Podcast appearances and mentions of Quincy Jones

Send a textYou can learn a lot about people from two things: the movies they consider “required viewing” and the song they swear will change the mood in a car. We start with a confession that sparks instant chaos, one of us is only now getting around to a legendary Black film, and the whole room turns into a loud, funny, very opinionated watchlist session. If you're into pop culture podcasts, Black cinema, and the kind of debates that feel like a real group chat, this one is for you. Then we lean into the impossible questions. Would you rather live with Bill Gates-level money or Michael Jordan-level aura? And if you had to erase a music giant's impact, are you cutting Quincy Jones or Babyface? We talk producer legacy, songwriting credits, era bias, and why certain R&B classics still run people's lives. The conversation naturally turns into relationship music: greatest love songs, best heartbreak tracks, and the one “close the deal” pick that says way more about you than you think. We wrap by bouncing through club anthems, a spicy Drake argument, a debate on the most intimidating athletes, and rapid-fire movie talk that ranges from iconic performances to Quentin Tarantino habits and AI-driven trailers. If you love funny podcast banter with real culture takes, press play, then subscribe, share with a friend, and leave a review. What's your one song to set the tone?Thanks for listening to the Nobody's Talking Podcast. Follow us on Twitter: (nobodystalking1), Instagram : (nobodystalkingpodcast) and email us at (nobodystalkingpodcast@gmail.com) Thank you!

The fellas talk about the week that was! Dizzle - battling the wind & date night. Kev - day date & Chipotle tattoo bogo! Killa a full day at Miami of Ohio with the family! Bam drops 83! Maxx Crosby Non-Trade Timeline. Other sports news. Plus, Killa's BETS! Entertainment: The people vs Ticketmaster, The Oscars are tonight, Quincy Jones' estate sells a large portion of his catalog, and more. Quick Hitters: Man vs A.I., & a video game update!

Welcome to the 3rd Annual Blazy Awards.  Hall of Fame songwriter Kent Blazy host this insightful awards ceremony with TrulySignificant.com founder Rick Tocquigny.  Enjoy special tributes to Les Paul, The Beatles and our annual Memorium to musicians that went on their eternal home. The envelope please..... Kent's special awards for Newcomer of the Year- Jesse Welles. Listen to his extraordinary album Middle. According to Kent, he is the modern day traveling troubadour.  The Blazys pay tribute to the most influential duo of all time- The Everly Brothers. Consider how Phil and Don inspired Lennon and McCartney, Brian Wilson, Simon & Garfunkel, The Byrds, and so many others. Sound Engineers used to wear white coats, looking like scientists, willing to express their opinion on anything. The Blazys honors George Martin, for the Unsung Heroes Hall of Fame. And Sound Engineer for 2026 goes to Dave Cobb, producer for Chris Stapleton and Jason Isbell. And the Musician of the Year goes to........Italian, child prodigy, a fusion rock guitarist, finger stylist......Matteo Mancuso.Album of the Year....drum roll please......millions of downloads.....Jesse Welles broke the mold. Congratulations Jesse for being a rare "double winner" of the Blazys. Enjoy the Blazys celebration of Louis Armstrong, Quincy Jones along with many musical "Cornerstone" talents that passed away in 2025. The Blazys crescendos with a unique tribute to the Beatles recalling his Beatles to Bluebird Cafe journey.   Special thanks goes to our Austin production team.  Please enjoy all of the music of Kent Blazy at www.kentblazy.com and listen to the most insightful podcasts at www.trulysignificant.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Le 7 mars 1985 sortait « We are the world ». Écrite par Michael Jackson et Lionel Richie, produite par Quincy Jones, elle réunit le gratin de la pop américaine des 80's sur une idée d'Harry Belafonte. Cette chanson a permis de réunir plus de 60 millions de dollars pour lutter contre la famine en Afrique. Écoutons « We are the world » interprétée par le collectif USA for Africa ! Ecoutez Le tube de la matinale avec Vincent Perrot du 07 mars 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rafael Arinelli, Cecília Barroso e Pedro Amaro revisitam No Calor da Noite (1967), o thriller que fez Sidney Poitier dar o tapa mais importante da história do cinema. E não estamos exagerando.Lançado no auge do movimento pelos direitos civis, o filme de Norman Jewison transformou 2 milhões de dólares em 24 milhões de bilheteria e em um ato de resistência política. Poitier recebeu ameaças da Ku Klux Klan, a produção teve que sair do Mississippi por questões de segurança, e o ator exigiu em contrato o direito de revidar caso fosse agredido por um branco na tela. Aquele tapa não foi só roteiro. Foi revolução.Mas o papo vai além da cena viral: o grupo disseca como No Calor da Noite apresentou um trabalho revolucionário do fotógrafo Haskell Wexler (que literalmente inventou técnicas para iluminar pele negra porque as películas da época eram feitas para brancos), a montagem premiada de Hal Ashby e a trilha de Quincy Jones.Porém, tem crítica pesada também: por que Rod Steiger levou o Oscar de Melhor Ator e Poitier nem foi indicado? Por que Virgil Tibbs precisava ser "excepcional" para merecer respeito? E por que, em 2026, No Calor da Noite ainda parece tão atual?• 04m11: Pauta Principal• 1h14m17: Plano Detalhe• 1h21m24: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio CoqueletFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Cecília): Livro: Cinemarden vai ao Oscar• (Pedro): Vídeo: Color film was built for white people. Here's what it did to dark skin.• (Pedro): Livro: Como a geração sexo-drogas-e-rock'n'roll salvou Hollywood• (Rafa): Vídeo: Tiny Desk Brasil - GilEdição: ISSOaí

