Podcasts about image entertainment

Francois Martin VERTICAL ENTERTAINMENT. Francois Martin is currently a Business Development Associate at Vertical Entertainment, a global independent film distribution company. Vertical's impressive library includes titles such as CAPONE, Miami's own REEFA and CRITICAL THINKING along with recent new releases ALICE and LAST SEEN ALIVE. From 2018-2020, he worked for Aviron Pictures as Executive Vice President, Media Strategy and Content Distribution. Aviron Pictures was an American distribution company involved with THE STRANGERS: PREY AT NIGHT, SERENITY and AFTER. Prior to Aviron, Francois was a senior theatrical marketing and content sales executive at The Weinstein Company and Miramax Films. He led theatrical marketing strategy and awards media campaigns on WIND RIVER, LION, SOUTHPAW, WOMAN IN GOLD, INGLORIOUS BASTARDS and THE KING'S SPEECH. Francois has also overseen media, integrated promotions and marketing operations on KILL BILL, CHICAGO, SPY KIDS, SCARY MOVIE, Lee Daniel's THE BUTLER, DJANGO UNCHAINED, PADDINGTON and SILVER LININGS PLAYBOOK. Matthew Stein PRODUCER WITH M.E.S. PRODUCTIONS Matthew Stein is currently a producer with M.E.S. Productions, which is currently producing projects for Sony Pictures Entertainment, Live Nation, Warner Music Group, Rolling Stone, Amasia Entertainment, and many more. He also has a lead consulting role for McCourt Entertainment, working to develop a major film and TV development and production fund. Prior, Matt was the SVP, Scripted Film/TV Production at Live Nation Productions, the entertainment division of Live Nation, the world's largest live events company, where he oversaw a scripted team that developed and produced content in the music/film/TV crossover space. The overall division has executive produced the Warner Bros phenomenon A Star is Born, as well documentaries Lady Gaga 5 Foot 2, Imagine Dragons Believer, and more. Before Live Nation, Matt served as VP, at Sony Pictures Entertainment International Productions. This unique division developed English language television series, local language movies, and English language movies with heavy international appeal. He was brought it to help produce the Simon Pegg/Nick Frost feature Slaughterhouse Rulez. Matt has also executive produced Amityville: The Awakening for Dimension Films/Blumhouse and served as an executive producer on Dimension thrillers Kristy and Piranha 3DD, as well as Image Entertainment's The Houses That October Built. The first 12 years of Matt's career were spent working for Dimension Films, where he ascended through the ranks to run production as Executive Vice President of Production. He oversaw all phases of production, development, and casting for the division, and was Executive Producer on such varied films as Scream 4, Halloween, Halloween 2, Apollo 18, Hellride, Superhero Movie, and more. In total, Matt has been the executive in charge of production on over 35 films in his time, and also held the positions of Senior Vice President, Vice President, and started his career as an assistant to the co-Chairman. Matt graduated from The University of Miami, where he majored in Film/Political Science with a minor in Business. He is originally from New Jersey, lived and worked in New York City for years, and currently resides in Los Angeles.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1549195416930885632 CW: Suicide, Sexual Assault, Sexual Harassment, Homophobia It's Meta Week on Pod Sematary! Chris & Kelsey are self-referential and silly. Don't think too hard about it. The Classic Film: Gremlins 2: The New Batch (1990) "The Gremlins are back, and this time, they've taken control of a New York City media mogul's high-tech skyscraper” (IMDb.com). Gremlins 2 was a too-late sequel to a pop culture phenomenon that didn't feel like the original at all. But if you can get over that, it sure is a lot of stupid fun. The Modern Film: The Final Girls (2015) "A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom's most famous movie. Reunited, the women must fight off the film's maniacal killer” (IMDb.com). The Final Girls is a love letter to—not a takedown of—slasher films from the 80s. The logic may not work, but who cares, really? Audio Sources: "Bette Davis Eyes" written by Donna Weiss & Jackie DeShannon and performed by Kim Carnes "Cherry Pie" written by Jani Lane and performed by Warrant "The Final Girls" (2015) produced by Groundswell Productions "Gremlins" produced by Warner Bros. & Amblin Entertainment "Gremlins 2: The New Batch" produced by Warner Bros. & Amblin Entertainment "Hollywood Sequel Doctor" (Key and Peele S05E08) produced by Monkeypaw Productions, et al. "Joker" (2019) produced by Warner Bros., et al. "Looper" (2012) produced by TriStar Pictures, et al. "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "Spaceballs" produced by Brooksfilms & Metro-Goldwyn-Mayer

On today's episode of One Cross Radio, we're sharing an episode we got to be a guest on over on Henshin Men earlier this year!  To cover all bases and links, I'ma hit you with the summary from the original episode! Hope you enjoy, and God bless my friends!   With Travis still on break, Nathan brings on his friend Chris Cooke of One Cross Radio and Radio Arcade to see, as he puts it, “Power Rangers on Crack”—aka Super Inframan. If you're thinking, “That's from Hong Kong, not Japan! It can't be on Henshin Men!” you're wrong. It was made to tap into the “Henshin Boom” of the 1970s, and it had Japanese crewmembers who worked on Ultraman and Kamen Rider, among other tokusatsu. In an episode almost as energetic and crazy as the movie, Nathan and Chris muse about what a thrash metal band and album inspired by this movie would sound like, trademark every silly nickname they give to everything in the movie, and Chris goes on the biggest rant of his podcasting career. Welcome to the zany world of Inframan and Henshin Men! Super Inframan is available on DVD from Image Entertainment and to stream on YouTube. Check out Chris's OCR website, YouTube channel, Instagram, and his other podcast, Radio Arcade. Henshin Men is a proud member of the Kaiju Ramen Media Podcast Network. Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge. Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip. MUSIC: -“Inframan Theme: Original Version” by Frankie Chan -“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

COMPANY COMPOSER: Stephen Sondheim LYRICIST: Stephen Sondheim BOOK: George Furth DIRECTOR: Hal Prince CHOREOGRAPHER: Michael Bennett PRINCIPLE CAST: Beth Howland (Amy), Dean Jones (Bobby), Elaine Stritch (Joanne) OPENING DATE: Apr 26, 1970 CLOSING DATE: Jan 01, 1972 PERFORMANCES: 705 SYNOPSIS: On his 35th birthday, bachelor Robert is confronted by his happily, and unhappily, married friends, as well as his three girlfriends, who all push him towards committing to another human being.  Stephen Sondheim had tremendous early success as a Broadway lyricist, but until the success of Company, his work as a composer could not be regarded as commercially successful. Based on a series of sketches about married couples by actor George Furth, Sondheim and director Hal Prince developed a musical which navigated a bachelor's relationships with his lovers and married friends. Rick Pender promotes Company's significance as an early book musical which, through Boris Aronson's design, Prince and Michael Bennett's staging, Jonathan Tunick's orchestrations, subject matter, and rough narrative, epitomized contemporary storytelling and broke away from the conventions of traditional musical theatre. Later revivals of the show staged by John Doyle and Marianne Elliott employed tactics which kept Company at the cutting edge of the art form and in dialogue with timely societal critique. Rick Pender- From 2004 to 2016 Rick Pender edited The Sondheim Review; in 2017 he launched EverythingSondheim.org. His book The Stephen Sondheim Encyclopedia was published in 2021. He has written about theater for Cincinnati CityBeat since it began publishing in 1994, and he was the paper's arts and entertainment editor from 1998 until 2006. Ohio's Society of Professional Journalists recognized him the state's best arts critic in 2002 and 2017. He contributed theater interviews to public radio station WVXU's weekly arts magazine for 15 years. Rick is a past chair of the American Theatre Critics Association. Rick's Book Available Here SOURCES Company by Stephen Sondheim and George Furth, published by Theatre Communications Group (1995) Company, Original Broadway Cast Recording. MasterWorks (1970) Original Cast Album: Company, starring Dean Jones and Elaine Stritch, directed by DA Pennebaker. New Video Group (1970 Stephen Sondheim's Company with the New York Philharmonic, starring Neil Patrick Harris and Patti LuPone, directed by Lonny Price. Image Entertainment (2012) Company, starring Raul Esparza and Barbara Walsh, directed by John Doyle. Image Entertainment (2008) Learn more about your ad choices. Visit megaphone.fm/adchoices

