Podcasts about Loud Records

This is an episode were I bring a crew in to discuss Dead Prez' debut album on Loud Records. I have ZMO returning as well as my brother from another mother, Rasheed Allah. We cover a lot of ground so stand by and take notes. Rasheed Allah can be contacted on IG@leagueofbuilders You can contact ZMO Divine Power on IG and twitter at @zmo757 (he can spit bars or produce tracks so HIREHIM!!!!) He as a new hproject out! Check out Zmo's work at: https://zmodivinepower.bandcamp.com/releasesThe website is up: https://omisbench.com/My contact info: IG/Threads: @brotheromiBlueSky: dantresomi.bsky.social You can support the podcast with monthly contributions here: https://podcasters.spotify.com/pod/show/dantresomi/support(Thank you!) For 2025, ONCE AGAIN, my goal is to sell 100 coffee mugs to raise $$$ for the show. Buy one. Heck Buy Two – support a brother: https://www.cafepress.com/omisbench.571434105Here is the link to my Youtube page with all the old episodes from the previous seasons. Thank you all for the support:https://www.youtube.com/user/BrotherOmi/videos

A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)

We're back and honored to have in the building a Lower East Side legend Raze the Ratchet with us. When you talk about artist that have been around making noise for over 25 years best believe Raze is in that category. He came through and shared some amazing stories with recognizable legends he came up in the rap game with. From being signed to Loud Records, to being featured on Source Magazine Unsigned Hype edition, the music catalog speaks for itself representing NY in the most authentic way through his music. We had a great time with the segments Searching for and Hip Roulette, the stories are endless and filled with good laughs. Stay tuned for Part two!!

REMIX: Album 5 Track 33 - Work Your Brand w/Jamie SchwartzWhat's happening Brand Nerds?! We have an extraordinary guest in the virtual building today. One who goes back to the streets of New York with our host LT all the way to working alongside both our hosts along his career journey. Jamie Schwartz is the President of Hudson Valley iCampus President of Pearl River Studios; but brings a wealth of experience from his time working with Loud Records to serving as a lawyer. He is the epitome of hard work and grit and a display of those things leading to a varied and successful career journey. Here are a few key takeaways from the episode:It's all about work ethic. Skills can be taught - work ethic can't.Put in the work to grow your personal brand.Focus. On what you want and what you want to do.Be a light in the often abyss.NOTES:Connect with JamieJamie Schwartz | LinkedInShow Partner: SpecificityLearn More About Specificity Stay Up-To-Date on All Things Brands, Beats, & Bytes on SocialInstagram | Twitter

The Radio Boys (C.Truth, Kev Lawrence) chopped it up with supergroup Abstract Mindstate (@abstractmindstate) from the Crib. Members Ice-Grē (@olskool_icegre) and Ep Da Hell Cat (@epdahellcat) talked about meeting up at Jackson State University, battling Jay Z at Breakout in Mobile Alabama, writing the "I refuse to quit" book, being from the crib, why the long hiatus, working at Loud Records on some of the most classic albums ever, getting multiple degrees, European tour with Slum Village, doing A&R at Good Music, working with Kanye West, being hands on with the Big Sean debut, legends from Chicago and more. For additional content go to:⁠⁠ ⁠⁠⁠⁠www.thermalsoundwaves.com⁠⁠ Tweet: @thermalsoundwav Instagram: @thermalsoundwaves Facebook: @thermalsoundwaves --- Support this podcast: https://podcasters.spotify.com/pod/show/thermalsoundwaves/support

Album 5 Track 33 - Work Your Brand w/Jamie SchwartzWhat's happening Brand Nerds?! We have an extraordinary guest in the virtual building today. One who goes back to the streets of New York with our host LT all the way to working alongside both our hosts along his career journey. Jamie Schwartz is the President of Hudson Valley iCampus President of Pearl River Studios; but brings a wealth of experience from his time working with Loud Records to serving as a lawyer. He is the epitome of hard work and grit and a display of those things leading to a varied and successful career journey. Here are a few key takeaways from the episode: It's all about work ethic. Skills can be taught - work ethic can't. Put in the work to grow your personal brand. Focus. On what you want and what you want to do. Be a light in the often abyss. NOTES:Connect with JamieJamie Schwartz | LinkedInShow Partner: SpecificityLearn More About Specificity Stay Up-To-Date on All Things Brands, Beats, & Bytes on SocialInstagram | Twitter

Interview by Haze   / mike_tall   We recently linked with OG Memphis rapper Criminal Manne for an exclusive “Off The Porch” interview! During our sit down he talked about coming up in Memphis, social media's impact on the streets, jumping off the porch when he was 13, his dad not being in his life, falling in love with rap by listening to Run DMC, explains how he linked with DJ Squeeky, reveals how the group The Project Playaz was formed, the difference between North & South Memphis, turning down deal with Universal & Loud Records, the music video for “Buck With Me”, signing with Rap-A-Lot, having to get out of the deal, going solo, selling his CDs & tapes out the trunk traveling city to city, explains what inspires him to keep creating today, dropping his first movie ‘Da Neighborhood Dopemane', working on 6 more movies, dropping the soundtrack to the movie, upcoming music videos, explains how he linked with Pastor Troy for the ‘Atlanta To Memphis' collab album, going crazy mixtape run, his close relationship with 8Ball & MJG, working several times with Young Dolph, having a good friendship with La Chat, reveals why he never worked with DJ Paul & Juicy J, putting out a collab project with OJ Da Juiceman, having a lot of unreleased records with Don Trip, his label 47 Mobb, his thoughts on the music scene in Memphis right now, explains why signing doesn't make sense to him, shares advice for the youth, and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

