Podcasts about Visual arts

“That which unites us is far greater than what divides us.” The first four words of this sentence are subtitle, and subtext, for “Path of Liberty,” an immersive outdoor photo and media experience on view through fall 2025 at Freedom Plaza on Manhattan's east side. The creative groundwork for this project was a mammoth effort involving an extensive crew both on the road and behind the scenes. In today's podcast, we catch up with two principals of this project's creative team—creative director Daniella Vale and director of photography, Scott Beardslee—to learn more about their daily lives during two months spent traversing the country by van to interview a broad group of everyday Americans. From the founding idea of capturing the diversity of people across America to the curiosity and resilience of the crew when working on the road to the complexities of orchestrating the many sensory elements for an immersive experience in exhibition, our discussion is rich with creative insight. As Daniella shares during our chat, “I always tend to make three films. There's the film I write, the film I shoot, and then, usually, I rearrange everything and make a totally different film in the edit. So, I've gotten pretty accustomed to non-attachment and rolling with things. That's where the magic happens too.” Guests: Daniella Vale & Scott Beardslee   Episode Timeline: 3:28: The inspiration behind Path of Liberty and Daniella's role as creative lead. 6:59: Daniella and Scott's respective backgrounds in photography and film, plus being curious and distinctions between finding the moment vs creating the moment. 12:02: Daniella and Scott's first introduction in the New York film world. 15:14: Building the crew for Path of Liberty and the challenges of traveling and conducting interviews on the road. 21:35: Daniella describes the three films she makes in the process of writing, shooting, and editing, plus the importance of learning to adapt on the fly. 26:54: Memorable stories from the Path of Liberty road trip. 30:56: Episode Break 31:30: We all want to be happy, but there's a difference between freedom and taking advantage of freedom 34:42: Daniella discusses her time in Japan, and the cultural contrast between American individualism and societies that put the group over the individual self. 41:00: The gear Daniella and Scott traveled with and how it affected the project. 47:59: The interview process with portrait subjects, plus making natural portraits in the moment. 58:32: The Path of Liberty installation in midtown Manhattan, the pride of subjects gathered from across the America, plus the complexities of the post-production process 1:05:39: The immersive aspects of the installation—from the sound design of the audio to the visual continuity between the photographs and the on-site terrain. 1:14:19: Scott and Daniella offer career advice for developing as a creative—leave room for being curious.   Guest Bios: Daniella Vale is a New York City-based photographer, film director, and producer. Her creative passions began early, influenced by her uncles in Pittsburgh's avant-garde film movement. While attending university in Tokyo, Daniella worked on photography and documentary projects. She later moved to Bollywood, where she collaborated with Shah Rukh Khan's Red Chillies Entertainment and Cannes-winning director Manish Jha. In New York, Daniella has worked for brands such as VICE, MTV, Google, and Prada, and with talent such as Alicia Keys, Deepak Chopra, and Lucy Liu. Her portfolio includes work in fashion, branded content, docu-series, and narrative films across various global locations. Career highlights include participating in the 2018 Cannes Film Festival Short Film Corner and being featured in Allure magazine for her directing work. And of course, most recently, Daniella headed up the creative team for the immersive outdoor installation, Path of Liberty: That Which Unites Us, which we're here to talk about today. Scott Beardslee began his career in photography, working as a 1st and 2nd assistant. Yet his passion for narrative filmmaking soon inspired him to take a different career route, focusing on shooting films, commercials, and music videos. Upon graduation from San Francisco State University with a film theory and production degree, he pursued cinematography and later attended graduate school at The American Film Institute in Hollywood. Before he became serious about filmmaking himself, Scott worked as a gaffer for many established A.S.C. cinematographers. Currently, Scott is a Director of Photography in the Union Local 600, working on commercials, music videos, and television.   Stay Connected: Path of Liberty Website Instagram Daniella Vale Website Instagram Youtube Vimeo   Scott Beardslee Website Instagram Vimeo Tiktok   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

SEASON 2 - EPISODE 152 - Lucy Prebble - Playwright / Writer Playwright and writer Lucy Prebble (SUCCESSION, I HATE SUZIE, ENRON) joins us in this episode of the Team Deakins Podcast. Lucy's plays frequently incorporate the physical space of the stage in the telling of the story and involve the audience in engaging and creative ways, and we were excited to talk to her about storytelling both on stage and on screen. We learn how, after a bookish childhood, she eventually found the courage to have her own plays put on, and she reflects on her experiences running her own television show and working on others'. Lucy also wrote for the amply-budgeted video game DESTINY, and she shares (as much as she's allowed to) how the writing process works for something with that many resources. Lucy also reveals the real-world events that inspired her plays ENRON and THE SUGAR SYNDROME, and we learn how she identifies the real human relationships at the heart these stories. We also discuss the value of empathy and deadlines for a writer, and Lucy makes a prediction for the future of the theatre in the digital age. Plus, we observe that many of history's greatest writers were really just frustrated actors. - This episode is sponsored by Barco & Aputure

Today, we welcome legendary alternative comics creator Evan Dorkin for a wild and woolly interview that (sometimes) explores his unique career and projects. He shares his origin story of discovering comics as a kid growing up in Brooklyn and Staten Island, working at comic retailer Jim Hanley's store during high school, and his transition from wanting to study animation at the School of Visual Arts to focusing on comics at NYU. We jump into his cult classics Milk and Cheese and Dork (from Slave Labor Graphics), discussing the independent comics scene in the late '80s and early '90s and how he developed his unique brand of anarchic humor that both celebrates and satirizes fandom. Evan opens up about his most beloved and infamous creation, The Eltingville Club, which earned him multiple Eisner Awards for its brutal takedown of toxic fan culture. We touch on his work writing for animation including Space Ghost Coast to Coast and Superman: The Animated Series (where he and wife Sarah Dyer created the character Livewire), his irreverent Superman and Batman: World's Funnest one-shot, and his multiple Eisner Award-winning collaboration with Jill Thompson on Beasts of Burden. We even get into his satirical superhero character Fight-Man, why this is the greatest time to be a geek, and why we all still complain so much!You can find and follow Evan all over social media, including Instagram, Bluesky, Tumblr and more: @evandorkin. And check out his Patreon: patreon.com/evandorkin!Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

This is The Digital Story Podcast 1,010, July 29, 2025. Today's theme is, "Still Think Lightroom Is a Lightweight Compared to Classic?." I'm Derrick Story. Opening Monologue When Lightroom CC debuted, it did feel more like a toy than serious software that could challenge its elder Classic sibling. But things have changed over the years, and the Cloud version, now just called Lightroom, has some serious chops. So much so, that it's now a legitimate rival to its elder. I'll explain why on today's TDS Photography Podcast. I hope you enjoy the show.

