Podcast appearances and mentions of eva mendez

Why Snoop turned down OnlyFans and did Katt Williams call SZA "mentally ill" as a compliment? Plus, Eva Mendez didn't think she was a good actress! Dishin' all that and more on today's Dish Nation!

If you're feeling lost, stuck at rock bottom, unloved, unheard, unmotivated, or unhappy in your current situation—if you feel completely defeated, like you've lost your sense of purpose, and that things will NEVER get better—this episode is for you.This is the wake-up call you've been waiting for!Today I get personal on what hitting rock bottom taught me and how I pulled myself out, and how you can too. We discuss:How everything feels like salt, when you walk around wounded.The truth about why some people have such a powerful impact on us—No they are NOT your twin flame.How losing yourself can actually lead to a breakthrough.The dangers of confiding in the wrong people during your weakest moments.How to recognise when someone's projecting their insecurities onto you.How to protect your energy and rebuild your confidence.And lastly, 3 things to remember when hitting rock bottom. We end this heartfelt episode with some laughs, cringe quotes, and a random true story about my encounter with Eva Mendes that might surprise you. For ad free episodes + extra weekly episodes, subscribe to the premium podcast hereTrust me, you're stronger than you think, and your comeback is about to be legendary. Don't miss this episode and share it with your bestie—this might be the push you both have been waiting for!

If you're feeling lost, stuck at rock bottom, unloved, unheard, unmotivated, or unhappy in your current situation—if you feel completely defeated, like you've lost your sense of purpose, and that things will NEVER get better—this episode is for you!This is the wake-up call you've been waiting for.Today I get personal on what hitting rock bottom taught me and how I pulled myself out, and how you can too. We discuss:How everything feels like salt, when you walk around wounded.The truth about why some people have such a powerful impact on us—No they are NOT your twin flame.How losing yourself can actually lead to a breakthrough.The dangers of confiding in the wrong people during your weakest moments.How to recognise when someone's projecting their insecurities onto you.How to protect your energy and rebuild your confidence.And lastly, 3 things to remember when hitting rock bottom. We end this heartfelt episode with some laughs, cringe quotes, and a random true story about my encounter with Eva Mendes that might surprise you. For ad free episodes + extra weekly episodes, subscribe to the premium podcast hereTrust me, you're stronger than you think, and your comeback is about to be legendary. Don't miss this episode and share it with your bestie—this might be the push you both have been waiting for!

Send us a textWhat happens when a movie starring Nicholas Cage as a flame-headed biker fails to ignite the same excitement as Iron Man? This week, we roll up our sleeves and prepare for Halloween with a critical and comedic review of the 2007 Marvel superhero film, Ghost Rider! We kick off by pitting Ghost Rider against Iron Man, marveling at the stark differences in quality, execution, and impact, even though they were released just a year apart. We take you through the wild ride of Johnny Blaze's transformation, the lackluster portrayal of the Devil by Peter Fonda, and the baffling transition from young Johnny Blaze to Nicholas Cage. Prepare for some laughs as we highlight the absurdity of the plot and characters—from Johnny's implausible discovery of his father's cancer diagnosis to the daredevil's contradictory stunts. We dive into the film's few redeeming moments, like the high-octane motorcycle jump set to "Crazy Train" and the introduction of quirky characters like Blaze's manager, Mac, and the rain-emerging villain, Dark Duskman. We don't shy away from scrutinizing the dynamics of the elemental villains and poking fun at the odd interactions and props, such as Johnny Blaze's “swagger stick” and Eva Mendez's character, Roxy's, lost demeanor.As we bring our analysis to a close, we take a hilarious journey through Johnny Blaze's epic motorcycle chases, his playful banter with Roxy, and the quirky elements Nicolas Cage brought to the character. We also touch on the film's chaotic narrative, jarring pacing, and the peculiar logic behind Ghost Rider's abilities. Finally, we wrap up with some chatter about TV shows and movies, including the latest season of "Only Murders in the Building" and the new "Borderlands" movie. Join us for a rollercoaster of an episode filled with critiques, laughter, and reflections on this chaotic Marvel film.Written Lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Cher's boyfriend AE made her a Tupac fan and Tiffany Haddish tracks down social media trolls! Plus, Toni Braxton is looking for a man to watch Lifetime with her, Eva Mendez loves being a stay-at-home mom, and find out why Jeff Goldblum's kids are on their own!

Our guest this week was documentary filmmaker Mike Camoin. Mike produces and co-produces films that focus on untold stories, such as "Benedict Arnold:Hero Betrayed," narrated by Martin Sheen; "Sallie Mae Not" the story of how the US Government set up a system of greed that gutted student loan lending of consumer protections and "The Saratoga Battles DVD" which is a highly popular educational tool found in schools throughout the Northeast. He's currently in post-production on the documentary "Brown N White: The Heart of Bona's Basketball", the story of the smallest NCAA college basketball program ever to reach the Final Four. Here's the trailer for "Sallie Mae Not" https://www.youtube.com/watch?v=9MLOnTTRfkI and "Benedict Arnold:Hero Betrayed" https://www.youtube.com/watch?v=8Y6GeqiOIugTo obtain the Zoom link for upcoming live interviews, you must register at The Filmmaker's Life webpage at https://www.filmmakersuccess.com/The-Filmmakers-Life-Home . Enter your name and email address at the bottom right of the page to register. You will then receive a welcome email with the relevant Zoom information.Mike Camoin is a documentary filmmaker who has been in the industry for over 30 years. In 1995, Camoin led the independent film movement in northeastern New York co-founding the Upstate Independent Filmmakers Network, a salon of the Association of Independent Video and Film (AIVF). Mike pushed for talks to fuel New York's first Film Tax rebate program to prevent runaway productions. He studied directing with Judith Weston and has worked various roles on feature films that have screened at Cannes, Toronto and Sundance such award-winning films "As You Are", "We the Animals", HBO Films "Muhammad Ali's Greatest Fight" and Derek Cianfrance's "The Place Beyond the Pines" starring Ryan Gosling, Eva Mendez and Bradley Cooper. Aside from working on other people's productions he's produced and directed several documentaries of his own including "Inside the Blue Line: Leadley's Legacy," the story of an aging Adirondack woodsman's hunt to preserve the wilderness which aired on PBS - NORTHEAST and Canada. In 2021, his production company, Videos For Change Productions, produced the documentary "Sallie Mae Not: Exposing America's Student Loan Scam" which won the Whistleblowers Summit & Film Festival's Audience Choice AwardMike's currently in post-production on the documentary "Brown N White: The Heart of Bona's Basketball" and in development of several other projects.

He may be in a film or television show during the day and serving you drinks at night. Carlo Mendez joins Ros and Eric, a fellow actor, to chat about his journey in Hollywood.  Carlo has a very real and vulnerable conversation about the balance of reality, playing make believe and the struggles it takes to follow your dreams. Also, he is the brother of actress Eva Mendez but that doesn't mean he uses any of his family's success to try and make it in the industry. See omnystudio.com/listener for privacy information.

Dave Dameshek returns and the guys laugh about the various ways people walk their dogs before looking at a car movie list featuring some of Adam's movies. Adam also shares a funny sign he saw on a coffee table before the guys welcome Deaf Frat Guy to the program. The gang plays a round of JV or All Balls before Adam finishes off the Irate 8 of March Madness Madness. Next, Chris reports the news on New York inmates suing because they aren't allowed to see the lunar eclipse, Shakira facing backlash for criticizing the Barbie movie, and a conjoined twin marrying. Lastly, Carlo Mendez joins to talk about his new film and his sister, Eva Mendes. He comments on her relationship with Ryan Gosling and the group talks about fatherhood and working out. For more with Dave Dameshek: ● Subscribe to this podcasts: ○ Minus Three (w/ Kevin Hench) ○ Extra Points (w/ Sarah Tiana) For more with DFG: ● VENMO: Josh [dash] Gardner [dash] 101 ● TWITTER: @DeafFratGuy For more with Carlo Mendez: ● ‘Demise' is available now on digital and video on demand ● TWITTER: @Carlo Mendez ● INSTAGRAM: @CMendez 78 Thank you for supporting our sponsors: ● http://OReillyAuto.com/Adam ● http://SimpliSafe.com/Adam ● Get the Viator App Today!

When was the last time Eva Mendez was kicked in the face?   Look out for something next week!    Tell us your thoughts, suggest a movie, or yell at us about our opinions badboycinemafanmail@gmail.com 

Tanya Pushkine born and raised in Brussels, Belgium to an American born musical conductor and German/Belgian painter. Upon moving to the USA, she was soon accepted to The Juilliard School's Drama Division.  Immediately upon graduation, she was selected to play Mozart's wife in Amadeus on Broadway, followed by roles on television, stage and film in both Europe and the US. After a successful 10-year career, and the birth of two children, Tanya changed paths entirely and joined the corporate world with leading roles at LVMH, Sephora, L'Oréal, Barnes & Noble, Clarins and Nestle Skin Health. From being a Cultural Director to running Public Relations and Corporate Philanthropy departments for luxury brands, Tanya was fortunate to work with Beyoncé Lady Gaga, Naomi Watts, Eva Mendez, John Legend, and many more. As a global communications and brand strategist, she conceived, directed and produced major initiatives, events and philanthropic programs.  Never letting go of her acting chops, she kept actively using the skills to coach leaders on public speaking and presentations…. until the wedding universe became her calling. Tanya had been helping friends and family with their vows and toasts for years. Her own second wedding prompted her to become a professional wedding "vow whisperer." She made the bold decision to leave the corporate world and make her way essentially creating a new category in the wedding business. Tanya's business, The Vow Whisperer, is a service whereby Tanya helps couples write their vows, but in their own words.  She is not the writer, but brings out everything from anecdotes, memories, obstacles, incredible moments, intentions for the future and much more and collaboratively will craft the vows using the person's own words. Additionally, Tanya coaches on public speaking which includes enunciation, voice projection, making eye contact while reading off a vow book, poise, confidence and all the tips and tricks to make it a perfect presentation of the most intimate part of a ceremony. Tanya officiates, and offers ceremony planning, as well and coaches family members and friends who want to officiate.  She also works with bridal parties on speeches and toasts. Tanya is based in New York City with her husband, has two children and works globally in several languages.  She is currently on the board of the New York Chapter of WIPA. Featured Guest: Tanya Pushkine of The Vow Whisperer Website: www.thevowwhisperer.com Instagram: @thevowhisperer Headshot Photography: Philip Holt BIG NEWS, CONFETTI HOUR SQUAD! You can find us over on YOUTUBE! Check out our new channel @theconfettihour THE CONFETTI HOUR WEBSITE Check out my mentoring services for wedding pros digital resources, fun products, & my go-to business tools for wedding pros & much more.  HELP SUPPORT OUR SHOW | BECOME A PATREON Help support The Confetti Hour show with a small contribution per month. Your support goes towards the maintenance of the show allowing Renée to continue to bring on reputable professionals to share their journeys & tips to help wedding professionals elevate their services. 

Writing, and then speaking, wedding vows can be a stressful experience.  What happens if you can't figure out how you feel, or fear speaking in front of an audience.  It is already a high stress day, and now add this to the whole experience.Our guest today is Tanya PushkineTanya Pushkine was born and raised in Brussels, Belgium to an American-born musical conductor and German/Belgian painter. Upon moving to the USA, she was soon accepted to The Juilliard School's Drama Division. Immediately upon graduation, Tanya was selected to play Mozart's wife in Amadeus on Broadway, followed by roles on television, stage, and film in both Europe and the US.After a successful 10-year career, and the birth of two children, Tanya changed paths entirely and joined the corporate world with leading roles at LVMH, Sephora, L'Oréal, Barnes & Noble, Clarins, and Nestle Skin Health. From being a Cultural Director to running Public Relations and Corporate Philanthropy departments for luxury brands, Tanya was fortunate to work closely with Beyoncé, Lady Gaga, Naomi Watts, Eva Mendez, John Legend, and many more. As a global communications and brand strategist, she conceived, directed, and produced major initiatives, events, and philanthropic programs.Never letting go of her acting chops, she kept actively using the skills to coach leaders on public speaking and presentations…. until the wedding universe became her calling.Tanya had been helping friends and family with their vows and toasts for years. Her own second wedding prompted her to become a professional wedding "vow whisperer." She made the bold decision to leave the corporate world and make her way essentially creating a new category in the wedding business.Tanya's business, The Vow Whisperer, is a service whereby Tanya coins herself as a producer and creator of epic wedding ceremony experiences. She helps couples write their vows but in their own words. She is not the writer but brings out everything from anecdotes, memories, obstacles, incredible moments, intentions for the future, and much more, and collaboratively willcraft the vows using the person's own words. Additionally, Tanya coaches on public speaking—the delivery of the vows, which includes enunciation, voice projection, making eye contact while reading off a vow book, poise, confidence, body language, and all the tips and tricks to make it a perfect presentation of the most intimate part of a ceremony. Tanya officiates, and offers ceremony planning, as well as coaching family members and friends who want to officiate. She also works with wedding parties on speeches and toasts.Tanya is based in New York City with her husband, has two children, and works globally in several languages. She is currently on the board of the New York Chapter of WIPA.Support the showBehind The Veil Crew:Host: Keith Willard www.keithwillardevents.com www.instagram.com/keithwillard Co- Host: Marci Guttenberg www.anaffairtorememberbymarci.com www.instagram.com/anaffairtorememberbymarci

Tim and Guy are joined by Travis and Griffin McElroy to enjoy their first(ish) watch of 2 Fast 2 Furious. There is a heavy divide in the ranks as to whether the movie was actually good or not, but the film's quality quickly takes a conversational backseat to the real star of the watch: a very unique torture idea that all can agree is well worth discussing. In this outing, we have no Dom Toretto, but the stars are still out to shine, including Eva Mendez, the introduction of Roman Pearce (Tyrese) and possibly Tej (unsure, the boiz haven't seen the first movie). Paul Walker's beautiful eyes overpower any lack of acting chops and ejection seats are cool.All season 6 episodes available in bee-youtiful video form at TWIOAT.substack.com Hosted on Acast. See acast.com/privacy for more information.

