Podcasts about atsc

The annual NAB Show delivered a more fully digital ecosystem when it convened in Las Vegas this year. While traditional broadcast technologies are still the focus, hyperscale cloud providers, digital media platforms and no shortage of AI were all on display. Returning guests Justin Neilson and Peter Leitzinger join host Eric Hanselman to discuss what they saw at broadcasting's big event and the impacts of various technologies on the media landscape. The digital television evolution is continuing apace. The ATSC 3.0 NextGen TV standard has been rolling out across the globe, albeit a bit more slowly in the U.S.. The higher resolution, more interactive capability is available to over three quarters of the market. Multi-screening functionality is interesting, but digital advertisers are looking to the direct access to consumers as a better path to monetizing viewers and delivering a direct path to content creators. The smart TV market is also hopeful, driving the uptake of new chipsets and televisions.   The show also revealed the greater participation of the hyperscale cloud providers in broadcast media. Greater volumes of digital content are depending on cloud scale in ever greater measure. The creeping incrementalism of AI in media production still has to overcome some fundamental objections from studios and some content creators, but it is working its way into many parts of the industry. It seems like its convenience and velocity may be too much to resist. More S&P Global Content: Radio/TV station annual outlook, 2024 MediaTalk | Season 3 | Ep. 16 - Broadcasters Band Together Over Tech Advancements, Deregulation For S&P Global subscribers: US TV set projections through 2028: Solid rebound on track to continued growth Digital multicast TV database 2024 update: NextGen TV expands reach to 75% of US Credits: Host/Author: Eric Hanselman Guests: Justin Nielson, Peter Leitzinger Producer/Editor: Adam Kovalsky Published With Assistance From: Sophie Carr, Feranmi Adeoshun, Kyra Smith

PODCAST: This Week in Amateur Radio Edition #1367 - Full Version (With repeater ID breaks every 10 minutes) Release Date: May 10, 2025 Here is a summary of the news trending...This Week in Amateur Radio. This week's edition is anchored by Chris Perrine, KB2FAF, Don Hulick, K2ATJ, Joshua Marler, AA4WX, Will Rogers, K5WLR, Ed Johnson, W2PH, Marvin Turner, W0MET, Eric Zittel, KD2RJX, George Bowen, W2XBS, and Jessica Bowen, KC2VWX. Produced and edited by George Bowen, W2XBS Approximate Running Time: 2:12:58 Podcast Download: https://bit.ly/TWIAR1367 Trending headlines in this week's bulletin service 1. VOA: United States Appeals Court Halts Order Allowing Voice of America Employees Back To Work 2. FCC: FCC Older Americans Month Webinar To Be Held On May 22, 2025 3. FCC: FCC Wants To Improve Internet From Space Satellites 4. ARDC: DLARC, Receives Grant To Continue Mission - ARDC To Hold Seminar At Dayton HamVention 5. AMSAT: AMSAT Prepares For Major Presence At 2025 Dayton Hamvention 6. AMSAT: Amazon Kicks Off Kuiper Network with Ambitious First Satellite Launch 7. AMSAT: Europe's Vega C Rocket Launches Satellite to Map Forest Health 8. AMSAT: Satellite Shorts From All Over 9. WIA: RSGB Participated In The International Amateur Radio Union Region One Meeting In Paris 10. ARRL: Plan Your Hamvention With ARRL App 11. ARRL: Johns Hopkins University To Hold ARRL Teachers Institute 12. ARRL: Promote Your Club's 2025 ARRL Field Day With Posters 13. ARRL: Scouts and Hams Celebrate In The Rain 14. ARRL: The FBI ARA In Fredericksburg, Virigina, To Host Host A Special Event For National Police Week 15. ARRL: The 2nd Annual Queens Of The Mountains YL SOTA Special Event Weekend Announced 16. Australian Coast Is Challenged By Waste From Weather Balloons 17. FCC Wants Imported Electronics Testing Based In The United States 18. Portable Logger, Ham2K, Receives Software Award 19. Amateur Radio Is Added To West Bengal Police Operations 20. Disaster Training Highlighted By Image Transmission 21. Major Amateur Radio Exposition To Run Special Event Stations 22. ARRL: Upcoming RadioSport Contests and Regional Convention Listing 23. HACK: Is your GPS not working? Soon you will be able to use ATSC 3 television signals. 24. WIA: International Amateur Radio Union World Championship Contest is announced. 25. WIA: Rescue Radio: The summit of Emergency Preparedness. A short story for you. 26. W2PH: Amateur Radio comes to Internet Radio. 27. SPACEX: SpaceX's spectrum surveillance ups the ante in an FCC fight with Echostar. 28. ARW: Italian radio amateurs get permission to use the 40 MegaHertz band - 8 meters. 29. ARRL:630 meter band Worked All States Award Issued. 30. ARRL: Heritage CQ Amateur Radio Hall of Fame. 31. ARRL: ARRL announces changes in the Atlantic Division leadership. 32. ARRL: 2025 Hudson Division Convention is scheduled for July 13th. 33. ARRL: ARRL Hudson Division Leadership announces the division is now on Discord. 34. Amateurs in Brazil gain 11 meter CB privileges using their callsigns, and lose the CW requirement for licensing 35. A new low power FM broadcast station construction permit is issued to an amateur radio group. 36. BBC: The BBC is facing its Charter Expiration, and plans to rechart its course. 37. ARRL: Monthly Volunteer Monitoring Report. Plus these Special Features This Week: * Working Amateur Radio Satellites with Bruce Paige, KK5DO - AMSAT Satellite News * Foundations of Amateur Radio with Onno Benschop VK6FLAB, will answer the question, "Can we figure out how much the sun really affects propagation?" * The DX Corner with Bill Salyers, AJ8B with news on DXpeditions, DX, upcoming radio sport contests and more. * Weekly Propagation Forecast from the ARRL * Will Rogers - K5WLR - A Century Of Amateur Radio - Will returns with another brand new edition of A Century Of Amateur Radio. This week, Will takes us aboard The Wayback Machine to 1922. Despite several attempts, no successor to the outdated 1912 radio law had yet emerged. Now it could wait no longer since things had changed so radically with the rise of broadcasting. In early March, 1922, Secretary of Commerce Herbert Hoover convened the first National Radio Conference in Washington. Will brings us there in this weeks edition. ----- Website: https://www.twiar.net X: https://x.com/TWIAR Bluesky: https://bsky.app/profile/twiar.bsky.social Facebook: https://www.facebook.com/groups/twiari YouTube: https://bit.ly/TWIARYouTube RSS News: https://twiar.net/?feed=rss2 Automated (Full Static file, updated weekly): https://twiar.net/TWIARHAM.mp3 Automated (1-hour Static file, updated weekly): https://www.twiar.net/TWIAR1HR.mp3 ----- This Week in Amateur Radio is produced by Community Video Associates in upstate New York, and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. If you would like to volunteer with us as a news anchor or special segment producer please get in touch with our Executive Producer, George, via email at w2xbs77@gmail.com. Thanks to FortifiedNet.net for the server space! Thanks to Archive.org for the audio space.

On this week's show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week's news. News: Roku's smart home strategy is making its streaming devices harder to ignore Sonos Strikes a Surprising Deal with Yamaha Masimo to Sell Consumer Audio Business to HARMAN International Other: Robert's Forever Home Theater Has the Best Universal Remote Got Better? - Remote 3 Google AI Reimagines Wizard of Oz for the Las Vegas Sphere!

Local broadcasters are pinning hopes on NextGenTV reviving their industry. But more than a decade after the first tests of ATSC 3.0 standards, consumer adoption remains stalled below 10%. Co-hosts Corey and Gordon see a maze of hurdles and take their skepticism to Madeleine Nolan, president of the ATSC: The Broadcast Standards Organization, seeking answers.Stay in the loop with all things Borrell when you join our Research Alert Lists. As always, thank you for listening. If you like the episode, leave us a review!  Want to join the conversation? Share your comments at borrellassociates.com/podcast.

Precio: https://amzn.to/3G9NOdE La tarjeta sintonizadora de TV USB U6 Mini Analog es un dispositivo compacto que permite a los usuarios ver y grabar televisión digital en vivo en sus computadoras MacBook, laptops o PC. Al conectarse a través de un puerto USB, este sintonizador facilita el acceso a canales de televisión de alta definición (HD) gratuitos mediante señales de aire ATSC, eliminando la necesidad de una conexión a internet. Su diseño portátil y facilidad de instalación lo convierten en una solución práctica para disfrutar de contenido televisivo en cualquier lugar

Michael Collette, the new CEO of Run3TV, discusses how the company's app framework is setting the stage for a wave of apps and services to run on ATSC 3.0, the new IP-based broadcast platform that's been branded as 'NextGen TV.' Hosted on Acast. See acast.com/privacy for more information.

Reductions in Force at the US Government - NGWS grant recipients told to stop work - NAB calls for ATSC-3 transition dates - Carr inquires iHeart about payola - Starks blasts Carr letter to Verizon on DEI - FCC Open Meeting actions - OET considering Part 15 waiver requests - FCC fines two Florida pirates - FCCxtra: Brendy climbs a tower!

