Podcasts about shakespearean

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.com

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Send us a textStep into Stratford-upon-Avon with us as we review Shakespeare & Hathaway: Private Investigators (Season 1), now streaming on Hallmark Plus. Eric and Andrea dive deep into this quirky British cozy mystery series, unpacking the standout episodes, character dynamics, and whether it earns a place alongside favorites like Rosemary & Thyme and The Coroner. Expect lively debate, surprising takes, and a few laughs along the wayIn this episode, we cover:

**REPOST** On this week's annotated deep dive, The Cultists present Baz Lurman's 90s frenetic teen angst extravaganza, Romeo + Juliet (1996).  Known for his kinetic color-fueled explosions of images and sound, Lurman's “red curtain trilogy” put him on the film world's map as an Auteur with a distinct and immediately recognizable style. Bright, brash, and unforgiving to anyone who prefers a more minimal Mise-en-scène, Lurman's penchant for decadence was ripe for a world of high octane emotions, brawls, masquerades, and the lush arc of an epic demise. However, Lurman's vision of bringing the dusty pages of the oft produced Shakespearean play into the hearts and minds of the notoriously apathetic 90s teenage market was a rather unprecedented and hard sell for commercial studios at the time. Particularly when Lurman insisted that not only would he win over a teen audience, he would do it all without altering a single syllable of the original Shakespearean language of the play. And he would use a cast of mostly young people to do it. Lurman's vision succeeded and the decade to follow would be one stuffed with Shakespearean adaptations for teens, and yet, ‘R+J' remains distinct among them all. A burning strange indefinable star, that shall not be defied. Deep dives include: The film's production history, editing and cinematography; the lineage of Romeo and Juliet literature that lead to Shakespeare's 1596 adaptation of the tale; the 1996 film's comparisons with the exactly 400 years older play; the historical roots of the warring Guelph vs. Ghibelline factionalism that led to such constant civil brawls; how amazing it is that Romeo spends a full third of the play desperately and despondently in love with someone else; why the developing teenage mind lacks impulse control; and why even Dante personally hated the Montagues and Capulets enough to write them into his levels of Hell two centuries before Shakespeare was even born. Episode Safe Word(s): “impulse control” (REPOSTED Episode from 2023 that traveled over from the old Anchor platform with a broken link).

By the Power of Grayskull... This Movie ExistsWelcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell are joined by special guests Jordan Collier and Derrick Tesson to tackle the 1987 sci-fi fantasy spectacle Masters of the Universe. What happens when you take beloved toys, add Dolph Lundgren in a furry loincloth, and let Cannon Films work their budget magic? A movie that should have been good but becomes a fascinating study in wasted potential.The Cosmic Key to This DiscussionThe crew dives deep into this He-Man adaptation that somehow makes its titular hero a supporting character in his own movie. While Franklin Langella chews scenery magnificently as Skeletor, delivering Shakespearean gravitas to lines like "Tell me about the loneliness of good, He-Man—is it equal to the loneliness of evil?", the film suffers from an identity crisis. Is it Star Wars? Is it Conan? The answer: it's a Cannon Films production that tries to be both and succeeds at neither.Nathan defends his childhood favorite while acknowledging its flaws, giving it a nostalgic 7 out of 10 cosmic keys. The other hosts are less forgiving, with ratings ranging from 3-6, all agreeing that the movie's biggest sin is having too much plot crammed into its runtime. The discussion reveals how Masters of the Universe exemplifies the late-80s trend of studios trying to manufacture Star Wars-level franchises without understanding what made that saga work.Additional Cosmic Revelations:Gwildor (Billy Barty) somehow became the real protagonist while He-Man watches from the sidelinesDolph Lundgren dubbed his own lines despite not being fluent in English during filmingThe film's budget constraints forced most action to Earth, making it less a He-Man movie and more a sci-fi fish-out-of-water storySkeletor's mask was later recycled for Star Trek: The Next GenerationThe movie features unexpected connections to Friends and Back to the FutureThe Final VerdictDespite universal agreement that the movie fails to live up to its potential, the hosts find entertainment value in its ambitious campiness and Langella's committed villain performance. It's a movie that epitomizes the "so bad it's almost good" category—emphasis on almost.Ready for More 80s Movie Magic?Join the conversation at trustory.fm where members get early, ad-free access plus exclusive bonus content! Connect with us on Facebook, Instagram, and Bluesky.Learn more about our hosts and guests: Squishy Studios and Neighborhood Comedy TheatreWhat's your take on 80s movies that had all the right ingredients but couldn't quite make the recipe work? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Because I'm finishing up my next book 'Romeo v Juliet' I need to play a rerun this week, so I'm posting Nanny Piggins version of the great Shakespearean tale.Support the show at https://www.buymeacoffee.com/storiesraspratt If you enjoyed the podcast please like, review and/or subscribe!Support the showFor merchandise use this link... https://www.cafepress.com.au/shop/rasprattTo buy one of my books use this link... https://amzn.to/3sE3Ki2 To buy me a coffee use this link... https://buymeacoffee.com/storiesraspratt To book a ticket to a live show use this link... https://raspratt.com/live-shows/