August 11, 2023 is the 50th anniversary of hip-hop. What started out mostly as a spoken word artform has become a worldwide juggernaut. Thanks to the moguls who pushed the genre forward, hip-hop went from 0 to 100.In this episode, we rank the 50 greatest moguls in hip-hop's history. We reached out to industry experts — from artists to execs to media personalities — to help us compile the list. Friend of the pod, Zack O'Malley Greenburg, joins me to count them down from No. 50 to No. 10:39 How do we define “mogul”7:06 Honorable mentions09:10 The “Don't overlook their influence” group (ranks 50-41)16:19 The “Playing chess not checkers” group (ranks 40-31)23:38 The “Our impact runs deep” group (ranks 30-21)33:47 No. 2035:37 No. 1937:56 No. 1841:32 No. 1744:27 No. 1647:21 No. 1551:22 No. 14 55:55 No. 1359:09 No. 121:00:46 No. 111:02:16 No. 101:04:39 No. 91:06:44 No. 81:10:20 No. 71:14:06 No. 61:15:37 No. 51:17:11 No. 41:20:53 No. 31:29:06 No. 21:30:34 No. 11:33:22 Who got snubbed?1:35:42 What trends stick out from the list?1:41:21 Who would you pick to run your empire?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: ownership. Was just such an important thing for Nipsey. Such an important thing for Berner. And, you know, interviewing the two of them, I would say, their mindset around ownership was the closest I've ever seen to Jay Z.[00:00:13] Dan Runcie Intro Audio: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:39] Dan Runcie Guest Intro: This episode is a celebration to hip hop's 50th anniversary. This is a countdown on the 50 greatest moguls ever in hip hop. I'm joined by Zack O'Malley Greenburg, friend of the pod, and we both reached out to. A bunch of label heads, executives, people in hip hop that would know best. And we put it together in an aggregate list.And we're here to break down that list today. We talk about what does it mean to be a mogul? What are some of the considerations we made when we were looking into this list ourselves, how the results looked, what surprised us? What were the snubs? What were the misses? And what can we learn from this overall?And if Zack and I were putting together our dream teams, what would that look like? This is a lot of fun. Really happy with how it turned out. So let's dive in.[00:01:25] Dan Runcie: All right, hip hop's 50th anniversary is right around the corner and we decided to celebrate it in the only way that we know best countdown hip hop's greatest moguls and I'm joined by Zack O'malley Greenburg, who reached out to me about this. I was really excited about it and we spent some time over the past couple of weeks, reaching out to people we know, making sure that we have the best insights looking through and making sure that we had all of the. Breakdowns to share. So Zack, I'm ready for this. How are you feeling?[00:01:55] Zack Greenburg: I am stoked. Yeah, I mean, you know, 50th anniversary of hip hop. We reached out to 50 different judges. amongst, you know, the sort of, the most respected folks from, you know, label heads to artists to entrepreneurs, you know, I think we've got half of them, roughly half of them replied since in their votes, we're going to keep their individual votes anonymous, but, you know, Dan could tell you about some of the judges.Yeah, and it was just really fun to kind of mix it up, you know, I think the thing about this list, a lot of these characters are just kind of an apples to oranges comparison as you'll see once we dive into it, but that's the beauty of it, right? I mean, how do you, you know, compare like a pioneering executive to like a modern day artist mogul? And we really kind of left it in the hands of the judges. And we just said, basically the only guidance was, this is a business focused list, but you know, you can rank artists, executives, people who are both. It just, whatever your definition of mogul is, that's how, you know, that's how you should rank them. And people submitted lists and obviously the higher they rank somebody, the more points we gave them and, you know, the lower they got, but, you know, so there's some people on there who are like accumulators. They ended up on everybody's list, but not so high, but, you know, as a result, they ended up on the top 50.And then there are some who were just like, not ranked at all by most people, but had a couple of really high ranks so that they made the list. So I think it's a pretty cool mix.[00:03:10] Dan Runcie: Right? It's kind of like how we look at artists. There's some artists that have just been consistent, steady through and through each year. You'll always get some reliable output from them, but then there are other artists too. They were the best for a certain amount of time. Maybe they cooled off for a bit.Maybe they came back and that's kind of the way music is too. One of the things that. I was asked whenever I was reaching out to people about this was the same thing that you posed earlier. People wanted to know, how are we defining mogul and we left it up to their interpretation. It is a term that means different things to different people, but maybe for the sake of this conversation, let's kick it off here.Zack, how do you define mogul? And how did you define it when creating your list?[00:03:51] Zack Greenburg: Yeah, I mean, to me a hip hop mogul, more general is just, you know, somebody who not only is a business person, but has some degree of ownership, in whatever it is that they're doing. that's not the only definition of it for me, but like, you know, when I was putting together my rankings, I thought, you know, who are the owners?the same time, you know, people who are executives who are in a decision making place. you know, that counts for something. And I think also, you know, if you're an artist, and you simply have some control over your own work, you maintain your copyrights, whatever, like that counts as being a mogul. So, you know, specifically when it comes to hip hop, you know, I'd say people who are, you know, definitely getting in charge of your own work, but also creating new lines of business, you know, influencing the culture. but you know, a way that they've got some skin in the game from a business perspective, you know, that, kind of thing.That's kind of how I looked at it. but you could see from the votes that, you know, everybody had a slightly different definition too.[00:04:47] Dan Runcie: Yeah, there was definitely a lot of correlation with the artists who tend to be the ones that are the wealthiest. They end up at the highest rankings in on some of those lists, too, but it wasn't exactly correlated because there's a difference. And these are some of the things I kept in mind, too, with the mogul definition, thinking specifically aboutinfluence and impact, were you having, or did you create opportunities for others around you? Were you able to be a bit of a kingmaker or queenmaker in your respective right? Was there a impact in terms of other generations that either looked and modeled how they're doing what they're doing and looking at you as some form of inspiration with that?So there's the indirect impact and influence, but also the, Indirect piece of it too. So there's the money piece as well, but then what do you do with that money? And then that's how I had went about it. And similarly, everyone had their own unique spin to it.[00:05:42] Zack Greenburg: Yeah, for sure. And, you know, and I think the definition changed over time, of what a mogul really is, but when I was putting my rankings together, I think the idea of starting something new, you know, that's also paramount, amongst all the criteria as well.[00:05:55] Dan Runcie: Right? So, of course, Zack and I had our list, but we reached out to a number of people and several other label heads, executives, and people that are in the game.So thank you all to your contributions. We couldn't have done this without you. And if anything, it helped add a variety beyond just you and I, getting and putting our list out there. It added a more full scope and like anything. Oh, this is how you look at it. Interesting and being able to pull unique insights there.[00:06:21] Zack Greenburg: Yeah, for sure. you know, one thing I think we probably ought to point out, on the list, you know, the list is, heavily male. but it's about only 20% women on the list. you know, we did everything we could obviously to make it more equitable, but, you know, the votes are the votes.And, you know, I think there is a bit of a reflection of sort of the state of affairs over the past half century, you know, unfortunately, like many parts of music business, hip hop has been, you know, heavily overindexing for males. So, you know, here's hoping that when 50 years to do a hundred years of hip hop, you know, we'll have even things out a bit or completely, let's say maybe even, you know, made up for lost time, but I think some of the spots on the list, you know, the rankings do kind of reflect an industry reality that we've seen, unfortunately for 50 years.[00:07:06] Dan Runcie: Right? And hopefully this gets better. We do feel and you'll see when we talk about some of the people here, glad about some of the names that got mentioned. Of course, there's always room to be able to have more and hopefully for hip hop's 100th anniversary. If when and people are breaking that down, there's hopefully even more representation there.So, with that, I think it's probably good for us to get started right before the list, but talk about some of the honorable mentions. So, there were people that didn't quite make the cut of 50, but we still wanted to highlight them and the work that they. Did here. So a few of those names here to give a shout out to.So we have Cindy Campbell, Jermaine Dupree, Audrey Harrell, Jay Cole, Damon John. What comes or what do you think about when you hear those names?[00:07:55] Zack Greenburg: Yeah, you know, I mean, Cindy Campbell, I think in many ways you could look at her as the first promoter in hip hop history, right? I mean, you know, we're talking about 50 years of hip hop. That's 50 years from that first party that. She and DJ Kool Herc through, you know, in the rec room on Cedric Avenue.And, I think the idea was that they were going to raise a little bit of cash so she could go get herself a new back to school wardrobe. Now, if that's not, you know, entrepreneurship and hip hop, you know, from the very beginning, I don't know what it is. And so I think Cindy deserves a ton of credit, for being there at the very beginning, you know, but I think on the honorable mentions to a lot of the folks that are on here, you know, or maybe like a little bit, you know, not exactly falling on the same radar, you know, for the list. So like, you know, Damon John, obviously he did with, you know, creating FUBU and, you know, everything he's done as an entrepreneur, it's incredible, but it, I think it's sort of like more of a national brand that is, you know, apart from hip hop and so is his personality, right? Like you see him on shark tank or, you know, whatever, like he sort of moved past, I wouldn't necessarily categorize him, as just hip hop, although he's had a tremendous impact on hip hop.So I think probably that's why, he wasn't on more lists. It's not to sort of ding him his impact, which is considerable.[00:09:10] Dan Runcie: Right, and I do think that of course, music is one element of hip hop. You do have fashion, you do have others. So music definitely got weighted heavily in this list, but Dave and John and his influence in fashion, and there's other people in fashion and we'll get into them in this list too, but we can't overlook everything he did there and some of the more unique and clever marketing tactics that came from food booth that other people did who will mention in this list as well. 1 person that I do want to highlight here from that list 2 people. So, Jermaine Dupri want to give him a shout out as well. Just everything he was able to do with.So, so Def records. He was part of that movement in the 90s, where you saw LaFace and then all these other groups in the South be able to come up, do their own. There was a so so deaf sound, a so so Def vibe and his ability to do it both in rap, but also have a bit of the soul there. Some of the epic production that he's been involved with, even outside of hip hop, thinking about albums like Mariah Carey's Emancipation of Mimi and others, even though he didn't always do everything in hip hop. I think that some of his influence can't go overstated there. And then the second person who's similar in that regard, I would say is Andre Harrell. We talked about him in past episodes, especially the bad boy one, but everything that he did from Uptown Records and then moving on to Motown Records and gave in many ways helped give Puff the blueprint for what he was able to do years later.[00:10:37] Zack Greenburg: Yeah, absolutely. And, you know, I think Andre had a lot of successes, also had a lot of failures, not necessarily, you know, through his own doing, the time, but definitely somebody who deserves, you know, a hat tip at the very least. And, you know, I'm sure Puff would agree about that too.[00:10:52] Dan Runcie: Agreed. Agreed. All right. We ready ready to get into it.[00:10:57] Zack Greenburg: Let's do it.[00:10:58] Dan Runcie: All right. So in the initial group here, which we're calling the don't overlook their influence group. This is people who are ranked 50 through 41. so in order we have Ethiopia have to Marion at 50. She was the former CEO of Motown. We have Top Dog, co founder and CEO of Top Dog Entertainment. We have Mona Scott Young from her work at Violators and more recently Love Hip Hop. And what she also has done with Hip Hop Homicides and some other multimedia projects. We have T.I. with everything he's done with Grand Hustle and Multimedia. We have Eazy E with Priority Records. Many ways pioneering so much of the stuff we saw.We have Todd Moskowitz, L. A. Reed, Craig Kalman, former CEO from Atlantic. We have Sylvia Roan and then tied for 40. We have Desiree Perez and Steve Stout. What are your thoughts on that group list?[00:11:55] Zack Greenburg: Oh, man, I don't know. Maybe we should just pick out a few here and there that we thought were particularly interesting. I mean, you know, I think Ethiopia is a good example of somebody who would be higher up if she were identified, you know, solely as a, you know, as a hip hop mogul, but she's had kind of like a pretty wide reach, you know, especially in R and B, and pop. I mean, some of the stuff she's done with Erykah Badu, NeYo, Stevie Wonder, you know, like over the years, you know, wouldn't be classified as hip hop, but it's worth it nonetheless. just think that, you know, being kind of like in between, in between genres, you know, resulted in her being down a little bit further on the list.But, you know, somebody who had a tremendous impact. you know, I would also, I would highlight TI here, you know, the self proclaimed King of the South, but, you know, in terms of, I remember the years when, you know, we were putting together the Forbes list and, you know, kind of looking at, you know, kind of regionally who is most important to me.Yeah, he was sort of like. The Jay Z of the South. And he was really, especially when he was having that moment, you know, getting a lot of songs on, you know, national radio and, kind of being in the public eye, I mean, had a tremendous business focus, you know, he was always interested in sort of like, what's the next thing that I can create?and you know, that kind of entrepreneurial energy, you know, I think, especially within the context of the South, like taking the blueprint, from guys like Jay Z, you know, I think he certainly deserves a mention. I kind of thought he'd end up higher here, but I guess he's been, not as, especially in the music front lately.and then I would definitely highlight, Desiree, you know, she's somebody who's been behind the scenes for a really long time, with Jay Z and rock nation, but like. she runs rock nation. And although Jay Z obviously has the final say in things, you know, a lot of things that you see, come out of that camp are, you know, her doing and have her fingerprints all over them.And I know some of y'all might have seen the Book of Hove exhibit at the Brooklyn Museum or the Brooklyn Public Library that was a Desiree Perez production and, you know, she said that it was like her emptying her 80, 000 square foot storage unit into the library, but, you know, but to have, you know, that kind of, impact at a place like Roc Nation and to help, you know, Jay Z do what he's done, you know, I think those are all worthy, of notation and, you know, I think she deserves her spot there for sure.[00:14:09] Dan Runcie: Yeah, Desiree is someone that has been working with Jay Z for a while now, and I feel like she deserved a shout out on Jay's verse in Pound Cake, the Drake song. You know where he's like, Dave made millions, Lyor made millions. I feel like Desiree should have gotten a shout out there too, but yeah.I'm glad that she got mentioned here. Two other names I'll run through quickly. Steve Stout, someone who I thought would have ended up higher, and I know that, you know, it was interesting to see how the results played out, but I do think that one of the best marketers that we've seen come through hip hop.He was ahead of the curve in a number of ways, dating back to the 90s with seeing the men in black sunglasses and everything that he's done there from his time working with Nas, everything that they've done, whether it was the firm or, him being a record executive himself and then showing as well, how he's able to do it in advertising and bringing a lot of these companies and brands that didn't necessarily align or think about being related with, you know, hip hop culture and those elements to be able to do it.You look at a company like State Farm and how we now look at what that company has done. And a lot of that is through his work and obviously with what he's done at United Masters. So shout out there and I also do want to give a shout out to Mona Scott Young mentioned her earlier, but she was a right hand to someone who will mention on the list as well coming up soon with everything she did in Violator, this is back when, you know, Q Tip and Busta Rhymes and that whole crew were doing their thing. And then later, I know people have a lot of polarizing opinions about love and hip hop, but if you look at the career opportunities that were created for people that have came through, and the longevity that she's granted, a lot of people that the record industry forgot about that she was able to continue to give opportunities for think about the trick daddies, Trina's and folks like that. I know people hate to see them arguing on camera, but would we have Cardi B where she is today? If it weren't for the platform of love and hip hop, and she's continued to do things with other vocals on the list that we'll get into. So I do want to give a shout out to her[00:16:08] Zack Greenburg: Yeah, definitely a worthy shout out. And we could probably go on and on about even just like the tent in this bracket here, but I suppose we ought to, we ought to move on to the next room before, before we run[00:16:19] Dan Runcie: indeed. Yep. So the next group is playing chest, not checkers. So at 39, we have Dave Mays, founder of the source 38. We have Irv Gotti, founder of Murder, Inc. 37, Cardi B 36, Lil Wayne 35, Nipsey Hussle, 34. Steve Rifkin, from Loud Records 33, Missy Elliot. 32 Birder from Cookies, 31 Kevin Lyles and 30 Chris Lighty.[00:16:47] Zack Greenburg: Oh man, this is a pretty stacked bracket, I must say. I think that, you know, there are a couple of names that stick out to me here. I'm going to go with Nipsey and Berner, because in a funny way, I think, they have like a sort of a similar, a sort of similar strategy, which is like, you have a very clear idea of what it is that you're going to do.You own it, and then you, you know, you continue to own it like ownership. Was just such an important thing for Nipsey. Such an important thing for Berner. And, you know, interviewing the two of them, I would say, their mindset around ownership was the closest I've ever seen to Jay Z. and they really understood from the beginning that they had to own all their music.Own all of their branding own, you know, the companies that create on the side and then they can monetize it later. And, you know, with Nipsey rest in peace. I mean, he was just on the cusp of, of kind of like becoming a mainstream superstar, you know, when, his life ended all too soon. So, I think what Berner is doing with cookies is really fascinating like Berner is, you know, you want to talk, lists. I mean, he's in the top five, probably the top four or three at this point, in terms of net worth for actual, hip hop artists. And that's because of the success of cookies and, you know, there's been, a lot of ups and downs in the cannabis business lately, but like the amount of ownership that he has, you know, I think it amounts to about one third still of cookies, which is, you know, a billion dollar brand. When we gets legalized, you know, like he's going to see the fruits of his labor and, that focus on ownership I think is really going to pay off on the longterm.So I would highlight those two guys, in this tier as the ones that, I think were the most impressive to me. That's not to shade anybody else, but,[00:18:25] Dan Runcie: Yeah, those two guys are also two of the few people who I see people still wearing their merchandise on a regular basis. Granted, I live in San Francisco. There's a cookie store here. So, I mean, I know there is a local connection for sure, but same with Nipsey Hussle. I mean, sadly, it's now been over 4 years since he passed away, and you still see Crenshaw shirts.He understood, Nipsey especially, understood exactly where everything's going. And it's just so sad that, you know, it was gone so soon. Two names, I'm going to shout out here. I'm going to shout. I'm going to shout out Cardi B and I want to shout out Chris Lighty. So Cardi B talked about her a little with the Mona Scott young piece, but she's entered and ran her rap career more uniquely than other artists that we've seen at her level have. And I think that speaks a lot to just where the game is now. It's been over six years since Bodak Yellow came out. And it's been over five years now since her debut album. This is someone who hasn't put out a studio album in over five years.And hasn't gone on tour in a traditional way, but it's still doing her thing. And I think this is one of the things that's unique. She finds interesting ways to monetize herself and to put herself on. She's like, Hey, I can do these private shows and they're going to pay me, you know, 1. 5 million or 3 million just to do a half an hour set.I'm going to do my thing. I'm going to be there at Super Bowl weekend. I may not be performing at the Super Bowl, but I'm going to go do these private shows for Bob craft or the fanatics event or all these things and collect the checks. it's very interesting to see younger artists to do that Lionel Richie playbook, but she is like, Hey, I don't necessarily have to do that. And even though people always do try to, you know, loop her into the Nicki Minaj versus Cardi B beef, she still has lended her hand and extended it to other young artists, especially women in the game, whether it's Ice Spice and others, whether she's doing it through her talents and others. So she's someone that I hope as she continues on, you know, into her thirties and into her forties can continue to rise up this list.And then Chris Lighty talked about a little bit with Mona Sky Young, co founder of Violator and everything they're able to do there. Sad that he was taken away so soon, but if you have not heard this yet and if you haven't listened to the podcast, I highly recommend the Mogul podcast series that was done several years ago on it.It was done by Reggie Yose, who is Combat Jack, who has since passed away as well, but I highly recommend that if you want a full breakdown on everything Chris Leite did. Violator and after that was truly one of the early ones looking at product partnerships and a lot of the things that we see now that are common in hip hop.[00:21:07] Zack Greenburg: And, you know, if we didn't have Chris Lighty, I don't think we would have had 50 Cent. I mean, at least not to the extent that we have him. you know, I mean, I remember writing my first story about 50 and like for Forbes, maybe 2008 and sitting down with Chris and just kind of like hearing him lay out the plan.And again, it's the emphasis on ownership, right? you know, Chris Leidy, I think was the one who really pushed, 50 to take the equity in vitamin water and his parent company, rather than just do an endorsement. And, you know, obviously that became a huge, deal and really like a model for so much, not only of hip hop, but like other parts of the entertainment industry, you know, I think Chris definitely deserves a spot, maybe even should be a little higher. and you know, probably also, there's, you know, again, all these folks deserve a shout out, but Kevin Lyles, I think is, got one of the most inspirational stories. you know, it's another person, I think we've both interviewed a bunch of times, but, you know, just his journey from intern to president of Def Jam and I think seven years. And he just did it by working harder than everybody else like he wasn't an artist that got put there because he had some hit, it wasn't some kind of like nepotism deal, you know, he just outworked everybody and, you know, he had the talent and, you know, the horsepower to just like get it done. And to make that journey within seven years. So I think it's, for people who are listening and, you know, want to do something like that with their own career, you know, study Kevin Miles because he was able to make it, without being, you know, some kind of like preternatural, singing talent or something like that he just did it on smarts and work ethic.[00:22:39] Dan Runcie: And one of the few people that co founded a record label and sold it a decade later for hundreds of millions of dollars, which is what he did 300 as well. Right? So of course, not 300 now underwater, but everything he did with Lyor and Todd, there, is impressive. There's not that many black founders in general. In tech, any sector that have built and exited companies for several hundred, a million dollars, the way that he was able to be a part of that. So, hats offhim.[00:23:09] Zack Greenburg: yeah, I think it takes a special kind of guts to be able to, you know, I mean, he was a well paid executive with a cushy music job, you know, to leave that world, start your own thing. I mean, I know they had, you know, big backers and everything, but like to take a risk once you've already experienced that level of success and to go out and start something, you know, as opposed to starting something from scratch when you have nothing anyway.I mean, it, takes a lot of gumption to do that. So, you know, again, yes, a pretty cool second act for Kevin miles.[00:23:38] Dan Runcie: Indeed, the next group here, our impact runs deep. It is Nicki Will Smith at 28, Swiss beats 27, LL Cool J, 26, Coach K and P, 25, Julie Greenwald, 24. The E40 23, Pharrell 22, and Rick Ross, 21.[00:24:01] Zack Greenburg: Yeah. I think, that's a pretty strong, deck there. And I think also, you know, here, you find some people who, you could argue should be higher or lower based on, you know, how much of their career was done in the hip hop music world, right? Like Queen Latifah, LL Cool J, Will Smith.Obviously those are huge crossover acts. but I think they all got a lot of points from some of the voters because, you know, that is in one way, the measure of a mogul, like you're diversifying your portfolio and whether that's by owning different things or, you know, by getting into, different types of performance, you know, on the silver screen, I think that's a viable path too.but just from like a purely musical entrepreneurial perspective, I would highlight, Swiss Beats and Pharrell, who I think, you know, the two of them are more influential than anybody in terms of like, I'd say Swizz in terms of art and Pharrell in terms of fashion. and you know, some of the things they've done around those two areas and, you know, Pharrell certainly, now with LVMH, but also before with Ice Cream, Billionaire Boys Club, you know, he was very active in starting his own things on the fashion side.And, you know, kind of inspiring artists to do that. you know, would we have had a Yeezy if we hadn't had Pharrell, you know, doing what he was doing and, you know, and even doing what he did with Adidas? you know, I don't know about that. And, Swiss beads certainly, you know, not only from the art side of things, but you know, it's a really impressive art collection.I did a story on him a few years ago and, you know, he's got like, Jeff Kuhn sculptures and Basquiat's and Warhol's and his, you know, like in his foyer. I mean, it's, pretty impressive stuff. but the way that he moves behind the scenes, as sort of like a corporate brand whisperer, at places, you know, like Bacardi, Lotus, you know, this goes on, you know, I think he, he's sort of like more quietlyinfluential than, some folks realize. And, you know, certainly has been earning, on par with, you know, with all the, you know, most of the names, if not higher than most of the names we've mentioned so far. and you know, what he's done on the, both of them, what they've done on the production side, also hard to top.So that must count for something as well. I kind of went more than one shout out there, didn't I? So[00:26:06] Dan Runcie: Yeah. No, that was good. That was good.I'm glad you mentioned the two of them though, because if you didn't, I probably would've called the other one out. The thing about Swiss as well, everything that he's done with versus specifically also embodies this idea and definition of a mogul because he was able to be.A kingmaker in the sense of creating opportunities for others. He did that through the equity that he was able to give all of those early participants in versus in trailer itself. And then additionally, with the careers that we're able to have a boost because of. everything that happened, with the matchups from versus specifically, you look at someone like Ashanti, who is now doing tours and pop it up every now and then she wasn't doing that before her versus and her battle versus Keisha Cole was one of the not, if not the most watched one that we've had.You look at Jadakiss and everything that he's been able to do since his epic showdown against, with Lox versus Dipset with that versus you look at Jeezy versus Gucci Mane. I know that versus definitely had its peak popularity during the pandemic, but that kind of stuff that he was able to do with Timbaland, I think also speaks so much to everything that he's been able to do there.And another person I want to mention to that was in this group as well that I think is similar is LL Cool J because I think similar to the way that. Swiss beets is Ella is also with someone that's been involved with multimedia with everything from the jump. He was the 1st artist to truly breakthrough from Def Jam and did it as a teenager.So, of course, he gets plenty of shout out for that, but he's also always been trying to find ways to look out for that next generation of artists. And he's been doing some of that more recently with rock the bells, and that's its own. Company and entity now where they have a festival coming up as well to celebrate things that are happening with hip hops anniversary.So it's been cool to see him do things as well. And I'll give a very brief shout out here to, coach K and P because they, similar to how I mentioned, Kevin Liles were able to build and grow a company and then sell it for, I believe, forget the exact sale price for, quality control. But they were able to do that thanks in part to a lot of the work that Ethiopia had done, helping to give quality control, the platform that it did, and especially in an era where I think it's harder for a record label to have a true brand, they were able to help give it a boost.