Podcasts about Some Girls

Weezer Bassist's Wife: Scott Shriner's wife Jillian Lauren was recently caught up in a police shooting but was this premeditated? A look into her history shows that this lady craves attention. Palette Cleanser: An Easter attempted muder of your parents cleanses the palette of the Weezer concubine. Park Freakout: A humble mongoloid tries to hang out at the splash pad and smoke weed, hilarity ensues. Also a guy has a talent for talking shit to police. THE BEAR!, FUCK YOU, WATCH THIS!, VIAGRA BOYS!, MAN MADE OF MEAT!, MIKE!, WRESTLING!, LVL UP EXPO!, MATCH!, STREAMATHON!, HORIZON!, HOURS BANKED!, WEEZER BASS PLAYER!, WIFE!, SHOOTOUT!, POLICE!, HIT AND RUN!, SCOTT SHRINER!, CHASE!, ESCAPE!, JILLIAN LAUREN!, VIDEO!, BODYCAM!, BEHOLD THE MONSTER!, TRUE CRIME!, PEN PAL!, SERIAL KILLER!, SAMUEL LITTLE!, SOME GIRLS!, MY LIFE IN A HAREM!, JEFRI BOLKIAH!, SULTAN!, BRUNEI!, CALL GIRL!, A PUNK ROCK CHARIZARD!, DRUG ADDICT!, CONCUBINE!, AVENGE ME!, EASTER!, RESURRECTION DAY!, STABBING!, HANGRY!, SNICKERS!, FREE COUNTRY!, MONGOLOID!, SPLASH PAD!, FLINSTONES!, FAT!, SHIT TALKING!, F SLUR!, CONEHEAD!, ESCALTE SITUATION!, FIGHT!, SLAM!, FREE SPEECH AUDITORS!, BET!, STORM!, RIVER!, LOU!, SWEPT AWAY!  You can find the videos from this episode at our Discord RIGHT HERE!

Colt and David sit down with singer/songwriter CJ Solar.  A native of Baton Rouge and a Belmont University graduate, Solar has penned No. 1 hits with Morgan Wallen's “Up Down” and Jameson Rodgers' “Some Girls.” He also co-wrote Jason Aldean's “I Don't Drink Anymore,” Justin Moore's “Between You & Me,” Jerrod Niemann's “The Regulars,” and more. He hit No. 1 on the Texas Chart with Mike Ryan's “Damn Good Goodbye” and Kyle Park's “What The Heaven.”  As an artist, Solar has released three EPs including the singles “American Girls” and “Airplane” and the Top 10 “Coming My Way.” He received the MusicRow Independent Artist of the Year Award in 2019, and tours coast-to-coast headlining his own dates and opening for artists including Lynyrd Skynyrd, 38 Special, Gary Allan, Chris Janson, Hank Jr., Aaron Watson, and others.Website: www.cjsolar.comFacebook: www.facebook.com/cjsolarbandInstagram: www.instagram.com/cjsolarTwitter (X): www.twitter.com/cjsolarSend us a textSupport the showCheck out our socials and follow us!Facebook: www.facebook.com/TwangTownPodcastInstagram: www.instagram.com/TwangTownPodTwitter: www.twitter.com/TwangTownPodWe would love your support to continue to bring listeners amazing content!Cash App: www.cash.app/$TwangTownPodBuzzsprout: https://www.buzzsprout.com/2232176/support

A finales de 1977, los Rolling Stones estaban en una encrucijada. Su popularidad había caído en picado desde 1976, con nuevos grupos como Kiss y Aerosmith dominando las listas en América y la ola punk ganando fuerza en Reino Unido. Para colmo, Keith Richards fue acusado de tráfico de drogas, enfrentándose a una posible condena de siete años en Canadá, que sería el golpe definitivo para la banda. En medio de esta crisis, Mick Jagger y el guitarrista Ronnie Wood asumieron el reto de sacar adelante su nuevo proyecto, «Some Girls», publicado en junio de 1978, que marcó un retorno a las raíces de los Stones, con influencias de la música disco y la energía punk. A pesar de su polémica portada y letras, que dividieron a los fans, el álbum fue un éxito comercial, alcanzando el #1 en la lista Billboard y convirtiéndose en el álbum más vendido de la banda en América, demostrando la capacidad de los Stones de adaptarse a los tiempos, sin perder su esencia.

The twins discuss Chris' recent songwriting efforts, their recent show at House of Blues Myrtle Beach, trips to New York and Aruba, books, an author friend and so much more - and Chris was on a roll with riffing and wordplay. This episode is everything you'd expect, and less.  SHOW NOTES: 0:00 - Song snippet by Chris Yale - "Blackmailed" 1:03 - Greetings and about the snippet. Chris' recent songwriting efforts.  2:38 - Recent show on The Deck at House of Blues Myrtle Beach / Shout out to our friend Amy White for the booking and Erik Davey for sound production / David Gilmour Luck and Strange Tour t-shirts from our Bill Becker / More about Gilmour tour 5:35 - Roger's trip to New York - Brooklyn and Sleepy Hollow / South Slope / Hartley's Irish Pub / Hanging with daughter Taylor and her beau, Seán / All-you-can-eat mussels / Read about the trip on Roger's BLOG. 6:30 - Chris' new wordplay: "BoSeán" / More about NY trip / Our friend Evan Rochon at Daniel Murphy High School Los Angeles / Sacred Heart High School Los Angeles 10:00 - Listening to The Stones' "Some Girls" while stoned in the 1970s. / Weed, social awkwardness and anxiety 11:33 - "Statute of limitations" with parents / Sinning / "God will punish you." / Jesus took the punishment / Parental guilt / "Little Me and Big Me" 14:24 - Lilith / Lillith Fair / Indigo Girls / Sarah McLachlan / Paula Cole Band - "Where Have All the Cowboys Gone?" / Mary Gauthier 16:00 - Chris didn't pick up a South African guy's pictures from Fotomat. 17:17 - More New York Trip / Irvington / Tarrytown / Sleepy Hollow Cemetery / Old Dutch Church / Grand Central at rush hour / Hessians / Subway at rush hour / "Billy on the Street"  20:45 - Chris' trip to Aruba / TAA Show (Tobacconists' Association of America) / Cigar industry 22:32 - "The Purpose Driven Life" by Rick Warren / Mom's handwriting / "Bowie at 75" by Martin Popoff / Meeting Bowie 25:17 - Decluttering / "It's All Too Much: An Easy Plan for Living a Richer Life with Less Stuff" by Peter Walsh  26:12 - Wayne C. Dees, "Altered Perceptions" book and film / Roger's friendship with Dees / Roger's review of the book 28:25 - Chris went for the low-hanging fruit and started in with the "CDs" reference - IYKYK - Stop it, Chris.  30:01 - Chris' production problems with ZOOM LiveTrak L-8 / Fast-talking / Latency / Clipped like Tyne Daly 31:20 - Parting shots / Concrete Blonde vs. Four Non Blondes / More Lilith / Bebe Neuwirth / Jane Friedman is not Jill Abramson / Vocal fry

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Price Tag by Jessie J (2010)Song 1: All That's Good by Smokey Robinson & the Miracles (1965)Song 2: Genius of Love by The Tom Tom Club (1981)Song 3: New Religion by The Tallest Man on Earth (2023)Song 4: Wynona's Big Brown Beaver by Primus (1995)Song 5: Some Days are Better Than Others by U2 (1993)Song 6: I Started a Joke by Bee Gees (1968)Song 7: Some Girls are Bigger Than Others by The Smiths (1986)Song 8: Sylvia's Mother by Dr. Hook (1972)Song 9: Dinner at Eight in the Suburbs by All-Time Quarterback (2002)Song 10: Gay Bar by Electric Six (2003)