OKLAHOMA COMPOSER: Richard Rodgers LYRICIST: Oscar Hammerstein II BOOK: Oscar Hammerstein II SOURCE: Lynn Riggs play Green Grow The Lilacs (1930) DIRECTOR: Rouben Mamoulian CHOREOGRAPHER: Agnes DeMille PRINCIPLE CAST: Howard DaSilva (Jud), Alfred Drake (Curly), Celeste Holm (Ado Annie), Joan Roberts (Laurey) OPENING DATE: Mar 31, 1943 CLOSING DATE: May 29, 1948 PERFORMANCES: 2,218 SYNOPSIS: Laurey, a young girl living in the Oklahoma territory, must choose between two men to accompany her to the box social: Curly, an attractive cowboy and Jud, a sinister farmhand, whose emotional instability might lead to Curly's death.  Building on the earlier success of Show Boat, Oklahoma! furthered the storytelling capabilities of a book musical, shocking audiences with its commonplace opening, fusing the narrative with a dream ballet, and unifying all elements to tell one story. The musical is also significant as the first artistic collaboration between composer Richard Rodgers and lyricist Oscar Hammerstein II. Kevin David Thomas explores how the musical was not predicted for success, the contributions of choreographer Anges DeMille and director Rouben Mamoulian, the importance of Decca Records documenting its original cast through an audio recording, and the legacy of the musical in the national discourse.  Kevin David Thomas is an actor, music director, broadway coach, and co-host of the acclaimed podcast, ‘Behind the Curtain: Broadway's Living Legends'. He has been on faculty at the Professional Conservatory of Musical Theater at NYFA for 10 years. Kevin performed in the Broadway revivals of A Little Night Music (cast recording) and Les Misérables. As a music director/musician specializing in new works: A Tale of Two Cities (Broadway; asst to MD), Little House on the Prairie (Nat'l Tour; Asst Music Sup), Marvelous Wonderettes: Dream On (world premiere; cast recording). He is a graduate of Baldwin Wallace University. SOURCES Oklahoma, Original Cast Recording, Decca (1943) Oklahoma!: The Complete Book and Lyrics of the Broadway Musical by Oscar Hammerstein and Richard Rodgers, published by Applause Libretto Library (2010) Oklahoma starring Shirley Jones and Gordon MacRae, directed by Fred Zinnemann, RKO Radio (1955) Oklahoma starring Josefina Gabrielle and Hugh Jackman, directed by Trevor Nunn, Image Entertainment (1999) OK! The Story of Oklahoma!: A Celebration of America's Most Beloved Musical by Max Wilk, published by Applause Books (2002) Oklahoma: The Making of An American Musical by Tim Carter, published by Yale University Press (2007) Learn more about your ad choices. Visit megaphone.fm/adchoices

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1495864290250661888 CW: Suicide, Molestation It's Presidents' Day on Pod Sematary! Chris & Kelsey can see the future and the future is fighting a mummy with JFK! The Classic Film: The Dead Zone (1983) "A man awakens from a coma to discover he has a psychic ability” (IMDb.com). Cronenberg, King, and Walken sound like a can't-miss combination, and—for the most part—it is. Strangely, especially considering the names, it isn't very horrific, though. The Modern Film: Bubba Ho-Tep (2002) "Elvis Presley and a black JFK stay in a nursing home where nothing happens—until a wayward Egyptian mummy comes and sucks out the old people's souls thru their a-holes. The two decide to fight back” (IMDb.com). Bubba Ho-Tep was a pretty big deal in certain circles when it came out. Of course, it was. I mean, the cast and concept alone are killer. Right? Audio Sources: "Bubba Ho-Tep" produced by Silver Sphere Corporation "The Dead Zone" produced by Dino De Laurentiis Company & Lorimar Film Entertainment "Fight Club" produced by Fox 2000 Pictures, et al. "Maximum Overdrive" produced by De Laurentiis Entertainment Group "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Pet Sematary" (2019) produced by Paramount Pictures, et al. "The Raven" (from Hal Willner's "Closed On Account Of Rabies") written by Edgar Allan Poe and performed by Christopher Walken "Team America: World Police" produced by Paramount Pictures, et al.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1493129598921428993 CW: Emotionally and physically abusive relationships, Manipulation, Gaslighting, Suicide, Rape It's Valentine's Day and that means it's Toxic Relationships Week on Pod Sematary! Chris & Kelsey play couples-therapists to murderous dolls and a love triangle! Plus, Kelsey is very pleased with herself for coming up with so many relevant break-up songs! The Classic Film: Bride of Chucky (1998) "Chucky, the doll possessed by a serial killer, discovers the perfect mate to kill and revive into the body of another doll” (IMDb.com). Believe it or not: we really enjoyed the Tiffany/Chucky dynamic and the silly/serious juxtaposition, but you can see where the franchise is headed and, based on the last scene, we're not looking forward to it. The Modern Film: My Valentine (2020) "A pop singer's songs and artistic identity have been stolen by her ex-boyfriend/manager and shamelessly pasted onto his new girlfriend/protégé. Locked together in a small concert venue after hours, the three of them confront the emotional abuses of the past...until things turn violent” (IMDb.com). The filmmakers responsible for My Valentine may not have made the most original product themselves (especially when you know the real story), but at least the fun they were having bleeds out of the screen (and the speakers). Audio Sources: "Black Sheep" written by Emily Haines & James Shaw and performed by Metric "Chicago" (2002) produced by Miramax, et al. "Clue" produced by Paramount Pictures, et al. "deja vu" written by Olivia Rodrigo, et al., and performed by Olivia Rodrigo "Heartbeats" written by Karin Dreijer & Olof Dreijer and performed by The Knife "I Want You Back" written by The Corporation and performed by The Jackson 5 "I Will Survive" written by Freddie Perren & Dino Fekaris and performed by Gloria Gaynor "Irreplaceable" written by Beyoncé Knowles, et al., and performed by Beyoncé "The Lion King" (1994) produced by Walt Disney Pictures & Walt Disney Animation Studios "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "My Valentine" (Into the Dark S02E05) produced by Blumhouse Television & Hulu "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Scientist" written by Chris Martin, et al., and performed by Coldplay "Sweatpants" written by Donald Glover, et al., and performed by Childish Gambino ft. Problem "Thank You for Smoking" produced by Room 9 Entertainment "We Are Never Ever Getting Back Together (Taylor's Version)" written by Taylor Swift, et al., and performed by Taylor Swift "With or Without You" written and performed by U2

