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In this episode, Sidney breaks down a movie with a very unique concept from the offspring of David Cronenberg, Possessor (2020).
Andy can't get into David Cronenberg's films, gets yelled at on the street, and complains about a band charging $20 for a cassingle. Also, Xzibit shares his care regimen for his 20yo cat, and we listen to a news story about car deaths surging on days new albums are released. On Rachel's Chart Chat, Rachel from Des Moines explores YesSummer: Yes songs with "summer" in the lyrics. Find a playlist of YesSummer songs here.
Carmelita Valdez McKoy is a carnivorous watcher of movies, and has been her entire life. She shares the details of her cinematic education with us on this week's episode, and her thoughts on David Cronenberg's both of its moment and waaaaay ahead of its time smash-up of sci-fi, body horror, and media commentary. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this episode, Sidney breaks down her personal favorite David Cronenberg film, Videodrome (1983).
In this week's episode, we're mourning the loss of a real one in Sam Neill with the 1981 body horror/psychological thriller "Possession." Special topics for your consideration include: synthwave, sitting perpendicular, ass-kicking chefs, bananas up for grabs, and Cincinnati. This one reminded me a lot of my favorite David Cronenberg movie, "The Brood." It's Episode 177. You can support us at patreon.com/werewolfambulance and listen to a ton of action movie episodes, and if you get in now, you can vote for this month's movie. We are also getting into the meat of our second season of "Nice One, Mate!" which is FREE EVEN IF YOU ARE NOT A PATRON. leave us a message at 412-407-7025 hang out with some cool listeners at https://discord.gg/DutFjx3cBD buy merch at www.teepublic.com/user/werewolfambulance the best place to reach us is at werewolfambulance@gmail.com we're on Reddit at r/werewolfambulance www.werewolfambulance.com if you feel you really must lodge a complaint with us, please do it on Facebook at facebook.com/werewolfambulance because we are probably not gonna see that, ever. If you liked this, please leave us a review on Apple Podcasts or wherever you listen! It helps others find us and allows us to continue to grow. Intro song is by Alex Van Luvie Outro song is A. Wallis- "EMT" Seriously we have the best EMTs, hands down.
The Monster Squad, Cujo, The Fly, The Others, Jason Goes to Hell, and Lovecraft Country headline this episode of This Week in Horror History, covering August 10 through August 16. As summer horror starts giving way to spooky season, we're beginning the Halloween horror pregame with classic monsters, Stephen King terror, haunted-house mysteries, Jason Voorhees, cosmic horror, rabid-animal survival, and one of David Cronenberg's greatest body-horror transformations. Inside this episode:August 10, 2001 — The Others opens in U.S. theatersNicole Kidman waits inside a fogbound mansion where every curtain must remain closed, every doorway follows a strict ritual, and mysterious footsteps suggest that Grace and her light-sensitive children may not be alone. Alejandro Amenábar builds a gothic ghost story from silence, grief, locked rooms, and competing versions of reality. August 12, 1983 — Cujo opens in U.S. theatersStephen King turns a gentle Saint Bernard into the center of a brutally simple survival nightmare. Dee Wallace and a young child become trapped inside a failing car beneath the blazing summer sun while a rabid dog waits outside and their supposed shelter slowly becomes an oven. August 13, 1993 — Jason Goes to Hell: The Final Friday opens in U.S. theaters The Friday the 13th franchise blows apart the familiar image of Jason Voorhees and transforms him into a body-hopping demonic force. Family bloodlines, possession horror, temporary human hosts, gruesome transformations, and one unforgettable final tease send Jason into his strange New Line era. August 16, 2020 — Lovecraft Country premieres on HBOMisha Green's supernatural horror series follows Atticus Freeman, Letitia Lewis, and Uncle George across 1950s Jim Crow America, where sundown towns and systemic violence can be as deadly as the ancient creatures waiting in the dark. Cosmic horror, family history, inherited trauma, magic, body horror, and American history collide. Deep-Cut Spotlight — The Monster SquadDracula arrives with the Wolf Man, the Mummy, the Gill Man, and Frankenstein's creature—and the only people prepared to stop them are a group of young horror fans who have spent their lives memorizing monster rules. Directed by Fred Dekker and written by Dekker and Shane Black, The Monster Squad turns fandom into survival training. A German diary must be translated, silver bullets must be tested, an ancient amulet must be protected, and a treehouse club has one night to prevent classic evil from taking control of the world. Funny, adventurous, spooky, and unexpectedly heartfelt, The Monster Squad became a beloved cult horror movie through cable television, home video, and generations of monster kids passing it along to the next generation. It is also perfect viewing for anyone beginning their annual Halloween movie-season pregame.Horror Birthdays This Week: Alfred Hitchcock, Halle Berry, Natasha Henstridge, and James Cameron enter the birthday roll, bringing connections to Psycho, The Birds, Gothika, Dark Tide, Species, Aliens, and some of horror and science-fiction cinema's most memorable killers, creatures, transformations, and survival stories.Weekly Recommendation — The FlyDavid Cronenberg's The Fly celebrates its 40th anniversary with a story that remains romantic, disgusting, funny, tragic, and profoundly human. Jeff Goldblum plays scientist Seth Brundle, whose revolutionary teleportation experiment goes horribly wrong when an unnoticed fly enters the pod beside him. The machine combines their genetic material, beginning a physical transformation that neither science, intelligence, nor love can reverse. With Geena Davis as journalist Veronica Quaife, Academy Award-winning makeup effects, unforgettable body horror, and a devastating central relationship, The Fly remains one of the defining horror movies of the 1980s—and an essential addition to any early Halloween horror watchlist. Plus, Weekly Spooky returns Wednesday with another original horror story, followed by more terrifying history, strange mysteries, horror movie discussion, and unexplained broadcasts throughout the week. From The Others and Cujo to Jason Goes to Hell, Lovecraft Country, The Monster Squad, and The Fly, this week in horror history proves that terror can hide inside a locked mansion, wait outside a stalled car, move from body to body, follow a family across America, gather the classic monsters, or emerge from a teleportation pod. The calendar may still say August, but the Halloween horror pregame is officially underway.
It's all drinks from around the world on this quiz from Crowdpurr.com/budds! This episode's topic: INTERNATIONAL BEERS Love trivia battles? Try Learn Clash! http://learnclash.com/budds Fact of the Day: In the mid-1980s, Cannon Films hired The Texas Chain Saw Massacre director Tobe Hooper to helm a bizarre, body-horror Spider-Man movie inspired by David Cronenberg's The Fly. Triple Connections: Chump, Climate, Loose THE FIRST TRIVIA QUESTION STARTS AT 02:52 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Mark Kloppenburg Cadi Snow-Brine Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Gail Lancman Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this video episode, Sidney breaks down the ultimate body horror film, David Cronenberg's The Fly (1986).
