Podcasts about chopin

A Doctor, a Lady, and a Twin walk into a train station...Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

Este jueves 18 de junio, Paul McCartney cumplirá 84 años. En 2004, la revista británica “Uncut” publicó junto a su número impreso un disco compacto de canciones o piezas musicales favoritas. Maravillas de Brain Wilson, Frank Sinatra, Chopin, Nitin Sawhney, George Harrison, Nat King Cole, Fred Astaire, Frank Sinatra o James Taylor, entre otros. Se incluyeron también un par de composiciones del propio Macca.  DISCO 1 THE FIREMAN Watercolour Guitars (RUSHES 1998)DISCO 2 JAMES TAYLOR  Mean Old Man (OCTOBER ROAD 2002)DISCO 3 NITIN SAWHNEY Sunset DISCO 4 BRIAN WILSON God Only Knows (BRIAN WILSON PRESENTS PET SOUNDS LIVE 2002)DISCO 5 NAT KING COLE The Very Thought Of You (1958)DISCO 6 GEORGE HARRISON Marwa BluesDISCO 7 FRANK SINATRA A Lovely Way To Spend An Evening (1943)DISCO 8 CHINMAYA DUSTER & VIDROHA JAMIE Chance Meeting (CELTIC RAGAS 1998)DISCO 9 COLIN HAY Going Somewhere (2003)DISCO 10 THE JULIAN BREAM CONSORT Galiard (mY LIFE IN MUSIC 1963)DISCO 11 GLENN AITKEN  The Way (2026)DISCO 12 FRED ASTAIRE  Cheek To Cheek (2026)DISCO 13 PAUL McCARTNEY  Caliko Skies (FLAMIN’ PIE 1997)Escuchar audio

Heute sprechen wir über Literatur und Musik. Zunächst berichten wir über den Besuch des Schriftstellers Radek Knapp in Warschau. Anschließend setzen wir unsere Sendereihe „Chopin in Warschau“ fort und besuchen den Zamoyski-Palast, einen Ort, der mit einer der symbolträchtigsten Episoden der polnischen Kulturgeschichte verbunden ist.

Die USA wollen ihre Streitkräfte für die NATO in Europa offenbar deutlich verkleinern; Polen hofft kurz vor der Washington-Reise von Präsident Nawrocki auf eine Ausnahme. Ein neues Buch über den ukrainischen Präsidenten Selenskyj sorgt unterdessen für Diskussionen – die Wochenzeitung „Do Rzeczy" nimmt zwei brisante Passagen unter die Lupe. Und Polen wird für deutsche Auswanderer immer attraktiver: Fast 5.000 Deutsche zogen im vergangenen Jahr ins Land. Im Magazin spüren wir mit Arkadiusz Łuba den Emotionen rund um die gestern gestartete 23. Fußball-Weltmeisterschaft nach – von der Liebe zu den eigenen Helden bis zur Rivalität mit dem Gegner. Und in der siebten Folge unserer Chopin-Reihe besuchen Kamila Lutostańska und Dr. Aleksander Laskowski den Warschauer Zamoyski-Palast, in dem ein zerstörter Flügel zum Symbol für das Schicksal Polens wurde.

Jessica talks with Chris Lele, an AI educator, learning strategist, writer, musician, and lifelong collector of difficult skills. He spent 20 years in test prep, creating thousands of SAT, GRE, and GMAT questions, publishing a bestselling vocabulary book, and reaching millions of students through YouTube. Today, he teaches professionals how to use generative AI without losing their originality, judgment, or voice. Chris is also a classical pianist, composer, Toastmasters speech competitor, fitness enthusiast, and occasional restaurant and bar performer. Whether teaching AI, playing Chopin, writing speeches, or explaining a brutal math problem, Chris is drawn to the art of making complexity come alive.Follow Chris:IG: @chris_on_the_keysYouTube: Ab-peggiosSpotify: The Tide BeneathApple Music: The Tide Beneath~About The Ampersand Manifesto:What happens when you refuse to choose just one path? On The Ampersand Manifesto, host Jessica Wan sits down with “the most interesting people at the dinner party” – those who have made their mark in two or more seemingly different worlds. Through candid conversations, we explore what it takes to navigate multiple callings, find the connection points between them, and redefine success on our own terms. Together, we're co-creating The Ampersand Manifesto: principles for leading a multi-passionate life.~About your host, Jessica Wan:Executive Coach | Classical Singer | Former Marketing Leader & Tech ExecutiveJessica helps founders and leaders make the invisible visible. With 20+ years of experience scaling brands like Apple, Smule, and the San Francisco Opera, and as an ICF-certified executive coach, she provides the clarity and strategy needed to lead bravely and find fulfillment in a multi-passionate life.Work with Jessica: Book a Free Intro CallJoin The Cohort: An Ampersand Community for Dual-Career ProfessionalsFollow the Journey: @ampersandmanifestoConnect: Jessica's LinkedInListen: Singing Excerpts~CreditsCo-produced and hosted by ⁠Jessica Wan⁠Co-produced, edited, sound design, and original music by ⁠Carlos Schmitt

