Podcasts about Gianandrea Noseda

Music director of the National Symphony Orchestra, Gianandrea Noseda is also one of the world's most sought-after conductors, recognized equally for his artistry in  the concert hall and the opera house.Gianandrea's award-winning recordings are distributed by LSO Live, for whom he also records as principal guest conductor of the London Symphony Orchestra.  His discography spans over 80 recordings.He became general music director of the Zurich Opera House in September 2021 and he reached an important milestone in May 2024, conducting two highly praised complete Ring Cycles.In the summer of 2024, he led an international festival tour with European Union Youth Orchestra which took them to the Edinburgh Festival and the Lucerne Festival. In 2019, he was appointed the founding music director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in the village of Tsinandali, Georgia.A native of Milan, Gianandrea is Commendatore al Merito della Repubblica Italiana, marking his contribution to the artistic life of Italy. He has been honored as Musical America's Conductor of the Year (2015) and International Opera Awards Conductor of the Year (2016). In 2023, he received the Puccini Award, joining the likes of Maria Callas, Birgit Nilsson, and Luciano Pavarotti.

durée : 01:27:57 - En pistes ! du mercredi 22 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ils sont au programme du jour : la violoniste baroque Rachel Podger et son ensemble Brecon Baroque, le pianiste Laurent Wagschal, l'Orchestre symphonique de Londres dirigé par Gianandrea Noseda, le contre-ténor Jakub Józef Orliński aux côtés de Stefan Plewniak et son ensemble Il Giardino d'amore...

Leitmotive, lauter Leitmotive. Und sie kommen nicht nacheinander, sondern sind gern mal auch übereinander geschichtet. Das bedeutet eine ständige Suche nach der richtigen Balance...  Am Morgen nach einer der Opern aus Richard Wagners Ring-Tetralogie kommt Dirigent Gianandrea Noseda zum Morgen-Espresso vorbei, und er bringt auch seinen früheren Lehrer, die Dirigentenlegende Donato Renzetti mit. Zeit zum Erzählen. Über Wagner und Autorennen. (00:34) Aktualität I: Anna Netrebko tritt nicht im KKL auf Am 1. Juni hätte sie singen sollen, aber die Luzerner Regierung zieht die Reissleine. (02:07) Aktualität II: Nemo und der ESC «The Code», der Schweizer ESC-Beitrag zum Eurovision Song Contest. Wie entsteht eigentlich so ein Song? (08:50) Gespräch mit Gianandrea Noseda Gerade läuft an der Zürcher Oper der erste von zwei Ring-Zyklen, also der Gesamtaufführung von Wagners Nibelungen-Tetralogie. Es dirigiert der Chef des Hauses himself, Gianandrea Noseda. (21:35) Neuerscheinungen «Ändler» von Viertaktmotor (Eigenverlag + Koproduktion SRF 2 Kultur) Und: das Debüt-Album des britischen Cellisten Tim Posner mit dem Berner Symphonieorchester und Musik von Ernest Bloch, Max Bruch und Ernö Dohnányi (Claves Records) (45:30) Swiss Corner mit Mario Batkovic Das Berner Symphonieorchester wieder auf Entdeckungsreise. Nach Lo und Leduc, Philipp Fankhauser und Sophie Hunger kommt nun der Akkordeonist an die Aare.

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI. Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari. Leave a comment if you like. Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite? Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter. Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio). Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me. Click on the link and listen to the beautiful answer that Stefano gave me. Leave a comment if you wish. You can check Stefano Bollani's music here: https://stefanobollani.com/

This charismatic Italian has become one of the most sought-after conductors for both orchestras and opera houses. John Banther and Gianandrea Noseda discuss early musical experiences, preparing familiar works, the importance of recordings, ways to relax, and much more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Es ist erst seine zweite Spielzeit als Musikchef am Zürcher Opernhaus, aber bereits jetzt klingt das Orchester anders als noch vor Gianandrea Noseda: frisch und feurig. Davon profitiert auch der neue «Ring»: Wagners Opern-Zyklus zu stemmen, gilt noch immer als grösste aller Herausforderungen. Zunächst habe er abgelehnt, gesteht der 58-jährige Italiener, bis anhin wenig Wagner-willig. Ein paar Tage später rief er aber doch in Zürich an: «Steht das «Ring»-Angebot noch?» Inzwischen ist mit «Rheingold» und «Walküre» bereits die Halbzeit der Opern-Tetralogie erreicht, und Noseda begeistert selbst jene, die bisher wenig bis gar nichts mit Richard Wagner anfangen konnten. Wie macht er das nur? Antworten in einer Begegnung aus nächster Nähe. Mit Gianandrea, aber auch Lucia Noseda. Eine Seltenheit, dass Nosedas Frau und Seelen-Zwilling über die Besonderheit ihres Teamworks spricht.

The National Symphony Orchestra and its Music Director Gianandrea Noseda are marking the centenary of American composer George Walker by recording his five Sinfonias. Nos 1 and 4 have already been made available on streaming services, and to learn more about Walker and his music, Gramophone's Editor Martin Cullingford met up with Noseda during a recent visit to London.

