Podcasts about Over Now

♫ Lil Louis - Club Lonely♫ Ultra Nate - It's Over Now♫ 280 West - Scattered Dreams♫ UFP Feat Roy Ayers - Zeularae♫ White♫ Michael Procter - Love Don't Live Here♫ Dj Fudge - Ponta Negra♫ CLS - Don't Make Me Wait♫ Loot - Mafrikizolo♫ Caligula - I Want You♫ White♫ Earth Wind & Fire - Runnin'♫ Master C & J - Face It♫ Intelligent Communication - Drive♫ UNI - Don't Hold Back The Feeling♫ Little Louie, Mark Anthony - Ride On the Rhythm♫ SUMO - Stay♫ Earth People - Reach Up To Mars♫ Nemisis - After The Storm♫ Wall Of Sound - Critical♫ You Try♫ The Believers - Who Dares To Believe ♫ Dj Disciple - I'm Grateful ♫ Masters Of the Universe♫ Eric Kupper - Cool Affairce♫ Fast Eddie - Can You Dance♫ Dj Spen feat Jasper Street Company - Get Together♫ Atmosfear - Extract

Paul talks this episode about the tragic story of Alice in Chains singer Layne Staley, and the attempts of his friends in music to save him. Alice in Chains, "Grind," Alice in Chains. Seattle, Columbia, 1995. Alice in Chains, "I Stay Away," Jar of Flies. Seattle, Columbia, 1994. Alice in Chains, "Man In The Box," Facelift. Seattle, Columbia, 1990. Alice in Chains, "Nutshell," Jar of Flies. Seattle, Columbia, 1994. Alice in Chains, "Over Now," Unplugged. Seattle, Columbia, 1996. Alice in Chains, "Them Bones," Dirt. Seattle, Columbia, 1993. Alice in Chains, "What the Hell Have I," Last Action Hero Original Motion Picture Soundtrack. Seattle, Columbia, 1993. Dylan, Bob. "Ring Them Bells." Performed by Heart. Desire Walks On. USA, Capitol, 1993.   Mad Season, "All Alone," Above. Seattle, Columbia, 1995. Mad Season, "River of Deceit," Above. Seattle, Columbia, 1995. 

Smashing the decks up for you again this week with Nick Power’s mix & blend of the LATEST Soul Kandi Soulful & Uplifting House! Padé – “Over Now” (Extended) [Dharma/Spinnin] Molly & Tacos ft Bee Honey – “Crush On You” (DJ Spens Original) [Quantize Recordings] Dejago – “Ãme” (2025 Mix) [Phanta Records] Discodumper & Noty […] The post Soul Kandi Radio Show 8th Mar 2025 appeared first on SSRadio.

Bicurious are Gavin Purcell (Drums) and Taran Plouzané (Guitars/Vox); a confused, loud two-piece from Dublin, Ireland. They've built a loyal fanbase through extensive touring and have won over crowds both at home and abroad, establishing themselves as a recognizable force on the European rock scene. Bicurious released their second album Your Life is Over Now… on the 4th October 2024 via Big Scary Monsters. The record, which was created over 18 months, three countries and five recording studios, draws influence from the likes of Biffy Clyro, Reuben and Thrice, and is a much more lyrical body of work than Bicurious' previous material, as the band tread new sonic ground. The funding of the album was made possible by a crowdfunding campaign, through which fans helped the band raise over €9000. Thematically, the album explores the various facets of the idea of family, and as one can tell from their crowdfunding efforts, their fans play a crucial role in the band's idea of a family. Letty chats with Gavin and Taran about their progress so far, the new album and influences before Bicurious hit the stage to jam filled Grand Social on the first leg of their Irish tour. Band Link: https://bicuriousbandofficial.com Song played: 10 Acrylic Fences © Bicurious, all rights reserved.

Joey sat face-to-face with Taran and Gav from Bicurious at The Grand Social. Hot off the release of their new album 'Your Life is Over Now' the lads get into the topic of Arctangent, the new album and headlining Download.

Welcome to another hilarious and rockin' episode of America's Podcast! Get ready to rock out as we dive into the second album with Dio, Black Sabbath - "Mob Rules." Will our crusty metal curmudgeon, Tim Wirasnik, finally find an album to love, or will there be some voodoo magic in this review? No spoilers here, folks! And that's not all! We've got some killer tracks of the week lined up for you: Jerry's pick is "It's Over Now" by L.A. Guns, Marc brings in "Shine Away" by Tesla, Mooger shakes things up with "Six Feet Deep" by The Warning, and Tim wraps it all up with "Rock Out" by Mötorhead. Talk about a rockin' lineup! Remember, folks, until next week, don't go falling off the edge of the world, and always remember to be nice to each other - after all, we're all we have, man! Stay tuned for more laughs, music, and good vibes on America's Podcast. Peace, love, and rock 'n' roll!

Giavanni from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Saturday, April 27. It's Saturday – which means it's time for Sing-It Saturday! Today's kids' song of the day is "Is it Over Now?" by the KIDZ BOP Kids! Transcript available here: https://assets.libsyn.com/show/267038/KIDZ_BOP_Daily_-_Saturday_April_27_2024.txt

Giavanni from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Tuesday, April 23. It's Tuesday – which means it's time for Tune-In Tuesday! Today's kids' song of the day is "Is it Over Now?" by the KIDZ BOP Kids! Transcript available here: https://assets.libsyn.com/show/267038/KIDZ_BOP_Daily_-_Tuesday_April_23_2024.txt

Peter from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Tuesday, April 16. It's Tuesday – which means it's time for Tune-In Tuesday! Today's kids' song of the day is "Is it Over Now?" by the KIDZ BOP Kids! Transcript available here: https://assets.libsyn.com/show/267038/KIDZ_BOP_Daily_-_Tuesday_April_16_2024.txt

Ivan from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Tuesday, April 2. It's Tuesday – which means it's time for Tune-In Tuesday! Today's kids' song of the day is "Is it Over Now?" by the KIDZ BOP Kids! Transcript available here: https://assets.libsyn.com/show/267038/KIDZ_BOP_Daily_-_Tuesday_April_2_2024.txt

Ultra Naté, born March 20, 1968, in Havre de Grace, Maryland, is a highly accomplished American singer, songwriter, DJ, and label owner who has made a significant contribution to the dance and electronic music scenes. ⁠To watch this interview on Yout´Tube go here:https://youtu.be/k_3i-Ln8flY?si=aVi8eXthay9NIkhP⁠In the early stages of her career, Ultra Naté, recognised for her distinctive voice, blending soulful tones with infectious energy, gained recognition with her house record releases - her breakthrough single "It's Over Now" was in 1990. She gained international recognition with hits like "Free" and "If You Could Read My Mind," showcasing her versatility as an artist.⁠⁠Today, she continues to release music, DJ and support LGBTQIA rights. Her latest album Ultra Deluxe contains the recent single “UNBREAKABLE”, a love letter to the LGBTQIA community.⁠⁠And the launch of the interview coincides with the release of her reimagined 90's track "Party Girl" with KIMMIC, the original from the classic "Party Girl" movie with Parker Posey. ⁠⁠Ultra Naté is also a world renowned DJ, and has her own record label - BluFire⁠ Hosted on Acast. See acast.com/privacy for more information.

Creating a Securely Managed Environment for Callers on Your Network, Days of the Big Dumb Pipe are Over “Now more than ever,” says Sarah Delphey, VP Trust Solutions, Numeracle, “… enterprises are really demanding that service providers get into this realm and help them out.” A company's digital identity, their organization's digital footprint, is an asset, part of a brand that must be protected. Sarah tells us that as we tackle the unwanted call battle, consumers want to know that the calls they receive can be trusted. In this podcast, Sarah argues that its time for the service providers to be enablers of those services which make trusted calling and calls, something that enterprises and their consumers can depend on. “The day of just saying, ‘I am a mere dumb pipe'… those days are over.” We hear the case for taking charge, stepping up and offering a better level of service. We learn how this can be done and about ready to go resources, with a big focus on KYC. Numeracle is an industry pioneer and leader with actionable solutions for legal callers that prioritizes their calling identity as the foundation to restoring trust in the voice channel and to their calls by removing barriers, like improper spam labels, from harming their phone numbers. Numeracle's Entity Identity Management™ (EIM) platform puts enterprise brands, BPOs, and service providers in direct control of their identity, which we vet and verify. Our EIM platform can also be used to manage branded communications, to improve call reputation with blocking and labeling prevention and spam label remediation, and we provide visibility into call display to ensure brand identity is presented as intended, with transparency and consistency. Our KYC-based identity vetting and verification is the cornerstone of the platform; developed in support of evolving federal regulations and telecom standards. Visit www.numeracle.com

This weeks session is all about Taylor's best bridges! After the surprise pairing of “Out of the Woods” and “Is it Over Now?” this past weekend, the girls discuss Taylor's special gift for constructing the world's most incredible bridges. After they finish discussing all of the craziness from the Buenos Aires shows, Brianna, Paije, and Janine share all their favorite bridges— some of which may be a bit controversial! 

We hear a rollicking Coverdale/Page show from Dec 17, 1993 in Tokyo, and Jimmy is playing up a storm. We hear Over Now, an awesome Take A Look At Yourself, and Shake My Tree w/ Theramin solo. Good stuff is to be had. Enjoy

Sharapov presents new Deep House track "Over Now" Follow me ♫ Spotify: ►open.spotify.com/artist/0I3DQV… ♫ Instagram: ►www.instagram.com/sharapovmusi… ♫ PromoDJ: ►www.promodj.com/sharapovmusic ♫ Soundcloud: ►www.soundcloud.com/sharapovmus… ♫ Facebook: ►www.facebook.com/sharapovmusic ♫ Оfficial Page VK: ►www.vk.com/sharapovmusic ♫ Apple Music: ►music.apple.com/ru/artist/shar… ♫ Beatport: ►www.beatport.com/artist/sharap… ♫ Yandex Music ►music.yandex.ru/artist/4521378 ♫ YouTube: ► www.youtube.com/sharapovmusic

It was in 2019 that I first interviewed Florida-based singer-songwriter Frankie Raye. Since then, she's played hundreds (yes, hundreds) of shows, debuted at The Bitter End in NYC, and gotten the chance to try out voice acting in “The Boar Knight” podcast.   In 2021 alone, Frankie booked over 300 shows and talks about her approach with a venue, especially one she's never worked with. We go over her time at The Bitter End, a first for her as a performer and talk about some potential future Northeast shows. Frankie also shares the stories behind her recent single, “Foot in Mouth,” which is about being content with where you are in your journey, specifically in the music business.    Frankie takes us through her time with “The Boar Knight” podcast as Dr. Comet Chianina of the United Bovine Science Coalition on Episode 13, “Up, Up and Away.” We talk about getting into character and some future episodes.   Opening this episode is an excerpt from her single “Over Now” and closing out the show is “Foot in Mouth.”

