19th-century American author, poet, editor and literary critic
POPULARITY
Categories
En 1845 la frontera entre la ciencia y el espiritismo se difumina en un entorno de creencias poco ortodoxas que fascinan en los círculos esotéricos de la época. La obra del medico y filosofo alemán Franz Mesmer, considerado el padre de la hipnosis moderna, incluyendo su teoría del "magnetismo animal", inspiraron a Edgar Allan Poe en la creación de su trilogía mesmérica, cuyo relato más afamado, es nuestra historia de esta noche. Durante años, los entusiastas del mesmerismo pensaron que podría tratarse de un testimonio real, y Poe fue interrogado a este respecto en múltiples ocasiones... Pero, confesó Poe si el relato era real? Averígüenlo amigos, acomodándose en su cubil favorito... Prepárense para disfrutar de una nueva adaptación invocada desde las Narraciones Extraordinarias de El Club Diógenes de la Editorial Valdemar, con la maravillosa traducción de Mauro Armiño y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Sigan al maestro Toliol en sus redes: https://bsky.app/profile/toliol.eurosky.social Visiten la web de Valdemar para hacerse con estos grimorios: https://www.valdemar.com/autor/poe-edgar-allan/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Check out this link to buy DB's Books[link] Season 22 bonus episodes 65-88 # Name Author Description 65 The Fall of the House of Usher Edgar Allan Poe A gothic tale of a decaying family, a decaying mansion, illness, obsession, and a terrible burial mistake. 66 What Was It? Fitz-James O'Brien A strange invisible creature is discovered in a boarding house, turning supernatural terror into a problem of observation, capture, and proof. 67 The Upper Berth Francis Marion Crawford A passenger aboard a ship investigates a cursed cabin where something horrifying appears from the sea. 68 The Death of Halpin Frayser Ambrose Bierce A nightmarish tale of murder, memory, and supernatural revenge, centered on a man lost between dream, guilt, and death. 69 The Mark of the Beast Rudyard Kipling A colonial horror story in which a drunken insult to a sacred image brings a hideous curse. 70 The Captain of the 'Pole-Star' Sir Arthur Conan Doyle An Arctic ghost story about a doomed captain, an obsessed expedition, and something haunting the frozen wastes. 71 The Yellow Sign Robert W. Chambers An artist and his model become drawn into a decadent supernatural mystery involving a sinister symbol and the King in Yellow. 72 Xelucha M. P. Shiel A lush, strange, morbid tale of obsession, death, and uncanny beauty, written in Shiel's dense decadent style. 73 The Red Room H. G. Wells A skeptical man spends the night in a supposedly haunted room and discovers terror without needing a visible ghost. 74 The Shadows on the Wall Mary E. Wilkins Freeman A domestic ghost story where grief, suspicion, and a strange shadow reveal something dreadful within a family home. 75 The Harbor-Master Robert W. Chambers A weird tale of coastal mystery, pursuit, and monstrous transformation, mixing adventure with uncanny horror. 76 The White People, Pt 1 Arthur Machen The opening of Machen's occult horror story, framing forbidden knowledge, childhood innocence, and hidden pagan mysteries. 77 The White People, Pt 2 Arthur Machen The central portion of the story, presenting a young girl's secret diary of strange rites, hidden places, and uncanny encounters. 78 The White People, Pt 3 Arthur Machen The conclusion of the tale, where the innocent-seeming account becomes something much darker and more spiritually dangerous. 79 Lost Hearts M. R. James A young orphan comes to live with an elderly relative and uncovers a cold, scholarly evil involving missing children. 80 The Willows, Pt 1 Algernon Blackwood The beginning of a cosmic nature-horror story about two travelers canoeing down the Danube into a remote and hostile landscape. 81 The Willows, Pt 2 Algernon Blackwood The travelers become increasingly aware that the landscape around them may be alive, watching, and spiritually alien. 82 The Willows, Pt 3 Algernon Blackwood The pressure of the place grows unbearable as natural details become signs of a vast, inhuman presence. 83 The Willows, Pt 4 Algernon Blackwood The conclusion reveals the full terror of the willows: not a simple haunting, but contact with forces beyond human scale. 84 The Hashish Man/The Unhappy Body Lord Dunsany Two short Dunsany pieces: one dreamlike and visionary, the other a strange fable about the body, identity, and dissatisfaction. 85 Fishhead Irvin S. Cobb A grotesque backwoods horror story about an outcast man with fishlike features and a reputation for uncanny violence. 86 The Hashish-Eater, or the Apocalypse of Evil Clark Ashton Smith A visionary prose-poem of cosmic horror, decadent imagery, and apocalyptic evil unfolding through drug-induced revelation. 87 Seaton's Aunt, Pt 1 Walter de la Mare The first half of a quiet psychological ghost story about a boy's unsettling visit to his friend's house and his terrifying aunt. 88 Seaton's Aunt, Pt 2 Walter de la Mare The second half deepens the dread around Seaton's aunt, leaving the horror ambiguous, oppressive, and emotionally cruel.
Check out this link to buy DB's Books[link] Season 22 bonus episodes 65-88 # Name Author Description 65 The Fall of the House of Usher Edgar Allan Poe A gothic tale of a decaying family, a decaying mansion, illness, obsession, and a terrible burial mistake. 66 What Was It? Fitz-James O'Brien A strange invisible creature is discovered in a boarding house, turning supernatural terror into a problem of observation, capture, and proof. 67 The Upper Berth Francis Marion Crawford A passenger aboard a ship investigates a cursed cabin where something horrifying appears from the sea. 68 The Death of Halpin Frayser Ambrose Bierce A nightmarish tale of murder, memory, and supernatural revenge, centered on a man lost between dream, guilt, and death. 69 The Mark of the Beast Rudyard Kipling A colonial horror story in which a drunken insult to a sacred image brings a hideous curse. 70 The Captain of the 'Pole-Star' Sir Arthur Conan Doyle An Arctic ghost story about a doomed captain, an obsessed expedition, and something haunting the frozen wastes. 71 The Yellow Sign Robert W. Chambers An artist and his model become drawn into a decadent supernatural mystery involving a sinister symbol and the King in Yellow. 72 Xelucha M. P. Shiel A lush, strange, morbid tale of obsession, death, and uncanny beauty, written in Shiel's dense decadent style. 73 The Red Room H. G. Wells A skeptical man spends the night in a supposedly haunted room and discovers terror without needing a visible ghost. 74 The Shadows on the Wall Mary E. Wilkins Freeman A domestic ghost story where grief, suspicion, and a strange shadow reveal something dreadful within a family home. 75 The Harbor-Master Robert W. Chambers A weird tale of coastal mystery, pursuit, and monstrous transformation, mixing adventure with uncanny horror. 76 The White People, Pt 1 Arthur Machen The opening of Machen's occult horror story, framing forbidden knowledge, childhood innocence, and hidden pagan mysteries. 77 The White People, Pt 2 Arthur Machen The central portion of the story, presenting a young girl's secret diary of strange rites, hidden places, and uncanny encounters. 78 The White People, Pt 3 Arthur Machen The conclusion of the tale, where the innocent-seeming account becomes something much darker and more spiritually dangerous. 79 Lost Hearts M. R. James A young orphan comes to live with an elderly relative and uncovers a cold, scholarly evil involving missing children. 80 The Willows, Pt 1 Algernon Blackwood The beginning of a cosmic nature-horror story about two travelers canoeing down the Danube into a remote and hostile landscape. 81 The Willows, Pt 2 Algernon Blackwood The travelers become increasingly aware that the landscape around them may be alive, watching, and spiritually alien. 82 The Willows, Pt 3 Algernon Blackwood The pressure of the place grows unbearable as natural details become signs of a vast, inhuman presence. 83 The Willows, Pt 4 Algernon Blackwood The conclusion reveals the full terror of the willows: not a simple haunting, but contact with forces beyond human scale. 84 The Hashish Man/The Unhappy Body Lord Dunsany Two short Dunsany pieces: one dreamlike and visionary, the other a strange fable about the body, identity, and dissatisfaction. 85 Fishhead Irvin S. Cobb A grotesque backwoods horror story about an outcast man with fishlike features and a reputation for uncanny violence. 86 The Hashish-Eater, or the Apocalypse of Evil Clark Ashton Smith A visionary prose-poem of cosmic horror, decadent imagery, and apocalyptic evil unfolding through drug-induced revelation. 87 Seaton's Aunt, Pt 1 Walter de la Mare The first half of a quiet psychological ghost story about a boy's unsettling visit to his friend's house and his terrifying aunt. 88 Seaton's Aunt, Pt 2 Walter de la Mare The second half deepens the dread around Seaton's aunt, leaving the horror ambiguous, oppressive, and emotionally cruel.