The party decides to follow in the footsteps of Eberron's Rayne and discover where his mission went awry. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

canal.march.esTestigo y actor privilegiado de la vida musical nacional e internacional durante más de medio siglo, pocas personas pueden hablar con tanto conocimiento de causa de los cambios que ha experimentado en las últimas décadas el mundo musical clásico como Alfonso Aijón. Tres personas cercanas a él, con trayectorias y perfiles muy diversos, conversarán con él sobre pasado, presente y futuro. La música, que ha sido para Aijón −como afirmaba Chopin de sus encuentros diarios con Bach al piano− su “pan cotidiano”, sonará también en vivo como complemento de las palabras. Más información de este acto canal.march.es

Leo breaks some ground with a spirit who knew Nathaniel Gilbert. Content Warnings: Discussion of death and grief; extensive discussion of religion; Discussion of Recreational drug use (not depicted); Implied mention of homophobia Transcript: https://tellnotalespod.com/transcript-s2-e22-a-place-of-emotional-significance/ Written and produced by Leon Egan. In this episode you heard the voices of Leon Egan as Leo Quinn, Shannon Kelly as Julia Wilde, Aiya Islam as Ben Thatcher, and Asher Amor-Train as Frank Williamson. Intro and outro music by Lumehill The conveniently public doman music that Leo and Frank chose to listen to today was Chopin's Mazurka in F minor, Op. 7 no. 3; Schumann's Kreisleriana, Op. 16; and Draeseke's Requiem, Op.22 Atmospheric music: Lightfall by Amber Glow Sound effects sourced from Soundly and Epidemic Sound Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.

Robert the Devil is a supernatural medieval legend that inspired a 19th-century French opera, which incorporates key elements from a seminal Gothic novel.  The opera and legend are substantially different but both interesting. We begin with Giacomo Meyerbeer’s 1831 opera, Robert le diable, which gained notoriety for a ballet sequence in Act III, which portrays an attempted seduction of the hero, Robert, Duke of Normandy, by the ghosts of corrupted nuns, freshly risen from their crypts. The scene is not found in the original legend, but as we learn, was borrowed from a particularly sensationalistic early Gothic novel,The Monk, written by Matthew Gregory Lewis in 1764.   We also learn that Meyerbeer's chief librettist, Eugène Scribe later went on to crib another storyline from Lewis’ The Monk for the 1854 opera by composer Charles Gounod, La nonne sanglante (“the bloody nun”). Rendering of cloister set for Paris Opera premiere. Along the way, we learn how Robert le diable helped save the financially imperiled Paris Opera after its royal subsidy had been withdrawn following the July Revolution of 1830.  Along with public curiosity about the scandalous ballet, ticket sales owed much to the 19th-century equivalent of special effects — flashy and innovative stagecraft (new gaslight design, trapdoors, floating will-o-the-wisps, etc.) and a spectacular set replicating a ruined gothic monastery. Hans Christian Andersen, George Sand and Frédéric Chopin lavishly praised the production. Honoré de Balzac and Alexander Dumas worked mentions of the opera into their novels. Edgar Degas painted not one but two renderings of the Ballet of the Nuns. Edgar Degas’ rendering of the “Ballet of the Nins” The opera also gave birth to a new style of ballet, one linked to Romanticism's interest in the supernatural: ballet blanc, “white ballet” named for the innovative long, flowing skirts that lent themselves to wafting movements suggestive of misty wisps moving in the darkness. The opera’s 1847  London premiere was attended by Queen Victoria and featured superstar soprano Jenny Lind as Robert’s sister.  Traffic came to a standstill as unruly spectators mobbed the streets hoping for  glimpse of either celebrity. The second half of our episode tells the original story of Robert the Devil.  It first appeared around 1250, sketched out in short form by the Dominican monk, Étienne de Bourbon, in a collection of exempla, or moral tales intended to be used by priests in their homilies.  A couple decades later, details were filled out in a longer, anonymous  poem, preserved in France's National Library. Then by the late 14th century, it was rendered as a miracle play in “Forty Miracles of Our Lady,” commissioned by a guild of Parisian goldsmiths. By 1500, the story had arrived in Britain. That year, Wynkyn de Worde, assistant to pioneering London printshop owner Thomas Caxton, issued a chapbook prose translation hewing close to the French 14th-century poem. I found the Wynkyn de Worde text reproduced in a handsome 1904 volume complete with line illustrations, decorative initials, and borders reminiscent of the Arts and Crafts books of William Morris.  As promised in the episode, here is the link to that book: Robert_the_Deuyll.pdf.  (Visit the show notes on the Bone and Sickle website if you can’t click link). As for the  story itself, it’s best you enjoy it without spoilers as told by Mrs. Karswell.  It’s full of demonic wrath, battles, court intrigue, miracles, pathos, and a very and prolonged peculiar penance.  All told in charming 16th-century language with all the little sound-design extras you’ve come to expect from Bone and Sickle.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