In this episode of the CEDIA Podcast, host Walt Zerbe, senior director of technology and standards, explores the latest advancements in video technology with guest Michael Heiss, also known as "Captain Video." They discuss key topics from CES, including HDMI 2.2 and the Lip Latency Indication Protocol (LIP). Michael explains the significant improvements in HDMI 2.2, such as increased bandwidth for higher resolutions and frame rates. They also delve into AI's role in enhancing picture quality and the importance of understanding new technologies. The episode emphasizes continuous learning and staying informed about industry trends.   Timestamps by PodSqueezeIntroduction to the Podcast (00:00:01)   Lip Latency Indication Protocol Overview (00:00:07)   An explanation of the Lift Latency Indication Protocol and its purpose in reducing sync errors. Introduction of Hosts (00:00:57)   Walt Kirby introduces himself and guest Michael Heiss, highlighting their excitement about CES. Reflections on CES (00:01:18)   Discussion of the overwhelming amount of information and advancements in video technology at CES. Consumer Insights on Video Technology (00:02:16)   Michael shares insights on consumer interest in new video technology and potential purchasing recommendations. HDMI 2.2 Announcement (00:03:04)   Discussion begins on HDMI 2.2, its improvements over HDMI 2.1, and implications for video transport. Technical Specifications of HDMI 2.2 (00:03:36)   Detailed comparison of HDMI 2.2's speed and capabilities versus previous standards and DisplayPort. Market Impact of HDMI 2.2 (00:05:30)   Exploration of HDMI 2.2's relevance in consumer markets and its potential applications in various industries. Challenges in HDMI 2.2 Adoption (00:06:06)   Discussion on the timeline and challenges of implementing HDMI 2.2 technology in products. Future of Video Technology (00:08:24)   Considerations for future-proofing installations with HDMI 2.2 and the importance of fiber optics. Introduction to Lift Latency Indication Protocol (00:09:35)   A deeper dive into the Lift Latency Indication Protocol and its role in video formatting. Importance of Sync in Video Processing (00:11:12)   Discussion of lip sync issues and the complexities of latency in video and audio processing. Complications of Latency Perception (00:13:05)   Insights on how latency affects viewer experience, particularly in music and video synchronization. Humorous Take on Lip Sync (00:14:11)   A lighthearted exchange about the naming of the Lift Latency Indication Protocol and its acronym. AI and Lip Sync Issues (00:15:08)   Discussion on the potential for metadata-based lip sync solutions in video technology. AI Applications at CES (00:16:35)   Insights into the emergence of AI applications showcased at CES, particularly by LG and Samsung. AI in Video Quality (00:18:40)   Exploration of AI's role in enhancing video quality through background adjustments. Predictive AI and Daily Life (00:19:45)   Discussion on the implications of predictive AI in everyday tasks and its potential downsides. AI Dependency and Privacy (00:22:46)   Concerns about AI dependency, especially during power outages and its implications for privacy. Samsung Galaxy Phone Controversy (00:24:10)   Controversy surrounding Samsung's moon photography feature and its implications for AI in consumer devices. Leading TV Brands at CES (00:25:39)   Overview of leading TV brands showcased at CES, including LG, Samsung, Hisense, and TCL. AI Engines in TV Brands (00:27:54)   Comparison of AI engines used by major TV brands and their implications for functionality. Sensors and AI Functionality (00:29:16)   Discussion on the importance of sensors and microphones in smart TVs for AI functionality. Introduction to TV Technology Trends (00:30:29)   Discussion on the shift in TV manufacturing and the rise of connected TV systems. Roku's Versatility in TV Market (00:31:27)   Roku's functionality as a universal platform for various TV brands is highlighted. Operating Systems in TVs (00:31:45)   Exploration of different operating systems like webOS, Tizen, and Roku in modern TVs. Consumer Awareness of TV Apps (00:33:03)   Importance of understanding app availability on connected TVs for consumers. TiVo's Marketing Strategy (00:34:21)   TiVo's new approach to marketing its operating system through partnerships with TV brands. Sharp's Return to the US Market (00:35:02)   Discussion on Sharp's comeback in the TV market with a focus on its partnership with TiVo. Trends in TV Sizes (00:37:40)   Analysis of the increasing size of TVs and the emerging market preferences. Direct View LEDs and Market Dynamics (00:39:25)   Insight into the competition and advancements in direct view LED technology at CES. Challenges of Large TV Installations (00:42:47)   Addressing the logistical challenges of installing large TVs in homes. Brightness Improvements in OLEDs (00:44:11)   Overview of advancements in OLED technology and brightness enhancements from LG and Panasonic. Panasonic's OLED Innovations (00:47:03)   Panasonic introduces a thermal cooling process for their OLED panels, performing well in high ambient light. Hisense's RGB Mini LED Announcement (00:48:01)   Hisense surprises with RGB mini LEDs, enhancing brightness and contrast without traditional color filters. Hisense and TCL Brand Evolution (00:49:10)   Discussion on Hisense and TCL's rise to first-tier brands, emphasizing their technological advancements. Trends in Display Technology (00:50:30)   Exploration of non-reflective displays and advancements in gaming-focused frame rates. Samsung's Discrete RGB Micro LED (00:53:00)   Samsung reveals a discrete RGB micro LED backlit set, promising enhanced brightness and contrast. Upcoming Display Technologies at Expo (00:54:01)   Anticipation of new display technologies set to debut at the upcoming Expo. AI and Home Control Integration (00:55:16)   Samsung promotes smart TV features that integrate AI for seamless home control. HDR10+ and Content Compatibility (00:57:46)   HDR10+ press conference highlights its integration with Amazon Prime and other streaming services. Next Gen TV Developments (00:59:43)   Next Gen TV advancements discussed, including cheaper dongles and the new zapper box for ATSC 3.0. Introduction to Marketing Strategies (01:01:58)   Discussion on the importance of marketing in the tech industry and venue changes at CES. TV Innovations with Suction Cups (01:02:28)   Overview of a TV with suction cups for mounting, highlighting its features and market presence. Trends in Monitor Sizes (01:03:40)   Exploration of the trend towards larger, curved monitors for home and office use. Advancements in Audio Technology (01:05:30)   Discussion on new audio technologies, including hearing aids and immersive audio experiences. Hearing Aid Innovations (01:06:54)   Introduction of a new over-the-counter hearing aid with AI language translation features. Samsung's Eclipse Technology (01:08:16)   Overview of Samsung's immersive audio technology and its implications for soundbars and TVs. Gyro-Sensing Soundbars (01:10:12)   Description of a soundbar that adjusts audio output based on its mounting position. Audio Q's Dolby Atmos Decoder (01:12:04)   Introduction of a product combining Dolby Atmos decoding with power line communication. Final Thoughts on Technology (01:13:31)   Discussion on the importance of matching technology with client needs and standards in education. Wrap-Up and Future Events (01:14:45)   Conclusion of the podcast and mention of upcoming events in Barcelona. Introduction to Press Releases (01:16:21)   Discussion on the volume of press releases and their significance in staying informed about industry developments. Acronyms and Abbreviations Course (01:17:40)   Overview of a course aimed at clarifying common acronyms used in the video technology industry. Event Dates Announcement (01:17:57)   Mention of the upcoming event dates, February 4th to 6th, and the importance of continuous learning. Closing Remarks and Philosophy (01:18:19)   Reflection on the importance of asking questions and keeping an open mind in discussions and learning. Final Thank You (01:18:54)   Gratitude expressed to listeners, signaling the end of the podcast episode.

Decision Options ® by Gill Eapen: Mr. ABY ALEXANDER, CEO of Broadsat Technologies, that is on a mission to deliver cutting-edge connectivity solutions where traditional fiber infrastructure is not viable. His expertise in ATSC 3.0 and Broadcast Internet technologies has been crucial in shaping the innovative approach to remote area connectivity. Prior to founding the company, Aby was the President & CEO of Thomson Broadcast America's, & Thomson Holding. Please subscribe to this channel: https://www.youtube.com/c/ScientificSense?sub_confirmation=1

Did you know that broadcast datacasting, which started with closed captioning, now plays a vital role in public safety and emergency communications? SpectraRep, an affiliate of BIA, has pioneered datacasting and is developing a nationwide wireless network for public safety, emergency management, remote learning, and more. In this podcast, SpectraRep's COO, John McCoskey, and CTO, George Molnar, discuss how datacasting has evolved from analog to digital, and now reaches over 200 million people in the U.S. They share how it supports first responders, enhances emergency management, and improves earthquake early warning systems on the West Coast, delivering lifesaving alerts in seconds. By utilizing both ATSC-1 and ATSC-3 technologies, datacasting provides a reliable solution for significant communication challenges. Listen now to see how broadcasters are stepping up the opportunity to help protect and secure their local communities. For questions or to connect with the SpectraRep team, please contact info@SpectraRep.com and visit www.spectrarep.com.

Make a Logo on FiverrLast Updated on December 31, 2024 11:13 am by Jeffrey Powers ATSC 3.0, or “NextGen TV,” is the latest standard in broadcast television (I took a tour on ATSC 3.0 years ago), offering 4K resolution, interactivity, and enhanced over-the-air (OTA) features. So when GTMedia came out with the HDTV X1, I […] The post Does the Bad Outweigh the Good? GTMedia HDTV X1 with ATSC 3.0 appeared first on Geekazine.

Integration testing is always a tricky thing, fraught with problems setting up the right environment and attempting to control the system's state. That's particularly true when you're dealing with a mix of software and hardware, and even worse when you don't have control of what the hardware can do.This week I'm joined by Dave Lucia of TVLab's, who's building systems for testing television software at scale, and it's a problem that needs a huge variety of techniques to crack it. He's using cameras, real time video processing, Erlang & Elixir and a host of other tools to make it possible to test a fleet of televisions on demand.Sometimes good systems revolve around a single big idea; this time it's a large combination of solutions, coordinated by the BEAM, that gets the job done.--TVLabs: https://tvlabs.ai/Flipper Zero: https://flipperzero.oneATSC 3.0 “NextGen TV”: https://en.wikipedia.org/wiki/ATSC_3.0Support Developer Voices on Patreon: https://patreon.com/DeveloperVoicesSupport Developer Voices on YouTube: https://www.youtube.com/@developervoices/joinKris on Bluesky: https://bsky.app/profile/krisajenkins.bsky.socialKris on Mastodon: http://mastodon.social/@krisajenkinsKris on LinkedIn: https://www.linkedin.com/in/krisjenkins/

From technological innovations that could impact the future of local TV, such as ATSC 3.0., to pending regulatory policy changes under forthcoming FCC Chairman Brendan Carr, Deutsche Bank Director of Equity Research Ben Soff shared the Wall Street viewpoint on how linear TV could benefit during a TVB Executive Summit session held Thursday in New York.The conversation begins with an assessment of BIA Advisory Services' 2025 local TV advertising outlook presented by Tom Buono, its CEO. It concludes with Soff's comments on how investors "should be able to find the right assets at the right price."In this InFOCUS Podcast, presented by dot.FM, Soff shares his thoughts in a conversation with TVB President/CEO Steve Lanzano. 

Omar Ramadan, CEO and co-founder of BlockCast, discusses the challenges of content delivery in the current internet landscape, particularly the monopolistic control over media distribution and the resulting internet capacity crunch. He explains how BlockCast aims to decentralize content delivery using blockchain technology, allowing individuals and organizations to participate in a more efficient and equitable media distribution system. The discussion also covers the marketplace dynamics for CDNs, the product roadmap for BlockCast, and Omar's vision for the future of internet broadcasting. Why you should listen Blockcast is a cutting-edge content delivery network (CDN) that utilizes multicast technology to revolutionize internet content distribution. Unlike traditional centralized CDNs, Blockcast operates through a decentralized caching architecture. This approach aggregates capacity from a global network of nodes, enabling content providers, such as streaming platforms and gaming companies, to deliver high-quality experiences more efficiently. By leveraging this decentralized framework, Blockcast reduces delivery costs and extends its reach to even the most remote areas. At the core of Blockcast's offering is its Multicast Adaptive HTTP Proxy technology. This enables one-to-many content delivery, optimizing bandwidth usage and alleviating network congestion. Blockcast is creating a Capacity Marketplace where content providers can purchase delivery capacity from a diverse range of network operators, including ISPs, over-the-air broadcasters (ATSC, 5G, DVB, and satellite), and individual users hosting caching nodes. This system not only maximizes resource utilization but also opens up new revenue streams for participants. Blockcast's decentralized caching nodes play a vital role in enhancing content delivery speed and reliability. Individuals and organizations are incentivized to host these nodes through Web3 token rewards, encouraging widespread participation and bolstering the network's robustness. The benefits of this setup extend across various stakeholders. Content providers can cut delivery expenses while maintaining high-quality service and expanding into underserved regions. The multicast capabilities further allow for the efficient delivery of high-resolution content like 4K streaming without additional cost burdens. Broadcasters, including ATSC 3.0 television stations, cellular carriers, and satellite operators, can capitalize on their existing infrastructure by contributing data channel capacity to Blockcast. This not only helps them generate new revenue streams but also allows them to participate actively in the evolving digital content ecosystem. Similarly, CDNs and ISPs gain an opportunity to extend their capacity and reach, especially in geographies where deploying traditional infrastructure may not be economically feasible. In April 2024, Blockcast joined the Advanced Television Systems Committee (ATSC) to support the development of ATSC 3.0 technologies. This collaboration underscores Blockcast's dedication to mitigating network congestion and inefficiencies tied to unicast content delivery. By integrating over-the-air digital technologies, Blockcast is positioned at the forefront of content distribution innovation. Blockcast's decentralized approach addresses key challenges in the content delivery space, including high costs, network congestion, and infrastructure limitations. Its scalable solution is well-suited for the increasing demands of today's digital content consumers, providing an efficient, cost-effective alternative to traditional CDNs. Supporting links Stabull Finance Blockcast Andy on Twitter  Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.

