Podcast appearances and mentions of Ben Affleck

For our final look at Supergirl, we're returning to the DCEU. And also Earth 89, Earth 789, Earth 30, Earth 66, Earth 203, Earth 789, and a reboot. That's right, we're taking a look at The Flash (2023), which aimed to be both a love letter to and the end of the Zack Snyder DC Universe, while also serving as an introduction to James Gunn's DCU. All your favourites are back: Michael Keaton, Ben Affleck, George Clooney, and Adam West as Batman, along with Wonder Woman, Aquaman, a pretty solid interpretation of Supergirl from Sasha Calle, and Ezra Miller's The Flash, I guess, if you're into that kind of thing. And it's awful. Thanks for watching our Caravan of Garbage review.SUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Brittany is off today so our friend Julia joins us in the studio.Celebrating the life of legendary music producer Clive Davis at the age of 94. New details emerge in Nancy Guthrie's kidnapping case. Will Madonna's biopic ever make it to the screen? Julia shares her Random Thoughts about the best cooler you need at the cabin this summer, the hot cocktail you'll want to enjoy and the next hot book series that is coming to the screen. Yesterday was Father's Day and some celeb dads, like Ben Affleck, had a better day than others, like Tom Brady. Mike has a list of the best and worst celebrity tippers Laura Dern, Rachel Ray and Gordon Ramsey are on the list, how do you think they faired? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lords: Kate Andrew Topics: Movies that are supposed to be good and kind of annoyingly are actually good Making friends when you're old Paris's pneumatic mail system Forgiven, by A. A. Milne https://www.poeticous.com/a-a-milne/forgiven-i-found-a-little-beetle-so-that-beetle-was-his-name Microtopics: The skill to make the noises that are in your head. Writing quests for Hello Kitty Island Adventure. Sanrio's NDA-enforcing snipers. A crocodile that was invented in 1978. Writing quests that force the artists to figure out how a crocodile would wear sunglasses. Writing the dialog tree as the player is clicking on options, like Gromit placing tracks right as the train is about to roll over them. Spending five years shipping the first part of a live service game and then shipping additional parts every few weeks. Trying to rebuild a house while someone is living in it. Lingo 2. Dungeon Gals. The kind of game you can't draw a map of. Teetering on the razor's edge of "I'm a genius" and "I don't understand anything." What does the developer tooling look like for games that have non-euclidean spaces? Duplicated spaces with secret warp volumes. The kind of movie that an Infinite Jest reader will recommend. Terry Cavanagh's game about making tea. Egg Game? Astonishing movie running times. Five minutes of two men intensely looking at each other. An adventure movie about two best friends who hate each other. James Joyce: maybe he's good? A guy who lives in the middle of nowhere who thinks about politics a lot and never talks to anyone. Gerry, starring Ben Affleck and Matt Damon. The art is coming from inside the head. Pro Shots vs. bootlegs. Jukebox musicals. Shawshank Redimension. Shawshank Redemption 2: Shawshank Herdemption. Communicating between cell blocks by flushing the toilet. Loove a.k.a. Flushed a.k.a. Lavatory Lovastory. Mixing your DNA with someone you've never seen. Florida Writing. Gravity Slingshotting around your hobbies to reach friendship. Going to GDC and making a bunch of game dev friends. Plateauing at two digits. Getting hobbies that put you in a room with people of your desired gender. Your co-worker at the call center who's married to the CEO of Twinings. Playing puzzle games on the Internet in front of a chatful of puzzle experts. The protagonist getting stuck on a puzzle and the narrator turning to the audience and saying "chat, help us out with this one." Making friends vs. keeping friends. The friendships that you both care enough about to have maintained. I Love a Thoont. Building a pneumo to relieve congestion on the telegraph system. When the telegraph was invented vs. when pneumatics were invented. Why banks had pneumatic drive thrus rather than the teller just handing you the stuff through the window like a fast food drive thrus. Whimsical coffee preparation. The cost of building a giant tube between the coasts of North America. The Alameda-Weehawken Burrito Tunnel. Inventing a frictionless tube. Preparing burritos to be magnetically fired. Rifled sewers. Plunging into the Lithosphere. A diagram that shows how the burrito gets heated. The Taste of Breaking the Sound Barrier. Getting your poem voice on. Whether A. A. Milne knew about hash tags. Non-Fungible Beetles. Oh great, the same beetle came back! The kind of look that means "it's me, the same beetle!" The XIX and XX centuries. Writing Very Blackly. Why Does Pooh Own a Shotgun? All the talking Winnie the Pooh animals turning out to be aliens, like Starfox. A pneumatic tube, except instead of burritos you're firing cork. Writing your thesis on pop guns and continuing to do post doc research on pop guns. Spud Guns vs. Potato Cannons. A Normal Spud Gun for Normal Children. Seeing that Wikipedia considers Spud Guns low importance and thinking of ways to make Spud Guns more important. Too Many Posts.

Dopo sei mesi di uscite, trailer, promesse, scommesse e delusioni più o meno annunciate, era arrivato il momento di fare i conti. In questa puntata di Spin-Off – Un Podcast di Recenserie, Federico, Fabrizio e Aldo ripercorrono il primo semestre del 2026 mese per mese, commentando 39 film e serie TV che almeno uno dei tre ha effettivamente visto. L'obiettivo è semplice: capire cosa vale la pena recuperare, cosa può restare in lista senza troppa fretta e cosa invece si può evitare senza sensi di colpa. Si passa da No Other Choice di Park Chan-wook a Pillion con Alexander Skarsgård e Harry Melling, da The Rip con Matt Damon e Ben Affleck a Peaky Blinders, Project Hail Mary, The Bride, The Madison, Dutton Ranch, Hacks, Good Omens 3, Mortal Kombat 2, Maximum Pleasure Guaranteed, The Four Seasons, How to Make a Killing e molti altri titoli usciti tra cinema, streaming, animazione, horror, action e serie TV. Una puntata “tutti frutti summer love”, nel senso che non c'è un filo logico vero se non quello più importante: capire cosa ci ha convinto, cosa ci ha deluso e cosa consigliamo davvero dopo averlo visto. (00:00) Intro e presentazione puntata (04:01) Gennaio: 28 Years Later - The Bone Temple (05:25) Gennaio: Frieren S02 (06:10) Gennaio: Greenland 2: Migration (07:12) Gennaio: La Grazia (08:15) Gennaio: Return To Sillent Hill (09:20) Gennaio: No Other Choice (12:40) Gennaio: The Rip - Soldi Sporchi (13:50) Febbraio: Anaconda (15:30) Febbraio: L'Invisibile - La cattura di Matteo Messina Denaro (19:10) Febbraio: Monarch Legacy Of Monsters (21:00) Febbraio: Pillion - Amore Senza Freni (23:06) Febbraio: The Mortuary Assistant (24:50) Marzo: Arco - Un'amicizia per salvare il futuro (26:04) Marzo: Bait (27:30) Marzo: DTF St. Louis (29:50) Marzo: Peaky Blinders: The Immortal Man (34:48) Marzo: Project Hail Mary (37:28) Marzo: The Bride! (40:00) Marzo: The Madison + Marshals (44:00) Marzo: The Testament Of Ann Lee (45:20) Aprile: Hacks S5 (49:05) Aprile: The Audacity (50:20) Aprile: The Super Mario Galaxy Movie (52:50) Aprile: Widow's Bay (55:50) Maggio: Dutton Ranch (58:40) Maggio: Good Omens (01:00:05) Maggio: Ladies First (01:01:25) Maggio: Mating Season (01:02:10)Maggio: Mortal Kombat II (01:04:00) Maggio: Maximum Pleasure Guaranteed (01:06:20) Maggio: The Four Seasons S2 (01:08:20) Maggio: The Punisher: One Last Kill (01:12:10) Giugno: How To Make A Killing Learn more about your ad choices. Visit megaphone.fm/adchoices

Co-founders Dr. Salman Avestimehr and Dr. Aiden He join the podcast to discuss their new "agentic" company, Teamily AI. They dive into how their platform is disrupting the social landscape by weaving multi-agent AI into group chats, enabling groups, friends, and families to interact with virtual friends, essentially creating a collaborative environment where AI acts as a participant that anticipates needs and remembers the full context of a conversation.This conversation explores the core value proposition of an AI-first social platform—not just making an individual superhuman, but enabling a collective of human and AI agents to do "fascinating things together." The founders detail their technology, which is built on deep expertise in distributed machine learning and multi-agent systems, and their long-term vision to IPO and evolve the very nature of social networks by bridging the gap between human and artificial intelligence.In the news segment, Charlie Fink and Rony Abovitz unpack the week's biggest AI stories: Ben Affleck selling his stealth AI film company, Interpositive, to Netflix; Anthropic's Claude briefly dethroning OpenAI's ChatGPT in the app store; and a deep dive into Jack Dorsey's company Block cutting 4,000 employees. The hosts also discuss the social fallout of AI acceleration, particularly the counter-movement seeking tactile, real-world connection and the economic risk of displacing white-collar data analysts.Key Moments00:03:00 – App Store War: Discussing Anthropic's Claude topping the app charts and why the US Department of Defense will use the best AI system regardless of corporate objection.00:04:00 – Hollywood's AI Play: Netflix acquiring Ben Affleck's AI company, Interpositive, which uses unedited film dailies to train an AI for editing and optimization.00:05:00 – The Mediocrity Threat: Rony Abovitz's take on the risk of AI creating a "very, very long tail of Okay" content, leading to a cultural sameness.00:07:00 – Counter-Culture: Exploring the growing emotional need for "something real" and a massive movement away from purely digital experiences.00:09:00 – The White-Collar Risk: The hosts argue that the white-collar data analyst is the worker "most easy to replace" by AI, contrasting with the high value of blue-collar workers.00:11:00 – The "Oh Wow" Moment: Charlie Fink describes his first experience with Teamily AI, noting the immediate power of real-time, multi-person and multi-agent prompting.00:13:00 – The Science Behind Teamily: Dr. Aiden He, PhD in Machine Learning, explains how Teamily is built upon his previous research in distributed learning and multi-agent systems.00:26:00 – Global Memory: Aiden details Teamily's unique "cross domain, long horizon memory," which allows the AI to combine human-human chat context with human-AI memory for a more natural interaction.The biggest takeaway is the conceptual shift from using AI as a solo productivity tool to using it as a collaborative team member. The path to the next phase of social networking hinges on building platforms where AI is not isolated but is a natural, evolving part of a human community.This episode of The AI XR Podcast is brought to you by Zappar, the folks behind Mattercraft, a leading visual development environment for building immersive 3D web experiences for mobile headsets and desktop. Start building smarter at mattercraft.io. Listen and subscribe to the AI XR Podcast wherever you get your podcasts! Watch the full thing on YouTube https://youtu.be/s78WZJSfGeo. Hosted on Acast. See acast.com/privacy for more information.