On this episode, Derek sits with up and coming musician, Frankie Raye.  This Florida based musician is turning heads with her incredible voice and fantastic songs.  We discuss everything from her unique process for songwriting, her past success, her future plans and we get to hear her new single, "Over Now".Website: https://frankieraye.com/Instagram: https://www.instagram.com/frankierayemusic/Facebook: https://www.facebook.com/frankierayemusicTwitter: https://twitter.com/frankie_rayeYouTube: https://www.youtube.com/user/frankierayemusicTwitch: https://www.twitch.tv/frankierayemusic

Вы всегда можете поддержать развитие мира BlissTime https://pay.cloudtips.ru/p/7456677fvk.com/zubecofficialgroupBlissTime PodcastEpisode 49 Father's Car StereoTracklist:00. BTP Intro (pres. by Kristy Black)01. &ME, Rampa, Adam Port feat. Little Dragon – Saving My Love02. €URO TRA$H – Be Yours (feat. Syaqish)03. Nicky Romero vs. Nico & Vinz – Forever 04. Plastik Funk, Mr. Belt & Wezol feat. Tim Morrison – Groove Tonight05. Dombresky – In My Room (feat. SHELLS) 06. BlissTime Unavailable: GENESI – Everything You Have Done (MEDUZA Edit) BlissTime Special07. Coi Leray – Players (David Guetta Remix)08. BlissTime Classic: Big Ang – It's Over Now (feat. Siobhan)BlissTime Stories09. Технология – Нажми на кнопку10. Мираж – Музыка нас связала11. Depeche Mode – Policy of Truth12. Enigma – Sadeness (Part I)13. Maxx – Get-A-Way (Airplay Mix)14. E-Rotic – Max Don't Have Sex With Your Ex15. ATB – 9 P.M. (Till I Come) 16. DJ Scotty – Rokkin (Tranceforce Remix)17. Modeā – Shine 18. ATW, Interplanetary Criminal & Main Phase – With U 19. salute – Pleasures20. BlissTime Out-Of-Box: Sylver – Turn The Tide 21. Calvin Harris & Ellie Goulding – Miracle22. Seven Lions – Alive (feat. Opposite The Other)Hosted by Zubec 

This week Chris, Rich, and Jess talk about: Our last show of the year and in our current studio, Elon Musk: our person of 2022, EDS, Gen Z dating, Trump's NFTs, Trump's taxes, and Pornhub's 2022 year end wrap up. Please follow us on Twitter @genexhaustedpod and on Facebook at https://www.facebook.com/GexExhaustedPod and download the rest... The post Over Now first appeared on Christopher Media.

This is the last episode of the series "Very Entertaining, But It's Over Now." Host, Kris LaShon, reveals the answer to the question a few of you sent in, and wraps up where she and her ex stand, and the space she's in currently. You don't want to miss it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/neverkrisandtellpodcast/message

Mr Mayhem It's Over Now by Mayhem Digital Productions

Part 2 of the new series: Very Entertaining, But It's Over Now. In this episode, titled "Gotta face reality, there can never be any more us," your host, Kris LaShon, walks us through some defining moments in the breakdown of her marriage. She tells it all...you have been warned. --- Send in a voice message: https://podcasters.spotify.com/pod/show/neverkrisandtellpodcast/message

We are surviving the storm with Bruce Holsinger's “The Displacements”. Lala & CJ light up the conversation as we discuss topics, such as: Hurricanes & Evacuations, Family & Death, and MUCH more! Intro Song: God's Property - “The Storm is Over Now”. It's lit!

Wake up people! It's funky time ! 01-Jo Paciello, Raffaele Ciavolino - The Big Sun 02-Twism, Tom Novy, Jeremy Juno - You're Gonna Miss My Lovin' 03-Waterstone, Amanda Wilson - It's Over Now 04-Tullio De Piscopo - Stop Bajon (Michael Gray Remix) 05-Robert Hood - Dancer 06-Superlover - To The Beat 07-Purple Disco Machine, Bosq, Kaleta - Wake up! 08-Cerrone, Purple Disco Machine - Summer loving 09-Rodney Hunter - Temperature's Rising 10-Mike Dunn, LOA. - When The Dust Clears 11-Rocco Rodamaal, Osunlade - Tb3 (Osunlade RMX) 12-Mark Knight, Rene Amesz, Tasty Lopez - All 4 Love 13-Basement Jaxx - Red Alert (Grant Nelson instru) 14-Basement Jaxx - Red Alert (Grant Nelson Vocal) 15-Serge Funk - Yeah Yeah 16-Mighty Mouse - The Get Down

Today, legendary singer/songwriter / DJ / producer Ultra Naté confirmed rumours of a new studio album titled ULTRA by dropping the long player's lead single MIRACLE, co-produced with Gianni Romano Emanuelle Esposito and John “J-C” Carr.A sultry and empowering smash packed with Afro-pop flavour, MIRACLE should bring a healthy dose of heat to everyone's change of seasons. Chugging woodwind and undulating brass sections hustle up against slinky guitar licks. An incessant and percussive African-laced rhythm combines with Ultra's soul-drenched vocal and message, gliding into an ear worm of a groove."I wrote “MIRACLE” for women, especially Black women like myself, as an affirmation and validation of our strength and power,” explains Ultra. “We are constantly seeing events and images of social and racial injustices, it's not only heart-breaking in that moment but also leaves a lasting stain. During lockdown was no different, even with a full-scale pandemic happening, so much negative messaging was highlighted. I wanted to speak to my sisters, and possibly inspire women and young girls from all walks of life. I wanted “MIRACLE” to speak to our divine being within, hoping that we fully understand and appreciate our greatness.”Weaving effortlessly in and out like a hypnotic needle and thread, the incessant motherland club groove and Ultra's comforting lyricism draws the listener into a flawless composition that demands the listener to rise and dance.2022 is a hugely significant year for Ultra Naté. The 25th anniversary of the release of her iconic single Free, it also marks an incredible three-decade milestone in the music industry. To celebrate the occasion, two of Ultra's earliest albums – Blue Notes In the Basement and One Woman's Insanity – will be fully remastered and for the very first time released across digital streaming platforms. Additionally, the original music videos for Ultra's singles It's Over Now, Is It Love? and How Long have been digitised and placed on Warner Music Group's Rhino site for the first time officially, drawing a clear line between her beginnings and her continuing path at the heart of dance music 30 years later.Labelled one of Billboard's ‘Greatest of All Time' and the voice behind countless international hits including the #1 hit Free, It's Over Now, Rejoicing, If You Could Read My Mind, ‘Automatic', New Kind Of Medicine and Found A Cure, the iconic Ultra Naté is beloved by music fans the world over. Coming off the back of a UK-wide Ibiza Classics tour with Pete Tong, Becky Hill, Vula and the Heritage Orchestra that has won rave reviews, her vocal and song-writing has provided fans with 30 years of pure anthems that continue to stand the test of time. See acast.com/privacy for privacy and opt-out information.

Welcome to another The Lily Pad Podcast "Clubhouse!!!!"Let me know what types of music you like, and I will play some tunes from that realm for you. april@thelilypadpodcast.com (subject line for email - (Music Request).Artists names and song titles below.Intro – “Astral Projection” by Hallmore“I Don't Mind Darl” by Lucas Pittman “Think It's Over Now” by Zorro “Explore” by KIllrude “Beyond Elysium” by Wellmess, Tommy “Missing Out” by Martin Hall “Zulu” by Lucas Pittman “Bedroom” by Loving Caliber “An Animated Life” by Imprismed “Just Give it a Go” by Flux Vortex “Gem” by Tyra Chantey “Once I was a cat” by Suffer City “Me N You” by R.A.D “Up and Try” by DJ Mayson “Mai Tai” by Particle House, Mis Pfirrman “Bazooka” by Killrude “Blue Waves” by Pawan Krishna “Calm Binaural Meditation” by Swedish Sound Therapy “In the Absence of Light” by Gavin Luke “Tangible Thought” by Joseph Beg “Into Cryosleep” by Joseph Beg (3:08, Ambient)“Zema” by Martin Landh “REM Ember (Delta Waves)” by Ookean

Freshies from John Rolodex, SPY, young lad IBOT, Slayaz (Run Tingz & Kommz), Unsub & n0izemakeR & more! Perfect for the kitchen rave or the kitchen haircut...whatever you're doing.Playlist: Tim Reaper - ScreenplayUnsub & n0isemakeR, featuring MC Astro & J Augustus - Glitter VIPJohn Rolodex - ArchetypesS.P.Y. - ShelterDopplershift, Foreign Beggars, Wingz, featuring PAV4N - Vibin (Wingz Remix)IBOT, featuring DJ SS - Mash It DownSlayaz, featuring Fearless & Funsta - Send For (Vocal Mix)VIES - Turn It UpSicknote - Jungle PlanetJohn Rolodex, Embers of Light - Fever DreamIBOT - PulsateChampagne, featuring Miss Fudge - The Other SideMutt, Tedder - Right and WrongAaron Payne, featuring Frank H Carter III - It's Over Now

Radio Show [Proud Eagle] #410 (Mixed by Nelver) [Pirate Station Online] (06-04-2022) ✅ Subscribe to Telegram channel: https://t.me/nelvermusic All episodes: https://fanlink.to/proudeagle YouTube Video: https://youtu.be/d01lwzNf9LY Tracklist: 01. Cliques - Electrified (feat. Marianna Ray) 02. Hyukari - Silent Light 03. Dimension - Sensory Division 04. Example & Kanine - Never Let You Down (feat. Penny Ivy) 05. Veak - Lunacy 06. Hyukari - Sea of Ink 07. Nymfo - Crush 08. Section 63 - Siege Engine 09. Glyph - Underground Resistance (feat. Ben Verse) 10. AIRGLO - The Song 11. Chords - Libation 12. SiLi - Dude Knows Nothing 13. Lavance - The Hound 14. Yussi - Forget 15. Enta - Keep Your Distance 16. Camo & Krooked & Mefjus - U 17. Nelver - Second Chance 18. Marble Elephant - Lost In Antarctica 19. SubDocta - Blind 20. Rizzle - Morality 21. Leniz & Rift - The Engineer 22. Fletnyx - Harmonic Rush (Extended Mix) 23. Variants - Thousand Scars 24. High Contrast - Music Is Everything (Pola & Bryson Remix) 25. Nelver - Start Key 26. H.A.L. - Embrace 27. HLZ & Cleveland Watkiss - Dusk Til Dawn 28. Dubruvvas - Check It 29. Tokyo Prose & FD - Ultra Travolta 30. Aaron Payne - It's Over Now (feat. Frank H Carter III) 31. Hugh Hardie - Got U Wrong (feat. Phaction & Javeon) 32. Tokyo Prose - Succotash 33. Nelver & LM1 - Prayer 34. Nelver - Soul Space Weekly updated Playlist "Proud Eagle" on Spotify: https://spoti.fi/2W5vkVa Follow Nelver: https://www.instagram.com/nelvermusic/ https://vk.com/nelver https://spoti.fi/2ThGKDT https://soundcloud.com/nelver https://www.facebook.com/nelverdnb/ https://www.mixcloud.com/Nelver/ https://twitter.com/Nelvermusic

We are glad to be back with another episode of The "Classic" Quest podcast and this time we talk about Big K.R.I.T. - Digital Roses Don't Die, the full album. Holden Stephan Roy, Chris Chrome and Your Lady Friend Bonnie are here with our thoughts on each song on teh album. Let us know your favourite song in the comments below. 00:00 Intro 08:40 Fire (Interlude) 13:20 Southside of the Moon 18:53 Show U Right 25:56 Rhode Clean 31:43 Earth (Interlude) 35:15 C-m Out To Play 39:58 Just 4 You 45:27 So Cool 50:24 Water (Interlude) 54:20 Boring 01:00:03 Would It Matter 01:06:04 Generational - Weighed Down 01:13:37 Wind (Interlude) 01:20:01 It's Over Now 01:23:20 Wet Lashes & Shot Glasses (Ft. Rolynné) 01:29:14 All The Time 01:34:40 More Than Roses - Digital Roses Don't Die album review grade reveal Make sure to check out Big K.R.I.T. - Digital Roses Don't Dief and do your own album review: https://open.spotify.com/album/4hL6vCeDYZjW84055aEuM9 Discover Holden Stephan Roy's Linktree: https://linktr.ee/behindthatsuit Your Lady Friend Bonnie: Twitter: @ylfbonnie IG: @Yourladyfriendbonnie Chris Chrome: https://linktr.ee/ChrisChrome93  

