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Transportation Matters - The CEO Podcast of Daimler Trucks & Buses
Daimler Truck is currently building its new logistics site for the worldwide spare parts supply of Mercedes-Benz Trucks in Saxony-Anhalt. Of course, the convenient location in the heart of Europe plays an important role here - but Saxony-Anhalt is also doing a lot right beyond that. In an interview with Daimler Truck CEO Martin Daum, Minister President Dr. Reiner Haseloff explains why location development is a top priority for him, how he convinces companies to locate in his state, how he wants to use the transformation of the economy towards CO2 neutrality to move Saxony-Anhalt forward - and why a positive image of Germany is so important for the prosperity of us all. Daimler Truck Corporate Website: http://dth.ag/daimlertruck-haseloff Apple: http://dth.ag/apple-haseloff Spotify: http://dth.ag/spotify-haseloff YouTube: http://dth.ag/youtube-haseloff Deezer: http://dth.ag/deezer-haseloff Google: http://dth.ag/google-haseloff
In dieser Folge des GovCast spricht Faruk Tuncer mit Bernd Schlömer, Staatssekretär im Ministerium Infrastruktur und Digitales und CIO des Landes Sachsen-Anhalt. Die beiden sprechen über die Bernds Faszination für Verbrechen, digitale Crime Scenes in der Verwaltung, wie ihn die Zeit im Verteidigunsministerium geprägt hat und viel mehr.In this episode of the GovCast, Faruk Tuncer talks to Bernd Schlömer, State Secretary in the Ministry of Infrastructure and Digital Affairs and CIO of Saxony-Anhalt. The two talk about the fascination of crime, digital crimescenes, what it's like to work in the Ministry of Defense and much more.Host: Faruk Tuncer, Founder & CEO of PolyteiaGuest: Bernd Schlömer, Staatssekretär im Ministerium Infrastruktur und Digitales und CIO des Landes Sachsen-AnhaltTimestamps00:00 Beginn der Episode00:38 Faszination Verbrechen03:25 Die größte Crime Scene der Verwaltungsdigitalisierung04:47 Drei Leuchtturmprojekte für Sachsen-Anhalt07:27 Sachsen-Anhalt vs. Estland11:11 Weniger Geld und weniger Leute12:38 Private Dienstleister14:14 Wie viel Piraten-Partei steckt in dir?18:52 Was hat dich an der FDP gereizt?21:52 Berliner Mandat23:54 Wer ist Schuld an der schleppenden Digitalisierung?28:09 Das Bundesministerium der Verteidigung31:04 Digitale Transformation als Kulturfrage
BLUF: VENEZUELA BEGINS PREPARATION FOR OPERATIONS WITHIN ESEQUIBO. -----BEGIN TEARLINE------International Events-Europe: In Germany, the Ministry of the Interior for the state of Saxony-Anhalt has mandated that all naturalization candidates must declare their support for Israel as part of the naturalization process. Specifically, those seeking German citizenship in this region will be required to provide a written statement declaring their support for Israel. If this oath is not provided, this will lead to the denial of naturalization for those seeking German citizenship. AC: The documentation released so far indicates that candidates are not free to choose their own wording, as local authorities have been mandated to set the specific wording used in the oath sworn to Israel.South America: Venezuela demonstrates several indications and warnings of an impending invasion. Venezuela has declared the Esequibo region to be Venezuelan territory and has added the region to their official national map. Several officials have also declared that Venezuela will be creating a military zone in the region and issuing new ID cards to those living in remote villages throughout the area.-Analyst Comments-In terms of a military invasion, the actions by Venezuela may not result in much news due to the remote nature of the terrain. Most of this region is uncharted territory; there are no major cities or major highways in this “disputed” area, with this region hosting some of the largest untouched jungle on the continent. As such, Venezuela can dominate the terrain by creating FOBs in critical areas, by which oil surveys can be protected. From these Centers of Gravity, Venezuelan troops can occupy the region, without exercising complete control over every inch of the terrain. This may be good enough for Venezuela's oil-pursuing intentions, but this does present vulnerabilities that can be exploited by a much smaller force.However, this extremely remote terrain means that Venezuela's actions can technically be described as an “invasion” or “occupation”, but will likely not take the form that many might think. Small groups of Venezuelan troops have already entered this area over the past few years, under the guise of combating illegal mining, so sporadic Venezuelan presence in the region is not unheard of. For more significant operations, Venezuela may place FOBs/firebases in the middle of the jungle and operate for weeks, with no opposition. What is likely to occur first is the establishment of Forward Arming and Refueling Points (FARPs) near the border, or just inside the Esequibo. This will be crucial to allow Venezuelan troops logistics hubs to refuel and stage operations for the construction of bases of operations within the region.Regarding concerns this invasion may have for the Homefront, the nationstate of Guyana is largely influenced by the controlling interests of ExxonMobil, due to the extremely oil-rich nature of the region but especially since the discovery of extensive petroleum fields in 2015. ExxonMobil produces a total of roughly 600,000+ BPD from the nation of Guyana (including extensive offshore production facilities). As a reminder for perspective, OPEC+ recently announced a voluntary production cut of 1 million BPD (on top of the 1 million BPD cut already in place). The seriousness of this situation could influence the global oil markets in ways not previously anticipated, as Venezuelan military operations raise the stakes of an already tumultuous oil market. History confirms that petroleum wars tend to result in Large Scale Combat Operations (LSCO) at some point, the gravity of which is usually ignored by a populace in the days leading up to a regional conflagration.
One month of Israel's war with Hamas, the AfD party in Saxony-Anhalt is declared an extremist group and poetry is weaponised in Ukraine. Plus: we meet composer Marina Herlop and visit a micro-gym in Singapore.See omnystudio.com/listener for privacy information.
RR The Wire 2230Z November 08, 2023PRECEDENCE: ROUTINE RRDTG: 223008Z NOV 23ICOD: 213008Z NOV 23CONTROLS: Public ReleaseQQQQBLUF: WAR CONTINUES IN GAZA AS SUBSTANTIAL CIVILIAN CASUALTIES CONTINUE. -----BEGIN TEARLINE------International Events-European Front: In Germany, the Saxony-Anhalt branch of the far-right (by German standards) Alternative für Deutschland (AfD) political party has been labeled as an extremist group. This designation sets into motion a set of procedures that allows for German law enforcement and intelligence agencies to begin substantial intelligence collection efforts of party members and officials. This move comes one day after the AfD party topped the polls, becoming the most popular political party in this region.Middle East Front: Yemeni forces reportedly shoot down a US MQ-9 Reaper drone. NFI ATT.Gaza: The UN updates the following casualty figures as of November 5th: In Israel, 1,400 people have been killed as a result of Hamas/Hezbollah attacks, and thousands have been wounded. Allegedly a total of 200 people have been taken hostage (however, many have been killed in airstrikes and some have been released). In Palestine, approximately 9,500 people have been killed, and 23,000 wounded mostly resulting from Israeli airstrikes. Included in this figure are 89 UN aid workers. In addition, 2.2 million Palestinians have no access to food, water, or electricity. Concerning displacement, from October 7th until now, tens of thousands of Palestinians have been displaced from their homes.For Hamas, casualty figures are very difficult to verify. Israel has confirmed that 60 Hamas fighters have been killed, but have referenced potentially thousands more that have been killed without SSE or forensic analysis of remains. Hamas regularly notifies the press of the deaths of fighters, but sometimes references a number without providing names. In Lebanon, Hezbollah has a sophisticated mortuary services division, and regularly releases reliable information on the deaths of militants that is more verifiable. So far, very few Hezbollah casualties have been reported through official channels, but the fighting along the Lebanese border has not been as severe as in Gaza.South Pacific: Cyberattack causes widespread telecom outage throughout Australia. Reports from the affected telecom provider (Optus) indicate that critical infrastructure was affected severely, in addition to consumer internet connections.-HomeFront-PA: Voting machines are currently under investigation as voters reported their votes switching after being cast. The machines were allegedly taken offline following these complaints.WA: Reports of a suspicious substance found at an election office in Spokane County caused the evacuation of several other election offices. NFI ATT.TX: This morning explosions and a major fire were reported at a chemical plant in Shepherd, TX. A shelter in place order was issued for the local area, as the fire consumed many hazardous chemicals that were produced by the company such as paint, industrial coatings, and various other HAZMAT that are necessary for POL production facilities. The cause of the incident is not yet confirmed, but the company President stated it likely resulted from a “forklift incident”.-Analyst Comments-Removed due to character limit on Buzzsprout.-----END TEARLINE-----Analyst: S2AEND REPORTNNNN
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Wind farms in Germany are often criticized for ruining the landscape. It's worse when residents don't benefit from them, but a village in Saxony-Anhalt tried a different approach. Residents there are advocates for wind energy.
