Podcast appearances and mentions of Quincy Jones

The state rested its case against Duane "Keffe D" Davis this week — and closed it out with Davis's own voice from a jail phone. This recap combines Wednesday's and Thursday's proceedings in the Keffe D murder trial, covering the two days that took the case from gang hierarchy testimony to a defendant's recorded words working against him. It started with retired Compton gang detective Robert Ladd, a two-decade veteran of the department's gang unit who tracked the South Side Compton Crips and told jurors the specific rank Davis held — the rank that determines who's giving orders and who's taking them. The defense maintains Davis fabricated his entire account of that night for a book deal. Tupac's childhood friend Malcolm Greenidge testified after him, describing where the shots actually came from that night and what Tupac had waiting for him before it ended: a label, an album, a meeting on the calendar with Quincy Jones. Crime scene analysts then broke down what a 2023 raid on Davis's Henderson home uncovered, from his own memoir to newspaper clippings about the murder he'd apparently held onto for years. By the time prosecutors finished with twenty-five witnesses over eight days, they closed on jail calls: Davis annoyed that his own statements were being used against him, Davis calling his book "the real truth" in a YouTube promotion, and one call where his characterization of Tupac lands directly on motive. The defense picks up next, calling a detective and two police officers first. Closing arguments are scheduled for Monday — and Davis still has to decide whether he testifies in his own case. Links & Legal: Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice. Hashtags: #TupacShakur #KeffeD #HiddenKillers #TupacTrial #DuaneDavis #2Pac #TrueCrime #LasVegas #DeathRowRecords #JusticeForTupac 

Duane "Keffe D" Davis spent decades telling anyone who'd listen exactly what happened the night Tupac Shakur died. This week his own recorded words became the prosecution's closing argument. This recap covers Wednesday's and Thursday's testimony in the Keffe D murder trial in one pass — the case the defense says was never anything but a paid fiction, cooked up for a book deal. The state opened this stretch with retired Compton gang detective Robert Ladd, who spent years inside the department's two-man gang unit tracking the South Side Compton Crips. Ladd told the jury the specific rank Davis held in that gang, and why it matters — it's the difference between someone who follows an order and someone who hands one down. Tupac's childhood friend Malcolm Greenidge followed him to the stand, laying out where the shots actually came from that night and what Tupac had lined up before it all ended, from a new label to a sit-down already booked with Quincy Jones. Crime scene analysts then detailed what a 2023 raid on Davis's Henderson home turned up — including his own memoir and newspaper clippings about the murder that had apparently sat untouched in that house for years. By the close, prosecutors had called twenty-five witnesses over eight days, and they ended on jail calls: Davis complaining that his own statements were being used against him, Davis promoting his book on YouTube as "the real truth," and one call in particular where Davis's description of Tupac goes straight at motive. The defense opens its own case next with a detective and two police officers on the witness list. Closing arguments are scheduled for Monday, and by then Davis will have decided whether he testifies in his own defense. Links & Legal: Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice. Hashtags: #TupacShakur #KeffeD #HiddenKillers #TupacTrial #DuaneDavis #2Pac #TrueCrime #LasVegas #DeathRowRecords #JusticeForTupac 

Hold onto your mullets! British drummer Nick Murphy and his band are overjoyed after signing a record deal with THE Quincy Jones in 1984. That is, until a chance encounter with one of the biggest stars in the world changes everything. And the story of a talented luchador who has an uphill battle to get the crowd and the press on his side.STORIESFeelabeelia: One-Hit Wonder?Hold onto your mullets! British drummer Nick Murphy and his band are overjoyed after signing a record deal with THE Quincy Jones in 1984. That is, until a chance encounter with one of the biggest stars in the world changes everything.Major thanks to Nick Murphy for sharing your story with Snap. Nick still lives in Leicester today and he's continuing to make his dreams come true as one of the oldest students at De Montfort University, where he studies music technology.Produced by Regina Bediako, original score by Clay Xavier, artwork by Teo Ducot.Cassandro El ExoticoCassandro is an up-and-coming luchador, a professional Mexican wrestler. He wants to get to the big arenas. He's got the talent, no doubt. But because he's also one of the only openly gay fighters, he's got an uphill battle to get the crowd and the press on his side.This story contains graphic imagery regarding suicide. Please take care while listening. Thank you for sharing your story, Cassandro!Produced by Eliza Smith, sound design by Leon Morimoto.Season 17 – Episode 38Join Snap+ if you aren't already a member! Get bonus eps every month, an ad-free stream and more.  Learn about your ad choices: dovetail.prx.org/ad-choices

Superstar Songwriter (and former Prism drummer) Jim Vallance shares his stories working with Bryan Adams, Tears Are Not Enough, Steven Tyler, Joe Perry, Gene Simmons, Tom Jones, Dusty Springfield, Joni Mitchell, Ann & Nancy Wilson, Ozzy Osborne, Glass Tiger, Larry Gowan, Rick Springfield, Tina Turner, Bruce Coburn, Neil Young, Quincy Jones, Martin Short, David Foster, Bruce Allen, Bruce Fairbairn, Bob Clearmountain, Dan Aykroyd and Bananarama! For everything Jim Vallance, please visit http://www.jimvallance.com/01-music-folder/00-pg-music.html TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I'm joined by DJ Melo D — a beat junkie, a world champion, and one of the most technically gifted scratch DJs to come out of Southern California. Melo D was born and raised in Cerritos in the early 1980s, right as hip hop and electro were landing on the West Coast, and he grew up hooked on KDAY airchecks, pause-button mixtapes and a friend's older brother's turntables. He got his first Technics 1200 for Christmas 1987, taught himself to scratch by ear on his dad's home stereo, and cut his teeth doing high school dances and quinceañeras as a mobile DJ before linking up with DJ Curse, Rhett Matic and J Rock — the crew that would become the Beat Junkies.While studying sociology at UC Irvine, Melo D was quietly stacking up battle titles: a Vestax USA and World Championship, a DMC USA final with Babu, and an ITF World Championship with the Beat Junkies crew. That same run of form landed him a job as Quincy Jones' on-air DJ for the late-night talk show Vibe — a gig he says he only got because he had the nerve to force a James Brown routine on Quincy after his first set of battle routines fell flat. Alongside years on LA radio with Julio G at 92.3 The Beat, Melo D went on to co-found the Beat Junkie Institute of Sound with his crew, where he still teaches today.We get properly nerdy in this one — the maths behind scratch technique, why J Dilla's swing breaks DJs, how the crab scratch was actually born in a Tokyo hotel room, and what it's like being handed a job by Quincy Jones on the spot.In this episode we cover:Growing up in Cerritos during the first wave of West Coast hip hop and electroThe KDAY Mixmasters and the birth of the West Coast mix showGetting his first Technics 1200 for Christmas 1987 and teaching himself to scratchMobile DJing quinceañeras, high school dances and SoCal house partiesLinking up with DJ Curse, Rhett Matic and J Rock and forming the Beat JunkiesBalancing a sociology degree with Vestax, DMC and ITF world titlesThe golden era of turntableism and why vinyl forced so much creativityThe origin story of the crab scratch, told first-handBecoming Quincy Jones' DJ for the Vibe talk showBuilding the Beat Junkie Institute of Sound and what's hardest to teach beginnersThe vinyl renaissance and the case for BPM-labelling your records