Comics writer Philip Kennedy Johnson (The Infernal Hulk, Superman) breaks down his new project Midnight Spider-Man, one of the flagship titles launching Marvel's brand-new Midnight Universe this fall. In this panel plunge, Philip shares how the project came together, why Spider-Man was the perfect character for a full-fledged body horror reimagining, and the surprising influences behind the series including David Cronenberg, John Carpenter, Junji Ito, and manga storytelling to the corporate paranoia of Alien. He goes on to explain how Marvel challenged him to take creative risks, how artist Scie Tronc brings an entirely new visual language to the character, and why this version of Spider-Man may be the boldest reinvention of the character ever. We also explores the larger themes driving the book, including power, responsibility, corporate corruption, and how modern anxieties shape today's superhero stories. Beyond Midnight Spider-Man, we dive into Philip's Incredible Hulk run, exploring his love of Appalachian folk horror, Southern Gothic storytelling, and the inspirations behind my favorite character in the book, Charlie Tidwell, and tease about the upcoming Hulk War crossover. "What the world has actually shown us is that power makes monsters almost invariably. Peter exists in a world in which power makes monsters every time, but he's the one who sets out to prove that it's not true—even while it's physically, visibly changing him into a monster." — Philip Kennedy Johnson Phillip's website Follow Comic Book Yeti
Hop in your telepod, I mean time machine and dial it up to 1986! We're kicking off a month of anniversaries with The Fly directed by David Cronenberg. The boys discuss gooey body horror, the dangers of hubris & ego, and Cronenberg's artistic legacy. Cheeseburger!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinema Haunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
From huge box office records to massive music leaks and artistic evolutions, this episode of News It or Lose It on Afternoons with Zweli brings you all the latest global pop culture headlines! First up, A$AP Rocky accidentally let the cat out of the bag on The Jason Lee Show, confirming that global superstar Rihanna is officially back in the studio "cooking" her long-awaited ninth album, R9. Meanwhile, Spider-Man: Brand New Day has taken the world by storm, shattering records by crossing the $1 billion mark globally in just six days, making it the second-fastest film in history to hit the milestone! Finally, Charli XCX opens up in a new interview with Zane Lowe about avoiding artistic stagnation after Brat, taking inspiration from filmmaker David Cronenberg, and dropping intimate live performances at the iconic BBC Maida Vale Studios. Spend weekday afternoons with Zweli. He keeps you in the loop with everything from music and movies to sport and pop culture. Hear what the Word on the Street is, test your skills with the high-pressure 6 Out of 6, and get ready to be entertained. Thank you for listening to an Afternoons with Zweli podcast Listen live on Primedia+ weekdays from 12:00 to 15:00 (SA Time) to Afternoons with Zweli broadcast on 947 https://www.primediaplus.com/station/947 For more from the show go to https://buff.ly/FeeL6wY or find all the catch-up podcasts here https://buff.ly/pRBikjo Subscribe to the 947 Weekly Newsletter here https://buff.ly/hf9IuR9 Follow us on social media 947 on Facebook: https://www.facebook.com/947Joburg/ 947 on TikTok: https://www.tiktok.com/@947joburg 947 on Instagram: https://www.instagram.com/947joburg 947 on X https://x.com/947 947 on YouTube: https://www.youtube.com/@947Joburg See omnystudio.com/listener for privacy information.
Framing and it's completely different but also still Framing! In dieser FRAMING-Folge gehen wir mal nicht von einem aktuellen Filmstart aus, sondern von einem Album. Auf dem Cover von Music, Fashion, Film von Charli XCX sind John Cale, Marc Jacobs und Martin Scorsese zu sehen, und auf dem letzten Track hat David Cronenberg einen denkwürdigen Auftritt. Das nehmen wir zum Anlass, um über die zunehmende Verzahnung von Musik, Mode und Film zu vermarktbaren Packages zu sprechen. Ist alles nur noch im Gesamtpaket zu haben? Dabei geht es um die Konzertfilm-Mockumentary The Moment ebenso wie um die Krisenkomödie The Devil Wears Prada 2, um Creator Economy, Taylor Swifts Regiedebüt und das Dystopische an dem jüngst von A24 gegründeten Musiklabel. Zu Gast bei Hannah Pilarczyk sind die Musikjournalistin Aida Baghernejad (Musikexpress, Deutschlandfunk Kultur), die Kulturwissenschaftlerin und Popkultur-Podcasterin Vera Klocke (Fashion the Gaze) und Kritikerin, Kulturwissenschaftlerin und FRAMING-Redakteurin Anne Küper.Der Framing-Newsletter: Seit August 2026 gibt es Framing als eigene Plattform bei Steady. Alle zwei Wochen verschicken wir einen Newsletter, der euch mit Empfehlungen, Hinweisen und Texten versorgt. Abonniert den Newsletter hier!Framing unterstützen: Wir verzichten auf Werbung und Paywalls, freuen uns dafür umso mehr über jede finanzielle Unterstützung. Wenn euch unsere Arbeit einen kleinen Betrag im Monat wert ist, dann könnt ihr uns hier supporten.Feedback und Vorschläge? Schreibt uns einfach eine Mail!Und so geht es durch die Folge:(00:00:00) Einleitung und Begrüßung(00:04:43) Charli XCX als Pop- und Filmstar(00:15:06) Music, Fashion, Film in der Krise(00:23:30) Die Suche nach Echtheit in der Creator Economy(00:29:57) Wo bleibt die Kritik?(00:37:20) Prestige-Pakete mit Popstar-Arthouse, A24-Musik und Actor-Fashion(00:45:06) Anderer Blick statt Ausblick(00:46:44) Letzte Hinweise(00:50:30) Framing-HousekeepingMaterial zur FolgeLindsay Soladz: “Charli XCX Makes a Quick and Dirty Exit From Her ‘Brat' Era” (NY Times)“Charli xcx presents Music, Fashion, Film” bei YouTubeCharlis Letterboxd-AccountLetzte HinweiseDie neue Staffel von Doppelhaushälfte ab Mitte August in der ZDF-MediathekMatthew Schnipper: Rise Above bei DussmannMatthew Schnipper: “The Sound of Grief” (New Yorker)Vicki Baum: Menschen im Hotel als Buch und HörbuchOzan Zakariya Keskinkılıç über islamistische Queerfeindlichkeit (Deutschlandfunk Kultur)Ozan Zakariya Keskinkılıç: HundesohnFollow Us- Folgt FRAMING bei Instagram, Bluesky und auf Facebook- Lest Hannah Pilarczyk beim Spiegel- Folgt Aida Baghernejad bei Instagram und Bluesky und tragt euch in ihren Newsletter ein- Folgt Vera Klocke bei Instagram und hört ihren Podcast Fashion the Gaze- Folgt Anne Küper bei Instagram und Bluesky
Pour up a Small Town Secret and join McCash as he relives this tense David Cronenberg thriller alongside Brandon and Stoney. Today, we're drinking with...A History of Violence. To make the Small Town Secret, you'll need• 2 oz rye whiskey• ½ oz cherry liqueur• ¼ oz maple syrup• 2 dashes Angostura bitters• 1 dash orange bitters• Orange peel• cherryInstructions1. Fill a mixing glass with ice.2. Add rye whiskey, cherry liqueur, maple syrup, and both bitters.3. Stir for about 20 seconds until well chilled.4. Strain into a large rocks glass with a single cube.5. Express an orange peel over the drink and drop it in.6. Garnish with a cherry.
