Podcast appearances and mentions of Robert Bolt

ANEM AL CINE AMB ELS JAUMES amb “Dr. ZHIVAGO”. “Dr. ZHIVAGO” és una pel·lícula rodada principalment a Espanya, va ser una coproducció internacional entre Metro-Goldwyn-Mayer i el productor italià Carlo Ponti. Excepcionalment dirigida per David Lean (també director de Lawrence de Arabia) i interpretada per Omar Sharif, Julie Christie, Geraldine Chaplin, Tom Courtenay, Rod Steiger, Alec Guinness, Ralph Richardson, Siobhan McKenna, Rita Tushingham entre altres. El guió és de Robert Bolt, basat en la novel·la del mateix nom publicada per el rus Borís Pasternak el 1957, està ambientada a Rússia durant la Primera Guerra Mundial, explicant la Revolució russa de 1917 i la guerra civil russa. Un drama amorós amb romanticisme, el ben mig d'una guerra. Molta història, molt llarga (més de tres hores), molt costosa, aconseguint molta recaptació, i 5 Óscars més 5 nominacions. Val la pena veure-la. Val la pena recordar-la. Val la pena escoltar tot seguit als nostres experts cinèfils, els Jaume's, i els seus experts comentaris. Agafeu crispetes!!! Aquest és el 26é programa de “ANEM AL CINE AMB ELS JAUMES” des del 17 de mars del 2022 Podeu veure el vídeo al enllaç https://youtu.be/22wWTOE_12E Escolta el podcast a Ona Bitlles Cine https://www.onabitlles.cat/Cine @bibliotecamat @cineclubvilafranca @kubrick_cinema #Sala Sazie @escolesvellescultura @ajspriudebitlles @informer_riudebitlles @Riudebitlles #onabitlles #Jaume Felipe #Jaume Font @ramonvila123 #Ramon Vila podcast recorded with enacast.com

In today's episode another trial that forms the basis for great drama: the case of Thomas More, tried and executed in 1535, events dramatised by Robert Bolt in A Man for All Seasons and Hilary Mantel in Wolf Hall. How did More try to argue that silence was no evidence of treason? Why was his defence so legalistic? Was he really ‘the Socrates of England'? And who was the true villain in this case: Thomas Cromwell, Richard Rich or the King himself? Available now on PPF+: Socrates part 2, in which David explores the verdict of history on this case and the fierce arguments it still inspires. Sign up now to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Next time in Politics on Trial: Mary Queen of Scots vs the Secret State Learn more about your ad choices. Visit podcastchoices.com/adchoices

Robert Bolt's award winning drama about Sir Thomas More's crisis of conscience

MONOLOGUE Should Canada Pull the Plug on U.S. Oil? The High-Stakes Game We Can't Afford to Lose https://nationalpost.com/news/canada-oil-united-states NEWSMAKER Colin Grey died after routine border check — now the coverup kicks in https://www.rebelnews.com/colin_grey_died_after_a_routine_border_check_at_the_ambassador_bridge_now_the_coverup_kicks_in  David Menzies, Rebel News Mission Specialist OPEN LINES THE SOFA CINEFILE Dr. Zhivago -1965 epic historical romance film directed by David Lean with a screenplay by Robert Bolt, based on the 1957 novel by Boris Pasternak. Starring Omar Sharif, Julie Christie, Geraldine Chaplin, Tom Courtenay, Rod Steiger, Alec Guinness, and Ralph Richardson Nick Soter is the founder of a Toronto community cinema club THE LIMRIDDLER Snatch Away Treasures Snatch away treasures without being seen. Dish out a dig with intent to demean. Felines with claws Defend with their paws. Switch the display to an alternate screen. MONOLOGUE  Trump's Davos Domination: A Battle Cry Against Globalism—and a Wake-Up Call for Canada NEWSMAKER J6 Attorney Rebuffs Argument That Some J6 Defendants Shouldn't Have Been Pardoned https://www.dailywire.com/news/j6-attorney-rebuffs-argument-that-some-j6-defendants-shouldnt-have-been-pardoned  Viva Frei – Popular YouTuber, Rumbler, Host of the Viva and Barners Law Podcast… Join the VivaBarnes Law Community at vivabarneslaw.locals.com STEELHEADS TALK Brendan Lang – Brampton Steelheads Play by Plan and Colour Commentator, Host of Trout Talk on Sauga 960 THERE'S SOMETHING HAPPENING HERE! Should Canada Shut Off Oil to U.S. if Trump Imposes Tariffs? Greg Carrasco, Host of The Greg Carrasco Show, Saturday Mornings 8-11 am on SAUGA 960 THE LIMRIDDLE ANSWER AND WINNERS Answer: Swipe Learn more about your ad choices. Visit megaphone.fm/adchoices

John J. Miller is joined by Bethel McGrew to discuss Robert Bolt's play, 'A Man for All Seasons.'

Jonathan Fessenden and I talk about two movies, Roland Joffé's The Mission (1986) and Fred Zinneman's A Man for All Seasons (1966), both written by Robert Bolt, and both about men of Faith facing persecution and a sudden reversal of political fortune. These are themes that we began in our first discussion, Episode 37: Catholic Movies, Pt. 1. Jonathan Fessenden is a Catholic writer, composer, and teacher of theology. He has written about movies and worked in the industry as a composer, and continues to write music for film. Jonathan Fessenden's articles at Missio Dei. The Mission (1986): Trailer, Wikipedia page, and IMDB page. A Man for All Seasons (1966): Trailer, Wikipedia page, and IMDB page. Jonathan Fessenden's album, Upon the Water, is here. Jonathan Fessenden's, on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black. Fr. Greg Boyle, SJ, on Almost Good Catholics, episode 17: Eternity Now: Talking about Mysticism with the Apostle to the Gangs of LA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jonathan Fessenden and I talk about two movies, Roland Joffé's The Mission (1986) and Fred Zinneman's A Man for All Seasons (1966), both written by Robert Bolt, and both about men of Faith facing persecution and a sudden reversal of political fortune. These are themes that we began in our first discussion, Episode 37: Catholic Movies, Pt. 1. Jonathan Fessenden is a Catholic writer, composer, and teacher of theology. He has written about movies and worked in the industry as a composer, and continues to write music for film. Jonathan Fessenden's articles at Missio Dei. The Mission (1986): Trailer, Wikipedia page, and IMDB page. A Man for All Seasons (1966): Trailer, Wikipedia page, and IMDB page. Jonathan Fessenden's album, Upon the Water, is here. Jonathan Fessenden's, on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black. Fr. Greg Boyle, SJ, on Almost Good Catholics, episode 17: Eternity Now: Talking about Mysticism with the Apostle to the Gangs of LA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Fessenden and I talk about two movies, Roland Joffé's The Mission (1986) and Fred Zinneman's A Man for All Seasons (1966), both written by Robert Bolt, and both about men of Faith facing persecution and a sudden reversal of political fortune. These are themes that we began in our first discussion, Episode 37: Catholic Movies, Pt. 1. Jonathan Fessenden is a Catholic writer, composer, and teacher of theology. He has written about movies and worked in the industry as a composer, and continues to write music for film. Jonathan Fessenden's articles at Missio Dei. The Mission (1986): Trailer, Wikipedia page, and IMDB page. A Man for All Seasons (1966): Trailer, Wikipedia page, and IMDB page. Jonathan Fessenden's album, Upon the Water, is here. Jonathan Fessenden's, on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black. Fr. Greg Boyle, SJ, on Almost Good Catholics, episode 17: Eternity Now: Talking about Mysticism with the Apostle to the Gangs of LA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Jonathan Fessenden and I talk about two movies, Roland Joffé's The Mission (1986) and Fred Zinneman's A Man for All Seasons (1966), both written by Robert Bolt, and both about men of Faith facing persecution and a sudden reversal of political fortune. These are themes that we began in our first discussion, Episode 37: Catholic Movies, Pt. 1. Jonathan Fessenden is a Catholic writer, composer, and teacher of theology. He has written about movies and worked in the industry as a composer, and continues to write music for film. Jonathan Fessenden's articles at Missio Dei. The Mission (1986): Trailer, Wikipedia page, and IMDB page. A Man for All Seasons (1966): Trailer, Wikipedia page, and IMDB page. Jonathan Fessenden's album, Upon the Water, is here. Jonathan Fessenden's, on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black. Fr. Greg Boyle, SJ, on Almost Good Catholics, episode 17: Eternity Now: Talking about Mysticism with the Apostle to the Gangs of LA. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The only person that knew (about her affair with with Laurence Olivier) was my Mother, as she caught us together." - Sarah Miles Robert Emery talks to Sarah Miles for Part Two of their explosive podcast episode. If you missed Part One, then click here to watch it before enjoying this follow-up episode. Sarah is an English theatre and film actress who was nominated for four BAFTA's, two Golden Globes and an Oscar. Sarah talks about her biological connection with the British Royal family, finishing RADA and going straight into the West-End where Sir John Gielgud famously said "Did you know you have a bottom just like a boy? Two poached eggs in a handkerchief." Sarah was catapulted into the limelight at a young age, starring opposite some of the greats including Dirk Bogarde, Vanessa Redgrave, Laurence Olivier, Ralph Richardson, Margaret Rutherford & Robert Mitchum; she had two marriages to the same person - the screen writer Robert Bolt (winner of two Oscars, two BAFTA's, three Golden Globes and a Tony award) and an epiphany three years after filming Ryan's Daughter that changed her life forever. This sometimes intense conversation takes us up to 1973, just before she filmed 'The Man Who Loved Cat Dancing' opposite Burt Reynolds, where her life took a turn for the worse and tragedy struck. Backstage with Robert Emery: Episode 4 - Sarah Miles

These two Oscar winning titans of the movie industry discuss their collaboration on The Mission and their lives in cinema and beyond. https://festivalofwritingandideas.com/ On Earth as it is in Heaven clip: https://www.youtube.com/watch?v=OMB0e... On Spotify: https://open.spotify.com/album/2fOlcW... On Apple Music: https://music.apple.com/ie/album/the-...

**Who You will Hear**Guest: Scott Hoffman (CEO of International Literary Properties)Co-host: Luna Tang (Cloud Service Delivery Manager at Klopotek)Co-host: Dwayne Parris (Senior Consultant at Klopotek) Purchasing rights of music works as a means of investment – as Michael Jackson did to the majority of the Beatles' catalog, is not a novel concept in the music publishing industry, yet in the book publishing world where people are reluctant to part with their copyrights, this concept still remains fresh and rarely-touched. Scott Hoffman and his team at ILP (International Literary Properties) not only think about it, but they also act on it. He tells us in the conversation how ILP was founded, how it works in partnership with various parties (publishers, authors, and literary agents), and how it has established its position in the value-added chain. With extensive real cases, he explains to us the ways that ILP makes long-term investments in literary estates (especially on backlists) and how they maximize the value of these time-honored works, as well as how these practices make ILP a meaningful complement to the value-added chain in rights management.For more information about ILP, the authors, and the great works it represents, please visit internationalliteraryproperties.com. Tell us what is going on with your publishing projects or business on Twitter (@Klopotek_AG), LinkedIn, or email us at podcast@klopotek.com.  For more information about the Klopotek software solution, please write to info@klopotek.com, or register to receive emails from us on technology innovations & events from Klopotek.* The views, information, or opinions expressed in the program are solely those of the individuals involved and do not necessarily represent those of Klopotek and its employees. It is the goal of Klopotek Publishing Radio to support cultural diversity, the exchange of opinions, and to create an environment where the conversation of a global publishing industry can thrive.