Today we are coming at you in complete accordance with strike rules by having the illustrious Liza Treyger on the podcast and refusing to talk about any past, present, or future projects she has been involved in. Instead, we cover the real issues like whether or not Eva Mendez is being held somewhere against her will, the hidden agenda of YouTube shorts, and whether you should have a kid when you're really young or really old. Plus, we have a stunningly succinct conversation on axe throwing because bigger isn't always better (sorry to all size queens)! Get tickets to our tour here: www.linktree.com/straightiolabSubscribe to our Patreon at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts! See omnystudio.com/listener for privacy information.

What's the role of a music video today? In the 1980s, music videos flipped the industry thanks to MTV. Videos helped artists like Michael Jackson and Madonna become cultural icons. Record labels spent millions on music videos to promote their CD sales. Everyone was winning.Music videos don't hold the same power today in the streaming era. The budgets are smaller, but they still get made. To break it all down, I was joined by MIDiA Research analyst Tati Cirisano. Here's what we covered:0:52 What is the role of a music video today?2:15 MTV's role in music videos7:46 Comparisons to TikTok11:27 Music video budgets peaked in mid-90s14:30 Napster changed everything17:27 Music videos as career launchpads18:50 YouTube revitalizes music videos25:44 Range of video budgets 31:04 Big dollars going to documentaries and short films32:53 Rise of lyric videos41:42Does YouTube have a music video formula?44:09Measuring ROI of music videos in 2023Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Tati Cirisano, @tatianacirisanoThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Tati Cirisano: There's an argument to be made that MTV like almost invented the music video or almost like made music videos a thing because having that audience there and having that like cultural impact is what led to bigger budgets for music videos so I almost feel like MTV gets credit for like kind of inventing the music video. [00:00:19] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:47] Dan Runcie Guest Intro: This episode is all about music videos and what their value prop is in the industry today. Back in the MTV era, the role of a music video was clear. This was your four minute opportunity to sell the hell out of your artist and for your label to promote its artist. Yet fans bought into the lifestyle, the identity, the persona of this person, and get them to go to Sam Goody, go to Tower Records and buy the albums.It was a marketing channel and it was a marketing channel that the record labels were continuing to put money into, and as the effectiveness continued to grow, they put more and more. Into that and that budget exploded. By the time we got to the mid to late 90s, we saw music video budgets hitting millions of dollars, and artists were doing out of this world things in these videos.But we slowly started to see those budgets slash. Went at the introduction of Napster and the CD era started to decline and the money was no longer flowing the way that it once was. But we started to see music videos take a new turn in the YouTube era. And now in the TikTok era, what is the ROI of a music video?What role do they serve in today's industry? And to break it down, we're enjoying by Tati Cirisano, an analyst at MIDia Research. He's been on the podcast a bunch of times, and this topic was right up her alley. So we talked a bit about that and more. Hope you enjoy this episode. Here's our breakdown on the role of music videos in today's industry.[00:02:16] Dan Runcie: All right. Today we are going to take a trip down memory lane to the wonderful World of Music videos, how this art form has evolved over the years. And I'm joined by Tati Cirisano from MIDiA Research, Tati welcome. [00:02:28] Tati Cirisano: Thank you. Good to beback once again. [00:02:31] Dan Runcie: Yeah, definitely. Can I start with a story? You mind if I start with a story with this one?  So, a couple weeks ago I was catching up with, CEO from one of the major record labels. This is someone that if you're probably listening to this household, if you're probably listening to this podcast, you probably know, and they run a label that is also a household name, and they were telling me about a conversation they had with an artist who is also a household name and how this artist wanted to have a million dollar plus seven plus figure, multi-million dollar music video budget because they wanted to make this big splash with what they were doing. And the CEO was like, no, I'm not giving you that. Like, what do you think this is? And for context, this is a artist who hasn't had a big hit since George Bush's first term. Let me say that roughly, just to give some context here. So,So it's been some time, but I also was a bit surprised because this is someone who seemed like they were up with the times in tech, and I remember asking the label exec, I was like, what's the deal? I thought this artist was with this. You see the movies they're making here, there, and this, that, and the third.And he was like, Hey. You would be surprised sometimes the egos get the best of these people and this is what they want. And that was a big inspiration for this conversation because I know you and I have talked about things like Spotify versus YouTube. YouTube, of course, having such a big focus in music videos and it's role.But that's what made me think it would be a great time to take a trip down memory lane and just revisit music videos themselves and. Going back to 1981, I feel like we could start music videos well before that. That obviously was there, but I think that was the origin place for a lot of what became known as the Modern Music Video and MTV itself.What's your take on how impactful MTV was? Because there was definitely a big shift of any music videos we saw before and any music videos we saw after.[00:04:36] Tati Cirisano: Yeah, I mean, you're right that like we could start this even further. Back in history, there were artists like the Beatles were making music films in like the 60s. David Bowie did the same but there wasn't really a place to showcase them the way that MTV, like, the one that MTV created. So I feel like it's not just that really iconic, amazing music videos, like those of, like Michael Jackson and, others made MTV a thing.I feel like there's an argument to be made that MTV like almost invented the music video or almost like made music videos a thing because having that audience there and having that like cultural impact is what led to bigger budgets for music videos and labels kind of focusing on this as an art form and a promotional piece.And that also led to more interesting creative videos. So I almost feel like MTV gets credit for like kind of inventing the video, the music video. [00:05:30] Dan Runcie: And inventing the video as a distinct art form that can live on its own in distinction from the music itself, because you mentioned The Beatles, you mentioned some of those other artists from that time. Music videos almost felt more like a utility. They were a commodity. Let's put the camera up while you're recording the tune, and maybe we'll add in some things.Maybe they'll add in some B-roll. And that's what it very much existed as for years. But then MTV takes it and makes it this unique thing. And we saw from the early days, whether it was Duran Duran, David Bowie, Michael Jackson, Madonna, they were some of the early people that really made it their own thing.And you saw more of those movies and that's where MTV being able to capture the eyeballs there, the growth of cable as well, and them becoming one of the more popular channels there. You see this platform having this type of impact, you invest more dollars into it, and this becomes a much stronger marketing channel, which then commanded and justified them putting more and more money over time into these videos.[00:06:35] Tati Cirisano: Yeah, and speaking of Madonna, I think it also made music a lot more visual where music videos kind of opened this pathway for artists to become not just music icons, but kind of like style and fashion and cultural icons. there's so many videos that. Are just kind of like etched into everyone's brains and so many iconic outfits like people still dress up as, Britney Spears and the Baby One More Time Video and like all these other iconic ones. I think it, started making music more of a visual thing. And in turn, that also helped drive fandom around artists. Cuz if there's one thing I've learned in all the studying of, fandom that I've done and how it develops, it's pretty much always about context.It's always maybe listening to a song makes you a fan or doesn't make you a fan. It makes you a listener of the artist. But it's only once you know more about, who they are and like what their style is and what their aesthetic is and all these other things that you become a true fan. I think a lot of fandom was formed by sitting around the TV with friends and like watching a video for the first time on MTV.It was just a more captivating way to get to know an artist and have that context around them. [00:07:47] Dan Runcie: It's a big point, and that's something I definitely related with too. Growing up in that era, you were able to see and interact with those artists. If I had just heard these artists on the radio, it would've been a very different relationship. But I know that for a lot of people, that's how they gravitated to music.That's how they captured this, and that wasn't the way that it, I grew up for me, whether it was watching them on MTV, watching them on BET, That was the experience, and especially as things started to take off in the CD era, we saw more artists having success with it. We also started to see more pushback as well.I think it was around the early 90s, even the late eighties, this was around the time MTV was really kicking into gear. And the sales and numbers, everything was just up and to the right from a growth perspective. But we started to hear more critiques, some of the more traditionalists in the music industry started to say things like, these music videos are turning artists into one trick ponies.It's no longer about the music anymore. It's about making, Music video. And that's clearly resonating with some of the critiques. We now hear about TikTok as well. But it makes me think about the patterns that music often follows and when there is a new art form that does allow some type of growth, there's critiques, but those critiques also do stem from bit of this.If you can't beat 'em, join 'em. And we've seen this time and time again where a lot of those artists that had. Had critiques about MTV, whether it was Mariah Carey in the very early days, or even groups like REM, they would go on to make some of the most iconic music videos from the 90s as well.And I think we've seen the same with whether it's streaming or TikTok music videos was one of the things that I remember as having a bit of that cyclical pattern.[00:09:32] Tati Cirisano: Yeah, and there's so many trends in music videos that I feel like now we're play, we're seeing play out on TikTok or have already seen like there was sort of the dance, video craze of like, single ladies and crank that and PSY with Gangnam style.There were all these music videos that were about getting everyone to do a dance. And that was the way, that was like the promotional thing of if you got people to do that, then they would do it at the club when the song came on, they would do it in public. It would sort of become this bigger moment. And then that was kind of the first phase of TikTok when it started to rise in the 2020 when in early 2020 was like all dance videos.and even. I remember there were some videos that people, I know we haven't gotten to YouTube yet, but when YouTube came into the equation, people were uploading their own versions of videos and now that's like a pretty common thing. But yeah, it's interesting how all this stuff is cyclical and I think like video to the stuff about, the criticisms and like being one trick ponies and that kind of thing.I think that video has kind of, with music, always been about creating a cultural moment, aside from it just being another art form that I think artists delight in taking part in. Cause it's just another way to be creative. But I think it's, it's, about creating a cultural moment and creating a cultural moment in this day and age has morphed into this concept of virality, but it's always been about the same thing.Like viral in the 90s was, people wanting to be Britney Spears in that music video I was just talking about, and it kind of like being, this thing everyone was talking about for months. The same thing is happening now on TikTok. It's just happening faster. so yeah, I think that a lot of this stuff is cyclical and those criticisms, the point is that it's a promotional tool, so of course it's gonna lead to kind of like flash in the pan moments.So, Yeah, I have complicated feelings about those criticisms, I guess.[00:11:28] Dan Runcie: Yeah, I do too. I understand and I think that what we saw in the next decade, especially with some of those artists that came around and ended up leaning in, said a lot about where it is. And not every artist needed to do the MTV thing. Not every artist needed to lean into it all the way. Granted, I do think that most artists had music videos to an extent, but there was clearly a wave of where things were going.And right around the mid to late 90s, We saw the peak, at least from a budget perspective, of how much money was being put into music videos. And when you're talking about creating moments and in the pre-internet era, there wasn't necessarily as much virality, but the thing that got people locked in was how visually stunning or something that you've seen that's never been seen before.It's almost this bigger was better era. And then we get to points where in the mid 90s, Both Madonna and Michael and Janet Jackson are having music videos that aren't just one or 2 million. That screen music video was rumored to be around five to 7 million depending on the source you look at, in 1995 dollars, and that's that black and white video.They're shape shifting and all this stuff. And we continued to see this over the next couple of years. Of course, hype Williams and everything that he did from music videos was always unique, is always futuristic and with all of the elements that he had there. But it took a lot of money to make those music videos the same way with NSYNC and all those no strings attached music videos.Those were multimillion dollar music videos too. And it brings me back to even the things that they would spend money on. I'm thinking about, Busta Rhymes and Janet Jackson, they had that once. It's gonna be a music video where you have the silver liquid that's like coming over. Both of them and Busta Rhymes took guitar lessons.Apparently that's what MTV's making the video thing had said in its, little popup that comes to the music video. But all of those things [00:13:24] Tati Cirisano: I missed those popups. [00:13:26] Dan Runcie: I know it was such a fun era, right? It was. It was such a, I guess a lot of that's been now disrupted by what we see on YouTube, which I know we'll get into in a minute, but that was such a moment.I think it spoke to, why people were willing to put in money at the time with just where things were with the era that was the marketing channel. Music videos were seen purely as an expense to be able to sell more CDs the same way that touring at the time was seen as an opportunity to try and sell more CDs.And the artists that sold the most often got the biggest budgets. And at the time, bigger was all often seen as better, especially when it came to the contemporary Pop X and that whole ecosystem of music, video culture, and everything around it made that take off the way it did.[00:14:13] Tati Cirisano: no, absolutely. I think the promotional power was worth it at the time. and like you said, you could justify spending that much on a music video if you were gonna make it back in CD sales if you were one of these superstars. So it made a lot of sense at the time. And then came master.[00:14:31] Dan Runcie: Yeah, that changed everything because and there was a fair amount of overlap there just with the way things were because so much of the industry was still focused where it was, I look at even the music video economy where there was a cyclical nature where because of the demand, The programs themselves or the channels themselves started launching programs dedicated to showcasing music videos, whether it was 106 and Park or TRL.They had different shows throughout the day, but all of them were some unique flavor of just trying to show you more music videos. And that's what was cool about it. You were able to have this whole ecosystem there, but then as you mentioned, Napster comes in, changes everything. The dollars are no longer flowing, and it.Is harder to justify spending millions of dollars on a music video if you can't confirm that that artist is gonna be able to do that. I think in a lot of ways, the peak was, we talked about them before in sync, Britney Spears, Nsync being able to sell, I think it was nearly 3 million units of an album the first week that it comes out.Like people skipping school in order to go buy, no strings attached. That just didn't happen any more to that level. I mean, we eventually saw examples like Adele and even this Taylor Swift album, but it wasn't the same way that it was then, and it shifted everything and I think it eventually Led to lower budgets.We still saw a lot of creativity. I still remember watching tons of music videos, especially in the mid to, especially in the mid two thousands. But it was definitely a different vibe cuz it was this pre and post Napster, but pre YouTube era where the budgets were still somewhat strong, but it wasn't quite what it was before.[00:16:13] Tati Cirisano: and there was this whole ecosystem before that, like, it's, kind of stunning me to remember how many different roles there were. Like music directors I feel like got a lot more shine because there were the VMAs and all these kind of things dedicated to them. But then there were the VJs of the time.and there were kind of like the. dancers and the other like characters in these videos, which kickstarted a lot of actors and actresses careers. Just being in these music videos, there was this idea of like the video vixen, which is a term I absolutely cringe to the n degree at, but like that was a role, like there was such an ecosystem around it. You're totally right and then it really so much since then. [00:16:54] Dan Runcie: When you think of the term video vixen, who's the first person that comes to mind?[00:16:58] Tati Cirisano: I think of people like Eva Mendez in the Miami video with Will Smith, I think of Scarlet Johansen. which one was she in? It was like some, [00:17:09] Dan Runcie: Justin Timberlake, what goes around comes around.[00:17:11] Tati Cirisano: Yeah, there were so many, I don't know. Alicia Silverstone I know was in a couple of music videos. Kim Kardashian was in Fallout boy, thanks for the Memories, which was a bit later and like she was already famous. But like that remembering that blows my mind. Like there were just so many of these examples. I don't know. [00:17:27] Dan Runcie: Yeah, there's a few that comes to mind. I think about someone like Vida Guerrera, like she was always in a bunch of them. Even male video vixen's too. I'm thinking [00:17:37] Tati Cirisano: Yeah. [00:17:38] Dan Runcie: Beckford and, Toni Braxton's Unbreak my heart, in that one. And then Tyrese and, what music video is that was that angel of mine with Monica.So you definitely had 'em back and forth. Even the artists themselves sometimes ended up being vixens and other ones. Terrence Howard was in a bunch of 'em. But I think that this too, it talks about just how music was a launchpad, right? You mentioned the VJs earlier. So many of these VJs started as those types of personalities, but then they went on to go do other things.I mean, Carson Daley is a media personality now doing his own thing. He got his roots in TRL. I feel like, aJ from 106 and Park still does media things suspense. Terrence Jay definitely does as well. So you see those, but you also saw it on the music video side too, where directors like Spike Jones is now doing, you know, Hollywood movies. Look at the Daniels, they directed turn down for what? the little John's music video, and then they just directed and won an Oscar for Best Picture and best Director with everything everywhere, all at once. So music continues to be a launchpad in [00:18:45] Tati Cirisano: What a pivot. Turn Down for What to Everything Everywhere All At Once.[00:18:50] Dan Runcie: Yeah, never would've guessed that one, never would've guessed that one. And I think with that, we should probably start now talking about the YouTube era because things took another turn here. You mentioned a little bit of this earlier where user-generated videos started to take off, but I think the success of YouTube started to tell people that, Hey, The things that are going viral and getting attention.It isn't just using the most amount of money possible to see outta this world stuff. As cool as it was to see Hype Williams creating action figures of Missy Elliot running around in space, we don't necessarily need to see that much out of this world to do it. It can be Soulja boy doing his type of dance and then having all this other user generated content on Crank that Batman, crank, that Spider-Man, crank that whoever, and we saw that time and time again.So I think YouTube, and this was before any of the licensing deals came. The fact that crank that blew up became the number one single in the country stuck out in a way. And I think that led to another evolution of what people were willing to spend money on and how they thought about the promotion of music videos as well.[00:19:59] Tati Cirisano: Totally like remember the okay go music video with the treadmills. Like remember how cool we all thought that was? I mean, I'll speak for myself, but like it's like funny to think about now. That was such a big deal. That they made this like really low budget video, just kind of like running around on treadmills.And I think that's the other thing that's interesting about YouTube is, so pre MTV, there was like not really any place to showcase music videos. Then there was this channel for it, but it was really limited to the major label signed artists. And then you got to YouTube where there wasn't any gatekeeping around music videos anymore.Anything could be uploaded and anything could be played. And there was just less of that gatekeeping. But then the flip side of that is it also means that it's a lot harder to stand out. And so YouTube has, kind of made any one of those videos a bit less impactful for that reason. Over time, I think, and that gets back to like the fragmentation that, you know, I love to talk about.[00:20:57] Dan Runcie: It's fascinating because I think that each time something goes viral or each time something breaks out on YouTube, You do get a lot of copycat behavior. You see a moment where things are happening. It isn't always rational, but that's kind of the beauty of it. And then you go on to something else. I was looking at things talking about the 10 year anniversary of Harlem Shake, of that whole video wave where people were doing all those crazy dances.The music then stops, and then a couple years later we saw Black Beatles and that saw reach a whole nother level because of the freeze challenge thing that people were doing. And that was a whole nother culture with it because again, we started to see less flashiness of them trying to do particular things.But once the licensing came, music videos then became revenue generating tools. On their own and it was no longer necessarily just about trying to have a song get retired on the charts, whether it was on a 106 and Park and TRL there became the subculture of how can we get this music video to hit this?Number of streams or this hit this number of views. And I know we start to see this now more where most of the services are publicly sharing how many streams and views their songs and music videos have. But I feel like we started to see this on YouTube first, and a lot of the chatter that you would once see started to live in the comments section.And you started to see these subcultures of fans that would gravitate and connect to songs in that way. And I felt like that was something that was unique.[00:22:29] Tati Cirisano: Yeah, and there were a lot music videos, over the past, like five years, over the past 10 years, like the single ladies video and like Childish Gambino with this is America. And even like more recently, like the Kendrick Lamar video with like the AI generated faces, I forget which song that [00:22:46] Dan Runcie: Oh yeah, the hard part five.[00:22:47] Tati Cirisano: Yes. But you're totally right that rather than the go, the virality of a music video. Just being about driving streams. they also, those videos also became revenue generated themselves. So going viral on YouTube, having a video that everybody was gonna be anxious to watch, was a big deal for that.And there, I feel like there were kind of less so today, but like pre TikTok in like 2016 to like 2020. It kind of feels like there was a bit of a mini revival of like, Music videos being this bigger promotional tool, like, do you remember all the promotion around the Thank you Next video for Ariana Grande?That was nuts, like, we were all waiting weeks for that video to come out and there was so much, conversation about it and so many clips and so many interviews in the press and I feel like there was kind of a moment before TikTok came around when music videos were once again, kind of this really big promotional tool and way to kind of break through the noise and generate revenue.[00:23:47] Dan Runcie: With Thank you, next. That was the one where they spoofed mean girls, right?[00:23:51] Tati Cirisano: Yeah, and like a bunch of other of those types of movies, like there was like a clueless scene in it. I feel like there [00:23:57] Dan Runcie: Oh yeah, yeah. [00:23:57] Tati Cirisano: I feel like there were a bunch, maybe I'm remembering it wrong, but I think they, they did that with like a bunch of different, like 90s and two thousands movies. And there were so many cameos. There were so many cameos. [00:24:08] Dan Runcie: Oh yeah, that's right. It did. It did. And I think a few of those music videos, you mentioned Salish Gambino as well. He's clearly someone that I think is calculated and knows what he's doing from a communication perspective, but with that video, it wasn't even necessarily about how much money was spent on this or something. It was more so here's this timely thing and there was a shock value that was linked to it, and I know that music videos have always had a bit of, have always had shock value, especially since the MTV area era think specifically about an artist like Madonna and then even Britney later on that leaned into this.But we started to see artists lean, lean into it even more from a. political standpoint, making statements and trying to say things that they wouldn't otherwise have said. And even thinking about artists like Joyner Lucas who had someone that was wearing a Make America Great again hat in their music video to then show that as some type of hypothetical conversation of what it could be like to talk to people that may think differently.I may be misremembering parts of the music video, but we started to see more of that integrate where. That then stems from how flexible this art form can be. You can have a music video like wp, which I do think was one of the more recent, you know, TikTok era music videos that created a moment. You could have them have these standalone things as well. [00:25:29] Tati Cirisano: Mm-hmm. That's exactly what I mean with how music videos give you so much more context like it's just another way for the artist to tell their story and express themselves. It's just another avenue for that, and there's so many different ways to do that. It is such a flexible art form. [00:25:44] Dan Runcie: Yeah, definitely. I have a few stats here that I think would be helpful just for some context setting. As we mentioned earlier, we talked about music video budgets in the late 90s and even the early two thousands where, top artists getting million dollars plus for their music video wasn't uncommon.But here, let me share some numbers. Cardi B had shared some self-reported public numbers of things she spent on music videos just over the years. This was from two years ago, so I'm sure she's done stuff then. But Bodak Yellow, that was the music videos that they had done. That one in Dubai, that was $15,000.Granted, she was much smaller at the time. People likely weren't charging her as much, but she did that for just $15,000 and then, Bar Cardi, that was $150,000. The money music video, which did look like a pretty elaborate and not cheap music video. That was 400,000, please Me. The one that she did with Bruno Mars, that was 900,000 and then WAP was a million dollars.But those are two artists coming together, and that was also another expensive looking music video with a bunch of cameos as well. So even WAP, something that I would consider on the highest degree. Of what, major record label might be willing to spend. Even that was just a million dollars or compared to how much more they were willing to spend a couple decades before.[00:27:02] Tati Cirisano: Yeah, yeah, I mean that, that kind of doesn't surprise me. Like I feel like the ROI for music videos has just gone down a lot and it just doesn't make sense to spend much more than that on a music video. Like you can still make a splash, it can still be, a good promotional tool. And a way to, generate more revenue, but they don't tend to last as long as they used to, and it's just really hard to get people's attention on one thing these days.I think short form is also being prioritized or that's kind of the sense that I'm getting and yeah, it doesn't totally surprise me, does it? What do you think about those numbers? [00:27:44] Dan Runcie: It doesn't surprise me either because of where so much music is consumed and how things go viral. But it is a bit interesting when I think about music videos as a visual art form and what tracks and what resonates compared to other forms of entertainment where I do feel like we've continued to see bigger and bigger com, bigger and better, at least from the money that's put into these productions for major film studios, for instance, what they're putting into superhero films, what they put into Fast and Furious films, or even what James Cameron had put into Avatar. Spending 300 million, not even on the marketing, just on the budget for these movies isn't even unheard of now. So there's clearly an attraction of doing that, even if it is one of these tent pole franchise movies, even for some of the things that have gone straight to video.But that didn't necessarily happen in the same way in music videos. It started to pull. We obviously know that the industry was hit harder than others, so it pulled back. But even as the industry continued to grow, and I think, I mean, I know now the numbers unadjusted for inflation have the highest, at least revenue on the recorded side.Bigger hasn't necessarily translated to better in that perspective. Even if you look at video games, the graphics, all the things that are stunning are the things that we continue to see. And granted in, video games, we've seen a few outliers, like when Nintendo, we blew up. Clearly that wasn't a graphics thing, but they were tapping into something that Xbox and PlayStation weren't at the time.But in music videos, the bigger, better graphics of artists doing crazy things just didn't resonate in the same way, the only music video I can think of is, Ed Sheeran, what's that music video he did? I think he's kind of floating around and stuff and moving. I think it's bad habits. But one of those, I think that's probably the most recent one, but even that one I don't think is like that expensive of a music video, but we just haven't seen better.I'm thinking back to in the 90s. Yeah, I mentioned the Hype Williams music videos or even, you know, Backstreet Boys like moving around in space and larger than life. We just haven't seen that translate in that same way in music videos. [00:29:51] Tati Cirisano: Yeah. Well the other thing that you just that just made me think of when you mentioned film is how do I put this? Like album promo cycles these days are so much less premeditated, right? It's more about putting songs out and seeing how people react, and then deciding which ones to push forward as a single, then deciding what to put music, video resources behind.So I think that the other difference with music versus something like film and TV is things are just getting decided on the fly. Like a song goes viral and then you're like, okay, now we're gonna make a video for this song, but you wouldn't decide that until you saw how the songs were performing. So I think that that's a big, big factor in it as well. But we've also seen some good, like low but lower budget music videos. Like I loved the Ice Spice Pink Panther for boys a Liar. And it was literally just them like hanging out on a fire escape. And I was like, this is perfect. So I think we've also seen like some good lower budget ones come out of this as well.But yeah, definitely doesn't feel like the same, you know, spending all this money on like these crazy graphics and like whatever it is, has as much of an impact or is, as worth it as it might be in film. [00:31:04] Dan Runcie: I feel like we've seen a few outliers here or there in music. Kanye West's music videos, especially in that, let's say 2007 to 2015, 16 range, it seemed like there was still a good amount of money that was being put into those. And even some of the extended ones that, that short form video, the short form film version of Runaway, still felt like a pretty expensive music video.And I'm pretty sure Hype Williams directed that. But I also wonder is. Is the definition of what we consider music video, and the expansion of that. Also shifting what people are putting money into and how it's categorized. And by that I'm talking about some of these documentaries that have come out and what bucket we put those in.I look at something like when Taylor Swift had recorded those pond sessions after the folklore evermore albums had come out. She essentially did an entire visual album of her at this pond or wherever. She wasn't that like Cottage and Sells and sold that to Disney, and then Disney then streams and puts that out and it's an hour or two hours or however long it is.Beyonce is recording her Coachella performance and then sells that to Netflix, and then Netflix puts that out. And you're essentially watching an alternate version of a Beyonce music video that is just over this two hour or two hour 15 minutes, however long it is. But when I think about that, I think about these visual albums and just how so many of them have spanned in, had different forms and ways they've gone about it. Is that where some of these more expensive projects are going? Is that where some of the more expensive dollars are going when looking at video as it relates to music, as opposed to just this music video bucket that we may have put it in?[00:32:53] Tati Cirisano: I think so, and I think I would also put in that category like the more. Like the short films that our music videos. And that's something that artists have been doing forever. But I mean, like, I don't know, like the Taylor Swift All Too Well video and even like, I feel like the SZA Kill Bill video was like longer than the song and like had, a lot of artists are starting to add more of a story and create more of like a short film. And I think part of that is a way to like just stand out from all the other music videos and actually grab people's attention because you are really telling a story, you're taking it to the next level. And even having parts where like the song isn't even playing, and I think you're probably right, that more of the budget that used to go to music videos, Is now going more sparingly to a few of those types of projects for the bigger artists. Whereas, l ike for what was traditionally a music video is now becoming lyric videos or sort of like these animated videos that I've seen come up that are so much cheaper to produce and often also involve AI generation, which is, an area that I feel like we haven't really touched on in all of the discourse about AI and music is like AI for music videos.And maybe that will end up lowering the cost to making these really fantastic crazy concepts that we used to see that used to cost 7 million. And now, well you can click a button. So I don't know, maybe we'll see like a reversal of what, of everything we're talking about, of like music videos kind of shrinking and instead becoming bigger. But yeah, I think you're right.[00:34:28] Dan Runcie: The point that you mentioned about music videos and just the storytelling, adding in the short film piece of it. I don't know if he was the first, but Michael Jackson Thriller is the one that comes to mind there, just with how that became this extended film. But again, not everyone was getting that much budgeter opportunity to do that in that way.Michael Jackson had built up the track record in order to make that happen, and then as you see, we continue to see that now with Taylor and others. I'm glad you mentioned the piece around lyric videos and AI, because lyric videos have long been the low-hanging fruit. Of YouTube, especially for artists.Yes, it's great to have your own music video, but sometimes people don't want that. They just wanna be able to have it there playing and Sure from a purely practical perspective, you could tell yourself. They can go listen to that and Spotify or they can just go listen to the audio version. That's what they want, but not necessarily.There are creative and unique things that you can do with music videos. It doesn't always have to be the text scrolling across the same way it would on a karaoke screen or something like that. Artists have had unique ways to go about it, and AI music videos isn't even necessarily something I necessarily thought of, but what's holding it back? You look at the same way that the images went viral of the Pope in, you know, wearing the bomber jacket or whatever it was. The same thing can happen with the music video. And when I'm thinking about this, I'm thinking again about like how we started this conversation around where some of the critiques are that people have had with music videos when they first came out. Some of the critiques, we hear now about this more user generated era of music, videos and content as well. The path and the journey. It seems that once music gets too derivative in some ways, two things happen. One, it expands and grows the pie for the overall industry, which is good because we wanna be able to see the impact in music.We wanna be able to see it grow. That's always gonna naturally attract detractors that wanna see the thing in the pure form, but nothing stopping them from seeing the thing in the pure form. But we do wanna be able to see the growth in evolution there. And AI is the next version of this where, what is the core piece that you have, whether it's the artist and the music that the rights holders have the control and ownership of, but whether it's music, video, or just other ways to do it, what are the ways that that can be unlocked? And if that can be done in a great way, that's where the potential comes.That's where you unlock all of the opportunity in the industry. And who knows, like you said, it doesn't even need to be as expensive as it was, but you're giving people the opportunity to do something unique. [00:37:06] Tati Cirisano: Yeah, and speaking of the SZA one, I don't know if this is something that she planned or if it's just something she's encouraged, but there's a whole culture on TikTok of fans making their own SZA music videos. Not copying the ones that have already been created, but making their own. And she'll repost them and comments on them and like talk about the ones that are her favorites. And that whole thing is really fascinating to me. And it even like brings me back to the lyric videos because the whole reason that the music industry started to realize, oh, we should release these music videos, was because fans were already making them and it was just revenue that the industry wasn't, and eyeballs that the industry wasn't capturing.So lyric videos were just a way to kind of formalize that, and I think we're seeing that in so many ways on TikTok with sped up songs that fans uploaded and then record labels formalized. So I don't really know where I'm going with this with music videos, but I feel like there's a connection there of like, How, video could potentially enter more of that. I mean, music videos could potentially enter more of that, UGC space. But the other thing I wanted to bring up before I forget, is that I did grab some stats from our research at MIDia about, both of those things. So just for context here. 59% of global consumers use YouTube to watch music videos weekly. And then we had another question where we asked how do you engage with music artists beyond listening to their music? And 35% of consumers said they watch lyric videos. and that's from our Q4 22 consumer survey and our Q1 23 respectively. So, both arepretty high. [00:38:41] Dan Runcie: Yeah, I would say so. I wonder for some artists, the numbers that they've had for the music videos and lyric videos are probably closer than they think, right? And sometimes a lot of it just depends on what you're in the mood for. Sometimes, there's just so many more opportunities to have a passive thing in the background, and sometimes I've done it myself without even thinking, I think what is the user experience that then causes me to go to a lyric video, even when I know the music video is there. And most of the time it's when I wanna have the thing in the background. Maybe I'll go to it, but I don't necessarily wanna stare at the screen for the next few minutes and it makes perfect sense and there's so many more use cases for that.So I wouldn't be surprised if for certain artists, they both serve a purpose, but they might actually be making more from the respective lyric song. And I think when you just think about it overall, the Lyric song does enable you to have your entire album up on the streaming services guy, I guess you could technically have a few versions where I've seen some artists have the music video, they have the lyric video, and then they just have the still with the cover art of the album there.So you have three different options and that could all be, revenue that goes back to the artist and the rights solar.[00:39:53] Tati Cirisano: Mm-hmm. There's also this interesting idea of like how all these things kind of play together. Like going back to the episode that we did on, that was about YouTube and, kind of contrasting these short form video platforms and how YouTube's whole pitch is that they're able to unite long form and short form so that, you know, there isn't that gap where people watch a TikTok video about, and then they don't actually go in and learn more about the artists. So, I don't know. I think there's something interesting there with YouTube being the main place where people watch music videos. The only, like the main place, I won't say the only. And also having the short form video platform. So I think that is a really strong proposition to be able to kind of marry the two. [00:40:35] Dan Runcie: Here's a question for you similar to that I actually don't know the answer to this myself, but thinking about how like audio and music itself, we see how music has adapted over time based on the mode and the medium that it is, whether it's CDs and streaming. And then we see the impact of TikTok and everything else.And music videos we've seen similar where we knew what a an MTV era music video looked like, especially if it was a music video that's trying to be on TRL. There's almost a certain formula that you saw to it. And we also see now what a TikTok video can look like where you see the types of dances and you see the way that the music video is made almost in a way to make it easily be replicated, whether it's a Drake, Lizzo, Doja Cat, Cardi B, plenty people have done this.Do you think this exists as well with YouTube? Was there a certain type of music video that stands out to you, is Yes. This is a YouTube music video. This is a music video that personifies the YouTube era of music videos.[00:41:38] Tati Cirisano: I love that question. that's a really good question.[00:41:42] Dan Runcie: As I'm thinking about it, there's one person that did come to mind. NBA Young Boy is a person that I do think speaks to the YouTube era of music videos because he approaches this the same way that. Someone like Mr. Beast approaches videos. There is a formula there, he has his hook, he has the things.There is a bit of the storytelling dynamic of what he is trying to do, or the challenge that they're trying to overcome, and then they do the thing. But it's definitely told in this way that has the hook and the elements that you naturally see. In YouTube and the way that the font for the name of the music video scrolls up, that is very much the formula.How quick it is for the beat to start. All those types of things, I think speak a lot to the YouTube era.[00:42:27] Tati Cirisano: Yeah, I also think, I'm thinking of artists who have sort of played into meme culture with their videos, like Drake has kind of done that. Remember how meme'd the Hotline Bling video was like. Even like the video for, what's that song you have with Justin Bieber? Pop Star was like, kind of playing into like the stereotypes about them in a way.Like I think artists like them who have sort of played into internet culture in their videos are maybe part of that YouTube era. Charli XCX, the boys video felt very YouTube, Yeah, I would say things like that. And then also videos that invited user participation, like the dance video craze, where it was kind of intended to get you to make your own version.And that was kind of like the early TikTok was being YouTube. So, yeah, that's a great question. [00:43:22] Dan Runcie: Yeah, and I think we saw some of this with Instagram as well, because I think about Drake in my Feelings. That was another one where there was clearly a Instagramable place where he's saying, please repeat this, because TikTok really wasn't blowing up the way that it was then, but he clearly made this video leading into that.And if anything, I think that the video came after we saw the viral instagram clips of, what was that guy? Shaggy that was doing the dances for that music video and then Danny Le as well. So there were a few people that had done that.[00:43:55] Tati Cirisano: Yeah, no, the correlation is so fascinating. I could do a whole nother podcast on how Drake lyrics invented Instagram captions, but we'll save that.[00:44:09] Dan Runcie: And no, we will definitely table that one. And I think as. Yeah. No. I have a few thoughts on that one, but as I think about this, I feel like a good way to, to close this one out is thinking about the ROI of these videos. And there's a number of ways to look at it, but with the way that a video is now, what do you think the best way is to measure the ROI?Because of course there's the hard dollars that the video could generate, the impact, but what's your take on that? [00:44:36] Tati Cirisano: Yeah, that's a good question. I mean, aside from the things like, aside from the things that are just like hard views and streams, I think it's also about cultural impact, which is kind of impossible to measure. it's about UGC, like how many videos was. I don't know, how many people kind of created their own version or did the dance in the music video, wherever it is.I guess that kind of depends on the video, but I think there's like some element of like creations related to the video that are part of it. and then did anyone dress up for Halloween as that music video? That's the biggest measure of cultural impact.[00:45:18] Dan Runcie: Like Lil Nas X dressing up as Ice Spice [00:45:21] Tati Cirisano: Yes. Yes. And I'm sure there were people that dressed up as Drake in the hotline bling video. the scene that that came out. So, look at Halloween costume sales, all you label executives. No, I don't know it's a really hard question to answer, but I think it's, mix of those and it's increasingly about, how fans are kind of like recreating their own versions of things. [00:45:42] Dan Runcie: Because there's a clear need to, water creates something that creates shock value, but you can't do those moments automatically cuz sometimes randomly it's gun just being gunna and then, Rihanna dresses up like him for her Halloween costume in like multiple settings and stuff, and it's like, oh, okay.I guess this is a thing. Like I don't think he knew that he was putting a fit out there, but you can't always guarantee that that's what's gonna come out, right? You have artists like Da Baby that I think have always tried to do stunty things to get cloud out there, but I don't know if, I've never necessarily seen people try to dress up like him for Halloween in that way.But that's a good one, and I think at first I was like thinking you're saying it in jest, but it's a hundred percent true. Like how are you able to capture zeitgeist? And I think that checking Instagram tags especially, or hashtags or just trending topics Twitter can tell you. Yeah. definitely. [00:46:36] Tati Cirisano: Well, many gift uses did you get of a clip from the music video?[00:46:41] Dan Runcie: Exactly. Or are people creating gifts of you in some type of way? [00:46:45] Tati Cirisano: Exactly. [00:46:46] Dan Runcie: Definitely. Well, Tati, this was fun. We have a couple of topics that I know we'll dig into eventually on this, but before we let you go, what are some things that you're digging into? What should the travel listeners stay looking out for?[00:46:59] Tati Cirisano: Yeah, that's a good question, let me think. So many things. I mean, we have a new report at MIDia that'll be out next month, for clients that's about live music consumers. We did a big survey, with bands in town asking people about their attitudes towards ticket prices and all sorts of things like that. So if you're listening and you're client of ours, look out for that. If you're not and you're interested in it, feel free to reach out. but yeah, that's the thing that I'm working on a lot right now and very excited about. [00:47:27] Dan Runcie: Nice. All right. We'll stay looking out for that. Thank you. [00:47:31] Tati Cirisano: Awesome. Thanks Dan.[00:47:32] Dan Runcie Outro: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend. Post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how travel continues to grow and continues to reach the right people. While you're at it, if you use Apple Podcast, Go ahead.Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.

