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This episode features an interview with Stephanie and Marcos from the Production Team, where they help manufacture and build our desktops from raw sheet metal.We'll also talk about what makes the System76 factory unique, as well as new hardware updates, community happenings, and a fun game at the end!Five facts about us:-Desktops and keyboards handcrafted in the US-Pop!_OS is free and collects zero user data-Laptops ship to over 60 countries-In-house support for the life of your hardware-Advocate for Right to Repair, Linux, and open sourceCheck out what we make!Laptops: s76.co/WuEDOnoSDesktops: s76.co/Zn4NXTf9Pop!_OS: s76.co/D_IWRvWDShare what you make with us!twitter.com/system76facebook.com/system76instagram.com/system76_com01:00 Sandwich banter2:12 Laptop Releases, Oryx, Lemur and new Darter Pro, all ultraportable laptops have 100% SRGB display3:20 New KS fast desktop processors available now4:12 Thelio now with PCIe 5.04:31 AMD Thelio Spark incoming, Thelio Spring sale ending6:10 COSMIC updates GTK 3 and 4 themeing added7:03 COSMIC community contributions, COSMIC task app and webapp and input devices applet8:10 Spreading the word about COSMIC8:55 Meetups galore!9:40 Introducing Stephanie and Marcos from production team9:54 Marcos explains all the roles he's reponsible for at System7610:34 Stephanie explains her role as Production Manager10:50 Marcos discusses the cool projects he's had the opportunity to work on, highlighting flashing IO boards11:40 Stephanie explains how onlining keyboards was a fun experience12:30 The work that went into launching the Launch keyboard line13:20 Stephanie describes her favorite System76 product15:10 Marcos talks about his hobbies outside work16:10 Stephanie is a major crafter in her free time and responsible for all the plants at the factory18:50 Production is just crafting19:30 Pinata making at the factory20:29 How System76 manufacturing is different21:28 Creative problem solving21:50 The nerdiest things witnessed at the factory22:44 Garbage disposal situation24:00 How to take a tour of System7624:50 Emma has a box game that may or may not be fun27:44: Outro and blooper
On this week's show we compare Mini-LED vs OLED and we put a high end listening room based on products that were exhibited at this year's AXPONA show. We also read your email and look at the week's news. News: DirecTV and Dish Back Fubo in Its Spulu Antitrust Suit | Next TV Roku Upgrades Viewing Experience with New Features | TV Tech Hub: Smart TVs Now in Nearly 8 of 10 Homes | TV Tech Disney Plus Looking To Integrate Always-On Linear Channels Other: Credit cards abused again in second Roku hack affecting 576,000 - FlatpanelsHD NBCUniversal Launches Personalized, Hyperlocal Services via ATSC 3.0 | TV Tech Mini-LED vs OLED We are asked from time to time to recommend a particular TV or in some cases a technology. Right now, in our opinion, the best TV technology is OLED. But is it really the best overall? Let's take a look at OLED vs mini-LED in six important criteria. Sharpness and Resolution: Both OLED and Mini-LED TVs typically offer 4K resolution, with some models supporting higher resolutions. Therefore, in terms of sharpness and resolution, it's a tie between OLED and Mini-LED. Black Levels: OLED TVs excel in producing true blacks by individually turning off pixels. Mini-LED displays have not completely achieved this level of per-pixel control. In this aspect, OLED emerges as the winner for its superior black levels. Brightness and Contrast: OLED TVs offer deep blacks for infinite contrast ratio, while Mini-LED TVs can achieve higher brightness levels. Mini-LED takes the lead in brightness, while OLED wins in terms of contrast ratio. Color Quality: OLED TVs typically exhibit excellent color quality, often surpassing 100% of the sRGB color gamut. Although Mini-LED TVs may not reach these levels, this is more due to other factors like color filters rather than the Mini-LED technology itself. The winner in color quality is OLED. Viewing Angles: OLED TVs generally have wider viewing angles compared to LCD TVs, including those using Mini-LED technology. While Mini-LED TVs can vary based on the type of display used, OLED usually outperforms them in terms of viewing angles. Size and Price: In terms of size, both OLED and Mini-LED TVs are available in various sizes to suit different preferences. However, traditionally, OLED TVs have been more expensive compared to Mini-LED TVs, which could be a consideration for some buyers. Price and size considerations may vary based on individual preferences and budgets. So which one wins? It's our opinion that OLED has the absolute best picture but mini-LED is very close and unless you are looking at them side by side you won't notice. It really comes down to cost and since you can buy some really big mini-LED TVs for a quarter of the price, we give the nod to mini-LED. AXPONA 2024 AXPONA 2024 wrapped up last week. What is AXPONA you might ask? From their website: AXPONA is a three-day experience featuring multiple hotel floors packed with over 200 listening rooms. The Expo Hall featuring The Record Fair, The Ear Gear Experience, and seminars. Whether you're a serious audiophile, a newcomer to high-end audio or simply a music lover, you'll find everything you need to immerse yourself in your favorite sounds. It's very similar to “The Show” that we have out here in CA every year. This year it will be June 7-9 in Costa Mesa so come out and let's all go! While AXPONA exhibited products that most of us can buy, there are some that, quite frankly, are priced for people fly on their own jets. They probably don't even listen to podcasts, so let's make fun of them!! Kidding of course. Today, our very rich uncle who has $150,000 laying around has asked us to put a system together so he can listen to his extensive vinyl collection! Transrotor Tourbillon FMD The Tourbillon FMD is a premium turntable model with high-end features designed to deliver exceptional performance in the audio playback experience. The Transrotor Tourbillon FMD stands out as a top-of-the-line turntable with innovative features and premium construction materials aimed at audiophiles seeking unparalleled sound quality and precision in vinyl playback. With its advanced FMD bearing technology, dual tone arm support, and included accessories, it offers a premium and comprehensive audio experience for discerning enthusiasts in the high-end turntable market. $60K with Cartridge Fern and Roby Amp No. 2 Amp No. 2 is our second collaboration with Michael Bettinger who has been designing and building amplifiers for nearly 40 years. Integrated amps make building a great high fidelity audio system easy. Our goal in this project was to produce something that will turn your living room into the best listening room possible. Fewer components, cables, and cost, but delivering world class audio into your home. $8500 (Add $350 if you want Isolation Feet) Acora SRB Reference Loudspeaker Acora Acoustics loudspeakers are constructed using hand crafted, specially treated granite enclosures. The rigidity of granite far exceeds that of traditional particle board or wood enclosures. One of the benefits of this is as the SRB's drivers move to push air / create sound, the enclosure isn't absorbing this energy and dulling or smearing the sound. Another benefit of the Acora enclosure is it does not need internal bracing to “stiffen” the enclosure. This means no additional reflections inside the enclosure that will vibrate the low frequency driver and smear the sound. The SRB also utilizes world class drivers and a hand built crossover network, however the real secret to the Acora Sound is that you only hear these, not the enclosure. Sensitivity 86.5 db Frequency Response 43Hz - 35KHz 58 lbs each $37,000 pair
Kev wonders whether his new X-Pro dreams have filtered through to the ‘We shall consider' file. Meanwhile, switch on your ai face recognition, it has arrived on Pic-Time's platform, our sponsors and the finest online gallery space. Also today on the show, upgrades, do you need to upgrade from the X-T4 to the X-T5? We also talk about film photography and darkroom printing, having a style about your Instagram grid that is brand recognisable, uploading images to websites and sRGB versus AdobeRGB. Plus it turns out that the boys have alternative skills should they ever need to call upon them; Kev was a Welsh milk boy, and Neale was one of the last petrol pump attendants in Hertfordshire! Email the show with your questions: click@fujicast.co.uk Pic Time: https://www.pic-time.com/ - use FUJICAST when creating an account for discount offers to apply For links go to the showpage.
The Veikk 1200 graphics tablet is only $159 and comes with 2 pens, 28 extra nibs and features an HD full sRGB color screen to draw on. Just how good can it be? Well, the Fotobug guys decided to find out and were pleasantly surprised! This tablet's graphics are so good, it can be used as an extra laptop (even desktop) monitor.
De laatste aflevering van dit seizoen! In deze aflevering bespreken we het nieuws dat WCAG 2.2 definitief is, een erg slimme rebranding van het Natural History Museum, dat Microsoft eindelijk afscheid neemt van Calibri en een nieuw lettertype heeft gekozen voor Office, Figma ondersteunt P3 color gamut, en waarom de View Transition API zo tof wordt. 01:15 - Natural History Museum Rebrand - https://www.pentagram.com/work/natural-history-museum 05:50 - Twitter -> X 13:05 - Nieuwe Microsoft fonts - https://medium.com/microsoft-design/a-change-of-typeface-microsofts-new-default-font-has-arrived-f200eb16718d & https://www.theguardian.com/world/2017/jul/13/fontgate-microsoft-wikipedia-and-the-scandal-threatening-the-pakistani-pm 19:00 - Figma P3 Colors - https://help.figma.com/hc/en-us/articles/360039825114 26:00 - View Transition API - https://developer.mozilla.org/en-US/docs/Web/API/View_Transitions_API 34:55 - WCAG 2.2 Final - https://www.w3.org/TR/WCAG22/ 36:06 - Hijack Apple serie - https://www.imdb.com/title/tt19854762/ 38:10 - Carrec Technocenter Youtube - https://www.youtube.com/@CarrecTechnocenterVideo
HT1408 - Side-by-side Comparisons Yesterday I was talking about color space and that reminded me of another impracticality I see frequently in photography, side-by-side comparisons. For example, theoretically there may be a difference between sRGB and Adobe RGB (1998), but if that's only visible in a side-by-side comparison, no one will ever know. The same could be said about one camera and the next, one lens and the next, etc. In the real world, only photographers make side-by-side photographic comparisons.
Dell Technologies has today released details of two additions to the Alienware line –the 25 Gaming Monitor and the Alienware 27 Gaming Monitor. These gaming monitors are among the fastest on the market and are equipped with high-quality visuals, exceptionally smooth gameplay, and optimized industrial design combining beauty with practicality. Both are the first in the line to feature a retractable headset hanger, helping to create a clutter-free gaming setup. Alienware 25 Gaming Monitor (AW2523HF) Designed with feedback from pro gamers, this monitor is eSports-optimized for competitive gaming. With its revamped Legend 2.0 design featuring a hexagonal base for a smaller desktop footprint, competitive gamers have ultimate flexibility in terms of keyboard placement and maximum room for mouse movement for the ideal esports setup. Gamers can also place their headset on the new integrated retractable headset hanger for a clutter-free desk. A 360Hz variable refresh rate and 0.5ms GtG response time means incredibly smooth motion on a Fast IPS FHD panel. Experience stutter- and tear-free gaming and crystal-clear graphics, even during action-packed sequences with the support of AMD FreeSync™ Premium Technology and VESA® AdaptiveSync certification. Alienware 27 Gaming Monitor (AW2723DF) The Alienware 27 Gaming Monitor combines premium performance with functional design. With its 280Hz overclocked / 240Hz native variable refresh rate and 1ms GtG response time, gamers are guaranteed lag-free gaming. This Fast IPS 27” QHD display supports AMD FreeSyncTM Premium Pro Technology and is also NVIDIA® G-Sync® and VESA® AdaptiveSync certified to enable tear-free, crystal-clear graphics. Dive into vibrant colours across a wide viewing angle on an InfinityEdge screen with IPS Nano Colour technology that lets you experience dynamic, vivid colours with 95% DCI-P3 colour coverage and VESA DisplayHDR™ 600 certification for a truly immersive gaming experience. For gamers who also content create, the Creator Mode pre-set allows you to choose between DCI-P3 (native) and sRGB colour spaces or adjusts gamma levels. This monitor features the iconic Legend 2.0 design in Lunar Light with AlienFX lighting, 360-degree ventilation, improved cable management and fully adjustable stand. The integrated headset hanger is also available on this monitor. Pricing and Availability The Alienware 25 Gaming Monitor (AW2523HF) will be available in Ireland on September 7th with pricing to be announced upon release. The Alienware 27 Gaming Monitor (AW2723DF) will be available in Ireland on September 6th with pricing to be announced upon release. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News have a range of services available to help promote your business. Why not drop us a line at Info@IrishTechNews.ie now to find out more about how we can help you reach our audience. You can also find and follow us on Twitter, LinkedIn, Facebook, Instagram, TikTok and Snapchat.
Asus Zenfone 9, le test et prise en main par Yohann LemoreÀ savoir :► Sortie : Mi-Août 2022► Constructeur: Asus► Modèle: Zenfone 9► Couleurs : Midnight Black, Moonlight White, Sunset Red, Starry Blue► Affichage : 5,9" 1080x2400 (20:9), 445 ppi► Écran Samsung AMOLED 120 Hz 112% DCI-P3, 151% sRGB, HDR10+► CPU et GPU : Snapdragon®8+ Gen 1 Mobile PlatformProcesseur cadencé à 3,2 GHz et GPU Qualcomm® Adreno™ 730► Mémoire et stockage: RAM: 8 /16 Go –LPDDR5ROM: 128 / 256 Go –UFS 3.1► Prix : 799€ à 899€ selon les modèlesCrédits audio :►
For many of us, it's been a while since we've traveled or needed any tools for working not from home. However, things are getting back to normal in large parts of the country and the world, meaning that travel for fun and business is returning in full force. In fact, we recently saw Austin's airport get inundated with travelers. With that, it's time to start considering what might be needed to enhance your travel. This week, we're looking at different types of portable monitors and which you might want to consider and why.Features to considerThere are a lot of features to take into consideration when choosing a portable monitor.ConnectivityThe most important feature is how you will connect it to your device. Some monitors connect using USB-A, the traditional "3rd time's the charm" plug. It uses DisplayLink drivers to create a virtual video card within the monitor to mount the device. These are easy to use but require system resources. Other monitors connect over USB-C, the newer "anything goes" connector. While the plug is universal, the feature is not - you need to know that your computer, tablet, or phone can support it. Lastly, you can connect some monitors using HDMI. This is the most universal but not necessarily the easiest.Resolution and refreshIn this decade, don't torture yourself with a lower resolution. The price difference between a 1366x768 and 1920x1080 is negligible, so just don't do it. You'll regret it on a smaller screen. However, it is worth considering refresh rate. If you're planning on using the screen for work or web browsing, a standard refresh rate is fine. However, if you plan on using the monitor for portable gaming, video editing, production, or any other equivalent usage, you can get portable monitors up to 240 Hz.Stand or mountThe way the monitor sits on your desk, table, or lap is another essential feature. A clumsy stand will only make using the monitor more challenging. You might also want to consider a screen that gives you the ability to raise it up to ensure the portable screen and your laptop screen are level, as looking up and down can be frustrating.Best monitorsFor a Full HD experience with an HDMI port, the ASUS MB169B+ is a great choice. It's 15.6" and powers over USB, so no need to find another outlet in the hotel room. The base is solid and part of its case. For a monitor aimed at gamers and media professionals, the ASUS ROG Strix XG16AHPE is a great deal. Same size with the added bonus of a 144 Hz refresh rate and G-Sync compatibility.ASUS also offers some monitors with unique features. If you're looking to add touch to the equation, the company offers the ProArt Display 14 PA148CTV. This 14" display offers Full HD, 100% sRGB color, and adds in touch capability. However, if you're looking for a truly unique monitor, ASUS has ProArt PQ22UC. This portable monitor is 21.6", offers 4K video, 0.1ms response time, and more. However, this monitor runs $4000, while the others on the list are under $400.ViewSonic also offers some fantastic portable monitors, which is not unexpected as they have made monitors for decades. The VX1755 is a 17" Full HD monitor with Free Sync and 144 Hz refresh rate. It runs over Mini HDMI and powers on USB-C. If you're not looking for the high refresh rate but want touch instead, the ViewSonic TD1655 is a great option. 15.6" Full HD screen with 10-point touch input.From Lenovo, the ThinkVision M14 is a great choice. 14" Full HDS screen with a single connector over USB-C. This means you need the hardware to support it, but if you do, it's easy to use. It's also ultra thin with an incredibly solid base. The base contains the device's ports, making it look like a small laptop, but also adding stability to the screen.
Linh wonders what a color space is, and Dimitri tries his best to explain it… slowly… Check out Linh's app, Not Phở, a cook that introduces the user to Vietnamese cuisine, especially dishes other than Phở. It runs on iPhone, iPad, and Mac. It also have an iMessage sticker pack so that you can share with all your friends and family. App Store: https://apps.apple.com/app/apple-store/id1525104124?pt=14724&ct=Podcast&mt=8 Follow us on Twitter: https://twitter.com/LinhAndDimiChan Follow Dimitri on Twitter: https://twitter.com/dimitribouniol Follow Linh on Twitter: https://twitter.com/linhbouniol References: - https://en.wikipedia.org/wiki/Colorspace - https://en.wikipedia.org/wiki/CIE1931colorspace
Nanolumi is an advanced luminescent materials company leveraging the power of chemistry to optimize light efficiently. The company focuses on providing high quality perovskite products that enable the purest, brightest and widest range of colours in LCD, MiniLED and OLED displays while maintaining high energy efficiency. Chameleon® G Film, the company's flagship product, is the industry's first green perovskite colour enhancement film; It significantly enhances displays of all screen sizes with professional-grade colours, high dynamic range (HDR) brightness, power efficiency, and unprecedented wide colour gamut of up to 90% Rec. 2020, 100% DCI-P3, 100% Adobe RGB, 100% sRGB. Jax Lee founded Nanolumi in 2018 with over 10 years of experience turning emerging advanced materials into successful commercial products in consumer displays, touch displays, and photovoltaic. Prior to founding Nanolumi, Jax was Business Development Director at Cima NanoTech, an advanced material company with over 100 patents for self-assembling nanoparticles, dispersion formulation and the manufacturing of highly conductive transparent conductors. During his 6 years at Cima, Jax led the commercialisation of SANTE® Technology, bringing it from the lab to mass production for large format projected capacitive touch screens. By successfully negotiating and establishing a joint venture partnership with Foxconn to manufacture large touch modules, Jax accelerated Cima's business and kickstarted a series of joint development programs with international material companies. Jax brings his tenacity for work into his personal life, successfully climbing to the peak of Mount Kilimanjaro in 2013 and Huayna Potosi, Bolivia in 2017. In his spare time, Jax enjoys spending time with his wife and two children, scuba diving, skiing, hiking, and is always up for a nice, cold glass of whiskey. To learn more visit https://nanolumi.com/ For questions or comments, please email us at info@inam.berlin. Also, if you or someone you know would like to be a guest on our show, we welcome any and all suggestions! Special thanks to Oxygen Sound Studios Track: Coastline — Ason ID [Audio Library Release] Music provided by Audio Library Plus Watch: https://youtu.be/B8TyOnh8S-U Free Download / Stream: https://alplus.io/_coastline The road by Esteban Orlando https://soundcloud.com/orlando-esteban-2 Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Free Download / Stream: http://bit.ly/2QqI03Z Music promoted by Audio Library https://youtu.be/TsKWeCcjaBg
HeelHollandFotografeert Fotografie Podcast, over fotografie, voor en door fotografen
Deze keer over scherpe foto's. En over onscherpe foto's. Want hoe komt het nu dat een foto niet scherp is. Maar al te vaak wordt er gewezen naar de camera of de lens, maar in de meeste gevallen heeft het toch echt te maken met het 'baasje' van de camera... Ik vertel je in deze podcast de meestvoorkomende oorzaken van een onscherpe foto. En we hebben het ook nog even over BBF, Bewust Bewogen Foto's. Dis is de tiende aflevering van de HeelHollandFotografeert fotografie podcast. Een podcast door Mischa van HeelHollandFotografeert. Na deze podcast neem ik een korte podcast-vakantie en kom ik over twee of drie weken weer terug. De frequentie van de podcast gaat dan naar tweewekelijks. De vraag van de week gaat over het verschil in kleuren in Photoshop en na Photoshop. Deze vraag heeft alles met profielen te maken en ook dat leg ik uit in deze fotografie podcast. links: - De online cursus kleurbeheer voor fotografen. : https://www.heelhollandfotografeert.nl/online-cursus-kleurbeheer-voor-fotografen/ - Een gratis uitlegvideo over sRGB vs Adobe RGB : https://www.heelhollandfotografeert.nl/artikelen/srgb-versus-adobergb/ - De masterclass de ultiem scherpe foto : https://www.heelhollandfotografeert.nl/online-cursus-kleurbeheer-voor-fotografen/ - Artikel over onscherpe foto's. : https://www.heelhollandfotografeert.nl/artikelen/help-mijn-foto-is-niet-scherp/ Wil jij jouw fotografie-vraag in de podcast behandeld hebben? Stuur dan je audio whatsapp naar 0651305374 Wie weet komt jouw vraag en het antwoord daarop wel terug in de fotografie podcast. Vergeet niet om jezelf te abonneren op deze podcast en help deze podcast beter vindbaar te maken door een review te schrijven.
On today's show we look at a CNET article that covers the best home theater projectors for 2021 and then we ask if a $80,000 Sony projector is worth the money. We also take a look at a simple universal remote and ask if it can replace the Harmony. We read your emails and take a look at the week's news as well. Best home theater projector for 2021 From portable projectors to affordable 1080p models to light cannons built for gaming or 4K HDR, these are the best projectors for the money. Full article here… Is the Sony VPLGTZ380 worth $80,000?? Realize an overwhelming native 4K image expression like you've never seen before. Sony's X1 processor is paired with a super high contrast 10,000 lumen Z-Phosphor laser light source and DCI-P3 wide color space make your ultimate vision a reality. Object based super resolution enhances color and contrast for greater depth, cleaner textures, and more realistic pictures. More info... A stunning 10,000 lumens achieve D65 industry-standard color balance and DCI-P3 color space without brightness loss. X1TM Ultimate for projector brings you the best of Sony's image processing Newly-developed, reliable, full 4K resolution on 3 SXRD™ panel for outstanding contrast Z-PhosphorTM laser with red laser diode enhances tones across DCI-P3 color space and deliver 1.35 wider color range than sRGB solutions Object based Super Resolution enhances color and contrast of individual objects for a clear picture. Dual database processing reduces digital noise for the lowest possible ambient noise With Object based HDR Remaster3, the color in individual objects on screen is analyzed and the contrast adjusted to reproduce greater depth, textures, and more realistic pictures Digital Contrast Optimizer minimizes unnecessary light from bright objects for more accurate focus. Dynamic HDR Enhancer brings a wider contrast range for striking and realistic picture quality HDR Reference Mode creates richer gradation that more accurately display the creator's intent. Enjoy the latest 4K content services with HDCP 2.3 compatibility on both 18Gbps HDMI inputs 4 Motionflow™ provides smooth motion for 4K & HD Advanced graphic processing and Input lag reduction ensures faster response time for gamers Up to 20,000 hours of virtually maintenance free operation This is a review of an owner (The Sony website says the projector will be available soon. We have to assume this is a pre-release model that is being reviewed): If you have ever viewed the VPL-VW5000ES & thought that machine had a brilliant picture at 5,000 lumens, the purely stunning display chip combined with the newest laser lamp that puts out a whopping 10,000 lumens makes the 5000ES model look like a Triniton from the 1980's! I recently upgraded from the 5000ES to the GTZ380 in my “man cave” with a 165” SI gray slate 1.3 gain screen. If the blacks are brightness of the 5,000 had an amazing image, the dual data/motion flow chipsets and double the lumens combined make for a viewing experience that's so immersive that only in the most gorgeous scenes from a solid, full HDR 4K source do you sit back and both admire the engineering behind this beyond words projector's imagining-that you chuckle at how much you spent to be so fortunate to buy one. Hands down, there is no imagination left to better what already seems that the human eyes can't possibly see anything technologically “better”. After this machine was conceived, I'd have to think that engineers are being laid off- or have abandoned any future development as there is no possibility of any picture quality improvement beyond this unit. Has to be the end of the line for any sort of television or movie watching device innovation- no way anything could ever top this picture quality and brightness that's so full of color and absolutely zero stutter. I can now rest easy, my wife can't be upset at my A/V “addiction”, as this is the last TV/Projector I will ever need or purchase. To spin a quote from the movie Field of Dreams “Is this heaven?....no, this is Sony”! Level of expertise Advanced Where purchased In person Sony products owned 6+ Inteset 4-in-1 Universal With Logitech discontinuing the Harmony Remote we have received a lot of emails asking us about alternatives. There are options that use your smartphone or tablet as well as some high end remotes tied to home automation. For today's discussion we decided to go old school with a simple 4-in-1 Universal remote from Inteset (Int-422 $25.95). The remote is preconfigured to work with streaming devices like the Apple TV, Xbox One, Roku (excluding Stick) and others right out of the box with dedicated buttons. These buttons can be reprogrammed with the device codes of the components you have in your system by looking them up in their online database. Typically a setup like this removes remote control clutter but doesn't really do anything for simplicity of use. The Inteset remote has some nice features that make it a better remote than the typical all-in-one. Volume Lock - Most people use a single device such as a TV, sound-bar, or receiver for audio. You can set up the remote so that the volume and mute buttons control the audio of that device no matter what other mode is selected on the remote. Channel Lock - Lock the number pad to control the tuner/cable/satellite box, so you can change the channels no matter what device mode you have selected. This may not be as important as the volume lock. But it did simplify watching TV on a cable box. Punch-through Support - Similar to Volume and Channel Lock, any button can be set to send the same IR signal no matter what device mode is selected. Macro Support - You can program up to 32 commands into a single button. So, for example, you could turn on or off all of your devices, and switch inputs. The multiple symbol buttons on the bottom of the remote can be used for your macros. But this old school harmony remote style. We could not find any codes for direct input switching. Rather you had to hit the input button and then scroll to the input you want and then hit select. This method is fraught with errors and grief. In our opinion the macros are best suited for turning on and off the devices you want for the activity you are watching. Then switch the input, more than likely using your receiver, manually. There is a special code to program the remote's display button to bring up the smart features of your TV. The remote itself feels good in the hands. The buttons are logically placed and easy to select. It has a backlight which helps in low light conditions. Not much else to say about it. It's a modern remote. Bottom Line The Inteset 422 is a great improvement over the Universal remotes of fifteen years ago. Locking the volume and numbers buttons individually to a specific device just makes it easier to use. The macros are a good improvement as well but not what we are used to with the Harmony. This remote is perfectly suited for the person who has a cable or satellite box running through a receiver then out to the TV. It will turn them all on and off, control the volume and change channels with no issues. A more complex setup can be made to work, but it will be cumbersome to program and use. This remote will find a home at Ara's mom's house where her two remotes will be reduced to one. You can't beat it for this type of use at $26!