Steve and Katie talk with Professor Stephen Urice and Judge Simon Frankel about their careers in art law, art law teaching, and their authorship of the 6th edition of the renowned art law textbook “Law, Ethics, and the Visual Arts.” They talk about art law as an academic subject, how to teach and present art law to students, and the experience of updating and rewriting an iconic textbook originally written by the founder of art law teaching, John Henry Merryman.   Notes for this episode: https://artlawpodcast.com/2025/07/29/teaching-art-law/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

This month on Disability and...curator Aidan Moesby chats to artists Joanne Coates and Louise Mclachlan about their participation in Towards New Worlds, a 'groundbreaking' exhibition of 15 disabled, D/deaf and neurodivergent artists which Aidan co-curated at Middlesbrough Institute of Modern Art. Themes from the discussion include identity, the power of photography to tell stories, and the importance of safe spaces like Towards New Worlds for disabled artists. 

The invention Eadweard Muybridge is known for is his zoopraxiscope, an early movie technology. But he also innovated in photography, had some other inventions, and was the defendant in a murder trial. Research: Ball, Edward. “The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures.” Doubleday. 2013. Cohen, Paula Marantz. “Flickering Like Photography.” Times Literary Supplement. https://www.the-tls.com/lives/biography/scoundrel-harry-larkyns-pitiless-killing-photographer-eadweard-muybridge-rebecca-gowers-review “A Fast Trotter Caught by a Skillful Artist on the Fly.” The Lamar Republican. May 29, 1873. https://www.newspapers.com/image/666936878/?match=1&terms=occident%20Muybridge%20 “Madness and Murder.” Whidbey Island Center for the Arts. https://www.wicaonline.org/blog/2020/2/2/1rmzzg46joal5ajvy4tesnui7v314p “A Startling Tragedy.” Los Angeles Herald. October 22, 1874. https://cdnc.ucr.edu/?a=d&d=LAH18741022.2.15&e=-------en--20--1--txt-txIN-------- The Editors of Encyclopaedia Britannica. "Eadweard Muybridge". Encyclopedia Britannica, 23 Jun. 2025, https://www.britannica.com/biography/Eadweard-Muybridge The Editors of Encyclopaedia Britannica. "Leland Stanford". Encyclopedia Britannica, 17 Jun. 2025, https://www.britannica.com/biography/Leland-Stanford Higgins, Charlotte. “Eadweard Muybridge's motion towards Tate Britain.” The Guardian. April 27, 2010. https://www.theguardian.com/artanddesign/2010/apr/27/eadweard-muybridge-tate-britain-motion-studies “The Last Call.” San Francisco Examiner. Jul 19, 1875. https://www.newspapers.com/image/457599375/?match=1&terms=Harry%20Larkyns Shimamura, Arthur P. “Muybridge in Motion: Travels in Art, Psychology and Neurology.” History of Photography. 2002. https://doi.org/10.1080/03087298.2002.10443307 Muybridge, Eadweard. “Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume XI, Wild Animals and Birds.” Met Museum. https://www.metmuseum.org/art/collection/search/266431 Manjila, S., Singh, G., Alkhachroum, A. M., & Ramos-Estebanez, C. (2015). Understanding Edward Muybridge: historical review of behavioral alterations after a 19th-century head injury and their multifactorial influence on human life and culture. Neurosurgical Focus FOC, 39(1), E4. https://doi.org/10.3171/2015.4.FOCUS15121 Prodger, Phillip and Tom Gunning. “Time Stands Still: Muybridge and the Instantaneous Photography Movement.” Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2003 Solnit, Rebecca. “River of Shadows: Eadweard Muybridge and the Technological Wild West.” Viking, 2003. Wolf, Byron. “Eadweard Muybridge’s Secret Cloud Collection.” Places Journal. September 2017. https://placesjournal.org/article/eadweard-muybridges-secret-cloud-collection/?cn-reloaded=1 See omnystudio.com/listener for privacy information.

✦ 61 years ago, racial minorities had no legally protected right to vote. A new documentary film “Harmony of Freedom” reminds us of this unsettling fact while celebrating the 60th anniversary of the Voting Rights Act, through the power of music. WABE has partnered with Georgia State student conductor and filmmaker Jackson Allred to air “Harmony of Freedom” on August 4th. The film showcases orchestras from all over the state of Georgia performing composer Margaret Bonds’ “Montgomery Variations.” City Lights Collective co-host Kim Drobes recently sat down with Jackson Allred to learn more. ✦ Atlanta Pride, Georgia's oldest nonprofit organization serving our city’s local LGBTQ+ community, turns 55 this year. To celebrate, they’ve partnered with Out on Film and are showcasing queer resistance in the South - through a film screening and community summit. WABE arts reporter Summer Evans shares more. ✦ For nearly three decades, Dad's Garage has been become synonymous with improv comedy in Atlanta. And as their fans have put down roots and grown families here in Atlanta, so to has Dad's expanded their offerings to appeal to the next generation of comedy lovers. Performing Saturday matinee shows, Wowie Zowie is a playful and engaging experience for audiences of all ages. Kids get to let loose and see their creative ideas come to life on stage, while parents can enjoy an afternoon out of the house without suffering the oppressive summer heat. City Lights Engineer Matt McWilliams recently caught up with Dad's Garage ensemble player Avery Sharpe-Steele after a sold-out Wowie Zowie show. ✦ . You may be familiar with Toni Morrison, the Pulitzer and Nobel Prize-winning author of novels “Beloved,” “The Bluest Eye,” and more. But did you know that Morrison was also one of the first Black editors for a major publishing company? A new book, “Toni at Random,” examines Morrison’s years as an editor at Random House and the book’s author, Dana Williams, will celebrate her new release tomorrow, with a discussion at Atlanta’s Auburn Avenue Research Library. City Lights Collective member Alison Law recently caught up with Willams to talk about “Toni at Random” ahead of tomorrow’s event. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, “GULCH”, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: prints galore at the Black Art in America Print Fair, love and care in a group show at the historical Haugabrooks Gallery on Auburn Avenue, and thoughtful textile explorations at Gallery Chimera.See omnystudio.com/listener for privacy information.