Ode (@thatsod.e / @thatsod_e) and Mo AKA Kid Licorish (@licorishislegit) welcome DJ Sir Daniel and Jay Ray of Queue Points podcast for a bonus crossover centered on Netflix's The Greatest Night in Pop. The conversation traces the recording of We Are the World, covering the roles played by Harry Belafonte, Ken Kragen, Lionel Richie, Michael Jackson, and Quincy Jones in assembling the session, along with standout moments involving Stevie Wonder, Bob Dylan, Diana Ross, Cyndi Lauper, and Al Jarreau. The group also discusses points of frustration with the documentary, including Prince's absence, the treatment of Sheila E., and Patti LaBelle missing the recording the year before her own breakout. Before the review, DJ Sir Daniel and Jay Ray walk through the origins of Queue Points tracing the show's start back to the Salt-N-Pepa Lifetime biopic and the public dispute involving Spinderella. A Time Capsule segment rounds out the front half, with selections including Valentino's 1975 recording of I Was Born This Way, Earth Wind and Fire, A Tribe Called Quest's Stressed Out, and the full catalog of Destiny's Child.The back half of the episode moves into a hypothetical modern version of the recording, with the group debating a 2026 lineup that includes Beyoncé, Kendrick Lamar, SZA, The Weeknd, and Questlove. Big Mad turns to the impact of the Canadian wildfires on air quality, commentary on Dame Dash carried over from a previous live show, and frustration with anime fans who argue that shows like One Piece, Dragon Ball Z, and Fullmetal Alchemist Brotherhood contain no political themes. Small Joys closes things out with DJ Sir Daniel's vinyl copy of Black Milk's Ceremonial, upcoming DJ sets at Stereo Atlanta and JB's Record Lounge, and Ode's read of Jessica Cage's Accidents Happen series. DJ Sir Daniel and J-Ray close by pointing to QPoints.com for the weekly podcast and Thursday night Queue Points Live sessions.Queue Points is the Black Podcasting Award and Ambie Award-nominated music podcast and media platform that celebrates Black music history and culture through smart, entertaining conversation. Hosted by DJ Sir Daniel and Jay Ray, the show blends music commentary, music history, and pop culture analysis to explore the evolution, impact, and cultural significance of Black music across genres. Facebook: https://facebook.com/queuepointspodInstagram: https://instagram.com/queuepointspodLinkedin: https://linkedin.com/company/queuepointspodBluesky: https://bsky.app/profile/queuepointspod.comYouTube: https://youtube.com/@queuepointspodConnect with the Snerdy CrewWatch, Listen, or Sponsor the show: ⁠⁠⁠⁠⁠https://beacons.ai/blackandsnerdy⁠⁠⁠⁠

  | Little Sunflower (Album Version)  | Moe Koffman  | Moe Koffman Project | Blues Down the Stairs (feat. Bernie Senensky)  | The Cookers Quintet  | The Path (feat. Bernie Senensky) | Blues For Proskurov  | Sam Kirmayer  | In This Moment | On My Mind  | Astrud Gilberto  | Windy | Samba da Benção - Album Version  | Bebel Gilberto  | Tanto Tempo | Jimmy Cookin' On Top - Album Version - (Interlude)  | Quincy Jones  | The Original Jam Sessions 1969 | Soulful Strut  | George Benson  | Livin' Inside Your Love | This Masquerade (2000 Remaster)  | George Benson  | Breezin'Steely Dan - Do it Again

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.Pianist Beatrice Nicholas spoke to me just ahead of her appearance Upstairs at Ronnie Scott's on 17 August.Thanks to Beatrice for allowing me to play extracts from Black and Classical alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Pop culture nostalgia doesn't get much bigger—or funnier—than revisiting the night 46 music legends somehow shared one recording studio without complete chaos.     Originally released in February 2024, we're bringing back one of our favorite conversations in this special reprise episode.     Natalie and Angela revisit Netflix's The Greatest Night in Pop and relive the unforgettable recording session behind "We Are the World." From Michael Jackson's quirky songwriting habits and Lionel Richie's hilarious behind-the-scenes stories to Prince's absence, Quincy Jones' impossible task of managing dozens of superstar egos, and the unforgettable personalities that filled the room, this episode celebrates one of the most iconic moments in music history.     The hosts mix humorous commentary, behind-the-scenes trivia, and plenty of laughs as they discuss legendary performances, awkward celebrity moments, surprising friendships, and the unforgettable magic that happened during one extraordinary night in 1985.     Whether you grew up with "We Are the World" or you're discovering the documentary for the first time, this reprise episode is packed with nostalgia, music history, and classic Put Your Books Down fun.    

Soon after, Carvin joined his brothers as part of the legendary gospel group The Winans, whose groundbreaking sound helped redefine contemporary gospel music. Their debut album, Introducing The Winans, earned a Grammy nomination, followed by Long Time Coming, which also received Grammy recognition.​In 1985, Carvin earned his first Grammy Award for the album Tomorrow, writing the title track that would become one of gospel music's most beloved songs. The following year, The Winans signed with legendary producer Quincy Jones at Qwest Records. During this era, they released six albums, four of which won Grammy Awards, including the acclaimed Live at Carnegie Hall and The Winans Return, which achieved Gold certification. Over the course of his career, Carvin has received 12 Grammy nominations and won 5 Grammy Awards.​Beyond his work as a performer, Carvin's songwriting has reached far beyond gospel music. His compositions have been recorded by some of the most celebrated voices in the industry, including Whitney Houston (Love Is), Regina Belle (Make It Like It Was), Peabo Bryson (Life Goes On), CeCe Winans (All In Your Name), Vanessa Bell Armstrong (Here's to You), and Marvin Winans (My Story). Regina Belle's Make It Like It Was reached #1 on the Billboard R&B chart and remains one of the most celebrated R&B ballads in Billboard history.