Hosted by (ig and youtube) @guitar arrangers  @The Music Thief   @Donitalia  Guest  @Pepe Romero  Special thanks to Matt Denman and Bryan Hays for making this interview possible. https://www.romero-institute.com/ https://peperomero.com/ Pepe Romero Biography There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar. But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premier recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others. Maestro Romero's many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba's Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo's Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de Málaga, Fiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vasco and Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores - for violin, guitar and orchestra. Pepe Romero has always felt, along with his father and brothers, that the sharing of one's art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California's Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

Yo-Yo Ma plays the John Williams Cello Concerto with John Devlin conducting the opening night celebration of the Wheeling Symphony Orchestra at the Capitol Theater Thursday September 29th at 7:30pm. John Devlin discuses the program of American Stories with Caroline Shaw and a world premiere of Migrations in Rhythm: A Concerto for Beatbox and Rhyme by Evan Meier with Christylez Bacon and a new arrangement of the Star Spangled Banner by Enrico Lopez Yanez. It's a return for Yo-Yo Ma - he first played Wheeling at age 17. There is a reception afterward.  John also discusses the season to come with Jim Cunningham and relays a few highlights from his work with Gianandrea Noseda and Christoph Eschenbach at the National Symphony before arriving in Wheeling.

- Jako dyrygenta na początku zawsze interesuje mnie forma, struktura muzyki, ale potem – jeśli dzieło ma treść pozamuzyczną, która je inspirowała – chcę ją poznać - mówił w Programie 2 Polskiego Radia włoski dyrygent Gianandrea Noseda. 

„Karo Ukrainoje akivaizdoje visos kitos temos netenka prasmės,“- sako keliautojas, fotografas Ričardas Grigas, surengęs ne vieną fotografijų parodą po kelionių tremtinių vietomis Sibire. Šiandien kelionių kryptis viena - Ukraina. Charkovas, Buča, Irpinė, Gostomelis - Ričardas ne tik gabena paramą, bet ir susitinka su žmonėmis, kariais, fotografuoja karo siaubiamą šalį. Skausmingas ir jautrias susitikimų Ukrainoje istorijas pasakoja Ričardas Grigas.25-metį švenčiantis styginių kvartetas „Chordos“ kviečia į pirmąjį jubiliejinės programos koncertą „Ìš“, kuriame skambės keistai dabartyje atsikartojančius istorinius įvykius liudiję kūriniai. Pokalbis su kvarteto muzikantais.Paulinos Nalivaikaitės klasikinės muzikos naujienų apžvalga, kurioje: paaiškėję Karalienės Elžbietos violončelininkų konkurso ir Roterdamo dirigentų konkurso nugalėtojai, JAV Nacionalinio simfoninio orkestro pratęstas kontraktas su dabartiniu muzikos vadovu Gianandrea Noseda ir La Scala teatro pozicija dėl rusų atlikėjų ir rusiško repertuaro.Fotografo Andriaus Repšio pastarųjų metų nuotraukose - žvilgsnis į žemę iš drono. Kažkada jautęs stiprią aukščio baimę, tapo ekstremalaus sporto entuziastu. „Kam man to reikia? Gal kad kažkiek sujudintų vidų“ - sako fotografas. Įspūdingi nuotraukų ciklai apie klimato pokyčius, pasaulinės parodos EXPO architektūros ženklai, o dabar ir žvilgsnis iš viršaus į įkalinimo įstaigas - sulaukia ir žiūrovų, ir tarptautinių konkursų įvertinimų. Apie Andriaus Repšio žvilgsnį į pasaulį rubrikoje „Be kaukių“.Ved. Jolanta Kryževičienė

Mario Brunello"Vorrei essere scrittore di musica. Bach e Pasolini"Dialoghi di Pistoiahttps://www.dialoghidipistoia.it/Venerdì 27 maggio e Sabato 28 maggio, ore 21:15Teatro Manzoni, PistoiaMario Brunello e Guido BarbieriConcerto per parole e musicaÈ intorno a Johann Sebastian Bach che si sviluppa la serata di musica e poesia, quel Bach sul quale un Pasolini ancora adolescente scrisse un saggio dalla forza e profondità sbalorditive. Un concerto speciale che inizierà con la lettura dei testi pasoliniani, alternata all'esecuzione dei brani bachiani citati. Seguirà l'esecuzione integrale della Sonata n. 1 e della Partita n. 2 nell'interpretazione di Mario Brunello, uno dei più affascinanti e ricercati artisti della sua generazione. In questa occasione, saranno eseguite al violoncello piccolo o “violincello”, rarissimo strumento in uso all'epoca di Bach, accordato come un violino, ovviamente all'ottava bassa.Mario Brunello, violoncello piccoloGuido Barbieri, voce narrantePasolini Studi sullo stile di BachBach Sonata n. 1 in sol minore per violino BWV 1001 Partita n. 2 in re minore per violino BWV 1004Mario Brunello, solista, direttore, musicista da camera e di recente pioniere di nuove sonorità con il suo violoncello piccolo, è stato il primo europeo a vincere il Concorso Čaikovskij a Mosca nel 1986. Il suo stile autentico e appassionato lo ha portato a collaborare con i più importanti direttori d'orchestra quali Antonio Pappano, Valery Gergiev, Myung-whun Chung, Yuri Temirkanov, Zubin Mehta, Ton Koopman, Manfred Honeck, Riccardo Muti, Daniele Gatti, Seiji Ozawa, Riccardo Chailly e Claudio Abbado. Nell'arco della sua lunga carriera si è esibito con le più prestigiose orchestre del mondo. Brunello suona un prezioso Maggini dei primi del Seicento, al quale ha affiancato negli ultimi anni il violoncello piccolo a quattro corde. L'integrale delle Sonate e Partite di Bach al violoncello piccolo è stata la sua prima rivelatoria incisione discografica per Arcana, nel 2019. Un secondo album, Sonar in Ottava è stato accolto con unanime entusiasmo da pubblico e critica (Best Concert Recording del 2020 da BBC Music Magazine). Le potenzialità del violoncello piccolo vengono esplorate appieno nel terzo disco dedicato a Giuseppe Tartini (premiato con il DIAPASON d'OR). Nel 2021 pubblica le Sei Suonate à cembalo certato è violino solo di Bach. Questo album è il secondo volume della Trilogia Brunello Bach Series per Arcana/OUTHERE; il progetto discografico si concluderà nel 2022 con l'ultimo disco Bach Transcriptions. È il Direttore Artistico dei Festival Arte Sella e dei Suoni delle Dolomiti. A ottobre 2020 è stato nominato Direttore Artistico del Festival di Stresa, succedendo a Gianandrea Noseda.Guido Barbieri, giornalista e musicologo, è docente di Storia ed estetica della musica al Conservatorio “Bruno Maderna” di Cesena. È stato critico musicale del Messaggero, di Repubblica; collabora alle pagine culturali del Manifesto. Voce “storica” di Rai Radio3 si dedica alla drammaturgica musicale, con particolare attenzione alla “musica della realtà”. Ha scritto testi e libretti per i maggiori compositori italiani, fra cui: Portopalo. Nomi su tombe senza corpi, Night Commuters, Three Mile Island, Al Kamandjati, Le ossa di Cartesio, In alloro mutò il suo pianto. Fra gli spettacoli dedicati alla musica della Shoah: La corda spezzata, radiodramma prodotto da Radio3, l'adattamento di Badenheim 1939 di Aharon Appelfeld e dei Cannibali di George Tabori, Le imperdonabili dai Diari di Etty Hillesum, Il diario di Dora Klein, Storia di Jean e Jean, sulla vicenda di Jean Le Boulaire/Jean Lanier, Il viaggio di Roberto. Un treno verso Auschwitz (musiche di P. Marzocchi), In alloro mutò il suo pianto (musiche di L. Sammarchi), The Running Game, Storia di un Gesù. Ha fondato la Human Rights Orchestra, la rassegna Contemporanea all'Auditorium di Roma, nel 2014 l'Associazione She Lives per la diffusione della musica contemporanea e il Comitato Terezin 17/10. È direttore artistico della Società dei Concerti G. Michelli di Ancona, del Festival del Quartetto al Teatro di Documenti di Roma.IL POSTO DELLE PAROLEascoltare fa. pensarehttps://ilpostodelleparole.it/