[00:28:36] Zack Greenburg: That's true. And on that note of labels, I think Julie Greenwald, there's a mention, you know, she and Craig Kalman, who's mentioned, in an earlier grouping, you know, run Atlantic together. And there's a lot of, of music that we wouldn't have seen if it had been for the two of them, you know, running the show over there.So, shout out to Julie. I mean, the only one actually we haven't discussed here with E40 and Rick Ross. And I don't know, you know, probably get moving, but, do you think Rick Ross deserves to be number 21 on this entire list? Like ahead of Pharrell, ahead of, you know, some of the other names on here. I was surprised that he was ranked this high.[00:29:09] Dan Runcie: I love the spicy questions. Cause this is what people wanted to hear the podcast about, right? They wanted to hear one of us, you know, poke the bear a little bit.If Rick Ross was able to nail that dive in the pool, do you think you would have ranked him higher?[00:29:21] Zack Greenburg: Ha ha ha ha ha ha. No, no, I wouldn't. I mean, I still know. I mean, you know, like I get it, you know, he's called the boss that he must be a mogul, You know, and, some of the things he's done in terms of, you know, Bel Air and Maybach music and all that. Sure. But like, you know, when you put them up against like some of the other ones, did he really do something new or was he more just like following a, blueprint that had worked for others before and, you know, executing it to a degree success, but like, again, not, you know, not to the level of, let's say Pharrell.I think maybe I just, I'm salty that he ended up ahead of Pharrell. I think Pharrell is just way more influential and Mowgli, but, I don't know. What do you think?[00:29:59] Dan Runcie: So, I've read 2 of Ross's books and I interviewed him once on Trapital. I think that, to your point, he did follow the blueprint that we saw from others. I think he is smart about the types of partnerships he does, but it does feel like a ditty light. Type of playbook that he's been able to do and build.And I do think a lot of it makes sense. He may not necessarily have the large media entities the way that he does. Although I do think he's overdue for some type of comedy show or some type of reality show just following him around because I think he's hilarious. And anytime that he gets that, it could just generate something unique.And I'm sure he's been hit up about it. I do think that he's done well for himself. Just thinking about. Now, how his career is growing, I think it's been what, 16, 17 years since hustling 1st came out. I think in this range, there is some flexibility there in terms of like, where people are in certain ways.I get why he may not necessarily be as high. I'm sure if you looked at the net worth or the earnings, that some of the people that are lower than him may actually be higher. I think 1 of the knocks potentially is although Maybach music was cool. I wrote about this in Trapit as well. I think there was a missed opportunity.And part of that comes from, huh, did Ross do all the things that he probably could have done from a leadership perspective to especially like, when Meek Mill and Wally were beefing and stuff. And I think Ross had a bit more of a laissez faire approach to things, which in some ways is kind of the opposite of King making as we're talking about this, right?Can we really bring folks together and make something larger than it is. I think it was a bit tough in general for people to try to do everything themselves, try to be the boss of this label, which is signed to a different label because Rick Ross was signed to a different label than MNG was himself. And I think anytime you have that type of dynamic, it's just splitting the leadership interests. So I hear you.[00:32:00] Zack Greenburg: Yeah. So then how much of a mogul are you, if your label is really, you know, so I guess everybody's labels on somebody else's label and have you distributed by something, but you know, it's like when they're like multiple labels kind of, you know, intertwined with your label, it kind of causes the question.are you really the boss? If you have several bosses that you're answering to, but you know, I think actually though. in Rick Ross's defense, what he's done with Wingstop, I mean, that is pretty unique and, I don't know that anybody else on this list has something comparable in that space.So, you know, maybe that's why, I think, you know, by virtue of that, you could put them pretty high up. And maybe that's what some of the judges were thinking, you know, but he also ended up on a lot of lists, you know, so some of the judges just kind of like, maybe we're getting to some of the judges sent rank lists, and they're like, you know, this person is the top and they should get the most points and other people were like, here are my people.And you can just rank them evenly. and I think Rick Ross ended up on a lot of those lists. So, you know. I think again, maybe like I was alluding to earlier, he's a bit of a compiler, nothing wrong with that, you know, you can get into the hall of fame by compiling 3000 hits, but, it's interesting to see how, how the opinions differ. That's the whole fun of it.[00:33:06] Dan Runcie: He runs his business is almost like how a small business owner would in a number of ways where he has a bunch of car washes and, you know, his is 1 of the family members does that he has his wing stops, right? He has that. And it is a bit of this, like, mogul dumbness from that perspective in terms of like, okay, I have my hands in these things and I've hired people to have, you know, different roles within that that doesn't necessarily have things in aggregate. It's a bit more of the strip mall mentality as opposed to the, you know, building a skyscraper that could then build other skyscrapers, but it's something worth mentioning, but I hope we keep that up with a few of the other rankings we have coming up as we dig into the top 20, here.So, yeah, let's start with 20. So, 20, Queen Latifah, I think that she and, Ice Cube, who we'll get into in a minute, were one of the first that noticed, hey, I may not be able to do this rap thing forever, what are areas that I can expand this multimedia empire and everything I'm building.She was able to do this with Living Single, the show that was Friends before Friends was, and even the way that she was able to show young black people that were having, you know, highly sought after roles, but they still had their interpersonal dynamics. It was cool. It was refreshing. It was aspirational, which I do think that a lot of the black sitcoms were in the 90s.And she was able to do that, continue finding ways to put other people on as well through the work that she did. She was also willing to take risks. Like I remember when she was in set it off, people had a bunch of questions about, Oh, you're going to play a lesbian in this heist movie. What is this going to do for your career?And she was willing to do that. And I think she is always, you know, be willing to take risks. So, you know, shout out to her and I'm glad that several people have mentioned her[00:34:56] Zack Greenburg: Yeah. And I think she gets credit for, like you say, diversifying her portfolio. you know, into the acting world. it's worth noting, you know, she was barely ahead of Rick Ross. but you know, there is a big difference between 21 and 20. It's the top 20. So, again, I think, you know, she was a bit of a compiler, but there were a couple of people who ranked her in the top 10.and, you know, I think just like in terms of the breadth of her career, you know, the longevity, the diversity of the things that she's gotten into. you know, even if it's not as much ownership as somebody, even like a Rick Ross, it's just like, having your hands in a lot of pies and like that really counts for something as a mogul.So, I think it makes sense to see you there.[00:35:36] Dan Runcie: Agreed 19 is Eminem. So let's talk about it. How do we feel about Eminem in 19?[00:35:43] Zack Greenburg: You know, I think it's a weird one, honestly. you know, there's no doubting, his lyrical prowess and where, you know, where he kind of stacks up as part of like the pantheon of lyricists, like fine. But is he really a mogul? I mean, he's somebody who has been, you know, very reclusive at times. Who has, you know, kind of gotten in his own way at other times. I mean, I could see ranking him up here though, just by virtue of ownership of the music and sort of like the quality and quantity of his catalog. you know, what he did with D12, you know, he did have shady records and, you know, and all that.So again, you know, there, there is kind of a layer cake of a label situation, like some of the folks who mentioned earlier across, but, you know, that was at least important to him to set up, you know, as his continued ownership of, You know, his work and, you know, certainly when it comes to like raw commercial prowess, you know, Eminem, is one of the best selling hip hop artists of all time.If not the best, depending on how you look at it. And just, you know, simply by virtue of the amount of revenue he generated, you know, throughout the late 90s and early aughts at the peak of the sort of CD age there. you know, that deserves, some kind of something, even if he wasn't running around starting his own, you know, side businesses as much as some of these other folks[00:37:02] Dan Runcie: Best selling artist of the 2000s by a pretty strong amount, I believe, and has the most of any genre, right? And the most streamed song of the 2000s as well, at least on Spotify with Lose Yourself, and I'm pretty sure Till I Collapse and maybe a couple of others aren't too far. Behind as Will Page as Spotify's former chief economist said, anytime Eminem farts or burps or releases anything on a streaming service, it provides a huge bump to everything in this back catalog.So, I still laugh about that, but I do think that speaks to it there and. If, correct me if I'm wrong, but I think he was one of the first hip hop artists to have a Sirius XM channel himself.So that's something that's unique and obviously Sirius is still doing its thing. So, shout out to him there. A bit higher than I probably would have ranked him, but that's why it's interesting to get the group results here. Ah, this one's gonna be spicy. Number 18. Your boy, Suge Knight.[00:38:02] Zack Greenburg: Yeah, you know, I mean, I think this is one of the tougher ones on the entire list. You know, this is not like a list of, Ms. Congeniality or Mr. Congeniality, as you'll see, you know, some of the other names on here. Obviously, you know, Suge is in jail. he's been involved in the death of, you know, human beings that like that is, you know, not sort of like what you're after in a mogul here, but, enough people, you know, I guess felt that the business, if you just, you know, looking at it from a pure business perspective, was enough to put them up here. And, you know, there is no arguing that death row at its peak was one of the most influential record labels, you know, not just in hip hop, but of anything. I mean, any genre, when death row was at its hottest, I don't know any, kind of moment where any other, you know, you'd have to stack that up against peak Motown or, you know, Atlantic or something like that, but, you know, that was really like a, peak moment. So, you know, I think this is one of the things we run into on this list like if somebody exhibits, a level of, you know, sort of business ingenuity, you know, that counts for something and, you know, the other things that you do in your life and your career, you know, we'll detract from that, but, you know, what you did at your peak, I think will get you pretty far in a list like this when people kind of count, you know, we kind of count sort of like the ceiling as opposed to the average, in some cases. So, I don't know. What do you think?[00:39:27] Dan Runcie: These are the two most impressive business moves that Suge Knight has done. Number two is shaking down Vanilla Ice to get his points for everything that he did on the album that had Ice Ice Baby there. Because he was able to use that money to then start and co found Death Row with Dr. Dre. That's number two.Number one is at the 1995 Source Awards where he publicly makes his Call to attract Tupac to say, Hey, I know you're in jail, but we're riding with you. Tupac wasn't signed there at the time, but he knew that this was an opportunity. Tupac likely needed somewhere to call a home and he called his shot. He was able to make it happen.I know everyone talks about the diddy shot about, you know, being all in the video death row. And that, of course, is infamous in its own right. But I think the number one thing that should night did is that that said. those 2 things speak to what should night is, 1, it is that muscle and the prowess of being able to overpower a situation and then take advantage.And I think those were things that he was good at. That said, I don't think he was necessarily strong as a. Business leader, the company imploded in large part. And I don't think it imploded because of Dr. Dre, it imploded because of all of the things, all the shenanigans. And I think for what he was building, some of that just got a little too close to the sun, unfortunately. And, that's Chuck Knight[00:40:49] Zack Greenburg: And, I think that, you know, in some of the reporting I've done over the years, One of the things people say is that Shug and a lot of the guys around him, you know, it wasn't that they were necessarily like that. It's just they kind of had been watching too many bad gangster movies and the music business, didn't know what to do with somebody like Suge Knight.And so the more he kind of like played this role, the more he grew into it to where, to the point where he was actually living sort of a bad gangster movie. and sort of like created, turned himself into a monster. Yeah, so I think like the evolution. or the evolution, of somebody like Suge Knight is sort of fascinating in terms of like what you can, what sort of playing a role can do to you, over the course of time.[00:41:32] Dan Runcie: Agreed. And well said number 17 here is America's most wanted ice cube. I'll start here to kick things off. I think that Ice Cube, like Queen Latifah mentioned earlier, was one of the early ones who had said that he knew that living and doing everything off a raft wasn't gonna last forever. And I think a lot of it was because he experienced some of the brunt and ugliness of it.I mean, we've all seen the Straight Outta Compton movie. He goes into Jerry Heller's office. He starts smashing shit. He releases no Vaseline. There was definitely a no fucks given that carried through even after he was done with NWA, but he saw what this industry is like as well and then that's when he starts writing screenplays.And then that's how Friday because the thing becomes a thing. And then. His career just continues to take off after that he still dabbled in rap and did his thing, but he definitely became known early on for one of the people that took a risk with cube entertainment and everything that he was able to do there.And with any of the movies that he had, whether it was the movies with Mike Epps and plenty others, I do believe that most of these movies were pretty profitable. And he was able to. Do it work within the confines that he had and just continue to build everything he did from a career. We've seen him expand as well into everything that he's done with the big 3 specifically giving a home for basketball players that can still play, but maybe they can't make, you know, a 13 person NBA roster anymore.I do think that some of his more recent news highlights that are a bit more politically driven or him walking around with Tucker Carlson and probably take it away from some of the more prominent memories of Hugh Ice Cube is, but yeah, that's why I had had him or that's why he, I think deserves to be, you know, where he is, on the list.[00:43:27] Zack Greenburg: Yeah. And I think it's interesting, you know, you see, Eminem, Suge Knight, Ice Cube, all together, you know, they're all, inextricably connected to Dr. Dre. one way or the other. Right. and you know, would there, would Dre have been Dre without the three of them? you know, at different phases of his career, you know, I don't know, I mean, I think certainly what, Ice Cube did as part of NWA, you know, I wouldn't say that, that NWA was like.like a business first organization. But like that wasn't the point of NWA and if it hadn't been for NWA, I don't think you would have been able to have business first organizations come out of hip hop in the way that you did. and certainly, you know, somebody like Dr. Dre, so. I think he gets extra points for that.and, you know, this is probably why, you know, he was again, I don't know, was he compiler? He was, you know, he had like a lot of kind of middling, a lot of lists, a couple of top 10 votes, you know? So, you know, I think again, everybody has their favorite and he's up there for a lot of folks.[00:44:27] Dan Runcie: Agreed. Number 16 is Drake. Should we poke the bear again?[00:44:33] Zack Greenburg: Yeah. Does Drake deserve to be at number 16 on this list?[00:44:37] Dan Runcie: This one surprised me, I was very surprised at the number of people that had him on the list, because you can make a case for the opposite, right? It's similar to the M and M thing, but almost to the extreme because M and M, yes, most commercially successful artists, XYZ. There's other artists that are less commercially successful at M and M that did more in that mogul definition but for Drake, it's even bigger of a Delta between these two, because here you have the most streamed artists of all time. So clearly commercially successful on its own, but people believe that OVO. Records or OVO sound itself actually could hurt an artist's career. And when you think about that, you think about some of the other multimedia things that he's done.I know he's been active as an investor and I know that people like Nicki Minaj and others have said, Oh, you know, Drake's a low key billionaire. He just doesn't want you to know it personally. Again, he may be, I mean, I'm not sure what he may not disclose, but it isn't always just about wealth. It's like, what opportunities were you able to create for each other?I do think it's good. That drink has been able to have different people that have been working alongside that. I think did get a bit of that drink stimulus package. And I think that's something that is quite debated, but I do think that. I feel like 21 Savage has definitely benefited from it. I mean, he was already commercially successful, but for him and Drake to do a joint album together was huge.I think it was the same way that it was huge for Future and the same way that the Migos going on tour with Drake in 2018 was huge for them and anything else that Drake continues to do from that perspective. So I think it is, you know, debatable, but I mean, people do definitely add some weight to the artists themselves.[00:46:18] Zack Greenburg: Yeah. And, you know, I think he should be around Eminem and whether they're both too high is an open question, but, you know, there's no doubting the commercial viability of what he's done. He did start more side businesses in Eminem, right? With OVO, whether it's the label, the festival, the clothing line, you know, he started a whiskey brand called Virginia black, which I tried once.It tasted okay. but I don't think it's selling, you know, I don't know if he's even still doing it. yeah, he is definitely involved as a startup investor, so maybe, you know, we'll see some exits and we start to think of him differently at that point. But, yeah, you know, again, I think it's, some voters just kind of overweighted, you know, musical prowess and pop culture influence.And if you're talking about that, I, I don't know anybody who's been as influential in the past 15 years. I mean, he's, you know, he's the most streamed artist of all time and that's got to count for something.[00:47:08] Dan Runcie: Right. I know his cannabis line failed, but there's a lot of people, even people that we'll get to in this list that have also had failed or struggling cannabisbusinesses. And, there's a lot that we could discuss there, but moving on number 15 is Sylvia Robinson, the originator.[00:47:26] Zack Greenburg: I think she deserves to be in the top five, personally. because if there were no Sylvia Robinson, yeah, I mean, I don't know that we have hip hop and, you know, it's, you know, for those who don't know the story, she was running sugar hill records with her husband, Joe sylvia was actually a child star singer herself.And, you know, they kind of had this like middling existence with their label. And then all of a sudden she's at this birthday party that she didn't even want to go to in Harlem and she sees Lovebug Starsky up on the microphone. A hip hop hippie to the hippie to the hip hip hop. You know, this is early, early seventies.She's never heard anything like it. All the kids, you know, hands in the air, like you just don't care. And the whole thing. she tries to get Lovebug to sign. There's some kind of dispute, like with his management, never happens. And so she just goes to the pizzeria in New Jersey, finds three kids, get him, gets them to talk real fast over this record is how she described it.and that's, you know, that's Rapper's Delight. That's the first hip hop song on Wax. That's the first hit. you know, that sort of spawns the whole genre. So, you could certainly argue, that, you know, she, borrowed or she hired, hired people who borrowed or whatever to do this, you know, like the idea that, that the first hip hop, track on wax was like, you know, originated in a pizza shop in New Jersey is really unfortunate cause it started at the Bronx, but like, you know, Sylvia came from Harlem.She, you know, she, she knew that world. Like, you know, she was part of the music business and, for better or worse, she took hip hop from being, you know, just basically like spoken word in person kind of thing to being, you know, national events. Would it have happened eventually?Yeah, I think so. But you know, who knows? I mean, it could have taken years longer and if it took years longer, you know, are we going to have the eighties with like run DMC and Def Jam and all that? Like, you know, I don't know. I mean, it, could have taken a lot longer to get off the ground if she hadn't done what she'd done.And, you know, I don't think we, I don't think we should really be dinging Sylvia Robinson for her Machiavellian tactics, given some of the other people on this list, you know, we're talking like Suge Knight and whoever else, you know, there's quite nefarious characters, you know, as we get higher up too in this list.So, you know, I don't think anything she did was. remotely as bad as, as like a lot of the dudes on this list. and, you know, so, you know, let's, I think we give her her due and yeah, I would definitely put her higher, but, you know, I think that's part of the deal when, when you have somebody who's that early on.You know, people are going to say, Oh, well, you know, the total gross is not quite as much as so and so or whatever the case may be. And she wasn't as famous as some of the artists. So, but you know, she's up there, I mean, ahead of some pretty big names, Drake, Eminem, what have you. So, I think she's getting some flowers here[00:50:00] Dan Runcie: The total gross knock is always one that makes me roll my eyes a bit because even if you take out the inflation aspect and the amount of money that's now in the industry, this is something that happens with pioneers in any type of industry. They are the ones that take the early hits to make it possible.She and her work is what made it possible for rappers to like, she and her workers have made it possible for the message and anything else that we then see after that. Yes. Sugar Hill. records did have its struggles, afterward, like many other labels. But what do you think about broader context of the eighties being a very tough time in general for black music?And there were only a certain number of decision makers in power that could make that happen. Yeah. You have to take that into account. And then additionally, she did stuff outside of even just this record label itself. As you mentioned, she was a recording artist herself. She also owned a nightclub. So there were other mogul type things that she had her hands.And so shout out to Sylvia, who knows where this would be without her.[00:51:00] Zack Greenburg: And probably worth caveating also that, you know, she did have some, Disputes over paying artists, as the years went on. So did like really a lot of people on this list is we could do like a whole separate, you know, like has some kind of dispute on how they pay artists. So, you know, that, that's probably worth noting too, but yeah, I mean, so does everybody else.And, you know, I think she deserves her flowers.[00:51:22] Dan Runcie: Number 14, Dame Dash,[00:51:25] Zack Greenburg: Another, another hot one coming in. I mean, I think a lot of people would disagree with this, but you know, some people would put them even higher. I mean, I think he might be the most polarizing name on this entire list. Like some people had on top five, you know, some people didn't list them at all.you know, I think it kind of comes in. We've had this conversation before. Would there be a Jay Z without a Damon Dash? you know, I mean, I think so, but it's that part of the, you know, we've talked about him in the context of startups and do you, you know, you need a different kind of founder for your like pre seed days than you do for your series B.you know, if you're like a mafia, family, you need like a wartime Don, you know, versus like a peacetime Don or whatever it's called. But like, you know, I think, Dame Dash is a wartime Don. He's a seed stage startup founder. and he does it fair as well. You know, when it comes to like the growth stage and the corporate boardrooms and stuff, but, you know, there's no denying his brilliance.you know, I think what he did, you know, certainly with rock aware, you know, expanding, the Roc-A-Fella empire beyond music. you know, maybe he realized that Jay was eventually going to leave and that they just, it wasn't going to be forever. And so he wanted to get his hands into, you know, as many different areas as he could, but, you know, there's like a lot of pro and a fair bit of con, but, you know, I think again, he's one who, you know, the pro outweighed the con, he didn't kill anybody, you know, so there's some people on here who did.yeah, the con is only like so much con in my opinion.[00:52:56] Dan Runcie: This conversation makes me think about, that backstage documentary that. Roc-A-Fella had put out after the hard knock life tour. And there's that infamous scene of Dave dash yelling and swearing at Kevin Lyles, who was at Def Jam at the time about the jackets and where what logo was supposed to be, or something other than that.And thinking about that in context now of like, you know, how we talked about Kevin Lyles and everything he was able to do from that run and still can continue to do. And with where Dame Dash is, is in his career, Dame Dash doing his thing. I think he very much lived through and practice and preach the ownership standards that worked for him, where he has Dame Dash Studios, Dame Dash this, and he's been able to.Create exactly what he wanted to. We heard him on that infamous 2015 breakfast club interview where he's yelling at DJ Envy and Charlemagne about, Oh, well, if your son wants a job, can you get him a job here at power 105 or whatever? No. Well, I can do him at where I'm at. And as comic as the delivery was, there is some aspect of mogul dumb.That is a bit of that King making aspect of, okay, can you create opportunities for others around you? What those opportunities look like definitely vary. And I think that is a factor. So I do highlight that is something that Dame is able to do. And Dave is also similar to he's similar to a polarizing basketball player in the sense that the media may look and be like, why do you all fuck with this guy?Like, what's going on? But if you ask the people that are actually in it, a lot of that would be like, oh, well, you got to look at Dame dash, Dame dash is the guy. And when I have. Interviewed. I'm sure you've interviewed and talked to many of young artists, too, or young label executives, too. A lot of them will reference Dave Dash.A lot of them will look at what he was able to do alongside Roc-A-Fella, almost in the same way that, you know, players will swear by Kyrie or swear by James Harden or some other type of athlete that may be polarizing in their own right. And the media is like, Oh, why do you all like this guy? And it's like, Oh, well, no, you don't understand.So there's something about. The people, and obviously I say that being self aware is us as people more so on the media side, as opposed to being in it themselves. But there's something about these young artists and moguls as well that have always looked up and respected what Dame has built. And even though it may not resonate, like, personally, I acknowledge that.[00:55:23] Zack Greenburg: I would say, if you're going to make a basketball reference, Maybe not personality, but like basketball style, I'd almost liken him to Carmelo Anthony, you know, like he's an isolationist. He's a scorer, like, you know, he may not be very good at distributing the basketball, but like, you know, you throw him the ball in the corner and he's going to find a way to get it in.And, You know, like a lot of people wouldn't think that he belongs in the Hall of Fame at all, you know, but some people would, be insistent on it. So, you know, yeah, I think that sort of like singular focus, you know, you could definitely give him credit for that,[00:55:55] Dan Runcie: Agreed. Number 13, we are Cohen.[00:55:58] Zack Greenburg: man, another like bulldozer of a human being, but, you know, certainly somebody who, you know, maybe he has also got the finger roll, you know, like he, he can have a light touch when needed. you know, I think just like in terms of longevity, we talk about longevity with some of the names on this list, you know, Leroy was there in the very beginning of hip hop, you know, managing rappers, and it gives the road manager run DMC, taking the leader