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 41: Accomplished soul, funk, rock and jazz drummer Manny Kellough. His impressive credits encompass 25 years playing with Billy Preston, including most of his biggest hits; Larry Graham and Graham Central Station – as The Deacon heard on “The Jam” and other classics; Ray Charles; the Rolling Stones; Freddie Hubbard; Barry White; Quincy Jones; and many others. His Preston recordings include the mega-hits "Outa-Space," "Space Race," "Will It Go Round in Circles" and "Nothin' From Nothin'."  For more than 20 years he has led The Manny Kellough Jazz Quartet, having released CDs and a DVD under that name.  RECORDED SEPTEMEBER 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Anna Davlantes, WGN Radio's investigative correspondent, joins Bob Sirott to share what happened this week in Chicago history. Stories include the world’s first skyscraper, Chicago’s short-term time change, Lady Gaga’s Polar Plunge, and more.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.It was a pleasure to chat just last week to singer songwriter and lyricist Rachel Sutton. Her new album - Realms - is out on 33 Jazz Records at the end of March.Thanks to Rachel for allowing me to play extracts from Realms alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

On tonight's show: Cab Calloway, Minne The Moocher Jimmie Lunceford, My Blue Heaven Dizzy Gillespie with Charlie Parker, Fats Navarro, Red Norvo, Hank Jones: Diga Diga Doo Gene Krupa, Mulligan Stew Count Basie and His Orchestra, Splanky The Vinnie Burke Quartet, Time Out Stan Getz Quartet & Mose Allison, Down Beat Sonny Criss, Memories Of You Zoot Sims, On the Alamo Dinah Washington, Ev'ry Time We Say Goodbye (feat. Quincy Jones and His Orchestra) Grant Green, Born to Be Blue Sarah Vaughan, Till the End of Time Ella Fitzgerald, Midnight Sun (1964 Version) Yusef Lateef, Slippin' And Slidin'

En 1986, la musique est en France, à l'heure des radios libres, du Top 50 et de Champs Elysées. Comme autrefois les yéyés, ces médias ont mis en lumière une nouvelle génération d'artistes de leur temps, de Mylène Farmer à Indochine, en passant par Jean-Jacques Goldman et Niagara.Et les Téléphone dans tout ça ? C'est vrai, ils viennent des années 70, eux ! Mais bon, après cinq albums, ne nous dites pas qu'ils n'ont plus rien à nous dire, comme le groupe anglais The Police !Ben faut croire que si. Quelques mois plus tôt, alors qu'ils sont à la recherche du producteur de leur prochain album, ils envisagent Quincy Jones, Monsieur Thriller, puis rapidement d'autres noms dont celui de Steve Lillywhite, le producteur des premiers U2. Ça vous étonne, hein ? Mais à ce moment, les Téléphone sont les petits chouchous de Richard Branson, le patron de Virgin qui a juré de faire d'eux des stars mondiales. Et on ne dit pas non au boss de Virgin, la boîte de disques la plus branchée de la planète.Alors le fameux Steve Lillywhite débarque à Paris lors d'une répétition de Téléphone puis passe la soirée dans une boîte parisienne avec Corinne, la bassiste. Une soirée où, la nuit aidant, elle déballe tout son mal-être. Oh elle ne fait dire que la vérité : au cours de l'enregistrement de leur dernier album, Dure Limite, ils ont fini chacun dans un hôtel différent tellement c'était la bagarre.Et donc le lendemain, Steve Lillywhite annonce au manager de Téléphone qu'il ne fera pas l'album d'un groupe en train de se séparer. Pour lui, il en est sûr, ce disque ne se fera pas. Le 24 mars 1986, alors que l'unique single qui est finalement sorti de tout ça est un énorme tube qui résonne sur les radios et les télés, le fidèle ami des débuts et manager de Téléphone annonce que le groupe prend une année sabbatique, précisant qu'il ne s'agit nullement d'une séparation déguisée. Mais c'est un album de Jean-Louis Aubert avec Richard, puis de Bertignac et Corinne qui suivront. Deux pour le prix d'un, serait-on tenté de dire quand on voit le verre à moitié plein. Mais force est de constater que pour formidables qu'ils soient, ce n'est plus pareil : il y avait en Téléphone quelque chose de nous. Ces quatre rockers nous renvoyaient et nous renvoient toujours au XXI° siècle, l'image de notre jeunesse et d'une époque. La fin des années 70 et le début des années 80 resteront comme la fin des sixties, ces moments où une génération a fait l'Histoire, rejetant le modèle dépassé des plus âgés. Une expression, une culture dans un temps où tout changeait, tout basculait et où il fallait écouter certains disques ou voir certains films pour comprendre ce qui se passait. Mais voilà, les meilleures choses ont une fin ; il faut qu'elles en aient une pour qu'on puisse refermer le livre et le ranger soigneusement afin qu'il ne s'abîme pas.

Troy Bond and Jared Waters dig into Michael Jackson's transition from child star to adult solo artist, exploring The Wiz, Motown roots, Quincy Jones's influence, family dynamics, and the making of Off the Wall. The episode breaks down key songs, themes of race and work ethic, and how this album set the stage for Thriller and the rest of Michael's legacy.

