Podcasts about shakespearean

Larry is joined by writer and media executive Mark Whitaker to discuss his newest book ‘The Afterlife of Malcolm X: An Outcast Turned Icon's Enduring Impact on America'. They begin their conversation by talking about what inspired Mark to write the book and detailing Malcolm X's Shakespearean life journey from harrowing childhood to celebrated civil rights icon. This leads to a conversation about why both progressives and the modern black conservative movement have championed Malcolm's teachings, and a breakdown of X's relationship with Muhammad Ali (14:47). After the break, Larry and Mark discuss how Alex Haley's posthumous autobiography of Malcolm X came together and examine the role its played in preserving Malcolm's historical significance (32:06). Finally, they end the pod by taking a hard look at the events surrounding Malcolm X's assassination and shining a light on the strength of his cultural legacy against Martin Luther King's (45:02). Host: Larry WilmoreGuest: Mark WhitakerProducers: Brandy LaPlante and Chris Sutton Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded at the most recent ACTC conference, this episode features Michael McShane—educator, writer, and Shakespearean interlocutor—in a wide-ranging discussion of King Lear with both Greg and Alex. The group examine the play's structural and philosophical dimensions, from the politics of authority and the aesthetics of suffering to questions of justice, recognition, and the limits of language. McShane brings a scholarly yet accessible lens to one of Shakespeare's most harrowing tragedies. Plus: the guys turn it over to the crowd and field a range of questions from the audience!

In the early 1600s, cotton fabrics made in India were in high demand throughout Asia and Africa. When the English and Dutch arrived in India and Japan, they realized how popular the fabric was, and they soon began to ship it back to northern Europe. In this episode, we explore how the 'cotton craze' of the 1600s shaped the modern world, and shaped the English language. We also examine the end of the Shakespearean period and the second English dictionary.

Verdi considered this character worthy of a Shakespearean tragedy, and he delivers just that! John Banther and Linda Carducci explore Verdi's masterpiece and show you what to listen for, intricacies of the characters and plot, the banned origin story, and so much more. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Mo Amer (Mo, The Vagabond, Black Adam) is an award-winning comedian and actor. Mo joins the Armchair Expert to discuss feeling anxiety only when there's something unsettled at home, embracing the responsibility of being a comic that's also made a personally and culturally meaningful thing, and the best part of his new show being that he gets to introduce different layers to his story. Mo and Dax talk about his brilliant telecommunications engineer father relocating their family from Palestine to Kuwait, living through the Iraqi invasion that catalyzed the Gulf War, and creating a supportive Sandlot brotherhood that still exists to this day. Mo explains how his teacher encouraging him to do Shakespearean standup rocketed his entry into comedy, performing some of the greatest sets of his life returning to Iraqi war zones, and the emotional rediscovery of long-lost home movies of his family and childhood.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andy Farnsworth joins KSL-TV to help audiences decipher #WhatToWatch for the weekend of May 9, 2025. A colorful palette and an earnest attempt at modernizing the classic Shakespearean tale just weren't enough to make Andy like "Juliet & Romeo.” But he did like watching season 2 of "Poker Face" on Peacock, with Natasha Lyonne returning in the clever murder-of-the-week series with an incredible lineup of guest stars in this new season. Also likable is "Nonnas", the new Vince Vaughn movie on Netflix. It's based on the true story of a guy on Long Island who opened a restaurant with grandmothers as chefs, cooking their favorite dishes for customers. And likeable for people other than Andy, "Fight or Flight" is an incredibly violent and bloody action comedy starring Josh Hartnett.   The brains behind Fan Effect are connoisseurs of categories surpassing nerdy with a goal to publish a weekly "What to Watch on the Weekend" minisode taken from KSL-TV's Friday segment, and two deep-dives a month on shows, creative works, artists, local events, and other fandom topics.  Based in the beautiful beehive state, Fan Effect celebrates Utah's unique fan culture as it has been declared The Nerdiest State in America by TIME, and is hosted by KSL Movie Show's Andy Farnsworth and KSL Podcasts' KellieAnn Halvorsen.  Listen regularly on your favorite platform, at kslnewsradio.com, or on the KSLNewsRadio App. Join the conversation on Facebook @FanEffectShow, or Instagram @FanEffectShow. Fan Effect is sponsored by Megaplex Theatres, Utah's premier movie entertainment company.

This one's got it all, y'all—chaos, comedy, costumes, and a couple of real-life lovebirds. In this jam-packed episode of Acting Up with GTC, hosts Micky Shearon and Matt Beutner are finally back in the studio after a whirlwind month of theatre madness. And oh, do they have stories to tell.First, we take you behind the scenes of Academy Weekend, where Seussical Kids and Julius Caesar somehow shared a stage—one filled with sunshine and singing cats, the other soaked in fake blood and Shakespearean betrayal. (Spoiler: Travis Trimble survives. Barely.)Then, it's all about Pride and Prejudice, our newest mainstage production. Director Haley Twaddle, along with stars Emmy Looney (Elizabeth Bennet) and JD Dvorak (Mr. Darcy), join the pod to dish on this dreamy Jane Kendall adaptation, the show's gorgeous garden set, and how real-life romance makes their on-stage chemistry absolutely swoon-worthy. Did we mention they just got engaged in a Pride & Prejudice-themed photoshoot? Swoon.Finally, fan-favorite Colton Lively drops in to spill the tea on the real magic behind GTC productions—wigs, wardrobe, and wig-out moments backstage.

This one's got it all, y'all—chaos, comedy, costumes, and a couple of real-life lovebirds. In this jam-packed episode of Acting Up with GTC, hosts Micky Shearon and Matt Beutner are finally back in the studio after a whirlwind month of theatre madness. And oh, do they have stories to tell.First, we take you behind the scenes of Academy Weekend, where Seussical Kids and Julius Caesar somehow shared a stage—one filled with sunshine and singing cats, the other soaked in fake blood and Shakespearean betrayal. (Spoiler: Travis Trimble survives. Barely.)Then, it's all about Pride and Prejudice, our newest mainstage production. Director Haley Twaddle, along with stars Emmy Looney (Elizabeth Bennet) and JD Dvorak (Mr. Darcy), join the pod to dish on this dreamy Jane Kendall adaptation, the show's gorgeous garden set, and how real-life romance makes their on-stage chemistry absolutely swoon-worthy. Did we mention they just got engaged in a Pride & Prejudice-themed photoshoot? Swoon.Finally, fan-favorite Colton Lively drops in to spill the tea on the real magic behind GTC productions—wigs, wardrobe, and wig-out moments backstage.

To be, or not to be? Aye, there's the central question at the heart of the classic work “Tommy Boy” the 1995 broad comedy starring the late Chris Farley. This movie is more than a work of staggering childish genius. It is also a sophisticated adaptation of “Hamlet,” as in, the Shakespeare one. Joining Tess for a close reading of “Tommy Boy” through a Shakespearean lens is the comedian and podcaster Lisa Chanoux @LisaChanoux. Listen to BBC's “In Our Time: Hamlet” Listen to the Hardcore Literature podcasts' Hamlet episode. Follow Pop Mystery Pod on Twitter, Instagram, and TikTok @popmysterypod Pop Mystery Pod is written and produced by Tess Barker @tesstifybarker. Produced by Tyler Hill. Theme song by Rick Wood @Rickw00d.Support independent pop journalism and join us on Patreon at Pop Mystery Pod. Get access to ad free episodes, bonus content, and polls about upcoming topics. patreon.com/PopMysteryPodFollow Tess's other podcasts Lady to Lady and Toxic: The Britney Spears Story wherever you get your pods. Make sure to leave us a review! And tell a friend about the show! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with author Julie Hammonds to discuss her debut novel, Blue Mountain Rose: A Novel in Five Acts. Set against the backdrop of a fictional Shakespeare festival in the Arizona mountains during the 2009 financial crisis, the story follows theater director Richard Keane, company manager Kate Morales, and enigmatic actor Peter Dunmore as they strive to save their beloved open-air stage. Julie shares insights into how Shakespeare's works inspired the novel's structure and themes, the challenges of portraying the behind-the-scenes world of theater, and the enduring relevance of the Bard's plays in times of personal and collective hardship. Whether you're a Shakespeare aficionado, a theater enthusiast, or a lover of character-driven narratives, this conversation offers a compelling look into the intersections of art, community, and resilience. Blue Mountain Rose is now available at booksellers near you and on our Bookshop.com storefront. About Julie Hammonds Julie Hammonds fell in love with Hamlet during a high school trip to the Oregon Shakespeare Festival and has nurtured her passion for Shakespeare ever since. She learned to run a light board on an Army base in South Korea, studied the plays on her own and in school, stage-managed The Winter's Tale and Much Ado About Nothing, and became the founding board president of the Flagstaff Shakespeare Festival. Along the way, she decided to complete the canon as an audience member by seeing Shakespeare's plays performed on as many different stages as she can reach. The quest has taken her from a community hall in Juneau, Alaska, to the noteworthy festivals in Stratford, Ontario, and Cedar City, Utah, to Shakespeare's Globe in London and the Royal Shakespeare Company in Stratford-upon-Avon. She has four plays to go. This is her first novel. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Hammonds, Julie C. Blue Mountain Rose: A Novel in Five Acts. Soulstice Publishing, LLC, 2025.  