This week on the OETA Movie Club Podcast we discuss "Doctor Zhivago". Doctor Zhivago is a 1965 epic historical romance film directed by David Lean with a screenplay by Robert Bolt, based on the 1957 novel by Boris Pasternak. The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.Listen now wherever you get your podcasts and tune in to "Doctor Zhivago" on Saturday, November 12, 2022 at 9 pm on  OETA.

Once each semester at Wyoming Catholic College we hold All-School Seminar. Our entire community reads the same work and the student body and faculty are divided into seminar groups led by our seniors. Last week the whole college discussed Robert Bolt's play about St. Thomas More, “A Man for All Seasons.” More, who along with King Henry VII was a staunch defender of the Catholic faith and a favorite of the king who eventually made him Lord Chancellor. Then Henry, wanting to divorce Catherine of Aragorn, declared himself the head of the Church in England. More quit his high post hoping to avoid conflict with the king. It didn't work. This week, Prof. Kyle Washut discusses about All-School Seminars and “A Man for All Seasons.”

 In honor of the recent 544th anniversary of Thomas More's birth and the upcoming 36th anniversary of Megan's, we're covering the 1966 film, “A Man for All Seasons,” which was adapted for the screen from the 1960 play by Robert Bolt.

Hechos con Palabras - Robert Bolt by Radiotelevisión de Veracruz

This week we discuss two Historical epics written by legendary English screenwriter Robert Bolt. The first is The Bounty (1984), the 5th retelling of the famous mutiny on The Bounty committed to film. However, this version, starring Mel Gibson and Anthony Hopkins, purports to be the most faithful to real-life events. The second is The Mission (1986), starring Jeremy Irons and Robert De Niro. The film tells the story of Jesuit missionaries in South America who clash with Spanish and Portuguese colonial forces while trying to protect the native inhabitants. The film also features what is perhaps Ennio Morricone's most celebrated score.   Timestamps The Bounty (00:13:40) The Mission (00:44:40)    Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links https://www.justwatch.com

In the 1966 film adaptation of Robert Bolt's A Man for All Seasons, the indelible Paul Schofield, who played Sir Thomas More, then Lord Chancellor of England, roared like a lion during his exchange with his young son-in-law, William Roper. The subject of their contention – Richard Rich, the man who would later betray Sir Thomas and become Lord Chancellor himself – asked the incorruptible Sir Thomas if he would employ him under his charge. Sensing Rich's lack of moral fortitude, he denies the request, and the eager Roper implores him to arrest Rich before he becomes an interloper at Court. Having committed no crime as of yet, Sir Thomas says that he shall let him go until he broke a law, even if Rich was the Devil himself.

Conspiracy theories are all crazy, right? Well, maybe not. There’s some history as to why so many people believe in them. What we really need is a conspiracy theory detection kit and that’s what we have in today’s episode. Our guest today is Dr. Michael Shermer. Dr. Shermer is the founding publisher of Skeptic Magazine, the host of the Science Salon Podcast, and a presidential fellow at Chapman University where he teaches Skepticism 101. For 18 years he was a monthly columnist for Scientific American. He is the New York Times bestselling author of Why People Believe Weird Things and his latest book is Giving the Devil His Due: Reflections of a Scientific Humanist. Show Notes: [1:40] - Dr. Shermer’s magazine is called Skeptic Magazine which is devoted to teaching critical thinking skepticism and scientific reasoning. [2:03] - None of us are omniscient. We can’t know anything with certainty. Most of the decisions we make in life are made with uncertainty. So how best should we best make decisions? [2:39] - For centuries, we have developed methods, tools, and technology to help us with this problem of uncertainty. [4:47] - Finding the cause of something has many variables and once you start getting into economics and politics, things get messy. [5:50] - It is important to separate the correlation between seemingly cause and effect relationships. Dr. Shermer uses the fraudulent connection between vaccines and autism to demonstrate. [7:48] - The curse of knowledge is the Hindsight Bias. After the fact, it is clear what should have been done, but at the time it wasn’t clear. Dr. Shermer shares several great historical events as examples of this. [9:27] - There’s let something happen on purpose and make something happen on purpose and it is unfair to place blame on others using the Hindsight Bias. [11:40] - There is a difference between conspiracy and conspiracy theory. A conspiracy is something that actually happened and a conspiracy theory is the idea that there is something that is happening. [12:08] - The main reason people believe conspiracy theories are true is because many shocking conspiracies have actually happened. They are not so far out of the realm of possibility. [12:55] - It is not completely crazy to think that something will happen because historically something similar has happened. Dr. Shermer uses examples from the Kennedy administration. [14:49] - Another reason people are quick to believe conspiracy theories is because of the messiness of the world. Our brains are wired to try to simplify things. [15:39] - Money is a proxy for power and a lot of people believe that these people who have power are actually more powerful than they are. For example, Bill Gates is the center of some conspiracy theories, but in reality, what power does he actually have? [16:10] - This is not unreasonable for people to believe because there have been powerful people with money who have rigged the system. [16:58] - It is easier to believe that horrific things that happen in the world are controlled by a small group of people. This is an example of the human brain trying to simplify things. [17:17] - The fact is, nobody is running the world. And in a way, that is scary. [18:27] - The more people that have to be involved, the less likely the conspiracy is true. People don’t typically keep secrets and have big mouths. [19:56] - Dr. Shermer uses a 9/11 conspiracy theory as an example of how crazy the theory sounds due to its complexity. [21:05] - Some conspiracy theories are harmless, but many can be harmful. [22:40] - An example of a dangerous conspiracy theory is the one surrounding Hitler’s rise to power. Hitler’s initial platform was spreading the conspiracy theory that the only reason they lost the first world war was because they were stabbed in the back by the Jewish community. [23:25] - People are very confused about the term freedom. You have to give up certain freedoms for security. [24:54] - The United States and Italy are examples of countries with a loose culture. This means that they are not rigidly following guidelines and the spread of COVID-19 is rapid in nations like this. [27:12] - Chris and Dr. Shermer discuss the title of Dr. Shermer’s new book Giving the Devil His Due which was inspired by the play A Man For All Seasons by Robert Bolt. [29:12] - The book is a series of essays on the theme of free speech. [29:27] - The only way to make sure you haven’t gone off the rails and believe things that aren’t true is to interact with people who think differently from you. This gets you out of a bubble and gives you a better ability to make your own decisions and form your own opinions. [29:58] - Dr. Shermer is concerned about the lack of diversity in ideas and opinions within politics. [31:00] - The new book has had mostly positive reviews. [32:12] - Even scientists need critical review. This helps us determine if we should be skeptical. [33:27] - It is important to know and understand the arguments behind a differing opinion from your own. [35:04] - Dr. Shermer predicts that there will be many changes and feels that this is not always a bad thing. Some changes will be good and bad. [38:01] - Dr. Shermer offers tons of free content on his website and also offers courses for more information. You can find them in the links and resources. Thanks for joining us on Easy Prey. Be sure to subscribe to our podcast on iTunes and leave a nice review.  Links and Resources: Podcast Web Page Facebook Page whatismyipaddress.com Easy Prey on Instagram Easy Prey on Twitter Easy Prey on LinkedIn Easy Prey on YouTube Easy Prey on Pinterest Michael Shermer Web Page Skeptic Salon Podcast Skeptic Magazine Why People Believe Weird Things by Michael Shermer Giving the Devil His Due: Reflections of a Scientific Humanist by Michael Shermer Michael Shermer on Facebook Michael Shermer on Twitter Skeptic Magazine on YouTube    

Partner Joseph D. Nohavicka will be sharing his favorite legal reads every week in our latest series. This week he reviews "A Man For All Seasons," by Robert Bolt.

In this episode originally from Criteria: The Catholic Film Podcast, Thomas asks attorney and scholar Louis Karlin whether Robert Bolt's play and film A Man for All Seasons accurately depict St. Thomas More's views on the rights of conscience, and his motives for martyrdom. More's involvement in the prosecution of heretics is also examined: even if More was a martyr of conscience, is it accurate to call him a champion of religious freedom? One thing is certain: the portrayal by Hilary Mantel and others of More as a torturer of heretics is false. Links The Center for Thomas More Studies https://thomasmorestudies.org/ Lecture by Richard Rex critiquing the historical fiction of Hilary Mantel, “More the villain and Cromwell the hero?” https://ionainstitute.ie/thomas-more-thomas-cromwell-and-wolf-hall/ William Marshner, “Dignitatis Humanae and Traditional Teaching on Church and State” https://www.catholicculture.org/culture/library/view.cfm?id=8778 Thomas Pink, “Conscience and Coercion” https://www.firstthings.com/article/2012/08/conscience-and-coercion Louis W. Karlin and David R. Oakley, Inside the Mind of Thomas More: The Witness of His Writings https://www.amazon.com/Inside-Mind-Thomas-More-Writings/dp/1594173133 Karlin, Wegemer and Kelly, Thomas More's Trial by Jury: A Procedural Legal Review with a Collection of Documents https://www.amazon.com/Thomas-Mores-Trial-Jury-Procedural/dp/1843838737/ Stephen Smith (ed.), For All Seasons: Selected Letters of Thomas More https://www.amazon.com/All-Seasons-Selected-Letters-Thomas/dp/1594171637 Wegemer and Smith (ed.), The Essential Works of Thomas More https://www.amazon.com/Essential-Works-Thomas-More/dp/0300223374/ St. Thomas More, The Sadness of Christ https://www.amazon.com/Sadness-Christ-Thomas-More/dp/1849020558 The Yale Edition of the Complete Works of St. Thomas More, Vol. 14, De Tristitia Christi https://www.amazon.com/Complete-Works-Thomas-Tristitia-Christi/dp/0300017936 Other podcasts on St. Thomas More Criteria film discussion https://www.catholicculture.org/commentary/man-for-all-seasons-1966/ Audiobook of More's Dialogue on Conscience https://www.catholicculture.org/commentary/st-thomas-more-dialogue-on-conscience/ This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission.