Don Was & The Pan Detroit EnsembleMaggie LePique speaks with Don Was about his new musical group Don Was and the Pan-Detroit Ensemble. Don & the Ensemble are embarking on a West Coast run of concert dates in September 2024. Made up of stellar jazz musicians from his Detroit hometown, The Pan-Detroit Ensemble will perform a mix of new originals, interpretations of songs written by artists like Yusef Lateef, Olu Dara, and Henry Threadgill, and of course updated cuts from albums that Don recorded with Orquestra Was and Was (Not Was). Don's Detroit roots still run deep and, we explore those roots and highlight his most recent musical love letter to that great city, The Pan-Detroit Ensemble, and so much more. More on Don Was:Don Was is one of music's most significant artists and executives, exceling in multiple roles and serving as one of the industry's beacons for integrity and forward-thinking. During this period of disruption and rapid evolution in the worldwide music business, Was remains committed to music as an art form and its importance to contemporary culture. As the President of Blue Note Records since 2011, Was is both the company's leader and an ambassador for its music, charged with bringing the label's 21st Century jazz artists and its expanding pallet of contemporary musicians to larger audiences. Was is also caretaker for Blue Note's singular and historic catalogue of music, and is burnishing the label's 80-year legacy by overseeing ongoing and extensive reissue campaigns that serve audiences in both the analogue and digital realms.One of Was's most noteworthy musical associations of the past two decades is with The Rolling Stones, for whom he's produced their last four studio albums and a host of other studio and live recordings. Beginning with Voodoo Lounge in 1994 and continuing through Bridges To Babylon in 1997, A Bigger Bang in 2005 and Blue And Lonesome in 2016, Was's work with the Stones has resulted in Platinum and Gold certifications in dozens of countries. He also oversees the band's historic reissues, including Exile on Main Street in 2010, Some Girls in 2011 and Sticky Fingers in 2015, searching the band's vaults and master tapes for lost jewels and bringing the projects to completion. He produced the band's 2020 surprise single, “Living In A Ghost Town,” which was released amidst the global pandemic in April of that year.Source: https://donwas.com/https://www.bluenote.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the Show.

This podcast is a deeply personal one for me. Not just because I resonate so much with Jassa and his experience of not having a true sense of identity, but because I'm expecting a child with my wife late this year who will be of mixed heritage. My wife is Italian and I'm Indian so our child will be both Indian and Italian, rather than half Indian and half Italian. I never really thought of being half something and half something else as ever really something to pay attention to, but recording this podcast with Jassa and reading his story has made a real impact on me.In the same way John Agard educated us all with his wildly popular poem “half caste”, about the impact of words on people's sense of worth, I feel Jassa has educated me on the use of my words and thoughts, regardless of whether there is ill intent or malice behind them. Words mean so much and I'd never want anyone, let alone my unborn child, to feel anything other than a whole person.Jassa Ahluwalia is a British actor, writer, filmmaker and trade unionist. Born in Coventry to a white English mum and a brown Punjabi dad in 1990, he attended school in Leicester and was raised in an extended family environment. He spoke English in the playground, Punjabi with his grandparents, and spent various summer holidays in India. He came to prominence as Rocky in the hit BBC Three series Some Girls, followed by starring roles in Unforgotten, Ripper Street, and Peaky Blinders. He's also one of the funniest comedians I've ever come across on social media. Please watch some of his sketches online!Jassa created the hashtag #BothNotHalf to explore mixed identity in light of his own British-Indian heritage. His TEDx talk on 'How Language Shapes Identity' has clocked up over 170k views and his BBC One documentary Am I English? won an Asian Media Award in 2022.

Police in Aurora are under scrutiny again for the killing of an unarmed Black man. Kilyn Lewis was fatally shot by an officer in May. Then, meet "Some Girls and a Mural," who are brightening Colorado's eastern plains. Later, Colorado's big investment in quantum technology. And a new roof for Trinidad's historic Temple Aaron.

Police in Aurora are under scrutiny again for the killing of an unarmed Black man. Kilyn Lewis was fatally shot by an officer in May. Then, meet "Some Girls and a Mural," who are brightening Colorado's eastern plains. Later, Colorado's big investment in quantum technology. And a new roof for Trinidad's historic Temple Aaron.

This week on the show, I'm talking to Jassa Ahluwalia about his book and memoir, Both Not Half. Both Not Half is a poignant exploration of Jassa's own heritage – Punjabi and English – and other forms of identity including faith, class, gender and sexuality. Jassa reminds us that we are never fractions of an identity, but always whole, in a myriad of beautiful, overlapping, confusing but empowering ways. Jassa Ahluwalia is a British actor, writer, filmmaker, and trade unionist. Born in Coventry to a white English mom and a brown Punjabi dad in 1990, he attended school in Leicester and was raised in an extended family environment. He spoke English in the playground and Punjabi with his grandparents and spent various summer holidays in India. He came to prominence as Rocky in the hit BBC Three series Some Girls, followed by starring roles in Unforgotten, Ripper Street, and Peaky Blinders.Jassa created the hashtag #BothNotHalf to explore mixed identity in light of his own British-Indian heritage. His TEDx talk on “How Language Shapes Identity” has clocked up over 170k views, and his BBC One documentary Am I English? won an Asian Media Award in 2022.Both Not Half is publishing on 16th May 2024 in the UK. Get your copy here:https://uk.bookshop.org/a/5890/9781788708319----I'd love to hear your thoughts on this episode, so please do think about leaving a review, and like, subscribe and rate wherever you listen to this show :)Come connect with me on social media - I'd love to chat:www.instagram.com/readwithsamiawww.instagram.com/thediversebookshelfpod Support the Show.

 I Don't Wanna Hear It Podcast270 - Disc Dives For Dummies: Background Music by American NightmareThis week we're drawing a heart around our butts, which are not named, but are important to us.Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books at Sixth and Center Publishing because we want to be bankrupted by a dying medium.Episode Links:100 DemonsThe Final PlanBackground Music by American NightmareSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.” 

Repeat Revisitor Jason Earle of the Marinade Podcast joins us on a last minute's notice to discuss “Some Girls” from The Rolling Stones.  Plenty of other discussion including Verlon Thompson, Carbon Leaf, being weird about asking to be on “the list,” our favorite Stones records (and where this stacks up), Keith Richards' autobiography, other albums from 1978 and the dominance of The Brothers Gibb, and shadoobie. Check out Jason and The Marinade Podcast at: https://linktr.ee/marinadepodcast Check out The Rolling Stones at: https://rollingstones.comCheck out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Back with another episode of Stay Ready The Podcast, Matt sits down with CJ Solar. CJ is a country music singer/songwriter from Baton Rouge, LA. He is most known for co-writing the #1 smash hit "Up Down" for Morgan Wallen. He also has writing credits for another #1 song, "Some Girls" by Jameson Rogers. Throughout his career he written songs for the likes of Jason Aldean, Jerrod Neimann, Justin Moore and many others. As a performer, he's went on tour with Lynard Skynard, .38 Special, Gary Allan, Chris Janson and Han Williams Jr. Listen in as Matt and CJ discuss his other loves besides music  including his love for Brazilian Jiu-Jitsu which he has received a blue belt in. They also discuss how he got into music and how is parents were both avid musicians but due to their careers they did not get to play much in their spare time. They touch on his band that her formed with his brothers and played local coffee shops, his charity work with CreatiVets, the songwriting journey, having those number one songs, his musical influences and so much more on the latest episode of Stay Ready The Podcast. 