durée : 01:00:05 - par : Priscille Lafitte - Dans son dernier livre "Aucune nuit ne sera noire", Fatou Diome s'attache à décrire son grand-père, son amour de la kora, du chant et du violoncelle. Lors de ses nuits d'écruture, la romancière retient la compagnie des Nocturnes de Chopin, surtout si c'est l'occasion de dialoguer avec George Sand. - réalisation : Claire Lagarde, Maud Noury - invités : Fatou Diome Romancière Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Durante décadas, Armande de Polignac permaneceu praticamente ausente da história da música. O seu nome desapareceu dos programas de concerto e muitas obras sobreviveram apenas em manuscritos dispersos. Agora, os pianistas Bruno Belthoise e João Costa Ferreira recuperam a compositora num disco que inclui primeiras gravações mundiais, revelando uma figura essencial da transição entre o romantismo tardio e a modernidade musical francesa do início do século XX. Esquecida durante mais de um século, Armande de Polignac regressa agora através de um disco de Bruno Belthoise e João Costa Ferreira, dedicado a manuscritos reencontrados e primeiras gravações mundiais. Entre simbolismo, impressionismo e modernismo do início do século XX, o álbum revela uma compositora singular, cuja obra foi apagada da memória musical apesar da originalidade, da estética e da proximidade aos grandes centros artísticos franceses do início do século XX. “A música de Armande de Polignac é realmente uma coisa para descobrir”, começa por contar Bruno Belthoise. Para o pianista francês, a compositora pertence a um momento decisivo da cultura europeia, em que as mulheres começaram lentamente a conquistar espaço no universo da criação musical. “Ela fazia parte de uma família muito dedicada às artes e à música” e iniciou “muito jovem” os seus estudos musicais. Sobretudo, acrescenta Bruno Belthoise, pertenceu a uma geração que beneficiou de mudanças profundas na sociedade francesa: “Nos séculos antigos era quase impossível ser mulher compositora.” Bruno Belthoise recorda que o início do século XX coincidiu com a abertura gradual das grandes instituições musicais às mulheres. “Ela aproveitou uma dinâmica muito importante”, explica, referindo-se ao momento em que compositoras passaram a poder apresentar-se ao Prix de Rome. “Estas mulheres começaram a ser mais conhecidas no início do século XX.” Embora Armande de Polignac nunca tenha concorrido ao prémio, desenvolveu uma carreira intensa e ligada ao meio musical parisiense. “Ela dedicou a vida inteira à composição”, sublinha Bruno Belthoise. Estudou com figuras fundamentais da música francesa, entre elas Vincent d'Indy, Eugène Gigout e Gabriel Fauré. “Deixou uma obra muito importante, quase 200 obras em todos os domínios”, acrescenta. Música para piano, música de câmara, obras orquestrais, ópera e ballet fazem parte de um catálogo hoje ainda pouco conhecido. A compositora dirigiu igualmente as suas próprias obras no Théâtre du Châtelet, em Paris, e estreou a ópera Petite Sirène na Opéra de Nice. Para Bruno Belthoise, Armande de Polignac “simboliza a passagem entre a música romântica e a música moderna francesa”, num território onde convivem o impressionismo, o simbolismo e as novas linguagens do século XX. Ainda assim, a compositora acabou por desaparecer quase totalmente da memória musical europeia. “As suas obras não foram muito divulgadas, não foram muito editadas”, lamenta Bruno Belthoise. Grande parte da produção permaneceu inédita ou acessível apenas através de manuscritos. “Mesmo apesar de poder participar na programação de concertos em Paris, as mulheres não eram muito destacadas.” Ao ouvir o disco, a ausência prolongada na história da música de Armande de Polignac torna-se difícil de compreender. João Costa Ferreira descreve uma música construída sobre timbres delicados e ressonâncias quase suspensas. “Quando ouvimos Nos Jardins do Palácio do Sultão, sentimos esse universo tímbrico muito especial”, explica. O pianista português destaca ainda a importância do instrumento utilizado na gravação: “Havia um Steinway cujas características permitiam certas coisas que outros pianos não permitem.” A estética de Armande de Polignac revela uma forte influência do exotismo francês do início do século XX. João Costa Ferreira fala numa “procura por cores de países longínquos, como o mundo árabe e sobretudo o mundo asiático”. A compositora escreveu obras inspiradas na China, no Japão e nas atmosferas orientais das Mil e Uma Noites. “Ela seguia essa corrente estética modernista da procura por essas sonoridades exóticas”, acrescenta. Segundo João Costa Ferreira, essa linguagem resulta tanto do ambiente artístico parisiense como da influência directa dos mestres com quem Armande de Polignac estudou. “Vê-se claramente a influência dos seus pares e da sua época”, observa. A tradição impressionista francesa, marcada por Debussy e pelas Exposições Universais de Paris, atravessa muitas destas obras. Ainda assim, as referências nunca surgem como mera imitação. Há ecos de Fauré, Debussy ou mesmo de certas escolas russas, mas a escrita mantém sempre uma identidade própria. Bruno Belthoise enquadra essa diversidade no ambiente cultural extremamente aberto do início do século XX. “Era tudo aberto no início do século XX”, afirma. “Tchaikovsky chegou a Paris no fim do século XIX, Gustav Mahler no início do século XX. Essa convergência era importante para desenvolver a imaginação dos compositores.” Na escrita pianística, Bruno Belthoise identifica “uma mistura entre romantismo e modernismo”, associada a um trabalho particularmente sofisticado sobre a ressonância sonora. “Da maneira francesa, havia realmente este desenvolvimento do piano através das ressonâncias do instrumento”, explica. “Mas também a parte russa desenvolveu muito a escrita para piano.” Para João Costa Ferreira, interpretar estas partituras implica uma experiência rara no mundo contemporâneo da música clássica: tocar obras praticamente sem memória auditiva acumulada. “Hoje em dia, quando interpretamos Chopin ou Beethoven, temos todas as referências auditivas dessas obras”, explica. “Aqui criamos uma interpretação a partir do nada.” Esse desafio tornou-se central no percurso artístico dos dois pianistas. “Sentimos que estamos a descobrir algo pela primeira vez”, afirma João Costa Ferreira. “Propor uma primeira escuta, uma primeira interpretação de algo que nunca foi ouvido, pelo menos nos últimos cem anos, é muito estimulante.” Bruno Belthoise partilha a mesma visão. “Procurar repertório diferente é importante para nós”, diz. “Descobrir obras novas é uma coisa muito estimulante.” Esse trabalho de redescoberta já levou os dois pianistas a explorar repertórios esquecidos de compositores como José Vianna da Motta, Fernando Lopes-Graça ou Gabriel Fauré. Mas este disco surge também de uma dimensão pessoal. Bruno Belthoise revela que a ideia do projecto nasceu de “duas influências diferentes”. A primeira foi o pianista francês Laurent Martin, figura central na recuperação de compositoras francesas esquecidas. “O Laurent Martin gravou muitos discos e interpretou muitas vezes compositoras francesas”, recorda Bruno Belthoise. “Ele confiou-me uma quantidade de partituras dela, perguntando-me se eu estaria interessado em trabalhar a obra de Armande de Polignac para a fazer conhecer”. Essa transmissão entre músicos revelou-se decisiva para o projecto. Laurent Martin, conhecido pelo trabalho de investigação em torno do romantismo francês e das compositoras esquecidas, funcionou como verdadeiro impulsionador da redescoberta de Armande de Polignac. A segunda influência surgiu em Lisboa, através de uma descoberta inesperada. Um manuscrito de Cloches, ligado à família Assis de Barros, apareceu nas mãos de Bruno Belthoise graças ao investigador João Pedro Mendes dos Santos. “Foi exactamente como um arqueólogo”, admite o pianista francês. “Esse manuscrito surgiu completamente sem preparação e caiu nas minhas mãos.” A descoberta revelou uma ligação pouco conhecida entre Armande de Polignac e Portugal. “Ela tinha uma ligação particular à família Assis de Barros e visitou Lisboa várias vezes”, explica Bruno Belthoise. O disco inclui ainda várias obras para piano a quatro mãos, formação que exige uma relação muito específica entre intérpretes. “Tocar a quatro mãos é uma coisa de que gosto imenso”, afirma Bruno Belthoise. “É um pequeno exercício de equilibrismo.” A proximidade física obriga a reinventar gestos, movimentos e respirações. “É muito importante ensaiar juntos”, acrescenta. “Não podemos fazer piano a quatro mãos sem esse trabalho comum.” Para João Costa Ferreira, essa construção colectiva faz parte da própria identidade artística do duo. “Este desafio é completamente diferente do que gravar o grande repertório canónico”, afirma. Depois da edição do álbum, seguem-se agora concertos em Lisboa, Tavira, Madeira e França. Bruno Belthoise interpretou igualmente obras para piano solo de Armande de Polignac em Saint-Leu-la-Forêt, no Val-d'Oise, no passado 30 de Maio.