Oliver Stone has written or directed some of cinema's most powerful films - Midnight Express, Platoon, Scarface, Salvador, Natural Born Killers. Now he has written a memoir, Chasing the Light - How I fought my Way into Hollywood From the 1960s to Platoon. Making films, he tells Tom Sutcliffe, is his vocation, but getting them done...that's never come easily. Feeling betrayed by his parents' divorce Stone dropped out of Yale, he enlisted as a 'grunt' and fought in Vietnam, then was briefly imprisoned for smuggling hash from Mexico. He recalls studying on the film course at New York University - where Martin Scorsese,a tutor, admired his first short. Even so, throughout his career Stone has struggled to finance his projects - he had to flee from Canada with the print of his first feature. Decades later, making Salvador after global success and winning an Oscar, the difficulties were much the same. Early on Stone worked with Michael Caine and Robert Bolt, gaining insight into acting and writing. While directors such as Jean-Luc Godard improvised, Stone respected the script, yet left room for great actors to work. So Al Pacino 'punched up lines' in Scarface. Stone talks about his cocaine use - which brought him into contact with dealers and gangsters - so was crucial research. Writing Scarface opened doors - wherever Stone went afterwards, he says, corrupt, powerful men had respect for him. Narco-terrorist Pablo Escobar was a big fan. These days Stone is making documentaries. He admires the films being made for television - streamers - but regrets the loss of the communal experience of cinema, a couple of thousand people together, responding to the film. There aren't, he laments, any movies anymore. Presenter: Tom Sutcliffe Producer: Julian May

In this bonus episode of Criteria, Thomas asks attorney and scholar Louis Karlin whether Robert Bolt’s play and film A Man for All Seasons accurately depict St. Thomas More’s views on the rights of conscience, and his motives for martyrdom. More’s involvement in the prosecution of heretics is also examined: even if More was a martyr of conscience, is it accurate to call him a champion of religious freedom? One thing is certain: the portrayal by Hilary Mantel and others of More as a torturer of heretics is false. Next on the Vatican film list is the first installment of Dekalog, a 10-part series of short films inspired by the Ten Commandments. See below for information on where to watch it. Links The Center for Thomas More Studies https://thomasmorestudies.org/ Lecture by Richard Rex critiquing the historical fiction of Hilary Mantel, “More the villain and Cromwell the hero?” https://ionainstitute.ie/thomas-more-thomas-cromwell-and-wolf-hall/ William Marshner, “Dignitatis Humanae and Traditional Teaching on Church and State” https://www.catholicculture.org/culture/library/view.cfm?id=8778 Thomas Pink, “Conscience and Coercion” https://www.firstthings.com/article/2012/08/conscience-and-coercion Louis W. Karlin and David R. Oakley, Inside the Mind of Thomas More: The Witness of His Writings https://www.amazon.com/Inside-Mind-Thomas-More-Writings/dp/1594173133 Karlin, Wegemer and Kelly, Thomas More’s Trial by Jury: A Procedural Legal Review with a Collection of Documents https://www.amazon.com/Thomas-Mores-Trial-Jury-Procedural/dp/1843838737/ Stephen Smith (ed.), For All Seasons: Selected Letters of Thomas More https://www.amazon.com/All-Seasons-Selected-Letters-Thomas/dp/1594171637 Wegemer and Smith (ed.), The Essential Works of Thomas More https://www.amazon.com/Essential-Works-Thomas-More/dp/0300223374/ St. Thomas More, The Sadness of Christ https://www.amazon.com/Sadness-Christ-Thomas-More/dp/1849020558 The Yale Edition of the Complete Works of St. Thomas More, Vol. 14, De Tristitia Christi https://www.amazon.com/Complete-Works-Thomas-Tristitia-Christi/dp/0300017936 Other podcasts on St. Thomas More Criteria film discussion https://www.catholicculture.org/commentary/man-for-all-seasons-1966/ Audiobook of More's Dialogue on Conscience https://www.catholicculture.org/commentary/st-thomas-more-dialogue-on-conscience/ Dekalog Of all the films on the Vatican list, Dekalog is one of the two most difficult to find. The only place it can be streamed online is with a subscription on https://easterneuropeanmovies.com/ (which is, surprisingly, legal). The best viewing experience will be the recent restored edition on Blu-Ray/DVD from Criterion (https://www.criterion.com/films/28661-dekalog), but it's pricey. Older editions on Blu-Ray and DVD are available for considerably cheaper on Amazon and elsewhere. But for many people, the most convenient way of seeing Dekalog may be to borrow it from your local library. Music is The Duskwhales, "Take It Back", used with permission.

The film adaptation of Robert Bolt's award-winning play about St. Thomas More, A Man for All Seasons, swept the floor at the Academy Awards, winning Best Picture, Best Director, Best Actor, Best Adapted Screenplay, Best Cinematography, and Best Costume Design the year it was considered. In honor of St. Thomas More's upcoming feast day, June 22nd, James and Thomas discuss the film and the problem of adaptation with friend and filmmaker, Nathan Douglas. Next time, we discuss the first installment of Dekalog, the 10-part series of films directed by Polish auteur Krzysztof Kieślowski. (See below for info on how to watch these films.) Join the discussion in our Facebook group: https://www.facebook.com/groups/CatholicPods/ Links Nathan Douglas, Motet Films https://nwdouglas.com/ Interview with More scholar Louis Karlin https://www.catholicculture.org/commentary/robert-bolts-man-for-all-seasons-christian-saint-or-hero-selfhood/ Audiobook of More's Dialogue on Conscience https://www.catholicculture.org/commentary/st-thomas-more-dialogue-on-conscience/ Other films discussed Lawrence of Arabia – so many horses! https://www.youtube.com/watch?v=lChJz2DSpsE Mad Max: Fury Road – practical effects https://www.youtube.com/watch?v=wD8jK7qyC9w Richard III (Olivier) – scene mentioned as example of conveying theatrical experience “subjectively" https://www.youtube.com/watch?v=cDxnXgYPnKg Richard III (McKellen) – used as example of “cinematic” adaptation of a play https://www.youtube.com/watch?v=pjJEXkbeL-o A Hidden Life – prison scene with wife, as compared to More’s prison scene with family https://www.youtube.com/watch?v=XAubpnKP3CU 1964 Russian adaptation of Hamlet (full movie with subtitles) https://vimeo.com/337079580 Dekalog Of all the films on the Vatican list, Dekalog is one of the two most difficult to find. The only place it can be streamed online is with a subscription on https://easterneuropeanmovies.com/ (which is, surprisingly, legal). The best viewing experience will be the recent restored edition on Blu-Ray/DVD from Criterion (https://www.criterion.com/films/28661-dekalog), but it's pricey. Older editions on Blu-Ray and DVD are available for considerably cheaper on Amazon and elsewhere. But for many people, the most convenient way of seeing Dekalog may be to borrow it from your local library. Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

John Ford's Stagecoach is a classic of the American Western that both elevated the genre and catapulted the career of its breakout star, John Wayne. Well-known Catholic writer and cultural commentator, Anthony Esolen, joins James and Thomas this week to discuss the film against the backdrop of the civil unrest incited by the death of George Floyd. Of Ford, Tony observes: "He makes movies about the way people come together to form a real society with their common good in mind, and he shows how that can fall apart because of human stupidity or selfishness — their pride, their avarice, their hardheartedness.” Next time, we discuss A Man for All Seasons, the film adaptation of Robert Bolt's play about St. Thomas More. Join the discussion in our Facebook group: https://www.facebook.com/groups/CatholicPods/ Links Tag Gallagher on Stagecoach: https://vimeo.com/40092986 Anthony Esolen interview on The Catholic Culture Podcast: https://www.catholicculture.org/commentary/episode-55-hundredfold-anthony-esolen/ Jonathan Roumie interview on The Catholic Culture Podcast: https://www.catholicculture.org/commentary/ep-76-playing-jesus-on-chosen-jonathan-roumie/ Sex and the Unreal City: https://www.amazon.com/Sex-Unreal-City-Demolition-Western/dp/1621643069/ref=sr_1_4?dchild=1&keywords=the+Unreal+city&qid=1591137583&s=books&sr=1-4&fbclid=IwAR3uI9d9Mdu_o9lMVSsqy_9QJsFJIWLdCaqP3YgROTiDG8MeqkJ5llescx4&pldnSite=1 The Hundredfold: https://www.ignatius.com/The-Hundredfold-P3358.aspx Music: The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

Vista desde fuera, A Man For All Seasons podría calificar como otro más entre tantos dramas de época, diseñados por Hollywood para una gran audiencia ávida de bellos trajes y ambientaciones suntuosas, pero los designios de Robert Bolt -autor de la obra de teatro original y guionista de este filme- son otros: la historia del combate que Sir Thomas More contra los designios del rey Enrique VIII, y que lo lleva a enfrentarse contra diversos recaderos, funcionarios, dignatarios e incluso el propio monarca, en su tiempo fue leído como un espléndido relato del "hombre y sus principios contra la máquina del poder"; hoy, a medio siglo de distancia, emerge como un esfuerzo supremo del impulso de filmar el pasado para iluminar los problemas y las tragedias del presente. De eso y más se habla en este episodio del podcast.

Happy Halloween! In this very spooky episode of Adapt or Perish, we discuss Bram Stoker’s greatest creation, Count Dracula! For this episode, we read and watched: Bram Stoker’s 1987 Gothic horror classic. Read it on iBooks or Amazon. Nosferatu (1922), directed by F.W. Murnau, written by Henrik Galeen, and starring Max Schreck, Gustav von Wangenheim, and Greta Schröder. Watch it on iTunes or Amazon. Dracula (1931), directed by Tod Browning, written by Garrett Fort, and starring Bela Lugosi, Dwight Frye, Helen Chandler, David Manners, and Edward Van Sloan. Watch it on iTunes or Amazon. The Horror of Dracula (1958), from Hammer Film Productions, directed by Terence Fisher, written by Jimmy Sangster, and starring Christopher Lee, Peter Cushing, Michael Gough, and Melissa Stribling. Watch it on iTunes or Amazon. Count Dracula (1970), directed by Jesús Franco, written by Augusto Finocchi, and starring Christopher Lee, Herbert Lom, Klaus Kinski, Frederick Williams, and Maria Rohm. Watch it on Amazon. Bram Stoker’s Dracula (1973), directed by Dan Curtis, written by Richard Matheson, and starring Jack Palance, Simon Ward, Nigel Davenport, Fiona Lewis, Murray Brown, and Penelope Horner. Watch it on iTunes or Amazon. Count Dracula (1977), directed by Philip Saville, written by Gerald Savory, and starring Louis Jourdan, Frank Finlay, Susan Penhaligon, Judi Bowker, and Jack Shepherd. Watch it on YouTube. Nosferatu the Vampyre (1979), written and directed by Werner Herzog, and starring Klaus Kinski, Isabelle Adjani, and Bruno Ganz. Watch it on iTunes or Amazon. Dracula (1979), directed by John Badham, written by W.D. Richter, and starring Frank Langella, Laurence Olivier, Donald Pleasence, and Kate Nelligan. Watch it on iTunes or Amazon. Bram Stoker’s Dracula (1992), directed by Francis Ford Coppola, written by James V. Hart, and starring Gary Oldman, Keanu Reeves, Winona Ryder, Anthony Hopkins, Richard E. Grant, Cary Elwes, Billy Campbell, and Tom Waits. Watch it on iTunes or Amazon. Dracula: Dead and Loving It (1995), directed by Mel Brooks, written by Mel Brooks, Rudy De Luca, and Steve Haberman, and starring Leslie Nielsen, Peter MacNicol, Steven Weber, Amy Yasbeck, Lysette Anthony, Harvey Korman, and Mel Brooks. Watch it on iTunes or Amazon. Dracula (2006), directed by Bill Eagles, written by Stewart Harcourt, and starring Marc Warren, Rafe Spall, Sophia Myles, Dan Stevens, and Stephanie Leonidas. Watch it on Amazon. Footnotes: Epistolary novels, a novel written as a series of letters or other documents Vampyros Lesbos (1971), directed by Jesús Franco Abbott and Costello Meet Frankenstein (1948) Robert Bolt’s 1960 play A Man for All Seasons Dan Curtis of Dark Shadows Richard Matheson of I Am Legend, the Twilight Zone, and Duel The Streisand effect German Expressionism Bruno Ganz as Adolf Hitler in Downfall (yes, you know this scene) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

On this episode, we discuss the thirty-ninth Best Picture Winner: “A MAN FOR ALL SEASONS.”"A Man for All Seasons" is a British biographical drama based on Robert Bolt's play of the same name and adapted for the big screen by Bolt himself. When the highly respected British statesman Sir Thomas More refuses to pressure the Pope into annulling the marriage of King Henry VIII and his Spanish-born wife, More's clashes with the monarch increase in intensity. A devout Catholic, More stands by his religious principles and moves to leave the royal court. Unfortunately, the King and his loyalists aren't appeased by this, and press forward with grave charges of treason, further testing More's resolve.  Directed by Fred Zinnemann, the film stars Paul Scofield as Thomas More, Wendy Hiller as Alice, Leo McKern as Cromwell, Robert Shaw as Henry VIII, Orson Welles as Cardinal Wolsey, Susannah York as Margaret, John Hurt as Rich, Corin Redgrave as Roper, Nigel Davenport as Duke of Norfolk, and Vanessa Redgrave as Anne Boleyn.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. We are a Cinema Squad Production, presented on the Cinema Squad Podcast Channel. You can reach anyone here at TheCinemaSquad.com – Just go there to email us, check our bios, and keep up with the latest episode.