嘉宾:404、森森、旭昭、恺伦 本期内容:· 0:01:42 - 苹果 WWDC 2021 正式定档· 0:02:56 - Apple 或于今年发布混合现实头戴设备· 0:07:07 - 苹果、小米、OPPO 和 vivo 获首批手机北斗检测认证· 0:08:54 - ARM 推出全新 v9 芯片架构· 0:13:50 - 联想发布 2021 款拯救者系列笔记本电脑· 0:18:35 - 9999 元起,小米首款折叠屏 MIX FOLD 正式发布 观众互动· 1:08:35 - Mali-T880MP4:想问问404老师,如何看待当年在魅族pro7上手视频里视频里说的:画屏应该在全面屏时代为正式取代掉前置镜头服务。· 1:10:34 - 霁bili:小米11和11p之间散热差距有多大,不关心摄像的只想看看这个钱加的值不值· 1:11:30 - 暨阳娃娃:小米那个充电板怎么看,有没有拿到体验过· 1:12:32 - 山海齐翰文:我的坚果r2我感觉最多再用2年,到时候用什么手机可以有类似于像这种大爆炸 实时字幕 一步 闪电胶囊这种功ota能。第三方App吗?我用过小米 红米 relme 魅族 感觉都不适合办公(猎头行业) 需要文字发JD和解析职位对焦会。· 1:18:22 - Wout_van_Aert:Rocket Lake那么烂,为什么Intel还好意思放出来?· 1:22:21 - syyang_:现在推荐入手MacBook Air m1吗· 1:28:55 - 还有_风知道:森森 森森,想问一下1000左右的显示器有什么推荐的,平常就是看看论文,看看电影。24 27都行。· 1:10:34 - DylanSunXu:想问一下显示器和电视将会持续涨价是真的吗,价格回落大概要多久呢· 1:12:32 - Icskari:今年到底为什么芯片产能缺口这么大啊,汽车芯片,cpu,gpu全线产能告急,都有什么原因?· 1:18:22 - Jack朝梦想前进的旅途中有些慢了:请问老师。在看路由器,目前最好的也是千兆网口,是否需要等万兆网口,万兆网口的普及到哪步了。谢谢· 1:22:21 - 重度搞机爱好者:想问一下郑老师:iPhone拍摄的P3色域照片如果放在Win10下面用100%sRGB显示器来显示颜色会变的淡吗?另外win10已经设置了sRGB显示器的icc文件之后,分别用支持色彩空间管理和不支持色彩空间管理的软件看P3色域图会产生什么样的区别· 1:11:30 - anwiye:有什么好的键帽品牌可以推荐吗?自己的键盘是杜伽K320,用久了有点单调,想换一下键帽。谢谢。· 1:12:32 - 好记性不如薄膜键盘:哈尔滨泰莱时代激光 Imax 经营不下去了,卖给了万达,四老师怎么看这事儿· 1:18:22 - 南大道:请问几位主笔老师可以分享几个自己比较欣赏的国外的科技媒体吗?例如森森上周直播提到的那个“说的挺好的日本哥们儿”是哪位呢?· 1:22:21 - 土川虎三:为什么苹果笔记本的CPU可以飚到100度,而我的Ryzen 4700U七八十度笔电就过热关机了?(实际上是休眠,所以工作进度没有丢失)(为了做愚人节视频,我的电脑过热两次QAQ你们也可以去看看丫,很有意思的)· 1:28:55 - 62貳肆25:听上一次播客彭总提到他爱人公司采购的事,提到了品牌认知这件事,我想问问作为前产品经理,品牌宣传和产品力本身哪一个对品牌认知更有用啊,或者其他什么因素对提升产品力有用
嘉宾:404、森森、旭昭、恺伦 本期内容:· 0:01:42 - 苹果 WWDC 2021 正式定档· 0:02:56 - Apple 或于今年发布混合现实头戴设备· 0:07:07 - 苹果、小米、OPPO 和 vivo 获首批手机北斗检测认证· 0:08:54 - ARM 推出全新 v9 芯片架构· 0:13:50 - 联想发布 2021 款拯救者系列笔记本电脑· 0:18:35 - 9999 元起,小米首款折叠屏 MIX FOLD 正式发布 观众互动· 1:08:35 - Mali-T880MP4:想问问404老师,如何看待当年在魅族pro7上手视频里视频里说的:画屏应该在全面屏时代为正式取代掉前置镜头服务。· 1:10:34 - 霁bili:小米11和11p之间散热差距有多大,不关心摄像的只想看看这个钱加的值不值· 1:11:30 - 暨阳娃娃:小米那个充电板怎么看,有没有拿到体验过· 1:12:32 - 山海齐翰文:我的坚果r2我感觉最多再用2年,到时候用什么手机可以有类似于像这种大爆炸 实时字幕 一步 闪电胶囊这种功ota能。第三方App吗?我用过小米 红米 relme 魅族 感觉都不适合办公(猎头行业) 需要文字发JD和解析职位对焦会。· 1:18:22 - Wout_van_Aert:Rocket Lake那么烂,为什么Intel还好意思放出来?· 1:22:21 - syyang_:现在推荐入手MacBook Air m1吗· 1:28:55 - 还有_风知道:森森 森森,想问一下1000左右的显示器有什么推荐的,平常就是看看论文,看看电影。24 27都行。· 1:10:34 - DylanSunXu:想问一下显示器和电视将会持续涨价是真的吗,价格回落大概要多久呢· 1:12:32 - Icskari:今年到底为什么芯片产能缺口这么大啊,汽车芯片,cpu,gpu全线产能告急,都有什么原因?· 1:18:22 - Jack朝梦想前进的旅途中有些慢了:请问老师。在看路由器,目前最好的也是千兆网口,是否需要等万兆网口,万兆网口的普及到哪步了。谢谢· 1:22:21 - 重度搞机爱好者:想问一下郑老师:iPhone拍摄的P3色域照片如果放在Win10下面用100%sRGB显示器来显示颜色会变的淡吗?另外win10已经设置了sRGB显示器的icc文件之后,分别用支持色彩空间管理和不支持色彩空间管理的软件看P3色域图会产生什么样的区别· 1:11:30 - anwiye:有什么好的键帽品牌可以推荐吗?自己的键盘是杜伽K320,用久了有点单调,想换一下键帽。谢谢。· 1:12:32 - 好记性不如薄膜键盘:哈尔滨泰莱时代激光 Imax 经营不下去了,卖给了万达,四老师怎么看这事儿· 1:18:22 - 南大道:请问几位主笔老师可以分享几个自己比较欣赏的国外的科技媒体吗?例如森森上周直播提到的那个“说的挺好的日本哥们儿”是哪位呢?· 1:22:21 - 土川虎三:为什么苹果笔记本的CPU可以飚到100度,而我的Ryzen 4700U七八十度笔电就过热关机了?(实际上是休眠,所以工作进度没有丢失)(为了做愚人节视频,我的电脑过热两次QAQ你们也可以去看看丫,很有意思的)· 1:28:55 - 62貳肆25:听上一次播客彭总提到他爱人公司采购的事,提到了品牌认知这件事,我想问问作为前产品经理,品牌宣传和产品力本身哪一个对品牌认知更有用啊,或者其他什么因素对提升产品力有用
嘉宾:404、森森、旭昭、恺伦 本期内容:· 0:01:42 - 苹果 WWDC 2021 正式定档· 0:02:56 - Apple 或于今年发布混合现实头戴设备· 0:07:07 - 苹果、小米、OPPO 和 vivo 获首批手机北斗检测认证· 0:08:54 - ARM 推出全新 v9 芯片架构· 0:13:50 - 联想发布 2021 款拯救者系列笔记本电脑· 0:18:35 - 9999 元起,小米首款折叠屏 MIX FOLD 正式发布 观众互动· 1:08:35 - Mali-T880MP4:想问问404老师,如何看待当年在魅族pro7上手视频里视频里说的:画屏应该在全面屏时代为正式取代掉前置镜头服务。· 1:10:34 - 霁bili:小米11和11p之间散热差距有多大,不关心摄像的只想看看这个钱加的值不值· 1:11:30 - 暨阳娃娃:小米那个充电板怎么看,有没有拿到体验过· 1:12:32 - 山海齐翰文:我的坚果r2我感觉最多再用2年,到时候用什么手机可以有类似于像这种大爆炸 实时字幕 一步 闪电胶囊这种功ota能。第三方App吗?我用过小米 红米 relme 魅族 感觉都不适合办公(猎头行业) 需要文字发JD和解析职位对焦会。· 1:18:22 - Wout_van_Aert:Rocket Lake那么烂,为什么Intel还好意思放出来?· 1:22:21 - syyang_:现在推荐入手MacBook Air m1吗· 1:28:55 - 还有_风知道:森森 森森,想问一下1000左右的显示器有什么推荐的,平常就是看看论文,看看电影。24 27都行。· 1:10:34 - DylanSunXu:想问一下显示器和电视将会持续涨价是真的吗,价格回落大概要多久呢· 1:12:32 - Icskari:今年到底为什么芯片产能缺口这么大啊,汽车芯片,cpu,gpu全线产能告急,都有什么原因?· 1:18:22 - Jack朝梦想前进的旅途中有些慢了:请问老师。在看路由器,目前最好的也是千兆网口,是否需要等万兆网口,万兆网口的普及到哪步了。谢谢· 1:22:21 - 重度搞机爱好者:想问一下郑老师:iPhone拍摄的P3色域照片如果放在Win10下面用100%sRGB显示器来显示颜色会变的淡吗?另外win10已经设置了sRGB显示器的icc文件之后,分别用支持色彩空间管理和不支持色彩空间管理的软件看P3色域图会产生什么样的区别· 1:11:30 - anwiye:有什么好的键帽品牌可以推荐吗?自己的键盘是杜伽K320,用久了有点单调,想换一下键帽。谢谢。· 1:12:32 - 好记性不如薄膜键盘:哈尔滨泰莱时代激光 Imax 经营不下去了,卖给了万达,四老师怎么看这事儿· 1:18:22 - 南大道:请问几位主笔老师可以分享几个自己比较欣赏的国外的科技媒体吗?例如森森上周直播提到的那个“说的挺好的日本哥们儿”是哪位呢?· 1:22:21 - 土川虎三:为什么苹果笔记本的CPU可以飚到100度,而我的Ryzen 4700U七八十度笔电就过热关机了?(实际上是休眠,所以工作进度没有丢失)(为了做愚人节视频,我的电脑过热两次QAQ你们也可以去看看丫,很有意思的)· 1:28:55 - 62貳肆25:听上一次播客彭总提到他爱人公司采购的事,提到了品牌认知这件事,我想问问作为前产品经理,品牌宣传和产品力本身哪一个对品牌认知更有用啊,或者其他什么因素对提升产品力有用
嘉宾:404、森森、旭昭、恺伦 本期内容:· 0:01:42 - 苹果 WWDC 2021 正式定档· 0:02:56 - Apple 或于今年发布混合现实头戴设备· 0:07:07 - 苹果、小米、OPPO 和 vivo 获首批手机北斗检测认证· 0:08:54 - ARM 推出全新 v9 芯片架构· 0:13:50 - 联想发布 2021 款拯救者系列笔记本电脑· 0:18:35 - 9999 元起,小米首款折叠屏 MIX FOLD 正式发布 观众互动· 1:08:35 - Mali-T880MP4:想问问404老师,如何看待当年在魅族pro7上手视频里视频里说的:画屏应该在全面屏时代为正式取代掉前置镜头服务。· 1:10:34 - 霁bili:小米11和11p之间散热差距有多大,不关心摄像的只想看看这个钱加的值不值· 1:11:30 - 暨阳娃娃:小米那个充电板怎么看,有没有拿到体验过· 1:12:32 - 山海齐翰文:我的坚果r2我感觉最多再用2年,到时候用什么手机可以有类似于像这种大爆炸 实时字幕 一步 闪电胶囊这种功ota能。第三方App吗?我用过小米 红米 relme 魅族 感觉都不适合办公(猎头行业) 需要文字发JD和解析职位对焦会。· 1:18:22 - Wout_van_Aert:Rocket Lake那么烂,为什么Intel还好意思放出来?· 1:22:21 - syyang_:现在推荐入手MacBook Air m1吗· 1:28:55 - 还有_风知道:森森 森森,想问一下1000左右的显示器有什么推荐的,平常就是看看论文,看看电影。24 27都行。· 1:10:34 - DylanSunXu:想问一下显示器和电视将会持续涨价是真的吗,价格回落大概要多久呢· 1:12:32 - Icskari:今年到底为什么芯片产能缺口这么大啊,汽车芯片,cpu,gpu全线产能告急,都有什么原因?· 1:18:22 - Jack朝梦想前进的旅途中有些慢了:请问老师。在看路由器,目前最好的也是千兆网口,是否需要等万兆网口,万兆网口的普及到哪步了。谢谢· 1:22:21 - 重度搞机爱好者:想问一下郑老师:iPhone拍摄的P3色域照片如果放在Win10下面用100%sRGB显示器来显示颜色会变的淡吗?另外win10已经设置了sRGB显示器的icc文件之后,分别用支持色彩空间管理和不支持色彩空间管理的软件看P3色域图会产生什么样的区别· 1:11:30 - anwiye:有什么好的键帽品牌可以推荐吗?自己的键盘是杜伽K320,用久了有点单调,想换一下键帽。谢谢。· 1:12:32 - 好记性不如薄膜键盘:哈尔滨泰莱时代激光 Imax 经营不下去了,卖给了万达,四老师怎么看这事儿· 1:18:22 - 南大道:请问几位主笔老师可以分享几个自己比较欣赏的国外的科技媒体吗?例如森森上周直播提到的那个“说的挺好的日本哥们儿”是哪位呢?· 1:22:21 - 土川虎三:为什么苹果笔记本的CPU可以飚到100度,而我的Ryzen 4700U七八十度笔电就过热关机了?(实际上是休眠,所以工作进度没有丢失)(为了做愚人节视频,我的电脑过热两次QAQ你们也可以去看看丫,很有意思的)· 1:28:55 - 62貳肆25:听上一次播客彭总提到他爱人公司采购的事,提到了品牌认知这件事,我想问问作为前产品经理,品牌宣传和产品力本身哪一个对品牌认知更有用啊,或者其他什么因素对提升产品力有用查看节目原文:https://www.ximalaya.com/diantai/41563226/402813787 ----------------- 以下内容来自 getpodcast.xyz ,会在每月1日~7日的更新时展示 若 getpodcast.xyz 提供的播客 RSS 服务对你有帮助,希望其可以一直运行,请不吝赞赏,分担服务器费用开支
Neale has been jabbed with 0.5mg of Bill Gates’ finest. Talking of ‘gates,’ Boxgate is back, SRGB or Adobe’s flavour of; what to choose to work in, some X-Pro3 issues to deal with and Q buttons, why? Which background colour works better for websites, can Judo make you a better photographer, how good are the new Mullins presets, how can I time and GPS stamp my audio recordings, how do you choose your photo books and the X-A7: discuss? Plus X-T3 or X-T4, is the IBIS worth it? Vinca Peterson’s 'No System,’ is Kev’s book of the week plus we talk with royal family photographer Matt Porteous who is currently in The Maldives swimming with sharks!
Сегодня компания Huawei презентовала MateBook D 16 с экраном, максимально безопасным для глаз, мощным процессором и кучей приятных фишек и опций.Ноутбук выполнен из алюминиевого сплава, оснащен комфортной клавиатурой, двумя динамиками и экраном диагональю 16 дюймов. Все это упаковано в корпус весом 1,74 кг и толщиной 18,4 мм.В центре внимания экран с минимальными рамками 4,9 мм. Такая компоновка позволила 16,1-дюймовой IPS-матрице занять 90% полезного пространства верхней крышки. К тому же панель может похвастать удобным соотношением сторон 16:9 и комфортным разрешением Full HD. Соответствие профилю sRGB на 100%, пиковая яркость 300 нит также присутствуют.
Yoga Slim 7 Pro и Ideapad 5 Pro — для работы и отдыха Новые устройства оснащены экранами с тонкими рамками и нестандартным соотношением сторон 16:10. Трансформер Yoga Slim 7 Pro может похвастаться 14-дюймовым дисплеем с частотой обновления 90 Гц, а некоторые модели IdeaPad 5 Pro имеют развертку до 120 Гц. У последних есть два варианта диагонали — 14 и 16 дюймов. При этом все экраны поддерживают 100-процентную цветопередачу sRGB и защиту глаз по сертификации TUF. Legion 5 — игровое устройство начального уровня Бестселлер прошлого года получил относительно небольшие изменения. Он также доступен в двух размерах (15,6 и 17,3 дюйма, IPS, FHD), зато теперь обе модели могут оснащаться новейшими мобильными видеокартами RTX 3060 или 3070. Legion 5 Pro — золотая середина для игр и рабочих задач «Прошка» выйдет в абсолютно новом дизайне: весь корпус будет сделан из металла. Новинка сможет похвастаться большим 16-дюймовым экраном с разрешением 2К (2560x1600), яркостью 500 нит и высокой частотой обновления 165 Гц. Legion 7 — главный игровой флагман На презентации этот лэптоп назвали самым мощным в истории линейки. Таким эпитетом он обязан своему железу — восьмиядерному AMD Ryzen и графике NVIDIA GeForce RTX поколения 3080 (по крайней мере, такая карта будет стоять в максимальной конфигурации). За охлаждение отвечает увеличенная испарительная камера.
咨询报名深圳摄影工作坊(12.31~1.4) 请加微信:hello-kato早安,我是叶梓,今天是摄影早自习陪伴大家的第1509天。在不久以前我们是聊过一些有关于于色域的问题,我们谈到说有两种常见色域,一种是sRGB,一种是Adobe RGB。sRGB的颜色数量比较少,所以如果你真的想保留照片里的绝大部分的颜色的话,我们更常用Adobe RGB。我当时还说过一件事,我说相机RAW格式拍照的时候,它记录的就是Adobe RGB级别的色彩,但是我们又知道把照片传到网上去的时候,更多的是转为sRGB来给别人看,为什么?因为别人的屏幕它不见得能显示Adobe RGB的色彩,别人看照片的图片浏览器或者是网页浏览器它不见得能支持Adobe RGB,所以它的颜色就会变得非常的怪异,跟你这头看到的就很不相同。所以原理就是这么个原理,但是在实操过程中我发现很多同学还是有一个很实际的问题要解决。有一位同学,这位同学不是杜撰的,但是我忘了他在哪问的我了,所以我找不到他那个问题。他问的大概意思就是说:我这头用Adobe RGB修完片子,然后我要给别人看一张、要传一张sRGB的照片给人家看,那我在存的时候,这么一存,再这么一展示,这个颜色就变了呀,到底应该怎么办?今天我就给你一个最简单不过的答案,就是把我的工作流程告诉你,这样我相信你就没什么问题了。我们有两步需要做,其实很简单,这两步是这样子的。选“编辑“菜单中的“颜色设置”第一是我们在Photoshop中,如果你想要在Adobe RGB的这一个色域空间下来修片,不想让自己的照片损失太多的色彩的调片过程中,那么你就可以做这么一件事,这是第一步:点顶部的“编辑”菜单,然后点击“颜色设置”菜单。RGB选项下拉选为“Adobe RGB(1998)”把它工作空间下边的第一个选项下拉选为“Adobe RGB(1998)”,选它就行了,然后点确定。那么今后你只要用Photoshop打开照片,它都是默认的用Adobe RGB的这一个色域空间来修这张片子,这是第一步。错误做法:选择“指定配置文件”第二步就是如果你这张照片修完了,修完以后你不是想把它转成sRGB的照片存下来吗,对吧?因为你要给别人看。那么如果你要转成sRGB的片子。有人是这么转的,就是点顶部的“编辑菜单”,然后下拉,在"颜色设置"下边有一个选项叫做"指定配置文件",然后在"指定配置文件"那里,你去选第三项sRGB,然后点确定。这么一确定以后你会发现颜色就变了,再存下来虽然是sRGB的图,但是颜色已经变了呀,跟你刚才的那个修片结果是相违背的,对不对?所以应该怎么办呢?你不要点刚才那个选项,那个叫“指定配置文件”那个选项你没发现吗,你点它的时候会弹出一个警告框,这警告框告诉你了,“它会影响图层外观”。它翻译的不太好,其实它就是会影响照片的颜色的观感。还确定吗?你点了确定的呀,所以这颜色就变了,这你不能怪它是不是,它已经警告过你了。正确做法:选择“转换为配置文件”所以我们正确的方法应该是这么做,就是点”编辑菜单“以后,下边有一个叫做”转换为配置文件“——我就是不强制指定一个色域,而是转换一个色域,把sRGB转成Adobe RGB或者是把Adobe RGB转成sRGB,不管怎么转,请你尽量保持我肉眼对颜色的那个观感是不太变化的,基本上是感觉不到那个变化的。配置文件选项下拉选为“sRGB IEC61966-2.1”所以这个时候你把配置文件下拉选成sRGB,然后你再点确定,你会发现这个图片它已经被转成了一个sRGB的图,从Adobe RGB转成了sRGB,但是观感上、颜色上没有发生大幅的变化,你就放心把它存下来,传给别人就好了。所以这是我教你的第二步,如果如果你实在是想要把这个照片存为sRGB的照片的话,那么你就应该使用”转换为配置文件“的菜单,而不是”指定配置文件“的菜单来进行色域的转换。好,大家现在最好就去试一下好不好?因为你试了一下以后,这个知识就变成你的知识了,如果你没试的话呢,我今天讲的这段语音就跟你听过的千百个什么网络音频、网络课一样,只是听到了而已,你根本就不会记得住的,在这种情况下碎片化的学习,真的不是学习。这也是为什么我反复给大家推荐我们的系统的在线课程以及线下课程的原因。顺带就把我们的广告带出来,在元旦期间我们将在深圳举办摄影工作坊,帮助你提升审美,突破瓶颈,创作完整的摄影作品。一共是五天时间的课程,感兴趣的话可以点击底部”阅读原文“,或者是看到底部的海报,戳二维码扫描它,你就可以看到课程的详细介绍,有什么问题都欢迎在那个页面里来找我们的课程顾问(微信:hello-kato)。另外别忘了,想连续听我们的摄影早自习节目的同学,可以在喜马拉雅关注我们的”摄影早自习“的官方账号,也别忘了给我们一个五星好评,让更多的人知道我们的存在。今天是摄影早自习陪伴大家的第1509天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
咨询报名深圳摄影工作坊(12.31~1.4) 请加微信:hello-kato早安,我是叶梓,今天是摄影早自习陪伴大家的第1509天。在不久以前我们是聊过一些有关于于色域的问题,我们谈到说有两种常见色域,一种是sRGB,一种是Adobe RGB。sRGB的颜色数量比较少,所以如果你真的想保留照片里的绝大部分的颜色的话,我们更常用Adobe RGB。我当时还说过一件事,我说相机RAW格式拍照的时候,它记录的就是Adobe RGB级别的色彩,但是我们又知道把照片传到网上去的时候,更多的是转为sRGB来给别人看,为什么?因为别人的屏幕它不见得能显示Adobe RGB的色彩,别人看照片的图片浏览器或者是网页浏览器它不见得能支持Adobe RGB,所以它的颜色就会变得非常的怪异,跟你这头看到的就很不相同。所以原理就是这么个原理,但是在实操过程中我发现很多同学还是有一个很实际的问题要解决。有一位同学,这位同学不是杜撰的,但是我忘了他在哪问的我了,所以我找不到他那个问题。他问的大概意思就是说:我这头用Adobe RGB修完片子,然后我要给别人看一张、要传一张sRGB的照片给人家看,那我在存的时候,这么一存,再这么一展示,这个颜色就变了呀,到底应该怎么办?今天我就给你一个最简单不过的答案,就是把我的工作流程告诉你,这样我相信你就没什么问题了。我们有两步需要做,其实很简单,这两步是这样子的。选“编辑“菜单中的“颜色设置”第一是我们在Photoshop中,如果你想要在Adobe RGB的这一个色域空间下来修片,不想让自己的照片损失太多的色彩的调片过程中,那么你就可以做这么一件事,这是第一步:点顶部的“编辑”菜单,然后点击“颜色设置”菜单。RGB选项下拉选为“Adobe RGB(1998)”把它工作空间下边的第一个选项下拉选为“Adobe RGB(1998)”,选它就行了,然后点确定。那么今后你只要用Photoshop打开照片,它都是默认的用Adobe RGB的这一个色域空间来修这张片子,这是第一步。错误做法:选择“指定配置文件”第二步就是如果你这张照片修完了,修完以后你不是想把它转成sRGB的照片存下来吗,对吧?因为你要给别人看。那么如果你要转成sRGB的片子。有人是这么转的,就是点顶部的“编辑菜单”,然后下拉,在"颜色设置"下边有一个选项叫做"指定配置文件",然后在"指定配置文件"那里,你去选第三项sRGB,然后点确定。这么一确定以后你会发现颜色就变了,再存下来虽然是sRGB的图,但是颜色已经变了呀,跟你刚才的那个修片结果是相违背的,对不对?所以应该怎么办呢?你不要点刚才那个选项,那个叫“指定配置文件”那个选项你没发现吗,你点它的时候会弹出一个警告框,这警告框告诉你了,“它会影响图层外观”。它翻译的不太好,其实它就是会影响照片的颜色的观感。还确定吗?你点了确定的呀,所以这颜色就变了,这你不能怪它是不是,它已经警告过你了。正确做法:选择“转换为配置文件”所以我们正确的方法应该是这么做,就是点”编辑菜单“以后,下边有一个叫做”转换为配置文件“——我就是不强制指定一个色域,而是转换一个色域,把sRGB转成Adobe RGB或者是把Adobe RGB转成sRGB,不管怎么转,请你尽量保持我肉眼对颜色的那个观感是不太变化的,基本上是感觉不到那个变化的。配置文件选项下拉选为“sRGB IEC61966-2.1”所以这个时候你把配置文件下拉选成sRGB,然后你再点确定,你会发现这个图片它已经被转成了一个sRGB的图,从Adobe RGB转成了sRGB,但是观感上、颜色上没有发生大幅的变化,你就放心把它存下来,传给别人就好了。所以这是我教你的第二步,如果如果你实在是想要把这个照片存为sRGB的照片的话,那么你就应该使用”转换为配置文件“的菜单,而不是”指定配置文件“的菜单来进行色域的转换。好,大家现在最好就去试一下好不好?因为你试了一下以后,这个知识就变成你的知识了,如果你没试的话呢,我今天讲的这段语音就跟你听过的千百个什么网络音频、网络课一样,只是听到了而已,你根本就不会记得住的,在这种情况下碎片化的学习,真的不是学习。这也是为什么我反复给大家推荐我们的系统的在线课程以及线下课程的原因。顺带就把我们的广告带出来,在元旦期间我们将在深圳举办摄影工作坊,帮助你提升审美,突破瓶颈,创作完整的摄影作品。一共是五天时间的课程,感兴趣的话可以点击底部”阅读原文“,或者是看到底部的海报,戳二维码扫描它,你就可以看到课程的详细介绍,有什么问题都欢迎在那个页面里来找我们的课程顾问(微信:hello-kato)。另外别忘了,想连续听我们的摄影早自习节目的同学,可以在喜马拉雅关注我们的”摄影早自习“的官方账号,也别忘了给我们一个五星好评,让更多的人知道我们的存在。今天是摄影早自习陪伴大家的第1509天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
今晚直播:关注微信公众号“摄影早自习”,回复"直播",即可进入直播详情页。Adobe RGB可以变成sRGB,但反过来却不行。早安,我是叶梓,今天是摄影早自习陪伴大家的第1482天。昨天我有发一个测评视频,是关于戴尔的XPS15的笔记本的,我中间就提到一个概念,说它的“屏幕色域”特别的广,Adobe RGB是轻松覆盖。这里就有一位叫西域的同学在后方留言,说他也是用的戴尔XPS系列,色域也是很广,但是他反而因此有了困扰,什么困扰呢?他把这个照片从他的屏上给别人看的时候,因为别人的屏可能是小的色域的,所以最后导致别人看到的色彩跟他自己看到的色彩很不一样,问我该怎么办?戴尔XPS15 9500那么这里我先要做个科普,让所有人都能听得懂我们在聊什么,因为摄影早自习的听众真的是从老到少,从男到女,从摄影爱好者到职业摄影师都有,所以我们还是大致解释一下,大家多点耐心。首先我们来了解一下什么叫色域。色域这个东西简单来讲就是颜色的丰富程度,比如说屏幕也好,还是相机也好,还是说打印机也好,它们每一个设备能够显示的、能够打印的或者是能够拍摄的色彩到底有多少种,色域越广,你能拍到色彩、显示的色彩就越多。那么Adobe RGB和sRGB哪个更大呢?显然是Adobe RGB,为什么?因为sRGB前面小写的“s”你可以把它理解为“small”——就是小的,它是个很小的色域,是个基础色域。我们在互联网上一般传照片啊,在浏览器上看照片啊,它一般支持的就是sRGB为主,那么我们的这个屏幕,我们一般说摄影人你要用这个屏幕——比如电脑屏幕、手机屏幕,它至少至少的也得支持sRGB色域,否则的话颜色能显示得太少。那你看的如果颜色不对,那你修的片就只能是越修越烂,所以我们一般说买屏幕最小要买sRGB色域。那Adobe RGB能记录的、能显示的颜色就会更多、更大。有人可能会觉得这个比较陌生,跟你没关系,但是实际上我们现在在产的几乎所有的相机,它们的RAW格式文件——就是那个无损不压缩的那个文件,它对色彩的记录能力就是Adobe RGB色域,它天生就有这个能力去把它给捕捉下来。好,那么现在就有个问题了,就是如果你的相机它是Adobe RGB色域而你用的屏幕是sRGB色域的话,那它拍到的颜色并不能完全的在屏幕上进行展示,是不是很浪费啊,所以我就一直推荐大家买Adobe RGB的屏幕嘛,对吧。戴尔XPS15 9500——就是我现在用的这台,它的色域是能够覆盖Adobe RGB色域的,那它跟相机能记录的色彩就能对应得上,显示起来就会更准一些,就是这么个意思。好,那么西域同学的困惑确实也就是从这儿来的,就是他虽然能拍Adobe RGB,也能显示Adobe RGB,修片也是用的Adobe RGB,但是最后他给别人看的时候,你发现别人的屏不是,别人的屏只有sRGB,这个听上去是有点尴尬的,对不对?你有这么多颜色,别人却只能显示那么多颜色,这中间当然就会有个色差了,颜色是不一样的了,那怎么办呢?你还别说,西域同学,你的这个做法其实是对的,就是你把你自己的屏先把色域调下来,把Adobe RGB调成sRGB,然后再来根据这个显示结果你来调片,然后输出给别人去看,最后别人看到的这个颜色就跟你调的想要的那个结果是一致的。那么这里就可能有的同学就发现一个问题了,就是我明明花那么多钱去买了一个有好屏幕的笔记本电脑,但是最后我为什么要把色域降下来用啊?我这是不是有点浪费啊?不是,为什么呢?你要从两个角度来想这件事情:第一,你的色域广,你可以委屈一下降低色域来用,但是如果你买的屏色域小,那么你是没有办法去将就一下调成一个大色域的屏来用的,明白吗?就是你有能力降低身价来使用,但是如果你本来就够不着的话,那你是不可能去看到准确的色彩的,这是第一点。第二点是我们这个屏它有了一个很广的色域,但最终它用哪个色域作为标准来调,是要看你最后这个照片做什么用途来决定的。比如说你这个照片就是要放到互联网上,那我们一般会按照sRGB来调色,为什么呢?因为很多浏览器它不支持Adobe RGB色域的显示,因为别人手里的手机和电脑咱们不能控制,我不知道他看到的是什么样的色彩,但是有一点是确定的,就是很多人可能都达不到Adobe RGB的色域,他们的显示器应该都是在sRGB色域附近。甚至我见过有一位同学,我的一个学生,它的电脑屏幕的色域居然只能覆盖到66%的sRGB,这是我见过的最小的色域了,那他的屏幕你让它勉强去显示Adobe RGB的色彩,那肯定会出很大的问题。所以为了适应一下大家,我降下来用。有的时候我们去输出也是一样的。比如说这个照片要打印,那我就要去问那个打印店:你那个打印机它的色域是多少?是sRGB还是Adobe RGB?当然了,打印机的色域其实有的时候不会用这两个来论,会用别的色域标准来论,但是不管怎么样,我们会问一句。然后他会说:你给我sRGB就够了,那我就把我的显示器调成sRGB来调色,然后最后给那个打印店去打印下来。如果我去找一个艺术微喷,这个机器很高级几十万块钱的打印机,然后我问他说:你那能不能输出、能不能覆盖的了Adobe RGB?他说能,那我就把这个屏幕放在Adobe RGB的色域下来进行调片,最后尽量的保证我看到的显示结果和我最后的打印结果是一致的。所以你的屏肯定是色域越广越好,因为广了以后你就更能够有权利放低身价去适应别人的色域标准,去输出你的照片,这个逻辑基本上就是这么回事。所以西域同学你提了一个困惑,最后歪打正着的你的做法却是完全正确的。有没有更好的方法?没有。主要是你要想通这个逻辑,你就是应该这么做的才对。但是你也要知道你要根据这个照片最终是干什么用,最终的输出或者显示设备是什么,来决定你这个照片到底应该在Adobe RGB还是在sRGB下去确定它最后的色彩。另外多说一句,一般我们即便是要把照片最后输出到sRGB的小色域里面去显示,我们也可能会在Adobe RGB的色域下进行修片,修完片最后我把显示器切到sRGB我再去做最后的一个调整,小幅度的一个调整。为什么呢?因为毕竟我们的相机已经记录了那么多种色彩,那我当然要在更广的色域下对它进行修片才能够尽量的保证这些色彩不损失。再顺便说一下,我们的photoshop里面其实有一个选项,它的位置是在编辑菜单里面有一个叫“颜色设置”的东西,在那个里面第一项“工作空间”—“RGB”那个选项里面,可以下拉选为Adobe RGB或者是其它的一个色域的工作空间。那么这里我建议大家,如果你的显示屏是只有sRGB的,把这个地方的选项选为sRGB的工作空间,如果你的屏幕的色彩是Adobe RGB的,色域比较广的,那你就把这个地方选为“Adobe RGB(1998)”这个选项,这样的话你看到了色彩会更准,修片的时候保留的色彩信息会更多。关于色彩科学的东西其实是一个挺复杂的学科,这个有机会我们以后再慢慢的聊,只不过因为可能不是所有人都需要学得这么深入,所以大家如果感兴趣的话,你们其实可以去网易云课堂搜索“色彩管理”这门课,是我讲的,那里面是讲得非常的系统、全面。今天我们就聊这么多,别忘了,今天晚上有直播课,又是免费的,而且今天晚上讲干货,讲怎么样去拍红叶。大家戳今天的微信公众号“摄影早自习”帖子底部的“阅读原文”进去就是我们的直播间,我在那里等着大家,jia咱们晚上8:00见。今天是摄影早自习陪伴大家的第1482天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