Spoilers Warning! If you haven't finished reading the 900 pages of The Hallmarked Man and don't want to hear details from the novel, you will not enjoy this conversation about Strike8.John read the latest Strike-Ellacott novel by Thursday morning using the pre-publication head start, the Robert Glenister audiobook dropped early Tuesday morning, a bootleg epub version on his wife's iPad, and the codex hardcover that arrived at 5:00 on the day of release. Nick didn't finish until early Saturday but was already half-way through his second reading via audiobook by Sunday night.John didn't especially enjoy reading the book as fast as he did; Nick was frustrated that he could not read it faster than he did. Both were delighted by Rowling's work and are looking forward to the coming weeks of re-reading and ‘Tools, Springs, and Threads' analysis of its artistry and meaning.In this week's conversation, they touch on fandom disappointment with the new book before discussing how three predictions they'd made about Hallmarked Man played out, the three Real World targets of Rowling's wrath in her current work, John's preliminary work on the novel's epigraphs (and the Aurora Leigh-esque forgotten tome of epic poetry that may be Strike8's Rosmersholm or Faerie Queene), and what's next in their reading of Cormoran Strike.As is their wont, Nick and John refer to ideas and to people that Serious Readers will want to check up on or learn more about. Here are a selection of links to many of these subjects with their apology for those they've missed and their invitation to share counter-sources or requests for other links.They thank everyone who listens to these Lake and Shed conversations, those who join in the discussions in the comment thread below (how was your first reading of Hallmarked Man?), and especially for our paid subscribers who were polled for their questions and concerns last week for our consideration before we put our notes together.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anteros-Eros Distinction in Cormoran StrikeCormoran & Robin and Odysseus & Penelope (Joanne Gray, 2019)I found out that this is actually the statue of Anteros—not Eros as it is popularly called. Anteros is the subject of the Shaftesbury Memorial in Piccadilly Circus, London, where he symbolizes the selfless philanthropic love of the Earl of Shaftesbury for the poor. The memorial is sometimes given the name The Angel of Christian Charity and is popularly mistaken for Eros, cf., Lloyd & Mitchinson (2006) The Book of General Ignorance “Because of the bow and the nudity… everybody assumed it was Eros, the Greek god of love.”https://en.wikipedia.org/wiki/Anteroshttps://www.theoi.com/Ouranios/ErosAnteros.htmlEros is the brother of Anteros and also pretty much the opposite of Eros.Reading Rowling at Four Levels (John Granger, 2021)Robin and Cormoran, even if you want to include Sam Barclay, are not a soul exteriorization akin to Harry, Hermione, and Ron. The psychomachia of the Strike novels is built on the Shakespearean soul-Spirit romantic model rather than the Platonic-Patristic body-mind-spirit soul triptych of ancient, Medieval, and contemporary film and written fiction. In this model, the man and woman lede players take the part of soul and spirit, Coomaraswamy's duo sunt in homine human and divine aspects, either as fixed roles as in Othello and The Tempest or in relation to the other, each being soul and embracing the other as supra-natural as in Romeo and Juliet and Antony and Cleopatra (see Lings and Pogson for that). Rowling's embedded models for this exteriorized drama of human sanctification are the myths of ‘Leda and the Swan‘ and ‘Psyche and Cupid‘ and the psychomachia spiritual allegories of Eros and Anteros, true and false Cupid, within Spenser's Faerie Queen, the Redcrosse Knight and Una as well as Britomart and Artegell.On Valentine Longcaster as the Erotic Cupid (Strike being the Anterotic Cupid)Valentine Longcaster is a hilarious cryptonym for Cupid, for whom Valentine is a second name (see the post on Valentine's Day in the Psyche and Eros post) and ‘Longcaster' is a reference to his weapon of choice, the bow and arrow of the god of love. He pricks Strike at the direction of Venus-Charlotte, in some myths his mother, in others a lover and cousin or brother (murky waters!), and sets in motion the long-range plan of the envious ex to destroy Robin and Cormoran's budding relationship.Add ‘Valentine Longcaster' to the pile of evidence for this particular backdrop and let's continue to look for parallels and links Rowling has playfully embedded in the psycho-spiritual, neo-mythological allegory of the soul's journey to perfection, and specifically the souls of women.For much more on this Eros-Anteros distinction and its importance in grasping the allegorical meaning of the Strike-Ellacott relationship, see Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (John Granger, 2022)Fandom Response to Hallmarked Man:From the Reddit r/Cormoran Strike page:Hogwarts Professor Predictions for Hallmarked Man:* Charlotte was Murdered (Nick Jeffery), Really, It Wasn't a Suicide (John Granger)‘Charlotte' mentioned twice as often in Strike 8 as ‘Cormoran' and Valentine Longcaster's interview with Robin Ellacott has a major ‘tell' at its finish (cf. p 451, ch 62).* Robin Ellacott is Sterile (John Granger), Rowling Studies podcastEctopic Pregnancy consequent to PID and Murphy Pregnancy Trap leading to de facto sterility prediction appears as story-line in Chapter 3 of Hallmarked Man* The Baby in the LakeHallmarked Man is Rowling's ‘Baby Novel.'Rowling's Three Targets in Hallmarked Man's Surface Story* The Ideologically Captured Police and Media and the ‘False Religion' of Freemasonry's Control of the Police in Hallmarked ManRowling's Week of publication tweets and retweets about UK police taking the side of Trans Activists and against Gender Critical feminists: * https://x.com/iain_masterton/status/1963545948711219320 (JKR retweet)* https://x.com/joannaccherry/status/1963547738722668666 (ditto)* https://x.com/jk_rowling/status/1963528602164555894* https://x.com/jk_rowling/status/1963297139905167722* https://x.com/jk_rowling/status/1962847107343139014* https://x.com/jk_rowling/status/1963465628053848363* https://x.com/jk_rowling/status/1963299236365140305* https://x.com/jk_rowling/status/1963298726417457300* https://x.com/soniasodha/status/1963185964630647295 (JKR retweet; nota bene)* https://x.com/Jebadoo2/status/1962959405160239135 (JKR retweet)* https://x.com/joannaccherry/status/1962930361035374703 (retweet)* https://x.com/jk_rowling/status/1962932333025067268* https://x.com/JohannLamont/status/1963658557007749364 (retweet)Boris Johnson and Lord BranfootBoris Johnson hosting the show. 2003 (YouTube)Boris Johnson's Personal Image or Brand (Wikipedia)Max Hastings referred to Johnson's public image as a "façade resembling that of P. G. Wodehouse's Gussie Fink-Nottle, allied to wit, charm, brilliance and startling flashes of instability",[4] while political scientist Andrew Crines stated Johnson displayed "the character of a likable and trustworthy individual with strong intellectual capital".[5] Private Eye editor Ian Hislop has defined him as "Beano Boris" due to his perceived comical nature, saying: "He's our Berlusconi ... He's the only feel-good politician we have, everyone else is too busy being responsible."[6] To the journalist Dave Hill, Johnson was "a unique figure in British politics, an unprecedented blend of comedian, conman, faux subversive showman and populist media confection".* “Mentally Ill Islamophobes”2021-22 Census ~ Islam in the UK Demographics: 6% UK, 6.7% England, 15% LondonUK 'Grooming Gangs': Deriving Per-Capita Offence Rates by EthnicityInstitute for Social Policy Research (UK) An independent, data-driven social-policy research institute focusing on UK political affairs.We therefore conclude that consistent with widespread public perceptions, whilst available evidence is not exhaustive, the mean rate derived from four of the most comprehensive studies available to date on share of CSEGG crimes by ethnicity does affirm the picture that Asians and Blacks are overrepresented in such crimes. Curiously, with much of the attention devoted to “Asians” (predominantly Pakistani gangs), it is notable that Blacks are similarly overrepresented, with our weighted rate providing limited evidence of even greater over-representation than Asians.Please note, however —For the CEOP study that ISPR use, footnote 1 shows the selection criteria, excluding all abuse initiated in a familial or fraternal (house based) relationship:"Where “localised-grooming” is defined as: “a form of sexual exploitation – previously referred to as ‘on street grooming' in the media - where children have been groomed and sexually exploited by an offender, having initially met in a location outside their home. this location is usually in public, such as a park, cinema, on the street or at a friend's house. Offenders often act together, establishing a relationship with a child or children before sexually exploiting them. some victims of ‘street grooming' may believe that the offender is in fact an older ‘boyfriend'; these victims introduce their peers to the offender group who might then go on to be sexually exploited as well. abuse may occur at a number of locations within a region and on several occasions. ‘Localised grooming' was the term used by CEOP in the intelligence requests issued to police forces and other service agencies in order to define the data we wished to receive.” (footnote 1, p. 7)"They also exclude the 39% of cases where race was not included in the data. It would be sensible to assume that ethnicity was not recorded when the ethnicity of both perpetrators and the victim were the UK default.Removing the selection criteria shows that people of Asian ethnicity are under-represented in child sex abuse cases compared to White British: https://www.csacentre.org.uk/app/uploads/2024/02/Trends-in-Offical-Data-2022-23-FINAL.pdfJulie Blindel pushes back on the ‘Grooming Gang as Muslim problem' narrative:To say that the only reason the police were complacent when it came to the grooming gangs of Rochdale, Rotherham, Telford, and elsewhere was because (some of) these men were Pakistani Muslim, is madness. The ethnicity and religion of these men is relevant, but not in the way the racists would have us believe. It is relevant because it was seen as a phenomena perpetrated because of ethnicity as opposed to male violence towards females. Look at it any other way betrays the vast majority of girls that fall prey to these men.The Epigraph Authors — and a hidden Book Behind the Book?* Albert Pike, Confederate States of America General* Louise Freeman Davis on John Oxenham's Maid of the Silver Sea* Aurora Leigh (Elizabeth Barret Browning) and Ink Black Heart* The Ring and the Book (Robert Browning)* Pompilia: A Feminist Reading of 'The Ring and the Book'Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