On this “Small Business Saturday” episode of the Furthermore video podcast, host Amanda Heads talks with experienced actors and owners of the long-running Actors' Theater of South Carolina (ATSC) Chris Weatherhead and Clarence Felder. In this episode Head and the non-profit executives talk about their challenges and triumphs in creating internationally award-winning productions. Throughout this conversation, Weatherhead and Felder stress the importance of creativity, community and perseverance in the arts. The husband and wife team also reflect on their 40-years in the entertainment industry in both New York City and Hollywood. Weatherhead even felt that she was called by God to work in the California prison system between acting jobs.Under the near three-decade long leadership of Weatherhead and Felder their film division has achieved remarkable success. They've produced seven award-winning films and received 29 international film awards. Three of their standout productions that are discussed with Head in this podcast include: “All For Liberty,” “John Laurens War” and “Frederick Douglas: No Turning Back”. You can learn more about ATSC, donate, or watch their award-winning work online by visiting their website: https://actorstheaterofsc.org/.Furthermore, be sure to keep up on the amazing work Weatherhead and Felder continue to accomplish because later this year they have two new award-winning films being released titled, “In the Sea of Grace” and “Echoes of Glory: Heroes from the American Revolution” that will reach international audiences.Also take time to check out Amanda Head's latest video podcast episode on Rumble or Youtube and subscribe to her channels today:Youtube: www.youtube.com/@FurthermorePodRumble: www.rumble.com/c/c-6349263See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT I have been aware, forever, of an Australian digital signage software company called Ryarc, but through the years - and maybe a little because of the distances - I've never met or chatted with its founder and CEO Fergal Ó Ceallaigh. It's one of those submarine companies that kind of operates below the waterline and mostly out of sight, but Ryarc has been around for many, many years - and has done well despite its admitted marketing deficiencies, because the software is all about substance rather than sizzle. That has appealed to the IT people who get involved more and more these days in scaled screen projects. I was reminded of Ryarc during InfoComm, when an industry friend mentioned on a panel a technology he'd come across that would and could use broadcasting technology to move around digital signage content, instead of broadband internet or  mobile data networks. That sounded interesting, and I wanted to know more - as it sounded like satellite content distribution, but different. When I found out Ryarc was the company that was doing proof of concept trials in the U.S., I reached out to Fergal - now based in Seattle - and we had this chat. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Fergal, thank you for joining me. I've been aware of your company for a long time, but we've never actually spoken. For those people who don't know what you do, what the company does. Could you give me the elevator pitch?  Fergal Ó Ceallaigh: Thanks for inviting me on. RYARC was founded as a digital signage application, with the starting point of their need for a digital signage platform that combined enterprise capabilities with knowledge worker-level skills by the operator. So this was in an era when digital signage was moving from what was a highly specialized and fairly rare thing, to something where at least from our perspective, the requirement was going to be that digital signage was just going to be another tool in the armory of an enterprise and, as such, it would require rather than a specialized team to operate at a knowledge worker level.  This goes back 20 years, right?  Fergal Ó Ceallaigh: Yeah, it does. We divert a little bit into kind of my backstory. I worked for Microsoft in the 90s in Dublin and I had a fantastic time there. It was Microsoft where the Nvidia of the day, Windows 95 was coming out. So it was a fantastic place to work, and I couldn't have asked for a better start in my career, but I had an itch to try and start something of my own, and I happened upon digital signage. I could see the way trajectories were going in terms of connectivity. If you combine connectivity, availability, and cost & display, availability, and cost, two lines on a graph are going down and to the right and human labor is going up, and to the right. So those three factors combined to make it apparent to me that digital signage was going to be a thing. If it was going to be a thing, it needed software to go with it. So I quit Microsoft, and I did my Asian Odyssey backpack and thing, and I was actually writing the code for version one. I got so bored sitting on the beach in Thailand that I took to actually writing code. I'm serious. That is dysfunctional.  Fergal Ó Ceallaigh: I guess. Yeah, it was extraordinary. I'm not a beach guy, which is, another strange story for someone who ended up in Sydney for as long as he did, but, yeah, so it was with that desire to have a go with that.  Coming out of Microsoft, I felt I had a decent handle on usability and what's needed for a knowledge worker-level software product, by which I mean a product that it became. It seemed obvious to me that digital signage was going to become a bigger thing and as a result, it needed to be a kind of a productivity-type app rather than some highly specialized thing that you'd need a broadcast engineer. I think the early software that was available did come out of broadcast if I'm not mistaken. I think that was Scala's backstory.  So, I managed to get my hands on one of those. I can't remember exactly what year it was, but I was like, oh, okay, I can see how this works, but you're not going to be able to give this to Joe in marketing and ask him to start operating it. So that was the kind of genesis of why I chose that particular route and why I started writing code to get there. But it took a few years, from building the thing in my apartment to actually launching the company.  When did the business start, like when you were out there selling licenses and everything?  Fergal Ó Ceallaigh: I think the first license we sold was in 2006 but I had gone full-time about two years before that.  So you're pretty happy to start selling.  Fergal Ó Ceallaigh: Oh, I was. But it's funny. I was working for a company that was bought by Match.com in Sydney, and that was an interesting place to work at the age I was at the time. But then, I met some folks there who are independently wealthy folks and the particular gentleman I approached is named Neil Gamble, a very well-known Grandi in the Australian business scene, South African guy, lovely man. But, a serious business guy who is running one of the largest software companies in Australia, such as they were back then. But he was chairman of the company I was working for, which was acquired by Match, and I pitched him my idea. I turned up in the boardroom office of this large software company at seven o'clock in the morning in Sydney. So I think it was 2003 or maybe 2004, it doesn't matter, but I pitched him the idea, and he said, “Fergal, that's brilliant, but fuck off and come back when you've got some customers.”  So, I duly fucked off and I think he ruminated on the idea for a while and came back to me a couple of months later. I was still working as a contractor at the time so I was fine. He said, “You know what? I've met some other people who are doing certain things in the retail space, and what you said clicked even more. So I'm going to take a swing on this”, and so he put in just enough money to basically pay for me and some other young guy to take the code from what was something I could, demonstrate to something that we could actually sell and the first customer was Zimmer if you've ever heard of Zimmer Frame?  No.  Fergal Ó Ceallaigh: The Zimmer frame is kind of like that. It's a mobility tool for people with generally older people. It's like a walking frame.  Unfortunately, maybe I'll learn about that soon enough, but not yet.  Fergal Ó Ceallaigh: Not yet. May it be many more years, but we put the website up and boom, that was the first one, and then, out-of-home started to take off in Australia and had a pretty decent clip, compared to other markets, and Neil was very well connected in the Sydney business scene.  He started to open doors into places like I could get meetings now with people, and my experience of that, and again, maybe it's reflected in our website and our kind of general low-key profile, generally, I found it, if I could get in front of a customer and showed them the product, we tended to do well. It was the getting the customers part, which was the trickier part for us, but Neil was instrumental in that, and that's how we started.  Back then it was trickier for everybody.  Fergal Ó Ceallaigh: Yeah, it was. Coming from an engineering background, I found it quite interesting, the whole scene at the time. What you had was advertising guys who were in the billboards business and suddenly there was, foist upon them this need to transform into an IT company, and that created a particular set of issues at the time, I think, where you had companies that whose experience and interaction with IT was about, “fix the printer” and “why is my email not working?” So they weren't tech companies in their DNA, they were marketing companies, and I tend to think of those years as like the cowboy years, by which I mean, there were an awful lot of platforms out there. What I tended to see, although not uniformly, was a thing I noticed is that oftentimes, the decision makers because they didn't have a mature IT section within their company, it wasn't a traditional thing for them. It wasn't integral to their business in the way it is now, you often had people making software decisions who didn't really have the experience and wherewithal to assess software and what that led to properly, and I think this is partly what led to the massive proliferation of solutions out there was that the thing with digital signage is that it's fairly straightforward to get a piece of software that will reliably get a flash file or a JPEG or a video from A to B. And when the software assessments were being done by people who didn't really have experience in enterprise software or edge management or remote device management, stuff like that, it was very easy for the smoke and mirrors guys to do well quickly, because no one was asking the boring questions about the plumbing. So that was something that took some adjustment for me with my background.  I think it's maybe part of what led to the proliferation of often these things. I don't want to denigrate or be down on the industry or anything, but there were a lot of solutions out there that were really something that someone had put together in response to a request from someone and then they came up with a logo, and said, we're a digital signage company, and often these solutions, if you ever got to peek behind, to look under the hood, as they say in North America, you'd be shocked at what was there, and I had several experiences in those early times of being Gesamt or someone with a fantastic sales pitch, which is something that no one would ever accuse us of.  I was thinking these guys don't know what they're doing anyway. Anyway, I think that's calmed down a good bit because you have to be sustainable and, eventually, if your stuff keeps falling over, that's going to, with the best sales pitch in the world, that's not going to last forever.  Yeah. I think there were a lot of companies, for a whole bunch of years, who signed on with a service provider, some sort of software company, and then three years later moved on to another one after they learned what they really needed and learned about things like device management and scalability and all that stuff. But first go around, they were attracted by the pretty pictures and the WYSIWYG UX and all that stuff, and as a consultant, I saw it first hand where I would say this thing is boring and ugly, like a Subaru, sorry, Subaru owners, but they're not the sexiest cars, but they just work, versus a Range Rover that looks sexy as hell, but it's going to be a nightmare.  Fergal Ó Ceallaigh: Yeah, that was it. And I guess it was inevitable. If you looked at the factors feeding into that, you had an industry that was being dragged, kicking, and streaming into the world of it and you had a lot of people who saw an opportunity and needed to go quickly, but I couldn't believe some of the stuff that I saw pass muster, and I was because sometimes I get a peek under the hood and it was literally, The wizard of Oz, they're furiously pulling levers to keep the thing up. But we learned, I think, that the company that was the first major out-of-home company we thought was iCorp.  Australian company.  Fergal Ó Ceallaigh: That's right, and they were also based in Sydney, and so we, very quickly, felt their pain when things would go wrong and that was an excellent kind of learning curve for us. But what helped embed in the company was this engineering mantra that we had, which was, if it can be avoided, never have the software operate In a manner where if a truck roll can be avoided, it's not avoided.  There's this focus for us on remote manageability so it's different. I know some people in the early days tried to use browsers for digital signage, but that failed for reasons that we don't need to get into, but when there's a huge difference between an application and this even goes all the way up to major, big sticker stuff like Microsoft, an application which leaks memory or does something like that and, yeah, it's annoying when you have to kill the browser and restart it, after a few hours, which used to be the case a while ago, but that kind of level of tolerance for unattended execution, you could see it didn't exist.  It's different if the program falls over and you ring Mark in IT, and he says, yeah, just reboot the machine. But if you've got three-quarters of a million-dollar screen in an airport, that's a really expensive proposition and the failure is immediately public and embarrassing. That helps embed for us that learning experience we had with out-of-home, of the importance of just reliability at the edge and going on from reliability to manageability. So we spent a lot of time finding bugs in Microsoft Core DLLs, that's just through the usage scenarios we had, they just weren't common enough even for Microsoft to have identified some of these issues with things that will leak a little bit every time they're used. It's a software term. If the software isn't carefully crafted every time it runs through a certain given set of routines, it can capture a bit of memory and then fail to release it, which isn't a problem if you're closing your laptop at the end of the day but if you're wanting to run 24/7 in twenty feet up in airside and an airport, it's a different proposition. So anyway, that was all a learning curve, but it helps embed for us this fanatical focus on stability and manageability.  You talked about the people in the meetings in the early days, the visual merchandisers and people from the marketing department, business communicators, those kinds of people, but that's changed, right? The people across the table now, quite often, are IT people.  Fergal Ó Ceallaigh: Yeah, they are, and I think that's just an inevitable consequence of the pain of failure to not do that. It was like Mad Man so the whole focus was on the flashiness of the advertising and the creativity and all that, whether it's on a billboard or TV or whatever. But now they were in a new world where boring stuff like Enterprise IT management was crucial, a factor in their ability to succeed. It was cruel as well because of any failures they had. If you're even running a service and your website goes down, maybe some people would notice, maybe someone won't, but if you've got a big screen downtown, and then your customer is there showing his friends or their customers, say, look, check out our ad down in some public place when it goes wrong, it's really bad because it's so visible, so those two things are combined. So I guess they had to learn quickly and yes, I think it's certainly, it's no longer the situation where you've got someone from Marketing making IT decisions.  So describing your product mix or suite now, what would it be, and is there a particular market that you focus on? Fergal Ó Ceallaigh: Yeah. I remember before I started the company I read how to write a business plan, and one of the things was identifying your customer, and I thought, wow, there are so many, anybody who wants to display a message somewhere publicly… Anybody with money.  Fergal Ó Ceallaigh: Yeah. That was the prerequisite. Going back to what I was referring to with the learning curve in the early days, it became apparent to me that there's only so much gilding of the lily you can do in terms of the content management side. I sometimes bristle when we get described as a CMS, because really most of the value of what we do is it's fuller than that. Content management is its raison d'etre, but it needs to do an awful lot of other stuff, and I always believed that for us, that was a strength of ours in our kind of relentless focus on manageability and Edge device management. I saw it just again, through the growing pains of helping an out-of-home company get through the early days of it. That's really where we needed to focus on managing the device and just being absolutely bomb-proof when it came to reliability.  What that has led to, I would say organically is: so are we a digital signage company? We are, but we're other things too. So what this hundred of man years of effort, of the device management side and the remote manageability side of things, we have customers now, who don't use us for digital signage at all. They're using us as a remote management platform for devices, and that has led us, over more recent years, probably since the time I moved from Sydney to the West Coast here into IoT, into Edge AI, into sensor management, and device management.  So I guess what I'm trying to say is what started as an organic reaction to needing remote manageability and not saying to your customer, yeah, you have to fork out an extra 15 bucks a month brand point for some other tool that's going to help you manage the device. That led to that side of the application becoming so developed that it could stand on its own even for folks who didn't need digital signage. So we're on lots and lots of things, where we're not controlling the screen, but rather they're using us as the plumbing, right? For example, for AI and stuff like that. It can identify a Coke can versus a Pepsi can or whatever it might be. But how do you deploy that model to 16,000 different endpoints and how do you collect information at the edge about how you do AB testing? How do you manage the versioning of AI models at the edge? All that kind of stuff. So there's lots of sleep-inducing, boring, but absolutely critical stuff where the product focuses. And yeah, that's on device management, and we're also used to deploying other kiosk-style applications. So the person interacting with the device could be a piece of software running there. It doesn't matter what it is, but it's RYARC that is forming the plumbing that enables all that to work and go together.  Back at Infocomm, a few weeks ago, I hosted a little discussion panel where we talked with three people, both attendees, and executives, about what they saw and everything else, and I asked one of the guys who is actually from an LED company. What he saw that he thought was interesting, I thought he would talk about some other LED product or whatever, but he started going on about this idea that you could use datacasting to distribute content, and he bumped into a company that was doing that, and described it, and I thought, that's interesting but I'm not sure who he's talking about. So I asked him after the fact, who was that company? Eventually came around that it was RYARK. I thought, oh, interesting!!! Fergal Ó Ceallaigh: Those guys are still around?  There was that too because I don't bump into your name very often, but can you explain what he was talking about this whole idea of ATSC and using datacasting to move content around?  Fergal Ó Ceallaigh: Yeah, sure. The ATSC thing, so the whole TV industry is they've gotten together and they're pushing the ability of the traditional broadcast channels to be able to carry data. The ability to push data across has been around for quite a while.  Yeah, it happened when when TVs went from analog to digital, right? Fergal Ó Ceallaigh: Right, but the ATSC 3. 0 upgrade, which was the thing that was being marketed and pushed, just greatly expanded the ability and the bandwidth available to push data across. Again, I think this is likely to be limited in some respects globally because of the ubiquity and cheapness of being able to push data across cellular, right? So in other areas, cellular is the cheapest chip, right? If you go to places like Korea or India or Singapore or countries that have recently developed, they tend to get saturated with cellular very quickly. The situation in the United States is that cellular data is significantly expensive compared to the rest of the world. Canada, it's the same story, right? What pertains in North America is a situation where it is so expensive that alternatives are becoming more attractive. Anyway, that's not really a signal to what ATSC three is all about, but essentially, working with some of the hardware and software providers in the broadcast industry. We've been able to plug into the broadcasting software and hardware side of things such that in addition to using our software, you can use our cloud service or install our software on your own infrastructure if you want to do that. But in this case, in addition to publishing it to the cloud, which is what happens when you create campaigns and do that kind of thing, we can also add another pipe to the mix, and that pipe is the broadcasting station. So when someone clicks the publish button, it's seamless from the user's perspective. But if it's set up in such a way, in addition to pushing stuff to the cloud and having it dribble down over cellular that way, we can also have these files broadcast. So that's a kind of one-to-many, very effective way of getting data across that doesn't require large bandwidth bills. We've worked with some companies with large numbers of devices. It was another example of us learning by doing, where their cellular data bills were a huge factor. So, we worked pretty intensely to make the handshake and everything else in our software super parsimonious. I think with 20 megs a month, I think what the chatter that our software has in maintaining connectivity with the server. So we worked relentlessly and got that down.  But anyway, that's all to show how much of a factor the data cost is, and that's that was the impetus that led to wanting to see if we can offer customers a much cheaper way of getting data across and it works seamlessly. We had a working example at that show at Infocomm. I wasn't there, but I think it was an EV station or something like that, which would allow them to do all the heavy lifting so that they've got video and stuff like that. You can push that over the air. So what's at the far end of it? Is there a receiver or special hardware?  Fergal Ó Ceallaigh: Yeah, TV tuner.  It's like a cable box.  Fergal Ó Ceallaigh: What we've been working on over the past year is ensuring that our software can run on these tuners. So you've got the prospect now of not having to buy an ARM or an X86 chip and put it in a computer running Windows in the back at the back of the TV, but we can squeeze our stuff now onto many of these tuner devices. So you have a small but capable box, that started life as a tuner, but we can have our software running on there. That's a big step in terms of cost-per-unit reduction.  For customers, the main difficulty, I think, with the ATSC 3.0 thing is that it's very easy to go to a Verizon or whomever and be able to estimate what your data cost is going to be. If I need to push across three gigs a month to 11,000 devices. I can work out how much that's gonna cost me. The data cost element in the broadcast space isn't quite as commoditized yet. So there's still some ambiguity there and, perhaps, lack of clarity, and I think the cellular companies are awake to this too. It has the potential to eat into or take up a lot of the enterprise pushing off large amounts of data, and there are many industries that can use that, but digital signage is certainly one of them. This is reminiscent of the late 2000s or mid-to-late 2000s with satellite and multicasting through satellite.  Fergal Ó Ceallaigh: Oh, yes, I remember that.  Is this the same idea, or is this different?  Fergal Ó Ceallaigh: The similarity I suppose would be in its one-way communications and you need a back channel to be able to do the other stuff. So you still do with this?  Fergal Ó Ceallaigh: You can deploy with just broadcast, so we could get the software running so that there's zero coming back. The obvious thing with that is that you don't know if a meteor struck the sign, right? But it is similar to satellites in that it's one-way. One of the things that we do actually—I don't know if we know—is we do a lot of in-store music. So we use the CMS side of our product suite to organize what is essentially a radio station template and the thing about audio is you can get away with having six ads running for a week on a sign, right? But if you play three Alton John and five others in a retail environment, the staff in the shop, they'll climb ladders to rip the speakers out of the roof because it'll drive them crazy and that's understandable. So ironically, MP3s are fairly small, but you need thousands and thousands of them. So we often found, for the in-store audio deployments we were doing, we had to work with that. We did Woolworths in Australia, which was the largest retailer, I'm not sure if they are anymore, but they're one of the big two there, and we did all their in-store music for years and that was all via satellite, which was really painful actually. But this seems to be working. It's a lot easier and it's a lot better as you would expect, it's nearly 20 years down the line from that.  So is it the same feed, so to speak, the same set of files that you're sending to everybody, or can it be addressable by location, setting different things? Fergal Ó Ceallaigh: Yeah, we've done some work on that. I can't get too deep into the way our product works because most people won't be familiar with it, but essentially, in our software, we've got this concept called a channel and a channel is an abstract entity that represents an endpoint somewhere or multiple endpoints. We have an engine that will categorize those things.  Let's say you want a national rollout. Now like a lot of other things in the United States, the broadcast market is really quite fragmented. It's not like the UK or Europe, where you've got a single national broadcast or a few commercials and you can go live everywhere. You've got a real kind of mix right across the country.  So obviously you don't want to be pushing, essentially what I'm getting into here is that we know where the data needs to get up. So there's a layer in the software that will go, okay, you need to go to station X, you need to go to station Y and I guess broadcast, but once it just gets pushed out, right? And it's the same kind of files, and again, from the user's perspective, when they're using our software, if it's being set up and configured in the back, in the backend to utilize ATSC 3.0 broadcasts that all happen seamlessly under the hood. So they're just clicking a publish button, and in the case of where they use an ATSC 3.0, instead of it just going to the cloud, it's also going to the broadcast station where we work with the some of the ATSC 3.0 technology companies, goes into their queue and then gets broadcast out and then it goes down to the tuner and then we're sitting on the tuner too, so we can watch the files come in and do whatever assembly and decryption that we need to do, at the edge and playback. So is this something that could be done or are you supporting active networks that are now using this?  Fergal Ó Ceallaigh: They are all at the POC stage. I alluded earlier to it being early days as well from the people wanting to utilize this, I think the industry is still working out how to package this and sell it. If they're successful at that and I don't see any reason why they shouldn't be, it'll be great for North American enterprise because there's finally a competitor out there to cellular. I don't know what the word is, a triopoly? But yeah, the situation, that a reason why data is so expensive in North America. We could talk for a very long time. We'll probably have to do this again at some point, but that was super interesting and great to finally meet you.  Fergal Ó Ceallaigh: Yeah, I'm happy to talk, and I'm happy to do it again if you think there's more interesting stuff we can chat about. I am probably at risk there doing a lot of reminiscing, but, I feel entitled to that now. I've been in the industry for a while.  Exactly. All right. Thank you. 