Megan is in a good mood because three nice things happened to her on the same day, but Konrad is on hand to ruin the good vibes with some News. There's an election in Saxony-Anhalt to catch up on, some chat about why East German kids still feel East German, and Health Minister Jens Spahn does the cuntiest thing he's ever done. --- Send in a voice message: https://anchor.fm/megans-megacan/message
This week's episode continues our European-themed month to mark the postponed 2020 Euros tournament by talking about the parties and politics of Belgium. It also includes analysis of the election results in Peru where Pedro Castillo looks like he will become the next President, defeating three-time candidate Keiko Fujimori. Additionally, it features a review of the results in Saxony-Anhalt where the CDU have outperformed polls in a strong result in the final state election before September's federal election. Two years on from Belgium's last election and another long cycle of government formation, Sam and Chern take a look at the main party blocs in Flanders and Wallonia and talk about the unique linguistic divide of Belgian politics. Why does Flanders have a strong nationalist cleavage, whereas Wallonia still sees traditional ideological battles? Why has Wallonia moved towards more left-wing politics whilst Flanders drifts towards the right? And why does Belgium take so long to form their governments after elections? All these questions, and more, answered in this week's podcast. --- Send in a voice message: https://anchor.fm/ballot-to-talk-about/message
Bursting the Bubble: EU Podcasts from Rud Pedersen Public Affairs
In our fifth episode, Simon Taylor and Hendrik Hagemann discuss the CDU's strong performance and AfD's poor showing in the recent elections in Saxony-Anhalt, and whether this changes the outlook for the likely coalition after September's federal elections.
As Israeli Prime Minister Benjamin Netanyahu faces a likely fall from power this week, we step back and look at the startling parallels between the political mess in Israel and the one in America. In elections in the German state of Saxony-Anhalt this past Sunday, the Christian Democratic Union candidate outperformed expectations and won. What does victory for a strong Catholic who is part of Angela Merkel's political party portend for the national election in September? We recently passed the 100-year anniversary of the Tulsa Race Massacre. It is important history to look back on, but it is also being used to inflame already strained race relations in America. We conclude this program by talking about how to mine the gold nuggets out of the biblical book of Proverbs. Links [01:50] Netanyahu (18 minutes) “Will Israel Lose Its Churchill?” VIDEO: “Digging With Dr. Eilat Mazar” [19:40] German State Elections (13 minutes) “Not a Relief, a Warning: Germany's CDU Secures Election Victory in Saxony-Anhalt” [33:00] Tulsa Race Massacre (19 minutes) “The Truth About the Tulsa Race Massacre” [52:30] LAST WORD: Proverbs (6 minutes)
Science and tech headlines:The FDA approves a controversial new medication for Alzheimer's — on a fast track — for the first time in nearly 20 years. NOAA registers another record high for carbon dioxide levels in the atmosphere.News items:FBI Director Christopher Wray tells The Wall Street Journal that the agency is investigating around 100 ransomware attacks. John and Rebecca discuss the political implications of continued hacks on the Biden administration.The Senate is nearly certain to pass a bipartisan bill that The New York Times calls “the most expansive industrial policy legislation in U.S. history.” Rebecca explains why she's all for it.The Republican Party is at war with itself in Idaho, and its most extreme elements may win. John breaks down the dynamics at play in the potato state.Germany's ruling center party, the Christian Democratic Union, beat the neo-Nazi-linked Alternative for Germany in the eastern state of Saxony-Anhalt. John and Rebecca discuss how the win affects both parties — and others in Germany ahead of the country's federal election in September. See acast.com/privacy for privacy and opt-out information.
G7 finance ministers reach a historic agreement on a 15 per cent global minimum tax rate but there is already criticism that the deal isn't comprehensive enough. Chinese export growth slows while imports soar by 50 per cent. In the U.S., jobs grew in May but the data fell short of expectations. And in Germany, Angela Merkel's CDU avoids defeat to the far-right in a state election in Saxony-Anhalt, boosting Armin Laschet's chances of becoming Chancellor later this year.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The summer has slapped us in the face like a big sunflower of joy, the birds are singing, sensibly-tested Berliners have returned to their favourite dingy bars, and school children are doing wholesome teutonic end-of-term hikes in the forest. Meanwhile ministers can't remember if they copied their PhDs or not, and there's an election in Saxony-Anhalt to look forward to. Now all you have to do is get through the chemical fumes of that first sip of megacan. Stay Super Happy! --- Send in a voice message: https://anchor.fm/megans-megacan/message
In Gerbstedt, a town in Saxony-Anhalt, there are more than 40 models of miniature castles and palaces. Günther Beinert has spent a lifetime painstakingly building them. His materials: concrete and construction rubble.
In Gerbstedt, a town in Saxony-Anhalt, there are more than 40 models of miniature castles and palaces. Günther Beinert has spent a lifetime painstakingly building them. His materials: concrete and construction rubble.
Ask Angelika Season 3 Episode 31 - Wittenberg In this episode we learned a few things about Wittenberg. As always Steven got to read some German sentences about it and tried to translate them into English. Here are the sentences again: Wittenberg ist eine Stadt in Sachsen-Anhalt. Wittenberg is a town in Saxony-Anhalt. Die Stadt liegt an der Elbe, etwa 70 Kilometer von Leipzig entfernt. The town lies on the Elbe, about 70 kilometres from Leipzig. Die Stadt blickt auf eine lange Geschichte zurück. The town looks back on a long history. 1996 wurden vier Gebäude in Wittenberg zum UNESCO-Weltkulturerbe ernannt. In 1996, four buildings in Wittenberg were designated UNESCO World Heritage Sites. Das älteste Gebäude der Stadt ist die Stadtkirche St.Marien, die 1187 das erste Mal urkundlich erwähnt wurde. The oldest building in the town is the town church of St. Mary, which was first mentioned in a document in 1187. Die anderen Standorte sind die Schlosskirche, das Lutherhaus und das Melanchthonhaus. The other sites are the Castle Church, the Luther House, and the Melanchthon House. Am 31. Oktober 1517 nagelte Martin Luther 95 Thesen an die Tür der Schlosskirche. On the 31st October, 1517 Martin Luther nailed 95 theses onto the door of the castle church. Seit 1938 heißt Wittenberg amtlich Lutherstadt Wittenberg. Since 1938, Wittenberg has officially been called Lutherstadt Wittenberg. In der Lutherstadt Wittenberg sind nur etwa zehn Prozent der Menschen evangelisch. In Lutherstadt Wittenberg, only about ten percent of the people are Protestant.
In this episode we learned a few things about Quedlingburg As always Steven got to read some German sentences about it and tried to translate them into English. Here are the sentences again: Quedlingburg ist eine mittelalterliche Stadt im Bundesland Sachsen-Anhalt. Quedlingburg is a medieval town in the state of Saxony-Anhalt. Dort leben etwa 28.000 Einwohner. About 28,000 residents live there. Quedlingburg steht seit 1994 auf der UNESCO-Liste des Weltkulturerbes. Quedlingburg has been on the UNESCO World Heritage List since 1994. Die Stadt ist eines der größten Flächendenkmale in Deutschland. The town is one of the largest area monuments in Germany. Die historische Altstadt besteht aus romantischen, verwinkelten Gassen mit über 2000 Fachwerkhäusern. The historic old town consists of romantic, winding alleys with over 2000 half-timbered houses. Seit 2006 ist Quedlinburg an das Netz der Selketalbahn angeschlossen. Since 2006, Quedlinburg has been connected to the Selketalbahn network. D.h. man kann mit einer der Harzer Schmalspurbahnen bis zum Brocken, dem höchsten Gipfel im Harz, fahren. That means you can take one of the Harz narrow-gauge railways to the Brocken, the highest peak in the Harz.