Is it possible - merely possible - that Ringo Starr's 1973 album, “Ringo” is the best solo Beatles album of that incredible year of classic solo Beatles albums? And while we're at it, does Ringo's 1978 entry “Bad Boy” still run circles - from a sheer rock & roll perspective - around the flaccid, weak-ass “Some Girls”? To be discussed on our final episode, stay tuned! Because, today's episode is dedicated to 50 years of the closest thing to a Beatles reunion album this side of the Threetles, and maybe even The Ladders. Tony and T.J., with a little help from our friends, Producer Casey and P3Z-Nutz, deep dish Side 1 of the greatest album (sorry, Liverpool 8) from the greatest drummer (sorry, Andy White) of the greatest band (sorry, Korn) of all time. And they also find (Morris Day and the) time to ask:

We're kicking off 2024 the way we often do by hearing from a legendary producer. This year we get to hear from the great Chris Kimsey! Chris was closely tied to the Stones for many years, producing albums like Some Girls, Undercover and Steel Wheels but his genius has impacted many other greats as well. In this conversation we cover artists big and small like Killing Joke, INXS, Duran Duran, Marillion, Led Zeppelin, Escape Club, Diesel Park West, Psychedelic Furs, Billy Squier, Bad Co., Curt Smith, Peter Frampton and reggae artists like Jimmy Cliff and Peter Tosh. You'll be knocked out by these stories and the breadth of songs he's worked on. Enjoy!  www.chriskimsey.com www.patreon.com/thehustlepod

Film historian Vaughn Joy returns to discuss the baffling 1988 Christmas movie "Some Girls," starring Lewiston's own Patrick Dempsey in this bonus episode.