This month Artslink is covering the 2025 Calgary Fringe Theatre Festival! calgaryfringe.ca 'OH Mother!' - Written & Performed by Rebbekah Ogden Directed by Joel Braun Find tickets to 'Oh Mother!' here: https://tickets.calgaryfringe.ca/event/366:182/ '100 Foreskins For My Hand In Marriage' - Written & Performed by Rainier Pearl-Styles Find Tickets to '100 Foreskins For My Hand In Marriage' here: https://tickets.calgaryfringe.ca/event/366:178/

What transforms raw materials into meaningful art? How do artists develop their unique voice while standing on the shoulders of those who came before them? In this thought-provoking second part exploration of Jerry Saltz's "How to Be an Artist," we unpack the practical realities of the creative journey and the mindsets that sustain artistic growth.The conversation begins with the critical practice of capturing ideas—through sketchbooks, journals, voice memos—creating an ever-expanding archive of inspiration that artists can mine for future work. We share personal systems for documenting fleeting thoughts and how this practice often reveals what's truly happening in our minds. These captured moments become the seeds from which our most authentic work grows.We tackle the intimidating challenge of finding one's artistic voice, challenging the myth that great artists spring forth with fully-formed originality. All masters begin as students—imitating, copying, and gradually infusing their personal perspective into established forms. The studio becomes the sacred space for this transformation—a sanctuary where imitation evolves into innovation without judgment or shame. Whether your workspace resembles the pristine order of Agnes Martin or the chaotic energy of Francis Bacon, it should serve as your laboratory for experimentation.Perhaps most profound is the discussion of embedding thought and emotion into physical materials—creating work that communicates even when you're not present to explain it. This alchemical process requires deep listening to both your materials and your inner voice. Great art puts out more energy than went into its making, resonating with viewers on levels beyond literal understanding.We close with an essential reminder: there are no wasted days in the studio. Even apparent failures move your practice forward. The struggle itself is valuable—often taking you further than easy successes ever could. Learn to finish work and move forward rather than getting trapped in perfectionism. Your next piece will benefit from everything you've discovered in creating this one.Whether you're a seasoned artist or just beginning your creative journey, this episode offers practical wisdom and permission to embrace both the struggle and joy of making meaningful work that's distinctly yours.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 151 - Dave Freeth - Inventor of the Stabileye In this episode of the Team Deakins Podcast, we speak with Dave Freeth, a recipient of a Scientific and Engineering Award by the Academy of Motion Picture Arts and Sciences for the invention of the Stabileye. The Stabileye is a remotely-operated, motorized camera stabilization system, and we used the equipment extensively on 1917 to pull the film off. Dave originally started out in an apprenticeship for watchmaking but soon found himself working for the Ministry of Defence until making the transition into the film industry. We asked Dave to come on the podcast to discuss the Stabileye's inception and design, and he describes the underlying mechanics that not only power the Stabileye but other stabilization systems in use today. We talk about gyroscopes, satellites, lasers, and even gravity! He also shares how the Stabileye is adapting to newer camera models, and he reveals some surprising potential developments in sensor technology. We learn a lot in this episode, and we were excited to celebrate Dave's recent recognition with him.  - This episode is sponsored by Aputure & Barco

This is The Digital Story Podcast 1,009, July 22, 2025. Today's theme is, "2 Big Updates - One Hot (Snapseed 3.0) and One Not (Sony RX1R III)." I'm Derrick Story. Opening Monologue Out of the blue, Sony announced the RX1R III full frame compact digital camera. At a time when well-heeled portables are popular, you'd think this 61 MP dream machine would be an instant hit. Maybe. And speaking of surprises, how about that Snapseed 3.0 update? Didn't see that one coming either. One of these I'm absolutely thrilled about, and the other has me scratching my head. Find out which is which on today's TDS Photography Podcast. I hope you enjoy the show.

On this week's episode, I had the joy and honor of speaking with Jordia Benjamin, Executive Director of Indigo Arts Alliance, and Ashley Page, Studio and Program Manager at Indigo Arts Alliance, an arts organization working at the nexus of citizenship, community-building, and creativity.We discuss Indigo's upcoming symposium, Deconstructing the Boundaries: Tending to Communities, which will take place this Saturday, July 26th at the Coastal Maine Botanical Gardens. Culminating a three year partnership between Indigo and the Gardens, this day of sensorial and participatory programs exemplifies Indigo's commitment to cultivating the development of Black and brown artists, especially those working around issues of environmental justice, preservation, and land. Stay tuned for the second part 2, where I'm joined by visual artist Daniel Minter and poet & artist Arisa White.Jordia Benjamin, Executive Director of Indigo Arts Alliance, has a passion for creating compelling programs and cultivating creative environments. She embodies a commitment to equity, inclusion, empowerment and advocacy for communities of color. Jordia leads the Indigo Arts Alliance's day-to-day operations. Her role ensures that the quality and global impact of IAA's activities and programs directly support its mission. A highly effective collaborator, manager, relationship builder, and communicator, she guides and refines the artist residency program, developing related programming that connects our local, national and international communities.Ashley Page is the Studio and Program Manager at Indigo Arts Alliance. She serves as a point of contact for artists and supports the development of related public programs and special projects to best connect artists and communities. In her role, she ensures the smooth operations of the studio and its administrative needs. As an interdisciplinary artist, community organizer, and social disruptor, Ashley's creative spirit, passion for community, and dedication to the artistic growth of artists of color is interwoven into her own artistic philosophy. Drawing from the power of vulnerability, collaborative honesty, and mutual understanding, her work creates the bridges between art and people.To learn more about Indigo Arts Alliance, visit here. Visit Deconstructing the Boundaries: Tending to Communities for more information about the symposium.This episode was produced with support from Indigo Arts Alliance. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Richard Shear is Founding Partner and Chief Creative Officer of Invōk Brands and a founding faculty member of SVA's Master's in Branding program. With a five-decade design career and a passion for visual history, he explores how global consumer culture shapes today's brands in his new book A History of Brands. This week on On Brand, he joins me to discuss the evolution of retail, the enduring impact of packaging, and why the future of branding begins with the past. About Richard Shear Richard is a founding faculty member of the Master's in Branding program at New York's School of Visual Arts and a Founding Partner and Chief Creative Officer of Invōk Brands. His 50-year design career has been influenced by a fascination with visual history, driven by a curiosity for the culture of consumer brands, and guided by rich experience in brand identity and package design. Richard's SVA course focuses on the origins, evolution, and current status of retail brands, building awareness of the rich legacy and growth of global consumer culture and its intrinsic connection to the evolution of visual history. What brand has made Richard smile recently? “That's easy,” Richard shared. “Barbie.” Specifically, Richard points to their newly released Barbie with Type 1 Diabetes. Connect with Richard on LinkedIn as well as the Invōk Brands and Branding at SVA websites. And check out Richard's new book A History of Brands wherever you like to shop. Listen and subscribe at  Apple Podcasts, Spotify, Amazon/Audible, Google Play, Stitcher, TuneIn, iHeart, YouTube, and RSS. Rate and review the show—If you like what you're hearing, be sure to head over to Apple Podcasts and click the 5-star button to rate the show. And, if you have a few extra seconds, write a couple of sentences and submit a review to help others find the show. Did you hear something you liked on this episode or another? Do you have a question you'd like our guests to answer? Let me know on Twitter using the hashtag #OnBrandPodcast and you may just hear your thoughts here on the show. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

✦ 0:40 - The five main food groups that are important for anyone’s diet include—fruits, vegetables, protein, grains, and chocolate…okay, maybe not the last one. However, it remains an essential building block of a balanced diet. A new exhibition at the Museum of Design Atlanta, also known as MODA, explores the origins of chocolate, its evolution into a global commodity, and the designs of some of the most popular chocolate brands we know today. WABE arts reporter Summer Evans visited MODA to check out this delicious exhibition. ✦ 11:28 - We preview of this week’s WABE’s Sounds Like ATL music documentary series. For the unfamiliar, the show dives into the heart of Atlanta’s music scene. And each week, Sounds Like ATL spotlights a local artist—sharing their creative process and a few live performances. You can catch new episodes every Wednesday on the YouTube channel, @WABE ATL. Here’s a preview of the episode coming in a couple of day that features singer-songwriter, Kira. ✦ 15:03 - A new development is promising to reconnect neighborhoods and restore opportunity in the city’s core. It’s called BLVD NEXT and City Lights Collective co-host Jon Goode went to the groundbreaking ceremony to learn more about the arts organization that’s been tapped to collaborate. ✦ 26:42 - City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, “GULCH”, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: Blaxploitation film posters on display at ADAMA, live figure model drawing at The Supermarket, and the all-ages Contemporary Kids art program at Atlanta Contemporary. ✦ 38:12 - One of Atlanta’s own is heading to Switzerland this summer to participate in the first-ever “European Throat Singing Festival and Competition.” City Lights Collective co-host Kim Drobes recently caught up with Atlanta throat singer Aileen Loy ahead of her upcoming European adventure.See omnystudio.com/listener for privacy information.

James Victore, a "recovering graphic designer" turned creative coach, shares his journey from commercial conformity to artistic rebellion. Starting with a childhood memory of melted crayons on hot cement, James traces his path from failed university attempts to becoming a Museum of Modern Art-featured designer. His breakthrough came at 30 with controversial Columbus Day posters that were scraped off by police—a moment that crystallised his commitment to meaningful work over commercial success.The conversation explores James's evolution from pleasing clients to finding clients who appreciate his authentic voice. He discusses teaching at the School of Visual Arts for 18 years, where he learned that creativity's job is to disrupt. Now he coaches "frustrated creative adults" to express what's truly in their hearts rather than succumbing to "creative constipation."Key themes include the difference between being weird versus seeming weird, the importance of self-love in creative expression, and why perfectionism is simply a tool for self-sabotage. James emphasizes that creativity requires business acumen—"a starving artist is just an artist who doesn't know they're in business."Key TakeawaysThe opposite of depression is expression—creative constipation leads to frustration and unhappinessPerfectionism isn't about quality; it's a fear-based tool used to stop ourselves from creatingEvery moment we choose between shrinking from fear or growing from love"Normal" life (obesity, job dissatisfaction, early death) is more frightening than being creatively weirdChildren's primal drive to be "seen and heard and loved" is essential for adult creatives to reclaimFinding your tribe matters—when weird people connect, magic happensBusiness skills are essential for creative survival—learn invoicing, marketing, and self-promotionThe future depends on embracing weirdness rather than conforming to destructive normalcyTrue creativity comes from expressing personal truth, not following industry formulasSelf-love is the trigger that allows creativity to flow; self-hate blocks itMarketing is simply having something to say and saying it repeatedly with convictionCreative work should entertain, educate, delight, or provoke strong emotions—never be neutral Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

In this episode, Jason discusses the ever-evolving landscape of photography gear, particularly focusing on Sony's latest camera release, the RX1R Mark III. He expresses his concern that this new model, priced at over $5,000, is out of touch with the average photographer's needs and represents a waste of money for most, highlighting a trend of camera companies releasing niche products or minor updates rather than innovations with broad appeal.Jason argues that the rise of smartphones has significantly impacted the camera market, leading companies to resort to what he perceives as gimmicks. He champions the idea that skill and artistic vision are far more important than owning the latest, most expensive equipment, advocating for photographers to invest in education and portfolio building over unnecessary gear upgrades to ensure financial success.

This episode features gallery artists, illustrators and painters such as Adam Gustavson (children's book illustrator), Cassandra Kim (fine artist), Raymond Bonilla, John English, and Scott Anderson. We draw and talk about Superman, the best lairs, and more. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

SEASON 2 - EPISODE 150 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 2 In this episode of the Team Deakins Podcast, we finish our two-part conversation with editor Joe Walker (Season 1, Episode 35) about two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. Following the previous episode, we shift our focus towards ARMY OF SHADOWS, contrasting the film's measured pacing with the rapidity of its violence that punctuates several points in the story. We reflect on the emotional effect of the movie's unique sense of rhythm and handmade nature, and we discuss the use (and absence) of music throughout the film. We also reflect on the film's near-lack of inserts and intimacy, and we share how the film successfully adapts the essence of the book from which it is based despite making several story changes. Roger was in college at the time of both films' theatrical runs, and he shares what it was like watching them with contemporary audiences. Later, Joe reveals why he and director Denis Villeneuve (Season 1, Episode 25) vary their film diet and watch “slower” films such as ARMY OF SHADOWS to refresh their brains, and Joe observes that fisherman make great camera operators. - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Barco & Aputure

Anna Arendt is a photographer and visual artist living and working in Berlin whose images explore memory, silence, loss, and the invisible links between personal history and larger events. Her work often moves between personal, historical, and symbolic worlds, shot in black-and-white to capture places where the past and present meet.Anna was born in the German Democratic Republic and was 24 when The Wall fell, at which time her daughter was two. Her parents were born 1940 in Germany, children of war. Both of her grandfathers had been soldiers, who had been in Poland between 1940 and 1942. One came back 2 years after the war was over, the other one never returned.As a child Anna found a secret shelf that contained photo albums of her family. "It is where I discovered the power of a picture. A picture taken in summer 1940. A young family, my grandmother, her baby and my grandfather in a German uniform. A picture full of contradictions, carrying ambivalent feelings even today."Anna graduated with a degree in Fine Arts and Set Design and then received a one-year grant from the DAAD to study photography at the School of Visual Arts in New York. For 15 years, she worked as a set and costume designer for opera, drama, and puppet theater, collaborating with directors at theaters across Germany and Switzerland.Anna recently published her first book, Vanishing, with Charcoal Press. Photographed mostly between Germany and Poland over 15 years, the work slides back and forth through time like a blood memory. Walking naked through the dark forest, wolves circling, howling. A daughter becoming a mother becoming a grandmother becoming a child. Haunted villages, and souls in jeopardy. The harsh reality of the past merges seamlessly with moments of rapture that feel plucked from a Grimm fairy tale.Photography has now become the center of Anna's creative life. She continues to develop long-term projects that reflect her search for meaning in places marked by beauty, pain, and the mysteries of time. Alongside her artistic work, she also works with disabled people in an art workshop, sharing the joy of creative expression.In episode 260, Anna discusses, among other things:The origins of her photographyGrowing up in East GermanyBeginning to understand her family historyThe fall of the Berlin wall in 1989Being ‘connected to pictures'The importance of visiting Poland and its significance for her familyThe cast of characters in the book, including wolves…….And her friend, who sadly diedAllowing the photograph to tell her what it wants to be (and where)How Charcoal Press came to publish the bookHer collaboration with publisher Jesse LenzHaving a day job and a change of identityWhat she's currently up to in the darkroom EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

This is The Digital Story Podcast 1,008, July 15, 2025. Today's theme is, "Outdoor Gear That's Handy in Emergencies Too." I'm Derrick Story. Opening Monologue Great camping gear is not only helpful for your next outdoor photo adventure, but it can also help you survive a climate emergency. I have recently tested some state of the art equipment that can prove most helpful in good times and bad. All of this, and more, on today's TDS Photography Podcast.

Send us a textMy guest today is Christine Ma-Kellams, author of The Band listed in the Music category on Art In Fiction.View the video on YouTube: https://youtu.be/ZopqRgR9xG4Inspiration for The Band and its relationship to pop music, K-Pop, and popular culture.Motivation for writing The Band as a commentary on what may be happening behind the scenes of a successful K-Pop boy band.The novel as a scatching indictment of fandom and how the industry often turns a blind eye to the mental health of its stars.How our brains are not wired for interacting via screens with people we will never meet--what this is doing to our mental health.Discussion of the novel's narrator and the concept of situationships.The role of cancel culture in the novel and in contemporary culture.The Band as fan fiction meets literary fiction.Is all fiction essentially fan fiction since we write about what we love?Use of first and second person in the novel--breaking the fourth wall and inspiration from the TV series Fleabag.Is The Band a thriller?Outlining vs. starting to write and hoping for the best.The theme of The Band.Reading fromThe Band.Things that Christine learned from writing her novel - the wisdom of authors rewarding readers.What's next for Christine.Read more about Christine Ma-Kellams on her website: https://www.christinema-kellams.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

✦ World Listening Day, coming up on July 18th, celebrates the simple yet profound act of listening. As we tune in to the world around us, more of us are also experiencing our favorite stories through sound. City Lights Collective member and "Bookmarked" contributor Alison Law recently explored the growing popularity of audiobooks and what's next for this booming industry. ✦ The Happy Black Parent 4th annual Children's Book Festival is coming to Pittsburg Yards on Saturday. WABE arts reporter Summer Evans has more. ✦ After over three decades on Atlanta walls, streets, stickers, wheatpastes, and flyers, the iconic art of R. Land is now on view at Atlanta Contemporary through September 7th. His work, like "Pray for ATL" and "Loss Cat," has previously been preserved for posterity at the Atlanta History Center and the Georgia State Capitol. Still, those pieces only represent a fraction of his artistic career. City Light Collective co-host Kim Drobes recently caught up with Land to discuss his first-ever retrospective solo exhibition, "Landmarks: The World of R. Land." ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today their mix includes: an outdoor film screening on the Beltline by Off the Wall, art in three dimensions at Kai Lin's group show opening, and discussions about fine art curation on Edgewood Avenue with the Obsidian Collective. ✦ WABE's 'Sounds Like ATL' documentary series delves into the heart of Atlanta's music scene. Each week, it spotlights a local artist, sharing their creative process and a few live performances. You can catch new episodes every Wednesday on the YouTube channel, @WABE ATL. Today, we preview their latest episode with the band Anna Kramer and Easy Now. See omnystudio.com/listener for privacy information.

This episode features gallery artists, illustrators and painters such as Adam Gustavson (children's book illustrator), Cassandra Kim (fine artist), Raymond Bonilla, John English, and more. We have a ton of education in this one, with a conversation about "selling out" that is pretty fun. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

Episode 482 / Bella FosterBella Foster was born in Los Angeles, CA in 1975 and lives in Grass Valley, CA. She received a Bachelor of Fine Art from the School of Visual Arts in New York, NY. Solo exhibitions of her work have been presented at Marinaro Gallery, New York, NY (2021), The Pit, Los Angeles (2018 & 2020 & 2024), Canada, New York, NY (2017), South Willard, Los Angeles, CA (2015), and Art Since the Summer of 69, New York, NY (2010), and a two-person exhibition with Elwyn Palmerton was presented at Southfirst, Brooklyn, NY in 2008. Foster's work has been featured in thematic exhibitions such as Palo Santo, Ratio 3, San Francisco, CA (2018); Fort Greene, Venus Over Los Angeles, Los Angeles, CA (2016); Material, Salon 94, New York, NY (2012); Greater Brooklyn, CRG Gallery, New York, NY (2005); and Where are we going? Where do we come from? And where are we going?, Champion Fine Art, Los Angeles, CA (2004).  She is represented by The Pit, Los Angeles.  

Law's World: Lipstick Bandit, 13min., USA Directed by Law Artis “A sassy pansexual sex blogger prepares for a high-profile house tour, but his plans are derailed by his narcissistic bestie, determined to retrieve something she claims is irreplaceable.” http://lawartis.com/ https://instagram.com/laws_world Get to know the filmmaker: What motivated you to make this film? I grew up watching so many tv shows and as a performer I wanted to create something I've never seen. I wanted to mix my love of reality tv, web series, and film into my own version of a proof of concept film for my web film series I wrote. It;s time for a plus size, poc, to lead a comedy film series and why not me! From the idea to the finished product, how long did it take for you to make this film? This was a one year process. I am a graduate of School of Visual Arts as a Film Directing Grad Program. I wrote the script in the summer of 2024, and started preproduction winter of 2024, and was in post production by early spring 2025. How would you describe your film in two words!? Fabulously Iconic. What was the biggest obstacle you faced in completing this film? Biggest obstacle for any indie filmmaker/creative; where is the money coming from? Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

What if the path to becoming an artist wasn't shrouded in mystery but illuminated by practical wisdom? In this deep dive into Jerry Saltz's transformative book "How to Be an Artist," we explore the Pulitzer Prize-winning critic's generous, accessible, and remarkably grounded advice for creative souls at any stage of their journey."Art is for everyone," Saltz declares, immediately dismantling the barriers that keep so many from pursuing their creative calling. Whether you're wondering if you can be an artist without formal education, while working full-time, or while wrestling with crippling self-doubt, his answer rings clear: "Of course you can." Through our conversation, we unpack how Saltz's decades of observing artists have yielded insights that speak directly to the heart of the creative struggle.The book's wisdom resonates powerfully throughout our discussion – from embracing the uncomfortable vulnerability of making art to recognizing that "the faster your work makes sense, the faster people will lose interest." We explore why certainty kills curiosity, how imagination forms the very essence of human existence, and why getting productively lost might be the most direct path to finding your voice. Saltz's practical advice – "cast your nets into the waters" of inspiration and "work, work, work" – offers a refreshing antidote to creative paralysis.Perhaps most encouraging is Saltz's insistence that it's never too late to begin. Through stories of artists who found success later in life (including Saltz himself who didn't become serious about his calling until age 40), we confront the myth that artistic accomplishment requires early specialization. Whether you're just starting out or seeking to deepen your existing practice, this episode offers a roadmap filled with practical wisdom, compassionate encouragement, and the liberating reminder that "nothing happens if you're not working, but anything can happen when you are."Buy "How to be an Artist" by Jerry SaltzSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 149 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 1 In this episode of the Team Deakins Podcast, editor Joe Walker (Season 1, Episode 35) returns for the first half of a two-part discussion about the filmmaking behind two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. The films may contrast in their expression of cinematic storytelling with each other and with films made today, but we find, over the course of these two episodes, that both films share and build on the fundamental elements of what makes a movie, a movie. This episode focuses on IN COLD BLOOD, and we discuss how the film frequently subverts expectations through its structure, cinematography, and editing. Joe also breaks down composer Quincy Jones' evocative score, and he reveals how the film radically flew in the face of a soon-to-be-abandoned Hays Code. Additionally, we look at the innovations in filmmaking technologies and techniques from cinema's youth to the 1960s, and Joe presents his theory of the 30-year-cycle of evolution in the film industry. Plus, we take a moment to consider the links between Soviet propaganda's understanding of montage and the modern analytics and algorithms that manipulate how images are presented on the internet today.  - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Aputure & Barco

Mike Esneault talks with Southern University Professors Harry Anderson and Darrell Roberson about the launch of SU's Digital Media Arts Program. This new degree program features the following concentration tracks: Digital Screen Arts Production, Digital Performance Fusion, Visual Arts and Motion Graphics, Digital Sports Production and Recording Arts. They discuss the origins and the vision of this exciting new degree program!

This is The Digital Story Podcast 1,007, July 8, 2025. Today's theme is, "Tech Tales from the Dark Side." I'm Derrick Story. Opening Monologue On May 12th, I was en route to the TDS Redwoods Photo Workshop based in Klamath, CA. I had the EV ID.4 loaded up, and I was ready for a week of photography adventure. About halfway through my trip north, I had a technological mishap that I'm living with to this day. What happened, and how I'm dealing with it, is the first story in today's TDS Photography Podcast. I hope you enjoy the show.

✦ If you go to the Decatur Recreation Center on a Friday evening, you’ll see about 75 people dancing to a live fiddle band, and they look like the happiest people in town. City Lights Collective member Gillian Anne Renault learns more about Atlanta Contra Dance. ✦ Latinas in Media Atlanta, also known as LIMA, creates opportunities for Latine artists to tell untold stories from the Latin diaspora. Founded in 2017, the organization provides networking opportunities for Latine film, theater, and television professionals. Viviana Chavez and Denise Santos are the two women behind LIMA, and City Lights collective member Kelundra Smith recently spoke with them to learn more about their ethos and their mission. ✦ Meet our co-host, Emmy-nominated writer, author and poet Jon Goode! He is no stranger to a microphone; he hosts many events around town and performs regularly nationwide for The Moth. But what else should we know about Jon? WABE Arts Reporter Summer Evans sits down with Goode to learn more about his background. ✦ The Lavender Performing Arts Festival from Out Front Theater Company returns this month with a new theme: “Celebrate Every Letter.” With a lineup spanning theater, music, drag, AND performance art, the festival is more than a showcase—it’s THE stage for Southern queer voices to tell their stories. City Lights Collective producer Josh Thane recently spoke with festival Organizer Ty Autry and festival contributor Hannah Marie Smith to find out more. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, GULCH, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: Gallery strolling through Castleberry Hill, mural installation pieces at Cat Eye Creative Downtown, and a solo show opening at Hawkins HQ.See omnystudio.com/listener for privacy information.

Artist and provocateur Brian Andrew Whiteley joins The Truth In This Art to talk about creating work that pushes buttons and blurs boundaries. Based in New York, Brian is known for his politically charged performances and installations—from the infamous Trump Tombstone to his leadership at the artist-run Satellite Art Show.In this wide-ranging conversation, Brian reflects on the early days of his work with creepy clown performances, how drawing comics sparked his creative journey, and why art that provokes discomfort can often spark the deepest conversations. He shares the legal and emotional fallout from controversial projects, what it means to stay committed to an experimental path, and how building spaces like Satellite offers artists a way out of the commercial art world's rigid structure.This is an honest, funny, and layered dialogue about creative risk, censorship, and what it takes to build something outside the system.Highlights include:The story behind the Trump Tombstone—and how it led to a Secret Service investigationWhy embracing absurdity became central to his practiceBuilding Satellite Art Show as a true artist-first platformLearning to push past legal threats and backlash to stay true to his ideasWhy success isn't about sales—it's about freedom and community

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Industrial expansion has left an indelible mark on our natural world, fundamentally altering landscapes and ecosystems for the sake of material progress and modern convenience. This transformation has created an environmental challenge of unprecedented scale. In today's show, we'll connect the dots between the raw materials that make up our planet and the industrial forces visually altering our contemporary landscape in a chat with a photographer who's documented these profound global changes firsthand for the past 50 years. Applying visual principals rooted in abstract expressionist painting, Edward Burtynsky has explored a wide range of photographic tools in his image making—from large format film to high-res digital cameras mounted to the most sophisticated of drones. Included among our many discussion topics are his distinctive approach to translating a 3-D landscape to the flat plane of a photograph; his various methods for capturing aerials using either a helicopter, fixed wing aircraft, or various types of drones; and the early business epiphany that led him to open a photo lab as an income stream, rather than work as a camera for hire. As Burtynsky shares during our chat, about the connection between nature and industry: “You know, materials are an incredibly key part of modern society. And yet we need to go to sources in nature, where these materials are found. And I'm just reconnecting a reality that we still live in a material world, and our cities are built of molecules that came from somewhere, and I'm taking you to those places that are vast and huge.” Guest: Edward Burtynsky Episode Timeline: 2:58: Burtynsky's early interest in abstract expressionist painting combined with the magic and rituals of composing images with a large format camera 5:28: Planning for aerial views, the shift from using a minerals map in the past to Google Earth today, plus Burtynsky's shooting preferences between a helicopter and a drone and shooting open air. 10:22: Burtynsky's approach to translating a 3-D landscape to the flat plane of a photograph. 17:17: The planning and research behind Burtynsky's work vs the need to pivot in the field. 19:45: Adapting to technology over a 50-year career, and how it's shaped Burtynsky's process—from large format film to high end digital on a drone. 23:16: Episode Break 23:59: Burtynsky talks about permissions to access mines and industrial sites and how this has changed over time. 31:44: A wrong turn on the highway in 1981 and the photos that led Burtynsky to an epiphany about human-altered landscapes.  35:48: Burtynsky talks about forming his photo lab Toronto Image Works as a ballast to provide income in printing for other photographers while pursuing personal fine art photo projects. 43:38: Burtynsky's retrospective exhibit at the ICP in New York, his thoughts about the future of technology, plus recent collaborations with a young artist working in Artificial Intelligence.   Guest Bio:  Edward Burtynsky has spent more than 40 years bearing witness to the impact human industry on our planet. Regarded as one of the world's most accomplished contemporary photographers, Burtynsky's work is included in the collections of more than 80 museums worldwide and featured in major exhibitions around the globe. Born in St. Catharines, Ontario in 1955, Burtynsky's early exposure to a nearby General Motors plant and ships navigating the Welland Canal in his hometown captured his imagination, helping to formulate his ideas about the scale of human creation he would later capture in photographs. These images explore the collective impact we as a species have on the surface of this planet. A select list of Burtynsky's many distinctions include the inaugural TED Prize, the title of Officer of the Order of Canada, the International Center of Photography's Infinity Award for Art, a Royal Photographic Society Honorary Fellowship, and the World Photography Organization's Outstanding Contribution to Photography Award. Burtynsky currently holds nine honorary doctorate degrees, and in addition to his work in photography, he was a key production figure in the award-winning documentary film trilogy Manufactured Landscapes, Watermark, and ANTHROPOCENE: The Human Epoch. All three films continue to play in festivals around the world. Stay Connected: Website Instagram Facebook YouTube Linktree    - Host: Derek Fahsbender  Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Local Spotlight

SEASON 2 - EPISODE 148 - Pulling a Film Together - with Paula McGann In this episode of the Team Deakins Podcast, we speak with Paula McGann (1917, DARKEST HOUR, MIDNIGHT SKY). We had the pleasure of working with Paula on 1917, and we asked her to come on the podcast to discuss the work that goes into pulling a film together nowadays. Paula—after years of working for directors, producers, and in several departments on numerous films—has recently begun producing herself, and with several projects in various stages of development, we thought her perspective would be valuable to hear and share. Paula teaches us what the film marketplace actually is, and we explore several hypothetical situations such as breaking down a script without a director's vision and handling a financier's creatively disruptive note. Paula also shares an experience in which a project was taken away from her, and we discuss practicing resilience in a business of ups and downs. Throughout the episode, we discuss mentors, budgeting, sales agents, putting yourself out there, and finding your own way in the business. - This episode is sponsored by Profoto & Aputure

This is The Digital Story Podcast 1,006, July 1, 2025. Today's theme is, "The Enduring 20-Megapixel Sensor." I'm Derrick Story. Opening Monologue Olympus released their first 20MP sensor back in 2016. Since then, their Live MOS or the stacked BSI Live MOS sensors have been inside their Micro Four Thirds cameras. And even though Panasonic has a 25 MP version, OM System has stuck with theirs. Today, you'll discover why. All of this and more on this week's TDS Photography Podcast. I hope you enjoy the show.

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

 Nightshining (Milkweed, 2025) Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper's, McSweeney's, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department. Recommended Books: Hélène Bessette, Lily is Crying Jean Craighead George, My Side of the Mountain Majula Martin, Last Fire Season Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

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Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some.  Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You'll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we're gonna talk about FileMaker. Digital Intermediate - What to expect when you're expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let's make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more!   JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE.  Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media.   The Credits Visit ExtremeMusic for all your production audio needs Get your copy of Jared's book in Kindle or Paperback! Hear Jared and editor John Axelrad ACE discuss their work together on ANTEBELLUM Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Host Jason Blitman sits down with author Joe Westmoreland to discuss the newly republished edition of his 2001 novel, Tramps Like Us. They explore the book's evolution from memoir to fiction, delve into the “Pink Bubble” technique, and revisit untold stories from Joe's hitchhiking days that didn't make it into the final draft. They also reflect on how everything seems to be constantly changing—yet somehow coming full circle. Later, Jason is joined by Guest Gay Reader Rob Franklin, who shares what he's been reading and shares about his new book, Great Black Hope.Joe Westmoreland is the author of the novel Tramps Like Us, originally published in 2001. His writing has appeared in several anthologies, zines, and catalogues for art exhibitions. He lives with his partner, the artist Charles Atlas, in New York City.Born and raised in Atlanta, Rob Franklin is a writer of fiction and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer Award, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin lives in Brooklyn, New York, and teaches writing at the School of Visual Arts. Great Black Hope is his first novel. BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Have you ever felt like your artwork knows more than you do? In this intimate, unplanned conversation recorded during a Montana retreat, Ty and Nathan explore the vital yet often overlooked practice of soul care for artists.Surrounded by the sounds of birdsong and nestled in Montana's rolling landscape, we dive into what happens when artists intentionally step away from their studios. More than just a luxury, these moments of pause—whether through travel, immersion in nature, or simple daily rituals—fundamentally transform our creative practice and the work that emerges from it.Drawing wisdom from Mary Oliver's poetry collection "Redbird" and Jack Whitten's studio journals, we unpack what it means to create "not for the sake of winning, but for sheer delight and gratitude." Oliver's observation that "it is a serious thing just to be alive on this fresh morning in this broken world" reminds us that pausing to notice our surroundings isn't just pleasant—it's essential to developing our artistic voice.We share our personal soul care practices, from morning reading rituals and mindful walks to the transformative power of travel and trying uncomfortable new experiences. The conversation explores how these moments help us break free from achievement-oriented creation and return to our work with renewed vision. As Whitten noted, "Nature does not think"—it simply exists. There's profound creative wisdom in learning to sometimes just be rather than constantly do.Whether you're struggling with burnout or simply seeking to deepen your creative practice, this conversation offers practical inspiration for incorporating soul care into your artistic journey. Take a moment with us, slow down, and discover how the small pauses might actually hold everything you need.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto

This is The Digital Story Podcast 1,005, June 24, 2025. Today's theme is, "Costa Rica, Here We Come." I'm Derrick Story. Opening Monologue After our fantastic adventure in January, Rob and I decided that we should return to Costa Rica and bring along a few of our photographer friends who want to join us. If you're wondering how this all works, Rob Knight is joining me on the show so we share our thoughts from the last workshop, and explain what we want to do for the next one. All of that, and more, on this week's TDS Photography Podcast. I hope you enjoy the show.

Every photographer dreams of publishing a book of their photographs. But what exactly does that entail? In today's show, we're going to peek behind the scenes of this complex and daunting process in a chat with two complementary figures who've spent their respective careers helping to redefine what a photo book can be. Starting with three basic questions—Why a book? Why now? And what is the role of a book in your career at this time?—our discussion expands to cover a broad range of concerns. From distinguishing between the many different publishing models available today, to insights on sponsorship and publishing contracts, to tips about marketing and getting people onboard with your project, you'll come away with inventive strategies for publishing your work in book form. We've envisioned this show as an impromptu master class, so get ready to take some notes! Guests: Mary Virginia Swanson & Rick Smolan Episode Timeline: 4:45: Mary Virginia Swanson's basic advice to photographers interested in publishing their photographs in book form, plus the different publishing models available today. 10:22: Rick's start as a freelance photographer and the story behind his shift in roles to launch the Day in the Life book series. 15:04: The importance of sponsorship or in-kind donations, plus innovative strategies for negotiating such deals. 23:04: The two different categories of photo books: greatest hits with the photographer as subject and a book that has a separate subject and overarching story. 27:55: Tips for going on press, advice about publishing contracts, and suggestions for buying back a book before it gets remaindered. 34:54: The issue of vanity presses, and the matter of requiring a subvention from authors to help cover the publisher's costs. 43:03: Publicity and marketing: You are the best salesperson for your book. Tips for getting your book seen and heard about, from magazines to podcasts. 49:08: Episode Break 50:02: Should you create a full mock-up version of a book or just show a publisher a selection of photos? 59:22: Benefits to working with a literary agent when seeking to publish a photo book. 1:01:44: Slicing up the pie by hiring freelaners or finding a partner to share in the work. 1:07:38: The importance of publishing deadlines and many important markers tied to a calendar, plus the cover photo and book blurbs. 1:14:22: Swanson and Smolan on their picks for memorable photo books. 1:25:19: Parting advice about getting other people excited about your project.   Guest Bios: Mary Virginia Swanson has spent her career helping artists find the strengths in their work, identify receptive audiences, and present their personal vision in an informed, professional manner. Her broad background as a photo educator, author, entrepreneur and advisor spans areas of exhibiting, collecting, licensing, and marketing photographs. A few career highlights include working with Ansel Adams to manage education offerings at the Friends of Photography in California, heading Special Projects for Magnum Photos in New York, and founding and directing Swanstock as a unique licensing agency for fine art photographers. Swanson is the recipient of many awards, including the Society for Photographic Education's Honored Educator Award and the FOCUS Award for Lifetime Achievement in Photography from the Griffin Museum in Boston to name just two. In 2011, Swanson co-authored Publish Your Photography Book with Darius Himes, which is now in its third edition. Currently, Swanson works independently from her home base in Tucson, offering classes, workshops and consulting services to artists and arts organizations, serving as an advisor for multiple nonprofits, and giving back through other community-minded activities.  Rick Smolan is both a photographer and an entrepreneur. A former contributor to Time, Life, and National Geographic, he is perhaps best known as creator of the Day in the Life book series, plus subsequent book projects of massive scope. As CEO of the multi-modal company Against All Odds Productions, Smolan designs and executes crowd-sourced, global projects that combine compelling storytelling with state-of-the-art technology. These projects capture the human face of emerging topics while engaging a wide range of media platforms to result in books, TV specials, social media apps, exhibitions, and hundreds of millions of media impressions. One such project, based on Smolan's 1977 National Geographic cover story about Robyn Davidson's solo travels across the outback has enjoyed continued life in multiple books, plus the feature film Tracks, with Adam Driver cast in the role of Smolan. Other recent projects include The Human Face of Big Data, which looks at how all our devices are creating a planetary nervous system, and The Good Fight: America's Ongoing Struggle for Justice, which became one of Amazon's top 100 books within a week of its release.   Stay Connected: Mary Virginia Swanson Website Instagram Rick Smolan Instagram Facebook YouTube  Against All Odds Website   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

SEASON 2 - EPISODE 146 - Matthew Specktor - Author Author Matthew Specktor joins us in this episode of the Team Deakins Podcast. In his recently released memoir, THE GOLDEN HOUR, Matthew, the son of legendary talent agent Fred Specktor, uses his parents' divergent professional and personal lives to reflect on the film industry as it was, and he writes about his own life and career in and around the movies to reflect on what it has become. After reading it (and Matthew's other novels), we felt we had to speak with him. What follows in this episode is a wide-ranging and lively conversation about Matthew's life, his and our views on the changes in the film business and in the films themselves, cinema's place in society, and the genuine love for Hollywood that comes out in his writing. We also discuss the changing economics of funding films, the shifts in who wields power in Hollywood, and Matthew details the brief window in the 1960s and 1970s in which filmmakers were afforded a relative freedom not seen since. In THE GOLDEN HOUR, Matthew at times places us inside the minds of industry figureheads such as Lew Wasserman and Michael Ovitz, and Matthew shares how understanding the men who changed the film industry can help us better understand where we are today. We also reflect on the all-consuming lifestyle of working in Hollywood, and Matthew likens it to being trapped in a casino at two in the morning—forever. Plus, Matthew shares what it was like learning how to write from a uniquely qualified professor: James Baldwin.  - Recommended Reading: THE GOLDEN HOUR - This episode is sponsored by Profoto & Aputure