Coming in 2010 W/ His debut album, I personally feel as if #BigKrit is a severely underrated artist, that era was when a lot of major players came out like #JCole #KendrickLamar #WizKhalifa #BigSean #Wale & more, but I would be lying if I didn't say #Krit has been one of the most consistent and has represent authentic southern hiphop phenomenally I rate this album an 8.5-10 #DigitalRosesDontDie 1. Fire (Interlude)
2. Southside of the Moon
3. Show U Right
4. Rhode Clean
5. Earth (Interlude)
6. Cum Out To Play
7. Just 4 You
8. So Cool
9. Water (Interlude)
10. Boring
11. Would It Matter
12. Generational – Weighed Down
13. Wind (Interlude)
14. It's Over Now
15. Wet Lashes & Shot Glasses (feat. Rolynné)
16. All The Time
17. More Than Roses

Original broadcast date December 10, 2020. The original podcast post is here: https://pixelatedgeek.com/2020/12/binary-system-podcast-245-welcome-to-night-vale-179-first-snow/ Oh the weather outside is frightful (it's 59 degrees in San Diego) but inside it's just delightful (yes please stay inside we would like this pandemic to be OVER NOW) and since we've no place to go (because shutdowns!) let it snow let it snow let it snow (unless it's the snow in Welcome To Night Vale, in which case....maybe not....) Yes ANYWAY, after a Night Vale recap where we touch on the dangers of letting the knitters and crocheters near each other, we also giggled about our favorite scenes in the My Dad Wrote A Porno podcast, fangirled over the effects in The Mandalorian, and wished for horrible things to happen to Minth in Lore Olympus because she is OUT OF HER MIND. This week's outro is a clip from Dance Song '14 by Steve Combs. You can find episodes of My Dad Wrote a Porno here IT IS NOT SAFE FOR WORK (so Elizabeth listens on headphones shhhhh.) https://www.mydadwroteaporno.com/ The comedian who's name we can never remember, the one who's been on The Mandalorian, is Bill Burr. Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use http://www.scottishlaird.co.uk/#_a_2gk to get there, you can support this podcast too! If you want to follow along with Fanart Fridays, check us out on Facebook, Tumblr, Twitter, and Instagram!

1. Sultan + Shepard feat. Angela McCluskey - More Than You Ever Know 2. Reezer, Antdot - No Love 3. Dopamine, Ali Story - Deep 4. Tobtok, farfetch'd - Have It All 5. Kaskade feat. Cop Kid - Turn It Down 6. KOLIDESCOPES - When Friday Comes 7. Frank Walker, MOTi - I Wonder 8. Jay Dixie, Amy Grace - Call Me 9. NDEE & ROOMS - Antidote 10. Promise Land - It's Over Now 11. Smokin' Beats feat. Lyn Eden - Dreams (Bleu Clair Remix) 12. Matroda - Ain't No Sunshine (VIP Edit) 13. Andrea Marino, Stereoliez & Cave Studio - Guap (Too Much) 14. Bleu Clair & Cheyenne Giles - Chemistry 15. Chapter & Verse - Want To Love 16. Future Class - 303 17. Never Sleeps feat. AfroJack & Chico Rose - You Got The Love (D.O.D Mix) 18. Blinders - Body Burner 19. SIIK & Kocmo feat. Julia Kleijn - Goodbye

**If you missed the Chas Summers Throwback Show (28-11-2021) on Trax FM, then listen back or download for FREE here. **Full Show Track Listing: -** **Aurra - You & Me Tonight (Chas Summers Extended DJ Edit) (1986) Cheryl Lynn - Sweet Kind Of Life (2004)** **In The Mix Part One Full Flava featuring Chantay Savage - Get Down Saturday Night (2021) Bah Samba - Let The Drums Speak (Ken@Work Nu Disco Mix) (2021)** **The Jacksons feat Tamela Mann - Can You Feel It (Kirk Franklin Remix) (1980) Maxwell - Ascension (Don't Ever Wonder) (2022 Re-Work) Luther Vandross - It's Over Now (1985)** **In The Mix Part Two Willie Hutch - In & Out (1982) Tomorrow's Edition - U Turn Me On (1981) Kinky Foxx - So Different (1983) Greg Henderson - Dreamin' (1982) McKenzie & Gardiner - Hold On Tight (OG Redux) (2021)** **The Thurday Night Slow Jam Barry Biggs - Side Show (1976)** **Maxine Singleton - Don't You Love It (1982) S.O.S Band - Just Get Ready (Michael Gray Extended Remix) (2021)** **In The Mix Part Three Chaka Khan - What Cha' Gonna Do For Me (1981) Garfield Fleming - Send Me Away (1981) The Fatback Band - (Are You Ready) Do The Bus Stop (1975) Michael Jackson - Baby Be Mine (1982) Bobby Womack - Tell Me Why (1984) Gladys Knight & The Pips - Save The Overtime (For Me) (1983) Tomorrow's Edition - U Turn Me On (Chas Summerws 2021 Re-visit) (1981) Bridge - Baby Don't Hold Back (Chas Summers 2021 Re-visit) (1985) Patrice Rushen - Number One (1982) Teena Marie - Square Biz (1980)** **David Bendeth - Feel The Real (Jazz 'n' Groove Ultra Classic Mix) (1979)** **Catch the Chas Summers Throwback Show LIVE every Sunday from 5pm - 7pm on traxfm.org The Station: traxfm.org #traxfm #chassummers #throwbackshow #soul #funk #boogie #remixes #80sGrooves #inthemix #90sR&B Listen Here: traxfm.org Mixcloud LIVE mixcloud.com/live/traxfm And also on Hearthis LIVE here hearthis.at/k8bdngt4/live Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Like the Throwback Show Facebook page - facebook.com/sundaythrowbackshow
 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs=uk.trax Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals**

1) Intro [00:00] 2) Zion Y Lennox ft Daddy Yankee – Yo Voy [00:30] 3) Zion – Yo Voy a Llegar [02:10] 4) Wisin Y Yandel, Hector El Father – El Telefono [02:30] 5) Hector El Father – Sola [03:22] 6) Zion – Alocate [04:24] 7) Rakim Y Ken-Y – Down [05:45] 8) La Factoria, Eddy Lover – Perdoname [07:06] 9) Big Boy, Angel Lopez – Mis Ojos Lloran Por Ti [08:27] 10) De La Ghetto, Randy – Sensacion Del Bloque [09:30] 11) Don Omar – Pobre Diabla [10:00] 12) Tego Calderon – Dominicana [11:25] 13) Daddy Yankee – Lo Que Paso, Paso [12:36] 14) Ivy Queen – Yo Quiero Bailar [13:16] 15) Daddy Yankee – Gasolina [14:47] 16) Plan B – Guatauba [15:47] 17) El General ft Anayka – Rica y Apretadita [17:02] 18) Jowell Y Randy – No Te Veo [18:02] 19) Arcangel – Pa Que La Pases Bien [19:42] 20) Arcangel – Tengo Ganas De Ti [20:42] 21) Wisin Y Yandel – Me Estas Tentando [21:58] 22) Tego Calderon, Randy – Quitarte To [22:16] 23) Nicky Jam, Daddy Yankee – Donde Estan Las Gatas [23:08] 24) Speedy – Amor Con La Ropa [24:18] 25) Don Chezina – Tra Tra Tra [25:11] 26) Daddy Yankee – Nunca Me Quedo (Live) [26:29] 27) Nicky Jam, Daddy Yankee – La Combi Complet (Live) [26:43] 28) Secreto – Yo Soy Tu Tiguere (Live) [28:03] 29) La Nueva Escuela – Ella Me Mira [28:56] 30) Pablo Piddy – Si Tu Quiere Dembow [29:27] 31) Los Lunaticos – Siente El Ki [30:16] 32) Dembow Clasico Unstoppable Break [30:41] 33) El Alfa – Como Yo Me Muevo [30:57] 34) El Mayor Clasico ft Sensato – Bello [31:37] 35) Secreto – Papa Dios Me Dijo [32:43] 36) The Cover Girls – Show Me [34:55] 37) Shannon – Let The Music Play [36:27] 38) Lisa Lisa & Cult Jam – I Wonder If I Take You Home [37:46] 39) Stevie B – Spring Love [34:53] 40) Cynthia – Change On Me [39:50] 41) Jennifer Lopez – Waiting For Tonight [40:56] 42) Haddaway – What Is Love [42:13] 43) Corona – The Rhythm of the Night [43:13] 44) Modjo – Lady (Hear Me Tonight) [44:20] 45) Daft Punk – One More Time [45:36] 47) Eurythmics – Sweet Dreams (Are Made of This) [46:37] 48) Bon Jovi – Livin’ On A Prayer [47:41] 49) Mana – Oye Mi Amor [48:46] 50) a-ha – Take on Me (Live) [50:37] 51) Michael Jackson – Don’t Stop ‘Til You Get Enough [52:36] 52) Rick James – Give It To Me Baby [54:18] 53) Sergio Vargas – La Ventanita [55:46] 54) Benny Sadel – Que Pasara [57:08] 55) Bonny Cepeda – La Fotografia [58:47] 56) Los Hermanos Rosario – Mi Tonto Amor [60:24] 57) Fernandito Villalona – No Podras [61:45] 58) Rubby Perez – Tu Vas A Volar [63:40] 59) Juan Luis Guerra – El Farolito [65:21] 60) Anthony Santos – Yo Me Muero Por Ti (Live) [67:17] 61) Aventura – La Novelita (Live) [68:42] 62) Aventura – Amor Bonito (Novela 2) [69:09] 63) Teodoro Reyes – Los Pobres Tambien Lloran [70:22] 64) Anthony Santos – Ay Mujer [71:31] 65) Anthony Santos – Te Vas Amor [72:26] 66) Raulin Rodriguez – Medicina De Amor [73:17] 67) Raulin Rodriguez – Su Novio Primero [74:30] 68) Luis Miguel Del Amargue – Niña Coqueta [76:25] 69) Elvis Martinez – Fabula De Amor [77:50] 70) Jose Manuel El Sultan – Elizabeth [79:05] 71) Kiko Rodriguez – Vagabundo, Borracho y Loco [80:19] 72) Joe Veras – Se Te Nota [81:02] 73) Teodoro Reyes – Morire Bebiendo [81:52] 74) Luis Vargas – Esa Mujer [83:45] 75) Juan Bautista – Por Mala Fe [85:05] 76) Hildemaro – Desde El Fondo De Mi Corazon [87:17] 77) Willie Gonzalez – Pequeñas Cosas [89:18] 78) Maelo Ruiz, Pedro Conga – Si Supieras [90:33] 79) Jerry Rivera – Cuenta Conmigo [92:17] 80) Tito Rojas – Ella Se Hizo Deseo [93:51] 81) Eddie Santiago – Me Fallaste [95:38] 82) Grupo Niche – Gotas De Lluvia [96:50] 83) Frankie Ruiz – Ironia [99:06] 84) Los Adolescentes – Personal Ideal [101:21] 85) Selena – Amor Prohibido (Live) [103:03] 86) Selena – Como La Flor (Live) [104:11] 87) Ini Kamoze – World A Reggae (Out In The Street They Call It Murder) [105:15] 88) Buju Banton – Champion [106:39] 89) Red Fox, Rayvon – Bashment Party [107:36] 90) Wayne Wonder – Searching Dem Searching [108:40] 91) Beenie Man – Who Am I [109:02] 92) Mr. Vegas – Nike Air (Hands In The Air) [110:22] 93) Sean Paul – Infiltrate [110:54] 94) Red Rat – Tight Up Skirt [111:57] 95) Mr. Vegas – Heads High [112:53] 96) Louchie Lou & Michie One – Rich Girl [114:24] 97) Cutty Ranks – Limb By Limb [115:38] 98) Chaka Demus & Pliers – Murder She Wrote [116:27] 99) Chaka Demus & Pliers – Bam Bam [117:38] 100) Tanto Metro & Devonte – Everyone Falls in Love [118:21] 101) Sean Paul ft Keyshia Cole – Give It Up To Me [119:31] 102) Wayne Wonder – No Letting Go [120:35] 103) Rupee – Tempted to Touch [122:25] 104) Kevin Lyttle – Turn Me On [123:23] 105) Nelly – Hot In Herre [124:18] 106) Snoop Dogg ft Pharell Williams – Beautiful [125:20] 107) Jagged Edge ft Nelly – Where The Party At [126:31] 108) Fatman Scoop ft Faith Evans – Be Faithful [128:12] 109) Usher ft Lil Jon & Ludacris – Yeah! [129:13] 110) Lil Jon & The East Side Boyz – Get Low [130:55] 111) Ciara ft Petey Pablo – Goodies [131:22] 112) Missy Elliot – Work It [132:00] 113) Busta Rhymes ft P. Diddy & Pharell – Pass The Courvoisier Part II [132:30] 114) DMX – Party Up [133:00] 115) Dr. Dre ft Snoop Dogg & Nate Dogg – The Next Episode [134:30] 116) Fat Joe ft Terror Squad – Lean Back [135:50] 117) 50 Cent, Olivia – Candy Shop [136:50] 118) N.O.R.E. – Nothin’ [138:08] 119) Nas ft The Bravehearts – Oochie Wally [139:26] 120) Lil’ Kim ft 50 Cent – Magic Stick [140:54] 121) 50 Cent – In Da Club [141:12] 122) The Game ft 50 Cent – How We Do [141:43] 123) Jay-Z – I Just Wanna Love U (Give It 2 Me) [143:36] 124) Jim Jones – We Fly High [144:37] 125) Jay-Z – Public Service Announcement [144:57] 126) 50 Cent – What Up Gangsta [145:42] 127) The Diplomats – Dipset Anthem [146:10] 128) Cam’ron, Lil Wayne – Suck It or Not [147:30] 129) The Diplomats – I Really Mean It [148:15] 130) Cam’ron, Juelz Santana – Oh Boy [148:43] 131) Kanye West – Can’t Tell Me Nothing [150:17] 132) Jay-Z – U Don’t Know [151:32] 133) Don Omar, Tego Calderon – Bandoleros [152:38] 134) T-Pain ft Akon – Bartender [154:25] 135) T-Pain – I’m Sprung [155:58] 136) Diddy ft Ginuwine, Loon & Mario Winans – I Need a Girl (Pt. 2) [157:40] 137) Akon ft Snoop Dogg – I Wanna Love You [158:48] 138) Mario – Let Me Love You [159:57] 139) Lloyd ft Lil Wayne – You [161:01] 140) Usher – U Don’t Have To Call [162:34] 141) Mya – Case Of The Ex (Whatcha Gonna Do) [163:32] 142) 112 – It’s Over Now [164:30] 143) Mario Winans – I Don’t Wanna Know [166:57] 144) Outkast – Ms. Jackson [167:57] 145) Bobby Valentino – Slow Down [169:47] 146) Fantasia – When I See U [171:47] 147) Ne-Yo – So Sick [172:46] 148) Keyshia Cole ft Missy Elliot & Lil’ Kim – Let It Go [173:47] 149) Ja Rule ft Lil’ Mo & Vita – Put It On Me [175:39] 150) Lil’ Flip ft Lea – Sunshine [177:20] 151) 50 Cent ft Nate Dogg – 21 Questions [178:41] 152) Fabolous ft Mike Shorey & Lil’ Mo – Can’t Let You Go [180:52] 153) Ja Rule ft Ashanti – Always On Time [182:11] 154) Cam’ron, Juelz Santana – Hey Ma [183:31] 155) G-Unit ft Joe – Wanna Get To Know You [185:07] 156) Busta Rhymes ft Flipmode Squad & Mariah Carey – I Know What You Want [186:40] 157) Jadakiss ft Mariah Carey – U Make Me Wanna [188:09] 158) Usher – Bad Girl [189:23] 159) Baby Bash, Frankie J – Suga Suga [191:13] 160) Monica – So Gone [192:32] 161) Nelly ft Kelly Rowland – Dilemma [194:03] 162) Justin Timberlake ft T.I. – My Love [195:34] 163) Lloyd – Get It Shawty [198:16] 164) R. Kelly – Ignition (Remix) [199:16] 165) Usher – U Got It Bad [200:47] 166) Ludacris, Lil Jon & Usher – Lovers And Friends [203:43] 167) Backstreet Boys – I Want It That Way [207:43]