"Sailing Through Sounds: JRad's Revelations & Dylan Surprises"Larry Mishkin    discusses  JRad (Joe Russo's Almost Dead)  December 1st concert  at the Riviera nightclub in Chicago. He talks about the band's unique covers, including Grateful Dead songs, and their ability to recreate the sound of the original artists. He highlight the performance of "Foolish Heart" during a previous show, describing its musical construction and its significance in the Grateful Dead's live repertoire.Delving into the band members' backgrounds, emphasizing their musical talents and contributions to JRad. It provides detailed information about each member's musical history and collaborations, discussing Joe Russo's drumming, Marco Benevento's keyboards, Dave Drywitz's bass, Tom Hamilton's guitar, and Scott Metzger's diverse musical styles.He also reviews JRad's surprise performances, such as their rendition of Bob Dylan's "Tell Me Mama," a song exclusively performed during Dylan's 1966 world tour. Larry expresses surprise at how JRad, despite being younger and not following Dylan in 1966, managed to perform the song so well.Additionally, he briefly touches on the issue of marijuana prohibition on cruise ships, by criticizing the strict enforcement against cannabis use, considering the changing attitudes toward marijuana. The discussion also touches upon ticket availability for concerts by bands like Phish and rumors surrounding potential performances..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast JRADDecember 1, 2023The Riviera NightclubChicagoJoe Russo's Almost Dead Live at The Riviera on 2023-12-01 : Free Download, Borrow, and Streaming : Internet Archive Episode title:      JRAD Rocks The Riv in Chicago on 12.1.2023: channel Dylan and Dire Straits                                Happy Birthday Keith Richards (80!) INTRO:                  Foolish Heart                                Track #3                                5:45 – 7:17  SHOW No. 1:      Tell Me, Momma                                Track #4                                0:57 – 2:33 Tell Me, Momma is a song written by Bob Dylan and performed exclusively during his 1966 World Tour with the Band (then known as the Hawks). It was used to introduce the second half of a concert, when Dylan switched from an acoustic solo performance to an electric performance backed by a band. The song was not recorded on a studio album, nor was it ever performed again by Dylan in concert.Dylan's May 17, 1966 live performance of the song was released in 1998 on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[1] In 2016, all Dylan's recorded live performances of "Tell Me, Momma" from 1966 were released in the 36-CD boxed set The 1966 Live Recordings, with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert. The boxed set contains all the live versions of "Tell Me, Momma" ever performed by Dylan and his band. SHOW No. 2:                      Fire On The Mountain                                                Track #7                                                0:30 – 2:05 SHOW No. 3:                      Before They Make Me Run                                                Keith Richards                                                ROLLING STONES: Before They Make Me Run (Promo - 7" Single Version) (youtube.com)                                                1:54 – 3:21 Today Keith turned 80.  Cannot let that milestone go unnoticed.  Richards was born in and grew up in Dartford, Kent. He studied at the Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts, and Brian Jones and joined the Rolling Stones. As a member of the Rolling Stones, Richards also sings lead on some Stones songs. Richards typically sings lead on at least one song a concert, including "Happy", "Before They Make Me Run", and "Connection". Outside of his career with the Rolling Stones, Richards has also played with his own side-project, The X-Pensive Winos. He also appeared in three Pirates of the Caribbean films as Captain Teague, father of Jack Sparrow, whose look and characterisation was inspired by Richards himself.In 1989, Richards was inducted into the Rock and Roll Hall of Fame and in 2004 into the UK Music Hall of Fame with the Rolling Stones. Rolling Stone magazine ranked him fourth on its list of 100 best guitarists in 2011. In 2023, Rolling Stone's ranking was 15th.[1] The magazine lists fourteen songs that Richards wrote with Jagger on its "500 Greatest Songs of All Time" list.My favorite “Keith tune” in the Stone's songbook.  1978 version. "Before They Make Me Run" is a song by English rock band the Rolling Stones, featured on their 1978 album Some Girls.English musician, songwriter, singer and recording producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band's lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure.Written by guitaristKeith Richards, the song is a response to his arrest for heroin possession in Toronto in February 1977. The criminal charges and prospect of a prison sentence loomed over the Some Girls recording sessions and endangered the future of the Rolling Stones.[2]In the lyrics, Richards reflects unapologetically on his lifestyle up to that point. The line "it's another goodbye to another good friend" in the first verse can be interpreted as referring to Gram Parsons, Richards's close friend who died in 1973 from a drug overdose,[3] and/or to heroin itself: Richards had sought medical treatment for heroin addiction following his arrest in Toronto, and his resolution to overcome his addiction would be a significant factor in his upcoming trial.[4]Richards recorded the song in five days without sleeping.[5] Originally entitled "Rotten Roll", the song was recorded in a Paris studio in March 1978 during one of Mick Jagger's absences from the Some Girls sessions.[6] The completed track, "a high-energy rock & roller",[7] features Richards on lead vocals, acoustic and electric guitars, and bass; Ronnie Wood on pedal steel guitar, slide guitar and backing vocals; Charlie Watts on drums; and Jagger on backing vocals.Richards first performed the song in concert on the New Barbarians' tour of North America in 1979; it was not until the Steel Wheels Tour in 1989 that it entered the Rolling Stones' concert repertoireSHOW No. 4:                      Romeo and Juliet                                                Track #13                                                1:54 – 3:21 "Romeo and Juliet" is a rock[1][4][5] song by the British rock band Dire Straits, written by frontman Mark Knopfler. It first appeared on the 1980 album Making Movies and was released as a single in 1981.[6] The song subsequently appeared on the Dire Straits live albums Alchemy and On the Night, and later on Knopfler's live duet album with Emmylou Harris, Real Live Roadrunning (though Harris does not perform on the track). The song itself, written by Knopfler, was inspired by his failed romance with Holly Vincent, lead singer of the short-lived band Holly and the Italians. The song speaks of a Romeo who is still very much in love with his Juliet, but she now treats him like "just another one of [her] deals". Knopfler has both stated and implied that he believes Vincent was using him to boost her career. The song's line, "Now you just say, oh Romeo, yeah, you know I used to have a scene with him," refers to an interview with Vincent, where she says "What happened was that I had a scene with Mark Knopfler and it got to the point where he couldn't handle it and we split up.  OUTRO:                                Hard To Handle                                                Track #17                                                5:00 – 6:45 Otis Redding recorded Hard to Handle in late 1967, shortly before his death. It was released as a single in June 1968. By 1969, it was being covered by a number of people, and surprisingly, the Dead seem to have been one of the first. If anyone were to think of the least likely groups in ‘69 to cover some funky new R&B, the Dead would probably be on that list. They hadn't shown any interest in picking up new R&B covers since mid-1967, when they started doing Lovelight – since then, they had focused on their original ‘acid-rock' material. Many old covers dropped out of their setlists, and from summer '68 through winter '69, their shows were almost exclusively devoted to Anthem & Live/Dead suite material, with a few new Aoxomoxoa songs dropped in.But by March 1969, they seem to have felt the need for something new – the Live/Dead album was in the can, and their repertoire had not varied much in months. Aside from a couple sluggish, misbegotten renditions of Hey Jude that winter, Hard to Handle was their first new cover song in over a year. Over the course of the spring, they would gradually bring in more cover tunes, bringing back many songs they had stopped playing in previous years, and the shows would start to reflect a wider set of influences.Pigpen probably emulated Otis, and of course this song would have matched his strutting stage persona; it may have been his idea to cover it. The Dead must have known they could not recapture the tight, snappy Stax horn sound of Redding's original, and they didn't even try. Instead they adapted it to their loud, heavy, lumbering two-drum, two-guitar style – of course adding a big guitar solo. Pigpen had a set way of singing the song from the start, closely following Redding's phrasing, which would vary little over the next couple years; but the band would go through some dramatic changes in the way they played the song. (The next year, a bit lighter on their feet, they would also attempt James Brown's ‘Man's World' – not one of his funkiest efforts – but would only play it for about five months.) The Dead had long been fans of Otis Redding – in 1966-67, Pigpen was performing his ‘63 song ‘Pain in My Heart.' (Though the impetus to cover it may have come from the Rolling Stones' version.)Redding came to the Fillmore in December '66 – musicians were clamoring to Bill Graham that he needed to book Otis. When he came, according to Graham, “Every artist in the city asked to open for Otis. The first night, it was the Grateful Dead. Janis Joplin came at three in the afternoon the day of the first show to make sure that she'd be in front… Every musician then into music came.” *The Dead opened for Redding on 12/20/66; the next two nights, other bands opened. (The Dead went to play in Santa Clara.) Bill Graham was permanently impressed: “By far, Otis Redding was the single most extraordinary talent I had ever seen. There was no comparison, then or now... That was the best gig I ever put on in my entire life.” * Janis also mentioned that Otis was a particular inspiration to her. (I believe Ralph Gleason also wrote a review of one of the shows for the Chronicle, which I'd like to see.)When Garcia & Lesh appeared on Tom Donahue's FM show in April '67, they played Otis' cover of ‘Day Tripper' and reminisced about the show. Otis had an 18-piece band with him, and Garcia recalled that Otis did his standard show, “where the band would get up and play some numbers, and a girl singer would come up” and warm up the audience before Otis appeared.Lesh: “It was kind of scary to work with Otis… He tore it up!”Garcia: “Otis is really heavy… He tore the place apart… When he came on stage, it was like the whole place got about six times as big, and the band just got real snappy – it was so fine, and the music was really good.” The Dead debuted Hard to Handle at the Black & White Ball (Hilton Hotel, S.F.) , 3/15/69 – the very first song of the show! In their eagerness to tackle it, they perhaps neglected to rehearse it a few more times… They have trouble keeping together in the precise arrangement, and sometimes stumble around erratically before syncing up again. Garcia plays swooping slide throughout, but seems to have little idea what to do with it, so there's not much of a solo and they just sort of stagger forward aimlessly for a while. Pigpen is also a little confused about the verses. At the end the band thinks Pigpen's finished, but he continues with another verse, so they bring it to an abrupt end. Last played on December 31, 1982 at the Oakland Civic Auditorium.  Played it a total of 120 times.   Other stories:Cruise Ships have a very strict NO CANNABIS rule.  That sucksPhish tix for the Sphere are out. Did you get any?  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Rolling Stones - die wilden 70er Jahre: Die Stones sind immer noch dabei und immer noch an der Spitze - allerdings gingen sie im Laufe der Jahrzehnte durch einige tiefe Täler. Nach dem Tod ihres ursprünglichen Kopfes und Klangtüftlers Brian Jones schienen die Rolling Stones am Nullpunkt angelangt zu sein. Das Jahr 1969 war von dem schweren Verlust geprägt. Das Album "Let it Bleed" kam im November heraus, mit "Gimme Shelter" und "You can´t always get what you want" enthielt es gleich mehrere Klassiker der Band. Das für vier Menschen tödlich verlaufende Frei-Konzert in Altamont mit den Rolling Stones als Hauptattraktion beendete auf schreckliche und desillusionierende Weise die 60er Jahre. 1971 legten sie, verstärkt durch den jungen Mick Taylor, mit "Sticky Fingers" eines ihrer stärksten Alben vor, Einflüsse von Country und Blues wurden stärker. Die kreative Hochphase hielt auch bei "Exile on Main Street" an. Das Album wurde wegen anhaltender Geld- und Steuerprobleme in Südfrankreich aufgenommen. Auch die folgenden Alben enthielten den speziellen Stones-Sound. Verlässlich wurden Songs zu Hits, mal Balladen, mal Rocksongs, wie etwa "Brown Sugar" oder "It´s only Rock n Roll" (vom gleichnamigen Album). Ab Mitte der 70er gerieten die Stones allerdings in eine Krise, zum einen stieg der Gitarrist Mick Taylor wieder aus, zum anderen wurde immer deutlicher, wie schwer Keith Richards' Heroinsucht war. Touren und Aufnahmen wurden zum Geduldspiel. 1978 schafften die Stones mit "Some Girls" noch einmal ein Album voller überzeugender Songs. Mit Ron Wood hatten sie einen passenden Gitarristen und, noch wichtiger, einen geradezu perfekten Rolling Stone neu in die Band aufgenommen. Aber, von gelegentlichen musikalischen Geistesblitzen mal abgesehen, dauerte es über ein Jahrzehnt, bis sie sich wieder auf ihre alten Stärken besannen. Den dritten und letzten Teil über die späten Jahre der Rolling Stones findet Ihr hier ab 21.12.2023. Peters Playlist für die wilden 70er: Single: Honky Tonk Women (7/1969) Let It Bleed (1969): Gimme shelter, Live with me, Let it bleed, Midnight Rambler, You can't always get what you want Sticky Fingers (1971): Brown sugar, Wild horses, Can't you hear me knocking, Sister Morphine, Moonlight mile Exile On Mainstreet (1972): Tumbling dice, Sweet Virginia, Torn and frayed, Happy, Let it loose, Shine a light, Soul survivor Goats Head Soup (1973): Coming down again, Angie, Winter, Scarlet (feat. Jimmy Page/DeLuxe Edition 2020) It's Only Rock'n'Roll (1974): Ain't too proud to beg, Till the next goodbye Black And Blue (1976): Hot stuff, Memory motel, Fool to cry Some Girls (1978): Miss you, Some girls, Far away eyes, Beast of burden