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and our special guest Garrett Millerick. Episode 32: A Man for All Seasons (1966) Released 10 April 2019 For this episode, we watched A Man for All Seasons, written by Robert Bolt (won), from his stage play. It was directed by Fred Zinnemann (won) and starred Paul Scofield (won), Wendy Hiller (nominated), Leo McKern, Orson Welles, Robert Shaw (nominated) and Susannah York. It also won for its cinematography and costume design. Garrett Millerick at the Soho Theatre: https://sohotheatre.com/shows/garrett-millerick-sunflower-2/ Next time we will be discussing Dances with Wolves. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (USA). It is not currently available on iTunes (UK), sorry. To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n

"The only person that knew (about her affair with with Laurence Olivier) was my Mother, as she caught us together." - Sarah Miles Robert Emery talks to Sarah Miles, the English theatre and film actress who was nominated for four BAFTA's, two Golden Globes and an Oscar. Sarah talks about her biological connection with the British Royal family, finishing RADA and going straight into the West-End where Sir John Gielgud famously said "Did you know you have a bottom just like a boy? Two poached eggs in a handkerchief." Sarah was catapulted into the limelight at a young age, starring opposite some of the greats including Dirk Bogarde, Vanessa Redgrave, Laurence Olivier, Ralph Richardson, Margaret Rutherford & Robert Mitchum; she had two marriages to the same person - the screen writer Robert Bolt (winner of two Oscars, two BAFTA's, three Golden Globes and a Tony award) and an epiphany three years after filming Ryan's Daughter that changed her life forever. This sometimes intense conversation takes us up to 1973, just before she filmed 'The Man Who Loved Cat Dancing' opposite Burt Reynolds, where her life took a turn for the worse and tragedy struck. For reasons we don't need to go into, this part of Sarah's life story will feature in part two, released later in the year when I gain permission. Backstage with Robert Emery: Episode 4 - Sarah Miles

Episode 3: St. Thomas More - Show Notes Corrections or clarifications on a few point are provided below in the Summary. Also, since this discussion went long, we have divided the recording into three parts, separated by short breaks: • Part 1: Early Life (beginning to 35:40) • Part 2: Beginning of the Reformation (35:40 to 57:06) • Part 3: Martyrdom (57:06 to end) *Special Thank You to Paul Spring for allowing us to use his song "Itasca" from the album Borderline EP (2014)! Brief Chronology: • 1478 - Birth of Thomas More • 1485 - Battle of Bosworth Field (end of Plantagenet and beginning of Tudor dynasty) • 1490-92 - More is a page in Cardinal Morton's household • 1504 or 1505 - Marriage to first wife, Jane Colt, mother to More's four biological children • 1511- Death of Jane Colt and marriage to second wife, Alice Middleton • 1515 - More writes Utopia (published 1516) • 1517 - Martin Luther posts his Ninety-Five Theses (starting Protestant Reformation) • 1525 - Peasants' War in Germany; William Tyndale translates New Testament • 1527 - Rome sacked by Charles V's army • 1529-1532 - More is made Lord Chancellor • 1533 - Marriage of Henry VIII to Anne Boleyn • 1534 - More is imprisoned in Tower of London • 1535 - Trial and execution of Thomas More • 1935 - Canonization by Pope Pius XI Episode Summary: This was a long conversation, but we hope you get a lot out of good information from it! Thomas More was (probably) born February 7, 1478 in London, England. His childhood was a unstable time for England: the final years of a civil war between rival branches of the ruling Plantagenet family called the Wars of the Roses. Thomas More would become an important official under the new Tudor dynasty, especially under Henry VII's son Henry VIII. More studied grammar, logic and rhetoric from a young age and was eventually sent to Oxford and the Inns of Court to study law. He also spent some years as part of the household of Cardinal Morton, which may have helped shape him spiritually. More's family came from a middle class background: his grandfathers were a baker and brewer. His father John More was sent to study law and eventually became a judge. However, the family seems to have been targeted by Henry VII after a young Thomas More opposed a tax in parliament that the king wanted. (+ Correction to the episode: the tax was related to posthumous knighting of Arthur and a dowry for Princess Margaret's marriage to the king of Scotland). After Henry VII's death, More found favor with his son Henry VIII and eventually More rose to the high position of Lord Chancellor, technically the highest judicial post, but which also included other duties at the king's discretion. Both before and after becoming Lord Chancellor, More was responsible for suppressing what were then considered heresies (Protestantism), a fact which has made him controversial for modern scholars. The Reformation is traditionally reckoned to have begun with Martin Luther posting his Ninety-Five Theses on the door of Wittenberg Cathedral in 1517. The reformation spread to the rest of Europe and started to take on new forms. In England it was viewed as a dangerous sequel to the Lollard movement. Henry VIII's government, fearing sedition and social chaos, violently suppressed the Protestants. More was the highest lay official in this government and vehemently opposed to the Protestants' attack on tradition. Six people were executed for heresy during his time in office and many protestant books were seized and burned. During this period More wrote books against the ideas of Luther and Tyndale, who had ironically been influenced by the ideas of More's friend Erasmus. (+ Another correction to the episode: the Bible text that Zwingli and other reformers liked, which Jake butchers is," The Spirit gives life; the flesh counts for nothing." - John 6:63). Nonetheless, More was moderate in his response to his son-in-law William Roper's temporary conversion to Protestantism and he may have sensed that the Reformation would eventually gain the upper hand. He privately confided to Roper, "'And yet, son Roper, I pray God,' said he, 'that some of us, as high as we seem to sit upon the mountains, treading heretics under our feet like ants, live not the day that we gladly would wish to be at league and composition with them, to let them have their churches quietly to themselves, so they would be content to let us have ours quietly to ourselves." (Roper, The Life of Sir Thomas More, Knight, p. 18). Ironically, More became a victim of the same government he had served. More took over office as Lord Chancellor, following the fall of Cardinal Wolsey from royal favor, in a turbulent time. While central Europe was dividing along sectarian lines, Italy was fought over by France and the Holy Roman Empire. England shifted first from an alliance with the Holy Roman Empire (championed by Wolsey) to an alliance with France when it became clear that Emperor Charles V would not support Henry VIII's claim to be king of France. However, despite Wolsey's efforts, Pope Clement VII would not approve Henry VIII divorce from Queen Catherine, Charles V's aunt. Clement VII was apparently fearful after Charles V's troops sacked Rome in 1527, but he also may have realized that the annulment could have tarnished his spiritual and moral authority, which was already in jeopardy due to the Reformation (Richard Marius, Thomas More, p. 214-15). In his position of power, More's beliefs eventually became impossible to reconcile with King Henry VIII's objectives of divorcing Catherine and declaring himself supreme head of the Church of England. More was allowed to resign, but refused to publicly support the marriage or the new laws enacting the English Reformation. Anne Boleyn and the royal secretary Thomas Cromwell, both favoring reformation, increasingly targeted More. After refusing an oath to support the marriage to Anne Boleyn and succession, he was imprisoned in the Tower of London. After over a year of confinement, during which he continued to refuse to take the oath or to say directly why he would not, he was finally put on trial for treason. When he was executed on July 6, 1535, More told onlookers "to pray for him, and to bear witness with him that he should now suffer death in and for the faith of the Holy Catholic Church." (Roper, p. 50) Four hundred years later, in 1935, Pope Pius XI declared Thomas More a saint along with his fellow martyr St. John Fisher. Even if Thomas More had not risen to high office or been martyred for his faith, he would still be famous today as a renaissance humanist and writer. He left behind political works such as Utopia as well as religious and philosophical writings, such as the Dialogue Concerning Heresies and the Dialogue of Comfort Against Tribulation. He was friends with the famous humanist Erasmus of Rotterdam, who remembered More after his execution as follows: " [...] Thomas More, who was the chief magistrate of his country, whose heart was whiter than snow, a genius such as England never had before, nor ever will have again, a country by no means lacking genius" (Erasmus’ Dedicatory Preface to Ecclesiastes, August 1535, online at The Center for Thomas More Studies). Primary Sources: * Utopia by Thomas More, ed. by Edward Surtz, S.J . (Yale Univ. Press, 1964). * Final Letters by Thomas More, ed. by Alvaro de Silva (Wm. B. Eerdmans Publishing Co. 2000) * The Life of Sir Thomas More, Knight by William Roper - Citations above are to the edition published in Lives of Saint Thomas More, ed. by E.E. Nichols (J.M.Dent & Sons, Ltd, 1963). This is a short memoir of More by his son-in-law William Roper. * The Center for Thomas More Studies: https://thomasmorestudies.org/index.html Secondary Sources: * Thomas More: A Biography by Richard Marius (Alfred A. Knopf, 1984). * The King's Good Servant but God's First: The Life and Writings of St. Thomas More by James Monti (Ignatius Press, 1997). * The Cambridge Companion to Thomas More, ed. by George Logan (Cambridge Univ. Press, 2011) - Especially recommended is the essay, "Thomas More and the heretics: statesman or fanatic?" by Richard Rex . * Reformation Divided: Catholics, Protestants, and the Conversion of England by Eamon Duffy (Bloomsbury Publishing, 2017). * The Reformation: A History by Diarmaid McCulloch (Penguin, 2004). Movies: * A Man of All Seasons (1967) - Highly recommended award-winning movie based on the play by Robert Bolt. (source for the quote, "This isn't Spain, this is England!" featured in the episode). Image Credit: "Thomas More and His Family" (1592) - Rowland Lockey [Public domain]

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and our special guest Garrett Millerick. Episode 32: A Man for All Seasons (1966) Released 10 April 2019 For this episode, we watched A Man for All Seasons, written by Robert Bolt (won), from his stage play. It was directed by Fred Zinnemann (won) and starred Paul Scofield (won), Wendy Hiller (nominated), Leo McKern, Orson Welles, Robert Shaw (nominated) and Susannah York. It also won for its cinematography and costume design. Garrett Millerick at the Soho Theatre: https://sohotheatre.com/shows/garrett-millerick-sunflower-2/ Next time we will be discussing Dances with Wolves. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (USA). It is not currently available on iTunes (UK), sorry. To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 9: Lawrence of Arabia (1962) Released 23 May 2018. For this episode, we watched Lawrence of Arabia, directed by David Lean and written by Robert Bolt and Michael Wilson, with cinematography by Freddie Young and music by Maurice Jarre. It stars Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, José Ferrer and Omar Shariff. As well as Best Picture, Lawrence won six further Oscars, including Best Director for David Lean and Best Score for Jarre. Next time we will be discussing West Side Story. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 9: Lawrence of Arabia (1962) Released 23 May 2018. For this episode, we watched Lawrence of Arabia, directed by David Lean and written by Robert Bolt and Michael Wilson, with cinematography by Freddie Young and music by Maurice Jarre. It stars Peter O’Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, José Ferrer and Omar Shariff. As well as Best Picture, Lawrence won six further Oscars, including Best Director for David Lean and Best Score for Jarre. Next time we will be discussing West Side Story. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n