durée : 01:02:30 - Club Jazzafip - En ce jour anniversaire du maître du cartoon loufoque Tex Avery, nous parcourons en musique les trépidations des films d'animation avec Claude Bolling, David McCallum, Quincy Jones, Scott Bradley, Fred Pallem ou encore Youssou N'Dour. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Send me a text and please visit www.livefrommydrumroom.com TrackTalk with legendary hit-maker John "JR" Robinson. In this excerpt of E103 of Live From My Drum Room™ JR discusses his drum parts for Steve Winwood's "Higher Love" Rufus and Chaka Khan's "Ain't Nobody" Lionel Richie's "All Night Long" and David Lee Roth's "California Girls" along with the original tracks! So come along for the ride and please subscribe! Check out the full episode with JR: https://youtu.be/s7hEs-c9OpI?si=SZ5HOASQFx_Vchs3Visit JR's website https://www.johnjrrobinson.com Order a signed copy of JR's book "King Of The Groove" https://www.johnjrrobinson.com/kingofthegrooveLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Jeudi 26 dans Pop-Rock Station, la programmation oscille entre Bloodhound Gang et Lana Del Rey, avec des nouveautés signées Rob Zombie et Courtney Barnett. L'émission s'ouvre sur "Personal Jesus" de Depeche Mode et met en avant la compilation caritative "Help 2" avec un inédit d'Arctic Monkeys. Le 26 février 1983, "Thriller" de Michael Jackson atteint la première place aux États-Unis. Huit Grammy Awards et sept singles marquent ce tournant produit par Quincy Jones, illustré ici par "Wanna Be Startin' Somethin'". L'album de la semaine reste "No Lube So Rude" de Peaches, représenté par "Be Love". La soirée propose aussi Garbage, Golden Earring et une reprise de "Bohemian Rhapsody" par Puscifer. En deuxième heure, place à Nirvana, et The Kinksavant la nouveauté "I'm A Rock'n Roller", extraite de "The Great Satan" de Rob Zombie. Pavement et Nick Cave and the Bad Seeds complètent ce parcours entre classiques et sorties imminentes. Depeche Mode - Personal Jesus Arctic Monkeys - Opening Night Michael Jackson - Wanna Be Startin' Somethin' Bloodhound Gang - Mama Say Green Day - Know Your Enemy Sweet - The Ballroom Blitz Rage Against The Machine - Guerilla Radio Peaches - Be Love Lana Del Rey - Summertime Sadness Garbage - Stupid Girl Golden Earing - Radar Love (1973 Single Edit) Courtney Barnett - Site Unseen Puscifer - Bohemian Rhapsody Nirvana - Drain You Asher Miles - The Storm In The Barn The Kinks - You Really Got Me Nick Cave And The Bad Seeds - Red Right Hand Kneecap - Liars Tale Fleetwood Mac - The Chain Pavement - Harness Your Hopes Rob Zombie - (I'm A) Rock "N" Roller Queens Of The Stone Age - The Way You Used To Do The Sisters Of Mercy - Lucretia My Reflection The Revels - Comanche White Denim - (God Created) Lock And Key Ministry - So WhatHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send a textAlycia and Tyler meet on a flight from Houston to Los Angeles. As they experience extensive turbulence along the way, they distract themselves by sharing intimate secrets with each other.Bernadette Armstrong directs Christine Uhebe as Alycia and David Phurdham as Tyler.Linda Shayne is the playwright. She graduated from UC Berkeley, worked in mental hospitals and published articles about San Quentin State Prison ex-offenders, before she became a writer/director in film and TV. Shayne has written movies for Disney, Showtime, Imagine Entertainment, and directed for Nickelodeon,  Warner Bros, and Paramount. Shayne created a dramedy TV series for Quincy Jones, two animated series for Warner Bros, and a dramedy TV series to film in Thailand. She directed an award-winning documentary playing festivals and adapted a WW2 spy book for a Swiss producer. Recently, Shayne was hired to write/direct a rom-com movie.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Tous les mercredis à 17h30, Margaux Lassalle met en lumière les reprises d'un titre culte. Cette semaine, focus sur "Billie Jean", sorti en 1982. Produit par Quincy Jones, le morceau s'inspire d'une histoire personnelle de Michael Jackson, confronté à une fan affirmant qu'il était le père de son enfant. Avec son célèbre "The kid is not my son", la chanson devient un succès planétaire et participe à faire de Thriller l'album le plus vendu de l'histoire. Le titre a depuis été revisité dans de nombreux styles. En 1984, Shinehead en propose une version reggae étonnante. La même année, The Flying Pickets la reprennent entièrement a cappella. En 2007, Chris Cornell la transforme en ballade rock sombre, tandis que The Civil Wars en livrent une lecture folk épurée au début des années 2010. En 2019, Weezer choisit "Billie Jean" pour son Weezer (Teal Album), dans une version power pop fidèle à l'originale. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.For this episode, I've chatted with jazz legend Alyn Shipton. Alyn is a UK journalist and broadcaster, with the regular Jazz Record Requests show on BBC Radio 3. He is also a musician and we discussed his new release with Alyn Shipton's New Orleans Friends - The Oxford Concert - which is due for release on 6 March 2026.We also discussed our mutual friends and influences, especially across British jazz, including Adrian Cox, who I interviewed in 2025. Thanks to Alyn for allowing me to play extracts from The Oxford Concert alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Forged from his Memphis gospel roots and shaped by Houston's vibrant jazz scene, Kirk Whalum is a singular voice in contemporary music. Discovered by jazz legend Bob James, Whalum went on to become an in-demand session musician for artists including Whitney Houston, Luther Vandross, Quincy Jones, and Barbra Streisand—most famously performing the iconic saxophone solo on I Will Always Love You. With more than 30 solo projects, including the chart-topping For You, and the Gospel According to Jazz series, Whalum is a twelve-time Grammy® nominee and 2011 Grammy® winner. He holds a Master's in Theology and hosts the daily podcast The Bible In Your Ear, blending music, faith, and service.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.Joakim Milder has been the artistic director of the Norrbotten Big Band since 2013 and I'm looking forward to hearing the band play live at the opening concert of the Jazzahead! music festival in April. It was good to chat with him about his own musical background and also the collaborations that make the Norrbotten Big Band such an exciting ensemble.For anyone intending to come along to Jazzahead!, you can get a sneak preview of the opening concert.Thanks to Joakim for allowing me to play extracts from performances by the Norrbotten Big Band alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Grief has a soundtrack—and so does joy. We open with a heartfelt salute to Catherine O'Hara, tracing how a single scene, a laugh line, or a voice can linger long after the credits, then wander into the wild terrain where memory and music meet. From Beetlejuice's dinner table possession to Home Alone's enduring comfort, we reflect on how film and song become the waypoints we use to navigate time. That doorway leads us to a run of resonant passings and timeless cuts: Demond Wilson's place in Sanford and Son and the instant-transport power of Quincy Jones' Street Beater, the exuberant lift of Three Dog Night's Joy to the World, and a trip through New York's CBGB with Television's Fred Smith, Marquee Moon, and the creative stubbornness that forged a landmark record.We trace another kind of legacy through Lynn Blakey—muse behind Left of the Dial—and the thrill of literally finding a friend on college radio while touring dark highways. Her voice in Salt Collective's recent release becomes proof that “new” music thrives when veterans share a room, a pen, and superior instincts. Along the way we spotlight the Pretenders' crisp poetry, Dolly Parton's ever-true 9 to 5, and Siouxsie and the Banshees turning the ash of Pompeii into a dance-floor revelation. These are touchstones that explain why a Pink Floyd joke can still land and why Mount Vesuvius can power a chorus.Then the lens widens to the Blitzkrieg Bop at 50—a hook first shouted in downtown clubs that now rattles stadiums and commercial breaks—and ask how simple phrases become lifelong companions. It's a tour through what lasts, why it lasts, and how it keeps finding us—left of the dial and right in the heart.If this journey moved you, tap follow, share it with a friend who loves great stories about music and film, and leave us a quick review with your favorite “timeless” track—we'll feature picks in a future mailbag.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