With Travis still on break, Nathan brings on his friend Chris Cooke of One Cross Radio and Radio Arcade to see, as he puts it, “Power Rangers on Crack”—aka Super Inframan. If you're thinking, “That's from Hong Kong, not Japan! It can't be on Henshin Men!” you're wrong. It was made to tap into the “Henshin Boom” of the 1970s, and it had Japanese crewmembers who worked on Ultraman and Kamen Rider, among other tokusatsu. In an episode almost as energetic and crazy as the movie, Nathan and Chris muse about what a thrash metal band and album inspired by this movie would sound like, trademark every silly nickname they give to everything in the movie, and Chris goes on the biggest rant of his podcasting career. Welcome to the zany world of Inframan and Henshin Men!Super Inframan is available on DVD from Image Entertainment and to stream on YouTube.Check out Chris's OCR website, YouTube channel, Instagram, and his other podcast, Radio Arcade.Henshin Men is a proud member of the Kaiju Ramen Media Podcast Network.Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.MUSIC:-“Inframan Theme: Original Version” by Frankie Chan-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

https://patreon.com/alexwilliamns (Patreon!) https://www.podchaser.com/podcasts/broken-bulbs-1416869 (Leave a review for Broken Bulbs!) BROKEN BULBS: https://www.podchaser.com/podcasts/broken-bulbs-1416869 (Leave a Review) https://mechoradio.com/brokenbulbs (Website) https://www.instagram.com/brokenbulbspod (Instagram) https://twitter.com/brokenbulbspod (Twitter) https://patreon.com/alexwilliamns (Patreon) JOE QUINN BRETZ (GUEST): Website https://www.imdb.com/name/nm2716412/ (IMDb) ALEX WILLIAMNS (HOST): https://www.alexwilliamns.com/ (Website) https://twitter.com/alexwilliamns (Twitter) https://instagram.com/alexwilliamns (Instagram) https://www.youtube.com/alexwilliamns (YouTube) https://www.patreon.com/alexwilliamns (Patreon) CREDITS: Host: https://www.alexwilliamns.com/ (Alex Williamns) Guest: Joe Quinn Bretz Music: https://artlist.io/artist/1075/brian-claxton (Brian Claxton) & https://artlist.io/artist/709/wesly-thomas?search=wesly-thoma (Wesly Thomas) Cover Art: https://www.redbubble.com/people/MadeByBKG/shop?fbclid=IwAR3H8YSNm8_zHMv5veeDY8hJxfoBXm73tRpDrM_jIxYSTgX_OHJsPq-ARuQ (Bethany Gustafson) Broken Bulbs is produced by MeCHo Radio. And we are, of course, a proud member of the Createvine.

Ryan Brookhart has been engulfed in the world of film, art and graphic design for the majority of his career. He served as Editor-in-Chief on two cutting edge - though diametrically opposed - publications: PROVOCATEUR - a magazine that explored art and politics as they relate to the human body and GO FIGURE! - a before-its-time entertainment periodical which used action figure and toy tie-ins to create bold pieces of art.The indie horror film TRACE served as Brookhart's screenwriting and directorial debut. It took a horror story that he wrote 20 years ago and delivered it onto the big screen with updated panache. In 2019 his follow-up, the critically acclaimed ‘Two Ways to Go West' was released. Both films are readily available on almost all digital streaming services including Prime Video, iTunes, Hulu, Tubi and is also available on DVD and BLU-RAY. As an independent designer, Ryan has created over 1,200 pieces of key art and movie campaigns for studios and distributors ranging from small to large including PARAMOUNT, UNIVERSAL, IMAX, NATIONAL GEOGRAPHIC, DISCOVERY CHANNEL, IMAGE ENTERTAINMENT, ARIZTICAL ENTERTAINMENT and FULL MOON PICTURES. He is currently in development for several new feature film projects.The Vibes Broadcast Network - Podcasting for the fun of it! Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!! Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/into_the_p.i.t.t._/Facebook: https://www.facebook.com/thevibesbroadcastnetworkTikTok: https://vm.tiktok.com/ZMeuTVRv2/

Christopher Patton is an international entrepreneur, technology diligence extraordinaire, and eco-tech guru. Chris is an accomplished inventor with a background in Electrical Engineering, Mining, and Hydrogen Technologies. He owned the first American gold and diamond exploration company in the Ivory Coast and has produced over 14 documentaries on science and technology. He was a screenwriter for Warner Brothers, and Image Entertainment, a producer and a V/FX producer with Dark Horse Comics and a regular science advisor to the entire motion picture industry.After having tested, financed and evaluated hundreds of technologies, Chris Founded Quantum Green Technologies: an advanced eco-technology incubation and development company. Presently, he is the Founder of Phase 5 Energy: advanced motors, turbines and clean energy systems for deployment in aerospace, nautical, agriculture, industry and transportation and a Board Advisor to GEM (Global Environment Media). Cherry-picking the extensive Special Skills section on Chris's extensive resume is great fun! Here are some tasty fruit from that tree: Nutritional Biochemistry, Finance Consultant, Electrical Engineering, and FBI Consultant on Ponzi Schemes and Foreign Trade Programs!

Before returning to UMC to helm the subscription service of UMC, , Brett Dismuke maintained his own entertainment outfit, So Chi Entertainment as well as served as President/COO of The Swirl Group, President of Moguldom Entertainment, and previously as the Senior Vice President of Acquisitions and Urban Programming for RLJ Entertainment's One Village studio. Brett has over 25 years of marketing, production, sales and branding experience. Through partnership with Swirl Films in 2014, Dismuke formed The Swirl Group. Through the power of their collaboration, the company established itself as the leading urban independent production company in North America, with over 80 productions in their catalog. This multi- hyphenate outfit was devoted to offering high-quality production value at lower costs, including production of independent features and multi-camera content, casting, budget creation, scheduling, post-production, talent relations and distribution. With the solid foundation, So Chi Entertainment continued the legacy, priding itself on developing the highest quality productions, developing the most interesting content and acquiring the best product available within its genre. In addition to locating and securing new content, Dismuke oversaw strategic planning, financial management, brand-building and product lines for So Chi Entertainment. Over the last few years, he has acquired and/or produced several films; including notables such as 35 & Ticking, a theatrical comedy starring Kevin Hart, Meagan Good, Wendy Raquel Robinson and Nicole Ari Parker; What My Husband Doesn't Know, a musical stage play written and directed by David E. Talbert and starring Morris Chestnut, Michelle Williams and Tiffany Haddish; and Back to the Goode Life, a critically-acclaimed, comedy, starring Kyla Pratt, London Brown, Lahmard Tate and Kelly Jenrette. After graduating from the University of Southern California, Brett Dismuke worked for Motown, PolyGram Group Distribution, Universal Music and Video Distribution, Hollywood Records, UrbanWorks Entertainment, First Look Studios and Image Entertainment. His list of projects supervised includes Jay-Z, Brian McKnight, Mary J. Blige, Mike Epps, The Cosby Show and Ultimate Fighting Championship; as well as numerous award-winning independent films. Brett is a Chicago native and currently lives in Los Angeles where he enjoys time as an empty- nester, while his son is attending college on the East Coast. --- Support this podcast: https://anchor.fm/theactorslounge/support

