Podcasts about Visual arts

SEASON 2 - EPISODE 150 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 2 In this episode of the Team Deakins Podcast, we finish our two-part conversation with editor Joe Walker (Season 1, Episode 35) about two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. Following the previous episode, we shift our focus towards ARMY OF SHADOWS, contrasting the film's measured pacing with the rapidity of its violence that punctuates several points in the story. We reflect on the emotional effect of the movie's unique sense of rhythm and handmade nature, and we discuss the use (and absence) of music throughout the film. We also reflect on the film's near-lack of inserts and intimacy, and we share how the film successfully adapts the essence of the book from which it is based despite making several story changes. Roger was in college at the time of both films' theatrical runs, and he shares what it was like watching them with contemporary audiences. Later, Joe reveals why he and director Denis Villeneuve (Season 1, Episode 25) vary their film diet and watch “slower” films such as ARMY OF SHADOWS to refresh their brains, and Joe observes that fisherman make great camera operators. - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Barco & Aputure

This is The Digital Story Podcast 1,008, July 15, 2025. Today's theme is, "Outdoor Gear That's Handy in Emergencies Too." I'm Derrick Story. Opening Monologue Great camping gear is not only helpful for your next outdoor photo adventure, but it can also help you survive a climate emergency. I have recently tested some state of the art equipment that can prove most helpful in good times and bad. All of this, and more, on today's TDS Photography Podcast.

✦ World Listening Day, coming up on July 18th, celebrates the simple yet profound act of listening. As we tune in to the world around us, more of us are also experiencing our favorite stories through sound. City Lights Collective member and "Bookmarked" contributor Alison Law recently explored the growing popularity of audiobooks and what's next for this booming industry. ✦ The Happy Black Parent 4th annual Children's Book Festival is coming to Pittsburg Yards on Saturday. WABE arts reporter Summer Evans has more. ✦ After over three decades on Atlanta walls, streets, stickers, wheatpastes, and flyers, the iconic art of R. Land is now on view at Atlanta Contemporary through September 7th. His work, like "Pray for ATL" and "Loss Cat," has previously been preserved for posterity at the Atlanta History Center and the Georgia State Capitol. Still, those pieces only represent a fraction of his artistic career. City Light Collective co-host Kim Drobes recently caught up with Land to discuss his first-ever retrospective solo exhibition, "Landmarks: The World of R. Land." ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today their mix includes: an outdoor film screening on the Beltline by Off the Wall, art in three dimensions at Kai Lin's group show opening, and discussions about fine art curation on Edgewood Avenue with the Obsidian Collective. ✦ WABE's 'Sounds Like ATL' documentary series delves into the heart of Atlanta's music scene. Each week, it spotlights a local artist, sharing their creative process and a few live performances. You can catch new episodes every Wednesday on the YouTube channel, @WABE ATL. Today, we preview their latest episode with the band Anna Kramer and Easy Now. See omnystudio.com/listener for privacy information.

This episode features gallery artists, illustrators and painters such as Adam Gustavson (children's book illustrator), Cassandra Kim (fine artist), Raymond Bonilla, John English, and more. We have a ton of education in this one, with a conversation about "selling out" that is pretty fun. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

Episode 482 / Bella FosterBella Foster was born in Los Angeles, CA in 1975 and lives in Grass Valley, CA. She received a Bachelor of Fine Art from the School of Visual Arts in New York, NY. Solo exhibitions of her work have been presented at Marinaro Gallery, New York, NY (2021), The Pit, Los Angeles (2018 & 2020 & 2024), Canada, New York, NY (2017), South Willard, Los Angeles, CA (2015), and Art Since the Summer of 69, New York, NY (2010), and a two-person exhibition with Elwyn Palmerton was presented at Southfirst, Brooklyn, NY in 2008. Foster's work has been featured in thematic exhibitions such as Palo Santo, Ratio 3, San Francisco, CA (2018); Fort Greene, Venus Over Los Angeles, Los Angeles, CA (2016); Material, Salon 94, New York, NY (2012); Greater Brooklyn, CRG Gallery, New York, NY (2005); and Where are we going? Where do we come from? And where are we going?, Champion Fine Art, Los Angeles, CA (2004).  She is represented by The Pit, Los Angeles.  