In 1991, Steve Rifkind founded LOUD RECORDS. In the decade that followed, LOUD would cultivate one of the most iconic rosters in hip-hop history, including Wu-Tang Clan, Mobb Deep, Big Pun, 3 6 Mafia, Dead Prez, and Tha Alkaholiks. But the label's success was a product of more than just one man's effort. LOUD was the confluence of Rifkind's vision and network, childhood friend and partner Rich Issacson's iron-fisted governance, and the impeccable taste, tone, and tireless efforts of an ensemble cast of hip-hop obsessed young staffers. Not to mention the timeless art of some of the most talented rappers and producers to pick up a mic or tap on a beat machine. On this week's episode of Idea Generation's All Angles, we talked to founders Rifkind and Issacson, A&Rs Matty C, Schott Free, and Sean C, Radio VP MoeJoe, as well as Havoc from Mobb Deep, to hear the full story of how LOUD RECORDS grew from a one room office on Melrose Ave to one of the most successful record labels of the ‘90s. And how the inspired chaos that fueled their rise ultimately contributed to the legendary label's undoing.See omnystudio.com/listener for privacy information.

In 1991, Steve Rifkind founded LOUD RECORDS. In the decade that followed, LOUD would cultivate one of the most iconic rosters in hip-hop history, including Wu-Tang Clan, Mobb Deep, Big Pun, 3 6 Mafia, Dead Prez, and Tha Alkaholiks.But the label's success was a product of more than just one man's effort. LOUD was the confluence of Rifkind's vision and network, childhood friend and partner Rich Issacson's iron fisted governance, and the impeccable taste, tone, and tireless efforts of an ensemble cast of hip-hop obsessed young staffers. Not to mention the timeless art of some of the most talented rappers and producers to ever pick up a mic or tap on a beat machine. On this week's episode of Idea Generation's All Angles, we talked to founders Rifkind and Issacson, A&Rs Matty C, Schott Free, and Sean C, Radio VP MoeJoe, as well as Havoc from Mobb Deep, to hear the full story of how LOUD RECORDS grew from a one room office on Melrose Ave to one of the most successful record labels of the ‘90s. And how the inspired chaos that fueled their rise ultimately also contributed to the legendary label's undoing.See omnystudio.com/listener for privacy information.

Episode 62. Troy Saunders, Wanda T, and Arif St. Michael sit down with the one and only I. Khan. She is the daughter of the legendary diva Chaka Khan and a good friend of everyone on the show. Join us as we laugh, reminisce and touch on her incredible music catalog past and present!Indira Milini Khan was born in Chicago and grew up in Los Angeles and New York City. The sultry young singer comes from a musical family. Her mother is the legendary pop/soul icon Chaka Khan. Indira's musical influence stems from performers of varied genres: Prince, Aretha Franklin, Minnie Riperton, Joni Mitchell, Steely Dan, Sarah McLaughlin and Sheryl Crow.Indira began her professional music career at a young age. From the ages of fourteen to seventeen, she was the founding member of the Motown Records group Pretty in Pink. Indira was responsible for co-writing the majority of the groups material. After her stint with Pretty in Pink, she went on to record with Atlantic Records recording artist Miki Howard, Motown Records recording artist Johnny Gill and Island Records recording artist Shabba Ranks. Indira also appeared on projects by Loud Records recording artist Yvette Michelle, Mercury Records recording artist Paula Abdul and has also been featured on several Chaka Khan records as well.Indira is known in the music industry as a prolific songwriter. It is her deeply personal songs and passionate writing that is true to her heart. Always striving as a singer and performer, Indira has toured extensively most recently with the Daughters of Soul and Rufus, both in the United States and overseas. A benefit of Indira's travels on the road with her mother is her perspective on how music is a powerful influence in the lives of all people. Though she considers her music mainly R&B, don't be surprised to hear some funk, rock and jazz spicing up the tracks in her forthcoming release.In 2016, Indira made her film debut as she co-starred in the TV One Unsung original movie "Love Under New Management: The Miki Howard Story". In the biopic about R&B singer Miki Howard's life, Indira portrayed her legendary mother. Her performance in the movie received rave reviews and marks the beginning of what is sure to be many future roles.Despite the many comparisons to her mothers legendary voice, Indira pulls out all the stops when it comes to her own unique style. She expresses her individual diva-tude with humility, grace and power!Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

This episode is a motherlode, featuring interviews with ELDON (Ruby Yacht) & Guy Albino (Hawd Gankstuh Rappuhs), plus a slew of music recommendations, a rant about melodramatic rap, & the continued Adventures Of Kounterclockwise. Wet Jet Seymour - Broken Balancer https://crossingdoubleyellows.bandcamp.com/album/broken-balancer Ghais Guevara - There Will Be No Super Slave https://ghais.bandcamp.com/album/there-will-be-no-super-slave Rural Internet - Saint Anger https://ruralinternet.bandcamp.com/album/saint-anger Teether & Kuya Neil - Stressor https://teetherkuyaneil.bandcamp.com/album/stressor Superego - Nautilus https://superegoaus.bandcamp.com/album/nautilus Death Insurance - I'm In Your Walls https://deathinsurance.bandcamp.com/album/im-in-your-walls Abbatia - Fugazi! https://www.youtube.com/playlist?list=OLAK5uy_l8fseIcP0VEsi0iqzMw28EGHuwhs3SUqM ORA77K - C0DESW1TCH 2 https://ora77k.bandcamp.com/album/c0desw1tch-2-night-owls-only-2 Skech185 - He Left Nothing For The Swim Back https://skech185.bandcamp.com/album/he-left-nothing-for-the-swim-back Marrow - Fission Two https://marrowraps.bandcamp.com/album/fission-two Sampa The Great - As Above So Below https://sampathegreat.bandcamp.com/album/as-above-so-below Carmen Xía - La Herida https://www.youtube.com/watch?v=DBTXrY2N5jI Haez One - Can't Find The Remote https://haez1.bandcamp.com/album/cant-find-the-remote Noob Saibot - 1 https://illuminatedpaths.bandcamp.com/album/1-4 ケケケッ - Monsta https://illuminatedpaths.bandcamp.com/album/monsta-ep New Cocoon (V/A) - Apotheosis https://newcocoon1.bandcamp.com/album/apotheosis Onoe Caponoe - Concrete Fantasia https://onoecaponoe.bandcamp.com/album/concrete-fantasia DeathIRL - Fresh Flowers For Ill Fruit II https://deathirl.bandcamp.com/album/fresh-flowers-for-ill-fruit-ii  King Vision Ultra - Shoo World (Hosted by Algiers) https://algierstheband.bandcamp.com/album/shook-world-hosted-by-algiers Young Fathers - Heavy Heavy https://youngfathersofficial.bandcamp.com/album/heavy-heavy ELDON - Do't Be No Hero (And You Will Live Long) https://eldonsound.bandcamp.com/album/dont-be-no-hero-and-you-will-live-long Hawd Gankstuh Rappuhs MC's Wid Ghatz - 2 Hype 2 Wype https://wordsoundrecordings.bandcamp.com/album/hawd-gankstuh-rappuh-mcs-2-hype-2-wype Rapper/producer/DJ ELDON (AKA Eldon Somers) is a member of Ruby Yacht & Cold Light.  https://linktr.ee/eldonsomers Devin Flynn, AKA Guy Albino, founded The Shape Shifters and Hawd Gankstuh Rappuhs MC's Wid Ghatz, & is an animator (best known for the Super Deluxe series Y'all So Stupid) & visual artist.  We're joined by guest correspondent Pedestrian to explore Devin's history, spanning from the Los Angeles graffiti world to NYC's Wordsound Recordings to gallery exhibits in Japan.  His story includes Loud Records, Sensational, Bud Bundy, & much more.  https://linktr.ee/pixeltan Kounterclockwise makes beats, rhymes and cartoons. https://linktr.ee/kounterclockwise Our 50-minute bonus episode includes more talk with Eldon & Albino, plus even more music recommendations (Andrew Mbaruk & Rhys Langston, Decuma, AFK, Freestyle Fellowship, DJ Crabhat, Digital Deejays, Negashi Armada, black, Rich Jones & Iceberg Theory, Cold Light, Birthmark, Xay Cole, Robert Price, Babyfang, KFC Murder Chicks, Ash Vestal, DJ Rozwell, Cake!, creepysusie, doin' fine, sulffffffur, & AOL).  This & all past bonus material for $3 at patreon.com/weirdrap. Get Rammellzee vinyl, Kool Keith shirts, and more at weirdrap.com! And check out the Weird Rap playlists on Soundcloud, Youtube and Spotify!!

Steve Rifkind joins Mike Tyson and co-host DJ Whoo Kid on the Hotboxin' couch to talk about bringing about the infamous Loud Records, his childhood, and so much more. Install Raid for Free :white_check_mark: Mobile and PC: https://clik.cc/A9pu5 and get a special starter pack with an Epic champion Vergis.

Steve Rifkind joins Mike Tyson and co-host DJ Whoo Kid on the Hotboxin' couch to talk about bringing about the infamous Loud Records, his childhood, and so much more. Install Raid for Free :white_check_mark: Mobile and PC: https://clik.cc/A9pu5 and get a special starter pack with an Epic champion Vergis.

Huge thank you to the CEO/Founder of Loud Records and Spring Sound Steve Rifkind for coming on my show for an interview! Steve talked about how the music business was failing before Covid hit, what he learned from his father Jules Rifkind, and creating the first Street Team. He spoke about his experience of managing New Edition when they made their Heart Break album. He got into not wanting to start Loud Records at first, then signing legendary acts such as Twista, Tha Alkaholiks, Wu-Tang Clan, Mobb Deep, and Big Pun, and when he knew that he had a hit with Wu-Tang. He told the stories of where he was when Big Pun and Prodigy passed away. He also got into how 2Pac was his roommate and his Biggie Smalls story. He discussed getting the Miramax Films picture deal for Paid in Full. He then talked about having the last laugh when signing Akon to SRC, managing DMX, wanting to have a 60th birthday concert combined of artists from both Loud Records & SRC, and how he is expanding his current label Spring Sound. Follow Steve Rifkind on Instagram and Twitter: @steverifkind Follow me on Instagram and Twitter: @thereelmax. Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. Steve Rifkind on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=AHBtPsBdf44. 

Considéré par beaucoup de connaisseurs comme l'un des meilleurs albums de 1998, "Capital Punishment" de Big Pun est une masterclass et un classique incontesté. Quel est son héritage ? Quel est l'histoire de ce projet, qui est Big Pun ? Nous répondons à ces questions avec notre ami Uncle Texaco qui nous livre une analyse très pertinentes par ces liens avec le label Loud Records avec lequel il a collaboré.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this episode of the Music Jones Podcast Jones and Doogie and B Eazy(The DJ Blaze Radio Show Podcast) are joined by Family of the show Craig, Renzo, and Darnell and they get into Kanye and his latest antics… They talk the BET Hip Hop awards and the Loud Records highlight… Diddy on The Breakfast Club… Da Baby album sales… Another great email from Susie Q… New Music and a 15 year anniversary that may surprise you Email: themusicjonespodcast@gmail.com IG: @themusicjonespodcast @doogiedarapper @preacher_bp

LOUD Records founder Steve Rifkind sits down with Questlove Supreme. He speaks about growing up in the music industry, being around James Brown and Frankie Crocker, plus his time managing New Edition. In Part 1, the veteran record executive also discusses signing Wu-Tang Clan, Twista, and Tha Alkaholiks, as well as his complex relationship with Tupac ShakurSee omnystudio.com/listener for privacy information.

Hip-Hop, Culture Clash, Musikgeschichte und Durchsetzungsvermögen. Als gelernte Werbefotografin suchte Eva Ries bereits früh den Weg in die Musikbranche. Erst ein turbulentes USA-Stipendium und selbstbewusstes Auftreten katapultierten sie schließlich in die US-amerikanische Welt der Plattenfirmen. Ries ist Rockfan, arbeitete bei Geffen Records in New York und Hamburg und bekommt in den Neunzigern als erste Band den Wu-Tang Clan auf den Schreibtisch. Völlig verzweifelt nimmt sie diese Aufgabe und den absoluten Kulturschock an. Nichts an dieser Musik versteht sie. Sie beißt sich durch und gewinnt das Vertrauen der neun vorbestraften Rapper, die ihr am Anfang eine Mischung aus Mitleid und Misstrauen entgegenbringen. Unter anderem glauben sie mitunter, sie sei eine FBI-Agentin. Nach diversen Stationen als internationale Musikmanagerin und Marketingexpertin u.a. bei RCA, Loud Records, BMG und Sony Music macht sich Ries selbstständig, arbeitet weiterhin mit dem Wu-Tang Clan, insbesondere mit dem Kopf der Gruppe RZA und veröffentlicht Anfang 2022 das Buch „Wu-Tang is forever“ im Benevento Verlag. Darin liest man einen Teil ihrer Lebensgeschichte, der unzertrennlich mit einer der legendärsten Hip-Hop-Bands der Welt verknüpft ist. Im Redfield Podcast mit Alexander Schröder erzählt Eva Ries einige dieser zum Teil aberwitzigen Eindrücke, stellt aber auch klar, wie es ihr gelang den Respekt und die Loyalität der Musiker zu erlangen. https://amzn.to/3L14tNu www.redfield-podcast.de

In the first of our 'Classic' series, we revisit our September 2020 interview with Mic Geronimo.    The Masta I.C. revisits the making of his first album, 'The Natural', nearly signing to Loud Records, working with Jay-Z and DMX and much more!   We're taking a few weeks off, so look out for more classic episodes coming soon!   Follow Sumit   Instagram: https://www.instagram.com/hiphopchronicle Twitter: https://www.twitter.com/hiphopchronicle   Follow Chris   Instagram: https://www.instagram.com/iamkinetik Twitter: https://www.twitter.com/iamkinetik   Connect with Breaking Atoms   Instagram: https://www.instagram.com/breaktheatoms Facebook: https://www.facebook.com/breaktheatoms Twitter: https://twitter.com/breaktheatoms Website: https://www.breakingatoms.co.uk

Numéro 17 du podcast consacré au RUN l'un des meilleurs label hip hop de l'histoire, LOUD RECORDS. Sans doute l'un des labels le moins connu parmi les Bad Boy, Death Row, Cash Money, No Limit et consorts mais néanmoins très important. Nous racontons son histoire avec nos invités Uncle Texaco et Sindanu KasongoHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

B. Cox reviews R&B singer Adriana Evans self-titled debut album Adriana Evans as it turns 25. The daughter of jazz singer Mary Stallings, Evans emerged in the mid-90s featuring on her future collaborator and producer (and also future husband) Jonathan 'Dred' Scott's 1994 album Breakin' Combs. After starting with Capitol Records when she started recording her debut, she landed on hip-hop powerhouse label Loud Records to finish and release her album. Working with Scott and musician and arranger Rastine Calhoun III, the album featured 12 tracks of power packed music; featuring a blend of jazz and classic soul music with contemporary R&B and hip-hop serving as the soundtrack to her sweet yet powerful vocals. The album featured two singles: "Seeing Is Believing" and "Love Is All Around" which both charted on the Billboard R&B charts.Unfortunatey, due what seems to be a lack of substansial promotion and marketing from the label and a release that was timed during a explosively successful year in the R&B game, her debut went largely unnoticed from the masses, aside from a group of dedicated fans who praised the album's content her effortless vocal abilities. After taking a hiatus from the music industry following her debut, she emerged seven years later after a sabbatical in Brazil and released four more albums after fading from the public eye after 2012.In her absence in the public eye, her debut album has attracted a cult following in the years gone by. Fans continue to praise the album and even a quarter of century later, it is still being discovered by fans every day. Due to the album not being available on streaming services, physical copies are a commodity and widely sought after; making the album one of the rarest finds on the secondary market.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comLearn More About the "Podcast GPS" BootCamp Course!www.vaultclassicpod.com/podcastgpsSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesDiscogs: Adriana Evans-Adriana Evans (1997). Release Infohttps://www.discogs.com/release/1570592-Adriana-Evans-Adriana-EvansThe R&B Representers: Catch That! Episode 21: Dart Adams-Adriana Evans self titled debuthttps://youtu.be/gKlmSPzclvMSinematic06 Youtube Page: Adriana Evans Planet Groove BET Live in Washington D.C. 1997 Part 1 and Part 2 https://youtu.be/0ACD1tD5OUkhttps://youtu.be/9yaeYPQVN1QGFM Podcast Network: Adriana Evans Interview (2011)https://open.spotify.com/episode/5jUxyG0QSFybkYRGjQuS2eFacebook: Adriana Evans at the SF Jazz Center (circa 2017-One of her latest known taped live performances) https://www.facebook.com/watch/?v=1429905660386329Support this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Concert Crew celebrates legendary record label Loud Records. Hear the fellas discuss how Loud Records was able to breakthrough in the rap game, what made Steve Rifkind so loved amongst artists, how Loud Records was able to compile such a talented group of artists, the downfall of Loud Records, it's legacy and much more. Also, the Concert Crew reviews new music from Curren$y & The Alchemist, Robert Glasper, RZA, Kodak Black and DaBaby & Youngboy Never Broke Again… #ConcertCrew #Podcast #LoudRecords #SteveRifkind #WuTangClan #WuTang #BigPun #MobbDeep #MOP #FunkmasterFlex #Three6Mafia #Xzibit #Twista #PeteRock #Raekwon #Prodigy #DeadPrez #LilFlip #TheAlcoholiks #TheBeatnuts #Podcasting #PodcastLife #Currency #TheAlchemist #RobertGlasper #RZA #KodakBlack #DaBaby #YoungboyNeverBrokeAgain