Deborah CoxDeborah Cox (born July 13, 1974) is a Canadian singer, songwriter, actress, and record producer. Born and raised in Toronto, Cox began performing on television commercials at age 12, and entered various talent shows in her teenage years before becoming a professional backing vocalist for Celine Dion. In 1994, she relocated to the United States and was signed to Arista Records by Clive Davis, releasing her self-titled debut album the following year. Her second studio album One Wish (1998) was certified platinum in the United States and was marked by the commercial success of the pop crossover single "Nobody's Supposed to Be Here", which would become Cox's most successful entry on the Billboard Hot 100 chart, peaking at number two and remaining there for eight consecutive weeks. Cox signed with J Records for her third studio album The Morning After (2002), which saw moderate commercial success.Cox ventured into acting in the 2000s, making her film debut in the Canadian drama film Love Come Down (2000) and her stage debut in 2004, in the title role in the Broadway musical Aida. She has since appeared in smaller films and several musical productions, including the horror-drama Jekyll & Hyde, the biographical musical Josephine and the musical adaptation of The Bodyguard. Cox's most recent studio albums, Destination Moon (2007) and The Promise (2008), have been released through her own independent record label, Deco Recording Group. In 2017, her single "Let the World Be Ours Tonight" became her 13th number-one hit on Billboard's Dance Club Songs over the span of three consecutive decades.[1] In 2016, Billboard listed Cox at 23rd on its list of the Greatest of All Time Top Dance Club Artists.[2] An eight-time Juno Award nominee, she has won four awards and is often cited as Canada's top R&B artist.[3] Deborah Cox was born in Toronto to parents of Afro-Guyanese descent, grew up in Scarborough, Toronto and attended John XXIII Catholic Elementary School and Earl Haig Secondary School.[3] She began singing on TV commercials at age 12, and entered various talent shows including an appearance on Tiny Talent Time.[4] She performed in nightclubs as a teenager, and began to write music around the same time.[5] Cox entered the music industry in the early 1990s, performing as a backup vocalist for Celine Dion for six months.[3][6] After receiving many rejection letters from Canadian record labels that claimed their "quota" had been reached, Cox moved to Los Angeles in 1994 with producer and songwriting partner, Lascelles Stephens.[3][6]Career[edit]1995–1999: Debut and One Wish[edit]In 1995, label executive Clive Davis signed Cox to Arista Records. Featuring production from Dallas Austin, Keith Crouch, Tim & Bob, and Kenneth "Babyface" Edmonds, she released her self-titled debut album the same year. A middling commercial and critical success, the album peaked at number 102 on US Billboard 200 but emegered as a steady seller, eventually receiving a gold certification by the Recording Industry Association of America (RIAA), while going platinum in Canada. Lead single "Sentimental" entered the top five on the US Hot R&B/Hip-Hop Songs, while follow-up "Who Do U Love" attained worldwide success, becoming a top twenty success in Australia, New Zealand and the US, also reaching the top of Billboard's Dance Club Songs.[7] In 1996, Deborah Cox won Cox a Juno Award for Best R&B/Soul Recording at the annual award ceremony and earned her a Best Soul/R&B New Artist nomination at the 1996 American Music Awards.Cox contributed the non-album song "Things Just Ain't The Same" to the soundtrack to the 1997 film Money Talks. A dance remix of the song, produced by Hex Hector, became her second number-one hit on Billboard's Dance Club Songs chart and was included on her second album, 1998's One Wish. As with her self-titled debut album, her sophomore effort was once again executive-produced by Davis, but featured more uptempo, contemporary R&B, and a slew of new producers and personnel to incorporate dance and club music, including Montell Jordan, Anthony "Shep" Crawford, Rodney "Darkchild" Jerkins, and DJ Quik. One Wish peaked at number 72 on the Billboard 200 and earned a platinum certification from the RIAA, while reaching gold status in Canada. The album capitalized on the crossover success of lead single "Nobody's Supposed to Be Here" which became Cox's most successful entry on the Billboard Hot 100, peaking at number two, and remaining there for eight consecutive weeks, making it one of the longest stays at number two in chart history. The song also reached number one on the Hot R&B/Hip-Hop Songs, spending a then record-breaking 14 weeks at number one, while the third single "We Can't Be Friends," a duet with R. L. Huggar, reached the top ten, with "It's Over Now" and "I Never Knew" become chart-toppers on the Dance Club Songs chart.2000–2005: The Morning After and acting career[edit]After One Wish, Cox collaborated with singer Whitney Houston on her single "Same Script, Different Cast" from the compilation album Whitney: The Greatest Hits. Incorporating a backing track of Ludwig van Beethoven's "Für Elise" during the intro, it was released as a radio-only promo single and became a minor hit on Billboard Hot 100, peaking at number 70 while reaching number 14 on Hot R&B/Hip-Hop Songs. In 2000, Cox made her acting debut when she starred in Clement Virgo's Canadian drama film Love Come Down, playing a nightclub singer. The film garnered eight nominations at the 21st Genie Awards, including two Best Original Song nominations for Cox's songs "29" and "Our Love". In 2001, Cox then recorded "Absolutely Not", for the soundtrack to Dr. Dolittle 2 which became her sixth number one hit on Billboard's Dance Club Songs.Cox's third album The Morning After was released in November 2002 on J Records following a frustratingly long departure from Arista. It marked the Cox's first record under Clive Davis's label, with Davis, once more serving as executive producer.[8] Keen to build on the success of her previous album One Wish, he enlisted the help of producers such as Jimmy Jam and Terry Lewis, Jermaine Dupri, Rodney "Darkchild" Jerkins, and Shep Crawford as well as up-and-coming producers Warryn Campbell, Johntá Austin and Alex Richbourg to work with Cox. A blend of urban R&B and adult contemporary songs with additional dance/house tracks, it became her highest-charting album on the US Billboard 200 and Billboard's Top R&B/Hip-Hop Albums yet, debuting and peaking at number 38 and number seven, respectively. Commercially, the album was less successful than her previous album, however, though it produced two singles on the US Dance Club Songs chart, including "Mr. Lonely" and "Play Your Part".[8]In February 2004, Cox made her Broadway debut in the Elton John-Tim Rice musical Aida when she replaced singer Michelle Williams in her role of the Nubian princess. Her four-month engagement earned largely positive reviews.[9] The same year, she recorded and released a dance remix of the musical's theme song "Easy As Life" as a promotional single.[10] In 2005, Cox starred in the films Blood of a Champion and Love on Layaway. Also that year, her voice was featured in the movie Hotel Rwanda in the song "Nobody Cares". To sustain demand for Cox's club appearances, while focused on her family and new album projects, she released a dance single titled "House Is Not a Home" on Nervous Records in January 2006. Later in the year, her song "Definition of Love" was used in the movie Akeelah and the Bee, but was not released as a single.2006–2009: Destination Moon and The Promise[edit]Between 2005 and 2006 Deborah recorded her fourth album, called Destination Moon, arranged and produced by Rob Mounsey. A tribute album to jazz singer Dinah Washington, Cox noted it a concept album that she had in mind for years.[11] Most of the album was recorded live with a forty-piece orchestra with Rob Mounsey arranging. Eventually released by Decca Records in June 2017, Destination Moon peaked at number three on the Billboard Top Jazz Albums. The same year, Cox co-starred alongside Golden Brooks and Darius McCrary in Leslie Small's film A Good Man is Hard to Find. Based on the musical stage play of the same name, the comedy depicts the story of three women who each undergo romantic crises that challenge their personal and spiritual relationships.[12] In 2008, Cox performed the Canadian national anthem at the NBA All-Star Game in New Orleans, receiving rave reviews.[13] She also contributed the song "This Gift" to the soundtrack of the 2008 romantic drama film Meet the Browns, directed by Tyler Perry, and served as a supprting act on Cyndi Lauper's True Colors Tour 2008.[14]Also that year, Cox finished work on her sixth studio album The Promise, released on November 11, 2008, through Deco Recording Group, Cox's own independent label, with distribution handled by Image Entertainment. A breakaway from her previous album, it marked her return to R&B music and saw her working with a wider number of songwriters and producers on the album, including The Avila Brothers, Jimmy Jam and Terry Lewis, Devo Springsteen, Big Jim, and Shep Crawford.[15] The Promise debuted at number 106 on the US Billboard 200, number 14 on the Top R&B/Hip-Hop Albums, and number 95 on the Canadian Albums Chart. Earning generally mixed to positive reviews from music critics,[16] it was nominated for R&B/Soul Recording of the Year at the 2009 Juno Awards. It second single "Beautiful U R" marked her biggest hit since "Nobody's Supposed to Be Here," becoming a top ten hit in Canada, where it was certified platinum by Music Canada, as well as her tenth chart-topper on the Billboard' Dance Club Songs. In support of the album, Cox joined forces with American R&B singer Kenny Lattimore for the joint Timeless Promise Tour in July 2009.[17] Also in 2009, she was featured on the single "Leave the World Behind", a house track produced by four DJs Axwell, Steve Angello, Sebastian Ingrosso and Laidback Luke.[18]2010–present: The Queen Project, dance music and Broadway[edit]Cox performing at the Capital Pride in Washington, D.C. in 2012.In 2010, it was announced that Cox would be joining fellow R&B singers Kelly Price and Tamia to form a supergroup.[19] While the trio recorded several tracks together, their joint album The Queen Project eventually failed to materialize due timing issues and label politics.[20] In 2011, Cox released the dance-heavy single "If It Wasn't for Love" through Deco Entertainment.[21] It became her eleventh chart topper on Billboard's Dance Club Songs and was to precede a new studio album which remained unreleased.[22] In September 2012, Cox gave her inaugural performance as the female lead Lucy in a revival of the musical Jekyll & Hyde which toured North America for twenty-five weeks. While the show enjoyed a limited Broadway run only, Cox received positive reviews for her performance.[22] Also in 2012, she collaborated with rapper Akon on the song "No Labels", the official anthem of the same-titled American bipartisan political organization.[23] The following year, Cox collaborated with DJ Paige on the non-album single "Higher". Released through Electronic Kingdom Records, it became her twelfth number-one hit on the US Dance Club Songs chart.[21] In 2014, Cox was one of the performers at the opening ceremonies of WorldPride in Toronto, alongside Melissa Etheridge, Tom Robinson and Steve Grand.[24]In 2015, she provided vocals for the made for television biographical film Whitney, directed by Angela Bassett based on American recording artist Whitney Houston.[25] Cox performed all of Houston's vocals in the film, including "I Will Always Love You", "I'm Your Baby Tonight", and "The Greatest Love of All."[25] The same year, she released the deep house-influenced "Kinda Miss You",[26] as well as the ballad "More Than I Knew" as singles.[27] Both were set to appear on her sixth album Work of Art, initially announced for an August 2015 release through Deco and Primary Wave Music.[28] However, after several delays, the album remained unreleased.[29] In 2016, Cox played the lead role of Josephine Baker in the Broadway-bound musical Josephine, which chronicled the singer's life between the years of 1939 and 1945, and starred as Rachel Marron in the North American Tour of the musical The Bodyguard based on the 1992 film of the same name. In support of the musical, Cox released the EP I Will Always Love You on Deco and Broadway Records, containing cover versions of seven Whitney Houston originals and Whitney Houston's cover of Dolly Parton's "I Will Always Love You."[30] In June 2017, she released an uptempo dance single "Let the World Be Ours Tonight" during LGBTQ pride season on Radikal Records and Galactic Media. It marked her 13th single to top Billboard's Dance Club Songs.[1]On June 25, 2019, The New York Times Magazine listed Deborah Cox among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[31]Personal life[edit]Cox currently lives in Miami, Florida. She is married to her high school sweetheart and manager, Lascelles Stephens.[32] They have three children: son, Isaiah (born July 1, 2003), and two daughters, Sumayah (born June 29, 2006), and Kaila Michelle (born February 23, 2009).[33]Discography[edit]Main article: Deborah Cox discographyDeborah Cox (1995)One Wish (1998)The Morning After (2002)Destination Moon (2007)The Promise (2008)Awards and nominations[edit]1996Won: Juno Award for Best R&B/Soul Recording (Deborah Cox).Nominated: American Music Award for Favorite New Artist – Soul/Rhythm & Blues.1997Nominated: Juno Award for Best Female Vocalist.1998Won: Juno Award for Best R&B/Soul Recording ("Things Just Ain't the Same").Won: Soul Train Award for Best R&B/Soul Single – Female ("Nobody's Supposed to Be Here").1999Won: Juno Award for Best R&B/Soul Recording (One Wish).Nominated: Juno Award for Best Female Vocalist.Won: Soul Train Lady of Soul Award for Best R&B/Soul Song of the Year ("Nobody's Supposed to Be Here").2000Nominated: Genie Award for Best Original Song ("Our Love" and "29" from Love Come Down).Nominated: Soul Train Award for Best R&B/Soul Single – Group, Band or Duo ("Same Script, Different Cast" feat. Whitney Houston).Nominated: Image Award for Outstanding Female Artist ("We Can't Be Friends")2002Nominated: Juno Award for Best Dance Recording ("Absolutely Not").2008Nominated: Juno Award for Vocal Jazz Album of the Year (Destination Moon).Nominated: Grammy Award Best Engineered Album, Non Classical ("Destination Moon").Received a star on walk of fame, in Toronto's Scarborough Town Centre.2009Nominated: Juno Award for R&B/Soul Recording of the Year (The Promise).https://www.instagram.com/deborahcox/ See acast.com/privacy for privacy and opt-out information.