Astrid takes Rayne to the mall and Kaeviir gives a lecture. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

I Like Chopin (Bachata Version) - Dj Venot & Dj Ernesto Feat. Joseph Totuma (2026) by DJ Walter B Nice

Das heutige Magazin beginnen wir mit unserer Hörerpostsendung. Diesmal geht es um Ihre persönlichen Geschichten und Erinnerungen rund ums Radio. Anschließend bringen wir die fünfte Folge unserer Sendereihe „Chopin in Warschau“. Im Mittelpunkt stehen Abschied, Heimweh und die Frage, was Chopin aus seiner Heimat mit in die Welt nahm.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Dans le Centre de la France, le petit village de George Sand, Nohant, dans l'Indre, est en fête du 6 juin au 22 juillet. Le Nohant Festival Chopin célèbre ses 60 ans avec une programmation particulièrement féminine.

durée : 01:27:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - En Pistes vous présente le pianiste néerlandais Nikola Meeuwsen qui a remporté le Premier Prix du Concours Reine Elisabeth 2025. Lauréat du même concours en 2021, Jonathan Fournel fait paraître un troisième album qui allie Chopin et Szymanowski. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - En Pistes vous présente le pianiste néerlandais Nikola Meeuwsen qui a remporté le Premier Prix du Concours Reine Elisabeth 2025. Lauréat du même concours en 2021, Jonathan Fournel fait paraître un troisième album qui allie Chopin et Szymanowski. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:34 - par : Lionel Esparza - Le 19 novembre 1828 disparaissait Schubert ; retour sur cette année avec quelques grandes oeuvres millésimées signées Marschner, Chopin, Auber, Rossini... et Schubert bien sûr ! - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:34 - par : Lionel Esparza - Le 19 novembre 1828 disparaissait Schubert ; retour sur cette année avec quelques grandes oeuvres millésimées signées Marschner, Chopin, Auber, Rossini... et Schubert bien sûr ! - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