Melbourne has extended the hard lockdown by two weeks due to the high number of infections. - An organ in Halberstadt in Saxony-Anhalt plays a work lasting 639 years. After seven years there was another chord change. - Melbourne hat wegen zu hoher Infektionszahlen den harten Lockdown um zwei Wochen verlängert. - Eine Orgel in Halberstadt in Sachsen-Anhalt spielt ein 639 Jahre dauerndes Werk. Nach sieben Jahren gab es erneut einen Akkordwechsel.
No doubt, fireworks are something exciting for a sound enthusiast. The impact, however to the natural world, pets and people with no interest in extremely loud detonations or certain traumas are devastating - just to talk about the acoustic aspect. In the past few years there have been many studies on the health effects of fireworks made in urban areas, but surprisingly little in rural areas or in nature reserves. What happens in such a nature reserve during at several hours of massive noise production in medium or large distances around that particular spot? In 2012 I made sound recordings during the New Year's Eve fireworks at the same spot called Flachwasserzone Mannhausen located in the Drömling Biosphere Reserve, Saxony Anhalt. For a better spatial location of the events, I have made sound recordings again - but now in a 360 ° format. So this track is a binaural version of an Ambisonics recording. Caution! There are naturally very loud peaks in the recording that could damage your hearing.
This was a lot of stuff that was hard to talk about. Today's episode Nick, Julia and Ciarán talk about the Turkish invasion of Northern Syria and the right wing terrorism in Halle, Saxony-Anhalt. The only jokes we could make were about a kid's book god damn it.Women in Right Wing German Terrorismhttps://www.opendemocracy.net/en/countering-radical-right/germany-role-women-radical-right-terrorism/HOW TO REACH US:Corner Späti https://twitter.com/cornerspaetiJulia https://twitter.com/YungOctobristsRob https://twitter.com/leninkraftNick https://twitter.com/sternburgpapiCiarán https://twitter.com/CiaranDold
In this episode of That’s Interesting, we talk to Consul General Timothy Eydelnant.Originally from Belarus, Timothy Eydelnant assumed duty as US Consul General in the states of Saxony, Saxony-Anhalt, and Thuringia in July 2017. He previously served as Syrian humanitarian assistance coordinator for the U.S. Department of State’s Bureau of Population Refugees and Migration. Before that, he held various positions in Austria, Iraq, and Brazil.In the first part of our conversation, Tim explained the US Mission to Mitteldeutschland, what makes it special, and what his job as the representative of the US government looks like.We also talked about how he experienced the fall of the wall in the midst of making his way from the Soviet Union to the US … and how his life story prepared him to be a diplomat – or a bridge-builder, as he called it.Finally, we talked about the current state of transatlantic relations between Germany and the US and what the future holds for this partnership in Mitteldeutschland.Our conversation was recorded on October 2 at the US Consulate General in Leipzig.
Show #485 Good morning, good afternoon and good evening wherever you are in the world, welcome to EV News Daily for Tuesday 28th May 2019. It’s Martyn Lee here and I go through every EV story to save you time. Thank you to MYEV.com for helping make this show, they’ve built the first marketplace specifically for Electric Vehicles. It’s a totally free marketplace that simplifies the buying and selling process, and help you learn about EVs along the way too. HONDA E TO GET SIDE CAMERA MIRROR SYSTEM AS STANDARD "The new Honda E electric vehicle will be fitted with cameras instead of door mirrors on every variant, the Japanese manufacturer has confirmed. First revealed to the world in September 2017 as the Urban EV Concept, the E is a rear-wheel-drive electric hatchback designed to compete with the Renault Zoe. Unlike the Zoe, however, the brand new Honda will get retro styling and a high-tech cabin, as well as cutting-edge mirror technology." reports Motor1.com: "The so-called "Side Camera Mirror System" is similar to the virtual door mirrors seen on top-of-the-range versions of Audi’s new E-Tron electric SUV, and uses rear-facing cameras and small screens in the cabin to show drivers the view down the car’s flanks. In the case of the Honda, the cameras sit in housings just below the window line, with their images fed back to six-inch screens at either end of the dashboard. And the advantages don’t stop there. Honda also notes that the cameras are more aerodynamic than conventional mirrors, improving the car’s efficiency and range. And there are safety advantages, too, with a choice of "normal" or "wide" views available for the driver to select. The wide view is said to reduce blind spots by half, while even normal view provides a 10-percent improvement. Honda is also planning to integrate the reversing camera system with the mirrors, projecting guidelines on to the six-inch displays to help drivers maneuver. And to prevent the cameras becoming clouded by water or dirt, they will have specially designed housings that stop water droplets appearing on the lens, which will also feature a water-repellent coating." https://www.motor1.com/news/351805/honda-e-side-cameras-standard/ NISSAN REVS UP EMOTION IN LATEST LEAF CAMPAIGN "Nissan North America is switching gears to convey the emotional experience of driving its Leaf Plus long-range electric car, rather than leaning too heavily on the vehicle's specs, in a new campaign featuring a driver who can fly through the air." says the industry website AdAge: "The campaign is the first featuring the Leaf Plus, which debuted at CES in January and began hitting showrooms in recent weeks. Since the Nissan Leaf launched in 2010, much of the marketing has focused on its features. As the Leaf continues its reign as the top-selling electric vehicle to date, despite sagging sales early this year and competition from the likes of Tesla, it is shifting to more of a storytelling approach. Short customer testimonial videos highlighting the vehicle’s features, such as one-pedal driving and driver assistance technology, are slated to post on social media." https://adage.com/article/cmo-strategy/nissan-revs-emotion-latest-leaf-campaign/2174271 NIO POSTPONES ITS ELECTRIC SEDAN "Chinese EV startup NIO has indefinitely delayed its upcoming electric sedan just six weeks after unveiling a concept version of the car at the Shanghai Auto Show" report The Verge website: "The news comes as the startup released unaudited financial results for the first quarter of 2019, which show NIO lost $390 million as deliveries of its ES8 electric SUV dropped to 3,989 (down from 7,980 during the fourth quarter of 2018).' NIO had not previously set a ship date for the sedan, known as the ET7, but the company’s founder and CEO William Li said it is postponed during an investor call on Tuesday." https://www.theverge.com/2019/5/28/18642571/nio-delay-et7-sedan-first-quarter-new-vehicle US’S FIRST ZERO-EMISSION, ELECTRIC FERRY STARTS OPERATIONS "After being converted at the Master Marine shipyard in Bayou la Batre, Alabama, Gee’s Bend ferry has now returned to service being US’s first zero-emission, electric-powered passenger/car ferry. The boat will operate with less emissions, lower noise and reduced operating costs." according to safety4sea.com: "The 15-vehicle and 132-passenger ferry operates on the Alabama River between Camden and Boykin, Alabama" https://safety4sea.com/uss-first-zero-emission-electric-ferry-starts-operations/ CENTRICA LAUNCHES BUSINESS EV PACKAGE "Centrica has launched a new electric vehicle (EV) service designed to help businesses in the transition towards electrifying their