The Wu-Tang: An American Saga TV series depicts that origin story of the Wu-Tang Clan. The show's creators call it "historical fiction." On this week's episode of What's The Headline, we look at many of the show's biggest moments, and explain what's fact and what's fiction. Do not watch or read ahead, if you have not watched Wu-Tang: An American Sagaand do not want some of the plot points to be revealed. 0:00 Intro 5:48 Our personal interactions with members of the Wu-Tang Clan 8:20 Determining fact vs. fiction on Wu-Tang: An American Saga 8:35 Did Ghostface Killah and Raekwon really originally hate each other? 12:38 Did Raekwon and Power really shoot up Ghostface Killah's apartment? 16:05 Was there really a fight during the filming of the Protect Ya Neck video? 21:40 Did Method Man, Inspectah Deck, and others witness a man wrongfully killed by the police? 25:00 Did RZA really shoot a man and faces charges for attempted murder? Hear RZA speak in his own words. 32:52 Was U-God arrested the night Wu-Tang Clan auditioned and performed for Loud Records? 35:48 Did Wu-Tang Clan really crash the Stretch Armstrong & Bobbito show to get them to play “Protect Ya Neck?” 39:27 Did a flood really destroy unreleased Wu-Tang Clan albums in RZA's basement? 46:04 Did RZA really color-code the disks he kept full of Wu-Tang Clan beats? 49:20 Did Wu-Tang Clan really bum rush the stage at the Jack The Rapper convention? 53:18 Did Just-Ice confront RZA backstage when they were on tour together? 56:28 Did Ghostface Killah really have a child with RZA's sister? --- Support this podcast: https://anchor.fm/whats-the-headline/support

N.O.R.E. & DJ EFN are the Drink Champs. In this episode we chop it up with the legendary group, Tha Alkaholiks. Tash & DJ E-Swift of Tha Alkaholiks join us as they share their journey in hip-hop. Tha Liks share stories of being signed to the iconic Loud Records, convos w/ The Notorious B.I.G., lyricism and much more! Tha Alkaholiks are comprised of Tash, E-Swift and J-Ro. Shout out to J-Ro who didn't make it this go around. Lots of great stories that you don't want to miss! Make some noise!!! 

Dj Chonz , radio personality, Dj,  Denver Dj school founder stops by the Smoking with JoeThunder podcast with Elvis Freshleee bgood dispensary and Dj Cyn Iconic Dj Dj Chonz stops by the Smoking with JoeThunder podcast and chops it up growing up , getting into hip hop, Older brother Fienz showing him the hip hop ropes… Getting into Djing, battling, internship with Loud Records ,  Mix Tape Show , moving on from the Radio Bums name , Denver Dj school     Chonz tells some crazy industry stories !!!!   

Miami's own Erik Mendelson is a mover and shaker in many industries, but now he's tackling one of the hottest spheres in economics: US real estate. And if you're a crypto adopter or investor, he's got some excellent tips on how you can leverage the contents of your wallets to be able to make your next home purchase, even if your credit score is not quite up to par. From using your portfolio as collateral to getting loans using DeFi platforms like SmartFi, Erik talks about your options for getting into one of the hottest markets since the housing bust of  '09. Plus, he gives his thoughts on why Florida's housing rules make it such a unique market for both good and ill, and some advice on how to avoid the looming eviction & foreclosure crisis resulting from the coronavirus pandemic. About the Guests:Executive music producer and artist manager Erik Mendelson graduated on the Dean's List with a Bachelor's Degree from Rutgers University and is currently the CEO of Cre8tor.app (formerly RecordGram) & Tune Token.   He believes blockchain technology and tokenized ecosystems are going to redefine the music industry by allowing for greater transparency between all of the stakeholders in the creation, discovery and distribution of music. Erik's vast range of tenured entertainment experience comes from stints at Interscope Records, Loud Records, Hot 97, Elektra Records and Jive Records serving in marketing and radio promotion roles for some of the biggest music superstars.   In May 2017 Erik's company Cre8tor.app (formerly RecordGram) won the coveted TechCrunch Disrupt Cup which is the most prestigious prize for a startup technology company.  During the same year, Erik and his Co-Founder was featured on Apple Music's original content series “Planet of the Apps” which included celebrity mentors Jessica Alba, Gwyneth Paltrow, Gary V and will.i.am.  The multi-episode series received ten thousand applications but only 36 apps were selected for the show.  Of those 36, only 15, including Cre8tor.app, received funding from globally recognized VC Lightspeed Venture Partners.  Cre8tor also received additional funding from the New World Angels which is Florida's largest Angel investor group and Monique Mosley, a tenured music, film and advertising executive. Prior to receiving investment, Erik participated the Project Music accelerator in Nashville which was financially supported by some of the most influential record labels, music publishers and artist management companies. In 2006, Erik started Answerman Management signing his first artist MIMS to a 5 album deal with EMI/Capitol Records, serving as the Executive Producer for the album that grossed over $16 million.  Additionally, Erik has signed 2 other clients to major recording deals generating over $18 million in revenue.  He's also responsible for signing POP superstar Jason Derulo to his first production deal and assisted with procuring a publishing deal between Sony/ATV and the Grammy award winning production duo Da Internz. Furthermore, he has successfully implemented strategic and progressive marketing initiatives over his career and is a proven leader in developing new revenue streams for ongoing businesses in the entertainment industry.   Erik's accomplishments range from negotiating multi million-dollar major recording and publishing deals to booking tours and negotiating licensing deals including a $9 million Microsoft campaign.   Additionally, Erik regularly speaks on music industry panels discussing progressive marketing, promotion and advertising strategies.  He's considered a pioneer in the digital music landscape helping to create Digiwaxx Media and has executive experience in dealing with content acquisition, contract negotiation and developing cross-functional relationships between internal and external departments including artists managers, booking agents, media personnel and advertising agencies.  Erik has strategically aligned his clients and brands with targeted consumers thru the use of integrated marketing campaigns. All of his clients seek his expertise in guiding campaigns that go above and beyond traditional marketing, promotion and advertising techniques. Erik has won numerous technology awards and has received press in Techcrunch, Forbes, Inc, Billboard, NPR, Mass Appeal and many more. Erik is also a licensed Florida realtor and the founder of Crypto Currency Realtors. More Info: Tatiana Moroz – https://tatianamoroz.comCrypto Media Hub – https://cryptomediahub.com TuneToken - https://tunetoken.io Crypto Currency Realtors - https://cryptocurrencyrealtors.com Friends and Sponsors of the Show: Proof of Love – https://proofoflovecast.comGlobal Crypto Advisors – https://globalcryptoadvisors.io You have been listening to The Tatiana Show. This show may contain adult content, language, and humor and is intended for mature audiences. If that's not you, please stop listening. Nothing you hear on The Tatiana Show is intended as financial advice, legal advice, or really, anything other than entertainment. Take everything you hear with a grain of salt. Oh, and if you're hearing us on an affiliate network, the ideas and views expressed on this show are not necessarily those of the network you are listening on, or of any sponsors or any affiliate products you may hear about on the show.

Miami's own Erik Mendelson is a mover and shaker in many industries, but now he's tackling one of the hottest spheres in economics: US real estate. And if you're a crypto adopter or investor, he's got some excellent tips on how you can leverage the contents of your wallets to be able to make your next home purchase, even if your credit score is not quite up to par. From using your portfolio as collateral to getting loans using DeFi platforms like SmartFi, Erik talks about your options for getting into one of the hottest markets since the housing bust of '09. Plus, he gives his thoughts on why Florida's housing rules make it such a unique market for both good and ill, and some advice on how to avoid the looming eviction & foreclosure crisis resulting from the coronavirus pandemic.About the Guests:Executive music producer and artist manager Erik Mendelson graduated on the Dean's List with a Bachelor's Degree from Rutgers University and is currently the CEO of Cre8tor.app (formerly RecordGram) & Tune Token.He believes blockchain technology and tokenized ecosystems are going to redefine the music industry by allowing for greater transparency between all of the stakeholders in the creation, discovery and distribution of music.Erik's vast range of tenured entertainment experience comes from stints at Interscope Records, Loud Records, Hot 97, Elektra Records and Jive Records serving in marketing and radio promotion roles for some of the biggest music superstars.In May 2017 Erik's company Cre8tor.app (formerly RecordGram) won the coveted TechCrunch Disrupt Cup which is the most prestigious prize for a startup technology company.During the same year, Erik and his Co-Founder was featured on Apple Music's original content series "Planet of the Apps" which included celebrity mentors Jessica Alba, Gwyneth Paltrow, Gary V and will.i.am.The multi-episode series received ten thousand applications but only 36 apps were selected for the show.Of those 36, only 15, including Cre8tor.app, received funding from globally recognized VC Lightspeed Venture Partners.Cre8tor also received additional funding from the New World Angels which is Florida's largest Angel investor group and Monique Mosley, a tenured music, film and advertising executive.Prior to receiving investment, Erik participated the Project Music accelerator in Nashville which was financially supported by some of the most influential record labels, music publishers and artist management companies.In 2006, Erik started Answerman Management signing his first artist MIMS to a 5 album deal with EMI/Capitol Records, serving as the Executive Producer for the album that grossed over $16 million.Additionally, Erik has signed 2 other clients to major recording deals generating over $18 million in revenue.He's also responsible for signing POP superstar Jason Derulo to his first production deal and assisted with procuring a publishing deal between Sony/ATV and the Grammy award winning production duo Da Internz.Furthermore, he has successfully implemented strategic and progressive marketing initiatives over his career and is a proven leader in developing new revenue streams for ongoing businesses in the entertainment industry.Erik's accomplishments range from negotiating multi million-dollar major recording and publishing deals to booking tours and negotiating licensing deals including a $9 million Microsoft campaign. Additionally, Erik regularly speaks on music industry panels discussing progressive marketing, promotion and advertising strategies. He's considered a pioneer in the digital music landscape helping to create Digiwaxx Media and has executive experience in dealing with content acquisition, contract negotiation and developing cross-functional relationships between internal and external departments including artists managers, booking agents, media personnel and advertising agencies.Erik has strategically aligned his clients and brands with targeted consumers thru the use of integrated marketing campaigns. All of his clients seek his expertise in guiding campaigns that go above and beyond traditional marketing, promotion and advertising techniques.Erik has won numerous technology awards and has received press in Techcrunch, Forbes, Inc, Billboard, NPR, Mass Appeal and many more.Erik is also a licensed Florida realtor and the founder of Crypto Currency Realtors.More Info:Tatiana Moroz '“https://tatianamoroz.comCrypto Media Hub '“https://cryptomediahub.comTuneToken - https://tunetoken.ioCrypto Currency Realtors - https://cryptocurrencyrealtors.comFriends and Sponsors of the Show:Proof of Love '“https://proofoflovecast.comGlobal Crypto Advisors '“https://globalcryptoadvisors.ioYou have been listening to The Tatiana Show. This show may contain adult content, language, and humor and is intended for mature audiences. If that's not you, please stop listening. Nothing you hear on The Tatiana Show is intended as financial advice, legal advice, or really, anything other than entertainment. Take everything you hear with a grain of salt. Oh, and if you're hearing us on an affiliate network, the ideas and views expressed on this show are not necessarily those of the network you are listening on, or of any sponsors or any affiliate products you may hear about on the show

Steve Rifkind is the founder of Loud Records, SRC Records, and his new label Spring Sound. Loud Records, which celebrated its 25th anniversary last January 2020, is one of the most influential record labels in hip-hop with artists like Wu Tang Clan, Twista, and Akon. In this episode, Steve shares what it was like when he first started out in the industry, walking us through the changes he has seen since then until now. He also talks about Loud Record's anniversary event and his close relationship with DMX.Reminisce about the ‘90s and early 2000s, and see things from the perspective of a legend in the music industry.Episode Highlights:[ 03:28 ] What the music industry was like 40 years ago compared to now[ 07:52 ] On Akon's popularity and the rise of Youtube[ 12:38 ] On leveraging joint ventures with artists[ 17:28 ] What Steve is capable of offering and doing as a record label executive[ 19:58 ] Why the emergence of CDs led to a downshift in the industry[ 23:35 ] On the brand and identity of Steve's artists[ 28:15 ] The importance of music in culture[ 30:25 ] How Steve is preparing his daughter for the role of CEO[ 32:02 ] Loud Records' 25-anniversary event[ 33:58 ] On Steve's close relationship with DMXListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuest: Steve Rifkind, @steverifkind, Spring Sound Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve Rifkind, founder of Loud Records, first home of the legendary Wu-Tang, Mobb Deep, M.O.P., Big Pun, and more, tells classic hip hop stories and presents his new label Spring Sound. Steve was also DMX last manager until his untimely passing, and shares sweet stories about Dark Man X. https://www.instagram.com/steverifkind/ https://www.instagram.com/springsound/ https://spring-sound.com/ ----- NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5tesvmDS8h50LkjnSAWMOs?si=j6sJD6DkR4mk5NZZWnlK7g FOLLOW US ON SNAPCHAT FOR THE LATEST NEWS & UPDATES https://www.snapchat.com/discover/No_Jumper/4874336901 CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz Follow us on Soundcloud: https://soundcloud.com/nojumper iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: https://www.snapchat.com/discover/No_Jumper/4874336901 http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/NOJUMPEROFFICIAL http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22hoe on Snapchat

The Infamous (stylized as The Infamous...) is the second studio album by the American hip hop duo Mobb Deep. It was released on April 25, 1995, by Loud Records. The album features guest appearances by Nas, Raekwon, Ghostface Killah, and Q-Tip. It was largely produced by group member Havoc, with Q-Tip also contributing production while serving as the mixing engineer. Most of the leftover songs from the album became bonus tracks for Mobb Deep's The Infamous Mobb Deep album (2014).Upon its release, The Infamous achieved notable commercial success, debuting at number 15 on the US Billboard 200 and number 3 on the Top R&B/Hip Hop Albums charts. On June 26, 1995, the album was certified gold by the Recording Industry Association of America (RIAA).[2] The album produced four singles; "Shook Ones (Part II)", "Survival of the Fittest", "Temperature's Rising", "Give Up the Goods (Just Step)"; the first three singles achieved varying degrees of chart success, with "Shook Ones (Part II)" being the most successful.The album's dark style, defined by its evocative melodies, rugged beats, and introspective lyrics concerning crime in New York's inner city neighborhoods, received special recognition and critical praise. Along with albums such as Enter the Wu-Tang (36 Chambers), Illmatic and Ready to Die, The Infamous is widely credited as a major contributor to the East Coast Renaissance. Furthermore, the album is credited with helping to redefine the sound of hardcore hip hop, using its production style, which incorporated eerie piano loops, distorted synthesizers, eighth-note hi-hats, and sparse filtered basslines.

For this week's ep of my podcast Apt. 5B I'm chopping it up with Porsha, Eddie, Rel & Mixx Messiah saluting the infamous Loud Records! We're chopping it up about the first time we heard of Loud, our top 5 album releases from Loud, our top 5 fave Loud artists, one slept on artist, one slept on album, our fave Loud moments and is Loud a top 5 hip hop record label? Just another DOOOOOOOOPE ep and don't forget to subscribe to our YouTube page and you can also check us out wherever you listen to your fave podcasts at!@Kil889www.willmakebeatsforfood.com

BANG! @southernvangard #radio presents the JUS-P & X-RAY DA MINDBENDA interview session! We first got familiar with Jus through his 2020 EP with INNOCENT?, and he’s cemented himself himself as a fixture in the playlist at Southern Vangard Radio, as well as other similar haunts such as RAP IS OUTTA CONTROL, LIVE FROM HEADQCOURTERZ and the like. You might remember the legendary X-ray from a number of past hip-hop groups like DARC MIND the the MONSTA ISLAND CZARS. These two have been in the lab cooking up an album together (you can hear an exclusive on this weeks Ep284 mix), so we get the skinny on that, how GS ADVANCE was the connect for their meeting and what else we can expect from both of them in 2021. We also get into Jus and X-Ray’s history coming up - from the time Jus spent in cyphers from NYC to Atlanta, to X-Ray’s signing to Loud Records as a member of Darc Mind and his long time friendship with MF DOOM (RIP). There’s TONS more inside Vangardians, but you gotta press play now to get that #SmithsonianGrade #TwiceAWeek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mix #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live March 14, 2021 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #soundcloud #youtube #spotifypodcast #googlepodcasts #stitcherradio #mixcloud #SmithsonianGrade #TwiceAWeek #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Donald J. Trump for President, Inc. held a press conference in Washington, D.C. with former mayor of New York Rudy Giuliani and Trump campaign senior legal advisor Jenna Ellis. Intro: Inspectah Deck - Word On The Street (1999) Uncontrolled Substance Licensed by: SME (on behalf of LOUD Records); CMRRA, UMPG Publishing, BMI - Broadcast Music Inc., and 9 Music Rights Societies

HNHH is excited to announce the return of Mafia Radio, hosted by DJ Paul. The debut episode features the OG Xzibit, as the two deep dive into their history on Loud Records, ghostwriting in hip-hop and much more. Stay tuned for a new episode with a new guest every Tuesday. What's your favorite story from Xzibit and DJ Paul? 0:00 - Intro 0:42 - Three 6 Mafia & Xzibit both working with Steve Lobel & Loud Records 1:57 - King Tee & Xzibit's relationship with The Alkaholiks 3:12 - Xzibit's new music video for “Loaded” 4:00 - Working with B-Real & the “Hot Box” 5:31 - Xzibit's cannabis business & why they still make music 7:48 - Ageism in Hip-Hip 9:25 - Being independent in Hip-Hop 10:20 - Ghostwriting in Hip-Hop 13:23 - The end of Pimp My Ride 14:06 - Xzibit's director for his “What You See Is What You Get” music video 16:18 - Xzibit's getting into music & his parents hating Hip-Hop 17:42 - Impact of parents & sharing moments with family 21:44 - Impact of NWA 22:27 - Branding as a record label 23:14 - Outro

JUST TWAUN PAYS HOMAGE TO 90S HIP-HOP ONCE AGAIN FOCUSING ON THE LIKES OF A TRIBE CALLED QUEST. LET US KNOW @ONCEUPONATIMEONTUESDAY ON IG WHICH TRIBE ALBUM WE SHOULD DO FIRST!!!