IN THE NEWS T-Mobile Could Be "Profiling" You - How to Opt-Out §  Customers Say Meta's Ad-Buying Using AI is Not Working §  Understanding AI Product Labeling §  Artificial Intelligence Has a Measurement Problem §  AI Editing Tools are Coming to All Google Photos Users §  Microsoft Plans to Lock Down Windows DNS §  New RISC-V Microprocessor Can Run CPU, GPU, and NPU Workloads Simultaneously   ITPro Series with Benjamin Rockwell §  How to Maintain Work-Life Balance When Remote From the Tech Corner §  What is the Windows Reliability Monitor? §  Tougher Rules for Sellers of Internet-Enabled Devices §  The Next Generation of Television is ATSC 3.0 Technology Chatter with Benjamin Rockwell and Marty Winston Exploring the Idea of DIY Safety - Beware Sawstop

The NAB show, what's become not only a venue for broadcast innovations, but also the latest in consumer electronics, has just wrapped up. Analysts Justin Nielson and Peter Leitzinger join host Eric Hanselman to discuss their thoughts on the show and perspectives on NextGen TV, AI capabilities and advertising.   For over 100 years, the NAB show has served as a forum for content alignment and it's taking on more. High-definition television got another boost with advances in ATSC 3.0 delivery.

After 15 years, there's finally a solution that lets you watch real over-the-air television in your RV without tying up your internet connection. Listen to The Solid Signal Podcast to learn more, and then shop for the item you need at https://www.solidsignal.com/ADTH-TV-Box-for-ATSC-1.0-and-ATSC-3.0-NEXTGEN-TV-ADTHNGBOX. When you want excellent customer service, call us at 888-233-7563.

Netflix is profitable and won't provide metrics on subscriber numbers after this fiscal year, TCLtv+ is dipping into generative model-based movies, and ATSC 3.0 is finally here. All this and more on Corkillers! This week on Spoilerin’ Time: Battlestar Gallactica (101, “33”) Next week: Battlestar Gallactica (320, “Crossroads: Part 2”) Subscribe, get expanded show notes, … Continue reading Cordkillers 498 – Geoblocking Providers in Space →

Netflix is profitable and won't provide metrics on subscriber numbers after this fiscal year, TCLtv+ is dipping into generative model-based movies, and ATSC 3.0 is finally here. All this and more on Corkillers! This week on Spoilerin’ Time: Battlestar Gallactica (101, “33”) Next week: Battlestar Gallactica (320, “Crossroads: Part 2”) Subscribe, get expanded show notes, … Continue reading Cordkillers 498 – Geoblocking Providers in Space →

Netflix is profitable and won't provide metrics on subscriber numbers after this fiscal year, TCLtv+ is dipping into generative model-based movies, and ATSC 3.0 is finally here. All this and more on Corkillers! This week on Spoilerin’ Time: Battlestar Gallactica (101, “33”) Next week: Battlestar Gallactica (320, “Crossroads: Part 2”) Subscribe, get expanded show notes, … Continue reading Cordkillers 498 – Geoblocking Providers in Space →

Netflix is profitable and won't provide metrics on subscriber numbers after this fiscal year, TCLtv+ is dipping into generative model-based movies, and ATSC 3.0 is finally here. All this and more on Corkillers! This week on Spoilerin’ Time: Battlestar Gallactica (101, “33”) Next week: Battlestar Gallactica (320, “Crossroads: Part 2”) Subscribe, get expanded show notes, … Continue reading Cordkillers 498 – Geoblocking Providers in Space →

Netflix is profitable and won't provide metrics on subscriber numbers after this fiscal year, TCLtv+ is dipping into generative model-based movies, and ATSC 3.0 is finally here. All this and more on Corkillers!This week on Spoilerin' Time: Battlestar Gallactica (101, “33”)Next week: Battlestar Gallactica (320, “Crossroads: Part 2”)Subscribe, get expanded show notes, and past episodes at http://Cordkillers.comSupport Cordkillers at http://Patreon.com/CordkillersYouTube: https://youtu.be/16axD4ptdw8Download Hosted on Acast. See acast.com/privacy for more information.