On tonight's show: Bix Beiderbecke, Three Blind Mice Buddy DeFranco, Little Girl Blue Barney Kessel, Blues For A Playboy Tal Farlow, Night and Day Annie Ross and Zoot Sims, You're Driving Me Crazy Annie Ross, I'm Nobody's Baby Howard Roberts, Dirty Old Bossa Nova Chuck Wayne Trio, Lady's Love Song Nara Leão, Desafinado Ben Webster & Teddy Wilson, Sunday Ella Fitzgerald, Days of Wine and Roses Cedar Walton, This Guys In Love With You Miles Davis and Quincy Jones, Miles Ahead Jimmy Cobb, Book's Bossa (Roy Hargrove trumpet)

What really powers a legendary music career: luck or preparation? We sit down with an entertainment attorney whose five-decade journey runs from backstage nerves with a young Olivia Newton-John to helicopter clauses for Kenny Rogers, quiet rebuilding with Reba after tragedy, and complicated exits that still end in respect. Along the way he shows how trust-first relationships turn into durable deals, why the best counsel plans five to ten years ahead, and how to spot the moment when a flashy offer serves commissions over careers.The stories move fast and cut deep. You'll hear about staging leverage to win real contract value, navigating the delicate artist–manager–lawyer triangle, and drawing bright lines when a manager's incentives collide with an artist's future. We break down how legacy contracts still drag around breakage and packaging deductions, then collide with today's internet uploads, streaming statements, and AI clones. He shares practical steps for protecting catalogs, from constant monitoring to decisive takedowns, and explains the gray zone no one foresaw: when an AI “new” master touches an old deal.What stands out most is the humanity: 50 years of brother-sister rapport with Olivia, chameleon genius and honest breakups around Quincy Jones, and the steady hands who kept doors open—Conway Twitty, Jimmy Bowen, and others who believed before the ink dried. If you care about how artists actually build a life in music—contracts that age well, teams that align incentives, and careers that sustain both stage and family—this conversation is a field guide wrapped in unforgettable moments.If this resonated, follow the show, share it with a friend, and leave a quick review so more listeners can find it. Got a question for a future episode or a story of your own? Send it our way at jfranzy.com and join the conversation.Episode LinksJohn Mason: https://www.johnmasonlaw.com/Crazy Lucky: https://www.johnmasonlaw.com/crazy-lucky-the-bookBob Bullock: https://jayfranze.com/episode28/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I first interviewed Sarah McKenzie for Harmonious World episode 21 in November 2020, when life was very different for us all. Now she has a new single out - City By the Bay - which is effectively the composer and singer's love letter to San Francisco.Thanks to Sarah for allowing me to play extracts from City By the Bay alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Insights In Sound 202 - Bob Margouleff, Producer/Visionary S21 E2 From his early days in synthesis with TONTO's Expanding Headband, to his legendary work with Stevie Wonder, Devo, Oingo Boingo, Jeff Beck, Doobie Brothers, Little feat, Weather Report, Gwar, Quincy Jones, and many more, Robert Margouleff has been a visionary and a trailblazer. In preparation for his upcoming memoir, "Shaping Sound," we sat down with him in one of his favorite rooms at the storied East West Studios to talk about the past, present, and future of the music industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I was fortunate to be able to interview Jeff Beal in 2022 for episode 128 of Harmonious World and now we're chatting about what he's been up to since, and especially his new album.Thanks to Jeff for allowing me to use clips from the two singles from New York Études, volume 2 - New Leaf and Nocturne - alongside our conversation. The whole album will be released on 27 March.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