Much has been made of the hallucinatory qualities of OpenAI's ChatGPT product. But as the Wall Street Journal's resident authority on OpenAI, Keach Hagey notes, perhaps the most hallucinatory feature the $300 billion start-up co-founded by the deadly duo of Sam Altman and Elon Musk is its attempt to be simultaneously a for-profit and non-profit company. As Hagey notes, the double life of this double company reached a surreal climax this week when Altman announced that OpenAI was abandoning its promised for-profit conversion. So what, I asked Hagey, are the implications of this corporate volte-face for investors who have poured billions of real dollars into the non-profit in order to make a profit? Will they be Waiting For Godot to get their returns?As Hagey - whose excellent biography of Altman, The Optimist, is out in a couple of weeks - explains, this might be the story of the hubristic 2020's. She speaks of Altman's astonishingly (even for Silicon Valley) hubris in believing that he can get away with the alchemic conceit of inventing a multi trillion dollar for-profit non-profit company. Yes, you can be half-pregnant, Sam is promising us. But, as she warns, at some point this will be exposed as fantasy. The consequences might not exactly be another Enron or FTX, but it will have ramifications way beyond beyond Silicon Valley. What will happen, for example, if future investors aren't convinced by Altman's fantasy and OpenAI runs out of cash? Hagey suggests that the OpenAI story may ultimately become a political drama in which a MAGA President will be forced to bail out America's leading AI company. It's TikTok in reverse (imagine if Chinese investors try to acquire OpenAI). Rather than the conveniently devilish Elon Musk, my sense is that Sam Altman is auditioning to become the real Jay Gatsby of our roaring twenties. Last month, Keach Hagey told me that Altman's superpower is as a salesman. He can sell anything to anyone, she says. But selling a non-profit to for-profit venture capitalists might even be a bridge too far for Silicon Valley's most hallucinatory optimist. Five Key Takeaways * OpenAI has abandoned plans to convert from a nonprofit to a for-profit structure, with pressure coming from multiple sources including attorneys general of California and Delaware, and possibly influenced by Elon Musk's opposition.* This decision will likely make it more difficult for OpenAI to raise money, as investors typically want control over their investments. Despite this, Sam Altman claims SoftBank will still provide the second $30 billion chunk of funding that was previously contingent on the for-profit conversion.* The nonprofit structure creates inherent tensions within OpenAI's business model. As Hagey notes, "those contradictions are still there" after nearly destroying the company once before during Altman's brief firing.* OpenAI's leadership is trying to position this as a positive change, with plans to capitalize the nonprofit and launch new programs and initiatives. However, Hagey notes this is similar to what Altman did at Y Combinator, which eventually led to tensions there.* The decision is beneficial for competitors like XAI, Anthropic, and others with normal for-profit structures. Hagey suggests the most optimistic outcome would be OpenAI finding a way to IPO before "completely imploding," though how a nonprofit-controlled entity would do this remains unclear.Keach Hagey is a reporter at The Wall Street Journal's Media and Marketing Bureau in New York, where she focuses on the intersection of media and technology. Her stories often explore the relationships between tech platforms like Facebook and Google and the media. She was part of the team that broke the Facebook Files, a series that won a George Polk Award for Business Reporting, a Gerald Loeb Award for Beat Reporting and a Deadline Award for public service. Her investigation into the inner workings of Google's advertising-technology business won recognition from the Society for Advancing Business Editing and Writing (Sabew). Previously, she covered the television industry for the Journal, reporting on large media companies such as 21st Century Fox, Time Warner and Viacom. She led a team that won a Sabew award for coverage of the power struggle inside Viacom. She is the author of “The King of Content: Sumner Redstone's Battle for Viacom, CBS and Everlasting Control of His Media Empire,” published by HarperCollins. Before joining the Journal, Keach covered media for Politico, the National in Abu Dhabi, CBS News and the Village Voice. She has a bachelor's and a master's in English literature from Stanford University. She lives in Irvington, N.Y., with her husband, three daughters and dog.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Full TranscriptAndrew Keen: Hello, everybody. It is May the 6th, a Tuesday, 2025. And the tech media is dominated today by OpenAI's plan to convert its for-profit business to a non-profit side. That's how the Financial Times is reporting it. New York Times says that OpenAI, and I'm quoting them, backtracks on plans to drop nonprofit control and the Wall Street Journal, always very authoritative on the tech front, leads with Open AI abandons planned for profit conversion. The Wall Street Journal piece is written by Keach Hagey, who is perhaps America's leading authority on OpenAI. She was on the show a couple of months ago talking about Sam Altman's superpower which is as a salesman. Keach is also the author of an upcoming book. It's out in a couple weeks, "The Optimist: Sam Altman, OpenAI and the Race to Invent the Future." And I'm thrilled that Keach has been remarkably busy today, as you can imagine, found a few minutes to come onto the show. So, Keach, what is Sam selling here? You say he's a salesman. He's always selling something or other. What's the sell here?Keach Hagey: Well, the sell here is that this is not a big deal, right? The sell is that, this thing they've been trying to do for about a year, which is to make their company less weird, it's not gonna work. And as he was talking to the press yesterday, he was trying to suggest that they're still gonna be able to fundraise, that these folks that they promised that if you give us money, we're gonna convert to a for-profit and it's gonna be much more normal investment for you, but they're gonna get that money, which is you know, a pretty tough thing. So that's really, that's what he's selling is that this is not disruptive to the future of OpenAI.Andrew Keen: For people who are just listening, I'm looking at Keach's face, and I'm sensing that she's doing everything she can not to burst out laughing. Is that fair, Keach?Keach Hagey: Well, it'll remain to be seen, but I do think it will make it a lot harder for them to raise money. I mean, even Sam himself said as much during the talk yesterday that, you know, investors would like to be able to have some say over what happens to their money. And if you're controlled by a nonprofit organization, that's really tough. And what they were trying to do was convert to a new world where investors would have a seat at the table, because as we all remember, when Sam got briefly fired almost two years ago. The investors just helplessly sat on the sidelines and didn't have any say in the matter. Microsoft had absolutely no role to play other than kind of cajoling and offering him a job on the sidelines. So if you're gonna try to raise money, you really need to be able to promise some kind of control and that's become a lot harder.Andrew Keen: And the ramifications more broadly on this announcement will extend to Microsoft and Microsoft stock. I think their stock is down today. We'll come to that in a few minutes. Keach, there was an interesting piece in the week, this week on AI hallucinations are getting worse. Of course, OpenAI is the dominant AI company with their ChatGPT. But is this also kind of hallucination? What exactly is going on here? I have to admit, and I always thought, you know, I certainly know more about tech than I do about other subjects, which isn't always saying very much. But I mean, either you're a nonprofit or you're a for-profit, is there some sort of hallucinogenic process going on where Sam is trying to sell us on the idea that OpenAI is simultaneously a for profit and a nonprofit company?Keach Hagey: Well, that's kind of what it is right now. That's what it had sort of been since 2019 or when it spun up this strange structure where it had a for-profit underneath a nonprofit. And what we saw in the firing is that that doesn't hold. There's gonna come a moment when those two worlds are going to collide and it nearly destroyed the company. To be challenging going forward is that that basic destabilization that like unstable structure remains even though now everything is so much bigger there's so much more money coursing through and it's so important for the economy. It's a dangerous position.Andrew Keen: It's not so dangerous, you seem still faintly amused. I have to admit, I'm more than faintly amused, it's not too bothersome for us because we don't have any money in OpenAI. But for SoftBank and the other participants in the recent $40 billion round of investment in OpenAI, this must be, to say the least, rather disconcerting.Keach Hagey: That was one of the biggest surprises from the press conference yesterday. Sam Altman was asked point blank, is SoftBank still going to give you this sort of second chunk, this $30 billion second chunk that was contingent upon being able to convert to a for-profit, and he said, quite simply, yes. Who knows what goes on in behind the scenes? I think we're gonna find out probably a lot more about that. There are many unanswered questions, but it's not great, right? It's definitely not great for investors.Andrew Keen: Well, you have to guess at the very minimum, SoftBank would be demanding better terms. They're not just going to do the same thing. I mean, it suddenly it suddenly gives them an additional ace in their hand in terms of negotiation. I mean this is not some sort of little startup. This is 30 or 40 billion dollars. I mean it's astonishing number. And presumably the non-public conversations are very interesting. I'm sure, Keach, you would like to know what's being said.Keach Hagey: Don't know yet, but I think your analysis is pretty smart on this matter.Andrew Keen: So if you had to guess, Sam is the consummate salesman. What did he tell SoftBank before April to close the round? And what is he telling them now? I mean, how has the message changed?Keach Hagey: One of the things that we see a little bit about this from the messaging that he gave to the world yesterday, which is this is going to be a simpler structure. It is going to be slightly more normal structure. They are changing the structure a little bit. So although the non-profit is going to remain in charge, the thing underneath it, the for-profit, is going change its structure a little bit and become kind of a little more normal. It's not going to have this capped profit thing where, you know, the investors are capped at 100 times what they put in. So parts of it are gonna become more normal. For employees, it's probably gonna be easier for them to get equity and things like that. So I'm sure that that's part of what he's selling, that this new structure is gonna be a little bit better, but it's not gonna be as good as what they were trying to do.Andrew Keen: Can Sam? I mean, clearly he has sold it. I mean as we joked earlier when we talked, Sam could sell ice to the Laplanders or sand to the Saudis. But these people know Sam. It's no secret that he's a remarkable salesman. That means that sometimes you have to think carefully about what he's saying. What's the impact on him? To what extent is this decision one more chip on the Altman brand?Keach Hagey: It's a setback for sure, and it's kind of a win for Elon Musk, his rival.Andrew Keen: Right.Keach Hagey: Elon has been suing him, Elon has been trying to block this very conversion. And in the end, it seems like it was actually the attorneys general of California and Delaware that really put the nail in the coffin here. So there's still a lot to find out about exactly how it all shook out. There were actually huge campaigns as well, like in the streets, billboards, posters. Polls saying, trying to put pressure on the attorney general to block this thing. So it was a broad coalition, I think, that opposed the conversion, and you can even see that a little bit in their speech. But you got to admit that Elon probably looked at this and was happy.Andrew Keen: And I'm sure Elon used his own X platform to promote his own agenda. Is this an example, Keach, in a weird kind of way of the plebiscitary politics now of Silicon Valley is that titans like Altman and Musk are fighting out complex corporate economic battles in the naked public of social media.Keach Hagey: Yes, in the naked public of social media, but what we're also seeing here is that it's sort of, it's become through the apparatus of government. So we're seeing, you know, Elon is in the Doge office and this conversion is really happening in the state AG's houses. So that's what's sort interesting to me is these like private fights have now expanded to fill both state and federal government.Andrew Keen: Last time we talked, I couldn't find the photo, but there was a wonderful photo of, I think it was Larry Ellison and Sam Altman in the Oval Office with Trump. And Ellison looked very excited. He looked extremely old as well. And Altman looked very awkward. And it's surprising to see Altman look awkward because generally he doesn't. Has Trump played a role in this or is he keeping out of it?Keach Hagey: As far as my current reporting right now, we have no reporting that Trump himself was directly involved. I can't go further than that right now.Andrew Keen: Meaning that you know something that you're not willing to ignore.Keach Hagey: Just I hope you keep your subscription to the Wall Street Journal on what role the White House played, I would say. But as far as that awkwardness, I don't know if you noticed that there was a box that day for Masa Yoshison to see.Andrew Keen: Oh yeah, and Son was in the office too, right, that was the third person.Keach Hagey: So it was a box in the podium, which I think contributed to the awkwardness of the day, because he's not a tall man.Andrew Keen: Right. To put it politely. The way that OpenAI spun it, in classic Sam Altman terms, is new funding to build towards AGI. So it's their Altman-esque use of the public to vindicate this new investment, is this just more quote unquote, and this is my word. You don't have to agree with it. Just sales pitch or might even be dishonesty here. I mean, the reality is, is new funding to build towards AGI, which is, artificial general intelligence. It's not new funding, to build toward AGI. It's new funding to build towards OpenAI, there's no public benefit of any of this, is there?Keach Hagey: Well, what they're saying is that the nonprofit will be capitalized and will sort of be hiring up and doing a bunch more things that it wasn't really doing. We'll have programs and initiatives and all of that. Which really, as someone who studied Sam's life, this sounds really a lot like what he did at Y Combinator. When he was head of Y Combinator, he also spun up a nonprofit arm, which is actually what OpenAI grew out of. So I think in Sam's mind, a nonprofit there's a place to go. Sort of hash out your ideas, it's a place to kind of have pet projects grow. That's where he did things like his UBI study. So I can sort of see that once the AGs are like, this is not gonna happen, he's like, great, we'll just make a big nonprofit and I'll get to do all these projects I've always wanted to do.Andrew Keen: Didn't he get thrown out of Y Combinator by Paul Graham for that?Keach Hagey: Yes, a little bit. You know, I would say there's a general mutiny for too much of that kind of stuff. Yeah, it's true. People didn't love it, and they thought that he took his eye off the ball. A little bit because one of those projects became OpenAI, and he became kind of obsessed with it and stopped paying attention. So look, maybe OpenAI will spawn the next thing, right? And he'll get distracted by that and move on.Andrew Keen: No coincidence, of course, that Sam went on to become a CEO of OpenAI. What does it mean for the broader AI ecosystem? I noted earlier you brought up Microsoft. I mean, I think you've already written on this and lots of other people have written about the fact that the relationship between OpenAI and Microsoft has cooled dramatically. As well as between Nadella and Altman. What does this mean for Microsoft? Is it a big deal?Keach Hagey: They have been hashing this out for months. So it is a big deal in that it will change the structure of their most important partner. But even before this, Microsoft and OpenAI were sort of locked in negotiations over how large and how Microsoft's stake in this new OpenAI will be valued. And that still has to be determined, regardless of whether it's a non-profit or a for-profit in charge. And their interests are diverging. So those negotiations are not as warm as they maybe would have been a few years ago.Andrew Keen: It's a form of polyamory, isn't it? Like we have in Silicon Valley, everyone has sex with everybody else, to put it politely.Keach Hagey: Well, OpenAI does have a new partner in Oracle. And I would expect them to have many more in terms of cloud computing partners going forward. It's just too much risk for any one company to build these huge and expensive data centers, not knowing that OpenAI is going to exist in a certain number of years. So they have to diversify.Andrew Keen: Keach, you know, this is amusing and entertaining and Altman is a remarkable individual, able to sell anything to anyone. But at what point are we really on the Titanic here? And there is such a thing as an iceberg, a real thing, whatever Donald Trump or other manufacturers of ontologies might suggest. At some point, this thing is going to end in a massive disaster.Keach Hagey: Are you talking about the Existence Force?Andrew Keen: I'm not talking about the Titanic, I'm talking about OpenAI. I mean, Parmi Olson, who's the other great authority on OpenAI, who won the FT Book of the Year last year, she's been on the show a couple of times, she wrote in Bloomberg that OpenAI can't have its money both ways, and that's what Sam is trying to do. My point is that we can all point out, excuse me, the contradictions and the hypocrisy and all the rest of it. But there are laws of gravity when it comes to economics. And at a certain point, this thing is going to crash, isn't it? I mean, what's the metaphor? Is it Enron? Is it Sam Bankman-Fried? What kind of examples in history do we need to look at to try and figure out what really is going on here?Keach Hagey: That's certainly one possibility, and there are a good number of people who believe that.Andrew Keen: Believe what, Enron or Sam Bankman-Fried?Keach Hagey: Oh, well, the internal tensions cannot hold, right? I don't know if fraud is even necessary so much as just, we've seen it, we've already seen it happen once, right, the company almost completely collapsed one time and those contradictions are still there.Andrew Keen: And when you say it happened, is that when Sam got pushed out or was that another or something else?Keach Hagey: No, no, that's it, because Sam almost got pushed out and then all of the funders would go away. So Sam needs to be there for them to continue raising money in the way that they have been raising money. And that's really going to be the question. How long can that go on? He's