On this week's show we compare Mini-LED vs OLED and we put a high end listening room based on products that were exhibited at this year's AXPONA show. We also read your email and look at the week's news. News: DirecTV and Dish Back Fubo in Its Spulu Antitrust Suit | Next TV Roku Upgrades Viewing Experience with New Features | TV Tech Hub: Smart TVs Now in Nearly 8 of 10 Homes | TV Tech Disney Plus Looking To Integrate Always-On Linear Channels Other: Credit cards abused again in second Roku hack affecting 576,000 - FlatpanelsHD NBCUniversal Launches Personalized, Hyperlocal Services via ATSC 3.0 | TV Tech Mini-LED vs OLED We are asked from time to time to recommend a particular TV or in some cases a technology. Right now, in our opinion, the best TV technology is OLED. But is it really the best overall? Let's take a look at OLED vs mini-LED in six important criteria. Sharpness and Resolution: Both OLED and Mini-LED TVs typically offer 4K resolution, with some models supporting higher resolutions. Therefore, in terms of sharpness and resolution, it's a tie between OLED and Mini-LED. Black Levels: OLED TVs excel in producing true blacks by individually turning off pixels. Mini-LED displays have not completely achieved this level of per-pixel control. In this aspect, OLED emerges as the winner for its superior black levels. Brightness and Contrast: OLED TVs offer deep blacks for infinite contrast ratio, while Mini-LED TVs can achieve higher brightness levels. Mini-LED takes the lead in brightness, while OLED wins in terms of contrast ratio. Color Quality: OLED TVs typically exhibit excellent color quality, often surpassing 100% of the sRGB color gamut. Although Mini-LED TVs may not reach these levels, this is more due to other factors like color filters rather than the Mini-LED technology itself. The winner in color quality is OLED. Viewing Angles: OLED TVs generally have wider viewing angles compared to LCD TVs, including those using Mini-LED technology. While Mini-LED TVs can vary based on the type of display used, OLED usually outperforms them in terms of viewing angles. Size and Price: In terms of size, both OLED and Mini-LED TVs are available in various sizes to suit different preferences. However, traditionally, OLED TVs have been more expensive compared to Mini-LED TVs, which could be a consideration for some buyers. Price and size considerations may vary based on individual preferences and budgets. So which one wins? It's our opinion that OLED has the absolute best picture but mini-LED is very close and unless you are looking at them side by side you won't notice. It really comes down to cost and since you can buy some really big mini-LED TVs for a quarter of the price, we give the nod to mini-LED. AXPONA 2024 AXPONA 2024 wrapped up last week. What is AXPONA you might ask? From their website:  AXPONA is a three-day experience featuring multiple hotel floors packed with over 200 listening rooms. The Expo Hall featuring The Record Fair, The Ear Gear Experience, and seminars. Whether you're a serious audiophile, a newcomer to high-end audio or simply a music lover, you'll find everything you need to immerse yourself in your favorite sounds.  It's very similar to “The Show” that we have out here in CA every year. This year it will be June 7-9 in Costa Mesa so come out and let's all go! While AXPONA exhibited products that most of us can buy, there are some that, quite frankly, are priced for people fly on their own jets. They probably don't even listen to podcasts, so let's make fun of them!! Kidding of course. Today, our very rich uncle who has $150,000 laying around has asked us to put a system together so he can listen to his extensive vinyl collection! Transrotor Tourbillon FMD The Tourbillon FMD is a premium turntable model with high-end features designed to deliver exceptional performance in the audio playback experience.  The Transrotor Tourbillon FMD stands out as a top-of-the-line turntable with innovative features and premium construction materials aimed at audiophiles seeking unparalleled sound quality and precision in vinyl playback. With its advanced FMD bearing technology, dual tone arm support, and included accessories, it offers a premium and comprehensive audio experience for discerning enthusiasts in the high-end turntable market. $60K with Cartridge Fern and Roby Amp No. 2 Amp No. 2 is our second collaboration with Michael Bettinger who has been designing and building amplifiers for nearly 40 years. Integrated amps make building a great high fidelity audio system easy. Our goal in this project was to produce something that will turn your living room into the best listening room possible. Fewer components, cables, and cost, but delivering world class audio into your home. $8500 (Add $350 if you want Isolation Feet)  Acora SRB Reference Loudspeaker Acora Acoustics loudspeakers are constructed using hand crafted, specially treated granite enclosures. The rigidity of granite far exceeds that of traditional particle board or wood enclosures. One of the benefits of this is as the SRB's drivers move to push air / create sound, the enclosure isn't absorbing this energy and dulling or smearing the sound. Another benefit of the Acora enclosure is it does not need internal bracing to “stiffen” the enclosure. This means no additional reflections inside the enclosure that will vibrate the low frequency driver and smear the sound. The SRB also utilizes world class drivers and a hand built crossover network, however the real secret to the Acora Sound is that you only hear these, not the enclosure. Sensitivity 86.5 db  Frequency Response 43Hz - 35KHz  58 lbs each $37,000 pair  

Welcome to IoT Coffee Talk #205 where we have a chat about all things IoT over a cup of coffee or two with some of the industry's leading business minds, thought leaders and technologists in a totally unscripted, organic format. Thanks for joining us. Sit back with a cup of Joe and enjoy the morning banter.This week, Stephanie, Steve, Pete, Leonard, Bill and Dimitri jump on Web3 to talk about:* BAD KARAOKE: "Really Cool Rock Funk Riff", Pete Bernard* The great broadcast battle: ATSC 3.0 versus 5G Multicast/Broadcast* Congrats to Pete for his new role at the TinyML Foundation!!! * Why are we so taken with creepy generative AI animatronics?* The unsung hero of media tech and advancement - compression!* The two AI universes - edge AI and supercomputing AI* The AI learning curve - Is it the first order barrier to AI adoption?* Can we realize private personalization in the cloud or on device?* How to make a crappy GenAI Star Wars B-movie in your own home!* How to prevent the drone paparazzi spying on your business!* Should you give up on your privacy rights? Is it too late and is that okay?It's a great episode. Grab an extraordinarily expensive latte at your local coffee shop and check out the whole thing. You will get all you need to survive another week in the world of IoT and greater tech!Thanks for listening to us! Watch episodes at http://iotcoffeetalk.com/. Your hosts include Leonard Lee, Stephanie Atkinson, Marc Pous, David Vasquez, Rob Tiffany, Bill Pugh, Rick Bullotta and special guests. We support Elevate Our Kids to bridge the digital divide by bringing K-12 computing devices and connectivity to support kids' education in under-resourced communities. Please donate.

On this week's show we take a look at some audiophile myths and debunk them. We also read your emails and take a look at the week's news. News: LG Debuts Wireless Dolby Soundbar For G4 OLED evo TVs Have You Signed Up for a Streamer to Watch a Specific Show? DirecTV Drops Local Stations From Lower-Priced Bundle CSA unveils smart home security standard ESPN Signs Six-Year, $7.8 Billion Extension for the Expanding College Football Playoff Tournament Other: TV Station Launches Multiple 4K Broadcasts OTA on ATSC 1.0 Audiophile Myths Why do some in our hobby spend so much money on their gear? And for this discussion we are not talking about reasonably priced quality products that can cost a few thousand dollars. We're talking about really expensive stuff like speakers that cost $20,000 each, speaker wire that costs $100 a foot, or any other product that needlessly separates you from your money all in the name of squeezing out the last bit of performance.  On today's show we will dispel a few Audiophile Myths and hopefully save you money and help you get more out of the equipment you own. Myth: Even though people cannot hear frequencies above 20 KHz, it is important that audio equipment be able to reproduce higher frequencies to maintain clarity. Fact: Producing sounds at a frequency beyond what humans can hear is not sonically useful. However, a good amplifier and speaker generally have a frequency response beyond the limits of hearing.  Conversely, the lack of an extended response can indicate that the amplifier designers cut some corners. Keep in mind you don't have to pay a lot of money for this. A Fosi amp goes for $100 and produces frequencies from 20Hz to 20kHz.  Myth: Gold-plated connectors sound better than connectors made of standard materials (Copper, Nickel. Or Tin). Fact: Gold does not oxidize, and oxidized connectors can cause problems. With that said, gold on it's own will not make your audio better. As far as oxidation goes, good quality wire and connectors will take years to oxidize under normal circumstances. Don't waste money on gold plated when copper will do the exact same thing! Myth: Speakers Need Time to Break In   Fact: I used to believe this based on my own listening. But there was no way for me to actually remember what my speakers sounded like from day one to compare them with day five after 30 hours of use. It wasn't until I saw objective tests performed on speakers when they were new and again when they were used for 30 hours. The wave forms were sonically identical. Conclusive scientific results. End of story!   Now some bigger drivers like woofers and subwoofers use spiders as stiffening agents instead of thicker, more rigid materials in their production. These do lose stiffness in their suspension with use, but it usually happens within minutes — not hours or days.  Myth: All acoustic treatments will improve the sound. Fact: You can't throw up acoustic treatments just anywhere and expect an improvement in sound. Acoustic treatments are made to address specific problems. With that said, if you have a room with bare walls and wood or tile floors, get soft materials on the walls and rugs on the floor. In this case dampening the echos will help. But to do a full treatment you need to be more exact,  Here is a list of articles from Audioholics that can help you treat your room. “Room Reflections and Human Adaptation for Small Room Acoustics,” “Early Reflections and Bass for Small Room Acoustics,” and “Early Reflections in Home Theater Rooms: Beneficial or Detrimental?”  Myth: Speakers need to be isolated to get the most out of them.  Fact: Well designed loudspeakers don't transmit much mechanical energy through their enclosures. Loudspeakers are transmitting most of their energy into the air which then exerts force on objects in the room. You are likely getting more vibrations from pressure waves hitting other objects in the room as opposed to the cabinet vibrating.   In my room I have played some of my speakers at very loud volumes. I then touched the drivers on the speakers that were adjacent and there was some movement. I'm not sure that they did anything to distort the sound in the room, but they were vibrating more than the cabinets of the speaker that I was using. There may be some aesthetic reasons you may want to isolate your speakers including pads to protect your floor. Myth: All your speaker wire should be the same length. Fact: Speed of electricity is 186,000 miles a second. That means that a 5 meter and 10 meter cable have statistically no difference as to when the signal gets to the drivers. But using similar length speaker wire will increase the resale value of your speakers should you choose to sell them! Myth: You need to break in your speaker wire. Fact: Yes!! Do not drive them past 10 for the first 12,000 miles. After that if your amp goes to 11, have at it!!  Seriously, when it comes to speaker wire buy high quality wire. Just don't pay exorbitant prices. Solid copper 14 Gauge speaker wire should not cost you more than  $25 for fifty feet. If you are doing short runs (less than ten feet) you can use higher gauge wire and save some copper both figuratively and literally!! Well provided you are paying in coins anyway.

LG's new OLEDs get priced. ATSC 3.0 DRM rules are changing to allow DVR functionality. GeForce Now is getting ads. Stream your Xbox library from the cloud in 2024. The post Entertainment 2.0 #641 – DRM Changes for ATSC 3.0 appeared first on The Digital Media Zone.

On this week's show we take a brief look at a $120 wireless HDMI solution and we ask, who Needs to Buy Physical Media? We also read your emails and take a look at the news. News: Pay TV Companies, and the DOJ, Push Back on Big ‘Spulu' Sports Streaming Joint Venture Roku (ROKU) shares down 16% after FQ4 earnings, Oppenheimer downgrades Comcast and Paramount Talk About Combining U.S. Streaming Services Walmart to acquire Vizio in $2.3 billion deal BMOSTE Wireless HDMI Transmitter and Receiver Small transmitter and receiver. About the size of USB Stick Dual-Band WI-FI. Long range (30m) stable connection Plug and play 1080p $120 Easily to setup but you need to provide power via the USB cable that is included. My Macbook Pro and Projector USB did not have enough power to run the device. I needed to add an external power supply to make it work. Once it was connected I immediately saw my computer screen.  The picture looked good with no breakups while the laptop was in the same room. There  was a lag that was noticeable and made it quirky to use the mouse. I think for gaming this is going to be a big issue. But for watching movies it's not really an issue at all. When I moved the laptop into another room that was about twenty feet away with two walls between the transmitter and receiver, the picture froze . However putting the laptop in the room directly behind the projector with one wall had no impact on the picture. If the TX and RX are in  the same room you will have no issues. One wall will probably work but it will decrease the distance that you can transmit. Two walls will probably not work.  If you need a wireless 1080p solution you can't beat this device on size and cost. Just keep distance and the number of walls you are going through in mind. We'll take a look at their 4K solution which is much bigger in size and costs about $50 more.  Who Needs to Buy Physical Media Last week we received an email from a listener named Bob with a link to an article that discussed what “forever” means in the terms of digital content. The article pointed out that a streaming service owned by Sony was dumping libraries after April 2nd. You may not have heard about this because the streaming service is for Anime and is called Funimation. It's not like you'll be losing movies from Warner Brothers or Sony Pictures. There is a lot of talk about physical media vs digital. Which one would you rather have and use? Do you even need discs anymore? In this episode we will examine why or who would want to buy physical discs.  Let's take a look at one of the biggest movies of last year and determine if you should buy the disc, buy the digital version, rent, or stream the movie. Oppenheimer - The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb. UHD - $23 includes Blu-Ray and Digital Code Blu-Ray - $18 include DVD and Digital Code Amazon Prime Video/AppleTV $19.99 Amazon Prime Video/AppleTV  Rent $5.99 Peacock included with Service With all these options what makes the most sense? Are you going to watch it over and over in a theater that you spent thousands of dollars on and want every ounce of performance out of your system? Then by all means get the UHD Disc. That will be your best looking and sounding experience. You have a digital code as well, so if you just want to watch Oppenheimer for the tenth time without having to go through your library to find the disc and pop it into your player, you can call it up on whatever STB you use. If you just want to watch it once, even in your theater that cost thousands of dollars, rent it on Apple, Amazon, Vudu, or whatever service you use. If you decide later that you want to watch it once or twice more, you're still ahead of the game! There may be a slight perceivable degradation in quality but is it worth $12-$18 to barely notice an improvement in picture and sound? If you are sitting in a room with an awesome OLED and a high quality soundbar you may want to sign up for Peacock and stream it through the service for $12 a month. This option allows you to  stream the many other shows available and then cancel if you don't find more value. Peacock allows you to stream Oppenheimer for $6 if you don't mind limited commercials. Only do this if there are other shows/movies you want to check out otherwise you can rent it for $6 on the various platforms without commercials. Disc sales have been declining for the last five years as people switch to streaming services to watch movies instead of disc purchase and rentals. There are less and less reasons for studios to manufacture discs. Those who like to have the physical copy of the disc are the vast minority.  Whether you use Vudu, Amazon, or Apple, you have a huge library at your fingertips. Buy the digital copy of the movies you like to watch on repeat, rent the ones you want to watch once. Hell we'll say it, it's like having a Kaleidescape! If your hangup is quality, the difference in quality is pretty small because the compression and broadband speeds have both improved in the last ten years. And when noticeable, it's still not like comparing Standard Definition to High Definition. It's more like comparing 1080i to 720p ATSC from back in 2006. Both huge improvements over what we had been watching.  Our recommendation going forward is: If you have a large library of physical media, you can rip what you have and put it on a server. Plex is great and easy to use. For future titles, buy/rent on the digital store of your choice. If the title is supported by Movies Everywhere you can watch on multiple platforms across multiple apps!  

In this conversation, Reuben, Tessa, and Ben discuss Ben's recent plumbing project and the challenges he faced. They then delve into the topic of security cameras, covering different types, wired vs wireless options, and considerations for nighttime performance. They also discuss the importance of wiring needs in new homes and the benefits of future-proofing with cabling. The conversation concludes with a discussion on surge protection for electrical panels and the emergence of smart electrical panels. Also the future of electrical panels, advancements in media systems, the availability of smart home consulting, and the implications for home inspections.TakeawaysConsider replacing old galvanized pipes with PEX for improved water pressure.When choosing security cameras, consider the nighttime performance and whether wired or wireless options are more suitable for your needs.Plan for future wiring needs in new homes, including network cables and dedicated connections for media playback devices.Install surge protection devices for both the whole house and incoming telecommunications lines to safeguard against power surges.Smart electrical panels offer power monitoring, load sharing, and load shedding capabilities, providing greater control and efficiency. Electrical panels are becoming more advanced and may be controlled remotely in the future.The new ATSC 3.0 standard for over-the-air TV broadcasts supports higher resolution and 4K content.Some specialized contractors and companies can provide smart home consulting services.Home inspectors should consider what smart home technologies are inspectable and provide recommendations for homeowners.Chapters00:00 Ben's Plumbing Woes03:00 Introduction to Security Cameras06:02 Types of Security Cameras09:23 Wired vs Wireless Cameras12:03 Nighttime Performance of Cameras13:27 Customizing Camera Settings18:54 Wiring Needs for New Homes23:19 Future-Proofing Your House with Cabling25:11 Surge Protection for Electrical Panels31:48 Smart Electrical Panels37:42 Future of Electrical Panels39:19 Advancements in Media Systems46:47 Availability of Smart Home Consulting50:59 Implications for Home Inspections57:11 Conclusion

The rollout of the new ATSC 3.0 digital broadcast television standard is poised to continue in a significant way across 2024, and a 17-year-old company just north of Chicago has been an active participant in the development of various TV standards around the world. Now, Anywave Communications Technologies is bringing what it calls a “complete” ATSC 3.0/1.0 signal chain package to market.What does this mean? Anywave General Manager Dave Neff explains the advancements in this InFOCUS Podcast, presented by dot.FM.

Grant Hall, CEO of Scripps-owned Nuvyyo, expands on the new, subscription-free Tablo video device for cord-cutters, how ATSC 3.0 fits into the future and how Tablo might make a connection with cable operators. Hosted on Acast. See acast.com/privacy for more information.

It's that time of year where the tech world descends on Las Vegas for CES. On this week's show we discuss a few announcements that we found interesting. We also read your emails and look at the week's news. News: Roku Introduces High-End ‘Pro Series' Lineup of Its Self-Branded Smart TVs Netflix Released 16% Fewer Shows in 2023 Roku To Launch Pro Series TVs Sony's prototype TV backlight tech and it looks amazing Other: The BEST Streaming! | Wakanda Forever 4K UHD HDR Streaming Review   CES 2024 TCL 115” Mini LED TV - For 2024, TCL introduces the world's largest QD Mini LED TV! With a 115” screen, the new mega-size 115QM89 truly becomes the ultimate home theater. This model includes QD Mini LED ULTIMATE with a massively high 20,000 dimming zones. It also incorporates the TCL AIPQ ULTRA Processor, as even more horsepower is needed for such high zone control to ensure huge, yet pristine images. This new 115” model includes all the features of the other QM8 models, plus a 6.2.2 Channel Speaker system for truly room filling sound. Full Press Release on all Mini LED TVs can be found here. Estimated Price $20K Also - TCL introduced several new product lines with NextGen TV tuners. This comes after LG said it would not include ATSC 3.0 tuners back in September due to patent concerns. TCL Q75H is a 5.1.2 Channel Dolby Atmos Sound Bar. In addition to the features of the S55H, the Q75H includes the Ray-Danz Acoustic Wave-Guide Reflectors to direct sound across the width of the room. This model also includes a Center Channel Speaker, built-in tweeters, built-in up-firing Dolby Atmos Speakers, and built-in Side Surround Speakers. TCL Q85H is a 7.1.4 Channel Dolby Atmos Sound Bar. Stepping up from the Q75H, it adds rear speakers that are wireless but also include rear up-firing Dolby Atmos Drivers. The Q85H creates a truly enveloping sound, and a sound experience that needs to be auditioned. Press Release Hisense 110UX TV - The 110UX incorporates over 40,000 backlight zones across a 110-inch screen. That high-output mini-LEDs produce 10,000-nit maximum brightness which is about five times brighter than the typical high end TV. Hisense says the 110UX can achieve 95% of the BT.2020 Spec. No mention on HDR support but why would they build a TV like this and not support Dolby Vision? No pricing of availability has been announced. Press Release LG Transparent OLED - Called OLED T, it's only available in 77”. It uses LG's wireless transmission technology so the only wire running to the television is power. A separate box that can be placed up to 30 feet away from the TV transmits source video. Future versions could go bigger or smaller depending on customer feedback. Pricing has not been set. Also - LG revealed that the company's new OLED TVs for 2024 will be the first sets to feature a Dolby Vision Filmmaker Mode. Filmmaker Mode, it's a standardized picture preset for TVs that was developed by the UHD Alliance in response to filmmakers unhappy with the way their films looked on most TVs, with inaccurate color and aggressive motion “smoothing” being two of the main sticking points. Full LG CES info can be found here Philips 5000 Series Wi-Fi Palm Recognition Smart Deadbolt - With this Philips smart lock, the world's first deadbolt with palm recognition, enjoy the most secure and convenient unlocking experience. Or unlock with a key, PIN code, or the Philips Home Access app to make returning home stress-free. The Smart Lock will go on sale in the US early this year and will retail for $360. Lockly - With Visage you can unlock your property by simply approaching it, or with your Apple Home Keys or Apple Watch. Integrate with your smart home devices with Matter™ Arriving this summer. Samsung Anti Glare OLED - Samsung  has developed a Glare-Free technology  that it claims will be great in both low light and brighter rooms, won't be affected by viewing angles, and won't mess with contrast or colors either. Look for this in the S95D and S90D. People who have seen this tech say “It's where light goes to die”. Also - Samsung launched a new “map view” for SmartThings. It shows an interactive map of your home complete with the location of any smart home devices within. Maps can be created manually or automatically with the help of a photo of an existing floor plan or with a lidar-enabled Samsung device, like the company's forthcoming Ballie robot or new JetBot robot vacuum. Maps have to be generated using the SmartThings app on a smartphone or tablet. But once that's done, they'll display on supported Samsung TVs, the screen of the Samsung Family Hub smart fridge and Samsung's M8 monitors. Nanoleaf - Nanoleaf announced the launch of several new Matter-enabled lighting options, including its first outdoor lights. The company is also debuting a new music feature using Orchestrator software for the Nanoleaf Desktop App, which will use real-time music analysis to create light shows that match with the beat. Orchestrator is able to connect directly with the sound source of a computer for a more accurate real-time audio visual experience. They are also taking pre-orders for the Nanoleaf Skylight. The Skylight is a square-shaped modular ceiling light panel setup that is hardwired and supports up to 100 squares. Prices start at $250 for a 3 panel starter pack.  SVS Ultra Evolution Series - The design is not what you typically see in a speaker. It has curves and interesting angles. Being a person who builds speakers I understand that where you place the drivers impacts how they sound. So I can only assume it means that SVS has spent a lot of time designing an enclosure that gives you the most precise sound available.  I am looking forward to getting some of these to evaluate. The speakers are scheduled to begin shipping near the end of Q1 2024. No word on pricing.

What are the coolest innovations in consumer electronics? We hit CES 2024 to find out! In this episode of DM Radio, Hosts Jim Harris and Eric Kavanagh interview several experts, including Dr. Patrick Boehler of Constellium, Dave Arland for ATSC, Andy Chatham of DriveDimo, and Raja Rajamannar of Mastercard!