In this episode of the Broad Street Review podcast, host Darnelle Radford welcomes guests Will and Mike to discuss their journey in creating the play 'Dogberry and Verges Are Scared' for the Philadelphia Fringe Festival. They explore the collaborative nature of theater, the challenges of producing a new work, and the excitement of engaging with audiences. The conversation highlights the importance of support from the artistic community and the evolution of their script through various readings and workshops. As they prepare for their upcoming performances, they reflect on the creative process and the joy of bringing new stories to life.Chapters00:00 Introduction and Welcome to Season 1001:05 Meet the Guests: Will and Mike02:22 The Journey of Creating a Play05:33 The Importance of Collaboration in Theater11:11 Navigating the Current Climate for Artists14:44 First Performance and Audience Reactions18:55 The Evolution of the Script25:00 The Role of Support and Collaboration27:52 Closing Thoughts and Ticket InformationDogberry and Verges Are Scared is a pants-pissingly funny new comedy that follows everyone's third favorite pair of Shakespearean clowns as they blunder through the events of Much Ado About Nothing and beyond.Their friendship and their wits will be tested as they attempt to foil Don John's evil plot, save Fair Hero's wedding, and hopefully earn a few ducats while they're at it. Borrowing from the rich theatrical history that traces its roots from Rosencrantz and Guildenstern are Dead to Waiting for Godot to the storied stages of the vaudeville circuit.This rolling world premiere, produced in partnership with Cincinnati Shakespeare Company, hopes to shed new light on familiar characters by mixing a modern comedic sensibility and exciting new scenes with a light sprinkling Shakespeare's own words, words, words. It's chock full of easter eggs for people with a season subscription to the Folger and the perfect gateway drug for those who think “iambic pentameter” is a model of Buick. Starring Philadelphia theater legends Scott Greer and Anthony Lawton, Dogberry and Verges Are Scared is bursting with heart, highbrow comedy, vaudevillian gags, and... dancing? Only 10 performances. Do not miss this play!Slippery Trout Productions was formed in 2025 by Michael Doherty and Will Mobley. They are two clowns that have no business running a business.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/dogberry-and-verges-are-scared/

Welcome to the fifth series in the annual podcast programme from Academic Archers, bringing you papers from our 2024 conference.This episode takes a lighthearted but well-informed look at funeral directing in Ambridge, using real-world research and practice as its frame.Funeral Directing in the UK through an Ambridge Lens - Abi PattendenWhat might funeral provision look like in Ambridge? This paper considers current UK funeral trends and applies them to the village's farming community on the edge of Birmingham.It imagines how existing Ambridge businesses could diversify: farms becoming natural burial grounds, Fallon catering for funeral receptions, or Brookfield's barn hosting gatherings. Could the proposed electric charging station even house a funeral directors? Drawing on demographic knowledge, past storylines and sector research, the paper explores how such services might emerge, while also noting how other continuing dramas have embedded funeral businesses into their communities.About the speakerAbi Pattenden has been a Funeral Director for 16 years and served as President of the National Association of Funeral Directors in 2018–19. She has previously presented at Academic Archers on funeral provision for Joe Grundy, Ambridge's death rates, and on comparing Rob Titchener to Shakespeare's Iago. Abi has an academic background in Shakespearean theatre and an ongoing research interest in funerals, having co-authored papers on topics such as configurational eulogies and hybrid funerals through Aberdeen University's Care in Funerals project.If you enjoy our work and would like to support Academic Archers, you can Buy Us a Coffee – buymeacoffee.com/academicarchers.

John's guest this week is a follow up show with Dr. John Cox, Shakespearean expert. They do a follow up to a prior program, this time focusing on Shakespeare's turbulent times, Elizabeth I, the Reformation and his plays and other works.See omnystudio.com/listener for privacy information.

With Ghost of Yōtei launching October 2nd, Nerd Legion is diving into the films and anime that inspired the game's haunted world. We begin with Akira Kurosawa's Throne of Blood (1957), a chilling reimagining of Macbeth that blends Noh theatre, samurai tragedy, and supernatural ghosts. In this episode, MonteCristo and DoA discuss:⚔️How Throne of Blood's fog, wind, and black-and-white style shaped Kurosawa Mode in Ghost of Tsushima (returning in Ghost of Yōtei)⚔️The fusion of Shakespearean tragedy with Japanese Noh theatre and its symbolism (Lady Asaji's mask-like stillness, the centipede banners, spinning horses)⚔️Kurosawa's legendary use of atmosphere and the unforgettable real-arrow death scene with Toshiro Mifune⚔️How the film's themes of cursed destiny and supernatural hauntings echo the mythic tone of Ghost of Yōtei

No, not that Anne Hathaway. The Shakespearean one.Topics in this episode include Socratididion's Epipsychidion, unparalleled pettiness, Stephen's unfair characterization of Shakespeare's wife Anne Hathaway, why commentary about Anne Hathaway has been so problematic historically, Anne as a Gertrude stand-in, how we can learn factual information about the Shakespeares' lives, sixteenth century age gap discourse, Anne and Will's marriage prospects, “Venus and Adonis,” marriage and weddings in Elizabethan England, how Anne Hathaway became a symbol of Victorian propaganda, Shakespeare and the “Scylla and Charybdis” schema, and why Ulysses is a terrible place to go to learn about Shakespeare's life.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast. On the Blog:A Shakespearean Ghost Story Part 2: Anne Hath a WayBlooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