Shelley Palmer,media technologist, advisor, and author with over 700,000 daily newsletter subscribers, returns to the show. He's one of the sharpest thinkers writing about AI today, and this conversation covers the full arc: from social media liability to the trust collapse coming for all of us, and into the real productivity gains and surveillance trade-offs of living inside an AI-first workflow.The episode opens with the Google and Meta lawsuit verdict and quickly moves past the legal question. Shelley's position is precise: you can't legislate parenting, but you can legislate transparency, and the tech industry has failed on that front entirely. The $6 million judgment against Meta and Google is a rounding error — not a deterrent. What matters is what platforms actually engineered: engagement above all else, backed by neuroscience, probabilistic math, and dopamine feedback loops optimized for shareholders, not users.AI XR News You Should Know: OpenAI is ending Sora and pivoting hard to Codex and enterprise. Ben Affleck secured $900 million from Netflix for a custom AI filmmaking tool. Epic Games cut 1,000 jobs as Fortnite loses audience. NVIDIA's Jensen Huang introduced Nemo Claw and Open Shell at GTC — a corporatized framework for personal AI agents.Key Moments[00:01:15] – Charlie opens noting the show missed one episode in nearly 300 — his daughter's wedding[00:01:55] – OpenAI kills Sora; the Critters director goes dark before the episode[00:04:45] – Google and Meta lose their social media addiction lawsuit; Meta also loses in New Mexico[00:08:07] – Shelley on what can actually be legislated: not parenting, but transparency[00:11:42] – Shelley on Zuckerberg: he genuinely believed connection would be net positive; ask him today[00:13:31] – "Planetarily net negative. No matter what good it does, it does more harm."[00:18:16] – Rony on dopamine engineering: neuroscientists studying pixel size, color, sound to refine addiction[00:19:40] – Shelley reframes it: engagement maximization for shareholders, no more insidious than that[00:23:19] – The physiological change argument: humans evolved to default to trust; AI-generated everything breaks that[00:31:50] – Rony's counterpoint: trust will reset local; the software ecosystem will follow[00:36:53] – Shelley: "Our business increased last year. Everyone on my staff is doing 400 times the work."[00:44:42] – AI-first means automating every workflow you can honestly automate — and knowing what isn't ready[00:45:06] – Jensen's Nemo Claw and Open Shell: the safer path to personal AI agents, and what it actually costs[00:49:42] – The surveillance trade-off: an effective AI agent requires more personal data exposure than anything before it[00:51:24] – Apple's Secure Enclave play: why Tim Cook may win the AI trust war in the endThe productivity gains are real, but so is the privacy exposure, and the systems that earn trust — at every level — are the ones that will survive.This episode is brought to you by Zappar, the company behind Mattercraft — the leading visual development environment for building immersive 3D web experiences across mobile, headsets, and desktop. Mattercraft now features an AI assistant that helps you design, code, and debug in real time, right in your browser.Start building at mattercraft.io. Subscribe to the AI XR Podcast wherever you listen.Watch the full episode for the full breakdown. Available where podcasts are. Full videos available on YouTube. https://youtu.be/S_AECjELYyo Hosted on Acast. See acast.com/privacy for more information.

Sid here. This week we bring you another Minisode in our Mantras series – but this one is a little unusual. If you've listened to our Matt Damon & Ben Affleck episode, I wonder if you clocked the mantra moment. Hope you'll join us. Ask us Anything:Email us: hello@apostrophepodcasts.caWrite to us on socials: @apostrophepodLeave us a voicemailWe don't regret to inform you – you can now listen ad-free! Plus bonus episodes, chats with Sidney, Terry, Allison & more. Subscribe here. Hosted on Acast. See acast.com/privacy for more information.

The total box office earnings for Matt Damon and Ben Affleck round out to a cool $10B. They're A-list actors, Oscar-winners, writers, directors, production company founders. But back in the mid-90s, the best friends were rejected – for movies, for television shows, for commercials. Then one day Matt Damon took a playwriting course at Harvard. What happened next, is a rejection story all of its own. Ask us Anything:Email us: hello@apostrophepodcasts.caWrite to us on socials: @apostrophepodLeave us a voicemailWe don't regret to inform you – you can now listen ad-free! Plus bonus episodes, chats with Sidney, Terry, Allison & more. Subscribe here. Hosted on Acast. See acast.com/privacy for more information.

The marriage is over for Jelly Roll, meanwhile Jennifer Lopez opens up about her divorce from Ben Affleck, Tom Holland speaks on his alleged marriage to Zendaya and LeBron says he wouldn't like what from a woman?See omnystudio.com/listener for privacy information.

Sports journalist Jemele Hill joins TMZ Live to call out Josh Hokit's 'disgusting' comment about Michelle Obama, Gov. Gavin Newsom claims Trump's Department of Justice is investigating him, Jennifer Lopez looks back on Ben Affleck divorce, and West Wilson's run on 'Summer House has come to an end. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Czabe re-caps the Knicks hammer close of the Spurs in Game 5 to claim the title. It's one of the most impressive runs an NBA team has ever made in the playoffs, full of domination, determination, and a few small miracles in between. Are the Knicks "likable?" Wemby is a dirty bitch. Be better, Frenchie. Monica McNutt's pseudo-apology. Announcers and ratings and more. NICK LAUGHNER of the "Clean Sheet EPL" talks USA Soccer's destruction of a better-than-you-know Paraguay side. Who is the "Flo" Bologun guy? Hydration breaks are the worst thing to happen to soccer since VAR. Unless... VAR is the new secret weapon against cancer. FreddyLA7 and his wild ride. Ben Affleck makes a ton of sense on social media and its ills. MORE.....Our Sponsors:* Check out Troll Co Clothing and use my code CZABE25 for a great deal: https://www.trollcoclothing.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Kelly and Steve Burgerer riff on Long Island "victimless crimes," fake service dogs, loud motorcycles, e-bikes, bad parking etiquette, walkable towns, and whether naming every town on Long Island could somehow become viral content. The episode eventually turns into a full-on Long Island town naming marathon inspired by Matt Damon, Ben Affleck and Jimmy Fallon — with debates over which towns are real, which ones sound fake, and why every Long Islander secretly wants to hear their hometown mentioned. Tom also talks about comedy, podcasting, audience behavior, Andy Kaufman-style performance art, and an awkward comedy dating show featuring 9/11 jokes gone wrong. If you love Long Island culture, local humor, Massapequa references, Eisenhower Park, Nassau County chaos, and two comedians arguing about whether "Village of the Branch" is a real place… this episode is for you.

Jennifer Lopez says divorcing Ben Affleck forced her to look inward, stop blaming others, and “figure herself out,” leading to major personal growth and a new focus on twins Emme and Max as they prepare for college. Andy Reid is getting fitted for a custom tuxedo ahead of Taylor Swift and Travis Kelce's massive Madison Square Garden wedding, with several Chiefs staffers expected to attend under strict NDA rules. A nurse says Brazilian bungee jump victim Maria Eduarda Rodrigues de Freitas was alive and conscious after her 130-foot fall, as authorities investigate the fatal accident and six people have reportedly been arrested. Hosts: Branson Quirke, Charlie Neff Learn more about your ad choices. Visit podcastchoices.com/adchoices

MOVIE NIGHT! Join Tom, Dan, and Sarah on a biblical New Jersey adventure in Dogma; This 1999 Jay and Silent Bob vehicle asks the big questions, like what would happen if the Catholic god was wrong about something even once? Or how does Kevin Smith get Alan Rickman, Selma Hayek, Matt Damon, and Ben Affleck to be in his low budget movie about Gen X sensibilities and comic book hot-takes? Clearly this movie works in mysterious ways . Diversions include Jason Lee's most memorable delivery, timeless stoner comedy (bonnnnnnngggg) and the mystery of Choolie Bob.

On les a adorés, et c'est peut-être le couple le plus glamour d'Hollywood : Jennifer Lopez et Ben Affleck. Les acteurs se rencontrent sur le tournage du film Gigli en 2001. Dix-sept ans plus tard, ils se remettent ensemble après un mariage raté. Mais, le glamour n'est qu'une couche de vernis qui s'abime vite… En 4 épisodes, découvrez l'envers du décor de la belle histoire : de leur première histoire d'amour express et leurs retrouvailles 17 ans plus tard... une romance qui s'inscrit dans un parcours amoureux chaotique du côté de Jennifer Lopez… Leurs retrouvailles sont-elles si glamour que ça ? Second round ou replay ?  L'année 2021 s'ouvre sur la rupture de Ben Affleck avec l'actrice Ana de Armas, après un an de relation. Trois mois plus tard, c'est au tour de J-Lo de se séparer du célèbre joueur de base-ball Alex Rodriguez, après 5 années d'une histoire d'amour ternie par des soupçons d'infidélité du côté du sportif. En avril, au moment où la sève remonte, les deux anciens amants sont sur le point de se retrouver. Une histoire de déjà-vu... Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices

On les a adorés, et c'est peut-être le couple le plus glamour d'Hollywood : Jennifer Lopez et Ben Affleck. Les acteurs se rencontrent sur le tournage du film Gigli en 2001. Dix-sept ans plus tard, ils se remettent ensemble après un mariage raté. Mais, le glamour n'est qu'une couche de vernis qui s'abime vite… En 4 épisodes, découvrez l'envers du décor de la belle histoire : de leur première histoire d'amour express et leurs retrouvailles 17 ans plus tard... une romance qui s'inscrit dans un parcours amoureux chaotique du côté de Jennifer Lopez… Leurs retrouvailles sont-elles si glamour que ça ? Fin de match et remplaçants Ben et Jennifer s'aiment plus que tout mais la pression devient trop forte. Après avoir adulé le couple, la presse people cherche la faille. Les critiques d'Amours Troubles ont ouvert la brèche dans laquelle vont désormais s'engouffrer les médias avides de gossip et de scoops. Dans ce contexte de harcèlement médiatique, Ben et Jennifer suffoquent. Mais la date du mariage approche... Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices

On les a adorés, et c'est peut-être le couple le plus glamour d'Hollywood : Jennifer Lopez et Ben Affleck. Les acteurs se rencontrent sur le tournage du film Gigli en 2001. Dix-sept ans plus tard, ils se remettent ensemble après un mariage raté. Mais, le glamour n'est qu'une couche de vernis qui s'abime vite… En 4 épisodes, découvrez l'envers du décor de la belle histoire : de leur première histoire d'amour express et leurs retrouvailles 17 ans plus tard... une romance qui s'inscrit dans un parcours amoureux chaotique du côté de Jennifer Lopez… Leurs retrouvailles sont-elles si glamour que ça ? Le glamour se prend un flop Nous sommes en novembre 2002 et Jennifer Lopez vient de sortir son nouvel album “This is me…Then”, une déclaration d'amour géante à Ben Affleck, auquel est consacrée la quasi-totalité des morceaux. Mais chanter haut et fort sa romance sur un album à la portée internationale ne semble pas être une preuve d'amour suffisante pour la diva. Son idée ? Tourner le clip du morceau phare « Jenny from the the block », en se mettant en scène avec Ben Affleck dans des moments plus ou moins intimes de leur quotidien, sous l'objectif permanent des paparazzi. Comment les médias vont-ils réagir ? Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices

Since we did our man crush episode last year, it's time to balance the scales once again and discuss beautiful female celebrities. Our friend Babs is joining us to share her collaborated answers and to keep Kent in line (spritz-spritz!). We'll be sharing our picks for such categories as Best Eyes, Superest Supermodel, Getting By on Her Looks (Only), Triple Threat, and Marriage Material. And along the way, we'll use our height-dar, bond over Bond girls, and make comparisons to Newsies.   Press play before you break Ben Affleck's heart.

It's Allan's turn in the June category and he picked a film that defies gravity! AIR (2023) Directed by Ben Affleck

On les a adorés, et c'est peut-être le couple le plus glamour d'Hollywood : Jennifer Lopez et Ben Affleck. Les acteurs se rencontrent sur le tournage du film Gigli en 2001. Dix-sept ans plus tard, ils se remettent ensemble après un mariage raté. Mais, le glamour n'est qu'une couche de vernis qui s'abime vite… En 4 épisodes, découvrez l'envers du décor de la belle histoire : de leur première histoire d'amour express et leurs retrouvailles 17 ans plus tard... une romance qui s'inscrit dans un parcours amoureux chaotique du côté de Jennifer Lopez… Leurs retrouvailles sont-elles si glamour que ça ? Hollywood chewing-gum Au début des années 2000, Jennifer Lopez est déjà une artiste internationale incontournable. Actrice et chanteuse de talent, tout lui réussit. De son côté, l'acteur Ben Affleck n'est pas en reste et enchaîne succès critiques et grosses productions hollywoodiennes ; sa carrière est en plein essor. Ils formeront bientôt le tandem le plus médiatisé du début des années 2000. L'un des tout premiers couples de stars d'Hollywood à rendre fous fans et paparazzi, bien avant l'heure des réseaux sociaux. Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices

The squad is dissecting JLo's latest denial about her co-star romance rumors, but her track record of dating her leading men has the crew feeling skeptical.