Continuing our I Love the 90s series, we move on to 1991, when kids lined up for Sonic the Hedgehog on Sega Genesis while nightly newscasts tracked the crumbling Soviet Union. Don and Dude drop the needle on one polished R&B and soul album and one heavy, alternative release that helped define the decade's sound, connecting both records to a world of Terminator 2 topping the box office, dial up bulletin boards and flannel becoming a fashion statement.The AlbumsMichael Jackson – Dangerous (1991)Michael Jackson's eighth studio album marked his first major release not built around the Quincy Jones partnership, moving deeper into Teddy Riley's New Jack Swing while still keeping rock, gospel and widescreen pop in the mix. Opening with the hard, compressed groove of "Jam" featuring Heavy D, the record moves through the confessional soul of "Remember the Time," the Slash powered rock detour "Give Into Me," and message songs like "Black or White" and "Heal the World" before closing on the theatrical title track. At nearly 80 minutes across fourteen songs, Dangerous plays as a restless, ambitious time capsule of early 1990s R&B, pop and social commentary.Soundgarden – Badmotorfinger (1991)Seattle sound architects Soundgarden built their third album around unusual time signatures, drop tunings and Chris Cornell's four octave vocal range, with new bassist Ben Shepherd pushing the classic lineup into more collaborative songwriting. Produced by Terry Date and released in October 1991 alongside Nevermind, Ten and Blood Sugar Sex Magik, the record opens with the shape shifting "Rusty Cage" and moves through the radio breakthrough "Outshined," the controversial "Jesus Christ Pose" and the horn laced "Room a Thousand Years Wide" before ending on the slow, unsettling "New Damage." Heavier and stranger than its Seattle peers, Badmotorfinger became the blueprint for everything Soundgarden built afterward.Diggin AlbumsDead Pioneers – Wagon Burner (2026):The Denver punk band fronted by Gregg Deal pushes past its hardcore roots into heavier riffs and wider atmosphere while keeping its Indigenous rooted, confrontational social commentary intact.Andy Shauf – The Neon Skyline (2020):The Canadian singer songwriter's largely self performed concept album follows a single bar room night confronting an old flame through warm chamber pop arrangements built on memory, regret and missed opportunities.Charli xcx – Music, Fashion, Film (2026):Coming off brat and her Wuthering Heights scoring work, the British pop artist reteams with A. G. Cook and composer Finn Keane on a seventh album that crosses her music, style and cinema worlds behind cover art pairing John Cale, Marc Jacobs and Martin Scorsese.Robyn Hitchcock – Stranded in the Future (2026):The British singer songwriter's second memoir, written and illustrated by Hitchcock himself, traces his teenage and early adult years from 1968 to 1978 as he discovers music and forms the Soft Boys.Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back."Hasta la vista, baby." - The Terminator (Arnold Schwarzenegger), Terminator 2: Judgment Day (1991).

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I met drummer Roan Anderson while at the Jazzahead! 2026 Trade Show and Festival in Bremen. We chatted then and it was great to have a proper conversation for this episode in the cafe at Kings Place in London.Roan won the BBC Scotland Jazz Musician of the Year competition in 2025 and has already - just two years out of the Glasgow Conservatoire - been playing with lots of exciting new ensembles. There's clearly great things to come in his musical future.Thanks to Roan for allowing me to play extracts from his two latest singles - Swept Away and Emotionally Intelligent - alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Access this entire 70-minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/junkfilter/posts/232-herb-alpert-165373100The Toronto-based musician Marker Starling (aka Chris Cummings) returns to the pod for a discussion of the career of Herb Alpert, who at age 91 is on tour with his new lineup of the Tijuana Brass; we went together to see his Toronto show at Massey Hall.It is hard to imagine today, but during the sixties only The Beatles dominated the American pop charts more thoroughly than Herb Alpert & the Tijuana Brass, who famously landed four albums in the Billboard Top 10 simultaneously in 1966. Their era-defining smash, 1965's Whipped Cream & Other Delights, served as a sonic harbinger of the massive cultural changes about to sweep America. The band's music quickly became ubiquitous, soundtracking everything from commercial jingles and game shows to house parties. Interestingly, while framed as a band, many of their early albums were secretly recorded by the legendary LA session musician unit The Wrecking Crew. Though changing musical tastes eventually landed millions of these vinyl records in garage sales and dollar bins, their cultural legacy remains, as evidenced by hip-hop samples and viral TikTok memes.We discuss all 13 Tijuana Brass albums but also explore Alpert's visionary work co-founding A&M Records, including key signings like The Carpenters, Chris Montez, and Sergio Mendes & Brasil '66. Finally, we discuss Herb's collaborations with Burt Bacharach and Hal David, the massive influence of A&M's jazz label CTI in mainstreaming bossa nova via Antonio Carlos Jobim and Quincy Jones, and tell you what it was like to get to finally see Herb & the Brass in concert. Follow Marker Starling on Twitter and Instagram.Here are links to Chris' most recent releases:Lammping/Marker Starling/Drew Smith - RISKY (2026)Cici Arthur - Way Through (2025)Marker Starling - Diamond Violence (2022)Herb Alpert music videosThis Guy's In Love With You (1967)Rise (1979)Route 101 (1982)

Alle kender Tobias Rahim eller Michael Jackson. Men hvad med Arto Louis Eriksen eller Quincy Jones? Bag enhver musiker står en producer i skyggen - men måske er arkitekten ved at træde ind i rampelyset. Det ser vi nærmere på i K-Live, hvor DR netop har udgivet en ny dokumentar om musikproducernes nyfundne stjernestatus. Medvirkende: Chris Pedersen, vært på Popsmart. Nana Balle, madjournalist. Mette Thunø, lektor i Kinastudie. Nanna Balslev, musikjournalist og DJ. Frederik Thaae, musikproducer. Vært: Morten Runge. Producer: Anna Correll. Redaktør: Lasse Lauridsen.

Watch on YouTubeIn Part 2 of our conversation with Clark Beckham, we go beyond chord substitutions and dive into the heart behind worship reharmonization. Clark shares why reharmonizing worship songs should never be about sounding impressive but about drawing closer to God and expressing worship in a more meaningful way. He also walks through his unique arrangements of How Great Is Our God and Graves Into Gardens, offering practical music theory insights while showing how every musical choice can point back to worship. Along the way, Clark reflects on the artists who shaped his musical journey, his experiences after American Idol, and the valuable lessons he learned while working with Quincy Jones' team. Whether you're a worship pianist, keyboard player, worship leader, songwriter, or simply passionate about growing as a musician, this episode is filled with wisdom, encouragement, and practical takeaways to inspire both your playing and your faith. Don't miss out. You won't want to miss this.Clark BeckhamClark Beckham's School of MusicSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

durée : 00:59:42 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.“My heart was still in Brazil” - it was a real pleasure to chat with composer and guitarist Mark Tonelli, following my review of his album Brasiliana.Thanks to Mark for allowing me to play extracts from Brasiliana alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

durée : 00:59:35 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat, Marjolaine Portier-Kaltenbach Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.Sean Imboden has released Uncharted Realms, his second album for large ensemble. It was great to chat with him about the compositions and recording process.Thanks to Sean for allowing me to play extracts from Uncharted Realms alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Enjoy the Video Version of this episode with Brad Sundberg: Sound Engineer and Technical Director for Michael Jackson of over 20 years and who's career and work expanded to artists like: Quincy Jones, Barbra Streisand, and Stevie Nicks to name a few.Be sure to follow his podcast and interactive events via his website and socials: In the Studio with MJ | @inthestudiowithMJThank you for your time, Brad and I hope you all enjoy the show!