A storm of lace bodices and shattered dreams erupts as Trixie and Katya revisit Episodes 5 and 6, where the workroom transformed into a bloody battlefield and destiny itself teetered on stilettos. Katya, radiant yet tormented, recalls the soaring ecstasy of comedic victory before plunging into the abyss of crippling self-doubt, her every glance a silent scream for redemption. With the dual crucibles of Shakespearean tragedy and a sinister Snatch Game, crowns were forged and egos were obliterated. The legendary Ru Hollywood Stories challenge unfurled like a telenovela within a telenovela, blurring fiction and truth in a tempest of wigs and weeping. In this operatic retelling, Trixie and Katya render the runway not as mere fabric and dime store wigs, but as an altar upon which laughter, heartbreak, and RuPaul's merciless decree were sacrificed in the name of drag divinity. Start your free online visit today at Hims to find ED treatment that's up to 95% less than brand names at https://Hims.com/BALD Get organized, refreshed, and back to routine for way less! Head to https://Wayfair.com to shop all things home. This episode is sponsored by BetterHelp. Give online therapy a try at https://Betterhelp.com/BALD and get on your way to being your best self! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Filmmakers Podcast, hosts Conor Boru and Francis Annan welcome two icons of the filmmaking world: producer, writer and director Chris Columbus, and Academy Award-winning actor Sir Ben Kingsley. Chris Columbus – the creative force behind classics such as Home Alone, Mrs Doubtfire and the first two Harry Potter films – shares his experiences of working with visionary directors like Robert Eggers, his approach to shaping scripts as a director, and the importance of collaboration with actors. He also reflects on the role of rehearsals, the unique magic of making films for the big screen, the movies that continue to inspire him, and why he believes there is so much to learn from the new generation of filmmakers. Sir Ben Kingsley – whose career spans over five decades with landmark performances in Gandhi, Schindler's List and Sexy Beast – discusses the inspirations that continue to fuel his craft. He speaks about his Shakespearean roots, the nuances of performing for stage versus screen, and offers invaluable insights for emerging actors looking to build their careers. An unmissable conversation with two true legends of cinema. The Thursday Murder Club is out now! Four irrepressible retirees spend their time solving cold case murders for fun, but their casual sleuthing takes a thrilling turn when they find themselves with a real whodunit on their hands. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Tenure of Office: November 13, 1817 - March 4, 1829 After a childhood marred by tragedy and drunken nights of Shakespearean recitations in a state of undress as a young adult, William Wirt went on to become one of the most well respected lawyers of the Early Republic, serving as legal counsel in some of the highest-profile cases of the time including the trial of George Wythe's alleged murderer and the treason trial of Aaron Burr. Why then isn't he better known in the modern day? Join me and my special guest, Howard Dorre of Plodding Through the Presidents, as we try to answer that question! Sources used for this episode can be found at https://www.presidenciespodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

John's guest this week is Professor John Cox, a Shakespearean specialist.See omnystudio.com/listener for privacy information.

Steven welcomes noted film critic, historian, and film institute educator Robert Horton to this episode to discuss his research and commentary on the life and works of Orson Welles, perhaps America's most famous Shakespearean of all time. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, James Warren,  Jen Swan, John Creider, John Eddings, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, Richard Wood, Romola, Sandi Boney, Sandi Paulus, Sheila Kethley, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

We continue HAHAugust 2: Double Take with an extremely underseen gem from the New World catalog, the Los Angeles set surf dramedy UNDER THE BOARDWALK, directed by Fritz Kiersch (CHILDREN OF THE CORN, TUFF TURF). Originally set to be released in 1988, New World eventually put this out at the same time as HEATHERS, the final two theatrical releases for the company.  Featuring the endless struggle between the coastal "locs" (or "lawks" as Letterboxd might have you believe) and the San Fernando Valley "Vals," the film concerns two star-crossed lovers caught between the two worlds just as the two sides meet in a local surf competition (or "compo" if you're cool). How does Allie (Danielle van Zerneck, LA BAMBA) deal with her feelings for Nick (Richard Joseph Paul, OBLIVION)? Well, not by looking after her cousin Andy (Keith Coogan, ADVENTURES IN BABYSITTING), that's for sure! Helping us discuss this Shakespearean tale is our good friend and New World superfan Justin Grams, who has been with this film from the very beginning!  Listen as we go through the film's history, share our thoughts on a potential sequel, have a discussion of the slang term "whease," and a whole lot more as we give this film the attention it deserves!  Special thanks to Fritz Kiersch, writer/producer Matthew Irmas, and producer Greg Blackwell for their assistance with this episode! For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/ 

For the latest Whisper in the Wings from Stage Whisper, we welcomed on the amazing artists Cary Sasso and Ryan Dukes, to talk about their fantastic new show, Hamlet: Prince of Denmark. This is a brilliant take on the Shakespearean classic. So make sure that you tune in and get your tickets while you still can!Hamlet: Prince of DenmarkAugust 29th and 30th@ The 14Y Blackbox TheaterTickets and more information are available at @hamletbutmakehimtrans or caryfelixsasso.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: Hamlet: @hamletbutmakehimtransCary: caryfelixsasso.com and @shakespearean_sassoRyan: the.ryan.dukes@gmail.com

     This week- two films about men driven to their breaking points by obsession and cognitive issues.     As bombs fall on England, a once famous Shakespearean actor still takes to the boards every night, knowing ever line of The Bard by heart. While Sir may still be a commanding presence on stage, off he is beginning to succumb to his age and slowly progressing dementia. His life is managed by his dresser, Norman, who has taken Sir's tirades and rants for decades. Can the pair find new ground and accept the old becomes untenable? Will they cling to the niches they long ago carved out for themselves beyond the point of tragedy? Nominated for five Oscars and six BAFTAs and released the same years as director Peter Yates' fantasy cult classic, The Dresser.     Awaiting execution in Switzerland, Baron Victor Frankenstein tells his incredible story to a priest. Orphaned and taking control of his family estate at 15, Victor finds a tutor, Paul, with an equally inquisitive scientific mind. Thinking he has found a kindred spirit, the pair begin to experiment with the intertwining foundations of existence, reversing the finality of death. Soon Victor conceives larger and more daring experiments. The first in Hammer's unique approach to a Frankenstein series that gifts one of the greatest and most compelling villains in film, The Curse of Frankenstein.      All that and Dave gets kawaii, Tyler denies the call of the footlights, Craig feels true emotions swelling in the cockles of his heart, and Kevin still likes to watch. Join us, won't you?   Episode 426- To the Victor Goes the Spoils 

Notes: In July 2024, shortly before he died of cancer, I paid a last visit to the Somerset home of my wonderful friend Alexander Waugh. Alexander was one of the kindest, most generous, most talented and intellectually curious friends it has ever been my privilege to know. His rich and varied career included stints as a musician, concert promoter, author, keeper of the Waugh (Evelyn was his grandfather) family archives and researcher into the Shakespearean authorship question. (He thought it was Edward de Vere, Earl of Oxford). Though he was in some discomfort, he died a happy man, lovingly cared for at home by his devoted wife Eliza. I haven't listened to these recordings we made since. They've been sitting on my iPhone and the only reason I didn't release them earlier was inertia. They also feature our friend Bob Moran. We talk about God, music, death, everything. ↓ ↓ ↓ The official website of James Delingpole: https://jamesdelingpole.co.uk

The Thursday Rub launches AFLW Season 10 by reflecting on the very first AFLW game, where Sarah Hosking did her best impression of Mark Yeates. Isaac has been listening to Hev's podcast appearance, Hosko is in cashie mode, and the team discuss the rise and challenges of the AFLW. Collingwood recruit Airlie Runnalls joins Hosko and Hev on the boundary, then Isaac puts Jay Z under the microscope for a Shakespearean-style monologue on First Crack this week. Jay Z has Melbourne's coaching panel, North Melbourne's timeline, and Tom De Koning in his news agenda, Jess Webster joins the team to reflect on her own history with women's footy, and there's one last news round up before the bounce.See omnystudio.com/listener for privacy information.