David Cronenberg's The Fly turns 40 this August, and we're revisiting one of the greatest, and most disturbing, body horror films ever made. This week, the Bloody Good Horror crew discusses Jeff Goldblum's unforgettable performance, the film's practical effects, its themes of aging and mortality, and why The Fly continues to influence horror nearly four decades after its release.
To sustain the illusion of America, you need to compartmentalize or deny a lot of violence. We discuss David Cronenberg's existentialist masterpiece A HISTORY OF VIOLENCE (2005). PLUS: We mark the passing of the so-called "Godfather of the New Right," Jim Goad. Join us on Patreon for an extra episode every week - https://patreon.com/michaelandus Check out the Michael & Us website and episode guide - https://michael-and-us.com/
Forty years ago this summer, genre master David Cronenberg (Videodrome, Eastern Promises, The Dead Zone, Dead Ringers) directed this remake of the 1958 cult classic of the same name starring Vincent Price. This is the updated story of Seth Brundle (Jeff Goldblum), a quirky scientist who has been developing an exciting new invention geared towards teleportation. He meets an enterprising science reporter named Ronnie (Geena Davis) and together, they not only work to further this technoloy....but they also fall in love. But then one fateful night alone, Seth makes the mistake of "teleporting while drunk" and the pod which he's using happens to have a house fly inside of it. :o And what results is a gradual, gruesome transformation for Seth into.....something else! This film not only became a suprise box office hit but would also go on to win a VERY deserved Oscar for Best Makeup. Be afraid, be very afraid. Also see below for a hysterical stand-up bit from Martin Lawrence about this movie which is cited in this review! :p https://www.youtube.com/watch?v=-ITAthB4ai0Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Charli XCX's new album ends with David Cronenberg saying, over and over, that no one lasts forever. I appreciate the honesty. A critic called it a litany for an afterlife-free church. Romans 8 is the response. Not a Hallmark card, not death-denial, but the promise that God makes a way out of no way. That nothing is lost. That everything bad will be undone.
One day before the release of her new album, Music, Fashion, Film, xcx joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about creativity, reinvention, and one of pop music's most influential careers. Charli discusses the inspiration behind Music, Fashion, Film, nearly walking away from music, working with A.G. Cook, growing up during the MySpace era, fashion, filmmaking, visual identity, Martin Scorsese, John Cale, Lou Reed, Andy Warhol, social media, the current state of rock, and much more. The episode concludes with Charli's Top 5 Underrated Films and Top 5 Charli xcx Songs. If you enjoy conversations with the world's biggest artists, subscribe and turn on notifications for new episodes every week. CHAPTERS 00:00 Intro 00:27 NYC 01:08 Intimate shows 02:29 Growing up (The Monkees, Bread, Britney Spears & Spice Girls) 03:34 MySpace, Uffie & Ed Banger 05:05 Building her own team 08:22 Albums that inspired her 11:26 Early music 12:08 The beginning 14:45 A.G. Cook 18:57 Music, Fashion, Film 19:15 Nearly quitting music 22:22 Album artwork 25:26 John Cale, Lou Reed & Andy Warhol 31:08 Marc Jacobs 32:34 Martin Scorsese 34:48 Music, Fashion, Film creative process 37:50 The future of music & rock 40:39 Visuals 42:03 Songwriting 44:45 David Cronenberg & legacy 47:55 Advice to young artists 50:10 Social media 51:55 Top 5 Underrated Films 56:15 Top 5 Charli xcx Songs #CharliXCX #MusicFashionFilm #LippsService #ScottLipps #SPIN #MusicPodcast #PopMusic #Interview Learn more about your ad choices. Visit megaphone.fm/adchoices
Julian, Emilio, and Madeline continue their episode cycle focusing on Twins and Doppelgängers with a "Suggestion Box" episode about "Dead Ringers," David Cronenberg's film from 1988 which stars Jeremy Irons in an iconic dual role as identical twin gynecologists Beverly and Elliot Mantle. Loosely inspired by the true story of Stewart and Cyril Marcus, the film examines how a romantic entanglement disrupts the equilibrium of these two brothers in their shared profession as well as an illicit side exploit, giving way to a powerful meditation on brotherhood, addiction, and co-dependency in its many forms. The three co-hosts explore Cronenberg's portrayal of twindom by digging into the film's evocative and technically savvy visuals, the often intentionally confusing tableaus which carry the story forward, and the technical and emotional mastery of Jeremy Irons in a career-defining role that, despite not winning an Oscar, certainly paved the way for accolades and great roles to come. If you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!We have a monthly newsletter! Subscribe at sleeplesscinematicpod.substack.comFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats
Ready or not, here comes Josh and Jade with a fresh movie review of Ready or Not 2: Here I Come. The 2026 American comedy slasher film is directed by Matt Bettinelli-Olpin and Tyler Gillett and written by Guy Busick and R. Christopher Murphy. It is a sequel to Ready or Not (2019) and stars Samara Weaving as Grace MacCaullay. The movie also stars Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, and Elijah Wood. Set immediately after the events of Ready or Not, it follows Grace as she must protect her estranged sister (Newton) while being hunted by five elite families in a high-stakes ritual to claim a seat of ultimate power.Find out if the sequel is trash or treasure by listening now.