El pianista franco-argentí Carlos Acotto serà l'encarregat de posar el punt final al cicle “Nits de Piano” amb un concert que tindrà lloc aquest divendres al Teatre de Lloret. Resident a París des de finals dels anys vuitanta, Acotto està considerat un dels pianistes més destacats de la seva generació. Format a la Universitat Nacional de Rosario i deixeble del prestigiós pianista Bruno Leonardo Gelber, ha desenvolupat una llarga trajectòria internacional amb actuacions arreu d'Europa i Amèrica. Al llarg de la seva carrera ha estat aclamat pel seu virtuosisme, sensibilitat interpretativa i l’especial connexió amb el repertori romàntic, especialment amb compositors com Chopin i Liszt. En un missatge adreçat al públic, Acotto ha expressat la seva satisfacció per tornar a actuar a Lloret de Mar. “Compartirem obres de Domenico Scarlatti, que va escollir la península ibèrica com a país d'adopció. Escoltarem també l'al·lucinant Carnaval de Viena de Schumann i, a la segona part, algunes de les grans obres de Chopin, com la cèlebre primera balada”, avança sobre un repertori que inclourà un «homenatge a Catalunya». El concert de Carlos Acotto que tanca el cicle de piano tindrà lloc aquest divendres, dia 25 de maig (20h) al Teatre de Lloret. Les entrades es poden aconseguir al web de Entrápolis.

Avui dimarts informem que Lloret de Mar amplia les ajudes per rehabilitar les façanes dels edificis degradats. El ple de l'Ajuntament ha aprovat l'ampliació de l'ordenança del Nucli Antic que inclou també els barris de Tres Creus i Pescadors i les segones residències, amb l'objectiu de millorar la imatge i la seguretat dels edificis. En la mateixa sessió s'han resolt les al·legacions al reglament de platges, que incorpora la limitació de gandules i para-sols, canvis en les guinguetes i l'ampliació de les zones sense fum, també a les terrasses. Tot i el suport general, alguns grups han expressat dubtes sobre la seva aplicació i els recursos disponibles. També s'ha nomenat Mònica Llinàs Mas com a nova jutgessa de pau substituta. Tot plegat ho tractem amb els portaveus municipals. Altres temes d'interès: Successos: Ens fem ressò de la baralla ocorreguda aquest cap de setmana amb una 20a de joves, diversos ferits, alguns greus, i un d'ells detingut. Reconeixement: Aquest dilluns s'ha fet un reconeixement a Calçats Patricia, que tanca una etapa de 35 anys com a botiga de sabates molt coneguda i estimada a Lloret de Mar. Cultura: Arriba el darrer concert de cicle de piano. Aquest divendres és el torn de Carlos Acotto, que oferirà un repertori amb Schuman i Chopin.

The party returns to Thalios and are intercepted on their way to reschedule their dinner with lady Silkshadow. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

Heute sprechen wir zunächst über einen Künstler, der seit Jahren mit Humor, Wärme und großer Sympathie Brücken zwischen Deutschland und Polen baut. Der Kabarettist und Autor Steffen Möller ist mit dem diesjährigen Viadrina-Preis ausgezeichnet worden. Die Europa-Universität Viadrina würdigt damit Persönlichkeiten, die sich in besonderer Weise für die deutsch-polnische Verständigung engagieren. Außerdem setzen wir unsere Chopin-Reihe fort und besuchen zwei Orte in Warschau, die das Leben des jungen Komponisten geprägt haben: die Visitantinnen-Kirche, wo Fryderyk Chopin regelmäßig musizierte, und den heutigen Präsidentenpalast – den Ort seines ersten öffentlichen Auftritts als Achtjähriger. Begleitet werden die Reportagen von frühen Werken Chopins, komponiert im Alter von nur sieben Jahren.

THUNDERCAT, KWES DARKO, FLEA + DANIEL AVERY on the remix for JUST MUSTARD top highlights for the latest pod from JOSHUA P. FERGUSON + HENRY SELF. JOSHUA goes in for eclectic exotica new and old, with a mid-set dnb breakdown, ending on a boom bap funk + jazz note. HENRY brings the energy up with a mix of deep house, breaks, acid, and a throwback send off to round out the show. [aired 16 April 2026 on WLUW-Chicago 88.7FM] >JOSHUA P. FERGUSON The Blue Bells “Atlantis” (Technicolor Paradise, Numero Group, 2018) Mood Mystics “The Winds of Mars” (Whispers Lounge, Numero Group, 2020) Sven Wunder “Liquid Mountains” (Daybreak, Piano Piano, 2025) Cosmique Hypnotique “Cobramagma” (S/T, Mello Exotica, 2026) Quiet Village “Free Rider” (Silent Movie, !k7, 2008) Flea “Frailed” (Honora, Nonesuch, 2026) Seahawks “Time Enough for Love” (Time Enough for Love, Cascine, 2024) Sun Ra Arkestra “Chopin” (Calibre remix) (When There is No Sun, Omni Sound, 2026) Special Request “Quiet Storm” (Tim Reaper remix) (Hooversound presents: Special Request x Tim Reaper, Hooversound, 2021) Facta “Blush” (Blush, Wisdom Teeth, 2021) Thundercat “ThunderWave” (Distracted, Brainfeeder, 2026) The Olympians “Strawberry Kiwi” (In Search of a Revival, Daptones, 2026) Georgia Anne Muldrow “Emo Blues” (Vweto II, Mello Music Group, 2019) Glass Beams “Snake Oil” (Mahal, Ninja Tune, 2024) The Cosmic Tones Research Trio “Sankofa” (S/T, Pyramid, 2025) >HENRY SELF Holy Fuck “Aerosol” (Event Beat, Satellite Services, 2026) Microwave Prince “Eternal Light” (Vol. 3, Le Petit Prince, 1995) The Chemical Brothers “Swoon” (MPH Remix) (soundcloud.com/mph-uk, 2026) Just Mustard “Endless Deathless” (Daniel Avery Remix) (Partisan, 2026) Mercy Girl “Closer” (Closer EP, Descent, 2025) Kwes Darko “Altitude” (Black Acre, 2026) Alan Braxe & Fred Falke “Intro” (Fred Falke Remix) (Vulture/Smugglers Way, 2026) Cybordelics “Adventures of Dama” (Tuff City Kids Ambient Version) (Harthouse, 2016) Lausen “Dry Ray” (Anti Static E.P., Drop Bass Network, 1995) O’Flynn “Kola” (Barry Can't Swim Late Night Tales, Late Night Tales, 2026) Kumail “Lady” (Mudbrown, Tru Thoughts, 2026) Sterling Void “Don’t Wanna Go” (Mike Dunn’s Vocal Mix) (D.J. International, 1991) The post absci radio 1417 – joshua p ferguson + henry self appeared first on abstract science >> future music chicago.