Law's World: Lipstick Bandit, 13min., USA Directed by Law Artis “A sassy pansexual sex blogger prepares for a high-profile house tour, but his plans are derailed by his narcissistic bestie, determined to retrieve something she claims is irreplaceable.” http://lawartis.com/ https://instagram.com/laws_world Get to know the filmmaker: What motivated you to make this film? I grew up watching so many tv shows and as a performer I wanted to create something I've never seen. I wanted to mix my love of reality tv, web series, and film into my own version of a proof of concept film for my web film series I wrote. It;s time for a plus size, poc, to lead a comedy film series and why not me! From the idea to the finished product, how long did it take for you to make this film? This was a one year process. I am a graduate of School of Visual Arts as a Film Directing Grad Program. I wrote the script in the summer of 2024, and started preproduction winter of 2024, and was in post production by early spring 2025. How would you describe your film in two words!? Fabulously Iconic. What was the biggest obstacle you faced in completing this film? Biggest obstacle for any indie filmmaker/creative; where is the money coming from? Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

What if the path to becoming an artist wasn't shrouded in mystery but illuminated by practical wisdom? In this deep dive into Jerry Saltz's transformative book "How to Be an Artist," we explore the Pulitzer Prize-winning critic's generous, accessible, and remarkably grounded advice for creative souls at any stage of their journey."Art is for everyone," Saltz declares, immediately dismantling the barriers that keep so many from pursuing their creative calling. Whether you're wondering if you can be an artist without formal education, while working full-time, or while wrestling with crippling self-doubt, his answer rings clear: "Of course you can." Through our conversation, we unpack how Saltz's decades of observing artists have yielded insights that speak directly to the heart of the creative struggle.The book's wisdom resonates powerfully throughout our discussion – from embracing the uncomfortable vulnerability of making art to recognizing that "the faster your work makes sense, the faster people will lose interest." We explore why certainty kills curiosity, how imagination forms the very essence of human existence, and why getting productively lost might be the most direct path to finding your voice. Saltz's practical advice – "cast your nets into the waters" of inspiration and "work, work, work" – offers a refreshing antidote to creative paralysis.Perhaps most encouraging is Saltz's insistence that it's never too late to begin. Through stories of artists who found success later in life (including Saltz himself who didn't become serious about his calling until age 40), we confront the myth that artistic accomplishment requires early specialization. Whether you're just starting out or seeking to deepen your existing practice, this episode offers a roadmap filled with practical wisdom, compassionate encouragement, and the liberating reminder that "nothing happens if you're not working, but anything can happen when you are."Buy "How to be an Artist" by Jerry SaltzSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 149 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 1 In this episode of the Team Deakins Podcast, editor Joe Walker (Season 1, Episode 35) returns for the first half of a two-part discussion about the filmmaking behind two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. The films may contrast in their expression of cinematic storytelling with each other and with films made today, but we find, over the course of these two episodes, that both films share and build on the fundamental elements of what makes a movie, a movie. This episode focuses on IN COLD BLOOD, and we discuss how the film frequently subverts expectations through its structure, cinematography, and editing. Joe also breaks down composer Quincy Jones' evocative score, and he reveals how the film radically flew in the face of a soon-to-be-abandoned Hays Code. Additionally, we look at the innovations in filmmaking technologies and techniques from cinema's youth to the 1960s, and Joe presents his theory of the 30-year-cycle of evolution in the film industry. Plus, we take a moment to consider the links between Soviet propaganda's understanding of montage and the modern analytics and algorithms that manipulate how images are presented on the internet today.  - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Aputure & Barco

Mike Esneault talks with Southern University Professors Harry Anderson and Darrell Roberson about the launch of SU's Digital Media Arts Program. This new degree program features the following concentration tracks: Digital Screen Arts Production, Digital Performance Fusion, Visual Arts and Motion Graphics, Digital Sports Production and Recording Arts. They discuss the origins and the vision of this exciting new degree program!

This is The Digital Story Podcast 1,007, July 8, 2025. Today's theme is, "Tech Tales from the Dark Side." I'm Derrick Story. Opening Monologue On May 12th, I was en route to the TDS Redwoods Photo Workshop based in Klamath, CA. I had the EV ID.4 loaded up, and I was ready for a week of photography adventure. About halfway through my trip north, I had a technological mishap that I'm living with to this day. What happened, and how I'm dealing with it, is the first story in today's TDS Photography Podcast. I hope you enjoy the show.

✦ If you go to the Decatur Recreation Center on a Friday evening, you’ll see about 75 people dancing to a live fiddle band, and they look like the happiest people in town. City Lights Collective member Gillian Anne Renault learns more about Atlanta Contra Dance. ✦ Latinas in Media Atlanta, also known as LIMA, creates opportunities for Latine artists to tell untold stories from the Latin diaspora. Founded in 2017, the organization provides networking opportunities for Latine film, theater, and television professionals. Viviana Chavez and Denise Santos are the two women behind LIMA, and City Lights collective member Kelundra Smith recently spoke with them to learn more about their ethos and their mission. ✦ Meet our co-host, Emmy-nominated writer, author and poet Jon Goode! He is no stranger to a microphone; he hosts many events around town and performs regularly nationwide for The Moth. But what else should we know about Jon? WABE Arts Reporter Summer Evans sits down with Goode to learn more about his background. ✦ The Lavender Performing Arts Festival from Out Front Theater Company returns this month with a new theme: “Celebrate Every Letter.” With a lineup spanning theater, music, drag, AND performance art, the festival is more than a showcase—it’s THE stage for Southern queer voices to tell their stories. City Lights Collective producer Josh Thane recently spoke with festival Organizer Ty Autry and festival contributor Hannah Marie Smith to find out more. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, GULCH, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: Gallery strolling through Castleberry Hill, mural installation pieces at Cat Eye Creative Downtown, and a solo show opening at Hawkins HQ.See omnystudio.com/listener for privacy information.