Lawrence de Arabia por César Bardés Cualquier hombre puede ser lo que quiera. En medio de las dunas, el sol puede acabar contigo, pero también es la pizarra del viento. Allí, en la arena, se puede dibujar la sangre de una batalla, el orgullo pisoteado, la rebelión enmascarada de manipulación, la matanza inútil, la crueldad que te conduce directamente a bordear el abismo de la locura y las huellas de un inglés que quiso la libertad de un pueblo que no era el suyo. Y la libertad, siempre la libertad, termina cuando la política hace su aparición. El-Orens, guerrero de valor inextinguible, el luchador de ojos azules que cree que nada está escrito, surge de la nada, como un sueño nacido de las páginas del Corán y se erige como un caudillo de discutible heroísmo. En medio de la sed de sangre, creerá que es el elegido, el libertador, el perfecto, el hombre de mirada que todo lo ve y nada le afecta. Orgía de desolación para alguien con voluntad de hierro y alma partida. Su desprecio hacia la diferencia de clases y de raza se revelará como algo inevitable en cualquier guerra. Y morir se antoja como el capricho de un destino que se ceba en su escondida predilección por acabar con la vida de los demás, y eso es lo que no soporta su espíritu torturado. Él es el elegido, sí…pero saberse el elegido le despoja de sabiduría para traspasar las fronteras de la bestialidad y de una gloria que acaba por destruir sus creencias. Ya sólo espera la muerte, agazapada en una curva. El-Orens era el nombre que los árabes daban al Comandante T.E. Lawrence, del Ejército Británico. Peter O´Toole dijo una vez: “Todos los días de mi vida doy las gracias por Lawrence de Arabia” aunque él no fuera, ni mucho menos, la primera opción para interpretarla. El personaje pasó de Marlon Brando a Albert Finney (que llegó a ser contratado) para terminar en un actor en el que David Lean, el director, se fijó a pesar de haber sido un secundario hasta ese momento, por su trayectoria teatral y por su inmensa capacidad para transmitir la tormenta interior de una personalidad en permanente conflicto. Junto a él, un Omar Sharif que borda el mejor papel de su carrera, profundo, intenso, algo enigmático, de mirada penetrante y que tampoco fue la primera opción pues llegaron a rodarse algunos planos con el francés Maurice Ronet; Alec Guinness que se revela fantástico como el Príncipe Feisal, manipulador de sentimientos y sublime en su sincero agradecimiento murmurado al Comandante Lawrence: “Mi deuda contigo no la podré pagar nunca”; Arthur Kennedy (que sustituyó en el último momento a Edmond O´Brien, que sufrió un infarto tres días después de comenzado el rodaje) que siempre aporta textura en su búsqueda de héroes inmortalizados en un papel de periodista más oscuro que el rojo sangre que logra retratar, capaz de ensalzar como aborrecer a la persona que ha encumbrado por puro interés; Jack Hawkins, duro y cruel, un coronel sin escrúpulos que hará cualquier cosa por alcanzar sus objetivos; Anthony Quinn, violento y mercenario, también lleno de matices y de ausencias que completan un personaje caprichoso y beligerante; Anthony Quayle, que admira el empuje de un soldado que él creyó que era uno más; Claude Rains, como siempre, grande, de finísima ironía y aguzado cinismo, agitador del polvo de las ideas para jugar en el terreno siempre traicionero de la política; José Ferrer, que inspira y transpira rechazo en su breve intervención…Todos ellos fueron hábiles intérpretes de una película que te deja con los labios secos y la amargura de una revolución justa solucionada de manera injusta. Detrás de las cámaras, Sam Spiegel y su enorme personalidad para producir y dotar de grandeza a una historia que merecía la leyenda que sólo otorga el cine; David Lean, dirigiendo con perfección imposible lo bello y lo siniestro; el hermoso y complejo guión de dos escritores de cine tan renombrados como Michael Wilson y el dialoguista Robert Bolt; la maravillosa banda sonora de Maurice Jarre en el que, quizá, sea el mejor trabajo de su carrera…Todos ellos consiguieron que, desde entonces, desde que se hizo esta película, el cine dejara su rostro espolvoreado en el lienzo abrasador de la arena del desierto…precioso en su desolación…en su castigo…y en su valor. Tracklist próximamente

EPISODE #105-- Cruz and James get back into real quality films with the Vincent Price lead murder mystery "Theater of Blood," which is also titled "Much Ado About Murder." It's as classy as it is trashy. But in a good way. The boys then talk about Princess Kayuga, Chimes at Midnight, Into the Inferno, Valhalla Rising, and, of course, Suicide Squad. Because why not? Follow us on Twitter @goldenagecruz and @kislingtwits. You can follow James on Instagram @kislingwhatsit. You can read James' ramblings at Gildedterror.blogspot.com. Donate to the cause at Patreon.com/Quality. Review us on iTunes. Tell a friend. Warn an enemy.

The election. And then viewer mail on media for scholarship and ideas, suspense and emotional salience in judicial opinions, and a little more. This show’s links: Oral Argument 106: Legal Asteroid (http://oralargument.org/106) Robert Bolt, A Man for All Seasons (https://en.wikipedia.org/wiki/A_Man_for_All_Seasons) David Souter on the Danger of America’s “pervasive civic ignorance” (video) (https://www.youtube.com/watch?v=rWcVtWennr0) Oral Argument 105: Bismarck’s Raw Material (guest Tim Meyer) (http://oralargument.org/105) Oral Argument 112: Quasi-Narrative (guest Simon Stern) (http://oralargument.org/112) Popov v. Hayashi (http://news.findlaw.com/hdocs/docs/bonds/popovhayashi121802dec.pdf) Oyez page for NFIB v. Sebelius (https://www.oyez.org/cases/2011/11-393) (select Opinion Announcement, part 1, for the relevant portion of the hand-down) Oral Argument 113: The Entrails of Fowl (guest Charles Barzun) (http://oralargument.org/113) Paul Horwitz, On “The Troublesome Use of Photographs . . . and Other Images” in Federal Court Opinions (http://prawfsblawg.blogs.com/prawfsblawg/2016/10/on-the-troublesome-use-of-photographs-and-other-images-in-federal-court-opinions.html) Blackmun’s dissent in DeShaney v. Winnebago County Department of Social Services (https://www.law.cornell.edu/supremecourt/text/489/189#writing-USSC_CR_0489_0189_ZD1) Jamal Greene, Pathetic Arguments in Constitutional Law (http://columbialawreview.org/wp-content/uploads/2016/04/Greene-J..pdf) The Oral Argument Index (http://www.hydratext.com/oralargumentindex/) David Ziff, The Worst System of Citation Except for All the Others (https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2862090)

This episode we review the season 5 premiere of one of the greatest and most cinematic television shows ever produced, "Game of Thrones", based on the series A Song of Ice and Fire by George R R Martin. Loosely inspired by the War of the Roses, we stay on the topic of dynastic wars and succession by revisiting Fred Zinnemann's classic adaptation of Robert Bolt's play "A Man for All Seasons", an essential classic for any Anglophile or lover of theater. 00:00 - 11:02 - Introduction/News 11:03 - 39:15 - "Game of Thrones" Season 5 Premiere Review 39:16 - 01:05:09 - "A Man for All Seasons" (1966) 01:05:10 - 01:07:57 - Closing Remarks/Blooper

Título original Lawrence of Arabia Año 1962 Duración 222 min. País Reino Unido Reino Unido Director Da vid Lean Guión Robert Bolt, Michael Wilson Música Maurice Jarre Fotografía Fred A. Young Reparto Peter O'Toole, Omar Sharif, Alec Guinness, Jack Hawkins, Anthony Quinn, Anthony Quayle, Claude Rains, Arthur Kennedy, José Ferrer, Donald Wolfit, I.S. Johar, Gamil Ratib, Michel Ray, John Dimech, Zia Mohyeddin, Howard Marion-Crawford, Jack Gwillim, Fernando Sancho, Hugh Miller, Jack Hedley Productora Columbia Pictures (Horizon Pictures Production) Género Aventuras. Drama. Bélico | Biográfico. Cine épico. I Guerra Mundial. Histórico Sinopsis El Cairo, 1917. Durante la Gran Guerra (1914-1918), T.E. Lawrence (Peter O'Toole), un conflictivo y enigmático oficial británico, es enviado al desierto para participar en una campaña de apoyo a los árabes contra Turquía. Él y su amigo Sherif Alí (Omar Sharif) pondrán en esta misión toda su alma. Los nativos adoran a Lawrence porque ha demostrado sobradamente ser un amante del desierto y del pueblo árabe. En cambio, sus superiores británicos creen que se ha vuelto loco. A pesar de que los planes de Lawrence se ven coronados por el éxito, su sueño de una Arabia independiente fracasará.

  Na  3ª edição do Masmorra Classic, Angélica Hellish, Marcos Noriega, Ivan e Paulo Elache do Podespecular, falam da sensacional adaptação cinematográfica da peça de teatro homônima escrita por Robert Bolt,  "O Homem Que Não Vendeu Sua Alma" (A Man for All Seasons) de 1966, dirigido por Fred Zinneman. Venha conosco para saber mais dessa obra vencedora de 6 Oscars e conhecer esse grande personagem histórico, Sir Thomas More. Um homem que não vendeu a sua alma e nem seus ideais. Alguém para se contar em todas as estações.   AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU! Inscreva-se no nosso canal no Youtube: O vídeo vai sair por lá! CLIQUE AQUI IMPORTANTE! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim .  Ajude a manter os podcasts independentes, como o nosso no ar, apoie. Feed|Facebook|Twitter|Instagram|Padrim  

Na  3ª edição do Masmorra Classic, Angélica Hellish, Marcos Noriega, Ivan e Paulo Elache do Podespecular, falam da sensacional adaptação cinematográfica da peça de teatro homônima escrita por Robert Bolt,  “O Homem Que Não Vendeu Sua Alma” (A Man for All Seasons) de 1966, dirigido por Fred Zinneman. Venha conosco para saber mais dessa obra […] O post Masmorra Classic #3 O homem que não vendeu sua alma apareceu primeiro em Masmorra Cine.