In this episode, some different introduction music. This is Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1 (from 1832), and the reason is that today's conversation is with Susan Tomes, a celebrated pianist, an author of Nocturnes and the Fascination of Night Music, an engrossing history of the music of twilight and sleep, from the nocturnes of John Field and Chopin to Max Richter. In an insomniac age, ambient and sleep music have become increasingly popular. But our association between music and sleep is not new: lullabies may be the oldest form of music and are instantly recognisable across peoples and cultures. Why does the night hold such musical fascination for us, and what forms do its sounds take? Enjoyed what you heard? Click here to purchase the book: https://www.readings.com.au/product/9780300278897/nocturnes--susan-tomes--2026--9780300278897

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

The historian Michael Wood has shared his enthusiasms and expertise with television viewers and readers around the world for almost five decades.He's brought us complex individuals such as Alexander the Great, pivotal conflicts such as the Trojan War, and national histories, including the Story of India, the Story of China and a people's history of Britain.And here on Radio 3, he's one of the distinguished historians joining Gillian Moore for Key Changes, a year-long series charting one thousand years of musical history, on air on Saturdays and on BBC Sounds.Michael's musical choices include Monteverdi, Bach, Messiaen and Chopin.

Recorded by Ashna Ali for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 11, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Desde su etimología “classicus” el aviso de Primera Clase entre la marineria.Clase rastreable en los homéricos textos, modelo de mágica Perfección, inmutable Armonía. Chopin, Beethoven, Bach o Liszt entre una lista de impronunciables rusos y españoles que no de casualidad recogieron la antorcha como Albeniz, Falla o Rodrigo. Que Gainsbourg los adaptara, que "Whither Shade of Pale” caminara a través de Bach, Strauss introdujera los conciertos de Elvis o “Aranjuez", hablara y aún le hable al mundo, imperecedera magia. El resto, ruido, mientras lo contrario no se demuestre. Las pruebas en esta edición.. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

durée : 02:28:45 - par : Gabrielle Oliveira Guyon - Au programme ce samedi : Chopin, Schubert, l'Ensemble Pigmalion, Spiegel im Spiegel d'Arvo Part mais aussi Blackbird des Beatles. - réalisation : Emmanuel Benito, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Frédéric Chopin wasn't just a composer. He was a fragile genius wrapped in elegance, intensity, and quiet rebellion. Born in 1810, he grew into one of the most poetic voices in music, avoiding grand stages and instead choosing intimate salons where emotion mattered more than applause.By the late 1830s, his life took a dramatic turn when he met the bold and unconventional George Sand. She was everything society wasn't ready for: a woman who wore men's clothes, smoked cigars, and perhaps most shocking, published under a male pseudonym to be taken seriously in a man's world. Their connection? Immediate, intense, and complicated.In 1838, chasing health and hope, they escaped to Mallorca, settling in the haunting monastery of Valldemossa Charterhouse. What was meant to be a Mediterranean healing retreat quickly turned into a beautiful disaster. The weather turned cold and damp, locals grew suspicious of their unconventional relationship, and Chopin's already fragile lungs worsened under the humidity.He coughed, weakened, and likely battled tuberculosis, yet in that same suffering, something extraordinary happened. Chopin composed some of his most iconic works, including the haunting Preludes, where you can almost hear the rain echoing through stone walls.Meanwhile, Sand became more than a lover: she was caretaker, protector, and emotional anchor. She managed the chaos, fought social rejection, and later immortalized the experience in her book “A Winter in Majorca”.But even strong women have limits. Their relationship, which lasted nearly a decade, slowly cracked under emotional strain, illness, and growing distance.Chopin left Mallorca weaker in body, but richer in music. He died young, at 39, but his legacy? Just Eternal.A love story, a health struggle, and a winter that changed music forever.For Jorge: Small Group Tours in Spain & PortugalWebsite: https://travelingwithjorge.com/Small group tours Spain, cultural tours Spain and Portugal, authentic travel experiences, guided tours for mature travelers, food and wine tours Iberian Peninsula.If you're dreaming about discovering Spain and Portugal beyond the typical tourist routes, Jorge designs small group cultural tours that combine history, local gastronomy, wine experiences, and meaningful human connections. His journeys are crafted for curious travelers who value authenticity, comfort, and depth over rushed itineraries. Explore upcoming departures, detailed itineraries, and insider travel insights at TravelingWithJorge.com Your trusted source for unforgettable small group tours in Spain and Portugal.For Pamplona Fiesta – San Fermín Balcony RentalsWebsite: https://www.pamplonafiesta.com/San Fermín balcony rental, best balcony Running of the Bulls, Pamplona bull run views, VIP balcony San Fermín 2026, safe viewing Encierro Pamplona.Planning to experience the legendary Running of the Bulls in Pamplona? Secure one of the best balcony views in the city with PamplonaFiesta.com Our premium San Fermín balcony rentals offer safe, exclusive, and unforgettable vantage points overlooking the famous Encierro route. Whether it's your first visit or a return to the thrill of San Fermín 2026, we provide trusted, centrally located balconies for the ultimate Pamplona experience. Explore availability and book early at PamplonaFiesta.com to guarantee your place above the action.