On this week's show discuss the new Pro-Ject Dark Side of the Moon Turntable and talk about five mistakes to avoid with your earbuds. We finish up with a discussion about 5G Broadcast. Can it do what ATSC 3.0 can. We also read your emails and discuss the week's news. News: Comcast Plans World's First DOCSIS 4.0 Service Launch Next Week Netflix is planning to launch retail destinations in 2025 - The Verge Best Buy is axing physical DVD and Blu-ray business in this depressing digital world Netflix Usage Slips Behind YouTube Among U.S. Teens Other: Aqara Smart Video Doorbell G4 The Dark Side of the Moon Turntable The Dark Side of the Moon album is recognized for its artwork almost as much as the music. It shows an enigmatic prism that reflects beams of light into space. It's a magical and mystical theme that illustrates the band‘s complex sound pallet. For us, it was a no-brainer to create a turntable based on this concept & image. The result is an extraordinary turntable unlike any the audio market has seen. With high-quality materials were able to implement the core aspects of the artwork. The plinth is made of MDF- a dense, sturdy, resonance-absorbent material. The stainless steel axle of the heavy aluminum sub platter rotates in a bronze bushing. An AC motor drives the sub-platter & platter with a silicon drive belt. The low-resonance tonearm is a completely new design. It's definitely one of the highlights of this turntable. The combination of black aluminum & acrylic parts is an eye-catcher to say the least. The supplied Pick it PRO Special Edition MM phono cartridge delivers the rich sonics you would expect from Dark Side of the Moon turntable. With the addition of the LED-backlit rainbow, the turntable looks even more impressive in low light. As with all Pro-Ject turntables, The Dark Side of the Moon Turntable is handmade with care in Europe! Pre-order with November Delivery $1999.00 5 wireless earbuds mistakes you're probably making Get the best performance and user experience from your wireless earbuds by avoiding these common mistakes. Full article here… Don't skip the ear fit test - using the correct ear tip size for your ear canal is paramount to achieving optimal audio performance and the best noise-canceling experience.  Don't leave Active Noise Canceling on - The processing power required to analyze ambient noise levels and cancel them out has a big impact on energy consumption of your wireless earbuds, and can shorten battery life significantly.  Check Audio Settings - make sure you're connected via the highest wireless audio codec over Bluetooth that your earbuds can support from a similarly codec compatible playback device. Take better care of the charging case -  Keeping your earbuds on charge overnight might feel convenient but it could be detrimental to the lifespan of the charging case's internal battery. Longer than necessary recharges can put a strain on the battery, degrading the battery cells and significantly shortening capacity. Download the app and use it periodically - companion apps provide numerous ways to enhance the listening experience through features like adaptive audio, noise canceling modes, and adjustable EQ settings. You will also need the app to upgrade firmware. What is 5G Broadcast? 5G Broadcast is a one-to-many technology where all mobile device viewers receive the live event through the 5G network. As the devices are effectively passive, adding more devices doesn't affect the network at all. Therefore, all users have the same high-level quality of experience and service. Although live video distribution is very important, 5G broadcast/multicast does not necessarily mean mobile TV. In fact, 5G is bringing new broadcast and multicast capabilities to the whole ecosystem. These can include software updates over the network to cars, phones, and other wireless devices What are some applications: Live events (sporting, festivals, and breaking news) are suitable for the one-to-many distribution model over 5G. Public safety messages are one of the basic 5G broadcast tasks. Think Weather, Flood, Fire etc Automobile manufacturers can update software and firmware as well as media and entertainment systems. 5G Broadcast can help with OTA real-time traffic and V2X delivery. V2X is a system under development that allows vehicles to communicate with each other. 5G multicast can enhance the fan experience in new ways and also bring benefits for MNOs. Venue casting can bring the live experience to the home. 5G can help improve the VoD experience by helping offload 35% of the traffic on mobile networks. Do we need this?  

The Verge's Nilay Patel, David Pierce, and Alex Cranz discuss the announcement of Google's Pixel 8 phone, along with the new AI tools that raise lots of questions. Further reading: Google Pixel 8 launch event: the 7 biggest announcements Google Pixel 8 hands-on: a little bit smaller and a little bit smarter  The Pixel 8 Pro hands-on: better cameras, a brighter screen, and new AI  Google Pixel 8 will get seven years of Android updates Google Photos' new AI tools for Pixel 8 raise messy questions  Google releases Android 14 for Pixel phones Android 14 gets AI-generated wallpapers on Google's latest Pixels Google Pixel Watch 2 hands-on: new sensors, longer battery, better accuracy Google announces new colors and features for its Pixel Buds Pro earbuds  Netflix is planning to raise prices... again Streaming service price increases: the latest on Netflix, Disney Plus, Max, Hulu, and more Paramount uploads Mean Girls to TikTok across 23 video clips  The Humane Ai Pin makes its debut on the runway at Paris Fashion Week  https://www.threads.net/@mosseri/post/Cx8M6xqAWeC/ Apple addresses iPhone 15 overheating with a new iOS 17 update Paris Hilton gets special deal to post on X LG is dropping ATSC 3.0 from its TVs next year  The Verge and dbrand have partnered on new skins for the Pixel 8, iPhone 15, and more iPhone 15 Pro Max camera: 1000 photos later, it's still missing something Email us at vergecast@theverge.com or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's show we discuss a video where Caleb Denison of Digital Trends, says the AppleTV is the best at streaming your video and we have a review of the Tablo TV Over the Air DVR. We also read your emails and take a look at the week's news. News: Disney Kicks Off Password-Sharing Crackdown in Canada Samsung SmartThings And Philips Hue Expand Synergies  FAST Is Making Streaming TV Look More Like Traditional TV  Netflix Reportedly Set to Raise Prices After Actors Strike Ends  Other: Dolby Atmos FlexConnect How You Stream Matters We received a couple of emails (one from Stan and one from John) this week pointing us to an article and video stating that how you stream your content affects what you see. The article is from Dark Horizons and the video is on Youtube (Apple TV Best for Netflix? Right Time To Buy a TV? | You Asked: Ep. 7).  The video host, Caleb Denison of Digital Trends, says the AppleTV is the best, although he prefers using Google TV. So how did he come to this conclusion? Some TVs or set top boxes limit color bit depth to 4:2:0, which means more color banding just because you are watching on that particular platform. Many platforms may have that setting as the default so check to make sure you have an option to change it. Without going into a ton of detail, 4:4:4 is 100% of the chroma information, 4:2:2 is 50% and 4:2:0 is 25%. If you have Dolby Vision enabled on an AppleTV you will not have an option to select a Chroma setting. It will be 4:2:2 by default. Some platforms do not allow buffering. As a result you will never achieve the full 4K you are paying for. Caleb does not say which platforms do this. But if you have 4K with a slower data rate it won't be difficult to determine if your system is buffering or not.  Another issue is with frame rate. Some will not give you 24 fps but will instead convert it to 30 fps.  So why the AppleTV? According to the host, “It's the one with the least amount of questions and just enough controls available. It also comes with the fewest number of headaches, and for that I'm willing to pay a little extra. It's not perfect, but it is the least flawed and sadly I think that's where we're at right now with streaming.” Tablo TV Over the Air DVR Over the years we have had a chance to review a lot of personal DVRs. Most of which have come and gone. Some had stand alone hardware and others required a PC. Some had built-in tuners and others required an external tuner. Today we take a quick look at a DVR that is a stand alone box no bigger than an AppleTV or Roku streaming box with two built in ATSC 2.0 tuners. That device is the Tablo 4th generation that goes for about $110.  Features: Watch, pause and record live broadcast TV from your antenna.  Record 50+ hours and never miss a moment with 128GB of onboard recording storage. Can expand up to 1000+ hours with an external hard drive Tablo lets you watch TV anywhere in your home on any smart device.  Record and watch live TV, subscription-free (Internet service is required).  Quick and easy setup. Setup Plug in power, Ethernet, and an antenna and you are ready to scan for channels. I initially had issues with  the Tablo giving me location errors and stopping the install process there. I contacted their Customer Support and they acknowledged the error and informed me of a server issue they were experiencing. Once those were resolved the process resumed without a hitch. The only complaint I had was that it took too long to download the channel guide. But I was being impatient.  Performance Once you complete the install and setup you can start watching TV and recording programs. I won't go into the details on how to do this because it's very intuitive and you've all done this before. In addition to the channels you receive over the air, Tablo has some FAST channels that include news, sports, old TV shows, and more.  You watch on your Tablet or phone and on Set Top boxes. Currently Roku, fireTV, android TV, GoogleTV, iOS and Android are supported. AppleTV, Samsung TVs, WebOS, and Vizio TVs are coming soon. Two devices can watch/record live TV simultaneously and up to six can watched recorded or streamed content simultaneously. Picture quality is good, but we are talking 1080i or 720p OTA, so don't expect the same as 4K HDR content you get from AppleTV or Netflix. The user interface is very intuitive and easy to navigate. Setting up recordings is simple. Recorded programs are grouped together based on series. Guide information is available and I haven't been prompted to pay for it which is a big plus over other DVRs.   There is no way to watch your content when you are away from home so consider that when making your buying decision. Also, a pleasant surprise is that you can record FAST channels and skip commercials. I'm not sure other devices let you do that.  In all, this is a great device if you are looking for a DVR like you used to have back in the day. You can watch anywhere in the house and, soon enough, on any device. If you want to stream your content outside your home, this product is not for you. Perhaps someday that capability will be added, but not today.  

On this week's show: Smart plugs in Canada are being recalled or automatically bricked, Amazon is launching satellite Internet, LG says “meh” to ATSC 3.0, Disney starts cracking down on password sharing, and a slew of new products hits the market (do any of them matter?). All this news, a pick of the week, and project updates!

We have updates on the titanium iPhone 15 overheating issues and Apple's work in developing its own web search service. LG has no plans to support ATSC 3.0 due to patent uncertainty. And Humane shows off its wearable AI assistant “Ai Pin”.Starring Tom Merritt, Justin Robert Young, Roger Chang, Joe.Link to the Show Notes. Become a member at https://plus.acast.com/s/dtns. Hosted on Acast. See acast.com/privacy for more information.

We have updates on the titanium iPhone 15 overheating issues and Apple's work in developing its own web search service. LG has no plans to support ATSC 3.0 due to patent uncertainty. And Humane shows off its wearable AI assistant “Ai Pin”. Starring Tom Merritt, Justin Robert Young, Roger Chang, Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

MQA Ltd has been bought by the parent company of NAD, PSB & Bluesound. Amazon Prime Video will start inserting ads unless you pay extra. LG is ditching built-in ATSC 3.0 Nextgen TV tuners. And we make our cost-no-object audio & video gear picks. Pictures shown in this episode: https://flic.kr/s/aHBqjAWd8a 00:00:00 – Intro 00:12:12 – What […] The post AV Rant #880: Tom’s Troll Theater appeared first on AV Rant.

In this exciting installment of Riot Underground, we're joined by Tony Sammarco, the Director of Technology Strategy for Device Solutions, who shares insights into the transformative ATSC 3.0  project. Funded by the Department of Homeland Security, this initiative explores repurposing spectrum for emergency services and promises to enhance emergency communication, particularly in rural areas. Listen in as Tony discusses the successful trial of ATSC 3.0 in the Winterville, NC Fire Station, and how the outdated, unreliable paging technology used by emergency responders is set to be revolutionized by this cutting-edge data casting technology.We also delve into the realm of the Internet of Things (IoT) and how Device Solutions is contributing to economic development through IoT opportunities. Tony also sheds light on the role of partners such as the Wireless Research Center of North Carolina and the North Carolina Department of Information Technology in the ATSC 3.0 project. Tune in to hear about this game-changing technology, and how it's paving the way for better reliability, coverage, and situational awareness for our first responders. This is an episode you won't want to miss!Support the showFollow RIoT on social media Instagram Twitter Facebook Linkedin

In this episode of The Black Futurist Podcast, host Bryndan D. Moore sits down with Tim Hanlon, a media executive and industry expert from Vertere Group, to delve into the world of ATSC 3.0 and its impact on broadcast television. As seasoned innovations and media executives, respectively, and having served together as tech guides at major events like CES and NAB Show, Moore and Hanlon bring their vast knowledge and insights to the table, discussing the benefits, challenges, and potential frictions surrounding the adoption of ATSC 3.0. Whether you're a tech enthusiast or simply curious about the evolving media landscape, this episode offers valuable insights into ATSC 3.0's potential impact on the industry. #TheBlackFuturist #ATSC30 #ATSC #BroadcastTV --- Send in a voice message: https://podcasters.spotify.com/pod/show/theblackfuturist/message Support this podcast: https://podcasters.spotify.com/pod/show/theblackfuturist/support

AVexcel - Episode 205 Recorded on May 24, 2023 Hosts: Patrick Norton and Robert Heron  The rundown: - HBO is Max - Netflix account sharing - ESPN as a streaming service - Apple tvOS 16.5 now available - TCL QM8 4K TV has arrived - Cambridge Audio Evo CD transport - DRM and ATSC 3.0/NextGen - DAC differences - Your excellent feedback & questions - Email us at ask@avexcel.com - What we're watching This episode of AVexcel was made possible by generous contributions from our Patreon supporters - thank you!  Visit www.AVexcel.com for links, show notes, contact info, and more!