Artist and provocateur Brian Andrew Whiteley joins The Truth In This Art to talk about creating work that pushes buttons and blurs boundaries. Based in New York, Brian is known for his politically charged performances and installations—from the infamous Trump Tombstone to his leadership at the artist-run Satellite Art Show.In this wide-ranging conversation, Brian reflects on the early days of his work with creepy clown performances, how drawing comics sparked his creative journey, and why art that provokes discomfort can often spark the deepest conversations. He shares the legal and emotional fallout from controversial projects, what it means to stay committed to an experimental path, and how building spaces like Satellite offers artists a way out of the commercial art world's rigid structure.This is an honest, funny, and layered dialogue about creative risk, censorship, and what it takes to build something outside the system.Highlights include:The story behind the Trump Tombstone—and how it led to a Secret Service investigationWhy embracing absurdity became central to his practiceBuilding Satellite Art Show as a true artist-first platformLearning to push past legal threats and backlash to stay true to his ideasWhy success isn't about sales—it's about freedom and community

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Industrial expansion has left an indelible mark on our natural world, fundamentally altering landscapes and ecosystems for the sake of material progress and modern convenience. This transformation has created an environmental challenge of unprecedented scale. In today's show, we'll connect the dots between the raw materials that make up our planet and the industrial forces visually altering our contemporary landscape in a chat with a photographer who's documented these profound global changes firsthand for the past 50 years. Applying visual principals rooted in abstract expressionist painting, Edward Burtynsky has explored a wide range of photographic tools in his image making—from large format film to high-res digital cameras mounted to the most sophisticated of drones. Included among our many discussion topics are his distinctive approach to translating a 3-D landscape to the flat plane of a photograph; his various methods for capturing aerials using either a helicopter, fixed wing aircraft, or various types of drones; and the early business epiphany that led him to open a photo lab as an income stream, rather than work as a camera for hire. As Burtynsky shares during our chat, about the connection between nature and industry: “You know, materials are an incredibly key part of modern society. And yet we need to go to sources in nature, where these materials are found. And I'm just reconnecting a reality that we still live in a material world, and our cities are built of molecules that came from somewhere, and I'm taking you to those places that are vast and huge.” Guest: Edward Burtynsky Episode Timeline: 2:58: Burtynsky's early interest in abstract expressionist painting combined with the magic and rituals of composing images with a large format camera 5:28: Planning for aerial views, the shift from using a minerals map in the past to Google Earth today, plus Burtynsky's shooting preferences between a helicopter and a drone and shooting open air. 10:22: Burtynsky's approach to translating a 3-D landscape to the flat plane of a photograph. 17:17: The planning and research behind Burtynsky's work vs the need to pivot in the field. 19:45: Adapting to technology over a 50-year career, and how it's shaped Burtynsky's process—from large format film to high end digital on a drone. 23:16: Episode Break 23:59: Burtynsky talks about permissions to access mines and industrial sites and how this has changed over time. 31:44: A wrong turn on the highway in 1981 and the photos that led Burtynsky to an epiphany about human-altered landscapes.  35:48: Burtynsky talks about forming his photo lab Toronto Image Works as a ballast to provide income in printing for other photographers while pursuing personal fine art photo projects. 43:38: Burtynsky's retrospective exhibit at the ICP in New York, his thoughts about the future of technology, plus recent collaborations with a young artist working in Artificial Intelligence.   Guest Bio:  Edward Burtynsky has spent more than 40 years bearing witness to the impact human industry on our planet. Regarded as one of the world's most accomplished contemporary photographers, Burtynsky's work is included in the collections of more than 80 museums worldwide and featured in major exhibitions around the globe. Born in St. Catharines, Ontario in 1955, Burtynsky's early exposure to a nearby General Motors plant and ships navigating the Welland Canal in his hometown captured his imagination, helping to formulate his ideas about the scale of human creation he would later capture in photographs. These images explore the collective impact we as a species have on the surface of this planet. A select list of Burtynsky's many distinctions include the inaugural TED Prize, the title of Officer of the Order of Canada, the International Center of Photography's Infinity Award for Art, a Royal Photographic Society Honorary Fellowship, and the World Photography Organization's Outstanding Contribution to Photography Award. Burtynsky currently holds nine honorary doctorate degrees, and in addition to his work in photography, he was a key production figure in the award-winning documentary film trilogy Manufactured Landscapes, Watermark, and ANTHROPOCENE: The Human Epoch. All three films continue to play in festivals around the world. Stay Connected: Website Instagram Facebook YouTube Linktree    - Host: Derek Fahsbender  Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Local Spotlight