Full Hour 1 in The Sports Bar. Are we getting a Bills-Rams Super Bowl LXI in 2027? Gene explains. Matt Parrino from the Syracuse Post Standard & The Shout Podcast stops in (live from golf course) to answer Gene's burning questions. Finally The DanDalorian fills in for Tim and shares his take of the day.

Gene kicks off hour 2 with top sports headlines & approaching milestones.

We're talkin' 2003's Daredevil starring Ben Affleck, and here to help Paul, June, and Jason break it all down is writer and Daredevil expert Ed Brubaker. They discuss the playground fight/dance scene, the many times Matt Murdock mentions he's blind, the streets that look like a sitcom set, Coolio's subplot in the director's cut, and so much more. (Ep. #75 Originally Released 11/05/2013) • Go to hdtgm.com for tour dates, merch, FAQs, and more• Leave us a voicemail at speakpipe.com/hdtgm• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Matt and Jordan review Prime Video’s Tom Clancy’s Jack Ryan: Ghost War, a straight-to-streaming title they are branding "movie Toferky." For Rec Seg, the duo finds comfort in the Paramount Plus vaults, with Jordan revisiting the Tom Clancy masterpiece that started it all, and Matt countering with a series sequel featuring Harrison Ford's bookworm Boy Scout desk-jockey. Then, a personalized recommendation request from listener Patrick sparks a highly volatile intra-pod war. While Jordan goes with a ‘70s screwball classic, Matt goes full "Muppet Radical" with his recommendation for a late-period Muppet movie over the Jim Henson-produced originals. Finally, Producer Sam hosts a trivia game called The Sum of All Jack Ryans, which ignites a flurry of deep pulls, culminating with a classic Jordan anecdote featuring Star Trek's Gates McFadden desperately trying to escape a cruise ship at the outbreak of the pandemic. (Ep. #174) Intro, Jack Ryan: Ghost War Review (00:00:00–00:34:37) Rec Seg! (00:34:38–00:52:31) Personalized Recs (Theater Kids, Streisand, & Muppet Radicals) (00:52:32–01:10:44) Game: The Sum of All Jack Ryans (01:10:45–01:32:36) New to Streaming / Credits (01:32:37–01:43:14) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Check out Jordan's guest spot on Keith Phipps' sci-fi podcast The Laser Age discussing the killer-bunny classic Night of the Lepus https://www.iheart.com/podcast/269-the-laser-age-285296395/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

RJ Ochoa, The Manager & Chief of Blogging The Boys & Dallas Cowboys reporter for SB Nation joins the show. RJ is a massive Spurs fan, he helps break down the NBA Finals between San Antonio & the NY Knicks. What are RJ's thoughts on the Myles Garrett deal? RJ also speaks on the rest of the NFL & the Dallas Cowboys.

Full Show Broadcast! Hour 1 - More reaction to the Myles Garrett trade. Spencer German from Locked-On-Browns & 92.3 The Fan (CLE) joins the program. Did Cleveland get enough for Garrett? Hour 2 - Timmys Take, Shots & RJ Ochoa from Blogging The Boys & Dallas Cowboys for SB Nations is in The Sports Bar. Will RJ's Spurs win another NBA Tilte or will the Knicks win their first championship since 1973?

Full Hour 2. The second half kicks off with Timmy's hot take. Plus Gene sprinkles in some sports nuggets. RJ Ochoa from Blogging The Boys & the Dallas Cowboys for SB Nation joins the show to debate the NBA Finals. RJ is a massive Spurs fan. How does he see the Finals going? What are his thoughts on the Myles Garrett trade? Cowboys?

Ben Affleck wrote, directed, and starred in The Town coming off one of the worst career stretches in Hollywood… and somehow made one of the best heist movies ever made. We break down the wild fan theory that his character Doug MacRay is actually his Good Will Hunting character who stayed in Boston after Will left. We discuss why this is basically a Batman audition tape. We also break down the most iconic scene in the movie, the deleted ending where Doug doesn't make it to Florida, and how Ben Affleck directed his own performance.Chapters:00:00 Announcements0:39 So good it saved a career3:47 This was just Ben Affleck Batman audition7:48 Bad movies bring out the best actors9:54 Ben Affleck has the sad boy look down14:10 Heat in Boston23:42 The FBI kinda dumb in this movie26:34 How the most iconic moment was born28:08 Just missing Matt Damon36:35 Blake Lively good at being annoying40:37 A childhood staple43:14 The scariest dude in this movie47:08 Doug almost immediately blew his cover56:40 Doug character arc shown through woman1:02:08 The alternate ending1:04:58 Our final thoughts

Christian Nodal reunió a cerca de 40 mil fanáticos en la Plaza de Toros de México, donde se dejó ver muy enamorado. La hija de JLo está lista para asumir su nuevo género, Oscar ya aparece en los registros escolares. Pero este no es el primer caso entre hijos de famosos y aquí te contamos quiénes han pasado por procesos similares. Bad Bunny sigue arrasando en España y ahora colapsó a Madrid con la llegada de miles de fanáticos para sus presentaciones.  

Well, we won't mince words: LADIES FIRST (3:37) is some bullshit. In fact, it may be the worst movie Evan and Dave have seen in 2026 (and we haven't forgotten DOOBA DOOBA). No, LADIES FIRST is a special kind of movie; it's absolutely thoughtless, largely devoid of wit, and it doesn't play by rules it sets for itself. Stars Sacha Baron Cohen and Rosamund Pike, and a largely well-known cast of English acting heavyweights, slum it. This movie is so bad it's kind of a miracle. And it also fails confidently, so take that and it thoughtlessness, and you have a truly mind-blowing piece of shit. Over on Patreon, we talk about Ben Affleck's THE TOWN.

Gillian Flynn's novel Gone Girl defined a literary niche when it first came out in 2012, and it still defines it to this day. David Fincher's great 2014 adaptation—written in collaboration with Flynn—is one of the greatest and most fun movie thrillers of the 21st century. Now I want to present you with a terrifying scenario: What if this book had come out three years later, and instead of this glorious 2.5-hour film, we got a boring 12-hour streaming series? Come on, you can see it right now in your mind: Episode 3 is a flashback to Amy's life as a child, with none of the regular actors in it. Episode 9 is the Desi episode, and Amy finally arrives at his door right before the closing credits. No thank you. And so 1-Week Rental is here to take you through the history of that movie. How Gillian Flynn wrote her novel and then worked closely with Fincher on the production, how perfect the casting of both Ben Affleck and Rosamund Pike was, how Reese Witherspoon produced the movie with the intention of playing Amazing Amy herself only to be told by Fincher she was all wrong for the part, and how this movie is loosely based on the lives of Laci Roth and Matt Stokes. Did you know that? Watch the history segment in full on YouTube: https://youtu.be/i0WuyvYAyrg  We're off next week (June 5, 2026). The next episode will be out on Friday, June 12, 2026 when our summer miniseries begins. The Summer of Nolan opens with a podcast about Christopher Nolan's Memento (2000)!    Time stamps: 00:05:50 — History segment: Gillian Flynn writes the Gone Girl novel; movie optioned by Reese Witherspoon and David Fincher is hired to direct; career of Rosamund Pike; career of Ben Affleck  00:51:40 — Movie discussion 02:38:20 — Final thoughts & star ratings   Gone Girl (2014) was directed by David Fincher. Screenplay by Gillian Flynn, based on her novel. Starring Ben Affleck, Rosamund Pike, Carrie Coon, Kim Dickens, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Clennon, Lisa Banes, and Scoot McNairy.   Sources: "Kansas City native Gillian Flynn emerges as a literary force with her twisted mystery 'Gone Girl'" by Steve Paul | The Kansas City Star (2012) - https://bit.ly/4dE9MTf  "Gillian Flynn on Adapting 'Gone Girl,' Being Too 'Wimpy' for Crime Reporting and Her Best Advice to Writers" by Kimberly Nordyke | The Hollywood Reporter (2012) - https://bit.ly/4v9mh0i  "Gillian Flynn Peers Into the Dark Side of Femininity" by Lauren Oyler | The New York Times (2018) - https://bit.ly/3Q1DV7e  "Gillian Flynn on her bestseller Gone Girl and accusations of misogyny" by Oliver Burkeman | The Guardian (2013) - https://bit.ly/42X7s54 "A Surprise Hit Spawns a Movie Deal" by Stafanie Cohen | The Wall Street Journal (2012) - https://bit.ly/3RMwcud  "Author Gillian Flynn says filming 'Gone Girl' went much better than expected" by Robert Butler | The Kansas City Star (2014) - https://bit.ly/431uebV "David Fincher Talks 'Gone Girl,' Avoids Spoilers (Hooray!)" by Audie Cornish | NPR (2014) - https://n.pr/4vdg1ER  "Movie Sneaks: Thrills, chills for Gillian Flynn in adapting 'Gone Girl'" by Gina McIntyre | The Los Angeles Times (2014) - https://lat.ms/4vcYnB3  "Gone Girl film director David Fincher on his potential Oscar contender" by James Mottram | The Independent (2014) - https://bit.ly/4utRP0R  "Reese Witherspoon Says David Fincher Told Her 'I'm Not Putting You' in 'Gone Girl': 'He Was Totally Right' and 'Rosamund Pike Is So Diabolical'" by J. Kim Murphy | Variety (2015) - https://bit.ly/49W9BBH  "Ambition" (w/ Reese Witherspoon) | Las Culturistas podcast (2025) - https://apple.co/4nWEU5q  "Building a New Ben" | GQ (2004) - https://bit.ly/3S4aDFy  "An Actor-Director Above Suspicion" by Cara Buckley | The New York Times (2014) - https://bit.ly/4dytjpy  "Jon Hamm Confirms He Almost Starred in Ben Affleck's 'Gone Girl'" by Carly Thomas | The Hollywood Reporter (2023) - https://bit.ly/434AKyF    Transcript: https://1weekrentalpod.com/2026/05/gone-girl/#transcript  Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's May, which means it's time for the AIPT Movies podcast's “Mayhem” series! Where we cover movies that kick ass in the literal sense! In this week's episode, Alex, Tim, and guest Tony Sedani discuss John Woo's 1997 maximalist action-drama classic, Face/Off! Healing lasers! A face floating in medical grade goo! An evil-looking mustache! Troubling goth makeup! Danny Masterson getting beat up for being a creep! A heart attack-inducing evil stare! Chekhov's butterfly knife! Snazzy suits and golden guns! Reused props from the 1993 Super Mario Bros. movie! Castor Troy's box of fun! Child endangerment! Awkward use of "Somewhere Over the Rainbow!" Efficient establishment of a bitter rivalry! Lengthy explanations of illogical pseudo science! Copious melodrama! Possibly the least subtle use of mirrors you've ever seen! Random sci-fi elements! Highly quotable lines! Bold parenting strategies! Hand waterfalls!  Multiple amazing action set-pieces including an opening sequence that lesser movies would save for the finale! Environmental destruction, explosions, stunts, and sparks for days! Legendary filmmaker John Woo let loose with a big Hollywood budget, delivering a dose of pure cinematic adrenaline, that despite its somewhat silly reputation is a masterclass in action filmmaking! All that plus Nicolas Cage and John Travolta perfectly matching each other's crazy in the best body swap movie ever made! Come for the overacting, stay for the over-the-top action! In addition, the gang shares their spoiler-free thoughts on Mortal Kombat II with Karl Urban, The Punisher: One Last Kill, Robert Rodriguez's Once Upon a Time In Mexico, Hokum, Ben Affleck's Live by Night, Spider-Man: Far From Home, Paul W. S. Anderson's Soldier, Donnie Yen's The Prosecutor, and the Korean action/crime drama series on Netflix, Bloodhounds! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Tony Sedani, can be found on Instagram @tsedani and information on Tony and Alex's upcoming comic book can be found on Instagram @overforce_x_hellrazors. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Welcome to Dev Game Club, where this week we start a new series on 2005's Tom Clancy's Splinter Cell: Chaos Theory. We set it in its time, talk about the Clancy of it all, and then get into the play and presentation. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The first level or two Issues covered: missing a week, games from 2005 and UbiSoft, stealth games and how we feel about them, what it borrows from its forebears, Tim's history and love of military themes, grounding the series in real places, hard milspec, the spectrum of more or less video-gamey, Brett's history with Clancy, offputting tone and writing, the weird nationalistic lens, the military melodrama, when you can mess up the formula, black and white and the icks, systems thinking in the game vs not the narrative, finding ways to maintain the black and white, the tutorial videos, seeing the mechanics against the real missions, controlling Sam's movement speed, other interface choices, alt-fire modes, shooting everyone in the head, having multiple kill moves, having mission objectives that get canceled, whether there's an alternate version, a number associated with your performance, the weirdness of speaking to your handler directly behind a target, your advisors, informing the choice of loadout, how different games reinforce the loadout, a review, Tim's Twitch drop. Games, people, and influences mentioned or discussed: Star Wars (series), God of War, Shadow of the Colossus, Resident Evil 4, Psychonauts, Guild Wars, Civ IV, FEAR, The Undying, AC: Wild World, Guitar Hero, Mercenaries, Battlefront II, KotOR II, Lego Star Wars, Prince of Persia: The Sands of Time, Peter Molyneux, Clint Hocking, Far Cry 2, Thief, Metal Gear Solid (series), Looking Glass, Dishonored (series), Hideo Kojima, The Division (series), Rainbow Six (novel), No One Lives Forever, Harrison Ford, Alec Baldwin, Sean Connery, Doubleday (book publisher), Day of the Jackal, Tolkien, Project: Hail Mary, Ghost Recon (series), Rainbow Six (series), John Krasinski, Ben Affleck, Jack Reacher (series), Lee Child, Tom Cruise, Mark Greaney, The Gray Man, Arnold Schwarzenegger, Rambo (series), Jon Bernthal, Call of Duty (series), Hitman (series), Shadowlord-72, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: more TC's SC:CT! Errata: It was The Cardinal of the Kremlin. We regret the error.  Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com 