Here's the Supporter-only Q&A from May 11th, 2023. All comments and questions are fielded through the supporter service Q&A page. Please consider supporting this channel via monthly support services, tips, or even just by using our affiliate links to purchase things you were already going to buy anyway, at no extra cost to you: https://www.retrorgb.com/support.html These are also available as an audio-only podcast: https://anchor.fm/retrorgb T-Shirts: https://retrorgb.link/tshirts Amazon Recommended List: http://retrorgb.link/amazon TIMESTAMPS (please assume all links are affiliate links): 00:00  Welcome! 00:17  HDMI to RF?:  https://amzn.to/3aho0wX + a VCR? Or get an HDMI to ATSC (lol, just buy another TV, it's cheaper ;p):  https://amzn.to/436l0t5 03:13  Is it safe to leave a cartridge plugged into a console all the time? 06:10  iPad Screen / 1536p MiSTer tips 10:08  What adapters are people using for original controllers on MiSTer? 14:46  English dub of Castle Shikigami 2 for PS2 - Greatest voice acting ever ;p 15:58  Xbox - Do an HDMI mod or use the TINK5x?19:13  4K120 Splitter:  https://amzn.to/3VV4Wro / 4k120 Switch:  https://amzn.to/3BiYKQB 22:28  RGB to S-Video25:03  SNES 240p Test Suite label?  Maybe ask here?:  https://twitter.com/pepe_salot --- Support this podcast: https://podcasters.spotify.com/pod/show/retrorgb/support

This week we look at a new technology that may transform the earbuds you currently own. Also, Sony released pricing on their new 2023 models and would you watch sports with a VR headset? We also read your emails and take a look at the week's news. News:  Nakamichi's Sonos-stomping Dragon Dolby Atmos soundbar is available for pre-order YouTube Music officially rolls out podcasts for listeners in the US LG Rolls Out Xbox Series X And PS5-Friendly Update For Its 2022 Soundbars ESPN Plans To Leave Cable TV & Stream Online as a Standalone Just Not Yet… Other: FCC Complaints ATSC 3.0 Boston Mass The future of audio? World's first solid-state speakers may transform earbuds Solid state drives transformed computer storage, offering greater capacity that proved cheaper and more reliable. And much smaller! You might not have heard about it, but solid-state tech also handily changed the market for condenser mics, offering smaller devices that are easier to incorporate with other circuits. They're just better – and cheaper. Full article here… Sony releases its 2023 TV prices If you're in the market for a new TV and you've been patiently waiting to see how much Sony is asking for its 2023 models (and when you can buy them), today's the day you find out. Unless of course, you've been waiting to see what Sony wants for its latest flagship, the A95L 4K QD-OLED. In that case, we're the bearers of bad news: That model, in all three of its planned sizes (55-, 65-, and 77-inches,) is still MIA, and Sony hasn't indicated when that will change. Full article here… Apple's VR Headset Could Immerse You in Sports The Apple VR/AR mixed reality headset is one of those products that's perpetually rumored but never seems to materialize — though it sounds like that's about to change. With Apple's WWDC 2023 looming, we could finally get an official glimpse at this device, rumored to be shipping later this year. Full article here…  

This week we have four reasons to buy and three reasons to skip the LG C3 OLED and the top 5 TV picks for all budgets. We also read your emails and the week's news! News: Fox Television Stations, Amazon Partner on Local News Distribution YouTube TV details fixes for audio sync, better 1080p quality Netflix Subscribers Think Its Ad-Supported Plan Has Too Many Commercials Other: HT Guys Custom Reclaimed Wood Speaker Giveaway  4 Reasons To Buy And 3 Reasons To Skip the LG C3 OLED With the LG C3 OLED starting to make its way into the wild, you might now be faced with a tough decision — should you buy LG's new OLED TV or should you skip it? Full article here… Reasons to buy the LG C3 OLED The new Alpha a9 Gen 6 is a better processor WebOS 23 lets you customize your picture without paying for calibration Color and brightness are big improvements on older OLED TVs It's a great TV for gamers Reasons to Skip the LG C3 OLED It has lower brightness than LG G3 OLED You won't find an ATSC 3.0 tuner here It's more expensive than the LG C2 OLED Tom's Guide top 5 TV picks for all Budgets Having covered tech and games full-time for the last decade now, I've spent a lot of time in front of a TV. Some of those TVs weren't anything special — they were just run-of-a-mill LED-LCD TVs that didn't even have VRR or HDR — but these days, I only spend my time in front of the best TVs. Because I'm lucky enough to see all these screens first-hand, I've developed a real fondness for a few of them. Full Article Here…

Today on the flagship podcast of over-the-air interactive television: David Pierce is joined by Alex Cranz and Janko Roettgers to talk about ATSC 3.0, the new standard for over-the-air broadcasting. The future of TV is up in the air Mitchell Clark joins the show to discuss his next endeavor. Mitchell's gear list Dan Seifert explains which iPad you should buy and how to make the iPad work better for writing by hand. The best iPad to buy in 2023 Yes, paper-feel screen protectors for the iPad are good This Apple Pencil clone provides 80 percent of the experience for a quarter of the price Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we take a look at what is next for the ATSC 3.0 transition and why we think it will not be as smooth as the ATSC 1.0 transition. We also read your email and take a look at the week's news.  News: Hisense TVOS VIDAA Launches FAST, Calls Out Roku Peacock Rolls Out Live Interactive Companion “Watch With” Feature Netflix's new account-sharing rules punish students for being students KEF Launches Latest-Generation R Series Speakers What's Next for the ATSC 3.0 Transition? Up until last week, all of the major parties involved in the transition from ATSC 1.0 to 3.0 appeared to be on the same page. Advocates touted the continuing progress in deployments, pointing to the fact that more than 60% of American TV households are capable of receiving NextGen TV. Although CES came and went with little news about NextGen TV, four of the world's largest manufacturers now offer sets with 3.0 tuners with Sony making them available across its entire TV line. Full Article Here… More Support Needed NAB wants the FCC to promote ATSC 3.0 more prominently.  NAB's highest priority request is that the FCC announce a cutoff similar to what it did with the ATSC 1.0 switchover.  ATSC 3.0 was announced in 2017. A More Competitive Market Touting the advantages of a standard that combines the flexibility of IP with far more efficient use of spectrum, the broadcasters told the commission that the deployment of 3.0 will help the industry better compete with streaming companies and similar Silicon Valley giants.  There were mandates in the early days of ATSC that required manufacturers to include ATSC 1.0 tuners in their products and to solve backward compatibility issues, ATSC converter boxes were available at no or little cost to consumers. There were no streaming companies in 2009 that could produce a picture anywhere near what could be had OTA. Now 4K is everywhere. This makes it hard for broadcasters to compete. Don't Expect a Mandate Today, support for a tuner mandate is practically non-existent. In the first transition, the CEA initially opposed the mandate but eventually manufacturers had to comply with FCC rules that were implemented in 2005. But that stipulation was also part of an agreement that set a hard deadline for the analog switch off. While NAB is pushing for such a deadline today, it has consistently supported a mostly market-driven approach for the transition to 3.0. With both the NAB and CEA are opposed to a mandate, what compels TV manufacturers to include ATSC 3.0 when consumers are not asking for them?  TV sets that support NextGen TV represented only 8% of overall TV set sales in the U.S. in 2022 and CTA predicts that almost 5 million will ship to dealers in 2023, representing 12% of the total. It expects that share to hit 50% by 2025. These are mostly high end models. Sony is the only manufacturer that will include NextGen TV tuners on all their models. CTA believes set sales will accelerate, but that broadcasters have to make a purchase more compelling by offering more than what they're providing now. We have a classic chicken or egg situation here. People are holding on to their TV sets much longer and those who have ATSC 1.0 TVs do not find the same compelling reason to switch over like the need to go from NTSC to ATSC. Realistically if you bought a high end 4K TV three years ago, you may not need to upgrade it for another ten years. The pool of potential upgraders is much smaller than in 2009. What it Means for Broadcasters Using 3.0 as a "data pipe" has been promoted as perhaps the “killer app” that will allow broadcasters to offer enterprise-level services such as software updates for anything from gaming systems to rental cars and providing live over the air streaming to vehicles and even playing a role in the slow but steady emergence of autonomous vehicles. ATSC 3.0 technology is also being used to provide internet to areas that might not have access to traditional broadband.  

This week give you our impression of the Monoprice SS-Pro 8 Speaker Selector, take a look at the streaming scorecard for 2022, and we wrap up with our list of music to demo your sound system. We also read your emails and take a look at the week's news. News: With NextGen TV Transition `Stalled,' NAB Asks FCC for ATSC 3.0 Taskforce LG's new OLED TVs will get an audio upgrade to please home theater lovers Netflix Lets Priciest Plan Download to Extra Devices, Adds More Spatial Audio YouTube TV Drops MLB Network Other: Netflix: secret codes to unlock scores of hidden films and TV shows | Daily Mail Online Monoprice SS-Pro 8 High Power Dual Source 300 Watt 8 Pair Impedance Matching Speaker Selector The Monoprice SS-Pro 8 ($100)  is a powerful and efficient dual source, audiophile grade speaker selector for up to 8 pairs of speakers. Featuring robust transformers, the SS-Pro 8 allows you to play all 8 pairs of speakers at once without damaging the amplifier, able to withstand up to 300 watts peak of power per channel. A front panel A/B switch allows you to choose between two amplifier sources, and easily removable snap-in connectors make installation easy. A rotary switch located on the rear panel can be used to set the appropriate impedance based on the number of pair of speakers connected. 8-zone speaker selector that allows you to connect up to 8 pairs of speakers or 8 listening zones and control each zone with front panel push-buttons Utilizes audiophile-grade impedance-matching transformers to safely distribute maximum power throughout your system Easy to use front panel switch to choose between sources Designed for use with either 4 ohm or 8 ohm speakers Protection circuit ensures your amplifier is protected Streaming Scorecard for 2022 Amid all the doom and gloom in the streaming industry regarding slumping stock prices and hefty losses, streaming audiences continue to grow at a significant pace, with Americans streaming more than 19 million years worth of content last year, according to new data from Nielsen.  In total, Americans streamed more than 19.4 million years of content last year, up 27% about 15 million years in 2021. The increase was driven by the breadth of new and expanded services, coupled by the depth of content—particularly streaming originals, Nielsen reported. Full article here… Rick Beato's Preferred AV Demo List Instead of the typical audiophile spin, music educator Rick Beato provides a musician's perspective on how to choose and how to listen to music. Full article here… From the article: Throwing my two cents into this discussion, I like that Beato had many popular recordings in his list from artists as diverse as Jay-Z, Steely Dan and Linkin Park. It's my opinion that besides the lack of knowledge audiophiles have on the production process and mastering in particular, the lack of emotional connection to a piece of music is where system demos most often fail with consumers. Explaining mastering in the most basic of terms, it is the process in which engineers make sure a recording sounds balanced, full and even. The problem with a lot of popular music over the past few decades has been the issue in which the dynamics of recordings have been squashed or evened out in order for it to sound better on the radio or through a set of earbuds. The problem with heavy levels of mastering, which uses tools such as compressors and limiters, is these tools can remove the musicality and dynamics from a recording. Production professionals will sometimes refer to this trend as the “loudness wars.” Using the criteria of content that people recognize and music that is well produced, including mastering that lets the music breath, here are some of my top demo choices: Ara's List: Diana Krall Live in Paris - Fly Me to the Moon Stevie Ray Vaughn - Tin Pan Alley Pearl Jam - Yellow Ledbetter  First 5 seconds of California Roll - Snoop Dog Ennio Morricone - The Good, The Bad and The Ugly Explosions in the Sky - Your Hand in Mine (Theme from Friday Night Lights Movie) Madeline Edward - Mama, Dolly, Jesus Michael Ray - Holy Water Hailey Winters - Everything She Ain't