SEASON 2 - EPISODE 148 - Pulling a Film Together - with Paula McGann In this episode of the Team Deakins Podcast, we speak with Paula McGann (1917, DARKEST HOUR, MIDNIGHT SKY). We had the pleasure of working with Paula on 1917, and we asked her to come on the podcast to discuss the work that goes into pulling a film together nowadays. Paula—after years of working for directors, producers, and in several departments on numerous films—has recently begun producing herself, and with several projects in various stages of development, we thought her perspective would be valuable to hear and share. Paula teaches us what the film marketplace actually is, and we explore several hypothetical situations such as breaking down a script without a director's vision and handling a financier's creatively disruptive note. Paula also shares an experience in which a project was taken away from her, and we discuss practicing resilience in a business of ups and downs. Throughout the episode, we discuss mentors, budgeting, sales agents, putting yourself out there, and finding your own way in the business. - This episode is sponsored by Profoto & Aputure

This is The Digital Story Podcast 1,006, July 1, 2025. Today's theme is, "The Enduring 20-Megapixel Sensor." I'm Derrick Story. Opening Monologue Olympus released their first 20MP sensor back in 2016. Since then, their Live MOS or the stacked BSI Live MOS sensors have been inside their Micro Four Thirds cameras. And even though Panasonic has a 25 MP version, OM System has stuck with theirs. Today, you'll discover why. All of this and more on this week's TDS Photography Podcast. I hope you enjoy the show.

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Local Spotlight

On today's episode, I'm joined by Rashieda Witter, a cultural caretaker, art historian, curator, writer, and photographer currently based in Chicago. Rashieda is interested in the intersections between art museums, community, and social equity, and is invested in making art institutions more equitable and accessible for all.She is currently the Black Visual Arts Researcher at the Black Metropolis Research Consortium (BMRC). In addition to serving as an art history lecturer at the University of the Witwatersrand, Rashieda has held curatorial roles for the Stellenbosch Triennale, The Phillips Collection, and the National Gallery of Art. Follow Rashieda on Instagram at @_rashieda.Get involved with the Black Metropolis Research Consortium (BMRC) here. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some.  Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You'll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we're gonna talk about FileMaker. Digital Intermediate - What to expect when you're expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let's make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more!   JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE.  Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media.   The Credits Visit ExtremeMusic for all your production audio needs Get your copy of Jared's book in Kindle or Paperback! Hear Jared and editor John Axelrad ACE discuss their work together on ANTEBELLUM Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Nachdem Hanna Barczyk Mediendesign studiert hat und eine Menge Schulden dafür angesammelt hat, spielte sie erstmal als Stand-In und Double in der Filmbranche mit, bis sie nach ein paar Jahren das Gefühl hatte, dass es endlich an der Zeit war, die Künstlerin zu werden, die sie immer sein wollte. Sie zog nach New York und klopfte da an alle Türen und das dann schlussendlich auch mit Erfolg. Sie hat ihren Stil gefunden; mit allen möglichen Magazinen gearbeitet, wie dem New Yorker, TIME, New York Times, Wall Street Journal und so weiter; ihre Bilder wurden international ausgestellt; sie war als Lecturer unter anderem an der School of Visual Art in New York und dem Pratt Institute; und am allerwichtigsten: Ich glaube, sie fühlt sich sehr wohl mit ihrer Arbeit.

Artstar and Joe discuss the following topics: Star Wars Franchise Expansion Discussion Traditional vs. Digital Comic Art Preserving Joy in Creative Work Artistic Inspiration and Digital Creation Digital Art Journeys: From Photoshop to Procreate Action Figures and Online Communities Art Pricing and Authenticity

On this episode of Drawing Hive, we're joined by one of the fastest illustrators in the west. Chris Payne inspired us, discussing process, developing skill, and voraciously learning. Sprinkle in some fun conversations about art, painting, sports, career, and doing what you love as an artist. This ep was stacked with talented artists, include Scott Anderson, John English, Dale Stephanos, and Raymond Bonilla. We had a blast watching C. F. Payne draw his heart out.View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