Cześć! W tym odcinku mamy dla Was dwie książki pełne korników, patyków, nawiedzonych domów i rozważań o przeszłości. To powieść „Kornik” Layli Martinez w tłumaczeniu Mai Gańczarczyk i „Klekot tysięcy patyków” Jarosława Maślanka. W obu książkach ważne są relacje rodzinne, w jednej pojawiają się mroczne cienie i święci, w drugiej gołe drzewa i duchologiczny klimat. W rozmowie gościnnie występują Edgar Allan Poe i Zdzisław Beksiński (znów duchy, a co!) Zachęcamy Was do słuchania: takie klimatyczne książki można czytać nie tylko na jesień.Książki, o których mówimy w podkaście: Layla Martinez, „Kornik”, tłum. Maja Gańczarczyk, bo.wiem; Jarosław Maślanek, „Klekot tysięcy patyków”, PIW.Dziękujemy Państwowemu Instytutowi Wydawniczemu za książkę [współpraca reklamowa].Jeśli spodobał Ci się ten odcinek, możesz nam podziękować na Suppi. Zapłacisz bezpiecznie i bez prowizji Blikiem, przelewem czy kartą.A jeśli chcesz zostać z nami na dłużej: wejdź na nasz profil Patronite! Jeżeli chcesz dołączyć do naszego grona Matronek i Patronów, będziemy zaszczycone! Dla tych, którzy zdecydują się nas wspierać, mamy spersonalizowane książkowe rekomendacje, spotkania klubu książki, podziękowania na stronie i wiele więcej.Zachęcamy do odwiedzin na naszym profilu na Instagramie i na Facebooku, na naszym kanale YouTube oraz na naszej stronie internetowej.Intro: http://bit.ly/jennush
Lesung und Gespräch. So schöne Zähne! Und eine so grausame Tat! "Poe holt das Böse in das Ich hinein", sagt Übersetzer Andreas Nohl. Und: der US-amerikanische Schriftsteller hat mit seinem Werk die literarische Moderne begründet.
On this episode of The Horror, we'll hear two stories from Edgar Allan Poe as dramatized by The Black Mass. From September 20, 1964, here's A Predicament And The Tell-Tale Heart. Listen to more from The Black Mass https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1281.mp3 Download TheHorror1281 | Subscribe | Spotify | Support The Horror Support your weekly hauntings by visiting donate.relicradio.com! Thanks!
"the business in the crypt" [SHOS] If you experience claustrophobia, this may not be the episode for you. Because it's all about being shut up in close spaces. And it's the monthly "Mr. Sherlock Holmes the Theorist" episode. Denise M. Rogers walks us through the gothic theme shared between Edgar Allan Poe and some of the Sherlock Holmes stories in her Baker Street Miscellanea article "Crypts, Secret Rooms and Subterranean Passageways: Entombment as a Motif in the Canon" from Spring 1990. It's just a Trifle. If you have a question for us, please email us at trifles@ihearofsherlock.com. If you use your inquiry on the show, we'll send you a thank you gift. Our Merch Store is open: Trifles mugs, notepads, and oval stickers can be yours (or someone else's, if you'd like to make it a gift). Start shopping today. Don't sleep on "Trifling Trifles" — short-form content that doesn't warrant a full episode. We release these at the beginning of every month. The latest episode is "for those with ears attuned to catch the distant view-halloo!" This is a benefit exclusively for our paying subscribers. Check it out (Patreon | Substack). Leave Trifles a five-star rating on Apple Podcasts and Spotify; listen to this episode here or wherever you get podcasts Links Baker Street Miscellanea (Abebooks) All of our social links: https://linktr.ee/ihearofsherlock Email us at trifles @ ihearofsherlock.com Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band. Copyright: Creative Commons Attribution 3.0
Det var inte elgitarren som var den stora revolten. Hynek Pallas om Bob Dylans kristna år som fick publiken att rasa och som får Blowin in the wind att låta som en psalm. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Under ett besök på Bob Dylancentret i staden Tulsa i Oklahoma lyckades jag charma mig till att få rota i centrumets heliga graal – det för allmänheten stängda Dylanarkivet.Arkivarien hade redan börjat plocka fram saker som vanligtvis efterfrågas, som arkivlådor med utkast till 1960-talets kända Dylanlåtar, när jag försynt frågade om man kanske hellre hade något från sångarens år som nyfrälst kristen?Enligt den uttjatade myten om Bob Dylan, ältad i biografier, dokumentärer och film, var hans mest kontroversiella konstnärliga val att hänga på sig en elgitarr. Men när Bob Dylan den 1 november 1979 klev ut på den nedsläckta Fox Warfield-teatern i San Francisco blev resultatet ett ramaskri större än något tidigare under hans karriär.Innan Dylan gick upp på scenen den kvällen fick en förvirrad publik höra sångerskan Regina Havis berätta en historia om Jesus och sjunga gospel. När ljuset tändes kastade sig Dylan och hans band in i sången Gotta serve somebody, från skivan Slow Train Coming.”You might be a rock 'n' roll addict prancing on the stage”, sjöng Dylan i en konfrontativ straffpredikan över ogudaktighet. John Lennon var den förste, men långt ifrån den siste, att göra narr av texten. Eller av de övriga låtar som Dylan spelade den där kvällen och de närmaste åren. Låtar som uteslutande handlade om sångarens kristna pånyttfödelse.Jag drogs till den frälste Dylan för att det var motvalls. I den elitistiska värld av kassettbandssamlande Dylanmän jag klev in i som 25-åring var det ingen som brydde sig om de kristna åren. Många hade varit med när det begav sig. Då en, som de såg det, progressiv rockmusikerpoet, en messias med antikrigsbudskap och existentiella visor, i stället började citera Bibeln. Sjöng om att man måste underkasta sig något.Eller som Dylan väsande förklarade för publiken när de ropade efter ”rock n roll” under en konsert i Arizona 1979: "If you want rock 'n' roll, you go down and rock 'n' roll. You can go and see KISS and you can rock 'n' roll all the way down to the pit!"Om du vill ha rock n roll så kan du gå och se KISS och rocka hela vägen ner i helvetet.Så även om de kristna åren inte längre var ett färskt svek för dessa Dylanmän, så förblev de svårförståeliga.Själv var jag en ateist med judisk bakgrund. Uppväxt bland muslimer – och av nyfikenhet på andras religiositet just examinerad från islamologistudier. Det tog heller inte lång tid för eventuellt motstånd att släppa när jag började lyssna på inspelningarna från Dylans kristna konserter. På kassett efter kassett hördes ju en passion och övertygelse hos sångaren som jag sällan har hört förr eller senare.Dylan har berättat att han har sökt efter konstnärliga processer som ska hjälpa honom att återskapa det omedvetna sätt han gjorde musik på 1960-talet. Om Bibelstudier var en metod för att nå dit vet jag inte. Men form och funktion – och möjligen lite gudomlig nåd – ska uppenbarligen inte underskattas. Konserterna från åren kring 1980 är som baptistgudstjänster under ledning av den häcklande Dylan man känner igen från låtar som Positively 4th street och Like a rolling stone.Men nu bär han väckelsepredikantens skrud – han varnar för frestelser och äcklas av forna vänner.När Dylan fick Nobelpriset skrev jag om min fascination för hans frälsta år. Där någonstans gick gränsen även för dem som tyckte att han var värd priset. Att knycka rader av Edgar Allan Poe? Ja, geni! Att sjunga Korinterbrevet? Nej… bara nej.Att det väcker löje är intressant. Det hänger samman med föreställningar om autenticitet. Hur religion och hudfärg samspelar i det amerikanska samhället och dess popkultur. Och vilken roll just Dylan spelar i denna.Dylans rebellstatus etablerades med tanken att han ”vågade” reta gallfeber på folkmusiketablissemanget med elgitarren. En tandlös myt som stelnade till legend efter att en häcklare i publiken 1966 skrek ”Judas!”. Efter det uppfattades Dylan som en friare och mer autentisk rockkonstnär än samtidskollegorna någonsin kunde bli.Det är också därför det val Dylan gjorde 1979, trots att det var konstnärligt lika mycket som religiöst, aldrig har betraktats som rebelliskt. Hans uppror följde ju inte motståndskulturens mall för uppror.Men inte bara var det modigare, till och med i musiken känns det genuint. För vem, om inte någon med inget att förlora och allt att vinna, skulle annars välja att sjunga om underkastelse, dop och frälsning?Här finns också något jag påmindes om på en Stockholmskonsert med ett hajpat svart gospelband från amerikanska södern. Bandet var väldigt kristna. Något den hippa urbana publiken svalde med hull och hår, hur tveksamt konservativa saker som än uttrycktes från scenen. Fram tills det att bandet började låna ut mikrofonen till svenska vänner de träffat i en kyrka här. När vita kvinnor i cowboyhatt började waila om fostrets rätt till liv, märktes tydligt kontrasten i vilka budskap vi kan svälja beroende på avsändare. Det är en hudfärgsaspekt som många helst ignorerar i sammanhanget. Än idag är det för många lättare att acceptera en svart amerikansk musiker som i sina texter och sitt mellanprat predikar Jesu lära, än en vit artist som gör det. De senare tolkas ryggmärgsmässigt som konservativa på ett negativt vis. Det är en kristendom som kopplas till abortmotstånd, skattefuskande tv-predikanter och rasism.Den svarta kyrkan är i våra ögon mer autentisk. Något härligt och gungande som filtrerats genom decennier av populärkultur. Lite mer naturlig religion. Vilket inte är mindre exotifierande och rasistiskt än att tala om att svarta skulle ha ”rytmen i blodet”.Att Dylan spelade in sina kristna skivor i en anrik studio i Alabama där svarta soulband, med vilka han delade musiker, hade spelat in gospel var ingen slump. Resultatet låter också fantastiskt. Men länge var det bortkastat på en publik som inte kunde acceptera ekvationen Bibeln och Bob.Det var också därför jag visste precis vad jag ville att den häpne arkivarien i Tulsa skulle ta fram. På de aldrig visade filmerna från 1980 sitter Dylan i karaktäristisk skinnjacka, med sina svarta solglasögon och sitt krulliga hår vid en flygel i en lokal som ser ut som gymnastiksalen i en svensk högstadieskola. Han kantas av svarta körsångerskor. Bandet spelar City of Gold – en egenskriven gospel med text från Uppenbarelseboken. Den går över i Blowin in the wind. Som aldrig har låtit lika bra, eller lika mycket som att den skrevs för en kyrka.
Charles Baudelaire (1821–1867) fue un poeta, crítico de arte y traductor francés, considerado una de las figuras más influyentes de la literatura moderna. Es especialmente conocido por su obra Les Fleurs du mal (Las flores del mal, 1857), un libro de poemas que causó escándalo en su época por tratar temas como la sensualidad, el tedio, el spleen (melancolía existencial), la muerte y el satanismo. Combina el romanticismo con un estilo pre-simbolista, precursor del modernismo.Temas recurrentes: Belleza en lo decadente, lo prohibido, lo urbano, la dualidad del alma humana (ángel/demonio), el hastío moderno.Lenguaje: Rico en simbolismo, imágenes sensoriales y musicalidad poética. Obra principal:Las flores del mal incluye secciones como:Spleen et Idéal (el alma dividida entre lo sublime y lo miserable), Tableaux parisiens (poemas sobre la ciudad de París), Révolte (la rebelión contra Dios o el orden), La Mort (reflexiones sobre la muerte).Seis poemas del libro fueron censurados por "ofensa a la moral pública", y Baudelaire fue multado. Esa censura no se levantó en Francia sino hasta 1949. Es considerado uno de los padres de la poesía moderna.Fue una gran influencia para los simbolistas (como Verlaine, Rimbaud y Mallarmé) y para poetas del siglo XX como T. S. Eliot y Paul Valéry. También tradujo la obra de Edgar Allan Poe al francés, ayudando a difundirla en Europa.
Send us a text or a voicemailA woman, employed as a website content moderator, comes across a series of offensive audio podcasts that have been reported by listeners. She is torn between sending them a take down notification and subscribing. On Episode 720 of Trick or Treat Radio our feature film discussion is the re-imagining of the cult classic Faces of Death from director Daniel Goldhaber! We also talk about the original viral videos from early VHS shockumentaries, we talk about old commercials, and we react to trailers for the films; The Voices of Our Mother, and The Dead Place. So grab your old VHS copy of Faces of Death, try not to imitate any of its videos, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror authors, Stephen King, Edgar Allan Poe, writers of terror, Dan Ackroyd, big twinkies, Bloodsport, Revenge of the Nerds, RIP Donald Gibb, Old Taco Bell commercials, Mike Mignola, Bee Gees, Andy Gibb, King of the Zombies, Nightmare in Wax, Child of Glass, The House Where Evil Dwells, Conan the Barbarian, The Evil Within, Heavy Mental: A Rock and Roll Bloodbath, Sophia Coppola, Frankenweenie, The Entity, The Day the Time Ended, The Amityville Horror, Kingdom of the Spiders, Natasha Ryan, Danny Huston, Clash of the Titans, 30 Day of Night, Tim Roth, Planet of the Apes, Dark Water, Rob Tapert, Robert Zemeckis, The Frighteners, Tales From the Crypt, Joe Zito, Friday the 13th: The Final Chapter, The Prowler, George Lucas, William Friedkin, Victor Miller, Richard Deacon, Howard the Duck, Top Secret, Real Genius, Val Kilmer, Fassbender, X-Men: Apocalypse, Nunsploitation, Mr. Destiny, The Voices of Our Mother, The Dead Place, David Howard Thornton, Destiny Plays the Radio, The Golden Girls, Quentin Tarantino, Dr. Frances B. Gross, Faces of Death, Traces of Death, Shockumentary, Mondo Films, Hackers, Angelina Jolie, Dacre Montgomery, Barbie Ferreira, Charlie XCX, copycat killers, Censor, video nasties, i screen you screen we all screen for green screen, and traumatized and desensitized.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Annemieke Bosman in gesprek met schrijver en podcastmaker Chris Bajema. Na De mosterdmoorden komt Bajema met een nieuw boek: Het moordcollege. Bajema laat hierin de geschiedenis zien van het misdaadverhaal. Hoe het genre zich de afgelopen twee eeuwen heeft ontwikkeld, van de eerste locked-room-misdaadvertelling van Edgar Allan Poe via de klassieke detective-personages Sherlock Homes en Hercule Poirot naar de vele thrillergenres anno nu. Chris Bajema is schrijver, prijswinnend podcastmaker en theatermaker. Voor zijn podcast Man met de microfoon maakte hij eerder een serie over het misdaadverhaal.
We're back with our continuing fourth collection. This week it's: "The Sphinx" by Edgar Allan Poe.
Irma and Karen answer a listener question about the transition from emerging writer to established, then chat about their latest reading recommendations.Then Karen talks to poet Robbie Coburn about how discovering Edgar Allan Poe when he was 14 was like being let out of jail, how mimicking great writers can help develop your writing early on, how he connects poems to memories like songs, the best way for poets to get their work out into the world, the value of mentorship for poets, why allowing horses to gallop into his work helped him find himself as a writer, how to persist despite devastating rejection, and how his granny would have been proud of him receiving an award sticker for his verse novel.About Robbie Robbie Coburn is the author of several poetry collections and a young adult verse novel The Foal in the Wire. He has published several chapbooks and zines, and his poems have been published in numerous Australian and international journals. He has run poetry workshops for Headspace – a youth mental health organisation. He grew up on a farm in regional Victoria and now lives in Melbourne.Find out more about Irma and KarenVisit Irma Gold's website, or follow her on Instagram and FacebookVisit Karen Viggers' website, or follow her on Instagram and FacebookFollow Secrets From the Green Room on Instagram and Facebook
En el Teatro Luis del Olmo se ha colado un cuervo y dos ornitólogos se han lanzado a cazarlo. Sin embargo, Sergio del Molino ha decidido sustituirlos por un cazador mucho más experimentado.
While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!Week 39 of Ted Gioia's Immersive Humanities Course takes on nineteenth-century American literature. To my surprise, this became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. Mark Twain's The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe's The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson's poems felt weightless and startlingly modern. Henry David Thoreau's Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I'm looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!) The complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm
Gabriel Mckee is a librarian, curator, and author whose research focuses on UFO culture, science fiction, religion, and book history. His past work includes books on theology and science fiction, curating exhibitions on Edgar Allan Poe and Mark Twain, and working as part of the editorial team for PHILIP K. DICK'S EXEGESIS. Last year, he published THE SAUCERIAN: UFOS, MEN IN BLACK, AND THE UNBELIEVABLE LIFE OF GRAY BARKER with the MIT Press -- a biography of a controversial ufological trickster.His latest book BEHOLD THE BEHEMOUTH: THE COLLECTED POEMS OF GRAY BARKER was released earlier this year.BEHOLD THE BEHEMOUTH can be ordered directly from the publisher Apport Editions, here: https://www.abebooks.com/Behold-Behemouth-Collected-Poems-Gray-Barker/32406173691/bdTHE SAUCERIAN can be ordered from Amazon here:https://www.amazon.com/Saucerian-UFOs-Black-Unbelievable-Barker/dp/0262049546/Visit Gabriel online, here: https://gabrielmckee.com/Info about BEHOLD THE BEHEMOUTH:A master storyteller, prankster, and mainstay of the UFO world, Gray Barker (1925-1984) is best known for his bizarre tales of Men in Black, the Mothman, and the Philadelphia Experiment. Barker is widely recognized for his skill as a prose stylist in books like They Knew Too Much About Flying Saucers--skills that he developed through a lifelong practice of composing poetry, most of which remained unpublished at the time of his death.In Behold the Behemouth, Gabriel Mckee (author of the biography The Saucerian: UFOs, Men in Black, and the Unbelievable Life of Gray Barker) compiles all of Barker's surviving poetry, from his early experiments as a college student through enigmatic verse about UFOs and other uncanny subjects in his later career.At turns melancholic, otherworldly, and side-splittingly hilarious, Barker's poetical writings enrich the picture of midcentury ufology in general and the life of this peculiar literary outsider in particular.Gabriel visits with Talking Weird to chat about the amazing life and poems of Gray Barker, who was one of the most influential and fascinating figures of Ufology.This is an enthralling episode, filled with stories about early Ufology, that you do not want to miss!
Gabriel Mckee is a librarian, curator, and author whose research focuses on UFO culture, science fiction, religion, and book history. His past work includes books on theology and science fiction, curating exhibitions on Edgar Allan Poe and Mark Twain, and working as part of the editorial team for PHILIP K. DICK'S EXEGESIS. Last year, he published THE SAUCERIAN: UFOS, MEN IN BLACK, AND THE UNBELIEVABLE LIFE OF GRAY BARKER with the MIT Press -- a biography of a controversial ufological trickster.His latest book BEHOLD THE BEHEMOUTH: THE COLLECTED POEMS OF GRAY BARKER was released earlier this year.BEHOLD THE BEHEMOUTH can be ordered directly from the publisher Apport Editions, here: https://www.abebooks.com/Behold-Behemouth-Collected-Poems-Gray-Barker/32406173691/bdTHE SAUCERIAN can be ordered from Amazon here:https://www.amazon.com/Saucerian-UFOs-Black-Unbelievable-Barker/dp/0262049546/Visit Gabriel online, here: https://gabrielmckee.com/Info about BEHOLD THE BEHEMOUTH:A master storyteller, prankster, and mainstay of the UFO world, Gray Barker (1925-1984) is best known for his bizarre tales of Men in Black, the Mothman, and the Philadelphia Experiment. Barker is widely recognized for his skill as a prose stylist in books like They Knew Too Much About Flying Saucers--skills that he developed through a lifelong practice of composing poetry, most of which remained unpublished at the time of his death.In Behold the Behemouth, Gabriel Mckee (author of the biography The Saucerian: UFOs, Men in Black, and the Unbelievable Life of Gray Barker) compiles all of Barker's surviving poetry, from his early experiments as a college student through enigmatic verse about UFOs and other uncanny subjects in his later career.At turns melancholic, otherworldly, and side-splittingly hilarious, Barker's poetical writings enrich the picture of midcentury ufology in general and the life of this peculiar literary outsider in particular.Gabriel visits with Talking Weird to chat about the amazing life and poems of Gray Barker, who was one of the most influential and fascinating figures of Ufology.This is an enthralling episode, filled with stories about early Ufology, that you do not want to miss!
Can reading about the paranormal actually open a door to something otherworldly? Some real-life accounts suggest the act of delving into the supernatural may invite more than just stories – it may invite something far darker.FEATURED STORIES IN THIS EPISODE: As long as there has been talk of evil spirits, ghosts, and demons, there have been tales of ways to bind, subdue, and imprison them. (Bizarre Real Demon Traps) *** Is it possible that reading about the world of the paranormal can somehow expose a person to it? (Can Reading A Book Open a Paranormal Door?) *** A truck driver passes a specter on a night road. (Night Driving In Alabama Left Me Speechless) *** The 1964 murder of Kitty Genovese – killed in front of 38 people, yet no one came to her aid - became an American legend. But how much of the story is true? (The Woman Killed In Front Of 38 Witnesses) *** The skeleton of a young boy was found on the side of a road and eventually a man named Marcellus Bunch was arrested for the crime – yet he seemed completely unconcerned about himself, the trial, or his fate. (A Hidden Skeleton) *** You don't have to be sleeping with someone to be the victim of a blanket hog. You only need an invisible entity to give you those chills. (The Phantom Blanket Puller) *** Beloved horror author Edgar Allan Poe was a master of terror and mystery – but his greatest mystery may not have been in the pages of his writings, but in the days immediately before his death. (The Last Mystery of Edgar Allan Poe)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:00:40.612 = Show Open00:02:50.945 = The Last Mystery of Edgar Allan Poe00:06:17.849 = Can Reading a Book Open a Paranormal Door?00:12:47.692 = The Phantom Blanket Puller ***00:14:02.393 = A Hidden Skeleton00:16:43.963 = Night Driving in Alabama Left Me Speechless00:17:48.486 = The Woman Killed In Front of 38 Witnesses00:26:42.524 = Bizarre Demon Traps ***00:34:24.358 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other apps. Get the full list of options here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The Last Mystery of Edgar Allan Poe” by Doug MacGowan for Historic Mysteries: http://bit.ly/2lGCHQk“Can Reading A Book Open a Paranormal Door” by Nick Redfern for Mysterious Universe: http://bit.ly/2m414Yk“The Woman Killed In Front of 38 Witnesses” by Stephanie Merry for the UK's Independent: http://bit.ly/2lFt7xe“A Hidden Skeleton” by Robert Wilhelm for Murder By Gaslight: http://bit.ly/2lHB1pI“The Phantom Blanket Puller” by Megan Amos for MyHauntedLifeToo.com: http://bit.ly/2k7NfYf“Night Driving In Alabama Left Me Speechless” by Alan Orr for MyHauntedLifeToo.com: http://bit.ly/2m0IkZI“Bizarre Real Demon Traps” by Brent Swancer for Mysterious Universe: http://bit.ly/2m9HDNZ(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: November 06, 2022EPISODE BLOG PAGE (includes sources and full transcript): https://weirddarkness.com/ReadingParanormal
We're back with our continuing fourth collection. This week it's: "Silence - A Fable" by Edgar Allan Poe. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back with our continuing fourth collection. This week it's: "Silence - A Fable" by Edgar Allan Poe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen Ad Free https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free!
"El Sabueso" (The Hound), escrito en 1922 y publicado en 1924 en la mítica revista Weird Tales, no es solo un cuento de terror; es el puente definitivo entre el horror gótico tradicional y el horror cósmico que definiría la carrera de Lovecraft.La historia narra el descenso a la locura de dos amigos, el narrador y su compañero St. John. Hartos de la banalidad del mundo moderno, ambos se convierten en estetas de lo macabro, dedicándose a saquear tumbas antiguas para alimentar un museo privado lleno de reliquias necrófilas.Su perdición comienza en un cementerio de Holanda, donde desentierran los restos de un profanador de tumbas del siglo XVIII. Del cuello del cadáver extraen un amuleto de jade verde con la efigie de un perro alado. A partir de ese momento, el aire se llena de un aullido constante y el sonido de alas pesadas. Uno a uno, los protagonistas descubren que no se puede robar a los muertos sin que algo de "el otro lado" venga a reclamar su propiedad.Este relato es históricamente vital porque marca la primera mención en la literatura del Necronomicón, el grimorio ficticio de Abdul Alhazred. Aquí, Lovecraft lo introduce no como un libro de hechizos, sino como un registro de ritos prohibidos y advertencias sobre las entidades que habitan en los umbrales de la realidad.El objeto es el motor de la trama. Representa el vínculo físico entre la codicia humana y las fuerzas sobrenaturales. Su descripción sugiere una conexión con el culto a los Ghouls (Gules), seres que Lovecraft desarrollaría más tarde, estableciendo que hay una jerarquía de criaturas que protegen los cementerios.A diferencia de otros relatos donde el horror es puramente alienígena, aquí Lovecraft se sumerge en el decadentismo. Los protagonistas buscan el placer en lo "enfermo" y lo "muerto", una temática inspirada en autores como Edgar Allan Poe y Baudelaire.El relato se divide en tres fases psicológicas que puedes resaltar en tu audiolibro:La Arrogancia: La creencia de que pueden controlar lo oculto y que el saqueo es una forma de arte superior.El Acoso: La manifestación de lo sobrenatural a través de los sentidos (oído y tacto), creando una atmósfera de paranoia creciente.La Inevitabilidad: El clímax en el que el narrador se da cuenta de que la criatura es física, implacable y que su destino está sellado.Aunque "El Sabueso" se siente como un cuento gótico de fantasmas, sienta las bases del horror cósmico al sugerir que:Existen cultos ancestrales que preceden a la humanidad.Ciertos objetos actúan como faros para entidades de otras dimensiones.El conocimiento prohibido (el Necronomicón) es una sentencia de muerte para quien lo posee.
De skelettstylade garagerockarna The Dahmers bildades efter en Halloweenfest 2011. Trummisen Karl Oskar Hansson och frontfiguren Christoffer Karlsson hade känt varandra sedan högstadiet då de var Bromöllas enda punkare. "Det fanns inte så mycket att göra där", minns Christoffer. "Antingen spelade man fotboll eller så spelade man musik. Eller så var man nynazist." Hemma hos Strage pratar The Dahmers bland annat om kärleken till The Stooges, Joan Jett och Screaming Lord Sutch, om filmerna som skrämde livet ur dem som barn, om att besöka huset där "Motorsågsmassakern" spelades in, om sitt nya album "Creature feature", om att bota hjärtesorg med Edgar Allan Poes poesi och om varför det är "borgerligt" att rengöra scannern när man designar t-shirts. Hosted on Acast. See acast.com/privacy for more information.
THIS IS PART TWO - Listen to part one hereCONTENT HEADS UP: This episode contains discussions of death, dying, end-of-life care, and sensitive topics related to mortality, including chosen suicide and medicalization of death and illness. Listener discretion is advised, especially for individuals who may find these topics distressing or triggering. Please prioritize your emotional well-being while engaging with this content.Also, Ali wants to note that when she asks Karen about her thoughts on suicide, she meant to make a disctinction between “chosen” suicide (when someone wants to live but they are in too much physical pain/their body is too deteriorated without hope of recovery) and “suicide under duress” (meaning due to emotional/psychological/spiritual pain, that may or may not be accompanied by an unavoidably dying body, the person does not want to live). Of course facing a death someone does not want can also be considered duress! SYNOPSIS:What does good acting and dying have in common? In this episode, Ali discusses all things death, dying, and living as bodies with Karen Bellone, Certified End-of-Life Doula and Death Educator. They focus on the interconnectedness of life and death, the significance of conscious living, and the complexities of end-of-life care. Karen shares her experiences working with dying individuals, highlighting the challenges of the dying process, including issues related to dementia and Alzheimer's. They discuss the importance of compassionate and holistic approaches to end-of-life care, emphasizing the need for conscious decision-making aligned with personal values to achieve a good death without regrets. Throughout the conversation, they reflect on the essence of embodiment and the importance of being present in the moment, trusting the intelligence of the body to embrace a richer life and ultimately a better death. ALI & KAREN EXPLORATION POINTS:- The concept of a 'good death,' this discussion emphasizes the significance of conscious decision-making and holistic approaches to end-of-life care, challenging societal norms and perceptions surrounding death. - The complexities, ethical considerations and medicalization surrounding end-of-life decisions, highlighting the need for open dialogue and support for individuals facing such choices.- The role of a Death Doula, illuminating the profound support and guidance provided by these compassionate professionals in assisting individuals and families through the dying process, fostering a sense of empowerment and comfort.- How our physical and emotional bodies communicate and play integral roles in the dying process, highlighting the importance of listening to and honoring the body's wisdom. - Insights into embracing conscious living, pursuing meaningful experiences, and aligning actions with personal values to cultivate a sense of fulfillment and purpose.- Sensory experiences shape our perception of life and death, emphasizing the significance of sensory elements in the dying process and fostering connections with loved ones.To be an angel to the podcast, click here: To read more about the podcast, click here: MORE ALI MEZEY:Website BODY MAPPING VIDEO LIBRARYPersonal Geometry® and the Magic of Mat Work Course informationTransgenerational Healing FilmsMORE KAREN BELLONE:Film Website: Website: The Seventh Sense BIO:Founder, Doula, Educator: Karen Bellone, MFA, is a Certified End-of-Life Doula and Death Educator. She is the founder of The Seventh Sense in NY's Hudson Valley, where she is an integral part of a worldwide community that is reigniting the wisdom of death within our modern lives. She is also founder of Exit Strategy for Dying, a monthly Death, Arts and Culture Readers supporting a resource hub to educate and refocus the narrative around death and grief through the lens of arts, culture, storytelling and innovation. Prior to embracing her passion for end-of-life work, Karen has had a long career as an award-winning filmmaker and internationally collected photographer. She received a BFA in Film Production from New York University, and did graduate work with the world-renowned Actors Studio, through their inaugural program at the New School for Social Research.After training and becoming certified with INELDA (International End of Life Doula Association), Karenworked with an innovative hospice in Los Angeles where her skills as a death doula were developed and broadened. In addition to working with patients in various stages of their life journeys, she was responsible for training the volunteer staff, nurses and other hospice and medical professionals to bring more understanding, humanity and compassion into their work with the dying. She spoke regularly with groups, such as the Alzheimer's Project, about the role of the doula at end-of-life, and the space that can be held to bring about ‘a good death'. She believes strongly in the ability to demystify and assuage the fear that surrounds death in our culture and to foster safe passage for the dying, as well as to aid the families and loved ones through grief and bereavement.As a visual artist and storyteller, Karen acquired a multitude of skills throughout her career that unlocked a deep passion for the healing power of visual and auditory perception on human consciousness. She integrated these strengths and resources into tools to bring aid and comfort for those imminently facing their mortality. Working with somatic and sensory awareness, Karen utilizes visual, sound and meditation therapy, personalized guided imagery, and commemoration of the sacred in the form of ritual, legacy and memory work, in order to bring comfort - physically, emotionally, spiritually to celebrate and commemorate the life of the individual. In addition to her ongoing private practice, Karen is currently directing a feature film about living American artist Michelle Stuart, whose work also engages with the elemental and ineffable nature of existence.RESOURCES:Edgar Allan PoeErik EriksonExit strategy for dying (Karen's monthly newsletter)Omega Home NetworkAll...
Hey — let's talk Gothic. If you loved the Wuthering Heights episode but aren't sure what “Gothic” means, here's a friendly, no‑pressure rundown: it's a literary vibe that exploded in the late 1700s and early 1800s (part of Romanticism) and stuck around because people couldn't get enough of spooky mystery, big feelings, and weird houses. At its core Gothic mixes suspense and the supernatural with secrets from the past: ghosts (or things that feel like ghosts), hidden diaries or cursed heirlooms, murmured scandals, and the sense that history is still very much alive — and maybe angry. Stories often leave the door open between a rational explanation and the uncanny, so you're always wondering what's real. The setting matters: remote, isolated places—windy moors, stormy cliffs, spooky woods, and usually a grand but slightly crumbling manor. That atmosphere of beauty plus decay is basically Gothic's aesthetic fingerprint. Protagonists are frequently women, which made these books especially thrilling for female readers back when options for adventurous stories were limited. Other common threads: intense emotion over reason, troubled or doomed romances, the ever‑present shadow of death, and objects that carry memory or menace. Short stories work great as an intro (hello, Poe), and novellas are perfect if you want a quick, delicious chill. Gothic isn't one thing — it splinters into cool subgenres. Southern Gothic, for example, folds in religious hypocrisy, the legacy of violence, and heavy landscape feeling. Contemporary takes like Mexican Gothic (Silvia Moreno‑Garcia) remix classic Gothic tropes—isolated mansions, family secrets—with new cultures, histories, and anxieties. Other great touchstones: Jane Eyre, Wuthering Heights, Rebecca, The Turn of the Screw (Bly Manor), Shirley Jackson's Hill House, Daphne du Maurier, Edgar Allan Poe, and even films like Crimson Peak that lean into the look and mood. Gothic also shows up in real cultural practices and local histories: think of rituals that try to heal a place's memory or reckon with past violence. Those real world echoes are part of what keeps the genre alive and relevant — it's not just spooky houses, it's how communities remember and reckon with what happened there. If you want to dive in, try a Poe short story, a classic like Jane Eyre, or a modern pick like Mexican Gothic or a T. Kingfisher novella. And hey — if you've got favorites, tell us. I want to know what weird, moody books give you chills.
Vi tar en närmare titt på Roger Cormans adaptioner av Edgar Allan Poe, ofta i nära samarbete med storheterna Vincent Price och Richard Matheson. Det blir, bland mycket annat, ett samtal om psykoanalys, manlighet, arvsskuld, trauma och ett billigt och effektivt filmskapande gjort av gubbar i form av den absoluta gräddan av den amerikanska skräckmyllan. I avsnittet som helhet pratar vi också bland annat om: H.P Lovecraft, Peter Pan-syndromet, Lucio Fulci, gotisk skräck, skräckromantik, det makabra, galenskap, självdestruktivitet, blommigt språk, weird fiction, kosmisk skräck, exploateringsfilm, Sigmund Freud, Alfred Hitchcock, Psycho, det undermedvetna, det overkliga, Besökarna, Sam Raimi, The Evil Dead, gravvalv, kryptor, degenering, romantiseringen av den döende kvinnan, Hammer Horror, Bram Stoker, HBTQ-perspektiv, påkostade för- och eftertexter, det psykedeliska, Les Baxter, jazziga soundtracks, dödsdrift, skräckmelodram, Saw-franchisen, Barbara Steele, Mario Bava, Black Sunday, aristokratisk dekadens, katalepsi, Ray Milland, taphofobi, The Autopsy of Jane Doe, The Whisperer in Darkness, Agatha Christie, omotiverad dimma, Slå nollan till polisen, tvångsneuroser, OCD, spöken, kameraåkningar, Peter Lorre, M, Fritz Lang, skräckkomedi, Basil Rathbone, Sherlock Holmes, hypnos, transliknande tillstånd och Mike Flanagan. Mycket nöje!
Your deadicated hosts enjoy this feature reel of Vincent Price in TALES OF TERROR (1962), a horror anthology from Roger Corman! Unfortunately, writer Richard Matheson stumbles in adapting Edgar Allan Poe's short stories "Morella," "The Black Cat," "The Cask of Amontillado," and "The Facts in the Case of M. Valdemar." But does that matter when Price, Peter Lorre, and Basil Rathbone get to come together? Context setting 00:00; Synopsis 45:15; Discussion 59:17; Ranking 1:21:46
CONTENT HEADS UP: This episode contains discussions of death, dying, end-of-life care, and sensitive topics related to mortality, including chosen suicide and medicalization of death and illness. Listener discretion is advised, especially for individuals who may find these topics distressing or triggering. Please prioritize your emotional well-being while engaging with this content. SYNOPSIS:What does good acting and dying have in common? In this episode, Ali discusses all things death, dying, and living as bodies with Karen Bellone, Certified End-of-Life Doula and Death Educator. They focus on the interconnectedness of life and death, the significance of conscious living, and the complexities of end-of-life care. Karen shares her experiences working with dying individuals, highlighting the challenges of the dying process, including issues related to dementia and Alzheimer's. They discuss the importance of compassionate and holistic approaches to end-of-life care, emphasizing the need for conscious decision-making aligned with personal values to achieve a good death without regrets. Throughout the conversation, they reflect on the essence of embodiment and the importance of being present in the moment, trusting the intelligence of the body to embrace a richer life and ultimately a better death. ALI & KAREN EXPLORATION POINTS:- The concept of a 'good death,' this discussion emphasizes the significance of conscious decision-making and holistic approaches to end-of-life care, challenging societal norms and perceptions surrounding death. - The complexities, ethical considerations and medicalization surrounding end-of-life decisions, highlighting the need for open dialogue and support for individuals facing such choices.- The role of a Death Doula, illuminating the profound support and guidance provided by these compassionate professionals in assisting individuals and families through the dying process, fostering a sense of empowerment and comfort.- How our physical and emotional bodies communicate and play integral roles in the dying process, highlighting the importance of listening to and honoring the body's wisdom. - Insights into embracing conscious living, pursuing meaningful experiences, and aligning actions with personal values to cultivate a sense of fulfillment and purpose.- Sensory experiences shape our perception of life and death, emphasizing the significance of sensory elements in the dying process and fostering connections with loved ones.To be an angel to the podcast, click here: To read more about the podcast, click here: MORE ALI MEZEY:Ali's Website BODY MAPPING VIDEO LIBRARYPersonal Geometry® and the Magic of Mat Work Course informationTransgenerational Healing FilmsMORE KAREN BELLONE:Film Website: Website: The Seventh Sense BIO:Founder, Doula, Educator: Karen Bellone, MFA, is a Certified End-of-Life Doula and Death Educator. She is the founder of The Seventh Sense in NY's Hudson Valley, where she is an integral part of a worldwide community that is reigniting the wisdom of death within our modern lives. She is also founder of Exit Strategy for Dying, a monthly Death, Arts and Culture Readers supporting a resource hub to educate and refocus the narrative around death and grief through the lens of arts, culture, storytelling and innovation. Prior to embracing her passion for end-of-life work, Karen has had a long career as an award-winning filmmaker and internationally collected photographer. She received a BFA in Film Production from New York University, and did graduate work with the world-renowned Actors Studio, through their inaugural program at the New School for Social Research.After training and becoming certified with INELDA (International End of Life Doula Association), Karenworked with an innovative hospice in Los Angeles where her skills as a death doula were developed and broadened. In addition to working with patients in various stages of their life journeys, she was responsible for training the volunteer staff, nurses and other hospice and medical professionals to bring more understanding, humanity and compassion into their work with the dying. She spoke regularly with groups, such as the Alzheimer's Project, about the role of the doula at end-of-life, and the space that can be held to bring about ‘a good death'. She believes strongly in the ability to demystify and assuage the fear that surrounds death in our culture and to foster safe passage for the dying, as well as to aid the families and loved ones through grief and bereavement.As a visual artist and storyteller, Karen acquired a multitude of skills throughout her career that unlocked a deep passion for the healing power of visual and auditory perception on human consciousness. She integrated these strengths and resources into tools to bring aid and comfort for those imminently facing their mortality. Working with somatic and sensory awareness, Karen utilizes visual, sound and meditation therapy, personalized guided imagery, and commemoration of the sacred in the form of ritual, legacy and memory work, in order to bring comfort - physically, emotionally, spiritually to celebrate and commemorate the life of the individual. In addition to her ongoing private practice, Karen is currently directing a feature film about living American artist Michelle Stuart, whose work also engages with the elemental and ineffable nature of existence.RESOURCES:Edgar Allan PoeErik EriksonExit strategy for dying (Karen's monthly newsletter)Omega Home NetworkAll the Little DeathsRabbi Leder's book, The Beauty of What RemainsAllen GinsbergHenry Firsco WeissThe Rites of the DyingPhilip ShepherdThis one is for you, Pop: April 12, 1931 - April 15, 2015With my deep love - AM
The Murder Of Captain Joseph WhiteJump to AD-FREE Safe House EditionEpisode 472 takes us back to Salem, Massachusetts in 1830 when an old man dead in his bed from thirteen stab wounds. The clues: an unlocked window and a fortune that was never what anyone thought it was. The plot implicates four young men from two of Salem's best families and involves one famous and very expensive lawyer. This is the murder that taught Edgar Allan Poe everything he needed to know about guilt.More CAPERS & CONSPIRACIESBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.You can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.We invite you to our other PULPULAR MEDIA podcasts:If disaster is more your jam, check out CATASTROPHIC CALAMITIES, telling the stories of famous and forgotten tragedies of the 19th and 20th centuries. What could go wrong? Everything!For brand-new tales in the old clothes from the golden era of popular literature, give your ears a treat with PULP MAGAZINES with two new stories every week.This episode includes AI-generated content.
Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.
"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe admitted it to be a work of pure fiction in letters to his correspondents. Check out this link to buy DB's Books[link]
In this episode, we explore extraordinary stories of sensory perception and the profound impacts of blindness and deafness. Discover how these conditions transform perception, influence identity, and enable unique connections to the world around us.Most of us underestimate the power of perception—and the danger of what lies hidden beneath what we see. This episode unravels a haunting story where sight and sound collide with astonishing consequences, revealing how greater awareness can both liberate and destroy.Join us as we explore a chilling tale of deafness, vision, and morality. Simon, a musician who loses his hearing, discovers an unlikely way to perceive the world—through his eyes—and begins to see the true nature of those around him. But what happens when what you see conflicts with what you hear? This story dives into the terrifying realization that sometimes, even our senses betray us, forcing us to confront our deepest fears and impulses.You'll discover: how extraordinary perceptual shifts can alter human behavior; the fine line between empathy and suspicion; and why viewing the world through a different lens might be the greatest challenge—and gift—of all. We break down the haunting metaphor of the "telltale heart" that isn't a heart at all, but something far worse. Plus, we analyze the moral dilemmas at the story's core and what they reveal about human nature when perception is twisted.This episode is perfect for anyone curious about the limits of human senses, the power of perspective, and the dark complexities lurking beneath surface appearances. In a world obsessed with seeing and hearing, understanding these deeper truths could change the way you view your reality and your instincts.If you're ready to question what you think you know, this story will leave you unsettled—and enlightened. Step into a narrative where perception is the ultimate weapon and morality hangs in a fragile balance. Don't miss it.[Note: The story features a vividly constructed mystery drama inspired by Edgar Allan Poe's style, centered on themes of blindness, deafness, and moral conflict, highlighting the profound influence of our sensory experiences on our moral compass.]
UNEXPLAINED: The Strange Death of Edgar Allan PoeJoin Josh as he dives into one of the most chilling and mysterious deaths in literary history, the final days of Edgar Allan Poe. From his sudden disappearance during a routine trip to his reappearance in the streets of Baltimore confused, delirious, and wearing someone else's clothes, the story only becomes more unsettling the deeper you go.With theories ranging from illness and alcohol to a dark form of election fraud known as cooping, and even eerie stories surrounding his grave long after his death, this case refuses to be explained. Was it a tragic series of events, a crime lost to history, or something that was never meant to be understood at all? Find out in this episode.Follow us on Instagram: @outtherecryptids Support the show on Patreon: https://www.patreon.com/c/outtherecryptidsWatch the episodes on Youtube: https://www.youtube.com/@outtherecryptidsVisit our website: https://outtherecryptids.com
It is a privilege to welcome back my friend, Jeff Azar, aka Demi the Daredevil, to Jake's Take with Jacob Elyachar Podcast. Hailing from El Paso, Texas, Demi, went from being the drummer to being a singer after the original lead singer, Jovan Ortiz, suddenly passed away. With this loss and his mental health struggles as catalysts, Jeff reimagined the band's identity as an evocative blend of theatrical alt-pop, haunting soundscapes, and dark, introspective lyrics, creating anthems for other misfits who feel lost, misunderstood, and searching for their unique voice. With influences ranging from Tim Burton to Edgar Allan Poe, Demi the Daredevil's music delves into themes of identity, mental illness, existentialism, and the complexities of the human experience. This gives the listener a deep, relatable sense of meaning, creating a safe space and a sense of community for the underdog. Not only does the brand avatar reflect the audience's identity, but it also offers a signature allure for collaborations and partnerships. He has garnered over 25 million Spotify streams and over 1,000 pieces of fan art from the “devilins” (his fanbase). Buzzfeed, CBS, Crank That Frank, and Emo Nite have profiled Demi, while several songs, such as “Call in Dead,” have been featured on Trebel's homepage and Pandora's “AMP Fresh Cuts” playlist. On this edition of The Jake's Take with Jacob Elyachar Podcast, Demi the Daredevil spoke about his 10th anniversary and the stories behind several songs, including “Cursed House” with AViVA.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.
Step into the strange and biting world of Edgar Allan Poe's Lionizing, a sharp gothic satire that blends dark humor, social commentary, and Poe's signature fascination with vanity, status, and human absurdity. In this unforgettable classic, a man's rise to fame is built on something as ridiculous as it is disturbing — and the higher he climbs into fashionable society, the more twisted the praise, obsession, and cruelty become.If you love Edgar Allan Poe stories, classic horror, gothic fiction, macabre satire, and eerie tales that expose the ugliness hiding beneath beauty and popularity, this episode delivers a weird, witty, and wonderfully unsettling listen. Lionizing is a perfect example of Poe's ability to mix the bizarre with the brilliant, turning a strange premise into a chilling reflection on ego, reputation, and the madness of public adoration.Lionizing — by Edgar Allan Poe
Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNTwill be reading "Scary Stories" Illustrated By Barry Moser.This evening we read ... *Introduction By Peter Glassman*Kittens By Dean Koontz*The Magic Shop By H. G. Wells*Miriam By Truman Capote*The Tell-Tale Heart By Edgar Allan Poe*Genesis and Catastrophe (A True Story) By Roald Dahl*The Squaw By Bram Stoker*Here There Be Tygers By Stephen King*Man Overboard! By Winston ChurchillBecome a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson
JEFF NILES PRESENTS, Eps 3 and 4. Due to the shortness of episode 3, which is a recitation of Edgar Allan Poe's "The Raven", we're attaching it to the front of episode 4, which is a dramatization of wee Eddie's story "The Pit and the Pendulum". An eerie double-feature for you, from our dear departed pal Jeff Niles. Trust us, Jeff was alive when he made these, but he'd appreciate the thought. "The Raven" recited by Viktor Aurelius "The Pit and the Pendulum" is a gruesome and evocative tale of torture and psychological horror at the hands of the Spanish Inquisition, filled with nightmarish imagery and heart-stopping suspense. Starring: Peter Heimsoth, Jeff Niles, and Vikor Aurelius
True Creeps: True Crime, Ghost Stories, Cryptids, Horrors in History & Spooky Stories
Join us as we go spelunking! We'll explore three caves (Sybil's Cave in Hoboken, New Jersey, Dungeon Rock in Lynn, Massachusetts, and Hellhole Cave in West Virginia) and the spooky stories that go along with each one. We'll discuss a 19th century murder that may have inspired Edgar Allan Poe, a man who spent decades digging into a rock on the advice of a ghost pirate, and the legendary Bat Boy. Plus, Amanda has a tiny little cave story.Join our Reddit community: https://www.reddit.com/r/truecreepspodcast/s/JVToI0ykGEJoin our Facebook group here: https://www.facebook.com/groups/449439969638764A special thank you to our jam thief, Mary Quiton!https://www.patreon.com/truecreepshttps://www.truecreeps.com/shopwww.truecreeps.comHave an episode idea or a question about a case? Submit them here: https://www.truecreeps.com/ideasandquestionsTwitter @truecreepsInstagram @truecreepspodFacebook.com/truecreepspodEmail us at truecreepspod@gmail.comThe Tragic Tale of Mary Rogers and Sybil's CaveWV Underground - Highland OutdoorsThe Labyrinth Below – Wonderful West Virginia MagazineDungeon Rock in Lynn | Atlas ObscuraDungeon Rock and The New England Frankenstein | Obscure VermontDungeon Rock, Lynn Woods · Swampscott Public Library, Swampscott, Mass. · NOBLE Digital HeritageHiram Marble, Eccentric Treasure Hunter (part 1)The Pledge of Allegiance Debuts in a Boston MagazineThe Pirate Ghost of Dungeon Rock - Salem GhostsDungeon Rock in Lynn, Massachusetts started with a pirate ghost and a treasure hunt - CBS BostonThe history and mysteries of Lynn's ‘haunted' pirate cave | GBHThe Mysterious Murder of the Beautiful Cigar Girl - Atlas ObscuraSybil's Cave in Hoboken | Atlas ObscuraWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksWeekly World News - Google BooksBat Boy Found in West Virginia Cave 30 Years Ago!! - Weekly World NewsThis podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/
Every year on Edgar Allan Poe's birthday, someone sneaks into a Baltimore graveyard and mysteriously places a bottle of cognac on his grave. It's been going on for more than 40 years, and no one knows who it is or why they do it. Carly and Lewis visit a graveyard at midnight to solve the mystery. Originally aired 3/6/24.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Edgar Allan Poe was one of the most influential and haunting voices in American literature, a writer whose imagination reshaped horror, detective fiction, science fiction, and the modern short story Poe lived a life marked by poverty, personal loss, and professional struggle, yet from that turbulence he forged works of enduring power such as The Raven, The Tell-Tale Heart, and The Fall of the House of Usher. His poetry explored obsession, beauty, and grief, while his tales of psychological terror probed the darkest corners of the human mind. Learn about the life, death, and legacy of Edgar Allen Poe on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Subscribe to the podcast! https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices
In February 1826, 17-year-old Edgar Allan Poe was a promising student at the University of Virginia. But within a few months, gambling debts forced him to abandon his studies. It was just one of many setbacks Poe endured in a life marked by financial struggle, alcoholism, and personal tragedy.But Poe launched a remarkable career in writing, helping to establish American literature with a bold, new voice. From short stories including “The Fall of the House of Usher,” to the poem that made him famous, “The Raven,” he transformed the horror genre by delving into the dark recesses of the human subconscious and pushing the boundaries of fiction and verse.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode we cover a little of Poe's life, then two of his famous stories.
A wax figurine forgotten in museum storage. A book of poems that prophesied a ghost. A woman on a beach who found something she wasn't looking for. In the final episode of the Charleston Gothic series, the investigation returns to where it began — the Dock Street Theatre — and follows the last of three trails through Charleston's tangled relationship with Edgar Allan Poe. Along the way, a century-old literary vision resurfaces, a forgotten poet speaks truths the city wasn't ready to hear, and the question that launched the series finally gets its answer. Sources referenced in the episode: Books Israfel: The Life and Times of Edgar Allan Poe by Hervey Allen (1926) Carolina Chansons: Legends of the Low Country by DuBose Heyward and Hervey Allen (1922) The Arrow of Lightning by Beatrice Witte Ravenel (1926) The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe by Mary Newton Stanard Edgar Allan Poe's Charleston by Christopher Byrd Downey Poe's Brother: The Poems of William Henry Leonard Poe by Hervey Allen and Thomas Ollive Mabbott Ghosts and Legends of Charleston by Denise Rolfe (2010) Poe-Land by J.W. Ocker Sheppard Lee, Written By Himself by Robert Montgomery Bird (1836) Poems "Edgar Allan Poe" by DuBose Heyward (from Carolina Chansons) "Alchemy" by Hervey Allen (from Carolina Chansons) "Poe's Mother" by Beatrice Witte Ravenel (from The Arrow of Lightning) Articles "A Source for 'Annabel Lee'" by Robert Adger Law (1922) Plays Nevermore by Julian Wiles (1994) Scholarly Work Thomas Ollive Mabbott's annotated edition of Poe's works (notes on "Annabel Lee") Louis Rubin's new edition of Beatrice Witte Ravenel's poems (1969) Historical Sources Charleston Evening Post coverage of the 1923 Charleston Museum diorama unveiling "The Mourner" an anonymous poem, Charleston Courier (1807) People Referenced as Sources/Informants Eric Lavender, Charleston tour guide Christopher Byrd Downey, author and historian Scott Peeples, Poe scholar (quoted via Ocker's Poe-Land)
Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything. In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables. He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature. It performs impossible feats. The servants whisper of things they cannot explain. Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance. Publication Details: "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840. Author Biography: Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of The Rizzuto Show, the prophecy of the Liquid Shadow finally came true… and it struck in someone else's shorts. Yes. You read that correctly. A 317-day Edgar Allan Poe-style prediction ends in betrayal, mesh athletic fabric, and a white couch that almost didn't survive. This is what happens when you trust a fart after 40.We also break down the newest “sport” called Run It Straight — which is basically two grown men sprinting at each other full-speed to see who forgets their childhood first. It's like Red Rover but with CTE. And naturally, Riz wants to start a league in the hallway.Then we address a longtime troll who accidentally linked his LinkedIn to his hate emails (bold strategy), and we introduce a political candidate whose platform is simple: Make America Moon Again. That's right. Responsible, mid-cheek-only patriotism may be the one thing that can unite this divided nation.Plus:• Galentine's Day, Kiss Day, and National Self Love Day• The coolest full name ever revealed (Zayn Hunter Little Rain Graham?!)• Radio Day (you're welcome)• And real RIP tributes at the endIf you like your comedy podcast slightly unhinged but still lovable, welcome home. This is your daily dose of chaos from your favorite funny show.Subscribe for more clips from the most chaotic daily show on the internet. New episodes every weekday.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Happy Friday the 13th and Valentine's Day weekend. Nothing says romance like Swedish meatballs, felony pickleball charges, and a prophecy called Liquid Shadow finally coming true in someone else's mesh shorts. Yeah. That happened.Make America Moon Again. Rafe's Ememoriam. Friday Fails. Donny at Hardees.On today's episode of The Rizzuto Show, Clownvis storms the studio and helps navigate this superstition season. We break down a legendary St. Louis IKEA shopping experience featuring suspiciously enthusiastic employees and what might've been using Colombian customer service rocket fuel. We also tackle a listener email about marrying someone with zero ambition… because nothing screams “forever” like spaghetti-in-bed energy and motivational drought.Oh, and that 317-day Edgar Allan Poe-level prediction? It ends in betrayal, athletic fabric, and a white couch that barely survived the blast radius. Trust a fart after 40 at your own risk.Plus in this beautifully unhinged daily comedy show episode:Friday the 13th superstitions that cost the economy millionsA Texas police department offering to “arrest your ex” for Valentine's DayWhy getting married on Valentine's Day might be a terrible omenA Florida pickleball Fight Club that proves retirement communities are lawlessAI-generated Brad Pitt vs. Tom Cruise fight footage that looks WAY too realRyan Gosling hosting SNL, Kid Rock vs. ticket scalpers, and Galentine's Day movie debatesA troll who accidentally linked his LinkedIn to his hate emails (bold strategy, Cotton)A political candidate campaigning to “Make America Moon Again”If you like your funny podcast loaded with weird news, celebrity chaos, St. Louis nonsense, and sarcastic humor that makes you question your own life choices — congrats. You found your people.Subscribe for more clips from your favorite comedy podcast, and hit the bell so you never miss the daily nonsense.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Study Shows Certain Wedding Dates Have A Higher Rate Of Divorce — And 1 Is Coming Up‘Arrest your ex': Harris County constable revives viral Valentine's Day traditionWendy's celebrating 'singles' with $1 burgers on Feb. 15.Florida couple gets into 'heated' pickleball brawl with 'over 20' country club membersHeatUpStLouis, Hardee's partner for 26th annual ‘Rise and Shine' fundraiserA fugitive on the run for years is arrested when he turns up at the Olympics to watch hockeyBeehives stolen from Central California recovered in Yolo County, suspect arrestedAmazon driver arrested for DWI after crashing into China Spring mailbox while delivering packagesTruck doing donuts on frozen lake falls through ice, gets stuckSnow leopard mauls skier in China's Xinjiang regionRomantic Is Busted Over Stripper GiftsAffidavit: Man walks out on his bar tab; comes back the next day because of a forgotten phone chargerDriver ends up in ocean after Huntington Beach chaseFormer Little Caesars employee arrested after breaking into shop, making pizzas for customersMan accused of ‘sexual performance with a vacuum' at Florida resortSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A man who once loved animals more than anything confesses from death row how a single act of drunken cruelty against his beloved black cat set him on an inescapable path toward madness, murder, and supernatural vengeance.IN THIS EPISODE: Would you stay at your grandparents' house if their entire neighborhood was haunted? (“Grandpa and Grandma's House”) *** When it comes to hardened criminals in tough prisons, there is no escape… not even in death. (“America's Most Haunted Prisons”) *** At least 45 deaths of young men are attributed to the Smiley Face Killer, but most police departments say he doesn't exist. (“The Smiley Face Killer”) *** And finally, by special request, I will narrate the classic Edgar Allan Poe story - “The Black Cat”!YOUTUBE CHAPTERS & TIME STAMPS…00:00:00.000 = The Foreboding00:01:02.592 = Show Open00:02:23.301 = Grandpa And Grandma's House00:05:39.097 = The Smiley Face Killer00:10:21.475 = America's Most Haunted Prisons***00:27:22.215 = “The Black Cat” by Edgar Allan Poe***00:53:03.937 = Show Close*** = Begins immediately after inserted ad breakSOURCES AND REFERENCES FROM THE EPISODE…“Grandpa and Grandma's House”: https://weirddarkness.tiny.us/yxxfrdma“America's Most Haunted Prisons” written by Troy Taylor: https://weirddarkness.tiny.us/55828b4t“The Smiley Face Killer”: https://weirddarkness.tiny.us/yx2y4xvc“The Black Cat” written by Edgar Allan Poe (1845): https://poestories.com/read/blackcat=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: September, 2018EPISODE PAGE (includes sources): https://weirddarkness.com/BlackCatPoeABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness, #EdgarAllanPoe, #TheBlackCat, #GothicHorror, #ClassicHorror, #CreepyStories, #HorrorStories, #Macabre, #PsychologicalHorror, #ScaryStories
RETRACTION/ERROR: I am wrong about the fireball sighting taking place last night/this morning... it actually took place January 24, but somehow I missed that and thought it only just happened. Sorry about that!On this day, a pope proved that "What Would Jesus Do?" apparently includes physical assault, Edgar Allan Poe earned nine dollars for immortality, and Karl Benz invented both the automobile and the fender-bender. The Morning Weird DarknessWeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE: https://WeirdDarkness.com/MWD20260129#WeirdDarkness, #MorningWD, #DarrenMarlar, #MarlarInTheMorning, #MWD, #ThisDayInHistory, #EdgarAllanPoe, #TheRaven, #UFOSightings, #Paranormal, #TrueStories, #StrangeHistory, #WeirdHistory, #UFO, #CreepyHistory, #DarkHistory, #Podcast, #MorningPodcast, #TrueCrime, #Unexplained
Episode 51: The Unfortunate Pirate For over a century, "Annabel Lee" has been read as Edgar Allan Poe's final love poem—a haunting elegy to his child bride Virginia, written months before his death. But what if we've been wrong about the poem's true subject all along? In this episode, Mike follows a trail of evidence from a forgotten 1827 tale about a murderous pirate to the windswept shores of Sullivan's Island, where Poe was stationed as a young soldier. Along the way, he uncovers a family accusation that pursued Poe his entire life, a poem he was forced to burn, and the testimony of a woman who nursed him through his darkest hours. What emerges is a radical reinterpretation of America's most famous poem of loss—and a story about what it means to defend someone you love when the whole world has turned against them. The grave of Annabel Lee has finally been found. It was never where anyone thought to look. Sources Referenced in Episode 51: The Unfortunate Pirate Primary Sources & Archival Materials Ellis & Allan Papers, Library of Congress (John Allan's 1824 letter to William Henry Leonard Poe) Charleston Courier, December 4, 1807 ("The Mourner" by D.M.C.; theatrical advertisements for Placide's company) Charleston News and Courier, September 15, 1912 (account of the Pirate's House legend) The North American (Baltimore periodical containing "The Pirate" by W.H.P., published November 27, 1827) Flag of Our Union (Boston, 1849 — publication of "To My Mother") New York Tribune (publication of "Annabel Lee," October 1849) Broadway Journal, 1845 (Poe's defense of his mother's profession) John Henry Ingram correspondence with Marie Louise Shew (1875–1877) Works by Edgar Allan Poe "Annabel Lee" (1849) "To My Mother" (1849) "Song" (from Tamerlane and Other Poems, 1827) "To M. L. S." (1847) "To Marie Louise" (1848) The Narrative of Arthur Gordon Pym of Nantucket Secondary Sources & Biographies Hervey Allen — Poe biographer (collaborated with Thomas Ollive Mabbott) Thomas Ollive Mabbott — Poe scholar (1927 discovery of W.H.P. works in The North American) Robert Adger Law, "A Source for 'Annabel Lee'" (April 1922) — article tracing the poem to the Charleston Courier John Henry Ingram — early Poe biographer J.W. Ocker, Poe-Land: The Hallowed Haunts of Edgar Allan Poe Scott Peeples — Poe scholar (quoted in Poe-Land) Contemporary Accounts & Memoirs John Sartain — account of Poe's 1849 Philadelphia breakdown N.P. Willis — description of Maria Clemm as "Edgar's sole ministering angel" Marie Louise Shew — correspondence and forty pages of notes from Fordham Mary Starr — recollections of the Poe household in Baltimore Samuel Mordecai — letter describing fashionable visitors to Elizabeth Poe's deathbed Colonel James House — March 30, 1829 letter requesting Poe's discharge Historical & Architectural References Robert Mills — architect of the Fireproof Building (Charleston, 1827) and Monumental Church (Richmond, 1814) Richmond Theatre Fire accounts (December 26, 1811) Previous Episodes Referenced "Night Sea Voyage" (Dock Street Theatre, Julian Wiles's Nevermore!) "Buried Treasures" (Charleston's Gold-Bug mythology, Alexander Lenard) "Juliet's Tomb" (Alexander Lenard's biography, the A.L.R. tombstone) "Tekeli" (Robert Adger Law's discovery, Eliza Poe's Charleston performances, Tekeli connection)