TIMESTAMPS : 5:02 Hollywood's bleeding 7:55 Better Now 12:58 Saint Tropez 16:13 Goodbyes 18:56 Die for me 21:19 Allergic 23:56 Candy Paint 28:05 Psycho 30:34 On the road ft. Meek Mill 34:14 Enemies 36:33 Wow 39:16 Paranoid 43:38 I fall apart 47:30 Over Now 51:54 Take What You Want 55:58 Stay 1:00:23 Circles 1:04:46 Go Flex 1:08:07 No Limit by G-Eazy 1:10:34 I Wanna Rock by G-Eazy 1:13:30 White Iverson 1:17:43 Sunflower ft. Swae Lee 1:20:21 Rockstar 1:23:42 Guitar Smashing 1:27:33 Congratulations   Team UNPLUGGED.

5:02 Hollywood's bleeding 7:55 Better Now 12:58 Saint Tropez 16:13 Goodbyes 18:56 Die for me 21:19 Allergic 23:56 Candy Paint 28:05 Psycho 30:34 On the road ft. Meek Mill 34:14 Enemies 36:33 Wow 39:16 Paranoid 43:38 I fall apart 47:30 Over Now 51:54 Take What You Want 55:58 Stay 1:00:23 Circles 1:04:46 Go Flex 1:08:07 No Limit by G-Eazy 1:10:34 I Wanna Rock by G-Eazy 1:13:30 White Iverson 1:17:43 Sunflower ft. Swae Lee 1:20:21 Rockstar 1:23:42 Guitar Smashing 1:27:33 Congratulations Team UNPLUGGED.

Bill Withers - You Got The Stuff (1979) Bruce Johnston - Deirdre (1977) Not bad on Sunflower, but excrement here.  Frank Sinatra - I Sing The Songs (1977) Written by Bruce Johnston. Barry Manilow's Grammy-winning version was actually the third recording, after Captain and Tennille and David Cassidy. But if you listen to this show, you already know that.  The Soft Machine - Feelin' Reelin' Squeeling' (1967) Sons of Champlin - Fat City (1966) Lead singer Bill Champlin joined Chicago in 1982.  The Archies - Don't Touch My Guitar (1969) The French Fries (Sky and the Family Stone) - Danse A La Musique (1968) The Shaggs - Things I Wonder (1969) Pink Floyd - Comfortably Numb (demo) (1979) Utopia - Sunburst Finish (1977) The Beach Boys - Loop De Loop (1970) The Beach Boys - 'Til I Die (Remix) (1970) Brian Wilson - It's Over Now (1977)   My Two Favorite Side-Long Songs: Renaissance - Song of Scheherazade (1975) Yes - The Gates of Delirium (live in Detroit) (1976)

Puntata 28 – Playlist: 01 – David Crosby – Laughing ..02 – Small Sur – Two Mantras ..03 – Los Indios Tabajaras – Maria Elena ..04 – Midnigh Oil – The Dead Heart ..05 – Paddy Casey – It's Over Now..06 – Joni Mitchell – The Circle Game..07 – Thunderclap Newman – Something in the Air ..08 – Smog – Our Anniversary ..09 – Pink Floyd – Gunner's Dream ..10 – Ivano Fossati – La Pianta del Tè..11 – Gotan Project – Santa Maria ..12 – Rich Hopkins and Luminarios – El Otro Lado

This Episode Is Brought To You By: https://www.2linedmusichutstore.com | Enter promo code ERP20 at check out to receive 20% off your first purchaseRecording Artist, Sound Man and Promoter FRETTY pulled up to the Entertainment Report Podcast for a great conversation about his career. Fretty spoke about playing his first sound system in Jamaica, Sky Juice and Metro Media, meeting Wayne Wonder as a child, rapping on 'It's Over Now' with Wayne Wonder for Pick Out Records, recording and touring with Shocking Vibes, Dave Kelly, meeting Beenie Man, Wayne Wonder and Himself recording an album for Steely & Clevie, meeting a young Garnett Silk at Mixing Lab Studio, Spragga Benz, Daddy Screw, moving to Canada and joining King Emperor sound from Jane & Finch. Fretty also spoke about becoming a promoter in Toronto and working with Baby Cham, Wayne Wonder, Buju Banton, Freddie McGregor, L.U.S.T, Mikey Spice and so much more. THIS IS A MUST WATCH!!! Don't Forget To Subscribe. Enjoy!

We are back in the Enchanted Forest, Storybrooke, Neverland, Oz and wherever else the magic beans are taking us. Yes, this week we make a final dive back into Once Upon a Time to exhaust this topic and exhaust you.If you want to listen to Regina the Evil Queen aka actress Lana Parrilla's dance version of It's Over Now (truly a club classic) you can do so here. Where else would you get this kind of information?! This podcast is basically the news.Also, apologies to Mach-Hommy for Ruth mispronouncing your name, but in our defence, we don't know anything, so...Send your messages to waitrewindthetape@gmail.com

"Your weekly dose of Funky House Music from Around the World." - DJ MIDIMACK June 2021 Funky House Mix Pt. 2 (Ep 182) Playlist: Ride This Sound by Riva Starr (London) feat. Imaginary Cities Live For The Music by CamelPhat (UK) Yurican Soul by Monki (London) Listen Up by DJ Marika (Romania)/Al-Fernandez (Spain)/Lulian Badea (Romania) Good Times by SAXMODE (UK) Relight My Fire by SAXMODE (UK) All Alone by DJ Fopp (Italy)/Danele Danieli (Italy) It's Over Now by Glovibes (USA)/Lana Parrilla (USA) Happy People by David Penn (Spain)/Milk & Sugar (Germany) Give It To Me by Brokenears (Italy) Give Me Love by Foo Funkers (Italy)/Diego Forsinetti (?) Cold Light by KC Lights (Scotland)/Leo Stannard (UK) Its Not Over by Hrag Beko (USA) Coco Loco by Crazibiza (USA/Hungary) Gira Gira by Gary Caos (Italy) Reap by Lee Cabrera (USA)/Marco Lys (Italy) Fantasy by Tom One (UK)/SAXMODE (UK) Breakaway by Grant Nelson (UK) Disco Lover by Serial Thrilla (UK) Back To Me by Chaney (UK) feat. Laura Davie Free Tiger by Vlada Asanin (Serbia) In The Storm by Dimitri T Jay (Italy) Everybody Jumping by Nari (?)/T&C (?) www.themixbagpodcast.com www.patreon.com/djmidimack Thank You for listening! Support this podcast

www.profecy-radio.com World Hold On (Extended Mix) [Tom Staar Remix] feat. Steve Edwards, Bob Sinclar, 2021 All I Want feat. Jake Shears, Boys Noize, Jake Shears, 2021 Steels, Dave Spoon, 2021 Salsoul Nugget (If You Wanna), M&S, The Girl Next Door, 2021 It Is What It Is feat. Elise LeGrow, Vintage Culture, Elise LeGrow, 2020 54, Jansons, James Solace, 2021 Miss You, Kevin McKay, Tasty Lopez, Alex Gewer, 2021 Ain't No Need To Hide, Sandy B, 2021 Let the Music Play, Shannon, Alan Fitzpatrick, 2021 Sing It To Me, Softmal, LLølita, Lucenamusic, 2021 Let the Sun Shine, Milk & Sugar, 2021 H O U S E Feat. Missy, Missy, Gettoblaster, 2021 Celebrate feat. Roland Clark, Roland Clark, Milk & Sugar, 2021 The Music, Kideko, Saffron Stone, 2021 Everything's Gonna Be Alright feat. London Community Gospel Choir, Mark Knight, Beverley Knight, London Community Gospel Choir, 2021 It's Over Now, Glovibes, Lana Parrilla, 2021 Deep Inside, Maur, 2021 Closer, Flashmob, 2021 Deep End, John Summit, 2020 Summer 91 (Looking Back), Noizu, 2021 My Fire, Yvvan Back, 2021 Back To Me feat. Laura Davie, Chaney, Laura Davie, 2021