fleet." says Utility Week: "Companies will be offered solar panels and batteries to allow them to meet the additional power demands of new charging points. Moreover, customers will be able to integrate their EV chargers with existing energy infrastructure and access local energy management services to ensure they are managing their growing fleet in the smartest, most efficient way. Research carried out by Centrica has shown that more than 75 per cent of businesses are planning to introduce EVs into their fleets. However, over half (57 per cent) of these businesses have not considered the implications of what that could mean in terms of their energy demand." https://utilityweek.co.uk/centrica-launches-ev-package-businesses/ SPIED: MINI COOPER S E CAUGHT TESTING IN THE WILD "This MINI Cooper S E, spotted being staged for an official photo shoot, gives us a completely undisguised look at the BMW subsidiary's first true entry into the all-electric market" reports Left Lane News: "The heart of it is a ~34-kWh battery pack, and according to early reports, MINI expects it to deliver roughly the same range as the BMW i3 somewhere in the neighborhood of 110-115 miles. That all said, the MINI promises to deliver one thing most compact EVs aren't really intended to: driving fun. At 3,000 pounds, it's not going to be quite as nimble as the gasoline-powered Cooper S Hardtop, but the S E should at least be able to hang with the heavier convertible." https://leftlanenews.com/mini/spied-mini-cooper-s-e-caught-testing-in-the-wild/ NEW VW ID3 ELECTRIC HATCHBACK PROTOTYPES SPOTTED "Volkswagen is working to bring to market the VW ID3 electric hatchback as their first mass-market next-gen electric car and now new prototypes have been spotted in the wild."says Electrek: "With the launch of the pre-orders, VW released images of a new prototype with a weird camouflage. Furthermore, different ID3 electric hatchback prototypes with a more traditional camouflage were spotted at the Ionity charging station in Euro-Rastpark Hohenwarsleben in Saxony-Anhalt (pictures by Michael Roth via emobly): "nterestingly, the prorotypes appear to have been camouflaged to look like Nissan vehicles with the Japanese automaker’s signature grille. Otherwise, the camouflaged vehicles reveal the overall design of the ID3." https://electrek.co/2019/05/28/vw-id3-electric-hatchback-prototypes-spotted/ WORLD'S LARGEST ELECTRIC VEHICLE CHARGING STATION IS IN SHENZHEN "The largest electric vehicle (EV) charging station in the world is reportedly now situated in our very own Shenzhen, according to Sina Auto. This past week, 172 fast chargers were added by Chinese power company Southern Power Grid in collaboration with BYD and Potevio - rounding out to a total of 637 fast chargers at Minle EV Charging Station in Longhua district." writes thatsmags.com: "One Chinese industries and commodities researcher tweeted that the station is able to service almost 5,000 vehicles per day, using a total of 160-megawatt hours of energy on average. Additionally, 70 of the newly constructed charging poles use 60-kilowatt constant power charging modules which can accommodate any type of electric car model." http://www.thatsmags.com/china/post/28068/world-s-largest-electric-vehicle-charging-station-is-in-shenzhen COMMUNITY And thanks to MYEV.com they’ve set us another Question Of The Week. Keep your comments coming in on email and YouTube… What would your dream job in the EV industry be? And why? I want to say a heartfelt thank you to the 216 patrons of this podcast whose generosity means I get to keep making this show, which aims to entertain and inform thousands of listeners every day about a brighter future. By no means do you have to check out Patreon but if it’s something you’ve been thinking about, by all means look at patreon.com/evnewsdaily PHIL ROBERTS / ELECTRIC FUTURE (PREMIUM PARTNER) BRAD CROSBY (PREMIUM PARTNER) DAVID ALLEN (PARTNER) OEM AUDIO OF NEW ZEALAND AND EVPOWER.CO.NZ (PARTNER) PAUL O’CONNOR (PARTNER) TRYEV.COM ALAN ROBSON (EXECUTIVE PRODUCER) ALEX BANAHENE (EXECUTIVE PRODUCER) ALEXANDER FRANK @ https://www.youtube.com/c/alexsuniverse42 ANDERS HOVE (EXECUTIVE PRODUCER) ARILD GEIR SKAALSVEEN (EXECUTIVE PRODUCER) ASHLEY HILL (EXECUTIVE PRODUCER) BÅRD FJUKSTAD (EXECUTIVE PRODUCER) BARRY PENISTON (EXECUTIVE PRODUCER) BOB MUIR / GINGERCOMPUTERS.COM IN DUNDEE (EXECUTIVE PRODUCER) BORISLAV BORISOV (EXECUTIVE PRODUCER) BRENT KINGSFORD (EXECUTIVE PRODUCER) BRIAN THOMPSON (EXECUTIVE PRODUCER) BRIAN WEATHERALL (EXECUTIVE PRODUCER) CESAR TRUJILLO (EXECUTIVE PRODUCER) CHRIS BENSON (EXECUTIVE PRODUCER) CHRIS HOPKINS (EXECUTIVE PRODUCER) CRAIG COLES (EXECUTIVE PRODUCER) CRAIG ROGERS (EXECUTIVE PRODUCER) DAMIEN DAVIS (EXECUTIVE PRODUCER) DARREN BYRD (EXECUTIVE PRODUCER) DARREN SANT FROM YORKSHIRE EV CLUB (EXECUTIVE PRODUCER) DAVE DEWSON (EXECUTIVE PRODUCER) DAVID BARKMAN (EXECUTIVE PRODUCER) DAVID FINCH (EXECUTIVE PRODUCER) DAVID PARTINGTON (EXECUTIVE PRODUCER) DAVID PRESCOTT (EXECUTIVE PRODUCER) DIRK RUTSATZ (EXECUTIVE PRODUCER) DON MCALLISTER / SCREENCASTSONLINE.COM (EXECUTIVE PRODUCER) ENRICO STEPHAN-SCHILOW (EXECUTIVE PRODUCER) FREDRIK ROVIK (EXECUTIVE PRODUCER) FREEJOULE AKA JAMES (EXECUTIVE PRODUCER) GEORGE CLARGO (EXECUTIVE PRODUCER) JACK OAKLEY (EXECUTIVE PRODUCER) JAMES STORR (EXECUTIVE PRODUCER) JASON FAN (EXECUTIVE PRODUCER) JEFF ERBES (EXECUTIVE PRODUCER) JERRY ALLISON (EXECUTIVE PRODUCER) JILL SMITH (EXECUTIVE PRODUCER) JOHN BAILEY (EXECUTIVE PRODUCER) JON AKA BEARDY MCBEARDFACE FROM KENT EVS (EXECUTIVE PRODUCER) JON KNODEL (EXECUTIVE PRODUCER) JON TIMMIS (EXECUTIVE PRODUCER) JUAN GONZALEZ (EXECUTIVE PRODUCER) KEN MORRIS (EXECUTIVE PRODUCER) KEVIN MEYERSON (EXECUTIVE PRODUCER) LARS DAHLAGER (EXECUTIVE PRODUCER) LAURENCE D ALLEN (EXECUTIVE PRODUCER) LEO (EXECUTIVE PRODUCER) LESZEK GRZYL (EXECUTIVE PRODUCER) LOUIS HOPKIN (EXECUTIVE PRODUCER) LUKE CULLEY (EXECUTIVE PRODUCER) MARCEL LOHMANN (EXECUTIVE PRODUCER) MARCEL WARD (EXECUTIVE PRODUCER) MARLIN SCHELL (EXECUTIVE PRODUCER) MARTIN CROFT (EXECUTIVE PRODUCER) MATT PISCIONE (EXECUTIVE PRODUCER) MATTHEW ELLIS (EXECUTIVE PRODUCER) MATTHEW GROOBY (EXECUTIVE PRODUCER) MAZ SHAR (EXECUTIVE PRODUCER) MIA OPPELSTRUP (EXECUTIVE PRODUCER) MICHAEL PASTRONE (EXECUTIVE PRODUCER) MIKE ROGERS (EXECUTIVE PRODUCER) MIKE WINTER (EXECUTIVE PRODUCER) NATHAN GORE-BROWN (EXECUTIVE PRODUCER) NEIL E ROBERTS FROM SUSSEX EVS (EXECUTIVE PRODUCER) OHAD ASTON (EXECUTIVE PRODUCER) PAUL SEAGER-SMITH (EXECUTIVE PRODUCER) PAUL STEPHENSON (EXECUTIVE PRODUCER) PETE GLASS (EXECUTIVE PRODUCER) PHIL MOUCHET (EXECUTIVE PRODUCER) PHILIPPE CALVE (EXECUTIVE PRODUCER) RAJ BADWAL (EXECUTIVE PRODUCER) RAJEEV NARAYAN (EXECUTIVE PRODUCER) RALPH JENSON (EXECUTIVE PRODUCER) RENÉ SCHNEIDER (EXECUTIVE PRODUCER) ROB COOLING / HTTP://WWW.APPLEDRIVING.CO.UK/ (EXECUTIVE PRODUCER) RUPERT MITCHELL (EXECUTIVE PRODUCER) SARAH MCCANN (EXECUTIVE PRODUCER) SARI KANGASOJA (EXECUTIVE PRODUCER) SEIKI PAYNE (EXECUTIVE PRODUCER) STEVE JOHN (EXECUTIVE PRODUCER) STUART HANNAH (EXECUTIVE PRODUCER) THE LIMOUSINE LINE SYDNEY (EXECUTIVE PRODUCER) TIM GUTTERIDGE (EXECUTIVE PRODUCER) WALTER MACVANE (EXECUTIVE PRODUCER) ZACK HURST (EXECUTIVE PRODUCER) You can listen to all 484 previous episodes of this this for free, where you get your podcasts from, plus the blog https://www.evnewsdaily.com/ – remember to subscribe, which means you don’t have to think about downloading the show each day, plus you get it first and free and automatically. 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Von der Sensation White über Saxony Anhalt zur ESL Meisterschaft. Es war mal wieder wahnsinnig viel los bei den Bartologen. Wie die Hörgewohnheiten der beiden Brillenschlangen ganz genau aussieht und welche Top-Songs es dieses Jahr in die Playlisten geschafft haben: Nur hier. Von Brillen und Bärten.
Talk about audacity! Russian discounter Torgservis plans to enter Germany via Berlin-based subsidiary TS Markt. The retailer from Krasnoyarsk in Siberia wants to rent "more than 100" stores with sales areas of 800m² to 1,200m² and 30 to 40 parking spaces. Expansion is planned in both Northern and Eastern Germany, including Berlin and the federal states of Mecklenburg-Western Pomerania, Saxony, Saxony-Anhalt, Thuringia, and Brandenburg.TS Markt is already advertising online for Category and Business Development Managers on its German website ts-markt.de.At first blush this looks very much like carrying coals to Newcastle. After all, Germany is the international home of discounting. You can find discount stores on any local High Street, trade research company LZ Retailytics counts nearly 16,100 of them. Working on the basis that "Poor people must save, and rich ones like to", powerful giants such as Aldi and Lidl have carried their no-frills, low-price message with invariable success to nearly 50 countries world-wide over the last 60-odd years.So have the Russians gone suicidal or mad? Or do they know something we don't know?
The German wine region of Saale-Unstrut, located almost entirely within the federal state of Saxony-Anhalt, is defined primarily by two rivers – the Saale and the Unstrut. It is also the northernmost of all of Germany’s wine regions, meaning that the most popular wines here are those that thrive in cooler climates. ***Subscribe to our Channels for more: *** ► YouTube: https://www.youtube.com/user/BEVERAGETRADENETWORK ► iTunes: https://itunes.apple.com/us/podcast/bevcast/ ► Stitcher: http://www.stitcher.com/s?fid=233919&refid=stpr
Ensign Magazine - March 2017
ECFR's director Mark Leonard speaks with Franziska Brantner, Member of the German Parliament and ECFR council member, and with Josef Janning, Senior Policy Fellow and Head of ECFR Berlin Office, about the results of the three state elections in Baden-Württemberg, Rhineland-Palatinate and Saxony-Anhalt, and what this means for the future of Germany and its role in the EU.
•DANIEL DIAZ • Daniel Schneider was born in 1986 in the East of Germany, more precisely in Magdeburg the provincial capital of Saxony-Anhalt. Soon after the German reunification his interest for electronic music grew profoundly. He initially started out as an attentive listener only to become a DJ himself later on. Already at an early age musicians such as Adam Beyer, Surgeon, Regis, Mark Broom and many more arouse his enthusiam for electronic generated music. These influences can be considered to be the starting shot for his development and his style while these artist still leave a mark on his sound today. In 2005 he began to mix several music-genres at home and eventually in various clubs. His style can hardly be established into one category, but it can be found in Techno with a tendency to Dark Minimal. Daniel loves to play his music and to fascinate his audience during his Sets. Facebook: www.facebook.com/Daniel.Diaz.Techno Soundcloud: @daniel-diaz-techno Listen to us on: Web Player: stromkraftradio.com/techno/ NEW - iPhone App: itunes.apple.com/de/app/strom-kra…id725059261?mt=8 Media / Mobile Phone: stream.stromkraftradio.fm:8012/listen.pls Radio.de / App: stromkraftradio.rad.io/ TuneIn: tunein.com/radio/StromKraft-Radio-s179423/ MACHWERK Stromkraftradio - short4u.de/525885402ed56 Facebook - www.facebook.com/machwerk.se Soundcloud - @machwerk
Raphael Starr aka. Gruener Starr was born in 1989 and always interested in beats and music. He discovered his passion for electronic music when he was 16. He started DJing in 2007. The next years he used to improve his technics and started to organize some techno parties, mainly in the underground. Finally he has found his own dark-minimal-techno style. He has recorded sets that are known for their dark sounds with some hypnotic minimal noises. A year later, in 2011, he went a bit further and began to produce his own dark music. Daniel Schneider was born in 1986 in the East of Germany, more precisely in Magdeburg the provincial capital of Saxony-Anhalt. Soon after the German reunification his interest for electronic music grew profoundly. He initially started out as an attentive listener only to become a DJ himself later on. Already at an early age musicians such as Adam Beyer, Surgeon, Regis, Mark Broom and many more arouse his enthusiam for electronic generated music. These influences can be considered to be the starting shot for his development and his style while these artist still leave a mark on his sound today. In 2005 he began to mix several music-genres at home and eventually in various clubs. His style can hardly be established into one category, but it can be found in Techno with a tendency to Dark Minimal. Daniel loves to play his music and to fascinate his audience during his Sets. Facebook: http://www.facebook.com/gruenerstarr.techno http://www.facebook.com/Daniel.Diaz.Techno Soundcloud: https://soundcloud.com/gruenerstarr https://soundcloud.com/daniel-diaz-1986
George Frideric HANDEL 1685-1759Our version ofAllemande in Am (HWV 478)George Frideric HANDEL 1685-1759© 2012 Shiloh Worship Music COPY FREELY;This Recording is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted. Www.ShilohWorshipMusic.com Georg Friedrich Händel (1685-1759)George Frideric Handel(from Wikipedia) George Frideric Handel, born in the same year as Johann Sebastian Bach and Domenico Scarlatti. By Thomas Hudson (1749)George Frideric Handel SignatureGeorge Frideric Handel (German: Georg Friedrich Händel; pronounced [ˈhɛndəl]) (23 February 1685 – 14 April 1759) was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727.[1] By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.Within fifteen years, Handel, a dramatic genius, started three commercial opera companies to supply the English nobility with Italian opera, but the public came to hear the vocal bravura of the soloists rather than the music. In 1737 he had a physical breakdown, changed direction creatively and addressed the middle class. As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Handel was only partly successful with his performances of English Oratorio on mythical and biblical themes, but when he arranged a performance of Messiah to benefit the Foundling Hospital (1750) the critique ended. The pathos of Handel's oratorios is an ethical one. They are hallowed not by liturgical dignity but by the moral ideals of humanity.[2] Almost blind, and having lived in England for almost fifty years, he died a respected and rich man.Handel is regarded as one of the greatest composers of all time, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining popular. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original instrumentation, interest in Handel's operas has grown. His operas contain remarkable human characterisation—especially for a composer not known for his love affairs.Early yearsHandel's baptismal registration (Marienbibliothek in Halle)Handel was born in 1685 in Halle, Duchy of Magdeburg, to Georg Händel and Dorothea Taust.[3] His father, 63 when his son was born, was an eminent barber-surgeon who served to the court of Saxe-Weissenfels and the Margraviate of Brandenburg.[4] According to Handel's first biographer, John Mainwaring, he "had discovered such a strong propensity to Music, that his father who always intended him for the study of the Civil Law, had reason to be alarmed. He strictly forbade him to meddle with any musical instrument but Handel found means to get a little clavichord privately convey'd to a room at the top of the house. To this room he constantly stole when the family was asleep".[5] At an early age Handel became a skillful performer on the harpsichord and pipe organ.[6]Händel-Haus (2009) – birthplace of George Frideric HandelEntrance of Teatro del Cocomero in FlorenceHandel and his father travelled to Weissenfels to visit either Handel's half-brother, Carl, or nephew, Georg Christian,[7] who was serving as valet to Duke Johann Adolf I.[8] Handel and the duke convinced his father to allow him to take lessons in musical composition and keyboard technique from Friedrich Wilhelm Zachow, the organist of the Lutheran Marienkirche. He learned about harmony and contemporary styles, analysed sheet music scores, learned to work fugue subjects, and to copy music. In 1698 Handel played for Frederick I of Prussia and met Giovanni Battista Bononcini in Berlin.From Halle to ItalyThe Hamburg Opera am Gänsemarkt in 1726In 1702, following his father's wishes, Handel started studying law under Christian Thomasius at the University of Halle;[9] and also earned an appointment for one year as the organist in the former cathedral, by then an evangelical reformed church. Handel seems to have been unsatisfied and in 1703, he accepted a position as violinist and harpsichordist in the orchestra of the Hamburg Oper am Gänsemarkt.