今晚直播:关注微信公众号“摄影早自习”,回复"直播",即可进入直播详情页。Adobe RGB可以变成sRGB,但反过来却不行。早安,我是叶梓,今天是摄影早自习陪伴大家的第1482天。昨天我有发一个测评视频,是关于戴尔的XPS15的笔记本的,我中间就提到一个概念,说它的“屏幕色域”特别的广,Adobe RGB是轻松覆盖。这里就有一位叫西域的同学在后方留言,说他也是用的戴尔XPS系列,色域也是很广,但是他反而因此有了困扰,什么困扰呢?他把这个照片从他的屏上给别人看的时候,因为别人的屏可能是小的色域的,所以最后导致别人看到的色彩跟他自己看到的色彩很不一样,问我该怎么办?戴尔XPS15 9500那么这里我先要做个科普,让所有人都能听得懂我们在聊什么,因为摄影早自习的听众真的是从老到少,从男到女,从摄影爱好者到职业摄影师都有,所以我们还是大致解释一下,大家多点耐心。首先我们来了解一下什么叫色域。色域这个东西简单来讲就是颜色的丰富程度,比如说屏幕也好,还是相机也好,还是说打印机也好,它们每一个设备能够显示的、能够打印的或者是能够拍摄的色彩到底有多少种,色域越广,你能拍到色彩、显示的色彩就越多。那么Adobe RGB和sRGB哪个更大呢?显然是Adobe RGB,为什么?因为sRGB前面小写的“s”你可以把它理解为“small”——就是小的,它是个很小的色域,是个基础色域。我们在互联网上一般传照片啊,在浏览器上看照片啊,它一般支持的就是sRGB为主,那么我们的这个屏幕,我们一般说摄影人你要用这个屏幕——比如电脑屏幕、手机屏幕,它至少至少的也得支持sRGB色域,否则的话颜色能显示得太少。那你看的如果颜色不对,那你修的片就只能是越修越烂,所以我们一般说买屏幕最小要买sRGB色域。那Adobe RGB能记录的、能显示的颜色就会更多、更大。有人可能会觉得这个比较陌生,跟你没关系,但是实际上我们现在在产的几乎所有的相机,它们的RAW格式文件——就是那个无损不压缩的那个文件,它对色彩的记录能力就是Adobe RGB色域,它天生就有这个能力去把它给捕捉下来。好,那么现在就有个问题了,就是如果你的相机它是Adobe RGB色域而你用的屏幕是sRGB色域的话,那它拍到的颜色并不能完全的在屏幕上进行展示,是不是很浪费啊,所以我就一直推荐大家买Adobe RGB的屏幕嘛,对吧。戴尔XPS15 9500——就是我现在用的这台,它的色域是能够覆盖Adobe RGB色域的,那它跟相机能记录的色彩就能对应得上,显示起来就会更准一些,就是这么个意思。好,那么西域同学的困惑确实也就是从这儿来的,就是他虽然能拍Adobe RGB,也能显示Adobe RGB,修片也是用的Adobe RGB,但是最后他给别人看的时候,你发现别人的屏不是,别人的屏只有sRGB,这个听上去是有点尴尬的,对不对?你有这么多颜色,别人却只能显示那么多颜色,这中间当然就会有个色差了,颜色是不一样的了,那怎么办呢?你还别说,西域同学,你的这个做法其实是对的,就是你把你自己的屏先把色域调下来,把Adobe RGB调成sRGB,然后再来根据这个显示结果你来调片,然后输出给别人去看,最后别人看到的这个颜色就跟你调的想要的那个结果是一致的。那么这里就可能有的同学就发现一个问题了,就是我明明花那么多钱去买了一个有好屏幕的笔记本电脑,但是最后我为什么要把色域降下来用啊?我这是不是有点浪费啊?不是,为什么呢?你要从两个角度来想这件事情:第一,你的色域广,你可以委屈一下降低色域来用,但是如果你买的屏色域小,那么你是没有办法去将就一下调成一个大色域的屏来用的,明白吗?就是你有能力降低身价来使用,但是如果你本来就够不着的话,那你是不可能去看到准确的色彩的,这是第一点。第二点是我们这个屏它有了一个很广的色域,但最终它用哪个色域作为标准来调,是要看你最后这个照片做什么用途来决定的。比如说你这个照片就是要放到互联网上,那我们一般会按照sRGB来调色,为什么呢?因为很多浏览器它不支持Adobe RGB色域的显示,因为别人手里的手机和电脑咱们不能控制,我不知道他看到的是什么样的色彩,但是有一点是确定的,就是很多人可能都达不到Adobe RGB的色域,他们的显示器应该都是在sRGB色域附近。甚至我见过有一位同学,我的一个学生,它的电脑屏幕的色域居然只能覆盖到66%的sRGB,这是我见过的最小的色域了,那他的屏幕你让它勉强去显示Adobe RGB的色彩,那肯定会出很大的问题。所以为了适应一下大家,我降下来用。有的时候我们去输出也是一样的。比如说这个照片要打印,那我就要去问那个打印店:你那个打印机它的色域是多少?是sRGB还是Adobe RGB?当然了,打印机的色域其实有的时候不会用这两个来论,会用别的色域标准来论,但是不管怎么样,我们会问一句。然后他会说:你给我sRGB就够了,那我就把我的显示器调成sRGB来调色,然后最后给那个打印店去打印下来。如果我去找一个艺术微喷,这个机器很高级几十万块钱的打印机,然后我问他说:你那能不能输出、能不能覆盖的了Adobe RGB?他说能,那我就把这个屏幕放在Adobe RGB的色域下来进行调片,最后尽量的保证我看到的显示结果和我最后的打印结果是一致的。所以你的屏肯定是色域越广越好,因为广了以后你就更能够有权利放低身价去适应别人的色域标准,去输出你的照片,这个逻辑基本上就是这么回事。所以西域同学你提了一个困惑,最后歪打正着的你的做法却是完全正确的。有没有更好的方法?没有。主要是你要想通这个逻辑,你就是应该这么做的才对。但是你也要知道你要根据这个照片最终是干什么用,最终的输出或者显示设备是什么,来决定你这个照片到底应该在Adobe RGB还是在sRGB下去确定它最后的色彩。另外多说一句,一般我们即便是要把照片最后输出到sRGB的小色域里面去显示,我们也可能会在Adobe RGB的色域下进行修片,修完片最后我把显示器切到sRGB我再去做最后的一个调整,小幅度的一个调整。为什么呢?因为毕竟我们的相机已经记录了那么多种色彩,那我当然要在更广的色域下对它进行修片才能够尽量的保证这些色彩不损失。再顺便说一下,我们的photoshop里面其实有一个选项,它的位置是在编辑菜单里面有一个叫“颜色设置”的东西,在那个里面第一项“工作空间”—“RGB”那个选项里面,可以下拉选为Adobe RGB或者是其它的一个色域的工作空间。那么这里我建议大家,如果你的显示屏是只有sRGB的,把这个地方的选项选为sRGB的工作空间,如果你的屏幕的色彩是Adobe RGB的,色域比较广的,那你就把这个地方选为“Adobe RGB(1998)”这个选项,这样的话你看到了色彩会更准,修片的时候保留的色彩信息会更多。关于色彩科学的东西其实是一个挺复杂的学科,这个有机会我们以后再慢慢的聊,只不过因为可能不是所有人都需要学得这么深入,所以大家如果感兴趣的话,你们其实可以去网易云课堂搜索“色彩管理”这门课,是我讲的,那里面是讲得非常的系统、全面。今天我们就聊这么多,别忘了,今天晚上有直播课,又是免费的,而且今天晚上讲干货,讲怎么样去拍红叶。大家戳今天的微信公众号“摄影早自习”帖子底部的“阅读原文”进去就是我们的直播间,我在那里等着大家,jia咱们晚上8:00见。今天是摄影早自习陪伴大家的第1482天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
今晚直播:关注微信公众号“摄影早自习”,回复"直播",即可进入直播详情页。Adobe RGB可以变成sRGB,但反过来却不行。早安,我是叶梓,今天是摄影早自习陪伴大家的第1482天。昨天我有发一个测评视频,是关于戴尔的XPS15的笔记本的,我中间就提到一个概念,说它的“屏幕色域”特别的广,Adobe RGB是轻松覆盖。这里就有一位叫西域的同学在后方留言,说他也是用的戴尔XPS系列,色域也是很广,但是他反而因此有了困扰,什么困扰呢?他把这个照片从他的屏上给别人看的时候,因为别人的屏可能是小的色域的,所以最后导致别人看到的色彩跟他自己看到的色彩很不一样,问我该怎么办?戴尔XPS15 9500那么这里我先要做个科普,让所有人都能听得懂我们在聊什么,因为摄影早自习的听众真的是从老到少,从男到女,从摄影爱好者到职业摄影师都有,所以我们还是大致解释一下,大家多点耐心。首先我们来了解一下什么叫色域。色域这个东西简单来讲就是颜色的丰富程度,比如说屏幕也好,还是相机也好,还是说打印机也好,它们每一个设备能够显示的、能够打印的或者是能够拍摄的色彩到底有多少种,色域越广,你能拍到色彩、显示的色彩就越多。那么Adobe RGB和sRGB哪个更大呢?显然是Adobe RGB,为什么?因为sRGB前面小写的“s”你可以把它理解为“small”——就是小的,它是个很小的色域,是个基础色域。我们在互联网上一般传照片啊,在浏览器上看照片啊,它一般支持的就是sRGB为主,那么我们的这个屏幕,我们一般说摄影人你要用这个屏幕——比如电脑屏幕、手机屏幕,它至少至少的也得支持sRGB色域,否则的话颜色能显示得太少。那你看的如果颜色不对,那你修的片就只能是越修越烂,所以我们一般说买屏幕最小要买sRGB色域。那Adobe RGB能记录的、能显示的颜色就会更多、更大。有人可能会觉得这个比较陌生,跟你没关系,但是实际上我们现在在产的几乎所有的相机,它们的RAW格式文件——就是那个无损不压缩的那个文件,它对色彩的记录能力就是Adobe RGB色域,它天生就有这个能力去把它给捕捉下来。好,那么现在就有个问题了,就是如果你的相机它是Adobe RGB色域而你用的屏幕是sRGB色域的话,那它拍到的颜色并不能完全的在屏幕上进行展示,是不是很浪费啊,所以我就一直推荐大家买Adobe RGB的屏幕嘛,对吧。戴尔XPS15 9500——就是我现在用的这台,它的色域是能够覆盖Adobe RGB色域的,那它跟相机能记录的色彩就能对应得上,显示起来就会更准一些,就是这么个意思。好,那么西域同学的困惑确实也就是从这儿来的,就是他虽然能拍Adobe RGB,也能显示Adobe RGB,修片也是用的Adobe RGB,但是最后他给别人看的时候,你发现别人的屏不是,别人的屏只有sRGB,这个听上去是有点尴尬的,对不对?你有这么多颜色,别人却只能显示那么多颜色,这中间当然就会有个色差了,颜色是不一样的了,那怎么办呢?你还别说,西域同学,你的这个做法其实是对的,就是你把你自己的屏先把色域调下来,把Adobe RGB调成sRGB,然后再来根据这个显示结果你来调片,然后输出给别人去看,最后别人看到的这个颜色就跟你调的想要的那个结果是一致的。那么这里就可能有的同学就发现一个问题了,就是我明明花那么多钱去买了一个有好屏幕的笔记本电脑,但是最后我为什么要把色域降下来用啊?我这是不是有点浪费啊?不是,为什么呢?你要从两个角度来想这件事情:第一,你的色域广,你可以委屈一下降低色域来用,但是如果你买的屏色域小,那么你是没有办法去将就一下调成一个大色域的屏来用的,明白吗?就是你有能力降低身价来使用,但是如果你本来就够不着的话,那你是不可能去看到准确的色彩的,这是第一点。第二点是我们这个屏它有了一个很广的色域,但最终它用哪个色域作为标准来调,是要看你最后这个照片做什么用途来决定的。比如说你这个照片就是要放到互联网上,那我们一般会按照sRGB来调色,为什么呢?因为很多浏览器它不支持Adobe RGB色域的显示,因为别人手里的手机和电脑咱们不能控制,我不知道他看到的是什么样的色彩,但是有一点是确定的,就是很多人可能都达不到Adobe RGB的色域,他们的显示器应该都是在sRGB色域附近。甚至我见过有一位同学,我的一个学生,它的电脑屏幕的色域居然只能覆盖到66%的sRGB,这是我见过的最小的色域了,那他的屏幕你让它勉强去显示Adobe RGB的色彩,那肯定会出很大的问题。所以为了适应一下大家,我降下来用。有的时候我们去输出也是一样的。比如说这个照片要打印,那我就要去问那个打印店:你那个打印机它的色域是多少?是sRGB还是Adobe RGB?当然了,打印机的色域其实有的时候不会用这两个来论,会用别的色域标准来论,但是不管怎么样,我们会问一句。然后他会说:你给我sRGB就够了,那我就把我的显示器调成sRGB来调色,然后最后给那个打印店去打印下来。如果我去找一个艺术微喷,这个机器很高级几十万块钱的打印机,然后我问他说:你那能不能输出、能不能覆盖的了Adobe RGB?他说能,那我就把这个屏幕放在Adobe RGB的色域下来进行调片,最后尽量的保证我看到的显示结果和我最后的打印结果是一致的。所以你的屏肯定是色域越广越好,因为广了以后你就更能够有权利放低身价去适应别人的色域标准,去输出你的照片,这个逻辑基本上就是这么回事。所以西域同学你提了一个困惑,最后歪打正着的你的做法却是完全正确的。有没有更好的方法?没有。主要是你要想通这个逻辑,你就是应该这么做的才对。但是你也要知道你要根据这个照片最终是干什么用,最终的输出或者显示设备是什么,来决定你这个照片到底应该在Adobe RGB还是在sRGB下去确定它最后的色彩。另外多说一句,一般我们即便是要把照片最后输出到sRGB的小色域里面去显示,我们也可能会在Adobe RGB的色域下进行修片,修完片最后我把显示器切到sRGB我再去做最后的一个调整,小幅度的一个调整。为什么呢?因为毕竟我们的相机已经记录了那么多种色彩,那我当然要在更广的色域下对它进行修片才能够尽量的保证这些色彩不损失。再顺便说一下,我们的photoshop里面其实有一个选项,它的位置是在编辑菜单里面有一个叫“颜色设置”的东西,在那个里面第一项“工作空间”—“RGB”那个选项里面,可以下拉选为Adobe RGB或者是其它的一个色域的工作空间。那么这里我建议大家,如果你的显示屏是只有sRGB的,把这个地方的选项选为sRGB的工作空间,如果你的屏幕的色彩是Adobe RGB的,色域比较广的,那你就把这个地方选为“Adobe RGB(1998)”这个选项,这样的话你看到了色彩会更准,修片的时候保留的色彩信息会更多。关于色彩科学的东西其实是一个挺复杂的学科,这个有机会我们以后再慢慢的聊,只不过因为可能不是所有人都需要学得这么深入,所以大家如果感兴趣的话,你们其实可以去网易云课堂搜索“色彩管理”这门课,是我讲的,那里面是讲得非常的系统、全面。今天我们就聊这么多,别忘了,今天晚上有直播课,又是免费的,而且今天晚上讲干货,讲怎么样去拍红叶。大家戳今天的微信公众号“摄影早自习”帖子底部的“阅读原文”进去就是我们的直播间,我在那里等着大家,jia咱们晚上8:00见。今天是摄影早自习陪伴大家的第1482天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
今晚直播:关注微信公众号“摄影早自习”,回复"直播",即可进入直播详情页。Adobe RGB可以变成sRGB,但反过来却不行。早安,我是叶梓,今天是摄影早自习陪伴大家的第1482天。昨天我有发一个测评视频,是关于戴尔的XPS15的笔记本的,我中间就提到一个概念,说它的“屏幕色域”特别的广,Adobe RGB是轻松覆盖。这里就有一位叫西域的同学在后方留言,说他也是用的戴尔XPS系列,色域也是很广,但是他反而因此有了困扰,什么困扰呢?他把这个照片从他的屏上给别人看的时候,因为别人的屏可能是小的色域的,所以最后导致别人看到的色彩跟他自己看到的色彩很不一样,问我该怎么办?戴尔XPS15 9500那么这里我先要做个科普,让所有人都能听得懂我们在聊什么,因为摄影早自习的听众真的是从老到少,从男到女,从摄影爱好者到职业摄影师都有,所以我们还是大致解释一下,大家多点耐心。首先我们来了解一下什么叫色域。色域这个东西简单来讲就是颜色的丰富程度,比如说屏幕也好,还是相机也好,还是说打印机也好,它们每一个设备能够显示的、能够打印的或者是能够拍摄的色彩到底有多少种,色域越广,你能拍到色彩、显示的色彩就越多。那么Adobe RGB和sRGB哪个更大呢?显然是Adobe RGB,为什么?因为sRGB前面小写的“s”你可以把它理解为“small”——就是小的,它是个很小的色域,是个基础色域。我们在互联网上一般传照片啊,在浏览器上看照片啊,它一般支持的就是sRGB为主,那么我们的这个屏幕,我们一般说摄影人你要用这个屏幕——比如电脑屏幕、手机屏幕,它至少至少的也得支持sRGB色域,否则的话颜色能显示得太少。那你看的如果颜色不对,那你修的片就只能是越修越烂,所以我们一般说买屏幕最小要买sRGB色域。那Adobe RGB能记录的、能显示的颜色就会更多、更大。有人可能会觉得这个比较陌生,跟你没关系,但是实际上我们现在在产的几乎所有的相机,它们的RAW格式文件——就是那个无损不压缩的那个文件,它对色彩的记录能力就是Adobe RGB色域,它天生就有这个能力去把它给捕捉下来。好,那么现在就有个问题了,就是如果你的相机它是Adobe RGB色域而你用的屏幕是sRGB色域的话,那它拍到的颜色并不能完全的在屏幕上进行展示,是不是很浪费啊,所以我就一直推荐大家买Adobe RGB的屏幕嘛,对吧。戴尔XPS15 9500——就是我现在用的这台,它的色域是能够覆盖Adobe RGB色域的,那它跟相机能记录的色彩就能对应得上,显示起来就会更准一些,就是这么个意思。好,那么西域同学的困惑确实也就是从这儿来的,就是他虽然能拍Adobe RGB,也能显示Adobe RGB,修片也是用的Adobe RGB,但是最后他给别人看的时候,你发现别人的屏不是,别人的屏只有sRGB,这个听上去是有点尴尬的,对不对?你有这么多颜色,别人却只能显示那么多颜色,这中间当然就会有个色差了,颜色是不一样的了,那怎么办呢?你还别说,西域同学,你的这个做法其实是对的,就是你把你自己的屏先把色域调下来,把Adobe RGB调成sRGB,然后再来根据这个显示结果你来调片,然后输出给别人去看,最后别人看到的这个颜色就跟你调的想要的那个结果是一致的。那么这里就可能有的同学就发现一个问题了,就是我明明花那么多钱去买了一个有好屏幕的笔记本电脑,但是最后我为什么要把色域降下来用啊?我这是不是有点浪费啊?不是,为什么呢?你要从两个角度来想这件事情:第一,你的色域广,你可以委屈一下降低色域来用,但是如果你买的屏色域小,那么你是没有办法去将就一下调成一个大色域的屏来用的,明白吗?就是你有能力降低身价来使用,但是如果你本来就够不着的话,那你是不可能去看到准确的色彩的,这是第一点。第二点是我们这个屏它有了一个很广的色域,但最终它用哪个色域作为标准来调,是要看你最后这个照片做什么用途来决定的。比如说你这个照片就是要放到互联网上,那我们一般会按照sRGB来调色,为什么呢?因为很多浏览器它不支持Adobe RGB色域的显示,因为别人手里的手机和电脑咱们不能控制,我不知道他看到的是什么样的色彩,但是有一点是确定的,就是很多人可能都达不到Adobe RGB的色域,他们的显示器应该都是在sRGB色域附近。甚至我见过有一位同学,我的一个学生,它的电脑屏幕的色域居然只能覆盖到66%的sRGB,这是我见过的最小的色域了,那他的屏幕你让它勉强去显示Adobe RGB的色彩,那肯定会出很大的问题。所以为了适应一下大家,我降下来用。有的时候我们去输出也是一样的。比如说这个照片要打印,那我就要去问那个打印店:你那个打印机它的色域是多少?是sRGB还是Adobe RGB?当然了,打印机的色域其实有的时候不会用这两个来论,会用别的色域标准来论,但是不管怎么样,我们会问一句。然后他会说:你给我sRGB就够了,那我就把我的显示器调成sRGB来调色,然后最后给那个打印店去打印下来。如果我去找一个艺术微喷,这个机器很高级几十万块钱的打印机,然后我问他说:你那能不能输出、能不能覆盖的了Adobe RGB?他说能,那我就把这个屏幕放在Adobe RGB的色域下来进行调片,最后尽量的保证我看到的显示结果和我最后的打印结果是一致的。所以你的屏肯定是色域越广越好,因为广了以后你就更能够有权利放低身价去适应别人的色域标准,去输出你的照片,这个逻辑基本上就是这么回事。所以西域同学你提了一个困惑,最后歪打正着的你的做法却是完全正确的。有没有更好的方法?没有。主要是你要想通这个逻辑,你就是应该这么做的才对。但是你也要知道你要根据这个照片最终是干什么用,最终的输出或者显示设备是什么,来决定你这个照片到底应该在Adobe RGB还是在sRGB下去确定它最后的色彩。另外多说一句,一般我们即便是要把照片最后输出到sRGB的小色域里面去显示,我们也可能会在Adobe RGB的色域下进行修片,修完片最后我把显示器切到sRGB我再去做最后的一个调整,小幅度的一个调整。为什么呢?因为毕竟我们的相机已经记录了那么多种色彩,那我当然要在更广的色域下对它进行修片才能够尽量的保证这些色彩不损失。再顺便说一下,我们的photoshop里面其实有一个选项,它的位置是在编辑菜单里面有一个叫“颜色设置”的东西,在那个里面第一项“工作空间”—“RGB”那个选项里面,可以下拉选为Adobe RGB或者是其它的一个色域的工作空间。那么这里我建议大家,如果你的显示屏是只有sRGB的,把这个地方的选项选为sRGB的工作空间,如果你的屏幕的色彩是Adobe RGB的,色域比较广的,那你就把这个地方选为“Adobe RGB(1998)”这个选项,这样的话你看到了色彩会更准,修片的时候保留的色彩信息会更多。关于色彩科学的东西其实是一个挺复杂的学科,这个有机会我们以后再慢慢的聊,只不过因为可能不是所有人都需要学得这么深入,所以大家如果感兴趣的话,你们其实可以去网易云课堂搜索“色彩管理”这门课,是我讲的,那里面是讲得非常的系统、全面。今天我们就聊这么多,别忘了,今天晚上有直播课,又是免费的,而且今天晚上讲干货,讲怎么样去拍红叶。大家戳今天的微信公众号“摄影早自习”帖子底部的“阅读原文”进去就是我们的直播间,我在那里等着大家,jia咱们晚上8:00见。今天是摄影早自习陪伴大家的第1482天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
【加入摄影早自习群】加叶梓私人微信:nihaoyelaoshi(暗号:喜马拉雅)11.11剁手指南又双叒来啦……你想买什么摄影器材?请在下方留言告诉我。早安,我是叶梓,今天是摄影早自习陪伴大家的第1474天。有位叫海峰的同学问我说怎么样去选修图的显示器?其实我们在早自习第1365天的时候是有谈过这个事的,这个链接我也放在下面。当时我跟大家说选显示器有三个特别重要的值:第一个是色域,第二个是色准,第三个是均度。就是说它的色域够不够广,能不能显示那么多色彩以及色彩显示的准不准,最后就是是不是这个屏幕的每一个区域都显示的一样准,这三个参数给到你。那么今天我首先想补充一下色域的问题。因为海峰特别提到他平时用sRGB好像就够了,输出的话也是从sRGB(输出),但是我依然非常强烈的推荐大家在选修图用的显示器的时候,尽量先选AdobeRGB色域的显示器,因为它的颜色能显示的更多。这个不仅是对你最后输出的文件的准度有影响,最重要的是它其实对你照片处理过程也有影响。你想象一下,如果你在处理照片的时候,整个屏幕能显示更丰富的色彩,能有更大的范围让你去调色彩,那这显然是一件好事,能让你的画质能更好一些,色彩的调整更出色。更何况你的相机如果是用RAW格式拍照的话,它其实记录的就是AdobeRGB的色域,也就是说它记录色彩足够多。你到了一个只能显示sRGB的屏幕上,其实你是浪费了这一部分的色彩的,你看不到它们,那你根本不知道怎么去调整它。所以我是还是强烈建议大家一定要选AdobeRGB色域的屏幕,这是第一件事。第二个,我们就来谈谈显示器的其它几个维度,是很容易被人忽视的维度。首先,有的同学前段时间正好在买 iMac——一体的苹果机,然后问我说:我到底应该买多大的尺寸的?最后他好像买的是27英寸吧,好像有这么一种尺寸。我用的艺卓CG319X为31.1英寸在显示器的选择上其实也是这样子的,到底买多大的尺寸,这个很多同学可能会有一个疑问,我是这么来建议你:现在比较大的修图显示器,你比如说我面前这台艺卓319X,它的大小是31英寸,那么有的显示器可能是32英寸,但其实差不了多少,像这么大的屏幕,它适合在多远的距离上使用呢?大概是1米甚至更远一点点1米1左右的位置,在这个角度上看起来它相对比较舒服。如果摆得很近,比如说你要把这个显示器摆到你桌上,而不是桌子以外的距离上的话,或者你桌面不够大,那么就很可能会出现显示器距离你只有70厘米,这个时候你要用三十几寸的显示器,那你得拧着脖子去看你的照片。用photoshop的时候,看工具栏得把整个头拧到左边来,看后面图层菜单得把脖子拧到右边去,这样的话是很累的,知道吧,修图修的你头晕。所以大显示器的一定要摆得很远,大家可以量一下自己的桌子,能不能把显示器摆在1米开外去,在我的办公桌上是做不到的,所以我的显示器是单独放在另外一个高脚的椅子上推在我的桌面以外的一个距离上,摆在那里的,桌子上是肯定摆不下,这是31英寸的显示器。如果你要放在桌面上,一般来说我们放家里桌面够大的话,可以买27英寸显示器。如果你的桌子属于那种比较窄的,深度比较不够深的那种桌子的话,我建议你买21英寸左右的显示器,可能在比如说70厘米以内,你用21英寸显示器其实是够的。那么至于它的总分辨率要是多少会比较合适,这个大家也比较关心。不懂的人就天天想4k、4k、4k,这个其实是商家宣传手段,把这个4k搞的显得很重要,但其实是啦,有4k当然很好,但是其实2k基本上是够用的,我可以这么跟大家讲,这是实际的一个使用体验下来。因为4k在一个屏幕上就意味着它的像素密度极高,理论上是更清晰了,但是因为你和屏幕之间有一定的距离,所以像素密度大成那样子,其实你是没法用的,因为它会导致每一个字都变得特别的小。怎么办呢?你就只好在电脑的系统里面把分辨率人为降低,一个4k屏降到2k屏再来使用它,哦,终于舒服了。那我请问,你浪费那2k的钱去干什么用呢,对不对?因为4k屏肯定比2k的要贵呀,所以我是建议大家首选是2k的分辨率,使用起来其实你根本就看不到什么像素点,换言之就是看到的照片都足够的清晰。艺卓CG319X自带的可拆卸遮光罩最后如果你的显示器厂商自己配有、自己带有或者是附赠了一种叫做遮光罩的东西,那是再好不过了,是典型的专业显示的标配。因为这个遮光罩可以帮你挡去屋里的其它部分的杂光,避免这些光线的色温,或者是它的屏闪,或者是它的亮度,对你观看显示器造成一些偏差,造成一些影响。因为人的眼睛是会自动适应环境色温的,它有一个很高级的白平衡和自动曝光功能。当你适应了环境上的光线,你的屏幕发出的光就可能会有偏差,所以它尽量罩住你的视野,不让强光影响你的屏幕,用过遮光罩的都说好。好吧,所以今天我们就强调了一件事,然后提出了三个新的选择指标。强调的是选显示器最好还是要AdobeRGB色域。这三个新的指标分别是:如果你(与显示器的)距离在1米开外,可以买31英寸、32英寸的显示器,如果是1米内,最好买27英寸的显示器,如果70厘米甚至更近,最好买21英寸左右的显示器。第二个指标是它的分辨率其实不管是哪一个尺寸的,基本上是2k就够用。你实在预算多再上4k我不拦着你,当然是多一点的有多一点的好处,今天我们就不展开讲。最后一个指标就是你尽量要去买那种带有原生的遮光罩的显示器,因为你在淘宝上再去买一些第三方产的遮光罩,说实话真的不好用,特别是对于我这种洁癖的人来说,那东西又吸灰又软塌塌,用起来真的不是很方便,用一个绑带把它绑在你的显示器的背面,看上去非常非常的将就。好吧,今天我们就简单先聊这么多。临近“11.11”,我们将在8号的晚上8:00,会有一场“11.11摄影人剁手指南”的直播讲座,这个我们坚持好多年了,有很多新装备要秀给大家,会很有趣,大家可以到时候关注我们的微信公众号“摄影早自习”,点底部“阅读原文”就能参加,是11月8号晚上。另外我们还在11月10号晚上有另一场有关于“11.11”的直播,到时候我们也是在公众号里公布。如果你有什么想剁手的问题犹豫不决的,都欢迎在底部向我留言,我会尽力为你解答。今天是摄影早自习陪伴大家的第1474天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
【加入摄影早自习群】加叶梓私人微信:nihaoyelaoshi(暗号:喜马拉雅)11.11剁手指南又双叒来啦……你想买什么摄影器材?请在下方留言告诉我。早安,我是叶梓,今天是摄影早自习陪伴大家的第1474天。有位叫海峰的同学问我说怎么样去选修图的显示器?其实我们在早自习第1365天的时候是有谈过这个事的,这个链接我也放在下面。当时我跟大家说选显示器有三个特别重要的值:第一个是色域,第二个是色准,第三个是均度。就是说它的色域够不够广,能不能显示那么多色彩以及色彩显示的准不准,最后就是是不是这个屏幕的每一个区域都显示的一样准,这三个参数给到你。那么今天我首先想补充一下色域的问题。因为海峰特别提到他平时用sRGB好像就够了,输出的话也是从sRGB(输出),但是我依然非常强烈的推荐大家在选修图用的显示器的时候,尽量先选AdobeRGB色域的显示器,因为它的颜色能显示的更多。这个不仅是对你最后输出的文件的准度有影响,最重要的是它其实对你照片处理过程也有影响。你想象一下,如果你在处理照片的时候,整个屏幕能显示更丰富的色彩,能有更大的范围让你去调色彩,那这显然是一件好事,能让你的画质能更好一些,色彩的调整更出色。更何况你的相机如果是用RAW格式拍照的话,它其实记录的就是AdobeRGB的色域,也就是说它记录色彩足够多。你到了一个只能显示sRGB的屏幕上,其实你是浪费了这一部分的色彩的,你看不到它们,那你根本不知道怎么去调整它。所以我是还是强烈建议大家一定要选AdobeRGB色域的屏幕,这是第一件事。第二个,我们就来谈谈显示器的其它几个维度,是很容易被人忽视的维度。首先,有的同学前段时间正好在买 iMac——一体的苹果机,然后问我说:我到底应该买多大的尺寸的?最后他好像买的是27英寸吧,好像有这么一种尺寸。我用的艺卓CG319X为31.1英寸在显示器的选择上其实也是这样子的,到底买多大的尺寸,这个很多同学可能会有一个疑问,我是这么来建议你:现在比较大的修图显示器,你比如说我面前这台艺卓319X,它的大小是31英寸,那么有的显示器可能是32英寸,但其实差不了多少,像这么大的屏幕,它适合在多远的距离上使用呢?大概是1米甚至更远一点点1米1左右的位置,在这个角度上看起来它相对比较舒服。如果摆得很近,比如说你要把这个显示器摆到你桌上,而不是桌子以外的距离上的话,或者你桌面不够大,那么就很可能会出现显示器距离你只有70厘米,这个时候你要用三十几寸的显示器,那你得拧着脖子去看你的照片。用photoshop的时候,看工具栏得把整个头拧到左边来,看后面图层菜单得把脖子拧到右边去,这样的话是很累的,知道吧,修图修的你头晕。所以大显示器的一定要摆得很远,大家可以量一下自己的桌子,能不能把显示器摆在1米开外去,在我的办公桌上是做不到的,所以我的显示器是单独放在另外一个高脚的椅子上推在我的桌面以外的一个距离上,摆在那里的,桌子上是肯定摆不下,这是31英寸的显示器。如果你要放在桌面上,一般来说我们放家里桌面够大的话,可以买27英寸显示器。如果你的桌子属于那种比较窄的,深度比较不够深的那种桌子的话,我建议你买21英寸左右的显示器,可能在比如说70厘米以内,你用21英寸显示器其实是够的。那么至于它的总分辨率要是多少会比较合适,这个大家也比较关心。不懂的人就天天想4k、4k、4k,这个其实是商家宣传手段,把这个4k搞的显得很重要,但其实是啦,有4k当然很好,但是其实2k基本上是够用的,我可以这么跟大家讲,这是实际的一个使用体验下来。因为4k在一个屏幕上就意味着它的像素密度极高,理论上是更清晰了,但是因为你和屏幕之间有一定的距离,所以像素密度大成那样子,其实你是没法用的,因为它会导致每一个字都变得特别的小。怎么办呢?你就只好在电脑的系统里面把分辨率人为降低,一个4k屏降到2k屏再来使用它,哦,终于舒服了。那我请问,你浪费那2k的钱去干什么用呢,对不对?因为4k屏肯定比2k的要贵呀,所以我是建议大家首选是2k的分辨率,使用起来其实你根本就看不到什么像素点,换言之就是看到的照片都足够的清晰。艺卓CG319X自带的可拆卸遮光罩最后如果你的显示器厂商自己配有、自己带有或者是附赠了一种叫做遮光罩的东西,那是再好不过了,是典型的专业显示的标配。因为这个遮光罩可以帮你挡去屋里的其它部分的杂光,避免这些光线的色温,或者是它的屏闪,或者是它的亮度,对你观看显示器造成一些偏差,造成一些影响。因为人的眼睛是会自动适应环境色温的,它有一个很高级的白平衡和自动曝光功能。当你适应了环境上的光线,你的屏幕发出的光就可能会有偏差,所以它尽量罩住你的视野,不让强光影响你的屏幕,用过遮光罩的都说好。好吧,所以今天我们就强调了一件事,然后提出了三个新的选择指标。强调的是选显示器最好还是要AdobeRGB色域。这三个新的指标分别是:如果你(与显示器的)距离在1米开外,可以买31英寸、32英寸的显示器,如果是1米内,最好买27英寸的显示器,如果70厘米甚至更近,最好买21英寸左右的显示器。第二个指标是它的分辨率其实不管是哪一个尺寸的,基本上是2k就够用。你实在预算多再上4k我不拦着你,当然是多一点的有多一点的好处,今天我们就不展开讲。最后一个指标就是你尽量要去买那种带有原生的遮光罩的显示器,因为你在淘宝上再去买一些第三方产的遮光罩,说实话真的不好用,特别是对于我这种洁癖的人来说,那东西又吸灰又软塌塌,用起来真的不是很方便,用一个绑带把它绑在你的显示器的背面,看上去非常非常的将就。好吧,今天我们就简单先聊这么多。临近“11.11”,我们将在8号的晚上8:00,会有一场“11.11摄影人剁手指南”的直播讲座,这个我们坚持好多年了,有很多新装备要秀给大家,会很有趣,大家可以到时候关注我们的微信公众号“摄影早自习”,点底部“阅读原文”就能参加,是11月8号晚上。另外我们还在11月10号晚上有另一场有关于“11.11”的直播,到时候我们也是在公众号里公布。如果你有什么想剁手的问题犹豫不决的,都欢迎在底部向我留言,我会尽力为你解答。今天是摄影早自习陪伴大家的第1474天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
The effect of duotones and tritones is subtle but powerful. With the new Lightroom tri-tone coming soon, the only caution is to watch out for how an sRGB color space can give you unwanted results.
En la sexta lección del curso de iniciación a la fotografía digital, hablaremos de la imagen, y tenemos que distinguir entre varios factores que pueden afectar a la misma, o por lo menos al resultado. Uno de estos factores es el perfil de color, distinguiendo entre espacios de colores con un rango más bajo, como el sRGB o más amplios, como el Adobe RGB, y explicaremos qué configuración es la más idónea en función del soporte donde vayamos a ver o tratar nuestras fotografías. Otro factor que trataremos es la calidad de la imagen. Explicaremos qué son las aberraciones en fotografía, qué tipos de aberraciones son los más comunes (cromática, esférica, de coma…); y haremos una mención especial al viñeteo, propiedad innata de todo objetivo. Hablaremos también sobre el rendimiento de los sistemas ópticos y explicaremos cómo leer sus gráficos. Por último, haremos especial hincapié en la difracción, fenómeno que afecta a cualquier onda que choque contra un obstáculo, y veremos cómo nos influye a la hora de realizar nuestras fotografías.