The Porcaro family is rock royalty. They made everything they touched better from their incredible session work to the many Toto hits and Grammys. Steve Porcaro has recently released a new solo album called The Very Day that shows him cleaning house. Most of these songs have been sitting around unfinished for decades so he finally committed to perfecting them (with help from friends like Michael McDonald and Jason Scheff) and getting them out in the world. Steve joins us this week to discuss the process of completing this album, as well as stories from his long session career. There's working with Quincy Jones and David Foster, there's working with Earth Wind and Fire and the Brothers Johnson, and there's his feelings on the many afterlives of "Human Nature" which he wrote and appeared on Thriller. I wish we could have talked for hours!  Steve Porcaro The Hustle Podcast | creating podcasts | Patreon

You may have noticed a trend on social media the past few years of people praising something as "absolute cinema." Wrestling seems to be no different, as internet cinephiles are quick to scream "absolute cinema" at Roman Reigns staring at Jey Uso or Seth Rollins making a face. On this episode, Andrew and returning guest Paul Wedding will discuss some actual cinema, namely songs from movies. They could be songs made specifically for the movie's soundtrack, songs that are just in the movie and come from somewhere else, or film score. Artists played include Aimee Mann, Quincy Jones, Townes Van Zandt, Moby, Motörhead, Carly Simon, Roy Orbison, Geto Boys, and many more. Grab some popcorn and put your cellphones on silent, we're going to the movies!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Season XI Premiere — Welcome to OTR UniverseToday marks the start of Season XI of OTR – Achieving Mental Health for Real, and the beginning of something larger: the official launch of OTR Universe.OTR Universe is more than a podcast. It's a connected space built for people who want honesty, clarity, and a real path home to a different kind of life. At the center of this expansion is Public Square — a new community where listeners can find validation, share experiences, and gather information from the program and from each other.For anyone not ready to step into the open, the home site offers a fully anonymous posting option that collects zero personal information:https://bobadleman.wixsite.com/otrmentalhealthSubmitting an anonymous post at the site above's Menu item ‘anon post” reveals a password that unlocks a link in the Public Square area, where all current and future benefits will live. Everything remains totally free for at least a full year as new features roll out across 2026. In March, expect the launch of a new blog and a major upgrade in sound quality.And now, the premiere.Featuring Hollywood Composer Chris BoardmanThis episode features the extraordinary Hollywood composer and orchestrator Chris Boardman — a man whose résumé spans some of the biggest films of the last half‑century, including The Color Purple, Die Hard, and Payback. Despite a career filled with accolades, Chris chose OTR as the place to speak openly about his long fight for mental health.Highlights from his careerSix Emmy Awards and 13 nominations for television composition and arrangingAcademy Award nomination for orchestration on The Color PurpleMajor credits across film, television, and records in drama, comedy, animation, and live performanceTrusted collaborator to Quincy Jones, David Foster, Barbra Streisand, Marvin Hamlisch, Julie Andrews, Shirley MacLaine, and many morePlatinum‑selling arranger and orchestrator on multiple charting albumsMember of the jazz group Wishful Thinking, reflecting his roots as a keyboardist and improviserInside the IndustryChris became the person studios called when they needed elegance, complexity, or a musical problem solved fast. Few musicians can move between orchestral, jazz, pop, Broadway, and film score work with the same clarity and emotional precision.This is a premiere you don't want to miss. Step into OTR Universe, explore the new structure, and continue — or begin — your journey toward achieving mental health for real.Chris Boardman's Sites:SoundBridge Health Website: https://www.soundbridgehealth.com/Facebook: https://www.facebook.com/ChrisBoardmanMusicInstagram: https://www.instagram.com/chimimimusic/LinkedIn: https://www.linkedin.com/in/chrisboardmanmediagroup/OTR Sites:Podcast Website:

In Part 2 of our chat with Neal Evans, we talk more Soulive, Jack White, The Rolling Stones, Maceo Parker and lots more! To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   More talk on Neal’s Soulive keyboard rig Holy Grail Reverb by Electro-Harmonix Neal delves into his organ technique and the importance of reverb Acoustic Samples B5 organ plugin Discussion on Neal’s amazing left-handed ‘quirk’ and hand independence Neal in action on a Hammond B3 Mk 2 Working with Jack White The brilliant Louis Cato The process of recording with Jack White Neal in action with Jack White on Saturday Night Live, 2018 Playing five shows with Soulive in support of The Rolling Stones Neal in action on stage with Maceo Parker and Soulive, 2016. Soulive with John Scolfield at Bowlive Desert Island Discs (6 curated from Neal’s much longer list): Haha Sound – Broadcast, Self-Titled – Dina Ögon, Album 2 – Louis Cole, No Sun In Venice – The Modern Jazz Quartet, Walking in Space – Quincy Jones, Sex Machine – James Brown Key links: Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our listener survey to help us improve the show, it only takes 90 seconds. Support us on Patreon and receive bonus content Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Neal Evans, Soulive / Jack White / Moon Boot Lover (Part 2) appeared first on The Keyboard Chronicles.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.This conversation with Joachim Horsley gives an insight into the composer's reimagining of Bach with rhythms from Africa and the Caribbean. His album Afro Bach comes alongside the work he does writing the music we hear on TV shows, combining inspiration from many styles of music.Thanks to Joachim for allowing me to play extracts from Afro Bach alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