La figura de Frédéric Chopin es una de las más importantes vinculadas a la isla de Mallorca. Su vista en 1838 buscando un lugar de descanso y paz junto a su amante George Sand y los hijos de esta, fueron todo un momento clave en la época de producción del artista polaco. Jesús Callejo nos descubre en este cronovisor cuáles fueron sus peripecias y lo hace junto a Aránzazu Miró, autora de Aquell hivern de Chopin a Mallorca

SER Historia viaja hasta Palma de Mallorca para hacer el programa en el Castillo de Bellver, una de las fortalezas medievales más singulares de Europa. Comenzamos el cronovisor junto a Jesús Callejo hablando de la figura de Frédéric Chopin en Mallorca. Nuestra cicerone será Aránzazu Miró, perfecta conocedora de su historia y autora de Aquell hivern de Chopin a Mallorca. Pasamos de página en nuestro libro de historia y descubrimos el rico patrimonio cultural y artístico de Palma de la mano de Pilar Ribal, directora general de patrimonio e interpretación local. Estando en el castillo de Bellver, no podríamos dejar de profundizar en su historia y arquitectura. Lo hacemos con Pedro Montaner, ex director del archivo y bibliotecas del Ayuntamiento de Palma. Y acabamos el programa con arqueología subacuática. Miquel Ángel Cau, codirector del proyecto de excavación del pecio romano de Ses Fontanelles, nos relata cómo se descubrió en 2019 y qué información ha dado hasta ahora

durée : 01:28:34 - par : Aurélie Moreau - Le pianiste Andrei Gavrilov sur l'apport de la musique populaire au répertoire classique : « Tous les grands créateurs ont puisé leurs sources dans le peuple, de Bach à Chostakovitch » (Le Quotidien de Paris). Aujourd'hui : Grieg, Chopin, Prokofiev… - réalisation : Cécile Bonnet des Claustres, Yuthou-Diego Hak-Lopes - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

S10E37 – Adrie takes a rest, leaving Kaeviir and Captain Rayne to have a talk. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

Send us Fan MailWhat Does “Opus” Mean in Classical Music?What does “opus” mean when you see it in a classical music title?In this episode of The Classical Music Minute, we explore the meaning behind this common musical term. Derived from the Latin word for “work,” opus numbers are used to catalogue and organize a composer's compositions.Typically assigned in order of publication rather than composition, opus numbers help distinguish one piece from another—especially when composers wrote many works in the same genre.For example, Beethoven's Moonlight Sonata is listed as Op. 27, No. 2, indicating its place within a published set of works.While not all composers used opus numbers consistently, the term remains a helpful way to navigate the vast world of classical music.In just sixty seconds, discover how one simple word helps organize centuries of musical creativity.Fun FactSome composers, including Frédéric Chopin, were very selective about which works received opus numbers—often assigning them only to pieces they felt were worthy of publication, leaving many compositions unpublished or without a number.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

S10E36 - The Raven has a medical plan for Rayne, Kaeviir gives a gift, and Adrie and Captain Rayne have a talk. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

Dietmar Mueller-Elmau is the owner of Schloss Elmau, a resort hotel in the Bavarian Alps, 60 miles from Munich. It was set up in 1916 by his grandfather, the philosopher and writer Johannes Müller. He wanted people to take “a holiday from the ego” and to enjoy classical concerts.Over the decades, it hosted performances by the likes of Benjamin Britten, Yehudi Menuhin and Alfred Brendel. Dietmar continues that tradition, with musicians such as Yuja Wang and the Kanneh-Masons, along with jazz concerts, events with writers and philosophers, and the G7 leaders conference – twice. Dietmar's music choices include Mendelssohn, Beethoven, Liszt and Chopin.

Scottish Ballet's Starstruck honours Gene Kelly's creative legacy and his passion for creating "dance for the common man". His wife Patricia Ward Kelly tells us about this fusion of ballet, jazz, tap and tango danced to the music of Chopin, Ravel and Gerswhin. As the winner of the inaugural Sherborne Prize for Travel Writing is announced as Adam Weymouth for his book Lone Wolf, about a journey from Slovenia to Italy across the Alps, Adam joins us along with veteran writer Colin Thubron to discuss the art of travel writing. And as he receives an Outstanding Contribution to Photography prize and as his work goes on show at the Sony World Photography Awards exhibition in London, photographer Joel Meyerowitz talks to us about his career - documenting everything from London in the swinging sixties to New York in the aftermath of 9/11. Presenter: Kirsty Wark Producer: Mark Crossan

In this episode of Biographers in Conversation, Dr Paul Kildea chats with Dr Gabriella Kelly-Davies about Chopin's Piano: A Journey through Romanticism. Here's what you'll discover in this episode: Paul Kildea's inspiration for crafting Chopin's Piano. A Journey through Romanticism. The significance of the biography's title. The relevance of Chopin's Piano: A Journey through Romanticism today. Chopin's primitive piano was crafted by Juan Bouwer, an amateur artisan in Palma, Majorca, in 1838. Juan Bouwer had no inkling his humble instrument would become the catalyst for Chopin composing six of his 24 Preludes on the piano. Why Chopin's Piano's 24-chapter structure mirrors Chopin's two books of 12 Preludes. Musica Viva adapted Chopin's Piano as a national touring production in 2023, blending all 24 Preludes with storytelling.

S10E35 - The party loses their quarry, Adrie is concerned by an accessory, and Kaeviir and the newest Victor bond over explosives. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

Conocemos al único español premiado en el Concurso Internacional Chopin, uno de los más prestigiosos entre los pianistas clásicos.

In the midst of our centenary festivities around The Sun Also Rises, One True Podcast takes an opportunity to celebrate another Hemingway work published in 1926: The Torrents of Spring. Elena Zolotariov, author of "'Black and Red Laughter': Subverting Whiteness in Hemingway's The Torrents of Spring" (from the Fall 2023 issue of the Hemingway Review), joins us to offer an exploration and even defense of Hemingway's neglected satire. In this episode, we talk about how and why Hemingway satirizes Sherwood Anderson's Dark Laughter, examine the plot of Hemingway's novella and the characters we meet along the way, and finally discuss its legacy.At the end of the episode, enjoy Garnet Ungar's rendition of Chopin's Étude Op. 10, No. 4 (Torrent). For even more on The Torrents of Spring and its publication history, also check out our episode with Ross K. Tangedal on Hemingway in 1926.

In this Eye on the Expert webinar, Eye on CHOPIN: Study Insights & Personalizing Treatment in MUM, three leading U.S. physicians discuss the latest findings from the CHOPIN trial, with results reported in late 2025. This recorded discussion explores how emerging data can support a more individualized approach to treating metastatic uveal melanoma (MUM), helping clinicians and patients make more informed, personalized decisions. In this webinar, experts cover: Key insights and takeaways from the CHOPIN trial How treatment can be tailored based on patient needs and preferences The importance of shared decision-making in MUM care Options for patients who may not be eligible for—or choose not to pursue—certain therapies Whether you are a patient, caregiver, or healthcare professional, this webinar offers valuable perspective on how research is shaping more personalized treatment pathways in uveal melanoma.

S10E34 - A lycanthrope goes after the students, Captain Rayne isn't as immune as he thought he was, a strange schism rocks the party. Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic! http://www.1d4rounds.com/ Find the cast on BlueSky: Deece: https://bsky.app/profile/roguist.bsky.social Rae: https://bsky.app/profile/raedrie.bsky.social You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: https://rss.com/podcasts/freelancehero/ Intro theme is Waltz op. 64 no 2 in c-sharp minor composed by Frédéric Chopin and performed by Olga Gurevich. License: The song is permitted for commercial use under license public domain, non copyrighted. http://www.orangefreesounds.com/

The TSA funding crisis has airports in chaos — agents are working without pay, some airports have massive lines, and others are totally fine. Mark recaps his multi-country Europe trip: Turkish Airlines business class to Istanbul for 70K miles, a last-minute pivot to Warsaw, Ryanair's bus-terminal airport, honest reviews of the Hyatt Centric Dublin and Aer Lingus narrow-body business class, and whether St. Patrick's Day in Ireland is actually worth the trip. In This Episode: TSA funding crisis — agents unpaid, long lines, privatization debate Turkish Airlines business class Detroit to Istanbul (70K miles, A350, on-board chef) Istanbul Airport transit and Priority Pass lounges Warsaw on a budget — Sheraton via Bilt $200 credit, Old Town, Chopin benches Ryanair Warsaw to Dublin — the bus-terminal experience Hyatt Centric Dublin review — skip it, book the DoubleTree Morrison St. Patrick's Day in Dublin vs Carnival vs Mardi Gras Aer Lingus A321neo business class for 57,500 AA miles — throne seat or bust Episode Guide: 0:00 - Welcome to MTM Travel 0:21 - TSA funding crisis and the privatization debate 8:10 - Turkish Airlines business class to Istanbul for 70K miles - They broke my tooth! 13:22 - Istanbul Airport and Priority Pass lounges 15:38 - Warsaw on a budget — Sheraton via Bilt, Old Town, nightlife  19:44 - Ryanair's bus-terminal airport to Dublin 22:25 - Dublin hotels — Hyatt Centric vs DoubleTree Morrison 24:26 - St. Patrick's Day in Dublin — the honest verdict 28:30 - Aer Lingus A321neo business class for 57,500 AA miles - Is it comfy? ✈️ Track your travel credit cards for free — Travel Freely