色相、明度和纯度分别对应着色温、曝光补偿和色彩模式,找到问题才能找到解决方案。早安,我是叶梓,今天是摄影早自习陪伴大家的第1423天。昨天我们有聊到显示器的色差问题和怎么去校准它的问题,我也看到同学们都在后方留言,我就简单的先做一个回复,然后再讲今天的新的知识点。首先“No speak”同学他问校色仪能不能修正显示器的白平衡?当然能啦,因为白平衡就是色差的一部分。你看“AntidoteB ”同学他就校了他的显示器的色温问题,不过他觉得他用蜘蛛校色仪校完笔记本电脑屏幕以后,感觉屏幕突然偏黄了,不知道准不准。我明确回答他,我说你的笔记本电脑屏幕校准前应该是偏蓝的,你当时看习惯了偏蓝的画面,所以现在校到准确的白平衡上,你却认为它偏黄了,现在才是准的。“小庄”这个问题是比较有代表性的,他说他笔记本电脑的屏幕色域并不大,是百分百的sRGB,但他买了一个Adobe RGB的外接的显示器,他大概的意思就是说这两个机子连在一起的时候有没有什么问题,笔记本能不能支持Adobe RGB色域?实际上是这样子的,一个照片它里面的颜色到底是sRGB色域还是Adobe RGB色域,它其实就是个色值的问题,写在文件里面就完事了,所以不存在什么不支持Adobe RGB的电脑,不存在这么回事。你真正要关心的其实是你用来打开这张照片的软件它支不支持Adobe RGB色域,比如说Windows里的一些杂七杂八的看图软件,你让它打开Adobe RGB的图片的时候,它的颜色可能真的会发生很大的变化,它可能根本就不支持Adobe RGB的色域照片的显示。但是如果你用专业软件,比如说Lightroom、Photoshop这种软件打开照片的时候,只要你Photoshop的色域空间设的就是Adobe RGB的色域,那你打开它呢就肯定是按照那个来显示。当然电脑要求屏幕按这个显示,但你的屏幕支不支持Adobe RGB色域就是另一码事了。如果你的屏幕色域小,就像你电脑自带那个屏幕一样,它可能就会显示为sRGB的色彩,它是经过了一些转换的,但是你这台笔记本连在了一个Adobe RGB的色域的显示器上的话,肯定是能够充分的用上显示器的色域空间的,不用担心。好,那昨天的问题我们就简单的回答到这里。今天我们继续来做有关色彩管理的一个科普知识。有人可能对颜色这个东西是相当的不敏感的,这不怪大家,因为我们从来就缺这个方面的教育。今天我想告诉你的就是,颜色这个东西我们要形容它或者说要准确的去定义它,一般有三个维度,这三个维度分别是色相、明度和纯度。色相 © 叶梓色相最好理解,就是你这个颜色是红橙黄绿青蓝紫,还是介于它们中间的某种颜色.比如说红橙之间我们可以叫橙红,橙和黄之间我们叫橙黄,蓝和绿之间我们叫青,青和绿之间叫青绿或者是青蓝,我们给这些颜色取了一些名字,这个是叫做色相。红色的明度变化 © 叶梓而明度指的是颜色的亮度,比如说红里面分粉红、深红,其实就是浅红、深红。浅红就是这个红比较偏白,深红就是红比较偏黑。这里我提一句,粉红和深红绝对不能算是色相,因为它们本质上跟大红都是同一种东西,都叫做红。另外不管什么颜色,不管它的色相是什么,明度到最高都是白,明度调到最低都是黑。好,这个是明度上的变化。红色的纯度变化 © 叶梓最后我们来看纯度,这是色彩的第三个维度。纯度是什么意思呢,就是鲜艳程度。越高的纯度的颜色就越接近纯色,就比如说红橙黄绿青蓝紫这都是纯色,国旗的红,这是一种纯度很高很高的红。纯度偏低是什么样子的?就像我们的肤色。我们的肤色我们老说黄种人黄种人,实际上它是一种橙黄色,或者说橙色,但是纯度很低很低,低到几乎你都分辨不出原本的色相来。那不难想象的纯度降到底以后,所有的颜色就会变成灰色。当然每一种色相所对应的灰还不一样,比如说紫色,它对应的是深灰,如果是把黄色的纯度降到最低,它其实对应的是一个浅灰色。你看我们现在有了三个色彩的维度,色相、明度和纯度,这三者结合起来就可以形容这个世界上一切的色彩,它可以给每个色彩以定义。这个知识点跟我们摄影又有什么关系呢?太有关系了。比如说如果你照片拍出来色相偏蓝或偏黄,你应该在白平衡里去调整,使得它回到正常值:正常色彩 © 叶梓白平衡偏低 © 叶梓白平衡偏高 © 叶梓如果你的照片的色彩的明度有偏差,偏浅或者偏深,你就应该在曝光补偿上去做调整:正常色彩 © 叶梓曝光偏高 © 叶梓曝光偏低 © 叶梓如果你拍出来照片是纯度上有偏差,那你应该在你的相机里面去找找看,颜色的风格是不是调到了鲜艳模式或者是所谓的安全模式(就是非常发灰的一种模式):通过分辨你的照片到底是在色彩的哪一个维度上出了问题,我们就可以对应的找到解决的方案。这个听上去是比较简单的事,但实际上真实的世界比这个要复杂得多。我们的相机它拍出来颜色还不见得统一都会偏蓝或偏黄,也不会统一的偏亮或偏暗,偏艳或偏灰,它们所有的颜色可能各自有各自的色彩的偏差,它们的方向和程度都各不相同。那这样一来我们就没法简单的去校准它了,就要借助类似于DatacolorSpyderCheckr这样的标准色卡来探知你的相机的各个颜色的偏色程度,并且在软件中来进行反向的校准。这个具体的做法我们今天就不讨论了,今天最重要的想告诉大家的知识点是两点:第一,色彩有色相、明度和纯度三个维度。第二,相机在拍摄一个事物的时候,通常会在这三个维度上同时发生各个方向、各个程度的偏差,而要校准这种偏差,你可能需要的是色彩管理的知识和工具。今天我们就简单的先聊到这里,色彩管理的课丢在了微信公众号“摄影早自习”下方的“阅读原文”里,你们可以自己去了解一下。有什么想聊的、想问的都可以在底部向我留言,我都能看得到,喜欢早自习的请点亮“在看”。今天是摄影早自习陪伴大家的第1423天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
色相、明度和纯度分别对应着色温、曝光补偿和色彩模式,找到问题才能找到解决方案。早安,我是叶梓,今天是摄影早自习陪伴大家的第1423天。昨天我们有聊到显示器的色差问题和怎么去校准它的问题,我也看到同学们都在后方留言,我就简单的先做一个回复,然后再讲今天的新的知识点。首先“No speak”同学他问校色仪能不能修正显示器的白平衡?当然能啦,因为白平衡就是色差的一部分。你看“AntidoteB ”同学他就校了他的显示器的色温问题,不过他觉得他用蜘蛛校色仪校完笔记本电脑屏幕以后,感觉屏幕突然偏黄了,不知道准不准。我明确回答他,我说你的笔记本电脑屏幕校准前应该是偏蓝的,你当时看习惯了偏蓝的画面,所以现在校到准确的白平衡上,你却认为它偏黄了,现在才是准的。“小庄”这个问题是比较有代表性的,他说他笔记本电脑的屏幕色域并不大,是百分百的sRGB,但他买了一个Adobe RGB的外接的显示器,他大概的意思就是说这两个机子连在一起的时候有没有什么问题,笔记本能不能支持Adobe RGB色域?实际上是这样子的,一个照片它里面的颜色到底是sRGB色域还是Adobe RGB色域,它其实就是个色值的问题,写在文件里面就完事了,所以不存在什么不支持Adobe RGB的电脑,不存在这么回事。你真正要关心的其实是你用来打开这张照片的软件它支不支持Adobe RGB色域,比如说Windows里的一些杂七杂八的看图软件,你让它打开Adobe RGB的图片的时候,它的颜色可能真的会发生很大的变化,它可能根本就不支持Adobe RGB的色域照片的显示。但是如果你用专业软件,比如说Lightroom、Photoshop这种软件打开照片的时候,只要你Photoshop的色域空间设的就是Adobe RGB的色域,那你打开它呢就肯定是按照那个来显示。当然电脑要求屏幕按这个显示,但你的屏幕支不支持Adobe RGB色域就是另一码事了。如果你的屏幕色域小,就像你电脑自带那个屏幕一样,它可能就会显示为sRGB的色彩,它是经过了一些转换的,但是你这台笔记本连在了一个Adobe RGB的色域的显示器上的话,肯定是能够充分的用上显示器的色域空间的,不用担心。好,那昨天的问题我们就简单的回答到这里。今天我们继续来做有关色彩管理的一个科普知识。有人可能对颜色这个东西是相当的不敏感的,这不怪大家,因为我们从来就缺这个方面的教育。今天我想告诉你的就是,颜色这个东西我们要形容它或者说要准确的去定义它,一般有三个维度,这三个维度分别是色相、明度和纯度。色相 © 叶梓色相最好理解,就是你这个颜色是红橙黄绿青蓝紫,还是介于它们中间的某种颜色.比如说红橙之间我们可以叫橙红,橙和黄之间我们叫橙黄,蓝和绿之间我们叫青,青和绿之间叫青绿或者是青蓝,我们给这些颜色取了一些名字,这个是叫做色相。红色的明度变化 © 叶梓而明度指的是颜色的亮度,比如说红里面分粉红、深红,其实就是浅红、深红。浅红就是这个红比较偏白,深红就是红比较偏黑。这里我提一句,粉红和深红绝对不能算是色相,因为它们本质上跟大红都是同一种东西,都叫做红。另外不管什么颜色,不管它的色相是什么,明度到最高都是白,明度调到最低都是黑。好,这个是明度上的变化。红色的纯度变化 © 叶梓最后我们来看纯度,这是色彩的第三个维度。纯度是什么意思呢,就是鲜艳程度。越高的纯度的颜色就越接近纯色,就比如说红橙黄绿青蓝紫这都是纯色,国旗的红,这是一种纯度很高很高的红。纯度偏低是什么样子的?就像我们的肤色。我们的肤色我们老说黄种人黄种人,实际上它是一种橙黄色,或者说橙色,但是纯度很低很低,低到几乎你都分辨不出原本的色相来。那不难想象的纯度降到底以后,所有的颜色就会变成灰色。当然每一种色相所对应的灰还不一样,比如说紫色,它对应的是深灰,如果是把黄色的纯度降到最低,它其实对应的是一个浅灰色。你看我们现在有了三个色彩的维度,色相、明度和纯度,这三者结合起来就可以形容这个世界上一切的色彩,它可以给每个色彩以定义。这个知识点跟我们摄影又有什么关系呢?太有关系了。比如说如果你照片拍出来色相偏蓝或偏黄,你应该在白平衡里去调整,使得它回到正常值:正常色彩 © 叶梓白平衡偏低 © 叶梓白平衡偏高 © 叶梓如果你的照片的色彩的明度有偏差,偏浅或者偏深,你就应该在曝光补偿上去做调整:正常色彩 © 叶梓曝光偏高 © 叶梓曝光偏低 © 叶梓如果你拍出来照片是纯度上有偏差,那你应该在你的相机里面去找找看,颜色的风格是不是调到了鲜艳模式或者是所谓的安全模式(就是非常发灰的一种模式):通过分辨你的照片到底是在色彩的哪一个维度上出了问题,我们就可以对应的找到解决的方案。这个听上去是比较简单的事,但实际上真实的世界比这个要复杂得多。我们的相机它拍出来颜色还不见得统一都会偏蓝或偏黄,也不会统一的偏亮或偏暗,偏艳或偏灰,它们所有的颜色可能各自有各自的色彩的偏差,它们的方向和程度都各不相同。那这样一来我们就没法简单的去校准它了,就要借助类似于DatacolorSpyderCheckr这样的标准色卡来探知你的相机的各个颜色的偏色程度,并且在软件中来进行反向的校准。这个具体的做法我们今天就不讨论了,今天最重要的想告诉大家的知识点是两点:第一,色彩有色相、明度和纯度三个维度。第二,相机在拍摄一个事物的时候,通常会在这三个维度上同时发生各个方向、各个程度的偏差,而要校准这种偏差,你可能需要的是色彩管理的知识和工具。今天我们就简单的先聊到这里,色彩管理的课丢在了微信公众号“摄影早自习”下方的“阅读原文”里,你们可以自己去了解一下。有什么想聊的、想问的都可以在底部向我留言,我都能看得到,喜欢早自习的请点亮“在看”。今天是摄影早自习陪伴大家的第1423天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
早安,我是叶梓,今天是摄影早自习陪伴大家的第1424天。今天我们继续来聊有关色彩管理的问题,就是校色的问题。我也看到很多同学在昨天前天的早自习后方留言,有的同学说的对,有的同学说的不尽正确。图片来源:www.datacolorchina.cn“许瀚文”同学他说校色仪在淘宝上租就好了,这样比较便宜。我说我语音中不就说了为什么不推荐租用吗,还是有很多缺点的,而且是有风险的。“许瀚文”说对于一个被屏幕偏色暴打的学生党来说,能租个校色仪就算不错了,总比没有强,买来实在是太贵了。我想我非常理解你的做法,不过我还是强调一下我的观点,就是校色不是一次性的事,它得反反复复地每隔一段时间就去校,所以这就是我们不推荐租用校色仪的重要的原因。不过你这个问题让我想起一个很有意思的话题,咱们的电脑屏幕它也有便宜有贵的,便宜的可能几百块钱就能买到,贵的就是几千块钱,甚至是上万块钱,我也老跟大家提就是我面前这一块艺卓的CG319X是5万多,所以屏幕本身的品质是参差不齐的。那你猜哪一种屏幕校色效果最明显?我想很多人都会猜错,就觉得贵的屏幕肯定校色效果更明显。错了,是越烂的屏幕,越便宜的屏幕,校色效果越明显。这就是为什么“许瀚文”说被屏幕偏色暴打的学生党租个校色仪,它其实是会有很大的校色前后的差异的,因为之前偏色实在是太厉害了,现在校个色,“哇~”看上去很准了。但是我说的是它效果差异最明显,它的最后校色以后的真实的色彩还是远远不如那些真正的专业显示器的。这是一个硬件条件的问题,就是你这个显示器的硬件已经达标了的情况下,经过校色它能非常准确,但如果你这个屏的硬件本身不过关,比如说它的色域不够广,连sRGB都达不到,或者是说它的比特数不够高,色彩的数量不够多,在这种前提下,你再校色,它其实还是不尽准确的,不过“许瀚文”说的对,有总比没有的强。好,接下来“addison”同学他说黑白照片的优势又体现出来了。错,黑白照片也需要校色,而且非常需要校色。我就是一个黑白大户啊,我拍的彩色和黑白照片之比大约是7:10,这其实已经挺多的了,7张彩色10张黑白,而且我自己最喜欢的那些照片往往都是黑白照。但为什么我还这么重视色彩管理呢,因为如果不对屏幕进行校色,那它可能会有两个很严重的问题: 原图 © 叶梓模拟屏幕偏色以后看到的黑白照片效果 © 叶梓第一,它显示的黑白并不是纯黑白。这就像之前有个同学说它的屏幕校色以后显得偏黄了,其实是因为它的屏幕之前偏蓝的原因。如果我面对一块屏,它显示的黑白照片是偏蓝的,那我觉得跟真正的黑白给人的感觉是差的很多很多的,它整个调性都变了。最终我如果把这个照片印下来,用比如说艺术微喷的工艺印下来真正的纯黑白,我自己反而就觉得这个照片已经变样了,跟我屏幕里看得完全不一样,我就没法去控制它了。这是第一个问题,还是色偏的问题,黑白也会发生色偏。标准色阶标准色阶下照片的效果 © 叶梓发生了偏色的色阶偏色色阶下照片的效果 © 叶梓第二个更严重的问题就是灰阶是否顺畅连贯,是否没有偏移。不好的屏幕没有做过色彩管理的话,它显示的灰阶就是从0阶的纯黑到10阶的纯白,中间的9级亮度显示的都不准。比如说它的第3级其实是第3.5级,它第5级其实是第4.9级。总之它就会来回的有一些浮动,这会导致我完全无法判断我这张黑白照片的明暗关系到底应该如何调整,它现在是不是最完美的状态。所以总而言之请你要明白,即便是你只做黑白摄影,你也需要做色彩管理。最后回答“小庄”同学的再一次提问,他说修片的时候周围的环境光对出片效果会有很大影响,到底应该在什么样环境下修片?你说的非常的对,这是我们很容易忽视的一点,就是你这块屏外边的世界是什么样的很重要。举个最简单的例子,如果你拿着手机看照片,走在阳光底下你发现那照片怎么看都是曝光不足的,因为手机屏幕的亮度根本比不过你四周的阳光的亮度。同样的,如果你在一个室内用屏幕看照片,这个室内使用的是暖黄色的灯光,那么你看到的屏幕里的颜色其实就是偏蓝的,因为你的眼睛会主动适应这种暖黄色的灯光。讲白了就是你眼睛里有一个非常高端的自动白平衡,它会以屋里的环境为主来进行校调,校完以后发现你屏幕偏蓝了,其实屏幕可能是准的。同样的如果你室内光线太弱,那你可能会觉得屏幕的照片过分的亮了。那什么样的修片环境才是最理想的呢?以我自己为例,我的办公室的环境灯光就非常非常的讲究,有三个基本条件:第一,它是明亮的。这里我备注一下,有人可能想说亮的刺眼也不行,但实际上你上在墙上的那种灯光,它再亮也不可能亮到让你觉得刺眼,所以这点你不用担心。所以这是第一点,它是明亮的。第二点,它的色温是非常准确的5500K~5600K的白光,不带任何的色彩倾向性。第三点,它是显色指数大于95的这么一种光,也就是说它光谱非常连贯,接近于日光的观感。这个显色指数的问题稍微有点复杂,我们今天没时间讲,所以大家如果有兴趣的话可以自己去查阅一些资料,如果知道的同学可以在底部留言来告诉大家什么是显色指数,当然你有更多的摄影问题或者想聊些别的问题都欢迎在底部向我留言,我都能看得到,会尽力为你解答。好,关于色彩管理的知识我们三连播就到此结束了,下星期我们开始一个新的话题。再次广告:底部“阅读原文”里戳进去是我们非常便宜但是非常重要的“色彩管理”的系统课程,大家可以去做个了解。喜欢早自习的请点亮“在看”。今天是摄影早自习陪伴大家的第1424天,祝大家周末愉快,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
早安,我是叶梓,今天是摄影早自习陪伴大家的第1424天。今天我们继续来聊有关色彩管理的问题,就是校色的问题。我也看到很多同学在昨天前天的早自习后方留言,有的同学说的对,有的同学说的不尽正确。图片来源:www.datacolorchina.cn“许瀚文”同学他说校色仪在淘宝上租就好了,这样比较便宜。我说我语音中不就说了为什么不推荐租用吗,还是有很多缺点的,而且是有风险的。“许瀚文”说对于一个被屏幕偏色暴打的学生党来说,能租个校色仪就算不错了,总比没有强,买来实在是太贵了。我想我非常理解你的做法,不过我还是强调一下我的观点,就是校色不是一次性的事,它得反反复复地每隔一段时间就去校,所以这就是我们不推荐租用校色仪的重要的原因。不过你这个问题让我想起一个很有意思的话题,咱们的电脑屏幕它也有便宜有贵的,便宜的可能几百块钱就能买到,贵的就是几千块钱,甚至是上万块钱,我也老跟大家提就是我面前这一块艺卓的CG319X是5万多,所以屏幕本身的品质是参差不齐的。那你猜哪一种屏幕校色效果最明显?我想很多人都会猜错,就觉得贵的屏幕肯定校色效果更明显。错了,是越烂的屏幕,越便宜的屏幕,校色效果越明显。这就是为什么“许瀚文”说被屏幕偏色暴打的学生党租个校色仪,它其实是会有很大的校色前后的差异的,因为之前偏色实在是太厉害了,现在校个色,“哇~”看上去很准了。但是我说的是它效果差异最明显,它的最后校色以后的真实的色彩还是远远不如那些真正的专业显示器的。这是一个硬件条件的问题,就是你这个显示器的硬件已经达标了的情况下,经过校色它能非常准确,但如果你这个屏的硬件本身不过关,比如说它的色域不够广,连sRGB都达不到,或者是说它的比特数不够高,色彩的数量不够多,在这种前提下,你再校色,它其实还是不尽准确的,不过“许瀚文”说的对,有总比没有的强。好,接下来“addison”同学他说黑白照片的优势又体现出来了。错,黑白照片也需要校色,而且非常需要校色。我就是一个黑白大户啊,我拍的彩色和黑白照片之比大约是7:10,这其实已经挺多的了,7张彩色10张黑白,而且我自己最喜欢的那些照片往往都是黑白照。但为什么我还这么重视色彩管理呢,因为如果不对屏幕进行校色,那它可能会有两个很严重的问题: 原图 © 叶梓模拟屏幕偏色以后看到的黑白照片效果 © 叶梓第一,它显示的黑白并不是纯黑白。这就像之前有个同学说它的屏幕校色以后显得偏黄了,其实是因为它的屏幕之前偏蓝的原因。如果我面对一块屏,它显示的黑白照片是偏蓝的,那我觉得跟真正的黑白给人的感觉是差的很多很多的,它整个调性都变了。最终我如果把这个照片印下来,用比如说艺术微喷的工艺印下来真正的纯黑白,我自己反而就觉得这个照片已经变样了,跟我屏幕里看得完全不一样,我就没法去控制它了。这是第一个问题,还是色偏的问题,黑白也会发生色偏。标准色阶标准色阶下照片的效果 © 叶梓发生了偏色的色阶偏色色阶下照片的效果 © 叶梓第二个更严重的问题就是灰阶是否顺畅连贯,是否没有偏移。不好的屏幕没有做过色彩管理的话,它显示的灰阶就是从0阶的纯黑到10阶的纯白,中间的9级亮度显示的都不准。比如说它的第3级其实是第3.5级,它第5级其实是第4.9级。总之它就会来回的有一些浮动,这会导致我完全无法判断我这张黑白照片的明暗关系到底应该如何调整,它现在是不是最完美的状态。所以总而言之请你要明白,即便是你只做黑白摄影,你也需要做色彩管理。最后回答“小庄”同学的再一次提问,他说修片的时候周围的环境光对出片效果会有很大影响,到底应该在什么样环境下修片?你说的非常的对,这是我们很容易忽视的一点,就是你这块屏外边的世界是什么样的很重要。举个最简单的例子,如果你拿着手机看照片,走在阳光底下你发现那照片怎么看都是曝光不足的,因为手机屏幕的亮度根本比不过你四周的阳光的亮度。同样的,如果你在一个室内用屏幕看照片,这个室内使用的是暖黄色的灯光,那么你看到的屏幕里的颜色其实就是偏蓝的,因为你的眼睛会主动适应这种暖黄色的灯光。讲白了就是你眼睛里有一个非常高端的自动白平衡,它会以屋里的环境为主来进行校调,校完以后发现你屏幕偏蓝了,其实屏幕可能是准的。同样的如果你室内光线太弱,那你可能会觉得屏幕的照片过分的亮了。那什么样的修片环境才是最理想的呢?以我自己为例,我的办公室的环境灯光就非常非常的讲究,有三个基本条件:第一,它是明亮的。这里我备注一下,有人可能想说亮的刺眼也不行,但实际上你上在墙上的那种灯光,它再亮也不可能亮到让你觉得刺眼,所以这点你不用担心。所以这是第一点,它是明亮的。第二点,它的色温是非常准确的5500K~5600K的白光,不带任何的色彩倾向性。第三点,它是显色指数大于95的这么一种光,也就是说它光谱非常连贯,接近于日光的观感。这个显色指数的问题稍微有点复杂,我们今天没时间讲,所以大家如果有兴趣的话可以自己去查阅一些资料,如果知道的同学可以在底部留言来告诉大家什么是显色指数,当然你有更多的摄影问题或者想聊些别的问题都欢迎在底部向我留言,我都能看得到,会尽力为你解答。好,关于色彩管理的知识我们三连播就到此结束了,下星期我们开始一个新的话题。再次广告:底部“阅读原文”里戳进去是我们非常便宜但是非常重要的“色彩管理”的系统课程,大家可以去做个了解。喜欢早自习的请点亮“在看”。今天是摄影早自习陪伴大家的第1424天,祝大家周末愉快,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
早安,我是叶梓,今天是摄影早自习陪伴大家的第1424天。今天我们继续来聊有关色彩管理的问题,就是校色的问题。我也看到很多同学在昨天前天的早自习后方留言,有的同学说的对,有的同学说的不尽正确。图片来源:www.datacolorchina.cn“许瀚文”同学他说校色仪在淘宝上租就好了,这样比较便宜。我说我语音中不就说了为什么不推荐租用吗,还是有很多缺点的,而且是有风险的。“许瀚文”说对于一个被屏幕偏色暴打的学生党来说,能租个校色仪就算不错了,总比没有强,买来实在是太贵了。我想我非常理解你的做法,不过我还是强调一下我的观点,就是校色不是一次性的事,它得反反复复地每隔一段时间就去校,所以这就是我们不推荐租用校色仪的重要的原因。不过你这个问题让我想起一个很有意思的话题,咱们的电脑屏幕它也有便宜有贵的,便宜的可能几百块钱就能买到,贵的就是几千块钱,甚至是上万块钱,我也老跟大家提就是我面前这一块艺卓的CG319X是5万多,所以屏幕本身的品质是参差不齐的。那你猜哪一种屏幕校色效果最明显?我想很多人都会猜错,就觉得贵的屏幕肯定校色效果更明显。错了,是越烂的屏幕,越便宜的屏幕,校色效果越明显。这就是为什么“许瀚文”说被屏幕偏色暴打的学生党租个校色仪,它其实是会有很大的校色前后的差异的,因为之前偏色实在是太厉害了,现在校个色,“哇~”看上去很准了。但是我说的是它效果差异最明显,它的最后校色以后的真实的色彩还是远远不如那些真正的专业显示器的。这是一个硬件条件的问题,就是你这个显示器的硬件已经达标了的情况下,经过校色它能非常准确,但如果你这个屏的硬件本身不过关,比如说它的色域不够广,连sRGB都达不到,或者是说它的比特数不够高,色彩的数量不够多,在这种前提下,你再校色,它其实还是不尽准确的,不过“许瀚文”说的对,有总比没有的强。好,接下来“addison”同学他说黑白照片的优势又体现出来了。错,黑白照片也需要校色,而且非常需要校色。我就是一个黑白大户啊,我拍的彩色和黑白照片之比大约是7:10,这其实已经挺多的了,7张彩色10张黑白,而且我自己最喜欢的那些照片往往都是黑白照。但为什么我还这么重视色彩管理呢,因为如果不对屏幕进行校色,那它可能会有两个很严重的问题: 原图 © 叶梓模拟屏幕偏色以后看到的黑白照片效果 © 叶梓第一,它显示的黑白并不是纯黑白。这就像之前有个同学说它的屏幕校色以后显得偏黄了,其实是因为它的屏幕之前偏蓝的原因。如果我面对一块屏,它显示的黑白照片是偏蓝的,那我觉得跟真正的黑白给人的感觉是差的很多很多的,它整个调性都变了。最终我如果把这个照片印下来,用比如说艺术微喷的工艺印下来真正的纯黑白,我自己反而就觉得这个照片已经变样了,跟我屏幕里看得完全不一样,我就没法去控制它了。这是第一个问题,还是色偏的问题,黑白也会发生色偏。标准色阶标准色阶下照片的效果 © 叶梓发生了偏色的色阶偏色色阶下照片的效果 © 叶梓第二个更严重的问题就是灰阶是否顺畅连贯,是否没有偏移。不好的屏幕没有做过色彩管理的话,它显示的灰阶就是从0阶的纯黑到10阶的纯白,中间的9级亮度显示的都不准。比如说它的第3级其实是第3.5级,它第5级其实是第4.9级。总之它就会来回的有一些浮动,这会导致我完全无法判断我这张黑白照片的明暗关系到底应该如何调整,它现在是不是最完美的状态。所以总而言之请你要明白,即便是你只做黑白摄影,你也需要做色彩管理。最后回答“小庄”同学的再一次提问,他说修片的时候周围的环境光对出片效果会有很大影响,到底应该在什么样环境下修片?你说的非常的对,这是我们很容易忽视的一点,就是你这块屏外边的世界是什么样的很重要。举个最简单的例子,如果你拿着手机看照片,走在阳光底下你发现那照片怎么看都是曝光不足的,因为手机屏幕的亮度根本比不过你四周的阳光的亮度。同样的,如果你在一个室内用屏幕看照片,这个室内使用的是暖黄色的灯光,那么你看到的屏幕里的颜色其实就是偏蓝的,因为你的眼睛会主动适应这种暖黄色的灯光。讲白了就是你眼睛里有一个非常高端的自动白平衡,它会以屋里的环境为主来进行校调,校完以后发现你屏幕偏蓝了,其实屏幕可能是准的。同样的如果你室内光线太弱,那你可能会觉得屏幕的照片过分的亮了。那什么样的修片环境才是最理想的呢?以我自己为例,我的办公室的环境灯光就非常非常的讲究,有三个基本条件:第一,它是明亮的。这里我备注一下,有人可能想说亮的刺眼也不行,但实际上你上在墙上的那种灯光,它再亮也不可能亮到让你觉得刺眼,所以这点你不用担心。所以这是第一点,它是明亮的。第二点,它的色温是非常准确的5500K~5600K的白光,不带任何的色彩倾向性。第三点,它是显色指数大于95的这么一种光,也就是说它光谱非常连贯,接近于日光的观感。这个显色指数的问题稍微有点复杂,我们今天没时间讲,所以大家如果有兴趣的话可以自己去查阅一些资料,如果知道的同学可以在底部留言来告诉大家什么是显色指数,当然你有更多的摄影问题或者想聊些别的问题都欢迎在底部向我留言,我都能看得到,会尽力为你解答。好,关于色彩管理的知识我们三连播就到此结束了,下星期我们开始一个新的话题。再次广告:底部“阅读原文”里戳进去是我们非常便宜但是非常重要的“色彩管理”的系统课程,大家可以去做个了解。喜欢早自习的请点亮“在看”。今天是摄影早自习陪伴大家的第1424天,祝大家周末愉快,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
What is the difference between editing images in 8-bit or 16-bit? While it should be obvious that 16-bit color is significantly better than 8-bit color. After all, 8-bit is only 16.7 million colors when comparing that to 16-bit which is 2.81 Trillion Colors. However, it just doesn't seem that way to the naked eye. This is because humans can only see less than 10 million colors anyway. Since 8-bit already exceeds 16 million colors, why in the world do we need to work in a bit depth that moves us into trillions of colors? Visually, they both look the same, why use the higher resolution? Related posts: RAW vs. JPEG | Digital Fundamental Basic Tutorial Color Spaces & Color Profiles – RGB, CMYK, sRGB, Adobe RGB, ProPhoto Color Spaces and Color Profiles | Digital Fundamental Tutorial
Both Segments: Viewsonic, Phong Phanel, Product Marketing Manager For Professional Displays.ViewSonic's ColorPro™ professional monitor series delivers stunning, color-accurate, true-to-life images with industry color standards including sRGB and Adobe RGB. ColorPro™ series professional monitors serve as the ideal solution for creative work such as photography, design, illustration, video editing, and more.For full show notes, check out ComputerAmerica.com!