What if the songs that still feel new are actually twenty years old? We kick off with a nostalgia gut-punch as Carrie Underwood, Rascal Flatts, early Taylor Swift, and more hit the 20-year mark—then use that time warp to ask what truly lasts in music. From there, we swing into a high-energy news sweep: Zach Brown's album debuting at No.1 across all genres, Ella Langley's record-setting run on UK country airplay, leadership changes at the CMA, and a wave of new releases that balance story-first songwriting with cinematic promos.The heart of the show is a listener-fueled 80s showdown. Names fly—George Strait, Reba, Randy Travis, Journey, Queen, U2, Depeche Mode—and we unpack why Michael Jackson's studio innovation, Quincy Jones' production, and Toto's session muscle still shape how pop and rock are made. Along the way, we break down what makes today's country hooks stick, from Ella Langley's vocal scoops to Riley Green's easy swing, and count down the current charts with sharp, no-fluff commentary on what's climbing and why.We also open the hood on career arcs. Our “Where Are They Now?” segment revisits Gretchen Wilson, Easton Corbin, The Band Perry, and others to reveal how radio trends, label friction, burnout, and smart pivots steer longevity. The mailbag gets practical: labels act like banks and networks; independence is freedom plus workload; inputs beat vanity metrics. Measure what you control—releases, gigs, writing sessions—and let the audience decide what endures. Stick around to hear about our Podfest weekend, meet a few friends of the show, and grab a handful of behind-the-scenes gems that keep the community tight.Episode LinksVaughn Rhea: https://jayfranze.com/episode1/Garrett Landers: https://jayfranze.com/episode66/Avery Glenn Crabtree: https://jayfranze.com/episode77/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: https://jayfranze.com/episode140/Stephanie Rabus: https://jayfranze.com/episode149/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

***AVISO DE CONTEÚDO EM INGLÊS*** Marcelo Tas entrevista, no Provoca, a atriz, cantora, dançarina e Embaixadora das Nações Unidas pelos refugiados, Kat Graham.A artista, que deu vida à personagem Bonnie na série The Vampire Diaries e fará o papel da cantora Diana Ross na cinebiografia de Michael Jackson, prevista para estrear em abril de 2026, conta no programa sobre seu trabalho na ACNUR (Alto Comissariado das Nações Unidas para Refugiados), a amizade com Quincy Jones, a inspiração para o novo disco, como se sentiu ao integrar a lista dos 100 líderes da revista Time e muito mais.

É uma das melhores compositoras musicais da atualidade. Em 2022 venceu o Festival RTP da Canção e conquistou o 9º lugar na final da Eurovisão em Turim, na Itália. Nos últimos anos, MARO colaborou com Eric Clapton, andou em digressão com Jacob Collier e Shawn Mendes e foi representada pelo empresário Quincy Jones (o afamado produtor musical de “Thriller”, de Michael Jackson). No próximo dia 27 de janeiro lança o novo álbum “So Much Has Changed”, que traduz uma fase de transformação, optimismo e luz, apesar das tantas escuridões da atualidade. Ouçam-na nesta conversa em podcast com Bernardo MendonçaSee omnystudio.com/listener for privacy information.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.A few weeks ago, I was introduced to Joshua Josué's new album - Broadcast to the Surf Ballroom - and reviewed it. Now I've had the chance to chat with him about what moved him to create this fascinating collection of tunes based around music left behind by Buddy Holly and Ritchie Valens.Thanks to Joshua for allowing me to play extracts from Broadcast to the Surf Ballroom alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Rich and the guys debate if we've seen the last of Mike Tomlin coaching on an NFL sideline. Actor/'Literally!' podcast host Rob Lowe joins Rich in-studio where he explains why he was seen at an NFL game that time wearing the league's shield logo on his hat, reveals that he still has the saxophone from St. Elmo's Fire' but has never actually played it (though some people like Bill Clinton and the late Quincy Jones think he has), and much more. Rich and the guys react to Bills QB Josh Allen giving an update on his injury status heading into Buffalo's Divisional Round showdown with the Denver Broncos. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Ian Von sits down with legendary producer and songwriter Bryan-Michael Cox for a masterclass in musicianship and hustle. From Houston roots to crafting hits with Usher and Jermaine Dupri, he breaks down how he quietly became one of R&B's key architects. B. Cox shares how he moved to Atlanta, cold-called studios, earned a Noontime internship, and leveraged it into full studio access before anyone even heard his beats. They dive into the difference between musicianship and producing, the power of simplicity, the science of songwriting, and the story behind “U Got It Bad.” A blueprint episode for aspiring producers, songwriters, and R&B lovers alike. This is one episode you don't want to miss!

En Estados Unidos, a principios de los años 60, músicos de jazz se dejaron seducir por la bossa nova: Zoot Sims en los discos 'New beat bossa nova vol. 1 & 2' ('Recado bossa nova part 1', 'Recado bossa nova part 2', 'Ciúme', 'Maria ninguém'), Coleman Hawkins en su disco 'Desafinado' ('Desafinado', 'I remember you', 'One note samba'), Quincy Jones en 'Big Band bossa nova' ('Soul bossa nova', 'Lalo bossa nova', 'Chega de saudade'), Dave Brubeck en 'Bossa nova USA' ('Bossa nova USA', 'Vento fresco') y Stan Getz & Charlie Byrd en 'Jazz samba' ('Samba dees days', Samba triste'). Escuchar audio