Tonight, I'm talking about serial killer Samuel Little with Jillian Lauren, author of “Behold the Monster: Confronting America's Most Prolific Serial Killer.” Jillian Lauren Jillian Lauren is a writer, storyteller, adoption advocate, rock-wife, and lousy kickboxer. She is the New York Times bestselling author of the memoirs EVERYTHING YOU EVER WANTED, and SOME GIRLS: My Life in a Harem, and the novel PRETTY. SOME GIRLS, which recounts her time spent in the harem of the Prince of Brunei, has been translated into eighteen languages. She was the only journalist to extensively interview Samuel Little, the most prolific serial killer in American history. This experience is chronicled in Joe Berlinger's hit STARZ documentary series, CONFRONTING A SERIAL KILLER, and in Michael Connelly's podcast MURDER BOOK: The Women Who Brought Down Samuel Little. Her book BEHOLD THE MONSTER: Confronting a Killer is forthcoming. Jillian has an MFA in Creative Writing from Antioch University. Her writing has appeared in New York Magazine, The New York Times, Vanity Fair, The Paris Review, The Los Angeles Times, Los Angeles Magazine, Elle, Flaunt Magazine, The Daily Beast, Salon, and many others. Her work has been widely anthologized, including in The Moth Anthology, and True Tales of Lust and Love. Jillian is a regular storyteller with The Moth and performs at spoken word and storytelling events across the country. She did a Tedx talk about adoption and identity at Chapman University in 2014. She has been interviewed on The View, Good Morning America and Howard Stern, to name a few. Jillian is married to Weezer bass player Scott Shriner. They live in Los Angeles with their two sons. Behold the Monster Jillian Lauren had no idea what she was getting into when she wrote her first letter to prolific serial killer Samuel Little. All she knew was her research had led her to believe he was good for far more murders than the three for which he had been convicted. While the two exchanged dozens of letters and embarked on hundreds of hours of interviews, Lauren gained the trust of a monster. After maintaining his innocence for decades, Little confessed to the murders of ninety-three women, often drawing his victims in haunting detail as he spoke. How could one man evade justice, manipulating the system for over four decades? As the FBI, the DOJ, the LAPD, and countless law enforcement officials across the country worked to connect their cold cases with the confessions, Lauren's coverage of the investigations and obsession with Little's victims only escalated. New York Times bestselling author and lead of the Starz docuseries Confronting a Serial Killer Jillian Lauren delivers the harrowing report of her unusual relationship with a psychopath. But this is more than a deep dive into the actions of Samuel Little. Lauren's riveting and emotional accounts reveal the women who were lost to cold files, giving Little's victims a chance to have their stories heard for the first time. Find Jillian on X @Jillylauren and IG @jillianlauren or www.jillianlauren.com Don't forget to check out Spoilers on amazon or wherever books are sold. Ty Benhoff two coming soon. Thanks to Forget the Whale for the music. Tripecoh Media LLC. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thatscriminaljs/message Support this podcast: https://podcasters.spotify.com/pod/show/thatscriminaljs/support

Hey. It's a special one this week. Juliana Hatfield is a singer-songwriter based in Massachusetts. She was a member of the Lemonheads in the early 90s, as well as bands like Blake Babies in the late 80s and Some Girls in the early 00s. She's made albums with Matthew Caws from Nada Surf and Paul Westerberg from The Replacements. She's also released around 20 albums under her own name, sometimes as the Juliana Hatfield Three. Although a prolific songwriter, in recent years she occasionally releases an album of covers by a specific artist. Her latest one, “Juliana Hatfield Sings ELO”, follows her albums of songs by Olivia Newton John and The Police. Being a big ELO fan myself, it seemed like a great time to talk with her. She had a particular rough time in the press in the 90s and he experience with working with a major label has clearly left it's scars. Stick with this one, after a lot of ELO geek talk we go deep. It was genuinely one of my favourite conversations I've had for the show. Sometimes you have a guest where you feel you're really chasing down some kind of epiphany. I'm not sure we reached one, but you decide. Insta: @sendingsignalspodcastX: @signalspodcast

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. I'm so pleased to have Freda Love Smith on the podcast today, most well known for her being a founder and drummer of the Blake Babies. She's also been in several other bands, including Mysteries of Life, Some Girls, and my favorite outside the Blake Babies, Antenna. These days, she's a noted writer and just released her second book, “I Quit Everything.”   It goes without saying that we're talking about quitting today! Musical credits: "Hardboiled" by Blue Dot Sessions Freda's website "I Quit Everything" on IndieBound and on Amazon. Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Country star Jameson Rodgers is really looking forward to coming to Boston with Old Dominion. The "Some Girls singer will be a part of the band's No Bad Vibes Tour. They come to the TD Garden on Thursday, September 21 along with Niko Moon and Kassi Ashton. He called to talk about it. You can listen here as Jameson Rodgers talks about playing the iconic venue, his new music, and plays a round of "Jameson and Then Some" so we can get to know him a little better.  (Photo by Catherine Powell/Getty Images) 

Subscriber-only episodeCRIMINAL BEATS Episode: It's time to take another trip to the musical dark side! This track* by the Rolling Stones called Claudine is about the french singer and actress Claudine Longet, who never really caught a break in the spotlight, but was best remembered for fatally shooting her boyfriend, ski legend Spider Sabich in their Aspen, CO chalet on March 21, 1976. At the trial she claimed the gun went off accidentally when he was showing her how to use it.We'd love to hear what you think about this case. Was it an accident? Crime of passion? Planned?*You won't find this song on their original studio albums. They recorded it for Some Girls, but couldn't include it on that 1978 album because of legal issues. The song's official release date was November 2011 on the deluxe edition of the Stone's Some Girls album.Thanks for listening! Subscribe here: For Bonus Friday Episodes! (You'll also get a shout out on the show, a handwritten thank you from your ladies, and 20% off our merch! Follow us on Instagram, TikTok and Facebook.