Sister Sledge - Good Times - Marco Fratty & Marco Flash Remix 2K21 Sean Finn, Lotus, Sister Sledge - Lost in Music (DJ Blackstone Remix) The Shamanic Feat Andrea Love - Fire Redux Saints, Aaron Lowe - About You Jonas Blue & Leon - Hear Me Say Freejak - Ride Like The Wind ROMBE4T - Shakedown And Boogie M&S Presents The Girl Next Door - Salsoul Nugget (If You Wanna) (Mark Knight Remix) Hannah Laing - Murder On The Dancefloor Monki ft Queen Rose - Ring Ring Regard x Troye Sivan x Tate McRae - You (Topic Remix) Mentis ft Kate Wild - Excuses Eden Prince ft Akua - Love You Again (George Mensah Remix) Blaise ft Poppy Baskcomb - Moments (VIP Mix) Lee Freeman - Free Love Sol Brothers & Damon C Scott - Turn Around JOMAQ - Yeah Paul Orwin - Put Your Hands Up Tom Budin vs Dizzie Rascal - What You Bonkers Block & Crown x Hutch - Damager Glovibes Ft Lana Parrilla - It's Over Now

Wir feiern Jubiläum!! Staffel 1 ist OVER NOW! Zur Feier des Tages schenken wir uns gegenseitig etwas live in der Folge und reden noch über iaktuelle Aufreger und important stuff, der euch so interessiert hat. PS: Folgt unbedingt @pu.ssytalk auf Insta um nix zu verpassen! Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

TRUE HOUSE STORIES W/ TEDDY DOUGLAS (BASEMENT BOYS) # 036 - PART 2 In this Segment Teddy discovers songwriter and diva vocalist Ultra Nate'. The Basement Boys begin to work with Major Labels such as Warner Brothers, Eternal, MCA and Mercury Records. The first trip to London when he signs “It's Over Now” and meets Norman Jay. A music conference and a cassette is handed to the guys and Crystal Waters is discovered. Crystal writes the “Gypsy Woman” Song for Ultra Nate album and it released as Crystal Waters. Dj Danny Tenaglia breaks the record out at the Winter Music Conference and not too far after it goes Gold. Basement Boys are the hottest commodity in the game and Teddy wants to follow Motown Records and make it a family business with the same.

In the first hour of Episode 51 I bring you a right royal mash up of tunes from past, present and future, with tracks from The Magic Track, Luther Vandross, Javi Frias, Paul Older, Mark Whites, Brothers in Arts, Kraak & Smaak, Superbreak and loads more. Lots of my current favourites in here, but a few little blasts from the past too. Oh, and there’s something slow, slinky and a bit silly from me - which is brand new and available as a free download. For the second hour it’s my absolute pleasure to hand things over to one of the classiest selectors on the scene, the fabulous Ferdinand Debeaufort. Ferdinand effortlessly blends together disco edits and dusty vintage sounding cuts to create a velvety smooth guest mix. The mix features productions from some of the best producers around, and a couple from himself too, including an absolutely sublime forthcoming tune called Sexy Million Dollar Man. This mix is a real treat, huge thanks to Ferdinand for doing it. Please show him some support… https://soundcloud.com/user-181936486 https://www.instagram.com/ferdinanddebeaufort/ https://www.facebook.com/DJFerdinandDebeaufort This show went out live on Stream101 Radio, and I’ll be back in two weeks with a brilliant guest mix from Evil Smarty. Be there - 9pm 29th March, mixlr.com/stream101. In the meantime catch all of Stream101's shows on their mixcloud - https://www.mixcloud.com/stream101/ HOUR 1 TRACKLIST The Magic Track - Juju Love Spell Superbreak - Shot Out (SB Disco edit) The Rebirth - Evil Vibrations Luther Vandross - It's Over Now (mikeandtess edit 4 mix) Even Funkier - Feelin' Lurrrve Javi Frias - Really Need To Talk Ferdinand Debeaufort - Around Young Pulse - Don't You Know, Baby Dabeull - Don't Stop (feat. Michael Tee) Breakwater - Say You Love Me Girl (Dj Provoke edit) Paul Older - Hu-Man Kraak & Smaak - 24HR Fling (OPOLOPO Remix) Mark Whites - Satisfaction (21 Again Remix) Brothers in Arts - Where Your Shoes At Fixed Angles - Anikana Universe City - Can You Get Down FERDINAND DEBEAUFORT GUEST MIX Ferdinand Debeaufort - Groovin' In All Directions Sould out - French Boogie Jack Tennis - Jorge's Pipa Javis Frias - On Fire The Funk District - No Worries Ed Wizard & Disco Double Dee - The Need Inside Picossu - Open Sesame Ferdinand Debeaufort - Sexy Million Dollar Man Javi Frias - Mood For Love Igor Gonya - Zui Quan Poookie Knights - Makes Me A Weiner

Keep On Lovin Me (mikeandtess edit 4 mix) | The Whispers Lady Love Me (One More Time) (Ced House ReWork) | George Benson The Finest (Ced ReWork) | The S.O.S. BandReach Out (Pimpin Willie Regrooved Mix) | George DukeYou Can't Change Me | Secret Sun Feelin' Lucky Lately (Ced ReWork) | High Fashion Saturday Nite (Remix Instrumental) | J Dilla Midnight Rain (Vocal) | Max GrooveMind up tonight (Ced ReWork) | Melba Moore It's Over Now (mikeandtess edit 4 mix) | Luther VandrossBon Bon Vie (CMAN Edit 2015) | T.S. Monk At Night (Knight Horse remix) | ShakedownMy Simple Heart (David Kust Simple Remix) | Carol Douglas Is It You? | Lee Ritenour

For the past ten years The Weeknd has had smash hit after smash hit, topping the charts with high profile collaborations and remixes making him one of the biggest solo pop, rap and r&b stars around today. This very special mechamix features not only his hits, but some absolute classic remixes and some very special mashups! Ladies & Gentlemen, this is The Weeknd.BPM = 85 – 171TRACKS:BLINDING LIGHTS (dj scene bootleg)HEARTLESS (bpm supreme edit)POWER IS POWER (kwikmix)A LIE (funkymix) (featuring French Montana & Max B)STARBOY (funkymix) (featuring Daft Punk)I FEEL IT COMING (select mix) (featuring Daft Punk)I FEEL IT SMILING (vs Shanice bootleg)OVER NOW (petedown flavor edit) (feat Calvin Hariis)IN YOUR EYES (colom81an remix)IN YOUR EYES (remix) (featuring Doja Cat)LUST FOR LIFE (the avener remix) (featuring Lana Del Ray)LOVE ME HARDER (funkymix) (featuring Ariana Grande)PRAY FOR ME (remix) (featuring The Goodfellas & Kendrick Lamar)LOST IN THE FIRE (petedown flavor remix) (featuring Gesaffelstein)LOST IN THE FIRE (fraze remix)CAN'T FEEL MY FACE (ultimix)CAN'T MACK MY FACE (mash up featuring Mark Morrison)CAN'T FEEL THE CALIFORNICATION (mash up featuring Red Hot Chili Peppers)THE HILLS (funkymix)I FEEL IT COMING (petedown uptempo mix) (featuring Daft Punk)SAVE YOUR TEARSCAN'T CIRCLE MY FACE (club breakerz circles mashup featuring Post Malone)LOST IN THE FIRE (kue remix) (featuring Gesaffelstein)OVER NOW (sisco kennedy club remix) (featuring Calvin Hariis)STARBOY (jay mac remix) (featuring Daft Punk)CAN'T FEEL THE WORLD (mashup featuring Daft Punk)PRAY FOR ME (Charlie lane remix)IN YOUR EYES (kwikmix)OFTEN (club killers extended remix)WICKED GAMES (funkymix)PARTY MONSTER (funkymix)BLINDING LIGHTS (guy arthur remix)BLINDING LIGHTS (kwikmix)For all your mechamix needs go to:THE OFFICIAL WEBSITE:http://mechanism.podomatic.comTHE OFFICIAL FACEBOOK PAGE:https://www.facebook.com/theofficialmechanismpodcastTHE OFFICIAL TWITTER PAGE:https://twitter.com/MechPodTHE OFFICIAL MIXCLOUD PAGE:https://www.mixcloud.com/Mechanism_PodcastTHE OFFICIAL INSTAGRAM PAGE:https://www.instagram.com/mechanism_podcast/GOOGLE PODCASTS:http://bit.ly/GoogleMechamixTUNE IN:http://bit.ly/TuneInMechamixAPPLE PODCASTS:http://bit.ly/AppleMechamixIHEART RADIO PODCAST:http://bit.ly/IheartMechamixYOUTUBE:https://www.youtube.com/c/THEOFFICIALMECHANISMPODCASTREDBUBBLE MERCH STORE:http://Mechanism.redbubble.comTEEPUBLIC MERCH STORE:http://bit.ly/Mechamixmerch#mechamix

Dave (Junior) Ellefson sits down with Robb for a deep dive into his early days in Minnesota starting bands, his family history on the Ellefson farm, his great new cover of Post Malone’s “Over Now”, his serendipitous meeting of Dave Mustaine 5 days after landing in Los Angeles, Mustaine’s reaction the first time he listened to Metallica’s “Kill ‘Em All”, and working on the very first Megadeth songs before the band even had a name.Great shit!!Support Our Sponsors!Betterhelp is here to help you achieve your goals and consult with an online therapist form the privacy and comfort of your home. For 10% off your first month, go to betterhelp.com/FLYNNThe newest episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show before it comes out everywhere else, you can subscribe now at GaSDigitalNetwork.com and use the promo code NFR for a 14-day free trial!

Oh the weather outside is frightful (it’s 59 degrees in San Diego) but inside it’s just delightful (yes please stay inside we would like this pandemic to be OVER NOW) and since we’ve no place to go (because shutdowns!) let it snow let it snow let it snow (unless it’s the snow in Welcome To... The post Binary System Podcast #245: Welcome To Night Vale #179 "First Snow" first appeared on Pixelated Geek.