In this episode of Mission Matters, Adam Torres interviews Scott Page, legendary saxophonist for Pink Floyd, Toto, and Supertramp, live from SECON3 at the Bellagio in Las Vegas. Scott reflects on his unique journey from growing up in an entrepreneurial family to building a career that spans music, technology, and innovation. He shares lessons learned from collaborating with iconic artists, working alongside industry legends like Quincy Jones, and developing a creative philosophy centered on authenticity, presence, and "wearing your own clothes." Big thanks to Shawn Garrity, Founder of Circle and SEICon and Brad Turner, Founder & CEO at Marketing Completion Fund & Investor Conference News for inviting Las Vegas Live to SEICon! Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Few musicians have influenced popular music quite like Steve Porcaro.As a founding member of Toto, Steve helped create one of the most successful and respected bands of the late twentieth century while simultaneously becoming one of the most sought-after keyboard players, synthesizer programmers and songwriters in the recording industry. In this revealing conversation, he opens the door on a career that stretches from the birth of Toto through to Michael Jackson's Thriller and beyond.Steve shares stories of growing up in an extraordinary musical household under the guidance of his father Joe Porcaro, one of America's most respected jazz drummers, alongside brothers Jeff and Mike, whose own careers would become legendary. He explains why he struggled with traditional piano lessons, how his fascination with synthesizers gave him a unique place in the industry, and why embracing new technology helped launch his career.The conversation follows Steve's early years touring with Gary Wright, his work alongside David Foster and Boz Scaggs, and the remarkable chain of events that led to the formation of Toto. He tells the real story behind the band's unusual name, explains why success arrived almost immediately, and reveals the collaborative spirit that made Toto one of the most accomplished bands of its era.Steve also takes listeners behind two of the biggest songs of the 1980s. He explains the inspiration behind Rosanna, discusses why Africa was almost left off Toto IV, and recalls watching those songs become worldwide hits despite the band's own doubts about their commercial appeal.Perhaps the most remarkable story concerns the song, Human Nature. Steve explains how Quincy Jones accidentally discovered his unfinished demo while searching for songs for Michael Jackson's Thriller. What followed became one of the most celebrated songs in pop music history.Along the way, Steve reflects on working with Quincy Jones, David Foster, Earth, Wind & Fire, Hall & Oates, Chicago and countless other artists, before discussing his transition into film and television composing, his departure from Toto, and his later return to honour brother Mike during his battle with ALS.The episode concludes with Steve's thoughts on today's music industry, the decline of school bands, the future of musicianship, and why songwriting continues to inspire him more than ever.Fans should also know about Steve's latest chapter. His long-awaited second solo album, The Very Day, brings together songs developed over many years, including collaborations with Michael McDonald and Jason Scheff, proving that one of rock's most gifted musical architects is still creating compelling new music.I hope you love this chat as I did.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.It was great to be joined by sax player Alden Hellmuth just prior to the release of Tether. I reviewed her album just before our conversation and it captivated me straight away.Thanks to Alden for allowing me to play extracts from Tether alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

THE PATH MUSIC is more than an album—it's an invitation to experience the Father's love in a way that moves beyond information and into transformation. We sat down with Bruce McNicol (Trueface Co-founder & President Emeritus), Benjamin Crawshaw (Trueface Director of Member Engagement), Jason Pamer (film producer and writer, known for Rape for Profit (2012), Saved for a Reason (2016), and Anima (2026)), and Josh Silverberg (11-time Grammy, Dove Award, and Emmy nominee, songwriter, producer, and founder of Savage Sync House) to explore the heart behind this unique songwriting project inspired by The Path.Together, we discuss how a community of award-winning artists gathered in Nashville to write original songs based on each chapter of The Path, why music uniquely reaches places that words alone cannot, and how trust, identity, friendship, and the Father's delight became the foundation for every song. We also hear the story behind the collaboration, the creative process, and the hope that these songs will help listeners move from performance to trust as they experience the love of God.Bruce wanted to honor Jason, Josh and the entire songwriting/artist community with legendary producer Quincy Jones' urging, “When making music you've got to leave space for God to walk through the room.” That's exactly what this whole songwriting community did—they made space for God to walk through those writing rooms. What We LearnedMusic can communicate identity and the Father's love in ways that spoken or written words often cannot.Every song on The Path Music was written to embody one chapter and one core theme from The Path.The project brought together artists from diverse backgrounds and church traditions around a shared love for Jesus and His grace.The creative process prioritized relationships, prayer, excellence, and thoughtful collaboration over speed or production volume.The message of trusting God instead of living to please Him became a central theme throughout the conversation.God invites us into relationship before performance, and His delight isn't earned through our achievements.The hope for the album is that listeners experience healing, identity, and deeper trust in the Father's love.Resources MentionedThe PathThe Cure The Cure & ParentsThe Heart of Man After Death (2023)Bo's CafeQuote by Dr. Curt ThompsonActs 9:26-28Jason Pamer - IMDBJosh Silverberg - The Savage Sync HouseProduced by Sound of a Rose — https://soundofarose.comSupport the show

durée : 00:59:21 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A massive new live-action Disney blockbuster has divided critics online, but this romance-free, empowering adventure might just be the perfect holiday watch, and one of our favourite leading ladies returns to the director's chair for a fast-paced, single-location comedy that is being hailed as the funniest movie of the year.Also we had to flee a highly anticipated new horror film after just ten minutes because the blood-curdling body horror was simply too much to handle. If you like horror movies, Em has your new fave watch.Take The Spill's monthly pop culture quiz here and test your knowledge!Listen to our interview with the cast of Moana (including Dwayne Johnson) on Apple or Spotify. Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Mark Hammond is a drummer and a programmer who made his mark in Nashville recording artists like Amy Grant, Whitney Houston, James Ingram, Michael Bolton, Peabo Bryson, Vanessa Williams, Faith Hill, Trisha Yearwood, Wynonna Judd, Martina McBride and Quincy Jones. He also produced many top Christian artists, and he then began creating and producing music for Disney while also producing artists such as Josh Groban, Patti LaBelle, Joss Stone, Jennifer Holiday, and Hillary Duff. My featured song is “The Buzz”, my recent release. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I've just come back from a weekend at Love Supreme 2026 and it was great to catch so many artists. You can read my reviews on the website. Along the way, I had a second chat with pianist Sultan Stevenson, who I featured on Harmonious World in April 2025.Thanks to Sultan, you can hear the title track of his 2025 album El Roi alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