Pop!_OS 20.04 LTS History System 76 (https://en.wikipedia.org/wiki/Pop!_OS) To my knowledge the only PC manufacturer that also ships it's own Distro, other than Raspian/RasberryPiOS for Rasberry Pi's (https://arstechnica.com/gadgets/2020/06/linux-distro-review-system76s-ubuntu-based-pop_os/#:~:text=The%20subject%20of%20today's%20Linux,by%20a%20hardware%20OEM%20manufacturer.&text=Until%202017%2C%20System76%20sold%20its%20systems%20preinstalled%20with%20Ubuntu%20Linux.) Release Notes Pop!_OS 20.04 LTS (https://support.system76.com/articles/Pop!_OS-20.04-LTS-Release-Notes/) Extras In Chrome and Chromium, and possibly in others, the option Force Color Profile needs to be turned to sRGB (or probably other profiles) in chrome://flags for blues to be... not purple. Wine Dependencies (https://github.com/lutris/docs/blob/master/WineDependencies.md) Drivers (https://github.com/lutris/docs/blob/master/InstallingDrivers.md) Battle.net (https://github.com/lutris/docs/blob/master/Battle.Net.md) Support popOS here (https://pop.system76.com/) Housekeeping We want to hear from you! Send your questions and feedback to contact@linuxuserspace.show and we hope to read and discuss your message in an upcoming episode. Podcast showcase this week is Linux Headlines (https://linuxheadlines.show/) from Jupiter Broadcasting. In under 3 minutes you can get Linux and open source headlines every Monday, Wednesday, & Friday. Linux User Space Patreon (https://patreon.com/linuxuserspace) Twitter (https://twitter.com/linuxuserspace) Website (https://linuxuserspace.show) Current Events Ubuntu 19.10 Reaches End of Life This Month, Plan Those Upgrades Soon (https://www.omgubuntu.co.uk/2020/07/ubuntu-19-10-end-of-life) Linux Hardware System76 Lemur Pro (https://system76.com/laptops/lemp9/configure) Tuxedo (https://www.tuxedocomputers.com/) Manjaro infinity book S (https://www.tuxedocomputers.com/de/Linux-Hardware/Linux-Notebooks/10-14-Zoll/Manjaro-InfinityBook-S-14-v5_1.tuxedo) Juno computers (https://junocomputers.com/product/jupiter-14-v3/) Lenovo Will Sell Ubuntu on More ThinkPads, ThinkStations This Summer (https://www.omgubuntu.co.uk/2020/06/ubuntu-on-lenovo-laptops) Lenovo announced that all of its (https://news.lenovo.com/pressroom/press-releases/lenovo-brings-linux-certification-to-thinkpad-and-thinkstation-workstation-portfolio-easing-deployment-for-developers-data-scientists/) Kubuntu Focus on BDLL (https://kfocus.org/) Dell Blog for Linux Machines (https://bartongeorge.io/) dell.com/linux (https://www.dell.com/en-us/work/shop/overview/cp/linuxsystems) Dell XPS 13 Developer Edition Now Comes with Ubuntu 20.04 LTS (https://www.omgubuntu.co.uk/2020/06/dell-xps-13-developer-edition-ubuntu-20-04) Now you can buy laptops with elementary OS pre-installed (https://liliputing.com/2020/06/now-you-can-buy-laptops-with-elementary-os-pre-installed-gnu-linux-distribution.html) MX Linux Now Comes Pre-Installed on Star Labs’ Linux Laptops (https://9to5linux.com/mx-linux-now-comes-pre-installed-on-star-labs-linux-laptops) StarLabs Mark IV (https://starlabs.systems/) Purism - Librem 14 (https://puri.sm/products/librem-14/) PineBook Pro (https://www.pine64.org/pinebook-pro/) App Focus Bashtop Bashtop (https://github.com/aristocratos/bashtop) git clone https://github.com/aristocratos/bashtop.git cd bashtop sudo make install To remove it, in the same directory, run: sudo make uninstall To add temperatures, make sure you install the lm-sensors package, and for disk usage, install the sysstat package so BashTOP can use iostat. sudo apt install lm-sensors sysstat Install from PPA (https://code.launchpad.net/~bashtop-monitor/+archive/ubuntu/bashtop) sudo add-apt-repository ppa:bashtop-monitor/bashtop sudo apt update sudo apt install bashtop Install from snap (https://snapcraft.io/bashtop) sudo snap install bashtop sudo snap connect bashtop:mount-observe sudo snap connect bashtop:network-control Thank you listening for your support, Join us in two weeks when we return to the Linux User Space
【直播回看】怎样选购摄影器材&自由摄影师是怎样炼成的【讲师】叶梓【课程内容】器材选购:最高性价比的摄影器材采购攻略个人定位:你想成为哪种类型的自由摄影师副业收入:摄影爱好者如何获得第一桶金营销升级:从业余接单到持续接单的经营秘诀【观看方式】在网易云课堂手机APP或网站搜索“摄影直播大讲堂”,戳目录中的第1章第5课或复制链接⬇️https://study.163.com/course/courselive/1281029103.htm?share=2&shareId=410008早安,我是叶梓,今天是摄影早自习陪伴大家的第1365天。昨天我们有做直播,做完直播我把学生送回去,然后我自己再回到家挺晚的12:30了,所以今天早自习就推迟了一会,希望大家不要介意。昨天我们聊的是“摄影人摆摊指南”,其中聊到了摄影人所需要的基本的设备,相机啊、镜头啊,电脑啊什么的,但是我们漏了一个特别重要的东西,就是显示器。这个东西是怎么强调都不为过,但是你怎么强调大家都不重视,是一个我在摄影教育的过程中挺烦恼的一件事。我在这里想跟大家打个比方,就是你辛辛苦苦去拍了一张照片,真的很累,真的很卖命,然后你又辛辛苦苦花了好几个小时甚至一天的时间来精修这张照片,修得特别漂亮,但是你有没有想过,你看这张照片用的显示器,它如果有问题,你就一切都白费了。你修片的过程是根据一个错误的显示结果来修的片,你只能越修越差,搞不好还不如照片原片好看。比如说我有学生是用那种特别老式的所谓的比较护眼的办公显示器来修片的,他修出来的片子每次给我一看我觉得特别的鲜艳,艳到已经没法看了,但他自己在他的显示器上看起来是正常的,因为它显示器偏灰,它的饱和度不高。还有的同学用的是那种屏幕严重偏冷、偏蓝的那种显示器修的片,现在很多笔记本电脑屏幕都偏蓝,所以他们修出来的片子都偏黄,但是他们自己却不自知。这是一个细思极恐的事情,所以大家一定要重视起来。好消息是最近我确实收到了几位我的朋友、学生他们向我提问,说我到底应该买什么样的显示器,这说明大家还是有重视的,还知道要咨询一下。但是不好的消息是这些人的预算都特别低,有想用1000块钱买显示器的,有想用3000块钱买显示器的,这里面还有导演、有职业的摄影师,当然也有摄影爱好者,但不管怎么样,像这个级别的预算买显示器,确实很难推荐。有人可能想说不就一显示器嘛,怎么还花这么多钱呢。这一点你真是孤陋寡闻了,我下面给你截了张图,这是京东里面卖的专用显示器艺卓 CG319X,你看看它这个显示器卖多少钱?53999元,你没听错,是5位数,5万多。图片来源:京东我就想告诉你说,你可以没这么多预算去买一台这么贵的显示器,但是你不能对显示器不重视,你不能以为它就是一个只值得你花1000块钱的这么一个可有可无的事。据我所知,大家对显示器选购的要求其实都是停留在两个值上。第一个是它的尺寸。它是31寸的、32寸的?还是27寸、25寸的?还有一个就是它的分辨率,它是2K分辨率,还是4K分辨率?但是你知道吗,这些值恰恰是不那么重要的,它就是用来给这些普通的消费者看的。比如说就像你买电视,这有一台大电视55寸,然后4K分辨率,只卖你1699元,你当然很开心了是吧?但是你一定要知道一件事,就是一个显示器的最终的观感,它跟很多要素、很多值都有关系,绝对不只是这两个值。在这里我给你做一个特别简单的科普,就是除了这两个以外,你还能关注什么值呢?第一,这个显示器的色域。色域越大,它能显示的颜色就越丰富、越多。我们的相机能捕捉的色域空间现在一般是Adobe RGB,只要你是用的RAW格式图片,你拍出来的图片都有这么多颜色。但是你的显示器如果不能显示Adobe RGB色域,只能显示sRGB色域,甚至连sRGB都显示不了、显示不全,那你看到的颜色跟相机拍到的颜色就已经不一样了,你不仅是浪费了很多颜色的信息,而且你正在对着一个不准确的色彩显示结果进行修片,这是很危险的。第二个我们可以关注的值是这台显示器的色准。就是你给它一个红,它显示出来还是那个红吗?是不是有偏色呢?还有就是这个显示器在经过专业的校色仪进行校准以后,它能校回正常的颜色来吗?如果一个显示器的底子太差、硬件条件太差,那么即便有像datacolor spyder这样的校色仪对它进行校准,它也没法特别准确的去显示色彩。第三个你可以关注的是色彩显示的均度。就是说同样是显示一个红,这个显示器的中央显示的红跟边角显示红还是不是一个红。这里边细说就包括颜色的色相、纯度和明度。明度最好理解,下边我给你做了一张纯灰色的图,你可以把这张灰图保存下来。纯灰画面然后在你的电脑上用全屏的方式播放它,站在对面用相机或手机翻拍你的这台显示器。拍完以后请你在后期处理的软件中对你这张翻拍的照片进行加大对比度的处理,你很快就能发现这就是一个纯粹的灰,但是你的显示器显示出来,它的每一个区域的亮度是不一样的。我的 MacBook Pro 15" 显示器(已增加对比度)这就导致你在拿这个显示器修片的时候,本来以为左下角那块太暗了,应该做局部的曝光处理提亮一点,结果它那暗,是因为显示器那一个区域暗,而不是因为照片本身的暗,你这个调整就完全又是错的,你想想显示器这个事是不是很重要的。我们过去特别重视相机和镜头,这是输入设备,就是捕捉画面生成照片的设备。我们也很重视电脑配置,因为这是处理照片的设备。但是我们过去太不重视显示器了,但偏偏显示器是人机交互的关键设备,是数码的文件和你这个人的大脑之间交互的关键设备,它如果有问题,那你可能过去调的所有的片子就都有问题了。那么今天时间关系,我简单的给大家提了个醒,主要是告诉大家显示器很重要,你应该多留点预算给显示器。其次我跟大家提了三个值:一个是色域空间,一个色准,再一个是色彩显示的均度。时间关系我没有跟你细谈这些参数到底什么样的标准叫好,这个以后我们再慢慢的学。今天大家只要知道这个事很重要,知道有那么一种专业显示器真的很贵,但是真的很好就可以了。你要想找个标杆了解一下具体的参数值,你可以去查艺卓 CG319X的性能的介绍和它的参数表,这有一个标杆放在这里可以和你现在显示器做个比对。我还是那句话, 你可以说我没有那么多预算去买这么贵的显示器,但是你至少要知道你的显示器它到底有什么样的缺陷,下次买显示器的时候就不能这么稀里糊涂的了。好吧,今天我们就先聊这么多,今天是对昨天讲座的一个补充,如果大家想看昨天讲座的回放,可以点底部“阅读原文”(并选择第5课)。如果关于显示器你有更多的问题,也欢迎在底部向我留言,我会尽力为你解答。今天是摄影早自习陪伴大家的1365天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
【直播回看】怎样选购摄影器材&自由摄影师是怎样炼成的【讲师】叶梓【课程内容】器材选购:最高性价比的摄影器材采购攻略个人定位:你想成为哪种类型的自由摄影师副业收入:摄影爱好者如何获得第一桶金营销升级:从业余接单到持续接单的经营秘诀【观看方式】在网易云课堂手机APP或网站搜索“摄影直播大讲堂”,戳目录中的第1章第5课或复制链接⬇️https://study.163.com/course/courselive/1281029103.htm?share=2&shareId=410008早安,我是叶梓,今天是摄影早自习陪伴大家的第1365天。昨天我们有做直播,做完直播我把学生送回去,然后我自己再回到家挺晚的12:30了,所以今天早自习就推迟了一会,希望大家不要介意。昨天我们聊的是“摄影人摆摊指南”,其中聊到了摄影人所需要的基本的设备,相机啊、镜头啊,电脑啊什么的,但是我们漏了一个特别重要的东西,就是显示器。这个东西是怎么强调都不为过,但是你怎么强调大家都不重视,是一个我在摄影教育的过程中挺烦恼的一件事。我在这里想跟大家打个比方,就是你辛辛苦苦去拍了一张照片,真的很累,真的很卖命,然后你又辛辛苦苦花了好几个小时甚至一天的时间来精修这张照片,修得特别漂亮,但是你有没有想过,你看这张照片用的显示器,它如果有问题,你就一切都白费了。你修片的过程是根据一个错误的显示结果来修的片,你只能越修越差,搞不好还不如照片原片好看。比如说我有学生是用那种特别老式的所谓的比较护眼的办公显示器来修片的,他修出来的片子每次给我一看我觉得特别的鲜艳,艳到已经没法看了,但他自己在他的显示器上看起来是正常的,因为它显示器偏灰,它的饱和度不高。还有的同学用的是那种屏幕严重偏冷、偏蓝的那种显示器修的片,现在很多笔记本电脑屏幕都偏蓝,所以他们修出来的片子都偏黄,但是他们自己却不自知。这是一个细思极恐的事情,所以大家一定要重视起来。好消息是最近我确实收到了几位我的朋友、学生他们向我提问,说我到底应该买什么样的显示器,这说明大家还是有重视的,还知道要咨询一下。但是不好的消息是这些人的预算都特别低,有想用1000块钱买显示器的,有想用3000块钱买显示器的,这里面还有导演、有职业的摄影师,当然也有摄影爱好者,但不管怎么样,像这个级别的预算买显示器,确实很难推荐。有人可能想说不就一显示器嘛,怎么还花这么多钱呢。这一点你真是孤陋寡闻了,我下面给你截了张图,这是京东里面卖的专用显示器艺卓 CG319X,你看看它这个显示器卖多少钱?53999元,你没听错,是5位数,5万多。图片来源:京东我就想告诉你说,你可以没这么多预算去买一台这么贵的显示器,但是你不能对显示器不重视,你不能以为它就是一个只值得你花1000块钱的这么一个可有可无的事。据我所知,大家对显示器选购的要求其实都是停留在两个值上。第一个是它的尺寸。它是31寸的、32寸的?还是27寸、25寸的?还有一个就是它的分辨率,它是2K分辨率,还是4K分辨率?但是你知道吗,这些值恰恰是不那么重要的,它就是用来给这些普通的消费者看的。比如说就像你买电视,这有一台大电视55寸,然后4K分辨率,只卖你1699元,你当然很开心了是吧?但是你一定要知道一件事,就是一个显示器的最终的观感,它跟很多要素、很多值都有关系,绝对不只是这两个值。在这里我给你做一个特别简单的科普,就是除了这两个以外,你还能关注什么值呢?第一,这个显示器的色域。色域越大,它能显示的颜色就越丰富、越多。我们的相机能捕捉的色域空间现在一般是Adobe RGB,只要你是用的RAW格式图片,你拍出来的图片都有这么多颜色。但是你的显示器如果不能显示Adobe RGB色域,只能显示sRGB色域,甚至连sRGB都显示不了、显示不全,那你看到的颜色跟相机拍到的颜色就已经不一样了,你不仅是浪费了很多颜色的信息,而且你正在对着一个不准确的色彩显示结果进行修片,这是很危险的。第二个我们可以关注的值是这台显示器的色准。就是你给它一个红,它显示出来还是那个红吗?是不是有偏色呢?还有就是这个显示器在经过专业的校色仪进行校准以后,它能校回正常的颜色来吗?如果一个显示器的底子太差、硬件条件太差,那么即便有像datacolor spyder这样的校色仪对它进行校准,它也没法特别准确的去显示色彩。第三个你可以关注的是色彩显示的均度。就是说同样是显示一个红,这个显示器的中央显示的红跟边角显示红还是不是一个红。这里边细说就包括颜色的色相、纯度和明度。明度最好理解,下边我给你做了一张纯灰色的图,你可以把这张灰图保存下来。纯灰画面然后在你的电脑上用全屏的方式播放它,站在对面用相机或手机翻拍你的这台显示器。拍完以后请你在后期处理的软件中对你这张翻拍的照片进行加大对比度的处理,你很快就能发现这就是一个纯粹的灰,但是你的显示器显示出来,它的每一个区域的亮度是不一样的。我的 MacBook Pro 15" 显示器(已增加对比度)这就导致你在拿这个显示器修片的时候,本来以为左下角那块太暗了,应该做局部的曝光处理提亮一点,结果它那暗,是因为显示器那一个区域暗,而不是因为照片本身的暗,你这个调整就完全又是错的,你想想显示器这个事是不是很重要的。我们过去特别重视相机和镜头,这是输入设备,就是捕捉画面生成照片的设备。我们也很重视电脑配置,因为这是处理照片的设备。但是我们过去太不重视显示器了,但偏偏显示器是人机交互的关键设备,是数码的文件和你这个人的大脑之间交互的关键设备,它如果有问题,那你可能过去调的所有的片子就都有问题了。那么今天时间关系,我简单的给大家提了个醒,主要是告诉大家显示器很重要,你应该多留点预算给显示器。其次我跟大家提了三个值:一个是色域空间,一个色准,再一个是色彩显示的均度。时间关系我没有跟你细谈这些参数到底什么样的标准叫好,这个以后我们再慢慢的学。今天大家只要知道这个事很重要,知道有那么一种专业显示器真的很贵,但是真的很好就可以了。你要想找个标杆了解一下具体的参数值,你可以去查艺卓 CG319X的性能的介绍和它的参数表,这有一个标杆放在这里可以和你现在显示器做个比对。我还是那句话, 你可以说我没有那么多预算去买这么贵的显示器,但是你至少要知道你的显示器它到底有什么样的缺陷,下次买显示器的时候就不能这么稀里糊涂的了。好吧,今天我们就先聊这么多,今天是对昨天讲座的一个补充,如果大家想看昨天讲座的回放,可以点底部“阅读原文”(并选择第5课)。如果关于显示器你有更多的问题,也欢迎在底部向我留言,我会尽力为你解答。今天是摄影早自习陪伴大家的1365天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
תרמית האייפון שנמכר בלי אחריות, MKBHD נגד אסקובר, האמת מאחורי מכשיר האנטי 5G, השיגור המגניב של SpaceX, המשחק C&C חוזר והתמונה שהשביתה אנדרואיד בגלל SRGB לרלרת נרשמנו לדיזר https://www.deezer.com/us/show/1307142 שחר לא אוהב שעוצרים לו במעבר חצייה שחר מתעצבן על סימני ידיים לא ברורים מהאיש במחסום ששמים כשסוגרים את אחד הנתיבים בכביש דו סטרי הידעתם? באנגליה יש תבניות שונות למדרכות כדי לעזור לעיוורים להבין איפה הם נמצאים. https://www.youtube.com/watch?v=cdPymLgfXSY וגם, אותו טום סקוט עשה וידאו וואן טייק של 10 דקות על למה אין מים של Dasani באנגליה והתזמון היה פאקינג מושלם. https://www.youtube.com/watch?v=wD79NZroV88 שחר קנה פלאגין שימחק את הנשימות של אהוד https://www.waves.com/r/4r7bt3 אייטמים 1 תרמית האייפון החדש שנמכר בלי אחריות שחר עשה תחקיר כולל שיחות מוקלטות כי הוא כזה בוס וגילה איך יכול להיות שמוכרים אייפונים חדשים בלי אחריות אבל עדיין עם אחריות אבל בעצם בוא אחי נסגור בינינו. https://checkcoverage.apple.com/ 2 מרקס נגד אסקובר https://youtu.be/Ns8ydpZ5-4o 3 רמאים מוכרים דונגל USB אנטי 5G ב-340 פאונד https://www.bbc.com/news/technology-52810220?fbclid=IwAR3ORj-BRrxmGL32gEmC7ljaq0-LQOeU6iMqsqLIdNlwL9trIgYK7elm_0c 4 השיגור של אילון מאסק והחליפות המגניבות https://www.forbes.com/sites/guymartin/2020/05/29/the-man-behind-americas-spiffy-new-spacesuit-how-hollywood-costume-designer-jose-fernandez-got-from-batman-and-daft-punk-to-nasa/#6092d335eebc 5 אהוד הוריד c&c https://www.origin.com/irl/en-us/store/command-and-conquer/command-and-conquer-the-ultimate-collection 6 התמונה שהשביתה אנדרואיד בגלל אסארג'יבי https://www.google.com/amp/s/www.theverge.com/platform/amp/2020/6/1/21276658/android-phone-wallpaper-bug-crash-rgb-srgb-samsung-pixel המלצה בדקה הרצאה על איך ממציאים שפה https://www.youtube.com/watch?v=StcSHmBZj2k&t=186s שחר ממליץ על History 101 בנטפליקס https://www.youtube.com/watch?v=han4ZONppi8
"素敵"と思われたくたっていいじゃん [タロケン] 静岡一泊旅行 下田温泉 | 一度は泊まりたい!下田温泉周辺 人気旅館ランキング9選【2020年】 - 一休.com ( https://www.ikyu.com/sg220060/ ) Apple Store、国内全店舗の営業を再開 - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news119.html ) AppleのiCloudで認証問題が発生 - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news058.html ) 初期設定の中で入力するといけるかも パスワードの定期的な変更は本当に不要なのか - 情シス事情を知る | NECネクサソリューションズ ( https://www.nec-nexs.com/sl/security/it/24.html#:~:text=2018%E5%B9%B43%E6%9C%88%E3%80%81%E7%B7%8F%E5%8B%99,%E3%81%A8%E8%A8%98%E3%81%95%E3%82%8C%E3%81%A6%E3%81%84%E3%82%8B%E3%80%82 ) パスワードの定期的な変更は本当に不要なのか - 情シス事情を知る | NECネクサソリューションズ ( https://www.nec-nexs.com/sl/security/it/24.html#:~:text=2018%E5%B9%B43%E6%9C%88%E3%80%81%E7%B7%8F%E5%8B%99,%E3%81%A8%E8%A8%98%E3%81%95%E3%82%8C%E3%81%A6%E3%81%84%E3%82%8B%E3%80%82 ) これは便利だ! デルの有線LANポート付きUSB Type-Cディスプレイ「U2421HE」「U2721DE」を試す (1/3) - ITmedia PC USER ( https://www.itmedia.co.jp/pcuser/articles/2006/05/news076.html ) Amazon | Dell USB-Cハブモニター 23.8インチ U2421HE(3年間無輝点交換保証/sRGB 99%/フレームレス/USB-C/LANポート(RJ45)/フルHD/IPS非光沢/USB-C, DP, HDMI/高さ調整, 回転/ドック機能搭載) | Dell | ディスプレイ 通販 ( https://www.amazon.co.jp/dp/B0895VN4DQ ) SHOWROOMに超低遅延ライブ配信機能 タイムラグは最小0.5秒台に - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news099.html ) ズームは一時ストップ高、米ビデオ会議システム会社と取り違えか - ロイター ( https://jp.reuters.com/article/japan-zoom-stock-idJPKBN23C07B?feedType=RSS&feedName=topNews ) Audacity for Mac - ダウンロード ( https://audacity.softonic.jp/mac ) Adobe Auditionの購入 | オーディオの録音、編集、ミキシング ( https://www.adobe.com/jp/products/audition.html?promoid=2XBSC386&mv=other ) Logic Pro - Apple(日本) ( https://www.apple.com/jp/logic-pro/ ) MacのためのGarageBand - Apple(日本) ( https://www.apple.com/jp/mac/garageband/ ) InstaChord:インスタコード 〜演奏する楽しさを全ての方に〜(By INSTACHORD 永田雄一) - クラウドファンディング | Kibidango【きびだんご】 ( https://kibidango.com/1362 ) 【告知】 有料番組登録 月額:550円(初月無料) をお願いします ヴォイニッチの科学書 | audiobook.jp ( https://pages.audiobook.jp/podcast/voynich/index.html ) チャンネル登録お願いしま〜す(YouTuber風) [NEW!] BJ: サイクリングch番外編 → くりらじチャンネル - YouTube ( https://www.youtube.com/channel/UChr4RxAPu5iVIBcDHnrKiKA ) BJ: サイクリングch - YouTube ( https://www.youtube.com/channel/UCq6qnWDQa2s4hP7IyO3KtRg ) タロケン: taroken railway - YouTube ( https://www.youtube.com/user/tarokentalk ) [NEW!] 鐵尾: 株式会社ジャンクション | 新入社員向けセミナー - YouTube ( https://www.youtube.com/watch?v=8Zd6tRDjBKg&list=PLzMVrxVVyPY-kWlbI18qPFmEgj9oJ6B1g ) BGMいらんかえぇ~ iBgm ( https://ibgm.jp/products/list?category_id=&name=100500KICHI&wovn=ja&fbclid=IwAR3ZYr50WHBZbw8sT1FLBjhbeUSvbnSawakVpDam_SIFIhDertD_KSlUU2k )
"素敵"と思われたくたっていいじゃん [タロケン] 静岡一泊旅行 下田温泉 | 一度は泊まりたい!下田温泉周辺 人気旅館ランキング9選【2020年】 - 一休.com ( https://www.ikyu.com/sg220060/ ) Apple Store、国内全店舗の営業を再開 - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news119.html ) AppleのiCloudで認証問題が発生 - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news058.html ) 初期設定の中で入力するといけるかも パスワードの定期的な変更は本当に不要なのか - 情シス事情を知る | NECネクサソリューションズ ( https://www.nec-nexs.com/sl/security/it/24.html#:~:text=2018%E5%B9%B43%E6%9C%88%E3%80%81%E7%B7%8F%E5%8B%99,%E3%81%A8%E8%A8%98%E3%81%95%E3%82%8C%E3%81%A6%E3%81%84%E3%82%8B%E3%80%82 ) パスワードの定期的な変更は本当に不要なのか - 情シス事情を知る | NECネクサソリューションズ ( https://www.nec-nexs.com/sl/security/it/24.html#:~:text=2018%E5%B9%B43%E6%9C%88%E3%80%81%E7%B7%8F%E5%8B%99,%E3%81%A8%E8%A8%98%E3%81%95%E3%82%8C%E3%81%A6%E3%81%84%E3%82%8B%E3%80%82 ) これは便利だ! デルの有線LANポート付きUSB Type-Cディスプレイ「U2421HE」「U2721DE」を試す (1/3) - ITmedia PC USER ( https://www.itmedia.co.jp/pcuser/articles/2006/05/news076.html ) Amazon | Dell USB-Cハブモニター 23.8インチ U2421HE(3年間無輝点交換保証/sRGB 99%/フレームレス/USB-C/LANポート(RJ45)/フルHD/IPS非光沢/USB-C, DP, HDMI/高さ調整, 回転/ドック機能搭載) | Dell | ディスプレイ 通販 ( https://www.amazon.co.jp/dp/B0895VN4DQ ) SHOWROOMに超低遅延ライブ配信機能 タイムラグは最小0.5秒台に - ITmedia NEWS ( https://www.itmedia.co.jp/news/articles/2006/03/news099.html ) ズームは一時ストップ高、米ビデオ会議システム会社と取り違えか - ロイター ( https://jp.reuters.com/article/japan-zoom-stock-idJPKBN23C07B?feedType=RSS&feedName=topNews ) Audacity for Mac - ダウンロード ( https://audacity.softonic.jp/mac ) Adobe Auditionの購入 | オーディオの録音、編集、ミキシング ( https://www.adobe.com/jp/products/audition.html?promoid=2XBSC386&mv=other ) Logic Pro - Apple(日本) ( https://www.apple.com/jp/logic-pro/ ) MacのためのGarageBand - Apple(日本) ( https://www.apple.com/jp/mac/garageband/ ) InstaChord:インスタコード 〜演奏する楽しさを全ての方に〜(By INSTACHORD 永田雄一) - クラウドファンディング | Kibidango【きびだんご】 ( https://kibidango.com/1362 ) 【告知】 有料番組登録 月額:550円(初月無料) をお願いします ヴォイニッチの科学書 | audiobook.jp ( https://pages.audiobook.jp/podcast/voynich/index.html ) チャンネル登録お願いしま〜す(YouTuber風) [NEW!] BJ: サイクリングch番外編 → くりらじチャンネル - YouTube ( https://www.youtube.com/channel/UChr4RxAPu5iVIBcDHnrKiKA ) BJ: サイクリングch - YouTube ( https://www.youtube.com/channel/UCq6qnWDQa2s4hP7IyO3KtRg ) タロケン: taroken railway - YouTube ( https://www.youtube.com/user/tarokentalk ) [NEW!] 鐵尾: 株式会社ジャンクション | 新入社員向けセミナー - YouTube ( https://www.youtube.com/watch?v=8Zd6tRDjBKg&list=PLzMVrxVVyPY-kWlbI18qPFmEgj9oJ6B1g ) BGMいらんかえぇ~ iBgm ( https://ibgm.jp/products/list?category_id=&name=100500KICHI&wovn=ja&fbclid=IwAR3ZYr50WHBZbw8sT1FLBjhbeUSvbnSawakVpDam_SIFIhDertD_KSlUU2k )
With Gareth Myles and Andy Lee RSS Link: https://techaddicts.libsyn.com/rss iTunes | Google Podcasts | Stitcher | Tunein | Spotify Amazon | Breaker | Pocket Casts | Castbox | PodhubUK Show Notes News Command & Conquer Remastered rules! Mister FPGA OPPO Sets Up European HQ in Düsseldorf Trading Standards squad targets anti-5G USB stick 5G Conspiracy Theorists Are Now Targeting Engineers Directly 5G mast set aflame in leafy Liverpool district, half an hour's walk from Penny Lane A whopping 13,500 Vivo Smartphones found running on same IMEI number lack of support for non-sRGB images in the Android SystemUI itself This Is The Pixel 4a Design, According To Case Maker ESR The Latest gadget! Masks with LEDs Google's New Android Tv Dongle Could Fix One Of Chromecast's Biggest Shortcomings Main Show URL: http://www.techaddicts.uk Contact:: contact@techaddicts.uk | @techaddictsuk Gareth - @garethmyles | garethmyles.com Andy - @weird_hk YouTube: Tech Addicts
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Website solutions for photographers, what’s needed and what options do we have today? This is Latitude Photography Podcast, Episode 78 for May 3, 2020 Links Mentioned in today’s show: Guest Website: arielestulin.com LPS Survey: https://forms.gle/JpFzi1vPvQzaPF8e8 Download the Image Optimization resource mentioned in this show from this page: https://brentbergherm.com/info/resources/ Palouse Shoot-n-Print Photography and Printing Workshop Get on the list for updates on Latitude Photography School Shop at lensrentals.com with my affiliate link and I’ll get a small commission of the sale. Use the code "latitude15" at checkout and you'll get 15% off your order. I also have an affiliate link with ThinkTank Photo Thank you for your support! Main Topic: Websites for Photographers Today we’re talking about websites for photographers. I wanted to go through a few items and I’m glad you’re here to discuss these things with me. First off, I want to cover just some bullet point items of what types of sections does a photographer need on their website. Start with WHY it’s important to have a website or online presence before getting into nitty gritty. Example. If I hear or find a photographer I like, I’ll look him/her online and if they don’t have a website or a working website or a website that has poor usability I’ll kinda not bother. Harsh but you need a web presence today. Also no reason even the most tech illiterate person cannot have an online portfolio and presence. What does your website need: Your website should not be your life story. No one has time or the attention span today. You are a photographer, show me your work, and then if I’m interested I’ll read more about what you do and your philosophies. Too Harsh?? (no) The opposite is sometimes true, I’ll read something really profound someone wrote on the subject of photography. Then I go see their work and it;s not very good. Just make sure your work speaks as loud as your words. Photos Duh :) About Page + Artist statement or vision A way to contact or email the photographer, what’s your opinion on how to best achieve this? On the about page, on a separate page, or in a sidebar or the footer? Contact page, plug-in if using WP Your own suggestions, feel free to intersperse them here. Gallery page(s) Blog? Anything else? E-commerce for prints etc... Let’s talk about a few hosting types that photographers can use to host their websites (feel free to expand this list and/or expand each individual bullet item. Whatever you add, please add in green) Super easy no effort to custom websites. Instagram / Facebook - FREE Less tech - Drag and Drop $$ - $$$ Squarespace.com - Not free Zenfolio.com - Not free portfolio.adobe.com/photography - Not free or free if you have Adobe CC already www.photoshelter.com - Not free Pixieset.com - Not free Smugmug.com - Not free Visualsociety.com More tech involved $ Wix.com - Free or not free Weebly.com - Not free or not free Wordpress.com/Wordpress.org - Free but you need hosting + theme Drag and Drop WP builder Very involved $$$$$ Custom-coded WP or HTML site - Definitely not free Drag and drop vs WP sites. I’m a big fan of Wordpress.org sites. Let’s talk a bit about that for a moment. Confusion with wordpress.com sites Wordpress.org vs Wordpress.com sites) Server Domain (ie google domains) Technical know-how Basic needs to host a site C-Panel server admin software makes life very easy. (I use Kinsta for my hosting, no C-Panel but still a very convenient way to manage a WP site) Plugins extend functionality of the site Themes control the look of the site. If you “build it right” you should (theoretically) be able to swap themes like you do a pair of socks. You have the same structure going in to it but a different look on the outside. Sometimes themes behave more like plugins though and can get tied in to your content as well. I don’t like those types of themes. Page builders make designing a site a lot easier, just another piece of software to learn though. Bugs to squash with WP sites Anything else Keep on top of WP, WP, theme and Plug-in updates. Otherwise risk of site being compromised. Big headaches. Other thoughts that need to be covered when dealing with websites for photographers. What images to put on your website? Cherry pick your images. Pick the best of the best. I don’t need to see every picture you’ve ever taken. It’s not about showing 10,000 images on your website. Quality not Quantity. You want the viewer to see a handful of your images and say, I get who this photographer is FInding a niche. If you want to be a landscape photographer show me your landscape work not your wedding, studio portraits, or sports action. If you want to show images outside your niche, use FB, Twitter or other social media for this. Show unique images. What does that mean? Google Horseshoe Bend - pages and pages of sameness. If you want to stand out, show images that are unique and make the viewer say, hmm. I’ve never seen that angle before. Make your website look good. If you don’t know what good is, ask someone who has a good eye for design. Tip of the Week. Brent: Experiment with the export settings in Lightroom and be sure to export using sRGB when saving out for the web. Guest: The best place to shoot is exactly where you are, especially true in today’s environment. Reminders Find us on the web at http://latitudephotographypodcast.com Find me on facebook at https://www.facebook.com/brentberghermphoto/ Find the podcast facebook group at https://www.facebook.com/groups/1892577214293688/ Find me on instagram @brentbergherm Find me on YouTube at https://www.youtube.com/c/brentberghermphotography Find me online at https://brentbergherm.com And finally, my online learning platform for photographers is found at http://latitudephotographyschool.com Find Ariel Estulin here: arielestulin.com Outdoorphotojourney.com IG @ariel.estulin
Iván Muy buenas Fran y Pere, primero os quisiera felicitar y agradecer toda la información que compartís en los podcast, espero que sigáis así mucho tiempo, gracias. Habéis tocado éste polémico tema en algún que otro podcast y aunque imagino que estareis un poco hartos, me gustaria dejar mi experiencia por aqui. En estos momentos tengo un PC con Windows 10 pero he tenido un Imac (un i5/4GB RAM creo que de las primeras generaciones donde aún no soldaban la RAM) del cual he disfrutado muchísimo, es mas, en mi opinión es el mejor Sistema Operativo del mundo en cuanto a ordenador de sobremesa/portatil se refiere, pues aparte de casi todos los Windows anteriores desde el 3.1 (incluso MS-DOS) también he sido usuario de la distribución Linux Ubuntu. Pero llegó un momento que queria un equipo mas potente e hice una comparativa en su dia la cuál acabo de repetir hoy 22/02/20. Me he metido en apple.com y he ido a Mac/iMac/Comprar para configurarme y presupuestarme un equipo. De los 3 modelos que muestra he elegido el central que a fecha de hoy marca 1499€ de precio inicial de salida, es un Retina 4k al que voy a ampliar para tener un equipo bien potente, le he cambiado el procesador por un i7 de 6 nucleos, 32 GB RAM (que ha supuesto un suplemento de 720 Euros, si si, no es broma), 1 TB SSD (otros 720 Euros, tampoco es broma), esto hace un total de 3259 Euros, adjunto captura de pantalla https://imgur.com/a/VSICiPj o podéis probarlo en https://www.apple.com/es/shop/buy-mac/imac/21,5-pulgadas-procesador-de-cuatro-n%C3%BAcleos-a-3,6-ghz-1tb# Luego me he ido a una conocida tienda de venta de PC’s (no pretendo hacer publicidad pero es http://www.coolmod.com) y me he construido un equipo similar tras consultar en la web oficial de Adobe las tarjetas aprobadas para usar en Photoshop (https://helpx.adobe.com/es/photoshop/kb/photoshop-cc-gpu-card-faq.html) me he decantado por una Nvidia GTX 1050 TI de 4 GB, y que según una web de benchmarks es algo superior a la Radeon Pro 555X (http://gpuboss.com/gpus/Radeon-Pro-555X-vs-GeForce-GTX-1050-Ti). He usado componentes de buena calidad, intentando evitar los económicos que traen los PC’s de grandes superficies: la fuente de alimentación silenciosa con certificacion 80 Plus Gold ya vale casi 100€, el disco duro SSD de Samsung es una gama media-alta del que ofrece 5 años de garantia su fabricante, Ram rápida con disipadores de calor, disipador de CPU también silencioso y de gran calidad y reconocimiento en el terreno de los Pc Gaming, Gráfica Nvidia 1050TI 4GB todo acompañado de un procesador i7 9700 de novena generación con 8 nucleos (frente a los 6 núcleos y octava generacion del iMac), hace un total de 1323,12 Euros, https://imgur.com/a/yp0u1jU . Pero aún falta el monitor, he encontrado por 487€ en Amazon el Benq de 27″ PD2700U 4K con gamut 100% sRGB que viene calibrado de fábrica al igual que el iMac (el cual lleva una 21,5″). Sumando el monitor hace un total de 1810,12 Euros siendo éste PC más potente en cuánto a hardware se refiere y con un monitor de mayor tamaño, estamos hablando de 1448,88 Euros, lo cuál da para un buen NAS, impresora, un buen teclado/ratón y tableta gráfica. Estaba temeroso de volver a Windows después de haber tenido Windows 98, XP, Vista de los que no era muy fan precisamente, pero ahora con Windows 10 me parece otra historia, han dado un salto cualitativo importante, se me acabaron los pantallazos azules que me encontraba con cierta frecuencia con las versiones anteriores del S.O y puedo confirmar que llevo 2 años sinformatear el PC, algo impensable para mi con versiones anteriores de Windows, a pesar de todo me sigue gustando Mac OS más que Windows, pero tampoco echo en falta nada a Windows para el uso que yo le daba al menos. Las diferencias de precios es un tema que a no ser que a uno no le suponga gran sacrificio, es para meditarlo muy bien. Gracias otra vez a los dos, y un fuerte abrazo. Iván. Lancho Monitor 5k Samsung por menos de 1500 €. https://www.