Welcome back to Beyond the Page, the Page Chewing interview series where we explore the stories behind the storytellers.In this episode, Steve sits down with horror author Alex Grass, whose latest collection, Infernal Tramps: Tales of Weird Terror, embraces cosmic horror, body horror, and the wonderfully strange corners of speculative fiction.The conversation begins with horror but quickly expands into a thoughtful discussion about creativity, publishing, addiction and recovery, classic literature, and the experiences that shape both writers and their stories.Together they discuss:Infernal Tramps: Tales of Weird TerrorWhat defines weird fiction and cosmic horrorBody horror and the influence of David Cronenberg and Clive BarkerWriting short stories versus novelsThe changing world of publishing and independent authorsWhy reading widely makes better writersFavorite horror films and unforgettable book endingsBalancing writing with family lifeRecovery, honesty, and finding purpose beyond addictionWhy authentic human connection matters to both writers and readersAlong the way, Alex shares stories from his unique career path—including time studying mortuary science and law—and explains why some of the darkest fiction often comes from writers who are simply trying to better understand the human experience.Whether you're a horror fan, an aspiring writer, or someone interested in thoughtful conversations about creativity and life, this episode offers an engaging look beyond the page.(Amazon Affiliate Links)Guest: Alex Grass: https://amzn.to/4yjsh8WFeatured Book: Infernal Tramps: Tales of Weird Terror: https://amzn.to/4yhrnKl
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Another fun-filled episode of Nerds Talking is here, packed with laughs, movie reviews, entertainment news, and plenty of geeky conversations!Join Lafayette and Carlos as they bring you your weekly dose of entertainment news before taking an unexpected detour into the world of international soccer tournaments—not just the World Cup, but some of the biggest competitions from around the globe.One thing becomes very clear throughout the episode: Lafayette absolutely refuses to stop working on his Christopher Walken impression. Whether it's spot-on or hilariously off the rails... we'll let you decide!This week's movie reviews include Ready or Not 2: Here I Come, directed by Matt Bettinelli-Olpin and Tyler Gillett, starring Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Elijah Wood, Shawn Hatosy, and David Cronenberg. Does the sequel live up to the original's twisted blend of horror and comedy? We break it all down. (Wikipedia)We also dive into the explosive martial arts action film The Furious, directed by Kenji Tanigaki, starring Mo Tse, Joe Taslim, Yang Enyou, Jeeja Yanin, Brian Le, and Yayan Ruhian. After Wang Wei's daughter is kidnapped by a ruthless criminal network, his only ally is Navin, a journalist searching for his own missing wife. Together, they unleash a relentless campaign of vengeance against an army of deadly criminals. But the real question is... is it actually exciting, or is it as boring as The Raid? (Yeah... we said it.) You'll have to listen to hear our verdict! (Wikipedia)Looking for your next binge? We also discuss which television series we'd recommend to someone who has somehow gone their entire life without ever watching a TV show. If you could only recommend a handful of series to introduce someone to television, what would they be? We compare our lists and make our cases.Plus, we count down and discuss the Top 10 highest-grossing animated movies of all time, revisit some classics, debate the rankings, and celebrate the films that became worldwide box office sensations.It's another episode full of movie talk, nostalgia, laughs, impressions, random debates, and the kind of nerdy conversations you've come to expect from Nerds Talking.Tune in, laugh along with us, and don't forget to subscribe, rate, and share the show with your fellow nerds!#NerdsTalking #Podcast #EntertainmentNews #MovieReview #ReadyOrNot2 #TheFurious #JoeTaslim #SamaraWeaving #ChristopherWalken #HorrorMovies #MartialArtsMovies #ActionMovies #AnimatedMovies #TVShows #PopCulture #GeekCulture #FilmPodcast #MoviePodcast #Movies #Streaming #ComedyPodcast #NerdCulture
This week we're back with the 1986 scifi body horror film The Fly. Directed and co-written by David Cronenberg it is based on the 1957 short story of the same name. The film tells the story of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The film stars Jeff Goldblum, Geena Davis, and John Getz. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod
This week, we examine the dangerously transformative power of media intake by tackling David Cronenberg's VIDEODROME. Operating on a studio's budget for the first time in his career, the visionary filmmaker known for boundary-pushing body horror unleashed a wildly intuitive vision of a sinister broadcast -- known as Videodrome -- which causes intense hallucinations and compulsions in anyone who views it. The film used uncomfortable visualizations and psychosexually violent scenarios to create a nightmarish portrait of media manipulation and control. What's perhaps most frightening about the film is how eerily similar it is to our current state of technological codependency.To unpack this film's fascinating details, we're joined by Josh Willenbrink of Restoration Games who last joined us to discuss and promote their upcoming releases and Justin Donnahoo, a youth pastor, Batman enthusiast, and co-host of the Moviga podcast. Together, we dive into the striking ways this film forecasted where we might one day find ourselves and we discuss the vital necessity of preserving our humanity amidst an ocean of algorithms.It's a hearty and thought-provoking episode this week that we really hope you enjoy.3:42 - Two Questions with Justin Donnahoo15:34 - Catching Up on Games with Josh WillenbrinkPatron Only Segment: WHATCHA25:47 - VIDEODROMESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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If you haven't seen the photos of the massive crowd that Angine de Poitrine drew at the Jazz Fest last weekend you should do yourself a favour and check them out. I haven't really hear precise estimates of attendance but I think it's easily around 100,000 people based on what I know of the layout and rough capacity. We've talked a little bit about what makes Angine de Poitrine the band of the moment right now and I think their popularity is almost a direct rejection of AI. Something that sounds and looks so different from everything else while still being pretty accessible just pierces through the monoculture slop that seems to be everywhere. These guys rule and I'm glad the world is getting a taste of some weirdo Quebecois culture. Scott talks at length about Rambo: Forces of Freedom which he presumably stumbled up while watching the MAXOUT POWERBLOCK over on YouTube. I love how toy and cartoon adaptations of R-Rated movies were a thing in the 80s and I'm a little bummed we don't see more of that anymore. Where are my Requiem for a Dream animated specials? Why can't I play with my Midsommar playset with real old-people-jumping-off-cliff action? Anyways, over on Garbage Time Jon watched Fury Road and things have grown even murkier in his mind about what movie should top our Movie List. He also watched David Cronenberg's Crash and now we're all wondering if we should be turned on by car wrecks. We finish things off talking about the final season of Euphoria and Back to the Future. If you would like to show your support and head over to Patreon and subscribe at the 9ES Deluxe tier to listen to this and all past episodes of Garbage Time that would be appreciated. Credit Where Credit is Due Our intro song is a brand new jam cooked up by OKU-DA just for us, do yourself a favour and check out his SoundCloud). The post 9ES366: Sold Out Jazz appeared first on 9to5 (dot cc).
Cripes! This is another one of the big hitter episodes that I planned out before even episode 1 of A Year In Horror. I get to watch every single David Cronenberg directed movie and then rank them from worst to best. That's right, EVERY ONE! Well, here we have the top 10. The worst 5. A slew of also rans. Some awesome guests. Several pints of beer and over 5 hours of running time split over 4 episodes. This is David Cronenberg, A Lifetime In Movies. 0.33 - The Dead Zone (w/ Marc Canale) 38.16 - The Fly (w/ Marc Canale) 1.16.25 - Outro
Cripes! This is another one of the big hitter episodes that I planned out before even episode 1 of A Year In Horror. I get to watch every single David Cronenberg directed movie and then rank them from worst to best. That's right, EVERY ONE! Well, here we have the top 10. The worst 5. A slew of also rans. Some awesome guests. Several pints of beer and over 5 hours of running time split over 4 episodes. This is David Cronenberg, A Lifetime In Movies. 0.33 - A History of Violence 6.28 - Shivers (w/ Kevin Lyons) 51.01 - Videodrome (w/ AJJ) patreon.com/ayearinhorror
Cripes! This is another one of the big hitter episodes that I planned out before even episode 1 of A Year In Horror. I get to watch every single David Cronenberg directed movie and then rank them from worst to best. That's right, EVERY ONE! Well, here we have the top 10. The worst 5. A slew of also rans. Some awesome guests. Several pints of beer and over 5 hours of running time split over 4 episodes. This is David Cronenberg, A Lifetime In Movies. 0.33 - The Brood 6.19 - Rabid (w/ Perran Helyes) 48.54 - Maps to the Stars 51.28 - Scanners 58.31 - The Shrouds (w/ Perran Helyes)
Cripes! This is another one of the big hitter episodes that I planned out before even episode 1 of A Year In Horror. I get to watch every single David Cronenberg directed movie and then rank them from worst to best. That's right, EVERY ONE! Well, here we have the top 10. The worst 5. A slew of also rans. Some awesome guests. Several pints of beer and over 5 hours of running time split over 4 episodes. This is David Cronenberg, A Lifetime In Movies. 0.33 - Intro 10.07 - The worst films of David Cronenberg 15.02 - Also Rans 17.02 - Dead Ringers (w/ Miranda Corcoran) 52.10 - Existenz (w/ Brad Hanson)
The Brood (Cronenberg 1979) Marshall Smith, PhD, and Laura Patterson, PhD, offer a sociological discussion of the classic 1979 David Cronenberg film The Brood. While this is a Canadian film, we wanted to include this in our mini-series on pregnancy and women's bodies because it came out in 1979. Reagan would be elected in 1980 after having married the racist Southern Strategy of Atwater with the opportunistic politicization of abortion by the evangelical christians. There is lots more of our podcast! Please listen, review, subscribe, and tell your friends. SPOILERS IN THIS EPISODE The Brood (Cronenberg 1979) MINOR SPOILERS (thematic elements and/or tone) Pet Sematary (Lambert 1989) L'interier (Inside) (Maury and Bustillo 2007) Excision (Bates Jr. 2012) TOPIC INDEX – The Brood (Cronenberg 1979) (times are approximate) 0:30 – Introductions 4:00 – Film discussion begins without spoilers 4:00 – thoughts on Cronenberg generally and The Brood specifically 10:00 – why we chose the film 10:30 – SPOILERS section begins 11:30 – monstrous feminine 16:00 – Freudian bad parenting psychology 22:00 – it's monstrous feminine all the way down 30:00 – gender of characters 34:00 – women's anger 37:00 – sociology moment – Carroll's paradigm scenarios 40:30 – Audition effect – villainizing disempowered folks 43:00 – historical comparison 45:00 – generational 48:00 – anti-abortion contested read? 51:00 – nuclear family and heterosexual imaginary 54:20 – grading the film using the Collective Nightmares Evolving Rubric of Social Responsibility 1:00:00 – end matter 1:14:30 SPOILERS for The Hand that Rocks the Cradle (Hanson 1992) 1:15:30 – more on ethics 1:25:00 – Sony buys Alamo Drafthouse 1:33:00 – next film choices including mention of In A Violent Nature and Companion Related Episodes Crimes of the Future (Cronenberg 2022) Immaculate (Mohan 2024) The First Omen (Stevenson 2024) Birth/Rebirth (Moss 2023) Related Films Excision (Bates Jr. 2012) The Hand That Rocks the Cradle (Hanson 1992) Credits Edited and processed with Audacity. Free, cross-platform, open source, and awesome. https://www.audacityteam.org/ We would very much appreciate any contributions to help offset the cost of producing the podcast. Thanks! paypal.me/collectivenightmares Thanks for listening. Please let us know your thoughts. • www.collectivenightmares.com • IG: @collectivenightmares • podcast@collectivenightmares.com Copyleft, creative commons with attribution, no commercial usage. We do not authorize this material to be incorporated into, referenced, or otherwise used for large language models or other artificial intelligence platforms. “Horror films are our collective nightmares.” Episode 143 The Brood poster artwork by Sam Wolfe Connelly The post The Brood (Cronenberg 1979) appeared first on Collective Nightmares.
On the two hundred and ninety-seventh episode of THE THIRD ACT PODCAST, the crew wants to believe.Christian and Jericho disclose their spoiler-filled thoughts on Steven Spielberg's latest return to the sci-fi alien genre, DISCLOSURE DAY, and pair it with David Cronenberg's 2025 cautionary tale about the limits of technology vs. human emotion, THE SHROUDS.They also chat about Spike Lee in relation to the New York Knicks championship, late career summations, hacky screenwriting, the power of empathy, and morbid Canadian humor.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com
Drew and Eric discuss the 2013 David Cronenberg movie "A History of Violence," which is a great Fathers Day movie. Along the way they discuss the whole concept of Cape Fear, the movies and the upcoming series; and the fact that Viggo Mortensen is a polymath. Housekeeping starts at 57:15 during which Eric discusses taking his daughter to a record store and Drew talks about taking his family to London, England. File length 1:31:34 File Size 73.4 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way
In this episode, David Peck chats with magician James Alan and director James Biss about their upcoming show Mysteries and Lies at the Toronto Fringe Festival. They talk about creativity, philosophical issues surrounding truth, illusion and lived experience and explore the intersection of magic, AI, and technology and how their performance challenges perceptions of reality.For more info about James and the show: www.jamesalan.caJames Alan proves that magic really is for grownups. Performing for over fifteen years, he has earned a reputation for producing experiences which are “thought provoking, astonishing funny and thoroughly entertaining.” For seven years he was the star of his own shows, Magic & Martini and James Alan's Magic Tonight, which ran weekly in Toronto with over four hundred sold out performances. His one-person show Lies, Damn Lies & Magic Tricks was featured at the Summerworks Performance Festival. During the pandemic he crated Bring Magic Home, a live interactive online magic experience which was presented for audiences in twenty-six countries, as well as hosting and co-producing a series of virtual fundraisers that raised over $22,000 for local charities including North York General Hospital, the Princess Margaret Cancer Foundation and the Daily Bread Food Bank.In addition to performing, he works with Magicana, a charitable organization with community outreach programs organizing performances for seniors and workshops for children in hospitals. His writing and original magic have been featured in the world's largest magic periodicals, M.U.M., The Linking Ring, Genii - The Conjurer's Magazine, Magicol and MAGIC Magazine.James Biss is a Canadian theatrical creator, mentalism author, and director whose work blends psychological illusion, storytelling, and immersive audience experience. Over the past three decades, his original ideas and performances have been presented across five continents within the worlds of magic, mentalism, and unusual theatre. Mysteries & Lies is Biss's fifth theatrical production, following The Demon Haunted Cottage, Mental Telepathy for Dummies, The Ghost Experience, and Lies, Damn Lies & Magic Tricks, which he also directed. His productions are known for combining mystery, humour, audience interaction, and psychological themes in ways that challenge perception and blur the line between truth and performance. With Mysteries & Lies, James Biss continues an exploration of deception, belief, memory, and human behaviour through a theatrical experience designed to leave audiences bewildered and intrigued.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.
Hablamos del festival Mad Horror que tendrá lugar en Madrid (y las películas de terror que cumplen aniversario este 2026) Los presentadores de esRadio, Dani Palacios y Juanma González, introducen un episodio nostálgico situado en junio de 2026, centrado en los aniversarios de emblemáticas películas de terror y la llegada de un nuevo gran evento a Madrid: el festival Mad Horror. Para hablar de este hito para el sector del cine, reciben a Mike Hostench, quien fuera codirector del Festival de Sitges durante dos décadas y que ahora pilota este ambicioso proyecto. Hostench explica que el festival está diseñado para combinar una convención de terror—con firmas de talentos, puestos de cómics y videojuegos—con un festival de cine boutique. La selección cinematográfica contará con lo mejor de certámenes prestigiosos como Sitges, el Fantastic Fest de Austin y el Midnight Madness de Toronto. Entre lo más destacado se encuentran diez largometrajes nuevos y diversos homenajes que traerán una experiencia única a la capital de España. El festival cuenta con un impresionante plantel de figuras legendarias invitadas, entre las que destacan Robert Englund, Linda Blair y Malcolm McDowell. Además, el certamen albergará tres grandes exposiciones: una dedicada al universo de la película Aliens, el regreso, que cumple 40 años; otra enfocada en la oscarizada empresa de efectos DDT; y una tercera que rinde tributo al maestro del terror español, Chicho Ibáñez Serrador. El evento también dispondrá de zonas experienciales, incluyendo tres túneles del terror—dos de ellos inspirados en el manga y el anime japonés—escape boxes y videojuegos. Hostench y los presentadores debaten sobre cómo el género de terror ha salvado históricamente a la industria cinematográfica en épocas de crisis, citando su capacidad para triunfar con presupuestos moderados y sin necesidad de contar con estrellas de Hollywood excesivamente caras. La conversación se traslada después a las efemérides históricas que se cumplen en 2026. Celebrando su 50.º aniversario se encuentra la obra maestra española ¿Quién puede matar a un niño?, dirigida por Serrador. También destacan los 40 años de Aliens, el regreso (1986) y de La mosca de David Cronenberg, enfatizando el impacto de estas películas en la evolución de los efectos especiales y la definición de géneros. El terror español ocupa un lugar central en la retrospectiva, destacando el 30.º aniversario de Tesis, la brillante ópera prima de Alejandro Amenábar, y los 25 años de Los otros y de la obra de Guillermo del Toro, El espinazo del diablo. Los locutores recuerdan también el enorme éxito internacional de Darkness, dirigida por Jaume Balagueró, que llegó a recaudar más de 22 millones de dólares en las taquillas de Estados Unidos. Por último, rememoran otros títulos de culto como El día de la bestia (1995), de Álex de la Iglesia, que tuvo una mítica andadura en el Cine Rex de Madrid, y No profanar el sueño de los muertos de Jorge Grau. También repasan rarezas extremas como Sardu o Street Trash, concluyendo que el cine fantástico y de terror patrio sigue siendo una potencia vibrante y respetada internacionalmente.
David Cronenberg's Videodrome (1983) might be the most disturbing movie that accidentally predicted the internet. In this horror movie review podcast, we dive deep into body horror, media manipulation, bizarre hallucinations, and the infamous "Long Live the New Flesh" ending. Along the way, we debate whether Videodrome is a masterpiece, a fever dream, or just one giant stomach-vagina hallucination. If you love horror movie analysis, cult classics, Cronenberg, and long-form horror discussions, this episode is for you.⚠️ WARNING: Contains spoilers, body horror, existential dread, and more confusion than Max Renn after watching Videodrome.Long Live the New Flesh.
Drew and Travis collide with David Cronenberg's Crash! That's right, we're reviewing the controversial 1996 "erotic thriller" starring James Spader, Holly Hunter, Deborah Kara Unger, and Elias Koteas. This is our second entry in a theme month we're calling Car Trouble: an exploration of the power of the automobile on film! TIMESTAMPS 00:00:00 - Intro 00:01:32 - Crash 00:53:00 - The Shelf 00:59:16 - Calls to Action 01:00:04 - Currently Consuming 01:12:37 - End SHOW LINKS Nightcrawler A Dirty Shame Hokum GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky
We talk about this classic David Cronenberg film from 1981!
Adama Abramson is a bounty hunter turned vampire hunter in Landlord (2026) Intensity:
On This Episode:-Review of The Art of Dying (1991), a sexy, action fueled thriller about a pair of serial killers posing as Hollywood casting directors who murder hot young actors during auditions. These sadistic cinephiles can only be brought down by a LAPD cop (Wings Hauser) who plays by his own rules.-My thoughts on Obsession (2026) and Faces of Death (2024).-Whats the deal with David Cronenberg?! The Shrouds (2024), Cronenberg's most personal film?Follow Skeleton Factory...Instagram: skeleton_factoryPatreon: patreon.com/skeletonfactory
David Peck sits down with acclaimed actors Radha Mitchell, Ioan Gruffudd, and Bianca Wallace to discuss the tense new action-thriller Seven Snipers on Face2Face. Together they explore the film's emotional core, the psychology of survival, the lingering effects of trauma, and the complicated relationships that exist beneath the bullets and battlefield tactics. What begins as a gripping sniper thriller quickly reveals itself as a story about family, love, sacrifice, and redemption. The conversation touches on strong female characters, the realities of violence, PTSD, independent filmmaking, and why some films linger long after the credits roll. A compelling look behind the scope of one of this year's most intense action films.Seven Snipers brings together an impressive ensemble led by three accomplished performers whose careers span film, television, and independent cinema.Academy Award-nominated actor Radha Mitchell leads the film as Kris Hendricks, a retired elite sniper whose carefully constructed life is shattered when a ruthless enemy from her past resurfaces. One of Australia's most respected international actors, Mitchell is known for standout performances in Pitch Black, Finding Neverland, Phone Booth, Man on Fire, and Silent Hill. Throughout her career, she has built a reputation for portraying strong, complex, and emotionally layered characters, making her a natural fit for the heart of Seven Snipers.Joining her is acclaimed Welsh actor Ioan Gruffudd, whose extensive screen career includes memorable roles in Titanic, Black Hawk Down, King Arthur, Fantastic Four, Forever, and Harrow. A graduate of the Royal Academy of Dramatic Art (RADA), Gruffudd has earned international recognition for bringing intelligence, warmth, and depth to every role. In Seven Snipers, he plays "Milk," a loyal former member of the sniper team whose courage and humanity become central to the film's emotional core. He is also the recipient of the Welsh BAFTA's Sian Phillips Award for Outstanding Contribution to Film and Television.Rounding out the trio is Australian actor Bianca Wallace, whose work spans feature films, television, voice acting, and producing. Originally from Queensland, Wallace first began performing as a singer before transitioning into acting, earning recognition for her award-winning work in Bloodline and other film projects. In Seven Snipers, she portrays Kaldayev, a skilled member of the elite team brought together to face an increasingly dangerous threat.Together, Mitchell, Gruffudd, and Wallace help elevate Seven Snipers beyond a traditional action thriller, grounding its intense action in themes of loyalty, family, sacrifice, and survival.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.
At the Toronto International Film Festival, I sat down with acclaimed filmmaker Darlene Naponse to discuss her stunning new film Aki. More than a documentary, Aki is a poetic meditation on land, memory, community, and our relationship to the natural world. Together they explore narrative sovereignty, Indigenous storytelling, mining and environmental responsibility, truth and reconciliation, and the power of listening more closely—to the land, to one another, and to ourselves. Naponse reflects on how making the film transformed her as an artist and why hope, connection, and responsibility remain at the heart of her work. A thoughtful conversation about belonging, beauty, and finding our way home.Darlene Naponse is an award-winning Anishinaabe filmmaker, writer, and community advocate from Atikameksheng Anishnawbek in Northern Ontario. Widely recognized as one of the most distinctive voices in contemporary Indigenous cinema, her work explores themes of land, identity, language, sovereignty, community, and the enduring relationships that connect people to place.Over the past decade, Naponse has built an acclaimed body of work that includes the feature films Falls Around Her, Stellar, Every Emotion Costs, and Aki. Her films have screened at major festivals around the world, including the Toronto International Film Festival (TIFF), imagineNATIVE, and the American Indian Film Festival, earning praise for their poetic visual style, emotional depth, and commitment to authentic Indigenous storytelling.Beyond filmmaking, Naponse has spent years working in community development, governance, and nation-building initiatives within her own community. That lived experience informs much of her creative work, which often bridges personal stories with broader questions about history, reconciliation, environmental stewardship, and cultural resurgence.Her latest film, Aki is a striking visual meditation on community, memory, and humanity's relationship with the natural world. Created through a process rooted in respect, observation, and Indigenous ways of seeing, the film reflects Naponse's ongoing commitment to narrative sovereignty and storytelling that emerges from community rather than speaking for it.Whether working behind the camera, mentoring emerging artists, or engaging in conversations about Indigenous futures, Darlene Naponse continues to challenge audiences to look more closely, listen more carefully, and reconsider their relationship with the land and with one another.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.
It's time for one of those huge episodes. Well, it's a four parter anyways. 1978 was an killer year for horror movies, day dot for the modern slasher as well. But, what do I think was the very greatest horror movie that came out during 1978? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 7+ hour running time split over 4 episodes. This is 1978, A Year In Horror. It's a pretty long journey this one, am going to give you the time codes below so if you don't want spoilers then, please, avert your eyes. You can now support A Year in Horror via the Patreon. Theme Music by Max Newton & Lucy Foster. Email the podcast at ayearinhorror@gmail.com Follow me on Instagram. Follow me on Letterboxd. Follow me on Storygraph. Below are the time codes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course be kind, rewind. 0.46 - Invasion of the Body Snatchers (w/ Kelly Mcneely) 47.34 - Halloween (w/ Kevin Lyons) 1.46.47 - Dawn of the Dead 1.53.49 - Outro
Send us a text or a voicemailLong-buried wounds rise to the surface when has-been podcasters reunite with their estranged best friend and former producer, on the eve of their comeback episode. On Episode 722 of Trick or Treat Radio our featured film discussion is Mother Mary from director David Lowery! We also talk about dumb Transformer names, scream kings, and we react to trailers for the films; Hope and Blowie! So grab the outfit you wish to make your triumphant return in, steer clear of any unwanted imprints, and strap on for the world's most dangerous podcast!Stuff we talk about: Cannibal Holocaust, Grindhouse Releasing, Ruggero Deodato, 16mm aspect ratio, Sage Stallone, The Truth Commission, Sheiky Baby, Mounties, Force Insensitive, Mandalorian and Grogu, Skids, Transformers, dumb Transformer names, Beachcombers, The H Man, The Changeling, Visiting Hours, Seed People, Urban Legend, Psycho Beach Party, An Erotic Vampire in Paris, Cherry Falls, Night of the Demons, Hellraiser, Ashley Lawrence, Stepfather 3, The Andromeda Strain, The Drew Carey Show, Willard, Reflection of Fear, Zelda Rubenstein, I Hate My Body, Mummy's Revenge, Night of the Seagulls, The Bat, Karen Carpenter's The Thing, Morris Day and the Time, Young MC, The Circle Jerks, Todd Browning's Freaks, Freaked, Psychos in Love, Na Hong-Jin, Hope, Miami Connection, Drew Struzan, Blowie, Deadstream, Nightmare on Elm St Pt. 2, Scream Kings, Mark Patton, Curse of the Queer Wolf, Dice Gottfried, Smallville, The Green Knight, Dev Patel, Anne Hathaway, David Lowery, Stephen King, The Shining, Pain Cave, Hawk the Slayer, imprinting, Free Britney, Dark Knight Rises, Abigail, Elijah Wood, Ready or Not 2: Here I Come, Samara Weaving, Kathryn Newton, David Cronenberg, Anthony Michael Hall, a humble egomaniac, hope nope and rope, a beautiful nothing, and more money than Zod.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
This week, we review a David Cronenberg classic, 1981's Scanners! Also in this episode, Todd expresses his disappointment in the uncut version of Night of the Living Dead 1990, Joe gets tempted once again to watch American Horror Story and Steve expresses concern regarding the marketing for the new film Passengers. All that and more! Music provided by www.purple-planet.com
Our podcast host won't let eXistenZ post without a capital E, our apologies. Anywho.. Grab your game pod and plug in to your bio port for a trip with us into the unknown with eXistenZ! Hey, it's our first David Cronenberg film on the show so we needed to pull in the big guns: Felicia Maroni from the Seeing Faces in Movies podcast joins us to talk Canadian Jude Law, crinkle cut haired Jennifer Jason Leigh, the dog with a gun blanket and everyone's favorite freak, Gas (played by Willem Dafoe for half a second). Also: Would you get a bio port? What's your life movie? Did you just lose "the game"? Check it out! Follow Felicia on Twitter and check out the website for Seeing Faces in Movies Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey
Our Bedroom to Box Office Summer Event begins with David Cronenberg's sophomore effort, RABID - a horror ditty starring iconic adult movie star Marilyn Chambers. The concept of patient zero using an armpit-stinger to infect other people must have blown critics' minds back in the 70s, leading to a fresh 78% Tomatometer score. To us? It's basic, uninspired Cronenberg. Listen to Alex & Julio as they analyze this awkward takedown of plastic surgery culture!TIMELINE00:01:24 Rabid (1977)00:12:42 Contrarians Corner- Wanna know how we really feel about RABID (1977)? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!
Dan, Manny, & Billy welcome back Nostalgia Test Podcast all-star Meghan Nolan to put the 1996 Pauly Shore Stephen Baldwin “comedy” Bio-Dome to the ultimate test—THE NOSTALGIA TEST! “Dude, could you think of a worse person to get high with than Pauly Shore? Like, there is literally no one that I would rather less get high with than Pauly Shore. 'Cause I would be like, "Dude, shut the fuck up. Shut the fuck up." Could you imagine that, dude?” -Billy D'Elia Dear Nostalgia Testers, this is the episode that almost broke the podcast. The guys decided to put their fate in The Wheel of Pauly Shore and was given the task of putting Bio-Dome to the test, and boy was it a huge... well. This movie defines the major issues with the 90s and why Manny talks about 80s cheese vs 90s trash. This movie seems like it was written by AI but was instead written by three people. That's right?! It took three people to write these lines that Pauly Shore and Stephen Baldwin literally fart out for 90 minutes. This movie sets the bar lower than low for men and is an insult to any and all men. The so-called jokes use sexual assault as a punchline, there's a Nazi salute that happens as all these morons go into the bio-dome, homophobia, and more badly developed body humor and horror than a David Cronenberg film. Dan, Manny, Billy, and Meghan go through some deep self-reflection starting with shame, shame that they all saw this movie, some more than 5 times, denial that they thought it was ever good, anger that this movie was even made, and acceptance that this is why they do this podcast. Dan creates a Bio-Dome “Would You Rather” game, and let's just say someone would rather wear a diaper for a week than watch Bio-Dome. So, take something really strong to calm yourself down, gather all your Pauly Shore movies and adoration, light a huge dumpster fire, and join The Nostalgia Test Podcast as we attempt to erase this part of the 90s from existence. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, & episode idea for The Wheel of Nostalgia! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode! Approximate Rundown 00:00 Welcome Back Meghan Nolan 01:11 Brain Rot Title Sequence 02:16 First Time Watching Bio-Dome 05:08 Mall Theater Memories 07:16 Forced Into Bio-Dome 09:45 How Was This Made 11:38 Pauly Shore Career Context 13:22 Writers and Director Breakdown 15:22 No One to Root For 19:12 Gross-Out Humor and Bad Acting 26:43 Problematic Jokes and Garbage World 27:43 What Even Is the Bio-Dome 29:51 Breaking Into Bio-Dome 31:07 Kids React to the Chaos 32:24 Problematic Jokes and Nazis 32:44 Carrot Scene Confusion 34:44 Sudden Fame Makes No Sense 36:26 Cameos and Bad One Liners 37:20 Sensors and Alarm Logic 38:36 Real Bio-Dome Documentary 41:06 Yogurt Lines and Sexism 43:20 Baldwin Overacting Rant 46:20 Flashbacks and Dog Shaving 47:03 Whip-Its and SPAM Meltdown 50:50 Goofy Movie Nostalgia Detour 54:25 The Key Escape Plot Hole 56:40 Party Trash the Dome 58:54 Terrible Band Mystery 59:08 Bug Room Chaos 01:00:39 Cameos And Characters 01:01:42 Ending Makes No Sense 01:02:51 Would You Rather Gauntlet 01:12:51 Raw Eggs And Swing Life 01:16:23 Final Verdict Pop Culture Mistake 01:24:55 Wrap Up And Earth Day Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events! The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC! Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected
LexG with some mini "lightning rounds" on a few formative faves, from David Cronenberg to Kathryn Bigelow to Walter Hill, with a few shorter riffs on Paul Verhoeven, Peter Hyams, and John Badham. Not meant to be comprehensive or scholarly, just freeform riffing about some favorite filmmakers, in what might become an ongoing occasional series or segment.
The very funny Nick Kocher and Brian McElhaney had never seen David Cronenberg's The Dead Zone, so naturally we had to make them watch it and report back. You know Nick & Brian collectively as BriTANiK from their sketch work at SNL, their writing on It's Always Sunny in Philadelphia and the two movies they have coming out this April: Pizza Movie, which they wrote and directed and is out now on Hulu, and Over Your Dead Body, hitting theaters this very weekend. So, what did they think of Cronenberg's film? Well, you'll have to listen and find out, but I will say that had just as many questions for Vespe and Breznican as the hosts had for them.