In this episode of Reading Is Funktamental, we head back in time to discuss a true classic of jazz and jazz journalism. The fascinating life and legacy of the great jazz artist Rahsaan Roland Kirk, with John Kruth, the author of this first and most complete biography, Bright Moments: The Life and Legacy of Rahsaan Roland Kirk (2000).Bright Moments is the story of a truly neglected genius who eclipsed jazz itself. Rahsaan Roland Kirk was a one-of-a-kind musician and human being. As some of you may know, Rahsaan played two or three saxophones at a time and developed a unique breathing system, which some call circular breathing or spherical breathing, one that allowed him to play continuous, nonstop solos that mesmerized audiences everywhere. He was also fantastic on the clarinet and flute (with a breathy, vocalized technique that enormously influenced Jethro Tull's Ian Anderson).A blind musician, Kirk played the history of jazz, or what he called “black classical music,” from the roots to the fruits, recorded over 35 records, and extensive tours. In this wonderful biography, Kruth interviewed his peers, friends, band members, widow, and doctor. They include Quincy Jones, Sonny Rollins, Grover Washington, Ken Kesey, Allen Ginsberg, Eric Burdon, and Ian Anderson, to name a few. Find out why Rahsaan was called by Jimi Hendrix his “favorite musician”"Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it."Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Dr. Marcus Norris is a composer and conductor, who has orchestrate several songs for Beyoncé's 2023 Dubai return to live performance and served as Music Director for Tina Knowles-Lawson's 2022 Wearable Art Gala. Marcus founded South Side Symphony in 2020, which he describes as "like if Quincy Jones grew up on 90s R&B and Rap." I had the privelege to conduct Marcus' opera Forsyth County is Flooding (with the Joy of Lake Lanier) after he won the 96 Hour Opera Project organized by the Atlanta Opera. It's a great conversation in which we spoke about Marcus' musical journey, new project with South Side Symphony, and entrepreneurship.Learn more about Marcus and his music, visit www.MarcusNorris.com and www.SouthSideSymphony.org or @MarcusNorris on IG.Watch the world premiere of Marcus' opera Forsyth County is Flooding on Atlanta Opera Streaming Site with a free account, production conducted by Chaowen Ting.All About Chaowen Ting 

The history of video game magazines have given us some amazing publications that have helped historians understand the past in ways we otherwise would never be able to. One publication, a newsletter produced by mail-order retailer Video Take-Out, has emerged as probably the most significant source for information about the industry in the 80s, Video Game Update and Computer Entertainer.  Marylou Badeaux and her sister Celeste Dolan, miticulously catalogued the turbulent early years of consoles and home computers for their readers.  The fact that this amazing publication was Marylou's side gig while she was an executive at Warner Records, working with the likes of Quincy Jones and Prince, makes the magazine's excellence even more astounding. Marylou takes us back to those heady days and we find out what it was like to be a retailer at that time, how news was gathered and what it was like to be dealing with some of the greatest musicians of the age. Recorded: April 2026 Get us on your mobile device: Android: https://www.google.com/podcasts?feed=aHR0cHM6Ly92aWRlb2dhbWVuZXdzcm9vbXRpbWVtYWNoaW5lLmxpYnN5bi5jb20vcnNz iOS: https://podcasts.apple.com/de/podcast/video-game-newsroom-time-machine And if you like what we are doing here at the podcast, don't forget to like us on your podcasting app of choice, YouTube, and/or support us on patreon! https://www.patreon.com/VGNRTM Send comments on  Mastodon @videogamenewsroomtimemachine@oldbytes.space Or twitter @videogamenewsr2 Or Instagram https://www.instagram.com/vgnrtm Or https://bsky.app/profile/vgnrtm.bsky.social Or videogamenewsroomtimemachine@gmail.com Links: Video Version: https://www.patreon.com/VGNRTM/posts/marylou-badeaux-162489729 https://www.memories4you.com.au/ https://www.amazon.com/Moments-Remembering-Prince-Marylou-Badeaux/dp/0648189112 Computer Entertainer/Video Game Update Archive - https://archive.org/search?query=creator%3A%22Computer+Entertainer%22&sort=-date https://en.wikipedia.org/wiki/Storyville_(nightclub) https://en.wikipedia.org/wiki/Warner_Records https://en.wikipedia.org/wiki/Prince_(musician) https://en.wikipedia.org/wiki/Quincy_Jones Listen Up - https://www.imdb.com/title/tt0102315/ https://en.wikipedia.org/wiki/Apollo_11 Larry Graham - One in a Million You - https://youtu.be/SxCBu45HgjE?si=z8YKetaMDOTmlntt https://en.wikipedia.org/wiki/WarnerMedia#AOL_Time_Warner_(2001%E2%80%932003) https://en.wikipedia.org/wiki/George_Benson Copyright Karl Kuras

Send Us A Message or Ask Us A Question? Chris Barnett on Purpose, Film Composition, and Peace of Mind | Us People Podcast Season 7Savia Rocks opens season seven of the Us People Podcast focused on legacy, shedding cultural trauma, and turning hardship into beauty, then interviews film and TV composer Chris Barnett. Barnett shares his Jamaican heritage as a first-generation Londoner, early exposure to reggae and radio charts, record collecting after a childhood U.S. trip, DJing parties and boat parties, and how studying album credits sparked his interest in production. He describes an engineering apprenticeship, a pivotal coworker who introduced him to studios, his mother's strict investment in his education, and later discovering his grandfather worked as a set builder at Ealing Studios amid racism. Chris Barnett credits mentors who helped him progress into university and composition, explains scoring by finding a story's “truth” beyond what audiences see, cites work on Street Shepherd and Getting Away With Murders, and discusses Quincy Jones-inspired humility, embracing all “good music,” spiritual maturity, tools for peace of mind, and advice to pursue art for love while avoiding negativity; he also shares where to find his work online.00:00 Legacy And Trauma01:10 Meet Chris Barnett02:13 Jamaican Roots And Music05:33 DJ Hustle And Record Love09:01 Engineering To Studio Dreams10:37 Mirror Identity And Purpose11:29 Family Drive And Education16:52 Film Nights And Grandad22:19 First Breaks And Mentors29:23 How Film Scoring Works32:03 Scripts Versus Screen33:55 Scoring Street Shepherd38:48 Invisible Documentary Music41:53 Quincy Jones Wisdom44:39 Finding Inner Peace47:10 Peace Of Mind Tools51:51 Advice For Artists55:37 Where To Find Chris57:20 Final Thanks And Outro58:53 Closing Song And WrapInstagram: https://www.instagram.com/christophbarnett/Youtube: https://www.youtube.com/@christophbarnettLinkedin: https://www.linkedin.com/in/christophbarnett/Youtube: https://www.youtube.com/channel/UC6vOMqQhrSuV7wg1lJpIk6QThank you so much Chris for showing us that with investment into yourself and letting go of fear we can achieve anything with creatively put out hearts into - Savia RocksSupport the show