Juliana Hatfield has been making great records since the late eighties. This November she releases solo record number twenty, a tribute to the Electric Light Orchestra entitled "Juliana Hatfield sings ELO", a follow up to her ode to Olivia Newton-John and The Police. Of course in between she sandwiched in, "Weird" (2019) and "Blood"(2021). Along with her multitude of great solo albums, Juliana has also been involved in many other great projects including Blake Babies, The Lemonheads, Some Girls, The Minor Alps, The I Don't Cares etc. We cover as much of her epic career as we can on this episode. The indie-pop rock sensation has had an amazing career and there is no stopping her now...enjoy! Music The Charms "So Pretty"(theme music) Juliana Hatfield "Sugar" Some Girls "Prettiest Girl" Support the podcast: patreon.com/twistedrico contact: twistedrico@gmail.com #JulianaHatfield

Kelly Diels (she/her) makes it her mission to support culture makers. She's disrupting the norms of extractive capitalism by shining a light on the harms caused by traditional sales & marketing tactics. She offers an alternative where we can focus on vision, consent, and deepening relationships. And how we can make both money and justice. Recently diagnosed with lipedema, Kelly shares how health is connected to culture-making, too. Kelly Diels is a feminist educator, writer, and coach. She specializes in feminist marketing for culture-makers. She's here to raise awareness about how the business-as-usual formulas we learn everywhere actually reproduce oppression. She develops and teaches alternate feminist marketing tools to help us do it differently (and better).Please connect with Kelly on her website, Instagram, Facebook, and subscribe to her Sunday Love Letter. This episode's poem is by Alison Luterman and is called “Some Girls.”Bonus content with Kelly through Apple Podcast Subscriptions and on Patreon.Please connect with Fat Joy on our website, Instagram, and YouTube (full video episodes here!). Want to share the love? Please rate this podcast and give it a review. Our thanks to AR Media and Emily MacInnis for keeping this podcast looking and sounding joyful

Links from the show:* Behold the Monster: Confronting America's Most Prolific Serial Killer* Connect with Jillian* Rate the showAbout my guest:Jillian Lauren is a writer, storyteller, adoption advocate, rock-wife, and lousy kickboxer. She is the New York Times bestselling author of the memoirs EVERYTHING YOU EVER WANTED, and SOME GIRLS: My Life in a Harem, and the novel PRETTY. SOME GIRLS, which recounts her time spent in the harem of the Prince of Brunei, has been translated into eighteen languages.She was the only journalist to extensively interview Samuel Little, the most prolific serial killer in American history. This experience is chronicled in Joe Berlinger's hit STARZ documentary series, CONFRONTING A SERIAL KILLER, and in Michael Connelly's podcast MURDER BOOK: The Women Who Brought Down Samuel Little. Her book BEHOLD THE MONSTER: Confronting a Killer is forthcoming.Jillian has an MFA in Creative Writing from Antioch University. Her writing has appeared in New York Magazine, The New York Times, Vanity Fair, The Paris Review, The Los Angeles Times, Los Angeles Magazine, Elle, Flaunt Magazine, The Daily Beast, Salon, and many others. Her work has been widely anthologized, including in The Moth Anthology, and True Tales of Lust and Love.Jillian is a regular storyteller with The Moth and performs at spoken word and storytelling events across the country. She did a Tedx talk about adoption and identity at Chapman University in 2014. She has been interviewed on The View, Good Morning America and Howard Stern, to name a few.Jillian is married to Weezer bass player Scott Shriner. They live in Los Angeles with their two sons. Get full access to Dispatches from the War Room at dispatchesfromthewarroom.substack.com/subscribe

Join our PATREON for bonus episodes.  This week we have Justin Pearson from Three One G, The Locust, Some Girls, Head Wound City, Retox, etc on the pod to talk about the debut self titled album from Drive Like Jehu. This is an extremely special opportunity to discuss the band and their impact on music due to the passing of Rick Froberg. In this episode we discuss: needs no introduction, San Diego, Kasher in Tinseltown, Roskilde Festival scene report, strange hardcore, touring Japan, Melt Banana, Jungle Rules Live, Misunderstood, Septic Death, John Waters, Danzig, will Justin give Mike Patton the shirt?, love the USA or gtfo, the Drive Like Jehu origin, RFTC, tension in San Diego, Swing Kids, Fugazi, the Deftones cover, The Locust tone, what does Jehu mean, percussive guitars, Some Girls, and so much more. // Follow us at @danbassini, @mysprocalledlife, @justinpearson31g @threeoneg and @runintotheground.  Listen to our RITG Mixtape Vol. 12 Best of 2022 here.

In this episode, we discuss the Rolling Stones' 'Some Girls' album in celebration of the 45th anniversary of its June 9, 1978 release. We are joined by both my brother, Spencer Cropper, and my great friend, Alex Mihalopoulos — simultaneously!Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Comedian Marc Maron rips it up to some of the all-time greatest rock songs on The Rolling Stones' 1978 album Some Girls. Follow Marc on Instagram: https://www.instagram.com/marcmaron/ Follow Marc on Twitter: https://twitter.com/marcmaron Listen to Marc's acclaimed podcast WTF with Marc Maron: http://www.wtfpod.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest episode of Ranking Tracks is here.... some how through the first 78 episodes, I never covered the Rolling Stones... but that changes now! Let's talk 1978's Some Girls. Man there's some controversy with this one!

Recorded in Los Angeles in front of an audience at Braindead Studios - Jeremy interviews Justin Pearson (The Locust, Swing Kids, Deaf Club, Some Girls, Retox, Dead Cross, and more!) On this first ever live episode Jeremy and Justin talk about the way they met, Chicago hardcore, KISS, seeing The Cramps live at age 12, Suicidal Tendencies, San Diego, Struggle, Ebullition Records, Born Against, meeting Steve Urkel in Paris, Swing Kids, festival toilets, Three One G, the least fun vinyl format ever, John Waters, favorite Locust song titles, and more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Justin answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

In Episode 26 of Cult and Culture, Justin and Luke catch up with two members of short-lived 90s hardcore band End of the Line, Cory Linstrum (John Henry West) and Matt Anderson (Gravity Records, Heroin). They talk about coming up DIY, seeing Born Against play in their own garage, working with Ebullition to release their only album (now being reissued by Three One G), and the second (third? fourth?) wave of hardcore that the 90s brought with it. They also talk about the violence happening in San Diego at that time, the magic of the legendary venue Che Cafe and the scene it fostered, and the way that music helps keep people connected over decades in ways that nothing else can. They also dive deeper into Gravity Records, and some of the memorable releases including Man is the Bastard, Earthless, and Antioch Arrow. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters' Cecil B. Demented, to acting in an Asia Argento's Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about. Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz' D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is available on iTunes and SoundCloud and new episodes will be premiering on Brooklyn Vegan. You can find the latest episode premiere here. Links to the previous podcasts are below. Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G's Soundcloud. soundcloud.com/threeoneg/sets/cult-and-culture-podcast podcasts.apple.com/us/podcast/cult…re/id1232084207

The Weenie Boys are here to tell you about the early 00's hardcore supergroup, Some Girls, and every single Justin Pearson project. The theymove onto the hatred of larger indy rock labels and Prince's Batmansoundtrack! It's a wild ride, I promise!

I have the honour of having, as a featured guest, the esteemed Jillian Lauren; one of the women responsible for bringing Samuel Little to justice. Yes, the Samuel Little. None other than the premier serial killer in all of North America.Only the Green River Killer ever came close to matching Little's kill count. Samuel Little, who went under the radar as a serial killer for decades, has admitted to murdering 93 innocent women. You can rest assured that I will feature a series dedicated to his life and crimes in later episodes, but in this episode I have the pleasure of discussing the case, and other topics, with Jillian Lauren.Jillian Lauren is a writer, storyteller and adoption advocate, with a love for kickboxing. She is the New York Times bestselling author of the memoirs Everything You Ever Wanted and SOME GIRLS: My Life in a Harem as well as the novel Pretty. SOME GIRLS, in which she recounts her time spent in the harem of the Prince of Brunei, has been translated into eighteen languages. She is also the only journalist so far who have extensively interviewed Samuel Little, the most prolific serial killer in North American history. This experience is what solidified her immense passion for using her platform in the realm of True Crime journalism to prioritize the rights of the surviving families of deceased victims.Chronicled in Joe Berlinger's hit STARZ documentary series, CONFRONTING A SERIAL KILLER, and in Michael Connelly's podcast MURDER BOOK: The Women Who Brought Down Samuel Little, Ms Lauren shines a light on the importance of justice for the people who loved those lost to violent tragedies.Become a Patron today: https://www.patreon.com/theserialkillerpodcastWebsite: https://www.theserialkillerpodcast.comFacebook: https://www.facebook.com/theskpodcastInstagram: https://www.instagram.com/serialkillerpodTwitter: https://twitter.com/serialkillerpodSupport this show http://supporter.acast.com/the-serial-killer-podcast. See acast.com/privacy for privacy and opt-out information.