a young man, could go on a very long time. But yeah, I think that really will determine whether it's a disaster or not.Andrew Keen: But how long can it go on? I mean, how long could Sam have it both ways? Well, there's a dream. I mean maybe he can close this last round. I mean he's going to need to raise more than $40 billion. This is such a competitive space. Tens of billions of dollars are being invested almost on a monthly basis. So this is not the end of the road, this $40-billion investment.Keach Hagey: Oh, no. And you know, there's talk of IPO at some point, maybe not even that far away. I don't even let me wrap my mind around what it would be for like a nonprofit to have a controlling share at a public company.Andrew Keen: More hallucinations economically, Keach.Keach Hagey: But I mean, IPO is the exit for investors, right? That's the model, that is the Silicon Valley model. So it's going to have to come to that one way or another.Andrew Keen: But how does it work internally? I mean, for the guys, the sales guys, the people who are actually doing the business at OpenAI, they've been pretty successful this year. The numbers are astonishing. But how is this gonna impact if it's a nonprofit? How does this impact the process of selling, of building product, of all the other internal mechanics of this high-priced startup?Keach Hagey: I don't think it will affect it enormously in the short term. It's really just a question of can they continue to raise money for the enormous amount of compute that they need. So so far, he's been able to do that, right? And if that slows up in any way, they're going to be in trouble. Because as Sam has said many times, AI has to be cheap to be actually useful. So in order to, you know, for it to be widespread, for to flow like water, all of those things, it's got to be cheap and that's going to require massive investment in data centers.Andrew Keen: But how, I mean, ultimately people are putting money in so that they get the money back. This is not a nonprofit endeavor to put 40 billion from SoftBank. SoftBank is not in the nonprofit business. So they're gonna need their money back and the only way they generally, in my understanding, getting money back is by going public, especially with these numbers. How can a nonprofit go public?Keach Hagey: It's a great question. That's what I'm just phrasing. I mean, this is, you know, you talk to folks, this is what's like off in the misty distance for them. It's an, it's a fascinating question and one that we're gonna try to answer this week.Andrew Keen: But you look amused. I'm no financial genius. Everyone must be asking the same question.Keach Hagey: Well, the way that they've said it is that the for-profit will be, will have a, the non-profit will control the for profit and be the largest shareholder in it, but the rest of the shares could be held by public markets theoretically. That's a great question though.Andrew Keen: And lawyers all over the world must be wrapping their hands. I mean, in the very best case, it's gonna be lawsuits on this, people suing them up the wazoo.Keach Hagey: It's absolutely true. You should see my inbox right now. It's just like layers, layers, layer.Andrew Keen: Yeah, my wife. My wife is the head of litigation. I don't know if I should be saying this publicly anyway, I am. She's the head of Litigation at Google. And she lost some of her senior people and they all went over to AI. I'm big, I'm betting that they regret going over there can't be much fun being a lawyer at OpenAI.Keach Hagey: I don't know, I think it'd be great fun. I think you'd have like enormous challenges and have lots of billable hours.Andrew Keen: Unless, of course, they're personally being sued.Keach Hagey: Hopefully not. I mean, look, it is a strange and unprecedented situation.Andrew Keen: To what extent is this, if not Shakespearean, could have been written by some Greek dramatist? To what extend is this symbolic of all the hype and salesmanship and dishonesty of Silicon Valley? And in a sense, maybe this is a final scene or a penultimate scene in the Silicon Valley story of doing good for the world. And yet, of course, reaping obscene profit.Keach Hagey: I think it's a little bit about trying to have your cake and eat it too, right? Trying to have the aura of altruism, but also make something and make a lot of money. And what it seems like today is that if you started as a nonprofit, it's like a black hole. You can never get out. There's no way to get out, and that idea was just like maybe one step too clever when they set it up in the beginning, right. It seemed like too good to be true because it was. And it might end up really limiting the growth of the company.Andrew Keen: Is Sam completely in charge here? I mean, a number of the founders have left. Musk, of course, when you and I talked a couple of months ago, OpenAI came out of conversations between Musk and Sam. Is he doing this on his own? Does he have lieutenants, people who he can rely on?Keach Hagey: Yeah, I mean, he does. He has a number of folks that have been there, you know, a long time.Andrew Keen: Who are they? I mean, do we know their names?Keach Hagey: Oh, sure. Yeah. I mean, like Brad Lightcap and Jason Kwon and, you know, just they're they're Greg Brockman, of course, still there. So there are a core group of executives that have that have been there pretty much from the beginning, close to it, that he does trust. But if you're asking, like, is Sam really in control of this whole thing? I believe the answer is yes. Right. He is on the board of this nonprofit, and that nonprofit will choose the board of the for-profit. So as long as that's the case, he's in charge.Andrew Keen: How divided is OpenAI? I mean, one of the things that came out of the big crisis, what was it, 18 months ago when they tried to push him out, was it was clearly a profoundly divided company between those who believed in the nonprofit mission versus the for-profit mission. Are those divisions still as acute within the company itself? It must be growing. I don't know how many thousands of people work.Keach Hagey: It has grown very fast. It is not as acute in my experience. There was a time when it was really sort of a warring of tribes. And after the blip, as they call it, a lot of those more safety focused people, people that subscribe to effective altruism, left or were kind of pushed out. So Sam took over and kind of cleaned house.Andrew Keen: But then aren't those people also very concerned that it appears as if Sam's having his cake and eating it, having it both ways, talking about the company being a non-profit but behaving as if it is a for-profit?Keach Hagey: Oh, yeah, they're very concerned. In fact, a number of them have signed on to this open letter to the attorneys general that dropped, I don't know, a week and a half ago, something like that. You can see a number of former OpenAI employees, whistleblowers and others, saying this very thing, you know, that the AG should block this because it was supposed to be a charitable mission from the beginning. And no amount of fancy footwork is gonna make it okay to toss that overboard.Andrew Keen: And I mean, in the best possible case, can Sam, the one thing I think you and I talked about last time is Sam clearly does, he's not driven by money. There's something else. There's some other demonic force here. Could he theoretically reinvent the company so that it becomes a kind of AI overlord, a nonprofit AI overlord for our 21st century AI age?Keach Hagey: Wow, well I think he sometimes thinks of it as like an AI layer and you know, is this my overlord? Might be, you know.Andrew Keen: As long as it's not made in China, I hope it's made in India or maybe in Detroit or something.Keach Hagey: It's a very old one, so it's OK. But it's really my attention overlord, right? Yeah, so I don't know about the AI overlord part. Although it's interesting, Sam from the very beginning has wanted there to be a democratic process to control what decision, what kind of AI gets built and what are the guardrails for AGI. As long as he's there.Andrew Keen: As long as he's the one determining it, right?Keach Hagey: We talked about it a lot in the very beginning of the company when things were smaller and not so crazy. And what really strikes me is he doesn't really talk about that much anymore. But what we did just see is some advocacy organizations that kind of function in that exact way. They have voters all over the world and they all voted on, hey, we want you guys to go and try to that ended up having this like democratic structure for deciding the future of AI and used it to kind of block what he was trying to do.Andrew Keen: What are the implications for OpenAI's competitors? There's obviously Anthropic. Microsoft, we talked about a little bit, although it's a partner and a competitor simultaneously. And then of course there's Google. I assume this is all good news for the competition. And of course XAI.Keach Hagey: It is good news, especially for a company like XAI. I was just speaking to an XAI investor today who was crowing. Yeah, because those companies don't have this weird structure. Only OpenAI has this strange nonprofit structure. So if you are an investor who wants to have some exposure to AI, it might just not be worth the headache to deal with the uncertainty around the nonprofit, even though OpenAI is like the clear leader. It might be a better bet to invest in Anthropic or XAI or something else that has just a normal for-profit structure.Andrew Keen: Yeah. And it's hard to actually quote unquote out-Trump, Elon Musk on economic subterfuge. But Altman seems to have done that. I mean, Musk, what he folded X into XAI. It was a little bit of controversy, but he seems to got away with it. So there is a deep hostility between these two men, which I'm assuming is being compounded by this process.Keach Hagey: Absolutely. Again, this is a win for Elon. All these legal cases and Elon trying to buy OpenAI. I remember that bid a few months ago where he actually put a number on it. All that was about trying to block the for-profit conversion because he's trying to stop OpenAI and its tracks. He also claims they've abandoned their mission, but it's always important to note that it's coming from a competitor.Andrew Keen: Could that be a way out of this seeming box? Keach, a company like XAI or Microsoft or Google, or that probably wouldn't happen on the antitrust front, would buy OpenAI as maybe a nonprofit and then transform it into a for-profit company?Keach Hagey: Maybe you and Sam should get together and hash that out. That's the kind ofAndrew Keen: Well Sam, I'm available to be hired if you're watching. I'll probably charge less than your current consigliere. What's his name? Who's the consiglieri who's working with him on this?Keach Hagey: You mean Chris Lehane?Andrew Keen: Yes, Chris Lehane, the ego.Keach Hagey: Um,Andrew Keen: How's Lehane holding up in this? Do you think he's getting any sleep?Keach Hagey: Well, he's like a policy guy. I'm sure this has been challenging for everybody. But look, you are pointing to something that I think is real, which is there will probably be consolidation at some point down the line in AI.Andrew Keen: I mean, I know you're not an expert on the maybe sort of corporate legal stuff, but is it in theory possible to buy a nonprofit? I don't even know how you buy a non-profit and then turn it into a for-profit. I mean is that one way out of this, this cul-de-sac?Keach Hagey: I really don't know the answer to that question, to be honest with you. I can't think of another example of it happening. So I'm gonna go with no, but I don't now.Andrew Keen: There are no equivalents, sorry to interrupt, go on.Keach Hagey: No, so I was actually asking a little bit, are there precedents for this? And someone mentioned Blue Cross Blue Shield had gone from being a nonprofit to a for-profit successfully in the past.Andrew Keen: And we seem a little amused by that. I mean, anyone who uses US health care as a model, I think, might regret it. Your book, The Optimist, is out in a couple of weeks. When did you stop writing it?Keach Hagey: The end of December, end of last year, was pencils fully down.Andrew Keen: And I'm sure you told the publisher that that was far too long a window. Seven months on Silicon Valley is like seven centuries.Keach Hagey: It was actually a very, very tight timeline. They turned it around like incredibly fast. Usually it'sAndrew Keen: Remarkable, yeah, exactly. Publishing is such, such, they're such quick actors, aren't they?Keach Hagey: In this case, they actually were, so I'm grateful for that.Andrew Keen: Well, they always say that six months or seven months is fast, but it is actually possible to publish a book in probably a week or two, if you really choose to. But in all seriousness, back to this question, I mean, and I want everyone to read the book. It's a wonderful book and an important book. The best book on OpenAI out. What would you have written differently? Is there an extra chapter on this? I know you warned about a lot of this stuff in the book. So it must make you feel in some ways quite vindicated.Keach Hagey: I mean, you're asking if I'd had a longer deadline, what would I have liked to include? Well, if you're ready.Andrew Keen: Well, if you're writing it now with this news under your belt.Keach Hagey: Absolutely. So, I mean, the thing, two things, I guess, definitely this news about the for-profit conversion failing just shows the limits of Sam's power. So that's pretty interesting, because as the book was closing, we're not really sure what those limits are. And the other one is Trump. So Trump had happened, but we do not yet understand what Trump 2.0 really meant at the time that the book was closing. And at that point, it looked like Sam was in the cold, you know, he wasn't clear how he was going to get inside Trump's inner circle. And then lo and behold, he was there on day one of the Trump administration sharing a podium with him announcing that Stargate AI infrastructure investment. So I'm sad that that didn't make it into the book because it really just shows the kind of remarkable character he is.Andrew Keen: He's their Zelig, but then we all know what happened to Woody Allen in the end. In all seriousness, and it's hard to keep a straight face here, Keach, and you're trying although you're not doing a very good job, what's going to happen? I know it's an easy question to ask and a hard one to answer, but ultimately this thing has to end in catastrophe, doesn't it? I use the analogy of the Titanic. There are real icebergs out there.Keach Hagey: Look, there could be a data breach. I do think that.Andrew Keen: Well, there could be data breaches if it was a non-profit or for-profit, I mean, in terms of this whole issue of trying to have it both ways.Keach Hagey: Look, they might run out of money, right? I mean, that's one very real possibility. They might run outta money and have to be bought by someone, as you said. That is a totally real possibility right now.Andrew Keen: What would happen if they couldn't raise any more money. I mean, what was the last round, the $40 billion round? What was the overall valuation? About $350 billion.Keach Hagey: Yeah, mm-hmm.Andrew Keen: So let's say that they begin to, because they've got, what are their hard costs monthly burn rate? I mean, it's billions of just.Keach Hagey: Well, the issue is that they're spending more than they are making.Andrew Keen: Right, but you're right. So they, let's say in 18 months, they run out of runway. What would people be buying?Keach Hagey: Right, maybe some IP, some servers. And one of the big questions that is yet unanswered in AI is will it ever economically make sense, right? Right now we are all buying the possibility of in the future that the costs will eventually come down and it will kind of be useful, but that's still a promise. And it's possible that that won't ever happen. I mean, all these companies are this way, right. They are spending far, far more than they're making.Andrew Keen: And that's the best case scenario.Keach Hagey: Worst case scenario is the killer robots murder us all.Andrew Keen: No, what I meant in the best case scenario is that people are actually still without all the blow up. I mean, people are actual paying for AI. I mean on the one hand, the OpenAI product is, would you say it's successful, more or less successful than it was when you finished the book in December of last year?Keach Hagey: Oh, yes, much more successful. Vastly more users, and the product is vastly better. I mean, even in my experience, I don't know if you play with it every day.Andrew Keen: I use Anthropic.Keach Hagey: I use both Claude and ChatGPT, and I mean, they're both great. And I find them vastly more useful today than I did even when I was closing the book. So it's great. I don't know if it's really a great business that they're only charging me $20, right? That's great for me, but I don't think it's long term tenable.Andrew Keen: Well, Keach Hagey, your new book, The Optimist, your new old book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. I hope you're writing a sequel. Maybe you should make it The Pessimist.Keach Hagey: I think you might be the pessimist, Andrew.Andrew Keen: Well, you're just, you are as pessimistic as me. You just have a nice smile. I mean, in all reality, what's the most optimistic thing that can come out of this?Keach Hagey: The most optimistic is that this becomes a product that is actually useful, but doesn't vastly exacerbate inequality.Andrew Keen: No, I take the point on that, but in terms of this current story of this non-profit versus profit, what's the best case scenario?Keach Hagey: I guess the best case scenario is they find their way to an IPO before completely imploding.Andrew Keen: With the assumption that a non-profit can do an IPO.Keach Hagey: That they find the right lawyers from wherever they are and make it happen.Andrew Keen: Well, AI continues its hallucinations, and they're not in the product themselves. I think they're in their companies. One of the best, if not the best authority, our guide to all these hallucinations in a corporate level is Keach Hagey, her new book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. Essential reading for anyone who wants to understand Sam Altman as the consummate salesman. And I think one thing we can say for sure, Keach, is this is not the end of the story. Is that fair?Keach Hagey: Very fair. Not the end of the story. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Prince Hamlet collides with Śrīmad Bhāgavatam in this mind-bending episode on the illusion of “good and bad.” Raghunath and Kaustubha explore Bhakti Yoga, mental programming, and the transformative power of staying steady amid life's chaos. They unpack a verse that flips the spiritual script: liberation doesn't require a cave—it requires clarity. With vegan cheesecake hangovers, Tom Sawyer tricks, and a dose of Shakespearean angst, this episode reveals how kings lived as yogis—and how your own messy, modern life can become sacred ground for spiritual evolution. Key Highlights: •⁠  ⁠“There is nothing either good or bad, but thinking makes it so.” — Hamlet (and basically the Bhāgavatam too) •⁠  ⁠Why your mind is a meaning-making machine—and how that distorts reality •⁠  ⁠Eastern philosophy says good and bad are illusions—here's what that really means •⁠  ⁠The Bhagavad-gītā's bold message: you can transcend duality without renouncing your responsibilities •⁠  ⁠How tolerance is the first quality of a true sadhu or yogi •⁠  ⁠Why red isn't good, blue isn't bad, and Denmark is just a mindset

We continue through Chris's second hand DVD collection with another film that, unbelievably, also has no direct involvement with Roger Corman. It's 1999's The Prince and the Surfer, which barely involves any surfing at all. Cash Canty (Sean Kellman) is a, and I cannot stress this enough, SKATEBOARD (not surfer) kid who spends his days as Southern California teenagers in films like this typically do: hanging out by the half pipe, saying "whatever" to his friends, not going to school. But after breaking into a swanky hotel, he finds a young prince of the made up country of Gelfland is his exact double! To adhere to the Twain plot, they switch places and then do... stuff. Prince Edward (also Kellman) hangs out with Cash's friends, including the pigtailed Mel (Linda Cardellini). Meanwhile Cash goes about seducing Edward's betrothed Galina (Katie Johnson). But the queen's evil vizier Kratski (Robert Englund) has ulterior motives for the visit to the United States. He wants to sell Gelfland to a mini-golf empire and turn it into Golfland. Also, Cash's dad Johnny (Timothy Bottoms, who is uncredited because they forgot to credit him) falls in love with Queen Albertina (Jennifer O'Neill). It's all very Shakespearean, except nothing really happens at the end and instead of a mass wedding we get a rushed epilogue read by some surfer dude to try to convince us this movie had anything to do with surfing. And for whatever reason, in the Tubi version Jon Voight appears in a poorly mic'd intro where he says he wants to see more modern Mark Train adaptations because he is a "concerned father." Lol.

Prince Hamlet collides with Śrīmad Bhāgavatam in this mind-bending episode on the illusion of “good and bad.” Raghunath and Kaustubha explore Bhakti Yoga, mental programming, and the transformative power of staying steady amid life's chaos. They unpack a verse that flips the spiritual script: liberation doesn't require a cave—it requires clarity. With vegan cheesecake hangovers, Tom Sawyer tricks, and a dose of Shakespearean angst, this episode reveals how kings lived as yogis—and how your own messy, modern life can become sacred ground for spiritual evolution. Key Highlights: •⁠  ⁠“There is nothing either good or bad, but thinking makes it so.” — Hamlet (and basically the Bhāgavatam too) •⁠  ⁠Why your mind is a meaning-making machine—and how that distorts reality •⁠  ⁠Eastern philosophy says good and bad are illusions—here's what that really means •⁠  ⁠The Bhagavad-gītā's bold message: you can transcend duality without renouncing your responsibilities •⁠  ⁠How tolerance is the first quality of a true sadhu or yogi •⁠  ⁠Why red isn't good, blue isn't bad, and Denmark is just a mindset

I receive a job offer... Accepting this offer sets me on a Shakespearean odyssey, a strange journey of tantalising opportunities, promises that can't possibly be kept and of strange portents. I also have a fight by a river. It's a podcast that sets one man's raging ambition against the remorseless wheel of fate, as he battles to achieve his ultimate goal of earning a relatively easy £400 quid. Music and Effects from zapsplat.com

Rebecca is on vacation, but Tori, Jeff, and Nancy chat about Andor season 2, episodes 1-3. We discuss the strength of the character arcs in the episodes and ponder if anyone will change sides during the season. Shakespearean influence is identified as are some vibes from other science fiction properties like 'BSG,' 'Independence Day,' and 'Star Trek.' We work on getting the timeline straight--what events are happening in these episodes in comparison to other events that are happening in other Star Wars properties. We are enjoying the season so far and are excited to see what happens next.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoStar Wars Style March & Battle Music | Humanoide Media Music by Luis Humanoide from PixabaySourcesNew Rock Stars | Andor Season 2 Premiere Breakdown! | YouTube

Elizabeth Percy, 1st Duchess of Northumberland, who lived at Alnwick Castle in the middle decades of the 18th century, was a collector, courtier and artistic patron. But did you know she was also a regular theatregoer?Her many diaries include various mentions of plays she saw, some of which were by William Shakespeare, and her collections include miniature portraits of famous actors and actresses. But what was Shakespeare and the theatre like for Georgian audiences? How did it change during the 1st Duchess' lifetime? And why is the 18th century important in the history of Shakespeare?To find out more, we spoke to our regular Shakespearean expert, Ronan Paterson, and another special guest. Professor Ryuta Minami, of the Tokyo Keizai University of Economics, is an expert in theatre of the 17th and 18th centuries, and joined us for a fascinating conversation.Among other things, you will hear how theatre and acting changed during this time, and how Shakespeare was changed for Georgian tastes; stories of the great actors of the 18th century, especially David Garrick, who had a few connections to the 1st Duchess; and Northumberland's own theatre history and traditions.Speaking of this, we have a Shakespeare troupe visiting us this summer! The Three Inch Fools bring their production of A Midsummer Night's Dream to Alnwick Castle on 22 July. Find tickets on our website, by searching Three Inch Fools At Alnwick Castle, or by visiting https://www.eventbrite.co.uk/e/a-midsummer-nights-dream-presented-by-the-three-inch-fools-tickets-1289546200399 . It's one of our favourite plays (even if Samuel Pepys wouldn't agree!)And for more Shakespeare on the Alnwick Castle Podcast, find our previous annual episodes in our feed - episode 8 for the castle's Shakespeare connections, episode 33 for Henry IV Part I, and episode 58 for Shakespeare's Wars of the Roses.

On today's episode I sit down with the joyful and hilarious Zoë Laiz. We discuss everything from her Shakespearean career to losing a theatre award to Jessica Hecht.If you're looking for handmade wooden home decor then my Etsy shop is perfect for you! For a look at my catalog go to: JohnMadWoodworking.Etsy.com Be sure to follow/subscribe and rate the podcast wherever you're streaming it!Support the show

Since the revival of Othello with Denzel Washington and Jake Gyllenhall is tearing it up on Broadway and the Los Angeles Rennaisannce Faire in full swingit seems an opportune time to replay our Shakespearean episode with Lisa Ann Goldsmith and Owen Thompson of the award winning podcast "The Bardcast: It's Shakespeare You DicK"  Podcasts collide this week as Mark and Nicole welcome actor/directors/scholars Lisa Ann Goldsmith and Owen Thompson of the award winning podcast "The Bardcast - It's Shakespeare You Dick!" to the lighter side of the dark side. Lisa Ann and Owen discussed the amount of dick jokes and sex in Shakespeare's work, how technology is proving he wrote his plays and also that he likely was a stoner and a bit of a thug. They break down the good and the bad in the new Tragedy of Macbeth and other Shakespearean films. Lisa Ann talks about starring in the show "Chicks with Dicks" (the dick is not where you would think) and Russell Crowe being a bit of a diva until you stand up to him. Owen talked about directing immersive theater, what it was like to cast legendary author Quentin Crisp in drag and how their podcast got its provocative name from bikers at a Renaissance Fair and more... This podcast is sponsored by Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Using promo code DARKMARK20, you can save 20% on your Eddie purchase, and you and your partner will be chanting incantations of ecstasy together faster than you can say “REDRUM.” Go to buyeddie.com/DarkMark for 20% off your purchase using code DARKMARK20 today. Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash Renagade CBD Go to renagadecbd.com for all of your CBD needs Tactical Soap Smell Great with Pheromone infused products and drive women wild with desire! Go to https://grondyke-soap-company.myshopify.com/?rfsn=7187911.8cecdba

“Human Again” is an emotional and inspiring documentary focusing the Phoenix Players Theatre Group at Auburn Correctional maximum-security prison. Cinemapolis will host a free screening of “Human Again” Sunday April 27 at 2:30.The film follows the group as they prepare for an original play combining Shakespearean influences and the actors' own lived experiences.Michael Rhynes, host of “The Undiscovered Country” on WRFI was the group's co-founder and is featured in the film.He will facilitate a discussion following the screening along with several since-released members of the Phoenix Players.Michael works with the Civic Ensemble's ReEntry Theatre Program along with Leroy Barrett. They joined WRFI's Felix Teitelbaum in studio to talk about the film and about the transformative role of theatre in the lives people impacted by the criminal justice system.

We see who's been up the longest, Bailey insults us in Shakespearean, and more!

We see who's been up the longest, Bailey insults us in Shakespearean, and more!

We see who's been up the longest, Bailey insults us in Shakespearean, and more!

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Welcome back Snobbies. Today we have a great little flick for I FEEL PRETTY. Caleb chose a film that he thought looked pretty and created a very beautiful scene to look at. From director Justin Kurzel, “Macbeth.” This film is a tough watch if you have ever tried to watch Shakespeare adaptations before. This one was unique and we talked through how this film made us feel and Jared shares his thoughts on just how much he hates the Shakespearean language. ENJOY!Film Discussed: Macbeth (2015)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Talking with poet, editor, and literary trickster anon Jasper Ceylon on the art of aesthetic sabotage and poetics in the age of algorithm. From anonymous pen names to deliberate hoaxes published to destabilize the contemporary poetry scene, Jasper dissects the decay of literary standards, using his surreal, very funny and on point fake poetry journal Echolalia, as a critical manifesto serving as both scalpel and mirror. A self-described poetry fan first and foremost, Jasper satirizes the very world he inhabits, exposing identity-first editorial gatekeeping and the global flattening of taste. We talk about the ghost networks of the contemporary (poetry) world, the process in his rebellion; building a complete parallel poetic narrative world to dupe the editors. Instagram poetry and grievance studies, Jasper doesn't pull punches but neither is he cynical. A romantic dissident who wants to save humanity from an algorithm-dominated life of flattening dullness and mediocrity. We go deep on the state of publishing, the cult of identity, AI's role in human (poetic) deadness, on the the fun polarizing Edward De Vere theory of Shakespearean authorship, the disappearance of true literary dissent, and the neoliberal endgame of cultural homeostasis. On men and marginalization, the phobia of criticism in artistic spaces, and the tragedy of becoming cosmopolitan in the most banal sense. On the poetics of evil, on Vanessa Place, the battle between light and dark, the oversupply of menstruation poems and apocalypse. On breaking free of guardrails on the true task of poetry: not to comply, but to break the spell.On Mission And I am conversely just trying to…help people live well, see through some of this programming, make more informed choices, not create infrastructure that isolates people and demoralizes them under the guise of uplifting others. I'm trying to, if anything, onboard people to poetry, but to just get them to think very critically about the practices we currently have in place at this point in time right now.On Being A Poet But.. you just have to understand that as a poet you're gonna fly under the radar for a long while, potentially maybe your whole life. And if you're not cool with that, then become an Instagram poet. But if you wanna do something meaningful and you want to, actually take a serious go at this. You gotta be ready for a lot of disappointment upfront and potentially for the rest of your life.On Poetics of Evil / Vanessa PlaceTo promote evil as the great sort of aesthetic agenda - I would promote the exact opposite… I don't think crucifying people and institutions…under the guise of demonstrating strength is what we're trying to do here, because what is strength, quote unquote in artistic endeavor.Save it for the f*****g battlefield…I think it gets so messy when you take that on as your primary aim, as a creative you're really just a soldier in disguise. And those types can sometimes conceal it very well, but I think they're doing a gross injustice to their fellow man On The Polarizing Debate surrounding Edward De Vere as Shakespeare The De Vere stuff, because no one will listen to me talk about this anytime I try to talk about this in person, to anyone.They give me that same look like they're just mortified. That I would suggest a country bumpkin couldn't write the the most immortal works in our language. But you even post this stuff on 4Chan's lit. board and all that, and they would just melt down over this idea.  What seems more realistic? A highly educated, noted poet of nobility with tons of money and connections to the most famous and let's say, accomplished academics in the London circles like Francis Bacon and stuff like that. It's either that guy doing this or a country bumpkin who can't even sign his own name.Jasper's Post Script Additional Notes and LinksMy scorn for Vanessa Place is limitless. But for those interested in the essay discussed in the interview, and the theories that drive some of the very worst figures in poetry and culture-manipulation, consult the following: https://www.academia.edu/2778740/Radically_Evil_Poetics. And maybe treat yourself to one of Place's wretched Yoko Ono-esque conceptual art performance pieces while you're at it.But for a more entertaining diversion re: Shakespeare, avail yourself to some of Alexander Waugh's YouTube content on Edward de Vere (there's a lot of it).For a short-hand summary of the de Vere case, see: https://shakespeareoxfordfellowship.org/top-reasons-why-edward-de-vere-17th-earl-of-oxford-was-shakespeare/. And for a supremely autistic (schizophrenic, maybe?) look at some of the finer details underlying the conspiracy, you might watch something like the following video: Henrie IX: Shakespeare, Edward de Vere, and Henry WriothesleyIn some ways, the potential "easter eggs" of this theory and de Vere's hidden lines in the sonnets and such inspired the ones I hid within Echolalia Review that are waiting to be discovered. Lastly, I cited John Donne at one point as being involved in the Rosicrucian collaborative aspect of the theory (along with Bacon and Marlowe), but I meant John Dee.Pick up a copy of: Echolaliapere ube pressJasper Ceylon SubstackJasper Ceyon BiographyEqual parts “Ezra Pound if he were a Discord user” and 21st-century Ern Malley, Jasper Ceylon takes inspiration from the titans of English-language poetry, as well as its great satirists and provocateurs. As a poet, he's been published extensively in magazines worldwide under his own name and many pen names, including “Adele Nwankwo,” “B. H. Fein,” and “Dirt Hogg Sauvage Respectfully.” He's the author of Pere Ube's literary cherry bomb/megaton nuke, "Echolalia Review: An Anti-Poetry Collection," but he's also been traditionally published as a novelist and critic. Get full access to Leafbox at leafbox.substack.com/subscribe

Ciarán Hinds' acting pursuits have taken him far from his roots in Northern Ireland. A quality actor - he lends himself to both villainy and simmering heroics. His long career has included intimate Shakespearean theatre productions right through to major franchises like Harry Potter, Game of Thrones, Lord of the Rings and the Disney animated film Frozen. His latest project ‘The Narrow Road to the Deep North' is an intimate character study on human spirit – the Prime Video series based on the novel by Richard Flanagan. He told Jack Tame when he was first introduced to the project, he'd heard of the book but never read it. “They sent me a couple of scripts and I was immediately hooked by the quality of the writing and the story itself,” Hinds said. “So I went out and got myself the book.” “Deeply moved, I was, by the savagery, the cruelty, the brutality, the love, the deep passion, the haunting... it's a huge and hugely emotional read for anybody,” he told Tame. “And from then, I said I'm very interested in this project, and so we went on from there.” LISTEN ABOVE See omnystudio.com/listener for privacy information.

She's starred in Succession and Downton Abbey but Harriet Walter is also one of the world's most accomplished Shakespearean actors. She talks to Susie about her new book which imagines what, with more lines and stage time, we'd have heard the Bard's leading women say. 

On the latest episode of Bingeworthy, host Mike DeAngelo dives into the violent and dysfunctional criminal underworld of "MobLand," the new hit Paramount+ series that blends London gangster drama with Shakespearean tragedy. The series stars Tom Hardy as Harry Da Souza, a streetwise fixer trying to hold his mob family together as rival clans threaten to tear everything apart. The show also features standout performances from Helen Mirren, Pierce Brosnan, Paddy Considine, and more (read our review here).While the opening scenes showcase Hardy's character executing brutal clean-up jobs with unnerving calm, the show slowly peels back the layers of its characters, revealing deep family wounds, conflicting loyalties, and a criminal hierarchy on the verge of collapse. As Hardy described it, "It may be wrapped up in a gangster genre, but there's a lot more going on… It's like 'Game of Thrones' in Bermondsey.”

Charlie and Nydia Hetherington (Sycorax) discuss the witch Shakespeare's Prospero hates so much and Nydia's reimagining slash prequel to The Tempest. This involves conversation about chronic illness, attitudes to women in regards to the occult, and on a seemingly unrelated subject, the tendency of pirates to leave problematic people on isolated islands. A transcript is available on my site General references: W H Auden: The Sea And The Mirror Books mentioned by name or extensively: Libby Colman: Trixie - The Childhood Of Sycorax, Witch Of Algiers Margaret Atwood: Hag-Seed Marina Warner: Indigo Nydia Hetherington: A Girl Made Of Air Nydia Hetherington: Sycorax Tad Williams: Caliban's Hour William Shakespeare: The Tempest Release details: recorded 4th December 2024; published 14th April 2025 Where to find Nydia online: Website || Instagram Where to find Charlie online: Website || Instagram || TikTok Discussions 01:20 The initial inspirations - theatre and Nydia's chronic condition 10:23 Research and inspirations in regards to other adaptations 12:58 More on Nydia's dedication to Shakespearean writing 13:58 Disability and women being witches put together 20:01 The good women in the book, Yemma and Zari 24:11 Including Barbarossa the pirate and the way pirates left criminals isolated 28:26 Afalkey the Beautiful and charming men 30:05 The role the Crow plays 32:48 What Nydia is writing at the moment 34:30 Nydia's William Blake novel she mentioned earlier

The Superhero Show Show #579Harry Osborne IS Green GoblinThe Superhero Show Show: “Harry Osborne's Green Goblin Takes Flight in The Return of the Green Goblin!”This week on The Superhero Show Show, the panel heads back to the animated streets of 1990s New York as they dive deep into Spider-Man: The Animated Series, season 4, episode 8: “The Return of the Green Goblin.” But this isn't Norman Osborn wreaking havoc — it's his son. That's right: Harry Osborne's Green Goblin finally makes his explosive debut, and the hosts are here to unpack every pumpkin bomb and psychological meltdown.Legacy of Madness: Harry Osborne Steps Into the ShadowsThe conversation begins with the podcasters recapping the long, complicated Osborn family history that Spider-Man TAS has been building up since season one. Norman's descent into madness, his apparent death in another dimension, and his twisted legacy have been hanging over Harry like a glider-shaped shadow. In this episode, that legacy finally comes crashing down — hard.The hosts break down Harry's emotional unraveling, spurred by unresolved trauma, lies from Norman's corporate allies, and his obsession with finding the truth. The moment he finds his father's hidden Goblin lair is treated like a Shakespearean turning point — and the podcasters are here for it. From the moment Harry Osborne's Green Goblin emerges in full costume, they debate whether this version of the Goblin is more tragic than terrifying — or if that very mix is what makes him so compelling.Spidey vs. the Ghosts of Osborn's PastSpider-Man's showdown with Harry is intense not just because of the action but because it's personal. The hosts highlight how Peter's struggle is emotional, not just physical — he's fighting his best friend, someone he genuinely cares about, and trying to stop him without hurting him. They talk about how the writing carefully builds sympathy for both characters while keeping the stakes sky-high, thanks to some cleverly animated set pieces and strong voice acting.Also up for discussion: how this episode subtly lays the groundwork for future Goblin chaos, explores the idea of inherited trauma, and gives Mary Jane some much-needed emotional presence in a storyline that's usually all about the Osborn boys. The crew applauds how Spider-Man TAS manages to make superhero stories feel operatic without losing its Saturday morning cartoon sensibility.Final Swing: The Tragedy of Harry Osborne's Green GoblinIn the wrap-up, the podcasters reflect on the tragedy and inevitability of Harry Osborne's Green Goblin. This isn't just a rehash of Norman's villainy — it's its evolution, shaped by guilt, grief, and betrayal. The hosts agree: This is one of the series's strongest episodes, delivering a gut punch of emotion alongside web-slinging action. With this turn, Spider-Man: The Animated Series shows that it's not afraid to get dark — especially when legacies collide.Links and ResourcesMissed our previous episodes of Spider-Man the Animated Series? Catch up!Want To dive deeper? Here are some research links nerds!Spider-Man the Animated Series

Today's crossword had OCEANS of great clues. To pick just three, we had 1A, Some pops, COCACOLAS (Mike's favorite beverage!); 12D, Fabulizes, SPINSAYARN (the answer was fine: the clue, divine); and 34A, Vulgarian, BOOR (Vulgarian sounds Shakespearean, but, alas and alack, the bard never penned it).Show note imagery: A few of a SEASCALLOP's many eyesWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Puny Podians Assemble! Ryan and David are back with another thunderous deep dive into the Marvel Cinematic Universe, straight from our Super Secret Spoiler Show archives. This time, we're heading to Asgard (and briefly, New Mexico) to revisit Thor—the film that introduced us to the God of Thunder, laid the cosmic groundwork for the MCU, and gave us one of the greatest sibling rivalries in movie history. From hammer-throwing heroics to Shakespearean family drama, we're breaking down what struck gold and what got lost in the Bifrost. Want more Marvel breakdowns, superhero movie analysis, and exclusive spoiler shows? Subscribe to the EarzUp Patreon for up-to-date episodes and behind-the-scenes content. Whether you see Thor as a mythic masterpiece or just Hemsworth doing his best fish-out-of-water impression, this episode is packed with lightning-charged takes and deep dives. Hit play and let's get into it. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr

In which we discuss Shakespearean blocking (derogatory), the worst demon butler, Michelle's indifference to Sam's wet hair, and Dean's murderous bowlegs. SPOILERS for ALL seasons! Looking for earlier episodes? Find our back catalogue here: https://directory.libsyn.com/shows/view/id/theplaidcast We would love to hear from you! Email: theplaidcast@gmail.com

Vengeance is such a core human urge that there are hundreds and thousands of parables and plays and stories warning us about what a dangerous path it is. In the classic Shakespearean tragedy, Hamlet destroyed himself and the entire Danish royal family in the name of revenge. Francis Bacon wrote “A man that studieth revenge keeps his own wounds green.” Today's story is a good reminder that if you seek revenge, you should dig two graves. Join Katie and Whitney, plus the hosts of Last Podcast on the Left, Sinisterhood, and Scared to Death, on the very first CRIMEWAVE true crime cruise! Get your fan code now--tickets are on sale now: CrimeWaveatSea.com/CAMPFIRESources:Crime Traveler, Fiona Guy: https://www.crimetraveller.org/2024/12/fiona-beal-murder-case/The Independent, Amy Clare Martin: https://www.the-independent.com/news/uk/crime/fiona-beal-murder-trial-sentence-teacher-b2553200.htmlBBC News: https://www.bbc.com/news/uk-england-northamptonshire-68846713NN Journal, Sarah Ward: https://www.nnjournal.co.uk/p/im-not-a-total-monster-i-know-whatEmma Kenny, YouTube channel: Respected Teacher Conned Boyfriend Into Deadly Sex GameFollow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfirehttps://www.truecrimecampfirepod.com/Facebook: True Crime CampfireInstagram: https://www.instagram.com/truecrimecampfire/?hl=enTwitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.comMERCH! https://true-crime-campfire.myspreadshop.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-campfire--4251960/support.

Today, this “Vampires of America” kick lifts the coffin lid on the Blaxploitation era and 1972's "Blacula." I'm thrilled to be joined by Odie Henderson, author of “Black Caesars and Foxy Cleopatras” and film critic for The Boston Globe. We analyze William Marshall's Shakespearean performance as Blacula, speculate on why the backhand is his weapon of choice, and explore the key film history around “Dracula's soul brother.” I strongly recommend both Odie's book and his criticism: https://store.abramsbooks.com/products/black-caesars-and-foxy-cleopatras “Ganja & Hess” (1973) next week!

Things. Get. Weird. Last time around 'Insomnia' took the crown but this week left us with a fever dream. We had one movie with all the pieces that don't add up to a whole with the perfectly fine 'Mystery, Alaska' but then boy, oh boy did things go off the rails by careening down the rails in the truly bonkers 'Runaway Train' - the best train based, Soviet style, Japanese, art-house, Shakespearean, Oscar nominated action movie ever made Learn more about your ad choices. Visit megaphone.fm/adchoices

It's episode 216 and we are lurching back to the north east, to Zululand. The heat is building up, and the conflicted relationship between King Mpande kaSenzanghakhona and his son, Cetshwayo kaMpande, is growing more complex by the minute. But this being Zululand, that wasn't the only competition in town. There was an older son of Mpande, called Hamu, who was his first-born son by Nozibhuku, who in turn was the daughter of the much respected chief Sothondose of the Nxumalo people. If we turn our thoughts to the succession process of the AmaZulu which has always been a tricky trail, this episode will serve to illuminate the razor-sharp line royal heirs must walk. Sothondose you see was Mbuyazi's brother. And if you recall, Mbuyazi was the man who had been killed along with seven of his brothers and half brothers at the Battle of Nondokasuka by Cetshwayo. King Mpande had publicly referred to Mbuyazi as his heir apparent, and Cetshwayo thought he was a better candidate. The plot thickens. It more than thickens, it congeals like thick red blood, spattered many times this episode. There is a Shakespearian correlation between his epic tales and those of the AmaZulu, where both are interlaced with human truths. This week's tale is a mist-mash of Macbeth, Richard the third, Henry the Sixth Part three. Perhaps you could include others, but let's leave it at that for now. IN Zululand, Mpande was king and he was apt to change his mind about his heir apparent. Cetshwayo had worked himself into the position by dint of killing Mbuyazi, and had begun to refer to Mpande as ixegwana, little-old man. Or Oomie which is why calling some middle-aged men Oomie can get you into trouble. Hamu kaMpande was an insidious man, a persevering leader who wriggled about, an indulgent man according to oral tradition as well as the written descriptions we have of him. Flabby, with the immense thighs of the house of Senzangakhona. Hamu led the Ngenetsheni clan, and had supported Cetshwayo during the recent Civil War, where Mbuyazi had been defeated. That was the case even though his grandfather, Sothondose, was Mbuyazi's brother. In other words Hamu fought against his Great Uncle. Blood, it seems, isn't thicker than water—unless it's pooling in a cauldron of treachery and Macbethian dread. Hamu also resented his bad luck, descended from Nzibe who ranked behind Mpande's other sons. He liked to show off his bling so to speak, and gathered a massive isigodlo of women, 300 in all, and bragged about being quasi-independent of Mpande. Cetshwayo kept a beady eye on these two, and there were confrontations with them, one took place in 1857. But nothing was resolved. Initially, Mbuyazi's remaining brothers turned out to be more of a threat than Hamu and Maphitha, and this is where the Shakespearian blood letting began in earnest. Cetshwayo wanted to kill Mbuyazi's thirteen year old brother Mkhungo. Someone tipped off the teen that the death squad was on its way and he fled to safety in Natal across the Thukela River. Other members of his direct family were already seeling refuge there, his mom Monase and Sikhotha his half-brother. shake

In this out-of-this-world episode of In Our Own World, we take a journey through memories, emotions, and cosmic wisdom with a special guest who’s no stranger to the spotlight. Becky G sits down with her real-life friends, our beloved Space Commanders, Em and Gem—and what unfolds is nothing short of magical. From iconic first impressions and what they had to do with a Selena bustier, to the nerves that still sneak in before she hits the stage, Becky G gets raw and real. She shares a heartfelt message to her younger self, her honest definition of love, breaks down the deeply personal layers behind her latest albums, and sheds light on how she stays rooted while navigating the chaos of stardom. No filter, no front. Things get unhinged when Becky G takes on a ridiculous accent challenge—while reading her own quotes. Southern belle? Check. Shakespearean actor? Check. It’s high art, really. Consider yourself warned. This is Becky G unplugged, unfiltered, and completely unforgettable. Tune in for big laughter, true vulnerability, and major inspo—this episode is a time capsule on friendship and a reminder that even the brightest stars are still human. Featuring: Becky G, Emily Estefan, Gemeny HernandezSee omnystudio.com/listener for privacy information.

In this out-of-this-world episode of In Our Own World, we take a journey through memories, emotions, and cosmic wisdom with a special guest who’s no stranger to the spotlight. Becky G sits down with her real-life friends, our beloved Space Commanders, Em and Gem—and what unfolds is nothing short of magical. From iconic first impressions and what they had to do with a Selena bustier, to the nerves that still sneak in before she hits the stage, Becky G gets raw and real. She shares a heartfelt message to her younger self, her honest definition of love, breaks down the deeply personal layers behind her latest albums, and sheds light on how she stays rooted while navigating the chaos of stardom. No filter, no front. Things get unhinged when Becky G takes on a ridiculous accent challenge—while reading her own quotes. Southern belle? Check. Shakespearean actor? Check. It’s high art, really. Consider yourself warned. This is Becky G unplugged, unfiltered, and completely unforgettable. Tune in for big laughter, true vulnerability, and major inspo—this episode is a time capsule on friendship and a reminder that even the brightest stars are still human. Featuring: Becky G, Emily Estefan, Gemeny HernandezSee omnystudio.com/listener for privacy information.