"James Bond" is the longest-running and most successful spy film series, with 25 movies released by Eon Productions since 1962. "Mission: Impossible" doesn't have quite as many films with eight to date, but you also have the long-running 1960s television show. The latest challenger to the genre hasn't been around quite as long, but the series of "Jack Ryan" films, taken from or inspired by Tom Clancy's novels, has been going strong since Alec Baldwin starred in 1990's "The Hunt for Red October." After four more movies starring Harrison Ford, Ben Affleck and Chris Pine in the role of Jack Ryan, John Krasinski reprised the role for the streaming series on Amazon Prime Video. Now, Krasinski is bringing his Jack Ryan to theaters with "Jack Ryan: Ghost War." In this episode, co-host Bruce Miller speaks with director Andrew Bernstein, co-star Michael Kelly and stars, writer and producer Krasinski, as well as co-star Sienna Miller. Miller and co-host Terry Lipshetz also talk about the history of the series and spy movies in general. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Brad kicks it off with, “I watched a movie…” and this one goes off the rails fast. A group of guys is living it up, celebrating, acting like family — and then a duffel bag full of cash drops into the middle of everything. That's it. That's the moment. The vibe is gone instantly.In this episode of Movie Torture, Brad breaks down how quickly things flip:Friends turn into suspectsConversations get awkward fastEveryone starts thinking two steps ahead… or at least they think they areAnd nobody trusts anybodyBrad leans into the real tension of the movie — it's not about stealing money, it's about what happens after the money shows up. The paranoia, the quiet scheming, the side-eye moments where you realize the group isn't a group anymore.He walks through the cast dynamics in his signature style:Ben Affleck trying to hold the chaos togetherMatt Damon making you question every move he makesAlicia Vikander being the only one saying what everyone should be thinkingAlong the way, Brad goes on classic tangents about:Why a duffel bag of money instantly destroys friendshipsHow everyone thinks they're the smartest person in the roomAnd why situations like this never end the way people think they willThe episode builds as Brad unpacks how small decisions turn into big problems, and how fast things spiral once trust is gone. By the time everything plays out, you're left asking one question:Was it ever about the money… or was it always about what people were willing to do for it?Tune in for the full breakdown, the tangents, and the moments where Brad calls out exactly what everyone watching is thinking.

Before he was Batman, before he was Directorman, Ben Affleck was Jack Ryan.  But before that, he was Holden MacNeil, so we'll forgive him.   Check out our website for info on upcoming episodes, our email list, our email address, and coming soon a blog and possibly TikTok.  Maybe.  We'll see.  Please leave us a review on the podcast platform of your choice!  Reviews help us get noticed!

The world's okayest morning radio show offers you the entire broadcast from today with none of the music and limited commercials. Try to enjoy!

Matt Damon & Ben Affleck are being sued for their movie The Rip, a Wordle game show hosted by Savannah Guthrie is coming to NBC and Pope Leo is going viral for wearing Nikes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Miami cops are suing Matt Damon and Ben Affleck over movie, Apocalypse Early Warning System rolls out...tracks any mass movement of private jets out of large populated areas possibly signaling trouble...? It Happened Again: Cruise Ship edition See omnystudio.com/listener for privacy information.

Miami cops are suing Matt Damon and Ben Affleck over movie, Apocalypse Early Warning System rolls out...tracks any mass movement of private jets out of large populated areas possibly signaling trouble...? It Happened Again: Cruise Ship edition

*Timestamps are approximate* TIME TOPIC 0:00 Podcast intro with Dave & Chuck "The Freak"0:01 - - - AD MARKER - - -0:01 EMAIL: Came across one-woman massage parlor that will worship an ass0:20 EMAIL: Stopped at BK, fries are new and delicious0:24 Ronald McDonald singing the National Anthem0:27 Look back on guy who was rushed onto live TV by mistake0:30 NEWS0:30 Plane hit trespasser on runway during takeoff0:38 Cruise ship evacuations underway after deadly virus outbreak0:42 Cruise where 100 people have come down with norovirus0:45 Teenager walked away from crash that split her car in two0:48 Accident left motorcycle hanging from a streetlight0:49 People are going into gym, busting off locks to steals wallets0:53 Gym introduced modesty dress code1:01 - - - AD MARKER - - -1:01 CELEBRITY DIRT1:01 NBA and NHL playoff update1:03 NFL schedule to be released soon/Yahoo's Super Bowl matchup predictions1:03 Update on Mike Vrabel scandal1:08 Kevin Hart roast1:11 Marathon runner thought she signed up for a half marathon, accidentally signed up for a full1:15 Vince Neil's company is suing Scottsdale for plane crash that killed his pilot1:18 Kevin Bacon was attacked by bees1:22 Mattt Damon and Ben Affleck sued1:27 Britney posts picture with a snake, shares first statement since rehab1:28 Contestant on Price is Right won biggest prize in show history1:31 Guy who cuts Kim Kardashian's hair charges $200K fee1:36 - - - AD MARKER - - -1:36 Married guy on Grinder was beaten and robbed1:44 Guy accused of exposing himself at a park1:48 Police searching for a guy who was jerking on a subway1:50 Video of fast food employee putting fries in mouth, then box for customer1:55 Guy went to Vietnamese restaurant because it has a naughty sounding name2:02 Foreskin reconstruction2:20 IDIOT CRIMINAL OF THE DAY2:20 Update an the criminal who pooped diamonds2:24 - - - AD MARKER - - -2:24 Hikers body found, likely to victim of a bear attack2:32 Some hikers confirmed dead, others missing after volcano erupted2:34 Man attacked after confronting people who were breaking into neighbor's house2:44 Kid playing Senior Assassin game mistaken for real gunman2:47 Guy found a large amount of money in a bathroom, returned it2:53 - - - AD MARKER - - -2:53 NEWS2:53 Woman got tattoo from someone found on social media, it nearly killed her2:59 Owner of restaurant called and harassed teen over job she never applied for3:05 - - - AD MARKER - - -3:05 Temporary alcohol ban in Bahamas3:09 Hospital suspends surgeries because of an ant problem3:11 Zoo with multiple babies born3:15 - - - AD MARKER - - -3:15 TALES FROM THE KREMLIN3:15 Guys are doing something strange to their ears END OF SHOWSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today’s 5.11.26 show we talked about Jess’s weekend in LA, new Guinness World Record, a club in Mexico is charging a cover to U.S citizens, they’re getting closer to solving the Nancy Guthrie case, Chonkers is M.I.A, Steffon Diggs and Cardi B are possibly back together, a passenger that was on the Hantavirus cruise ship has landed in the Bay, cops are suing Matt Damon and Ben Affleck, we go through our photos from home and more!See omnystudio.com/listener for privacy information.

One of the 17 American passengers evacuated from the hantavirus-stricken cruise ship has tested positive for the virus. They are now under quarantine in Nebraska. Ian Lee reports on the passengers There's a growing trend on social media called "supplement stacking" where people take multiple supplements everyday in an effort to boost strength, energy and even hair growth. Dr. Rachel Pessah-Pollack explains what to know about the trend. Memorial Day travel is expected to set another record this year despite surging prices for gas and flights. AAA anticipates 45 million Americans to travel at least 50 miles from home. Kris Van Cleave reports. Inspired by a true story, Netflix's "The Rip," starring Ben Affleck and Matt Damon, follows two Miami-Dade police officers as they discover more than $20 million of cartel cash during a drug raid and reveals corruption within the department. But now the real-life officers involved in the raid are suing Damon and Affleck through their production company. Carter Evans reports. Kirk Moore, the Oklahoma principal who tackled a gunman who had entered his school, spoke exclusively to Matt Gutman about the terrifying moment and the support he's received since. Annette Bening talks about starring in the "Yellowstone" spinoff "Dutton Ranch," why she wanted to play her character and learning to ride a horse for the role. Astrophysicist Neil deGrasse Tyson speaks to "CBS Mornings" about the newly released documents and videos from the Pentagon on UFOs, what they reveal and evidence he would need to see to be convinced there are aliens. At just 13 years old, Sky Ewing had done more than 500 interviews. Her dream to become a reporter was sparked during the COVID-19 pandemic. Ewing recently reached out to CBS News contributor David Begnaud and got the surprise of a lifetime. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

*Timestamps are approximate* TIME TOPIC 0:00 Podcast intro with Dave & Chuck "The Freak"0:01 - - - AD MARKER - - -0:01 EMAIL: The show is making men more confident about getting medical attention0:29 NEWS0:29 Update on the cruise virus 0:36 Update on suspicious disappearance of a woman at sea0:39 Teacher fired after being caught with drugs in his classroom0:41 Storm chaser's car was struck by lightning while he was driving0:43 Contractor dumped debris on a lady's lawn after she didn't pay him0:49 Car wash worker saved a pregnant woman who collapsed outside of her car0:52 A couple out to lunch found pearls in their oysters0:56 Video of a bear trying to get into a restaurant1:01 - - - AD MARKER - - -1:01 CELEBRITY DIRT1:01 Former NFL players join lawsuit against Ohio State1:09 NBA and NHL playoff update1:09 Donkey basketball charity event to raise money1:12 The latest actress to join OnlyFans is Jaime Pressly1:21 People are worried that Ryan Seacrest may be sick1:24 Sally Field talks about working with Robin Williams1:26 J-Lo put house bought with Ben Affleck back on the market1:27 New movies opening in theaters this weekend/The Sheep Detective1:31 What is "Blue Dot Fever" and is it causing tour cancellations? 1:36 - - - AD MARKER - - -1:36 DARK SIDED1:36 Woman accused of running over and killing a guy she met on a dating app1:46 A lady and 2 friends robbed a guy who she met online1:49 Man arrested for operating a drone with intoxicated1:51 Update on the sheriff who allegedly posted a picture of his penis online2:05 Old couple attacked a woman after she spanked her child in public2:14 Woman stabbed hairdresser over a bad haircut2:19 THOSE CRAZY CANADIANS2:19 Hikers in shorts had to be rescued from the trails2:24 - - - AD MARKER - - -2:24 BREAKING NEWS2:24 We got the sheriff's dong pic2:32 ASK DAVE & CHUCK "THE FREAK"2:32 EMAIL: New girl he is dating has puffy bits2:45 EMAIL: Boyfriend stares at me while we bang2:51 - - - AD MARKER - - -2:51 NEWS2:51 Man arrested for trying to take 50lbs of weed onto a flight2:54 50 rub & tugs get shutdown in a single county2:57 Guy pretended to be blind in order to get disability benefits3:01 - - - AD MARKER - - -3:01 CEO of Ryan Air wants to see early morning booze service banned at airports3:04 Guy used drones to help delivery drivers find his home3:06 JUNK FOOD ROUNDUP3:06 Apple beer3:09 TikTok trend to keep toast from getting soggy3:10 - - - AD MARKER - - -3:10 SYMPHONY OF DESTRUCTION3:10 Old lady crashed minivan into a restaurant END OF SHOWSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

So who boycotted and who just didn’t get invited? Yes, we’re rounding out the Met Gala gossip with a rundown of protests (SJP?), basic-b*tch heartbreak (Hugh & Sutton) and bathroom selfies (alllll the hot ones). VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote RIGHT HERE. Plus, who actually won in the finally-finished court battle of Lively vs Baldoni vs Lively? And what James Valentine’s Year Of Living Gratefully taught us about living (and dying) well. And, Cameron Diaz is a mum again at 53 and no-one is calling it a 'miracle!' Have we turned a page on older parents’ double standards? Don’t forget that if you SUBSCRIBE to Mamamia, you get access to extra Out Loud segments, every single one of our podcasts, and every MM story ever written. https://www.mamamia.com.au/subscribe/ SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Fake Nips & Wandering Hands: Mia’s Met Gala Verdict Listen: We Do Not Agree On The Taxi Cab Theory Listen: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Blake Lively just got the last laugh at the Met Gala. Blake Lively and Justin Baldoni have just settled their lawsuit. The timing says everything. Cameron Diaz quit Hollywood for 10 years. When she returned, she noticed one major difference. 'As a fashion editor, I urgently need to discuss these 9 Met Gala looks in excruciating detail.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. - - - - - - - - - - - - - - - - -AUTO GENERATED TRANSCRIPT: Speaker 1: Hello and welcome to Mamma Mia out Loud. It's what women are actually talking about on Wednesday, sixth of May. I'm Holly Wainwright and the first thing I'm going to do, the first order of business, very simple out louder is if you love your show, please vote for us in the upcoming Australian Audio Awards as a People's Choice category. It's really straightforward. We're going to put a link in the show notes, We're probably going to put it on social We're going to put it everywhere. We would love your support to help us get there. That is the end of my manifesto for the day. Speaker 2: Okay, Well, I just would like to say as a lazy girl that there are all these things to fill out. Speaker 3: You only have to fill us out. Speaker 1: Yeah, you don't have to do everything is just tick Mama Mia out Loud. Speaker 3: So important for the lazy girls out there, and as as a bossy girl, I just concur with Holly. I know you can make that ask of people, and I think that's a great step towards greet our self assertive. Speaker 1: I'm growing, I'm growing, Amelia Growing. I'm Amelia Lester and I'm Claire Stephen and here's what's made our agenda for today. So now that it's all over and many damning text messages scatter the ruins of what was the biggest celebrity story for a couple of years, Just who did win in the whole? Blake Lively and Justin Baldoni court case drama. Speaker 3: Plus Cameron Diaz is a mother again at fifty three, and Holly has some thoughts. Speaker 2: And veteran broadcaster James Valentine filmed the last year of his life for the ABC, and between a living wake and his openness around voluntary assisted dying, he's opened a conversation around what it means to die a good death. Speaker 1: But first, Amelia Lester, the Mecgala. Speaker 3: Did it feel different this year? A lot of people said that it did. Amy Odell, a fashion writer, wrote in her background newsletter that the Metgala was all money, no soul, and she wasn't alone in this criticism. Basically, people are saying that because Jeff Bezos and his wife Lauren Sanchez Bezos sponsored the event, it just started to feel a little craven, a little gross, and less fun than it used to be. So there were a lot of protests in New York. In the lead up to the event, they were all centered around Amazon's labor practices, its environmental damage. And then there are those who say, no, that's not true. The mech color's always been about rich people giving their money towards a good cause, which is the Metropolitan Museum's Costume Institute. And look, they did raise a lot of money on Monday night. The Bezos has bought the event for about ten million dollars, but then the event itself raised about forty one million. This is US dollars, which is a lot for this event. It's apparently kind of record breaking. So are we just complaining about nothing, Holly? Do you feel like celebrities stayed away? Did they agree that this was a sort of off event this year? Speaker 1: So I'm going to give you a list of the celebrities who people say boycotted, because none of the people so far who everyone is saying has boycott had actually verbalized that they were boycott. Speaker 3: Well, we are boycotted, which we just had to take a stand because. Speaker 1: I do feel a little bit like what soul when you said it's all money those salt like, I do feel a bit that I don't think this is the first year. It has been pointed out in the culture, particularly since trump Ism and all those things, that this feels very hunger games. Yes, yes, and I know although there's a more direct link here, you know, with the Bezos is buying it. I do feel like Jeff sort of bought it for Lauren as a gift, which is a nice gift. Nice, but it feels more avert. So anyway, let's look at this because when I was watching it on Tuesday and then I did a subscriber episode with me as straight afterwards, I was like, well, all the celebrities are there, like Beyonce's there. All the famous people I was expecting to be there were there. Speaker 2: Well, actually a lot of famous feom we didn't expect to be there were there. Speaker 1: Yeah. And then it was pointed out to me who was not Billie Eilish. Now that tracks because she doesn't like billionaires, and she remembers she gave a speech a while ago where she said, you lot give more of your money away. So I don't think she would have been either welcome or willing to go, because Jeff might have worried that she was going to shake him down in the bathroom to share more of his money. Zoe Saldana, she is somebody who is usually there. She was not there. She is almost as rich as the billionaires. She is an unbelievably well paid actress because of her Marvel and Avatar connections. So Zoe's at home count of dollars. Olivia Rodrigo that tracks too. She is political, That would not be surprising. She's in the middle of an album promo, so you might have usually expected her to be there. Lady Gaga an interesting one because she could have been expected to be there because she's in The Devil Wears prior of Too and the rest of the Well. Meryl wasn't there, but Meryl never goes, so that's not surprising. But Anne Hath the way Emily Blunt Stanley Tucci were all there. Speaker 2: Stanley Tucci with Emily blount sister, it's always fun. Speaker 1: So maybe Gaga, but also she's kind of said lately that she's going to focus on promoting things she wants to promote rather than just being around. Lewis Hamilton come on, like he's literally dating Kim Kardashian, who's extremely bezos adjacent. I don't think that was a political. Speaker 3: Let's get to the big guns. Some were missing, right, some who we might have realized. Sarah Jessica Parker. Speaker 1: Yeah, so, Sarah Jessica I reckon. That is probably I would say that's almost definitely a boycott. But she went to support Anna at a dinner, but she didn't. Speaker 3: Go to the There was a dinner on the weekend before the gala. It probably would have been more fun. Speaker 1: Anyways, she said anything, No, she hasn't, but she I think she was in support of the New New York mayor. Right, And obviously he didn't go, but then I wouldn't have expected him to go, and he did post about it. They posted a series of let's sell a the real heroes of fashion and you know, celebrated workers behind the scenes and particular designers and things. So yes, so Sarah Jessica Parker I reckon could be a boycott. But then they're saying, you know, j Lo, I don't think Jalo was boycotting. I just think she's tired. Speaker 3: Harry Styles. Speaker 1: Harry Styles is in the middle of record of rehearsing for his tour. He's in a studio in bethnal Green running through it. Not that I've been stalking him. Justin Bieber, he's just done Coachella. Boy needs to lie down. Miley Taylor Swift, she never goes, and I don't think she's so. I think that some of the boycott cots are not boy I. Speaker 3: Think that's right. But it's interesting that some of the tech billionaires it clearly got to them a little bit. So it's interesting that Jeff did not walk the red carpet with Lauren. That's very unusual. They do everything together. We've learned this from various pieces about them and Lauren's dress being very boring. Do we think that was intentional. Speaker 1: A little bit understated for Lauren, Yeah, but I think it was had a very specific art reference. It was the same dress as someone called Madame X and it's like scandalous women. Speaker 3: Yep. It's interesting though, because Jeff did walk the carpet in twenty thirteen when Amazon sponsored the event. There was no outrage back then when Amazon sponsored the event and he walked with Mackenzie then Mackenzie Bezos his wife at the time. Mark Zuckerberg also made his Met Gala debut with his wife, Priscilla Chan, and they also didn't walk the red carpet, which I thought was interesting because it's kind of like, well, you want to be at the glamorous event, but you don't want the attention of being there. Speaker 1: Do you think they might have been encouraged not to. Speaker 3: I don't think anyone encourages Mark Zuckerberg and Jeff Bezos to do anything would have worked exactly. But there were some tech willionaires who did walk the carpet. Google founder Sergei Brinn. He showed up on the red carpet with his girlfriend. Her name is Gaylyn Gilbert Soto. The New York Times describes her as a con conservative gut health influencer. Speaker 1: That is one of the six job title Claire. Speaker 3: Do you think that there's something inherently conservative about gut health? Speaker 2: Yeah, because gut health is very don't take antibiotics and don't take antibiotics is very That's what it's. Speaker 1: Yeah, yeah, yeah, yeah, which used to be a sort of crunchy hippie vibe, but these days has come back around it. Speaker 3: I thought it was just you know, drink your com your chart, but no, it means it can. Speaker 2: Be very I feel like there's it's a short road from like gut health gut health to to anti vacs. Don't ever give your children antibiotics with my sour crow. Speaker 3: And of course I'm AROUNDA was there. I just have to add she was there with Snapchat founder Evanstein on the carpet, of course. Speaker 1: Possibly the biggest gun that I haven't mentioned though, is Zendaya. She does always go. Usually she didn't go, and that read like a boycott. And some people are saying, if your boycotting, say you're boycotting. I don't think so necessarily. You don't want to necessarily make everything about your politics. But I just have one question. I think that big charity galas of all types have always been, have always reflected the moment therein and they've always been a path to accessing status in a particular society. Watch the Gilded Age, It's all about that. Speaker 3: And Nixon notably said that she thought it was great that the mayor didn't go. Speaker 1: Yes, but like you know, you're reflecting the time. So you're going a big gala ball is the way you get all the fancy people together. This being a tech bro billionaire ball is very reflective of the moment we're living in, right, So is it surprising in any way in the nineteen eighties New York society. It was all about glitz and flash and Donald Trump, and now we're like again, I don't know. I kind of feel like, what did we expect to happen? Speaker 3: No, that's right, But I think that the group that people are most angry at it's not the people who went in their pretty dresses. It's not the people who didn't go and stay quiet about it. It's the people who went but then tried to have their cake and eat it too. See. Speaker 2: I'm not as frustrated about this because Sarah Paulson is getting a hole at a crap because she wore a dress that then and then had a blindfold that was a dollar bill, and it was people like it's making a statement about about like eating the rich. Speaker 3: Well, she herself said that it was a statement about the one. Speaker 2: Besides yes, and and I thought that was like a far swing. But the dress is actually called like the one percent by the artist, the designer who designed it, and the mask was called blinded by Money, and it was a statement on greed and corruption that comes with extreme power. I think it's a little bit unfair to look at her and say, well, you've got a net worth of twelve million dollars at which how does anyone calculate anyone's net worth on the internet? But you have a net worth of that you're at this event, how dare you then make a protest when it's like, well, isn't that exactly how how you do it? Speaker 3: Don't you go in? And well, people do have a history of using that platform. So Alexandra Ocazio Cortez, who is a Democratic congresswoman from New York, famously wore a dress on the Megala red carpet a couple of years ago which said tax the rich. But people actually have the same criticism for her. To your point, Holly, the met Gala in some corners has always been seen as a kind of repulsive show of excess and decadence, and she got a lot of aoc got a lot of flak for even attending the event back then, reading the canapasey while saying. Speaker 1: You guys are discussing while Charlie free directions. Speaker 2: But if you're not there, you don't have a microphone to say anything about the event, do you know? Well, I guess you do. I guess like Vende could opposed to something on Instagram. Speaker 3: If you want Zendaya not going definitely took the air out of the room when that announcement came out, And I guess it wasn't an announcement so much as a news update. Everyone kind of went, that's big. When Zendeia's not there, it's big. Speaker 2: Because she's always one of the coolest on the carpet. Does something really original, remember that, like bloody light up dress and she. Speaker 3: Oh, but there was a bathroom selfie. Some things always stay the same, right, and you saw this by Yes, it's always an iconic bathroom selfie. It's always the thing you want to look for. And there was an amazing one that had you know, the Margo Robbie all the people in it. But one of the things that was most striking about that And so I saw that in the wild last night and I was like, why is there an exceptionally beautiful woman in the middle of that who is wearing a quarter zip sweatshirt? I was like, was she at that party? Speaker 1: And then it's having a lot of headlines today because she is actually a very famous model. Speaker 3: Yeah, I actually love the story behind this. Her name is Bavitha Mandava and she that what she wore was a quarterzip jumper essentially and what looked like jeans. It turns out they weren't just any jeans. The jeans were made with silk muslin and had a blue denim effect. My jeans today have a blue denim effect. And it's a very important iconic look because she opened Chanell's show in December, which was on the New York City Subway, wearing essentially that outfit, and the fashion world lost their mind. That show was like considered extremely groundbreaking, and she was the first Indian model to open a Chanel show and she is now the first South Asian ambassador for Chanel. And incidentally, did you notice that Margot Robbie, who was also Chanel ambassador, It was right next to her in that photo. So Chanell must have been just so happy about the whole thing. Speaker 1: I know, but it just she just looked so out of place. Speaker 3: But that's what made it so good. Speaker 1: Yeah, but I was like wandered into the shop. But she also read all about it and I was amazing. Yet she didn't have to have a bubble machine boobs. Speaker 3: And then that look that she wore on the Chanel catwalk was actually a nod in turn to how she was discovered. I love this so much. She was a grad student m YU and she was discovered on the New York City subway waiting for a train. One would imagine probably wearing a similar outfit to the one she is now wearing in a much more fabulous incarnation at the metgala. Speaker 1: But you were obsessed with another red carpet walk. Speaker 2: Yes, because I am a basic bitch. If, like I swear, if there was like a thermometer for like, what's what does the basic bitch think about anything that's happening in the world right now? It comes over me and it's like bing bing bing bing bing because I saw the red carpet photos of Hugh Jackman in Suton Foster and I think I was sitting opposite you and Holly and I. Speaker 3: Said, oh oh, was like I don't and I'm like, howm my. Speaker 1: Here has it been? Speaker 3: Now? Not that many at least well he was. Speaker 2: Hugh Jackman was on the Red carpet with Debory Furnace in twenty twenty three. Speaker 3: My group chats are very divided on this. Some love the two of them together and some are talking about deb Prowley. Speaker 1: Do you have to not debut your relationship after a divorce five years, ten years? What do we want? Speaker 2: There are no rules, but I am allowed to go oh poor deb Oh, no, I hate that I am allowed. And then the tabloids, because again I'm a basic bitch. The tabloids were like, hey, basic bitches, We've made up a story for you. So there are sources in Inverata commas who say that Debrale Furnace was a huge fan of the event and the decision to bring Sutton Foster was a final blow to deb And what I didn't realize when I went really deep on this was some Foster's wearing a ring, like they think that you proposed in January and they think they're going to have some trend in your wedding. Speaker 1: And is that all are not allowed? He's not allowed to marry again, not ever, not ever. Speaker 3: I I don't know about that. Speaker 1: How do you know that, Deborah Lee Furness. This is what I don't like about this narrative is it victimizes a woman who maybe is totally done with that, you know what I mean. She obviously she made up some statements that made it clear she was not happy when that relationship broke down, But again three years ago, so now she might be living her absolute best life. Thank god I don't have to go to the met gala with that guy. Speaker 3: She disagrees politically too. We don't know anything about it, like she was kind of famously a conservative political voice because he is the godparent of Rupert Murdock and Wendy Dang's children. Also, he's very close with Avanka Trump. So no one was surprised to see Hugh at the slightly maga codd metgala. Speaker 1: Oh wow, he's unfair, And I know no one's crying for the celebrities, but I think it's unfair to brand everybody who was at that red carpet as maga. Speaker 3: Co Oh no, no, no, I did too, But I just I'm saying that he's not exactly Alexandra Orcasio Cortez. No one would be expecting him to make a big political statement about the taxing the rich. No, he's very like to promote. Speaker 1: In a moment, what the heck was all that Baldoni Lively business about? If we've both basically ended with nobody winning and no money changing hands. So moments before one Blake Lively swept onto the met gala carpet looking a bit like Cinderella, very trademark minus the bluebird. She didn't happen. She always said exactly body, She's pretty good all that stuff. But moments before that, a statement dropped into the inboxes of major press outlets, including People, New York Times and so on, and it read the end product the movie. It ends with Us is a source of pride to all of us who worked to bring it to life. And with no context, Everyone's like, why are we reading this? Raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand behind. It becomes clear this is a joint statement from Blake Lively's team and Justin Baldoni's team about the court case we've all been obsessed about for years. We acknowledge the process, presented challenges, did it. Speaker 3: Recollections and recognized concerns raised by mes Lively deserved to be heard. Speaker 1: We remain firmly committed to workplaces free of improprieties and unproductive environments. This is one of those statements that so many lawyers were involved in drafting that it. Speaker 3: I hate an unproductive environment and I'm with that. Speaker 1: That's fair. It is our sincere hope that this statement brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online. And in the hope of moving forward constructively and in peace, Blake goes to the met gal Yeah, yep. Now we'll get to whether or not they got their respectful environment online, But just a very quick catch up, because we would be here for a year if we went into all the ins and outs of what's been going on here. But it all started when Blake Lively. Do I need to explain who she is? Significant star actress, possessor of wonderful hair, one half of a very powerful Hollywood power couple, made a movie called It Ends with Us, based on one of the best selling books in the past decade by Colleen Hoover. Speaker 2: And you guys are weird about it because I said this morning that it's objectively one of the worst movies I've ever seen. And you guys, it's fine. You guys were so mad well. I didn't stop you so mad well. Speaker 1: I'm gonna get to that in a minute. The thing is is that making a movie based on one of the best selling books of the decade is smart business and lots of people wanted to do it. But the man who owned the rights was Justin Baldoni, who's a lesser known dude. He's an actor, producer, self proclaimed feminist. Done. Some Ted talks about it. Speaker 3: Everything I know about this man I've learned against my will exactly done. Speaker 1: Some Ted talks about it podcast with Liz Plank something something something. Anyway, the movie itself is about domestic balance. That is not a mystery or a surprise at his front and center in the plot. The movie got made, and the movie was a huge hit, proving Claire Stephens wrong. Speaker 3: All I need to say. Speaker 1: Against the modest production budget of twenty five million, it grossed around three hundred and fifty one million dollars. Huge movie, right, But before the hit part happened, obviously, it was obvious that things were for apart. Behind the scenes, everything had gone very very wrong. We're not going to take you through because again I know Klas Stevens has a PowerPoint on this somewhere. You It went very deep at the time. You were a great source of it. Speaker 3: It was great. A lot of this was going down. Speaker 2: I think maybe just as I submitted my books, and my reward to myself was finish your book and you can read all the legal poculars. Speaker 1: Yes, and there was this press tour that was like separate red carpets and warring factions and all this stuff. And then in December twenty twenty four, Lively sued Baldoni, accusing him of harassment, sexual misconduct, and a smear campaign on the set of their movie. She claimed that Baldoni conspired with publicists to preemptively destroy her reputation, hence the dodgy press tour after she privately accused him of sexually harassing her on the movie set. There were a lot of damning texts released, all hell broke loose. Then Baldoni countersued. He basically alleged that Lively and her husband Ryan Reynolds always wanted to take over this movie, the control of the script, to the edit, all the things that they had it in for him, and they used their very famous friends to intimidate and harass him. Speaker 3: I'll never forget the email that when unanswered, that she sent to Matt Damon. Speaker 1: Oh, I know. There were a lot of damning texts revealed. Speaker 2: Again, sorry, the one to Ben Affleck where she like, oh, she just made an awkward joke about how she had sent the email to Matt Damon and how great Matt Damon was, and I was like, honey, that's like Ben Affleck's biggest point of in security is comparing himself to Matt Damon and you don't know the idiots and your correspondence with Ben. Speaker 1: And so here we are suddenly, just weeks before this mess was all going to go to court, all these cases have been it. Speaker 3: Hadn't even gone to court. Speaker 1: No, some things had been dropped dropped. So first of all, Baldoni's case against Lively got dropped, and some elements of Lively's case against him got like so there was all that was stuff, but it was it was meant to go to court I think on May eighteen, so soon. Wow, And days before it's been disappeared. Lawyers have made millions, reputations have been trashed and nobody apparently no money exchanged hands between the two parties, and no one, as you as evidenced by that really confusing press release, nobody is saying that they've won or not. Claire does the fact that Blake Lively stepped onto the met Gala carpet the minute that happened signaled that she sees this as victory or that she'd liked to pretend the whole thing didn't happen, And how the hell does she move forward? Speaker 3: Yeah, Claire, what does that mean that she shot up at the Metgala? Speaker 1: One? Speaker 2: I think it's genius. I always think that the best publicity in response to this stuff is to be around and change the narrative, like changing a different direction. Celebrities are so clever that it is no coincidence that this statement came out when it did and that then she was on a red carpet, because you just you know that there's so much going on in the world. People are going to be all the celebrity reporters are going to be distracted, just like the zones. Speaker 3: Yes, yes, And. Speaker 2: It's the same reason it always happens. When I was editor in chief, the local Australian celebrities would always announce their breakup at like five pm on a Friday, and it's like, you know. Speaker 3: The journals have gone to drinks or boxing day. Speaker 2: Yeah, yeah, you know, we've gone to drinks, you know that West Skeleton stuff on the weekends. Speaker 3: We're not going to go as hard on this story. Speaker 2: So I think it was smart that it was released when it was, and it was smart that she turned up at the met gala and that she reminded everyone I look really good in address. Speaker 1: You to figure but disagree because what immediately happened the minute she opened her mouth. Speaker 2: Well, this is what's interesting that depending on your algorithm, and depending on what side of the Internet you're on, there are two very different stories. So on certain apps, the story I'm saying is this was a win for Blake Lively that, for example, the line at the end of that statement including a respectful environment online, that that was very much acknowledging what had happened to her, which was all the allegations about manufactur orchestrated campaign. Speaker 1: Because that is the thing that I will take away from this mess the most, is that seeing the messages between Baldoni's press people and him about ways that you can use and manipulate social media to dent somebody's reputation is not just like when you see suddenly start seeing everywhere lots of tiktoks around of like, look at this interview with this person, doesn't she come across a bit like this but there can be a lot more behind it. And this is also things that we pointed out about amber Hood joining the amber Hood Johnny deppcayse that there can be a really orchestrated dark arts going on there, and certainly the examples that were pinging back and forward between Justin Baldoni and his reps suggested that I knew that. Speaker 2: Yeah, And so there's there's a lot of arguments that that line in particular is about what she went through, because she really has been torn apart on the internet. However, I couldn't believe that she turns up at the met Gala. She there's she clearly you could actually tell from her speaking when she was interviewed that she was nervous, that she was trying, like, I can't put my foot in it. Speaker 3: I can't like that. Speaker 2: There have been viral interviews of her for a couple of years now all over the Internet of her just saying slightly the wrong thing in an interview, and it becomes that she's an awful person. Blake Lively did an interview on the met Gala red carpet and it has been analyzed to death, and people think she was rude to the interviewer in this instance, well, you look gorgeous. Speaker 4: I am wearing Jackson weederhot gorgeous, thank you beautiful hair. She yeah, you look studying. And this is archival versace, but they met a fid it by adding a big beautiful train. So it's a piece from two thousand and six. And it was just such an honor to be able to wear this gorgeous, gorgeous gown. It looks like a sunrise and a sunset and watercolor and gorgeous range shworts, jewelry. But this this, but these, this is a Judith leberbag. And we were trying to find a piece of famous iconic art to put on and make it look like it was in a frame. And then I said, would you actually, if you're gonna make it custom, would you do my kid's art? So my kids each painted a painting, a watercolor painting. So each of my four kids did this. Speaker 1: That is so spoo especial. Speaker 4: So I have them with me. Speaker 2: And that has been interpreted as her being a bit, as her being dismissive, as her being self scentered. The other thing that's been I think we want to know what this is. Speaker 1: So here's my challenge to your strategy, be public, give them things to talk about, because she can't get away from this narrative now for some time, it's been years of her lit like every time she opens her mouth. There's a lot of people invested in you're a terrible person, as you say, so they're just going to find ways to say that over and over again. In the way that the Internet is now very invested in hating Blake Lively a certain so, just in the way that the internet's very invested in hating Megan Markele. It doesn't matter what she does, what she says, where she goes. You can't win that game. Speaker 2: One of the great arguments was it costs one hundred k for a plate at the Met gala, and part of her claim was the financial stress caused by Baldoni smear campaign. And it's like she's not paying for that one hundred k plate, neither is anyone people being like I thought you were arguing you were locked out of Hollywood. Speaker 3: Doesn't look like you're locked out of Hollywood. Speaker 2: And she had a bag where her interpretation of the art theme was that she got her four kids to draw a picture on each side of the back no self centered, made it about you. Speaker 3: You wanted to. Speaker 2: Claim authorship over this event, So there are people. Speaker 1: This is why I think her best strategy is to go away for a few years. Speaker 2: Yeah, because I think the weird thing is I think if Justin Baldoni had turned up, I think there's something, there's an anonymity that we give men that we just don't give women like I just don't think he is going to be plagued in the same way. And I think it's Marina Hyde who says he'll probably do some low budget it. Speaker 1: Will definitely have dented his possibilities of becoming a big name. I think that because, as Marina Hyde says in that story in The Guardian, she wrote a column about this, saying that the overarching lesson of this whole thing is never ever go to court, never ever ever. And they didn't actually end up in court, but still is that for the rest of time. Their names are now linked, every interview, every pro file, every project they do. This will always be part of the story in a way that it wouldn't if it hadn't entered the courts. But when I say I think go away free, I don't mean disappear like I don't mean silencing women. I mean work on projects, work on producer projects, hustle behind the scenes, do all your hollywoody stuff until you can come back to address this with more nuanced Look at Lena Dunnan. We've been talking about that a lot lately. Famously one of the most hated women on the internet for a period of time, couldn't put a foot right, couldn't do anything right, opened her mouth, everybody jumped on her. We know how the culture treats women who speak out about all kinds of things. There are local examples of this too. In a way. You've got to like let the air out of it and then come back when there's some nuance and distance. Speaker 3: You know what I mean That her while best friend Taylor Swift would have told her that too, because Taylor, of course also famously disappeared and was getting around in large boxes for a while just to stay out of the public eye. That comment of Marina Hides about never go to court is interesting because a few years ago, someone in a professional context did something to me that made me want to take them to court, and so I went to talk to a lawyer about it, who have been recommended to me, and the lawyer heard me out. I was very grateful for the advice she gave me. She said, look, I think you have a strong case, but if you did this, everyone in your field would say that you were a nightmare, no matter what happened in the court case, no matter how right you are, and I do think you're right, it would affect you professionally and it would follow you professionally for the rest of your life. And I think getting that advice from someone who had kind of a monetary gain to taking the case on was something I really appreciated. And I just wonder if Blake Lively's legal advice turned out to be deeply misguided. Speaker 1: I know. The sad thing about this argument I've never taken to court is, of course, that women putting up with sexual harassment at work are just always this guy from ever doing anywhere with it, because you're going to get your character smeared. And it might be on the scale of a Blake Lively, or it might be just the local gossip at the football club, like whatever it is, and that it's like we've seen this play out in massive letters across the sky that watch out, women will get you one way or another, and whether or not Blake Lively is particularly likable, is always nice to everybody? Blah blah blah, isn't the point? Speaker 2: Yeah, it is quite scary for women knowing that if you pursue, which is what an element of what Blake Lively was pursuing, a sexual harassment claim, that all your texts will be looked over and mocked and made fun of. Like, that's a really scary cost to pay. After the break James Valentine and why everyone's talking about the concept of a living wake. On the twenty second of April of this year, cast out musician and author James Valentine died age sixty four, leaving behind his son, his daughter, and his wife. The ABC veteran had terminal cancer, and he was widely loved by his audience, who had been listening to him for three decades. He had been transparent over the last two and a half years about his health. He was a very talented saxophone player and anyone who grew up in the eighties in Australia probably knows him as part of the band The Models and their iconic songs Barbados and Out of Mind, Out of Sight, and he was a Sydney radio presenter. Emilia and Holly, what was your connection to James Valentine as a radio personality? Speaker 3: He was a really important figure in my childhood. He hosted a thing called the Afternoon Show on ABC when back when there were forty TV channels in this country. I remember those days, and he would host and it was cartoons, it was variety. And I never really listened to him on the radio, but I have such you know, in the way that those childhood figures loom large for you. I've always held such fondness and affection for him. And how about you, Hollie. Speaker 1: He's clearly just an incredibly skilled communicator. I mean, I would be lying if I said I listened to that show. But anyone who knows how radio works, how the ABC works, so many people I know who know him. He was just clearly exceptionally good at what he did and very loved. Speaker 2: It's a reminder I think that parasocial relationships have existed long before the Internet. The fact that when the news of his death came out there was a widespread kind of public grieving and a lot of listeners who called in the next day, and his wife and his kids were kind of saying how much that meant to have people remember their dad through sense of humor and his energy. So two and a half years ago he was diagnosed with esophagal cancer and he was given two different treatment options, and he chose the one that was a bit less invasive and would preserve the things he loved in life, which were presenting radio, playing saxophone and enjoying food. Then in January of this year, he's given a terminal diagnosis and his response to that diagnosis and what he planned to do next was documented in Monday's episode of Australian Story, presented by Lee Sales, and it started a huge conversation about the concept of a living wake, which he very fittingly held on Valentine's Day of this year. Here's what he said on the show stage. Speaker 5: Four, terminal, inoperable, uncurable. I don't want to hear any of those words, let alone in the one sentence. So a friend suggested Tommy, maybe you should do a living wake, and oh, that sounds like fun. I will know the time and the day and so it'll be the last weekend. What do you do on that last weekend's dinner? Before? What do you think is that the last meal, I will probably know exactly when I'm going. Speaker 1: That's so moving. So seeing the footage of his reference at the end there was due to the fact that he ultimately chose the time he was going to die, right. Speaker 2: Yeah, he chose voluntary assisted dying and was very transparent around how he made that decision and what that decision entailed. For context, voluntary assisted dying is legal in all states in Australia and the Act except the Northern Territory, and obviously it's an incredibly complex and incredible, incredibly personal decision that has sparked. It's sparking more and more conversation the more we have and aging population and the more people are getting certain diagnoses that may keep them alive for a very long time, but the quality of that life may be poor, and him kind of taking people through that decision was a huge part of the Australian story. But it meant that he got to plan this living wake and there's footage of it, and he's got his family and friends there and there are so many familiar ABC faces and he's really good friends with Norman Swan, who he had on radio to discuss his diagnosis, like what all the different parts of the body were and what they did. And there was something so moving about seeing him on stage with a microphone at his own wake, basically saying, please come up to me and tell me stories and memories about us, because they are what's going to carry me through the next few weeks. And I guess I thought it must be such a relief for his family that then when you do a funeral, he's heard all the beautiful things that you're then going to say about him. I think this is really something we should we should all be looking at. Speaker 1: If it's possible, this episode of Australian Story is really recommended viewing. I think, whether you know who James Valentine is or not, in a world where we hate to talk about death, and yet it touches everybody obviously, I mean that's a ridiculous thing to say, but it does touch everybody. I'd lost a friend to this same cancer when he was only forty six. It's like all cancers. It's a it's it's cruel and the idea that we're also we don't like talking about illness, we don't like talking about death, and seeing somebody such a skilled communicator like James Valentine in this episode talking about why he wanted to do the things he did, and they document the year so very like him talking about how very much clarified for him that he loved his work, so he didn't want to stop working. He loved playing his saxophone, so he wanted to try and avoid procedures that were going to stop him from doing that. That he really wanted to work, play and be with his family, and those are the things he wanted to spend his last year doing. It's just it's very powerful, it's very clarifying. And then to see him at his living way and he says, you know, it wakes People always say, oh, he would have loved me there, and he says, so I wanted to be there, And I just think it's very refreshing. I think, you know, I, as I said, I didn't have a direct listenership with Joe's Valentine, but people who do, and people I know who've worked with him said he brought joy all the time. And it feels like a gift to give be so honest and so open and so clear eyed in talking about this thing that nobody wants to talk about. Is like the last incredible gift that a great communicator could give, and his family is so amazing in it. I really recommend watching the show. Speaker 2: There's a great quote in one of the ABC articles about his kind of decision making towards towards the end, where I think, as a psychologist says, dying people are not the actual act of dying is not the thing they're most scared of. They're scared of the invisibility and the absence of conversation around it. They're scared of people turning away and not wanting to be around them because of how confronting it is. And this was just such a reminder to look it straight in the eye and have the existential conversations with the people around you. The way that he spoke to his kids, and his kids were able to say, what do you think is going to happen afterwards? Speaker 3: And I bet that that's so much harder to do than even it looks. It doesn't look easy, but I bet it's even harder to actually enact these principles that we can all agree are worthwhile. Speaker 1: I love that his kids say that this was perfect for him in particular, this living weight, because he loved being center of attention. He loved a party, He loved being told I'm brad he was. I love the way they you know that families are really kind of I mean, I'm sure no families are perfect, but they're really healthy and loving when they can just call out that stuff about you and be like, he would love this because he just loves everybody tell him how great he is. Speaker 3: So good. Speaker 2: Yeah, And I loved that it wasn't a sanitized version because I think something I always bristle at is when you hear of somebody getting a terminal diagnosis or of you know, knowing that they're going to die. I bristle at the narrative of I guess almost toxic positivity that they're just like, well, I'm completely grateful and joyful. And then I feel for the people who don't have that response, which is completely bloody normal. But I loved there was a lot of light and shade in this. They talked about they went on a holiday, a family holiday to Bali, just before he was meant to get the surgery for his esophagus, and that the whole family's like, oh so bloody terrible holiday. Everyone was sick, everyone had covid Dad. Speaker 3: Had BALI belly like. It's sort of I like that. Speaker 2: In documenting this time, they've been able to show the highs and lows of what happened. But the nort Yeah, how normal it is. But the fact that he was able to do it his way, and that those conversations around what you want, what you don't want, they give so much empowerment in those in those final months and final days. Speaker 1: Something completely different. There was celebrity baby news this week that I must mark because it was interesting. Cameron Diaz and Benji Madden just welcomed their third child. And it's interesting because Cameron is fifty three. Now. When I say that, I don't mean it's interesting in that way of like, oh, miracle baby, how did she do that? Why did you do that? Cameron Diaz. They announced that their little boy had come. They announced what his name was. His name is Nortous and he joins Raddix and Cardinal, which are all just the most rock star names of all time. They announced it. They didn't give any more details than that. It is safe to assume just because Cam's been on a press tour lately, she's been quite visible on a tour for a movie called Outcome, So she's been very visible, and it's safe to assume possibly that she wasn't heavily pregnant during that time, so likely that a surrogate was involved, but none of our business. But the thing that I found really interesting and refreshing that I wanted to unpack a little bit here is I wrote an essay a while ago when Sienna Miller was on the Red Carpet with her beautiful baby bump at I think forty three, and saying how we're entering a bit of an era of agelessness because perhaps of fertility technology, because of the different options that are open to us now, because of Hollywood and the wellness world's obsession with longevity, that we're in a different era now when it comes to age and women and kids. And I think nothing illustrates that more clearly than the fact that there haven't been a whole waterfall of stories about like, oh my god, a mom at fifty three and how could she and why would she? And da da da da. Is that now we're much more kind of like in the way that we might be about a man becoming a father at fifty three, because if you remove the biological complication from the advance for chility technology and all those things. It isn't really any different than the guy who's been doing that forever. Yeah, am I right? Yeah? Speaker 2: No, I think so too. The interesting thing is, as well, when I've looked at this story, how old Benji Madam? Well, nobody ever, as I don't know, I don't know, why didn't I. Speaker 1: Google similar age? I think, well, let's find it happen. Speaker 2: Yeah, because you're seven, so being a little bit younger Benji's forty seven, bloody spring chicken. But I it's interesting because whenever I see pregnancy baby news, it's obviously the life stage. Speaker 3: I'man, I always google. Speaker 1: How old is how? Speaker 3: How old is that? Speaker 1: Money is she? Speaker 2: And you're right that we don't when we wouldn't blink an eye at a man having a child at fifty three. And obviously, if you want to think about any of the things that make rearing children. Speaker 3: Difficult, the older you get. Speaker 2: I mean, Amaran Diaz looks like a bloody pillar of health. She's gonna live forever, She's gonna live till she's undred. Speaker 3: Well, I think what's interesting is that you said no one will blink, and I about a man. I wonder if, now, because women are also having babies older, all of a sudden, we're starting to blink her eyes at men having babies older. Men were allowed to do it for all of human history, but now that women are starting to do it, we're starting to revisit the whole idea of older parents because. Speaker 2: We are interested, and there is actually more and more scientific research going into the health impacts of older because you know how, I'm called geriatric. Just for the record, I'm a geriatric mother. What age, I'm thirty five years old. No, they don't. They call it advanced material. Speaker 3: They definitely call it just it's kind of coolrophistic. Speaker 1: They definitely did call it geriatric though, when I had my second child at forty, I that's interesting. Speaker 2: But if they call Brent geriatric, no, but they should have done it because he's elderly, I think. Speaker 1: I think that's interesting. But then that also assumes. Speaker 3: Like the judgments creeping in for both sexes now, is what I'm saying. Speaker 1: Yes, and that assumes the idea about like we're becoming aware of the risks of older parents assumes assumes a lot about what might be going on here biologically. Yes, exactly, whereas if Cameron Diaz and Benji Madden and whoever else may be in their cohort are having are assessing all the risks, I'm sure they are. We know how health obsessed Hollywood is and making those choices, and there I think. I don't know that's interesting though, Amelia, where you say that that maybe the judgment, instead of fading away, just attaches itself to both genders. Speaker 3: Well, because I don't think it is just about biology. I think it would be we need to put on the table to not be disingenuous. That a lot of people listening to this may have a reaction of if you have a baby at a more advanced age, shall we say, in your fifties, you automatically do a bit of maths, and you think, well, when that child in school, Cameron Diaz will be sixty three. I don't know how old Benji Madden will because I'm not that good at maths, but he'll be also kind of old. And so I think that's one of the concerns that people are now voicing a little bit more when no one ever used to say, well, Mick Jagger is going to be so old when his kids graduate but now we are starting to say that or feeling perhaps feeling more comfortable to say that. Speaker 1: I think that's really interesting. But then I think in this privileged bubble that we're talking about, longevity is an obsession. So I think that that is also changing. This right is that people are thinking rightly, wrongly whatever that with all the right advances and all the right supplements and all the right that they're imagining themselves at seventy three, at this kid's twenty first, like leaping around, I'm doing yoga and pilate, particularly if they. Speaker 2: And Brian Johnson says he's got what is it the sperm of a twenty old? Think about that, man, Yeah, So I'm sure Cameron and Benji are having the same conversation. Speaker 3: So Cameron has remember she literally wrote a book about sort of how to be healthy as you get older, so she's this is clearly on her radar that she's sort of anticipating she will be living a long time. Speaker 1: That's always got time for on this Wednesday. Speaker 3: At births, deaths, any marriages, No. Speaker 1: There weren't any couples at the met gala, were they? They all went. Speaker 2: Solo boycotting, boycotting marriage on the metal, or. Speaker 1: Maybe it was like, unless that engagement wing comes from Amazon, we don't sink, perhaps in her body, her head and she did anyway. Thank you for being with us. Thank you for to our amazing team for helping us put the show together. We're going to be back in your ears on Friday, of course, and for subscribers with some scorelous gossip with Mia tomorrow. That's all. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

Megyn Kelly discusses the latest update on America's war in Iran, new reporting on what's really happening behind the scenes, the status of negotiations and what it will take to end the war, and more. Then Mollie Hemingway, author of "Alito," joins to discuss why Justices Alito and Thomas are likely to not retire this year, the potential Chief Justice Roberts is actually the one who might retire before the midterms, the inside story of what really happened at the Supreme Court during the Dobbs decision, how the liberal justices delayed their dissent putting the lives of their conservative colleagues in danger, the real role Chief Justice Roberts played behind-the-scenes, and more. Then Rob Shuter, author of "It Started With a Whisper," joins to discuss inside info about what it was like to work for J.Lo from her former publicist, the truth about J.Lo's relationship with Ben Affleck, why no one wants to work with Blake Lively in Hollywood, the truth about her talent and future career prospects, what will happen after the Justin Baldoni trial, thirsty Megan Markle and Prince Harry's failed Australia tour, why they will be doing this in more countries in the future, why the Today show didn't see a boost in ratings with Savannah's return, the fake connections the anchors have, and more.   Hemingway- https://www.hachettebookgroup.com/titles/mollie-hemingway/alito/9781541607132/ Shuter- https://robshuter.substack.com/   Supersure Insurance: Simplify your business insurance and get a free coverage report at https://Supersure.com/Megyn SimpliSafe: Visit https://simplisafe.com/MEGYN to claim 50% off any new system! Birch Gold: Text MK to 989898 to join Birch Gold's Learn and Earn event by April 30! Pure Talk: Dial #250 and say keyword MEGYN KELLY to switch to Pure Talk and get unlimited data for just $34.99 a month!     Follow The Megyn Kelly Show on all social platforms: YouTube: https://www.youtube.com/MegynKelly Twitter: http://Twitter.com/MegynKellyShow Instagram: http://Instagram.com/MegynKellyShow Facebook: http://Facebook.com/MegynKellyShow  Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amiguitos ya pueden votar por nosotros en "Los Spotify Podcast Awards" en la categoría de: Podcast Favorito del aire al podcast. ¡Muchas gracias por el apoyo! Hoy es 4/20 es hora de fumarse toda la corneta con Moy y el triunfo del Ave sobre el 'chorizo power'. ¿A ustedes les gustan los pelones? Y, ¿quién creen que es mejor en la cama Brad Pitt o Ben Affleck?