Born and raised in Indianapolis, Indiana, Anthony Montgomery received a B.S. in Performance Theatre and Drama from Ball State University in Muncie, Indiana.Early in his career, Anthony guest starred on such shows as J.A.G., Charmed, Frasier and the Showtime original series, Resurrection Blvd. Anthony got his “big break” with a recurring role as George Auston on the WB television series, Popular.In 2001, Anthony landed a series-regular role on Star Trek: Enterprise as Ensign Travis Mayweather. For the next four years and 98 episodes, Anthony piloted Enterprise's NX01 into many adventures and into the hearts of loyal Star Trek fans around the world. Star Trek: Enterprise ended in 2005 and Anthony was with the series until the very end.After taking time away from entertainment to focus on family, Anthony returned to acting in 2007, landing the lead role of Jay Brooks in the critically acclaimed independent feature film, I'm Through with White Girls (The Inevitable Undoing of Jay Brooks). The Romantic Comedy received 10 awards on the film festival circuit, including seven Audience Awards for Best Narrative Feature Film, before being acquired by Image Entertainment for national distribution.In October 2008, Anthony pursued a different artistic interest and released his debut Hip Hop music album, “A.T.” The album makes Anthony the first actor in the Star Trek franchise to release music in the Hip Hop genre. A.T was distributed internationally through Universal Music Group, via Anthony's German-based record label, AGR Television Records. Anthony continues to record and do live performances when his schedule permits.Returning to the camera early in 2009, Anthony landed guest starring roles on NCIS, House and the TNT original series, Trust Me.In 2018, Anthony filmed a recurring role as attorney Elliot Garner on the OWN (Oprah Winfrey Network) drama Greenleaf.December 2018, Anthony filmed a supporting role in the independent feature film, Lost Girls: Angie's Story, where he portrays detective Chase Dawson who fights to save young girls who have been trafficked.In 2019, Anthony filmed his first holiday movie, Carole's Christmas, in which he plays Marcus Jordan opposite leading lady Kimberly Elise. The film aired on OWN during the holiday season as part of their festive yuletide line-up.December 2019, Anthony finished the year filming an episode of Magnum, P.I., starring Jay Hernandez which aired on CBS. Anthony portrays former C.I.A. operative Roy Till.Anthony is currently filming a recurring role on the B.E.T. series The Family Business, based on the New York Times Best Selling novel series by Carl Weber, which was picked up for a secondseason and will air on B.E.T. Plus. Anthony portrays Brother Elijah, second in command of the Muslim Brotherhood, a fictionalized radical faction of Islam.Anthony has two children and resides in Los Angeles.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

You can send us stuff now! Pod Sematary 5753 E Santa Ana Cyn Rd Ste G #290 Anaheim Hills, CA 92807 Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1223797682021392384 CW: Sexual Assault It’s a franchise wrap-up week on Pod Sematary! Chris & Kelsey watch the last two movies in iconic franchises they’ve covered on the show before! The Classic Film: Army of Darkness (1992) "A man is accidentally transported to 1300 A.D., where he must battle an army of the dead and retrieve the Necronomicon so he can return home” (IMDb.com). Ash is at his absolute most Ash in this final film installment in the original Evil Dead franchise, all of which (and even the 2013 remake) ended up being pretty great. The Modern Film: Pet Sematary (2019) "Dr. Louis Creed and his wife, Rachel, relocate from Boston to rural Maine with their two young children. The couple soon discover a mysterious burial ground hidden deep in the woods near their new home” (IMDb.com). Chris has softened on this double-adaptation since they first discussed it in episode 80, but both hosts still feel like almost every change from the source material was the wrong one. Plus! Our mild-spoiler thoughts on The Shining sequel, Doctor Sleep! Audio Sources: “Army of Darkness” produced by Dino De Laurentiis Company, et al. "Break Stuff" written by Fred Durst, et al. and performed by Limp Bizkit "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "Pet Sematary" (1989) produced by Paramount Pictures & Laurel Productions “Pet Sematary” (2019) produced by Paramount Pictures, et al. "Pet Sematary” (Song, 2019) written by Dee Dee Ramone & Daniel Rey and performed by Starcrawler

Screen Heat Miami Screen Heat Miami (SHM) is co-hosted by veteran Miami based producers Kevin Sharpley and JL Martinez and each week covers the latest trends in the film, tv, and entertainment industry, including interviews with global and local industry leaders, all told from a "Miami" point of view. Matthew Stein Bio Matthew Stein is currently the head of scripted film and TV for Live Nation Productions, the production company division of Live Nation, the premiere worldwide live entertainment company, and owner of Ticketmaster. Live Nation Productions recently executive produced the worldwide phenomenon A Star is Born, starring Live Nation artist Lady Gaga. He is also a producer under the moniker M.E.S. Productions and currently has multiple film and television projects set up at his prior home of Sony Pictures Entertainment, where he served as VP, at Sony Pictures Entertainment International Productions. This unique division developed English language television series, local language movies, and English language movies with heavy international appeal. His most recent film that he helped produce for this division was Slaughterhouse Rulez, starring Simon Pegg and Nick Frost. Matt has also produced Amityville: The Awakening for Dimension Films/Blumhouse. He served as a producer on Dimension thrillers Kristy and Piranha 3DD, as well as Image Entertainment’s The Houses That October Built. Matt spent 12 years working for Dimension Films, where he ascended through the ranks to run production as Executive Vice President of Production. He oversaw all phases of production, development, and casting for the division, and was Executive Producer on such varied films as Scream 4, Halloween, Halloween 2, Apollo 18, Hellride, Superhero Movie, and more. Matt has been the executive in charge of production on over 35 films in his time, and also held the positions of Senior Vice President, Vice President, and started his career as an assistant to co-Chairman, Bob Weinstein. He graduated from The University of Miami, where he majored in Film. He currently resides in Los Angeles. Jimmy Jean Louis Truly a "rags to riches" story, Haitian-born actor Jimmy Jean-Louis grew up in the slums of Petion-Ville, Haiti until age 12, to become a Hollywood celebrity. His deep love for his homeland cause him to shift his focus from his acting career to help rebuild Haiti, ravaged by the 7.0 earthquake on January 12th, 2010. Earlier in is career, Jimmy worked as a dancer and a model in France, Spain, Italy, South Africa and England. He moved to Los Angeles in 1998 to pursue acting. His credits include "Tears of the sun" (Bruce Willis), "Phat Girlz" (Mo'Nique), NBC Hit show "Heroes" and "Heroes Reborn", CW show "Arrow", CBS "Extant" with Oscar winner Halle Berry produced by Steven Spielberg and more recently "Joy" with Jennifer Lawrence, Bradley Cooper and Robert DeNiro directed by David O Russell. His most important role to date is playing the title character in "TOUSSAINT LOUVERTURE" and won BEST ACTOR at the Pan African Film Festival, the Trinidad and Tobago International Film Festival and at Vues d'Afrique International Film Festival in Canada. Jimmy received the Caribbean American Excellence In The Arts award in November 2013. He was also nominated BEST ACTOR at the Africa Movie Academy Awards in 2012. With an international appeal, Jimmy has been working in many parts of the world including France, England, Indonesia, Nigeria, Ghana, Mexico...making full use of his fluency in 5 languages: English, French, Spanish, Italian and Creole. Jimmy Jean Louis is the founder and President of Hollywood Unites for Haiti a non-profit organization (501c3) established in 2008 (www.haitianhero.com www.hufh.org) whose mission is to help the underprivileged youth of Haiti. In response to the disaster and to provide immediate relief to the victims of the earthquake, HUFH joined forces with the Pan American Development Foundation and the Organization of American States.

CW: Orientalism, Transphobia, Homophobia, Sexual Assault It's Bruce Campbell Week on Pod Sematary! We're following up our award-winning* episode on the original Evil Dead (1981) with its first sequel along with a fan-bait vanity project directed Bruce himself! The Classic Film: Evil Dead 2 (1987) "The lone survivor of an onslaught of flesh-possessing spirits holes up in a cabin with a group of strangers while the demons continue their attack" (IMDb.com). Acting as a do-over of sorts for Raimi and Campbell, this sequel is much flashier and funnier than the original, but is that a good thing? The Modern Film: My Name is Bruce (2007) "Mistaken (sic) for his character Ash from the 'Evil Dead' trilogy, Bruce Campbell is forced to fight a real monster in a small Oregon town" (IMDb.com). Are a couple good jokes and the presence of The Man himself enough to save this Three Amigos rip-off with a shiny, fan-service coat? I'll give you three guesses. Plus! --What is rotoscoping? --Our favorite Evil Dead installments --Non-spoiler thoughts on Jordan Peele's Us Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1114685850615312391 Audio Sources: "Bill & Ted's Excellent Adventure" produced by De Laurentiis Entertainment Group, et al. "Evil Dead II" produced by De Laurentiis Entertainment Group (DEG) & Renaissance Pictures "Fast Times at Ridgemont High" produced by Universal Pictures & Refugee Films "Fright Night" produced by Columbia Pictures, et al. "Insidious" produced by Alliance Films, et al. "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Spider-Man" (2002) produced by Columbia Pictures, et al. "Spider-Man 2" (2004) produced by Columbia Pictures, et al. "Spider-Man 3" (2007) produced by Columbia Pictures, et al. "Swallowed Souls: The Making of Evil Dead II" produced by StudioCanal & Lions Gate FIlms "Wayne's World" produced by Paramount Pictures *2018's Cutest Podcast presented by Chris' Mom

@brookieserene catches up with @amandagracebenitez on Image Entertainment’s @rljefilms cult classic #AllCheerleadersDie days, we talk new roles including @netflix #Ozark as, "Young Darlene Snell" and gives honest dating advice❗️

This episode plays songs about Toxic Masculinity and the notion of manhood. Here's the playlist: 1. Toxic Avenger theme song. 2. Britney Spears “Toxic” from In the Zone (2003) 3. Muddy Waters “Mannish Boy” from Muddy "Mississippi" Waters Live (Legacy Edition) (1979) 4. Chicago “I'm a Man” from In Chicago (2011) on Image Entertainment. 5. Bo Diddley “I'm a Man” from The Chess Box (Box Set) (1990) 6. George Thorogood “bad to the bone” from Rock Line, Vol. 2 on M&M 7. Rolling Stones “Street Fighting Man” from Exile On Main Street (CD) 8. The Stanley Brothers “I'm A Man of Constant Sorrow” from The Complete Columbia Stanley Brothers (1959) on Legacy/Columbia 9. Sam Fender “Dead Boys” from Dead Boys - EP on Polydor Records 10. Idles “Colussus” from Colossus - Single on Partisan Records / PIAS / Hostess 11. As It Is “The Stigma (Boys Don’t Cry)” from The Great Depression on Fearless Records 12. EAST AFRICA Ceremonial & Folk Music “Masai Raiding Songs (Kenya)” from EAST AFRICA Ceremonial & Folk Music (2002) on Nonesuch (USA) 13. Peder Mannerfelt “I Stand Up and Say, Toxic Masculinity Has Got to Go Away” from I Stand Up and Say, Toxic Masculinity Has Got to Go Away - Single on Peder Mannerfelt Produktion.

Join your hosts Ryan Turek, Rob Galluzzo, Rebekah McKendry and Elric Kane as they catch up on all the latest horrors! First up, Ryan responds to the recent new HALLOWEEN movie announcement. Valentine's Day just passed, so Ryan talks about the 2001 "slasher" VALENTINE, while Rob brings up his favorite moment from MY BLOODY VALENTINE 3D. Ryan also checked out AMITYVILLE 3D and PARENTS. Bekah discusses the "giallo" IN THE FOLD OF THE FLESH and THE APPLE. Elric raves about THE WHIP & THE BODY and SAUNA. Rob talks about his recently wrapped audio commentary track for the PSYCHO remake Blu-Ray! Then we welcome very special guest Mark Ward of RLJ Entertainment, formally Image Entertainment to the show. Mark was at Anchor Bay during their heyday of acquisitions and ushered out films such as HATCHET, BEHIND THE MASK, THE LOST, and more recently helped get titles such as THE MIND'S EYE and BONE TOMAHAWK out. Mark's a lifelong horror fan, so we decided to tackle a topic with him. How do we consume horror? For most of us, it dates back to the VHS era, so we share our stories of discovering horror on VHS, and then the transition to LaserDics and finally DVD. How do we consume horror nowadays and how has the distribution model changed? All this and more in this week's Shock Waves conversation!  This episode is brought to you by Scream Factory (https://www.facebook.com/ScreamFactoryDVD/) ! Be sure to visit their Facebook page for all the latest, or visit the official website at www.ScreamFactoryDVD.com (http://www.screamfactorydvd.com/) . 

Richard Boddington debut feature was a self financed $150,000 genre film, Dark Reprieve. The film went on to be picked up and distributed nationally by Image Entertainment. What’s great about Richard’s story is how he went about making his first film, his take aways, and then more importantly, how he leveraged that into his next ... The post Business of Film with Richard Boddington, Indie Producer appeared first on Craft Truck.

Richard Boddington debut feature was a self financed $150,000 genre film, Dark Reprieve. The film went on to be picked up and distributed nationally by Image Entertainment. What’s great about Richard’s story is how he went about making his first film, his take aways, and then more importantly, how he leveraged that into his next ... The post Business of Film with Richard Boddington, Indie Producer appeared first on Craft Truck.

(RIGHT CLICK IMAGE TO SAVE EPISODE TO YOUR COMPUTER) Dr. Dolenz returns for one final confrontation with Steve.  This time, he's taking no chances as he replaces Oscar with one of his robot duplicates.  As Steve's most trusted friend, the robot manipulates Steve into a trap which could kill him.  But Steve has a few tricks up his sleeve, thanks to his friend Barney, the inventor.  Joining John and Paul to determine which is the real Oscar Goldman are author Dayton Ward and thesix1973.com webmaster Joseph Burns.  Special thanks must go to Robin Spannell for the use of his audio recordings of original Six Million Dollar Man promos from ABC.  Check out Robin's original music and tributes to Oliver Nelson's soundtrack for The Six Million Dollar Man here. Comment on the episode here or write abionicpodcast@gmail.com or call 888-866-9010 or better still use the "Send Voicemail" tab on the left of the page to leave a message via your computer.  Take a moment to rate the episode by using our star system at the bottom of this entry. Rating: Bionic Wiki entry The Six Million Dollar Blog entry(coming soon) Dayton Ward is the author of numerous media tie-in fiction works in such realms as Star Trek and The 4400.  He is also the author of such original works asCounterstrike, The Last World War, Book 2and The Genesis Protocol. When he's not writing or working for a software design firm, he's busy indoctrinating his two lovely daughters into the worlds that have so seriously warped his mind.    Joseph Burns was born in Washington D.C., and grew up there until his family moved to California in the late 70's. A film and TV buff, he attended the Film/Video program at UC Santa Cruz, getting his bachelor's in 1996. After Film School, Joe moved to LA and worked in Post Production. He is the editor of "Skywalker: The David Thompson Story," a one hour sports documentary which aired on NBA-TV and was distributed on DVD by Image Entertainment. In addition to video editing, Joe has developed websites, interactive CD-ROMs and DVDs. He operates the SMDM fan website "The Six 1973" and is a major contributor/admin at The Bionic Wiki. In 2010, he was recruited to advise Time-Life on The Six Million Dollar Man: The Complete Collection, and was interviewed for the set at the Pasadena Rock N' ComiCon last Spring. Today Joe lives in San Francisco and is the owner of a very large cat named Fritz.    