In this episode we continue our conversation from Episode 3 about VR use – this time discussing which shutter speeds work best and which ones to avoid. From there, it’s off to the Q&A section where we tackle a common technique question with Back Button AF, decide if you should set your camera to sRGB or Adobe RGB, and finally talk about when to use a tripod vs a monopod. … The post VR Shutter Speeds, BBAF Tip, Adobe Or sRGB? and Tripod vs Monopod appeared first on Backcountry Gallery.
Web y cursos: http://robertomasfoto.com Youtube: youtube.com/derozer10 Instagram @robertomasf
CEDIA 2019 Last week more than 20,000 home tech pros and 500+ exhibitors convened in Denver for the 2019 CEDIA Expo. This week the HT Guys run down some of the cool product announcements that came out of the show. Sony Electronics Brings 16K-capable Display System to Consumers' Living Rooms with Crystal LED Residential Solutions PARAMUS, N.J., Sept. 12, 2019 /PRNewswire/ -- Sony Electronics Inc. today announced the availability of its award-winning Crystal LED display system for home installation. Having initially introduced the technology for use in commercial and entertainment venues, Sony Electronics now offers residential configurations and installation, giving consumers an unrivaled home theater technology capable of displaying 8K HDR video content and beyond – up to 16K. Crystal LED is a modular technology, enabling it to be installed in virtually any desired size and resolution to accommodate consumers' needs and residential space availability. Sample residential configurations include: Full HD Size (18 Units) ~110-inch Diagonal ~8ft (W) x 4ft (H) 4K Size (72 Units) ~220-inch Diagonal ~16ft (W) x 9ft (H) 8K Size (288 Units) ~440-inch Diagonal ~32ft (W) x 18ft (H) 16K Size (576 Units) ~790-inch Diagonal ~63ft (W) x 18ft (H) Sony's Crystal LED direct view display system uses ultra-fine micro-LED measuring 0.003 mm² – half the width of a human hair – which are 100 times smaller than traditional LEDs. The display recently received a prestigious 2019 Display Industry Award for "Display of the Year" from the Society of Information Display, recognizing Crystal LED's unprecedented visual experience. The technology delivers crisp, blur-free moving images with high frame rate up to 120p for razor-sharp motion rendition that is far beyond the reach of conventional video. Additional technical highlights: HDR with high brightness (1,000 nits) 10-bit grayscale Precise color reproduction Extraordinary color gamut – 140 percent of sRGB High frame rates up to 120p Nearly 180-degree viewing angle Spectacular 3D Non-standard aspect ratios 99 percent black surface area for delivering high contrast and high resolution Each module (360×360-pixel) will cost $10,000. Which means a 1080p setup will need 18 modules costing $180,000 and will produce a screen that is 120 inches on the diagonal. A 4K-capable display will require 16 feet of wall width and produce a 220-inch screen. For that you will need 72 modules and a whopping $720,000. LG Debuts Expanded 4K UHD CineBeam Projector Lineup In U.S. LG Electronics USA introduced a new LG CineBeam 4K UHD projector. The new projector (model HU70LA), which is on display this week at the CEDIA EXPO 2019, has a suggested retail price of $1,799 and will be available at select LG-authorized retailers in October. With a compact design, the HU70LA LG CineBeam LED Projector provides an impressive home theater experience with a deep and rich picture up to 140 inches (measured diagonally), and brightness of 1500 ANSI lumens that covers approximately 92 percent of the DCI-P3 color space. The projector employs a four-channel LED light source to generate red, green and blue, with the additional fourth LED boosting image brightness, contrast and generating more vivid colors with more nuanced tonality (compared to conventional LED projectors) by adjusting green levels. The HU70LA, as well as the HU85LA, are IP controllable via Control 4, Savant and Crestron. The HU85LA CineBeam Laser Projector (MSRP $5999.99), also demonstrated at CEDIA Expo, is LG's first Ultra Short Throw model, generating 2,700 ANSI lumens to deliver vibrant and crisp images up to 120 inches (measured diagonally) from placement of only 7.2 inches away from the wall. The stylish projector is housed in a minimal design for a cinematic viewing experience. Sony VPL-VW295ES 4K SXRD Home Cinema Projector Winning the TWICE VIP award for Home Theater Projectors is the Sony VPL-VW295ES (MSRP $4499.99). Native 4K resolution for lifelike pictures 1500 Lumens Deep Blacks with 4K SXRD Panels HDR10 and HLG (Hybrid Log-Gamma) TRILUMINOS™ color, reproducing more tones and textures than a standard projector system Both HDMI inputs are compatible with HDCP 2.2 Select from nine calibrated picture modes, including two theater film modes, theater digital, reference, TV, photo, game, bright cinema and bright TV. Home Assistant Open source home automation that puts local control and privacy first. Powered by a worldwide community of tinkerers and DIY enthusiasts. Perfect to run on a Raspberry Pi or a local server. It works with 1467 products that include the Amazon Echo, ecobee Thermostats. Zwave, Zigbee, Plex and so many more. They have a demo you can check out here (Home Assistant Demo) Savant AppleTV App Savant®, a leader in smart home technology, has introduced the Smart Home App for Apple TV, an on-screen control platform that provides fast and intuitive access to smart home functionality via high-definition graphics. The graphical control icons can be shown full screen or as an overlay to live TV or a movie that is currently playing. Savant's Smart Home App for Apple TV provides an easy-to-navigate menu of icons in a large visual format representing key features such as climate, lighting, audio, Savant Scenes and more. This amazing on-screen experience is part of the company's Pro App software that provides an intuitive interface with smart home functionality via touch panels, mobile devices, the award-winning Savant Pro Remote—and now the TV! Users can easily select their favorite channels, choose to control or view the status of a service in the home or to activate a Savant Scene. “The Savant Smart Home App for Apple TV has been designed to round out our control offering, delivering to the user a consistent and powerful experience whether they are controlling the system on a mobile device, touch panel or tablet, remote control, voice engine, TV, or even an Apple Watch,” said VP of Design Andy Hamm. “We strive to create experiences that are engaging and ultra-intuitive, making it easy, effortless and fun for anyone to interact with their Savant system. “ The Savant Smart Home App for Apple TV will become available late 2019. Redcarpet Home Cinema Streaming Server Red Carpet Home Cinema is a unique luxury service offering major Hollywood movies for personal viewing in the home during the theatrical window at a premium price. Red Carpet Home Cinema subscribers must have a credit card limit of at least $50,000, and need to pass Red Carpet's strict vetting process and install a special $15,000 media server in their home theater. Once that's done, customers can spend between $500 and $3,000 to watch first-run movies in the comfort of their own home. Blockbusters tend to cost more than dramas, but regardless of the final price tag, each customer can view their rentals twice over a single 36-hour period. Denon AVR-X3600H Winning the TWICE VIP award for A/V receivers is the Denon AVR-X3600H a 9.2 channel 4K Ultra HD AV receiver with 105W per channel and advanced HDMI (8in / 3out with eARC) section. Supports 3D audio formats Dolby Atmos®, Dolby Atmos Height Virtualization Technology, DTS:X™, DTS Virtual:X® and new IMAX Enhanced. Works with Amazon Alexa, Google Assistant, and Apple Siri for seamless voice control. The 8 HDMI inputs and 3 outputs with eARC and full HDCP 2.3 support on all ports are compatible with the latest HD and Ultra HD TVs, Blu-ray players and game consoles. The powerful DSP is capable of 11.2 channel processing, allowing you to extend the system with an additional power amplifier. ($1100 MSRP More info) SSF™ HDMI Active Optical Cables Cleerline SSF™ HDMI Active Optical Cables provide 4K UHD signal transmission and are fully 18 Gbps compatible. Each cable incorporates 4 strands of SSF™ optical fiber, giving the cable greater strength and flexibility as well as maximizing bandwidth potential. In addition to SSF™ fiber optic technology, SSF™ HDMI AOC incorporate the latest chipset technology, designed to eliminate heat production and improve the longevity of the cable. Unlike other HDMI Active Optical Cables, which may use plastic optical fibers or traditional glass, SSF™ AOC include SSF™ optical fibers. The Glass, Glass, Polymer construction of SSF™ fiber gives each fiber up to 200 times the durability of standard glass fiber. This increased strength allows SSF™ AOC to easily withstand higher loads during installation. SSF™ technology also provides a higher degree of flexibility to the glass. All cables feature a plenum outer jacket. Features And Benefits: 18 Gbps, 4K60 4:4:4 Full HDMI 2.0 features, 4K60 4:4:4 HDCP 2.2 HDR, WCG Audio Return Channel Increased durability and flexibility High definition signal transmission No pricing available at this time KLH Unveils Maxwell Monitor One Concentric-Driver Bookshelf A first for KLH, the Monitor One incorporates a concentric design meaning the tweeter is mounted directly into the center space of the voice coil of the mid/bass driver. This, along with use of premium internal components and fine attention paid to crossover points, top grade parts, and voicing, results in a balanced and nuanced sound with a very wide 180-degree dispersion, making the entire room the sweet spot. KLH is employing this same approach in its Maxwell In-Ceiling speakers which come to market this month. Both versions utilize a 1-inch silk dome tweeter and 6.5-inch Kevlar/fiberglass laminated cone, with an robust edge wound voice coil. Boasting a new industrial design with exotic finishes including high-gloss Figured Koa, Cocobolo and Ferrari red, and utilizing premium components and concentric drivers, these powerful and nuanced $999 per pair 2-way monitors rival competitors similar designs up to twice the price. Samsung SmartThings Cam The SmartThings Cam won the TWICE VIP award in the DIY Home Security Category. Coming in at $90 it does not require a hub to use. This could be the gateway drug to the rest of the SmartThings ecosystem. Know what's going on when you're away from home. A full HD camera delivers a clear, detailed view, allowing you to monitor your home 24 hours a day from the convenience of your smartphone, tablet, Samsung TV or fridge. The SmartThings Cam intuitively distinguishes between a person and an object alerting you immediately if necessary, while minimizing false triggers. Control up to two SmartThings Cams and view rolling 24-hour recordings for free. All your footage is safely secured on your personal cloud and can be accessed remotely any time. Sony GTK-PG10 Portable wireless speaker The GTK-PG10 won the TWICE VIP award in the Home Audio Category. It kind of looks like a subwoofer that expands to look like a BBQ grill. It's not cheap at $250. It has 8 user reviews at Sony's site with a score of four out of five stars. With a dedicated outdoor party mode that spreads sound further, the GTK-PG10 is tailor-made for outdoor use — it even has a splash-proof top panel to rest your drinks on. Outdoor party mode spreads sound further Splash-proof top panel with integrated cup holders Rechargeable battery provides up to 13hr playback (not using bluetooth) Bluetooth® connectivity for wireless music streaming FM tuner lets you enjoy your favorite radio shows Vivant Integrates two-way control with Control4 Leading security and smart home company, Vivant, has announced that it's system now provides two-way integration with Control4. With Control4's SDDP technology embedded in Vivint's Smart Hub panel, Control4 users will be able to monitor and control their Vivint security system via standard Control4 interfaces. In addition, any security sensor in the Vivint ecosystem can be incorporated into Control4 scenes and alerts. For example, if someone trips a motion sensor in the living room after sunset, the event could trigger Control4 to turn on the lights in that room to a dim level and flip the TV to CNN on mute. Monolith by Monoprice M-215 Dual 15" THX Certified Subwoofer A Tower of Bass! The Monolith THX® Ultra certified subwoofer sets the standard for bass output, low distortion, and affordability. With chest thumping bass that plays down to well under 16Hz, the Monolith THX Ultra Dual 15" (MSRP $2499.99) Subwoofer unleashes cinema level volume, with the ability to convey and articulate the subtle nuances of music. Dimensions 42.32" x 20.0" x 27.55" (1075 x 508 x 700 mm) and 215.6lbs (98KG). Monoprice also unveiled their new Monolith speakers. The Monolith speakers are available with Atmos at $999, or without Atmos at $849, and are expected to be out November 2019. Epson launches LS-500 4K ultra short-throw Laser Projection TV Launching at CEDIA, the Epson LS-500 is a Laser Projection TV, delivering a 4K HDR image up to 130 inches in size from just centimetres away from the screen on your wall. Equipped with Epson's proprietary 4K PRO-UHD2 3LCD technology, Epson Laser Projection TV combines an advanced Ultra Short Throw Laser Projector – along with an Ultra High-Definition Ambient Light Rejecting Screen – to produce vivid colors and deep blacks for an exceptionally bright, colorful, and sharp picture – in virtually any viewing environment. Full 10-bit color processing accepting 100 percent of the HDR source information to faithfully reproduce HDR content for an exceptional visual performance. Capable of displaying 4K HDR content at an exceptional level of brightness for both color and white content. This not only provides for an amazing viewing experience but sets a new standard in this class of projection – allowing for all-day viewing in virtually any lighting environment. The Epson LS500 Laser Projection TV will be available in the first quarter of 2020 through Magnolia and Professional Home Theater Installers. The Epson Laser Projection TV will be available in black and white models with 100-inch (MSRP $4,999) and 120-inch (MSRP $5,999) SKUs.
Today’s topic is printers. This is something that’s very interesting to me because I love printing. I love it so much I made an online course about it to help you get going quickly with creating fine prints. I recently finished an in-person class on printing and the student was just all smiles. She couldn’t believe the creative doors that had been opened because she learned to print. She was very timid going into it and almost afraid to make it happen. But by following my process and taking things one step at a time she quickly gained the confidence she needed to wrestle those various printer settings and controls to do what she wanted them to do and she made some excellent prints. If you want to add more “wow” to your photography I encourage you to learn to print fine gallery-quality images. Whether you do it on your own printer or if you use an online lab, it’s a valuable process to go through. Speaking of online labs, as I record this I’m in the middle of adding my bonus feature to the online course where I order from at least six different online labs. I walk you through the entire ordering process and do a print analysis at the end comparing the different print labs. I’ll turn this into a future episode of the podcast as well. Alright, on with the show, selecting a printer. In this episode I’m going to assume you’re buying a printer for the first time. I’m also going to assume you want to have maximum control and freedom of paper to put into your printer. Towards the end I’ll look at large format or grand format printers. Where to begin For me, the end result is all about the image on paper. The machine you use to make that happen is just an intermediary device. Your image is key, I can help you there, but not in this episode, and the paper is key. But even with paper, where to begin? There’s so many options available. It can get quite frustrating to tackle this daunting task of deciding which paper to go on. The reason I suggest you start here is so you can easily identify which printer you “Shouldn’t” be buying. Your end goal is to create fine gallery-quality images. And we’ll get there, but we need to also start there at least for a few moments so all the other decisions we have to make are the right ones that will help us achieve that end goal. Recommendations on paper manufacturers I really like Canson Infinity papers. There’s also Moab Papers and Hahnemühle. I just went for it and jumped to the finest quality papers on the planet. This may seem strange since this is not going to be your starting point when you make your first print. This is about understanding where you want to be with your print making once you have all the skills. There are literally hundreds of different paper types to choose from between just these manufacturers, and I’ve only mentioned three manufacturers. The first thing to do on these manufacturers websites is to simply read about the different types of digital papers they offer. Much of it won’t make any sense to you. That’s OK. Please do however look for some keywords that do interest you. Maybe it’s something like the word texture, or smooth, or warm tone. Anything like that. Just get a basic feel for it. Once you’ve looked at a few items to see if there’s anything that interests you, it’s time to look at their ICC profile downloads. This is THE reason I had you come to the paper manufacturers first. The ICC profile is a little tidbit of information that’s needed so the printer puts down the proper amount of ink on that specific paper it’s made for in order to get accurate color. It’s possible to make your own Profile, and I cover that in my online course, but that’s not usually something people want to get into, and that’s totally fine, no need to worry about that at this time. You’re probably already feeling overwhelmed with all the paper options. ICC Profile, so what? The whole purpose here is to simply verify that the paper manufacturer supports the printer you have, or the printer you want to buy. At this point you don’t know which printer you want to buy, but if it’s in this list, it’s going to have a thumbs up from me. If the printer isn’t in this list then you can’t control the color coming out of it very easily and printing will be a continual act of frustration for you since you won’t be able to get consistent results. So take a look at these profile pages, see the many, many options of printers that are supported and revisit these pages once you start looking at specific printer models. If the printer model you’re interested in buying isn’t supported by the paper manufacturers, then don’t buy it. A few thoughts on that, just to clarify further because photography is one of those lovely fields where someone can make a blanket statement and then instantly he can be proven wrong for that statement given certain circumstances. And printing is certainly one of them. In this case, the only caveats to this rule is if the printer manufacturer provides profiles for various papers or if you have your own calibration device and you want to make your own profiles. Those devices are expensive so I’m assuming in this episode you won’t want to make your own profiles. Printer specifications, what to look for Let’s talk about the printing hardware for a bit now and what to look for in deciding upon a printer. For the most part, to be on the ICC profile list of a paper manufacturer, your printer will have to be classified as a “photo” printer or some such by the printer manufacturer. Also, very few letter-sized printers are supported by the paper manufacturers too. So, I recommend looking at the 13×19 print size printers to start out with. They are capable of printing amazingly good quality photographs straight out of the box, but with proper training you can do so much more. If you want to go with a 17” wide printer that’s awesome. And there’s other models that are 24” 44” and even 64 inches wide. Those would be some amazingly large prints. If you’re doing canvas or something like that the larger formats make sense. But let’s get back to reality. In the range of 13×19 printers, there’s not a whole lot of selection. And those of you that are HP fans I’m going to disappoint. I don’t have any experience with HP printers. In the photo printing field they just haven’t achieved anything notable in the market share side of things, and I just don’t have experience with them. I do have experience with Canon and Epson printers, so I’ll focus on these two printer brands. If you go to Epson’s website and click on the “photo printers for home” link you’ll get a selection of seven printers at the time of this recording in late June 2019. https://epson.com/For-Home/Printers/Photo/c/h120 The first four printers are the smaller format models and are not supported by Moab paper at least. If you click the “photo printers for work” link you’ll only be shown the four models that we’re interested in. https://epson.com/For-Work/Printers/Photo/c/w120 These are the XP-15000, P400, P600 and P800 with the P800 being 17” wide. All of these printers are supported by Moab paper with ICC profiles, and I would assume the other paper manufactures have them covered as well. Let’s take a look at Canon. Their models were a bit tougher to filter out online, so I’ve included a link here: https://www.usa.canon.com/internet/portal/us/home/products/list/professional-large-format-printers/professional-inkjet-printers/professional-inkjet-printers The two we’re interested in from Canon are the Pixma Pro-100 and the Pixma Pro-10. They also have the Pro-1000 but that’s a 17” wide printer. Epson Ink Sets Let’s start with Epson again. The XP-15000 uses a six-color Claria Photo HD inkset “with all-new Red and Gray” inks. The Claria ink is a dye-based inkset. More on Dye vs. Pigment inks in a moment. Epson doesn’t readily disclose the size of the ink cartridges but they are about $11 each. In looking at the website for this printer, Epson seems to be targeting this printer at the home crafter. It’s geared towards higher production with the large paper tray in front and a rear paper feed. The P400 uses and 8-color Epson UltraChrome HD ink. They are 14ml each and cost about $18. The P600 uses a 9-color Epson UltraChrome HD inkset. They are 25.9ml per cartridge and they cost about $32 each. The P800, while a larger printer, uses the same 9-color inks, but they are in larger cartridges at 80ml and they cost about $63 each. That’s a huge cost for replacing the ink, but they are available individually. You won’t have to replace all inks at the same time. By far, the P800 will be the cheapest printer to operate and would be worth the extra investment if you’re going to print a lot. At just over a $1/ml of ink, the P600 strikes a nice balance in ink cost vs. printer cost. I should mention the Epson UltraChrome inks are a pigment inkset. Canon Ink Sets The Pixma Pro-100 uses the Canon ChromaLife 100 inks. It’s comprised of eight individual inks and each cartridge is about 14ml. At $17 each it’s not cheap, but about a $1 cheaper than the Epson counterparts. There’s a black and two gray inks in this set which is nice for making B&W prints. The Canon print driver has an option to do true B&W prints which can be nice since it will only use these Black and grey inks. The Pixma Pro-10 and the Pro-1000 are pigment based inks. The Pro-1000 model uses 11 inks plus a chroma optimizer and they are 80ml for about $55. The Pro-10 uses 9 inks with a chroma optimizer. This chroma optimizer is said to “reduce bronzing” and to provide an even ink height which helps reduce surface reflection. This bronzing effect is most noticeable with large sections of black ink. When you hold the print at an angle and you move it back and forth in the light you might notice a secondary color that is present, this is the bronzing they’re talking about. It’s also known as metamerism. It’s not usually a problem, but these pigment inks will have two different blacks, one for matte papers and another for glossy papers. Pigment vs. Dye inks The “more affordable” printers use the dye-based inks. And those inks are cheaper to purchase as well, so you might ask, why the difference? The reason is longevity of the print. Printer manufacturers have come a long way in their dye-based systems. It’s quite impressive. It used to be that if you wanted longevity you went with a pigment-based ink, and if you wanted a wider color gamut you went with a dye-based ink set. Today, it almost doesn’t matter. However, for me, I still prefer the pigment-based inks. The color these printers are capable of producing are very near that of our high-quality monitors so that’s no longer the limiting factor. I suppose we should get into the specific differences between the two types of inks. Dye inks are those where the colorant is dissolved into the liquid carrier. When it’s squirted onto the paper it’s more fully absorbed into the special coating that’s applied to photo papers. For a pigment ink system, the colorant is a ground up substance that is suspended in the liquid carrier. When the ink dries it’s more likely to have less absorption due to the nature of the colorant, and that’s also why it’s possible to get the bronzing effect with pigment-based printers. But I’d like to stress, this is 2019 and this hasn’t been a serious issue for at least 10 years. Probably more. I’ve been printing for about 13 years now and this just isn’t an issue anymore. If you want more information on ink longevity, check out Wilhelm Research. Their website needs some help in the design, but they have excellent guidance when it comes to understanding ink sets and their longevity. http://wilhelm-research.com Printer resolution Does resolution really matter? Canon advertises 4800×2400 dots per inch for the Pixma Pro-10 and 100 models and 2400×1200 for the Pixma Pro-1000. Epson Lists their droplet size as small as 1.5 picoleters. The XP-15000, P400 and P600 have a resolution of 5760×1440. The P800 has a 2880×1440 resolution. For simplification of discussion let’s focus on each manufacturers lower number. For Canon 13×19 printers that’s 2400 dots per inch. For Epson it’s 1440 dots per inch. And for the Canon 17” wide machine it’s 1200 dots per inch. Does this even matter? For the most part I say no. Each of these are very high and will produce very fine photo quality results. Quite frankly the only reason I find this to be of any interest is that I like to set my image resolution in Photoshop to an even multiplier of these lower numbers. So for a 2400 dpi printer, I set my resolution to either 300 ppi, 240 ppi or 200 ppi, depending on the level of detail I need out of the print or the physical size I’m making the print (these two notions go hand in hand). For the Epson, it’s either 360 ppi, 240 ppi or 180 ppi. Do you notice a common number in there? 240 works for each model. Maybe that’s why the default resolution when bringing an image from LR into PS is 240 ppi? I’ve not talked with anyone at Adobe, but it seems it would make sense. I like to have this even multiplier of ppi to dpi just to make translating the image from PS to the printer easier on the print driver. I get pretty picky when it comes to my sharpening settings and I don’t want any surprises. Standardizing my printing resolutions will help me do that. More on Ink Sets, why all the different colors… Epson and Canon have formulated these ink sets to deliver excellent quality. The primaries in the printing world are Cyan, Magenta and Yellow. Black has to be added so we have good contrast. Beyond that the most popular expansion inks are going to be called Photo Cyan, Photo Magenta, Gray, Light Gray (Light Black or Light Light Black for Epson) and then we have an assortment of other inks such as green, orange and red. By including these other inks, the ones beyond the CMYK colors, the manufacturers are more easily able to get their printer to reproduce all the colors in the sRGB or Adobe RGB color spaces (or models). These are the two color spaces we’re most interested in with our printing. So is one better than the other? In short, yes. More color options does give you the opportunity to print more colors and you’ll be able to have, theoretically speaking anyway, a better chance at having accurate colors being reproduced. With that said, my Epson printer at work has a Green and an Orange ink. And they hardly ever get used. So there’s at least part of the whole thing that is a marketing gimmick of sorts. But when you need it, those colors are available. My Canon Pixma Pro-10, my personal printer at home, has a Red ink, I’ve not used it enough to see if it’s anything of a high use with my prints. Certainly it depends on the type of images you’re producing. I have a feeling Canon put the Red ink in there to save on Magenta and Yellow when reds are used since Magenta and Yellow very easily make a perfect Red. I’d like to see a printer with two or three different greens in it though since those are the colors that are hardest to accurately reproduce. Ink head technologies Both Manufacturers have different technologies for squirting ink onto your paper. “Back in the day” I used to prefer Epson because their printers would get clogged less, or rather, when it got clogged, I wouldn’t have to replace a print head. With Canon I would have to replace a head every now and then. Today, however, both manufacturers have done really well at getting good cleaning processes figured out. They even have sensors on the ink heads now that will detect when a nozzle is clogged and it will use the other nozzles to print in its place. You can always run a nozzle check and I recommend you do at least that once a month if you ever have a period of time where you’re not printing. Replacing print heads can be expensive and if it happens to you it might be better to just buy another printer. On the Canon iPF 5100 I had a while back, it cost about $1,700 new, but then I ended up replacing three print heads because I just never printed during the summer. At $500 a pop that got ridiculous. So I bought an Epson and have always been able to unclog it. I know Canon printers have gotten better though, but I don’t have specific experience of not printing for 3 months to see if I can resurrect it when it gets clogged. Getting started with your new printer Both manufacturers have made printing very easy right out of the box. It’s amazing how simple printing is. However, the simplicity they offer does come at a cost. My recommendation is to get your feet wet. Install the driver and the profiles and utilities that is available for your printer. And if you’re buying a used printer that is a discontinued model get on the manufacture’s website and be sure they still support your computer and operating system with a current driver and utilities. Use the manufacturer branded paper to start out with. Canon and Epson especially make some really fine papers. And they make it easy by preinstalling the ICC profiles for you. Use their recommendations to get started, but once you have the basics down, start bringing in other papers as that’s where the true magic can happen. The image should be printed on a paper that helps accentuate the image, not detract from it. If you’re showing a print to an average viewer and their first comment is something to do with the paper then you’ve probably missed the mark. It takes a lot of practice and a lot of experience but once you’ve graduated to the finer quality papers that we first talked about you’ll see what I mean and you’ll understand what I’m talking about. Paper Handling We started with paper, and it’s probably good to end with paper. The different papers have different handling of paper. I prefer to put my paper in one at a time. I’m guaranteed not to let it set to long on the printer that way, and in my current office setup the rear paper tray is unusable on my printer. So I feed it in single sheets on the top. If your printer has a tray I say use it for the standard papers. But not the fine papers we’ve been talking about from Moab and the like. They have a good surface that needs to be treated right and stacking the paper in a tray and allowing the printer to drag it across the other sheets is a bit of a travesty. This is probably just me being extra picky, but when it comes to my art I think it’s good to be picky. Now what? Once you’ve gotten a few prints out and you’re getting used to the process of printing I encourage you to find buddies or other resources that help you achieve even more in your printing. I’m sure you know I’ve got an online course that dives very deep into the world of printing. Getting even better results out of your photography on one of these printers is possible, but it’s one of those things where until you see the difference it’s hard to understand what you’re missing out on. That’s why I offer a 30-day money back guarantee on my course. Plus, there’s monthly group sessions for the first six months where we get together online and we share our questions and successes with learning this print process. Printing gallery quality prints is possible, and with the help of others we can have you printing with WOW in just a few short weeks. Maybe even less. Join a workshop and learn it even faster! And if you really want to learn it fast, join me on the Oregon coast this August. We’re going to shoot the coast and learn printing too in the hotel conference room. All the info is available on the website, I hope you can make it. It’s limited to 8 participants for the first session, and then I have a compressed session from in the very beginning of September, going over Labor Day weekend. That’s limited to 4 participants. So whatever you’re in for, let’s get together and print this summer!
储存卡、备用电池、三脚架、电脑、显示器……其实要花钱的地方多着呢!加入【摄影早自习】微信群1、添加叶梓私人微信:katoyezi(暗号:喜马拉雅)2、发送“申请入群”加入【北京/深圳/厦门及闽南地区】摄影小聚1、添加叶梓私人微信:katoyezi2、说明要加入的城市如“北京” 早安,我是叶梓,今天是摄影早自习陪伴大家的第963天。“田园风光”在摄影自习室里问了一个问题,大致上就是说他预算比较充裕的情况下,买相机买什么样的好?他有三个选项:全画幅的单反、全画幅的微单或者是M4/3画幅的奥林巴斯的相机。 那我当然是推荐了他全画幅的微单相对比较轻便,而且画质比较好。这个问题因为在摄影自习室里面已经回答过他了,我就不在这里再赘述了,大家有兴趣也可以进去听一听。我在这里想衍生来讲一个问题,就是我们如果有一笔钱要开始玩摄影了,到底应该怎么分配这个钱?因为很多人都会想到要买相机机身和镜头,但是他们却忘了学摄影的过程中机身和镜头只是我们要花钱的工具里的一部分,它并不是全部。所以我们一开始就要把预算给分配好,除了镜头和机身以外,我们还有哪些东西是在一开始就可能要买好的呢?我给大家举一些例子: 第一个最紧要的肯定是存储卡。存储卡有高速的、有超高速的,比较高速这种的比如说闪迪128G,95m/s,差不多300多块钱就能买得到。但是超高速的(比如索尼的)哪怕就64G,300m/s的读写速度的价格可能就是上千的,你需要哪种卡不仅跟你自己的需求有关系,也跟你的机身是否支持那么高速有关系,这个预算你是要留出来的。 卡买好了以后你就要考虑备用电池的事情。如果你是使用的微单,我建议你无论如何都要备颗原装备用电池。而我自己的习惯一般是备两块原装备用电池,这样基本上是够用的。如果你想购买国产电池的话,你就要小心一点,国产电池的供电能力通常是原装电池的1/2-2/3左右,所以你用国产电池的话可能就要买得更多一点。 卡和电池都备好了,接下来就可以出去拍照了。但是又有一点需要注意,如果你想拍摄夜景或者星空这样的需要固定相机才能拍的清楚的题材的话,我们就需要买三脚架,三脚架贵的也差不多要1万块钱,再便宜五六百、七八百还是需要的。 好,买完三脚架我们就可以拍夜景了。那么现在的问题是拍完照片以后,后期处理时你的电脑配置是否能跟得上。这是一个非常基础的问题,因为我们照片总归是要进到电脑里面来进行整理,进行修片,然后再来发布的。你不要以为学摄影可以只学前期拍摄,这是很不实际的一种做法,整个摄影艺术你永远只学前一半,这是不可能的。 很多的学员问我说电脑应该买什么型号好?我一般会推荐苹果的MacBook Pro 2018版最新版本,你至少需要买到13寸的最高配或者买任意一款15寸的笔记本。当然如果你准备买台式机,它的配置会更高一些,只不过没有笔记本那么方便。 我推荐苹果电脑,除了它的系统、它的软件、硬件都对摄影视频或者音乐这样的艺术工作者有非常贴心的优化之外,其实还有一个非常重要的原因就是苹果的新款的笔记本和一体机,它的屏幕是相对比较好属于P3色域(相对比较宽的一种色域),对色彩的显示能力比较强,画面也极其的细腻,是视网膜屏,所以这就是我们下一个要重点关注的地方。 如果你不准备买苹果电脑,或者说你现在的电脑就够用,那么你的屏幕是否够用?我有一个一对一的学员,是非常用心在学摄影的,但是唯一有一个问题就是他的笔记本电脑的屏幕极其的糟糕,他的电脑屏幕色域才能达到百分之六十几的SRGB色域,那基本上可以认为它显示任何颜色都是不准的。 那么如果你的屏幕那么糟糕,你又如何去观察自己的照片,判断是否拍的合适,甚至来决定如何来做后期处理呢?这是不可能的一件事情。所以屏幕也是非常关键的,如果你有充足的预算,应该把屏幕算上,你至少需要买一块接近100%的SRGB色域的屏幕,甚至是更专业一点的有Adobe RGB色域的屏幕。 你看看我们从机身、镜头、存储卡、备用电池、三脚架一直算到笔记本和显示器,这一套东西都完备的情况下,我们才能把摄影这件事从头学到尾。所以你一定要明白,我们掏出预算来不是全部都要花在机身和镜头上的,如果你那么去花,你很快就会发现自己入了一个坑,你还要再添一些新的钱来购买其它的设备才行,那到时候就很被动了。 当然我说的这只是一个比较理想的状况,咱们大部分摄影爱好者可能预算都没有那么充足,预算不足也有预算不足的方法,并不见得就说不能学摄影了,也不见得真的要花那么多钱才能学好摄影,我也是一直主张大家有多少钱办多少事,我自己也是从几百块的单反相机开始学摄影的。 好了,今天我们就聊到这里,今天是摄影早自习陪伴大家的第963天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
储存卡、备用电池、三脚架、电脑、显示器……其实要花钱的地方多着呢!加入【摄影早自习】微信群1、添加叶梓私人微信:katoyezi(暗号:喜马拉雅)2、发送“申请入群”加入【北京/深圳/厦门及闽南地区】摄影小聚1、添加叶梓私人微信:katoyezi2、说明要加入的城市如“北京” 早安,我是叶梓,今天是摄影早自习陪伴大家的第963天。“田园风光”在摄影自习室里问了一个问题,大致上就是说他预算比较充裕的情况下,买相机买什么样的好?他有三个选项:全画幅的单反、全画幅的微单或者是M4/3画幅的奥林巴斯的相机。 那我当然是推荐了他全画幅的微单相对比较轻便,而且画质比较好。这个问题因为在摄影自习室里面已经回答过他了,我就不在这里再赘述了,大家有兴趣也可以进去听一听。我在这里想衍生来讲一个问题,就是我们如果有一笔钱要开始玩摄影了,到底应该怎么分配这个钱?因为很多人都会想到要买相机机身和镜头,但是他们却忘了学摄影的过程中机身和镜头只是我们要花钱的工具里的一部分,它并不是全部。所以我们一开始就要把预算给分配好,除了镜头和机身以外,我们还有哪些东西是在一开始就可能要买好的呢?我给大家举一些例子: 第一个最紧要的肯定是存储卡。存储卡有高速的、有超高速的,比较高速这种的比如说闪迪128G,95m/s,差不多300多块钱就能买得到。但是超高速的(比如索尼的)哪怕就64G,300m/s的读写速度的价格可能就是上千的,你需要哪种卡不仅跟你自己的需求有关系,也跟你的机身是否支持那么高速有关系,这个预算你是要留出来的。 卡买好了以后你就要考虑备用电池的事情。如果你是使用的微单,我建议你无论如何都要备颗原装备用电池。而我自己的习惯一般是备两块原装备用电池,这样基本上是够用的。如果你想购买国产电池的话,你就要小心一点,国产电池的供电能力通常是原装电池的1/2-2/3左右,所以你用国产电池的话可能就要买得更多一点。 卡和电池都备好了,接下来就可以出去拍照了。但是又有一点需要注意,如果你想拍摄夜景或者星空这样的需要固定相机才能拍的清楚的题材的话,我们就需要买三脚架,三脚架贵的也差不多要1万块钱,再便宜五六百、七八百还是需要的。 好,买完三脚架我们就可以拍夜景了。那么现在的问题是拍完照片以后,后期处理时你的电脑配置是否能跟得上。这是一个非常基础的问题,因为我们照片总归是要进到电脑里面来进行整理,进行修片,然后再来发布的。你不要以为学摄影可以只学前期拍摄,这是很不实际的一种做法,整个摄影艺术你永远只学前一半,这是不可能的。 很多的学员问我说电脑应该买什么型号好?我一般会推荐苹果的MacBook Pro 2018版最新版本,你至少需要买到13寸的最高配或者买任意一款15寸的笔记本。当然如果你准备买台式机,它的配置会更高一些,只不过没有笔记本那么方便。 我推荐苹果电脑,除了它的系统、它的软件、硬件都对摄影视频或者音乐这样的艺术工作者有非常贴心的优化之外,其实还有一个非常重要的原因就是苹果的新款的笔记本和一体机,它的屏幕是相对比较好属于P3色域(相对比较宽的一种色域),对色彩的显示能力比较强,画面也极其的细腻,是视网膜屏,所以这就是我们下一个要重点关注的地方。 如果你不准备买苹果电脑,或者说你现在的电脑就够用,那么你的屏幕是否够用?我有一个一对一的学员,是非常用心在学摄影的,但是唯一有一个问题就是他的笔记本电脑的屏幕极其的糟糕,他的电脑屏幕色域才能达到百分之六十几的SRGB色域,那基本上可以认为它显示任何颜色都是不准的。 那么如果你的屏幕那么糟糕,你又如何去观察自己的照片,判断是否拍的合适,甚至来决定如何来做后期处理呢?这是不可能的一件事情。所以屏幕也是非常关键的,如果你有充足的预算,应该把屏幕算上,你至少需要买一块接近100%的SRGB色域的屏幕,甚至是更专业一点的有Adobe RGB色域的屏幕。 你看看我们从机身、镜头、存储卡、备用电池、三脚架一直算到笔记本和显示器,这一套东西都完备的情况下,我们才能把摄影这件事从头学到尾。所以你一定要明白,我们掏出预算来不是全部都要花在机身和镜头上的,如果你那么去花,你很快就会发现自己入了一个坑,你还要再添一些新的钱来购买其它的设备才行,那到时候就很被动了。 当然我说的这只是一个比较理想的状况,咱们大部分摄影爱好者可能预算都没有那么充足,预算不足也有预算不足的方法,并不见得就说不能学摄影了,也不见得真的要花那么多钱才能学好摄影,我也是一直主张大家有多少钱办多少事,我自己也是从几百块的单反相机开始学摄影的。 好了,今天我们就聊到这里,今天是摄影早自习陪伴大家的第963天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
Sebarpe Hola, gracias por todo lo que compartís en el podcast, llevo escuchandoos desde el primero al último y sensacional, aunque hace poco que os he visto por primera vez en youtube y cional, aunque hace poco que os he visto por primera vez en youtube y ...... bueno...... menuda conmoción !!!! ;-)) Esto se avisa eh ;-))) Fuera coñas un saludo y gracias. ................ Pero que menuda impresión !!!!!! ivan05 Cómo puedo sacarle el mejor partido a mi pisapapeles cuando quiero hacer una foto plano busto y quiero tener la mayor nitidez posible en los ojos.En el audio. Anónimo muchas gracias Frank, pere muy buenos consejos son el final ????(lo último). saludos atte: Iván desde boston. me encanta el podcast lo escucho casi por todos los canales. Publicado agmparis Cuán importante los fundamentos. Muchas gracias. Lista imprescindible para pegar en la pared y repasarla a menudo. Publicado klintxifood pues podrías hacer un curso de retoque de tatoos, como potenciarlos y como quitarlos... Y gracias por el aporte del objetivo de 90 descentrableEn el audio. satantxiki Pere por favor que si fumas, te tomas 12 cafés al día y no dejas que desaparezcan los bueyes porque te los comes.... no llegas al capítulo 400!!! mejora tus hábitos que queremos oírte durante muchos años!!! felicidades por los programas y por los cursos!!! Andres Reflex Pregunta Podcast Hola Fran y Pere. Voy a ser padre. Mi unico y gran hobby es la fotografia y mi mujer quiere que sea yo, el que le haga las fotos de newborn cuando nazca, y creo que puedo conseguirlo. Tengo una hulmide camara canon 1200d con opticas 50mm f1.8 y lentes kit 18-55, 55-250. Tambien tenía un yongnuo 35mm f2.0 pero hace unos dias se me cayo al suelo y se hizo polvo. Quiero sustituirlo pero al tener un sensor apsc y tener que multiplicarlo x1.6, estoy valorando en comprar me un canon 24mm f2.8 por falta de espacio en casa para la sesion de newborn, ya que el 35mm quizas sea muy largo. ¿Que opinais?. Ademas creo que teniendo un flash de relleno muy muy suave podria darle uso poniendole un difusor casero tipo folio, sabana, porexpan, etc. Disculpadme por mi texto tan largo. Enhorabuena por vuestra apuesta del canal de youtube, esta muy bien. alimoche67 Uff, en tampoco tiempo se han quedado muchas cosas por decir, espero que lo amplieis. Desconocia que existiera un tripode especial para panorámicas, rotulas si que hay muchas, pero un tripode especial para panorámicas, rotulas si que hay muchas, pero tampoco son tan necesarias, con un rail para fotografia que son baratisimos y un palito o el mismo dedo podemos buscar el punto nodal. Es una fotografia muy guapa, de mucha calidad y extensible a muchas cosas, no solo a paisaje y arquitectura. Un saludo Cristina Ante todo enhorabuena por lo mucho que nos dais. Hace un mes me inicié en el mundo de la fotografía y estoy como loca escuchando podcast vuestro, empecé por los primeros pero voy saltando a otros, digo esto porque igual habéis contestado a esta pregunta en alguna ocasión y no lo he escuchado. El tema es que he oído que las cámaras réflex tiene una vida limitada, no se muy cuál es, por lo que me agobia un poco empezar a disparar mucho haciendo pruebas temiendo que en dos años me quede sin cámara, tengo una Canon EOS 77D, no se igual es una tontería lo que estoy diciendo pero como soy nueva supongo que se me puede perdonar. Seguiré escuchando sin parar vuestros maravillosos podcast que tanto me aportan. Gracias de verdad.Bss. P Rumbo73 Una vez más, enhorabuena por vuestro entretenidos podcast, por vuestra gran web, por vuestros fantásticos cursos y por esa gran familia que estáis creando. A raíz de la pregunta que hizo el EXanonimo 82, (perdón) no me acuerdo del nombre, me surge la duda de ¿por qué trabajamos nuestras fotos, si las vamos a imprimir, a unas curvas superiores a sRGB , ya que la mayoría de los papeles o laboratorios solo admiten ésta? ¿o es mejor subirlas en adobeRGB?
Hola y bienvenidos a un nuevo episodio del podcast de Aprender Fotografía. En esta sesión combinada de preguntas y respuestas hablaremos de la cámara réflex Leica Monocromo y contestaremos preguntas de nuestros oyentes. Jesús de Baldoma Aunque es probable que ya lo hayáis tratado en algún que otro capítulo, hay un tema que no me queda muy claro y es el de los perfiles de color (sRGB, AdobeRGB, ...). Me gustaría saber exactamente qué son, para qué sirven y cual es mejor para cada caso: en cámara, en Lightroom, para imprimir, ... Hacéis un trabajo cojonudo. Gracias por el tiempo que nos dedicáis. Cursos de Fotografía Online Los cursos de fotografía online de Aprender fotografía son la manera más fácil y más rápida de aprender a fotografiar a través de videotutoriales. Siempre disponibles 24 horas al día, 365 días al año. Tarifa plana con 200 clases, más de 65 horas de fotografía. Cada mes añadimos dos nuevos cursos. Incluye tutoría y soporte para dudas individualizado.
In a previous episode we discovered what RGB stood for. In this episode we uncover the difference between RGB and sRGB. BE CREATIVE. BE INSPIRED. BE YOU
继续回答六位同学的选购方面的提问,为双十一做好充足的剁手准备。【“双十一”超级充电节】课程优惠 网页或APP登录 网易云课堂 ,搜索“叶梓”或复制链接:https://study.163.com/topics/kato201809【课程咨询】微信:hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信:katoyezi(暗号:喜马拉雅)2、发送“申请入群” 早安,我是叶梓,今天是摄影早自习陪伴大家的第908天,我要继续来回答大家关于双11剁手的问题。 “徐富美要学门手艺”问佳能的135mm f/2.0光圈的镜头和“百微(100mm微距镜头)”那个相比谁更适合入手? 这要看你具体的需求了。笼统的来说这两支镜头都是大光圈的,只不过135mm的这一只是f/2.0,“百微”是f/2.8,小了一点点。但是“百微”有一个很“致命”的优势,就是它能很近的进行对焦,从而把那些小物体拍的很大,它的放大倍率很大,所以“百微”比135mm这一只要多一个微距功能。总的来说我觉得“百微”更划算,毕竟它的应用范围要广一些。佳能100mm f/2.8微距镜头佳能135mm f/2.0定焦镜头 瑞同学问修图外接戴尔的U2419H显示器如何? 这是一个比较入门级的显示器,好在它的色域空间是能达到99%的sRGB,但是我依然觉得它的评级只能到一个“可以买”的地步,谈不上是专业显示器,你不要指望它的效果到底有多好。戴尔U2419H显示器 另外,乐途光影Jay同学问到有关磁盘之类的问题。 我依次回答你:首先,买磁盘阵列只是买个盒子,里面的硬盘是需要另外再买的,除非它写明了这是含硬盘的套装。那么硬盘的型号我们一般会选择西数的红盘,原因是它的启动电压比较低,转速也没那么快,所以它可持续的正常运转的时间会更长一些,更可靠一点。各个品牌的磁盘阵列基本上都要使用3.5寸规格的硬盘,3.5寸就是那种大的用在台式机电脑里的那种硬盘的尺寸。 至于Drobo这个品牌的5D3和5D两个型号的磁盘阵列盒的区别,5D3是用的我们叫Type C的接口,是一种扁扁的椭圆形的小USB接口,同时它还有雷电口,它的文件传输速度会更快,但是前提是你的电脑要支持这两种接口才行,如果你电脑不支持就应该买5D,因为它的传输接口就是普通的USB接口。Drobo五盘位磁盘阵列盒 如果你觉得Drobo品牌实在是有点贵,我有两个选择给你。第一个是直接上亚马逊的App,然后找到"海外购"选项来购买美国直邮的Drobo,能便宜到国内的一半左右。如果你还是想要更便宜,可以考虑国产的Orico品牌的磁盘阵列,两盘位或五盘位都可以,Orico的磁盘阵列才几百块钱。Orico五盘位磁盘阵列盒 银狐同学问到买三脚架的问题。 如果你预算一般的话可以考虑百诺牌的三脚架,但是百诺里边最便宜的那几款好像口碑不是特别好,容易坏,但是它贵一些的型号并没有什么问题。如果你预算非常充足的话,还可以买捷信的三脚架,这是三脚架里最鼎鼎有名的品牌了。百诺旅游天使二代系列三脚架及云台 在材质上如果你预算一般可以买铝合金,预算比较充足可以买碳纤维。你还要留意一下三脚架的总长度和收纳长度,总长度高于你的身高就没有意义了,因为你不太可能掂着脚去拍照。而收纳长度(就是它折叠起来以后的长度)要小于你的行李箱尺寸,否则一旦机场不允许你把三脚架带上飞机,你就需要托运,但又放不进你的行李箱,那就非常尴尬了。银狐同学还问到云台是否是必须的?是必须的,它是连接相机和三脚架的必要的构件,但是大部分三脚架在卖的时候卖的就是脚架和云台的套装,以防你买了脚架结果发现相机装不上去,只在极少部分情况下我们需要单独选购脚架和云台的。捷信三脚架 神仙鱼同学问到了用相机来拍视频的时候不好对焦的问题。 除了多加练习以外,你还可以考虑一个稍大一点的清晰的视频监视器,可以在淘宝搜索“相机+空格+监视器”就行了。这种屏幕更有利于你在手动对焦时看清焦点。另外你有问到用什么相机会更好拍视频?你可以看一下松下GH5这款相机,松下有些机型都是以视频为长项的。松下GH5相机 荀彧提问说能不能推荐几款用于PS的笔记本,他说不太用看屏幕的问题,只要预算在6000以内。 6000以内能买到的笔记本的运算能力是十分有限的,所以建议你考虑像联想这样的物美价廉的品牌,具体的型号其实我也不太了解,可以在你的预算内去购买最高的配置。我估计,只要你的相机的像素别超过2000万,那么一般的6000元的笔记本应该是能够跑得动Lightroom或Photoshop这样的软件的,只不过可能会稍微的慢一点,并不是不能忍的。但是一定要记得电脑必须要配备windows10以上的系统,否则它会没法安装最新版的Lightroom和Photoshop,进而影响到你没有办法用这两个软件打开比较新的型号的相机所拍摄的raw格式照片。联想 拯救者 R720-15IKBN 今天的答疑就到这里,大家如果有更多的关于买器材的疑问,也欢迎在底部向我留言,我会集中在这几天为大家解答。 我所讲授的系统全面的摄影课以及其它的入门或速成类摄影课,目前都在双“11”活动期间,感兴趣的同学可以按下面方式了解课程详情。【“双十一”超级充电节】课程优惠 网页或APP登录 网易云课堂 ,搜索“叶梓”或复制链接:https://study.163.com/topics/kato201809【课程咨询】微信:hello-kato 今天是摄影早自习陪伴大家的第908天,我是叶梓,每天早上6:30微信公众号“摄影早自习”,不见不散。
继续回答六位同学的选购方面的提问,为双十一做好充足的剁手准备。【“双十一”超级充电节】课程优惠 网页或APP登录 网易云课堂 ,搜索“叶梓”或复制链接:https://study.163.com/topics/kato201809【课程咨询】微信:hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信:katoyezi(暗号:喜马拉雅)2、发送“申请入群” 早安,我是叶梓,今天是摄影早自习陪伴大家的第908天,我要继续来回答大家关于双11剁手的问题。 “徐富美要学门手艺”问佳能的135mm f/2.0光圈的镜头和“百微(100mm微距镜头)”那个相比谁更适合入手? 这要看你具体的需求了。笼统的来说这两支镜头都是大光圈的,只不过135mm的这一只是f/2.0,“百微”是f/2.8,小了一点点。但是“百微”有一个很“致命”的优势,就是它能很近的进行对焦,从而把那些小物体拍的很大,它的放大倍率很大,所以“百微”比135mm这一只要多一个微距功能。总的来说我觉得“百微”更划算,毕竟它的应用范围要广一些。佳能100mm f/2.8微距镜头佳能135mm f/2.0定焦镜头 瑞同学问修图外接戴尔的U2419H显示器如何? 这是一个比较入门级的显示器,好在它的色域空间是能达到99%的sRGB,但是我依然觉得它的评级只能到一个“可以买”的地步,谈不上是专业显示器,你不要指望它的效果到底有多好。戴尔U2419H显示器 另外,乐途光影Jay同学问到有关磁盘之类的问题。 我依次回答你:首先,买磁盘阵列只是买个盒子,里面的硬盘是需要另外再买的,除非它写明了这是含硬盘的套装。那么硬盘的型号我们一般会选择西数的红盘,原因是它的启动电压比较低,转速也没那么快,所以它可持续的正常运转的时间会更长一些,更可靠一点。各个品牌的磁盘阵列基本上都要使用3.5寸规格的硬盘,3.5寸就是那种大的用在台式机电脑里的那种硬盘的尺寸。 至于Drobo这个品牌的5D3和5D两个型号的磁盘阵列盒的区别,5D3是用的我们叫Type C的接口,是一种扁扁的椭圆形的小USB接口,同时它还有雷电口,它的文件传输速度会更快,但是前提是你的电脑要支持这两种接口才行,如果你电脑不支持就应该买5D,因为它的传输接口就是普通的USB接口。Drobo五盘位磁盘阵列盒 如果你觉得Drobo品牌实在是有点贵,我有两个选择给你。第一个是直接上亚马逊的App,然后找到"海外购"选项来购买美国直邮的Drobo,能便宜到国内的一半左右。如果你还是想要更便宜,可以考虑国产的Orico品牌的磁盘阵列,两盘位或五盘位都可以,Orico的磁盘阵列才几百块钱。Orico五盘位磁盘阵列盒 银狐同学问到买三脚架的问题。 如果你预算一般的话可以考虑百诺牌的三脚架,但是百诺里边最便宜的那几款好像口碑不是特别好,容易坏,但是它贵一些的型号并没有什么问题。如果你预算非常充足的话,还可以买捷信的三脚架,这是三脚架里最鼎鼎有名的品牌了。百诺旅游天使二代系列三脚架及云台 在材质上如果你预算一般可以买铝合金,预算比较充足可以买碳纤维。你还要留意一下三脚架的总长度和收纳长度,总长度高于你的身高就没有意义了,因为你不太可能掂着脚去拍照。而收纳长度(就是它折叠起来以后的长度)要小于你的行李箱尺寸,否则一旦机场不允许你把三脚架带上飞机,你就需要托运,但又放不进你的行李箱,那就非常尴尬了。银狐同学还问到云台是否是必须的?是必须的,它是连接相机和三脚架的必要的构件,但是大部分三脚架在卖的时候卖的就是脚架和云台的套装,以防你买了脚架结果发现相机装不上去,只在极少部分情况下我们需要单独选购脚架和云台的。捷信三脚架 神仙鱼同学问到了用相机来拍视频的时候不好对焦的问题。 除了多加练习以外,你还可以考虑一个稍大一点的清晰的视频监视器,可以在淘宝搜索“相机+空格+监视器”就行了。这种屏幕更有利于你在手动对焦时看清焦点。另外你有问到用什么相机会更好拍视频?你可以看一下松下GH5这款相机,松下有些机型都是以视频为长项的。松下GH5相机 荀彧提问说能不能推荐几款用于PS的笔记本,他说不太用看屏幕的问题,只要预算在6000以内。 6000以内能买到的笔记本的运算能力是十分有限的,所以建议你考虑像联想这样的物美价廉的品牌,具体的型号其实我也不太了解,可以在你的预算内去购买最高的配置。我估计,只要你的相机的像素别超过2000万,那么一般的6000元的笔记本应该是能够跑得动Lightroom或Photoshop这样的软件的,只不过可能会稍微的慢一点,并不是不能忍的。但是一定要记得电脑必须要配备windows10以上的系统,否则它会没法安装最新版的Lightroom和Photoshop,进而影响到你没有办法用这两个软件打开比较新的型号的相机所拍摄的raw格式照片。联想 拯救者 R720-15IKBN 今天的答疑就到这里,大家如果有更多的关于买器材的疑问,也欢迎在底部向我留言,我会集中在这几天为大家解答。 我所讲授的系统全面的摄影课以及其它的入门或速成类摄影课,目前都在双“11”活动期间,感兴趣的同学可以按下面方式了解课程详情。【“双十一”超级充电节】课程优惠 网页或APP登录 网易云课堂 ,搜索“叶梓”或复制链接:https://study.163.com/topics/kato201809【课程咨询】微信:hello-kato 今天是摄影早自习陪伴大家的第908天,我是叶梓,每天早上6:30微信公众号“摄影早自习”,不见不散。
Calibration, color space, and why sRGB rocks. Oh, and also crap in the crotch. But really, that's par for the course.
Hola y bienvenidos, un día más, a Aprender Fotografía – el podcast. Soy Fran Valverde, como siempre me acompaña Pere Larrègula. En el programa de hoy tratamos algunos comentarios que nos habéis enviado y varias dudas sobre cómo ser fotógrafo profesional. Indicaros que en el programa anterior hicimos una pequeña introducción a los que será el curso de aspectos importantes a tener en cuenta para ser fotógrafo profesional. Se trata de una pequeña introducción, el curso es mucho más extenso. Antes de empezar con el programa, recordaros que podéis encontrar todo nuestro contenido en aprenderfotografía.online, una red social para fotógrafos totalmente gratuita. El principal motivo por el que te recomendamos unirte a la red social es porque vas a aprender fotografía, tendrás acceso a los fotoconsejos, que son píldoras de unos pocos minutos donde vamos tratando varios temas. Cuando te suscribas recibirás un mail con varios videos, conocerás a mucha gente con tus mismos gustos, recibirás feedback de tus trabajos, te enterarás de las quedadas que se organicen y podrás participar en ellas... Dentro de la red social aprenderfotografía.online hemos montado la plataforma de cursos online, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles catorce cursos, de diez lecciones cada uno. Esta mes subiremos 3 cursos más, concretamente la semana que viene. La suscripción a los cursos es de 10 euros al mes, da acceso a todo el contenido y se pueden ver tantas veces como se desee. No hay restricciones de contenido ni distintas cuotas. Os podéis dar de baja cuando queráis. Taller presencial fotografía de moda Recordarte también que vamos a hacer dos talleres presenciales al año. El próximo será el día 6 y 7 de octubre, sobre fotografía de moda. Tienes la posibilidad de asistir un único día por 99 euros cada día, o los dos por 169 euros. Tendremos una modelo profesional, peluquero, maquillador y estilista. Cada taller son unas 10 horas cada día. Os enseñaremos todo el equipo técnico que tenemos en el estudio, incluso podréis probarlos. El temario principal del taller será el siguiente: Sábado Repaso conceptos de iluminación en estudio. Poses clásicas y cómo trabajarlas. Primera parte práctica, cómo iluminar en moda catálogo y posproceso desde Lightroom y Photoshop con las fotografías de moda catálogo. Domingo Retrato y expresión en moda. Moda y cosmética, fotografía de belleza. Ejercicios de moda editorial en estudio. Posproceso de fotografía para moda editorial. Cursos actuales Los cursos que están actualmente en la web son: Curso de iniciación a la fotografía digital Curso práctico de iniciación a la fotografía digital Curso de gestión de modelos Curso de iluminación en estudio básico Curso de Adobe Lightroom básico Curso básico de marketing para fotógrafos Curso de cómo montar tu propio estudio fotográfico Curso de flash de zapata Curso de retrato de carácter Curso de Boudoir Curso de desnudo artístico Curso de composición en fotografía Curso de iluminación en Retrato Curso de Iniciación a Photoshop para Fotógrafos Recordaros también que ya están abiertos los dos canales de Telegram: Canal de Telegram: https://t.me/aprenderfotografia Grupo de Telegram donde podemos conversar con vosotros y entre vosotros. https://t.me/aprenderfotografianoticias Canal de difusión de Telegram donde estaréis informados de todas las novedades de Aprender Fotografía El Podcast, cursos, nuevos podcasts, etc. En éste no podéis interactuar. Empezamos con vuestros comentarios y con algunas dudas sobre cómo ser fotógrafo profesional: Puntualización Mb. Trias Hola. Sólo una pequeña puntualización la "S" de sRGB se corresponde a "estándar". ¡Enhorabuena por los programas!!! Lo podéis ver de las dos formas, de estándar o de short. Siempre se le ha dicho short pero en wikipedia seguramente que ponga estándar. Comentábamos fuera de micro, que seguramente habréis notado una mejora brutal en la cali...
In this interview Greg Benz and I nerd out on the meaning of Bit Depth and how it’s useful to all of us as travel and landscape photographers. The Main Article here. Main Points of interest: 2:10, What is Bit Depth? 4:20, Starting the definition of the “steps” between values smaller. How “granular” it is. 5:40, Box of crayons analogy with relation to bits. 6:00, 8 bits really the minimum for photographers. Banding can be an issue. 6:40, Banding defined 7:00, High ISO, Texture, things that hide banding 8:05, Digital noise is good J 8:35, Dithering and Noise difference 10:10, Advice against having your working file in 8 bits 11:25, Brent describes dithering 12:25, What bits the cameras actually give us. 14:35, Description on camera vs. eye interpretation of light. Log vs. Linear 16:40, How higher bit-depth in the raw stage helps us in camera, especially with the shadows. 19:00, characteristics of pushing the limits of the sensor 21:10, discussion on other terminologies, monitor manufacturers etc. 23:25, adding Gamut to the discussion, sRGB, Adobe RGB, ProPhoto RGB 26:30, some specific thoughts on ProPhoto RGB 29:30, printing with the ProPhoto RGB gamut 33:50, banding with luminosity masking, a fake issue 38:00, Photoshop is really only 15 bit?! What?! 40:40, How does this knowledge help us when shooting and processing? 48:35, Introducing Dynamic Range to the discussion. 52:38, Learning to shoot the right way, to maximize all these items. 55:10, Exposure Blending Master Course Use this link for excellent gear at the Peak Design website. It helps support my podcasting efforts. Thanks! Use this link to get a free gift at checkout, plus it helps support my podcasting efforts. Thanks!
一次讲清有关色域空间的五个常识,给出最终的选择方案。【自由摄影师】新班招生网页或APP登录网易云课堂,搜索“自由摄影师”或:http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信:hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信:leonyee7(暗号:喜马拉雅)2、发送“申请入群” 早安,我是叶梓,今天是摄影早自习陪伴大家的第789天。 一个叫做Nicole的同学在群里面问大家说“相机的色域空间到底应不应该选Adobe RGB?”,另一位叫做Stella的同学回复她说,“推荐使用SGB,除非你有得比RGB色域的显示器,否则选了也白选。”总的来说Stella同学的回答是正确的,但是我想进一步解释这个问题。对相机而言 首先什么是色域空间?对于相机来说色域空间就是相机能捕捉的这一个色彩的多少的程度。比如说这里有一种极其鲜艳的红色,相机A根本就拍不下这种颜色来,而相机B能够如实的记录它,那么此时相机B的色域空间就比相机A要大很多。那么问题来了,如果这团红已经超出了相机A(色域空间小的那台相机)的色域空间,那么它最后拍下来会是什么样子的?相机A会把它记录成自己能够记录的最近似的一种颜色,但不管怎么近似,它还是有区别的,色彩上会有失真。对显示器而言 色域空间不仅对相机有意义,而且对显示器也有意义。我们还是说这团红色。如果它已经被相机完美的记录下来了,那么在显示屏上显示时,如果显示屏A的色域空间不够大,那么它显示这团红的时候,就只能把它近似的缩略的显示为自己能显示的一种红色。这里面肯定又是有偏差的,但是对于色域空间比较大的显示器B,它就可以把这团极其鲜艳的红完美的再现出来。对后期处理而言 以上是色域空间对于相机和对于显示器的意义,除此之外,色域空间还对后期处理很有意义。越大的色域空间就给后期处理留了越大的余地,这感觉好像你的调色盘会更大一些,你的颜料的颜色种类会更多一些,显然你能调出的颜色也会更丰富一些。以上三点就是色域空间对我们摄影的一个大致的影响。色域的五个常识 那么现在我们需要知道几个事实: 第一,Adobe RGB的色域是远远大于sRGB色域的。 第二,几乎所有的微单和单反相机都支持Adobe RGB的比较广的色域空间。 第三,当相机选择为raw格式拍照时,因为该格式记录的是感光元件捕捉的光线所有的数据,所以理论上不存在Adobe RGB和sRGB的选择的区别,或者说它默认的是Adobe RGB的比较宽的色域。 第四,也是影响最大的一个问题,影响我们最终抉择的问题是我们的显示屏。其实大部分显示器都只能显示sRGB的比较狭窄的色域。 苹果公司向来比较重视艺术工作者,所以它的最新款的手机、iPad和电脑都支持一种比sRGB要大得多的,但是比Adobe RGB要小得多的叫做P3的色域。而像华硕、艺卓等厂商生产了一些专业的显示器,是能够完全支持100%的Adobe RGB色域的。 第五,在冲印照片或者是印刷的时候,因为冲印原理和印刷原理的不同,有的机器只能支持sRGB或者更小的色域,有的是能够支持更大的色域的。相机里的色域空间(色彩空间)菜单我们应该选哪个? 具备了以上五点常识以后,最后我们再来看一看到底应该选哪种色域。我给你一个最简单的选择方法,如果你的显示器只支持sRGB,也就是说你根本就看不到得比Adobe RGB色彩的精彩的话,那么你可以在相机中直接选择sRGB色彩就好。这样的话它跟你的显示器之间会尽量的能匹配一些,显示出来的色彩不会偏差太大。 另外,如果你的照片以不太会用来印刷,只在网上发一发,你的受众——就是说你的照片的观众——大部分人都在使用sRGB的屏幕来观看你的作品的话,那么你的色域空间其实用sRGB就够了,这个时候如果你选择的是Adobe RGB,传给别人看的时候,从别人的小色域的屏幕中打开的时候,反而可能会出一些问题。 但是如果你对照片的画质有更高的追求,你的照片可能需要在专业的显示设备上显示,或者将来要做高精度的输出、冲放,要做展览的话,那么我建议你保险起见还是选择Adobe RGB,这样才有利于获得更多的更加漂亮的色彩。关于后期的小贴士 最后给一个小贴士,也是关于色域空间的一个妙用。不管你在相机里选择的是Adobe RGB还是sRGB,如果你想让后期处理中关于颜色的损失尽量少一些,那么你可以在Photoshop中把它的色域空间改一下,改成比如说改成LAB空间——这是理论上最大的涵盖一切色彩的一种色域空间,它涵盖我们今天提到的AdobeRGB、sRGB以及苹果也就是电影标准的P3色域,还有四色印刷的CMYK的所有色彩。 我们可以先把图片改为LAB色域来对它进行后期处理,处理完成以后再视情况把它导出为Adobe RGB色域或者是sRGB色域。还是那句话,如果你的照片只是给那些使用sRGB色域的普通屏幕的用户在电子设备上观看的话,那么你就把它导出为sRGB比较好。这一步骤的本质是在后期处理中提供了更大的一个色域的范围,让你在调整的过程中不至于因为超出了原有的色域空间而丢失损失色彩。 以上是对“北京摄影小聚群”里的Nicole同学的问题的详细答复。更多摄影问题也欢迎大家在底部评论区向我留言,我会抽取一些好问题在下次早自习中答复,如果想得到我的百分百的答复,请扫描下方绿色二维码进入摄影自习室向我提问。 我们非常系统全面的平面摄影课《自由摄影师》以及视频导演课《新媒体视频导演》两门微专业课程现在正在砍价活动进行中,详情见下方⬇️【自由摄影师】新班招生网页或APP登录网易云课堂,搜索“自由摄影师”或:http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信:hello-kato 今天是摄影早自习陪伴大家的第788天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
一次讲清有关色域空间的五个常识,给出最终的选择方案。【自由摄影师】新班招生网页或APP登录网易云课堂,搜索“自由摄影师”或:http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信:hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信:leonyee7(暗号:喜马拉雅)2、发送“申请入群” 早安,我是叶梓,今天是摄影早自习陪伴大家的第789天。 一个叫做Nicole的同学在群里面问大家说“相机的色域空间到底应不应该选Adobe RGB?”,另一位叫做Stella的同学回复她说,“推荐使用SGB,除非你有得比RGB色域的显示器,否则选了也白选。”总的来说Stella同学的回答是正确的,但是我想进一步解释这个问题。对相机而言 首先什么是色域空间?对于相机来说色域空间就是相机能捕捉的这一个色彩的多少的程度。比如说这里有一种极其鲜艳的红色,相机A根本就拍不下这种颜色来,而相机B能够如实的记录它,那么此时相机B的色域空间就比相机A要大很多。那么问题来了,如果这团红已经超出了相机A(色域空间小的那台相机)的色域空间,那么它最后拍下来会是什么样子的?相机A会把它记录成自己能够记录的最近似的一种颜色,但不管怎么近似,它还是有区别的,色彩上会有失真。对显示器而言 色域空间不仅对相机有意义,而且对显示器也有意义。我们还是说这团红色。如果它已经被相机完美的记录下来了,那么在显示屏上显示时,如果显示屏A的色域空间不够大,那么它显示这团红的时候,就只能把它近似的缩略的显示为自己能显示的一种红色。这里面肯定又是有偏差的,但是对于色域空间比较大的显示器B,它就可以把这团极其鲜艳的红完美的再现出来。对后期处理而言 以上是色域空间对于相机和对于显示器的意义,除此之外,色域空间还对后期处理很有意义。越大的色域空间就给后期处理留了越大的余地,这感觉好像你的调色盘会更大一些,你的颜料的颜色种类会更多一些,显然你能调出的颜色也会更丰富一些。以上三点就是色域空间对我们摄影的一个大致的影响。色域的五个常识 那么现在我们需要知道几个事实: 第一,Adobe RGB的色域是远远大于sRGB色域的。 第二,几乎所有的微单和单反相机都支持Adobe RGB的比较广的色域空间。 第三,当相机选择为raw格式拍照时,因为该格式记录的是感光元件捕捉的光线所有的数据,所以理论上不存在Adobe RGB和sRGB的选择的区别,或者说它默认的是Adobe RGB的比较宽的色域。 第四,也是影响最大的一个问题,影响我们最终抉择的问题是我们的显示屏。其实大部分显示器都只能显示sRGB的比较狭窄的色域。 苹果公司向来比较重视艺术工作者,所以它的最新款的手机、iPad和电脑都支持一种比sRGB要大得多的,但是比Adobe RGB要小得多的叫做P3的色域。而像华硕、艺卓等厂商生产了一些专业的显示器,是能够完全支持100%的Adobe RGB色域的。 第五,在冲印照片或者是印刷的时候,因为冲印原理和印刷原理的不同,有的机器只能支持sRGB或者更小的色域,有的是能够支持更大的色域的。相机里的色域空间(色彩空间)菜单我们应该选哪个? 具备了以上五点常识以后,最后我们再来看一看到底应该选哪种色域。我给你一个最简单的选择方法,如果你的显示器只支持sRGB,也就是说你根本就看不到得比Adobe RGB色彩的精彩的话,那么你可以在相机中直接选择sRGB色彩就好。这样的话它跟你的显示器之间会尽量的能匹配一些,显示出来的色彩不会偏差太大。 另外,如果你的照片以不太会用来印刷,只在网上发一发,你的受众——就是说你的照片的观众——大部分人都在使用sRGB的屏幕来观看你的作品的话,那么你的色域空间其实用sRGB就够了,这个时候如果你选择的是Adobe RGB,传给别人看的时候,从别人的小色域的屏幕中打开的时候,反而可能会出一些问题。 但是如果你对照片的画质有更高的追求,你的照片可能需要在专业的显示设备上显示,或者将来要做高精度的输出、冲放,要做展览的话,那么我建议你保险起见还是选择Adobe RGB,这样才有利于获得更多的更加漂亮的色彩。关于后期的小贴士 最后给一个小贴士,也是关于色域空间的一个妙用。不管你在相机里选择的是Adobe RGB还是sRGB,如果你想让后期处理中关于颜色的损失尽量少一些,那么你可以在Photoshop中把它的色域空间改一下,改成比如说改成LAB空间——这是理论上最大的涵盖一切色彩的一种色域空间,它涵盖我们今天提到的AdobeRGB、sRGB以及苹果也就是电影标准的P3色域,还有四色印刷的CMYK的所有色彩。 我们可以先把图片改为LAB色域来对它进行后期处理,处理完成以后再视情况把它导出为Adobe RGB色域或者是sRGB色域。还是那句话,如果你的照片只是给那些使用sRGB色域的普通屏幕的用户在电子设备上观看的话,那么你就把它导出为sRGB比较好。这一步骤的本质是在后期处理中提供了更大的一个色域的范围,让你在调整的过程中不至于因为超出了原有的色域空间而丢失损失色彩。 以上是对“北京摄影小聚群”里的Nicole同学的问题的详细答复。更多摄影问题也欢迎大家在底部评论区向我留言,我会抽取一些好问题在下次早自习中答复,如果想得到我的百分百的答复,请扫描下方绿色二维码进入摄影自习室向我提问。 我们非常系统全面的平面摄影课《自由摄影师》以及视频导演课《新媒体视频导演》两门微专业课程现在正在砍价活动进行中,详情见下方⬇️【自由摄影师】新班招生网页或APP登录网易云课堂,搜索“自由摄影师”或:http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信:hello-kato 今天是摄影早自习陪伴大家的第788天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
《摄影叨B叨》第379期- 很多同学都会发现无论是在前期拍摄时相机中的选项,还是后期修图时在ps中,都会有一项色彩空间的选项,而色彩空间有两个常用选项sRGB和AdobeRGB,那这两个色彩空间有什么区别呢?用哪个好呢?让我们来听听纳纳老师为我们仔细讲讲>>>加入【摄影叨B叨】微信交流群:1、添加课代表菠萝微信:fengniaokdb-42、备注:喜马拉雅
《摄影叨B叨》第379期- 很多同学都会发现无论是在前期拍摄时相机中的选项,还是后期修图时在ps中,都会有一项色彩空间的选项,而色彩空间有两个常用选项sRGB和AdobeRGB,那这两个色彩空间有什么区别呢?用哪个好呢?让我们来听听纳纳老师为我们仔细讲讲>>>加入【摄影叨B叨】微信交流群:1、添加课代表菠萝微信:fengniaokdb-42、备注:喜马拉雅
This week is a new Case Study episode. Alison Tinson submitted the case via email a few weeks ago about preparing her files to send them to the printer. I asked our good friends at WHCC to help us solve some of the mysteries of printing. Jed Taufer volunteered to take part in the conversation and answer our questions from sRGB color space to color calibration, from print size to paper selection... Take a listen and I think you will be less intimidated next time you send your files to the printer.