Don and Dude kick off a new year and a new series with the first “I Love the 80s” episode, zeroing in on 1980 as a hinge point between the shaggy experimentation of the 1970s and the sleeker, high-gloss sound that would define the decade. One host brings a Rock pick and the other counters with an R&B gem, sketching how guitars, grooves, and studio polish collided at the dawn of the 80s.The AlbumsGeorge Benson – Give Me the Night (1980) A sleek, radio-ready fusion of jazz, R&B, funk, and sophisticated pop that marks Benson's full crossover from respected jazz guitarist to smooth pop-soul star. Working with producer Quincy Jones and songwriter Rod Temperton, Benson wraps fluid guitar lines and intimate vocals around tight grooves, warm keys, and sparkling horns, creating a nocturnal soundtrack to city nightlife that helped shape early-80s quiet storm and smooth jazz.Iron Maiden – Iron Maiden (1980) A raw, fast, and street-level debut that helped launch the New Wave of British Heavy Metal, blending galloping bass lines, twin-guitar harmonies, and gritty, punk-leaning vocals. Recorded with minimal studio gloss, the album captures a young band playing loud and lean in smoke-filled pubs, turning dark urban tales, horror imagery, and medieval menace into a combustible new blueprint for 80s metal.Diggin' AlbumsGeese – Getting Killed (2025) A chaotic, inventive Brooklyn art-rock record produced by Kenny Beats, jumping from nervous, mathy rhythms to soulful swells and surreal lyrics, highlighting how adventurous guitar music still thrives in the streaming era.Prince – Dirty Mind (1980) A pivotal early statement from Prince that fuses stripped-down funk, new wave, and dance with provocatively frank lyrics, its raw, minimalist sound foreshadowing where 80s pop and R&B were headed.Donovan – what's a girl (2025) A long-shelved early-90s project finally released to celebrate Donovan's 60th anniversary, blending Gaelic romance, orchestral folk, grunge-leaning pop, and spoken poetry into a late-career “lost album” that reconnects him to his 60s roots.Cameron Crowe – The Uncool: A Memoir (2025) A long-awaited memoir tracing Crowe's teenage years as a rock journalist on the road with bands like Led Zeppelin, the Eagles, and David Bowie, revisiting the real-life stories that inspired Almost Famous while digging deeper into his family life and writing voice.Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“We are in a golden age of music. There will be a time when technology becomes so advanced that we'll rely on it to make music rather than raw talent, and music will lose its soul.” - Freddy Mercury

Neil Stubenhaus is a legendary bass player who has performed with just about everyone. His credits list is like the NYC phone book. It's 12 pages long with too many names to recite including Blood Sweat and Tears, Quincy Jones, Elton John, Rod Stewart, Whitney Houston, Roberta Flack and a zillion others. He's been Barbra Streisand's bassist forever. He's also a fixture in the session world where he's performed on more than 600 albums (of which over 70 have been Grammy nominated), over 20 Grammy winning songs, and more than 60 Gold and Platinum records. He's also recorded over 150 movie soundtracks as well as countless jingles and commercials.My featured song is “Sunday Slide”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH NEIL:www.nstubenhausbass@facebook.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On Monday afternoon, Hugh Jackman and Kate Hudson stopped by the Vogue offices for a live conversation about their new film, Song Sung Blue which comes out Christmas Day. The project, inspired by the real-life story of Mike and Claire Sardinia—a Wisconsin couple who form a Neil Diamond tribute band is based on the documentary of the same name, which director Craig Brewer first encountered at a festival and later adapted for the screen. “I realized that everyone is living an extraordinary life,” Jackman shared to Chloe and Vogue's Deputy editory Taylor when reflecting on why he chose to take the role of Mike.After earning a Golden Globe nomination for her role as Claire, Kate speaks candidly about rediscovering her voice, crediting Sia (who she worked with on the film Music) with inspiring her to sing more freely. She recalls being pushed onto the microphone at her 16th birthday by her mother, Goldie Hawn, to perform “That's What Friends Are For,” with Quincy Jones in attendance. “He told me to get into the studio,” Hudson remembers.Plus, Hugh and Kate discuss what it's been like singing at bars across the world, what their tribute band would be (hint: Fleetwood Mac mentioned!), and answer a fun question from none other than Anna Wintour about whether or not they should adapt this film as a theater production.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Today on another encore episode of the Rarified Heir Podcast, we are talking to Ed Eckstine, son of smooth as silk singer & bandleader Billy Eckstine. Our chat with Ed was funny, educational, occasionally jaw dropping and always engaging. Now, before we even started our chat with Ed, upon his agreeing to be a part of the podcast, we got a list of topics from Ed that he thought we might want to discuss. Effectively, he sent us a cheat sheet that they didn't get to on his appearance on the Questlove Supreme podcast prior to our chat. Who were we to say no? There were like 60 totally engaging topics Ed had written out and we get to some of them here. Jazz fans and pop fans will know Billy Eckstine for his deep baritone voice that singers of the era loved and the ladies swooned for. Sinatra was a fan and a friend. As was Ella and a host of others. Dapper, good looking, classy, entrepreneurial and courageous, we discuss with Ed all of those qualities his father had that made him a star. It also made him a target as you will hear, surrounding an article in Life Magazine that exposed America's racists past that frankly, doesn't seem too far removed from where we are today. We also talk to Ed about his own career as a journalist and music executive who recounts his obsessive love of rock music, his time working for the one and only Q, Quincy Jones and some of the most insane and jaw dropping interviews he conducted with the likes of Issac Hayes. We also get into his years as his father's helper before he went on stage at Jewish and Italian resorts in the 1960s and as Nabil Ayers said in a 2020 New York Times piece, what it "was like to be the first black person to be let in — to be allowed by the predominantly white music industry to helm one of its largest entities,"when he was the president of Mercury Records. This is the Rarified Heir Podcast and everyone has a story.