DJ SEB ONE | Soul of Sydney Season Opening Party 2025 (Podcast 446) Recorded at the Soul of Sydney Season Opening Party in October 2025, this extended 1 hr 46 min warm-up from DJ SEB ONE blends Neo Soul, R&B, Hip Hop Soul, Funk, Boogie, Rare Groove and soulful dancefloor classics. From Brandy, Aaliyah, Lauryn Hill and Mary J. Blige through to Patrice Rushen, Frankie Beverly & Maze, Teena Marie and The Whispers, this mix is packed with soulful moments and classic party vibes for lovers of quality music.

The Addicted Mind Podcast: How a Little Becomes a Lot with Eric ZimmerIn this episode, Duane welcomes back Eric Zimmer, host of The One You Feed podcast, behavior coach, and author of the new book, How a Little Becomes a Lot: The Art of Small Changes for a More Meaningful Life.Eric shares his profound journey from being a homeless heroin addict facing 50 years in prison to building a deeply meaningful life in long-term recovery. Together, Duane and Eric break down why massive life transformations don't happen overnight, but are instead built on thousands of microscopic daily decisions. They explore how to navigate behavioral "choice points," overcome the trap of perfectionism, and beautifully balance the duality of acceptance and change.Key Takeaways from the EpisodeThe Fallacy of the "Big Moment": While "moments of clarity" are real and pivotal, they only matter if they are backed up by small, daily actions over time.Change is a Skill: Struggling to change a habit is not a character flaw or a sign of laziness; it is a skill set that must be practiced and learned.The Autopilot Pitfall: Many of our worst habits occur completely outside of our conscious awareness. Learning to slow down and introduce deliberation is key to making better choices.The 80% Rule: Except for active substance addiction, striving for 80% consistency in life (exercise, meditation, healthy eating) protects you from the self-sabotage of perfectionism.Puzzles Over Problems: Shifting your perspective from "I have a problem" to "I have a puzzle" opens the door to curiosity and solutions rather than shame.In-Depth Discussion TopicsAt 24 years old, Eric was a homeless heroin addict, weighing 100 pounds, jaundiced from Hepatitis C, and facing severe prison time. When he finally agreed to long-term treatment, it wasn't his first attempt. Eric explains how his previous "failures" to stay clean were actually an essential part of his learning process.Mastering "Choice Points"A choice point is that exact split-second where you either move toward your best self or fall back into old behaviors. Eric notes that relying purely on willpower at a choice point is a losing game. Instead, behavior change requires two distinct layers:Structural Elements: This includes your support system, clear protocols, accountability partners, and removing triggers from your environment.In-the-Moment Skills: This involves recognizing self-doubt, slowing down the urge, and learning how to "trick" yourself into taking action by shrinking the task (e.g., just putting on your running shoes to walk to the mailbox)."The music producer Quincy Jones has this line, and I love it. He says, 'I don't have problems, I have puzzles.' There's a shift in there that's really important, because a puzzle has a solution. It has an answer. We just haven't figured it out yet." — Eric ZimmerMoving Beyond the Self-Improvement ProjectThe episode wraps up with a deep dive into the final chapters of Eric's book, focusing on presence and radical acceptance. While it seems counterintuitive for a book about behavior change to end on "allowing everything to be exactly as it is," Eric explains that treating your life as a non-stop self-improvement project strips away contentment. True healing happens when we can skillfully change what we can, while holding space for our pain, low moods, and current realities without judgment.Framework: The 80% Rule vs. The Perfection MindsetThe Perfection MindsetThe 80% Consistency FrameworkViews every slip-up as a total failure.Views slip-ups as temporary data points and "puzzle pieces."Relies heavily on high motivation and intense willpower.Relies on structural support, habits, and reducing friction.Leads to burnout, self-sabotage, and quitting.Leads to long-term, sustainable lifestyle changes."If I can't do it perfectly, why bother?""If I can just hit 80% consistency over a year, I'm winning."Resources Mentioned in this EpisodeEric Zimmer's Website: oneyoufeed.net (Find his podcast, behavior coaching program, and new book)Eric's Book:How a Little Becomes a Lot: The Art of Small Changes for a More Meaningful Life – A Guide to Lasting Transformation Through Behavioral Science and WisdomThe Addicted Mind Website: theaddictedmind.comFollow and Review: We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast.Supporting Resources:If you live in California and are looking for counseling or therapy please check out Novus Mindful Life Counseling and Recovery CenterNovusMindfulLife.comWe want to hear from you. Leave us a message or ask us a question: https://www.speakpipe.com/addictedmindDisclaimerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Edición especial de nuestro podcast dedicada al fallecido compositor y arreglista Johnny Mandel. Repasamos algunas de su más celebres creaciones, así como sus trabajos junto a Roy Ayers, Lee Ritenour, Natalie Cole, Michael Jackson, Quincy Jones, James Ingram & Patti Austin, Dave Koz & Johnny Mathis, Chet Baker, Steely Dan, David Sanborn y Grady Tate.