Dave and Chuck the Freak talk about things old people do not get about the younger generation, Eva Mendez is so hairy she has to shave her face, a man that stripped nude and climbed a 200 ft cell phone tower, adults that still sleep with stuffed animals, the moment you realized you were dating an idiot, a guy broke into homes to steal sex toys to give as gifts, Canada putting health warnings on individual cigarettes, a guy that quit his job to become a fulltime Loch Ness Monster hunter, some of the weirdest requests hotel room service has received, a doctor in trouble after putting semen in a woman's coffee, a woman that mistakenly put super glue in her eye, a gathering of 685 spiderman cosplayers breaks world record, a true crime fanatic committed murder out of curiosity, and more! CONNECT WITH DAVE & CHUCK THE FREAK www.instagram.com/daveandchuckthefreak www.twitter.com/daveandchuck www.facebook.com/daveandchuckthefreakfans www.daveandchuckthefreak.com/ Or email the show:  email@daveandchuckthefreak.com

Pete Davidson left an angry voicemail for PETA, Davidson also bought a ferry when he was stoned, Eva Mendez shaves her face every day, reservoirs in California are filling up, a quarter of grown men sleep with stuffies, and Vinnie reads your texts!

Welcome to Season 2! Finally, we've settled on a format that works best and brings the most popular content to you, our awesome listeners.We're shifting away from reviewing films and keeping the hilarious and often times offensive Plot Summary Mad Libs as our main entree. If you are not familiar with this segment or need a refresher, we take the plot of a film and rewrite it using nouns, adjectives, verbs, and other parts of speech. There's a 92.3% chance that Tim will be laugh-crying while attempting to read the plot back to everyone, and that is backed by science.You'll hear the familiar voices of the On Second Watch hosts, as well as special guests. If there is a movie you want us to bastardize with a Plot Summary Mad Libs, you can make a request on our Ko-fi page.---------- Request a personalized shout out Request a Plot Summary Mad Libs for a movie of your choice! Check out all our episodes and subscribeConnect with us! Twitter | Facebook | Instagram----------Movie featured in today's Plot Summary Mad Libs: The Other Guys 2010's American buddy cop action comedy Written by Adam McKay and Chris Henchy Directed by Adam McKay Starring Mark Wahlberg, Will Ferrell, and supported by a killer ensemble in Michael Keaton, Dwayne Johnson, Sam Jackson, Eva Mendez, Steve Coogan, and Ray Stevenson Budget of $85-100mil, made over $170mil in the box office Currently a 6.6 on IMDb

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With Missionary and Biblical Studier Eva Mendez, Christopher discusses multiple topics that pertain to the Christian faith, from missionary callings to apologetics. --- Send in a voice message: https://anchor.fm/thasecondzonal/message Support this podcast: https://anchor.fm/thasecondzonal/support

We're drinking Martini's again, which succeeded in making Tom REALLY drunk. We first talk about a man who drinks his own pee. We then talk about the world's most terrifying teacher. An Art Collector buys a very expensive receipt from invisible art shows from the 50's. We did not know that "Fictosexuals" are really a thing. We close out the show with TWID: "Fractal Wood Burning" and its various dangers.Our Linktree: https://linktr.ee/liquoreduplowdownThe Drink:Gin Martinis!News Stories from This Episode:Drinking Your Own Pee is Good for You:https://www.mirror.co.uk/news/weird-news/man-says-drinking-your-urine-26824674The World's Most Terrifying Teacher:https://metro.co.uk/2020/09/28/teacher-loses-job-because-his-tattoos-and-black-eyes-scare-children-13339638/Art Collector Buys Receipt for Invisible Art:https://www.npr.org/2022/04/15/1093005984/in-paris-an-art-collector-paid-1-2-million-for-a-receipt Fictosexual Software Development:https://nypost.com/2022/04/26/fictosexual-man-married-hologram-bride-now-struggles-to-bond/This Week in Duh:https://abc7chicago.com/tiktok-fractal-wood-burning-art-wisconsin/11796197/Contact Info:Hate-mail, questions or topic ideas for the show, hit us up on twitter at @LiquoredUpLD or email us at liquoreduplowdown@gmail.com. Bryan can be reached on twitter @RussianLitGuy.  Tom can be reached on twitter @Intelligiant2.Find more of Bryan at:https://thinkingoutcloud.org/Find Tom as Donnie Kruger at:https://www.youtube.com/channel/UC_oaVG9YC-lZ9Lao50t-hzw

For the first homework assignment, Mike and Trevor discuss the overlooked and under appreciated 2012 film, The Place Beyond the Pines. A lengthy discussion ensues with many surprises and revelations coming to light. To this day, Trevor still insists on riding like lighting, even though we all know how it ends.

Gotta Be Done wasn't born yesterday, but who else thinks a fresh start on life on earth might not go astray right now? Of course, Mary and Kate and everyone else would still need the wisdom of Bluey and Bingo to guide us through - and even if we can't start fresh, there's plenty of goodness to work with in this leafy gem.  Plus, stealth plans to grow indoor gardens, a Bible verse, and will a Twitter verse or two make up for the Bluey Christmas episode that's been robbed from us all? ++ Gotta Be Done is ex-journos and Melbourne mums Kate McMahon and Mary Bolling, as we deep-dive every Bluey episode, with plenty of detours into mama life, childhood memories, and everything else we're bingeing, too! Follow us on Insta at @blueypod @marytbolling @katejmcmahon or on Twitter at @blueypodcast - and use #blueypod to join in.

Danske Lunar har startet et samarbejde med Will Ferrell, som skal være bankens ansigt udadtil. Med det som inspiration har Rune set nærmere på samarbejdet og reflekterer over, hvilken forskel det kan gøre for Lunar på længere sigt. Samtidig kigger han også nærmere på to andre cases med celebrity-samarbejde, hvor Eva Mendes og Tiger Woods har optrådt. Hvad er fordele og ulemper, når et brand begynder et samarbejde med en celebrity? Det kan du høre Runes tanker omkring i dette Format Kompakt. Format er en podcast af Rune Steiness, PR-konsulent ved optikerkæden Louis Nielsen og Martin Bylund Larsen, Social Media Coordinator & Content Specialist hos teknologivirksomheden Asetek. Find os gerne på LinkedIn, hvis du har feedback til vores podcast eller bare gerne vil følge vores aktiviteter: Runes profil: https://www.linkedin.com/in/runesteiness/ Martins profil: https://www.linkedin.com/in/martinbylundlarsen/

Faith talks and so does fear, our choice determines which one we use. (Here are some powerful faith confessions anyone can use immediately to improve their spiritual and emotional life). Plus, find out what happens next in Pilgrims' Progress when Christian encounters the man in the iron cage, two lions, several doubters, and the angels at the cross who leave a mark on his forehead. Finally; Charles Capps, Emile Coue, John Avanzini, and Eva Mendez on victorious confession and why you have to take back what the devil stole.

Johnny watches "Fear Street" and has feelings on it!Richard watches "Toxic Avenger 3: The last temptation of toxie" and wishes he had feelings about it.Richard and Johnny BOTH watch the "Jackass: Forever Trailer" and Richard tears up watching it. CM PUNK and Daniel Bryan (Bryan Danielson?) may be coming back to wrestling with ALL ELITE WRESTLING! We talk about making up the current AEW roster and why these guys might sign with them.We continue our limite run on The Fast and Furious Franchise with "2 Fast 2 Furious".Johnny sits down and watches the Paul Walker Solo adventure and has some thoughts.Whats up with Eva Mendez? Where did she go?NEXT WEEK! Black Widow and Loki!

The #CageTalk Crew is back in New Orleans, baby! Host Tzhukie B and co-host JT “Shit Turd” Money welcome back Season 7 guest host mainstay Johnny “Complaint Withdrawn” Spade. We watched and reviewed the 54th Nicolas Cage classic, Bad Lieutenant: Port of Call New Orleans. Tzhukie B went out of his way to say the movie's extremely long title 10 times throughout the show. We discussed Eva Mendez and how unbelievable it was for her to be in love with Nicolas Cage, Boardwalk Empire stars and rapper Xzibit, Stifler's mom, Al Pacino, drugs, and how to say New Orleans. IMDB rated this movie 33 out of 50 Randy Quaids, and remember we watch movies so you don't have to, peace out!

Mona May is a costume designer for movies and television who travels the world for her career while her costumes have become iconic. I was fortunate to reach her on a short break between two film projects happening on different continents. While getting her start as a costume designer in the film “Clueless” as her first major project she was able to secure her future work by creating iconic outfits that are still copied two decades later. She has a storied career working with celebrities like Adam Sandler, Drew Barrymore, Nicole Kidman, Emma Stone, Jennifer Aniston, Eva Mendez, Nicolas Cage, Eddie Murphy, Demi Moore, Anna Farris, Will Ferrell and many more.It was a great talking about what it takes to make it as a costume designer in the entertainment business and interesting to find out that it's not all glamour and red carpet events. We talked about her mentoring people looking to get in to her field and how many of them find out that it can be more work than glamour. She uses her own experiences to help make sure others don't make the same mistakes she did.Like I said to Mona in the interview…..you know you “made it” when they take your design ideas and turn them in to Halloween costumes. She has definitely “made it” and I can't wait to see her latest work.About Mona MayMona May exploded onto the scene with the release of CLUELESS, a film that raised the status of fashion in film. The New York Times, Vogue Magazine, and Women's Wear Daily proclaimed CLUELESS & "the fashion movie of the year” and introduced a bold new Costume Designer to the world Capturing the rich-girl prep style with plaid skirts, knee-high socks, platform Mary Janes and feather-trim coats, Cher's (Alicia Silverstone) more than 60 costume changes were fresh, new and unusual, and created a vibrant style to emulate for a generation of girls learning how to dress.May's trademark joie de vivre is clearly evident in her work, and it injects bold, sexy confidence into her designs. She is a master at designing costumes that flatter her actors' body types, while simultaneously hitting pitch-perfect visual notes for the character they are portraying. May's dedication to the art of creating characters with fabric, textures, and color goes far beyond simply dressing the actors. It is an art that spans genres, time periods, and even media - ranging from live-action to CGI to classic cel animation - and creating a costume that moves believably from the real world to a virtual world is an intricate process.For STUART LITTLE 2, designing an entire wardrobe for a 4" digital mouse meant working closely with the visual effects team at Sony Imageworks to balance May's creative vision with that of director Rob Minkoff. The process starts with a sketch, before going to a virtual tailor, followed by a texture mapper and finally the lighting designer. Every detail, from the textures and patterns on the fabrics to the scale and placement of trims and buttons, are executed to May's exact specifications.There are times, however, when a director must rely on a designer's ingenuity for a character's technical effects. While filming THE HAUNTED MANSION, Mona created a "glow" that could be photographed in both live-action and CG. She experimented with a paint process using Scotchlite powder applied to fabric, allowing the ghost costumes to glow as if the actors were lit from within, and saving the production from using expensive CG effects. The film also allowed her to demonstrate her exquisite tailoring and eye for detail, evidenced by the extraordinary costumes for stars Eddie Murphy, Terrance Stamp, and Wally Shawn.In the film ENCHANTED, Susan Sarandon's evil Queen Narissa required a technically-challenging costume requiring a seamless transition from 2D-animation (cartoon character) to live-action (human actor) to a computer-generated rendering that morphs into a CGI dragon while retaining remnants of the original costume. For the costume, May designed a reptilian leather corset and skirt with a cape fashioned to look like wings, and during Narissa's dragon metamorphosis, the skirt's layers wrapped around like a tail and the crown transformed into horns.Aside from movie work, May is always inspired to share her passion, originality and technical experience with the future designers at OTIS Parsons, FIDM and Pasadena Art Center, where she is a frequent lecturer.Born in India to European parents, May was raised in Warsaw, and later Berlin. She studied fashion in Europe, New York and Los Angeles, experiencing a global education that gave her the unique point of view she brings to her work.SUBSCRIBEYou can subscribe to The Travel Wins Podcast on Apple Podcasts, SoundCloud, YouTube, iHeart Radio, Stitcher, Google Podcasts, Spreaker, Podnews, Castbox, Pocket Casts, Radio Public, and Amazon.The Travel Wins intro song by Allison Johnson and Steve StevensWebsite Design by Stack Host#monamay #costumes #designer

Mona May is a costume designer for movies and television who travels the world for her career while her costumes have become iconic. I was fortunate to reach her on a short break between two film projects happening on different continents. While getting her start as a costume designer in the film “Clueless” as her first major project she was able to secure her future work by creating iconic outfits that are still copied two decades later. She has a storied career working with celebrities like Adam Sandler, Drew Barrymore, Nicole Kidman, Emma Stone, Jennifer Aniston, Eva Mendez, Nicolas Cage, Eddie Murphy, Demi Moore, Anna Farris, Will Ferrell and many more.It was a great talking about what it takes to make it as a costume designer in the entertainment business and interesting to find out that it's not all glamour and red carpet events. We talked about her mentoring people looking to get in to her field and how many of them find out that it can be more work than glamour. She uses her own experiences to help make sure others don't make the same mistakes she did.Like I said to Mona in the interview…..you know you “made it” when they take your design ideas and turn them in to Halloween costumes. She has definitely “made it” and I can't wait to see her latest work.About Mona MayMona May exploded onto the scene with the release of CLUELESS, a film that raised the status of fashion in film. The New York Times, Vogue Magazine, and Women's Wear Daily proclaimed CLUELESS & "the fashion movie of the year” and introduced a bold new Costume Designer to the world Capturing the rich-girl prep style with plaid skirts, knee-high socks, platform Mary Janes and feather-trim coats, Cher's (Alicia Silverstone) more than 60 costume changes were fresh, new and unusual, and created a vibrant style to emulate for a generation of girls learning how to dress.May's trademark joie de vivre is clearly evident in her work, and it injects bold, sexy confidence into her designs. She is a master at designing costumes that flatter her actors' body types, while simultaneously hitting pitch-perfect visual notes for the character they are portraying. May's dedication to the art of creating characters with fabric, textures, and color goes far beyond simply dressing the actors. It is an art that spans genres, time periods, and even media - ranging from live-action to CGI to classic cel animation - and creating a costume that moves believably from the real world to a virtual world is an intricate process.For STUART LITTLE 2, designing an entire wardrobe for a 4" digital mouse meant working closely with the visual effects team at Sony Imageworks to balance May's creative vision with that of director Rob Minkoff. The process starts with a sketch, before going to a virtual tailor, followed by a texture mapper and finally the lighting designer. Every detail, from the textures and patterns on the fabrics to the scale and placement of trims and buttons, are executed to May's exact specifications.There are times, however, when a director must rely on a designer's ingenuity for a character's technical effects. While filming THE HAUNTED MANSION, Mona created a "glow" that could be photographed in both live-action and CG. She experimented with a paint process using Scotchlite powder applied to fabric, allowing the ghost costumes to glow as if the actors were lit from within, and saving the production from using expensive CG effects. The film also allowed her to demonstrate her exquisite tailoring and eye for detail, evidenced by the extraordinary costumes for stars Eddie Murphy, Terrance Stamp, and Wally Shawn.In the film ENCHANTED, Susan Sarandon's evil Queen Narissa required a technically-challenging costume requiring a seamless transition from 2D-animation (cartoon character) to live-action (human actor) to a computer-generated rendering that morphs into a CGI dragon while retaining remnants of the original costume. For the costume, May designed a reptilian leather corset and skirt with a cape fashioned to look like wings, and during Narissa's dragon metamorphosis, the skirt's layers wrapped around like a tail and the crown transformed into horns.Aside from movie work, May is always inspired to share her passion, originality and technical experience with the future designers at OTIS Parsons, FIDM and Pasadena Art Center, where she is a frequent lecturer.Born in India to European parents, May was raised in Warsaw, and later Berlin. She studied fashion in Europe, New York and Los Angeles, experiencing a global education that gave her the unique point of view she brings to her work.SUBSCRIBEYou can subscribe to The Travel Wins Podcast on Apple Podcasts, SoundCloud, YouTube, iHeart Radio, Stitcher, Google Podcasts, Spreaker, Podnews, Castbox, Pocket Casts, Radio Public, and Amazon.The Travel Wins intro song by Allison Johnson and Steve StevensWebsite Design by Stack Host#monamay #costumes #designer

Episode sixteen features Bernadette in spirited conversation with Marc Renson, owner and operator of Ambition, a funky urban bistro in Schenectady, NY that pivoted during the pandemic to offer "boozy muffins" to the glee of their customers. Featured Guest on Episode Fifteen Marc Renson is the owner of Ambition Coffee & Eatery, a funky urban bistro in Schenectady NY. Marc Renson opened Ambition on April 10, 2000, over twenty years ago with his then partner and now husband, Greg Salomon. Marc loves food, music, Hollywood, and his bistro. Whether Marc is personal chef to Bradley Cooper, or appearing on The Dr Oz Show, he always dedicates his spirit and passion to the task. Marc was hunted for gossip by TMZ (which he rejected) when Ryan Gosling and Eva Mendez filmed a movie scene in his restaurant. His restaurant Ambition was in a video produced by Broadway.com for Broadway's On The Road touring production of Priscilla Queen of the Desert. Original New York “desperate housewife” and “Skinny Girl” Bethenny Frankel shot a video in Ambition recommending the bistro for Diners, Dives and Drive-ins. Barbara Eden, Pete Seeger, Alton Brown, The Cake Boss, Kristin Chenoweth, Marvin Hamlisch, George Hamilton and so many more have also visited the bistro and sampled the wares. Graduate of SUNY Schenectady with a degree in Culinary Arts, Marc has lovingly taken his little town of Schenectady, NY on a wild ride of magic and mayhem. Renson is the author of his memoir, Is the Coffee Fresh? Drama, dysfunction and daily life at a downtown coffee shop. His idol is Dolly Parton. Visit Ambition on the web at https://www.ambitionbistro.com/ From Heartache to Healing and Hope Creator and Host Bernadette Winters Bell, LMSW, PLLC graduated Summa Cum Laude from Adelphi University in 1994, with a Masters in Social Work, License No. and State: 049813-1 New York. She has more than 30 years of experience in the life, loss and grief sphere with children, adolescents and adults. Areas of practice include therapy, counseling, hospice, trauma work and bereavement support groups. She has served as an educator for groups and organizations such as schools, houses of worship, businesses and municipalities, and as a first responder for crisis management. Her life-long practice of giving back continues with community pro bono work. The pillars of Bernadette's practice are emotional healing, psychological growth and spiritual exploration. Her goal is to empower clients to be stewards of their own well-being. The From Heartache to Healing and Hope podcast will be offered to the community on Apple Podcasts: https://podcasts.apple.com/us/podcast/from-heartache-to-healing-and-hope/id1536455260 And on Facebook https://www.facebook.com/FromHeartachetoHealingandHope For download in audio and video format at www.fromheartachetohealingandhope.com Visit our newly designed podcast archive to catch up on past episodes by clicking on the images below. Producer Beatrice Georgalidis is the owner of Beatrice Georgalidis LLC, BGCA (Beatrice Georgalidis Creative Agency) and the executive director of Bright Hill Press, a regional arts organization in New York State. She is the owner of Certain Grants LLC, a grant writing firm upstate New York that specializes in fundraising and grant writing. She has been awarded numerous grants and awards by the National Endowment for the Arts, the Regional Economic Development Council of New York, New York State Council on the Arts, Bader Foundation in Milwaukee and many more. She has worked for more than twenty years in film and television as a writer, producer and videographer for many companies including Sundance Channel, MTV, VH1, and for her own companies since 2013, Certain Grants LLC and BGCA (Beatrice Georgalidis Creative Agency) serving the Catskills and beyond. She spearheaded the Experiential Learning Program, an apprentice program which has graduated more than fifty of the best and brightest college students, training hands-on in grant writing, production, design, fundraising and advertising. Her students have gone on to prestigious appointments at big five publishing houses, national magazines, broadcast television, and more. She is a 200 RYT (Registered Yoga Teacher, 200 hours) and a certified aerial yoga instructor, and teaches at Fit To Be Tied Yoga in Cooperstown, NY. https://www.bgcagency.com/ To be considered as a featured guest please email beatrice@BGCAgency.com. About From Heartache to Healing and Hope LLC From Heartache to Healing and Hope LLC was founded in 2020 by Bernadette Winters Bell, LLC. Her offices are located in Oneonta, NY where she has been practicing for more than three decades. http://fromheartachetohealingandhope.com/ BGCA (Beatrice Georgalidis Creative Agency, Beatrice Georgalidis LLC), a boutique advertising and production firm serving the Catskills, was founded in 2012. https://www.bgcagency.com/ Nothing that grieves us can be called little: by the eternal laws of proportion a child's loss of a doll and a king's loss of a crown are events of the same size. — Mark Twain

Is spanking your kids the right way to discipline them? Today's topic is inspired by Latina actress Eva Mendez, who is against spanking your kids—We're joined by licensed Marriage and Family Therapist Ariana Gonzalez to talk about the effects of spanking and alternatives in disciplining your child. In the "Jealousy Trip," Mark wants us to prank his toxica girlfriend who creates nothing but drama and fights—saying, "can't be me, wrong girl!" in every memory he tries to bring up in their relationship. Becca sends her on a jealousy trip to tell her that she is the "right girl!' in Mark's memories. Follow us @ShoboyShow Listen Live 6-10AM PST M-Fri on ShoboyShow.com Shoboy: @edgarisoteloBecca:  @BeccaMGuzmanEddie The Virgin: @EddieSotelo 

Is spanking your kids the right way to discipline them? Today's topic is inspired by Latina actress Eva Mendez, who is against spanking your kids—We're joined by licensed Marriage and Family Therapist Ariana Gonzalez to talk about the effects of spanking and alternatives in disciplining your child. In the "Jealousy Trip," Mark wants us to prank his toxica girlfriend who creates nothing but drama and fights—saying, "can't be me, wrong girl!" in every memory he tries to bring up in their relationship. Becca sends her on a jealousy trip to tell her that she is the "right girl!' in Mark's memories.  Follow us @ShoboyShow  Listen Live 6-10AM PST  M-Fri on ShoboyShow.com  Shoboy: @edgarisotelo Becca:  @BeccaMGuzman Eddie The Virgin: @EddieSotelo  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In this episode we sat down with Andy Morahan who is a world-renowned commercial, film, and music video director. With nearly 40 years of experience in the industry, Andy has produced music videos and films for artists such as George Michael, Aerosmith, Michael Jackson, Van Halen, Bon Jovi, Elton John, Paul McCartney, Billy Joel, Tears for Fears, AC/DC, Ozzy Osbourne, Wham! Tina turner, Brian Adams... and my all time favorites - Guns N' Roses! and the list doesn’t stop here. Andy won an MTV Award For Best Director for George Michael's Father Figure and Best Video for Guns N' Roses' November Rain’ - which has now been streamed over a billion times on YouTube. Andy was also twice Grammy-nominated for Long Form videos - 'Cyndi Lauper - Live in Paris' and 'Michael Jackson - Live in Bucharest'. Andy also directed the groundbreaking Guess Jeans 'Cheat' commercial. Featuring performances from Juliette Lewis and Harry Dean Stanton, the stylish and innovative piece won over 80 advertising awards worldwide, including five D&ADs, six Clios and a couple of Silver Lions at the Cannes Advertising Festival. Andy’s client list now includes Ford, Carling, Lynx, Bacardi, Barclays, Vodafone, VW, Canon and many others. More recently Andy was recruited by Toyota for their 'Prius' campaign, featuring Leonardo Di Caprio. Andy was also the first director to use Eva Mendez, Catherine Zeta Jones and Sienna Miller in commercials before their illustrious film careers. See more about Andy here: http://www.andymorahan.com/about.php Give us a follow on our social channels: - https://www.facebook.com/JustaChatWith - https://www.instagram.com/JustAChatWith - https://twitter.com/justachatwith - https://www.linkedin.com/company/35615125/ Hosted by Andrew Dobbie. Powered by MadeBrave - http://www.madebrave.com

In an attempt to undo all the progress we have made during the past month, Art and BS Alumni Chris Davis returns to the show. Joining to wrap up Black History Month. On this episode, we also cover the best and worst Valentine's Day gifts, current events, navigating during February, music, Eva Mendez, as well as the usual Art and BS. Check out Chris on instagram @benchristoph then follow us @artandbspodcast

The Tommy and Adam Hard to Name Podcast Episode #5 Season #2: Episode 5, season #2. of the Tommy and Adam Hard to Name Podcast is online and streaming. It’s the post-election podcast and no, and we’re of course not covering whatever is happening with the current state of counting votes or whatever stage of their in now. We’re too busy deciding who to choose between J-Lo and Eva Mendez. Download/Stream this one and email us at TommyNAdamPod@gmail.com.