Could this be peak Frank? Sinatra at the Sands captures the energy, the cool, and the incredible voice that made this crooner so iconic. Backed by the Count Basie Orchestra with arrangements by a young Quincy Jones, this live album still swings 60 years later!Sinatra at the Sands was recorded at a moment when Sinatra was emerging from a slump. Rock and roll dominated the airwaves, the Beatles were redefining popular music and crooning just wasn't cool anymore. But this album, recorded live in Vegas, shows a 50-year-old Frank sounding loose, confident, and completely at home in front of a band that swings like nothing else. Listen with us as we break down and react to the best of this swingin' album.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi   00:00 - Intro Jam: Fly Me To the Moon01:35 - The Sinatra-Basie Episode!03:45 - Is This Peak Frank?05:45 - The Mid-60s Culture Shift07:45 - "Come Fly With Me" 12:00 - The Quincy Influence14:45 - "I've Got You Under My Skin"17:30 - What To Listen For22:30 - "The Shadow of Your Smile"26:20 - Freddie Green's "Chunking" Technique28:15 - Sinatra's Vocal Gift33:30 - "Street of Dreams"35:50 - "One For My Baby (And One More for the Road)"38:40 - "Fly Me To the Moon"45:00 - "One O'Clock Jump"49:50 - Desert Island Tracks54:05 - Apex Moments59:05 - Categories1:03:20 - Coming Up Next Week

On tonight's show: Hoagy Carmichael, Stardust The Little Red Blount Quartet & Helen O'Connell, Tangerine Miles Davis Nonet, Boplicity John Lewis, Easy Living Anita O'Day, A Lover Is Blue Kai Winding, Black Coffee Kai Winding, Sidewinder The Ella Fitzgerald Quartet, Body and Soul Stéphane Grappelli & Stuff Smith, This Can't Be Love Urbie Green, Please Send Me Someone to Love Toots Thielemans, Joe Pass, and Niels-Henning Orsted Pedesen, Someday My Prince Will Come Miles Davis and Quincy Jones, Maids of Cadiz

This episode of The Other Side of the Bell, featuring legendary trumpeter and horn arranger Jerry Hey, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Jerry Hey trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/jerry-hey-trumpet-interview-the-other-side-of-the-bell-146   About Jerry Hey: Jerry Hey is one of the defining trumpet voices and horn arrangers in modern popular music. Born in Dixon, Illinois, into a deeply musical family, he honed his craft with Charlie Geyer and later at Indiana University under legendary pedagogue William Adam. After an early run co-founding the jazz-fusion band Seawind in Hawaii, Hey moved to Los Angeles in the mid-1970s and quickly became a first-call session player and arranger. From there, his sound is heard on a staggering number of iconic recordings. Hey's horn writing and trumpet playing helped shape Michael Jackson's Off the Wall and Thriller albums, and his long association with Quincy Jones produced landmark work for Earth, Wind & Fire, George Benson, Al Jarreau, Patti Austin, Barbra Streisand, Toto, and countless others. A six-time Grammy winner, he has been recognized repeatedly for his instrumental and vocal arrangements, as well as his contributions to major film and television scores, including Flashdance, The Color Purple, the Back to the Future trilogy, Forrest Gump, and Dreamgirls. Most recently, Hey has opened his personal archives in Notes From The Past 50 Years, a 250-page collection of pop excerpts spanning his studio career. The book gathers more than 200 of his favorite licks, along with personal stories and rare photos that trace his path from early days in Los Angeles to his most iconic sessions—including a few lesser-known musical gems. Equally at home leading a horn section, crafting a string chart, or delivering a lyrical flugelhorn solo, Hey remains a benchmark for precision, style, and imagination in the studio, with an influence that continues to shape how artists, arrangers, and producers think about horn sections today.   Episode Links: Website: www.heyhorns.com Instagram (@heyhorns) Jerry Hey playlist The Other Side of the Bell Episode #15 - William "Bill" Adam Tribute The Other Side of the Bell Episode #22 - Jerry Hey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Jerry Hey/Megan Noller Audio Engineer - Ted Cragg

A16Z co-founder Ben Horowitz joins Shaan Puri and Sam Parr on My First Million to talk about how to be a great leader. Resources:Follow Ben on X: https://x.com/bhorowitzFollow Shaan on X: https://x.com/ShaanVPFollow Sam on X: https://x.com/thesamparr Stay Updated:If you enjoyed this episode, be sure to like, subscribe, and share with your friends!Find a16z on X: https://x.com/a16zFind a16z on LinkedIn: https://www.linkedin.com/company/a16zListen to the a16z Podcast on Spotify: https://open.spotify.com/show/5bC65RDvs3oxnLyqqvkUYXListen to the a16z Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/a16z-podcast/id842818711Follow our host: https://x.com/eriktorenbergPlease note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see http://a16z.com/disclosures. Stay Updated:Find a16z on XFind a16z on LinkedInListen to the a16z Podcast on SpotifyListen to the a16z Podcast on Apple PodcastsFollow our host: https://twitter.com/eriktorenberg Please note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers.The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too.Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Movie Mike Deestro is revisiting 7 movie quotes that carry surprisingly deep truths about life, purpose, and perspective. He goes through each quote and the deep lessons he got from movies you wouldn’t expect from Harold & Kumar Go to White Castle to Pokémon: The First Movie! In the Movie Review, Mike talks about The Running Man starring Glen Powell. It’s the remake of the 1987 movie about a man who joins a game show in which contestants, allowed to go anywhere in the world, are pursued by "hunters" hired to kill them. Mike talks about the good and bad of Glen’s performance, why it doesn’t quite feel like an Edgar Wright movie, where it lost him but why he thinks Glen should be in the MCU and what superhero he should play. In the Trailer Park, after years of waiting, we finally got our first look at the Michael Jackson biopic "Michael." The King of Pop's nephew, Jaafar Jackson, plays the pop legend. Other cast members include Kendrick Sampson as Quincy Jones, Miles Teller as Jackson’s attorney, and Colman Domingo as his father Joe Jackson. Will this be the music biopic we’ve been waiting for and will it be the first music biopic to make $1 Billion Dollars at the box office? New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Leppard. Then, Lange transformed the Cars, Billy Ocean, Bryan Adams, and Shania Twain into fist-pumping stadium-fillers, too. Join Chris Molanphy as he traces Mutt Lange's legacy of loud—and his uncanny success on the pop charts. He poured sugar on every hit. Podcast production by Kevin Bendis. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices