod, and we both reached out to. A bunch of label heads, executives, people in hip hop that would know best. And we put it together in an aggregate list.And we're here to break down that list today. We talk about what does it mean to be a mogul? What are some of the considerations we made when we were looking into this list ourselves, how the results looked, what surprised us? What were the snubs? What were the misses? And what can we learn from this overall?And if Zack and I were putting together our dream teams, what would that look like? This is a lot of fun. Really happy with how it turned out. So let's dive in.[00:01:25] Dan Runcie: All right, hip hop's 50th anniversary is right around the corner and we decided to celebrate it in the only way that we know best countdown hip hop's greatest moguls and I'm joined by Zack O'malley Greenburg, who reached out to me about this. I was really excited about it and we spent some time over the past couple of weeks, reaching out to people we know, making sure that we have the best insights looking through and making sure that we had all of the. Breakdowns to share. So Zack, I'm ready for this. How are you feeling?[00:01:55] Zack Greenburg: I am stoked. Yeah, I mean, you know, 50th anniversary of hip hop. We reached out to 50 different judges. amongst, you know, the sort of, the most respected folks from, you know, label heads to artists to entrepreneurs, you know, I think we've got half of them, roughly half of them replied since in their votes, we're going to keep their individual votes anonymous, but, you know, Dan could tell you about some of the judges.Yeah, and it was just really fun to kind of mix it up, you know, I think the thing about this list, a lot of these characters are just kind of an apples to oranges comparison as you'll see once we dive into it, but that's the beauty of it, right? I mean, how do you, you know, compare like a pioneering executive to like a modern day artist mogul? And we really kind of left it in the hands of the judges. And we just said, basically the only guidance was, this is a business focused list, but you know, you can rank artists, executives, people who are both. It just, whatever your definition of mogul is, that's how, you know, that's how you should rank them. And people submitted lists and obviously the higher they rank somebody, the more points we gave them and, you know, the lower they got, but, you know, so there's some people on there who are like accumulators. They ended up on everybody's list, but not so high, but, you know, as a result, they ended up on the top 50.And then there are some who were just like, not ranked at all by most people, but had a couple of really high ranks so that they made the list. So I think it's a pretty cool mix.[00:03:10] Dan Runcie: Right? It's kind of like how we look at artists. There's some artists that have just been consistent, steady through and through each year. You'll always get some reliable output from them, but then there are other artists too. They were the best for a certain amount of time. Maybe they cooled off for a bit.Maybe they came back and that's kind of the way music is too. One of the things that. I was asked whenever I was reaching out to people about this was the same thing that you posed earlier. People wanted to know, how are we defining mogul and we left it up to their interpretation. It is a term that means different things to different people, but maybe for the sake of this conversation, let's kick it off here.Zack, how do you define mogul? And how did you define it when creating your list?[00:03:51] Zack Greenburg: Yeah, I mean, to me a hip hop mogul, more general is just, you know, somebody who not only is a business person, but has some degree of ownership, in whatever it is that they're doing. that's not the only definition of it for me, but like, you know, when I was putting together my rankings, I thought, you know, who are the owners?the same time, you know, people who are executives who are in a decision making place. you know, that counts for something. And I think also, you know, if you're an artist, and you simply have some control over your own work, you maintain your copyrights, whatever, like that counts as being a mogul. So, you know, specifically when it comes to hip hop, you know, I'd say people who are, you know, definitely getting in charge of your own work, but also creating new lines of business, you know, influencing the culture. but you know, a way that they've got some skin in the game from a business perspective, you know, that, kind of thing.That's kind of how I looked at it. but you could see from the votes that, you know, everybody had a slightly different definition too.[00:04:47] Dan Runcie: Yeah, there was definitely a lot of correlation with the artists who tend to be the ones that are the wealthiest. They end up at the highest rankings in on some of those lists, too, but it wasn't exactly correlated because there's a difference. And these are some of the things I kept in mind, too, with the mogul definition, thinking specifically aboutinfluence and impact, were you having, or did you create opportunities for others around you? Were you able to be a bit of a kingmaker or queenmaker in your respective right? Was there a impact in terms of other generations that either looked and modeled how they're doing what they're doing and looking at you as some form of inspiration with that?So there's the indirect impact and influence, but also the, Indirect piece of it too. So there's the money piece as well, but then what do you do with that money? And then that's how I had went about it. And similarly, everyone had their own unique spin to it.[00:05:42] Zack Greenburg: Yeah, for sure. And, you know, and I think the definition changed over time, of what a mogul really is, but when I was putting my rankings together, I think the idea of starting something new, you know, that's also paramount, amongst all the criteria as well.[00:05:55] Dan Runcie: Right? So, of course, Zack and I had our list, but we reached out to a number of people and several other label heads, executives, and people that are in the game.So thank you all to your contributions. We couldn't have done this without you. And if anything, it helped add a variety beyond just you and I, getting and putting our list out there. It added a more full scope and like anything. Oh, this is how you look at it. Interesting and being able to pull unique insights there.[00:06:21] Zack Greenburg: Yeah, for sure. you know, one thing I think we probably ought to point out, on the list, you know, the list is, heavily male. but it's about only 20% women on the list. you know, we did everything we could obviously to make it more equitable, but, you know, the votes are the votes.And, you know, I think there is a bit of a reflection of sort of the state of affairs over the past half century, you know, unfortunately, like many parts of music business, hip hop has been, you know, heavily overindexing for males. So, you know, here's hoping that when 50 years to do a hundred years of hip hop, you know, we'll have even things out a bit or completely, let's say maybe even, you know, made up for lost time, but I think some of the spots on the list, you know, the rankings do kind of reflect an industry reality that we've seen, unfortunately for 50 years.[00:07:06] Dan Runcie: Right? And hopefully this gets better. We do feel and you'll see when we talk about some of the people here, glad about some of the names that got mentioned. Of course, there's always room to be able to have more and hopefully for hip hop's 100th anniversary. If when and people are breaking that down, there's hopefully even more representation there.So, with that, I think it's probably good for us to get started right before the list, but talk about some of the honorable mentions. So, there were people that didn't quite make the cut of 50, but we still wanted to highlight them and the work that they. Did here. So a few of those names here to give a shout out to.So we have Cindy Campbell, Jermaine Dupree, Audrey Harrell, Jay Cole, Damon John. What comes or what do you think about when you hear those names?[00:07:55] Zack Greenburg: Yeah, you know, I mean, Cindy Campbell, I think in many ways you could look at her as the first promoter in hip hop history, right? I mean, you know, we're talking about 50 years of hip hop. That's 50 years from that first party that. She and DJ Kool Herc through, you know, in the rec room on Cedric Avenue.And, I think the idea was that they were going to raise a little bit of cash so she could go get herself a new back to school wardrobe. Now, if that's not, you know, entrepreneurship and hip hop, you know, from the very beginning, I don't know what it is. And so I think Cindy deserves a ton of credit, for being there at the very beginning, you know, but I think on the honorable mentions to a lot of the folks that are on here, you know, or maybe like a little bit, you know, not exactly falling on the same radar, you know, for the list. So like, you know, Damon John, obviously he did with, you know, creating FUBU and, you know, everything he's done as an entrepreneur, it's incredible, but it, I think it's sort of like more of a national brand that is, you know, apart from hip hop and so is his personality, right? Like you see him on shark tank or, you know, whatever, like he sort of moved past, I wouldn't necessarily categorize him, as just hip hop, although he's had a tremendous impact on hip hop.So I think probably that's why, he wasn't on more lists. It's not to sort of ding him his impact, which is considerable.[00:09:10] Dan Runcie: Right, and I do think that of course, music is one element of hip hop. You do have fashion, you do have others. So music definitely got weighted heavily in this list, but Dave and John and his influence in fashion, and there's other people in fashion and we'll get into them in this list too, but we can't overlook everything he did there and some of the more unique and clever marketing tactics that came from food booth that other people did who will mention in this list as well. 1 person that I do want to highlight here from that list 2 people. So, Jermaine Dupri want to give him a shout out as well. Just everything he was able to do with.So, so Def records. He was part of that movement in the 90s, where you saw LaFace and then all these other groups in the South be able to come up, do their own. There was a so so deaf sound, a so so Def vibe and his ability to do it both in rap, but also have a bit of the soul there. Some of the epic production that he's been involved with, even outside of hip hop, thinking about albums like Mariah Carey's Emancipation of Mimi and others, even though he didn't always do everything in hip hop. I think that some of his influence can't go overstated there. And then the second person who's similar in that regard, I would say is Andre Harrell. We talked about him in past episodes, especially the bad boy one, but everything that he did from Uptown Records and then moving on to Motown Records and gave in many ways helped give Puff the blueprint for what he was able to do years later.[00:10:37] Zack Greenburg: Yeah, absolutely. And, you know, I think Andre had a lot of successes, also had a lot of failures, not necessarily, you know, through his own doing, the time, but definitely somebody who deserves, you know, a hat tip at the very least. And, you know, I'm sure Puff would agree about that too.[00:10:52] Dan Runcie: Agreed. Agreed. All right. We ready ready to get into it.[00:10:57] Zack Greenburg: Let's do it.[00:10:58] Dan Runcie: All right. So in the initial group here, which we're calling the don't overlook their influence group. This is people who are ranked 50 through 41. so in order we have Ethiopia have to Marion at 50. She was the former CEO of Motown. We have Top Dog, co founder and CEO of Top Dog Entertainment. We have Mona Scott Young from her work at Violators and more recently Love Hip Hop. And what she also has done with Hip Hop Homicides and some other multimedia projects. We have T.I. with everything he's done with Grand Hustle and Multimedia. We have Eazy E with Priority Records. Many ways pioneering so much of the stuff we saw.We have Todd Moskowitz, L. A. Reed, Craig Kalman, former CEO from Atlantic. We have Sylvia Roan and then tied for 40. We have Desiree Perez and Steve Stout. What are your thoughts on that group list?[00:11:55] Zack Greenburg: Oh, man, I don't know. Maybe we should just pick out a few here and there that we thought were particularly interesting. I mean, you know, I think Ethiopia is a good example of somebody who would be higher up if she were identified, you know, solely as a, you know, as a hip hop mogul, but she's had kind of like a pretty wide reach, you know, especially in R and B, and pop. I mean, some of the stuff she's done with Erykah Badu, NeYo, Stevie Wonder, you know, like over the years, you know, wouldn't be classified as hip hop, but it's worth it nonetheless. just think that, you know, being kind of like in between, in between genres, you know, resulted in her being down a little bit further on the list.But, you know, somebody who had a tremendous impact. you know, I would also, I would highlight TI here, you know, the self proclaimed King of the South, but, you know, in terms of, I remember the years when, you know, we were putting together the Forbes list and, you know, kind of looking at, you know, kind of regionally who is most important to me.Yeah, he was sort of like. The Jay Z of the South. And he was really, especially when he was having that moment, you know, getting a lot of songs on, you know, national radio and, kind of being in the public eye, I mean, had a tremendous business focus, you know, he was always interested in sort of like, what's the next thing that I can create?and you know, that kind of entrepreneurial energy, you know, I think, especially within the context of the South, like taking the blueprint, from guys like Jay Z, you know, I think he certainly deserves a mention. I kind of thought he'd end up higher here, but I guess he's been, not as, especially in the music front lately.and then I would definitely highlight, Desiree, you know, she's somebody who's been behind the scenes for a really long time, with Jay Z and rock nation, but like. she runs rock nation. And although Jay Z obviously has the final say in things, you know, a lot of things that you see, come out of that camp are, you know, her doing and have her fingerprints all over them.And I know some of y'all might have seen the Book of Hove exhibit at the Brooklyn Museum or the Brooklyn Public Library that was a Desiree Perez production and, you know, she said that it was like her emptying her 80, 000 square foot storage unit into the library, but, you know, but to have, you know, that kind of, impact at a place like Roc Nation and to help, you know, Jay Z do what he's done, you know, I think those are all worthy, of notation and, you know, I think she deserves her spot there for sure.[00:14:09] Dan Runcie: Yeah, Desiree is someone that has been working with Jay Z for a while now, and I feel like she deserved a shout out on Jay's verse in Pound Cake, the Drake song. You know where he's like, Dave made millions, Lyor made millions. I feel like Desiree should have gotten a shout out there too, but yeah.I'm glad that she got mentioned here. Two other names I'll run through quickly. Steve Stout, someone who I thought would have ended up higher, and I know that, you know, it was interesting to see how the results played out, but I do think that one of the best marketers that we've seen come through hip hop.He was ahead of the curve in a number of ways, dating back to the 90s with seeing the men in black sunglasses and everything that he's done there from his time working with Nas, everything that they've done, whether it was the firm or, him being a record executive himself and then showing as well, how he's able to do it in advertising and bringing a lot of these companies and brands that didn't necessarily align or think about being related with, you know, hip hop culture and those elements to be able to do it.You look at a company like State Farm and how we now look at what that company has done. And a lot of that is through his work and obviously with what he's done at United Masters. So shout out there and I also do want to give a shout out to Mona Scott Young mentioned her earlier, but she was a right hand to someone who will mention on the list as well coming up soon with everything she did in Violator, this is back when, you know, Q Tip and Busta Rhymes and that whole crew were doing their thing. And then later, I know people have a lot of polarizing opinions about love and hip hop, but if you look at the career opportunities that were created for people that have came through, and the longevity that she's granted, a lot of people that the record industry forgot about that she was able to continue to give opportunities for think about the trick daddies, Trina's and folks like that. I know people hate to see them arguing on camera, but would we have Cardi B where she is today? If it weren't for the platform of love and hip hop, and she's continued to do things with other vocals on the list that we'll get into. So I do want to give a shout out to her[00:16:08] Zack Greenburg: Yeah, definitely a worthy shout out. And we could probably go on and on about even just like the tent in this bracket here, but I suppose we ought to, we ought to move on to the next room before, before we run[00:16:19] Dan Runcie: indeed. Yep. So the next group is playing chest, not checkers. So at 39, we have Dave Mays, founder of the source 38. We have Irv Gotti, founder of Murder, Inc. 37, Cardi B 36, Lil Wayne 35, Nipsey Hussle, 34. Steve Rifkin, from Loud Records 33, Missy Elliot. 32 Birder from Cookies, 31 Kevin Lyles and 30 Chris Lighty.[00:16:47] Zack Greenburg: Oh man, this is a pretty stacked bracket, I must say. I think that, you know, there are a couple of names that stick out to me here. I'm going to go with Nipsey and Berner, because in a funny way, I think, they have like a sort of a similar, a sort of similar strategy, which is like, you have a very clear idea of what it is that you're going to do.You own it, and then you, you know, you continue to own it like ownership. Was just such an important thing for Nipsey. Such an important thing for Berner. And, you know, interviewing the two of them, I would say, their mindset around ownership was the closest I've ever seen to Jay Z. and they really understood from the beginning that they had to own all their music.Own all of their branding own, you know, the companies that create on the side and then they can monetize it later. And, you know, with Nipsey rest in peace. I mean, he was just on the cusp of, of kind of like becoming a mainstream superstar, you know, when, his life ended all too soon. So, I think what Berner is doing with cookies is really fascinating like Berner is, you know, you want to talk, lists. I mean, he's in the top five, probably the top four or three at this point, in terms of net worth for actual, hip hop artists. And that's because of the success of cookies and, you know, there's been, a lot of ups and downs in the cannabis business lately, but like the amount of ownership that he has, you know, I think it amounts to about one third still of cookies, which is, you know, a billion dollar brand. When we gets legalized, you know, like he's going to see the fruits of his labor and, that focus on ownership I think is really going to pay off on the longterm.So I would highlight those two guys, in this tier as the ones that, I think were the most impressive to me. That's not to shade anybody else, but,[00:18:25] Dan Runcie: Yeah, those two guys are also two of the few people who I see people still wearing their merchandise on a regular basis. Granted, I live in San Francisco. There's a cookie store here. So, I mean, I know there is a local connection for sure, but same with Nipsey Hussle. I mean, sadly, it's now been over 4 years since he passed away, and you still see Crenshaw shirts.He understood, Nipsey especially, understood exactly where everything's going. And it's just so sad that, you know, it was gone so soon. Two names, I'm going to shout out here. I'm going to shout. I'm going to shout out Cardi B and I want to shout out Chris Lighty. So Cardi B talked about her a little with the Mona Scott young piece, but she's entered and ran her rap career more uniquely than other artists that we've seen at her level have. And I think that speaks a lot to just where the game is now. It's been over six years since Bodak Yellow came out. And it's been over five years now since her debut album. This is someone who hasn't put out a studio album in over five years.And hasn't gone on tour in a traditional way, but it's still doing her thing. And I think this is one of the things that's unique. She finds interesting ways to monetize herself and to put herself on. She's like, Hey, I can do these private shows and they're going to pay me, you know, 1. 5 million or 3 million just to do a half an hour set.I'm going to do my thing. I'm going to be there at Super Bowl weekend. I may not be performing at the Super Bowl, but I'm going to go do these private shows for Bob craft or the fanatics event or all these things and collect the checks. it's very interesting to see younger artists to do that Lionel Richie playbook, but she is like, Hey, I don't necessarily have to do that. And even though people always do try to, you know, loop her into the Nicki Minaj versus Cardi B beef, she still has lended her hand and extended it to other young artists, especially women in the game, whether it's Ice Spice and others, whether she's doing it through her talents and others. So she's someone that I hope as she continues on, you know, into her thirties and into her forties can continue to rise up this list.And then Chris Lighty talked about a little bit with Mona Sky Young, co founder of Violator and everything they're able to do there. Sad that he was taken away so soon, but if you have not heard this yet and if you haven't listened to the podcast, I highly recommend the Mogul podcast series that was done several years ago on it.It was done by Reggie Yose, who is Combat Jack, who has since passed away as well, but I highly recommend that if you want a full breakdown on everything Chris Leite did. Violator and after that was truly one of the early ones looking at product partnerships and a lot of the things that we see now that are common in hip hop.[00:21:07] Zack Greenburg: And, you know, if we didn't have Chris Lighty, I don't think we would have had 50 Cent. I mean, at least not to the extent that we have him. you know, I mean, I remember writing my first story about 50 and like for Forbes, maybe 2008 and sitting down with Chris and just kind of like hearing him lay out the plan.And again, it's the emphasis on ownership, right? you know, Chris Leidy, I think was the one who really pushed, 50 to take the equity in vitamin water and his parent company, rather than just do an endorsement. And, you know, obviously that became a huge, deal and really like a model for so much, not only of hip hop, but like other parts of the entertainment industry, you know, I think Chris definitely deserves a spot, maybe even should be a little higher. and you know, probably also, there's, you know, again, all these folks deserve a shout out, but Kevin Lyles, I think is, got one of the most inspirational stories. you know, it's another person, I think we've both interviewed a bunch of times, but, you know, just his journey from intern to president of Def Jam and I think seven years. And he just did it by working harder than everybody else like he wasn't an artist that got put there because he had some hit, it wasn't some kind of like nepotism deal, you know, he just outworked everybody and, you know, he had the talent and, you know, the horsepower to just like get it done. And to make that journey within seven years. So I think it's, for people who are listening and, you know, want to do something like that with their own career, you know, study Kevin Miles because he was able to make it, without being, you know, some kind of like preternatural, singing talent or something like that he just did it on smarts and work ethic.[00:22:39] Dan Runcie: And one of the few people that co founded a record label and sold it a decade later for hundreds of millions of dollars, which is what he did 300 as well. Right? So of course, not 300 now underwater, but everything he did with Lyor and Todd, there, is impressive. There's not that many black founders in general. In tech, any sector that have built and exited companies for several hundred, a million dollars, the way that he was able to be a part of that. So, hats offhim.[00:23:09] Zack Greenburg: yeah, I think it takes a special kind of guts to be able to, you know, I mean, he was a well paid executive with a cushy music job, you know, to leave that world, start your own thing. I mean, I know they had, you know, big backers and everything, but like to take a risk once you've already experienced that level of success and to go out and start something, you know, as opposed to starting something from scratch when you have nothing anyway.I mean, it, takes a lot of gumption to do that. So, you know, again, yes, a pretty cool second act for Kevin miles.[00:23:38] Dan Runcie: Indeed, the next group here, our impact runs deep. It is Nicki Will Smith at 28, Swiss beats 27, LL Cool J, 26, Coach K and P, 25, Julie Greenwald, 24. The E40 23, Pharrell 22, and Rick Ross, 21.[00:24:01] Zack Greenburg: Yeah. I think, that's a pretty strong, deck there. And I think also, you know, here, you find some people who, you could argue should be higher or lower based on, you know, how much of their career was done in the hip hop music world, right? Like Queen Latifah, LL Cool J, Will Smith.Obviously those are huge crossover acts. but I think they all got a lot of points from some of the voters because, you know, that is in one way, the measure of a mogul, like you're diversifying your portfolio and whether that's by owning different things or, you know, by getting into, different types of performance, you know, on the silver screen, I think that's a viable path too.but just from like a purely musical entrepreneurial perspective, I would highlight, Swiss Beats and Pharrell, who I think, you know, the two of them are more influential than anybody in terms of like, I'd say Swizz in terms of art and Pharrell in terms of fashion. and you know, some of the things they've done around those two areas and, you know, Pharrell certainly, now with LVMH, but also before with Ice Cream, Billionaire Boys Club, you know, he was very active in starting his own things on the fashion side.And, you know, kind of inspiring artists to do that. you know, would we have had a Yeezy if we hadn't had Pharrell, you know, doing what he was doing and, you know, and even doing what he did with Adidas? you know, I don't know about that. And, Swiss beads certainly, you know, not only from the art side of things, but you know, it's a really impressive art collection.I did a story on him a few years ago and, you know, he's got like, Jeff Kuhn sculptures and Basquiat's and Warhol's and his, you know, like in his foyer. I mean, it's, pretty impressive stuff. but the way that he moves behind the scenes, as sort of like a corporate brand whisperer, at places, you know, like Bacardi, Lotus, you know, this goes on, you know, I think he, he's sort of like more quietlyinfluential than, some folks realize. And, you know, certainly has been earning, on par with, you know, with all the, you know, most of the names, if not higher than most of the names we've mentioned so far. and you know, what he's done on the, both of them, what they've done on the production side, also hard to top.So that must count for something as well. I kind of went more than one shout out there, didn't I? So[00:26:06] Dan Runcie: Yeah. No, that was good. That was good.I'm glad you mentioned the two of them though, because if you didn't, I probably would've called the other one out. The thing about Swiss as well, everything that he's done with versus specifically also embodies this idea and definition of a mogul because he was able to be.A kingmaker in the sense of creating opportunities for others. He did that through the equity that he was able to give all of those early participants in versus in trailer itself. And then additionally, with the careers that we're able to have a boost because of. everything that happened, with the matchups from versus specifically, you look at someone like Ashanti, who is now doing tours and pop it up every now and then she wasn't doing that before her versus and her battle versus Keisha Cole was one of the not, if not the most watched one that we've had.You look at Jadakiss and everything that he's been able to do since his epic showdown against, with Lox versus Dipset with that versus you look at Jeezy versus Gucci Mane. I know that versus definitely had its peak popularity during the pandemic, but that kind of stuff that he was able to do with Timbaland, I think also speaks so much to everything that he's been able to do there.And another person I want to mention to that was in this group as well that I think is similar is LL Cool J because I think similar to the way that. Swiss beets is Ella is also with someone that's been involved with multimedia with everything from the jump. He was the 1st artist to truly breakthrough from Def Jam and did it as a teenager.So, of course, he gets plenty of shout out for that, but he's also always been trying to find ways to look out for that next generation of artists. And he's been doing some of that more recently with rock the bells, and that's its own. Company and entity now where they have a festival coming up as well to celebrate things that are happening with hip hops anniversary.So it's been cool to see him do things as well. And I'll give a very brief shout out here to, coach K and P because they, similar to how I mentioned, Kevin Liles were able to build and grow a company and then sell it for, I believe, forget the exact sale price for, quality control. But they were able to do that thanks in part to a lot of the work that Ethiopia had done, helping to give quality control, the platform that it did, and especially in an era where I think it's harder for a record label to have a true brand, they were able to help give it a boost.[00:28:36] Zack Greenburg: That's true. And on that note of labels, I think Julie Greenwald, there's a mention, you know, she and Craig Kalman, who's mentioned, in an earlier grouping, you know, run Atlantic together. And there's a lot of, of music that we wouldn't have seen if it had been for the two of them, you know, running the show over there.So, shout out to Julie. I mean, the only one actually we haven't discussed here with E40 and Rick Ross. And I don't know, you know, probably get moving, but, do you think Rick Ross deserves to be number 21 on this entire list? Like ahead of Pharrell, ahead of, you know, some of the other names on here. I was surprised that he was ranked this high.[00:29:09] Dan Runcie: I love the spicy questions. Cause this is what people wanted to hear the podcast about, right? They wanted to hear one of us, you know, poke the bear a little bit.If Rick Ross was able to nail that dive in the pool, do you think you would have ranked him higher?[00:29:21] Zack Greenburg: Ha ha ha ha ha ha. No, no, I wouldn't. I mean, I still know. I mean, you know, like I get it, you know, he's called the boss that he must be a mogul, You know, and, some of the things he's done in terms of, you know, Bel Air and Maybach music and all that. Sure. But like, you know, when you put them up against like some of the other ones, did he really do something new or was he more just like following a, blueprint that had worked for others before and, you know, executing it to a degree success, but like, again, not, you know, not to the level of, let's say Pharrell.I think maybe I just, I'm salty that he ended up ahead of Pharrell. I think Pharrell is just way more influential and Mowgli, but, I don't know. What do you think?[00:29:59] Dan Runcie: So, I've read 2 of Ross's books and I interviewed him once on Trapital. I think that, to your point, he did follow the blueprint that we saw from others. I think he is smart about the types of partnerships he does, but it does feel like a ditty light. Type of playbook that he's been able to do and build.And I do think a lot of it makes sense. He may not necessarily have the large media entities the way that he does. Although I do think he's overdue for some type of comedy show or some type of reality show just following him around because I think he's hilarious. And anytime that he gets that, it could just generate something unique.And I'm sure he's been hit up about it. I do think that he's done well for himself. Just thinking about. Now, how his career is growing, I think it's been what, 16, 17 years since hustling 1st came out. I think in this range, there is some flexibility there in terms of like, where people are in certain ways.I get why he may not necessarily be as high. I'm sure if you looked at the net worth or the earnings, that some of the people that are lower than him may actually be higher. I think 1 of the knocks potentially is although Maybach music was cool. I wrote about this in Trapit as well. I think there was a missed opportunity.And part of that comes from, huh, did Ross do all the things that he probably could have done from a leadership perspective to especially like, when Meek Mill and Wally were beefing and stuff. And I think Ross had a bit more of a laissez faire approach to things, which in some ways is kind of the opposite of King making as we're talking about this, right?Can we really bring folks together and make something larger than it is. I think it was a bit tough in general for people to try to do everything themselves, try to be the boss of this label, which is signed to a different label because Rick Ross was signed to a different label than MNG was himself. And I think anytime you have that type of dynamic, it's just splitting the leadership interests. So I hear you.[00:32:00] Zack Greenburg: Yeah. So then how much of a mogul are you, if your label is really, you know, so I guess everybody's labels on somebody else's label and have you distributed by something, but you know, it's like when they're like multiple labels kind of, you know, intertwined with your label, it kind of causes the question.are you really the boss? If you have several bosses that you're answering to, but you know, I think actually though. in Rick Ross's defense, what he's done with Wingstop, I mean, that is pretty unique and, I don't know that anybody else on this list has something comparable in that space.So, you know, maybe that's why, I think, you know, by virtue of that, you could put them pretty high up. And maybe that's what some of the judges were thinking, you know, but he also ended up on a lot of lists, you know, so some of the judges just kind of like, maybe we're getting to some of the judges sent rank lists, and they're like, you know, this person is the top and they should get the most points and other people were like, here are my people.And you can just rank them evenly. and I think Rick Ross ended up on a lot of those lists. So, you know. I think again, maybe like I was alluding to earlier, he's a bit of a compiler, nothing wrong with that, you know, you can get into the hall of fame by compiling 3000 hits, but, it's interesting to see how, how the opinions differ. That's the whole fun of it.[00:33:06] Dan Runcie: He runs his business is almost like how a small business owner would in a number of ways where he has a bunch of car washes and, you know, his is 1 of the family members does that he has his wing stops, right? He has that. And it is a bit of this, like, mogul dumbness from that perspective in terms of like, okay, I have my hands in these things and I've hired people to have, you know, different roles within that that doesn't necessarily have things in aggregate. It's a bit more of the strip mall mentality as opposed to the, you know, building a skyscraper that could then build other skyscrapers, but it's something worth mentioning, but I hope we keep that up with a few of the other rankings we have coming up as we dig into the top 20, here.So, yeah, let's start with 20. So, 20, Queen Latifah, I think that she and, Ice Cube, who we'll get into in a minute, were one of the first that noticed, hey, I may not be able to do this rap thing forever, what are areas that I can expand this multimedia empire and everything I'm building.She was able to do this with Living Single, the show that was Friends before Friends was, and even the way that she was able to show young black people that were having, you know, highly sought after roles, but they still had their interpersonal dynamics. It was cool. It was refreshing. It was aspirational, which I do think that a lot of the black sitcoms were in the 90s.And she was able to do that, continue finding ways to put other people on as well through the work that she did. She was also willing to take risks. Like I remember when she was in set it off, people had a bunch of questions about, Oh, you're going to play a lesbian in this heist movie. What is this going to do for your career?And she was willing to do that. And I think she is always, you know, be willing to take risks. So, you know, shout out to her and I'm glad that several people have mentioned her[00:34:56] Zack Greenburg: Yeah. And I think she gets credit for, like you say, diversifying her portfolio. you know, into the acting world. it's worth noting, you know, she was barely ahead of Rick Ross. but you know, there is a big difference between 21 and 20. It's the top 20. So, again, I think, you know, she was a bit of a compiler, but there were a couple of people who ranked her in the top 10.and, you know, I think just like in terms of the breadth of her career, you know, the longevity, the diversity of the things that she's gotten into. you know, even if it's not as much ownership as somebody, even like a Rick Ross, it's just like, having your hands in a lot of pies and like that really counts for something as a mogul.So, I think it makes sense to see you there.[00:35:36] Dan Runcie: Agreed 19 is Eminem. So let's talk about it. How do we feel about Eminem in 19?[00:35:43] Zack Greenburg: You know, I think it's a weird one, honestly. you know, there's no doubting, his lyrical prowess and where, you know, where he kind of stacks up as part of like the pantheon of lyricists, like fine. But is he really a mogul? I mean, he's somebody who has been, you know, very reclusive at times. Who has, you know, kind of gotten in his own way at other times. I mean, I could see ranking him up here though, just by virtue of ownership of the music and sort of like the quality and quantity of his catalog. you know, what he did with D12, you know, he did have shady records and, you know, and all that.So again, you know, there, there is kind of a layer cake of a label situation, like some of the folks who mentioned earlier across, but, you know, that was at least important to him to set up, you know, as his continued ownership of, You know, his work and, you know, certainly when it comes to like raw commercial prowess, you know, Eminem, is one of the best selling hip hop artists of all time.If not the best, depending on how you look at it. And just, you know, simply by virtue of the amount of revenue he generated, you know, throughout the late 90s and early aughts at the peak of the sort of CD age there. you know, that deserves, some kind of something, even if he wasn't running around starting his own, you know, side businesses as much as some of these other folks[00:37:02] Dan Runcie: Best selling artist of the 2000s by a pretty strong amount, I believe, and has the most of any genre, right? And the most streamed song of the 2000s as well, at least on Spotify with Lose Yourself, and I'm pretty sure Till I Collapse and maybe a couple of others aren't too far. Behind as Will Page as Spotify's former chief economist said, anytime Eminem farts or burps or releases anything on a streaming service, it provides a huge bump to everything in this back catalog.So, I still laugh about that, but I do think that speaks to it there and. If, correct me if I'm wrong, but I think he was one of the first hip hop artists to have a Sirius XM channel himself.So that's something that's unique and obviously Sirius is still doing its thing. So, shout out to him there. A bit higher than I probably would have ranked him, but that's why it's interesting to get the group results here. Ah, this one's gonna be spicy. Number 18. Your boy, Suge Knight.[00:38:02] Zack Greenburg: Yeah, you know, I mean, I think this is one of the tougher ones on the entire list. You know, this is not like a list of, Ms. Congeniality or Mr. Congeniality, as you'll see, you know, some of the other names on here. Obviously, you know, Suge is in jail. he's been involved in the death of, you know, human beings that like that is, you know, not sort of like what you're after in a mogul here, but, enough people, you know, I guess felt that the business, if you just, you know, looking at it from a pure business perspective, was enough to put them up here. And, you know, there is no arguing that death row at its peak was one of the most influential record labels, you know, not just in hip hop, but of anything. I mean, any genre, when death row was at its hottest, I don't know any, kind of moment where any other, you know, you'd have to stack that up against peak Motown or, you know, Atlantic or something like that, but, you know, that was really like a, peak moment. So, you know, I think this is one of the things we run into on this list like if somebody exhibits, a level of, you know, sort of business ingenuity, you know, that counts for something and, you know, the other things that you do in your life and your career, you know, we'll detract from that, but, you know, what you did at your peak, I think will get you pretty far in a list like this when people kind of count, you know, we kind of count sort of like the ceiling as opposed to the average, in some cases. So, I don't know. What do you think?[00:39:27] Dan Runcie: These are the two most impressive business moves that Suge Knight has done. Number two is shaking down Vanilla Ice to get his points for everything that he did on the album that had Ice Ice Baby there. Because he was able to use that money to then start and co found Death Row with Dr. Dre. That's number two.Number one is at the 1995 Source Awards where he publicly makes his Call to attract Tupac to say, Hey, I know you're in jail, but we're riding with you. Tupac wasn't signed there at the time, but he knew that this was an opportunity. Tupac likely needed somewhere to call a home and he called his shot. He was able to make it happen.I know everyone talks about the diddy shot about, you know, being all in the video death row. And that, of course, is infamous in its own right. But I think the number one thing that should night did is that that said. those 2 things speak to what should night is, 1, it is that muscle and the prowess of being able to overpower a situation and then take advantage.And I think those were things that he was good at. That said, I don't think he was necessarily strong as a. Business leader, the company imploded in large part. And I don't think it imploded because of Dr. Dre, it imploded because of all of the things, all the shenanigans. And I think for what he was building, some of that just got a little too close to the sun, unfortunately. And, that's Chuck Knight[00:40:49] Zack Greenburg: And, I think that, you know, in some of the reporting I've done over the years, One of the things people say is that Shug and a lot of the guys around him, you know, it wasn't that they were necessarily like that. It's just they kind of had been watching too many bad gangster movies and the music business, didn't know what to do with somebody like Suge Knight.And so the more he kind of like played this role, the more he grew into it to where, to the point where he was actually living sort of a bad gangster movie. and sort of like created, turned himself into a monster. Yeah, so I think like the evolution. or the evolution, of somebody like Suge Knight is sort of fascinating in terms of like what you can, what sort of playing a role can do to you, over the course of time.[00:41:32] Dan Runcie: Agreed. And well said number 17 here is America's most wanted ice cube. I'll start here to kick things off. I think that Ice Cube, like Queen Latifah mentioned earlier, was one of the early ones who had said that he knew that living and doing everything off a raft wasn't gonna last forever. And I think a lot of it was because he experienced some of the brunt and ugliness of it.I mean, we've all seen the Straight Outta Compton movie. He goes into Jerry Heller's office. He starts smashing shit. He releases no Vaseline. There was definitely a no fucks given that carried through even after he was done with NWA, but he saw what this industry is like as well and then that's when he starts writing screenplays.And then that's how Friday because the thing becomes a thing. And then. His career just continues to take off after that he still dabbled in rap and did his thing, but he definitely became known early on for one of the people that took a risk with cube entertainment and everything that he was able to do there.And with any of the movies that he had, whether it was the movies with Mike Epps and plenty others, I do believe that most of these movies were pretty profitable. And he was able to. Do it work within the confines that he had and just continue to build everything he did from a career. We've seen him expand as well into everything that he's done with the big 3 specifically giving a home for basketball players that can still play, but maybe they can't make, you know, a 13 person NBA roster anymore.I do think that some of his more recent news highlights that are a bit more politically driven or him walking around with Tucker Carlson and probably take it away from some of the more prominent memories of Hugh Ice Cube is, but yeah, that's why I had had him or that's why he, I think deserves to be, you know, where he is, on the list.[00:43:27] Zack Greenburg: Yeah. And I think it's interesting, you know, you see, Eminem, Suge Knight, Ice Cube, all together, you know, they're all, inextricably connected to Dr. Dre. one way or the other. Right. and you know, would there, would Dre have been Dre without the three of them? you know, at different phases of his career, you know, I don't know, I mean, I think certainly what, Ice Cube did as part of NWA, you know, I wouldn't say that, that NWA was like.like a business first organization. But like that wasn't the point of NWA and if it hadn't been for NWA, I don't think you would have been able to have business first organizations come out of hip hop in the way that you did. and certainly, you know, somebody like Dr. Dre, so. I think he gets extra points for that.and, you know, this is probably why, you know, he was again, I don't know, was he compiler? He was, you know, he had like a lot of kind of middling, a lot of lists, a couple of top 10 votes, you know? So, you know, I think again, everybody has their favorite and he's up there for a lot of folks.[00:44:27] Dan Runcie: Agreed. Number 16 is Drake. Should we poke the bear again?[00:44:33] Zack Greenburg: Yeah. Does Drake deserve to be at number 16 on this list?[00:44:37] Dan Runcie: This one surprised me, I was very surprised at the number of people that had him on the list, because you can make a case for the opposite, right? It's similar to the M and M thing, but almost to the extreme because M and M, yes, most commercially successful artists, XYZ. There's other artists that are less commercially successful at M and M that did more in that mogul definition but for Drake, it's even bigger of a Delta between these two, because here you have the most streamed artists of all time. So clearly commercially successful on its own, but people believe that OVO. Records or OVO sound itself actually could hurt an artist's career. And when you think about that, you think about some of the other multimedia things that he's done.I know he's been active as an investor and I know that people like Nicki Minaj and others have said, Oh, you know, Drake's a low key billionaire. He just doesn't want you to know it personally. Again, he may be, I mean, I'm not sure what he may not disclose, but it isn't always just about wealth. It's like, what opportunities were you able to create for each other?I do think it's good. That drink has been able to have different people that have been working alongside that. I think did get a bit of that drink stimulus package. And I think that's something that is quite debated, but I do think that. I feel like 21 Savage has definitely benefited from it. I mean, he was already commercially successful, but for him and Drake to do a joint album together was huge.I think it was the same way that it was huge for Future and the same way that the Migos going on tour with Drake in 2018 was huge for them and anything else that Drake continues to do from that perspective. So I think it is, you know, debatable, but I mean, people do definitely add some weight to the artists themselves.[00:46:18] Zack Greenburg: Yeah. And, you know, I think he should be around Eminem and whether they're both too high is an open question, but, you know, there's no doubting the commercial viability of what he's done. He did start more side businesses in Eminem, right? With OVO, whether it's the label, the festival, the clothing line, you know, he started a whiskey brand called Virginia black, which I tried once.It tasted okay. but I don't think it's selling, you know, I don't know if he's even still doing it. yeah, he is definitely involved as a startup investor, so maybe, you know, we'll see some exits and we start to think of him differently at that point. But, yeah, you know, again, I think it's, some voters just kind of overweighted, you know, musical prowess and pop culture influence.And if you're talking about that, I, I don't know anybody who's been as influential in the past 15 years. I mean, he's, you know, he's the most streamed artist of all time and that's got to count for something.[00:47:08] Dan Runcie: Right. I know his cannabis line failed, but there's a lot of people, even people that we'll get to in this list that have also had failed or struggling cannabisbusinesses. And, there's a lot that we could discuss there, but moving on number 15 is Sylvia Robinson, the originator.[00:47:26] Zack Greenburg: I think she deserves to be in the top five, personally. because if there were no Sylvia Robinson, yeah, I mean, I don't know that we have hip hop and, you know, it's, you know, for those who don't know the story, she was running sugar hill records with her husband, Joe sylvia was actually a child star singer herself.And, you know, they kind of had this like middling existence with their label. And then all of a sudden she's at this birthday party that she didn't even want to go to in Harlem and she sees Lovebug Starsky up on the microphone. A hip hop hippie to the hippie to the hip hip hop. You know, this is early, early seventies.She's never heard anything like it. All the kids, you know, hands in the air, like you just don't care. And the whole thing. she tries to get Lovebug to sign. There's some kind of dispute, like with his management, never happens. And so she just goes to the pizzeria in New Jersey, finds three kids, get him, gets them to talk real fast over this record is how she described it.and that's, you know, that's Rapper's Delight. That's the first hip hop song on Wax. That's the first hit. you know, that sort of spawns the whole genre. So, you could certainly argue, that, you know, she, borrowed or she hired, hired people who borrowed or whatever to do this, you know, like the idea that, that the first hip hop, track on wax was like, you know, originated in a pizza shop in New Jersey is really unfortunate cause it started at the Bronx, but like, you know, Sylvia came from Harlem.She, you know, she, she knew that world. Like, you know, she was part of the music business and, for better or worse, she took hip hop from being, you know, just basically like spoken word in person kind of thing to being, you know, national events. Would it have happened eventually?Yeah, I think so. But you know, who knows? I mean, it could have taken years longer and if it took years longer, you know, are we going to have the eighties with like run DMC and Def Jam and all that? Like, you know, I don't know. I mean, it, could have taken a lot longer to get off the ground if she hadn't done what she'd done.And, you know, I don't think we, I don't think we should really be dinging Sylvia Robinson for her Machiavellian tactics, given some of the other people on this list, you know, we're talking like Suge Knight and whoever else, you know, there's quite nefarious characters, you know, as we get higher up too in this list.So, you know, I don't think anything she did was. remotely as bad as, as like a lot of the dudes on this list. and, you know, so, you know, let's, I think we give her her due and yeah, I would definitely put her higher, but, you know, I think that's part of the deal when, when you have somebody who's that early on.You know, people are going to say, Oh, well, you know, the total gross is not quite as much as so and so or whatever the case may be. And she wasn't as famous as some of the artists. So, but you know, she's up there, I mean, ahead of some pretty big names, Drake, Eminem, what have you. So, I think she's getting some flowers here[00:50:00] Dan Runcie: The total gross knock is always one that makes me roll my eyes a bit because even if you take out the inflation aspect and the amount of money that's now in the industry, this is something that happens with pioneers in any type of industry. They are the ones that take the early hits to make it possible.She and her work is what made it possible for rappers to like, she and her workers have made it possible for the message and anything else that we then see after that. Yes. Sugar Hill. records did have its struggles, afterward, like many other labels. But what do you think about broader context of the eighties being a very tough time in general for black music?And there were only a certain number of decision makers in power that could make that happen. Yeah. You have to take that into account. And then additionally, she did stuff outside of even just this record label itself. As you mentioned, she was a recording artist herself. She also owned a nightclub. So there were other mogul type things that she had her hands.And so shout out to Sylvia, who knows where this would be without her.[00:51:00] Zack Greenburg: And probably worth caveating also that, you know, she did have some, Disputes over paying artists, as the years went on. So did like really a lot of people on this list is we could do like a whole separate, you know, like has some kind of dispute on how they pay artists. So, you know, that, that's probably worth noting too, but yeah, I mean, so does everybody else.And, you know, I think she deserves her flowers.[00:51:22] Dan Runcie: Number 14, Dame Dash,[00:51:25] Zack Greenburg: Another, another hot one coming in. I mean, I think a lot of people would disagree with this, but you know, some people would put them even higher. I mean, I think he might be the most polarizing name on this entire list. Like some people had on top five, you know, some people didn't list them at all.you know, I think it kind of comes in. We've had this conversation before. Would there be a Jay Z without a Damon Dash? you know, I mean, I think so, but it's that part of the, you know, we've talked about him in the context of startups and do you, you know, you need a different kind of founder for your like pre seed days than you do for your series B.you know, if you're like a mafia, family, you need like a wartime Don, you know, versus like a peacetime Don or whatever it's called. But like, you know, I think, Dame Dash is a wartime Don. He's a seed stage startup founder. and he does it fair as well. You know, when it comes to like the growth stage and the corporate boardrooms and stuff, but, you know, there's no denying his brilliance.you know, I think what he did, you know, certainly with rock aware, you know, expanding, the Roc-A-Fella empire beyond music. you know, maybe he realized that Jay was eventually going to leave and that they just, it wasn't going to be forever. And so he wanted to get his hands into, you know, as many different areas as he could, but, you know, there's like a lot of pro and a fair bit of con, but, you know, I think again, he's one who, you know, the pro outweighed the con, he didn't kill anybody, you know, so there's some people on here who did.yeah, the con is only like so much con in my opinion.[00:52:56] Dan Runcie: This conversation makes me think about, that backstage documentary that. Roc-A-Fella had put out after the hard knock life tour. And there's that infamous scene of Dave dash yelling and swearing at Kevin Lyles, who was at Def Jam at the time about the jackets and where what logo was supposed to be, or something other than that.And thinking about that in context now of like, you know, how we talked about Kevin Lyles and everything he was able to do from that run and still can continue to do. And with where Dame Dash is, is in his career, Dame Dash doing his thing. I think he very much lived through and practice and preach the ownership standards that worked for him, where he has Dame Dash Studios, Dame Dash this, and he's been able to.Create exactly what he wanted to. We heard him on that infamous 2015 breakfast club interview where he's yelling at DJ Envy and Charlemagne about, Oh, well, if your son wants a job, can you get him a job here at power 105 or whatever? No. Well, I can do him at where I'm at. And as comic as the delivery was, there is some aspect of mogul dumb.That is a bit of that King making aspect of, okay, can you create opportunities for others around you? What those opportunities look like definitely vary. And I think that is a factor. So I do highlight that is something that Dame is able to do. And Dave is also similar to he's similar to a polarizing basketball player in the sense that the media may look and be like, why do you all fuck with this guy?Like, what's going on? But if you ask the people that are actually in it, a lot of that would be like, oh, well, you got to look at Dame dash, Dame dash is the guy. And when I have. Interviewed. I'm sure you've interviewed and talked to many of young artists, too, or young label executives, too. A lot of them will reference Dave Dash.A lot of them will look at what he was able to do alongside Roc-A-Fella, almost in the same way that, you know, players will swear by Kyrie or swear by James Harden or some other type of athlete that may be polarizing in their own right. And the media is like, Oh, why do you all like this guy? And it's like, Oh, well, no, you don't understand.So there's something about. The people, and obviously I say that being self aware is us as people more so on the media side, as opposed to being in it themselves. But there's something about these young artists and moguls as well that have always looked up and respected what Dame has built. And even though it may not resonate, like, personally, I acknowledge that.[00:55:23] Zack Greenburg: I would say, if you're going to make a basketball reference, Maybe not personality, but like basketball style, I'd almost liken him to Carmelo Anthony, you know, like he's an isolationist. He's a scorer, like, you know, he may not be very good at distributing the basketball, but like, you know, you throw him the ball in the corner and he's going to find a way to get it in.And, You know, like a lot of people wouldn't think that he belongs in the Hall of Fame at all, you know, but some people would, be insistent on it. So, you know, yeah, I think that sort of like singular focus, you know, you could definitely give him credit for that,[00:55:55] Dan Runcie: Agreed. Number 13, we are Cohen.[00:55:58] Zack Greenburg: man, another like bulldozer of a human being, but, you know, certainly somebody who, you know, maybe he has also got the finger roll, you know, like he, he can have a light touch when needed. you know, I think just like in terms of longevity, we talk about longevity with some of the names on this list, you know, Leroy was there in the very beginning of hip hop, you know, managing rappers, and it gives the road manager run DMC, taking the leader

In our continuing exploration of aesthetic and its interplay with worldbuilding, we're thinking about one spectrum with labels that often get applied to fantasy novels: the darkness and the light. Guest M.J. Kuhn joins us to discuss the societal components and cultural standards that can make a world feel further toward one end or the other of that continuum. What's the difference between a dark world and a dark story? How much do the characters' attitudes and the writer's narrative voice shape the reader's experience of a book as either light or dark? Does a high body count automatically make a book dark? We explore these considerations and the craft of shaping these elements. We also want to remind you that our Kickstarter for Traveling Light, the Magical Nude Gate anthology, is ongoing! As of time of posting, we're about one-third of the way to our goal, which is an awesome start. This anthology will only happen if we get fully funded, though, so if you want to see the amazing stories emerging, buck-nekkid, from the MNG, then become a backer and persuade your friends to do the same! [Transcript TK] Our Guest: M.J. Kuhn is a fantasy writer by night and a mild-mannered marketing employee by day. She lives in the metro Detroit area with her husband Ryan, a dog named Wrex, and the very spoiled cat Thorin Oakenshield. 

Welcome to the fifth season of Worldbuilding for Masochists! And we've got some big news in this episode! After many episodes talking about the Magical Nude Gate, we are diving fully in and launching a Kickstarter anthology! We want to tell some of the stories for which the MNG provides such glorious opportunity. We've solicited stories from former guests (see a full list below) and will open the anthology to submissions, as well. We hope to bring you an ebook anthology in summer of 2024! Contributing authors include:  Natania Barron Marie Brennan Mike Chen Kate Elliott Victor Manibo Kritika H. Rao Mike Underwood Valerie Valdes But of course, that will only happen if our Kickstarter meets its goals! Because we believe in paying people for their work. (Wild idea, in publishing, we know!) As of posting time, the Kickstarter is under review, but we'll be adding the link here, and in the header of the website, and all over our social media as soon as we have it! (That should be no later than Friday 6/23, and might be even faster, but it's in KS's hands now). But that's not all! In this episode, we also give thanks to all the amazing guests, and then we explore some of our personal worldbuilding highs and lows -- our surprising wins and our epic fails. We've all taken "Choose, Don't Presume" to heart over the past few years, and that has paid off in wonderful ways -- but it also sometimes leads us to painting ourselves into corners that we then have to contort out of! [Transcript TK]

EP77: Dari ngomongin Alya poyang lucu, rasanya jadi wota om2 dan pengalaman MnG di SMESCO yang panas seperti iklim politik Konoha

In the midst of a season full of amazing guests, we take a little breather to reflect on some of the recent topics and to apply them to our co-built world! The world of the MNG is complex and interconnected, which makes it absolutely ripe for thinking about matrices of power and privilege. So, we think about geography and space; we think about gender and gender roles; we think about magic; we think about the intersections of identity that might matter both in our world and in the smaller societies within the world. Then, we ask: How does the existence of the MNG complicate or simplify dynamics of power and identity? We also would like to take a moment to remind listeners that we are again eligible for the Hugo Award for Best Fancast! Nominations are open until April 30th, so if you were a member of ChiCon 8 or if you are a member of Chengdu WorldCon, we would love your consideration!

Antonio, Guillaume et Emmanuel discutent de licence Oracle pour Oracle JDK, de JEPs, de Flutter, d'Hibernate, de Mokito, de Kafka, de (not so) Big Data, du parsing de YAML, de ChatGPT, de licenciements, de platform engineering, et de nombres flottants. Enregistré le 10 février 2023 Téléchargement de l'épisode LesCastCodeurs-Episode–291.mp3 News Langages Oracle a changé une des licences de Oracle Java https://redresscompliance.com/oracle-java-licensing-changes-explaned-free/ plus d'utilisateurs nommé mais basé sur tous les employés et même les employés de vos soustraitant Bref, ca va faire cher et si vous itulisez plus de 50k processeurs, vous payez en plus Un autre article d'IDC https://blogs.idc.com/2023/01/30/oracle-java-subscription-changes-what-is-the-impact-to-customers/ Message a caractère informatif: il y a d'autres distributions de OpenJDK supportées de différents vendeurs ; ou la version non supportée InfoQ fait un résumé des dernières nouvelles Java, les mises à jour sur les JEPs, les dernières releases https://www.infoq.com/news/2023/01/java-news-roundup-jan23–2023/ sur Java specificquement des mises à jour de drafts autour du projet amber (primitive types in patterns etc) Une JEP pour discuter du future process des JEP (evolutions) JDK 20 en rampdown phase avec en nouvelles features: scoped values, record patterms, pattern matching for switches, virtual threads, structured concurrency - toutes en incubation ou preview https://www.infoq.com/news/2023/02/java-news-roundup-jan30–2023/ Le framework RIFE fait son grand retour ! Sortie de Go 1.20 https://go.dev/doc/go1.20 mais pas de gros changements, juste des améliorations de la toolchain, des librairies… Recap de la conférence Flutter Forward 2023 https://medium.com/@flutterqueen/flutter-forward–2023-recap–8f6da4876e3 Annonces de Flutter 3.7 et Dart 2.19 Amélioration de la performance graphique (utilisation de Impeller au lieu de Skia) Layout adaptatif Barres et sous-barres de menu Validation de release iOS Support de Material 3 Nouveaux widgets Support de ses propres shaders Facilitation de l'intégration native avec FFIgen et JNIgen Support de la 3D Support de WebAssembly Support de RISC-V Possibilité d'intégrer une app Flutter comme un élément HTML dans un page HTML Un toolkit spécifique pour les applis de News Côté langage Dart, il devrait bientôt y avoir du pattern matching Librairies Les bonnes pratiques d'accessibilité pour les applications en Flutter https://medium.com/flutter-community/creating-inclusive-apps-with-flutter-best-practices-for-accessibility-c7cebe0beb4d 4 grands thèmes dans l'article : l'accessibilité dans Flutter, les fonctionnalités intégrées à Flutter pour l'accessibilité, les meilleurs pratiques pour rendre les apps Flutter accessibles, et tester / débugguer l'accessibilité Flutter supporte le text contrast, les screen readers, les labels sémantiques, l'utilisation au clavier Comment logger les requetes Hibernate ORM https://www.adeliosys.fr/articles/hibernate-monitoring/ log brut via un logger les requetes lentes (plus lentes que n millisecondes) les metriques plus avancées (Statement, requetes, temps acquisition de connections, cache) Exposable via JMX le pool de connexion Sortie de Mockito 5, avec la possibilité de mocker des constructeurs, des méthodes statiques et des classes finales https://www.infoq.com/news/2023/01/mockito–5/ avant, c'était déjà possible de le faire avec mockito-inline mais maintenant c'est “out of the box” la version Java minimale passe de Java 8 à Java 11 Cloud Kubernetes Java client ajouté le support de kubernetes 1.25 https://www.infoq.com/news/2023/01/kubernetes-java-client/?utm_campaign=infoq_content&utm_source=twitter&utm_medium=feed&utm_term=java ajout d'APIs dynamique pour faire du monitoring générique L'article montre l'API utilisée en alternative a certaines commandes kubectl fabric8 est une alternative Data Big data est mort https://motherduck.com/blog/big-data-is-dead/ fondateur de BigQuery Puis regardé comment les utiilsateurs utilisaent Big Query Et pas un probleme de big data Retour des moteurs classiques MySQL / PostgreSQL vs MongoDB etc la plupart des utilisaeur de big query etaient sous les 1Tb et 50% at 100GB ou moins doncle deluge de données n'est pas arrivé le shift moderne c'est de detacher le stockage du compute les données grossissent plus vite que les besoin en compute sur ces données la taille du workload est sur un petit sous ensemble de la taille des données entiéres (90% des requetes bigquery sont sur 100M de données) bases de données modernes sont force a travailler sur un sous ensemble des données pression pour scocker moins de données sur les equipes données sont requetees dans la journée, dans la semaine et ensuite rarement touchées donc big data = whatever doesn't fit on a single machine, est de moins en moins vrai map reduce en 2004 et machines de maintenant entre 2 et 4 ordre de grandeurs de RAM en plus avant on se foutait de supprimer des données mais GDPR et responsabilité pénales change la donne data putrefaction comme le bit rot questionnaire pour savoir si les prochaines generations de data processing seront suffisant pour vous distribution est une raison par contre Outillage Tous les soucis avec YAML https://ruudvanasseldonk.com/2023/01/11/the-yaml-document-from-hell article qui explique la complexité de YAML et ses incohérences Comparaison a la simplicité de JSON les commentaires JSON enlevés en 2005 parce que les gens mettaient des meta instructions pour les parseurs et l'implementation des commentaire était très complexe 22:22 est une nombre en base 60 vs 80:80 qui ne l'est pas (enleve en YAML 1.2 - **.png est invalide, ** est une reference vers une ancre - !.git est parsé différemment par les parseurs: ! est une echape pour exprimer un type natif du langage (e.g. Java) - ca veut dire que charger un YAML inconnu est non sûr - fr - de - no retourne ["fr", "de", no] le problème Norvège | changé en tre YAML 1./1 et 1.2 mais l;es parseurs gardent les anciens comportements:. Boolean: on, yes, y on: "let's go" est convertit en { "True": "let's go" } parce que on est boolean et accepté en clé non String dans YAML version: [ 9.5.1, 12.13] -> { "version": [ "9.5.1", 12,13 ] } les chiffres non echapé par un guillement syntax highlighting est donc dependant les templates dans yaml ca court a la cata altewrnatives: TOML, JSON, sous ensemble de YAML (toujours quoter les chaines) ChatGPT, on lui attribue plus de magie qu'il n'en a https://arxiv.org/pdf/2212.03551.pdf un article scientifique mais de 8 pages seulement ChatGPT entant que large language models (LLM) et un prompt Engineering au dessus (le conversational agent) ChatGPT c'est une exécution du modèle Next Token Prediction C'est de la statistique brute mais excrément versatile dans ses usages Tendance à anthropomorphismes parce qu'on a passé la sensation de uncanny valley Considérant la distribution statistique des mots du corpus public, quels mots ont le plus de chance de venir après Pas de relation au monde, aux objets et aux interactions d'êtres partageant le même langage Pas des faits, ChatGPT ne sait pas, n'a pas d'intention C'est donc un outil génial pour éliminer un paquet du bullshit work de tous les jours, pas les gens qui le font Est-ce que les capacités sont émergentes ? LLM fondamentalement est hors du concept Le méta tutoriel sur le parsing avec Antlr https://tomassetti.me/antlr-mega-tutorial/ Couvre différents langages don't Java, Python, JavaScript et C# Explique les différentes phases de lexing, de parsing Comment résoudre les ambiguïtés avec les prédicats sémantiques Comment transformer du code Comment tester son parseur Et autre trucs et astuces Un tutoriel sur comment releaser un module Java avec Maven, JReleaser et Github Actions https://foojay.io/today/how-to-release-a-java-module-with-jreleaser-to-maven-central-with-github-actions/ montre le setup necessaire (clé GPG, pripriété du groupid, config maven etc montre comment faire la release à la main comment l'automatiser via GitHub actions Un tutoriel expliquant comment utiliser CRaC pour vos applis Java dans un conteneur https://foojay.io/today/how-to-run-a-java-application-with-crac-in-a-docker-container/ Coordinated Restore at Checkpoint (développé par Azul) Permet de créer des snapshots d'une application Java Pour qu'elle puisse être relancée rapidement après son démarrage, son warmup Une intro à Kafka en français https://blog.octo.com/kafka-repond-il-a-mon-besoin/ Maven 3.9 sorti https://lists.apache.org/thread/0tfr7t2j2ddbv4gjvxm47yohtk3dg6b3 https://maven.apache.org/docs/3.9.0/release-notes.html Java 8 nécessaire pour lancer Maven Pas mal de nettoyage de code et de dépendances pour préparer Maven 4. Certains plugins mal conçus (ex: qui ne déclare pas la dep plexus-util) peuvent être incompatibles. .mvn/maven.config dit désormais avoir 1 arg par ligne Maven avertit maintenant sur l'utilisation de plugins obsolètes, objectifs, paramètres, etc. Ajout de la prise en charge de l'invocation « mvn pluginPrefix:version:goal » et mise à jour des logs (pour simplifier le copier/coller). Ajout d'activation de profil par packaging. Maven 3.9.0 est désormais entièrement compatible avec la nouvelle ligne 3.x d'installation et de déploiement de plugins (les versions précédentes préviennent à ce sujet). Ajout du support du repo local partagé - https://maven.apache.org/resolver/local-repository.html#shared-access-to-local-repository Ajout de la possibilité de splitter le repo local (releases, vs snapshots…) et possibilité de gérer des workspaces - https://maven.apache.org/resolver/local-repository.html#split-local-repository Filtrage des dependences par repository - https://maven.apache.org/resolver/remote-repository-filtering.html Chained local repository (pour l'isolation entre “outer” and “inner” builds) - https://issues.apache.org/jira/browse/MNG–7612 Attention: Il y aurait une regression (10%) sur les perfs de gros projets - https://issues.apache.org/jira/browse/MNG–7677 Les bisounours Méthodologies De operation engineering vers platform engineering https://www.infoq.com/news/2022/10/platform-devops-summary/ et quand le sysadmin devient de nouveau sexy grosse tendance et beaucoup de discussions autour du la platform engineering une plateforme imposée aux devs mais sexy donc c'est bon cette fois: plus serieusement customer focus - la fameuse developer experience Requilibrage entre dev vs ops puis devops plat et maintenant ceci. Sans enlever devops car devops amene une charge mentale lourde objectif developper la “core business value” et donc supporter cela avec une Internal DEveloper Platform Backstage est la GUI au dessus mais une IDP est plus profonde Infra Platform dev teams IDP: ne pas avoir a faire tourner l'infra (pour une equipe dev metier) Et cela permet d'ajouter des controles “entreprise”: cout, gouvernance etc C'est un pendule qui se reequilibre, mais n'oublions pas que les devs aime le jeu, comme les otaries. Pas pisser du code metier le plus vite possible. Est-ce que les IDP seront populaires, c'est la grande question un contre point dans l'articl;e: IDP are expensive and hard to do, offer a mediocre service at best, destroy velocity, and create bad incentives lié a la notion de golden path Sécurité Une liste de binaires Unix qui peuvent être utilisés pour bypasser des systèmes malconfigurés https://gtfobins.github.io/ apparemment même des images type distroless peuvent être affectées risques potentiels : accès à un shell, des privilèges élevés, transférer des fichiers, etc. Loi, société et organisation Twitter desactive l'API pour les clients qui n'affichent pas les pubs de Twitter (comme Tweetbot https://twitter.com/tweetbot/status/1613763746437947394) et paf le support de twitter sur ton ordi Ola Bini déclaré innocent https://peoplesdispatch.org/2023/02/01/digital-rights-activist-ola-bini-declared-innocent-by-ecuadorian-court Arrété en 2019 en Equateur Accusé d'avoir eu access à des ordinateurs et des systemes de communication En même temps que Julian Assange était renvoyé de l'ambassage Equatorienne de Londres Il a fait 70 jours de prison Google a viré son équipe Open Source https://www.infoworld.com/article/3686511/google-blew-it-with-open-source-layoffs.html gros efforts autour de l'open sourcing (Kubernetes, Tensor flow) paie des dividendes viré par les tetes de gondoles mais ceux qui avaient fait des différences Open Source program, Google Summer of Code Grosse influeence interne qui se perd, risque pour le futur ca reste l'opinion de Matt Asay ( :stuck_out_tongue_winking_eye: ) Dans la saga Twitter, après l'arrêt des clients Twitter tiers, maintenant l'accès même à l'API va devenir payant https://twitter.com/twitterdev/status/1621026986784337922 donc par exemple, on ne pourra même plus créer des bots gratuitement, comme faire des annonces automatiques de release, etc ah bah merde c'est ce que je fais pour les cast codeurs :/ On peut rajouter son Mastodon sur son profil Github https://github.blog/changelog/2023–02–02-add-more-social-links-to-your-user-profile/ Pratique pour la vérification Mastodon ! On pouvait seulement mettre un lien vers Twitter, maintenant on peut avoir plusieurs profils de médias sociaux différents Rubrique débutant Julia Evans a écrit deux articles intéressants sur les problèmes avec les nombres flottants et avec les nombres entiers https://jvns.ca/blog/2023/01/13/examples-of-floating-point-problems/ https://jvns.ca/blog/2023/01/18/examples-of-problems-with-integers/ les problèmes classiques d'overflow le grand écart entre les grands nombres flottants des cas concrets de valeur approchée (proche à epsilon près), ou avec JavaScript qui interprète les entiers comme des flottants et du coup interprète mal des grands ID en JSON des clés primaires trop petites, les bizarreries de l'encodage des nombres signés ou non Quels sont les types de mémoires dans la JVM ? https://www.baeldung.com/java-jvm-memory-types Heap Stack Native Direct je pense que l'article a des incoherences, Ent ous cas native vs direct est mal expliqué. Un truc pas super clair mais plus clair est ici sur native vs direct: https://stackoverflow.com/questions/30622818/what-is-the-difference-between-off-heap-native-heap-direct-memory-and-native-m c'est en gros direct vers du hardware (IO/ network etc) memory mapped file permet d'aller au dela de la limit e de memoire vive du systeme Conférences La liste des conférences provenant de Developers Conferences Agenda/List par Aurélie Vache et contributeurs : 9–11 février 2023 : World AI Cannes Festival - Cannes (France) 16–19 février 2023 : PyConFR - Bordeaux (France) 7 mars 2023 : Kubernetes Community Days France - Paris (France) 15–18 mars 2023 : JChateau - Cheverny in the Châteaux of the Loire Valley (France) 23–24 mars 2023 : SymfonyLive Paris - Paris (France) 23–24 mars 2023 : Agile Niort - Niort (France) 30 mars 2023 : Archilocus - Online (France) 31 mars 2023–1 avril 2023 : Agile Games France - Grenoble (France) 1–2 avril 2023 : JdLL - Lyon 3e (France) 4 avril 2023 : AWS Summit Paris - Paris (France) 5–7 avril 2023 : FIC - Lille Grand Palais (France) 12–14 avril 2023 : Devoxx France - Paris (France) 20–21 avril 2023 : Toulouse Hacking Convention 2023 - Toulouse (France) 27–28 avril 2023 : AndroidMakers by droidcon - Montrouge (France) 4–6 mai 2023 : Devoxx Greece - Athens (Greece) 10–12 mai 2023 : Devoxx UK - London (UK) 12 mai 2023 : AFUP Day - lle & Lyon (France) 25–26 mai 2023 : Newcrafts Paris - Paris (France) 26 mai 2023 : Devfest Lille - Lille (France) 27 mai 2023 : Polycloud - Montpellier (France) 31 mai 2023–2 juin 2023 : Devoxx Poland - Krakow (Poland) 31 mai 2023–2 juin 2023 : Web2Day - Nantes (France) 1 juin 2023 : Javaday - Paris (France) 1 juin 2023 : WAX - Aix-en-Provence (France) 7 juin 2023 : Serverless Days Paris - Paris (France) 15–16 juin 2023 : Le Camping des Speakers - Baden (France) 29–30 juin 2023 : Sunny Tech - Montpellier (France) 8 septembre 2023 : JUG Summer Camp - La Rochelle (France) 19 septembre 2023 : Salon de la Data Nantes - Nantes (France) & Online 21–22 septembre 2023 : API Platform Conference - Lille (France) & Online 2–6 octobre 2023 : Devoxx Belgium - Antwerp (Belgium) 12 octobre 2023 : Cloud Nord - Lille (France) 12–13 octobre 2023 : Volcamp 2023 - Clermont-Ferrand (France) 6–7 décembre 2023 : Open Source Experience - Paris (France) 31 janvier 2024–3 février 2024 : SnowCamp - Grenoble (France) 1–3 février 2024 : SnowCamp - Grenoble (France) Nous contacter Pour réagir à cet épisode, venez discuter sur le groupe Google https://groups.google.com/group/lescastcodeurs Contactez-nous via twitter https://twitter.com/lescastcodeurs Faire un crowdcast ou une crowdquestion Soutenez Les Cast Codeurs sur Patreon https://www.patreon.com/LesCastCodeurs Tous les épisodes et toutes les infos sur https://lescastcodeurs.com/

Our second Hurricane Ian Benefit Concert is Sunday, November 6th at Bergeron Rodeo Grounds. I speak with Katy Mar from Neighbors 4 Neighbors and with Raphael Walters, Executive Director of the Davie/Cooper City Chamber of Commerce.For the list of things you can and can't bring into the grounds AND to get tickets:https://tinyurl.com/IanBenefitConcertYou can also get get tickets at https://neighbors4neighbors.orgBands Playing:https://www.facebook.com/spcountrymusichttps://www.shadowcreekband.comhttps://www.mngband.comhttps://www.southernblood.comhttps://www.pureheartband.comVodcast version available at https://www.YouTube.com/HerKimba

On this episode of WOCTalk, we talk with Alyson Sweeney, DHlth, MNg, RN, author of the article titled, “Long-term Suprapubic Catheter–Related Care Requirements When Living at Home: Development of a Best Practice Guide” published in the Journal of Wound, Ostomy, and Continence Nursing (JWOCN®), the official journal of the WOCN® Society.The purpose of this study was to develop a best practice guideline specific to the health care needs of adults living at home with a long-term suprapubic catheter (SPC).  Episode Resources:Click here to read the JWOCN article “Long-term Suprapubic Catheter–Related Care Requirements When Living at Home: Development of a Best Practice Guide”. About the Speaker:Dr. Alyson Sweeney is an RN and clinical researcher with over 20 years expertise in continence and subspecialty, urinary catheter related nursing care. She is the clinical lead of the Community Continence Service in the South of Tasmania, Australia. Her Professional Doctorate was from the University of Tasmania (2021). Her research focused on the development of a best practice guideline for the care of people who live with a long-term suprapubic catheter. This project was undertaken to address healthcare gaps that were identified in her master's thesis (Flinders University, 2006) that explored people's experiences of living with a long-term suprapubic catheter. Alyson has extensive knowledge in contemporary long-term catheter related care and her commitment to improve the wellbeing of this cohort is evidenced through her sustained engagement with this topic. 

The Magical Nude Gate is a what we call a tentpole idea: a concept that touches on so many other elements of a world that it can't be just a throwaway shiny idea. It has to be well-integrated. Culture, economy, language, religion, politics -- the MNG has implications so wide-reaching and fundamental that they cannot be ignored. So what is the MNG? A network of magical portals connecting our world -- but the catch is, it only allows living creatures through, so you come out on the other side naked as the day you were born! In this episode, we finally pin down some of the Big Questions about the MNG. What counts as a "living creature"? How did the MNG come to be? Is it stagnant or mutable? Are there gate-rich and gate-poor areas? Are all connections multidirectional? We discuss all this and more as we set the parameters for this major concept of our co-built world! Additionally, your hosts will be at WorldCon in Chicago, September 1-5th! Find Marshall, Rowenna, and Cass both together and separately. Ask us questions, come to our TableTalks, come to our live recording, buy us a drink, or come look over our shoulders as we sketch out our MNG map! Transcript for Episode 84 (in-progress)

Mình vẫn còn hân hoan và lâng lâng sau

NÉVNAPOK, SZÜLETÉSNAPOK, ÉVFORDULÓK. LAPSZEMLE, TŐZSDEI HELYZETKÉP. BUDAPEST, TE CSODÁS: We Love Budapest programajánló - 21-én nyit a Budapest Park, felsorolásszerűen pár eseményt említek majd pl Kistehén búcsúkoncert meg lesz egy nagy random trip segélykoncert is - Budapesti Tavaszi Vásár ápr 9-ig a városháza téren, helyi kézművesekkel, gasztró arcokkal, koncertekkel - Bartók Tavasz innen 1-2 koncertet kiemelek pl Jaimie Branch v a Sárik Péter trió Bartók koncertjét vagy lesz az MNG-ben egy izgalmasnak ígérkező art deco kiállítás - Bem Pop - ezt a margitnegyed kultúrprojekt támogatja, de alulról szerveződött, a frankel leó utcában lakó embereknek van egy zárt fb-csoportja és az szervezte, a bem téren lesz ápr 9-10én és jótékonysági mert a budapest bike maffiának gyűjtenek a rendezvénnyel, és a környék kultúr és gasztro helyei és kocsmái települnek ki, a képező workshopokat tart, a manyi is, lesz 101bistro, szabi a pék, kicsi zsó, budapest bagel stb. - BP-i Fotófesztivál sok kiállítással, de kiemelten a Martin Parr kiállítás m fő esemény - Szentendrei Tavasz - évadnyitó kulturális fesztivál - Észt fesztivál, ezen belül pedig karolin kruse nő c fotókiállítása, ami asszem a fotófesztiválnak is a része - Sakura ünnep az elte füvészkertben ami japán cseresznyefák virágzásának ünnepe - De Markt a kőbányai kortárs kultúr központban fenntartóság jegyében, nem használt tárgyaink vására csereberéje - anima sound system lemezbemutató a magyar zene házában - új magyar film: Szelíd, női bodybuilder dráma - én kicsi szörnyem c kiállítás a kortárs magyar mesék szörnyábrázolásaiból - és végül de nem utolsó sorban most nyitott a Pénzmúzeum, még sztem arról is ejthetünk szót, láttam is, meg igazából most kezdenek majd menni oda az emberek, 2 hete nyitott Wágner Gábor, a We Love Budapest újságírója ÉRTÉK PERCEK: Orosz-Ukrán háború/béke miatt várható infláció és növekedés Várható jegybanki reakciók Priegl Máté, OTP Global Markets üzletkötő

When you first start back into dating you might get a little nervous when you first meet in person (the Meet n' Greet-MnG). But after 300 or so first dates, like Jeff and Mindy, you won't even blink...but hoping you'll only ever need a few dozen MnG's here's some things to ask but maybe more importantly some things to not ask. 

Daffy Durairaj is the co-founder of Mango Markets and is currently working full time as a developer in service of the Mango DAO.00:28 - Origin Story04:44 - Seeing the order book10:20 - The idea behind creating Mango Markets15:38 - Going from creating smart contracts to creating Mango17:32 - How big is the DAO?20:01 - The Launch29:15 - VCs and the launch32:43 - Decentralization and getting stuff done34:55 - Will DAOs ever compete with big tech companies?40:43 - What's next for Mango Markets? Transcript:Anatoly (00:09):Hey folks, this is Anatoly and you're listening to the Solana Podcast, and today I have with me Daffy Durairaj, who is the co-founder of Mango Markets, so awesome to have you.Daffy (00:20):It's great to be here.Anatoly (00:22):So origin story, how'd you get into crypto? What made you build Mango Markets?Daffy (00:30):How did I get into crypto? So, I started off really not wanting to get into crypto. I was really interested in algorithm training. I did that in college and did some competitions that I did well in, and I wanted to trade equities, but it turns out if you have not enough money, if you have a few thousand dollars it's just not allowed. You're not allowed to algorithmically trade. There's a patent day trader rule, and I was infuriated and I was just looking around and I found Poloniex where you can do anything you want. The thing that actually hooked me first to Poloniex was the lending market because immediately as soon as I saw an open lending market, I was like, "Oh wow, I have to buy some bitcoin, and I have to lend it out." And, Poloniex was all bitcoin, and then it gradually got into just the meat of it, which was algorithmic trading and everything about crypto seemed exciting, but I actually didn't want to hold bitcoin. Poloniex was all bitcoin, but again, I think the government sort of pushed me in the right direction.I was like, "Okay, I don't want to hold bitcoin, I'll hedge off my risk on BitMEX, but again, not open to US persons, and so I was kind of reluctantly holding bitcoin and thinking, all right, I have a few thousand dollars if things go bad in this whole bitcoin thing. I'll come out okay. I'll get a job or whatever, but just never got a job, just kept holding bitcoin and continue to trade crypto, and I did that for about five years. Then, I wanted to actually start trading on chain because I thought this was probably for a lot of the reasons that you built Solana, the censorship resistance, and the global liquidity of it, and the openness of it, the fact that you're not excluding people that have a few thousand dollars. I wanted to build on chain and I was just not very bullish on a lot of things, so I kept going back to trading, and then I saw Serum DEX, and I was just hooked. I placed a trade and it felt totally natural and normal. It wasn't like $40 and takes 20 seconds and you don't know if it... And, then MetaMask was jammed and you're like, "Oh, but how do I cancel this?" So, that was a long-winded way of saying I was a trader and then I saw Serum DEX and then I had to start building the tools that would make Serum DEX even more fun.Anatoly (02:59):That's awesome. I got into it by trading. Basically, I set up like an Interactive Brokers IRA account, and that let me kind of bypass the rules.Daffy (03:11):Really?Anatoly (03:13):With a very small amount of money. I think they probably closed these loopholes already. I wrote a bunch of stuff on top of their Java STK and started trading there.Daffy (03:22):I remember I actually got started that way too. I did a bunch of stuff for their Java, and we can tell you we're both programmers. We wanted to build this money machine. It's so fascinating, and it's a machine that-Anatoly (03:40):It prints money.Daffy (03:40):It does things and it prints money. What more could you want? So, I got started with Interactive Brokers, but I guess the whole IRA thing... Because I was a college student, and so even talking to an accountant would take a huge dent out of my net worth.Anatoly (04:01):Totally, it's all really not designed for... The whole financial system in trading in the US is designed to funnel retail towards an app like E-Trade or Robinhood, which takes a cut, and then sells that trade to somebody else, who will take a cut, and then 10 other people until it gets an exchange, and that's how everybody's protecting their neck. They're all taking a little slice, and I think what's cool about crypto is that even centralized exchange like FTX is 1,000 times better and less extractive of the users than anything in traditional finance, simply because they can guarantee settlement. Such a very simple thing.Daffy (04:49):You feel it right from the beginning. You go to Poloniex in 2016, and it's like, oh, you have an email, you have deposited bitcoin, and now you're just lending to people. So, just talk about not being extractive. To see the order book through Interactive Brokers or Ameritrade or whatever costs you a lot of money and it costs them a lot of money to provide it, and I don't think I'd ever seen an order book. This was my passion, this is what I love to do, and I've never actually seen it.There's that story of the blind men who are touching this elephant, and so I had kind of figured out maybe what the order book looks like, but then on Poloniex, you go there and you just see the order book and you see all the lights flashing and you're like, "Oh, this is it. This is where the trades are happening." And, that's free, and of course, a big part of Mango Markets as well is you can see the order book. That's it, that is it, there's nothing more, and it's all on chain and all this stuff. So, in terms of not being extractive, it's a really big piece of what motivates people to come in.Anatoly (06:02):I don't know if you ever tried to get data, real data. I wanted timing information when a bid comes in or when an ask comes in versus when it's filled. How do I get access to it? Because when you get data from any of these places, basically it's like a little better than Yahoo Finance, which is like every five minutes they give you a low and a high.Daffy (06:27):I don't know, did you ever succeed at doing that in Interactive Brokers?Anatoly (06:32):No, I recorded some of it, but it just never had that fidelity and it always felt like a gamble. I'll build some models and sometimes stuff would work locally against my simulations, but then whenever I would actually try to run it, I'd see that fills take a little longer than they should and all this stuff really feels like you're not interacting directly with the trading system, that somebody when they see your order they're like, "Well, maybe I'll put my order ahead of yours or do whatever or slow you down a bit." It just sucks.Daffy (07:16):It feels very opaque, it's like a black box, and of course, this is all for people like me who are kind of looking on the outside looking in. So, if I had gotten a job at Citadel or somewhere, then I could probably see what's actually happening, but the fact that the vast majority of people are going to look at it and not really know it's actually happening, not everyone wants to see an order book. That's an important fact, but there are a large number of people who need it to be a little bit transparent to be involved.Anatoly (07:49):What I hate about it is that there's a lot of people that make a lot of money from you not seeing, that they're in the business of information assymetry and fuck them.Daffy (07:58):So, it's not a family friendly podcast, so it's good. I was going to ask that. So, there's a funny story on RuneScape. I don't know if you've ever played RuneScape.Anatoly (08:17):I played Ultima Online, which is I think similar vibes in the early days.Daffy (08:22):Yeah, so on RuneScape, just like on the point of no one being able to see anything, on RuneScape, also they had an order book because that's the most natural thing to do, and I actually had to figure it out from first principles. I would place a trade and I would see that sometimes it would get executed and sometimes it would not get executed, then I realized, okay, if I place a trade for these water runes or something or oak logs or something, and I put the price really high it gets executed at some price that's not the price that I said, and then I was able to form this concept of that's the asking price. I didn't even have the terminology for this, and then I did the same for set the price to zero for a trade and now I found the bid, and now I can make a lot of money actually underbidding the best asker and overbidding the best bid.Anatoly (09:18):So, you're market making.Daffy (09:20):Yeah, so it's funny, I was reminded because you said there's a lot of people who make a lot of money in you not knowing, and I was just minting money. It took me years to accumulate like 1 million gold pieces in RuneScape and then I was able to just 30X it in a month.Anatoly (09:46):Too bad RuneScape is not a crypto currency. Whoever is running RuneScape, you're missing a huge opportunity right now to just go full crypto.Daffy (10:00):There was some talk about some NFT or something on Twitter. Somebody was trying to encourage Jagex, the company, to get involved in crypto, and of course, I tried to signal boost it, but eventually everyone falls in line.Anatoly (10:17):How did you end up with the idea for Mango Markets?Daffy (10:21):So, I have to give credit to dYdX. It was like 2019 and I hadn't really considered that this was possible. I was heads down writing, trading algorithms and trading crypto just kind of holding all of my wealth in bitcoin and I was borderline bitcoin maxi on that, and just seeing dYdX do it in those early days... Now of course, they're way more successful now. Those early days seemed that you could do leverage trading on chain, and they kind of showed it as a proof of concept, which I just kind of started pacing back and forth like, oh my God, this is changing our worldview completely.Ethereum was slow and whatever, so years went by. Actually, maybe just like a year, and then I saw Serum DEX where I felt finally, okay, all the pieces are in play and also I wanted to market make on Serum DEX, but I really need leverage. I don't really need leverage, it just makes market making dramatically more efficient and safer. Leverage is just this tool that people who are involved in the financial plumbing really need, and it wasn't there. I was like, "Okay, this is the time and I have to learn how to code smart contracts," which sounds like a very scary and daunting task, but it was not that bad.Anatoly (11:54):The scary part was that you guys were building on a platform that was really rough around the edges at the time.Daffy (12:02):Well, no one told me that shit was really rough around the edges at the time. That was actually maybe important. You come in and there was nothing to do, this was August of 2020, things were not locked down necessarily here in the United States, but people kind of scattered. No one was hanging out in the major cities, they had kind of went to go live with their families, as did I. I fled San Francisco and went to the rural part of North Carolina. So, there was nothing going on and you just have all the time in the world and bitcoin is doing well, so that's funding you in a way.Bitcoin is this big, or crypto in general, it's all the people who bought it or own some crypto, as long as it's going up, it's kind of funding whatever zany side projects you have in mind. So, this is just a side project. Wouldn't it be cool if I could access this part of the world or this technology? And so, that's why chewing glass... You probably coined that term, I don't know, that's why chewing glass wasn't so hard because that pressure to... You have all the time in the world basically.Anatoly (13:30):Basically, COVID and lockdowns were so boring that chewing glass to learn how to code smart contracts with Solana was like a reprieve from the boredom.Daffy (13:45):And, I've heard you kind of say, okay, a bear market is when everyone is coding. To give the opposite perspective, I feel like a bull market, unlike much more chill, oh yeah, nothing really matters. Crypto is going up, it doesn't matter what I do. The rent is going to be paid for, everything is going to be fine, might as well engage in high variance new ideas, new projects. In a bear market, I'm very I got to grind, I got to squeeze out a couple of more bips out of this trading algorithm because I got to pay rent. So, that's the bullish case on bull markets.Anatoly (14:30):That you can try something crazy. That is the point where people enter this space is in a bull market. It's that they kind of start coming in droves because they're like, "Everything is crazy and I can also be part of the party." But, it's hard as a founder to stay focused because you are in that high variance, high risk taking kind of mindset.Daffy (14:58):There's a trade off of during a bull market there's a lot of things looking for your attention, and a bear market is very calm, or it can be. If you built up a lot of liabilities during the bull market, now you have to stay afloat during the bear market. Maybe it's calm in the external world, but internally it's not calm. You're like, "I got to do X, Y, and Z today every day." There's that natural pressure.Anatoly (15:32):So, you decided to learn coding on smart contracts on Solana. How did you end up going from there into Mango?Daffy (15:39):Initially, it was called Leverum. Not it, there was just an idea and there was a command line tool where you could... The YouTube video might still be out there, and Max was out there somewhere on the internet and he saw it and he thought it was a great idea. And so, he reached out to me and we did some other things like speculative about a prediction market, and then we were like, "Okay, no one is going to build margin trading." A lot of people are saying it, but it doesn't look like if we just wait it's just going to happen in the next couple of weeks or something. It's probably we just have to build it.Not we just have to, but we totally should. This is clearly a very important piece of the Solana ecosystem. So, we started building it. Mango was just we were thinking alliteration is good. Everybody loves mangoes, it's a fruit that I have never heard of anybody who doesn't like mangoes. It's probably the high sugar content and Mango Margin was the idea, but then we got the domain Mango.Markets. It's kind of evolved now. When you're starting off with something, you have kind of a narrow scope. You're like, "I just want to be able to borrow money." And now, there's this Mango DAO and people are talking about NFTs and drones. I'm talking about drones. I don't know if anybody else is, but it's just gone way higher and now I'm like, "I'm a humble servant of the Mango DAO." And, that's totally a normal thing to say.Anatoly (17:27):How big is the DAO?Daffy (17:28):How big is the DAO? That's a good question.Anatoly (17:30):In humansDaffy (17:31):That's like a philosophical question. In human terms, wow, again, even still a philosophical question. So, I think if you go to MNGO token, if you go to the Solana explorer and just type in mango or MNG or something, you can probably... I don't know if they have a list of unique token addresses, so in some sense that's the DAO, but in terms of the number of people who actively post on the forums and make proposals, that's much smaller. I'm guessing there's thousands of people who have votes, but the number of people who make proposals and add meaningful commentary on the forums is maybe 20 people, and it's expanding pretty quickly.I always see new people coming in. There's also not just people, there's the wealth of the DAO and the cultural reach of the DAO, the spiritual significance of the DAO, all of those seem like size if you ask how big is the DAO. You interviewed Balaji Srinivasan, and there's this idea that he had on Twitter that was like a DAO should buy land in Wyoming and send a drone to circle it and this is kind of like a moon landing sort of kind of thing or some kind of significant breakthrough where the DAO is controlling physical objects in the real world. So, this is very exciting to me, but it has nothing to do with margin trading, it's just something exciting that maybe in a bear market, I don't know, I'll push to get this done.Anatoly (19:23):Do you want the control to happen on chain?Daffy (19:25):Yeah, I think that's necessary. Maybe not the total control, but some kind of signal that distance... So, you can kind of think of Congress authorizes a certain thing and then the executive branch does it. If we could make that link be as automated as possible, I think there's something useful there, at the very least something exciting and interesting, kind of like the moon landing where maybe there wasn't anything useful, but it was inspiring for sure.Anatoly (20:02):So, the DAO, if you guys decided you want to do something with leverage and lending, and how you guys launched was really unique. I don't even know if people did this in Ethereum. To me, this is the first time anyone's kind of done this style of launch. Can you talk about the design and how you guys thought of it and what let you make those choices?Daffy (20:25):So, people early to Solana may be familiar with the Mango market caps and how that went, which somewhat argues the first NFT on Solana, and that was done pretty much sort of like how NFTs are typically done where there's a mad rush to grab the caps as soon as possible and the price is swinging wildly and there's a lot of people. Now, I think we put that together as an April Fool's kind of thing, very quickly, and so it was great for what it did, but the experience from that was, okay, there's going to be a lot of angry people. If you do it in this way where the DAO is raising funds, and this is the inception of the DAO, the DAO is raising funds for insurance fund, you probably don't want it to just be distributed to the people who were the fastest to click.And, that was the idea. We probably don't want that. It doesn't seem useful, it seems like a lot of angry people, and a lot of frustrated people. So okay, so you take out the time component, you take out the luck component, and then you're left with you kind of have this sort of auction that lasts 24 hours, but then what if X somebody comes at the last moment and dumps in a huge amount of money and raises the price for everyone? Everyone gets the same price. So, our design was we'll have a withdrawal period or a grace period at the end, the remaining 24 hours where if you kind of don't like the price, you can bail out. It had some flaws and I think we knew about those flaws from the beginning. We were like, "Okay, we just pushed to this game of chicken to a later point where someone can put in a lot of money to scare other people away and then they pull out at the last second. And that did happen, but it's not clear if that was net positive or net negative.Anatoly (22:28):And kind of in summary, there's this 24 hour period where people deposit funds in for a fixed supply of tokens.Daffy (22:36):Correct.Anatoly (22:37):And, then the period is over, and now everybody knows what the total amount in the pot is for the token and there's kind of this price that's created and then if you don't like the price, you can withdraw the entire bid or as much as you want. You can only reduce your bid.Daffy (22:54):Correct.Anatoly (22:54):But, you don't need to withdraw the entire bid, you can just reduce it.Daffy (22:57):Correct, yep.Anatoly (22:58):So, then that pushes the average price down at the same time, so for every dollar you take out, you kind of get a better price per token.Daffy (23:07):And, you see the price ticking up during the first 24 hours as more and more people are putting money in and then the price ticking down over the next 24 hours.Anatoly (23:19):I'm a huge fan of this setup because it creates a lot of... There was news, you guys made the news because it was almost half of all of USDC that was minted on Solana ended up in that smart contract. It was like 45% of it.Daffy (23:43):I remember actually because we saw the USDC on Solana was 700 million the days before and then it had climbed up to like 1.1 billion or I don't know what the number was at the end, and there was 500 million in the contract at the end of the first 24 hours. That was not the intention.Anatoly (24:05):It's like it was minted.Daffy (24:05):And honestly, I think you could appreciate it better from the outside than from my point of view for sure, and of course, I also could appreciate it better from the time distance, but that was not expected. We kind of knew that there would be a lot of money placed in the beginning and then money would go down. That was in all the documentation that we wrote, and that was expected and we had all these dev calls where everyone was always talking about it, and I was like, "Okay, come on. Literally, there isn't that much USDC in Solana." So, it can't be that bad, but of course, I underrated the possibility that someone could just mint a whole bunch of new USDC and bring it in from somewhere else. It made the news and a couple of other projects did the same thing, and I wonder if maybe it's a one time kind of thing. The game only works once. You can't expect to scare people every time or use the tactic every time.Anatoly (25:10):Maybe, I think a lot to be said, but there was no other way to go. Mango took it all, so there was no private round, they were never listed anywhere. This was really the only way to get it, and the anticipation of a project that was awesome, and from every other perspective is... What I always tell founders is that you should always raise the least amount for the highest price. The VCs kind of have more power than you usually because they have more information, they look at many deals, people come to them, they have the money, but it's sometimes the founders have this asymmetry where they're the only ones without equity. They're the only ones without tokens and that moment is if you can get everybody at the same time to compete for that thing, then you've kind of created the symmetry there and you maximize the capital raise for the DAO, for the project, for the community, and therefore that actually is a good thing. You have more resources to build a vision.Daffy (26:16):Although, I'll clarify, I think the DAO is still handing out a lot of tokens, so there's still a lot of ways to acquire Mango tokens, and that was kind of the inception for the insurance fund. The DAO has been paying people out of the insurance fund, and so it's been useful, but there's still more tokens to be had. There is a slight private rounds and I totally understand why people do them, but like I said earlier, if you are in crypto for a while, and this the cool thing about bull markets, I don't actually need money, I just need to pay rent and bitcoin has gone up 50%, so I'm solid.And, no one was paid anything. There was just Mango tokens that were given to people and they were told the DAO values your contribution or this is the inception of the DAO, and everyone worked to build this thing. People worked without even the Mango tokens and sort of the tokens were given after the fact. I think it's a valuable way to build crypto projects actually.Anatoly (27:30):I want more teams to try to totally from genesis this DAO first approach, but it's really tough because you guys had such a principled view on how things should be done and there's a lot of people out there that are offering money for that one thing. How did you guys have the discipline to just go stick with this?Daffy (27:54):We had a lot of discussions about all these things. We talked to VCs and we still do and we like all VCs actually. So, I think Satoshi, I'm not trying to draw a comparison to us to Satoshi or anything, but there is this beauty in that story and I think there's a lot, maybe even the majority of bitcoin's value at least to me... To me, I just love the narrative. I love the story of Satoshi, the pseudonymous founder who is one of the richest people on the planet right now. Obviously, they're in a no VCs. This person wanted to not make a big fuss. It was kind of like this clockmaker prophetic person who just came and then left, built this thing and then left, and that's such an amazing story.There are these long, long payoffs. Maybe they take a while, but they definitely do pay off that if you're not hurting for rent, again, I was in a position, all the other Mango devs were in this position as well where it was a bull market, we're not getting eviction notices or something, we could kind of float the boat for a while. Just consider the longterm payoffs, consider the five year payoffs. Stories are amazing.Anatoly (29:17):The weirdest thing is that every good VC will tell you that you should maximize for the highest return. Don't worry about the middle exit, or don't compromise. Actually, imagine you're taking over the world, what are the steps to get there? And, the risk don't matter. Actually maximize for the high and this is the irony here is that I think this kind of fair launch, most distribution will probably result in overall longterm, better, and higher returns, but the risks that I always find is that humans are hard to organize and at the same time, cryptography is this new tool for organization.It is what allows us to massively scale agreement and complex problems, really, really complicated problems. We can just click a button and vote and agree on that one and you know. You know that the decision was made, but I'm curious, do you see tension between the decentralization, kind of the disorganization of the DAO and getting shit done? I've got to build stuff.Daffy (30:34):No, 100% actually, on a daily basis actually. There was a podcast with the guy on Twitter that goes by Austerity Sucks and this was back in April. We talked about this and he brought up a similar point and he was, "Yeah, this DAO thing, it's all a fine and dandy idea, but do you think this will work?" And I, to be honest with you, am skeptical, however it is always felt to me sort of a high variance idea, kind of like if you were in the 16th century Netherlands or the 17th century Netherlands and you were like, "Okay, we've got to get spices from India. How do we do it?"And, you come up with a joint stock corporation and then the join stock corporation is everywhere and I don't think anyone has really figured out how to do DAOs well or what's the right mix, how do we communicate, how do we coordinate, all those things. I don't think anyone's quite figured it out yet. No one had figured it out like six months ago. I still don't think we have figured it out, but if it works, the payoff is enormous. There is global coordination, there isn't a jurisdiction. I imagine the DAO is controlling drones one day. It could be wild. So, even taking into account all of my skepticism, I was still like, "Okay, we should do the DAO idea." Anyway, not just me, Max is totally on board with this and Tyler and all the other people who kind of built Mango Markets. But on a day to day basis, as of October 2021, now I'm thinking, okay, maybe what we need to do is have small teams that build things and then pitch it in front of the DAO and get compensation. So, the DAO is kind of the government and it subcontracts out to people. Maybe not like direct democracy rules everything and we'll try that out and if that doesn't work, we'll try something else out, but try new stuff out quickly.Anatoly (32:45):That's awesome. This is actually a really good strategy to incentivize product development. Building an MVP, which means you're the PM, and the implementer, the dev, and you go do all the work and here's your management. It's all done, just give me money.Daffy (33:09):And, there's some maintenance tasks, so it's not purely new products, so I'm thinking Mango V4, but also in the meantime, there are all these nodes that need to be paid for.Anatoly (33:24):I think you guys will need to split. We called it KTLO, keeping the lights on work. You for six months, you're on KTLO duty, and you get paid a salary effectively, and you just got to keep the lights on, but then some other folks are like, "Go build something that you can propose to the DAO and the DAO will fund it."Daffy (33:49):I think that's basically what we have coalesced on is that, well, some people should be doing KTLO and other people should be doing new things, building the new product, and it takes kind of the risk out. The DAO doesn't have to pay for whatever stuff that I produce for Mango V4, but we both have some kind of incentive to be honest about it. If it's clearly a huge improvement or even a very substantial improvement, DAO should pay me something because if the DAO doesn't, then you can expect future builders to not go for it. And, we have these discussions on the forums.People make good arguments like this. I think the average IQ in the Mango Markets forums is very high. I think probably higher than most legislative bodies. I'm just going to go out on a limb and just say that. Not ours of course, ours is obviously very high IQ, smart people in our government, but you know.Anatoly (34:55):Do you believe five years there's going to be a 30,000 person DAO. Imagine a tech company, 30,000 engineers, or 30,000 people, they got product managers, teams, layers of bullshit. Is there going to be a DAO that's competing with a big tech company?Daffy (35:16):It's legitimately really hard to figure out how this might look. The reason why I hesitate so much with the question of a 30,000 person DAO is I'm not sure it'll look exactly like a corporation that we can say, okay, these are these 30,000 people. You might never be able to figure out who is part of the DAO and maybe that's one of the benefits of the DAO. If I asked you, how many people are part of Solana, not Solana Labs, but Solana the community? It's a little bit difficult to even answer, lots of people, various levels of involvement, and financial. Some people have a lot of financial stake until you don't, but some people have a lot of financial stake and no involvement at all. It's wild all over the place. Does Bitcoin look like a country or a corporation? I can even point my finger on what it is.Anatoly (36:20):So, even LINE had a battle that had 8,000 people all coordinating over something and I think they have corporations within that game that are maybe probably span up to 1,000 I'd imagine. So, that's people organizing using tech for a common goal without a job, without a structure that you normally have at a company. Linux was built by people organizing online. I think as soon as you have something to lose and in Linux and even LINE you start building up a virtual token, your reputation is a contributor to this thing and becomes a thing that we don't normally think of as valuable in a monetary way, but it's valuable to that person, but I definitely care about my ability to continue contributing to an open source project. So, where tokens I think can get there is if there is something of value being created by the community, some common goal that everyone is working on and that token is in the middle of it and is uniting and organizing it. I think that could scale as large as a corporation.Daffy (37:45):No, I agree with you. I just think it'll always be a little bit hard to figure out how many or who is involved, just by the nature of it. I just think it'll be always a little bit hard to figure out, but will 30,000 people be building on Mango or some DAO? You already know the numbers better, but we might even be approaching that with Solana. So, I'm not part of Solana Labs or affiliated with Solana in any way, but building on Solana, and also I have a financial incentive too, but also I have a reputation incentive and it feel like I'm part of the Solana corps or whatever it is, but I don't know what it is. It doesn't even exist. It's not even a DAO. There isn't even a DAO there.Anatoly (38:39):Oddly enough, I feel the same way about Eth and bitcoin even is that we're competing with them.Daffy (38:50):But, it all feels like we're actually kind of a part of the same team and-Anatoly (38:54):This is the weird part that I think is going to be really interesting how it plays out because I don't think it's obvious to anybody what is crypto. Is it the token? Is it the coin? Is it the network? Is it the cryptography itself?Daffy (39:10):It's not the cryptography itself, so we can strike that one out.Anatoly (39:14):Are you so sure? I think it's honestly the power that a person has to be able to make these very concrete statements that are unbreakable no matter how... That's the math. The math behind it is what allows them to do them.Daffy (39:36):I don't totally know the cryptography itself. I know basic 101 number theory stuff, but I remember going through my first programming class and coming up feeling just very powerful. I'd write stuff down and then it happens. Kind of like a king, actually, more powerful than a king in a lot of ways because I was writing these training algorithms and it was happening around the world in ways that probably a medieval king couldn't imagine and crypto brings that to finance where things of actual value can be moved.Mango Markets exists and you can go there and place a trade right now, but it was just somebody who wrote it. I was involved based on you can see the GitHub contributions, but it was just people who wrote it and that's probably... We can maybe chalk that up to the cryptography.Anatoly (40:43):So, what's next for you guys?Daffy (40:46):There's drones on the horizon. Yes, sometime in the future, but we have to do a lot of the nitty-gritty, roll up your sleeves kind of work. On Solana so far, there isn't... Maybe a lot of projects are struggling with this, indexing all the data and providing it for people in a usable way because there's just so many transactions. It turns out if transaction fees are really low, people just make a lot of transactions and they don't think about it.And so, gathering it up and displaying it in a useful format to people, that's a very immediate term and then slightly medium term is sort of becoming the place where everyone does leverage trading and does borrow and lending, all the crypto natives. And then of course in the longterm, I would say it's somebody like my mom should be able to store her money in Mango Markets and not think twice about it. It's not a good idea right now I wouldn't say, but that's the goal. That involves a lot more social things than just technological things. That's get it to a level where she can do it safely and feel comfortable and manage her keys, or even if she's not managing her keys, have a solution for how the keys might be managed, that she's not falling for scams, and that's I would say my longterm goal.Anatoly (42:09):That's awesome, man. On that note, man, really awesome to have you on the podcast. Great conversation. I'm always excited about what you guys are doing and how the community is building this ecosystem of its own, so really amazing. It's serendipity that you guys started going on Solana, just really lucky to have folks like you in the ecosystem.Daffy (42:35):Thanks a lot. It means a lot. This was really fun.

In this Weekly Wrap, Cargo Facts editors Charles Kauffman and Jeff Lee look back at last week’s developments involving CargoLogicAir, Ethiopian Airlines and MNG Airlines, highlighting the relentless demand for medium-widebody freighters. Their discussion takes a look at why 767s make sense for CLA and the peculiarities of the Ethiopian deal, before turning to MNG’s move away from production A330s.

直接肌に触れる下着は、そのイメージがダイレクトに容姿のイメージになって現れます。 なりたい自分のイメージに合わせた下着選びは重要になります。 そして下着にはMNGなカラーも！ ぜひお聴き下さい～！ ■番組へのご質問、ご感想はLINE公式アカウント（@062ucnnc）からお気軽にご連絡ください。 https://lin.ee/QtQrV5z ■日々頑張ってる皆さんの毎日が楽しくて楽になる「たのらく集中講座」情報 LINEオフィシャルアカウントより「講座の詳細希望」とお送りください。 その後、こちらより講座案内を送らせて頂きます。 LINE公式アカウント（@062ucnnc）：https://lin.ee/QtQrV5z ※マンツーマン、企業研修にご興味がある方もお気軽にどうぞ。 ■SNSなど 【高橋由光】 個人サイト：http://impression-m.com/ Instagram：https://www.instagram.com/yumi3570 Twitter：https://twitter.com/tanorakuyumi Clubhouse：@tanorakuyumi 【永田祐也】 note：https://note.com/yuyanagata Instagram：https://www.instagram.com/yuyanagata.59 Twitter：https://twitter.com/tanorakuyuya Clubhouse：@tanoraku ■イベント情報 LINE公式アカウント（@062ucnnc）に随時イベント情報を投稿させて頂きますので登録して情報を受けてってください。 https://lin.ee/QtQrV5z ■高橋由光＆永田祐也「楽しくて楽になるオンラインサロン」入会希望の方 オンラインサロン詳細と参加方法を下記にまとめてありますのでご覧頂き申込みお願いいたします。 https://www.kaiunexpo.com/how-to-join

Aurélie Pululu notre invitée est originaire du Congo-Kinshasa. Née sur la terre de ses ancêtres, Aurélie a posé ses valises en France à l'âge de 7 ans. Son parcours académique l'a conduit dans les métiers de l'art et de la décoration, mais c'est en passant son permis de conduire qu'elle découvre le domaine de l'animation, et de l'accueil des mineurs. Et lors de son premier job en centre de loisirs pour enfants, sa passion s'impose à elle, et Aurélie se donne alors pour mission d'aider les parents à mieux comprendre leurs enfants, leur transmettre les bases et tisser des liens solides. Pour accomplir sa destinée, Aurélie obtient une certification de Formateur BAFA, et poursuit son exploration de notre humanité, à travers la PNL, la Programmation Neuro Linguistique, une méthode, qui lui donne les clés pour décrypter l'entité la plus complexe qu'il lui ai été donnée de comprendre, l'humain. Aurélie entame alors un parcours professionnel riche, jalonné de nombreux enseignements et d'expériences marquantes. Elle devient animatrice de la web radio locale MNG et y traite les thèmes liés à la famille. Elle apporte également sa contribution au sein de l'association « IPOMA » pour aider des orphelinats basés à Kinshasa, et intervient également auprès de l'association « Initiative 243 » qui depuis le Congo lutte pour favoriser l'égalité des chances. Pour impacter davantage, Aurélie crée « A. CHILD » pour « Aurélie autour de l'enfant », un cadre parfait qui lui permet de diffuser au plus grand nombre, son talent inné et son savoir faire, à travers des conférences, des formations et des partenariats avec acteurs influents de l'éducation. Sûre d'elle, Aurélie poursuit sa mission, le cœur léger et l'ambition noble de parvenir à réinventer les rapports parents-enfants, surtout au sein d'une communauté noire qui parfois oublie de prendre soin de ceux qui sont pourtant notre futur. Suivez Aurélie sur LinkedIn : https://www.linkedin.com/in/aur%C3%A9lie-pululu-796b42195/ Site web A CHILD : http://www.achild.fr/ Réservez votre appel stratégique : https://calendly.com/autourdelenfant/15min Suivez Aurélie sur Facebook : https://www.facebook.com/profile.php?id=100013793464842 Suivez nous sur twitter @talks_diaspora : https://twitter.com/talks_diaspora Suivez nous sur LinkedIn : https://www.linkedin.com/company/conversations-avec-la-diaspora/ Suivez nous sur Facebook : https://bit.ly/fcbk_talks_diaspora Interview mené par Stéphane EKOBO @jsekobo : https://twitter.com/jsekobo

The boys celebrate one year of MNG with a stellar episode. We chat Hell in a Cell, Full Gear, Halloween Havoc and the Big as Ivar's Butt Quiz returns!! You won't want to miss this.

Time difference can't stop Conor as he returns to MNG in a Takeover 31 special. Joined by Andy, Rob and Ian, the lads discuss each match in what was a stellar NXT show.

An action-packed week of wrestling saw unbelievable debuts, new champions and plenty to talk about. Join Andy, Conor and the returning Rob for a classic edition of MNG.

In this jam-packed edition of MNG, Andy alongside Conor and Ian dissect the mixed bag that was AEW All Out. We hear their thoughts on the series of botches that stole the show for the wrong reasons. We'll also hear what they thought of the NXT fatal 4 way title match. Check it out!

Rob is severely depressed about WWE Payback, whilst Conor is thrilled about appearing in WWE's Thunderdome. Regardless, this jam packed edition of MNG looks at the newsworthy PPV, as the lads offer up their predictions for AEW All Out on Saturday.

In a MNG first, Andy and Conor sit down with the UK's fastest rising and leading wrestling journalist, Alex McCarthy. Alex takes us through his humble beginnings in journalism and explains how he got his big break as US editor at talkSPORT. He reveals his favourite wrestling moments growing up, as well as giving his perspective on the current state of the industry. You can also catch Alex every Monday 6pm-8pm on talkSPORT2 for talkWRESTLING. Also available digitally.

Today you join us on the battlefield, where two self proclaimed 'Kings Of Infernos' come face to face and stake their claim to be the rightful ruler. Jack Clifford guided the England Under20s to World Cup glory a couple of years ago before breaking into the England Team of late and being part of their victorious 2016 Six Nations Championship winning side.We discuss; student nights out at MNG, leading England to world cup glory, the night out which followed, loose teammates, Rig Biz, who reigns supreme at Infernos, Clifford's inability to get in a round for his teammates, future plans, business opportunities and much more...We also discuss on the podcast; Archies dangerously big client day out at Twickers, Coronavirus, Stockpiling, Six Nations review, Marler's ball fondling incident, we seek to find a bachelor for Kate, investment advice, new AC Ltd product launches, listeners shoutouts and a whole host of weird and wonderful things in-between... Van Velze & Smith Exclusive Offer - https://www.vvsleather.co.uk/Van Velze & Smith are giving listeners to the podcast an incredible deal whereby if you purchase a pair of their incredibly stunning bespoke shoes, they will give you a free belt of your choosing (worth £45)! Archies wearing them constantly now and hasn’t stopped converting since he first donned them both in the city and in clapham. All you have to do is add the code - The Rig Biz Podcast - into the discount code section when you check out and you will get this incredible deal.. Boot4Boot Campaign - VVS will be sending a pair of rugby boots to South African children, currently being forced to play barefoot for every pair of boots bought, an incredible initiative and one we should all get behind. Rex Club - Clapham Falcons Caps - https://www.rexclub.co.uk/product/clapham-falcons/Clapham Falcons are recruiting - to join the team get involved via the link above. Tom May - London Loop Challenge - https://uk.virginmoneygiving.com/TomMay150Please support friend of the show Tom May’s incredible challenge to run 150 miles around London - 6 Marathons in 6 Days - an incredible challenge and raising money for truly wonderful causes - get behind him!

The MNG team dissect the week's televised wrestling shows. Debates, discussion, and a whole lot of heat.

Carle Rutledge, also known as Madam Hat won the Myer National Fashions on the Field competition in 2018.  The final to the competition is held on Kennedy Oaks Day during Melbourne Cup Carnival at Flemington Racecourse.   As the state finalist from Queensland Carle won the state final at Doomben Racecourse wearing a Roksanda dress, MNG shoes, self-made millinery, Mimco jewellery and a handbag from Bag Queen.  She went on to represent the state in the Cup Week Final winning the national prize. Growing up in regional Queensland Carle was an avid racegoer and was inspired by the style of the ladies entering Fashions on the Field. She began entering the competition herself and uses the opportunity as an outlet to create hats for herself.   Carle's approach to the competition is about creating an outfit she enjoys wearing and exploring different styles.  She sources pieces from many sources and brings them together to create her look.  We hope you enjoy hearing about her process in this episode. Thank you to our current supporters of Millinery.Info - Katherine Cherry Millinery, The Essential Hat, Louise Macdonald Milliner, The Hat Academy, Miss Haidee Millinery and The Millinery Association of Australia. We hope you have enjoyed listening to this podcast today. We have a full series of them to keep you company in the workroom. View the rest of the series on our Soundcloud channel. There a few ways in which you can support us to continue to bring milliners making content for milliners. The future of Millinery.Info looks to continue to provide quality industry relevant information and discussions. Your support helps bring more content of this quality.We are working towards growing a larger international coverage through images of millinery events and podcast interviews with leaders within the industry.Visit our Patreon page at www.patreon.com/millineryinfo to become a supporter or share this page with a friend via email or on social media.

Dubbiga nya aliases och en hel del 303, i alla fall prat om genren Acid. Helt klart är att vi får en musikalisk resa från Umeå via Gävle, Stockholm, Köpenhamn och vidare till Benin. Lamour Podcast, en podcast av och från Lamour i Gävle med skönt snack om elektronisk musik and beyond. Med programledare David Holm & Viktor Zeidner. Låtar från avsnittet: Ettrettioett - Skogsjazz [Unreleased] Bottenvikens Silverkyrka - Ett Ljus [LAMOUR076] Mount Liberation Unlimited - Body Language (Swedish Version) [PERMVAC 171-1] Maceo Plex - Mutant Radio (Original Mix) [ELLB001] Agelique Kidjo - Agolo [12 MNG 815] Svenska HiFi Institutet - Ljud & Hur Det Skall Låta [SHFI] Den Sorte Skole & Copenhagen Phil - Kollaps [Den Sorte Skole Self-released] LEHNBERG - Starkeld [DISKODANS 012] Här finner du Spotifyplaylisten med tillgängliga låtar som sänds i programmet, listan fylls på med nya låtar efter varje program. https://open.spotify.com/user/slimvic/playlist/7mWNSTXPvSuz1jvozLMc40?si=UjPA2inRRB-QL0DYIrXaUA

Nvidia kuulutas lõpuks ometi välja oma uued graafikakaardid, aga mis kasu neist mänguritele, kuuleme täpsemalt järgmisel nädalal, mis aga ei takista meil spekuleerimast. Aga see, et värskelt välja kuulutatud Doom Eternal sellest ilmselt kõik jõu välja pigistab, on ilmselge.  Lisaks räägime teistest QuakeConi positiivsetest ja mitte nii positiivsetest uudistest. Diablo 3 versioon Switchile kuulutati ametlikult välja täpselt saate lindistuse käigus ning kes tahab täie rinnaga kaluriks hakata, saab seda peagi Switchil teha. Rein ja Rainer mõlemad on nüüd mänginud eri platvormidel Dead Cellsi ning Rainer sai lõpuks kätte kauoodatud WarioWare Gold'i.  Soovituseks nüüd täiesti tasuta kättesaadav Quake Champions.  

Hemant Taneja '97, MNG '99, SM '99 discusses his new book, Unscaled: How AI and a New Generation of Upstarts Are Creating the Economy of the Future, published in spring 2018. Episode transcript: http://bit.ly/2JHHN6d

Ben Strasser and friends celebrate the holiday season with Car Pool Caroling and a Christmas joke battle. Seasons Greetings to all from MNG! Thanks Dave Carrol, Matt Joniec, Bri Kerr, Lizzie Steinberg, Kelly Sloat, Jamie Stephens, Rick Weaver, Cory Mercer, Ben Howard and Matthew LaFantaisie!

EAMONN GRIFFIN in the MIX As aired on http://infernoireland.com. https://www.facebook.com/eamonngriffin2/?fref=mentions&pnref=story https://www.facebook.com/eamonn.griffin.7 https://www.facebook.com/megacityone https://www.mixcloud.com/MNG/inferno-radio-march-2018/ http://classic.beatport.com/release/altered-ep/2160159

EAMONN GRIFFIN in the MIX As aired on http://infernoireland.com. https://www.facebook.com/eamonngriffin2/?fref=mentions&pnref=story https://www.facebook.com/eamonn.griffin.7 https://www.facebook.com/megacityone https://www.mixcloud.com/MNG/inferno-radio-march-2018/ http://classic.beatport.com/release/altered-ep/2160159

EAMONN GRIFFIN in the MIX As aired on http://infernoireland.com. https://www.facebook.com/eamonngriffin2/?fref=mentions&pnref=story https://www.facebook.com/eamonn.griffin.7 https://www.facebook.com/megacityone https://www.mixcloud.com/MNG/inferno-radio-march-2018/ http://classic.beatport.com/release/altered-ep/2160159

Andrew Bunnie Huang '97, MNG '97, PhD '02 talks about The Hardware Hacker: Adventures in Making and Breaking Hardware, published in March 2017 by No Starch Press. Episode transcript: https://bit.ly/2JbhTI5.

we talk about Halloween and OctoberFust and BJ’s MnG on this one and we are joined by and old friend. ps. the old friend and Angie are very drunk again!!   http://media.blubrry.com/averageswingers/content.blubrry.com/averageswingers/AS49_Making_the_hot_sex.mp3

- 53 49ers: Schwachstellen, Stärken und Überraschungen auf dem Roster - Jarryd Hayne: Feel-Good-Story oder mehr? - Vorschau auf das MNG gegen die Vikings - Game of the Week by Chris - Reiners Run through the West

We talk about our MnG and a Facebook mng we went to. Angie tells J NO. We talk about cheating and the colors of the rainbow. [mixcloud height=”50%” width=”95%”]http://www.mixcloud.com/AverageSwingers/as29-its-better-with-alcohol/[/mixcloud]

Unsupported Operation 63 - First for 2012 Misc Sensei DB - Open-source, distributed, realtime, semi-structured database from LinkedInResteasy 2.3.1Gitblit 0.8.2 - pure java git repo managerGuartz 1.1 out - Guice + QuartzNew chromedriver release from SeleniumHQ - release notes - download - interesting, downloads are from the chromium google code site, not selenium? Oo - this is the server...Eclipse Orion - new content assist ( live templates ) a lot of nice improvements in this new milestone release.Apache Maven / SonatypeApache Maven 3.0.4 FINAL release ;-) Maven central changed from http://repo1.maven.org/maven2/ to http://repo.maven.apache.org/maven2/ - see the Release Notes and MNG-5151 for details. Essentially - the central repositories domain name is now under Apache’s control.Eclipse Aether gets a top level websiteNexus OSS changes license to EPLMaven FindBugs Plugin version 2.4.0Maven EAR Plugin, version 2.7Maven Skins v6 released, Fluido is new and based on Twitter’s bootstrap project: Maven Application Skin 1.0 Maven Default Skin 1.1 Maven Classic Skin 1.1 Maven Stylus Skin 1.4)Maven Fluido Skin 1.1 Apache HTTP Server 2.2.222 released - 6 security vulnerabilities and some additional features.Apache Camel 2.8.4, bug fixes and more stuffApache Rave 0.7-INCUBATING - web mashup engine (in Java)Apache Qpid 0.14 - AMQP solution with lots of brokersStruts, Tomcat, Directory Studio, MyFaces Extensions CDI, Commons Pool, Kafka, Hadoop went 1.0 (Jan 5), HttpComponents HttpCore, POI and Archiva all had releases in our hiatusClojureIClojure is a new Clojure REPL with advanced tab completion - awesome.Forthcoming clojure-maven-plugin release now supports iClojure as its REPL.ScalaLift 2.4http://ls.implicit.ly - card catalog/search engine for scala librariesScala-tools gone bye bye - or becoming a polical commentary site after Dave Pollock’s exit from Scalaland 

* Rückblick auf das Bucs-Spiel * Fehlende Anpassungen im Spiel * HC-Wechsel sofort oder nach Saisonende? * Vorschau auf das MNG gegen die Cardinals * "First Look": Offseason Needs * Around the NFC West * Game of the week

Dennis Friedrich, Pres. & CEO, US Coml. Operations, Brookfield OfficeProperties Joseph Moinian, Pres., and CEO, The Moinian Group Mark Portner, Mng. Dir., Capital Transactions Gp, Shorenstein Realty Services, LP Scott Rechler, Chair & CEO, RXR Realty

* Rückblick auf das MNG bei den Saints * Ausblick auf das Spiel bei den Chiefs

Max wraps up the MNG between the Skins and Steelers. Also the preview of the Colts game and ep 40 poll question are talked about.