The actress pulls the plug on the daytime TV show amid smooching pic drama, George nearly stole Ryan Gosling's iconic Notebook role, Eva Mendes talks doing it all as a mother and hints at a possible return to movies. Plus, Hello singer Adele readies up to host SNL, but won't be performing, Kim Kardashian West's hair extension mishap creates a social media frenzy, Kylie Jenner posts sexy photos with Travis Scott--so are they back together? Then, Clare Crawley joins the show to spill Bachelorette secrets and celebrity chef Antonia Lofaso teaches you how to make classic Italian dish!

Jess Rizo is best known as an Actress and Stand-Up Comedian. She is of Mexican, Sicilian and Native American decent, and is fluent in Spanish. Survived by the loss of both her parents from a very young age, Jessica's will to achieve at the highest level continuously amazes those around her. Slated for two upcoming features films, a talk show, and her first half hour comedy special, Jess will be someone to watch for. Jess joins Stephen in the Zoom room as they chat about: -How Jess got into acting and modeling after excelling in the corporate world. -Jess' experiences of being a body double for Sofia Vergara (among other celebrities like Jennifer Lopez, Jessica Alba, Eva Mendez, and more). -How Jess fell in love with improv which led her to her passion of standup. -How Jess’ belief in hard work, a solid routine, and divine timing has helped her achieve success. -Her new book “Closure” - a compilation of stories dedicated to closure on relationship losses. Then the two wade into the waters of self-help, from deciphering a quote from Inspirobot, helping a tiny bladder stay strong during bedtime, helping a husband convince his wife that he should play poker professionally, and more! Don't forget to subscribe and leave a review on iTunes, Stitcher, or wherever you listen! Send a question: acomedyadvicepodcast@gmail.com Support A Comedy Advice Podcast on Patreon: https://www.patreon.com/acomedyadvicepodcast Follow ACAP on IG: https://www.instagram.com/acomedyadvicepodcast/ See Jess perform live at The House of Comedy Oct 6th at 7:30pm! https://www.showclix.com/event/comics-unleashedE4fUDnu Follow Jess! https://www.instagram.com/justjessrizo/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/hyperbrole-podcast/message

Welcome everyone to another great episode of The Xander Effect with co-host Jeremy Miller. Today we have a special guest co-host Lonni Rivera. Lonni is coming on to see if she can even tolerate the antics that Jeremy and I do on the show. Can she handle it or will she go running screaming for the hills? We find out on this episode.Plus in entertainment news, we chat about the Saturday Night Live season premiere and man was it everything you expected. In sports, which more information regarding the details of the passing of wrestling legend Animal from WWE's Legion of Doom have surfaced. In video game news, which game is making a comeback in the very near future? All this plus much more starts right now....**Lonni Rivera Social Media**IG: @lonsyogastory**Music By**TWiiNS "Que Me Gusta"DJ Makasi & Gregoir Cruz Ft. Tima Dee "Manos En Mi"Daniel Waite "Life Is Real"Qwess Kross Ft. Bobby BeeBob "Losing My Religion"B Taylor & Do Brown "It's On Me"Dovley "Prism"**Make sure to Follow us on Twitter and Instagram**Xander Dames:IG: @xanderdames1 and @thexandereffectpodcastTwitter: @XanderDames1Jeremy MillerIG: @therealjeremymillerTwitter: @MrJeremyJMiller

Drew Barrymore reacts to her ‘Saturday Night Live’ parody. Plus, why Eva Mendez would rather be home, than anywhere else. And, which Astrophysics professor hosted the science-fiction documentary ‘Cosmos: A Spacetime Odyssey’?

Join us as we rewatch The Other Guys and rant about how the Netflix stream is awful, acknowledge that Chris looks fantastic in a tutu and Spaz needs to wear makeup. Also in this episode is a brief clip from our new segment "How Would Sean Bean Have Died" which premieres exclusively on our Ko-fi page (www.ko-fi.com/movie)----------Movie DetailsWritten by Adam McKay and Chris Henchy and directed by Adam McKayStarring Mark Wahlberg, Will Ferrell, and supported by a killer ensemble in Michael Keaton, Dwayne Johnson, Sam Jackson, Eva Mendez, Steve Coogan, and Ray Stevenson Budget of $85-100mil, made over $170mil in the box officeCurrently a 6.6 on IMDb

Tango and Cash, Turner and Hooch, Riggs and Murtaugh, The Bad Boys Marcus and Mike Lawry, Carter and Lee… In the world of buddy-cop movies, there is the A-team, and then there's The Other Guys.Jump in the Prius and take a ride with us as we explore our nostalgia for this 2010 American buddy cop action comedy.The whole crew is on board for this one and our quote dropping is unruly. We also played an interesting new game of Mad Libs to reinvent the plot of this movie.----------Movie DetailsWritten by Adam McKay and Chris Henchy and directed by Adam McKayStarring Mark Wahlberg, Will Ferrell, and supported by a killer ensemble in Michael Keaton, Dwayne Johnson, Sam Jackson, Eva Mendez, Steve Coogan, and Ray Stevenson Budget of $85-100mil, made over $170mil in the box officeCurrently a 6.6 on IMDb----------A special shout out to Proffesor J (www.twitter.com/JHunt006) for sharing his nostalgia with us via voice recording! Check out his podcast called “Jeff Needs Help” to listen to some great segments and interviews about sports, movies, and everything. You can leave your voicemail on our website at www.oswpodcast.com and click the microphone icon.Another huge shout out and thank you to Excellent Chris for helping fund our TWIZZLER fund by donating on our Ko-fi page. He is the hero this city needs. You can help fund our candy habit by heading to www.ko-fi.com/movie to buy us some TWIZZLERS or commission a movie for us to watch.A special Ko-fi shout out to our friend, Alicia (www.ko-fi.com/aliciayellowlodge) She's another very talented artist who just recently adopted an adorable kitten. You can buy her a Cat Coffee to help her get what she needs for her fur-baby, and also commission some highly detailed portrait art.

I am delighted to welcome my next guest, Don Flood. Don is an accomplished Celebrity/Beauty, Fashion, and Athletic photographer. His photographs have appeared in such publications as Vanity Fair, In-Style and Esquire just to name a few. He has worked for such notable clients as Victoria’s Secret, CoverGirl, and Pantene. His celebrity portraits include the likes of Jennifer Lawrence, Diane Lane, Naomi Watts, Eva Mendez, and Jessica Biehl, as well as famous recording artists, Janet Jackson, Snoop Dog, Fergie and Adam Lambert.He is also the creator and company owner of an exceptionally provocative and inspiring line of wallpaper, for both residential and commercial spaces, appropriately named Fliepaper. It’s a stunning collection.In 2018, his Beetle design was taken into the permanent collection of the Cooper Hewitt/ Smithsonian Museum.Today we speak to Don about growing up in Chicago, his inspiration from the fields of Architecture, Photography & Art. We talk about his bold graphic collection of wallpaper titled “Fliepaper”. We also have a few surprises in store……. for example, guess who mastered the art of Chicago deep-dish pizza? Did you know Don was in radio? Who helped him make tuna sandwiches on his set when he started out as a photographer? And who do you think he would like to photograph next?Hope you enjoy the show, please see links below to explore Don’s work. http://donfloodphoto.comhttp://www.fliepaper.comhttps://www.instagram.com/fliepaper/?hl=enThank you for listening!

Movies-Television-Comics Books-Music-Video GamesWorship and Tribute Nerd is a youtube Channel/Podcast dedicated to making nerdy content for all people. Whether you grew up reading comic books, watching movies, or playing in the school band, we have nerdy content.Music by John GaneyLogos by Donny Wahl IG @thesofatxDonations and W&TN ShirtsPaypal Ihateghosts@yahoo.com#DenzelWashington #Denzel #DenzelmoviesThis week we tackle and almost impossible subject, the top 10 BEST Denzel Washington movies!!!!Thank you Toby of Secret Levels Podcast and Secret Transmission PodcastTwitch https://www.twitch.tv/worshipandtributenerd Twitter https://twitter.com/WandTNerd Discord https://discord.gg/MbdEKTp IG https://www.instagram.com/worshipandtributenerd/ FB https://www.facebook.com/Worshipandtributenerd Spotify and Apple podcasts Worship and Tribute Nerd

Denzel Washington kreeg eindelijk zijn eerste Oscar voor een hoofdrol, de carrières van regisseur Antoine Fuqua en schrijver David Ayer werden gelanceerd en de wereld maakte kennis met Eva Mendez. En dan is de film ook nog eens eindeloos te citeren. "King Kong ain't got shit on me!" Over Training Day (2001) kun je een hoop zeggen, maar niet dat het een subtiele film is.  Voor podgast Richard Olthof maakt dat niet uit. Als filmreviewer gaf hij 'm een dikke 4 sterren en een duim omhoog. Richard is een van de vaste schrijvers voor Filmdomein en schuift vaak in de videopodcast van de Filmerds om het over de allernieuwste films te hebben. En hij zou maar wat graag een dagje optrekken met de corrupte agent Alonzo, die in Training Day door Washington wordt gespeeld. Verder hebben we het ook over hoe kinderen krijgen je blik op een film kan veranderen, Richards theorie over Alonzo's ware aard en de kapsels die we op de middelbare school hadden. Links: Richards pagina op Filmdomein: https://www.filmdomein.nl/author/richard/ Richard met de Filmerds: https://www.filmerds.com/podcasts/podcast-number-12 Extra link: https://www.theringer.com/2018/5/31/17411556/training-day-denzel-washington-ethan-hawke-antoine-fuqua

Conscious Beauty Talk with Amy Wall Pigmentation 101 is the first in our series to amplify black women's voices in beauty. The only difference between black women and white women is the amount of pigment in the skin, yet the divide socially and economically is still vast. It's time for acknowledgment and accountability for white privilege-especially in the beauty industry. It's time to show up, listen, and learn how we can be a part of a permanent and lasting change and contribute to sustainable solutions that affirm the equality and prosperity of Black lives. Aliesh Pierce has been in the beauty business for over 30 years. She has served as the personal makeup artist and or skin therapist to celebrities like Eva Mendez, Ming Na Wen, India Arie and the Obamas. Since the day her then client, India Arie, prompted her to create her purpose statement, she knew she was here to “help women create their own unique definition of beauty…and men too". She helps Estheticians master a multi-ethnic approach to skincare, as it is the only way to truly be of service to an ever-changing, increasingly diverse population. https://askaliesh.com/products-courses/      aliesh@askaliesh.com   ~ More with Conscious Beauty Talk with Amy Wall ~ Women have been sold a story of lack and limitation around what’s possible with our beauty, our biology and aging. Today we have never enjoyed more breakthroughs in skincare ingredients, technology and our understanding of human consciousness. It’s time to activate your beauty abundance and go beyond what you’ve been told and sold. Conscious Beauty Guide Amy Wall will use her experience as an award-winning professional skincare expert and experience as a leader in the conscious beauty movement to teach you the tools, techniques and guidance to activate and experience the feeling of beautiful, have more radiant skin and to deeply love the woman you see in the mirror, on a daily basis. https://loveamyskin.com/ Conscious Beauty Community: https://www.timelightcircle.com/ To get more of Conscious Beauty Talk ~ Amy Wall, be sure to visit the archives page for replays of all her shows here: https://www.inspiredchoicesnetwork.com/podcast/conscious-beauty-talk-with-amy-wall/

It’s been long threatened, but Chris and Dave are finally going to review the 2007 movie, Ghost Rider. Starring Nicolas Cage, Eva Mendez, Sam Elliott and Peter Fonda.Plot Summary:Jonny Blaze makes a deal with the Devil to cure his father’s cancer but is tricked into becoming the Ghost Rider and is sent to hunt down sinners.Review Scores:IMDB: 5.2/10Rotten Tomatoes: 26%Metacritic: 35/100If you want to contact the show please get in contact on our social media channels:www.twitter.com/comicsinmotionpthecomicsinmotionpocast@gmail.com See acast.com/privacy for privacy and opt-out information.

Happy Wednesday! We're here with more topics that women care about. Today we're discussing the fact that Eva Mendez won't be posting photos of her kids anytime soon, and the girls from Call Your Girlfriend did an interview about how to keep up friendships during this trying time. Also, if you're at home full time with a partner (whether or not you have kids), are you feeling like there's a balance in responsibilities? We'd love to know! A topic that we can't get enough of in the world today is how to remain healthy during a time when we're all confined to our homes. Most of us don't have home workout equipment, and we all have different health needs. So we're talking about the boundaries and guidelines we set for ourselves, and who our favorite Instagram #Fitspo is. Are you looking for some goodness in your life? Subscribe to the newsletter that will be in your inbox every Monday morning to start your week off in a positive way! Have you checked out our website? You can check it out to see our latest posts. What are your thoughts on this week’s episode? Let us know over on Instagram @agoodideapod, or you can shoot us an email at hello@goodideagirls.com. Our music is: Werq Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Found In Translation Talk Show Episode 365: FIT is all about the kids today as host Ray Collazo is joined by Co-Host Sulaih Picorelli and a panel of educators, advocates and students to talk about how we support our children during this Coronavirus season. Plus an American's journey to unlock the U.S. Join the Mejia and Vargas families plus Eva Mendez on this week's FIT. Stay safe family!

Get your martini glass of candy, ditch your girlfriend while looking right at her, sell your soul to the devil, and get ready for Ghost Rider. This movie comes from a dark time before the Marvel Cinematic Universe and Stan Lee is nowhere to be seen. It stars GoodBad legend Nicolas Cage in what might be his worst performance (think of the weight of that statement) and almost everything on screen is CGI, possibly even Eva Mendez. This is our death defying review of Ghost Rider. Enjoy. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week Jake & James are doing " 2 Fast 2 Furious" (2003) Discussing the lack of Vin Diesel, instantly forgettable bad guys, generic Hispanic henchmen, and Eva Mendez as the shoe horned in sexy sidekick / undercover cop. Join Do The Franchise as the Fast & Furious franchise reviews continue.

Found In Translation Episode 331: Hosts Ray Collazo and Elbert Garcia are joined by educators Eva Mendez and Tania Valencia to discuss how parents, advocates and educators can support our children as the school year begins. Valencia and Mendez share how to affirm our children’s identity, develop ambitious buy achievable standards and support parent engagement. Valencia also updates us on the issues impact English Language Learners that lawmakers need to prioritize moving forward. Collazo and Garcia also analyze how #MidlandOdessa tragedy and AOC/Crenshaw debate impact our politics moving forward. Collazo reveals why Puerto Ricans need to especially engage in hurricane relieve efforts to support our Bahamian family. Valencia also reveals who is THE Bae for the Salvadoran community.

Ceej & TC discuss all the lessons of love they needed to forget via 2005's romantic comedy Hitch, starring Will Smith, Eva Mendez, Kevin Smith and Amber Valletta.  Rate Us On iTunes: https://podcasts.apple.com/us/podcast/movie-makeover/id1462321160Listen & Subscribe: https://linktr.ee/movie_makeover Follow & Contact: Instagram- @Movie_MakeoverTwitter- @Movie_MakeoverEmail-moviemakeoverpod@gmail.comCeej's Twitter- @XtraCeejTC's Instagram- @A.Braver.Me 

Your weekly podcast discussing the ins and outs of our favorite (or not so favorite) romantic comedies is here! This week we tackle Hitch starring Will Smith and Eva Mendez. We talk about deadly food allergies, our favorite dance moves, and spread the news about the greatest city in the world (according to Mia). Enjoy! If you want to find us between episodes, follow us on Twitter and Instagram at romcompleteme.

Nic Cage is in the latest Spider-Man movie Into the Spider Verse, so we're watching the last time he was in a superhero movie, Ghost Rider... At least we have Eva Mendez to enjoy. Continue reading

Nic Cage is in the latest Spider-Man movie Into the Spider Verse, so we're watching the last time he was in a superhero movie, Ghost Rider... At least we have Eva Mendez to enjoy. Continue reading

On this episode, we have a little bit of the Halloween hangover as we discuss hot items such as girlfriends knowing where Fred Durst hid the new LImp Bizkit record, cramps, the Chicago Rockabilily scene, Rob Zombie's Halloween II aging horribly, Abercrombie and their hate for fat people, Kevin Spacey, Ryan Gosling and Eva Mendez, and we introduce a new segment: Guess Their Nationality.

Finlands mest kända författare, komiker, skribent och radioprofil – Kaj Korkea-aho – berättar om sina hemliga drömmar rörande Sigge Eklund och det platta fallet då de sågs på Bokmässan. Samtidigt ryktas det om att USAs svar på Sigge – Ryan Gosling – dumpat sin stora kärlek Eva Mendez för hennes svartsjukas skull. Vi kan vittna om att det inte är lätt att vara ihop med snygga människor. Och så kan vi inte låta bli att spy ut allt vi inte tål i era statusuppdateringar på Insta och på FB. See acast.com/privacy for privacy and opt-out information.

Hey girl! We picked our first yt dude and it was weird. But we can’t hide our crushes on Eva Mendez’s man, Ryan Gosling! #sorryboutit If you want to hear about heavy bokeh lighting, potential potato themed movie sequels and child acting, check out this episode! -- It’s Your Voodoo Working - Charles Sheffield U-Go-Girl - Lee Hyori She Don’t Care - Dumbfounded Skeletons - JR JR Old Friends - Pinegrove You and Me - Penny & The Quarters XO - Beyonce She Will Be Loved - Maroon 5 Snaggletooth - Vance Joy Cute - Big Baby D.R.A.M. -- About the podcast: Join the Very Important Playlist Podcast, Jane and Bianca, as they craft playlists around hot celebs and kewl people they love. Oh! They also like talking about diversity, entertainment, music and woke-ness! Created, written, produced, edited, and curated by literally us. The Very Important Playlist podcast does not own the rights to featured songs. Neither are we sponsored nor make a profit off this podcast. -- Like VIP Podcast on Facebook: www.facebook.com/VIPPodcast/ Follow VIP Podcast on Twitter: @VIPPodcast Follow VIP Podcast on Instagram: @VIPPodcast Follow VIP Podcast on Tumblr: www.veryimportantplaylist.tumblr.com Find our Very Important Playlists on Youtube: https://www.youtube.com/playlist?list=PLCmioAaNOawr-9_THTqNhKp42aXnz9_pH

Ezt a részt Zsombornak küldjük, aki ahelyett, hogy elvitte volna az asztalunkat, inkább megörült nekünk.

Justin and Paco talk about horrible lies parents tell their kids, Eva Mendez says no sweatpants for ladies, and more.I am at the Rivercenter Comedy Club in San Antonio April 1 - 4Questions for Rachel recording at the end of the month.Remind them about voice mail now.Facebook.com/dadpodcast@DadPodcast@JustinWorsham@TheRealPacoLPaco's InstagramCall_of_Dooleygetjoyride.com/thedadpodcastListen Live atmixLR.com/dadpodcastCheck out Justin is Married Booker is Single.

Educator and Travel Guru Eva Mendez visits Rays Podcast to discuss her journey from student who had 'too many accents' to teacher. What has teaching taught Eva the parent and how has parenting informed her teaching? Eva provides insight on what is really happening in America's classrooms and how we can all work towards Education Equity for our children.  Eva also owns her own Travel Agency and provides our Rays of Light some hot travel tips. Best beaches, all inclusives, destination weddings, hidden islands, cruises and more on Rays Podcast!

Mat- och anatomiporr, Zack Snyder och Ben Affleck, unge Herkules, XCOM i tredjepersonsperspektiv och den kanske absolut bästa comicskurken någonsin. Välkommen till [NÖRD:IGT] denna vecka! Kjellin har flytt landet och ersätts av Niklas ”Lill-Löfet” Berglöf som kommer med en extra filmrecension, men annars låter showen precis lika (dum) som den brukar! I Diskussionen tar vi, med din hjälp, oss an BatFLeck och reder ut om vi ens har några förhoppningar på den kommande filmen. I TV-seriedelen drar Bengtsson fram obehaglighetskassen och plockar upp Hannibal. I Comicsdelen pratar Hedlund lätt om The Killing Joke och Kjellin har svarat på mail om adamantium. I Filmdelen sågar Lill-Löfet Pacino, Walken och Alan Arkin i Stand Up Guys och Hedlund hyllar Ryan Gosling, Bradley Cooper och Eva Mendez i kombination. Och Ray Liotta. Och i Speldelen så överraskas Berglöf (Jonas) lite av The Bureau: XCOM Declassified, men that’s about it. Dessutom pratar vi om Hasse Eriksson (googla den, du), Fantomen och eftertexter! Trevlig lyssning! Tack och förlåt!

After Ghost Rider set theaters ablaze in 2007 a sequel seemed assured, but it took five years to get here. But now Nicholas Cage returns in the quasi-rebooted Ghost Rider: Spirit of Vengeance. Johnny Blaze can have his curse lifted but first he must stop the devil from transferring his soul into the body of a young boy. From the directors of the cult hit Crank films, does this Ghost Rider spark with Arnie, Jakob, and Stuart? Listen to find out!

After Ghost Rider set theaters ablaze in 2007 a sequel seemed assured, but it took five years to get here. But now Nicholas Cage returns in the quasi-rebooted Ghost Rider: Spirit of Vengeance. Johnny Blaze can have his curse lifted but first he must stop the devil from transferring his soul into the body of a young boy. From the directors of the cult hit Crank films, does this Ghost Rider spark with Arnie, Jakob, and Stuart? Listen to find out!

After Ghost Rider set theaters ablaze in 2007 a sequel seemed assured, but it took five years to get here. But now Nicholas Cage returns in the quasi-rebooted Ghost Rider: Spirit of Vengeance. Johnny Blaze can have his curse lifted but first he must stop the devil from transferring his soul into the body of a young boy. From the directors of the cult hit Crank films, does this Ghost Rider spark with Arnie, Jakob, and Stuart? Listen to find out!

With a flaming skull, a leather jacket, and a bad bike, Ghost Rider embraced the biker comics counterculture in the 70's and had a resurgance as a dark hero in the 90's. The first Ghost Rider film broke box office records, and now Nicholas Cage reprises his role as the devil's bounty hunter. And continuing their look back at all movies based on Marvel Comics heroes, and in anticipation of Ghost Rider: Spirit of Vengeance, Jakob, Stuart, and Arnie will be watching and reviewing both Ghost Rider films. In the first movie, Johnny Blaze tried to woo childhood sweetheart Roxanne while eating jelly beans and listening to The Carpenters, but Mephisto has other plans for the stunt biker. Do Jakob, Arnie, and Stuart go along for this ride? Listen to find out!

With a flaming skull, a leather jacket, and a bad bike, Ghost Rider embraced the biker comics counterculture in the 70's and had a resurgance as a dark hero in the 90's. The first Ghost Rider film broke box office records, and now Nicholas Cage reprises his role as the devil's bounty hunter. And continuing their look back at all movies based on Marvel Comics heroes, and in anticipation of Ghost Rider: Spirit of Vengeance, Jakob, Stuart, and Arnie will be watching and reviewing both Ghost Rider films. In the first movie, Johnny Blaze tried to woo childhood sweetheart Roxanne while eating jelly beans and listening to The Carpenters, but Mephisto has other plans for the stunt biker. Do Jakob, Arnie, and Stuart go along for this ride? Listen to find out!

Guest Co-host: San Diego Comic-Con 2010! This is it! Our 2010 Comic-Con spectacular... straight from the Geekscape booth at the 2010 San Diego Comic-Con! This episode is PACKED with rotating guests from the Geekscape community including SaintMort, Ben Dunn, William Bibbiani, Tom Pinchuk, Sax Carr, Ian Kerner, Jason Nellis and more! Celebrity interviews include Will Ferrell, Seth Rogen, Mark Whalberg, Guillermo Del Toro, Eva Mendez, Lloyd Kaufman, Gerard Way, John Oliver and even more than that! We meet the people behind First Edition, A Good Knight's Quest and I Hit It With My Axe! We meet Geekscapists from around the country! It's ALL RIGHT HERE!

We're back from summer hiatus with Shaman Durek lighting this episode on fire! Get specific spirit hacks to use today to release your demons and live from a place of love! Also learn how to use our feminine energy to sense quantumly, release old programming and step into queendom and intrinsic power! Amber-Lee is sharing her new fav goddess devotion, her new hypnosis audios for body love, and a celeb chakra analysis on Eva Mendez. Learn more: chakragirlco.com/new-blog/shaman-durek-chakra-girl-radio