sermon transcript Well, as you just heard, this is our last sermon in this series in Proverbs. It's been a delight, and we're gonna focus this morning on friendship. One of my favorite movies of all time is A Man for All Seasons. It's a movie that was made in 1966 based on the Robert Bolt play of the life of Sir Thomas More. And Thomas More lived during the time of King Henry VIII, during the time of the reformation. And I don't agree with his theology, but in the movie, he's portrayed as a very courageous and winsome figure. And there are many attributes that he shows in that movie that are very engaging and very appealing. Thomas More was executed by Henry, Henry VIII for opposing Henry's divorce from his wife and his marriage to Anne Boleyn, and his break with the Roman Catholic Church and his taking of the, basically taking of the Pope's place, setting up his own really Catholic church there in London. And Thomas More opposed it. And the film covers that whole story. Now, the film gets its title from Catholic scholar Erasmus's comments or statement about Thomas More. In a letter in 1521, he said this about Thomas More, "It would be hard to find anyone who is more truly a man for all seasons and for all men." And so what he was saying is he handled prosperity and adversity with equal dignity, carried himself well, in any and every situation. Now, Erasmus and Thomas More were very good friends. And actually, it was another statement by Erasmus about Thomas More that arrested my attention recently. Erasmus knew leaders from around the world, and he marveled at More's comfortable way with people, his affable and self-effacing manner, and More was, Erasmus wrote, "A man born for friendship." A person who delighted in conversation with others and who could deal with every type of person at any level. Born for friendship, what a phrase. I really believe that's true of every single human being that walks in the face of the earth. I think we are born for friendship, we are born for relationship. We were not born to be alone in this world, to be isolated, to be an island unto ourselves. We were born for relationship, and I go beyond that, not merely relationship, we were born for friendships. Now, you can have a relationship with a hairdresser, you can have a relationship with a postal worker, you can have a relationship with a check out clerk at Kroger's. But none of these are friendships. You can have acquaintances at church or at work who ask about your weekend, and notice your new sweater after Christmas, and who inquire after your health. But even they are not necessarily friendships. Friendships go much deeper than any of that. At core, it's a matter of love. It's a matter of a shared love. Now, CS Lewis wrote a book called "The Four Loves," and he identified four Greek words for love. Storge, which is affection. Philia, which is friendship, and eros, which is sexual attraction, and agape, which we translate generally unconditional love. He isolated the fourth, charity, the Greek word agape, as the highest and the most perfect form of Christian love. Because it most perfectly represents God's unconditional love for sinners like us. Now, it's been rightly pointed out by New Testament scholars that New Testament writers tend to use philia and agape interchangeably, and so I agree with that. I'm not gonna get into the linguistics of it. But the difference between unconditional love and friendship is simply this: Unconditional love originates in the character of the one who does the loving, and it really to some degree, has almost nothing to do with the object of the affection. That's what unconditional love means. We're not looking for something in the individual, we're just loving because of who we are. Friendship, however, is drawn from us by attributes we see in the other person. We see something worthy, or worthwhile in that individual, and we're attracted to it, we're drawn to it. And it's appealing. Now, we can love a homeless beggar who is reeking of alcohol unconditionally as God loved us when we were still sinners. That is the God-like spirit of unconditional love, but we wouldn't necessarily be friends with that individual. Friendship is based on something we see in the person, something attractive, something that draws out our admiration, something that pulls out our affection. That bases our friendship on that issue. I think that in heaven, dear friends, we will see friendship perfected. We will see very desirable attributes in others, and we will see them forever. And therefore, actually, I think unconditional love is temporary. I'll say more about that. You're going to be shocked. You're gonna go back and say, "Oh my goodness, what did he say? Unconditional love is... " Well, just in the way I've been talking about it this morning, that's what I mean. I think we're going to see horizontally attributes in the brothers and sisters in Christ in heaven that will be perfected, and we will see those things forever and they will be worthy of our admiration. And they will draw from us great affection and we will love them for it. And therefore it will be very similar to what the Father said to the Son at the time of the Son's baptism, in which He spoke from heaven and said, "This is My Son, My only Son, whom I love, with Him I am well pleased." Now, every love in the universe is but a dim reflection of the love that the father has for the son and that the son has for the Father. The Father from eternity passed, delighted in the Son, in His perfections, in His attributes, in His nature, His heart, and so what will be in heaven. We will truly delight in other Christians for what they are, not unconditionally. We will not love people in heaven, let's put it this way, in spite of what they are any longer. The days for that will be over. But rather because of who they are in Christ. And we will love them eternally, for what they will be in heaven, what they will be forever. A perfectly glorious display of the Son of God. We will be perfectly conformed to Jesus Christ, and in that sense then worthy of that kind of friendship that I'm celebrating today. Today, I wanna meditate with you on the delights of friendship. A recent survey showed that people who have invested in deep friendships over a long period of time are likely to be the happiest people on earth. Friendship then is of the essence of happiness. Without friendships, life itself is lonely and isolated, and empty. As we meditate on friendships, I wanna do it in two distinct parts. I want to begin as I already have in this introduction, from an eternal kind of lofty God-centered way, looking at the eternal destiny of friendships and their role even now in our lives. And then in a very practical down-to-earth rubber meets the roadway from the Book of Proverbs. Frankly, that's been my consistent pattern in preaching on Proverbs anyway, and we're gonna do that again today. So let's begin by looking at the ultimate friendship. We were, dear friends, created for friendship with God. We were created for friendship with Almighty God. Thomas More was born and framed for friendship, and so were we, but of the highest kind, I speak of friendship with God. We were created to delight in God and be delighted by God. Would you characterize the love you have for God as unconditional love? Do we ever love God in spite of what He's done? Well, we may be tempted to do it, but, you know, we soon come to ourselves and realize God never does anything but perfection toward us. And we love God because of who He is. We love God because of the greatness of His person, the perfection that's revealed in Scripture, and we were born for that. We were born to celebrate it. Now, Abraham was called God's friend. What an amazing statement when you think about that. For a human being to be God's friend. It's incredible. Isaiah 41:8, "But you, O Israel, my servant, Jacob, whom I have chosen, you descendants of Abraham my friend." James restates this concept in James 2:21-23, "Was not our ancestor Abraham considered righteous for what he did when he offered his son Isaac on the altar? You see that his faith and his actions were working together, and his faith was made complete by what he did. And the scripture was fulfilled that says, 'Abraham believed God, and it was credited to him as righteousness,' and he was called God's friend." Now, Abraham's friendship with God consisted very much in his willingness to trust God no matter what, and to sacrifice whatever God asked of him. And I think that James' passage is just really drawing up the attributes that were in Abraham that were the basis of that friendship. Not the ultimate basis, I think the ultimate basis of that is the grace of God in Christ. But James is focusing on the human side of the effects of faith. And because he was willing to sacrifice his son, his only son, Isaac, he was called God's friend. I think that's what James is talking about here. Also, God revealed himself to Abraham. He opened Himself up, He revealed His plans to Abraham. You remember when God appeared with two other, I believe, angels at Abraham and Sarah's place. Invited Himself over for dinner, I guess. Actually, he didn't really, but what could Abraham do? And it was just the nature of hospitality in those days that he was going to set a meal before these three individuals. I think this may be in part what the author to Hebrews is talking about, "Some have entertained angels unawares." I don't think they really knew who these figures were at first, but as it went on, it became clear to Abraham. But God was there for a reason, to reveal to Abraham and Sarah what their own future would hold, but also to investigate Sodom and Gomorrah, and to see what should be done with those wicked cities. And God deliberates concerning this, concerning Abraham, and it's interesting how Scripture brings us right into the mind of God, for the deliberations that He has over this issue. Genesis 18:16 and 17, "When the men got up to leave, they looked down toward Sodom, and Abraham walked along with them to see them on their way. Then the Lord said, 'Shall I hide from Abraham what I am about to do?'" In other words, "Abraham is my friend, I have a relationship with him. Abraham is gonna become a great father of many nations, and he's gonna command his children to walk in the ways of God. Shall I hide from this man, what I'm about to do?" And in effect, God answered, "No, I'm not going to hide it. I'm gonna show him what I'm about to do." And then the intercession happens over Sodom and Gomorrah. Friendship with God is implied in many other cases, not just in this one, especially this phrase that, "So and so walks with God." Isn't that a delightful phrase, that so and so walked with God? Genesis 5:24, "Enoch walked with God, and then he was no more, because God took him away." And then in Genesis 6:9, "This is the account of Noah. Noah was a righteous man, blameless among the people of his time, and he walked with God. I would love to walk with God today, wouldn't you? I'm gonna wanna just love to walk with Jesus today. How delightful would it be to walk with God? And that's what Enoch and Noah did. Abraham was commanded to walk with God, and he did. Genesis 17:1, "When Abraham was ninety-nine years old, the Lord appeared to him and said, 'I am God Almighty, walk before Me and be blameless.'" And so also God's general command to us in Micah 6:8, "He has shown you, O man, what is good. And what does the Lord require of you, but to act justly and to love mercy and to walk humbly with your God." So we were created for friendship with God, just as Abraham was. Now, in the New Testament, Jesus comes to make us His friends. That's what He came to do. Now, it's a beautiful thing in John chapter 1, one of the least celebrated parts of that glorious Gospel of John is the way that the Church began. This tiny little beginning, just the seed, like a mustard seed of how the church, the grand and glorious church of Jesus Christ began. It's in John 1:35-39. It says there, "The next day John, John the Baptist, was there again with two of his disciples. When he saw Jesus passing by, he said, 'Behold, the Lamb of God.' When the two disciples heard him say this, they followed Jesus. Turning around, Jesus saw them following and asked, 'What do you want?' And they said, 'Rabbi,' which means teacher, 'Where are you staying? 'Come,' He replied, 'And you will see.' So they went and saw where He was staying, and spent that day with Him. It was about the tenth hour." You might think, I mean, "Why in the world would John include that?" I mean, John actually cuts out a lot of other things that appear in Matthew, Mark, and Luke, important things. John says, even the whole world couldn't carry all the books that would be written, and he's only chosen a few select things. Why would he choose this? This quiet little thing. This quiet little incident, I believe is the origin of the Church of Jesus Christ on Earth. I'm not speaking of a discontinuity between the Old Covenant, New Covenant, any of that. I'm just saying, that's where the church of Jesus Christ as such, Jesus of Nazareth had its start. Right there. With some time hanging out, Jesus and a couple of guys. I mean, think about it, come and stay, and they went and ate with Him and they had some conversation, they talked, they just spend time with Jesus. And you might think, "Well, what's so important about that?" That's the heart of it all. That's what He wants. He wants to eat with us, sit at table with us, He wants a relationship with us, He wants a friendship with us, and that's how it all started. One scholar said, it's probably where John met Jesus, and so he includes it there 'cause it was special to him. He was the disciple whom Jesus loved, and that's when he first spent time with Jesus, they became friends, thus began the church, the union of friends with Jesus Christ. And so later in John's Gospel, we see the privilege of being Jesus's friend, "John 15:13-15, "Greater love has no one than this, that He lay down his life for his friends, and you are my friends if you do what I command. I no longer call you servants, because a servant does not know his master's business. Instead, I have called you friends, for everything that I learned from my Father, I have made known to you." Again, that issue of self-revelation. Jesus opens His heart to us, He lets us know what He thinks. We have the mind of Christ, it says, He lets us know what He feels. We know what His purposes are. And after the resurrection, in John 21, it's amazing how John 1 has this quiet little kind of occasion with Jesus, and they kind of hang out with Him and spend time where He's staying. And the final chapter, after the glorious chapter 20, the resurrection chapter, and He reveals Himself to Thomas, "My Lord and my God." There's one more chapter and again, people