Tune in Tuesday HERlisteners to Episode 34

"The Storm is Over Now" Supporting Verses: Isaiah 43:2, Mark 4: 35-41 Go Deeper: Isaiah 41:10, John 16:33, Psalm 23:4, listen to Kirk Franklin "The Storm is Over Now", Read "Footprints in the Sand" by Margaret Fishback Powers Bible Verse of the Day: Matthew 6:7-8 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/godsexandlove/message Support this podcast: https://anchor.fm/godsexandlove/support

St. Vincent estrena una nueva version de “New York” a lado de Yoshiki, The Weeknd y Calvin Harris estrenan “Over Now”, KKA twings lanza su video de “Sad Say”, Halsey lanza álbum en vivo, IDLES realiza covers de The Strokes, The Beatles y Ramones, John Frusciante anuncia nuevo álbum en solitario, esto y mucho más aquí en Sentido Beat Visítanos en: Facebook ¿Me Vas A Leer? Twitter: @Me_vas_a_leer Instragram: @Me_vas_a_leer Web: mevasalee.blogspot.mx

Atrasou, mas chegou!

Présentation du titre Over Now signé Calvin Harris et The Weeknd...

On the new Pop Shop Podcast, the team discusses if Blackpink’s new single “Ice Cream” is potentially the song that will take the act to the next level in America after years of steadily growing their fanbase in the States. Plus, there’s chart news on BTS’ big debut at No. 1 on the Billboard Hot 100 with “Dynamite” and how Taylor Swift’s “Folklore” ties for the most weeks at No. 1 in 2020 on the Billboard 200 albums chart. Beyond that, the team chats about Katy Perry’s new album “Smile,” Dua Lipa’s remix set “Club Future Nostalgia,” Calvin Harris and The Weeknd’s new single “Over Now” and Christina Aguilera’s new version of “Reflection” from the film “Mulan.”