Ai microfoni di Unica Radio ospitiamo la violinista Anna Tifu per raccontare il concerto che sabato 14 maggio la vedrà protagonista al Teatro Doglio di Cagliari insieme al pianista Giuseppe Andaloro. Dopo due anni di assenza dai palcoscenici cagliaritani, torna a esibirsi nel capoluogo sardo la violinista Anna Tifu, protagonista, insieme al pianista Giuseppe Andaloro di un concerto straordinario che si terrà al Teatro Doglio sabato 14 maggio alle ore 21. Il concerto si inserisce nell'ambito della programmazione di Teatro Doglio ed è realizzato con la collaborazione di Compagnia B e del LEI Festival. Tifu e Andaloro sono reduci da un applauditissimo concerto tenutosi a fine marzo nello storico Teatro Regio di Parma. Vincitrice nel 2007 del prestigioso concorso internazionale George Enescu di Bucharest, Anna Tifu è considerata una delle migliori interpreti della sua generazione. All'età di 12 anni, debutta alla Scala di Milano con il Concerto n.1 di Max Bruch. Viene ammessa, all'età di 17 anni, al Curtis Institute di Philadelphia. Si è esibita con alcune tra le più prestigiose Orchestre Nazionali ed Internazionali come l'Orchestra Nazionale di Santa Cecilia, Orchestra Nazionale della RAI di Torino, Orchestra del Teatro Carlo Felice di Genova, Orchestra del Teatro La Fenice di Venezia, Simòn Bòlivar Orchestra del Venezuela, George Enescu Philarmonic, per citarne alcune, e ha collaborato con direttori del calibro di Yuri Temirkanov, Gustavo Dudamel , Diego Matheuz, Ezio Bosso, David Afkham, Mikko Franck, Jonathon Heyward. Tra gli impegni più prestigiosi ricordiamo concerti al George Enescu Festival di Bucharest con l'Orchestra RAI di Torino e Juraj Valcuha, concerto con Gustavo Dudamel e la Simòn Bòlivar Orchestra del Venezuela, inaugurazione della Stagione a Genova, Teatro Carlo Felice dove, per l'occasione, si è esibita con il famoso violino Guarneri del Gesù detto “IL CANNONE” appartenuto a Niccolò Paganini, inaugurazione a Venezia, Teatro La Fenice con Diego Matheuz, concerto inaugurale della Stagione Fondazione Società dei Concerti di Milano dove è regolarmente invitata, concerto allo Stradivari Festival di Cremona, dove si è esibita in uno spettacolo insieme all'Etoile Carla Fracci, concerti all'Auditorium Parco della Musica di Roma insieme a Yuri Temirkanov e l'Orchestra dell'Accademia di Santa Cecilia e l'inaugurazione della Stagione a Parigi, con l'Orchestra Filarmonica di Radio France, diretta da Mikko Franck. Recente è il suo debutto per la casa discografica Warner Classics, in duo con il pianista Giuseppe Andaloro. Anna Tifu è stata testimonial della campagna pubblicitaria 2011 di Alitalia, assieme a Riccardo Muti, Giuseppe Tornatore ed Eleonora Abbagnato. Suona il violino Antonio Stradivari “Marèchal Berthier” 1716 ex Napoleone e il violino Carlo Bergonzi “Mischa Piastro” 1739 della Fondazione Canale di Milano. Molto suggestivo il programma del concerto che consente ai due musicisti di poter esprimere al meglio le doti tecniche e esecutive e che prevede la Sonata in Sol maggiore di Ravel, la Fantasia op. 131 di Robert Schumann, Il Poeme di Ernest Chausson e la Tzigane, ancora di Ravel. Sul palco del Teatro Doglio la Tifu sarà accompagnata dal pianista d'eccezione Giuseppe Andaloro, ospite di importanti festival, presso le più prestigiose sale del mondo e, come solista, di orchestre quali la London Philharmonic, Nhk Symphony Tokyo, Philharmonische Camerata Berlin. Ha collaborato con direttori del calibro di Vladimir Ashkenazy, Gianandrea Noseda, Andrew Parrott, e con artisti quali Sarah Chang, Giovanni Sollima, Sergej Krylov, John Malkovich. Ha al suo attivo numerose incisioni discografiche: il suo ultimo album Cruel Beauty nel 2013, edito da Sony, è una world première di musiche italiane del tardo Rinascimento e del primo Barocco, per la prima volta registrate con un pianoforte moderno. Info biglietti su questo link.

Verbier Festival Orchestra, Gianandrea Noseda, Maria Agresta, Daniela Barcellona, Piotr Beczala, Ildar Abdrazakov, Coro Teatro Regio TorinoPurchase the music (without talk) at:Verdi: Requiem (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (DG) Jump to giveaway form New Classical Tracks - Seong-Jin Cho by Pianist Seong-Jin Cho became the first South Korean to win First Prize at the Warsaw International Chopin Competition in 2015. Following that award, he immediately recorded Chopin's First Piano Concerto and the four Ballades with Gianandrea Noseda and the London Symphony Orchestra. Playing with the same orchestra and conductor, Cho has released his new album, Chopin Piano Concerto No. 2 • Scherzi. Why have you returned to the music of Frédéric Chopin?  “I didn't record Chopin's music intentionally for five years, because I didn't want to be labeled as a Chopin specialist. I wanted to explore different composers.” How has your relationship with Chopin changed over the past six years?  “It has been the same. I admire and respect his music, because he was very brave to convey so many of his emotions with his audiences. My style of play has changed in the past six years, but my connection with Chopin has not.” What new discoveries did you make about his Second Piano Concerto? “He wrote this piece when he was 20, and at the time he was falling in love. He almost dedicated this piece to her. That it's so romantic, delicate and dramatic. I always try to take an innocent approach rather than a romantic one.” In the first movement, your left hand emphasizes the shifting harmonies and your right hand has the melodic line. How challenging is it to make sure that the right hand doesn't take over?  “There's a saying about Chopin's music that we made when we played his music: ‘The left hand should be like a like a tree, and the right has to be the leaves.' Chopin's music, in general, is also very polyphonic. Not only is the right-hand melody important, but the left-hand melodic line or the inner voice is, as well.” What is it about these pieces that allows you to feature all four Scherzi on a single program? “They feel comfortable all in one place. They're musically connected, yet they're all different, but at the same time they're all similar. The fourth Scherzo is my favorite and the hardest. It is joyful, and the middle section is nostalgic.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (Amazon) Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (DG Store) Seong-Jin Cho (official site)

In the second part of Charlie's chat with Vic Reeves, the Jim/Vic/Chin name discussion continues, with both Vic and Charlie adding more names to the pile. Vic describes his first ever comedy gig and the creation of 'Vic Reeves', and he picks more musical favourites, including the classical music equivalent of a Black Sabbath track and the saddest piece of classical music ever written. This episode features extracts from Shostakovich's Symphony No.8, performed by the London Symphony Orchestra with Gianandrea Noseda, available on the London Symphony Orchestra's own label, LSO Live: https://lsolive.lso.co.uk/. We also heard the London Philharmonic Orchestra, conducted by Bernard Haitink, performing Nimrod from Elgar's Enigma Variations, and later we heard the LPO, conducted by Jaap van Zweden, with part of the Adagietto from Mahler's Symphony Number 5. Both recordings available to buy at lpo.org.uk. The other clip was from Vaughan Williams' Norfolk Rhapsody No.1, performed by the Halle Orchestra and Sir Mark Elder, taken from an album called English Landscapes which is available at halle.co.uk

durée : 00:58:38 - Entre chefs-d'oeuvre et découvertes : le chef d'orchestre Gianandrea Noseda - par : Aurélie Moreau - "Le chef doit avoir exactement en tête le son qu'il veut obtenir avant de se présenter devant les musiciens." Gianandrea Noseda, chef d'orchestre électrisant, charismatique et bienveillant dans le van Beethoven. - réalisé par : Benjamin Morando

La European Union Youth Orchestra (o Orchestra Giovanile dell'Unione Europea) nasce nel 1976 a seguito di una votazione all'unanimità del Parlamento Europeo, e il maestro Claudio Abbado ne è il primo direttore musicale. Da allora l'Orchestra seleziona ogni anno i suoi membri con audizioni aperte a giovani tra i 16 e i 26 anni di tutti gli stati membri dell'UE, organizzando tournée in tutto il mondo con alcuni tra i migliori direttori d'orchestra e solisti, tra cui, ad esempio, Daniel Barenboim, Leonard Bernstein, Herbert von Karajan, Bernard Haitink, Mstislav Rostropovich, Vladimir Ashkenazy emolti altri ancora.L'Orchestra ha iniziato il 2020 con il concerto di apertura del World Economic Forum a Davos, diretto da Marin Alsop. Silvia Bernardi incontra il direttore Gianandrea Noseda e tre giovani musicisti che raccontano la loro esperienza di ambasciatori europei della cultura.In collaborazione con Euranet Plus.

La European Union Youth Orchestra (o Orchestra Giovanile dell'Unione Europea) nasce nel 1976 a seguito di una votazione all'unanimità del Parlamento Europeo, e il maestro Claudio Abbado ne è il primo direttore musicale. Da allora l'Orchestra seleziona ogni anno i suoi membri con audizioni aperte a giovani tra i 16 e i 26 anni di tutti gli stati membri dell'UE, organizzando tournée in tutto il mondo con alcuni tra i migliori direttori d'orchestra e solisti, tra cui, ad esempio, Daniel Barenboim, Leonard Bernstein, Herbert von Karajan, Bernard Haitink, Mstislav Rostropovich, Vladimir Ashkenazy emolti altri ancora.L'Orchestra ha iniziato il 2020 con il concerto di apertura del World Economic Forum a Davos, diretto da Marin Alsop. Silvia Bernardi incontra il direttore Gianandrea Noseda e tre giovani musicisti che raccontano la loro esperienza di ambasciatori europei della cultura.In collaborazione con Euranet Plus.

La European Union Youth Orchestra (o Orchestra Giovanile dell'Unione Europea) nasce nel 1976 a seguito di una votazione all'unanimità del Parlamento Europeo, e il maestro Claudio Abbado ne è il primo direttore musicale. Da allora l'Orchestra seleziona ogni anno i suoi membri con audizioni aperte a giovani tra i 16 e i 26 anni di tutti gli stati membri dell'UE, organizzando tournée in tutto il mondo con alcuni tra i migliori direttori d'orchestra e solisti, tra cui, ad esempio, Daniel Barenboim, Leonard Bernstein, Herbert von Karajan, Bernard Haitink, Mstislav Rostropovich, Vladimir Ashkenazy emolti altri ancora.L'Orchestra ha iniziato il 2020 con il concerto di apertura del World Economic Forum a Davos, diretto da Marin Alsop. Silvia Bernardi incontra il direttore Gianandrea Noseda e tre giovani musicisti che raccontano la loro esperienza di ambasciatori europei della cultura.In collaborazione con Euranet Plus.

durée : 01:58:03 - Été Classique Matin du jeudi 16 juillet 2020 - par : Benjamin François - Focus ce matin sur les artistes de cet hiver de la saison de concerts à Radio France début 2021, avec David Fray, James Gaffigan, Christina Landshamer, Tomas Netopil, Julia Fischer, Santtu Matias Rouvali, Aleksander Toradze et Gianandrea Noseda. - réalisé par : Benjamin Hû

durée : 01:57:55 - En pistes ! du vendredi 12 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : "Jardin féérique", un programme a cappella imaginé par les Métaboles et Leo Warynski ; Gianandrea Noseda et le London Symphony Orchestra poursuivent leur cycle Chostakovitch avec les Symphonies 1 et 5; des transcriptions des quatuors de Beethoven au piano par Mari Kodama... - réalisé par : Davy Travailleur

Was hat den italienischen Dirigenten geprägt? Wofür steht er künstlerisch? Wie denkt er über das Opernhaus Zürich?

durée : 01:57:21 - En pistes ! du jeudi 05 mars 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : musiques du "Nouveau Monde" par le National Symphony Orchestra et Gianandrea Noseda, le trio et quintette avec clarinette de Brahms par Florent Héau, premier album teinté de postromantisme pour la violoniste roumaine Ioana Critina Goicea... - réalisé par : Olivier Guérin

Mihael Mitev se je po končanem Konservatoriju za glasbo in balet vpisal na Akademijo za glasbo v Ljubljani, kjer je z odliko diplomiral pri svojem očetu, profesorju Zoranu Mitevu. V okviru študentske izmenjave ERASMUS+ je študiral tudi na Univerzi za glasbo in upodabljajočo umetnost na Dunaju pri profesorju Richardu Gallerju. Študij fagota nadaljuje v Švici, na Zürcher Hochschule der Künste pri profesorju Giorgiu Mandolesiju. Kot orkestrski glasbenik se udejstvuje predvsem kot substitut v orkestrih, kot so: Orchestre de Paris, Musikkollegium Winterthur, Slovenska filharmonija, Simfonični orkester RTV Slovenija idr. Od 2015 dalje je član mladinskih orkestrov: Mladinskega orkestra Evropske unije (EUYO), Mladinskega orkestra Gustava Mahlerja (GMJO) in Orkestra Festivala Zermatt. Z njimi je nastopil na najrazličnejših festivalih in v koncertnih dvoranah po Evropi in po svetu z dirigenti, kot so: Matthias Pintscher, Daniel Harding, Gianandrea Noseda, Bernhard Haitink, Johnatan Nott idr. Leta 2016 je bil v okviru EUYO izbran v program akademije orkestra Chamber Orchestra of Europe. Maja 2017 je kot solist izvedel delo Heitorja Villa Lobosa Ciranda das sete notas z orkestrom Mladi ljubljanski solisti v okviru koncertne sezone Akademije za glasbo v Ljubljani.

Panelen njuter av Kabalevskijs emotionella berg-och-dal-bana, hör sublim liederkonst och saknar den värkande melankolin i en ny Tjajkovskijtolkning. Dessutom möter vi tonsättaren Tommie Haglund.   Veckans skivor: TCHAIKOVSKY SYMPHONY NO. 4 Symfoni nr 4 av Piotr Tjajkovskij och Tavlor på en utställning av Modest Musorgskij London symfoniorkester Gianandrea Noseda, dirigent LSO Live LSO 0810 Betyg: 2 SHOSTAKOVICH & KABALEVSKY CELLO SONATAS Musik av Dmitrij Sjostakovitj, Sergej Prokofjev och Dmitrij Kabalevskij Steven Isserlis, cello Olli Mustonen, piano Hyperion CDA68239 Betyg: 5 SCHUMANN FRAGE Sånger av Robert Schumann Christian Gerhaher, baryton Gerold Huber, piano Sony Classical 19075889192 Betyg: 5 - en totalfemma! GRACE WILLIAMS CHAMBER MUSIC Kammarmusik av Grace Williams London kammarensemble Madeleine Mitchell, violin Naxos 8.571380 Betyg: 3 Musikrevyn möter: Tommie Haglund - "Jag har alltid dörren till barndomen öppen" Nyss avslutades en tonsättarweekend ägnad Tommie Haglunds musik i Stockholms konserthus. Johan Korssell träffar Tommie Haglund efter öppningskonserten där hans symfoni fick sitt uruppförande av Kungliga filharmonikerna. Det blir ett samtal om kärleken till Carl Barks, humor som överlevnadsstrategi och konsten att lösa problem i sömnen. Referensen: Det sovjetiska såret blöder Vi jämför Gianandrea Nosedas aktuella inspelning av Tjajkovskijs fjärde symfoni med Jevgenij Mravinskijs inspelning med Leningradfilharmonikerna från 1961 som finns utgiven av Deutsche Grammophon.      

Panelen hör en alltför jättetrevlig Mozarttolkning, funderar över gitarrmusikens väsen och gillar när den virtuosa röstkonstnären Barbara Hannigan är medvetet uttryckslös.   Veckans skivor: MOZART FOR WINDS OCTET Musik för blåsaroktett av W.A. Mozart Oslo Kammerakademi Lawo LWC1141 Betyg: 4 VIENNA: FIN DE SIÉCLE Sånger av bl.a. Arnold Schönberg, Alban Berg och Alexander von Zemlinsky Barbara Hannigan, sopran Reinbert de Leeuw, piano Alpha Classics Alpha 393 Betyg: 4 APASIONADO JOAKIM ANDERSSON/AGUSTIN BARRIOS Musik av Agustin Barrios Joakim Andersson, gitarr SPC Classics SPC1810 Betyg: 4 MAHLER 1 (DVD) Symfoni nr 1 av Gustav Mahler Gewandhausorchester i Leipzig Riccardo Chailly, dirigent Ute Feudel, regissör Accentus Music ACC 20335 Betyg: 4 Veckans val: Sjostakovitjs tragiska krigssymfoni Musikrevyns Johan Korssell berättar om Sjostakovitjs åttonde symfoni i c-moll från 1943. Den har beskrivits som ett rekviem över alla ryssar som dog i kampen mot nazismen under andra världskriget men var för Sjostakovitj lika mycket en sorgesång över Stalinterrorns offer under 1930-talet. Nu har den åttonde symfonin spelats in av Londons symfoniorkester under ledning av Gianandrea Noseda. Referensen: Augustin Barrios spelar sig själv Vi jämför Joakim Anderssons aktuella inspelning av Augustin Barrios gitarrmusik med Barrios egen inspelning av det som brukar betraktas som hans mest kända verk, "La Catedral".

Gianandrea Noseda is the music director of the National Symphony Orchestra. He is also one of the best interviewees in all of music (as Jay knows from experience). Noseda was in New York, to guest-conduct the Metropolitan Opera Orchestra, and Jay sat down with him — to talk about orchestras, Mozart, Mahler, YouTube, and more. At the end, Jay says, “Can you possibly put into words why you like... Source

Musikrevyn recenserar Prokofjevs pianokonserter med solisten Olli Mustonen, Beethovens sena stråkkvartetter med Mosaiques-kvartetten och Richard Strauss opera Salome med Emily Magee i huvudrollen. Veckans skivor: SERGEJ PROKOFJEV Pianokonserter nr 2 och 5 Olli Mustonen, piano Finska radions symfoniorkester Hannu Lintu, dirigent Ondine ODE 1288-2 LUDWIG VAN BEETHOVEN De sena kvartetterna Mosaïque-kvartetten Naïve V5445 RICHARD STRAUSS Salome Emily Magee, Peter Bronder m.fl Hessiska radions symfoniorkester i Frankfurt Andrés Orozco-Estrada, dirigent Pentatone PTC 5186602 Referensen: Olli Mustonen vs Yuja Wang. Panelen jämför Olli Mustonens tolkning med en inspelning av Prokofjevs andra pianokonsert med Yuja Wang, tillsammans med Simon Bolivars symfoniorkester i Caracas under Gustavo Dudamels ledning. Deutsche Grammophon, 2013. Fler rekommenderade inspelningar: Pianisten Beatrice Rana spelar Sergej Prokofjevs andra pianokonsert tillsammans med orkestern Accademia di Santa Cecilia i Rom, under ledning av dirigenten Antonio Pappano. Warner, 2015. Pianisten Vladimir Ashkenazy spelar Prokofjevs alla fem pianokonserter med Londons symfoniorkester under ledning av André Previn, Decca.  Pianisten Jean-Efflam Bavouzet spelar Prokofjevs alla fem pianokonserter med BBC:s filharmoniker i Manchester under ledning av Gianandrea Noseda. Chandos.   Pianisten Michel Béroff spelar Prokofjevs alla fem pianokonserter tillsammans med orkestern Gewandhaus under ledning av dirigenten Kurt Masur i Leipzig. Warner, 1974.  Belcea-kvartettens inspelning av Beethovens samtliga stråkkvartetter. Alpha, 2016. Quartetto Italianos inspelning av Beethovens stråkkvartetter. 1960-talet, Philips.  Budapestkvartettens liveinspelningar från Library of Congress, 1940-60-tal Bridge Records. Busch-kvartettens inspelningar av Beethovens stråkkvartetter. 1930- och 40-tal. Salome med sopranen Cheryl Studer i huvudrollen. Tyska statsoperans orkester under ledning av Giuseppe Sinopoli, utgiven på Deutsche Grammophon, 1991. Salome med sopranen Hildegard Behrens i huvudrollen. Wienfilharmonikerna under ledning av Herbert von Karajan. Warner, 1977. Salome med Birgit Nilsson i huvudrollen. Wiens filharmoniker under ledning av Georg Solti. Decca, 1961. Johans val: Johan Korssell rekommenderar en ny inspelning av den franske tonsättaren Florent Schmitts symfoni nr 2, samt sviter ur baletten "Antoine och Cléopatre", med BBC:s symfoniorkester under ledning av Sakari Oramo, utgiven på Chandos.

Andrew Patner's guest is Italian conductor and Rachmaninoff champion Gianandrea Noseda, who made his Chicago Symphony Orchestra debut leading the first-ever CSO performances of Rachmaninoff's 1895 First Symphony [...]

Sean Rafferty talks to conductor Gianandrea Noseda ahead of his Royal Opera House debut

I programmet diskuteras bl.a. brittiska folksånger i Britten, Haydn och Beethovens arr framförda av Christian Gerhaher samt en mässa av Zelenka. Dessutom har Albert Ehrnrooth mött Gianandrea Noseda. I panelen Bodil Asketorp, Camilla Lundberg och Evabritt Selén som tillsammans med programledaren Johan Korssell betygsätter följande skivor: FOLKSLIED Sånger av Haydn, Britten och Beethoven Christian Gerhaher, baryton, Gerold Huber, piano Anton Barachovsky, violin, Sebastian Klinger, cello BR Klassik 900131FLORENT SCHMITT Antoine et Cléopatre, sviter 1 och 2 samt Le Palais hanté Buffalos filharmoniker JoAnn Falletta, dirigent Naxos 8.573521 JAN DISMAS ZELENKA Missa Divi Xaverii och Litaniae de Sancto Xaverio Hana Blazikova m.fl. Collegium Vocale 1704, Collegium 1704 Václav Luks, dirigent Accent ACC 24301TJAJKOVSKIJ - STRAVINSKY Violinkonsert D-dur Les Noces Patricia Kopatchinskaja, violin, MusicAeterna Teodor Currentzis, dirigent Sony 88875165122CD-revyns Albert Ehrnrooth samtalar med dirigenten Gianandrea Noseda om William Shakespeares dramatik som influens på den klassiska musiken, speciellt med avseende på Verdi, Berlioz och Tjajkovskij. Andra i programmet nämnda eller rekommenderade inspelningar: Schmitts Antoine et Cléopatre med Rheinland-Pfalz statliga filharmoni under Leif Segerstam på skivmärke Cybelia, dessutom kommer BBCs symfoniorkester ledd av Sakari Oramo att framföra detta verk den 4 oktober i Barbican i London. Tjajkovskijs Violinkonsert med Vilde Frang och Danmarks radios symfoniorkester ledd av Eivind Gullberg Jensen på EMI;  David Ojstrach tillsammans med Sovjetunionens statliga symfoniorkester dirigerade av Kirill Kondrasjin på Melodija samt med Vadim Repin och Mariinskij-teaterns orkester ledd av Valerij Gergijev på Philips. Stravinskys Les Noces med Bernstein på DG samt Stravinskys egen på CBS. Inget svep denna vecka  

Alfredo Casella: Symphonische Fragmente aus "Le Couvent sur l'eau" op. 19; Elegia eroica, op. 29; Symphonie Nr. 1 | BBC Philharmonic | Leitung: Gianandrea Noseda

Årets första CD-revy är här! Vi hör musik av Vivaldi, Verdi, Dvorák, Copland och Janácek och möter den franske violasten Antonie Tamestit I panelen sitter Alexander Freudenthal, Bodil Asketorp och Camilla Lundberg som tillsammans med programledaren Johan Korssell betygsätter följande skivor:GIUSEPPE VERDI Operaarior Krasimira Stojanova, sopran Münchens radioorkester, Pavel Baleff, dirigent Orfeo C885 141 Betyg: 4 radioapparater ANTONIO VIVALDI Fagottkonserter (IV) Sergio Azzolini, fagott LOnda Armonica Naïve OP 30551 Betyg: 4 radioapparaterAARON COPLAND Billy the Kid - Rodéo Colorados symfoniorkester Andrew Litton, dirigent Bis BIS 2164 Betyg: 4 radioapparater JANÁCEK DVORÁK Sinfonietta Symfoni nr 9 Anima Eterna, Brügge Jos van Immerseel, dirigent Alpha ALPHA 206 Betyg: 2 radioapparater Sofia möter Antoine Tamestit Sofia Nyblom träffade den franske violasten Tamestit i november 2015 i samband med konserten i Berwaldhallen i Stockholm, där han framträdde som solist på sin Stradivariusviola i Jörg Widmanns nykomponerade violakonsert.Andra nämnda/rekommenderade inspelningarKrasimira Stojanova som sopransolist i Verdis Requiem tillsammans med Bayerska radions kör och symfoniorkester under ledning av Mariss Jansons på skivmärke BR Klassik.Janáceks Sinfonietta med Chicagos symfoniorkester dirigerad av Seiji Ozawa på EMI och med Tjeckiska filharmonin ledd av Karel Ancerl på Supraphon.  Dvoráks nionde symfoni med Tjeckiska filharmonin under ledning av Karel Ancerl inspelad på Supraphon; Berlins filharmoniker ledd av Rafael Kubelik på DG; Londons symfoniorkester under István Kertész på Decca samt med Budapests festivalorkester och dirigenten Iván Fischer utgiven på Decca.Johans svep Johans svep går i de italienska färgerna. Vi hör valda delar ur Alfredo Casellas första symfoni med Gianandrea Noseda på pulten framför BBC filharmoniker i Manchester, utgiven på Chandos samt ur Ennio Morricones musik till filmen The hateful eight regisserad av Quentin Tarantino och soundtracket är inspelat på Decca.

Hon tar publik och orkestrar med storm, dirigenten Maria Eklund, den Rysslandsfödda Stockholmsbon som har världen som arena. En kvinna som frossar i klangen och använder både pinnen och händerna. Maria Eklund föddes i Ryssland men har bott i Sverige i 22 år, i större delen av sitt liv. Hon utbildade sig i Moskva, både vid Tjajkovskij-konservatoriet och Gnesins musikakademi. - Klangen är viktigast i en orkester, säger Maria Eklund som regelbundet arbetar med flera av de ledande symfoniorkestrarna och operahusen, Arena di Verona, som är världens största utomhusarena, Bolsjojteatern, vilken är Rysslands nationalscen för balett och opera, Berlin Sinfonietta, Norrlandsoperans symfoniorkester, Nationaloperan i Kina, och Ryska Nationalorkestern.Under åren 2005-2008 var Maria Eklund första gästdirigent vid Ryska symfoniorkestern.Hennes mentor vid Moskvakonservatoriet var dirigenten Gennadij Rozjdestvenskij som ledde Kungliga Filharmonikerna under 2 perioder (1974-1977, 1992-95). Hon var Rozjdestvenskijs assistent i Helsingfors, London, Stockholm och Moskva. Maria Eklund känner speciellt för de stora ryska tonsättarnas verk. - De melodier som tonsättarna använder har ofta en folklig förankring eller förankring i språket. Jag känner väl de intonationer som finns i musiken.Hösten 2015 har Maria Eklund ett av sina få jobb i Sverige, nämligen på Folkoperan i Stockholm, där hon tillsammans med dirigenten Marit Strindlund turas om att dirigera Verdis opera La Traviata. I dokumentären hör vi Maria Eklund dirigera Göteborgs Symfoniker i Leonard Bernsteins Candide, Arena di Veronas kör och orkester i Verdis opera Nebukadnessar och Mascagnis opera Iris.Maria Eklund är ordförande i föreningen KUPP - Kvinnor upp på pulten, som 2012 bildades för att stötta och aktivt synliggöra svenska kvinnliga dirigenter. KUPP anordnade tillsammans med Kultur i Väst i Göteborg en dirigentkurs för unga kvinnor mellan 15 och 25 år.I programmet medverkar även musikstuderande Zaida Ponthin som deltog i denna dirigentkurs. - Det är viktigt med kvinnliga förebilden på dirigentpulten. Det ger mig en stor skjuts att andra, som är som jag, dirigerar en stor orkester! Det förklarar Zaida Ponthin i programmet.En P2 Dokumentär av Birgitta Tollan Medverkande: Maria Eklund, dirigentJurij Gourman, journalist på Radio Swedens ryska redaktionZaida Ponthin, musikstuderande, dirigentelevBirgitta Tollan, manus, regi och produktion.Låtlista: 14:00 Göteborgs Symfoniorkester Maria Eklund - Candide 14:03 Folkoperan Maria Eklund - Ouverture La Traviata 14:06 Renée Fleming, Joseph Calleja, Patrick Summers, Orchestra Of Saint Luke's (New York) - La Traviata: Akt 1, "E Strano...Ah Fors'E Lui...Follie...Sempre Libera" 14:10 Renée Fleming, Joseph Calleja, Patrick Summers, Orchestra Of Saint Luke's (New York) - La Traviata: Akt 1, "E Strano...Ah Fors'E Lui...Follie...Sempre Libera" 14:16 Maria Eklund Berlin Sinfonietta - Serenade For String Orchestra Es-Major Op.6 Allegro Ma Non Troppo E Grazioso 14:21 Berlin Sinfonietta Maria Eklund - Rigaudon From Holbergs Time Suite In Old Style 14:24 Diana Damrau, Gianandrea Noseda, Teatro Regio (Turin): Orkester - I Puritani 14:35 Chicago Symphony Chorus, Georg Solti, Chicago Symphony Orchestra - I Lombardi Alla Prima Crociata: (18) 14:41 Arena Di Veronas Orkester Och Kör Maria Eklund - Va Penciero Ur Nebukadnessar 14:43 Arena Di Veronas Orkester Och Kör Maria Eklund - Preludio E Inno Del Sole Ur Operan Iris 14:48 Berlin Sinfonietta Live Maria Eklund - Russian Photographs Ur Stalin Cocktail 14:53 Moskvas Filharmoniska Orkester Maria Eklund - Ouvertyrfantasi Ur Romeo Och Julia 14:56 Moskvas Filharmoniska Orkester Maria Eklund - Ouvertyrfantasi Ur Romeo Och Julia

Conductor Gianandrea Noseda on life and music in Turin, working with pianist Jean-Efflam Bavouzet and returning to Beethoven with the BBC Philharmonic

Our November cover CD includes performances of Schumann’s Symphony No. 1 and Schubert’s Symphony No. 4 by the BBC Philharmonic Orchestra under Gianandrea Noseda and Juanjo Mena respectively. Hear clips and an introduction to the works from Jeremy Pound and Rosie Pentreath. See acast.com/privacy for privacy and opt-out information.