have wondered, "What a kind of a strange end to John's gospel. Breakfast by the sea with Jesus." And Jesus is walking by the sea and He calls out and He says, "Friends, haven't you any fish?" "No," they answered. And then Jesus then guides them, though they don't know it's Him, to a supernatural catch of fish, and He makes fish for them for breakfast. A marvelous picture of friendship with Jesus. I think we may underestimate this. I think we may underestimate this whole issue of sitting at table with Jesus and just spending time with Him, because it seems to be the point. Now, what does it mean then to be friends with God? I mean, friends with, friends with God. I wish I could say ‘God’ like Thabiti does. Thabiti Anyabwile. I mean what a man, ‘God' you know, like that. But friends with the infinite Almighty Creator of the Universe. It obviously is a different kind of relationship than we would have with any other friend. Of the essence of friendship with God is daily, humble obedience to Him. "You are my friends, if you do what I command." God is God and always will be infinitely high above us. And therefore, we need to obey Jesus's commands if we wanna be His friends. Micah says we have to walk humbly with our God. Abraham obeyed the bitter command to sacrifice his son, his only son Isaac, and was called God's friend. Abraham himself, in that exchange I talked about when interceding with Sodom and Gomorrah, he said, "I'm only dust and ashes. He was aware of his standing as a human being before God. And I think that's completely appropriate. I don't think it's going to end in heaven. I think we will always have that sense of the infinite greatness of God above us. The holy Seraphim cover their faces before God. They're not sinful, but they just recognize an infinite gap. And yet for all of that, God sits at table with us, walks with us, and talk with us in His resurrection body. In the new heavens and the new earth, we will dwell with God and see his face. And be with Him forever. And the beauty of the Gospel of Jesus Christ concerning this vertical relationship with God is that it transforms enemies to friends. The most amazing part of this world is that we, even we sinners, could somehow become God's friends. And why would God even want us as friends? If you really know yourself that's amazing, that's amazing. I think that's where the unconditional part comes, it's not that God sees something in you. Not at all, there's something in God, but He's not gonna leave you that way, and He's going to work in you what is pleasing to Him. And so there's that beautiful consummation of that through sanctification and glorification. But the fact of the matter is, the power to transform enemies to friends of God is in the blood of Jesus. It's in the blood of Jesus Christ and no other place. Colossians 1: 21 and 22, "Once you were alienated from God and you were enemies in your minds, because of your evil behavior. But now he has reconciled you by Christ's physical body through death to present you holy in his sight, without blemish and free from accusation." Can I just ask you if you're here today, does that characterize you? Without blemish, free from accusation, are you still living like an enemy of God, violating His commands, lusting in your hearts, sexual lust, covetousness and greed? Does this characterize the way you're living your life? Are you afraid to die? Well, you ought to be. Are you afraid of judgment day? You ought to be. You're not afraid enough. But you've come here today, and you know what there is here today? The gospel, which is the power of God for salvation, and it says here of the Colossian Christians, once they were like that. They were enemies of God, characterized by their evil behavior, but they were rescued, they were transferred from the dominion of darkness into the kingdom of the beloved son. And so can you be. All you have to do is look to Jesus. I'm gonna say something shocking, you don't have to walk the aisle. You don't. You do have to obey Jesus. You do have to obey Jesus. And if while you're sitting there, something is sparked in your heart, Jesus is God in the flesh and died for me. He shed his blood for me and I can be forgiven, and I want that, and there's this yearning for that and looking to Jesus and a hatred of sin, you're already justified, friend, before you even speak a word. Faith has arisen in your heart, God has saved you, and then there's gonna be all kinds of good works that'll flow after that, and you will be called God's friend like Abraham was. The Gospel has that kind of power, to transform enemies and make them friends. And the friendship we have is eternal with God, it's not temporary, it's something we will have forever and ever. John 17:3, "Now this is eternal life, that they may know you, the only true God, and Jesus Christ, whom you have sent." Eternal friendship. Eternal knowledge, eternal relationship. 1 Corinthians 13:12, "Now we see but a poor reflection as in a mirror, then we shall see face to face. Now I know in part, then I shall know fully, even as I am fully known." I'm gonna be in this incredible face-to-face relationship with God who loved me in Jesus. How sweet is that? Revelation 22: 3 and 4, "No longer will there be any curse. The throne of God and of the Lamb will be in the city, and his servants will serve him and they will see his face, and his name will be on their foreheads." So with the unshakable foundation of a reconciled vertical friendship with God. We are then lead horizontally into friendships with others. The Gospel makes friendships. We have the power through the Gospel to be completely reconciled with other believers in Jesus Christ. We are brought into a marvelous fellowship, aren't we? A fellowship that extends the world around with friends we haven't even met yet. People who love Jesus like us, and we're gonna be in those relationship from here to eternity. So the common word for brothers in Christ is friends. Acts 4:23, when Peter and John were released from the Sanhedrin, they went to their friends and reported everything that the chief priests and elders had said to them. They went to their friends. It was the church. It was their friends. 3 John 15 says peace be to you, that friends greet you. Now greet the friends, every one of them. And many New Testament passages use the word beloved to address brothers and sisters in Christ, this is the word for friendship, these are friends. Dear friends is a way to put it. We are the beloved in Christ. And that's the way horizontally we speak to each other, beloved. I love listening to John MacArthur use that term in his sermons, and so beloved, he says, that kinda thing. It's wonderful, it's friendship, the friendship that we have for one another and that God has for us. We're commanded to love one another. 1 John 4:7, "Dear friends, let us love one another for love comes from God and everyone who loves has been born of God and knows God." 1 Peter 3:8, "Finally, all of you, live in harmony with one another, be sympathetic, love as brothers, be compassionate and humble." Love as brothers. Be compassionate and humble. We are also partners in worship, aren't we? Come together here every week to worship the living God. Psalm 95: 6 and 7, "Come, let us bow down and worship. Let us kneel before the Lord, our Maker, for He is our God, and we are the people of His pasture, the flock under His care." Have you ever noticed how many commands, horizontal the commands there are concerning worship? Worship the Lord with me, magnify the Lord with me, together, let us exalt His name. There's a lot of horizontal stuff, even the seraphim do that. They were calling to one another, Isaiah 6, Holy, Holy, Holy is the Lord almighty. It's going out horizontally, saying let's worship together. And in the ages to come, there's gonna be a multitude from every tribe and language and people and nation, standing before the throne in front of the Lamb and they're all wearing white robes and holding palm branches in their hands. And they're crying out in a loud voice, "Salvation belongs to our God." That's really a horizontal statement. Really, isn't it? Salvation belongs to our God and to the Lamb who sits on the throne. And so we are worship partners together, we're also co-laborers in the Gospel. Romans 16:21, Timothy, my fellow worker sends his greetings to you. 2 Corinthians 8:23, as for Titus, he is my partner, says Paul, and my fellow worker among you. Paul says this in Philippians 4, "I plead with Euodia and I plead with Syntyche to agree with each other in the Lord. Yes, and I ask you, loyal yoke fellow, help these women who have contended at my side in the cause of the gospel, along with Clement and the rest of my fellow workers, whose names are written in the book of life." In other words, Paul didn't walk alone down that road of apostleship and church planning and all that, he always had a group of friends around him, that horizontal co-laborer relationship he had with so many. And so it is with us. Here we are in this church, can I say honestly, there's nowhere else I'd rather be? There's no other group of people on the face of the earth that I'd rather fulfill the great commission with than you. My affection for you grows and grows with every passing year. And I'm grateful to you, and I'm grateful to God for you, and I enjoy doing the great commission with you, it's a wonderful thing to share, and I don't care who leads so and so to Christ, you or me, it doesn't matter, I'll celebrate either way. It's a joyful thing, isn't it? To be partners in the gospel together. And we also get to be partners in each other's discipleship and growth, in each other's sanctification, we get to disciple one another. Many times, we've talked about that Paul relationship and that Barnabas relationship and that Timothy relationship, those are all flourishing in healthy churches. You have relationship with a mentor. A man for a man, a woman for a woman who's older in the faith, somebody who can help you along, who's been there and is experienced and can help you. A Paul in your life, a Barnabas, who's a peer and who holds you accountable, who loves you, or walks with you, who journeys with you, or travels with you, going through the same things as you, and then there's a Timothy, somebody who maybe you even led to Christ and you can build them up in their faith, and all of these are based on friendship, all of them. Friendships in the gospel. And it's the beauty of the church. The unity of the church is the beauty of the church. Jesus said in John 17, verse 22 and 23, "I have given them the glory that you gave me, that they may be one as we are one, I in them and you in me. May they be brought to complete unity, so that the world may know that you sent me." John 13:35, "By this will all men know that you are my disciples if you love one another." Can I just say that unbelievers, outsiders who come in here, they're gonna quickly judge Christ and the Gospel and this church by the level of friendships that they experience here. They didn't even have to be involved, they just can observe them. 'Cause they might not be involved, they're strangers, nobody knows them, somebody should reach out quickly and draw them in, but they'll be able to observe even before that happens, whether we love one another or not, and whether we are each other's friends. And in this way, we adorn the gospel and make the gospel attractive 'cause people yearn for it, they really do. It's what they want. Now, perfect horizontal friendship won't happen here on earth. It's only for heaven. Unconditional love is needed now. Oh, do we need it? Oh, does my wife need it. We need it. I mean, we are sinners and we need to cover each other's sins. And God brings interesting people into His family, people you might not have chosen to bring into the family, they stretch you a bit. The church is filled with interesting people. I'm an interesting person in that way that I mean right now, and we all have warts and blemishes and edges and personality flaws and troubles, and we are not easy to befriend. And so if this is going to be a pattern here on earth, we've got to have that unconditional love for each other. We've got to accept each other in Christ Jesus, and bear with each other as the Lord has commanded us and forgive one another. Unconditional love in this sense, I think really just means secure love, it's secure. We're secure here. You're not gonna send your way out of my heart, I'm gonna love you. We're brothers and sisters in Christ, we're gonna be together. You're not gonna be kicked out of the family. You're secure, you're safe here, it is a permanent relationship. And we are called frequently to call to love one another in spite of such and such, right? That's what bear with one another means. Praise God you're not gonna be “bearing” with anything in heaven, alright? But we do bear here on earth and people are bearing with you. I know we all tend to think of it as a one-way street, how much I'm bearing in this relationship, but you know it's not. I mean, moments, little flashes of humility come across to you from time to time, and you'll say, "You know, they may need to bear with me too." And so we've got to have that love, that horizontal, unconditional love with one another, but I'm telling you it's temporary. Praise God, it's temporary. We won't need it in heaven. There won't be anything to bear with in heaven, we'll be celebrating the brother or the sister, and what God has done. Jesus said it this way, then the righteous will shine like the sun in the kingdom of their Father. And we'll love what we're seeing from them and we'll be attracted to it because it's gonna be Jesus' glory shining in them. Oh, how beautiful is that. The Father doesn't love the son in spite of anything, he loves the son because of things. And so it will be with us horizontally, we're going to love one another because of what God has done in each other's lives, and I can't wait for that. I just can't wait. It's a beautiful thing now when we see it, but it's gonna be perfected up there in heaven. Now you're saying to yourself, I thought this was a sermon on Proverbs. Well, we have a few more minutes. Alright, so yes, it is in fact a sermon on Proverbs. How does Proverbs help us now horizontally, live this out? I mean, we've been up in the heavenlies, we've been talking about heavenly relationship, friendship with God. Well, what about now? I mean, it's hard to have friendships, relationships are challenging. What does Proverbs have to say? How can I be helped by the book of Proverbs? Well, Proverbs begins in its advice on friendships by warning us about friendship, actually. Right from the start, in Proverbs, it warns us about being friends with criminals, I'm gonna come back to that in a minute, but right from the start, it gives us a cautionary tale