‘Graceland' was an almighty gamble for Paul Simon, a costly, high-risk departure from the music he'd been making and a complex international venture. And a game-changing, worldwide triumph. When Ashley Kahn taught a course about it at New York University, Simon turned up to contribute. His book ‘Days Of Miracle And Wonder' tells the story of what inspired the album, the way it was recorded and the global reaction when it arrived in 1986. We talk to him here about … … the bootleg cassette of township jive that inspired the Graceland project … fraying relations with Art Garfunkel and Carrie Fisher ... his habit of playing unfinished tracks to people – David Byrne, Philip Glass, Neil Diamond – while singing the vocal into their ear … the extraordinary way he apologised for the failure of One Trick Pony … how Bakithi Kumalo's bass solo on You Can Call Me Al is a palindrome – “first half forwards, second half reversed!” … the advice Quincy Jones gave him about South Africa's cultural boycott … the key role of Roy Halee, engineer and long-time creative collaborator ... the Johannesburg sessions that “started with rhythm and worked backwards” … Kind Of Blue, A Love Supreme, other albums that merit a book to themselves … the details you hear in the tracks' last seconds … and the Grammy telecast that cemented the album's US success. Order copies of ‘Days of Miracle And Wonder' here: https://geni.us/DaysofMiracleandWonderHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Graceland' was an almighty gamble for Paul Simon, a costly, high-risk departure from the music he'd been making and a complex international venture. And a game-changing, worldwide triumph. When Ashley Kahn taught a course about it at New York University, Simon turned up to contribute. His book ‘Days Of Miracle And Wonder' tells the story of what inspired the album, the way it was recorded and the global reaction when it arrived in 1986. We talk to him here about … … the bootleg cassette of township jive that inspired the Graceland project … fraying relations with Art Garfunkel and Carrie Fisher ... his habit of playing unfinished tracks to people – David Byrne, Philip Glass, Neil Diamond – while singing the vocal into their ear … the extraordinary way he apologised for the failure of One Trick Pony … how Bakithi Kumalo's bass solo on You Can Call Me Al is a palindrome – “first half forwards, second half reversed!” … the advice Quincy Jones gave him about South Africa's cultural boycott … the key role of Roy Halee, engineer and long-time creative collaborator ... the Johannesburg sessions that “started with rhythm and worked backwards” … Kind Of Blue, A Love Supreme, other albums that merit a book to themselves … the details you hear in the tracks' last seconds … and the Grammy telecast that cemented the album's US success. Order copies of ‘Days of Miracle And Wonder' here: https://geni.us/DaysofMiracleandWonderHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

John “JR” Robinson is one of the best and maybe the most recorded drummer of the modern era. His Bio is out of this world. You definitely know his playing, because he's played on just about every song ever recorded. Here's just a couple. He's the guy who played that legendary drum fill in Michael Jackson's "Rock With You" from “Off The Wall”, the spectacular intro to Steve Winwood's No. 1 hit, "Higher Love" from “Back In The High Life”, and he was the drummer on “We Are The World”.  In total he's played on over 10,000 recording sessions, 500 movie and television soundtracks, 30 No. 1 hit records, and 50 Grammy winners. He's been named one of Rolling Stone's "Top 100 Drummers of All Time". And he's worked with a Who's Who in music including Quincy Jones, Ray Charles, Chaka Khan, Lady Gaga, Peter Frampton, George Benson, Elton John, Madonna, Marvin Hamlisch, and Barbra Streisand, to name just a few. And he's written a biography called “King Of The Groove”. My featured song is “The Rich Ones All Stars”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JR:www.johnjrrobinson.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

In another topic-focused GGACP mini-episode, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Bad biopics! Neil Simon reboots “Bogart”! Lee Marvin bests Rod Steiger! And Mike Myers borrows from Quincy Jones! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comDavid Marchese has spent the past decade interviewing famous people, from Quincy Jones to Nicolas Cage. He is co-host of “The Interview,” the New York Times Q&A series, and before that, he interviewed bold-faced names for Vulture and NYT Magazine. But he doesn't see his job as “interviewing celebrities” — at least, that's what he says after his old pal Sarah introduces him as such. It's true that Marchese interviews all sorts of people, from author Michael Pollan to happiness expert Laurie Santos. But fame — and its excesses, contradictions, and illusions — is the backdrop for many of his best-known conversations, and it's the launchpad here for a chat about collective experiences, how to ask better questions, how journalism has changed since the days of Playboy, and why discomfort might be a key ingredient to a great interview. NOTE: This is an audio-only episode! Also discussed …As well as:* Sarah sees an advantage to David being “deeply Canadian” * “Celebrity is the coin of the realm.” Or is it?* Nicolas Cage … inspired by Gumby?* Jim Jarmusch did not do interviews that lasted less than an hour* Editor burnout is real* Adam Moss, genius* Friend o' the pod David Rensin and his dozens of Playboy interviews* Age is an undervalued asset in celebrity interviews* Denzel Washington, Nicole Kidman, Edward Norton, Anthony Hopkins* Interviewing as surgery and when to put down the knife* Sarah is still waiting on that mixed tape David promised in 2008Plus: David quotes Ezra Pound, Joyce Carol Oates and Elmore Leonard, what Clive James got right about Americans and fame, and much more!After the paywall: “Which celebrity interview was the most uncomfortable?”We're trying to ask better questions. Like: Will you become a paid subscriber?

One of the most famous names in watch circles, Octavio Garcia is today the Creative Director for Gerald Charles. Previously, the American-born designer was Creative Director for Audemars Piguet during the all-important brand-building period from 2002-2015. Responsible for some of the most ground-breaking and sought after Royal Oak Offshore designs, including the famed series inspired by Formula 1 drivers such as Juan Pablo Montoya and Rubens Barichello as well as expanding the Millenary collection with extraordinary creations such as the Pianoforte, inspired by and paying homage to Quincy Jones.  Join us as we take a deep dive and discuss the extraordinary career of the Chicago-born designer. From the earlier days working with Jean-Claude Biver to the most logical step in creating his own brand, Gorilla Watches. Finally to today, and possibly the most natural progression, taking on design responsibilities for the brand created by the Maestro himself, Gérald Charles Genta, the designer who gave the world the Royal Oak for Audemars Piguet and the Nautilus for Patek Philippe as well as the Ingenieur for IWC and countless other enduring designs. Today the "Maestro" case design, penned by the late designer himself in the early 2000's, is like a gift to the talented Octavio Garcia. The unique and charismatic case provides a inviting challenge for creative design. Listen in as we discuss the latest creation unveiled at Watches and Wonders, a world first Perpetual Calendar with asymetrical movement, which perfectly compliments the unique shape of the Maestro case for an ideally balanced design. Listen in as we learn about the intricacies of the design's layout and the truly unique approach to the movement layout itself.  This unique episode provides a wonderful window into the creative approach and inspiration that drives Octavio Garcia as he continues to pen the incredible designs that will delight and provide timeless watches for today and generations in the future.  Thank you, as always, for downloading and listening to Keeping Time Podcast. The ultimate compliment is if you would share Keeping Time with your friends and, of course, if you could take a moment to post a favorable review on your chosen podcast platform. Please reach out with any comments or suggestions for future directly at keepingtime@osterjewelers.com. Visit the Keeping Time Podccast blog page for corresponding photos  and the complete podcast listing.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Listener suggestions are rated on the Yachtski Scale, with songs by Quincy Jones, Frank Stallone & Cynthia Rhodes, and Yasuko Agawa.