Get Exclusive Pop Culture Show video interviews, video content and bonus video exclusively from our Instagram. Sign up for our Pop Cult and be the first to get show announcements, free stuff and insider information only available to cult members.Intro (00:00):Welcome to the Pop Culture Show with Barnes, Leslie, and Cubby. Barnes (00:03):Please rate, review, and subscribe to the Pop Culture Show. I'm Barnes. That there is Leslie, and over there it's Cubby. Hey, what's going on gang? Leslie (00:12):Hello. Cubby (00:13):The band is back together for another exciting week, man. Barnes (00:16):We're back. Today, Charles Esten will be on the show today. A lot of people know him from Nashville, but most recently on one of the top five shows, called Outer Banks, on Netflix. He's the lead, he's the adult lead. There is a kid lead, or a couple of kid leads. You guys have to watch it, it's so good. Leslie (00:34):I definitely want to, especially because his character is so different from what he played on Nashville. Barnes (00:38):So Charles Esten is coming up, The Pop Culture, atthepopcultureshow.com is the hub. That's where you can listen anywhere you like to listen, like Apple Podcasts, iHeartRadio, Pandora, or where ever you get your podcasts. Hey, next week Ken Fuchs will be on the show. He is the director of every show on TV. The Bachelor, The Bachelorette, Shark Tank, Family Feud, Press Your Luck, To Tell the Truth, maybe not Press Your Luck... To Tell the Truth, I can't even keep up with... Leslie (01:11):It's unbelievable. Barnes (01:12):It's unbelievable. Cubby (01:12):It'll be fun to talk to him and ask him a lot of questions about how things have changed in a COVID world. Barnes (01:18):So many stories from behind the scenes. Just on Shark Tank alone, imagine dealing with all those personalities on a daily basis, for hours at a time. It's got to be very, very interesting. So we'll talk to Ken next week. Got a shout-out to give out. Christina Warren at Microsoft in Seattle, who listens to our podcast, thank you. She was tweeting us the other day. She's a long-time listener, Fram, of The Morning X. Leslie (01:44):Thank you, Christina. Barnes (01:45):Back to when she was, I think she said she was like 10. Leslie (01:48):Of course. Makes us feel old. Barnes (01:50):No kidding. Cubby (01:51):Christina doesn't know me, but she'll be happy to know that I use a Microsoft Surface every day for the recording of this podcast and for my radio show. So shout-out to Microsoft. Barnes (02:00):I think she might know you because she lived in New York City and she was a writer for Mashable. Cubby (02:06):Oh, very cool. Yeah. I know Mashable. Barnes (02:08):So I have a feeling she knows who Cubby is. Cubby (02:11):Well Christina, thank you for the love and support of The Pop Culture Show. Barnes (02:14):We have some other great news. We're trying every tactic to get you to listen. So now we're going to cut right to the bribe... We're going to pay you. Cubby (02:25):Yeah. Leslie (02:26):Wow. Barnes (02:27):We have money. This is called Pop Quiz and we will start this next week, because we have to tell you about it first. Cubby (02:34):So basically, starting next week you have a chance to win $50. We're going to ask you a question about The Pop Culture Show, a question from a past episode, correct? Barnes (02:42):Yeah, and it's not going to be easy. Cubby (02:43):Right. It's going to be kind of hard. Barnes (02:45):Not the past, but the week prior. Cubby (02:48):Right, the week prior. Exactly. And then if you od not get the question right, well that's a win for everybody else because that $50 rolls to next week, and it goes to $100. And then it goes to $150 if nobody gets it after that. And who knows, if this goes on for a year, we may be up to $25,000. Barnes (03:07):And you'll be in serious tax debt. It'll be fabulous. Cubby (03:10):And we'll have a problem. A big problem. Leslie (03:11):Wait a second, why don't we have Ken Fuchs, who's the director of Family Feud, just be the director of the pop quiz for The Pop Culture Show? Barnes (03:17):We're expanding, people. We're expanding. Leslie (03:19):It's so easy. Just go to the pinned post on Facebook and in the comment section just say, "Quiz me." Barnes (03:27):That's it. We're going to pick someone at random from whoever... We'll keep that as a running post. So this'll be an ongoing thing on the show until it's not anymore. Until we're broke and we have to start refinancing our house. Cubby (03:37):Right. Now this person is going to join us on the phone or on Zoom, and we're going to ask the question live.   Barnes (03:44):Pop quiz will be 10 seconds. So we'll say, "Cubby, on last week's show..." Who was our guest? Oh, Oz. "On last week's show, who said they were going to quit drinking Diet Coke? Go." Cubby (03:55):Right. And we'd be like, "Barnes." Barnes (03:57):Boom. Win $50.And then if they say, "Cubby," bum, bum, bum... Then next week it's $100. Too easy. Leslie (04:04):Do we get winning music too, Barnes? Barnes (04:07):Oh, man. There's not enough time in the day. Cubby (04:09):No, I agree. We need some fanfare. Leslie (04:11):Yeah. Barnes (04:12):We will. We'll do it up. We'll do it up. Yup. That'll start next week, so please just go to that post and put, "Quiz me," if you want to be in the running to get quizzed. You guys have a good week? Cubby (04:22):I had an amazing week. I got to tell you... Guys, pumpkin spice is back, man. Barnes (04:28):At Starbucks? Cubby (04:29):Starbucks and Dunkin. It's the earliest they've ever started it. It started August 25th I believe for both. And I tell you, I'm a big fan. What about you guys, are you pumpkin spice people? Barnes (04:39):You sound like you've had four of them right now. Cubby (04:42):Hey man... Well that and the Adderall. But I'm tell you. Leslie (04:46):We learn something new about Cubby every week. Barnes (04:48):Jäger, Adderall, pumpkin spice. Leslie (04:52):Dang. Cubby (04:52):Leslie, are you a pumpkin spice fan? Because you strike me as a pumpkin spice fan. Leslie (04:55):I am, I'm a little concerned about the calories in there. Cubby (04:58):Oh, who cares? Calories don't count. Barnes (05:00):I just asked Cubby about a calorie count on Jäger this week because I'm concerned. Cubby (05:04):Yeah. It's like 100 a shot I believe. Barnes (05:05):Heather looked over at me, she was playing your story and goes, "Cubby's drinking again." I was like, "At what point... And now I've got other people telling me to lookout for my co-host." Cubby (05:14):Well you know what it is... Look, Barnes, you have two kids and when they were that young, you had to drink a little more to keep up with them. Barnes (05:22):Truth. Cubby (05:24):It's a long days, and daddy needs a little treat. Barnes (05:28):You do make a good point. Cubby (05:29):Yeah. Barnes (05:30):That's the highlight of your week, that pumpkin spice is back? Cubby (05:32):Pumpkin spice is back, fall is in the air, I love fall. I'm just happy as can be. How about you, Leslie? Leslie (05:40):I dropped my phone, my cell phone, in between the washer and dryer- Barnes (05:43):Good! Leslie (05:44):[crosstalk 00:05:44] no space there. [Lannie 00:05:47] was out of town... Not out of town, Lannie was not here, and I kept hearing my phone ring and so I'm in panic mode. I tried every utensil in the kitchen, from tongs to anything that would reach down. So finally I was like, what else in the house can I use? Barnes (06:04):I would have paid to have seen this. Leslie (06:05):So I found a hanger. So I get this hanger, now I've made it worse. Now, as I'm trying to get my cell phone in between the washer, dryer, I push my cell phone under the washing machine. Cubby (06:18):Oh, you made it worse. Leslie (06:19):Made it worse. So I shimmied... Which, by the way, it's kind of heavy. I shimmied the washer out a little bit, I climbed on the dryer, seriously climbed on the dryer, got some tongs from the kitchen, dropped myself onto the floor under the washing machine, and got my cell phone out. This went on for like an hour and a half. Cubby (06:43):Leslie has the best stories, man- Leslie (06:45):I do have the photos to prove it all too. Cubby (06:47):I thought you couldn't top the whole following a random truck story, but this might be up there- Barnes (06:52):It could be- Cubby (06:53):It's incredible. Barnes (06:53):I was only applauding because I thought, "Finally she's broken that damn Android and she's going to come into iPhone." Leslie (06:59):No. No. Cubby (06:59):By the way, Leslie, was this during business hours, so peak time where the phone was ringing like you said, and people needed you? Leslie (07:04):Yeah, it was peak time. It was peak time. I thought Lannie was going to call and get nervous. Barnes (07:08):Keith Urban's calling.   Cubby (07:09):Where's Leslie? Barnes (07:10):Yeah. She's between the washer and the dryer. Cubby (07:13):That's great. Barnes (07:14):Nice. Leslie (07:15):What about you, Barnes? Barnes (07:17):I'll do it quickly, I got my flu shot. I think it's a first time ever. Leslie (07:21):Really? Barnes (07:21):I just happened to be at Public's and they were like, "Get a flu shot and we'll give you a $10 gift card." I'm a sucker for a gift card, hit me. So I got a flu shot. I busted a PI out in front of my house. Leslie (07:21):What? Barnes (07:34):So there was a private... I kept noticing this car, this car with super tinted windows, camped out in my space. And so I got my gun and went outside. I'm like, "Whoever this is..." Leslie (07:51):Was your gun visible? Barnes (07:52):It wasn't in my hand. I wasn't in full... But you don't know these days. Leslie (07:56):Okay. Okay. Barnes (07:56):What someone's going to do. And I thought the guy was dead. I thought the dude in the car was dead. So I'm looking through, and tint was so dark that I had to look through the front window. So I did old fake on the phone, walked past. And then I turned and looked in the car, and the dude didn't move. And I'm like, "Okay well he's dead." So, that was my first thought. I thought, "This dude is dead." So I started doing, you know when the cop comes up behind you on the side of a car? You can't see him, but he can see in? Cubby (08:26):Right. Barnes (08:26):So I started doing that, and I had one hand on my gun, because I didn't know what was going to happen. I thought, "Well if this guy's dead, maybe whoever killed him is behind him in the seat." I can't see in the car at all. So I get up there and I look in, and then all of a sudden the door cracks and I'm like, "Whoa, hey!" The dude gets out, and he goes, "Sorry. I'm a private investigator." I'm like, "Well, then I guess you're not investigating me, because I guess you wouldn't be so obvious." He said, "No." I said, "Well dude, half the block is already calling the police because you've been sitting here for 10 hours with your car running and we thought you were dead or you were up to something no good." He said he was on an insurance case. I was like, "So, you want to come on our podcast? We can talk about..." I'm not kidding. Cubby (09:15):Now I feel like a loser. The highlight of my week was pumpkin spice, and you guys had death and MacGruber going on over here with Leslie. Unreal. Barnes (09:26):I suck. Leslie (09:27):Is that a line you would ever do, being a PI? Barnes (09:29):Just for fun. It's all very mysterious. Leslie (09:33):So I have a question for both of you, Barnes, Cubby. Have you ever, in Hollywood, have you ever dated anyone 20 years younger or older than you? Barnes (09:43):No. Cubby (09:44):No. Not me. Leslie (09:45):Never ever? Well guess what- Barnes (09:46):Maybe in my dreams Leslie (09:47):Guess what? We have the world's first extreme age gap dating site. Barnes (09:52):This is a real thing? Leslie (09:53):20 Dating. So you could date someone 20 years younger or 20 years older. It's a new app- Cubby (09:53):What? Leslie (10:01):Yeah. It's pretty extreme. It's funny because when I saw this story, I thought of all the actors in Hollywood because most of the guys are dating people 20 years or more younger than them. Barnes (10:11):It's these dudes in their 70s that are dating 40 year olds. There are a lot of them. Leslie (10:17):Yeah. The site only matches users with people 20 years younger. Yeah. Barnes (10:17):Dennis Quaid. Leslie (10:17):Yeah. Barnes (10:21):I know he's one. Leslie (10:22):He just got married. Barnes (10:23):Harrison Ford is at least 20 over Calista Flockhart. But that's been a while. There's several of them. Cubby (10:28):And then Brad Pitt has a new chick. Leslie (10:30):New German model he's dating who's I would say 30 years younger than he is. Cubby (10:36):It's a shame nobody here is single on this show, because it would be fun to have somebody on to test it would. But I would never try it out- Barnes (10:43):You would go older, right Cubby? Cubby (10:44):Me? No. No. I'm 49, man. Barnes (10:48):That was just a joke. Leslie (10:50):By the way, the app is called Gaper. G-A-P-E-R. Barnes (10:54):The name is even bad. Leslie (10:57):It's unbelievable. Barnes (10:58):So what do you think is their biggest demographic that goes on there? Girls in their 20s trying to get a sugar daddy? Cubby (11:05):I think sugar daddy. That's exactly what I was going to say. It's young girls looking for the older guys. That's my thought. Leslie (11:09):You don't think it's older guys looking for the younger girls? Cubby (11:11):Well that too. I think it goes both ways. Leslie (11:12):Yeah. Yeah, yeah, yeah. Barnes (11:12):So it does go both ways, because the older guys have the cash, which is what the younger girls want. Cubby (11:16):Correct. Barnes (11:17):They just have to give up the booty. I've heard about so many of these things where these girls get into... And I've actually met people in travel who are with someone that old. You get them drinking and they'll start telling stories. Literally will go sit in their room, the dudes, will go sit in their room all day, and these girls are out doing everything. And then you'll see him at dinner and the girl's just a little trophy hanging on his arm. Cubby (11:46):Oh, yeah. Barnes (11:46):It's the weirdest thing. Leslie (11:48):It's super weird. But they want a different lifestyle, potentially. Barnes (11:51):Correct. Cubby (11:52):And both are happy. I think the older dude is happy because he has the arm candy. And she's eating lobster and steak, it's a win-win. Leslie (11:59):Curious to see how popular though this app will be. Chadwick Boseman (12:04):Evacuate the city. Engage all defenses. Get this man a shield. [inaudible 00:12:12]. In my culture, death is not the end. Leslie (12:30):So sad that we learned of the passing of actor Chadwick Boseman. That was him bringing the Black Panther to life. I was shocked when I saw the news because no one knew that he was sick. He had stage 3 colon cancer that he got in 2016, and he never told anyone. So he had been battling with this for years. Barnes (12:47):I thought it was one of those internet memes. Cubby (12:49):Me too. Barnes (12:49):I thought it was one of those fake death high profile person that's so sad. Cubby (12:56):43. Leslie (12:57):And if you look at the movies that he made, he brought a lot of these heroes, these black heroes, to life. I don't know if you ever saw the Thurgood Marshall movie he did called Marshall, I watched last night because I had never seen it before. Get on Up, the James Brown movie. He brought James Brown to life. It was unbelievable. Have you ever seen him play James Brown? Cubby (13:16):Nope. I never saw that movie, but I saw the clips. You would think you're watching James Brown. Leslie (13:21):And then of course, baseball icon Jackie Robinson in the movie 42. Just incredible movies at a young, and for him to die so young at the age of 43, it's tragic. Barnes (13:32):Dude not only had skills but had just something inside him that's different than everybody else. He filmed a lot of those big movies while going chemo and going through treatment. Cubby (13:42):And nobody knew. And it's funny how he treated his fans like gold. He really was an icon both on film and real life. He just was a super good guy. Never met him, but I heard he was one of the nicest guys. Leslie (13:57):And the stories that are coming out from all the actors, as you know that he played with, especially Denzel Washington who had a statement the other day saying he was, "A gentle soul and a brilliant artist who will stay with us for eternity through his iconic performances over his short, yet illustrious career." Denzel, by the way, financed his studies at this theater program and the University of Oxford. Sad story. Are you guys following Nandi Bushell the little 10 year old phenom drummer? Barnes (14:28):She's awesome. Cubby (14:29):No. Barnes (14:29):How did she become a thing? She just one of these people that started playing the drums on YouTube and... Leslie (14:35):Yeah. I think she's got almost 100 thousand followers on YouTube. But she was inspired early on by seeing a drum kit of Ringo Starr's, but she's a huge Foo Fighter's fan. She's been on a lot of TV shows, she's already been on every morning show and Ellen. But anyway, she challenged Dave Grohl. I don't know if you ever saw her do her drum-off of Everlong, but she challenged Dave Grohl and Dave came back, I guess Dave got a lot of tweets- Barnes (15:02):He did. Leslie (15:02):Dave just accepted. Dave Grohl from the Foo Fighters accepted Nandi Bushell's challenge. Barnes (15:08):Check this clip out, this is him. He has just played Everlong, and I'm a drummer, I will tell you that playing a Foo Fighters song will take the breath out of you completely, like most of them. So that's why he sounds like he's breathing heavy, he just played Everlong. But here's his response, he did video back to her. Nandi Bushell (15:26):Hey everyone. Dave Grohl has just responded to my battle request. I can't wait to watch it. Let's see what he says. Dave Grohl (15:33):In the