JAZZUNGANG, manager extraordinaire to Roc Marciano talks about his early days at Loud Records, rap group The UN, Roc Marci & new artist Stove God Cooks. Along with some gems spoken on artist mgmnt & consultations. Follow us on: Host (IG): [@]baba_lp_7 Guest (IG): [@]jazzungang Executive Producer (IG): [@]ft_mika_ Music: Roc Marciano 'Tom Chambers'

On this episode, we tackle if we make our artists retire prematurely(6:56), Trump contracting Covid(17:40), Dr. Dre wins 1st battle of divorce war(31:13), the lack of financial literacy in black homes(36:48), we discuss the impending Cardi B. WAP empire(46:28), the relaunch of Loud Records(56:30), a quick shoutout to the listeners(1:09:50), lastly we get into the latest Rihanna Fenty Fashion Show (1:13:57).

Let's go ahead and get one thing out the way: the friend of my enemy - whether that enemy is white supremacy or tiny singing Canadians - CANNOT be my friend. Be clear about which side you're on. On to the good stuff: this week we're talking about the long awaited changes that are starting to take place in the music industry, as we celebrate the relaunch of Loud Records. Twitch is getting is giving creators access to the use of music. TikTok most likely isn't going anywhere. And it's music awards season... and the Latin Grammys have done a total 180 from last year. Plus we've found the Grown Man R&B we were looking for! Along with new music by Ari Lennox, Koffee, Girl Talk & Bas, and Vin Diesel? Yup: THAT Vin Diesel. And it's not half bad. This episode was recorded at Twelve Studios in Atlanta, GA. Hosted by @Cizzurp215 and @SaintBoogie Produced by @anatome3 As always SUPPORT YOUR LOCAL CREATORS! --- Support this podcast: https://anchor.fm/thechopblockpod/support

We tackle the Phenomenon which was Rap-Rock for the 20th Anniversary of the compilation album, Loud Rocks. Hosts Rob Champion and Chaz Kangas revisit the Loud Records assembled project which had their Premiere Artists (Wu-Tang Clan, Mobb Deep, Xzibit, M.O.P., Big Pun) collaborate with the Top Rock Bands of the Early 2000s (Incubus, Sevendust, Sugar Ray, System Of A Down, Everlast). Links to the podcast on Apple Podcasts and Spotify are located below. Apple Podcasts https://podcasts.apple.com/us/podcast/loud-rocks-retro-review/id1309133613?i=1000493297913 Spotify https://open.spotify.com/episode/6MiDoS0kQxDNvl7J2J0HCV

Welcome to The Top 5 Records Podcast Episode 4 with MC, Producer, Graffiti / Street artist Kid Acne.    You can stream the podcast below or subscribe through Apple Podcasts here from Spotify here or search for The Top 5 Records Podcast through your preferred podcast provider.   Born and bread in the North of England Kid Acne was bitten by the Hip-Hop bug at an early age and has been active in the underground scene ever since. An incredible accomplished artist who has worked and exhibited throughout the world he is also a unique and powerful MC and producer who's drive has seen him build a strong following over the years. You can check out his website here - https://www.kidacne.com and his instagram here - https://www.instagram.com/kidacne/   Check out the Spotify playlist for his selection here https://open.spotify.com/playlist/0JcnwHnBYNMa0GdCpDo9tB?si=T_AqMXvwROqmdFjD5TIRvQ   Discogs Links To Purchase these Songs / Albums: RAGGA TWINS - REGGAE OWES ME MONEY (1991 - Shut Up & Dance)  https://www.discogs.com/The-Ragga-Twins-Reggae-Owes-Me-Money/master/17857   NEW KINGDOM - PARADISE DON'T COME CHEAP (1996 - Gee Sweet Records) https://www.discogs.com/New-Kingdom-Paradise-Dont-Come-Cheap/master/357693   BEASTIE BOYS - ILL COMMUNICATION (1994 - Grand Royal Records) https://www.discogs.com/Beastie-Boys-Ill-Communication/master/20173   WU TANG CLAN - 36 CHAMBERS (1993 - Loud Records) https://www.discogs.com/Wu-Tang-Clan-Enter-The-Wu-Tang-36-Chambers/master/25303     NEW FLESH - UNDERSTANDING (2002 - Big Dada)  https://www.discogs.com/New-Flesh-Understanding/master/25064   Please like and subscribe to the podcast and follow us on Instagram @TheTop5RecordsPodcast and Facebook Thank to Mo Fingaz for the theme music follow him @DJMoFingaz    

VIDEO LINK FOR VISUALS: https://youtu.be/nwDP-WGd7_I The Return Of BIG TWINS! Humbled brother Twin stopped by the show to chop it up with Lo for a more in depth interview about his career. We took it back to his childhood growing up on QB hearing Marley Marl make CLASSICS from his building, Notorious B.I.G., Twin’s first appearances as a artist, (The Infamous Demo take, Animal Instinct & All Pro), Mobb’s history with Loud Records, An alternative version of Animal Instinct ft Godfather Pt3, Mobb & G-Unit era, Infamous Mobb’s appearance on Nas’s QB Finest, the importance of documenting, upcoming Alchemist DVD, Chemistry with DirtyDiggs & Twinz The Beat Pro. Lo also asks about a possible Durag Dynasty & Infamous Mobb collab project, his album with Alchemist, Bluenotes Concert with Prodigy, working with a early Freddie Gibbs & much more! Instagrams. Guest: @bigtwinsqb Host: @kxnglo Podcast Network: @fromthedeskoflo @datfeelin @datfeelinpodcast  Website for audio only interviews anchor.fm/fromthedeskoflo

Teri Lynn started her career at Loud Records, overseeing day-to-day operations for the budding careers of the Wu-Tang Clan, Mobb Deep, and more. By 1999, the transition to digital music was well under way, and Teri Lynn was working for Quincy Jones Music Publishing. Realizing that the label life was not where she wanted to be, Teri Lynn pivoted and struck out on the road. Since then, she has worked with Usher, The B-52s, Solange Knowles, Big Sean, Nicole Scherzinger, and many more. In our discussion with Teri, we talk about the transition from label to road, the nuts and bolts about the work a TM does, and the importance of mentoring the next generation.

The trailblazer, icon and legend Steve Rifkind, Founder and Chairman of Loud Records is on this episode of Make Noise. Steve is responsible for breaking some of the greatest Hip Hop acts of all time including Mobb Deep, Wu-Tang Clan, Big Pun, Akon, Dead Prez, Xzibit and that's just a start. Steve's legacy speaks for itself and this episode is packed with gems and stories. Episode highlights: (1:40) - How Steve Rifkind got involved in the music industry (14:40) - How Steve started SRC and created the street team (20:40) - The story behind Loud records and signing Twista, Mobb Deep and The Wu-Tang Clan (34:37) - What Steve believes artists should be doing to promote themselves during the pandemic (36:58) - Finding Dead Prez, why Steve signed them and the challenges working with them (40:46) - When Steve met Fat Joe and signed Big Pun (51:48) - The story behind the movie Paid in Full (54:54) - On how he was fully accepted by the hip hop community Make Noise with Fatman Scoop is produced by Fatman Scoop, Raj Kotecha and the team at https://www.creativecontentagency.com. To get in touch with the show email podcast@fatmanscoop.com or send a DM to https://www.instagram.com/fatmanscoop/

Mike partners with Kayla on this episode titled How To Be BOUGIE WHILE FRUGAL! to talk about the "fancy" lifestyle and what that means to us. Culture, life hacks, and much more are on the table in this edition of #theSNAPshowIntroduction (1:14)Twitter followers of the show! (3:15)How To Be Bougie While Frugal! with Kayla (8:34)disclaimer:I did not create or own any of the music on this recording. "Roses" is performed by SAINt JHN & Future. 2020 Godd Complexx / HITCO."Work Bitch" is performed by Ashnikko. 2019 (information available)Still Not A Player" is performed by Big Pun & Joe. 1998 Loud Records & RCA Records.

Wu-Tang Clan. Mobb Deep. Big Pun. Xzibit. MOP. Dead Prez. Three Six Mafia. We talk to the man who helped break these artists (and many more) on his legendary Loud Records and SRC labels - Steve Rifkind. The hip hop pioneer talks all things 90s, as well as…  

Episode 2 is guest hosted by Mikey Scaravelli, friend and college business major. The discussion goes from NFL Free Agency to tips and advice in the business world. We introduce the Mike G & The G Is For... segment plus much more!NFL (8 mins)Browns (31 Mins)Message to Kareem Hunt (38:45)Mike G & The G Is For... (40 mins)WWE (48 mins)Mikey Scaravelli answers some business questions (55 mins)Twitter followers of the day (1:25:30)disclaimer:I did not create or own any of the music on this recording. "West Coast" is performed by Blueface & G-Eazy. 2019 RCA Records & Sony Music."Still Not A Player" is performed by Big Pun & Joe. 1998 Loud Records & RCA Records.

N.O.R.E. & DJ EFN are the Drink Champs. On today’s episode TheChamps chop it up with DJ Paul of the legendary and Academy Award Winning group Three 6 Mafia. From Memphis, TN; Three 6 Mafia were instrumental to the emergence for Crunk music. DJ Paul shares stories of the origins of Three 6 Mafia and how they went on to release over 100 projects through their record label Hypnotize Minds. The Champs and DJ Paul talk about how influential Memphis has been to the music industry, the culture of lean, how Three 6 Mafia signed with Loud Records and created hit singles like their breakthrough song "Tear Da Club Up 96'" and "Sippin' On Some Sizzurp" with UGK & Project Pat, just to name a few. DJ Paul shares stories about having conversations with the late John Singleton about the culture of Memphis rap which lead to the creation of the motion picture "Hustle & Flow" and Three 6 Mafia's Academy Award Winning song "It's Hard Out Here For a Pimp". DJ Paul also clears the rumors of Three 6 Mafia breaking up, because the success of each members solo careers. DJ Paul also shares how "Three 6 Mafia Samples" have helped the group be recognized by the younger generation of artists, which has opened the doors for him to produce records like "Talk Up" by Drake featuring Jay Z. Follow: Drink Champs http://www.drinkchamps.com http://www.instagram.com/drinkchamps http://www.twitter.com/drinkchamps http://www.facebook.com/drinkchamps DJ EFN http://www.crazyhood.com http://www.instagram.com/whoscrazy http://www.twitter.com/djefn http://www.facebook.com/crazyhoodproductions N.O.R.E. http://www.instagram.com/therealnoreaga http://www.twitter.com/noreaga

N.O.R.E. & DJ EFN are the Drink Champs. On today’s episode The Champs chop it up with DJ Paul of the legendary and Academy Award Winning group Three 6 Mafia. From Memphis, TN; Three 6 Mafia were instrumental to the emergence for Crunk music. DJ Paul shares stories of the origins of Three 6 Mafia and how they went on to release over 100 projects through their record label Hypnotize Minds. The Champs and DJ Paul talk about how influential Memphis has been to the music industry, the culture of lean, how Three 6 Mafia signed with Loud Records and created hit singles like their breakthrough song "Tear Da Club Up 96'" and "Sippin' On Some Sizzurp" with UGK & Project Pat, just to name a few. DJ Paul shares stories about having conversations with the late John Singleton about the culture of Memphis rap which lead to the creation of the motion picture "Hustle & Flow" and Three 6 Mafia's Academy Award Winning song "It's Hard Out Here For a Pimp". DJ Paul also clears the rumors of Three 6 Mafia breaking up, because the success of each members solo careers. DJ Paul also shares how "Three 6 Mafia Samples" have helped the group be recognized by the younger generation of artists, which has opened the doors for him to produce records like "Talk Up" by Drake featuring Jay Z. Follow: Drink Champs http://www.drinkchamps.com http://www.instagram.com/drinkchamps http://www.twitter.com/drinkchamps http://www.facebook.com/drinkchamps DJ EFN http://www.crazyhood.com http://www.instagram.com/whoscrazy http://www.twitter.com/djefn http://www.facebook.com/crazyhoodproductions N.O.R.E. http://www.instagram.com/therealnoreaga http://www.twitter.com/noreaga --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/drinkchamps/support

N.O.R.E. & DJ EFN are the Drink Champs. On today’s episode The Champs chop it up with legendary Record Executive Steve Rifkind. Best known for being the founder and chairman of Loud Records and of SRC Records. Rifkind signed artists such as Wu-Tang Clan, Mobb Deep, Big Pun, Three 6 Mafia and more! Steve is the inventor of the “Street Team” and in the 90’s / early 2000’s his methods and strategies helped revolutionize the way artists campaigns were marketed and promoted. Steve shares great stories about working with the legendary QuincyJones and Jimmy Iovine. As JohnathanRifkind and RandyAcker join the conversation, SteveRifkind shares historic stories about legends such as Big Pun, ODB and Prodigy of MobbDeep. Steve announces that DMX is working on a new album and the 25th Anniversary concert celebrating LoudRecords; which was held at the Radio City Music Hall featuring legendary Loud Records artists. Lots of great stories and valuable gems that you don’t want to miss. Follow: Drink Champs http://www.drinkchamps.com http://www.instagram.com/drinkchamps http://www.twitter.com/drinkchamps http://www.facebook.com/drinkchamps DJ EFN http://www.crazyhood.com http://www.instagram.com/whoscrazy http://www.twitter.com/djefn http://www.facebook.com/crazyhoodproductions N.O.R.E. http://www.instagram.com/therealnoreaga http://www.twitter.com/noreaga Civic Tax Relief: To learn more, call 800-601-7780.

N.O.R.E. & DJ EFN are the Drink Champs. On today’s episode The Champs chop it up with legendary Record Executive Steve Rifkind. Best known for being the founder and chairman of Loud Records and of SRC Records. Rifkind signed artists such as Wu-Tang Clan, Mobb Deep, Big Pun, Three 6 Mafia and more! Steve is the inventor of the “Street Team” and in the 90’s / early 2000’s his methods and strategies helped revolutionize the way artists campaigns were marketed and promoted. Steve shares great stories about working with the legendary Quincy Jones and Jimmy Iovine. As Johnathan Rifkind and Randy Acker join the conversation, Steve Rifkind shares historic stories about legends such as Big Pun, ODB and Prodigy of Mobb Deep. Steve announces that DMX is working on a new album and the 25th Anniversary concert celebrating Loud Records; which was held at the Radio City Music Hall featuring legendary Loud Records artists. Lots of great stories and valuable gems that you don’t want to miss. Follow: Drink Champs http://www.drinkchamps.com http://www.instagram.com/drinkchamps http://www.twitter.com/drinkchamps http://www.facebook.com/drinkchamps DJ EFN http://www.crazyhood.com http://www.instagram.com/whoscrazy http://www.twitter.com/djefn http://www.facebook.com/crazyhoodproductions N.O.R.E. http://www.instagram.com/therealnoreaga http://www.twitter.com/noreaga Civic Tax Relief: To learn more, call 800-601-7780. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/drinkchamps/support

In this episode, Israel Vasquetelle interviews Jackie O. Asare, a veteran music industry professional whose career began in the early 90s and continues to present day. She's worked with artists such as Lecrae, Mýa, Teddy Pendergrass, Freddie Jackson, 112, Cormega, Three Six Mafia, Lil Jon, Naughty By Nature, Prodigy of Mobb Deep, GURU and more. She's held the position of Publicity Coordinator for Sony Music and Director Of Media Relations for iconic Hip Hop labels including Priority Records and Loud Records. As well, she's the founder of Jackie O & Co a boutique public relations firm based in Atlanta. Over her illustrious career, beyond working with many music legends, she's worked projects for major brands in film, television, technology, and much more.  In this discussion, Jackie shares immense insight from her amazing career and including sharing many tips for artists and others seeking publicity. 

EP 72 - THE LOUD AROMA Listen as G Moody celebrates one of the best Hip Hop labels from the 90s, LOUD RECORDS. In this episode of This That & The Third, G Moody sits down with Loud Records founder, Steve Rifkind to discuss the 25th Anniversary of The Loud Experience at Radio City Music Hall with special performances by - Xzibit, Fat Joe & Remy Ma's Tribute to BIG PUN, DMX, The Lox, Busta Rhymes, Beatnuts, Tha Liks, Mobb Deep and Wu Tang Clan, Moody predicts Harvey Weinstein will be acquitted, a NY Sequence of Events - Teacher vs Student, America's Got Talent Actor Terry Crews' TRUTH, Graffiti Attacks on NYC Subways, Amazon's Jeff Bezos Girlfriend's Brother Sues Bezos, Black History Month Name Change, Rest Peacefully to Kobe Bryant, Gigi Bryant & 7 passengers, Super Bowl Wine Connoisseurs Expertise, SHOUTOUT to Steve Rifkind & Loud Records Crew #LoudRecords #WuTangClan #MobbDeep #Xzibit, #BIGPUN #FatJoe #RemyMa #MOP #Beatnuts #ThaLiks SUBSCRIBE to THIS THAT and THE THIRD with GMOODY on #ApplePodcasts #Spotify #GooglePodcasts #Stitcher #GMoody aka the #PyramidofPodcasting bringing you #NYStylePodcasting the rest are on some Stonehenge bulls^*! #thisthatandthethirdwithgmoody #podcast #GMoodyPodcast #podcaster #5star #podcasting #NYC #NY #TTATT #InternationalG #WhereisGMoody #GeraldMoody #MoodyMondays --- Support this podcast: https://anchor.fm/g-moody/support

Looking Back at LOUD Records. Steve Rifkind, Twista to Wu-Tang & More on #beatsVibesLife where we look back at a record company that may just have the best record and roster ever! Looking Back at LOUD Records. Steve Rifkind, Twista to Wu-Tang & More! | NERDSoul: #beatsVibesLife Covering:This year has been a LONG one#NERDSoul #HipHop #LOUDRecords Also:LOUD, LOUD Records, Steve Rifkind, Twista, Wu-Tang, Wu-Tang Clan, Big PUN, Mobb Deep, Tha Liks, MOP, M.O.P, Dead Prez, Hip Hop, Hip Hop News, Hip Hop Discussion, Arcka, Why Arcka, Arckatron, Arckatron Beats, ThatNERDSoul, StreetGeek, NERDSoul, OneYoungsta, KURO Brand | Streetwearhttp://www.KUROBrand.com Arckatronhttp://arckatron.comhttps://Facebook.com/arckatronhttps://Instagram.com/arckatronhttps://Twitter.com/ARCKATRON ABOUT Arckatron:Arckatron is a formerly Philadelphia-based hip hop producer that recently relThe Roc Marcianoated to Southern California. His work dating back to 2008’s The Appreciation SP. Like any wise producer, Arckatron addressed his primary influences early with the Gettin’ Dilla Out My System release in 2011 and since then has sought a style all his own. His production is not fatherless, but with the recently released Subtle Busyness, Arckatron claims no hive. NERDSoulLe Ill Kid @OneYoungstaNERDSoul Online - http://ThatNERDSoul.comPodcast - http://NERDSoul.Podbean.comOn Twitch TV - https://Twitch.tv/ThatNERDSoulMerch - http://Shop.ThatNERDSoul.comContact - Hello@ThatNERDSoul.com Become a NERDSoul Patron!Patreon - https://patreon.com/ThatNERDSoul NERDSoul on SThe Roc Marcianoial MediaOn Facebook - http://facebook.com/ThatNERDSoulOn Twitter - http://twitter.com/ThatNERDSoulOn Instagram - http://instagram.com/ThatNERDSoul ABOUT NERDSoul:NERDSoul, by Le Ill Kid @OneYoungsta, is that intangible fresh--that 70 soul mixed with comics, some sci-fi fantasy, movie geekery, topped off with the Golden Era of Hip Hop. I've developed NERDSoul over the years as a StreetGEEK, unknowingly by loving Wu-Tang, Star Wars, Stevie Wonder and playing D&D after school. NERDSoul comes from that StreetGEEK that can chop it up with the best, while being up on game around the blThe Roc Marcianok and Pop Culture. NERDSoul is created by Executive Producer Michael Young IIA/V Production by: A Full Tang Design http://afulltang.design Rest in Power Ali Thievez & Kleph Dollaz. Much Love My Brothas.

11 years ago on January 15, 2009 — Captain Sullenberger lands USAir Flight 1549 in the Hudson River, an event that would become known as the Miracle on the Hudson 19 years ago on January 17, 2001 — A 2.4 magnitude earthquake strikes the Upper East Side of Manhattan 63 years ago on January 21, 1957 — The Mad Bomber is arrested after planting at least 33 bombs that injured 15 people 50 years ago on January 22, 1970 — The first Boeing 747 enters commercial service on a Pan Am route from JFK Airport to London Heathrow 15 years ago on January 23, 2005 — The FDNY suffers "Black Sunday" when three firefighters are killed are four are injured in two separate fires — Fatal fires break out in Brooklyn, Queens and Bronx early Monday — one victim likely murdered before blaze 105 years ago on January 25, 1915 — Alexander Graham Bell places the first transcontinental long-distance telephone call from New York to San Francisco 2 years ago — Gov. Cuomo Pledges State Funds to Re-Open Statue of Liberty — Sunday, January 21 2 years ago — January 24 in History: Fraunces Tavern Bombing Kills Four — Wednesday, January 24 1 year ago — Survey Says: Bring on the Marijuana, But None For Me, Thanks — Thursday, January 24 A Great Big City has been running a 24-hour newsfeed since 2010, but the AGBC News podcast is just getting started, and we need your support. A Great Big City is built on a dedication to explaining what is happening and how it fits into the larger history of New York, which means thoroughly researching every topic and avoiding clickbait headlines to provide a straightforward, honest, and factual explanation of the news. Individuals can make a monthly or one-time contribution at agreatbigcity.com/support and local businesses can have a lasting impact by supporting local news while promoting products or services directly to interested customers listening to this podcast. Visit agreatbigcity.com/advertising to learn more. AGBC is more than just a news website: Every evening, just before sundown, A Great Big City checks the Empire State Building's lighting schedule and sends out a notification if the tower's lighting will be lit in special colors for a holiday or celebration. Follow @agreatbigcity on social media to receive the alerts. Park of the day Church Triangle Parks Events Lunar New Year: 21st New Year Firecracker Ceremony and Cultural Festival Lunar New Year Celebration Dragon Dance audio via KrisNM on Flickr Concert Calendar This is the AGBC Concert Calendar for the upcoming week: Teddy Swims is playing Mercury Lounge on Saturday, January 25th at 7pm. Mat Kearney is playing New York Society for Ethical Culture on Saturday, January 25th at 7pm. Billy Joel is playing Madison Square Garden on Saturday, January 25th at 8pm. LAUNDRY DAY is playing Bowery Ballroom on Saturday, January 25th at 8pm. Goose is playing Music Hall of Williamsburg on Saturday, January 25th at 9pm. Itzy - Band is playing Kings Theatre on Sunday, January 26th at 8pm. Lauren Alaina is playing Bowery Ballroom on Monday, January 27th at 8pm. Phora is playing Bowery Ballroom on Tuesday, January 28th at 7pm. Stray Kids is playing The Hulu Theater at Madison Square Garden on Wednesday, January 29th at 6pm. Ali Gatie is playing Bowery Ballroom on Wednesday, January 29th at 7pm. Iann Dior with Landon Cube are playing Gramercy Theatre on Wednesday, January 29th at 8pm. Heilung is playing Webster Hall on Wednesday, January 29th at 8pm. The Wood Brothers with Kat Wright is playing Webster Hall on Thursday, January 30th at 7pm. Loud Records 25th Anniversary with Wu Tang Clan , Big Pun tribute, Fat Joe, Mobb Deep and more are playing Radio City Music Hall on Thursday, January 30th at 8pm. The Wood Brothers with Kat Wright is playing Webster Hall on Friday, January 31st at 7pm. George Dalaras is playing Apollo Theater on Friday, January 31st at 8pm. Find more fun things to do at agreatbigcity.com/events. Today's fact about New York Here's something you may not have known about New York: Ward's Point in Tottenville, Staten Island is the southernmost point of both New York City and New York State Weather The extreme highs and lows for this week in weather history: Record High: 72°F on January 26, 1950 Record Low: -6°F on January 24, 1882 Weather for the week ahead: Rain on Saturday. AGBC Weather Thanks for listening to A Great Big City. Follow along 24 hours a day on social media @agreatbigcity or email contact@agreatbigcity.com with any news, feedback, or topic suggestions. Subscribe to AGBC News wherever you listen to podcasts: iTunes, Google Play, or Player FM, Spotify, Podcast Addict, or listen to each episode on the podcast pages at agreatbigcity.com/podcast. If you enjoy the show, subscribe and leave a review wherever you're listening and visit our podcast site to see show notes and extra links for each episode. Intro and outro music: 'Start the Day' by Lee Rosevere — Concert Calendar music from Jukedeck.com

INTERNETS! On this episode of The Premium Pete Show, Pete chops it up with Houston Legend LIL' FLIP. Lil' Flip talks on having a hustler mentality at a very young age, getting signed to Loud Records by Steve Rifkind, battle rapping, having Nas calling him to ask about how double albums work, his track with Beyonce, Exotic Pop (his soda company), having J. Prince as a mentor, spending $2 million to get out of his contract + so much more! Lil' Flip drops gems on the importance of LOGIC over Emotion and of course Drops a dope freestyle. Kick back, Relax + PRESS Play! CHEA!

Ricky and Mir meet up with entrepreneur Steve Rifkind at his home in Beverly Hills, CA to talk music, life, and future goals. Steve is, according to XXL magazine, "responsible for breaking in some of hip-hop's biggest artists in his 25 years in the business." Rifkind is the founder and chairman of Loud Records and of SRC Records. Off Beat is a part of The Direct Message network and produced in partnership with PodcastOne, executive produced by Crystal Fambrini and John Ryan, Jr. (Co-Founders of The Direct Message). Follow us on instagram: @theoffbeatpod

Mr. Rimland has been involved in the entertainment industry for twenty years and has extensive experience in production, corporate operations and business development. As head of New Media for Loud Records, he produced the first hip-hop Enhanced CD and developed the concept of using Enhanced CDs to market Internet Service Providers such as America Online. Mr. Rimland also served as vice president of New Media for Interscope Records where he is credited with some of the largest artist driven promotions on the Internet. His Web concepts and design earned Interscope its nomination as web site of the year by Yahoo. He is currently an advisor to the Convex Group which provides (through LidRock) digital strategy solutions to recording artists and entertainment companies. Mr. Rimland is an accomplished musician, songwriter, arranger and producer who has been signed to RCA Records and authored several hit songs. He was also a programmer and staff member at Unique Recording, an elite major New York recording facility where he was one of the first to utilize digital sampling technologies. . Steve is currently the CEO and Founder of AIMeCAST, a company that is redefining mobile entertainment.  *** Connect to Lou:  www.loudiamond.net Subscribe to Thrive LOUD:  www.thriveloud.com/podcast  

Hip-Hop always has a story about the guy who beat the odds. That one guy who was told he'd never amount to anything by everyone from his family at home to teachers his teachers in school. What we don't hear about is the guy on the other side of that coin. The odds on favorite, they guy everyone believes in. The guy picked to win by everyone who heard him, including Steve Rifkind who re-opened the legendary #LoudRecords just for him. What are his stories? How does he live up to the hype and reward the faith? Thankfully, @MrMecc & @K_Lavenne have Bronx born #AxelLeon to talk them through setbacks, setups and the price of being great

The hip-hop activist known as DJ EFN has been widely acknowledged as “Miami’s mixtape king” for the last ten years and more. And while he’s certainly earned that title, a comprehensive appreciation of EFN’s work as a hip-hop entrepreneur might persuade you that it makes more sense to consider him as “Miami’s answer to Russell Simmons.” Not yet 40 years old, E is now marking his 20th anniversary in the game, a career that’s seen him distinguish himself as a club and radio deejay, street promoter, artist manager, label executive, record producer, record pool founder, fashion retailer, and film producer. Most of these activities have been conducted under the Crazy Hood brand. “When I was getting started in the early Nineties, the uniform for a hip-hop kid was a hoodie,” E explains. “The crazy part has to do with me. I was a teenager then and, like many teenagers, I felt a bit out of my mind. Luckily, I had a loving single mother and decided to put my energy into the arts, where I could express my frustrations without hurting anyone.” E’s particular mission has been to represent a strain of gritty local hip-hop music that has more in common with New York rap than with the party music for which Miami is best known. He thinks of his turf as Miami’s “underground” hip-hop scene. In an interview with Julia Beverly for Ozone magazine in 2005, the rapper Garcia, who records for EFN’s Crazy Hood label, could have been speaking for E when he said, “South Beach is just a tourist town, with frozen drinks and girls with fake boobs and everybody wants to be famous. It’s a fun place to party and a good place to break a record, but it’s not Miami. That’s like going to Cancun and saying you’ve been to Mexico.” But if DJ EFN doesn’t want to be lumped in with the hip-hoppers of Miami Beach, he’s also not a wanna-be New Yorker. Indeed, when E made his first mixtape, in 1993, he did so, he says, “because I was really pissed off that there was no consistent mixtape dj in Miami, no one who ever really played the music from Miami. Everybody listened to DJ Clue or Tony Touch. It was good music, but I didn’t want to hear shouts to Brooklyn or the Bronx. I wanted to shout out Miami and help to put on the local cats.” The part of Miami that EFN calls home is Kendall, the unincorporated community in Miami-Dade County where he grew up and continues to reside. It numbers about 75,000 souls, the majority of whom speak Spanish as a first language. These include many Cubans, of course, but also significant numbers of Colombians, Nicaraguans, Peruvians, and Venezuelans. “My mother moved us to Kendall from Los Angeles in 1986, following my father, who had moved here ahead of us,” recalls E. E released his first Crazy Hood mixtape the year he graduated from high school, during a period he remembers as “a golden age for local b-boys and b-girls” that has somehow been “left out of the history books and denied its proper recognition.” Over the next two decades he produced 42 volumes of the mixtape, featuring not only Miami-based artists, but such national stars as Outkast, Redman, Capone-N-Noreaga, KRS-One, Wu-Tang, Ja Rule, Sean Paul, Joe Budden, Lil Jon, Ghostface Killa, Bun B, Keith Murray, and David Banner. Ever inclined to support the international brotherhood of hip-hop djs, both locally and globally, E founded Miami’s Crazy Sounds Record Pool in 1997 (it enjoyed a ten-year run) and Hood DJs, a global coalition. Formal recognition of the importance of this work first occurred in 2002, when EFN was named the Best New Mixtape DJ at the 7th Annual Justo Awards. The following year he was named Best Mixtape DJ at First Annual Miami Urban Music Awards. The effectiveness of E’s street promo for his Crazy Hood mixtapes eventually attracted the attention of various national brands on the lookout for some help with their products in the Miami market. Over the years, C.H.P. Marketing and Promotions has counted Tommy Boy, Slip-N-Slide, Loud Records, Epic, Coca-Cola...

Hola listeners! We're back another week with a new guest! This time we talked to Alma Tilghman. Alma can best be described by her Twitter profile: Matchmaker for corporate brands, non-profits and media outlets; advocate for #diversity #arts #film #TV. With life and career experience on both coasts; the bilingual and bicultural #superconnector is well-versed in the languages of Corporate America and the Arts. Leading up to her role as Principal for Paper Planes Collective, Alma honed her unique set of skills through 15 years’ experience in sales, advertising and event marketing, beginning with her B.A. in International-Intercultural Studies from Fordham University. She laid the foundation for her career during the iconic 90s hip-hop era in New York City, working with leading entertainment publications, The Source and Vibe Magazine. Learning first-hand from visionaries like Jay-Z, Damon Dash and Steve Rifkind how to take small independent brands and turn them into household names, Alma helped jumpstart the groundbreaking early runs of music labels Roc-A-Fella Records and Loud Records, home of the Wu-Tang Clan. As she kept pulse with the media landscape, Alma relocated to Los Angeles where she utilized her bilingual/bicultural/bi-coastal lifestyle to manage television advertising for clients like JP Morgan Chase, Ford, and Lexus in both the general and Hispanic markets, now regarded as the new multicultural mainstream. She also collaborated with Apple to create Campus MovieFest Mexico, Mexico’s first—and largest—student film festival. Recently, Alma partnered with The National Association of Latino Independent Producers (NALIP) to secure strategic sponsorships for their annual Media Summit, and she was instrumental in producing the nationally televised ALMA Awards, the annual excellence awards of The National Council of La Raza (NCLR), the nation’s largest Hispanic civil rights organization. The Los Angeles native serves on the advisory board for Latino Reel, a non-profit promoting Latino film at the Sundance Film Festival. She also volunteers time for United Friends of the Children, an at risk-youth program in South L.A. Our conversation was awesome, Alma shared her experience growing up as a first-generation Mexican-American and how she always made sure to follow her dreams and her love of Hip-Hop. As an entrepreneur, Alma shares some of the lessons she's learned as well as some tips to stay organized. If you find this episode of value to you, please share it with a friend and head over to your podcast platform and give us a rating. Thank you so much for being here and stay shining! @cafeconpampodcast

On this episode of the Combat Jack Show we sit down with iconic record label executive and CEO of Loud Records at a special Live recording at the A3C Festival. Steve shares his journey growing up in Brooklyn, managing New Edition, creating SRC, signing iconic artists such as Mobb Deep, Big Pun, David Banner, DEAD PREZ, Akon and much more. In the beginning of the episode Combat Jack updates us on his battle with cancer. Hit the play button and #RaiseTheBar #CombatCancer

Sean C’s music dreams started while growing up in Harlem, NY as the founding member of the legendary DJ collective: Xmen/Xecutioners. He learned the art of Djing and production from Dougie Fresh’s Get Fresh Crew and his talents landed him along with childhood friend Fatman Scoop a record deal with Teddy Riley’s GR productions.  Watching Teddy in the studio would do wonders for Sean’s knowledge of music.          After Teddy’s company was dissolved, Sean set his sites on learning the business. He took an internship with Steve Rifkin’s Loud Records and eventually became VP of A&R. During his tenure at Loud he worked on numerous projects including Mobb Deep, dead prez, Big Pun and partnered his crew, The Xecutioners with Linkin Park for a Loud Records debut. As a producer he would craft hits in and outside of the Loud camp, providing Big Pun with the Puerto Rican anthem “100%” while also producing JayZ ‘s debut smash “Cant Knock the Hustle”. In 2002 Sean used his insight to start his own production company. He partnered with young DJ/producer LV and Grind Music was born. The new company secured a production deal with Bad Boy records for their new artists and would produce hits for Diddy and the rest of the roster. While collaborating with music’s heavyweights on  production, Sean reunited with Steve Rifkin as VP of A&R for his new label SRC records on Universal. At SRC he would release Fat Joe and Terror Squad’s “Lean Back” and spend weeks at number 1. While still hard at work producing acts like Jadakiss, GhostFace and Ice Cube, Grind Music was tapped by Jay Z to provide the musical backdrop for his album “American Gangster”. Sean C and LV would produce the bulk of the album including the hit single “Roc Boys”. The album would go on to sell well over a million copies and a receive a Grammy nomination for the Hip - Hop album of the year. Sean continues to provide classics for the who’s who of music royalty. When not in the studio cooking up tomorrow’s classics he can be found consulting brands like Serato and Akai. He is now expanding his brand by adding his knowledge of culture to TV series like “The Get Down” and “Luke Cage”. --- Support this podcast: https://anchor.fm/the-ash-cash-show/support

BANG! @southernvangard #radio presents the @djromes1 #interview session! We can’t say how excited we were about this session. From the history with the Lootpack, his talent behind the boards and the video game habit - the #DJRomes resume 2nd to none. Let’s just lay it out there like this - Romes and his entire crew are the foundation of a sound and vibe that folks are STILL trying to replicate today, and the resume reflects it. We get into all the new stuff like his 5th Beatle-esque role in #Gangrene with #Alchemist & #OhNo, mixing and mastering records for your favorite hip-hop artists and the adjustments one has to make sonically for music in the phone / tablet world. It wouldn’t be a Southern Vangard interview unless we took a trip down memory lane - how Romes met #Madlib & #Wildchild, making beats with a Casio SK-1 & cassette deck combo, not to mention how they hooked up with the Alkaholiks. Did I hear it correctly - #Lootpack were almost signed to #Loud #Records around the same time as #WuTang & #MobbDeep?! Did Romes mention a Lootpack reunion show…and maybe a new record?! Look - there’s nothing else left to say, other than this is MUST. LISTEN. CONTENT. #SMITHSONIAN #GRADE if you didn’t already know // #download #stream #listen #enjoy // southernvangard.com // @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud // #hiphop #rap #dj #mixshow #interview #podcast #ATL #OXNARD #WORLDWIDE Recorded live October 26, 2015 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks

Erika Elliott from the New York City Parks Foundation joined us in the studio to talk about this year's Summer Stage concerts across the city. She also shared her journey through the music industry, from booking Kanye West at SOBs to working at Loud Records during its peak. Gems across the board.

Fight talk!! (airhorn sound effect here)!!! We get into a lot of sports and the intersection of sports and Hip-Hop on this episode. After talking a bit about Baltimore, we get into the event that was Mayweather vs. Pacquiao. Then we get into some UFC talk with the Jon Jones hit-and-run situation. Moving to academia, we get into Michael Eric Dyson's scathing 10,000 word essay about Cornell West. We then get into rappers using tragedy for self promotion, and then we come back to sports and the athletes who have been involved in Hip-Hop, including Shaq, Kobe Bryant, Allen Iverson, Iman Shumpert, Ron Artest, and more. We also talk about rappers' health issues dealing with obesity and drug use, and other random Hip-Hop talk discussing many things including music videos, The Box, Xzibit, Tha Liks, Loud Records, Kool G Rap, Digable Planets, Alchemist, and Prodigy's discography. We also talk about how back in the day (because we guess we're old heads now) you may hear a song on a mixshow or see a video and then never see it again. That leads into our conversation about Bizzy Bone and BET Uncut, which we get more in depth with in part 2 of the episode. Listen, subscribe, and comment! Email us at channel10podcast@gmail.com. Official Website: http://channel10podcast.com Itunes: https://itunes.apple.com/us/podcast/channel-10-podcast/id980964977?mt=2#_=_ Stitcher: http://www.stitcher.com/podcast/vrn-media/channel-10-podcast?refid=stpr Soundcloud: https://soundcloud.com/channel10podcast Facebook: http://www.facebook.com/channel10podcast Twitter: http://twitter.com/channel10pod Tumblr: http://channel10podcast.tumblr.com Youtube: https://www.youtube.com/channel/UCQ9UoStCy_iT7r-V6tTqr9Q/feed

Indira Milini Khan was born in Chicago and grew up in Los Angeles and New York City. The sultry young singer comes from a musical family; her mother is the legendary Pop/Soul icon Chaka Khan. Indira's musical influence stems from performers of varied genres such as: The Artist (Prince), Aretha Franklin, Minnie Riperton, Joni Mitchell, Steely Dan, Sarah McLaughlin and Sheryl Crow. Indira began her professional music career at a young age. From the ages of fourteen to seventeen, she was the founding member of the Motown Records group Pretty in Pink. Indira was responsible for co-writing the majority of the groups material. After her stint with Pretty in Pink, she went on to record with Atlantic Records recording artist Miki Howard, Motown Records recording artist Johnny Gill and Island Records recording artist Shabba Ranks. Indira also appeared on projects by Loud Records recording artist Yvette Michelle, Mercury Records recording artist Paula Abdul and has also been featured on several Chaka Khan records as well. Indira is known in the music industry as a prolific songwriter. It is her deeply personal songs and passionate writing that is true to her heart. Always striving as a singer and performer, Indira has toured extensively most recently with the Daughters of Soul and Rufus, both in the United States and Overseas. A benefit of Indira's travels with her mother on the road is her perspective on how music is a powerful influence in the lives of all people. Though she considers her music mainly R&B, don't be surprised to hear some funk, rock and jazz spicing up the tracks in her forthcoming release. Despite the many comparisons to her mothers legendary voice, Indira pulls out all the stops when it comes to her own unique style. She expresses her individual diva-tude with humility, grace and power! 

STREAM or DOWNLOAD On this breezey investigation Mista Montana and Menace do this: RA The Rugged Man joins us from a recording session to discuss his on going promotional campaign for "Legends Never Die" and his latest video "Still Get Through The Day". We travel through his grind over the past several months and talk his recent collaboration with Locksmith, his work as a music video director, his past of working with Horror legend Frank Hennenlotter and future collaborations which will see him working with KRS One, Kool G Rap, Chris Rivers, Mr Green, Marco Polo, The Beatnuts, El-P and more. A must hear interview with a full-fledged legend. Fresh off the heels of releasing the fan A&R'd "Strange Journey 3", one third of the mighty Cunninlynguists joins us in the form of Deacon The Villain and uncovers why and how his groups fans shaped their latest album with such impressing results. Listen in awe as we explore and journey into the the creation of one of 2014's most unique releases to date detailing the process behind such songs as the "The Format", "Castles" ,"Hot", "Innerspace" and the Thomax produced lead single "Dying Breed". We also discuss the future of Cunninlynguists, Kno's upcoming said to be free EP with Seattle based rapper Sadistik and more! Great journey. Founder of The Source Magazine's "Unsigned Hype" column and former A&R at Loud Records Matteo "Matty C" Capoluongo joins us alongside former Sr VP of A&R at Loud Records Schott "Free" Jacobs to discuss their legacy and crowning achievements such as A&R'ing Mobb Deep's "The Infamous", Wu Tang, Big Pun, Tha Alkaholiks and more. Listen as 2 of Hip Hops greatest A&R's drop endless Hip Hop history. Class is in session Blueprint discusses why the minimal soundscape of his upcoming album "Respect The Architect" will ultimately maximise his message and remind listeners of 90's Rap. Insightful as ever the Ohio veteran reflects and details his mind set creating "Respect The Architect" and penning personal songs such as "Silver Lining" and the brilliant "Overdosing"  as premiered on Conspiracy Worldwide Radio. We also touch on his forthcoming book entitled "What A Night" and the status of the new Soul Position album, which he announces will be released this year. Respect the architect and pre order Blueprints new album now at https://weightless.net/shop/ Open Mike Eagle explains how Psychology has helped him with articulating different ways of expression and his interests of being a humanist. We also talk about and dig deep into details regarding his upcoming Mello Music Group debut and its concept, his latest single "Qualifiers", his fears of mobile phone radiation turning him into a Monster, his roots in Comedy, performing at SXSW and so much more. Qualified business. AND THAT'S NOT ALL! Mista Montana and Menace give away FREE tickets to see EPMD in Manchester  - listen now to grab your prize! Enjoy our session! Contact: conspiracyworldwide@gmail.com

STREAM or DOWNLOAD On this breezey investigation Mista Montana and Menace do this: RA The Rugged Man joins us from a recording session to discuss his on going promotional campaign for "Legends Never Die" and his latest video "Still Get Through The Day". We travel through his grind over the past several months and talk his recent collaboration with Locksmith, his work as a music video director, his past of working with Horror legend Frank Hennenlotter and future collaborations which will see him working with KRS One, Kool G Rap, Chris Rivers, Mr Green, Marco Polo, The Beatnuts, El-P and more. A must hear interview with a full-fledged legend. Fresh off the heels of releasing the fan A&R'd "Strange Journey 3", one third of the mighty Cunninlynguists joins us in the form of Deacon The Villain and uncovers why and how his groups fans shaped their latest album with such impressing results. Listen in awe as we explore and journey into the the creation of one of 2014's most unique releases to date detailing the process behind such songs as the "The Format", "Castles" ,"Hot", "Innerspace" and the Thomax produced lead single "Dying Breed". We also discuss the future of Cunninlynguists, Kno's upcoming said to be free EP with Seattle based rapper Sadistik and more! Great journey. Founder of The Source Magazine's "Unsigned Hype" column and former A&R at Loud Records Matteo "Matty C" Capoluongo joins us alongside former Sr VP of A&R at Loud Records Schott "Free" Jacobs to discuss their legacy and crowning achievements such as A&R'ing Mobb Deep's "The Infamous", Wu Tang, Big Pun, Tha Alkaholiks and more. Listen as 2 of Hip Hops greatest A&R's drop endless Hip Hop history. Class is in session Blueprint discusses why the minimal soundscape of his upcoming album "Respect The Architect" will ultimately maximise his message and remind listeners of 90's Rap. Insightful as ever the Ohio veteran reflects and details his mind set creating "Respect The Architect" and penning personal songs such as "Silver Lining" and the brilliant "Overdosing"  as premiered on Conspiracy Worldwide Radio. We also touch on his forthcoming book entitled "What A Night" and the status of the new Soul Position album, which he announces will be released this year. Respect the architect and pre order Blueprints new album now at https://weightless.net/shop/ Open Mike Eagle explains how Psychology has helped him with articulating different ways of expression and his interests of being a humanist. We also talk about and dig deep into details regarding his upcoming Mello Music Group debut and its concept, his latest single "Qualifiers", his fears of mobile phone radiation turning him into a Monster, his roots in Comedy, performing at SXSW and so much more. Qualified business. AND THAT'S NOT ALL! Mista Montana and Menace give away FREE tickets to see EPMD in Manchester  - listen now to grab your prize! Enjoy our session! Contact: conspiracyworldwide@gmail.com

The following is a Shots Fired presentation. TV host, radio personality, and entrepreneur DJ Skee joins MC Nocando & Jeff Weiss to talk about how he went from making mixtapes at 15 to working full-time at Loud Records at 16, why producing Game’s infamous “300 Bars” is one of his favorite accomplishments, the current state of DJing, running Skee.TV, which broadcasts worldwide along with being shown in various restaurants, gas stations, & airports, and creating Skee 24/7, a live streaming internet radio. Plus, the guys share their thoughts on “Yeezus.” Be sure to get yourself a copy of Jeff’s book “2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle,” check out Nocando’s mixtape “Tits ‘N Explosions” at http://hellfyreclub.bandcamp.com, and fire shots of your own by calling us at (424) 216-6230!

This week THE ZRO HOUR salutes one of the illest groups in hip hop- THA ALKAHOLIKS. Tha Alkaholiks repped with party music full of crazy flows and banging production. After making an appearance on KING TEE's "Tha Triflin' Album", Tha Liks (J-Ro, Tash and E-Swift) released their first album "21 & Over" in 1993. As one of the first groups to sign with Loud Records, they were among the most influential groups to come out of that era as well as label mates with some of the finest in hip hop music including Big Pun, Wu-Tang and Mobb Deep. Their catalog consists of 5 albums with a couple of solo projects by Tash and J-Ro respectively. Tha Alkaholiks' emcee Tash calls in to talk about the formation of the Likwit Crew, studio sessions with Ol' Dirty Bastard and current tours. Tash also introduces me to rapper Black Silver and they speak on a new supergroup featuring Prince Po from Organized Konfusion! Enjoy the show! PLAYLIST DAAAM! MAKE ROOM ONLY WHEN I'M DRUNK LET IT OUT HIP HOP DRUNKIES feat. Ol' Dirty Bastard AWW SHIT! OVER HERE feat. King Tee GOT IT BAD YA'LL- King Tee feat. Tha Alkaholiks INTERVIEW WITH TASH 21 AND UNDER WLIX feat. The Lootpack & Declaime BOTTOMS UP feat. King Tee KILLING IT feat. Xzibit ALL THE WAY LIVE feat. Q-Tip & King Tee

April Washington-Essex, founder and principle owner of Threefold Music Group Inc. and Habakkuk Music, Inc has been a formidable force in the entertainment industry for over a decade. April started her career in the music industry at Capital Records and she went on to spend 15 years in promotions and distribution at various record labels such as EMI, Motown, Warner Bros (Reprise), and Loud/RCA. In 1997, she resigned from Loud Records to form Threefold Music Group, Inc. www.habakkukmusic.com

Mr. Gourley proudly made his debut on Swindon radio station Brunel FM this week! He interviewed Nizlopi and Jimmy Davis for their show at The 12 Bar. The audio is hear. Apologies for the poor quality of the recording, I had to dust off my old FM radio as they don't broadcast in DAB! (sorry, I promise that will be the last geeky comment I ever make for Uber Loud Records!)

Episode 8 features live performances from the Uber Loud Records Launch Gig which took place at the 12 bar, Westcott Place, Swindon.Thanks to everyone who came along, all 120 of you! It was a really good night.We're working on the website to have photos and downloads from the gigs, so fingers crossed!In the meantime, enjoy these highlights, we'll be back with more bands soon.Next gig is Friday 12th October, also at the 12 bar. Hope to see loads of you there again.

Episode 7 from the world of Uber Loud Records.A mixed bag including Alfa Saloon from Germany, with a aptly named song Uber German! Describing themselves as Ultra Pop, we were grateful to recieve a song from them!Swindon band Pause. Break. Riot. impressed us with their mix of dance indie, and to bring some mincing guitar solos to the table, Whistler.This episode was recorded before the amazing Uber Loud launch gig, the highlights of which will follow in the next podcast.The next gig is 12th Oct: The Sections, Underside and The Dirty Feel

Uber Loud Records boldly went to the Acoustic Lounge at the back of Riffs this month to record exclusive acoustic performances from Trev Williams and The Alfonz.This podcast includes some of the highlights, further performances will be available very soon on www.uberloudrecords.co.uk and myspace.com/uberloudrecordsThanks for listening, send comments to contact@uberloudrecords.co.uk

Back in the conservatory again, we bring you three brilliant bands, and more info on the forthcoming launch gig for Uber Loud Records, Friday 31st August.First up in this podcast is Holden Lane from Evesham, with influences listed as Oasis, The Libs and Shaggy, this is bound to be interesting!Next is New Black Light Machine from South Wales, they have been playing as a band since Sept 06, thier influences include Wine, Joy Division and The FullLast, but by no means least is The Purple Streams, brilliant band since 2005 from Swindon, playing live at the Wroughton festival on 7th July.

Epsiode 4 is here!!This week, we feature If Never, formed in March 2007, a new band who hail from Lostwithiel; indie experimental band The Fuzz Machine; and loud Nottingham rock band The Kull.There's also a fun filled competition for you to send your suggestions in for.Comments always welcome at www.myspace.com/uberloudrecords.Thanks for listening, more live stuff and interviews to come very soon.

The 3rd Uber Loud Records Podcast comes live from a conservatory in Swindon!In this episode we feature China Town Influence, Search Party and Underside.Coming soon, more live gigs and interviews, and a competition in the next episode. Sorry no interview this time folks, but there will be very soon, have been a bit busy!Thanks for everyone's support, more details at www.myspace.com/uberloudrecords

Welcome to the 2nd Uber Loud Podcast!! This week we have an exclusive interview with The Alfonz and Rag Doll Girl who played blinding live sets at Riffs Bar, Hook, on Friday 18th May. They played alongside The Dirty Feel, who are a superb live band and well worth checking out. If Jimmy Hendrix could be alive to witness their creations he would be a happy man! Many thanks to all those who have downloaded this and previous episodes, we tried to mention as many of you as we could. Any further contributions are always welcome.Don't forget the launch gig on Friday 31st August 2007, The 12 Bar, Swindon.For more info, check out www.myspace.com/uberloudrecords

Welcome to Uber Loud Records! In the this first edition we welcome Sleepgoodfeelgood, The Alfonz, Rag Doll Girl and The/Sections.Plus, all the latest info from Uber Loud Records including information on the forthcoming launch gig in August!

This is a test for the uber loud records podcast. Stay subscribed for more to come...

Samuel Christian....... Born in Fayettville N.C.. The oldest of four had no doubts about his career choice. Even as a young child, his mother had him performing for family. That finally paid off when he hit JR.High,and started recieving 1st prize in local talent shows, and singing the national anthem for varcity basketball games. By the time he graduated he recieved his first backround contract from the singer "Joe" who was then signed to "Mercury Records". In 1993 he left the tour and moved to Los Angeles C.A. after he met a girl on his visit to L.A.. Subsequently that same girl introduced him to "Bernard Edwards JR." now known as the producer "Focus". Focus showed showed him the L.A. music seen. After learning the ropes, Samuel decided to venture off on his own. He later met Michael Mavroles who introduced him to Sebastian Jones,owner of "M.V.P." records. M.V.P. released a compilation called "Most Valuable Players" where he released his first single "Sista Cali". The single got alot of votes from Sprite but for Samuel that just wasn't enough. Well, his luck changed in 1996 when he signed to "Loud Records". He then recorded the underground classic "The Documentary Vol. 1". One of the songs from that album was picked for a movie that Loud was doing called "Black and White". The song was " Y.O.U",Samuel Christian featuring Mos Def, that was the song that finally gave Samuel the notability he was looking for. He later went on to write, perform, and record such titles as, "MUZIK" with Knocturnal. "Can't Wait" with Sleepy Brown and OutKast. "The One" for Earth Wind and Fire. "Till your legs start shaking" for Sleepy Brown, and "Doctors Advocate" with The Game and Busta Rhymes where he wrote and is singing the hook for "Doctors Advocate", for those of you that weren't sure.