Bestselling author, political strategist and former Georgia State Representative Stacey Abrams will headline the inaugural KPBS San Diego Book Festival on Aug. 23.Abrams joined Midday Edition on Thursday to talk about her latest book, "Coded Justice," which dives into the ethical questions around the use of AI in the healthcare industry."What I want us to think about with AI is that it's an extraordinarily powerful technology that is controlled by people," Abrams said. "And that means people have to understand what's happening and that means other people have to question where it comes from, what it does and what impact it will have on us."Plus, KPBS' Beth Accomando looks at how a new all-women acting company is flipping the script on Shakespearean plays.Then, Julia Dixon Evans shares her top picks for arts events this weekend, including meteor showers, visual art about caregiving and a children's film festival.Guests:Stacey Abrams, author of "Coded Justice," former Georgia State Representative and two-time gubernatorial candidateAudrey Sweet, co-founder of the Queen's MenCharlotte B. Larson, co-founder of the Queen's MenJulia Dixon Evans, arts reporter, KPBS

In July 2024, shortly before he died of cancer, I paid a last visit to the Somerset home of my wonderful friend Alexander Waugh. Alexander was one of the kindest, most generous, most talented and intellectually curious friends it has ever been my privilege to know. His rich and varied career included stints as a musician, concert promoter, author, keeper of the Waugh (Evelyn was his grandfather) family archives and researcher into the Shakespearean authorship question. (He thought it was Edward de Vere, Earl of Oxford). Though he was in some discomfort, he died a happy man, lovingly cared for at home by his devoted wife Eliza. I haven't listened to these recordings we made since. They've been sitting on my iPhone and the only reason I didn't release them earlier was inertia. They also feature our friend Bob Moran. We talk about God, music, death, everything.

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

Join us this month as we explore inside our brains. John recounts how he learned lines for a Shakespearean role, and Sadina talks with UT Health Neurologist, Dr. Rajesh Gupta about the different ways brains process information. Created by the Podcast Team at the Harris County Public Library.www.hcpl.netPodcast Team Members include: Beth Krippel, John Harbaugh, Mary Mink, Dylan Smith, Sadina Shawver, Gisela Parker, Kara Ludwig, John Schaffer, Jennifer Finch, Katelyn Helberg, Darcy Casavant, Darla Pruitt and Nancy Hu

Send us a textWelcome to Celebrate Creativity Episode 429  Playing with LanguageSnce the auditory characteristics of a Shakespearean play (such as puns and meter) are outside the frame of reference of a Deaf audience, puns can be shown in “plays on signs,” instead of “plays on words.”  Meter can be communicated though smooth and regular signs – the jerky interpreter who is searching for words cannot convey the inner stresses and beats in a line of text.  Instead of “rhythm in spoken language over a period of time,” the concept of meter can be communicated through “grace in space.”  Clear and flowing signing is the Deaf equivalent of articulate and smooth speaking in hearing actors.Rhetorical Devices: Balancing ShakespeareASL lends itself well to the expression of certain rhetorical devices.  While the interpreter and actors should never over emphasize the use of rhetoric, the principles involved in several of the classic figures of speech can inform an ASL translation and even make it clearer.  Schemes of balance, for example, take on a new dimension in ASL.  In parallelism with two elements, there is a similarity of structure in related words, phrases, or clauses.  The elements can be visually expressed by signing the first item of a series on one side of the body, and the second on the other side of the body.  ASL can use the concept of spatial relationships to show that the two elements are on the plane and balanced concepts.  The eyes see “the whole picture,” so a signer can use more than one sign concurrently.  For example, in Hamlet's  “to be or not to be” (The Tragedy of Hamlet, Prince of Denmark, 3.1.17) soliloquy, the antithetical concepts of “life” and “death” can be signed at the same time – adding a new dimension to Hamlet's weighing two alternatives. Thank you for experiencing Celebrate Creativity.

In association with Bonds Chafe Off Undies, The Agenda Podcast presents 'VERSUS' - a podcast series that delves into the sporting rivalries and frictions that have been etched into the history books...Join Dylan Cleaver, ACC Head G Lane and Matt Heath for Boston Vs New York - the Bambino, the curse, the bitterness that built baseball.Some sporting rivalries seem to exist in a box all of their own. The enmity shared between the New York Yankees and the Boston Red Sox, consummated with a punch-up in May 1903, is one. This is a rivalry dominated by a curse that reads like a Shakespearean play, but to understand that, you first have to understand the stage it was set on... Read Dylan Cleaver's full write-up on the history of the Red Sox & Yankees rivalry HERE!'VERSUS: Stories Of The World's Greatest Sporting Frictions' is powered by Bonds Chaffe Off Undies! Follow The ACC on Instagram or Facebook or TikTok Subscribe to The Agenda Podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! iHeartRadio Apple Spotify YouTube THANKS MATE! See omnystudio.com/listener for privacy information.

Send us a textWelcome to Celebrate Creativity - Episode 429 _ How to Say NoName Signs as Clarifiers: Which Side Is He On?One common practice when interpreting a play is for t when mythological references are used the interpreter needs well needs to be able to be creative yes be creative add to avoid finger spelling and therefore breaking the meter the interpreter excuse me just a second here he interpreter to come up with a sign to signify a character - this is much faster - much faster - then finger spelling the name each time. And a name sign is also easier for a member of the death audience to see. Name signs can be introduced while the interpreter speaks with the Deaf audience a few minutes prior to the beginning of a play. This not only serves as a time to introduce the characters and helps the Deaf audience make the transition into Shakespeare's world, but gives the Deaf audience an opportunity to become accustomed to the signing style of the interpreter.An interpreter should not “overload” the Deaf audience with name signs.  In many cases, a character can be referred to by their relationship or role, such as “nurse” or “servant.”  If the character is on stage, the interpreter can point to that person.  If the character is offstage, and is referred to again, the interpreter may establish a position on stage, “assign” the location to a character, and when he quickly points to that area, the audience knows that specific character is being mentioned.   Name signs can even be used to clarify relationships between characters in a Shakespearean play.  In the Blackfriars production of The Life and Death of King Richard the Third, the characters who supported the House of York had name signs on the left side of the body, while the characters who supported of the House of Lancaster  had name signs on the right side of the body.   That night, the Deaf individuals were perhaps the only people in the audience unfamiliar with English history who were easily able to follow the political intrigues of the play!  Thank you for experiencing Celebrate Creativity.

Oops, All Corpses: Making TPKs Fun, Fair, and Hilariously Devastating Now on YouTube! That's right—RPGBOT.net is bringing the RPGBOT.Podcast archive to YouTube, so now you can re-live your favorite episodes or finally hear all the ones you missed while you were rolling death saves. Whether you're commuting, cooking, or crying over your latest character sheet, we've got you covered with full episodes, remastered for maximum tabletop chaos. Episode Notes In this hilariously grim episode, the RPGBOT.Podcast crew puts the "fun" back in "TPK." That's right—we're talking about Total Party Kills: when the dice betray you, the GM stops pulling punches, and your entire party is wiped out like yesterday's initiative order. Tyler, Randall, and Ash dissect the delicious disaster of a good ol' fashioned TPK—from the tactical errors that cause them to the storytelling opportunities they unlock. Whether your death was noble, stupid, or hilariously ironic, the gang's got hot takes and hard truths about why sometimes, failure is the most fun you can have with your character sheet still smoking. Also: funeral pyres, surviving by plot armor, and the one time someone definitely had it coming. RPGBOT.Pocast Episodes RPGBOT.Podcast Episode 10 – Horror RPGBOT.Podcast Episode 9 – Death RPGBOT.Podcast S2E10 – Session 0 Mörk Borg Cult: Heretic – RPGBOT.News S2E32 Fate of the Norns – RPGBOT.News S3E33 Doomed Forgotten Realms – RPGBOT.News S2E50 Content from RPGBOT.net Fate of the Norns – A Review DnD 5e – Practical Guide to Summoning Spells Other Stuff Leroy Jenkins Planescape: Torment Van Richten's Guide to Ravenloft (affiliate link) Topics Covered: What actually qualifies as a TPK (spoiler: one wizard running off doesn't count). When to kill 'em all—and when to fudge the dice. How to make character death meaningful and not just “you slipped in a trap again.” Player buy-in and embracing the end like a dramatic Shakespearean hero. GM tips for turning a TPK into a launchpad for the next arc (or next party). The glory of high-stakes gameplay—because sometimes, you really should fight the dragon at level 3. Key Takeaways: Not all TPKs are bad: A well-earned TPK can be an epic finale, a new beginning, or a group-wide punchline. Fairness matters: If you're going to kill the party, make sure they had a fighting chance—or at least a cool last stand. Story is king: A good TPK should feel like a narrative climax, not just a punishment for bad tactics (though sometimes it's both). Session Zero helps: Set expectations early—if your GM is a killer DM, your group should know they're not here for storytime with Elmo. Debrief after death: Processing character loss together helps the group move forward—and maybe even laugh about it. Use TPKs creatively: Whether as a tragic end, a heroic sacrifice, or the cursed prequel to the real campaign, lean into the drama. Reincarnation is a thing: In fantasy RPGs, death might not be the end—unless it really needs to be. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Oops, All Corpses: Making TPKs Fun, Fair, and Hilariously Devastating Now on YouTube! That's right—RPGBOT.net is bringing the RPGBOT.Podcast archive to YouTube, so now you can re-live your favorite episodes or finally hear all the ones you missed while you were rolling death saves. Whether you're commuting, cooking, or crying over your latest character sheet, we've got you covered with full episodes, remastered for maximum tabletop chaos. Episode Notes In this hilariously grim episode, the RPGBOT.Podcast crew puts the "fun" back in "TPK." That's right—we're talking about Total Party Kills: when the dice betray you, the GM stops pulling punches, and your entire party is wiped out like yesterday's initiative order. Tyler, Randall, and Ash dissect the delicious disaster of a good ol' fashioned TPK—from the tactical errors that cause them to the storytelling opportunities they unlock. Whether your death was noble, stupid, or hilariously ironic, the gang's got hot takes and hard truths about why sometimes, failure is the most fun you can have with your character sheet still smoking. Also: funeral pyres, surviving by plot armor, and the one time someone definitely had it coming. RPGBOT.Pocast Episodes RPGBOT.Podcast Episode 10 – Horror RPGBOT.Podcast Episode 9 – Death RPGBOT.Podcast S2E10 – Session 0 Mörk Borg Cult: Heretic – RPGBOT.News S2E32 Fate of the Norns – RPGBOT.News S3E33 Doomed Forgotten Realms – RPGBOT.News S2E50 Content from RPGBOT.net Fate of the Norns – A Review DnD 5e – Practical Guide to Summoning Spells Other Stuff Leroy Jenkins Planescape: Torment Van Richten's Guide to Ravenloft (affiliate link) Topics Covered: What actually qualifies as a TPK (spoiler: one wizard running off doesn't count). When to kill 'em all—and when to fudge the dice. How to make character death meaningful and not just “you slipped in a trap again.” Player buy-in and embracing the end like a dramatic Shakespearean hero. GM tips for turning a TPK into a launchpad for the next arc (or next party). The glory of high-stakes gameplay—because sometimes, you really should fight the dragon at level 3. Key Takeaways: Not all TPKs are bad: A well-earned TPK can be an epic finale, a new beginning, or a group-wide punchline. Fairness matters: If you're going to kill the party, make sure they had a fighting chance—or at least a cool last stand. Story is king: A good TPK should feel like a narrative climax, not just a punishment for bad tactics (though sometimes it's both). Session Zero helps: Set expectations early—if your GM is a killer DM, your group should know they're not here for storytime with Elmo. Debrief after death: Processing character loss together helps the group move forward—and maybe even laugh about it. Use TPKs creatively: Whether as a tragic end, a heroic sacrifice, or the cursed prequel to the real campaign, lean into the drama. Reincarnation is a thing: In fantasy RPGs, death might not be the end—unless it really needs to be. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

In which the Mister and Monsters join me in reviewing NOBODY'S FOOL (1986), from a script by Beth Henley, the film is directed by Evelyn Purcell.  The film tells the story of Cassie (Rosanna Arquette), a young woman living in a small town whose life has been haunted by a past filled with trauma, including stabbing her ex-boyfriend and giving up her baby for adoption.  However, her life takes an unexpected turn when a traveling Shakespearean theater troupe comes to town, and she begins a relationship with a kind-hearted stagehand named Riley (Eric Roberts). The film follows Cassie's journey as she tries to overcome her past and embrace a new beginning, learning to find hope and love in the process.  The film clocks in at 1 h and 47 m, is rated PG-13 and we watched it on DVD but is available to rent/buy on Amazon.  Please note there are SPOILERS in this review.#NobodysFool #BethHenley #EvelynPurcell #RosannaArquette #Cassie #EricRoberts #Riley #MareWinningham #Pat #LouiseFletcher #Pearl #JimYoungs #Billy #StephenTobolowsky #Kirk #AnnHearn #Linda #CharlieBarnett #Nick #JJHardy #Ralphy #WilliamSteis #Frank #BelitaMoreno #Jane #LewisArquette #MrFry #ScottRosensweig #Winston #Comedy #Drama #Romance  @Amazon  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Send us a textWelcome back to celebrate creativity - Episode 425 - From Stratford to London. Today, we're going on a very special Elizabethan journey, not into one of Shakespeare's plays, but into the writer's very own life - a life that was surprisingly simple. Who was the man who created all these amazing characters and stories? Where did he come from? And then we will look at his writings from using a fascinating form of communication.But first I want to tell you - very briefly - how I became interested in Shakespeare in a big way!One day - more years ago than I care to think - I got a telephone call to interpret for the recently built American Shakespeare Center - at that time the world's only exact replica of Shakespeare's original indoor theater, the Blackfriars.  This theater was built in my hometown of Staunton, Virginia, nestled in the Blue Ridge Mountains. Now   I had spent hundreds of hours doing rather tedious interpreting for the Deaf in the area, but this was the first time I had a chance to do something that was truly creative - and the pay was very good too. Well to make a long story short, I have interpreted all of Shakespeare's plays over the years in various cities and can now say that I have interpreted more Shakespearean plays into American Sign Language than any other person on the planet. And I am now working on an online course to teach other individuals the basics of interpreting a Shakespearean play.Thank you for experiencing Celebrate Creativity.

Following a Shakespearean start, we dive into what we think will happen in the Sun Belt Eastern division. Next, it's the first annual Chilly's All Sun Belt Name Team! We wrap things up with some camp updates.

Join Justin as he chats with actor and artist Duncan Regehr about drawing inspiration from Nature, classic Dracula performances, The Monster Squad, preparing for his role as Pat Garrett in Billy the Kid, becoming Zorro, and more!Duncan Regehr bio: “Duncan Peter Regehr (born October 5, 1952) is a Canadian multimedia artist and actor. He was also a figure skater and a classically trained Shakespearean stage actor in his native Canada, before heading to Hollywood in 1980. Regehr played the title character in Zorro, The Family Channel's television series based upon Johnston McCulley's classic hero. He also had roles in multiple television incarnations of Star Trek. He also played the role of Count Dracula in 1987's The Monster Squad.”Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.

Is this title Shakespearean dumb or just dumb? Either way, Jane is desperately seeking mommy, using a whole lot of insensitive terminology about whether Sydney is her "real" sister or how she can find her "real" mother. Teege tees up on this bullshit.Kimberly continues her weird separation game with Michael, for the benefit of Michael. As a reminder, she hired a prostitute to entertain Michael while she was in her sexless era, but then elevated the arrangement to marriage when she got a terminal diagnosis.Sam, Billy, and Craig are all up in this really weird love triangle, where we are to believe that Sam is offended that people think she's sleeping with Craig. Is that what the 90s were like? For the record, you can start a rumor that we are sleeping with Craig. Separately, of course, because we are classy ladies.Amanda, Peter, Kyle, and Taylor continue their skulldruggery. I get that they're trying to recycle the old tropes in new ways, but this added element of the long-dead sister-wife is weird, even for Melrose Place.

In this episode: President Trump's shows a deep hatred of windmills during his ‘diplomatic' trip to Scotland, and Canada moves to recognise Palestinian statehood, the latest US ally to shift its foreign policy. Plus, the Shakespearean drama fuelling deadly border clashes between Thailand and Cambodia, and when popstars meet politicians - the dark horse couple no one saw coming.

We are so used to thinking of Tolkien being all about the past - old languages, old stories and no post-Shakespearean literature going into his cauldron of story-making, but of course that is wrong. Meet Dr Holly Ordway, whose fantastic book, Tolkien's Modern Reading, is a scholarly and entertaining exploration of the breadth of books in many genres that Tolkien was reading. From The Land of Snergs, to Swallows and Amazons, to Agatha Christie, he was catholic in his tastes, in the sense of universal. Follow our wide-ranging discussion from the books of Tolkien's youth, to those he read his children, and on to the adult novels he read and appreciates - as well as those he didn't like. Stick around to find out where we would set a boys' own adventure!(00:05) Exploring Tolkien's Modern Reading(10:13) Influences on Tolkien's Writing(24:59) Tolkien's Diverse Reading Influences(42:26) Adventure Influences in Tolkien's WorldFind out more about Holly and her works here: https://www.wordonfire.org/tolkien/For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

In this episode of Trust Me! we will be discussing King Lear, the Shakespearean tragedy, and the fallout from an estate plan gone wrong.Our GuestRalph Hughes is a founding shareholder of Hughes & Pizzuto, A P.C. where he practices in the areas of Estate Planning, Trust Law, Probate Litigation, Trust Litigation, Will Contests, Mediation in related fields.  Ralph has been a Certified Specialist in Estate Planning, Trust and Probate Law for more than 25 years.  He is a member of the American College of Trust and Estate Counsel and a former member of the California Lawyers Association Trusts and Estates Executive Committee (TEXCOM). Our HostAnne M. Rudolph is a shareholder at Hughes & Pizzuto, APC. Her practice is limited to trust and probate administration, related litigation and appeals. She received her J.D. with highest honors from the University of Oklahoma College of Law. Anne is a certified specialist in Estate Planning, Trust and Probate Law and a member of CLA's Trusts and Estates Executive Committee (TEXCOM).Thank you for listening to Trust Me!Trust Me is Produced by Foley Marra StudiosEdited by Cat Hammons and Todd Gajdusek

In this episode of The GoodKind Podcast, Clayton Greene, Chris Pappalardo, and Arthur Tew unpack the surprisingly spiritual side of... homework. Through stories from public school, homeschooling, and their own childhoods, they wrestle with what homework actually teaches kids—not just academically, but spiritually.They reflect on the difference between meaningful work and busywork, how homework intersects with identity and overwork, and whether school is subtly shaping our kids to see productivity as a primary value. By the end, it's clear: how we talk about homework shapes how our kids think about work, worth, and even Sabbath.TakeawaysHomework is more than just worksheets. It can train kids in independence and perseverance—or frustrate them with pointless busywork.Meaningful work matters. Kids are more motivated when they understand the purpose of what they're doing—whether it's a Shakespearean writing prompt or feeding chickens.All homework is not created equal. Parents can help kids distinguish between tasks that just need to get done, and tasks that are vital to learning. Homework shouldn't sabotage Sabbath. Carving out weekend space free from school demands models a rhythm of grace.Homeschool or public school, the big question is: what are we teaching them about work? Through homework, chores, and school routines, we're forming our kids' beliefs about productivity, rest, and their value.