In this out-of-this-world episode of In Our Own World, we take a journey through memories, emotions, and cosmic wisdom with a special guest who’s no stranger to the spotlight. Becky G sits down with her real-life friends, our beloved Space Commanders, Em and Gem—and what unfolds is nothing short of magical. From iconic first impressions and what they had to do with a Selena bustier, to the nerves that still sneak in before she hits the stage, Becky G gets raw and real. She shares a heartfelt message to her younger self, her honest definition of love, breaks down the deeply personal layers behind her latest albums, and sheds light on how she stays rooted while navigating the chaos of stardom. No filter, no front. Things get unhinged when Becky G takes on a ridiculous accent challenge—while reading her own quotes. Southern belle? Check. Shakespearean actor? Check. It’s high art, really. Consider yourself warned. This is Becky G unplugged, unfiltered, and completely unforgettable. Tune in for big laughter, true vulnerability, and major inspo—this episode is a time capsule on friendship and a reminder that even the brightest stars are still human. Featuring: Becky G, Emily Estefan, Gemeny HernandezSee omnystudio.com/listener for privacy information.

In this out-of-this-world episode of In Our Own World, we take a journey through memories, emotions, and cosmic wisdom with a special guest who’s no stranger to the spotlight. Becky G sits down with her real-life friends, our beloved Space Commanders, Em and Gem—and what unfolds is nothing short of magical. From iconic first impressions and what they had to do with a Selena bustier, to the nerves that still sneak in before she hits the stage, Becky G gets raw and real. She shares a heartfelt message to her younger self, her honest definition of love, breaks down the deeply personal layers behind her latest albums, and sheds light on how she stays rooted while navigating the chaos of stardom. No filter, no front. Things get unhinged when Becky G takes on a ridiculous accent challenge—while reading her own quotes. Southern belle? Check. Shakespearean actor? Check. It’s high art, really. Consider yourself warned. This is Becky G unplugged, unfiltered, and completely unforgettable. Tune in for big laughter, true vulnerability, and major inspo—this episode is a time capsule on friendship and a reminder that even the brightest stars are still human. Featuring: Becky G, Emily Estefan, Gemeny HernandezSee omnystudio.com/listener for privacy information.

In this out-of-this-world episode of In Our Own World, we take a journey through memories, emotions, and cosmic wisdom with a special guest who’s no stranger to the spotlight. Becky G sits down with her real-life friends, our beloved Space Commanders, Em and Gem—and what unfolds is nothing short of magical. From iconic first impressions and what they had to do with a Selena bustier, to the nerves that still sneak in before she hits the stage, Becky G gets raw and real. She shares a heartfelt message to her younger self, her honest definition of love, breaks down the deeply personal layers behind her latest albums, and sheds light on how she stays rooted while navigating the chaos of stardom. No filter, no front. Things get unhinged when Becky G takes on a ridiculous accent challenge—while reading her own quotes. Southern belle? Check. Shakespearean actor? Check. It’s high art, really. Consider yourself warned. This is Becky G unplugged, unfiltered, and completely unforgettable. Tune in for big laughter, true vulnerability, and major inspo—this episode is a time capsule on friendship and a reminder that even the brightest stars are still human. Featuring: Becky G, Emily Estefan, Gemeny HernandezSee omnystudio.com/listener for privacy information.

Spring means baseball is back in my life, and if there's anything that's almost as good as baseball, it's writing about baseball. There is so much good writing about baseball – music, poetry, literature, biography, essay, plays, movie scripts. Something about the combination sport's long history, its leisurely pace, its connection to childhood, its outdoor setting in beautiful weather, its daily rhythm make it such a fruitful topic in American arts and letters. Our guest today, the writer John W. Miller, has entered the pantheon of great baseball writing with his new biography of Earl Weaver, manager of the Baltimore Orioles from 1968 to 1982 and one of the game's most colorful figures ever. The book, which is titled “The Last Manager: How Earl Weaver Tricked, Tormented, and Reinvented Baseball” is so good that it shot up to number 7 on the New York Times bestseller list the week after it was released. And it's not just for baseball fans, either – it's a fascinating snapshot of American culture in the middle of the 20th century and a striking portrait of an almost Shakespearean-level character. John is not only a New York Times bestselling author. He's also a contributing writer to America Magazine and one of the most devoted members of our Jesuit Media Lab community. (He even put the JML in the book's acknowledgments section!) Host Mike Jordan Laskey asked John to tell us about Earl Weaver and to describe his reporting and writing process. They also talked about the spirituality of baseball and biography writing. Get a copy wherever books are sold, and have a great Opening Day. "The Last Manager": https://www.amazon.com/Last-Manager-Tormented-Reinvented-Baseball/dp/1668030926 "How I Found God in a Game of Catch": https://www.jesuits.org/stories/how-i-found-god-in-a-game-of-catch/ John W. Miller: https://www.johnwmiller.org/ John's writing for America Magazine: https://www.americamagazine.org/voices/john-w-miller AMDG is a production of the Jesuit Media Lab, which is a project of the Jesuit Conference of Canada and the United States. www.jesuits.org/ www.beajesuit.org/ twitter.com/jesuitnews facebook.com/Jesuits instagram.com/wearethejesuits youtube.com/societyofjesus www.jesuitmedialab.org/

'A very elderly, portly pigeon sits on top of a wooden structure. Its head tucks into its neck, creating a Shakespearean ruff of feathers around its head.' Please note before you start listening: this podcast is recorded in 3D sound! So make sure that you’re wearing headphones for the very best experience.The small details in life can pass you by. Unless you take the time to stop to notice them.Which is exactly what author, actor and social media personality Miranda Keeling does in this podcast series.Expanding on the observations she shares on her popular Twitter account, she invites you to join her out and about as she captures those small, magical moments of everyday life, in sound.Thanks to 3D recordings, you’ll hear everything she does as if you were right there with her.There are new episodes every Tuesday and Thursday. These short but lovingly crafted episodes are an invitation to escape from life’s hustle, immersing you in Miranda’s world for a few minutes.See omnystudio.com/listener for privacy information.

Markus heads out to Minneapolis to do an arena with Shane Gillis to do comedy IN THE ROUND like the Shakespearean comic that he is! Andrew Schulz is in town doing his special and all the boys are partying! Joe's going down to Key West with Louis CK, and gets paired up with a chatty nightmare on the way to Florida! Then - a stomach bug attacks! It's Tuesdays!! Our Stuff: - http://www.patreon.com/tuesdays   - youtube.com/tuesdayswithstories   - Check out Joe List on Punch Up Live for tour dates, videos, buying tickets and more! https://punchup.live/joe-list - Support the show and sign up for you $1 per month trial period. Head to https://www.shopify.com/tuesdays - Support the show and get 50% off your 1 st Factor box, plus free shipping. Use code FACTORPODCAST at https://www.factormeals.com/FACTORPODCAST

In this engaging podcast episode, the hosts explore various themes ranging from March celebrations and Shakespearean references to personal anecdotes from high school, the evolution of technology and AI, discussions about comic books and superheroes, and reflections on pop culture and movies. The conversation flows naturally, allowing for a rich exploration of each topic. In this engaging conversation, the hosts delve into various aspects of pop culture, from the significance of recent musicals like 'Wicked' to the latest trends in media consumption and communication. They explore how the Oscars reflect current cinematic trends, the evolution of how we consume media, and the impact of GIFs on modern communication. The discussion highlights the challenges of staying relevant in a fast-paced cultural landscape and the humorous nuances of digital interactions. In this engaging conversation, the hosts explore the evolution of communication, particularly in the context of texting and the impact of AI on social interactions. They humorously navigate the nuances of texting etiquette among friends, discuss the future of leisure in a world increasingly dominated by technology, and delve into the bizarre phenomenon of collectible food items, specifically a Cheeto that resembles a popular Pokémon character.

In this engaging podcast episode, the hosts explore various themes ranging from March celebrations and Shakespearean references to personal anecdotes from high school, the evolution of technology and AI, discussions about comic books and superheroes, and reflections on pop culture and movies. The conversation flows naturally, allowing for a rich exploration of each topic. In this engaging conversation, the hosts delve into various aspects of pop culture, from the significance of recent musicals like 'Wicked' to the latest trends in media consumption and communication. They explore how the Oscars reflect current cinematic trends, the evolution of how we consume media, and the impact of GIFs on modern communication. The discussion highlights the challenges of staying relevant in a fast-paced cultural landscape and the humorous nuances of digital interactions. In this engaging conversation, the hosts explore the evolution of communication, particularly in the context of texting and the impact of AI on social interactions. They humorously navigate the nuances of texting etiquette among friends, discuss the future of leisure in a world increasingly dominated by technology, and delve into the bizarre phenomenon of collectible food items, specifically a Cheeto that resembles a popular Pokémon character.

David, Devindra, and Jeff break down the 2025 Academy Awards ceremony, step into the spotlight with The Only Girl in the Orchestra, assess the cultural code-switching in the second season of Mo, and see if Kate Hudson can shoot and score in Running Point. Then they drive through a Shakespearean tale in cyberspace with Grand Theft Hamlet. We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Weekly Plugs David - Decoding Everything: Notable Moments from the Oscars Devindra - Engadget Podcast on iPhone 16e and Alexa+ Jeff - DLC 589 with Veerender Singh Jubbal Shownotes (All timestamps are approximate only)    What we've been watching (~00:24:51) David - The Only Girl in the Orchestra, Jailbreak: Love on the Run Devindra - Mo Season 2, Pantheon Season 2  Jeff - Running Point, Win or Lose Featured Review (~00:51:32)     Grand Theft Hamlet Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com. Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

The girlies dive back into the mailbox trenches to read a plethora of your gagworthy moments and the aftermath of shaking up ya life! Digressions include the tragic Shakespearean figure of Hawk Tuah, exes who can't stop shitting their pants and Julia accepting her crown as the #1 anti-situationship warrior. This is a teaser for a Patreon-exclusive episode. To listen to the full episode and access over 50 bonus episodes, mediasodes, and monthly zoom hangs visit patreon.com/binchtopia and become a patron today.