about friendships. And so, in Proverbs, it talks about friendships that are based on false motives. Like, the friends that rich people have that others don't. You know what I'm talking about. It says in Proverbs 14:20, the poor are shunned even by their neighbors, but the rich have many friends. Okay, that's not what I'm talking about here when I'm talking about friendship. That's not it. Or Proverbs 19:4, “wealth brings many friends, but a poor man's friends desert him.” Lavish gifts makes friendships, right? Proverbs 19:6, "Many curry favor with a ruler, and everyone is the friend of a man who gives gifts." It's just a true statement, he's not advocating, "Hey, if you want lots of friends, give gifts to people, then you'll have lots of friends." The prodigal son tried that, how well did that work for him? When the money ran out, the friends ran out. It's just a warning. That's all. When trouble comes such false friends abandon. Proverbs 19:7, "A poor man is shunned by all his relatives, how much more do his friends 'avoid him.' Though he pursues them with pleading, they are nowhere to be found." That is not what we're talking about here, one to another. And as I said, Proverbs warns us not to befriend bad people, criminals. Proverbs 1: 10 through 16, the father says to the son, don't fall in with highway robbers, basically, with those who entice you and say, "Hey, let's lay and wait and let's kill somebody and take... We'll share a common purse. Let's get together and do this and we'll be friends together." That is wickedness. That's not friendship. Or don't befriend an angry man, be careful to befriend somebody who is corrupt in their character in this regard. Proverbs 22: 24 and 25, do not make friends with a hot-tempered man. Do not associate with one easily angered, or you may learn his ways and get yourself ensnared. So be careful in friendship, be discerning. Proverbs teaches the basic lesson, in 1 Corinthians 15:33, which says do not be misled, bad company corrupts good character. So I wanna urge you, young people, college students, be careful who your friends are. I wanna urge you in the workplace, you who are out in the workplace, be careful who you are becoming intimate with. Do not be unequally yoked with unbelievers isn't just about marriage. Don't get into close friendships with people that can corrupt you. I don't know what to say about friendship evangelism, I think we ought to befriend people and show them the love of Christ. But I'm talking about something different, a deeper level of, almost covenant relationship, we can't do it with unbelievers. Alright. Well then, what are the attributes of a true friend according to Proverbs? Well, let's start then with selectivity. Selectivity, Proverbs 12:26, a righteous man is cautious in friendship, but the way of the wicked leads them astray. This proverb is notoriously difficult to translate, but the Hebrew implies that a righteous man carefully investigates his friends. Now I'm not talking about background checks, there's a website in North Carolina where you can find out if a perspective friend had committed a crime, something like that. That's not what I'm talking about. It just means we're discerning, we're discerning in friendship. Proverbs 18:24 says a man of too many friends comes to ruin, but there's a friend that sits closer than a brother. So we're not looking for a multitude of shallow relationships, there are people that have friendships like that. A mile wide and just an inch deep, nobody really knows that person. Nobody really knows them. And that's not good enough. We need bands of friendship that go deep and tie us together. So selectivity. Secondly, sacrifice. I tell you, it's impossible to be in a love relationship of any kind without sacrifice, and frankly the love, the love is measured by willingness to sacrifice. Greater love is no one than this, that he lay down his life for his friends. That's what love is all about. Walter Winchell put it this way, "A true friend is someone who walks in when everyone else is walking out." And you've had times in your life when it seemed like everybody's walking out, that's when the true friend walks in. Lou Wein put it this way, "A friend is someone who is there for you when he'd rather be anywhere else." Oh, there are times like that, a true friend is there saying, the circumstances are horrible, but I'm here for you. So it has to do with sacrifice. And so Proverbs 17:17 says, a friend loves at all times, and a brother is born for adversity. That's what we're talking about and it's what Jesus says for us, all times, judgment day and beyond Jesus will be there for us. What a friend we have in Jesus. But in the same way, we should be that way for each other, loving in times of adversity. Thirdly, loyalty. A man of many companions may come to ruin, we've heard, but there is a friend who sticks closer than a brother. That's got to do with loyalty. Proverbs 27:10, "Do not forsake your friend and the friend of your father, and do not go to your brother's house when disaster strikes you, better a neighbor nearby than a brother far away." What he's saying there is a true friend is loyal, he sticks by you, he upholds your cause. Jesus' friends all deserted Him when He was arrested, he said it would happen. But they weren't perfected in friendship. But Jesus has made us this promise, Hebrews 13, "Never will I leave you, never will I forsake you." And so also a true friend who makes a similar promise to his friend, perhaps the friend is sick, perhaps the friend is unpopular after saying something stupid in a public setting, perhaps even there's some gross sin involved. We don't throw people out, we don't fire friends, we stick with them, we remain loyal. A true friend then is someone who knows the deepest parts of you and likes you anyway, this is the place I think of unconditional love here on earth. Fourthly, forgiveness. In this world where we still battle the sin nature, every single human relationship is based on the willingness to give and receive forgiveness, and if we don't do it, we won't have friendships, we just can't. We won't have a marriage, we can't have a good marriage. Without forgiveness, you can't have friendship. And so it says in Proverbs 10:12, "Hatred stirs up dissension, but love covers over all wrongs." That's what Jesus did. He covered our sins in his blood. The Old Testament word for atonement, Kippur is covering, it's a covering over of sin. And so we do that for each other. Love covers a multitude of sins, Peter tells us. Gotta have that in a friendship. Just overlook it. Proverbs 17:9, he who covers over an offense promotes love, but whoever repeats the matter, separates close friends. That's such a temptation, isn't it? To bring it up again. Remember that time when you... Yeah, we know, we know what happened. But it says in 1 Corinthians 13, love keeps no record of wrongs. To have a friendship, you make a determination to forget something. Just as God has made a determination to forget your sins, and so He has. It doesn't mean he doesn't know about your sin, he's omniscient. But he has chosen in the relationship in relational language to forget that sin as though it never happened. And so it must be for us. Trustworthiness. A perverse man stirs up dissension and a gossip separates close friends. Alright, a gossip, at least some kinds of gossip happens when a friend entrusts something precious and dear to another friend, entrusts them with that. And then that friend betrays the trust and spreads it around. And it separates that close friendship. It's not the same after that. That friend did not prove reliable, they were not faithful to the intimacy of the friendship. If you entrust something to a true friend, he's gonna keep that trust faithfully till the day he dies. Sixthly, we see honesty. Proverbs 27:6 “Wounds from a friend can be trusted, but an enemy multiplies kisses.” This verse refers to the willingness that true friends have to tell you the truth about yourself. Now, it's easy for us Christians to deceive ourselves about how it's going in our sanctification. Sin is a great deceiver. Romans 7:11, sin deceived me and put me to death. Hebrews 3:13 says we ought to encourage one another daily so that no one's hardened by sin's deceitfulness, so we need to help each other with this, with those blind spots. Blind spots. It's funny how we Christians will assent readily to the general presence of sin in our lives. I, like all seven billion other people, am a sinner. I mean, there's nothing to that, it's when you get real specific, the thing that the pride starts to kick up, if you noticed. Yes, we know you're a general sinner, well, I knew that, but what I didn't know this about you, was that you do such and such, and this is a problem in your life. I'm not saying you ought to do it that way, we'll get to that in a moment. But I'm just saying, it's when it gets specific and really connects with you in ways that aren't universally common to everyone, that's where it gets painful. And I think that's where friendships in the Lord can mean so much. C. J. Mahaney in his book "Humility" talks about how he has cultivated these kinds of relationships, he has a memorable passage which I quoted before here about a well-dressed man with a blob of cream cheese on his face, I won't go through the details again, but he sees this man, and wonders should he get up and say something. He's not a friend, he's not even an acquaintance, and he's still wondering that just out of common courtesy. But how would a friend that walks with him, as that man goes into the important meeting and never says anything. Well, he's an enemy, really, who's multiplying kisses. "Oh, you look fantastic. I love your well-groomed moustache." I mean, if we get real specific, I won't say you have a big blob of cream cheese on it, I'm not gonna a word. Well, that's a kiss that's multiplied by somebody who really doesn't love you. We have got to cultivate relationships in which there's this kind of honesty, but can I give you a warning about that, please, from personal experience? Can it please be done biblically, and that means gently and with humility. Galatians 6:1, if someone is in sin, you who are spiritual, restore him gently looking to yourself, lest you also may become tempted. These are the two qualities that you must have if you're gonna go horizontally to somebody and point out the cream cheese in their lives. Go gently and go with humility. An enemy multiplies kisses, but the wounds of a friend can be trusted. I had an experience, I will never forget some years ago, with someone who came to my office and he said, "It is my purpose to wound you tonight." And then read a five-page letter of flaws in my person in my ministry. There happened to be another Christian brother in the room at the time, and I understand the verse that was the basis of that statement, but I don't think he met the qualifications. If you're gonna do something like that, do it gently, please? I felt like I'd been in a car wreck. There is a way to do it. So I don't wanna go too far one way or the other. Too many of us don't ever do it at all, and so sin is never getting addressed, and there's no intimacy in that regard, but there's a way to do it and there's a way not to do it. And then finally, Proverbs says wise counsel is of the essence of friendship. Proverbs 27:9, perfume and incense bring joy to the heart, and the pleasantness of one's friend speaks from his earnest counsel. How sweet it is to have friends who really, really care about you and give you wise advice from the heart, the Hebrew implies it's from the soul. Earnest counsel 'cause they love you. So Proverbs has all of these things to say about our horizontal relationships. Selectivity, being cautious in friendship, sacrifice, being willing to love at all times, even in adversity, loyalty, forgiveness, trustworthiness, honesty and wise counsel. So applications. Are you first and foremost friends with God? I made a direct appeal to unbelievers some time ago, "Well, you've had some time to think about it now. How's it going? Is the Gospel making progress now in your life? Have you come to faith in Christ?" I beg you not to leave this place an enemy of God, but rather a friend. But I would say to you who are already justified, develop your friendship with God. There are some things that hurt that relationship, they block that friendship. The idolatries in our lives diminish our experience of friendship with God here on earth. Let's walk with God. And then horizontally, let's develop close relationships. Men especially, we're just not great at it. Look, I don't think there's anything wrong with talking about sports and the weather and all that sort of stuff, but let's get real with each other, men, shall we? Let's develop some friendships, some accountability relationships. And women, make sure that your friendships that you do have are based on the gospel, make them spiritual, make them discipleship, make them purposeful, make them blessed, eternally blessed. And make it a goal to develop more and more friendships here at FBC and reaching out. Let's not be the kind of fellowship that's a superficial surface-y entertainment fun and food church, which keeps people at arm's length. Let's not be that way. Let's be a real loving church that develops deep-seated spiritual relationships with accountability and humility. And finally make it a matter of prayer, to be that kind of a friend. Say, Lord, maybe I'm not a great friend right now, I'm not the kind of person I need to be to be a friend, change me. Make me willing to reveal myself, make me willing to have someone reveal themselves to me, make me willing to love deeper than I've ever loved before. Change me, O Lord, and get me ready for heaven. I pray in Jesus' name. Let's close together in prayer. Father, we thank you for the fact that we can take even our own hearts and characters right to you in prayer, we can ask that you would change us. And Father, I do pray that for myself right now. Fit me for friendship, O Lord. I pray that you would be working also in the people of this church, fit us all for this kind of intimacy and just real gospel-based friendships. But ultimately, Lord, my heart is one of thankfulness today that you have called me and all of us friends through Jesus Christ. Father, I pray that we would have deep, rich thankfulness in our hearts with you as a result of that. I look forward to the day when all friendships will be perfected and consummated in heaven. And to give you thanks, not just on Thursday at Thanksgiving, but throughout our lives for what you've done for us in Christ, we pray in Jesus' name, amen.

Roy Plomley's castaway is playwright Robert Bolt. Favourite track: Clarinet Quintet In A Major by Wolfgang Amadeus Mozart Book: Novels by P G Wodehouse Luxury: Writing materials