(Rec: 3/12/24) Musings on Jacko, the death of JFK, a costumed cat, small man anger, dissing The Beatles, and Brando's libido. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions. Get a 7-day full access free trial and pay for 10 months up front for the price of 12 if you like a bargain. Hosted on Acast. See acast.com/privacy for more information.

We were supposed to talk about Deacon King Kong. We did not.    When Jen sat down with Pulitzer Prize-winning novelist James McBride to discuss the Jen Hatmaker Book Club's May selection, the conversation took a hard left turn into something far richer — a wide-ranging tour through one of the most remarkable lives in American letters.    James opens up about a scrappy and troubled adolescence in Brooklyn, getting straightened out in the heat of the Louisville, Kentucky summers, and the music that quite literally saved him. He reminisces about touring Europe as a young musician and playing saxophone alongside Stevie Ray Vaughan at Antone's in Austin, traveling with Michael Jackson on the Victory Tour as a young journalist, surviving the Boston Globe's newsroom in the 1980s, writing songs for Anita Baker and Grover Washington, working with Quincy Jones, and getting dressed down by Harry Belafonte in a writers' room. Along the way, he reflects on race, art, faith, forgiveness, music, storytelling, old cars, and why the best writers are simply the people paying closest attention. He also shares what gives him hope about America right now — and it might surprise you.   Of course, we touch on Deacon King Kong—its unforgettable characters, humor, and heart—but this conversation became something even bigger: a portrait of the life experiences that shaped the storyteller behind the book.   Come for the book club discussion. Stay for one of the most fascinating conversations Jen has had in a long time.   Oh, and Deacon King Kong is a masterpiece. You should absolutely read it.    Thought-provoking Quotes:   Resources Mentioned in This Episode:   Guest's Links: Website - https://www.jamesmcbride.com/ Instagram - https://www.instagram.com/jamesmcbrideauthor/ Facebook - https://www.facebook.com/JamesMcBrideAuthor/   Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker   The For the Love Podcast is presented by Audacy. ★ “I didn't grow up wanting to be a writer. We were just concerned about eating.” – James McBride★ “Years and years of playing $50, $75, $100 gigs prepares you for a life of good struggle.” – James McBride★ “People are trying to do their best. Just because you don't agree with them, it doesn't mean they're not trying to do their best.” – James McBride★ “We have work to do and I'm proud of those of us who are doing it. And for those of us who are not, maybe their children will come to it or maybe they won't. The struggle is a beautiful thing.” – James McBride➢ Miracle at St. Anna (Spike Lee movie) - https://www.jamesmcbride.com/miracle-at-st-anna/➢ The Good Lord Bird: A Novel by James McBride - https://amzn.to/4eJBPDc➢ The Heaven & Earth Grocery Store: A Novel by James McBride - https://amzn.to/4d74l0a➢ Deacon King Kong: A Novel by James McBride - https://amzn.to/4uLm4QP➢ The Color of Water: A Black Man's Tribute to His White Mother by James McBride - https://amzn.to/4tv1nYc ➢ Parting the Waters: America in the King Years 1954-63 by Taylor Branch - https://amzn.to/49Nt3Av➢ Jen Hatmaker Book Club - https://shop.jenhatmaker.com/collections/book-club?srsltid=AfmBOopIz2aHN5knpp-Y-iOHWJBAWnpj_HQTJ-kU2uedz33q6e3xyjrb To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Godfrey is joined by Dante Nero, Akeem Woods, and Vishnu Vaka live from the new WITZ Comedy Network studio to talk about the Michael Jackson biopic hitting $700 million, why no artist will ever touch Mike's reach, the MTV racism battle and Quincy Jones being left out of the film, white artists stealing from the blues and Led Zeppelin getting sued for plagiarism, the Kevin Hart roast feeling like a humiliation ritual for Sheryl Underwood, Tony Hinchcliffe being bad at comedy, the corny George Floyd joke, Chud the Builder getting pegged by a Black dominatrix, the 14th Amendment getting gutted, Quanell X telling a racist attorney to say it to his face, $90 steaks under Trump's economy, and a wild caller from South Carolina shouting out Paul Mooney and Dick Gregory. Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish every week... with GODFREY on In Godfrey We Trust. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Eric Hersey dive into the surprising Universal Pictures history behind Michael Jackson's breakout acting role in The Wiz, exploring how the 1978 musical helped launch one of the most important creative partnerships in pop culture history. Along the way, they also cover new Epic Universe character reveals, Halloween Horror Nights rumors, and what's next for Universal Orlando's evolving parks. NEWS • Universal officially unveils Captain Cacao, the oversized bear mascot coming to Celestial Park at Epic Universe • Rumors swirl around a possible Ozzy Osbourne-themed house for Halloween Horror Nights 35 • Po's Kung Fu Training Camp at DreamWorks Land temporarily closes for refurbishment through July • Listener theories continue about a possible Zelda-themed replacement for Mythos at Islands of Adventure • Universal fans debate whether Volcano Bay's retired “Spirit of the Volcano” effect could inspire a new home for Mystic Fountain FEATURE • The surprising story behind how Michael Jackson landed the role of the Scarecrow in Universal's 1978 film version of The Wiz • How The Wiz introduced Michael Jackson to legendary producer Quincy Jones during filming in New York City • Why Universal and Motown took a massive creative gamble adapting Broadway's urban retelling of The Wizard of Oz • Behind-the-scenes stories involving Diana Ross, Richard Pryor, Ray Bolger, and the original casting plans for the film • How Michael Jackson's performance in The Wiz helped pave the way for Off the Wall, Thriller, and Bad HOSTS • Jim Hill X/Twitter: @JimHillMedia Instagram: @JimHillMedia Website: jimhillmedia.com • Eric Hersey X/Twitter: @erichersey Instagram: @erichersey Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR UnlockedMagic.com - Save up to 12% on Universal Orlando and Walt Disney World tickets, including Express Pass options, when you book through https://unlockedmagic.com/?utm_source=partner&utm_campaign=epicjhm If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

‘Michael' Review, ‘Iceman' Preview, and Kendrick Sampson on Quincy Jones and Black Creativity Van and Rachel give a review of the Michael Jackson biopic before digging into theories about Drake's upcoming album. Plus, they give a recap of the California gubernatorial debate before actor Kendrick Sampson joins to give insight on his portrayal of Quincy Jones in the film ‘Michael.' (0:00) Intro (8:08) ‘Michael' review (33:06) ‘Iceman' preview (48:22) California gubernatorial debate (1:02:59) Kendrick Sampson joins the show Hosts: Van Lathan and Rachel Lindsay Guest: Kendrick Sampson Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices