Podcasts about homages

213. In this exhilarating episode of the Tailoring Talk Magazine Podcast, we scale new heights—literally—as we dive into the adrenaline-fueled world of Mission Impossible: Ghost Protocol. From Brad Bird's visionary direction to the groundbreaking stunts and innovative gadgets, we unpack everything that makes this film a standout in the series.Get ready to relive the heart-stopping Burj Khalifa sequence, one of the most iconic action set pieces in cinema history, as we explore how it redefined what's possible in blockbuster filmmaking. We also discuss the intricate plot, the humor that balances the tension, and the emotional stakes that keep viewers hooked—especially during the unforgettable final mission.Join us as we break down the dynamic character interactions, the daring practical effects, and the film's pivotal Kremlin heist, all of which cement Ghost Protocol as a game-changer for the franchise.

After the phenomenal success of Jaws, other filmmakers smelled the blood in the water, making horror movies that essentially rip off the original film. So this week, John and I take a look at some of our favorite Jaws rip-offs! There's more sharks, killer whales, alligators & crocodiles, piranha, and even a grizzly bear! Plus we discuss how these films drew inspiration from historical events, cryptozoology, Forteana, and urban legends, like the shark attacks in Matawan Creek, New Jersey, and the alligators in the sewers of New York City! Are these rip-offs? Homages? Or simply inspired by Jaws? Let us know what you think in the comments!

Homages, replicas and clones, oh my! Today we're digging into the business and ethics of what's a perennial and now growing segment of the watch market. This is a complex topic, with important distinctions to be drawn between homages and replicas, clones or dupes. And more broadly, it's one that sheds important light on technology and production gains across the industry globally. Fortunately, we have the perfect guest to guide us through that landscape: Marc Frankel, who most of you probably know as Marc from Long Island Watch – both a retailer and manufacturer of a wide range of watches including homage watches. Marc is not only a living legend in this industry, but someone we genuinely admire and like. We are both proud and happy customers of Long Island Watch. And one of the great joys for us in participating in the Windup Watch Fairs over the years has been getting to know Marc. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry. You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Hello to you listening all around the world!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and quite a bit more) for Motivate Your Monday and your host, Diane Wyzga.My choice for today's episode is to use my voice as a political choice by bringing to you The Hill We Climb, a poem by Amanda Gorman, the nation's first-ever youth poet laureate, read during the inauguration of President Joe Biden on January 20, 2021.Read full text of The Hill We Climb HEREWatch Amanda Gorman read her poem at the 2021 Inauguration HEREWatch Amanda Gorman's 2018 TED Talk "Using Your Voice Is a Political Choice" HERE In this fierce talk and performance from TED-Ed Weekend, she explains why poetry is inherently political, pays homage to her honorary ancestors and stresses the value of speaking out despite your fears. "Poetry has never been the language of barriers," Gorman says. "It's always been the language of bridges."Access Poetry in America - Student Lesson and Teacher Materials HERE Watch James Corden's interview with Amanda Gorman on Jan 21, 2021 HERE Check out Amanda Gorman's book "Something, Someday" HERE You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Services I Offer,✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane on LinkedIn, as “Wyzga on Words” on Substack, and now Pandora RadioStories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.

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A flash-fiction podcast where a handful of writers create an original story with a limited wordcount in a limited amount of time. In this episode we scream tributes to each other's stories down the phone in a playground. The stories are: 'Syracuse' by Amelia Armande, an homage to 'Carnival Showdown' by Joshua Crisp.  'You're just not trying hard enough' by Joshua Crisp, an homage to 'Whirling Pinocchio' by Marina Crisp.  'Tears of a Clown' by Fran Bushe, an homage to 'No Good Bozo' by Tom McNally.  'Staged Revolution' by Marina Crisp, an homage to 'Nothing to Lose But Your Chains' by Amelia Armande.  'Update' by Tom McNally, an homage to 'Flake' by Fran Bushe. Featuring listener submission: 'Guns' by Christopher T. Dubrowski Visit us on our website, on Instagram, or by mailing us on 100words@redbuttonaudio.org Created by Tom McNally, featuring Amelia Armande, Joshua Crisp, Fran Bushe and Marina Crisp. Transcript and all story iterations are available here. Theme tune is Music For Jellyfish by Bell Lungs. Story music is by John Bartmann, released under a CC-BY license, featuring: Another Grappa Monsieur Bring More Fire Guessing Game Neon City Love Affair Nova Serenade Du Nord Station Bustle Glass Bell Bumping Into Each Other Track art generated by Bing. Support 100 Words of Astounding Beauty through our Ko-Fi.

Happy Halloween from CineNerds! Join us for a spooktacular discussion of Michael Dougherty's modern horror classic, 'Trick 'r Treat' (2009). We'll dive into the twisted tales of this anthology film, exploring: The evolution of horror anthologies Sam's iconic character and his role in enforcing Halloween rules The film's clever weaving of interconnected stories Homages to horror legends and Easter eggs Get ready for: Laughter, screams, and tricks In-depth analysis and nerd-out moments Special Halloween surprises Tune in for our 'Trick 'r Treat' episode, and remember... don't break the rules on Halloween night! #CineNerdsPodcast #TrickRTreat #HalloweenMovies #HorrorAnthology #MichaelDougherty #SamTheTrickOrTreater #HorrorClassics #SpookySeason #HalloweenVibes #NerdOut #PodcastLife #MovieLovers #GeekCulture #HorrorFans #HappyHalloween

This week we pay tribute to great homages in the movies.  Join Ian and Dan as they celebrate films… celebrating other films, this week on Cinema in Seconds. Phantom of the Paradise  – 3:00 Gladiator – 13:00 Jackie Brown – 21:00 Hellzapoppin'  – 34:30 Night Moves  – 43:00 Star Trek VI: Undiscovered Country – 56:00

“He reasons ill who tells that Vaisnavas die When thou art living still in sound! The Vaisnavas die to live, and living try To spread the holy name around!” ( Śrīla Bhaktivinode Ṭhākura ) YouTube : https://youtu.be/Z4SPz9MskEk For more videos please visit fanthespark.com

Dmitri Wristcheck - Momentum Sea QuartzKevin Wristcheck - Unimatic x Revolution U1S-REV MILSUB(00:00) Intro & Wristcheck(07:46) New Releases: MoonSwatch Mission on Earth(10:24) Seiko 5 Sports Heritage Design Re-Creation Limited Editions(12:05) The King Seiko KS1969(15:47) Orient Bambino 38mm(17:53) TAG Heuer Aquaracer(22:33) Farer Monopusher Chronograph Segrave(25:13) MAEN x seconde/seconde Manhattan Project(26:35) Timex x The James Brand GMT(28:38) Advice for Building a Starter Collection: “Do Your Research”(37:36) “Validate for Yourself” / “Don't Believe the Hype”(48:46) Be Wary of Homages(51:46) Be Wary of Zombie Brands(56:14) Starter Recommendations: MAEN Hudson, Orient Bambino, G-Shock, Mr. Jones WatchesFollow us on Instagram:https://www.instagram.com/bigblackclockwatch/

We wrap up our Swipe discussion and study when entire art styles are heisted onto another artist! Sampling, Homages, Tributes, we cover it all! Plus, school is out for summer! 

We claw through Jon Favreau’s “Swingers” and discuss: Cinematography, Directing & DP’ing, blocking; Story & Writing, Titles, Theme, Homages; and other such stuff and things and stuff. “Judge a man by his questions rather than by his answers.“ – Voltaire Notes & References: “An oral history of Swingers” (Grantland.com) – Amazing retelling of how the […] The post Ep 269: “Swingers” (1996) appeared first on The Pestle.

In this conversation, I talk with actress Ashton Solecki about her role in the film Roswell Delirium and the challenges she faced. She shares her initial impressions of the film and the attraction to the script and story. Ashton talks about the most challenging scene she had to film and the emotional intensity of the final scene. She also discusses her working relationship with Kylie Levien and Arie Bodenhausen, as well as her experience working with Anthony Michael Hall. We talk about her experience working on the film and the unique nature of the storytelling. She emphasizes the importance of immersing oneself in a character and the impact of truthful acting. The conversation concludes with a discussion on powerful moments on set and the immersive nature of acting as well as gives us a sneak mention of her upcoming projects, including a TV show and a feature film.Chapters00:00 Introduction and Pronunciation01:14 Initial Impressions of the Film08:00 Most Challenging Scene 13:44 Working with Kylie and Ari21:27 Powerful Moments on Set23:11 Immersing Yourself in a Character23:59 The Impact of Truthful Acting24:46 The Unique Nature of Roswell Delirium26:10 Fitting into the Film Landscape27:05 The Divisiveness of Emotional Films27:31 Unapologetic Filmmaking28:22 The Rewarding Experience of Working on Roswell Delirium30:30 The Power of the Film's Storytelling32:22 The Impact of the Young Actors in the Film33:48 Hidden Inspirations and Homages in Roswell Delirium36:13 The Collaborative Effort of the Film Crew38:43 The Experience of Watching the Film at the Chinese Theater43:08 Upcoming Projects45:06 Closing Remarks

Life is a dream, well at least for Dot much of this episode IS which causes Lisa and Dean to have MANY thoughts about the story telling conventions that Fargo Season 5, Episode 7 is putting us through. We are on the road with Dot (Juno Temple) as she desperately searches for the one person she thinks can help her stop Sheriff Tillman (Jon Hamm) , that being his first wife, the mysterious Linda. (Kari Matchett) We've been speculating all season, where is Linda? What happened to her? Is she dead? Is she also hiding under a false identity with a new family? Or is she a sensibly dressed, pseudo cult leader-therapist of an all female domestic abuse survivor commune living in an alternate Linda-verse? Join us as we discuss all the revelations in this topsy turvey ep.  Want to talk about this ep? Follow us on Insta @killercastingpodcast or on our Facebook Page Killer Casting  KILLER CASTING is proud to support “WE AUDITION” the incredible website and app for professional actors to help them find a self tape reader ON DEMAND. A tool that no actor should be without. No more asking your mom or your roommate to read with you for your auditions. On We Audition, there are readers available 24/7. All around the world, whenever you need them. So you could pick the right reader for the genre or the type of role (age, gender, accent) you're reading for. And it's so simple. You just click onto the website or the app, select the reader that you want to use, and they'll come right up on video chat. This is a company run by actors, for actors. Right now Killer Casting pod listeners can get a 25% off discount code. Just use the code word “Killer” when you sign up at https://www.weaudition.com Here's the Run Down: 01:53 Introduction to Episode 7 03:01 Discussion on the Episode's Plot 03:04 Analysis of Key Scenes 05:15 Exploring the Episode's Homages to Original Movie 05:38 Exploration of Easter Eggs and Symbolism 12:11 Exploring the Episode's Musical Choices 21:12 Discussion on the Episode's Dream Sequence 26:09 Handmaid's Tale Comparison 27:06 The Matriarchy of the Patriarchy 28:11 The Cult of Lindas 29:46 Wayne and Scotty's Heartbreaking Scene 33:06 Gator's Preparation for Revenge 37:22 Dot's Puppet Show: A Disturbing Backstory 46:35 The Truck Accident and the Return to Reality 49:10 The Aftermath and Predictions for the Future

In this episode, I talk with Michael Minard about his film You Should Have Killed Me. Topics Include: About Michael, Accolades, Introduction to Filmmaking, Finding Your Identity, Watching Movies as a Filmmaker, Validation, Determining the Movies Tone, Homages, Filming Locations, Favorite Revenge Films, St. Valentine's Day Massacre, The Patriot, Armageddon, The Fableman's, Desensitization to Big Movies, Avatar, Spousal Support, Physical Media, Iowa Filmmaking, and more.Learn More About Michael:Michael works by day as a commercial videographer (even has an Emmy from it) and filmmaker whenever he has a moment to spare (outside of being a husband and father). He was born in Waterloo, IA and grew up in a small town called Readlyn. His educational background is in digital mass media. Over the years, he's made several short films, as well as feature films (this one being his first). He's no stranger to hard work and has showcased it before running multiple cameras, working sound design and directing crews of many people. Michael's InstagramYou Should Have Killed Me: TrailerIMDBAmazon (Watch Digitally)Amazon (Blu Ray)VuduGet Involved with Screen SpeakInstagram: Click HereContact: screenspeakpodcast@gmail.comReferences MadeLinksBryce TaylorDylan YagerRudy's TacosBayview EntertainmentThe Patriot Grief Scene

T Lo review Cher's very first Christmas album, give a little salute and style retrospective for Lady Gaga, who really knows how to pay homage to her elders, from Tony Bennett to Mick Jagger. PLUS: George Clooney makes an offer and Fran Drescher shoots it down in the latest SAG-AFTRA strike developments!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5885004/advertisement

Just because a developer doesn't own a franchise or IP doesn't mean they can't create a spiritual successor. Matt & Geoff discuss some of their favorite original experiences that evoke the games that inspired them, particularly Sabotage Studio's recently released Sea of Stars We have a Patreon! Gain access to episode shout outs, bonus content, early downloads of regular episodes, an exclusive rss feed and more! Click here! You can find the show on Twitter, Bluesky, Instagram and YouTube! Please rate and review us on Apple Podcasts! Rate us on Spotify! Wanna join the Certain POV Discord? Click here!

Lightsaber fights! Rebels cameos! Homages to other Star Wars storytelling! The first episode of Ahsoka had all that and more. Today, our full-spoiler breakdown of the highlights... Punch it! ~*~*~*~*~*~ Be sure to subscribe/follow the show on your favorite podcast app! If you have an extra minute, a rating or review on Apple or Spotify would be super helpful, too. :-) Like YouTube? Subscribe here: https://youtube.com/sw7x7?sub_confirmation=1 Wanna leave me a tip? Thank you in advance! https://venmo.com/sw7x7 Join the SW7x7 community: https://Patreon.com/sw7x7  ~*~*~*~*~*~ Follow the Show: Twitter: https://twitter.com/sw7x7podcast TikTok: https://tiktok.com/@sw7x7 Instagram: https://instagram.com/sw7x7 Facebook: https://facebook.com/sw7x7 Star Wars 7x7. It's destiny unleashed! #sw7x7

Sean Ross Sapp speaks to Aron Stevens ahead of NWA 75 on August 25-26! 0:00 Intro5:00 Being a part of NWA10:00 Managing vs. Wrestling, Aldis match27:00 Tim Storm and his tan32:00 Chase Ballroom33:00 Triple H 34:00 Homages to NWA38:00 Team Rhodes Scholars40:50 The Rock43:00 I Think You Should Leave/StrikeGrab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/fightful to get a Huge Discount off your NordVPN Plan + a Bonus Gift! It's completely risk free with Nord's 30 day money-back guarantee! ➼ https://nordvpn.com/fightful Try it risk-free now with a 30-day money-back guarantee!Our Sponsors:* Check out eBay: https://www.ebay.comSupport this podcast at — https://redcircle.com/fightful-pro-wrestling-and-mma-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fratello On Air is back with a new episode. This week, we touch on a couple of recent topics including the gray market and some associated troubles. We also discuss a newly released homage watch and the light controversy that it brought. As always, we enjoyed ourselves and hope that you'll do the same!It's another week and that means another installment of Fratello On Air. Mike is still sweating it out in Atlanta, which explains the tinnier-than-normal sound of his voice (no fancy microphone in tow). Balazs is enjoying the rain in Germany — not really! This week, it's a bit of a rant session with a focus on some gray market high jinks and a new homage watch that has generated some critical comments.Handgelenks KontrolleBefore getting into our discussion on the gray market, we take care of our customary Handgelnks Kontrolle. Balazs is rocking his vintage King Seiko 45-7001 on a funky metallic purple Has No Bounds watch strap. Mike is also going vintage and is debuting a 1962 Patek Philippe Calatrava 570 that was sourced from Eric Wind. Clearly, we're both into our vintage dress watches in this episode!The gray market and other newsDuring the past week, reports surfaced regarding the Los Angeles-based watch site, "The Timepiece Gentleman." Apparently, the founder recorded a recent video discussing the fact that he has spent monies owed to clients who sent their watches to him for sale on consignment. At this stage, he is attempting to pay those folks back over time. Let's see and let's also see how it affects the overall gray market. We also discuss the recent Massena LAB collaboration with Revolution. The watch generated criticism for looking almost exactly like a rare vintage Patek Philippe, but the response video caused an even larger reaction.We hope you enjoyed today's episode. If you have any topics that you'd like for us to discuss in a future podcast, please don't hesitate to let us know.

A flash-fiction podcast where a handful of writers create an original story with a limited wordcount in a limited amount of time. In this episode we pop a marble in the cultural run by homaging each other's homages. The stories are: 'The Crab King' by Amelia Armande, an homage to 'Crabalocker' by Paul Davies.  'Happiness is Just A Warpway Away' by Joshua Crisp, an homage to 'Old Medicine' by Claudia Treacher.  'The Archaeotheologists' by Paul Davies, an homage to 'Dies Iudicii' by Joshua Crisp.  'Saurian Wash' by Claudia Treacher, an homage to 'The Last Steak Bake on the Hot Plate' by Tom McNally.  'Confundamubulus approaches' by Tom McNally, an homage to 'From the Margins' by Amelia Armande. Featuring listener submissions: 'véttr' by Noah Bradbury 'The Last Bastion of Creativity' by Christopher T. Dabrowski Pour your love and scorn on Red Button Audio's twitter or by mailing us on 100words@redbuttonaudio.org Created by Tom McNally, featuring Amelia Armande, Joshua Crisp, Paul Davies and Claudia Treacher. Transcript and all story iterations are available here. Theme tune is Music For Jellyfish by Bell Lungs.Story music was taken from DisKlavier World. Track art generated by Midjourney Support 100 Words of Astounding Beauty through our Ko-Fi.

This episode has us reflecting on life, loss, and the impact of time as we discuss my  marathon dreams, the changes we experience when a child moves away for college, and the preciousness of time with family and friends. We also journey back to the start of the show last year and debate the Rock and Roll Hall of Fame list, speculating on who will make the cut.As we pay tribute to the tremendous impact Frank Kozik had on the poster community, concert poster art, and the art world, we delve into his vibrant fluorescent colors and the lasting mark he left on the Pearl Jam community. We discuss Kozik's accessibility, encouragement, and openness – attributes that inspired so many artists – and reminisce about his edgy and unique designs for his telephone posters in the 1980s. Lastly, we tackle the controversial choices and snubs of the Rock and Roll Hall of Fame's inductees, reflecting on artists like Soundgarden, Missy Elliott, George Michael, the Spinners, Cindy Loper, Iron Maiden, Joy Division, New Order, and more. We explore the influence of these artists' music on people's lives and the ever-changing definition of rock and roll within the Hall of Fame. So, join us as we celebrate the impact of Frank Kozik, debate the Rock and Roll Hall of Fame, and honor the incredible power of music.(0:00:13) - Life Reflections on Loss and Art(0:10:01) - Frank Kozik's Artistic Impact Remembered(0:19:17) - Artistic Exploration and Homages(0:22:58) - Kozak's Artistic Legacy and Collaborations(0:29:21) - Frank Kozik and Rock Hall(0:36:38) - Rock Hall Snubs(0:52:20) - Rock Hall of Fame Debate(0:59:18) - Brett Michaels NFL Draft Impersonator(1:05:00) - Honoring and Critiquing Rock and Rollwww.TheTouringFanLive.commedia@TheTouringFanLive.Comwww.facebook.com/TheTouringFanLiveInstagram-@TheTouringFanLiveCopyright The Touring Fan Live 2022

In the 237th episode of 40 and 20, The Watch Clicker Podcast, we discuss homages, copies, replicas, and modified watches. We consider the positives and negatives and what place they deserve in the industry. Other Things: Andrew: The Last Dab Everett: The Power of The Dog ***********************************  This Episode's Sponsors: Escapement Media: https://escapementmedia.com Foster Watch Co: https://fosterwatches.com Frank Affronti Photography: https://www.affrontography.com ***********************************  Check out all of Watch Clicker's content, including columns, reviews, and fantastic photography at: watchclicker.com Check out the Watch Clicker Shop with all your favorite gear, fully branded, here. Our full catalog of podcasts is at watchclicker.com/4020-the-watch-clicker-podcast/ On instagram: 40and20 (@40and20_watchclicker): https://www.instagram.com/40and20_watchclicker/ WatchClicker (@watchclicker): www.instagram.com/watchclicker/?hl=en You can support Watch Clicker and 40 and 20 here: Patreon Intro/Outro Music: Bummin on Tremelo, by Kevin MacLeod (incompetch.com) Licensed under Creative Commons: By Attribution 3.0 License Creativecommons.org/licenses/by.3.0/    

“Friendship means little when it's convenient.”Wrapping Up the John Wick SagaBefore the pandemic, director Chad Stahelski and team had been planning to film John Wick: Chapter 4 and Chapter 5 back to back. After delays, they ended up dropping the fifth chapter, opting to wrap everything up in the fourth film. So how does Chapter 4 work to continue expanding this world of assassins while also wrapping up John's story? Do more story threads get dropped? And how do they amp up the stunt sequences throughout the film? Join us – Pete Wright and Andy Nelson – as we wrap up our John Wick series with a conversation about Stahelski's latest entry, now in theatres, John Wick: Chapter 4.Here's a hint at what we talk about.John's back breaking the High Table's rules, starting off right out of the gate in this film by killing The Elder. But why so little involvement by The Bowery King? His resolution at the end of Chapter 3 seemed to indicate that he was going to go after the High Table with John. Maybe that's just another in the line of plot threads set up upon which they never execute. Or perhaps it was connected to the whittling down of two films into just this one. Who knows? Regardless, we would have loved more Laurence Fishburne. That being said, we do get the introduction of many great characters in this new film. They're great, and the actors portraying them are great. Plus, we have some spectacular action set pieces that are incredible. The staircase sequence is one for the ages, particularly the insane fall down its entire length. We discuss some of Stahelski's influences in the film, as well as several direct homages. And we discuss the impending spinoff film and TV show, while pondering if they'll find a thread to pick up in order to continue the story again.We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Find where to watch this at JustWatchTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • John Wick: Chapter 4(02:49) - RIP Lance Reddick... and Charon(08:01) - Bill Skarsgård as the Villain(15:40) - World Building(21:03) - Story Elements Dropped(24:53) - Signs of a Fifth?(32:57) - Killa(37:13) - Osaka Continental Fight(47:09) - Diorama Fight(51:09) - Roundabout Fight(54:23) - Fight on the Steps(56:37) - Homages and Influences and Comedy(01:03:42) - New Cast(01:07:37) - Change in Writers(01:09:37) - Credits(01:10:31) - Sequels and Spin-Offs(01:14:49) - Awards(01:15:04) - The Box Office(01:16:03) - Last Thoughts(01:16:37) - Coming Next Week • The Lord of the Rings: The Fellowship of the Ring(01:19:05) - Letterboxd(01:21:32) - Ranking the Films(01:22:05) - Wrap Up

“Friendship means little when it's convenient.”Wrapping Up the John Wick SagaBefore the pandemic, director Chad Stahelski and team had been planning to film John Wick: Chapter 4 and Chapter 5 back to back. After delays, they ended up dropping the fifth chapter, opting to wrap everything up in the fourth film. So how does Chapter 4 work to continue expanding this world of assassins while also wrapping up John's story? Do more story threads get dropped? And how do they amp up the stunt sequences throughout the film? Join us – Pete Wright and Andy Nelson – as we wrap up our John Wick series with a conversation about Stahelski's latest entry, now in theatres, John Wick: Chapter 4.Here's a hint at what we talk about.John's back breaking the High Table's rules, starting off right out of the gate in this film by killing The Elder. But why so little involvement by The Bowery King? His resolution at the end of Chapter 3 seemed to indicate that he was going to go after the High Table with John. Maybe that's just another in the line of plot threads set up upon which they never execute. Or perhaps it was connected to the whittling down of two films into just this one. Who knows? Regardless, we would have loved more Laurence Fishburne. That being said, we do get the introduction of many great characters in this new film. They're great, and the actors portraying them are great. Plus, we have some spectacular action set pieces that are incredible. The staircase sequence is one for the ages, particularly the insane fall down its entire length. We discuss some of Stahelski's influences in the film, as well as several direct homages. And we discuss the impending spinoff film and TV show, while pondering if they'll find a thread to pick up in order to continue the story again.We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Find where to watch this at JustWatchTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • John Wick: Chapter 4(02:49) - RIP Lance Reddick... and Charon(08:01) - Bill Skarsgård as the Villain(15:40) - World Building(21:03) - Story Elements Dropped(24:53) - Signs of a Fifth?(32:57) - Killa(37:13) - Osaka Continental Fight(47:09) - Diorama Fight(51:09) - Roundabout Fight(54:23) - Fight on the Steps(56:37) - Homages and Influences and Comedy(01:03:42) - New Cast(01:07:37) - Change in Writers(01:09:37) - Credits(01:10:31) - Sequels and Spin-Offs(01:14:49) - Awards(01:15:04) - The Box Office(01:16:03) - Last Thoughts(01:16:37) - Coming Next Week • The Lord of the Rings: The Fellowship of the Ring(01:19:05) - Letterboxd(01:21:32) - Ranking the Films(01:22:05) - Wrap Up

In this week's episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss the wonderfully-unique French period action horror film, Brotherhood of the Wolf! An unforgettable revenge-rampage scene! Homages to Predator and Jaws! Extraordinary costume design! Atmospheric visuals from John Wick 4 and Nightmare Alley cinematographer Dan Laustsen! Twists and turns that keep you on your toes! A fantastic cast that includes an exceptionally creepy Vincent Cassel, and action star Mark Dacascos in one of his best roles! Gothic horror and martial arts action inexplicably blended together in one perfect package!In addition, Alex saw and enjoyed Scream 6, but his heart belongs to John Wick: Chapter 4.You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.

Who doesn't love an Island Vacation? Colleen, Daniel and Anders are here to admire the scenery on Pabu and break down the penultimate 2 episodes of Star Wars The Bad Batch on Disney+!We go through the plot, discuss the amazing number of Easter Eggs and Homages throughout the episodes, reflect on the history of how Veterans are treated when they get back from a war, and give our theories for how the season will end!www.bohemiangeekstudies.comwww.forgottenentertainment.com

This week, we proudly don our yellow-and-black best and discuss ‘Puffs', the quintessential underdog story. Plus, what role do unlicensed homages have in a fandom that's become controversial? All of this, plus Bob Dylan, awaits. Support the showSupport FFH on Patreon: patreon.com/thefoxandthefoxhoundFollow us!IG: @thefoxandthefoxhoundTikTok: @thefoxandthefoxhound

Episode 808-Drink Your Magic Mind, Golden Age Homages, More Movie Qs, Shrinking Mid-Tier Previews, SIKTC Show,  Final Orders-Seasons Have Teeth #1 @BoomStudios & SpiderGwen Shadow Clones, Sneak Peek at Next Week w/ Kyle & Drew - Star Wars Defiant #1 @IDWPublishing & ExCellent #1 - Introducing the revolutionary Magic Mind productivity drink, the ultimate solution to boost your focus, energy, and productivity. Made from all-natural ingredients, this drink is designed to enhance your cognitive function and provide you with sustained energy throughout the day, without the crash often associated with caffeine-based products. Go to https://www.magicmind.co/comicsfunprofit And get up to 56% off your subscription for the next 10 days with our code COMICSFUNPROFIT - Merch https://comicsfunprofit.threadless.comPatreon https://www.patreon.com/comicsfunprofit Donations Keep Our Show Going, Please Give https://bit.ly/36s7YeL Thank you so much for listening and spreading the word about our little comic book podcast. All the C4FaP links you could ever need in one place https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/ 

Tributes, hymns, odes to. Songs for, Homages about. Not people though. Binoculars, divorce and androids amongst others.

Spoiler Filled Prey movie review. Listen in from two hardcore fans of the Franchise, Paul and Jorge, and a casual fan, Jimmy. Loved it? Hated It? Looking forward to a sequel? Listen in as we deep dive into all the Easter Eggs and Homages scenes to the original while showcasing the uniqueness of this one. Hulu knocked it out of the park and look to what comes next in the Franchise. https://linktr.ee/MagicCityPodcast Appease the Algorithm Gods! Hit us with a LIKE! Comment and Subscribe! Follow us on Instagram: Paul https://www.instagram.com/magiccitycomics/?hl=en Jimmy https://www.instagram.com/jmartcollectibles/?hl=en Jorge https://www.instagram.com/marvelpapi/?hl=en Check us out on TikTok. https://www.tiktok.com/@magiccitycomics #predator #prey #movie --- Support this podcast: https://anchor.fm/magic-city-podcast/support

Kelsi and Trey unpack all of the themes and symbols of Jordan Peele's third social thriller Nope!Plot Details (00:56)Visuals, Sounds, Iconography, and Homages (06:22)The Throughline of Jordan Peele's Films (18:10)Critics on Nope (24:56)Analyzing the Characters (29:55)Major Themes and Symbols (50:50)Unanswered Questions from Nope! (01:51:41)Send requests, questions, and thoughts to our email: extracreditspod@gmail.comPlease rate and review us on your podcast platform!Apple PodcastsSpotifyFollow our Instagram: @extracreditspodFollow our Letterboxd: The Extra CreditsFollow our Twitter: @theextracredits

We're starting this episode off with a Geek Dive debate topic of "At what point do homages become rip offs?". We also temp check the news where we talk about the Joker movie being a musical, LEGO Con 2022, Final Fantasy, and Starfield gameplay impressions. We also share our full-spoiler impressions and reviews of Obi-Wan Kenobi Part 5 and Star Trek Strange New Worlds episode 7.

The Film School Janitors continue along for the OBI-WAN KENOBI ride, and here we are at episode 4 (not that Episode IV... or is it?) Homages abound in this... second... rescue... mission, and is the endgame (not that Endgame) in sight? Check out what the Janitors had to say about all that!

Leading British pianist Benjamin Grosvenor joins us to preview his latest album Homages, a collection of works by Busoni, Mendelssohn, Chopin and others which pay tribute to others.

Transformers: Energon was released to coincide with the brand's 20th anniversary in 2004, so unsurprisingly contained a large number of homages to the early days of the robots in disguise. Here we explore some of those in a chat that began life as a Patreon-exclusive minisode, but quickly spiralled into something more! Support the show (https://www.patreon.com/tripletakeover)

In a World...Where some people have forgotten about the meaning of Christmas and just focus on their careers, material success, and money...one woman will travel to the town of Snowy Brook Falls to discover that the most important things in life are ones that can't be bought.Follow In a World Of...Improvised Movie Homages on Stitcher - https://bit.ly/3pGOL1YFollow on Apple Podcasts - https://apple.co/3pGTcdwFollow everywhere else - https://bit.ly/3CgEXB8This show features the improv games Movie Trailer, Last Letter First Letter, Best of Times Worst of Times, Theatrical Genres, and Cutting Room. Plus, somehow, a giant pulsating egg...Follow on Facebook - https://www.facebook.com/groups/143183833647812Segment 1 - Discussion the Genre Tropes: 06:11Segment 2 - Creating the Movie Outline: 15:42Segment 3 - Picking the Improv Comedy Games: 24:19Start of show: 30:29Improv Game - Movie Trailer: 31:17Improv Game - Last Letter First Letter: 33:23Improv Game - Best of Times Worst of Times: 38:47Improv Game - Theatrical Genres: 49:57Improv Game - Cutting Room: 59:16End of show, info, announcements: 1:12:33~~~~~~~~~~~Indie Drop-InAll content legally licensed from the original creator. Thank you to In a World Of...Improvised Movie Homages for the great episode. You can find Indie Drop-In at https://indiedropin.comCheck out Indie Drop-In Networks other showsTrue Crime - http://www.dummies.fan/truecrimeScary Time - http://www.dummies.fan/scarytimeHelp Indie Drop-In support indie creators by buying us a coffee!https://buymeacoffee.com/indiedropinBrands can advertise on Indie Drop-In using Patreonhttps://patreon.com/indiedropinTwitter: https://twitter.com/indiedropinInstagram: https://instagram.com/indiedropinFacebook: https://facebook.com/indiedropinAny advertising found in this episode is inserted by Indie Drop-In and not endorsed by the Creator.If you would like to have your show featured go to http://indiedropin.com/creators~~~~~~~~~~~

No mundo moderno do consumo você Não sabe nem se está comprando o que realmente pretendia comprar! Para chegar a um produto original você tem que passar por falsificações, réplicas e homages. No caso... Clique nos links para ler os artigos do Canal Masculino completos!

No mundo moderno do consumo você Não sabe nem se está comprando o que realmente pretendia comprar! Para chegar a um produto original você tem que passar por falsificações, réplicas e homages. No caso das falsificações existem implicações mais profundas, esse tipo de produto, além de ilegal, pode estar sustentando toda uma cadeia de produção que prejudica a sociedade, o trabalhador e até mesmo o meio ambiente. Neste Papo H One Shot, Ricardo Terrazo Junior, editor do Canal Masculino, fala sobre os conceitos por trás de cada um desses termos e o porquê de existir quem ainda consome um produto falso. Nosso canal no YouTube Para se inscrever ou assistir nossos vídeos de moda e estilo no Youtube, clique aqui. Dê sua opinião Caso queira enviar sua mensagem, clique em contato no menu do topo ou deixe seu comentário logo abaixo. No Spotify Ouça o Papo H no Spotify, é só procurar o Canal Masculino ou clicar aqui. Para ouvir a playlist com todas as músicas que encerraram os episódios do podcast clique aqui ou procure por Papo H – OST nos playlists do Spotify. No Anchor Agora temos um canal no Anchor, em breve todos os episódios estarão disponíveis por lá! Clique aqui para visitar. Já conhece nosso curso de estilo? Clique aqui e conheça o curso que também é uma consultoria de estilo com aulas particulares e conteúdo personalizado, atendendo todas as suas necessidades e respeitando sua agenda!

What is This Episode? - Top of Show . SCREAM 2022 REVIEW: . NONSPOILER REVIEW: Reception - 2:47 Watching Experiencers - 8:02 Script Thoughts/Direction - 12:20 Performances - 21:06 Production Values - 23:48 Ranking The Screams - 26:16 . SPOILER WARNING - 29:19 . SPOILER-FILLED REVIEW: Who's There - 29:35 (The Innovative Act I Set Ups) . I Want To Play A Game - 39:45 (Who Killed Who? Play With Us!) What Could Scream 6 - 7 Do? - 1:02:08 . There Are Certain Rules - 1:05:41 (The Meta Narratives and Plotlines) . I'm Sidney Prescott, Of Course I Have a Gun - 1:19:35 (All About Sid) What Could Scream 6 - 7 Do, Part II - 1:23:53 . Some Oozing To Do - 1:28:30 (Gale and Dewey) . It Was Jennifer Aniston's Body - 1:35:18 (Homages and Easter Eggs of 2022) , More Highs and Lows - 1:38:20 . . Where to Find Us/LEAVE US A 5* REVIEW! - 1:46:38 What's Next/Words of Wisdom - 1:47:40

“Anni et Josef Albers“ L'art et la vieau Musée d'Art moderne de Parisdu 10 septembre 2021 au 9 janvier 2022Interview de Julia Garimorth, commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 9 septembre 2021, durée 14'51.© FranceFineArt.Extrait du communiqué de presse CommissairesJulia Garimorth, assistée de Sylvie Moreau-SoterasComité scientifiqueNicholas Fox Weber, directeur de la Josef and Anni Albers Foundation, Bethany, ConnecticutHeinz Liesbrock, directeur du Josef Albers Museum Quadrat, Bottrop, AllemagneLe Musée d'Art Moderne de Paris organise, du 10 septembre 2021 au 9 janvier 2022, une exposition inédite consacrée à Anni et Josef Albers, rassemblant plus de trois cent cinquante oeuvres (peintures, photographies, meubles, oeuvres graphiques et textiles) significatives du développement artistique des deux artistes.Au-delà de la présentation très complète de leurs créations respectives, il s'agit de la première exposition en France dédiée au couple formé par les deux artistes. C'est en effet ce lien intime et très complice qui leur a permis, tout au long de leur vie, de se soutenir, de se renforcer mutuellement, dans un dialogue permanent et respectueux. Ils ont non seulement produit une oeuvre considérée aujourd'hui comme la base du modernisme, mais ont aussi imprégné toute une nouvelle génération d'artistes de leurs valeurs éducatives.Anni Albers (née Annelise Fleischmann, 1899-1994) et Josef Albers (1888-1976) se rencontrent en 1922 au Bauhaus et se marient trois ans plus tard. Ils partagent d'emblée la conviction que l'art peut profondément transformer notre monde et doit être au coeur de l'existence humaine : « Les oeuvres d'art nous apprennent ce qu'est le courage. Nous devons aller là où personne ne s'est aventuré avant nous. » (Anni Albers)Dès le début de leur travail, les deux artistes placent ainsi la fonction de l'art au coeur de leur réflexion. Ils adhèrent non seulement à la revalorisation de l'artisanat et aux atouts de la production industrielle (Bauhaus) pour rendre possible la démocratisation de l'art, mais ils estiment aussi que la création joue un rôle essentiel dans l'éducation de chaque individu. Ils ne cessent de démontrer, en tant qu'artistes mais aussi enseignants, l'impact incommensurable de l'activité artistique sur la réalisation de soi et, plus largement, sur la relation avec les autres. Forts de ces valeurs, ils cherchent à amener leurs élèves vers une plus grande autonomie de réflexion et à une prise de conscience de la subjectivité de la perception. Selon eux, l'enseignement ne se réduit pas à transmettre un savoir théorique déjà écrit mais consiste au contraire à susciter constamment des interrogations nouvelles : d'abord par l'observation sensible du monde – visuel et tactile – qui nous entoure ; puis par la découverte empirique que comporte l'expérimentation créatrice avec les matériaux à portée de main, sans préjuger de leurs valeurs esthétiques. « Apprenez à voir et à ressentir la vie, cultivez votre imagination, parce qu'il y a encore des merveilles dans le monde, parce que la vie est un mystère et qu'elle le restera. Mais soyons-en conscients. » (Josef Albers) L'exposition s'ouvre sur deux oeuvres emblématiques de chaque artiste, illustrant d'emblée, tel un prologue, les valeurs formelles et spirituelles qui relient le couple. Puis elle suit, de manière chronologique, les différentes étapes de leur vie. Une première section rassemble leurs productions, riches et variées, issues du Bauhaus, de 1920 à 1933. Le départ du couple pour les États Unis en 1933 marque le début de la deuxième section, dédiée aux oeuvres réalisées au Black Mountain College. Puis deux autres temps forts de la visite s'attachent à présenter une sélection pointue de Pictorial Weavings de Anni et de Homages to the Square de Josef. Enfin, la dernière partie de l'exposition est consacrée au travail graphique d'Anni, initié avec Josef dans les années soixante et qu'elle va poursuivre jusqu'à la fin de sa vie.Une salle, spécifiquement dédiée à leurs rôles respectifs en tant que professeurs, permet aux visiteurs, grâce à d'exceptionnels films d'archives, de se glisser dans la peau des étudiants et de suivre un cours « en direct ». Un grand nombre de documents (photographies, lettres, carnets de notes, cartes postales, etc.), réunis avec l'aide de la Fondation Josef et Anni Albers, permet également de contextualiser le travail des deux artistes.L'exposition est organisée en étroite collaboration avec The Josef and Anni Albers Foundation à Bethany, Connecticut. Elle sera également présentée à l'IVAM (Instituto Valenciano de Arte Moderno) à Valence, Espagne, du 17 février au 20 juin 2022.Un catalogue est publié aux éditions Paris Musées. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Little Buckey from the 90's came through to pay his respects to his comrade Born

Homages to Beverly Cleary, with Sarah Wendell, and to Cicely Tyson, with Soraya McDonald. Both Cleary and Tyson died this year, and Tressie and Roxane mark their passing with conversations about their extraordinary legacies. Plus, Tressie and Roxane weigh in on Senator Tim Scott and the burning question: is America a racist country? Spoiler alert: yes it is.  Hear To Slay theme music by Taka Yasuzawa and Alex Sugiura. Curtis Fox is the senior producer. Sarah Wyman and Catherine Fenollosa are the producers. Production help from Lauren Garcia and Kaityln Adams. Ali McPherson and Isoke Samuel are the interns. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

This week's solo-Steve bonus episode of Suburban Underground is called "Beatlesesque: Rip-offs, Homages & Spoofs" because it contains cheap knockoffs of the Fab Four, sincere nods to them and satirical takes on The Beatles. We'll hear such artists as: Johnnie Walker, The Bagels, The Knickerbockers, The Aerovons, Electric Light Orchestra, Klaatu, The Rutles, Utopia, Cheap Trick, The Dukes Of Stratosphear, The Beatnix, Gigolo Aunts, Ocean Colour Scene, Oasis, Crowded House, The Gurus, The Red Button, The Spongetones, Seth Swirsky, Suspect Parts, The JTG Implosion.     On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!

*plays Law & Order sound*You know what time it is, friends! It's time to discuss one of Community's most epic homages, "Basic Lupine Urology." This week, the podcast has a full house with returning faves Chels (@chels725) and Jaime (@elspunko), as well as returning guest and writer of this episode, Megan Ganz (@meganganz)!Megan answers your listener questions and we dive deep into how much she loves Law & Order, the process of creating this episode, behind-the-scenes tidbits, and more! We had so much fun hanging out together, and we hope you all enjoy! (You can also follow Megan's dog, Hilda, on social media: @grundelpig!)Our recommended media:"The Chosen and the Beautiful" by Nghi Vo"The Girl With the Louding Voice" by Abi DaréChewing Gum (HBO Max)Lupin (Netflix)Bridgerton (Netflix)Be sure to check out Megan's Apple TV+ show, Mythic Quest. The second season debuts May 7!And don't forget to donate if you're able to the Loveland Therapy Fund for Black Women and Girls.

Hello Folks !! This short episode is a homage to the person who changed the way I watch movies. On the occasion of Birthday of Quentin Tarantino I am sharing the influence, memories and how Quentin Tarantino and his movies made an impact in my film viewing experience. Listen to this episode and please do share your memories associated with Quentin Tarantino.

A flash-fiction podcast where a handful of writers create an original story with a limited wordcount in a limited amount of time. In this episode the writers make a first story then write a response to each other's story. They then respond to those responses to make a short chain of inspiration and homage. In this episode we have:‘Sail-dem' by Amy Sutton, inspired by ‘Untitled' by Tom McNally ‘Phoenix from the Acids' by Joshua Crisp, inspired by ‘Toucan' by Paul Davies‘Chapter XIII - the late 21st century' by Paul Davies, inspired by ‘Ba'al Reborn' by Amy Sutton‘Metal Ache' by Claudia Treacher, inspired by ‘Hungry for Jewels' by Joshua Crisp'Redox' by Tom McNally, inspired by ‘Rust' by Claudia Treacher Tell us which story you liked the best on Red Button Audio's twitter or by mailing us on 100words@redbuttonaudio.org Created by Tom McNally, featuring Amy Sutton, Joshua Crisp, Paul Davies and Claudia Treacher. Transcript and all story iterations are available here. Theme tune is Music For Jellyfish by Bell Lungs.Story music wasDown by the Sally Garden (traditional) arranged by Lory Werths Be Peace! Ye make me spill my ale! (traditional) arranged by J. Curtis ClarkWarmth Cries for a Blue Smile generated by ComputoserYou Remember Forest generated by ComputoserJohn come kiss me now (traditional) arranged by Lory Werths  Support 100 Words of Astounding Beauty through our Ko-Fi.

https://www.oceangatezen.org/wp-content/uploads/2020/11/Full-Moon-2-Homages-compressed.mp3 https://www.oceangatezen.org/2020/11/full-moon-ceremony-talk-2-homages/feed/ 0

It's time for a quasi-Star Wars homage to end the second season of Community. That's right: we're talking about "For a Few Paintballs More." Jenn and Chels are joined once again by their guests from the last episode, Cor (@xoxocorinne) and Nick (@nickyahogan). They talk about why the finale fails in its homage, whether or not Pierce is actually deserving of a redemption arc, and answer the ultimate question: "Is Denny's really for winners?"Enjoy, friends! And while we'll be posting some more Community and pop culture episodes through the remainder of the year, we'll return for "Biology 101" in 2021!Please make sure you vote. Just please.Our recommended media:Support the Girls (Hulu)"Such a Fun Age" by Kiley ReidBend it Like Beckham (Disney+)The Fresh Prince of Bel-Air (HBO Max)

SUPPORT OUR WONDERFUL SPONSOR, BESPOKE POST: www.boxofawesome.com (Code: CLUBCOOL) Barrett and Phil are together in the lab again for an exposé on the world of fashion and sneaker reps, fakes, homages, and more. How did things get this deep? Is it Nike's fault? Is it ethical to support these types of products, and if so, where do you draw the line? But first, the guys discuss the current "Look" being endlessly served on everybody's Instagram Explore page, Phil gives a review of his new Veja sneakers, and Barrett shouts out some local vintage stores. In the last segment of the episode, the boys get in to some women's fall trends and drop a line for a few of their favorite brands for the ladies. There's a whole lot more scattered throughout, so enjoy the entire hour! SUPPORT THE POD: www.patreon.com/clubcool www.instagram.com/clubcoolpod Timestamps: (10:32) The Current Instagram "Look" (25:00) Big Discussion on Fakes, Reps, Homages, & Knock-off Brands (48:06) Women's Fall Trends & Brands

(Film score theory) The history! The Process! The Styles or film composing. Discussed by Music master and Award-Winning composer Scott Ampleford, Tone-deaf host Henry Thompson, 80s hair band Wayne Thompson and don't you forget about him: Wayne Madden. We discuss some interesting history and facts about scoring. Homages and Copyright infringement. Originality versus marketability. How scoring has changed over the years. The difficulty of being an up and comer in a world where technology has enabled anyone to ‘sound good' even if they aren't. If the Dark Knight would be improved by jolly circus music and we name drop #Buckethead because – well heck man, he's Buckethead! And a live rendition of a song Scott created for the film #TheBabysitter! Hey listener, to remind you: We'd love to hear your thoughts! www.deadreelfilms.com/moviemadness please feel free to like, subscribe, comment and get involved at our website. And please check out, subscribe, like, link, buy, etc. Scott's work! https://scottampleford.bandcamp.com/ https://www.youtube.com/user/MrOttscay/videos http://www.Scottampleford.com --- Send in a voice message: https://anchor.fm/movie-madness/message

In This Episode: We talk all about pulling old game concepts and genres up to modern standards and making them feel new!  We dig into the idea of taking an old idea lying fallow and make it new and interesting again.  Where’s the line between homage, rip off, just establishing a new genre, ongoing series? Void playing Valorant is what spawned the idea because it feels so much to him like a Counter-Strike follow-up. Whether that's good or bad, we can't say. But he knows that's how playing it feels. So is that theft of the CS idea? Or is it revitalization of an old formula, giving it new life with a different spin? We discuss other games like this, too, from Castlevania and Metroid, to Bloodstained, to Overwatch and even JRPGs that have taken their cues from Chrono Trigger over the years. Plus, there are games that have taken the base engine of a game like WarCraft 3, and then made a new game out of it...like DOTA did. We have Fortnite and PUBG that came from an ARMA mod, and even Counter-Strike itself was a Half-Life 2 mod. Where is the line in here that separates the original idea from the evolution? There's a lot to this topic, and we aren't 100% sure that we even named it right. But it's one of our favorite discussions we've had in a long time. So join us and let's talk about some games! Weekly Geekery We also have all sorts of things in weekly geekery like Dragon Quest IV, Hitman 2, Final Fantasy Lost Stranger, Archero, and some off the cuff PS5 reveal impressions. And here's the link to the Hitman NoClip documentary that Void talks about: https://www.youtube.com/watch?v=_stW6JvB4SI Support the Podcast on Patreon You can go to https://patreon.com/geektogeekcast to support the podcast, and you can get some cool stuff, too. You can be a Patron Saint of Geekery and get some neato Reddit flair.  We are always looking to add new tiers for patrons, so if there's something you would like to see, let us know! Join Our Community! Discord: discord.geektogeekmedia.com Slack: slack.geektogeekmedia.com Reddit: reddit.com/r/geektogeekcast Geek to Geek Media Original Content We have expanded the original content on the Geek to Geek Media website. We now have video game reviews, movie lookbacks, geeky toy rundowns, and all sorts of original blogs and livestreams. Not to mention the slate of fantastic podcasts that you know and love. Head over to geektogeekmedia.com to check it all out. Subscribe Apple Podcasts | Overcast | Pocket Casts | Spotify | RSS Feed Music by CarboHydroM

The Starling Tribune Reporters SP and Chris review the 2019 Arrowverse Crossover Crisis On Infinite Earths Part One (technically Supergirl Season 5 Episode 9) with the help of Michelle's notes once again. Michelle was out sick for the week. The reporters discuss the final Arrow included crossover episode part one including why you should enjoy these episodes while you have access to them, that this is simply the MOST AMBITIOUS crossover in the history of television spanning SIX currently airing television shows, why its time to geek out over all the cameos, the reporter's takes on the Earth-16 adventure (more to come in a later episode), the reporter's roses and thorns with this episode of the crossover, why Arrow fans might feel cheated at the big Arrow moment and Marc Guggenheim's reasons for it,if the crossover can be produced like a 5 episode miniseries or a 5 episode premium streaming series, why James Bamford would have been a great addition to the Supergirl episode production staff, and what was that deal between the Monitor and Oliver Queen about anyway?   Episode:            “Crisis on Infinite Earths: Part One” [Supergirl: Season 5 Episode 9] Air Date:           Sunday, December 8, 2019   Director:           Jesse Warn https://www.imdb.com/name/nm1168394/?ref_=tt_ov_dr                          13x Supergirl / 6x Arrow / 4x The Flash / 8x Spartacus   Writers: Robert L. Rovner            (story by) https://www.imdb.com/name/nm0746362/?ref_=ttfc_fc_wr8                          17x Supergirl (7x story / 5x teleplay / 5x written)   Marc Guggenheim (story by)       https://www.imdb.com/name/nm0973233/?ref_=ttfc_fc_wr9                          3x story by-Supergirl: Crisis on Earth-X Pt 1, Elseworlds Pt 3, Crisis Part 1   Derek Simon (teleplay by) https://www.imdb.com/name/nm2037807/?ref_=ttfc_fc_wr6                          Supergirl: 23x executive story editor, 22x story editor, 12x written, 7x staff writer, 5x teleplay, 2x story by   Jay Faerber (teleplay by) https://www.imdb.com/name/nm4732141/?ref_=ttfc_fc_wr7                          2x Supergirl (also producer) / 9x Zoo / 2x Star-Crossed Promo:  https://www.youtube.com/watch?v=pSLAd-G42w8&feature=youtu.be   Arrow   Episode # / Episode Title / Episode Air / Date  / Rating 01 Starling City 15-Oct-19 0.84 02 Welcome To Hong Kong 22-Oct-19 0.77 03 Leap Of Faith 29-Oct-19 0.76 04 Present Tense 5-Nov-19 0.62 05 Prochnost 19-Nov-19 0.74 06 Reset 26-Nov-19 0.79 07 Purgatory 3-Dec-19 0.83   Legends Of Tomorrow   Episode # / Episode Title / Episode Air / Date  / Rating   Supergirl   Episode # / Episode Title / Episode Air / Date  / Rating 01 Event Horizon 6-Oct-19 1.26 02 Stranger Beside Me 13-Oct-19 0.97 03 Blurred Lines 20-Oct-19 0.92 04 In Plain Sight 27-Oct-19 0.95 05 Dangerous Liaisons 3-Nov-19 0.78 06 Confidence Women 10-Nov-19 0.8 07 Tremors 17-Nov-19 0.79 08 The Wrath Of Rama Khan 1-Dec-19 0.87 09 Crisis on Infinite Earths: Part One 8-Dec-19 1.67   The Flash   Episode # / Episode Title / Episode Air / Date  / Rating 01 Into the Void 8-Oct-19 1.62 02 A Flash of the Lighting 16-Oct-19 1.27 03 Dead Man Running 22-Oct-19 1.38 04 There Will Be Blood 29-Oct-19 1.48 05 Kiss Kiss Breach Breach 5-Nov-19 1.19 06 License To Elongate 19-Nov-19 1.29 07 The Last Temptation of Barry Allen, Pt. 1 26-Nov-19 1.17 08 The Last Temptation of Barry Allen, Pt. 2 3-Dec-19 1.32 09 Crisis on Infinite Earths: Part Three 10-Dec-19 1.71   Black Lightning   Episode # / Episode Title / Episode Air / Date  / Rating 01 The Book Of Occupation: Chapter Two: Birth of the Blackbird 7-Oct-19 1.16 02 The Book Of Occupation: Chapter Two: Maryam's Tasbih 14-Oct-19 0.63 03 The Book of Occupation: Chapter Three: Agent Odell's Pipe-Dream 21-Oct-19 0.61 04 The Book of Occupation: Chapter Four: Lynn's Ouroboros 28-Oct-19 0.52 05 The Book of Occupation: Chapter Five: Requiem for Tavon 11-Nov-19 0.71 06 The Book of Resistance: Chapter One: Knocking on Heaven's Doo 18-Nov-19 0.62 07 The Book of Resistance: Chapter Two: Henderson's Opus 25-Nov-19 0.65 08 The Book of Resistance: Chapter Three: The Battle of Franklin Terrace 2-Dec-19 0.60 09 The Book of Resistance: Chapter Four: Earth Crisis 9-Dec-19 0.90   Batwoman   Episode # / Episode Title / Episode Air / Date  / Rating 01 Pilot 6-Oct-19 1.86 02 The Rabbit Hole 13-Oct-19 1.45 03 Down Down Down 20-Oct-19 1.22 04 Who Are You? 27-Oct-19 1.29 05 Mine Is A Long And A Sad Tale 3-Nov-19 1.16 06 I'll Be Judge, I'll Be Jury 10-Nov-19 1.09 07 Tell Me The Truth 17-Nov-19 1.01 08 A Mad Tea-Party 1-Dec-19 1.01 09 Crisis on Infinite Earths: Part Two 9-Dec-19 1.71   Part 1: The Plot, Themes and Characters What was the overall theme? What was the link to the episode's name? Part 1 of crossover Crisis across the multiverse  Fight scenes and stunts Supergirl saves Wil Wheaton from Spike Batwoman takes down members of Alice's gang Tower Atom, Batwoman, Mia, Oliver vs. Shadow Demons Supers helping w/earthquake stuff Batwoman allows Ray to upgrade batarang Supers come back w/Flash Rooftop fight Monitor - must retreat Oliver - I have to fight; shocks Monitor; runs out of arrows; puts up his fists; “dies” Time Travel / Crisis / Cameos Monitor VO: Big bang - life; multiverse multiplying like mitosis; Age of Heroes finally born; heroes in time to save multiverse Earth-89: Gotham - Keaton's Batman world - Alexander Knox (Robert Whul) reads paper Earth 9 - San Francisco - DC Universe Titans destroyed Earth X - The Ray Earth 66 - Burt Ward walking dog - “Holy crimson skies of death!” Earth 38 - Supergirl's world - Wil Wheaton - doomsday sign (Michelle: I did not see this cameo coming) Earth 16 - 2046 Legends landed in an alternate Earth's future Lois, Sara, and Brainiac go Bunker - Oliver has baby; Oliver and Sara fight; Sara and Old Man Oliver talk  Oliver Queen / Green Arrow - Earth 1 Gives Mia her own Green Arrow suit and bow; there should always be at least one Green Arrow Upset when Barry says he's going to die; demands to see the Monitor; Oliver - Kara and Barry are supposed to live; Monitor spared lives to save them last year; this is a new crossover (LOL), a new problem Saved 1 billion Barry and Kara - save us Mia - find your mother and William Team Arrow Supergirl - Earth 38 Warns Argo, but too late Convinces Batwoman others are ok Has hope; Krypton is a spirit; fight for what's right 3 billion to Earth 1 Team Supergirl J'onn - tells team about Monitor and Crisis; has Legion's ship Coordinate evacuation to Earth 1 Lana - build portal; awkward convo w/Alex Danvers; I would help even w/o apology; I'm not evil   Superman - 38 (Hoechlin) Son - Jonathan: Lois, Alura, and Clark puts him in pod to Earth (Brando's dialogue) Monitor saves Clark and Lois at the last minute Superman - (Routh) Batwoman - Earth 1 Michelle - BW asks about Alice, which is the current storyline; the timeline is off; last year she met Supergirl & co, but her show started at the beginning of her superhero career   Barry Allen / Flash - Earth 1 Team Flash Sara Lance / White Canary Never thought I would see parent Oliver Ray / Atom  Last year at Woodstock - Janis Joplin noticed him and gave her a new song Team Legends Monitor This is not the ending I saw for Oliver Harbinger Collects hero; brings them to Earth 38 Explains what's going on to team; Earth 38 - tipping point Raises the Quantum Tower - Monitor placed them on key Earths  Have to protect tower from Anti-Monitor Lex Luthor Pariah Don't see Nash become Pariah (Michelle: Where's Psycho Pirate?) Witness to Anti-Monitor's actions Everything is doomed Thorns: SP Disconnected episode by episode production Focused on the show episode's cast (In this case Supergirl) Plot progressing too fast (Better on second viewing) Vast destruction and death not easily comprehensible Too much, too quick Jonathan's single escape wasn't necessary - why Earth-16? William not in Crossover and doesn;'t get to experience Oliver dying Batwoman's timeline Where did Mia's Arrow suit come from? Supergirl subplots - especially Lena Luther was not necessary How many billions died because Lena argues about helping? Ray was vulnerable while giving Batwoman upgrade Arrow's death scene - full quiver to no quiver instantly Where are his knives/blades? Scene cut short Arrow dies on Supergirl - not on Arrow.Pretty big deal. Pariah just appears like Harbinger. No origin story Chris Lena sucks pacing seemed off. Ollie death to ‘subvert our expectations' bs Ollie's magic quiver shadow demons looks like dementors Michelle - don't see Lyla become Harbinger or her relationship w/Monitor; don't see Nash become Pariah; wanted tower to become part of plot like in comics; wish crossover treated like 5 hour movie, not upset Oliver died in Part 1, but just because it's called Supergirl doesn't mean all the stupid subplots from the show have to be in the crossover (I think we've had this complant every crossover) Roses SP -  “Age Of Heroes” Multiverse Intro Worldbuilding - All the Earths, all of DC's screen coming together 4th Wall broken early and often - didn't take itself too seriously Homages to 78 Superman with Jonathan was cool Chyron's really helped map out where people were Supergirl and Superman comforting each other in the face of tremendous loss - DEO Balcony Avenger's Age Of Ultron battle around the machine / Harry Potter  Tons of female leads. Lyla/Harbinger, Supergirl, Sara, Alex Danvers, Lena Luther, Batwoman Chris Legends team trivia with time goof. hell yeah Ollie and Sarah friendship is solid and referenced a lot Happily ever after for Clark/Lois Ray is a delight (batwoman upgrades and nerding out) Getting to see Amell play another Ollie is fun Symmetry for Kal-El and Jonathon  Other Earths (Batman 89 awesome) Michelle - fixed Legends 2046 plot hole / great Old Man Ollie-Sara moment; Batwoman: interactions w/Ray, trusting Kara, and kicking butt; Amell's acting is on point; Mia gets suit from Dad For reference: Crisis on Infinite Earths: Easter Eggs and References in Part One (8 Dec 2019) https://comicbook.com/dc/2019/12/08/crisis-on-infinite-earths-spoilers-part-1-easter-eggs-cameos/#1      NEXT EPISODE   Link to Promo: https://comicbook.com/dc/2019/12/09/crisis-on-infinite-earths-part-2-batwoman-promo-cw/ (Date: 8 Dec 2019)    Episode: “Crisis on Infinite Earths: Part 2” [Batwoman: Season 1 Episode 9] Air Date: Monday, December 9, 2019 Summary: The group uses Ray's invention to track new recruits to help save the universe. The Monitor sends Iris, Clark and Lois in search of a mysterious Kryptonian, while Kate and Kara head out to find Bruce Wayne. In addition, Mia challenges Sara, Rory discovers a hidden talent, and Lex Luthor returns. Director: Laura Belsey Writers: Don Whitehead & Holly Henderson IMDB link:  https://www.imdb.com/title/tt11199024/?ref_=ttep_ep9 Join The Starling Tribune each week as we stream live on Thursday Evenings at 7:30 PM eastern or 6:30 PM Central at www.geeks.live. Join the fun chatroom and interact with the hosts live. Contact us: @StarlingTribune - starlingtribune@gmail.com - www.starlingtribune.com - www.facebook.com/starlingtribune - 612-888-CAVE or 612-888-2283.   Starling Tribune is proud to be a member of the GonnaGeek network found at GonnaGeek.com. For more geeky podcast visit GonnaGeek.com.   You can find us wherever you can listen to podcasting including Apple Podcasts, Spotify, Google Podcasts, Pandora, on Amazon Alexa, and iHeartRadio under ''Starling Tribune." We are very thankful for all of our positive iTunes reviews. You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.starlingtribune.com   This podcast was recorded on Thursday December 12th, 2019.   Thank you for listening and we hope you enjoyed the show!   Audio Production by Stargate Pioneer of GonnaGeek.com.

Today's episode is about homages and fakes. Our thoughts on these trends in watch consumerism, and what's okay and not okay!Mentioned links:https://www.youtube.com/watch?v=huH1-NpoG6EJoin Luc and Jay every week as we discuss gears, springs, oils, watches, brands - all things watches and watchmaking!Instagram: https://www.instagram.com/crystalclearwatchmaking/YouTube: https://www.youtube.com/channel/UCwygqm1lt0-JqszZ7Hgmiag

Another Stephen King adaptation, another review on Middle of the Row: The Podcast. This week, it’s The Shining Sequel, Doctor Sleep! I lot of praise around here for this one, but sadly we feel like the only ones. Rebecca Ferguson, Obi-Wan Kanobi, The Shining! What’s not to like. We have a lot of fun hashing this one out, disagreements on how it all works, and, I think, get the story straight on what the hell happened in all the versions of this story in film and literary form. So, come have a listen, it’s a good one! Download. Listen. Enjoy! 0:01:00 Spoiler Free Thoughts On Doctor Sleep 0:20:42 Spoilers For Doctor Sleep 0:21:00 The Gotcha Scene, Comparing The Books And The Movies, Quibbles 0:30:00 Praise For Little Things, Blending The Books And Movies 0:39:00 Homages, Theorizing Danny’s Death, Hansel & Gretel: Witch Hunter Diversion 0:49:00 That Scene, Next Week Ramblings @middleofrow #nothe

It's TV Tuesday and today we are looking at the first two episodes of the newest installment of FX's long running American Horror Story. Homages to the golden age of the slasher picture abound in 1984. Five friends decide to get out of Los Angeles when a mysterious killer known as the Night Stalker begins terrorizing the city. They find jobs as camp counselors at Camp Redwood, the site of a 1970 massacre courtesy of Mr. Jingles, played by the great character actor John Carroll Lynch. Join us every Tuesday during the run of 1984 as we discuss the latest episode! 

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Austria heliloojate austusavaldus New Yorgi muusikale.

We celebrate 40 years of the Alien Franchise by discussing not only the series but also the films it influenced. Galaxy of Terror, Forbidden World, Split Second and Life. 

This Pulp Fiction review might be our deepest deep dive into a movie yet. So it’s gonna be a two parter, non-spoilers followed by spoilers. We’ve got 8 new segments including a Year in Review, Watch Stories, What Makes Quentin Dance, & the Homages from QT in this first half. What Makes These Episodes Unique? - 1:40 NON-SPOILER REVIEW: Cast and Crew - 3:14 Specs - 17:33 (Including a Year in Review, Kind of - 23:24) Plot Premise/Where We First Saw It - 27:14 Production Values - Sight - 29:40 (Oscar Lens: Director, Editing - 35:18) What Made Quentin Dance? - 40:18 Performances - 42:50 (Along w/ Oscar Lens: Acting Categories) Script Thoughts/Homages - 47:49 (Oscars Lens: Screenplay - 53:24) Final Thoughts - 56:44 Your Homework/Our Socials - 57:22 Words of Wisdom - 57:57 Pulp Fiction offers one of the more entertaining production backstories that we’ve covered thus far. Of course the movie follows that same formula. So no surprise we had enough to fill two episodes. In part one, we feature the Oscar Lens throughout our non-spoiler reviews of the production values, performances, and script as Pulp Fiction was nominated for Editing, Director, Picture, Supporting Actress, Supporting Actor, & Lead Actor, winning Best Original Screenplay. So we reminisce about all those nominees and how we thought Pulp should have fared. Now there’s a ton of behind the scenes info to weave in throughout, and we scoured the web in order to comment on much of the analysis, rumors, & newfound myths surrounding what has become a legendary film. For instance, we discuss some bizarre casting stories for each of the principle characters, the 1994 Gump centric awards season highlights, and the unorthodox Oscar campaigns Miramax enacted in pursuit of their one win and seven noms. We also analyze all the box office and critical reception numbers in specs, and we discuss the many homages Tarantino made to his favorite films throughout Pulp Fiction as well as his mindset in creating such an unusual narrative structure. Stay tuned for part two where we’ll dive into all the spoilers of Pulp Fiction. Yes, MMO Theater will perform one of our favorite scenes to kick off the episode. Then we’ll dive into our new best scenes segment called Trademark Tarantino, where we discuss all of the classic scenes, shots, & lines of dialogue that make these films so iconic. Obviously, there’s a flipside to the best, and we do breakdown our many worst scenes and discuss why these films have become the beacon for as much controversy any others. But we end in a positive light by studying some of Tarantino’s advice to screenwriters, his many easter eggs hidden throughout the movie, and we end with some fun speculative talk about the Tarantino-verse and the overarching mysteries surrounding the film. As always, we want to know what you think of Pulp Fiction. We’re @MMandOscar on Twitter, and we are on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & listen to us on iTunes, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you listen to podcasts. When reality sucks, keep watching movies with us. We’re Mike, Mike, & Oscar!

Today is the inaugural episode of our very first All Comics Considered Book Club! We’ll be covering issues 1 through 6 of John Cassidy's,  Warren Ellis’ , and Laura Martin’s Planetary, published by  Wildstorm/DC.  Brief Summary What is Planetary about? Who are the main characters?  Book Club Questions What other books by this author have you read?  How did they compare to this book?  What did you like best about this book? What did you like least about this book? What do you think Ellis’s purpose was in writing this book? What ideas was he trying to get across? Misc Art - what did we think of the art in the book? Homages/references - Planetary is a book about the superhero genre itself - what references and homages have we spotted? Book out of time - Yeltsin was still the Russian president when this book came out.  

Drawing inspiration from games of yore but with dog and cat protagonists that signal light adventures rather than grim, dark ones, Gato Roboto and Dig Dog are easy to recommend to anyone looking to waste a couple hours this weekend. Not only that, but the latter was developed in a fascinating and inspiring way.

Época de Ouro · Cristóvão Bastos · Romero Lubambo · Raphael Rabello · Paulo Freire · Ernesto Nazareth · SaGRAMA · Silibrina · Quinteto Villa-Lobos · Trio Brasileiro · Panorama do Choro · Alessandro Penezzi

A Legitimately Good Movie. ***This Review of H2O is a Spoiler Filled Episode*** See this movie. There’s enough analysis to enjoy our review either way, but we are full spoilers from the jump here. Do beware & ready yourself for an epic confrontation or SEVEN. Intro Halloween Has Made Us Daily?/Where’s the Water? - 1:19 Cast and Crew - 3:25 Specs - 15:44 Production Notes - 19:59 (Including the First of Many Homages to H1 - 24:46) Plot Synopsis/Profiling 1998 Laurie - 25:19 Biggest Script Issues/Worsts - 29:43 Bests Throughout the Film: Opening Credits - 38:33 Michael’s New Constitution - 41:26 Laurie, PTSD, and Coping - 43:09 Michelle Williams: A Gem - 48:14 Jamie, Janet, Homages, and Callbacks - 50:38 Halloween Night Reveals - 54:03 Let the Bodies Hit the Floor - 56:22 Haunting Settings + Time to Fight - 59:19 The Franchise’s Most Iconic Shot - 1:01:54 Wrong Place, Wrong Time - 1:04:14 Laurie Strode Fights Her Monster - 1:07:27 Laurie Changes the Ending - 1:11:09 Shared Family Traits - 1:15:20 Creed?! - 1:16:09 Halloween Universe Fit - 1:17:12 What’s Next/Social Media/Words of Wisdom - 1:20:37 H2O is a legitimately good movie, and we researched the hell out of this presentation. There’s a ton of factoids about the cast & crew, movie specs, production notes, and behind the scenes deep cuts to relish and enjoy. If you’re a fan of horror films, and of course, if you’re a fan of this franchise, do give this movie a watch or a re-watch, sit back, and enjoy. Our film analysis pulls out all the chairs and all the stops here for you. We dive into so many great tricks of the screenwriting trade that elevate this film from what has often been the awesomely bad into the just awesome. This movie delivers goods for viewers of all tastes and for horror fans, it’s a must watch. Go back to our massive catalog to enjoy the rest of our Halloween series re-watch. We’ve already covered the first three films in the franchise including the non-Michael Myers film, Halloween III: Season of the Witch and then the first two films in 78’ & 81’ (eps 106, 108, & 109). This episode continues our coverage of the Laurie Strode storyline to a logical conclusion here. Then we’ll finish the series out with shows on The Return & The Revenge of Michael Myers, H6 & Resurrection, and then the two Rob Zombie remakes. If you enjoy our Halloween series rewatch, do check out our 2018 Halloween Trailer Reviews in DatA 2 and Halfisode 19. We also covered the entire James Wan / Ed & Lorraine Warren / Conjuring Universe films, the entire Marvel Cinematic Universe, and the Mission Impossibles. We also have year round, wall to wall coverage of the Academy Award contenders from last year’s 2017 Oscar Sprint through 19 separate movie events in this current year. We’ll have another OSP on First Man starring Ryan Gosling and of course, we’re building this Halloween series to a crescendo for the movie event of the season on October 19th. Chat with us on social media. We’re Mike, Mike, and Oscar on Instagram, Facebook, Reddit, and Gmail. We’re at MMandOscar on Twitter, and do send us your Six Degrees Of MMO submissions to play some Kevin Bacon themed movie trivia games with us. We’ll read the winners for challenge four on air as we’ve done for the previous 3 rounds. Then as always, remember our slogan. When reality sucks, watch movies with us. Thanks for listening!

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Austria heliloojate austusavaldus New Yorgi muusikale.

Created in June 17th, 2009. ------------------------- TRACKLIST: ------------------------- 1. Djavan - Acelerou (Meme Mix) 2. Patricia Marx - Ficar Com Você (DJ Memê Club Mix) 3. Djavan - Se... (Memê's Phaaaaat Grovin' Remix) 4. As Sublimes - Boneca De Fogo (Memê Extended Mix) 5. Kid Abelha - Eu Tive Um Sonho (Memê's Radio Mix) 6. Tim Maia - Não Quero Dinheiro (Só Quero Amar) (Memê 2002 Mix) 7. Marina Lima - Eu Vi O Rei (Memês 12'' House Version) 8. Kid Abelha - Nada Sei (Memê's Classic Club) 9. Jorge Vercilo - Signo de Ar (DJ Memê Weekend Club Mix) 10. DJ Meme vs Rita Lee - Lança Perfume 2009 (DJ Meme Club Mix 2009) 11. Kid Abelha - Peito Aberto (Memê Remix) 12. Preta Gil - Medida do Amor (DJ Memê Club Mix) 13. Kid Abelha - Maio (Memê House Long Mix)

Created in June 17th, 2009. ------------------------- TRACKLIST: ------------------------- 1. Djavan - Acelerou (Meme Mix) 2. Patricia Marx - Ficar Com Você (DJ Memê Club Mix) 3. Djavan - Se... (Memê's Phaaaaat Grovin' Remix) 4. As Sublimes - Boneca De Fogo (Memê Extended Mix) 5. Kid Abelha - Eu Tive Um Sonho (Memê's Radio Mix) 6. Tim Maia - Não Quero Dinheiro (Só Quero Amar) (Memê 2002 Mix) 7. Marina Lima - Eu Vi O Rei (Memês 12'' House Version) 8. Kid Abelha - Nada Sei (Memê's Classic Club) 9. Jorge Vercilo - Signo de Ar (DJ Memê Weekend Club Mix) 10. DJ Meme vs Rita Lee - Lança Perfume 2009 (DJ Meme Club Mix 2009) 11. Kid Abelha - Peito Aberto (Memê Remix) 12. Preta Gil - Medida do Amor (DJ Memê Club Mix) 13. Kid Abelha - Maio (Memê House Long Mix)

Created in June 17th, 2009. ------------------------- TRACKLIST: ------------------------- 1. Djavan - Acelerou (Meme Mix) 2. Patricia Marx - Ficar Com Você (DJ Memê Club Mix) 3. Djavan - Se... (Memê's Phaaaaat Grovin' Remix) 4. As Sublimes - Boneca De Fogo (Memê Extended Mix) 5. Kid Abelha - Eu Tive Um Sonho (Memê's Radio Mix) 6. Tim Maia - Não Quero Dinheiro (Só Quero Amar) (Memê 2002 Mix) 7. Marina Lima - Eu Vi O Rei (Memês 12'' House Version) 8. Kid Abelha - Nada Sei (Memê's Classic Club) 9. Jorge Vercilo - Signo de Ar (DJ Memê Weekend Club Mix) 10. DJ Meme vs Rita Lee - Lança Perfume 2009 (DJ Meme Club Mix 2009) 11. Kid Abelha - Peito Aberto (Memê Remix) 12. Preta Gil - Medida do Amor (DJ Memê Club Mix) 13. Kid Abelha - Maio (Memê House Long Mix)

Steve Bailey discusses the Laurel & Hardy short subjects THE LAUREL-HARDY MURDER CASE, HABEAS CORPUS, and OLIVER THE EIGHTH. --- Support this podcast: https://anchor.fm/hardboiledeggsandnuts/support

If you can't handle me at my gator attack, you don't deserve me at my murderous fugue. [Content Warning: Cock Attack, Croc Attack, Monologuing]

Is there a four-hour cut of READY PLAYER ONE? Adam and guest host Tasha Robinson (TheVerge.com, Next Picture Show) have no idea, but it would help explain some of the narrative shortcuts in Spielberg's visually impressive adaptation of the Ernest Cline bestseller. The good news about the story's leap to the big screen is an improvement on the fun, but slight source material and some electrifying moments of nostalgia-fueled fun. Adam and Tasha also go on an Easter Egg hunt of sorts, with their Top 5 Movie Homages (that is, movies referencing other movies), including a movie-length Tarantino homage that gobsmacks Adam when Tasha points it out. All that, plus the championship round of Filmspotting Madness. 0:00-2:44 - Intro 3:30-41:25 - Review: "Ready Player One" The Blow, "Get Up" 44:30-49:41 - Next Week / Notes 49:41-58:56 - Filmspotting Madness: Final 58:56-1:23:04 - Top 5: Movie Homages The Blow, "The Greatest Love of All" 1:25:06-1:57:43 - Top 5: Movie Homages, cont 1:57:43-2:01:03 - Close       Learn more about your ad choices. Visit megaphone.fm/adchoices

We deliver lucha-style piledrivers to skeletons in Guacamelee. Developer: Drinkbox Studios | Publisher: Drinkbox Games | Release Date: April 9, 2013 Jacob, Mike and Moe talk about chickens and their "easter" eggs, mix-max'ing your character, the PlayStation Vita and Mexico by way of Japan. "This game is more present day WWE and less attitude era WWF." Our next episode drops on January 24th, 2017 and we are playing Warhammer: End Times - Vermintide! You can now e-mail us your questions! Send questions about past episodes or questions about us to questions@leftbehindgame.club! Players: Jacob McCourt (@JacobMcCourt), Michael Ruffolo (@ruffolom) and Moe Murtadi (@mmurtadi) Website: LeftBehindGame.Club | Twitter: @LeftBehindClub Show Notes (spoilers): 1:15 What is Guacamelee? 2:22 What is your experience with Guacamelee? 3:46 Super Turbo Championship Edition and what fight about pronunciation of "Melee" 5:25 Standard vs. Gold Edition vs. Super Turbo Championship Edition 5:47 We talk about The PlayStation Vita and 6:40 "The Vita is still hype in Japan" & Jacob learns about Waifu and Weeaboo 8:38 Guacamelee 2 9:12 The "Drinkbox Aesthetic" 10:36 Juan Aguacate and the start of the game 12:35 Tostada and costume changes 14:27 Homages to other games and easter eggs 17:55 Your encounter with Alebrije, the adorable pet dragon 19:35 Getting new moves through Choozo statues and level design 21:30 Uay Chivo (Goat Man), Flame Face and great written dialogue 23:40 The "combat flow" 24:35 Bringing it back to professional wrestling 26:45 How we upgraded our character 27:15 Moe's biggest gripe with Guacamelee 29:00 The twist at the end 29:55 Completing the game and our "rates of play" 33:00 El Trio De La Muerte 34:20 The El Diablo's Domain DLC and The Devil 36:58 More on combat chess and enemy variation 40:20 Ontario Media Development Corporation and Telefilm Canada 41:50 The rest of the bosses: Jaguar Javier and Calaca 44:45 INTENSO! 46:38 Our final thoughts 50:20 Jacob asks an extremely important question

Welcome to /Film Daily for June 30th, 2017. Every weekday we bring you the most interesting news from the world of movies and television and wrap it up with a deeper dive into one of the great features from slashfilm.com.  On today's show Ben Pearson joins us to talk about the following news: Ben explains the one thing he didn't like about Spider-Man: Homecoming ‘Jumanji: Welcome to the Jungle' Trailer: It's Not All Fun and Games ‘Inhumans' Trailer: Marvel's Weirdest Family heads to ABC (and IMAX) Netflix is Bringing ‘Sense8' Back For a Two-Hour Special In Our Feature Presentation, Jack Giroux chats with us about his favorite Michael Bay audio commentaries. Other features on the site, mentioned at the end of the episode, include: Josh Spiegel reviews Despicable Me 3 Alex Riviello rounds up every Video Game Reference in ‘Scott Pilgrim vs. the World' Kristen Hunt explores the Movie References and Homages in Edgar Wright's Work Ethan Anderton talks with Edgar Wright about 10 Movies That Influenced ‘Baby Driver': Part 2 You can find all that and more at slashfilm.com. You can subscribe to /Film Daily on iTunes, Stitcher, and all the popular podcast apps. We're still very much experimenting with this podcast, so please feel free to send your feedback to us at orfilms@gmail.com.

Leading British pianist Benjamin Grosvenor joins us to preview his latest album Homages, a collection of works by Busoni, Mendelssohn, Chopin and others which pay tribute to others.

The British pianist joins us from London to talk about his history and his most recent cd "Homages".

Ready to Unload: With Cal & Sanpete Subscribe to the RTU: Podcast in iTunes HERE - Also available on STITCHER HERE RTU: #260 - Recorded on August 11th, 2016 at 10pm ET We basically reset the entire podcast. Like the Mets will tomorrow with their 2016 season. 

Aaron "The Ace of Mace" Mason from the Grapes of Rad joins Andrew in the fancy new studios of KIRO radio, where someone has been leaving strange gifts outside the station. He and Andrew discuss the Associated Press' war on flossing, how to "savor" a TV show, and Auntie Jessica's Case Files. Then Aaron insults one of TBTL's most loyal listeners.