https://www.adorama.com In this Episode (Ep111) David Bergman tells you why you should shoot on sRGB instead of AdobeRGB. Related Products at Adorama: Canon EOS 5D Mark IV DSLR Body https://www.adorama.com/ica5dm4.html?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Canon 5DS R DSLR Camera Body http://www.adorama.com/ICA5DSR.html?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Canon EF 100-400mm f/4.5-5.6L IS II USM Zoom Lens http://www.adorama.com/CA1004002U.html?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Canon EF 85mm f/1.4L IS USM AutoFocus Telephoto Lens https://www.adorama.com/ca8514l.html?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Apple MacBook Pro http://www.adorama.com/g/macbookpro?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Bose SoundLink Color Bluetooth Speaker II, Soft Black https://www.adorama.com/boslcsiisbk.html?utm_source=youtube&utm_medium=social&utm_campaign=Color%20Space%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Like, share, and comment on the video below...let's get the conversation started! You can keep up with David on Instagram and Twitter @DavidBergman
Chet, Romain, and Tor in the totallyprofessional recording studioIn this episode, Chet and Tor talk with Romain Guy about color, spanning topics from how color works (on devices and in our eyes) to specific color technologies/specifications like sRGB and wide-gamut displays to specific features that are now available in the Android O Preview release.Subscribe to the podcast feed or download the audio file directly.LinksAndroid O Developer PreviewGoogle I/O 2017: Understanding Color360|AnDev: U and IRomain Guy: google.com/+RomainGuy, @romainguyChet: google.com/+ChetHaase, @chethaaseTor: google.com/+TorNorbye, @tornorbyeThanks to continued tolerance and support by our audio engineer, Bryan Gordon.
In this episode, I explain why we need ICC Profiles, what they do, and what to specify at the various stages of the digital workflow. Details on blog: https://mbp.ac/577 Music by Martin Bailey
In this episode, I explain why we need ICC Profiles, what they do, and what to specify at the various stages of the digital workflow. Details on blog: https://mbp.ac/577 Music by Martin Bailey
99. Ajuste del espacio del color en cámara Hola y bienvenidos, un día más, a Aprender Fotografía. Soy Fran Valverde y me acompaña Pere Larrègula, fotógrafo de moda y publicidad y formador. Hoy hablamos sobre ajustes del espacio del color en cámara. Qué espacio poner ¿sRGB o Adobe RGB? También expandimos un poco más nuestro vocabulario fotográfico. Como siempre, os recordamos que Studio Lightroom es un espacio de alquiler para el fotógrafo aficionado y profesional. Ofrecemos tanto el alquiler del espacio, un estudio de 90m2 bañados por luz natural, cómo alquiler de material fotográfico. Además, ofrecemos cursos y talleres de manera habitual. Os recordamos que usando la palabra "podcast" recibiréis un 20% de descuento en todos los cursos. Hoy además os queremos anunciar nuestro programa número 100, que grabaremos el día 2 de mayo a las 18:00 horas en Studio Lightroom, queremos invitaros a venir y hacer las preguntas que queráis en directo. Tema central del programa: Ajuste del espacio del color en cámara Vocabulario fotográfico: ALTAS LUCES PARASOL También queremos invitarte a participar y a asistir a nuestros cursos y talleres de fotografía en Barcelona, nuestro próximo curso es el curso de adobe lightroom dirigido por Pere Larrègula. Descuento: usando la palabra "podcast" en la cesta de compra podrás obtener un 20% de descuento. Como siempre, te pedimos que nos valores con una reseña de 5 estrellas en iTunes e iVoxx. ¡Muchísimas gracias por tu feedback! Y no dudes en escribirnos si tienes alguna duda o pregunta adicional.
《摄影叨B叨》第37期-相机里sRGB和Adobe RGB的区别欢迎大家微信关注“蜂鸟微课堂”除了每天5分钟的叨B叨之外还有更多的摄影课程等你来听哦>>>
《摄影叨B叨》第37期-相机里sRGB和Adobe RGB的区别欢迎大家微信关注“蜂鸟微课堂”除了每天5分钟的叨B叨之外还有更多的摄影课程等你来听哦>>>
IFA 2016 Each year in Germany consumer electronics manufacturers come together to display their wares at IFA. The IFA or Internationale Funkausstellung Berlin (International radio exhibition Berlin, aka 'Berlin Radio Show') is one of the oldest industrial exhibitions in Germany. Kind of like a mini-CES, manufacturers announce new products and services. We haven't covered the show for a few years, but this year we thought it would be pertinent to run down some of the announcements as they pertain (mostly) to Home Theater. General Worldwide revenues from consumer electronics are projected to drop 5 percent this year to $906.55 billion, according to market research firm GfK and reported by Hans-Joachim Kamp, chairman of gfu Consumer & Home Electronics, during the inaugural IFA 2016 keynote presentation. However, many product segments will show significant growth this year. According to Kamp and GfK, global sales of UHD TVs will hockey stick 75 percent this year to 54 million units UHD sets, while OLED set sales will spike an even more vertical 120 percent to 600,000 units. Even unit sales of smart TVs in general are expected to rise a modest 1 percent to 96 million units. Other growing products markets include wearables, forecast to rise 58 percent to 122 million units; Bluetooth speakers, projected to grow 23 percent to 41 million units; and, worldwide sales of smartphones, still the 800-pound gorilla of consumer technology, will expand by 5 percent to 1.4 billion units. While revenue from gadgets are expected to be down this year, the IFA show in general will celebrate its 10th straight year of growth. According to Dr. Christian Göke, CEO of the Messe Berlin fairgrounds and convention space, the number of exhibitors will rise to 1,800, a 5 percent rise, occupying 158,000 square meters, also a 5 percent rise. Whether or not the show attracts more than last year's 40,000 visitors – both trade and consumer – remains to be seen. Source: IFA 2016: Global CE Revenues Projected To Fall 5% in 2016 Samsung Samsung reinforced its commitment to Quantum dot display technology at IFA 2016. Samsung revealed a new Quantum dot TV, the 88-inch KS9800, offering the ultimate in picture quality, brilliance and, as with all of Samsung's SUHD TVs, a display capable of producing up to one billion colors. Samsung now offers the largest range of SUHD TVs in Europe, with 19 available sizes from 43” up to 88”, capitalizing on the limitless flexibility of Quantum dot in terms of screen size and definition. Samsung also announced the world's first curved Quantum dot PC Monitors – the new CF791, with a 34” Ultra Wide QHD screen and the stunning new CFG70, the first curved monitor with a one millisecond moving picture response time and 144 hertz refresh rate for smooth, flawless gaming. As the first curved quantum dot gaming monitors, Samsung's CFG70 and CF791 express brilliant colors across a 125-percent sRGB spectrum, while employing an environmentally-safe cadmium-free design. This luminance emphasizes a range of otherwise-hidden game details in both light and dark settings, offering unprecedented visual realism designed to capture the attention of even the most hardcore gamers. Ever mindful that great television is about amazing content as well as outstanding picture quality, Samsung said it was strengthening its collaborative relationships with global partners, such as Amazon and Netflix. Netflix in particular is expanding its range of HDR content for European customers, with film titles such as Marco Polo, The Do-Over and The Ridiculous Six. European partners including RTVE and Insight TV will also begin to offer HDR content in the second half of 2016. Samsung also showcased the capabilities of the Samsung Smart Remote, which allows users to easily navigate all of their connected devices with one single remote control. The Smart remote is designed to auto-detect any and all external devices connected to the TV, making it simple for consumers to switch between and use them – without having to hunt around for multiple remotes. Lastly, Samsung underlined its position as the leader in European home audio and the number one soundbar manufacturer in the region. On display were products including Samsung's Wireless Audio 360 line-up and HW-K950 Soundbar featuring Dolby Atmos® audio technology for cinematic, multi-dimensional sound. Combined with its SUHD TV, UHD Blu-ray Player, and HDR content ecosystem, Samsung believes this makes them the only company capable of providing the complete 4K home entertainment experience. Source: Samsung Redefines the Consumer Experience at IFA 2016 Sony The Sony ‘Signature Series' goes one step further than any audio product they've made before. Comprised of the MDR-Z1R headphones, NW-WM1Z Walkman and TA-ZH1ES headphone amplifier, it's a formidable trio of products, intended for those who have no budget and will only accept the very best sound quality. The Z1R headphones combine unbelievable sound quality and luxurious design for something truly special. Each part and component is made to the very highest quality – from the huge, crystal 70mm driver unit to the comfortable, ergonomic earpads – and High-Resolution Audio support guarantees a stunning music experience. Then there's the flagship WM1Z Walkmans, which has been re-imagined from the ground-up. It utilises all of Sony's sound technologies including High-Resolution Audio for beautiful audio quality, and it maintains the stunningly simplistic design for which the Walkman range is renowned. With up to 256gb of storage there's plenty of room for your High-Resolution Audio collection, and it has that elusive premium feel when you hold it in your hand. This just so happens to be a $3,200 Walkman that's plated in gold. This is a super-high-end revision of the already-high-end Walkman that Sony introduced for playing lossless audio files last year. It basically takes that and modifies the hardware to prevent subtle interference that could harm sound quality. To be clear, these are likely to be minor sound quality improvements that only serious audiophiles with equally high-end headphones will notice. But for that niche audience, this may be a solution. The new Walkman has a copper body that's been plated in gold, which is meant to reduce contact resistance and magnetic interference. Internally, the Walkman's analog circuitry is supposed to be separated from its primarily digital circuitry to reduce noise even further. It also has a “dual clock circuit with low phase noise quartz oscillator,” which is an obscure part of the digital-to-analog conversion chain that's probably important to get right and difficult to measure the results of, but will theoretically lead to improvements in sound quality. One of the biggest problems with wearing headphones is losing awareness of the sounds around you, especially if you're using noise cancellation. Sony is trying to solve that problem with its latest pair of headphones, the elegantly named MDR-1000X. The headphones have several noise-cancellation modes, which give you the option to block out as much sound as possible, or to filter in voices or ambient noise. The intention is to let you listen to music in a quiet environment, but make sure you can still hear enough to be aware of your surroundings. Source(s): Sony: New IFA products, Sony's new headphones cancel noise, but not people's voices, Sony made a $3,200 gold-plated Walkman LG LG Electronics welcomed visitors to its IFA 2016 exhibition booth with an awe-inspiring and immersive OLED Tunnel measuring a record-breaking 5m tall, 7.4m wide and 15m in length. A total of 216 separate 55-inch curved OLED signage displays were assembled to create the unique structure comprising 447,897,600 – nearly half a billion – pixels to display a collection of breathtaking scenes including Iceland's Aurora Borealis, underwater ecosystems and deep space footage. A video titled “From Black to Black” was produced by LG to include footage that accentuate the lifelike colors and the ability to recreate the miniscule details of life which LG's OLED technology delivers. The footage includes the black ocean with effervescent jellyfish and the gentle movement of whales, as well as scenes from deep black space and the brilliant northern lights on a black sky. LG captured footage of Iceland's Northern Lights using 14 separate 8K cameras to record every detail and movement as accurately as possible. Other video clips such as underwater scenes and shots taken from space will create a fully immersive environment for visitors, making them feel as if they are swimming in the ocean or floating in the Milky Way. At IFA, attendees will have the chance to see how closely the advanced technology of OLED can recreate the great outdoors inside an exhibition hall. The impressive scale of the display tunnel is made possible by OLED's ultra-thin, highly flexible lightweight panels. OLED displays can be custom bent to concave or convex formations without any picture quality distortion, allowing for spectacular digital installations such as immersive tunnel-like environments. Each OLED pixel can switch itself on and off, eliminating the need for backlighting. OLED TVs have the ability to render true black and infinite contrast ratio that delivers vibrant, eye-popping color and wide viewing angles. Source: World's Largest OLED Tunnel Welcomes Visitors to IFA with 450 Million Brilliant Pixels JVC JVC was geared up to unveil its first consumer D-ILA projector with native 4K resolution at the IFA trade show. Until now, the Japanese manufacturer has been making do with its e-Shift pseudo-4K technology on the company's lineup of projectors for residential installations. Details on JVC's newest projector remain scant, even after the show has opened, but here's a teaser video for you.. The new high-end JVC projector will carry a “BLU-Escent” branding, a technology that's first introduced on the company's commercial projectors. It consists of a laser diode array that emits blue light and excites a yellow phosphor which is later separated into red and green components through a high-speed, reflective wheel. The red, green and blue elements constitute the illumination that's fed through D-ILA LCOS imaging panels (most renowned for their deep blacks and high contrast) to produce projected pictures. Source: JVC to Unveil True 4K HDR Laser Projector at IFA 2016 Acer Acer got IFA 2016 off to a wondrous start with the launch of the incredibly thin Swift 7 laptop. This Windows 10 machine, powered by Intel's brand new 7th-generation Core i5 processor, measures a scant 9.98mm, making it the first to limbo under the 1cm bar (0.39 inches). Despite beating Apple's MacBook and HP's Spectre 13 for the braggadocious title of being the world's thinnest laptop, the Swift 7 doesn't sacrifice much in the way of either ports or battery. It offers two USB-C 3.1 ports and a headphone jack, plus Acer promises a 9-hour endurance thanks to Intel's newly updated and more efficient Y series of chips. The Swift 7 launches in China in September for ¥6,999, followed by Europe and the United States in October, at prices of €1,299 and $999, respectively. This pricing isn't actually too bad for those who prioritize style and flair over everyday practicality. Source: Acer's Swift 7 is the first laptop thinner than a centimeter
The following is the formal exposé to the topic. It was written to Tabatha for her professors and her to read for her photography class. As such, there is much overlap between the podcast and the written version below, but not entirely: This was supposed to be a review of my experience with my intern Tabatha, but it evolved into a commentary of theory vs. practice. Let me first be clear that my time with Tabatha was short. 30-40 days spread out a couple times a week a couple hours at a time is hardly enough to truly assess someone. I think that Tabatha satisfied all the criteria of the internship. She followed me to nearly every single shoot during that time period. She assisted me with every aspect of every shoot and every task and even helped me assemble 3x 4’10’ aluminum sheet panels. Truth be told she was a better presence than I expected. I usually don’t allow assistants and interns to come to my shoots. Usually they are more of a distraction and obstacle to my workflow. Tabatha proved useful and did not get in the way of my process. My goal during this time was to demonstrate to Tabatha how I work. What I am driven by and why I do what I do. The purpose of even the smallest tasks was simply to reveal the inner workings of my mind; how I approach things, how I react to them, and most important how I solve problems. To this end, I believe I succeeded in delivering a unique and intensive internship to Tabatha. As a result, there exists no other person on Earth that understands how I work as a photographer, more than Tabatha Gallais. We routinely had philosophical discussions about my approach to photography. Admittedly Tabatha’s internship was an eye-opening experience for me. I don’t have any formal training in photography. While I am no stranger to higher education (BA in Economics, MA in Psychology and an MBA), the academic approach to photography is somewhat foreign to me. I have created several educational programs during my tenure as a photographer instructor. I created a “New Media" class at the New York Film Academy where I taught MA Photography students how to manage their websites, social media, SEO, etc. Under the LUCIMA brand, I created webinars for fashion photographers to systematically learn retouching and other aspects of fashion photography. Also under the LUCIMA brand, I created live weekend workshops that taught pre-production, production and post-production for both still photography and videography. Despite all the classes I have taught, there exists a fundamental difference between how I think-learn-teach photography and how formal education systems think-learn-teach photography. This discovery culminated at the end of Tabatha’s internship in a conversation with her assessment of my philosophy as a photographer. Her conclusion was that I had no philosophy towards photography. In my feeble attempts to explain to her and concede that many aspects to my work are not driven philosophically, I failed to define and defend my true position as a photographer. Theoretically, I am driven by a love of beauty in the female form. Practically I am driven by everyday constraints and problem-solving. It is at best a conjugal relationship between two warring factions. At the time of our conversation, I tried to explain to Tabatha that my approach to photography was more “mechanical” and that I approached photography the way a robot or a computer would approach photography. To solve existing problems. To simplify and remove all extra variables and “moving parts”. Philosophically, I attempt to distill my process down to its very core. A basic and raw interaction between two human beings through the art of fashion photography; devoid of all the bells and whistles that you would find on a typical shoot. What Tabatha visually observed was a task-oriented photographer that wasted little words and got straight to the point of achieving his desired outcome. In other words she observed a very efficient photographer at work. But I think what Tabatha could not truly appreciate was the evolution of this process. Throughout the past seven years I’ve learned much of the theoretical side of photography. I’ve spent countless hours on web forums pixel peeping and arguing with armchair quarterbacks about the ideal methodology to extract maximum dynamic range and resolution to achieve the sharpest and noiseless images. I’ve watched videos ad nauseum, about lighting, the use of lightmeters/grey cards/colorcheckers, profiling your camera/monitor/printer, and other technical and sometimes esoteric pursuits. I’ve read hundreds of pages in various forums about retouching at the highest levels, espoused by programmers that write the code for retouching software (Photoshop), scripts (like the spatial-frequency separation), and other editing techniques designed to back-solve certain styles of editing whether it be Dave Hill, Amy Dresser, or Guy Aroch. But it’s all just theory. I will borrow a reference from one of my favorite movies. Reading/Researching stuff on the Internet is like living in the limbo dream world of Inception. You can spend an entire lifetime there and still accomplish nothing. As a result, I have taken all the knowledge that I acquired on the Internet and applied it in real-life. And in that process I have stripped away all the unnecessary parts of my workflow, including but not limited to strobes/Pocket Wizards, tethering/computers, reflectors, lightmeters, spatial frequency separation scripts, Colorchecker passports, makeup artists, stylists, hair stylists, focus tuning each unique lens, assistants/interns, excess conversation with models, modeling agents, most of social media, analog film/developing/scanning, and more. 99% of my Instagram feed was created with a model, a camera, a 55mm lens, and some “light” retouching. Not only have I removed many of the moving parts from my own “machine” but I break many rules espoused by theory. I dodge and burn on the base layer in Photoshop. I retouch in 8-bit with the sRGB profile. I delete all images that I don’t intend to edit. OMG. That’s the typical reaction I get from workshop photographers. But if you apply the espoused theories (that cause the reaction of horror to my practices), you’ll find that they are often unrealistic. Think about it. Every time you copy your base layer you are doubling your file size. In a perfect world, file size doesn’t matter. But we live in the real world. I have 207,000 images in my library and multiple backups of that library. I would need twice my existing capacity if I copied the base layer of each image just once. Yes, once. If I copied the base layer twice, I would need 3x the capacity of my existing library. And so on and so forth. So I learned to dodge and burn on the base layer and I seldom make copies of the base layer. Constantly managing the size of my library requires that I delete images I don’t intend to retouch. And ultimately through thousands of edits, I learned how to retouch more efficiently, effectively bypassing the need for non-destructive editing techniques. Which is to say, I basically don’t make mistakes in editing and/or need to revert back to some lesser version of my edits. My workflow evolved through real-world constraints. What about the 8-bit files with sRGB profiles? I prefer the look of 8-bit files because they appear a little more “broken up” (256 vs. 65,536 shades of grey). Considering that many photographers add digital grain to their images, retouching in 8-bit shouldn’t require a stretch of their imagination. We are after the same thing. A less digital image with a little more texture and grit. Try it and let me know what you think. Let me reiterate. Theoretically, I am driven by a love of beauty in the female form. Practically I am driven by everyday constraints and problem-solving. Which brings me full circle back to Tabatha. The great thing about Tabatha is that she demonstrated a high-level of curiosity about everything. What I want her to learn is how to create her own questions and then answer her own questions. This is the greatest skill any photographer (or other) could ever develop. The photographer’s journey is often an independent one. Without developing the ability to wonder, try, fail (and fail willingly), you wind up sitting at your desk reading about what others have done and never arriving at any real answers one way or another to support or refute your wonder. In other words, do. As the Nike slogan says, “Just Do It”. Doing is the only answer. Doing is the only way to get from A to B. And don’t be afraid to do. Don’t put so much pressure and importance on the act of doing. Look at doing as another data point in the infinite set of data points. Never as an end point. Most of us fail not because we try, but because we fail to try. Never assume you and your principles are more important than the act of discovery and you’ll never be too afraid to push the boundaries. To do the things other people say, are wrong, not worth doing, impossible. Never cease to wonder. But most importantly never cease to try. Always try. And when you do, you’ll find that all the philosophy in the world fades away like noise in the background. And all you’re left with is what you’ve created. And all they’ll be is just what they are. No more and no less. As I often say, “They’re just pretty pictures”.
Третье поколение «убийцы флагманов», смартфона компании OnePlus, вышло скомканным, но вкусным блином. Ведущие: Андрей Барышников, Алексей ИгнатьевСайт проекта: beardycast.com Таймкод 00:00:00 ⋅⋅⋅ Вступление00:00:59 ⋅⋅⋅ История компании OnePlus. 00:06:57 ⋅⋅⋅ Внешний вид.00:08:48 ⋅⋅⋅ Сканер отпечатка пальца. 00:09:19 ⋅⋅⋅ Клавиши: наэкранные, сенсорные. 00:09:41 ⋅⋅⋅ Экран: AMOLED, 1920×1080, точность цветопередачи, sRGB-режим. 00:11:44 ⋅⋅⋅ Как активировать цветовой профиль sRGB в Nexus 6P и OnePlus 3. 00:13:26 ⋅⋅⋅ Цена: $399. Для покупки смартфона не нужны пригласительные коды (так было раньше). 00:13:34 ⋅⋅⋅ Зачем были нужны пригласительные коды. 00:14:26 ⋅⋅⋅ Оперативная память: 6 гигабайтов, но с подвохом. 00:16:18 ⋅⋅⋅ Фирменная прошивка Oxygen OS/ Hydrogen OS (вариации ОС Android). 00:18:22 ⋅⋅⋅ Разъем: USB Type C, но сам порт USB 2.0 — медленный. 00:18:49 ⋅⋅⋅ Камера: режимы Clear Image и HQ. 00:23:35 ⋅⋅⋅ Микрофоны: шумоподавление во время разговора, качество передачи речи. 00:24:34 ⋅⋅⋅ Проблемы при видеосъемке. Обзор Motion Stills. 00:26:34 ⋅⋅⋅ Звук: громкость, качество воспроизведения. 00:27:30 ⋅⋅⋅ Быстрая зарядка: Dash Charge (64% за 30 минут, 100% за 70 минут). 00:28:26 ⋅⋅⋅ OnePlus 3 не снижает частоту процессора после нескольких «прогонов» тестов (медленно нагревается, максимум 50 градусов). 00:29:56 ⋅⋅⋅ Время работы: 4–5 часов работы экрана. 00:31:38 ⋅⋅⋅ Проблема с клиентом YouTube. 00:32:59 ⋅⋅⋅ Возможны проблемы с работой модуля Wi-Fi. 00:33:59 ⋅⋅⋅ Как слушать подкасты. Заключение и прощание. ПодписывайсяThe Big Beard Theory | BeardyCast | Telegram
En este podcast reproducimos el directo que realizamos para las Jornadas Andaluzas del Podcasting JAPOD 2016 donde hablamos sobre el proceso de llevar una fotografía de la cámara al papel y las recomendaciones por parte de Jorge, técnico de laboratorio, que nos ayudará a entender y comprender el flujo correcto de impresión, si lo que queremos es una representación fiel de nuestras imágenes. Desgranaremos cómo debería ser el proceso de calibrado de color correcto para llegar a tal fin. Empezamos hablando de la calibración de monitor. Para ello, Jorge nos recomienda usar durante todo este proceso una marca en concreto: xrite, la marca por excelencia que deberíamos de usar si queremos asegurarnos buenos resultados. Jorge hace hincapié en esta marca, ya que es el "estandar" de calibración de las máquinas dónde después pasaremos a imprimir nuestras fotografías, por lo tanto, tiene lógica que nuestros equipos estén calibrados con la misma marca. El aparato que enseñamos en el podcast es un modelo parecido al X-Rite ColorMunki Smile, este calibrador es el más barato que vamos a poder encontrar de esta marca y su precio ronda los 100€. Su funcionamiento es más que fácil, a través de un software que instalamos en nuestro ordenador y junto a su colorímetro, podremos calibrar nuestro monitor en un proceso guiado que no tardará más de 5 minutos. Pasamos a la cámara, dónde deberemos elegir el perfil de color con el que queramos trabajar, nuestras cámaras nos ofrecen dos posibilidades: sRGB o Adobe RGB. Lo ideal es siempre trabajar con el mismo perfil de color que vayamos a utilizar durante todo el proceso, aunque nosotros recomendamos utilizar Adobe RGB ya que es un perfil con más profundidad de color que sRGB. También os recuerdo que este paso tampoco es tan importante si estamos trabajando con RAW, ya que podremos asignar el perfil de color que nosotros queramos a nuestro antojo sin alterar nuestra imagen, no pudiendo hacer lo mismo en JPG. Una vez realizada esta configuración, otro paso no tan importante, pero si que es bueno saberlo, es el de calibrar nuestras propias cámaras réflex. Hay mucha gente que desconoce que nuestras cámaras también pueden ser calibradas. Este paso, suele ser determinante sólo en aquellas circunstancias que lo requieran, como por ejemplo, fotografía de obras de arte o en importantes exposiciones. Normalmente, para un usuario medio, incluso avanzado, este paso es totalmente prescindible, pero es bueno saber que existe y su funcionamiento por si queremos afinar más en algún trabajo en concreto. Para calibrar nuestras cámaras necesitaremos un nuevo elemento: X-Rite ColorChecker Passport, otro aparatejo que nos supondrá otros 100€ de inversión. A través del cual, podremos realizar una fotografía de muestra dónde, después en nuestro programa de edición, podremos hacer la corrección según la iluminación que teníamos en el momento de hacer la fotografía. Por último, hablamos de las distintas herramientas técnicas que usan los laboratorios de imagen, con los cuales siempre es recomendable hablar y tener una conversación previa acerca de su forma de trabajar y los distintos elementos de los que disponen para poder llevar a cabo nuestra impresión para conseguir un reflejo fiel de los colores tal y cómo nosotros lo queremos. Hasta aquí este podcast dónde me gustaría agradecer la colaboración de Jorge y Jose Luis, a los asistentes y organizadores de JAPOD 2016.
In this week's episode, we talk to Retoucher and Creative Director, Bianca Carosio about how she chose her creative path, women in the industry, and multiple tangents. www.BiancaCarosio.com Instagram.com/BiancaCarosio www.BryonSummers.com Instagram.com/BryonSummers Phocabulary: Color Space The range of colors that can be reproduced on a computer monitor or in print. The most commonly used color spaces for digital imaging are the baseline sRGB or Standard RGB, created in 1996, and a wider-gamut, Adobe RGB later in 1998. Source: http://www.bhphotovideo.com/explora/photography/buying-guide/glossary-digital-photography-terms Book: This week I'm suggesting you head to your local book store check out a few magazines that catch your eye. Pay attention to the model or subject on the cover and analyze the editing. Try to figure out how much retouching was involved to create that finished product. I'm a fan of tangible things so I would actually go to a brick and mortar book store but you can also find a wide range of magazines on Issuu.com. Music: KB @push-music --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bryonsummers/support
If you've ever wondered why it's better to use the ProPhoto RGB color space over Adobe RGB or sRGB when processing images, you have to take a look at this video. Full sized video and additional info: https://mbp.ac/423
If you've ever wondered why it's better to use the ProPhoto RGB color space over Adobe RGB or sRGB when processing images, you have to take a look at this video. Full sized video and additional info: https://mbp.ac/423
Rene and Marc iterate through Apple vs. Samsung, Metro name changes, and Safari 6 sRGB, and interrogate Luc Vandal of Edovia, and Thomas Unterberger about Screens, Napkin, and the Çingleton Symposium. This is Iterate!
If you're creating Web graphics, then there's no substitute for Save for Web and Devices. It disposes of non-essential data, reduces file sizes to their absolute minimum, and converts the image to sRGB, the color space of the people.