Paris Jackson hangs out with dad's victims, Eli Zaret stops by with Masters fever, Meghan Markle's stunt kids, Bieber bores at Coachella while DLR & Jack White rock, Aretha Franklin did what she wants, Eric Swalwell's creepy moves & rape allegation, and Mike Vrabel/Dianna Russini fallout. Local Music Wednesdays is coming to Rock and Brews. Check it out. Eli Zaret drops by the studio to bore us with The Masters, the Detroit Red Wings fail on Fan Appreciation Night, Steve Yzerman might be Matt Millen 2.0, the biggest sports collapses in history, Dusty May to stick around Ann Arbor for some time, the greatest Michigan basketball team ever, M's poor hockey performance, the Detroit Tigers up and down early, a Parker Meadows injury, Eli's love for the Sports Illustrated Swimsuit Edition, his hate for Augusta, Tiger Woods' surprise visit to The Masters, the Dianna Russini and Mike Vrabel scandal and more. We dive a bit deeper in the relationship between Dianna Russini and Mike Vrabel. She tried to return to Twitter, but was quickly ratio'd. Natasha Lyonne is a hot mess. Drew caught I'm Chevy Chase and You're Not and has commentary on the doc. Eric Swalwell is accused of sexual assault prior to the California Gubernatorial election. Anthony Edwards' ex, Ayesha Howard, wants more money. Men are being targeted at a USC gym. Chamel Abdulkarim is responsible for the Kimberly-Clark warehouse fire. Brian Hooker's story about his wife falling overboard seems to be falling apart. Markleverse: Meghan Markle may be using ‘stunt kids' in her social media posts. Prince Harry, meanwhile, is being sued by his own charity. Coachella: Justin Bieber phoned it in and watched YouTube. Jack White rocked out. Influencers are not welcome at Coachella. David Lee Roth stole the show. Kanye West stood on top of a globe at SoFi Stadium and people were somehow entertained. Jean-Pierre Dorléac vs Aretha Franklin. Lorenzo Lamas is plowing into Heather Locklear now. Paris Jackson is pretty sure her “father” was a pedo. Who is Blanket's mother? JLo is not a fan of kids or their looks. Ben Affleck takes a loss to be far away from Jennifer. Hunter Biden doesn't want to pay his attorneys. He wants to fist fight Donald Trump's sons. Stuttering John Melendez has raised $940 and could use a few more donations. Michael Avenatti is out of prison and living in a halfway house. Offset believes he is the father of Cardi B and Stefon Diggs' baby. He also smokes at the hospital like a badass. He ALSO owes some money to a Detroit casino. We wrap up with Drew's chat with KISS' Gene Simmons. Merch is for sale! Buy it now before it's gone and you miss out forever. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).