Host Jason Blitman sits down with author Joe Westmoreland to discuss the newly republished edition of his 2001 novel, Tramps Like Us. They explore the book's evolution from memoir to fiction, delve into the “Pink Bubble” technique, and revisit untold stories from Joe's hitchhiking days that didn't make it into the final draft. They also reflect on how everything seems to be constantly changing—yet somehow coming full circle. Later, Jason is joined by Guest Gay Reader Rob Franklin, who shares what he's been reading and shares about his new book, Great Black Hope.Joe Westmoreland is the author of the novel Tramps Like Us, originally published in 2001. His writing has appeared in several anthologies, zines, and catalogues for art exhibitions. He lives with his partner, the artist Charles Atlas, in New York City.Born and raised in Atlanta, Rob Franklin is a writer of fiction and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer Award, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin lives in Brooklyn, New York, and teaches writing at the School of Visual Arts. Great Black Hope is his first novel. BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Have you ever felt like your artwork knows more than you do? In this intimate, unplanned conversation recorded during a Montana retreat, Ty and Nathan explore the vital yet often overlooked practice of soul care for artists.Surrounded by the sounds of birdsong and nestled in Montana's rolling landscape, we dive into what happens when artists intentionally step away from their studios. More than just a luxury, these moments of pause—whether through travel, immersion in nature, or simple daily rituals—fundamentally transform our creative practice and the work that emerges from it.Drawing wisdom from Mary Oliver's poetry collection "Redbird" and Jack Whitten's studio journals, we unpack what it means to create "not for the sake of winning, but for sheer delight and gratitude." Oliver's observation that "it is a serious thing just to be alive on this fresh morning in this broken world" reminds us that pausing to notice our surroundings isn't just pleasant—it's essential to developing our artistic voice.We share our personal soul care practices, from morning reading rituals and mindful walks to the transformative power of travel and trying uncomfortable new experiences. The conversation explores how these moments help us break free from achievement-oriented creation and return to our work with renewed vision. As Whitten noted, "Nature does not think"—it simply exists. There's profound creative wisdom in learning to sometimes just be rather than constantly do.Whether you're struggling with burnout or simply seeking to deepen your creative practice, this conversation offers practical inspiration for incorporating soul care into your artistic journey. Take a moment with us, slow down, and discover how the small pauses might actually hold everything you need.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

On Thursday's show: Three Harris County Jail inmates died during a recent 48-hour span, marking a total of ten in-custody deaths reported in Harris County so far this year. We learn about their cases.Also this hour: We examine whether any progress has been made in addressing the doctor shortage across the nation and in Texas.Then, visual artist Andrew Thomas Huang talks about his craft, which includes sculpture and directing both short films and music videos. He's coming to Houston this weekend for a pair of events as a part of the series HTX Made from director and Houston native Li Lu.And he's drawn everything from superheroes to demons, and now his work is headed to Hollywood. Houston comic artist Rod Thornton talks about breaking barriers, building worlds, and why representation on the page still matters.

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto

Chris Stein's story starts in Brooklyn, where he was born in 1950 into a free-thinking, politically leftist household. He wasn't exactly a model student—he got expelled from high school and bounced around for a bit before enrolling at the School of Visual Arts in Manhattan. That's where two of his lifelong passions really started to take shape: music and photography. Chris was already playing guitar in garage bands, soaking up the British Invasion and psychedelic rock, but art school helped him discover an eye for capturing moments on film. In the early '70s, Chris joined a band called the Stilettos. It was through that group that he met Debbie Harry. The connection was immediate. Romantic, creative, everything. When the Stilettos fell apart, Chris and Debbie stuck together and started what would become Blondie. They quickly became fixtures on the New York downtown scene where punk, art, and fashion were all bleeding into each other.Chris began co-writing songs, shaping the band's sound, and supporting Debbie's electric presence as frontwoman. He was all about texture, mood, and space and could be sharp and punky but also knew when to strip things back. Chris co-wrote some of Blondie's biggest songs—“Heart of Glass,” “Dreaming,” “Rip Her to Shreds,” and “In the Flesh.” Chris was always ahead of the curve.At the same time, he was constantly documenting everything with his camera. Chris was rarely without it, snapping candid photos of Debbie backstage and artists like Andy Warhol.Chris and Debbie's relationship was central to the whole Blondie story. They were partners in every sense—romantic, creative, and emotional. Chris has often called her his muse, and their chemistry fueled a lot of what made the band so compelling. But their life together wasn't always easy. In the early '80s, just as Blondie was hitting a commercial peak, Chris was diagnosed with a rare and serious autoimmune disease. It was debilitating and required years of treatment. Debbie dropped everything to care for him. The band fell apart. Fame took a back seat. And though they eventually ended their romantic relationship, their connection never really broke. They've stayed close ever since, continuing to collaborate and support each other through everything that followed.After Blondie disbanded in '82, Chris stepped away from the spotlight for a while. He worked behind the scenes, producing music. He collaborated with artists like Iggy Pop and while Debbie launched a solo career, Chris helped to shape projects.In the late '90s, Blondie got back together, and to everyone's surprise, they scored a huge hit with “Maria,” which went to number one in the UK. It was a real comeback moment, showing that the band still had something to say and an audience ready to hear it. Since then, they've released several albums—No Exit, The Curse of Blondie, Panic of Girls, and Pollinator—and have toured the world to multiple generations of fans. Chris kept writing and producing, still the quiet engine driving things forward.Health issues forced him to step away from touring in 2022, particularly heart-related problems that made life on the road difficult. But that didn't stop him from continuing to contribute creatively. He's still very much involved in the band's work and continues to explore photography, with his images being shown in galleries and books. His visual work is finally getting the recognition it deserves, not just as Blondie ephemera, but as important cultural documentation.Throughout it all, Chris Stein was never the loudest voice in the room, but always one of the most interesting. Whether with a guitar or a camera, he's been quietly shaping how we see and hear a pivotal moment in music and art history. His life has been messy and brilliant and uniquely his own.In this episode Chris Stein shares stories from his life and points us to his latest book - his autobiography - 'Under A Rock'His is a fascinating tale. I hope you enjoy it.

This is The Digital Story Podcast 1,005, June 24, 2025. Today's theme is, "Costa Rica, Here We Come." I'm Derrick Story. Opening Monologue After our fantastic adventure in January, Rob and I decided that we should return to Costa Rica and bring along a few of our photographer friends who want to join us. If you're wondering how this all works, Rob Knight is joining me on the show so we share our thoughts from the last workshop, and explain what we want to do for the next one. All of that, and more, on this week's TDS Photography Podcast. I hope you enjoy the show.

Local Spotlight

Guest: Justin Thompson, Senior Artist at Charles M. Schulz Creative AssociatesOn LinkedIn | https://www.linkedin.com/in/justin-thompson-91a47339/On Instagram | https://www.instagram.com/mythtickle/_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Guest: Justin Thompson, Senior Artist at Charles M. Schulz Creative AssociatesOn LinkedIn | https://www.linkedin.com/in/justin-thompson-91a47339/On Instagram | https://www.instagram.com/mythtickle/_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Every photographer dreams of publishing a book of their photographs. But what exactly does that entail? In today's show, we're going to peek behind the scenes of this complex and daunting process in a chat with two complementary figures who've spent their respective careers helping to redefine what a photo book can be. Starting with three basic questions—Why a book? Why now? And what is the role of a book in your career at this time?—our discussion expands to cover a broad range of concerns. From distinguishing between the many different publishing models available today, to insights on sponsorship and publishing contracts, to tips about marketing and getting people onboard with your project, you'll come away with inventive strategies for publishing your work in book form. We've envisioned this show as an impromptu master class, so get ready to take some notes! Guests: Mary Virginia Swanson & Rick Smolan Episode Timeline: 4:45: Mary Virginia Swanson's basic advice to photographers interested in publishing their photographs in book form, plus the different publishing models available today. 10:22: Rick's start as a freelance photographer and the story behind his shift in roles to launch the Day in the Life book series. 15:04: The importance of sponsorship or in-kind donations, plus innovative strategies for negotiating such deals. 23:04: The two different categories of photo books: greatest hits with the photographer as subject and a book that has a separate subject and overarching story. 27:55: Tips for going on press, advice about publishing contracts, and suggestions for buying back a book before it gets remaindered. 34:54: The issue of vanity presses, and the matter of requiring a subvention from authors to help cover the publisher's costs. 43:03: Publicity and marketing: You are the best salesperson for your book. Tips for getting your book seen and heard about, from magazines to podcasts. 49:08: Episode Break 50:02: Should you create a full mock-up version of a book or just show a publisher a selection of photos? 59:22: Benefits to working with a literary agent when seeking to publish a photo book. 1:01:44: Slicing up the pie by hiring freelaners or finding a partner to share in the work. 1:07:38: The importance of publishing deadlines and many important markers tied to a calendar, plus the cover photo and book blurbs. 1:14:22: Swanson and Smolan on their picks for memorable photo books. 1:25:19: Parting advice about getting other people excited about your project.   Guest Bios: Mary Virginia Swanson has spent her career helping artists find the strengths in their work, identify receptive audiences, and present their personal vision in an informed, professional manner. Her broad background as a photo educator, author, entrepreneur and advisor spans areas of exhibiting, collecting, licensing, and marketing photographs. A few career highlights include working with Ansel Adams to manage education offerings at the Friends of Photography in California, heading Special Projects for Magnum Photos in New York, and founding and directing Swanstock as a unique licensing agency for fine art photographers. Swanson is the recipient of many awards, including the Society for Photographic Education's Honored Educator Award and the FOCUS Award for Lifetime Achievement in Photography from the Griffin Museum in Boston to name just two. In 2011, Swanson co-authored Publish Your Photography Book with Darius Himes, which is now in its third edition. Currently, Swanson works independently from her home base in Tucson, offering classes, workshops and consulting services to artists and arts organizations, serving as an advisor for multiple nonprofits, and giving back through other community-minded activities.  Rick Smolan is both a photographer and an entrepreneur. A former contributor to Time, Life, and National Geographic, he is perhaps best known as creator of the Day in the Life book series, plus subsequent book projects of massive scope. As CEO of the multi-modal company Against All Odds Productions, Smolan designs and executes crowd-sourced, global projects that combine compelling storytelling with state-of-the-art technology. These projects capture the human face of emerging topics while engaging a wide range of media platforms to result in books, TV specials, social media apps, exhibitions, and hundreds of millions of media impressions. One such project, based on Smolan's 1977 National Geographic cover story about Robyn Davidson's solo travels across the outback has enjoyed continued life in multiple books, plus the feature film Tracks, with Adam Driver cast in the role of Smolan. Other recent projects include The Human Face of Big Data, which looks at how all our devices are creating a planetary nervous system, and The Good Fight: America's Ongoing Struggle for Justice, which became one of Amazon's top 100 books within a week of its release.   Stay Connected: Mary Virginia Swanson Website Instagram Rick Smolan Instagram Facebook YouTube  Against All Odds Website   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

This podcast was created using NotebookLM.This podcast explores the connection between chronic psychosocial stress and pain in individuals with fibromyalgia, a condition characterized by widespread musculoskeletal pain without underlying tissue damage. 

SEASON 2 - EPISODE 146 - Matthew Specktor - Author Author Matthew Specktor joins us in this episode of the Team Deakins Podcast. In his recently released memoir, THE GOLDEN HOUR, Matthew, the son of legendary talent agent Fred Specktor, uses his parents' divergent professional and personal lives to reflect on the film industry as it was, and he writes about his own life and career in and around the movies to reflect on what it has become. After reading it (and Matthew's other novels), we felt we had to speak with him. What follows in this episode is a wide-ranging and lively conversation about Matthew's life, his and our views on the changes in the film business and in the films themselves, cinema's place in society, and the genuine love for Hollywood that comes out in his writing. We also discuss the changing economics of funding films, the shifts in who wields power in Hollywood, and Matthew details the brief window in the 1960s and 1970s in which filmmakers were afforded a relative freedom not seen since. In THE GOLDEN HOUR, Matthew at times places us inside the minds of industry figureheads such as Lew Wasserman and Michael Ovitz, and Matthew shares how understanding the men who changed the film industry can help us better understand where we are today. We also reflect on the all-consuming lifestyle of working in Hollywood, and Matthew likens it to being trapped in a casino at two in the morning—forever. Plus, Matthew shares what it was like learning how to write from a uniquely qualified professor: James Baldwin.  - Recommended Reading: THE GOLDEN HOUR - This episode is sponsored by Profoto & Aputure 

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

This is The Digital Story Podcast 1,004, June 17, 2025. Today's theme is, "The New OM System OM-5 Mark II." I'm Derrick Story. Opening Monologue Today OM System is announcing the Mark II update to its enthusiast OM-5 mirrorless camera. Many of the new features are based on customer feedback from the previous version. On this week's TDS photography podcast, I'll explain those updates plus add a few thoughts of my own. I hope you enjoy the show.

In today's episode of The Edge of Excellence podcast, Matt is joined by Liv Mitchell, entrepreneur and Founder of Liv Mitchell Jewelry.In this engaging conversation, Liv shares her journey of growing a business from humble beginnings to gaining momentum through word-of-mouth and dedicated client relationships. The discussion explores the pivotal moments when steady progress begins to accelerate and the importance of nurturing genuine connections that lead to organic growth. You'll get a glimpse into the behind-the-scenes hustle that turns a promising venture into a thriving enterprise.The discussion also dives into the power of learning communities and mentorship programs designed specifically for entrepreneurs who want to stay ahead of the curve. Through insightful experiences, Liv highlights how tapping into expert knowledge and peer support can provide critical guidance during times of financial challenges and strategic decision-making. You'll discover the value of continuous learning beyond formal education and the courage it takes to step out of one's comfort zone.The episode leaves aspiring business owners inspired to pursue their goals with bravery and a fresh perspective on what it means to achieve true success.Don't miss another episode of The Edge of Excellence podcast. Leave a review and subscribe todayWhat You Will Learn In This Show:Liv's career transition from a promising job in sports marketing to starting her own jewelry business.The importance of networking and building relationships with clients and industry professionals.The challenges and rewards of building a jewelry business from the ground up.The benefits of joining entrepreneurial organizations and the support they provide to business owners.The potential for exponential growth and the importance of maintaining a high level of service and quality.And much more...Guest Bio:Liv Mitchell is the Founder of Liv Mitchell Jewelry, a concierge fine jewelry brand dedicated to transforming the traditional shopping experience. A Brown University graduate with a dual degree in Business Entrepreneurship and Visual Arts, Liv also holds a Certificate in Business Excellence from Columbia Business School. After college, she deepened her expertise at the Gemological Institute of America, earning certifications in diamond and colored gemstone grading. As a former student-athlete, Liv brings the same discipline and precision to her craft. Her appointment-only model replaces the pressure and overhead of typical jewelry stores with a personalized, transparent approach. Clients receive one-on-one guidance, custom 3D CAD designs, and carefully sourced stones, resulting in bespoke jewelry that reflects their unique vision and values.Resources:Liv Mitchell JewelryLiv's LinkedInDisclaimer: The views, information, or opinions expressed during this podcast are solely those of the individuals involved and do not necessarily represent those of The Edge of Excellence podcast or its affiliates. The content provided is for informational and entertainment purposes only and is not intended to be a substitute for professional advice. We make no representations as to the accuracy, completeness, suitability, or validity of any information on this podcast and will not be liable for any errors, omissions, or delays in this information or any losses, injuries, or damages arising from its display or use. Listeners should consult with a professional for specific

This week we meet the Australian painter Sarah Hickey whose bold colors radiate through her expansive canvases expressing an internal world of dreaming and reflection through her spirituality and imagination. We hear how Sarah's creative soul was evident in her childhood as she explored a range of visual elements from theater to fashion and iconography. Sarah was born in Brisbane in 1975 and grew up in the surrounding area.  She was educated at Queensland College of Art where she earned a BFA in Visual Art and a BEd at Griffith University. Parents Eileen and Paul gave Sarah and her younger brother Sean the freedom to explore, which enabled Sarah to connect with nature in a spiritual sense—something that is constant in her paintings. While in high school, Sarah visited England, France and Spain when she became enthralled by European artists. After she graduated college she spent time in Germany as a nanny living her own version of her favorite film, The Sound of Music. Sarah was always drawn to teaching and has been a High School Art teacher for 23 years. After her marriage to George Hickey, Sarah returned to her art and has participated in numerous shows and exhibitions, and garnered several awards including The Percival Portrait and Sunshine Coast National Art Prize, The Kennedy Art Prize, Redland Art Awards. Sarah lives in Brisbane with her husband George and dog Molly.Sarah's website: https://sarahhickey.com.au/Instagram:@sarahhickeyart Some of Sarah's favorite artists:Frida KahloLucy Culliton (Australian painter)Clairy Laurence (sculptor)Laura Jones (Australian painter)Yvette CoppersmithJulie FragarJudith Nangala CrispinOlivia Godbee Alicia Cornwell Penelope Boyd Wendy Sharpe Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week we meet the Australian painter Sarah Hickey whose bold colors radiate through her expansive canvases expressing an internal world of dreaming and reflection through her spirituality and imagination. We hear how Sarah's creative soul was evident in her childhood as she explored a range of visual elements from theater to fashion and iconography. Sarah was born in Brisbane in 1975 and grew up in the surrounding area.  She was educated at Queensland College of Art where she earned a BFA in Visual Art and a BEd at Griffith University. Parents Eileen and Paul gave Sarah and her younger brother Sean the freedom to explore, which enabled Sarah to connect with nature in a spiritual sense—something that is constant in her paintings. While in high school, Sarah visited England, France and Spain when she became enthralled by European artists. After she graduated college she spent time in Germany as a nanny living her own version of her favorite film, The Sound of Music. Sarah was always drawn to teaching and has been a High School Art teacher for 23 years. After her marriage to George Hickey, Sarah returned to her art and has participated in numerous shows and exhibitions, and garnered several awards including The Percival Portrait and Sunshine Coast National Art Prize, The Kennedy Art Prize, Redland Art Awards. Sarah lives in Brisbane with her husband George and dog Molly.Sarah's website: https://sarahhickey.com.au/Instagram:@sarahhickeyart Some of Sarah's favorite artists:Frida KahloLucy Culliton (Australian painter)Clairy Laurence (sculptor)Laura Jones (Australian painter)Yvette CoppersmithJulie FragarJudith Nangala CrispinOlivia Godbee Alicia Cornwell Penelope Boyd Wendy Sharpe Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

This is The Digital Story Podcast 1,003, June 10, 2025. Today's theme is, "Interview with Nik Bhatt, The Brains Behind Nitro." I'm Derrick Story. Opening Monologue I first learned abut Nik, and his software company Gentlemen Coders, when he released RAW Power, one of my favorite imaging apps. And now with his encore performance, Nitro, I knew we had to get together and talk shop. In this interview you'll learn about his early days at Apple, the genesis of RAW Power, and how it all came together for Nitro. I hope you enjoy the show.

SEASON 2 - EPISODE 144 - Philip Barantini - Director In this episode of the Team Deakins Podcast, we speak with director Philip Barantini (ADOLESCENCE, BOILING POINT, ACCUSED). Originally from Liverpool, Philip couldn't have felt further away from the film industry, but after developing an interest in drama and acting, he soon found himself as a working actor. After dropping out of the business and regaining his sobriety, he eventually overcame his self-doubt and built his career as a director from the ground up. Philip shares how he made the jump from making shorts to developing the television series BOILING POINT, and we learn how he found financing for the project and executed the single-shot aesthetic just as the world was shutting down at the beginning of the COVID-19 pandemic. We later learn about the genesis and development of ADOLESCENCE, and Philip reflects on the extensive rehearsal process for each episode. Philip also reveals how he created an environment within each episode that empowered the show's actors to improvise, and he shares how young actor Owen Cooper exceeded all expectations for his first role in front of the camera. - Recommended Viewing: ADOLESCENCE  - This episode is sponsored by Profoto & Aputure