(RIGHT CLICK IMAGE TO SAVE EPISODE TO YOUR COMPUTER)   Steve is given the opportunity to test pilot the very vehicle that caused his accident.  Oscar has his misgivings about the test as he has intelligence pointing to the accident as an act of sabotage.  Steve is determined though to get back up on the horse that threw him even though his life may be threatened again.  Joining John and Paul is TheSix1973 webmaster, Joseph Burns.  Comment on the episode here or write abionicpodcast@gmail.com or call 888-866-9010 or better still use the "Send Voicemail" tab on the left of the page to leave a message via your computer.  Take a moment to rate the episode by using our star system at the bottom of this entry. Rating: Bionic Wiki entry The Six Million Dollar Blog entry Joseph Burns was born in Washington D.C., and grew up there until his family moved to California in the late 70's. A film and TV buff, he attended the Film/Video program at UC Santa Cruz, getting his bachelor's in 1996. After Film School, Joe moved to LA and worked in Post Production. He is the editor of "Skywalker: The David Thompson Story," a one hour sports documentary which aired on NBA-TV and was distributed on DVD by Image Entertainment.   In addition to video editing, Joe has developed websites, interactive CD-ROMs and DVDs. He operates the SMDM fan website "The Six 1973" and is a major contributor/admin at The Bionic Wiki. In 2010, he was recruited to advise Time-Life on The Six Million Dollar Man: The Complete Collection, and was interviewed for the set at the Pasadena Rock N' ComiCon last Spring. Today Joe lives in San Francisco and is the owner of a very large cat named Fritz.

(RIGHT CLICK IMAGE TO SAVE EPISODE TO YOUR COMPUTER) A plane carrying Steve, Senator Ed Hill, and the senator's son & aide is forced down in a storm as it makes its way to an investigative hearing into the senator's conduct during a recent flight.  Steve is supposed to testify about the plane the senator was flying, but someone in the group is trying to make sure Steve doesn't make it out alive.  Add to this, Oscar is urging Steve to consider the words of his testimony, as the senator was responsible for pushing the funds through that made Steve bionic.  Joining John and Paul is thesix1973.com webmaster, Joseph Burns.  Rating: Bionic Wiki entry The6milliondollarblog entry Joseph Burns was born in Washington D.C., and grew up there until his family moved to California in the late 70's. A film and TV buff, he attended the Film/Video program at UC Santa Cruz, getting his bachelor's in 1996. After Film School, Joe moved to LA and worked in Post Production. He is the editor of "Skywalker: The David Thompson Story," a one hour sports documentary which aired on NBA-TV and was distributed on DVD by Image Entertainment. In addition to video editing, Joe has developed websites, interactive CD-ROMs and DVDs. He operates the SMDM fan website "The Six 1973" and is a major contributor/admin at The Bionic Wiki. In 2010, he was recruited to advise Time-Life on The Six Million Dollar Man: The Complete Collection, and was interviewed for the set at the Pasadena Rock N' ComiCon last Spring. Today Joe lives in San Francisco and is the owner of a very large cat named Fritz.  

Loretta McNary Live is a premier blog talk radio show created for an empowered, active, and diverse TV, radio, social media and online listening audience. LML uses a progressive live call in format to target an ever expanding market of online listeners wanting an impressive menu of meaningful, insightful, and authentic conversations in choosing their daily media, theatrical, financial, literacy and entertainment activities! This week's guest is  the successful director, writer, & producer, Tabari Sturdivant. In 2008 Tabari was presented the chance to work the grand opening of Tyler Perry Studios, and it turned out to be an awesome opportunity.  Soon after Roger Bobb (Sr. VP / Producer) of Tyler Perry Studios hired him as Prod. Assist. on House of Payne & Meet the Browns.  In 2010 he was assigned to be one of Tyler Perry’s Exe. Assistants. Tabari started his own company Blue Lion Club Production.  He was the Exe. Producer & Dir. of the award winning independent feature film “Breaking Up Is Hard To Do” starring Demetria McKinney (House of Payne).  Tabari inked a Distribution & Television deal with Image Entertainment and had an international release in May 2011. In July 2011, The Blue Lion Club produced feature film “Probable Cause” starring Terri J Vaughn (Steve Harvey Show, Meet the Browns) & LisaArrindell Anderson (Meet the Browns – Movie).

Loretta McNary Live is a premier blog talk radio show created for an empowered, active, and diverse TV, radio, social media and online listening audience. This week's guest is  the successful director, writer, & producer, Tabari Sturdivant. During his junior year, at Rider University and after establishing a relationship with Jermaine Dupri through a childhood friend, he began to do college and street promotions for SoSo Def.  This was his first taste of the Entertainment industry. In 2008 Tabari was presented the chance to work the grand opening of Tyler Perry Studios, and it turned out to be an awesome opportunity.  Soon after Roger Bobb (Sr. VP / Producer) of Tyler Perry Studios hired him as Prod. Assist. on House of Payne & Meet the Browns.  In 2010 he was assigned to be one of Tyler Perry’s Exe. Assistants. Tabari started his own company Blue Lion Club Production.  He was the Exe. Producer & Dir. of the award winning independent feature film “Breaking Up Is Hard To Do” starring Demetria McKinney (House of Payne).  Tabari inked a Distribution & Television deal with Image Entertainment and had an international release in May 2011. In July 2011, The Blue Lion Club produced feature film “Probable Cause” starring Terri J Vaughn (Steve Harvey Show, Meet the Browns) & LisaArrindell Anderson (Meet the Browns – Movie).   

It's been a long time but the original ballers and shotcallers of horror talk radio are back this week as they take an indepth look at the career of Sam Raimi from Evil Dead to Oz: The Great and Powerful...the boz do Raimi right. Also The Creepy Kentuckian and Uncle Bill go through a lot of the horror news from the past month, read vast amounts of fan ahem...LISTENER mail and take a ghoulie gander at some new blu-rays including Image Entertainment's new 80's style anthology collection 'Chillerama' and from The Ford Bros the African Zombie epic 'The Dead'. All of this and more in a nearly 3 hour edition of DEADPIT Radio!!!

The second television movie before the series began is a radical shift from the pilot movie.  Hosts John S. Drew and Paul K. Bisson discuss the pros and cons of this second movie with Joseph Burns, major contributor to the DVD release of the Six Million Dollar Man series and webmaster of thesix1973.com. You can purchase the first season of The Six Million Dollar Man through our Amazon store.  In doing so, you not only get a great DVD set with excellent extras, but you also support the Rift Network.  Thank you. Rating:   Bionic Wiki entry   The6milliondollarblogentry   Joseph Burns was born in Washington D.C., and grew up there until his family moved to California in the late 70's. A film and TV buff, he attended the Film/Video program at UC Santa Cruz, getting his bachelor's in 1996. After Film School, Joe moved to LA and worked in Post Production. He is the editor of "Skywalker: The David Thompson Story," a one hour sports documentary which aired on NBA-TV and was distributed on DVD by Image Entertainment. In addition to video editing, Joe has developed websites, interactive CD-ROMs and DVDs. He operates the SMDM fan website "The Six 1973" and is a major contributor/admin at The Bionic Wiki. In 2010, he was recruited to advise Time-Life on The Six Million Dollar Man: The Complete Collection, and was interviewed for the set at the Pasadena Rock N' ComiCon last Spring. Today Joe lives in San Francisco and is the owner of a very large cat named Fritz.          

Urban model turned actress ESTHER BAXTER co-stars in "Just Another Day," the Image Entertainment distributed film released July 20th on DVD. Set in Miami, FL it brings a compelling, true-to-life look at the brutal ups and downs of the cutthroat hip-hop business.

Urban model turned actress ESTHER BAXTER co-stars in "Just Another Day," the Image Entertainment distributed film released July 20th on DVD. Set in Miami, FL it brings a compelling, true-to-life look at the brutal ups and downs of the cutthroat hip-hop business.