[10] There he met the composers Johann Mattheson, Christoph Graupner and Reinhard Keiser. His first two operas, Almira and Nero, were produced in 1705.[11] He produced two other operas, Daphne and Florindo, in 1708. It is unclear whether Handel directed these performances.According to Mainwaring, in 1706 Handel travelled to Italy at the invitation of Ferdinando de' Medici, but Mainwaring must have been confused. It was Gian Gastone de' Medici, whom Handel had met in 1703–1704 in Hamburg.[12] Ferdinando tried to make Florence Italy's musical capital, attracting the leading talents of his day. He had a keen interest in opera. In Italy Handel met librettist Antonio Salvi, with whom he later collaborated. Handel left for Rome and, since opera was (temporarily) banned in the Papal States, composed sacred music for the Roman clergy. His famous Dixit Dominus (1707) is from this era. He also composed cantatas in pastoral style for musical gatherings in the palaces of cardinals Pietro Ottoboni, Benedetto Pamphili and Carlo Colonna. Two oratorios, La Resurrezione and Il Trionfo del Tempo, were produced in a private setting for Ruspoli and Ottoboni in 1709 and 1710, respectively. Rodrigo, his first all-Italian opera, was produced in the Cocomero theatre in Florence in 1707.[13] Agrippina was first produced in 1709 at Teatro San Giovanni Grisostomo, the prettiest theatre at Venice, owned by the Grimanis. The opera, with a libretto by cardinal Vincenzo Grimani, and according to Mainwaring it ran for 27 nights successively. The audience, thunderstruck with the grandeur and sublimity of his style,[14] applauded for Il caro Sassone.Move to LondonGeorge Frideric Handel (left) and King George I on the River Thames, 17 July 1717, by Edouard Jean Conrad Hamman (1819–88).In 1710, Handel became Kapellmeister to German prince George, Elector of Hanover, who in 1714 would become King George I of Great Britain.[15] He visited Anna Maria Luisa de' Medici and her husband in Düsseldorf on his way to London in 1710. With his opera Rinaldo, based on La Gerusalemme Liberata by the Italian poet Torquato Tasso, Handel enjoyed great success, although it was composed quickly, with many borrowings from his older Italian works.[16] This work contains one of Handel's favourite arias, Cara sposa, amante cara, and the famous Lascia ch'io pianga.In 1712, Handel decided to settle permanently in England. He received a yearly income of £200 from Queen Anne after composing for her the Utrecht Te Deum and Jubilate, first performed in 1713.[17][18]One of his most important patrons was the young and wealthy Richard Boyle, 3rd Earl of Burlington.[19] For him Handel wrote Amadigi di Gaula, a magical opera, about a damsel in distress, based on the tragedy by Antoine Houdar de la Motte.The conception of an opera as a coherent structure was slow to capture Handel's imagination[20] and he renounced it for five years. In July 1717 Handel's Water Music was performed more than three times on the Thames for the King and his guests. It is said the compositions spurred reconciliation between the King and Handel.[21]Cannons (1717–18)Main article: Handel at CannonsThe Chandos portrait. The 1st Duke of Chandos was an important patron for Handel.In 1717 Handel became house composer at Cannons in Middlesex, where he laid the cornerstone for his future choral compositions in the twelve Chandos Anthems.[22] Romain Rolland stated that these anthems were as important for his oratorios as the cantatas were for his operas.[23] Another work he wrote for the Duke of Chandos, the owner of Cannons, was Acis and Galatea: during Handel's lifetime it was his most performed work. Winton Dean wrote, "the music catches breath and disturbs the memory".[24]In 1719 the Duke of Chandos became one of the main subscribers to Handel's new opera company, the Royal Academy of Music, but his patronage of music declined after he lost money in the South Sea bubble, which burst in 1720 in one of history's greatest financial cataclysms. Handel himself invested in South Sea stock in 1716, when prices were low[25] and sold before 1720.[26]Royal Academy of Music (1719–34)Main article: Royal Academy of Music (company)Handel House at 25 Brook Street, Mayfair, LondonIn May 1719 Lord Chamberlain Thomas Holles, the Duke of Newcastle ordered Handel to look for new singers.[27] Handel travelled to Dresden to attend the newly built opera. He saw Teofane by Antonio Lotti, and engaged the cast for the Royal Academy of Music, founded by a group of aristocrats to assure themselves a constant supply of baroque opera or opera seria. Handel may have invited John Smith, his fellow student in Halle, and his son Johann Christoph Schmidt, to become his secretary and amanuensis.[28] By 1723 he had moved into a Georgian house at 25 Brook Street, which he rented for the rest of his life.[29] This house, where he rehearsed, copied music and sold tickets, is now the Handel House Museum.[30] During twelve months between 1724 and 1725, Handel wrote three outstanding and successful operas, Giulio Cesare, Tamerlano and Rodelinda. Handel's operas are filled with da capo arias, such as Svegliatevi nel core. After composing Silete venti, he concentrated on opera and stopped writing cantatas. Scipio, from which the regimental slow march of the British Grenadier Guards is derived,[31] was performed as a stopgap, waiting for the arrival of Faustina Bordoni.In 1727 Handel was commissioned to write four anthems for the coronation ceremony of King George II. One of these, Zadok the Priest, has been played at every British coronation ceremony since.[32] In 1728 John Gay's The Beggar's Opera premiered at Lincoln's Inn Fields Theatre and ran for 62 consecutive performances, the longest run in theatre history up to that time.[citation needed] After nine years Handel's contract was ended but he soon started a new company.The Queen's Theatre at the Haymarket (now Her Majesty's Theatre), established in 1705 by architect and playwright John Vanbrugh, quickly became an opera house.[33] Between 1711 and 1739, more than 25 of Handel's operas premièred there.[34] In 1729 Handel became joint manager of the Theatre with John James Heidegger.A musical portrait of Frederick, Prince of Wales and his sisters by Philip Mercier, dated 1733, using Kew Palace as its plein-air backdropThe Queen's Theatre in the Haymarket in London by William CaponHandel travelled to Italy to engage seven new singers. He composed seven more operas, but the public came to hear the singers rather than the music.[35] After two commercially successful English oratorios Esther and Deborah, he was able to invest again in the South Sea Company. Handel reworked his Acis and Galatea which then became his most successful work ever. Handel failed to compete with the Opera of the Nobility, who engaged musicians such as Johann Adolf Hasse, Nicolo Porpora and the famous castrato Farinelli. The strong support by Frederick, Prince of Wales caused conflicts in the royal family. In March 1734 Handel directed a wedding anthem This is the day which the Lord hath made, and a serenata Parnasso in Festa for Anne of Hanover.[36]Opera at Covent Garden (1734–41)In 1733 the Earl of Essex received a letter with the following sentence: "Handel became so arbitrary a prince, that the Town murmurs". The board of chief investors expected Handel to retire when his contract ended, but Handel immediately looked for another theatre. In cooperation with John Rich he started his third company at Covent Garden Theatre. Rich was renowned for his spectacular productions. He suggested Handel use his small chorus and introduce the dancing of Marie Sallé, for whom Handel composed Terpsichore. In 1735 he introduced organ concertos between the acts. For the first time Handel allowed Gioacchino Conti, who had no time to learn his part, to substitute arias.[37] Financially, Ariodante was a failure, although he introduced ballet suites at the end of each act.[38] Alcina, his last opera with a magic content, and Alexander's Feast or the Power of Music based on John Dryden's Alexander's Feast starred Anna Maria Strada del Pò and John Beard.In April 1737, at age 52, Handel apparently suffered a stroke which disabled the use of four fingers on his right hand, preventing him from performing.[39] In summer the disorder seemed at times to affect his understanding. Nobody expected that Handel would ever be able to perform again. But whether the affliction was rheumatism, a stroke or a nervous breakdown, he recovered remarkably quickly .