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Navy Seal Author and Historian Matt Bracken joins Irish writer, author, and thinker John Waters to discuss technocracy in the West, societal collapse, Tulsi Gabbard, Epstein, Trump becoming a Shakespearean tragedy, mass migration and much more. PLEASE SUBSCRIBE LIKE AND SHARE THIS PODCAST!!!   Watch Show Rumble- https://rumble.com/v6woxec-trump-a-shakespeareangreek-tragedy-john-waters-and-matt-bracken.html YouTube- https://youtu.be/SSYAZm6-LaU   Follow Me X- https://x.com/CoffeeandaMike IG- https://www.instagram.com/coffeeandamike/ Facebook- https://www.facebook.com/CoffeeandaMike/ YouTube- https://www.youtube.com/@Coffeeandamike Rumble- https://rumble.com/search/all?q=coffee%20and%20a%20mike Substack- https://coffeeandamike.substack.com/ Apple Podcasts- https://podcasts.apple.com/us/podcast/coffee-and-a-mike/id1436799008 Gab- https://gab.com/CoffeeandaMike Locals- https://coffeeandamike.locals.com/ Website- www.coffeeandamike.com Email- info@coffeeandamike.com   Support My Work Venmo- https://www.venmo.com/u/coffeeandamike Paypal- https://www.paypal.com/biz/profile/Coffeeandamike Substack- https://coffeeandamike.substack.com/ Patreon- http://patreon.com/coffeeandamike Locals- https://coffeeandamike.locals.com/ Cash App- https://cash.app/$coffeeandamike Buy Me a Coffee- https://buymeacoffee.com/coffeeandamike Bitcoin- coffeeandamike@strike.me   Mail Check or Money Order- Coffee and a Mike LLC P.O. Box 25383 Scottsdale, AZ 85255-9998   Follow John Substack- https://substack.com/@johnwaters X- https://x.com/johnwaters2024 Order's John's new book- https://a.co/d/7AOMCK1   Follow Matt X - https://x.com/Matt_Bracken48 Gab- https://gab.com/matt_bracken Website- https://enemiesforeignanddomestic.com/index.html Substack- https://substack.com/@mattbracken   Order Matt's new book: Paypal- https://www.paypal.com/paypalme/steelcutter48 Or send the cash or check to: Steelcutter Publishing PO Box 65673, Orange Park, FL 32065   Sponsors Vaulted/Precious Metals- https://vaulted.blbvux.net/coffeeandamike McAlvany Precious Metals- https://mcalvany.com/coffeeandamike/ Independence Ark Natural Farming- https://www.independenceark.com/

On this week's episode, we talk about AMC Stubs perks and the Amityville property before Jeremy raises the dead with the gritty backwoods horror of Sinners, while Brandy Joe takes a stab at Shakespearean sleaze with Tromeo and Juliet. Time Stamps: Sinners - 18:20
 Tromeo & Juliet - 46:17 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! For merch & more: https://linktr.ee/scaringissharing

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're taking a tumble — both literally and metaphorically — as we break down our Top 5 Falls in Movies and TV, followed by a closer look at the slow-burning, Palme d'Or-winning courtroom drama Anatomy of a Fall. No kids' section this time around — just a lot of bodies hitting the floor (sometimes figuratively).

Producer/Director - Jeremy McCarter, Sound Designer - Misha Fiksel Making its World Premiere at the venerable Tribeca Festival and featured on Apple Podcasts, MakeBelieve's revelatory new take on Shakespeare's iconic tragedy drops you inside the fractured mind of the prince.  Produced and directed by Jeremy McCarter and with breathtaking binaural sound design by Tony-Award winner Mikhail "Misha" Fiksel, this is Hamlet as you've never heard it before. JEREMY McCARTER Jeremy is the founder and executive producer of Make-Believe Association, a nonprofit audio production company. Prior to Hamlet, he co-created, co-wrote, and executive produced Lake Song, the acclaimed audio-drama series that was an Official Selection of the Tribeca Festival, a Webby Award nominee, and the winner of three Signal Awards. He also co-wrote (with Natalie Moore) and executive-produced City on Fire: Chicago Race Riot 1919, an audio docudrama about the summer that ravaged and remade the city. It was co-produced by Make-Believe Association and WBEZ, and won the Headliner Award for Best in Show for radio broadcasts in 2019. Prior to founding Make-Believe, he spent five years on the artistic staff of the Public Theater in New York, where he created and ran the Public Forum series. These performances and conversations featured many of America's leading actors, writers, activists, and community leaders, exploring the intersection of arts and society. MISHA FIKSEL Initially a theatrical artist, Fiksel pursued his curiosity and appreciation of the screen, both as a composer and a sound designer. He has scored several independent feature films, including “Glitch” and “The Wise Kids” as well several shorts such as “Alien Queens”, “Both/And” and “The Learning Curve” (a short film inspired by an acclaimed immersive theatrical production exploring the high school experience). Misha has worked on several trailers and promotional videos for various corporate and non-for-profit clients and expanding on his collaboration with Albany Park Theatre Project, he worked with documentary director Dan Andries, scoring several film adaptions of APTP's stage plays, including “Feast” which received the 2018 Emmy (Midwest) for Direction.   The Credits Listen to MakeBelieve's Hamlet here Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Send us a textWelcome to another killer episode of Hallmark Mysteries and More! Andrea and Eric dig deep into Mystery 101: An Education in Murder — the film that finally gives fans the long-awaited first kiss between Amy and Travis… but also serves up academic scandal, edge-of-your-seat twists, and maybe the best red herrings in the series.Is Steve Bacic the villain—or just another wrongly accused professor caught in the crosshairs? Was Travis's loyalty to Amy the highlight of the movie? And what literary Easter eggs did writer John Christian Plummer sneak in to reveal the killer before the final act?We also unpack:

Tuck chats with Sawyer K. Kemp about the news that Ian McKellan is involved in an all-trans staged reading of Twelfth Night. Topics include whether Twelfth Night is trans, what baseball and Shakespeare plays have in common, and what prison has to do with any of this.  Listen to the full episode on Patreon to hear discussions of West Virginia, trans cringe, 17th-century trans intra-community conflict, which Shakespearean role Shohei Ohtani would play, and whether acting is good or bad :) Find Sawyer at sawyerkkemp.com and at Queens College. ~ Senior Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional Music: Blue Dot Sessions

FOX Sports Radio Weekend host Martin Weiss is in for Rob, and he and Kelvin tell us if it's fair to call Shai Gilgeous-Alexander and the Oklahoma City Thunder are a 'boring' champion, debate whether it's fair to say that people will remember Tyrese Haliburton's playoff run more favorably than OKC actually winning the title, and discuss what's next for Devin Booker in the wake of the Kevin Durant trade. See omnystudio.com/listener for privacy information.

America's golfer-in-chief trades on exclusivity, but he still can't buy a green jacket. Are the Saudis using Donald Trump's obsession to disrupt even more than a super-league? Ahead of the U.S. Open, veteran golf reporter and author Alan Shipnuck takes Pablo behind the Shakespearean curtain. • Read "LIV and Let Die" by Alan Shipnuck https://www.simonandschuster.com/books/LIV-and-Let-Die/Alan-Shipnuck/9781668020012 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mo Amer (Mo, The Vagabond, Black Adam) is an award-winning comedian and actor. Mo joins the Armchair Expert to discuss feeling anxiety only when there's something unsettled at home, embracing the responsibility of being a comic that's also made a personally and culturally meaningful thing, and the best part of his new show being that he gets to introduce different layers to his story. Mo and Dax talk about his brilliant telecommunications engineer father relocating their family from Palestine to Kuwait, living through the Iraqi invasion that catalyzed the Gulf War, and creating a supportive Sandlot brotherhood that still exists to this day. Mo explains how his teacher encouraging him to do Shakespearean standup rocketed his entry into comedy, performing some of the greatest sets of his life returning to Iraqi war zones, and the emotional rediscovery of long-lost home movies of his family and childhood.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.