Freda Love Smith is retiring. She's an indie-rock icon who's been in more bands than you've had hot meals. Her first band —the fabled Blake Babies— helped define the late ‘80s/early ‘90s Boston music scene. Her tight, multi-faceted style of drumming evokes everyone from Moe Tucker to Ringo Starr. But that part of her life is about to end in a little over a month when —due to a variety of reasons— she'll pick up her sticks for the final time when she performs at the long running Hot Stove Cool Music benefit at the Metro. At least that's what SHE says. Time will tell. Regardless — she'll always be cool. On this episode we talk to Freda about “Breaking Away”, moving to Boston, the first time she quit music, macrobiotic cults, Mysteries Of Life, living in a hobbit hole, Some Girls, her foodie/rock memoir “Red Velvet Underground”, her forthcoming book about Angela Atwood, Scott yammers on about “Network”, Jane Pauley, Sunshine Boys, and Freda is retiring.

Alison Luterman is a writer of extraordinary passion, power, courage and depth. Her work is both timely and timeless, engaging with contemporary issues in profound and complex ways while simultaneously probing the fundamental question of what it means to be human. In this conversation, we talked about her childhood—she started writing poetry when she was six!—her writing process, her recent poetry collection In the Time of Great Fires, her song cycle We Are Not Afraid of the Dark (with composer Sheela Ramesh—song excerpts included!), and the young activists who inspire her. She also reads her stunning poems “Some Girls” (selected by Naomi Shihab Nye for the New York Times Sunday Magazine) and “Insatiable.”

Alison Luterman is a writer of extraordinary passion, power, courage and depth. Her work is both timely and timeless, engaging with contemporary issues in profound and complex ways while simultaneously probing the fundamental question of what it means to be human. In this conversation, we talked about her childhood—she started writing poetry when she was six!—her writing process, her recent poetry collection In the Time of Great Fires,  her song cycle We Are Not Afraid of the Dark (with composer Sheela Ramesh—song excerpts included!), and the young activists who inspire her. She also reads her stunning poems “Some Girls” (selected by Naomi Shihab Nye for the New York Times Sunday Magazine) and “Insatiable.”

This week Brian is joined by Berlin based South African Musician Lucy Kruger of Lucy Kruger and The Lost Boys. To encounter Lucy Kruger's music is to witness a singular journey of constant reflection that is producing an ever-widening arc of creativity. 8th April 2022 sees the release of Teen Tapes (for performing your own stunts) on Unique Records, a culmination of the Tapes Trilogy. In June 2021, the Berlin-based South African artist released the third Lucy Kruger & The Lost Boys album, ‘Transit Tapes' (for women who move furniture around), which serves as a follow up to her 2019 release, ‘Sleeping Tapes for Some Girls'.Since first embarking on the very specific process of recording music - with an early album that she recorded soon after finishing her arts degree in the Eastern Cape town of Grahamstown - Kruger has approached her artistry with the care of an archaeologist seeking all the interwoven elements that make up the historical whole. Whether the now finite suite of albums with André Leo as Medicine Boy (More Knives, 2014; Kinda Like Electricity, 2016; Lower, 2018; Take Me With You When You Disappear, 2020), or her solo work, Kruger has engaged in a slow, steady exploration of what it takes to make music that's universal, that endures, that draws listeners in, even after countless listens. Find Lucy Kruger and The Lost Boys here:https://www.facebook.com/LucyKrugerOfficialhttps://www.instagram.com/lucy_kruger/https://www.youtube.com/user/LucyKrugerOtherFind CTMU here:https://linktr.ee/ConcertsthatmadeusIf you would like to support the show you can do so by rating/reviewing us on Itunes and Spotify or by signing up at https://www.patreon.com/Concertsthatmadeus and you will gain access to a range of benefits including video versions of the episodes.--- Send in a voice message: https://anchor.fm/ctmu/message Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

Well, the Oscars certainly slapped hard, didn't they? Join us for a very late to the party Batman review (no spoilers) before we admire two of the most influential bands to ever exist: The Rolling Stones and The Beatles. Stick around for special appearances from Keri's grandparents as they get back to their earlier days of seeing the two in concert. It's our very first two-parter, baby, so get ready to Chris Rock and roll. To send in topics of interest, please email: quiteabitpodcast@gmail.comFollow us on instagram @quiteabitpodcast Sources for this episode:“The Rolling Stones: The Stories Behind the Biggest Songs” - A book by Steve Appleford“The Complete Guide to the Rolling Stones” - Music SpotlightRolling Stones: Shine a Light - Martin Scorsesehttps://en.wikipedia.org/wiki/The_Rolling_Stoneshttps://en.wikipedia.org/wiki/Jagger–RichardsMusic of the Beatles - Robert Klug (University of Cincinnati)

Hannah Robinson is responsible for writing some of the catchiest songs of all time and basically pop royalty so I was so delighted to catch up with her for the podcast. Initially a session singer answering adverts in the back of Melody Maker she soon started writing the songs alongside established producers including Richard X , Pascal Gabriel and Liam Howe. Her first hit was "Some Girls' for Rachel Stevens which propelled her to a wonderful career including work with Sophie Ellis Bextor, Kylie, Dannii , Louise Redknapp Geri Halliwell, Annie, Lana Del Rey, Zara Larsson and Bananarama leading right up to date for her incredible work with new artists Call Me Loop and G Friend. More on Hannah here https://hannahrobinsonmusic.com

Rolling Reviews does Rolling Stone Magazine's review of THE ROLLING STONES and their classic (?) album Some Girls. As we say here at 500 Rolling, Nick and Max >>>> Mick and Keith. We'll never be your beasts of burden. This episode is broad and this album has us a-hurtin.

An interview from decades ago with Mick Jagger about the writing and editing of the Rolling Stones' “Some Girls” album revealed a valuable lesson for any writer. In this episode we extrapolate from what the rock legend had to say about the writing of “Some Girls” and apply it to our own efforts to produce literature.Novelist Spotlight is produced and hosted by Mike Consol, author of “Hardwood: A Novel About College Basketball and Other Games Young Men Play,” and three yet-to-be-published manuscripts, including “Family Recipes: A Novel about Italian Culture, Catholic Guilt and the Culinary Crime of the Century,” “Lolita Firestone: A Supernatural Novel,” and the short story collection “Love American Style.” Write to him at novelistspotlight@gmail.com. We hope you will subscribe and share the link with any family, friends or colleagues who might benefit from this program.

Dave Kaufman — radio personality on CJAD, Montreal, and host of the Delve podcast — flew down to California for the first time last month just to see The Rolling Stones on the No Filter tour. It turned out that Andrew was in Malibu at the same time. Andrew didn't go to the concert but was curious about to hear about it — as one might imagine. So, Dave met Andrew in Malibu the next morning and related a song-by-song experience of seeing The Rolling Stones live. This triggers many thoughts from Andrew, resulting in a spirited and highly entertaining discussion.Audio/Visual Show Notes: Dave Kaufman (Twitter)Broadcaster Dave Kaufman is all business with his latest podcastDelve PodcastThe Rolling Stones in Los Angeles California USA 2021Maureen McGovern - "The Morning After"Lou Adler: Low Key, Lucky and Very CoolRolling Stones - "Some Girls" (lyric video)Can dogs smell COVID? Here's what the science saysThe Unflappable Greatness of Charlie WattsMick Jagger's Heart Surgery — Explained by a CardiologistThe Rolling Stones - "Let's Spend (Some Time) Together" on The Ed Sullivan ShowPaul McCartney Compares Beatles to Rolling Stones: ‘They're a Blues Cover Band'Paul McCartney Doesn't Really Want to Stop the ShowJimmy Page continues to blame Phil Collins for disastrous Led Zeppelin reunion at Live Aid in 1985The Tragically HipTribute intro to Charlie Watts in St. LouisSteve Jordan — In Charlie Watts's Chair on the Rolling Stones TourThe Rolling Stones Setlist at SoFi StadiumThe Band - The Band (album stream)The Rolling Stones - "Rocks Off" (lyric video)Eric Clapton's Battle with Overcoming Drug AddictionThe Beatles: Get Back | Official TrailerCilla (trailer)Brian Epstein Interviews Andrew Loog Oldham & Richard Lester on Hullabaloo (1965)Darryl Jones: The Unknown StoneThe Rolling Stones Live on the TAMI Show (Santa Monica Civic, 1964)Lucky Dip with the Rolling StonesThe Manchurian Candidate (Original Trailer - 1962)Gord Downie dead: The Tragically Hip lead singer dies of cancer at 53Iconic Musicians Who Are Back on the Road This YearThe Rolling Stones Redlands BustThe Rolling Stones with Sasha Allen - "Gimme Shelter" ('Havana Moon' Live)Lisa Fischer - "Gimme Shelter" (Brooklyn, NY 8-7-14)Baxter Dury: ‘Everything was about Dad. It was the only way he knew how to survive'Astroworld Is Our Generation's AltamontThe Rolling Stones Live Full Concert + Video SoFi Stadium, Los Angeles, 14 October 2021 Andrew Loog Oldham's Sounds and Vision is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

Pete and PJ talk about Some Girls, fat girls, skinny girls, girls who climb on rocks, tough girls, sissy girls, even girls with chicken pox. In all sincerity, we discuss early 2000's "classic rock" and how the Stones are still problematic

In this two episode special, I spoke to Justin Pearson of The Locust, Three One G records, Some Girls, Retox, Satanic Planet,.... In part one we talk about the inception of Satanic Planet, why he loves the haters & current life. Enjoy!

In this bonus episode Justin and Ryan talk to Andy Cush (@cushac) of Pitchfork and the Late Era podcast, which looks at albums released by gigantic bands and artists in the late, often bad, sometimes good, almost always amusing, parts of their career. It's a complimentary piece to our finale episode, which went deep on Some Girls but probably deserved a little more Tattoo You. Also covered: Santana's Supernatural and Aerosmith's Honkin' on Bobo.Subscribe to the show and share it with your friends. Beatles vs. Stones is proudly part of the Pantheon Podcast Network.  - Email the show at beatlesvsstonespod@gmail.com - Follow Justin on Twitter at @routinelayup

In this bonus episode Justin and Ryan talk to Andy Cush (@cushac) of Pitchfork and the Late Era podcast, which looks at albums released by gigantic bands and artists in the late, often bad, sometimes good, almost always amusing, parts of their career. It's a complimentary piece to our finale episode, which went deep on Some Girls but probably deserved a little more Tattoo You. Also covered: Santana's Supernatural and Aerosmith's Honkin' on Bobo. Subscribe to the show and share it with your friends. Beatles vs. Stones is proudly part of the Pantheon Podcast Network.  - Email the show at beatlesvsstonespod@gmail.com - Follow Justin on Twitter at @routinelayup

On this episode of Rockapedia, Music Man Mike and The Producer talk with Mike's brother, Joe, about "Some Girls" by The Rolling Stones. Listen as they talk about the times around the album, old concerts, and the New York music scene on this rocking episode of Rockapedia!

The first Roxy Music album brings together a patchwork of inspirations and influences from across the decades. In the second episode of Ghost Echoes, we stroll spontaneously into the movie theatre of the mind and examine a few of them. Here's looking at you, kid. Music and Sound Notes: - All of the Roxy Music tracks heard here for illustrative purposes are from their debut album. They include: “Re-Make/Re-Model”, “Virginia Plain”, “Bitters End”, “Chance Meeting", and “2HB”. - The recording of Rachmaninov's second piano concerto near the start is by an anonymous soloist and symphony orchestra, from Musopen. The excerpt from Brief Encounter itself features a recording of the same concerto by Eileen Joyce with the National Symphony Orchestra, conducted by Muir Matheson. The Noël Coward song heard shortly after is “The Party's Over Now,” from the musical Words and Music. - The segment on pop art features excerpts from Buddy Holly's “Everyday” and David Bowie's “Andy Warhol.” The section about musicians who went to art school features tiny extracts from “All Your Love” by John Mayall and the Bluesbreakers; “Imagine” by John Lennon; “Brown Sugar”, “Some Girls”, and “Honky Tonk Women” all by the Rolling Stones; “Whole Lotta Love” by Led Zeppelin; “Pinball Wizard” by the Who; “Tubular Bells, Part 1” by Mike Oldfield; “Bike” by Pink Floyd; “Layla” by Derek and the Dominos; “The Village Green Preservation Society” by the Kinks; “Seaside Rendezvous” by Queen; “Your Love is King” by Sade; “Common People” by Pulp; “You're So Great” by Blur; “Man-Size” by PJ Harvey; “Paper Planes” by M.I.A.; “Kiss With A Fist” by Florence and the Machine; and “London Calling” by the Clash. - The recording of Wagner's “Ride of the Valkyries” used here is by the Slovak Radio Symphony Orchestra conducted by Uwe Mund. The brief excerpt from the start of Das Rheingold is the Staatskapelle Dresden conducted by Marek Janowski, and the horn call from Götterdämmerung is the Royal Concertgebouw Orchestra conducted by Riccardo Chailly. - The music that finishes the episode off is from the end of Max Steiner's score for Casablanca. Further reading, watching: - The two main sources for biographical information were Michael Bracewell's Re-Make/Re-Model and Simon Reynolds' Shock and Awe. The Brief Encounter section is loosely inspired by Roland Barthes' essay “Leaving the Movie Theatre” from The Rustle of Language. The list of art school alumni who went on to pop stardom comes from Pretentiousness: Why it Matters by Dan Fox. - The BBC documentary at the beginning of the pop art section is “Pop Goes the Easel,” an episode of Monitor, hosted by Huw Wheldon and directed by the great Ken Russell. The interview clips with Ferry are taken from a Channel Four documentary called This is Tomorrow. - The images in this blog post were the main source for my descriptions of the Roxy Theatre. - Other film and television clips come from Brief Encounter; What's Opera, Doc?; The Wizard of Oz; Casablanca and Now, Voyager.

Dave and Alonso do some post-vacation catching up while also trying to figure out how to work their brand-new laptop. Patience. Follow us @linoleumcast on Twitter, Instagram and Facebook, leave us a five-star review (and subscribe) on Apple Podcasts, come as you are or don't come at all. Join our club, won't you? Dave's DVD pick of the week: WINNIE THE POOH (2011) Alonso's DVD pick of the week: SOME GIRLS (1988)