[40] To aid his recovery, Handel had travelled to Aachen, a spa in Germany. During six weeks he took long hot baths, and ended up playing the organ for a surprised audience.[41]Deidamia, his last and only baroque opera without an accompagnato, was performed three times in 1741. Handel gave up the opera business, while he enjoyed more success with his English oratorios.[citation needed]OratorioFurther information: List of Handel's OratoriosHandel by Philip MercierIl Trionfo del Tempo e del Disinganno, an allegory, Handel's first oratorio[42] was composed in Italy in 1707, followed by La Resurrezione in 1708 which uses material from the Bible. The circumstances of Esther and its first performance, possibly in 1718, are obscure.[43] Another 12 years had passed when an act of piracy caused him to take up Esther once again.[44] Three earlier performances aroused such interest that they naturally prompted the idea of introducing it to a larger public. Next came Deborah, strongly coloured by the Anthems[45] and Athaliah, his first English Oratorio.[46] In these three oratorios Handel laid foundation for the traditional use of the chorus which marks his later oratorios.[47] Handel became sure of himself, broader in his presentation, and more diverse in his composition.[48]It is evident how much he learnt from Arcangelo Corelli about writing for instruments, and from Alessandro Scarlatti about writing for the solo voice; but there is no single composer who taught him how to write for chorus.[49] Handel tended more and more to replace Italian soloists by English ones. The most significant reason for this change was the dwindling financial returns from his operas.[50] Thus a tradition was created for oratorios which was to govern their future performance. The performances were given without costumes and action; the performers appeared in a black suit.[51]Caricature of Handel by Joseph Goupy (1754)In 1736 Handel produced Alexander's Feast. John Beard appeared for the first time as one of Handel's principal singers and became Handel's permanent tenor soloist for the rest of Handel's life.[52] The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. In Saul, Handel was collaborating with Charles Jennens and experimenting with three trombones, a carillon and extra-large military kettledrums (from the Tower of London), to be sure "...it will be most excessive noisy".[53] Saul and Israel in Egypt both from 1739 head the list of great, mature oratorios, in which the da capo and dal segno aria became the exception and not the rule.[54] Israel in Egypt consists of little else but choruses, borrowing from the Funeral Anthem for Queen Caroline. In his next works Handel changed his course. In these works he laid greater stress on the effects of orchestra and soloists; the chorus retired into the background.[55] L'Allegro, il Penseroso ed il Moderato has a rather diverting character; the work is light and fresh.During the summer of 1741, the 3rd Duke of Devonshire invited Handel to Dublin to give concerts for the benefit of local hospitals.[56] His Messiah was first performed at the New Music Hall in Fishamble Street, on 13 April 1742, with 26 boys and five men from the combined choirs of St Patrick's and Christ Church cathedrals participating.[57] Handel secured a balance between soloists and chorus which he never surpassed.The use of English soloists reached its height at the first performance of Samson. The work is highly theatrical. The role of the chorus became increasingly import in his later oratorios. Jephtha was first performed on 26 February 1752; even though it was his last oratorio, it was no less a masterpiece than his earlier works.[58]Later yearsGeorge Frideric Handel in 1733, by Balthasar Denner (1685–1749)In 1749 Handel composed Music for the Royal Fireworks; 12,000 people attended the first performance.[59] In 1750 he arranged a performance of Messiah to benefit the Foundling Hospital. The performance was considered a great success and was followed by annual concerts that continued throughout his life. In recognition of his patronage, Handel was made a governor of the Hospital the day after his initial concert. He bequeathed a copy of Messiah to the institution upon his death.[60] His involvement with the Foundling Hospital is today commemorated with a permanent exhibition in London's Foundling Museum, which also holds the Gerald Coke Handel Collection. In addition to the Foundling Hospital, Handel also gave to a charity that assisted impoverished musicians and their families.In August 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands.[61] In 1751 one eye started to fail. The cause was a cataract which was operated on by the great charlatan Chevalier Taylor. This led to uveitis and subsequent loss of vision. He died eight years later in 1759 at home in Brook Street, at age 74. The last performance he attended was of Messiah. Handel was buried in Westminster Abbey.[62] More than three thousand mourners attended his funeral, which was given full state honours.Handel never married, and kept his personal life private. His initial will bequeathed the bulk of his estate to his niece Johanna. However four codicils distributed much of his estate to other relations, servants, friends and charities.[63]Handel owned an art collection that was auctioned posthumously in 1760.[64] The auction catalogue listed approximately seventy paintings and ten prints (other paintings were bequeathed).[64]WorksSenesino, the famous castrato from SienaMain articles: List of compositions by George Frideric Handel and List of operas by Handel.Handel's compositions include 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, numerous arias, chamber music, a large number of ecumenical pieces, odes and serenatas, and 16 organ concerti. His most famous work, the oratorio Messiah with its "Hallelujah" chorus, is among the most popular works in choral music and has become the centrepiece of the Christmas season. Among the works with opus numbers published and popularised in his lifetime are the Organ Concertos Op.4 and Op.7, together with the Opus 3 and Opus 6 concerti grossi; the latter incorporate an earlier organ concerto The Cuckoo and the Nightingale in which birdsong is imitated in the upper registers of the organ. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.Handel introduced previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornetts (Tamerlano), theorbo, horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).[65]Handel's works have been catalogued in the Händel-Werke-Verzeichnis and are commonly referred to by an HWV number. For example, Messiah is catalogued as HWV 56.LegacyA Masquerade at the King's Theatre, Haymarket (c. 1724)Handel's works were collected and preserved by two men in particular: Sir Samuel Hellier, a country squire whose musical acquisitions form the nucleus of the Shaw-Hellier Collection,[66] and abolitionist Granville Sharp. The catalogue accompanying the National Portrait Gallery exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm".[67]After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from Serse, "Ombra mai fù". The oratorios continued to be performed but not long after Handel's death they were thought to need some modernisation, and Mozart orchestrated a German version of Messiah and other works. Throughout the 19th century and first half of the 20th century, particularly in the Anglophone countries, his reputation rested primarily on his English oratorios, which were customarily performed by enormous choruses of amateur singers on solemn occasions.Since the Early Music Revival many of the forty-two operas he wrote have been performed in opera houses and concert halls.Handel's music was studied by composers such as Haydn, Mozart and BeethovenRecent decades have revived his secular cantatas and what one might call 'secular oratorios' or 'concert operas'. Of the former, Ode for St. Cecilia's Day (1739) (set to texts by John Dryden) and Ode for the Birthday of Queen Anne (1713) are noteworthy. For his secular oratorios, Handel turned to classical mythology for subjects, producing such works as Acis and Galatea (1719), Hercules (1745) and Semele (1744). These works have a close kinship with the sacred oratorios, particularly in the vocal writing for the English-language texts. They also share the lyrical and dramatic qualities of Handel's Italian operas. As such, they are sometimes performed onstage by small chamber ensembles. With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera's great musical dramatists.A carved marble statue of Handel, created for the Vauxhall Gardens in 1738 by Louis-François Roubiliac, and now preserved in the Victoria & Albert Museum.Handel's work was edited by Samuel Arnold (40 vols., London, 1787–1797), and by Friedrich Chrysander, for the German Händel-Gesellschaft (105 vols., Leipzig, 1858–1902).Handel adopted the spelling "George Frideric Handel" on his naturalisation as a British subject, and this spelling is generally used in English-speaking countries. The original form of his name, Georg Friedrich Händel, is generally used in Germany and elsewhere, but he is known as "Haendel" in France. Another composer with a similar name, Handl or Händl, was an Austrian from Carniola and is more commonly known as Jacobus Gallus.Musician's musicianHandel has generally been accorded high esteem by fellow composers, both in his own time and since.[68] Bach attempted, unsuccessfully, to meet with Handel while he was visiting Halle.[69] Mozart is reputed to have said of him, "Handel understands affect better than any of us. When he chooses, he strikes like a thunder bolt."[70] To Beethoven he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb".[70] Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means".HomagesHandel Commemoration in Westminster Abbey, 1784After Handel's death, many composers wrote works based on or inspired by his music. The first movement from Louis Spohr's Symphony No. 6, Op. 116, "The Age of Bach and Handel", resembles two melodies from Handel's Messiah. In 1797 Ludwig van Beethoven published the 12 Variations in G major on ‘See the conqu’ring hero comes’ from Judas Maccabaeus by Handel, for cello and piano. Guitar virtuoso Mauro Giuliani composed his Variations on a Theme by Handel, Op. 107 for guitar, based on Handel's Suite No. 5 in E major, HWV 430, for harpsichord. In 1861, using a theme from the second of Handel's harpsichord suites, Johannes Brahms wrote the Variations and Fugue on a Theme by Handel, Op. 24, one of his most successful works (praised by Richard Wagner). Several works by the French composer Félix-Alexandre Guilmant use Handel's themes, for example his March on a Theme by Handel uses a theme from Messiah. French composer and flautist Philippe Gaubert wrote his Petite marche for flute and piano based on the fourth movement of Handel's Trio Sonata, Op. 5, No. 2, HWV 397. Argentine composer Luis Gianneo composed his Variations on a Theme by Handel for piano. In 1911, Australian-born composer and pianist Percy Grainger based one of his most famous works on the final movement of Handel's Suite No. 5 in E major (just like Giuliani). He first wrote some variations on the theme, which he titled Variations on Handel's ‘The Harmonious Blacksmith’ . Then he used the first sixteen bars of his set of variations to create Handel in the Strand, one of his most beloved pieces, of which he made several versions (for example, the piano solo version from 1930). Arnold Schoenberg's Concerto for String Quartet and Orchestra in B flat major (1933) was composed after Handel's Concerto Grosso, Op. 6/7.VenerationHandel is honored together with Johann Sebastian Bach and Henry Purcell with a feast day on the liturgical calendar of the Episcopal Church (USA) on 28 July.He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on 28 July, with Johann Sebastian Bach and Heinrich Schütz.He is commemorated as a musician along with Johann Sebastian Bach on 28 July by The Order of Saint Luke in their calendar of saints prepared for the use of The United Methodist Church.EditionsBetween 1787 and 1797 Samuel Arnold compiled a 180-volume collection of Handel's works—however it was far from complete.[72] Also incomplete was the collection produced between 1843 and 1858 by the English Handel Society (found by Sir George Macfarren).[73]The 105-volume Händel-Gesellschaft edition was published in the mid 19th century and was mainly edited by Friedrich Chrysander (often working alone in his home). For modern performance, the realisation of the basso continuo reflects 19th century practice. Vocal scores drawn from the edition were published by Novello in London, but some scores, such as the vocal score to Samson are incomplete.The still-incomplete Hallische Händel-Ausgabe started to appear in 1956 (named for Halle in Saxony-Anhalt Eastern Germany, not the Netherlands). It did not start as a critical edition, but after heavy criticism of the first volumes, which were performing editions without a critical apparatus (for example, the opera Serse was published with the title character recast as a tenor reflecting pre-war German practice), it repositioned itself as a critical edition. Influenced in part by cold-war realities, editorial work was inconsistent: misprints are found in abundance and editors failed to consult important sources. In 1985 a committee was formed to establish better standards for the edition.From Wikipedia, the free encyclopedia
Amateur Traveler Podcast (iTunes enhanced) | travel for the love of it
The Amateur Traveler talks to Eleonora about visiting eastern Germany. Eleonora grew up in Dresden and starts our tour there with a city restored from the rubble of World War II to one that boasts beautiful baroque architecture. She takes up verbally to the Master’s Gallery and also to the Green Vault in the old palace. She recommends the famous opera house as well as the recent rebuilt Church of Our Lady (Frauenkirche). We climb to the old fortress (Festung Koenigstein) which protected the area. After Dresden Eleonora directs us to the mountains of Saxon Switzerland and to the Oer Mountains with its tradition Christmas wood carvings. From there we go to Leipzig and to Bauzen (capital of a slavic minority – the Sorbs). We make a sobering stop at Buchenwald concentration camp before hiking in the Hatrz Mountains. Then we head north to Saxony-Anhalt where we stop by the oldest chocolate factory in Germany in Helle. Eleonora encourages us to visit the palace of Sanssouci at Postdam and the Hanseatic cities Rostock and Stralsund. While in Eastern Germany we should try Christstollen, Baumkuchen, and Saxon Potato Soup. Two special tips from Eleonora are to visit the Hechtfest multicultural art festival in Dresden and the medieval Christmas market.
The Amateur Traveler talks to Eleonora about visiting eastern Germany. Eleonora grew up in Dresden and starts our tour there with a city restored from the rubble of World War II to one that boasts beautiful baroque architecture. She takes up verbally to the Master’s Gallery and also to the Green Vault in the old palace. She recommends the famous opera house as well as the recent rebuilt Church of Our Lady (Frauenkirche). We climb to the old fortress (Festung Koenigstein) which protected the area. After Dresden Eleonora directs us to the mountains of Saxon Switzerland and to the Oer Mountains with its tradition Christmas wood carvings. From there we go to Leipzig and to Bauzen (capital of a slavic minority – the Sorbs). We make a sobering stop at Buchenwald concentration camp before hiking in the Hatrz Mountains. Then we head north to Saxony-Anhalt where we stop by the oldest chocolate factory in Germany in Helle. Eleonora encourages us to visit the palace of Sanssouci at Postdam and the Hanseatic cities Rostock and Stralsund. While in Eastern Germany we should try Christstollen, Baumkuchen, and Saxon Potato Soup. Two special tips from Eleonora are to visit the Hechtfest multicultural art festival in Dresden and the medieval Christmas market.
The Amateur Traveler talks to Eleonora about visiting eastern Germany. Eleonora grew up in Dresden and starts our tour there with a city restored from the rubble of World War II to one that boasts beautiful baroque architecture. She takes up verbally to the Master’s Gallery and also to the Green Vault in the old palace. She recommends the famous opera house as well as the recent rebuilt Church of Our Lady (Frauenkirche). We climb to the old fortress (Festung Koenigstein) which protected the area. After Dresden Eleonora directs us to the mountains of Saxon Switzerland and to the Oer Mountains with its tradition Christmas wood carvings. From there we go to Leipzig and to Bauzen (capital of a slavic minority – the Sorbs). We make a sobering stop at Buchenwald concentration camp before hiking in the Hatrz Mountains. Then we head north to Saxony-Anhalt where we stop by the oldest chocolate factory in Germany in Helle. Eleonora encourages us to visit the palace of Sanssouci at Postdam and the Hanseatic cities Rostock and Stralsund. While in Eastern Germany we should try Christstollen, Baumkuchen, and Saxon Potato Soup. Two special tips from Eleonora are to visit the Hechtfest multicultural art festival in Dresden and the medieval Christmas market.