We welcome Erin’s Trash, Art, and The Movies (https://itunes.apple.com/ca/podcast/trash-art-and-the-movies/id352420040?mt=2) co-host and our good friend Paul Matwychuk (https://twitter.com/Myelbow) on to breakdown two different adaptations of the classic Bengali novella Devdas. Show Notes: Listen to Erin’s other show, Trash, Art, and The Movies! We did an episode on Memento vs. Ghajini (https://itunes.apple.com/ca/podcast/taatm-105-memento-vs.-ghajini/id352420040?i=1000315013357&mt=2) Devdas (https://en.wikipedia.org/wiki/Devdas) by (a 17 year-old) Sarat Chandra Chattopahyay (https://en.wikipedia.org/wiki/Sarat_Chandra_Chattopadhyay) P.C. Barua’s Devdas (https://en.wikipedia.org/wiki/Devdas_(1936_film)) and Bimal Roy’s Devdas (https://en.wikipedia.org/wiki/Devdas_(1955_film)) “The Devdas Phenomenon (http://www.uiowa.edu/indiancinema/devdas)” by Corey K. Creekmur Sanjay Leela Bhansali’s Devdas (https://en.wikipedia.org/wiki/Devdas_(2002_Hindi_film)) The dowry system (https://en.wikipedia.org/wiki/Dowry_system) “Morey Piya (https://youtu.be/hwMM21jGdHs),”featuring Paro’s mother’s dance Chandramukhi’s brothel (https://youtu.be/fVg6Ehu1VXY) “Silsila Ye Chaahat Ka (https://youtu.be/8qhkBTGE_Wo)” where Paro won’t let the lamp go out Sensitive machismo Cannes director criticized for selecting Devdas (http://movies.ndtv.com/bollywood/was-criticized-for-selecting-devdas-says-cannes-director-thierry-fremaux-636412) SRK remembers the film’s 14th anniversary (http://www.filmfare.com/news/shah-rukh-khan-talks-about-devdas-on-its-14th-anniversary-14478.html) (INTERVAL ("Dola Re Dola (https://youtu.be/Jbn39j-xa-k)” from Devdas) Raman Raghav 2.0 (https://en.wikipedia.org/wiki/Raman_Raghav_2.0) “Dev.D most overrated film (http://indianexpress.com/article/entertainment/bollywood/anurag-kashyap-dev-d-most-overrated-film-raman-raghav/) Anurag Kashyap’s Dev.D (https://en.wikipedia.org/wiki/Dev.D) “Chammak Challo (https://youtu.be/M4EZHGFK-1c)” from Ra.One Dev is an even bigger dick than Devdas “Emotional Attyachar (https://youtu.be/Vng5mg0iY0Q)” featuring Nawazuddin Siddiqui The DPS MMS Scandal (https://en.wikipedia.org/wiki/DPS_MMS_Scandal) Visualizing drugs and the Danny Boyle influence (https://youtu.be/EmxaK0R1YUM) Chanda has a nose for literature Phantom Films (https://en.wikipedia.org/wiki/Phantom_Films) We finally saw Udta Punjab (https://en.wikipedia.org/wiki/Udta_Punjab) Homages to SLB’s Devdas and Scorsese Intertextual references NEXT TIME: In honour of the upcoming summer Olympics, we discuss three Olympic sized sports movies Find us on iTunes (https://itunes.apple.com/ca/podcast/bollywood-is-for-lovers/id1036988030?mt=2)! and Stitcher (http://www.stitcher.com/podcast/matt-bowes/bollywood-is-for-lovers)! Follow us on Twitter (https://twitter.com/BollywoodPod)! Like us on Facebook (https://www.facebook.com/BollywoodIsForLovers/)! #Devdas #DevD #Shahrukhkhan #AishwaryaRai #MadhuriDixit #JackieShroff #KironKher #SanjayLeelaBhansali #SLB #AnuragKashyap #MahiGill #KalkiKoechlin #AbhayDeol #Bollywood #BimalRoy #BollywoodPodcast

Disciples and well-wishers offer homages to Ravindra Svarupa Dasa on the occasion of Vyasa Puja in Philadelphia, PA.

Tanya Van Rooy is the producer of the new movie, "Homages" which is set to premier at the Hamilton Film Festival on Monday November 3, 2014.  In addition to talking about the new film project, Tanya and Pete tell each other tree planting stories, talk about the merits of the "Diva Cup" and introduce the Haitian Dwarf to the concept of a "Nullo". Check out www.livefromthedutchhall.com to support our sponsors.

Homages spoken at this year's Vyasa Puja ceremony in honor of Ravindra Svarupa Prabhu at Gita Nagari Farm.

1999 TOS Homages. It turns out that 1999 was a big year for science fiction franchises. Not only did people finally get a new Star Wars movie, but three homages to Star Trek saw wide release that year. In this episode of Standard Orbit, Mike and Drew look at three movies that came out 15 years ago: Trekkies, Free Enterprise, and Galaxy Quest. Join us as we open up this time capsule and explore the conventions of the mid-Nineties, Mark Altman/Robert Meyer Burnett's not-really-biopic about nerds finding love in L.A., and the best movie about actors being mistaken for their characters since The Three Amigos!

George Frideric HANDEL 1685-1759Our version ofAllemande in Am (HWV 478)George Frideric HANDEL 1685-1759© 2012 Shiloh Worship Music COPY FREELY;This Recording is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted. Www.ShilohWorshipMusic.com Georg Friedrich Händel (1685-1759)George Frideric Handel(from Wikipedia) George Frideric Handel, born in the same year as Johann Sebastian Bach and Domenico Scarlatti. By Thomas Hudson (1749)George Frideric Handel SignatureGeorge Frideric Handel (German: Georg Friedrich Händel; pronounced [ˈhɛndəl]) (23 February 1685 – 14 April 1759) was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727.[1] By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.Within fifteen years, Handel, a dramatic genius, started three commercial opera companies to supply the English nobility with Italian opera, but the public came to hear the vocal bravura of the soloists rather than the music. In 1737 he had a physical breakdown, changed direction creatively and addressed the middle class. As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Handel was only partly successful with his performances of English Oratorio on mythical and biblical themes, but when he arranged a performance of Messiah to benefit the Foundling Hospital (1750) the critique ended. The pathos of Handel's oratorios is an ethical one. They are hallowed not by liturgical dignity but by the moral ideals of humanity.[2] Almost blind, and having lived in England for almost fifty years, he died a respected and rich man.Handel is regarded as one of the greatest composers of all time, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining popular. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original instrumentation, interest in Handel's operas has grown. His operas contain remarkable human characterisation—especially for a composer not known for his love affairs.Early yearsHandel's baptismal registration (Marienbibliothek in Halle)Handel was born in 1685 in Halle, Duchy of Magdeburg, to Georg Händel and Dorothea Taust.[3] His father, 63 when his son was born, was an eminent barber-surgeon who served to the court of Saxe-Weissenfels and the Margraviate of Brandenburg.[4] According to Handel's first biographer, John Mainwaring, he "had discovered such a strong propensity to Music, that his father who always intended him for the study of the Civil Law, had reason to be alarmed. He strictly forbade him to meddle with any musical instrument but Handel found means to get a little clavichord privately convey'd to a room at the top of the house. To this room he constantly stole when the family was asleep".[5] At an early age Handel became a skillful performer on the harpsichord and pipe organ.[6]Händel-Haus (2009) – birthplace of George Frideric HandelEntrance of Teatro del Cocomero in FlorenceHandel and his father travelled to Weissenfels to visit either Handel's half-brother, Carl, or nephew, Georg Christian,[7] who was serving as valet to Duke Johann Adolf I.[8] Handel and the duke convinced his father to allow him to take lessons in musical composition and keyboard technique from Friedrich Wilhelm Zachow, the organist of the Lutheran Marienkirche. He learned about harmony and contemporary styles, analysed sheet music scores, learned to work fugue subjects, and to copy music. In 1698 Handel played for Frederick I of Prussia and met Giovanni Battista Bononcini in Berlin.From Halle to ItalyThe Hamburg Opera am Gänsemarkt in 1726In 1702, following his father's wishes, Handel started studying law under Christian Thomasius at the University of Halle;[9] and also earned an appointment for one year as the organist in the former cathedral, by then an evangelical reformed church. Handel seems to have been unsatisfied and in 1703, he accepted a position as violinist and harpsichordist in the orchestra of the Hamburg Oper am Gänsemarkt.[10] There he met the composers Johann Mattheson, Christoph Graupner and Reinhard Keiser. His first two operas, Almira and Nero, were produced in 1705.[11] He produced two other operas, Daphne and Florindo, in 1708. It is unclear whether Handel directed these performances.According to Mainwaring, in 1706 Handel travelled to Italy at the invitation of Ferdinando de' Medici, but Mainwaring must have been confused. It was Gian Gastone de' Medici, whom Handel had met in 1703–1704 in Hamburg.[12] Ferdinando tried to make Florence Italy's musical capital, attracting the leading talents of his day. He had a keen interest in opera. In Italy Handel met librettist Antonio Salvi, with whom he later collaborated. Handel left for Rome and, since opera was (temporarily) banned in the Papal States, composed sacred music for the Roman clergy. His famous Dixit Dominus (1707) is from this era. He also composed cantatas in pastoral style for musical gatherings in the palaces of cardinals Pietro Ottoboni, Benedetto Pamphili and Carlo Colonna. Two oratorios, La Resurrezione and Il Trionfo del Tempo, were produced in a private setting for Ruspoli and Ottoboni in 1709 and 1710, respectively. Rodrigo, his first all-Italian opera, was produced in the Cocomero theatre in Florence in 1707.[13] Agrippina was first produced in 1709 at Teatro San Giovanni Grisostomo, the prettiest theatre at Venice, owned by the Grimanis. The opera, with a libretto by cardinal Vincenzo Grimani, and according to Mainwaring it ran for 27 nights successively. The audience, thunderstruck with the grandeur and sublimity of his style,[14] applauded for Il caro Sassone.Move to LondonGeorge Frideric Handel (left) and King George I on the River Thames, 17 July 1717, by Edouard Jean Conrad Hamman (1819–88).In 1710, Handel became Kapellmeister to German prince George, Elector of Hanover, who in 1714 would become King George I of Great Britain.[15] He visited Anna Maria Luisa de' Medici and her husband in Düsseldorf on his way to London in 1710. With his opera Rinaldo, based on La Gerusalemme Liberata by the Italian poet Torquato Tasso, Handel enjoyed great success, although it was composed quickly, with many borrowings from his older Italian works.[16] This work contains one of Handel's favourite arias, Cara sposa, amante cara, and the famous Lascia ch'io pianga.In 1712, Handel decided to settle permanently in England. He received a yearly income of £200 from Queen Anne after composing for her the Utrecht Te Deum and Jubilate, first performed in 1713.[17][18]One of his most important patrons was the young and wealthy Richard Boyle, 3rd Earl of Burlington.[19] For him Handel wrote Amadigi di Gaula, a magical opera, about a damsel in distress, based on the tragedy by Antoine Houdar de la Motte.The conception of an opera as a coherent structure was slow to capture Handel's imagination[20] and he renounced it for five years. In July 1717 Handel's Water Music was performed more than three times on the Thames for the King and his guests. It is said the compositions spurred reconciliation between the King and Handel.[21]Cannons (1717–18)Main article: Handel at CannonsThe Chandos portrait. The 1st Duke of Chandos was an important patron for Handel.In 1717 Handel became house composer at Cannons in Middlesex, where he laid the cornerstone for his future choral compositions in the twelve Chandos Anthems.[22] Romain Rolland stated that these anthems were as important for his oratorios as the cantatas were for his operas.[23] Another work he wrote for the Duke of Chandos, the owner of Cannons, was Acis and Galatea: during Handel's lifetime it was his most performed work. Winton Dean wrote, "the music catches breath and disturbs the memory".[24]In 1719 the Duke of Chandos became one of the main subscribers to Handel's new opera company, the Royal Academy of Music, but his patronage of music declined after he lost money in the South Sea bubble, which burst in 1720 in one of history's greatest financial cataclysms. Handel himself invested in South Sea stock in 1716, when prices were low[25] and sold before 1720.[26]Royal Academy of Music (1719–34)Main article: Royal Academy of Music (company)Handel House at 25 Brook Street, Mayfair, LondonIn May 1719 Lord Chamberlain Thomas Holles, the Duke of Newcastle ordered Handel to look for new singers.[27] Handel travelled to Dresden to attend the newly built opera. He saw Teofane by Antonio Lotti, and engaged the cast for the Royal Academy of Music, founded by a group of aristocrats to assure themselves a constant supply of baroque opera or opera seria. Handel may have invited John Smith, his fellow student in Halle, and his son Johann Christoph Schmidt, to become his secretary and amanuensis.[28] By 1723 he had moved into a Georgian house at 25 Brook Street, which he rented for the rest of his life.[29] This house, where he rehearsed, copied music and sold tickets, is now the Handel House Museum.[30] During twelve months between 1724 and 1725, Handel wrote three outstanding and successful operas, Giulio Cesare, Tamerlano and Rodelinda. Handel's operas are filled with da capo arias, such as Svegliatevi nel core. After composing Silete venti, he concentrated on opera and stopped writing cantatas. Scipio, from which the regimental slow march of the British Grenadier Guards is derived,[31] was performed as a stopgap, waiting for the arrival of Faustina Bordoni.In 1727 Handel was commissioned to write four anthems for the coronation ceremony of King George II. One of these, Zadok the Priest, has been played at every British coronation ceremony since.[32] In 1728 John Gay's The Beggar's Opera premiered at Lincoln's Inn Fields Theatre and ran for 62 consecutive performances, the longest run in theatre history up to that time.[citation needed] After nine years Handel's contract was ended but he soon started a new company.The Queen's Theatre at the Haymarket (now Her Majesty's Theatre), established in 1705 by architect and playwright John Vanbrugh, quickly became an opera house.[33] Between 1711 and 1739, more than 25 of Handel's operas premièred there.[34] In 1729 Handel became joint manager of the Theatre with John James Heidegger.A musical portrait of Frederick, Prince of Wales and his sisters by Philip Mercier, dated 1733, using Kew Palace as its plein-air backdropThe Queen's Theatre in the Haymarket in London by William CaponHandel travelled to Italy to engage seven new singers. He composed seven more operas, but the public came to hear the singers rather than the music.[35] After two commercially successful English oratorios Esther and Deborah, he was able to invest again in the South Sea Company. Handel reworked his Acis and Galatea which then became his most successful work ever. Handel failed to compete with the Opera of the Nobility, who engaged musicians such as Johann Adolf Hasse, Nicolo Porpora and the famous castrato Farinelli. The strong support by Frederick, Prince of Wales caused conflicts in the royal family. In March 1734 Handel directed a wedding anthem This is the day which the Lord hath made, and a serenata Parnasso in Festa for Anne of Hanover.[36]Opera at Covent Garden (1734–41)In 1733 the Earl of Essex received a letter with the following sentence: "Handel became so arbitrary a prince, that the Town murmurs". The board of chief investors expected Handel to retire when his contract ended, but Handel immediately looked for another theatre. In cooperation with John Rich he started his third company at Covent Garden Theatre. Rich was renowned for his spectacular productions. He suggested Handel use his small chorus and introduce the dancing of Marie Sallé, for whom Handel composed Terpsichore. In 1735 he introduced organ concertos between the acts. For the first time Handel allowed Gioacchino Conti, who had no time to learn his part, to substitute arias.[37] Financially, Ariodante was a failure, although he introduced ballet suites at the end of each act.[38] Alcina, his last opera with a magic content, and Alexander's Feast or the Power of Music based on John Dryden's Alexander's Feast starred Anna Maria Strada del Pò and John Beard.In April 1737, at age 52, Handel apparently suffered a stroke which disabled the use of four fingers on his right hand, preventing him from performing.[39] In summer the disorder seemed at times to affect his understanding. Nobody expected that Handel would ever be able to perform again. But whether the affliction was rheumatism, a stroke or a nervous breakdown, he recovered remarkably quickly .[40] To aid his recovery, Handel had travelled to Aachen, a spa in Germany. During six weeks he took long hot baths, and ended up playing the organ for a surprised audience.[41]Deidamia, his last and only baroque opera without an accompagnato, was performed three times in 1741. Handel gave up the opera business, while he enjoyed more success with his English oratorios.[citation needed]OratorioFurther information: List of Handel's OratoriosHandel by Philip MercierIl Trionfo del Tempo e del Disinganno, an allegory, Handel's first oratorio[42] was composed in Italy in 1707, followed by La Resurrezione in 1708 which uses material from the Bible. The circumstances of Esther and its first performance, possibly in 1718, are obscure.[43] Another 12 years had passed when an act of piracy caused him to take up Esther once again.[44] Three earlier performances aroused such interest that they naturally prompted the idea of introducing it to a larger public. Next came Deborah, strongly coloured by the Anthems[45] and Athaliah, his first English Oratorio.[46] In these three oratorios Handel laid foundation for the traditional use of the chorus which marks his later oratorios.[47] Handel became sure of himself, broader in his presentation, and more diverse in his composition.[48]It is evident how much he learnt from Arcangelo Corelli about writing for instruments, and from Alessandro Scarlatti about writing for the solo voice; but there is no single composer who taught him how to write for chorus.[49] Handel tended more and more to replace Italian soloists by English ones. The most significant reason for this change was the dwindling financial returns from his operas.[50] Thus a tradition was created for oratorios which was to govern their future performance. The performances were given without costumes and action; the performers appeared in a black suit.[51]Caricature of Handel by Joseph Goupy (1754)In 1736 Handel produced Alexander's Feast. John Beard appeared for the first time as one of Handel's principal singers and became Handel's permanent tenor soloist for the rest of Handel's life.[52] The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. In Saul, Handel was collaborating with Charles Jennens and experimenting with three trombones, a carillon and extra-large military kettledrums (from the Tower of London), to be sure "...it will be most excessive noisy".[53] Saul and Israel in Egypt both from 1739 head the list of great, mature oratorios, in which the da capo and dal segno aria became the exception and not the rule.[54] Israel in Egypt consists of little else but choruses, borrowing from the Funeral Anthem for Queen Caroline. In his next works Handel changed his course. In these works he laid greater stress on the effects of orchestra and soloists; the chorus retired into the background.[55] L'Allegro, il Penseroso ed il Moderato has a rather diverting character; the work is light and fresh.During the summer of 1741, the 3rd Duke of Devonshire invited Handel to Dublin to give concerts for the benefit of local hospitals.[56] His Messiah was first performed at the New Music Hall in Fishamble Street, on 13 April 1742, with 26 boys and five men from the combined choirs of St Patrick's and Christ Church cathedrals participating.[57] Handel secured a balance between soloists and chorus which he never surpassed.The use of English soloists reached its height at the first performance of Samson. The work is highly theatrical. The role of the chorus became increasingly import in his later oratorios. Jephtha was first performed on 26 February 1752; even though it was his last oratorio, it was no less a masterpiece than his earlier works.[58]Later yearsGeorge Frideric Handel in 1733, by Balthasar Denner (1685–1749)In 1749 Handel composed Music for the Royal Fireworks; 12,000 people attended the first performance.[59] In 1750 he arranged a performance of Messiah to benefit the Foundling Hospital. The performance was considered a great success and was followed by annual concerts that continued throughout his life. In recognition of his patronage, Handel was made a governor of the Hospital the day after his initial concert. He bequeathed a copy of Messiah to the institution upon his death.[60] His involvement with the Foundling Hospital is today commemorated with a permanent exhibition in London's Foundling Museum, which also holds the Gerald Coke Handel Collection. In addition to the Foundling Hospital, Handel also gave to a charity that assisted impoverished musicians and their families.In August 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands.[61] In 1751 one eye started to fail. The cause was a cataract which was operated on by the great charlatan Chevalier Taylor. This led to uveitis and subsequent loss of vision. He died eight years later in 1759 at home in Brook Street, at age 74. The last performance he attended was of Messiah. Handel was buried in Westminster Abbey.[62] More than three thousand mourners attended his funeral, which was given full state honours.Handel never married, and kept his personal life private. His initial will bequeathed the bulk of his estate to his niece Johanna. However four codicils distributed much of his estate to other relations, servants, friends and charities.[63]Handel owned an art collection that was auctioned posthumously in 1760.[64] The auction catalogue listed approximately seventy paintings and ten prints (other paintings were bequeathed).[64]WorksSenesino, the famous castrato from SienaMain articles: List of compositions by George Frideric Handel and List of operas by Handel.Handel's compositions include 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, numerous arias, chamber music, a large number of ecumenical pieces, odes and serenatas, and 16 organ concerti. His most famous work, the oratorio Messiah with its "Hallelujah" chorus, is among the most popular works in choral music and has become the centrepiece of the Christmas season. Among the works with opus numbers published and popularised in his lifetime are the Organ Concertos Op.4 and Op.7, together with the Opus 3 and Opus 6 concerti grossi; the latter incorporate an earlier organ concerto The Cuckoo and the Nightingale in which birdsong is imitated in the upper registers of the organ. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.Handel introduced previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornetts (Tamerlano), theorbo, horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).[65]Handel's works have been catalogued in the Händel-Werke-Verzeichnis and are commonly referred to by an HWV number. For example, Messiah is catalogued as HWV 56.LegacyA Masquerade at the King's Theatre, Haymarket (c. 1724)Handel's works were collected and preserved by two men in particular: Sir Samuel Hellier, a country squire whose musical acquisitions form the nucleus of the Shaw-Hellier Collection,[66] and abolitionist Granville Sharp. The catalogue accompanying the National Portrait Gallery exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm".[67]After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from Serse, "Ombra mai fù". The oratorios continued to be performed but not long after Handel's death they were thought to need some modernisation, and Mozart orchestrated a German version of Messiah and other works. Throughout the 19th century and first half of the 20th century, particularly in the Anglophone countries, his reputation rested primarily on his English oratorios, which were customarily performed by enormous choruses of amateur singers on solemn occasions.Since the Early Music Revival many of the forty-two operas he wrote have been performed in opera houses and concert halls.Handel's music was studied by composers such as Haydn, Mozart and BeethovenRecent decades have revived his secular cantatas and what one might call 'secular oratorios' or 'concert operas'. Of the former, Ode for St. Cecilia's Day (1739) (set to texts by John Dryden) and Ode for the Birthday of Queen Anne (1713) are noteworthy. For his secular oratorios, Handel turned to classical mythology for subjects, producing such works as Acis and Galatea (1719), Hercules (1745) and Semele (1744). These works have a close kinship with the sacred oratorios, particularly in the vocal writing for the English-language texts. They also share the lyrical and dramatic qualities of Handel's Italian operas. As such, they are sometimes performed onstage by small chamber ensembles. With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera's great musical dramatists.A carved marble statue of Handel, created for the Vauxhall Gardens in 1738 by Louis-François Roubiliac, and now preserved in the Victoria & Albert Museum.Handel's work was edited by Samuel Arnold (40 vols., London, 1787–1797), and by Friedrich Chrysander, for the German Händel-Gesellschaft (105 vols., Leipzig, 1858–1902).Handel adopted the spelling "George Frideric Handel" on his naturalisation as a British subject, and this spelling is generally used in English-speaking countries. The original form of his name, Georg Friedrich Händel, is generally used in Germany and elsewhere, but he is known as "Haendel" in France. Another composer with a similar name, Handl or Händl, was an Austrian from Carniola and is more commonly known as Jacobus Gallus.Musician's musicianHandel has generally been accorded high esteem by fellow composers, both in his own time and since.[68] Bach attempted, unsuccessfully, to meet with Handel while he was visiting Halle.[69] Mozart is reputed to have said of him, "Handel understands affect better than any of us. When he chooses, he strikes like a thunder bolt."[70] To Beethoven he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb".[70] Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means".HomagesHandel Commemoration in Westminster Abbey, 1784After Handel's death, many composers wrote works based on or inspired by his music. The first movement from Louis Spohr's Symphony No. 6, Op. 116, "The Age of Bach and Handel", resembles two melodies from Handel's Messiah. In 1797 Ludwig van Beethoven published the 12 Variations in G major on ‘See the conqu’ring hero comes’ from Judas Maccabaeus by Handel, for cello and piano. Guitar virtuoso Mauro Giuliani composed his Variations on a Theme by Handel, Op. 107 for guitar, based on Handel's Suite No. 5 in E major, HWV 430, for harpsichord. In 1861, using a theme from the second of Handel's harpsichord suites, Johannes Brahms wrote the Variations and Fugue on a Theme by Handel, Op. 24, one of his most successful works (praised by Richard Wagner). Several works by the French composer Félix-Alexandre Guilmant use Handel's themes, for example his March on a Theme by Handel uses a theme from Messiah. French composer and flautist Philippe Gaubert wrote his Petite marche for flute and piano based on the fourth movement of Handel's Trio Sonata, Op. 5, No. 2, HWV 397. Argentine composer Luis Gianneo composed his Variations on a Theme by Handel for piano. In 1911, Australian-born composer and pianist Percy Grainger based one of his most famous works on the final movement of Handel's Suite No. 5 in E major (just like Giuliani). He first wrote some variations on the theme, which he titled Variations on Handel's ‘The Harmonious Blacksmith’ . Then he used the first sixteen bars of his set of variations to create Handel in the Strand, one of his most beloved pieces, of which he made several versions (for example, the piano solo version from 1930). Arnold Schoenberg's Concerto for String Quartet and Orchestra in B flat major (1933) was composed after Handel's Concerto Grosso, Op. 6/7.VenerationHandel is honored together with Johann Sebastian Bach and Henry Purcell with a feast day on the liturgical calendar of the Episcopal Church (USA) on 28 July.He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on 28 July, with Johann Sebastian Bach and Heinrich Schütz.He is commemorated as a musician along with Johann Sebastian Bach on 28 July by The Order of Saint Luke in their calendar of saints prepared for the use of The United Methodist Church.EditionsBetween 1787 and 1797 Samuel Arnold compiled a 180-volume collection of Handel's works—however it was far from complete.[72] Also incomplete was the collection produced between 1843 and 1858 by the English Handel Society (found by Sir George Macfarren).[73]The 105-volume Händel-Gesellschaft edition was published in the mid 19th century and was mainly edited by Friedrich Chrysander (often working alone in his home). For modern performance, the realisation of the basso continuo reflects 19th century practice. Vocal scores drawn from the edition were published by Novello in London, but some scores, such as the vocal score to Samson are incomplete.The still-incomplete Hallische Händel-Ausgabe started to appear in 1956 (named for Halle in Saxony-Anhalt Eastern Germany, not the Netherlands). It did not start as a critical edition, but after heavy criticism of the first volumes, which were performing editions without a critical apparatus (for example, the opera Serse was published with the title character recast as a tenor reflecting pre-war German practice), it repositioned itself as a critical edition. Influenced in part by cold-war realities, editorial work was inconsistent: misprints are found in abundance and editors failed to consult important sources. In 1985 a committee was formed to establish better standards for the edition.From Wikipedia, the free encyclopedia

In this episode we discuss Disney's 'The Princess and the Frog', we talk about the difference between 'homage', 'pastiche' and 'cliche', and if you listen very carefully at the end of the podcast you just might hear what a mid-morning-nightmare sounds like...