last week, I've gotten at least 100 texts from people all over the world saying, "This girl is challenging you to a drum-off. What are you going to do?" Now look, I've seen all your videos, I've seen you on TV. You're an incredible drummer. I'm really flattered that you've picked some of my songs to do for your videos and you've done it all perfectly. So today, I'm going to give you something you may not have heard before. This is a song called Dead End Friends from a band called Them Crooked Vultures, which is me playing drums, Josh Homme from Queens of the Stone Age playing guitar and singing, and John Paul Jones from Led Zeppelin playing bass. This is my response to your challenge. So now the ball is in your court. Barnes (16:29):Dave Grohl gets it on so many levels, it's unbelievable. He's so smart to play these games. Cubby (16:35):And she is going to be Cindy Blackman. Barnes (16:38):She's awesome. Cubby (16:39):You know who Cindy Blackman is, right? Leslie (16:40):No. Cubby (16:41):The drummer for Lenny Kravitz- Barnes (16:43):She looks like her as a kid. Leslie (16:44):She does look like her and it's funny that you say Lenny Kravitz because if you go on her YouTube page, Nandi is jamming with Lenny Kravitz at O2 Arena. Barnes (16:54):It's just wild hearing them, "Yeah, so here's the song. It's me on drums and John Paul Jones from Led Zeppelin on guitar. Have fun with that." Leslie (17:03):Anybody watch Bill and Ted Face the Music? Cubby (17:05):Last night. Leslie (17:06):You did? Cubby (17:07):I watched it because I loved the original. Leslie (17:10):It's really funny because originally they were going to have them as their older selves interacting with their younger selves, but they just went ahead and did I guess Keanu and Alex Winter, how do they look? Cubby (17:19):It actually looked pretty, they looked great. I really thought they looked great. Obviously they look older, but it was fun. I'm not going to lie, I was surprised. It's got I believe 78% on Rotten Tomatoes and I said to myself, "That's pretty good. I don't know if it's going to be that good." And actually, I was pleasantly surprised. Hour and a half, which is perfect, and it was fun. It really was fun. A lot of the older characters you kind of forgot about show up in the movie too. Barnes (17:43):I'm just all done with remakes. Cubby (17:46):Well, yeah. Remember we were laughing a couple weeks ago about all the reboots that Leslie had- Leslie (17:50):It's all there is. Cubby (17:51):All there is, yeah. Leslie (17:52):Original they said they were going to use CGI for George Carlin, but I guess they decided not to. But you liked it, what kind of rating would you give it? Cubby (18:02):B+. Barnes (18:02):Really? Cubby (18:03):I think that if you're my age, I'm 49 years old, so I was a kid when the first one came out, you'll like it for the nostalgia part. My wife, who's 10 years younger than me, she saw the original, didn't quite remember it that well, she was into the first 30 minutes and then I noticed she was on her phone a lot after that. Leslie (18:21):She was like, out. Barnes (18:21):Yeah. Cubby (18:22):And that's how you tell to me a good movie. If you're not looking at your phone a lot. Barnes (18:26):I yell at Heather for that. We'll start a new series- Cubby (18:29):Oh, I hate that. Barnes (18:30):And she'll be on her phone at the beginning, I'm like, "Listen, you got to put the phone down." Cubby (18:33):Especially when you know they're going to like it. I'm like, "Please, give it 10, 15 minutes." Leslie (18:37):The only time I'm on my phone is with live TV, or something that might be live, like a season finale... Because I want to see what people are saying on Twitter, the hashtags. Like Yellowstone last week, which, by the way, just killed it in the ratings. Apparently is the number one most watched cable telecast of the year. Barnes (18:53):Okay. Listen. I tried last night, I'm so sick of everybody getting up in my Yellowstone, "You got to watch, you got to watch, you got to watch." Leslie (19:00):Don't tell me you only watched one episode. Barnes (19:02):Hold on, we put it on and this is when I said to Heather, "Put your phone down, let's give this a chance." And then I was watching it and watching it and then like 30 minutes in, I just looked over, I said, "I don't know if it's just I'm not into this type of culture, or the surroundings and the whole thing. I'm just not into it." Leslie (19:23):That's so surprising because I think if you gave it a couple episodes... I'm so hooked on it. Barnes (19:28):Then that girl started getting undressed. And so that was about 40 minutes in. I'm like, "Okay, well hold on. Don't hang up yet. Don't hang up yet." But I still, it didn't resonate. I feel like it was a cowboy western Sopranos. Leslie (19:43):It's really good. I think Kevin Costner, some of his best work. I don't know, maybe try to give it a couple of more. Barnes (19:49):What are you watching, Fram. Give me something else. Leslie (19:52):Now I'm going back and watching old John Grishom movies, because the new movies just don't hold up for me. Barnes (19:58):You're not watching any TV shows? Leslie (20:00):No, not right now. Cubby (20:01):Right. It's kinds of quiet right now. Leslie (20:02):I just finished Yellowstone. What about you, Cubby? Cubby (20:04):I got to be honest with you, if we were doing this podcast a year ago, I'd be talking to you for an hour about shows I'm watching. But with the baby, and I'm not using this as an excuse, it's non-stop baby and usually when she's up and awake, we have some kind of baby show on. So my only down time is between 7:00 PM and 10:00 PM, and by that time I'm too tired. Yeah, I'm not watching too much TV. Barnes (20:25):We binged Indian Matchmaking. Leslie (20:28):I heard it's good. On Netflix. Barnes (20:30):Excellent. It was so good. It's a good character study. It was excellent and you binge it so fast. My only complaint is that the end of it, eight or 10 episodes, they don't really wrap everything up, they leave it hanging. But it was fascinating. And there's a thing called Bae Watch, have you seen that? B-A-E Watch? Leslie (20:47):Oh. A different Bay Watch. Barnes (20:49):Yeah. Don't waste your time. Netflix is touting it in that upper slider. Leslie (20:53):Mm-hmm (affirmative). Barnes (20:53):It's so bad. It's a U.K. dating show where they send these people to a resort for the weekend and they put cameras everywhere. So I think they're telling them they're on some other type of show, and then they put their family in the adjoining room, who have like 10 screens. Kind of Truman Show-ish, and they're dictating what happens. So they'll go and the director will do an interview and they say, "Ask him how much he likes, if he wants to go to the park later." Leslie (21:17):I won't like this. Cubby (21:21):Not good. Barnes (21:22):We started a second episode and they do the same thing. Cubby (21:25):Can I shout-out one movie, by the way? Have you seen The King of Staten Island? Barnes (21:27):Nope Leslie (21:28):Haven't watched it yet. Cubby (21:29):Surprise me. You'll like it. Do me a favor. It came out in June, it's still on-demand, Pete Davidson, based on- Barnes (21:36):I've heard that's good. Cubby (21:36):His real life story. It's surprisingly good. My wife and I were like, "Wow." Leslie (21:40):Can I tell you why I haven't watched it yet? There's been so much stuff about him, that I'm just like, "Ah..." Barnes (21:45):It's up and down. Cubby (21:46):Yeah, I hear you. Leslie (21:46):You know what I mean? Cubby (21:47):Yeah. Yeah. Leslie (21:48):I don't know. Barnes (21:49):But the best TV I'll leave you with for the week, Love Island. They're nailing it. It's on every night- Cubby (21:55):That's on CBS, right? I saw it last night. Barnes (21:57):Yeah. The biggest nights, for me, are Big Brother and Love Island on the same night. Leslie (22:00):I'm so not into any of those shows- Cubby (22:02):Neither am I- Leslie (22:02):I'm so more into drama. Barnes (22:04):Love Island- Cubby (22:04):I was channel surfing and I saw Love Island and I thought of you, Barnes. I always think of you. Barnes (22:08):It's number one.   Cubby (22:10):Because there's nothing else on. Barnes (22:11):No, there's a lot of things on. I'm telling you, they do great casting and it's good. Leslie (22:17):Give me 10 episodes of Shark Tank back to back. So now couple of Hollywood things, because we keep talking about Hollywood can't reinvent itself. The new trailer for Batman with Robert Pattenson, what do you think about him as Batman? He was a vampire. Barnes (22:34):Look-wise, yeah. I haven't seen any clips. Leslie (22:37):I think it might be really good. Cubby (22:38):Look-wise, it makes sense. But I want to see it. Leslie (22:41):And they've been talking about this for years, about a new Mad Max and now the rumor is it could be Chris Hemsworth. Barnes (22:46):I could see that. Leslie (22:47):I don't mind that. I do not mind that one bit. Now there's a rumor that Johnny Depp is asking for, you ready for this? $50 million for Pirates of the Caribbean. Which would be the 6th one. Cubby (23:00):Wow. Do you know how well that movie would have to do just to pay him? Leslie (23:03):I mean seriously. Cubby (23:05):I mean serious, that's crazy. Leslie (23:06):It would be half, right? Cubby (23:07):Yeah. It would be. Leslie (23:08):And finally, Katie Perry and Orlando Bloom have a little baby. I thought the name was cute, Daisy Dove Bloom. Cubby (23:16):And how good is her timing that her new album came out? Barnes (23:19):She dropped a baby and an album in the same week. Cubby (23:23):Well done, Katie. Barnes (23:23):That rolls nicely into... This was one of the biggest new music weeks that I have seen in a long time. I'm going to run through a couple of key ones, just so you know that they exist. One of them, of course, is Katie Perry. Katie Perry (23:37):(singing) Barnes (23:48):Her team knows how to produce a hit, man. They just crank these out and they sound excellent sonically, every time. Cubby (23:54):Yeah. I agree. Barnes (23:55):Smashing Pumpkins were teasing people on their webpage. They had a countdown, a mysterious countdown going on, no one knew what it was. Well now we know, it's a new album coming but they dropped two songs. Here's one of them. Smashing Pumpkins (24:06):(singing) Barnes (24:06):That one's called Seer. Leslie (24:06):It's such a undeniable voice. You always know it's Billy Corgan. Barnes (24:23):But he looks like he's right out of My Three Sons, or what was the... The Munsters. He looks like straight out of the Munsters in this video. It's a performance video, so it's supposed to be- Leslie (24:32):I need to look and see who's in the band now. Barnes (24:34):Everyone but Darcy. Here's the second one they did, it's called The Color of Love. The guy knows how to put a song together. Smashing Pumpkins (24:41):(singing) Barnes (24:53):So it's coming out in a couple of months. That's a thing now, Leslie, right? Everyone's putting out their music so early. Leslie (24:57):Mm-hmm (affirmative). They're releasing tracks every week, just bonus tracks from the album. And seriously with having the band back together, that's pretty huge for The Pumpkins. Barnes (25:06):Here's a new one, Calvin Harris and the Weekend, it's called Over Now. Calvin Harris, The Weeknd (25:09):(singing) Leslie (25:16):I love The Weekend. Barnes (25:17):I think all these songs sound the same. Cubby (25:22):Well that's you showing your age. Barnes (25:24):I know. Cubby (25:26):We're officially that age now, we're like, "What is it with music these days?" We're doing what our parents would do. Barnes (25:31):But in that genre. I feel like it's just a big baseline and Auto-Tuning. That's just me. Cubby (25:37):No, I'm with you. I agree. But that's just where music is right now. Barnes (25:40):Well again, I'm pointing only to that genre. This guy is like the singer's singer, Chris Stapleton. Everyone that is a serious singer, this is his new one called Starting Over. Chris Stapleton (26:02):(singing) Barnes (26:02):Would call him country, Fram, or would you call him just... Leslie (26:12):Yeah, he's country. He's one of the best song writers in town, too. He's incredible. Barnes (26:16):Yeah. Everyone loves that guy. Keith Urban came out with a flying one. Keith Urban (26:29):(singing) Barnes (26:33):One thing about Keith Urban people don't know, he can shred the guitar like more... He can blow away some of the best rock guitarists. Leslie (26:40):One of the best guitar players ever. Barnes (26:42):Yeah. Leslie (26:43):He does a lot of rock songs too in concert, he'll do Zeppelin and stuff. Barnes (26:45):He can shred, shred. Okay, and the last one is... This band put this together in 1986 and never released it, and now they've got this box set coming out. Tell me if you can name the band. Tears for Fears (26:58):(singing) Barnes (27:12):Cubby? Cubby (27:13):Wow. Wow. No, I'm sitting here thinking... Barnes (27:16):Heather guessed Wham. I said, "Well that would be good, but yeah, no." Cubby (27:20):Yeah. No George Michael. Leslie (27:20):Who is it? Cubby (27:22):Who is that? I really don't know. Barnes (27:23):Everybody Wants to Rule the World. Cubby (27:25):Tears for Fears. Leslie (27:27):Really? Barnes (27:27):Yeah. Cubby (27:27):Dammit. Barnes (27:28):They've got a huge box set coming soon. Tony! Toni! Tone! (27:32):It's amazing, sincerely, it's unbelievable. 150 years people have been looking for that goddamn gold. None of them could find it, you found it. Charles Esten (27:42):Here's the thing son, finding it? That's where your fun ends. That's where all your problems begin. Barnes (27:49):Ladies and gentleman, our guest today is Charles Esten. That was him doing his acting thing in Netflix powerhouse, Outer Banks. Hey, Charles. Charles Esten (27:59):Hello. Good to speak with you guys. Cubby (28:02):Great to have you here, man. Leslie (28:02):So excited. Cubby (28:04):So excited to have you. And can I start from the very beginning? Because I know you've done a million things, and we're going to get to all the things, but it all started with a game show. I'm a big game show buff, you were on Sale of the Century back in the late 80s? Leslie (28:19):What? Charles Esten (28:20):I absolutely was. Let me first start by saying, "Hi," to my friend Leslie, because I love Leslie Fram so much. We got to know each other through Nashville, she was there on my greatest day ever when we announced that we got that CMT pickup on stage. Hi, Leslie. Leslie (28:36):So good to talk to you. I can't wait to get caught up today. Charles Esten (28:38):Oh, I can't either. Now going back to that game show, that game show was so crucial, so pivotal to everything else it's kind of scary. I went to college and over the summers I would do construction and try to raise a little money. I didn't know what I wanted to do yet, I had a couple friends that went out to LA and were making it work, so I thought maybe I'll try it. I went out there in I guess September, and I think I was out there maybe a month, and I was already flat broke. I was sleeping on a mattress with all my clothes in a milk crate in a house full of stunt men. I didn't have enough money to stay, and I didn't have enough money to go home. Back then there was no internet, I was just flipping through something called the recycler in the local newspaper, and they had all these game shows that were auditioning.I've been a TV buff my whole life, I grew up addicted to it. So I thought, "I'll do that." But I thought to myself, "I don't want to do one that's pure chance, like Wheel of Fortune, where you're just bankrupt on a roll of a wheel. I don't want to do one like Win, Lose, or Draw, or Pyramid where you're depending on some idiot celebrity to help you win your money." And I didn't want to be on Jeopardy because I thought, "I don't think I'm quite... I might win one Jeopardy, but I won't do well enough to make some money." So I found a show called Sale of the Century. I loved it. It was like Jeopardy but the questions weren't as hard, but you had to be fast. You had to be really fast. I guess I was pretty fast because five days later, I walked away with $34,000 in cash and prizes, as they say. That was almost like God saying, "You can stay." Barnes (30:23):What was the tax on that? Charles Esten (30:26):Yeah, it was brutal. It absolutely was brutal. Cubby (30:32):But that's where the bug began, right here. From a game show, to where you are right now. Charles Esten (30:37):Well it certainly is the thing that made it all possible. By the way, it wasn't just the fact that I had to pay taxes, I had to sell all this stuff because some of it was cash, but most of it was these strange prizes like a child's bed shaped like a car, or a microwave. So I had to go on the recycler, the classifieds, and sell these things. I had these two massive cardboard boxes full of redwood that ultimately you would assemble into a sauna. I had to drive it out to some dude in Ventura and he wrote me like an $800-something check, and that was the first steak meal I had in Hollywood. Leslie (31:16):You have conquered so many mediums, from the big screen, television, you're a very successful songwriter and musician. In the very early days though, growing up, what did you see your career to be? Did you want to be an actor or did you want to be a musician? Or did you want to be both? Charles Esten (31:32):Well I was an inveterate showoff always. So it was one or the other. I didn't do a whole lot of acting. If I go way back, my family tells this story that when I was just a little guy, my dad said, "What do you want to be when you grow up?" And I think he was expecting, "Fireman," "Astronaut," and I said, "A clown." And by the way, this was long before clowns were creepy. They were just sort of fun and [crosstalk 00:31:57]. There was a day where clowns were actually beloved. In any event, he goes, "Why do you want to be a clown?" And I said, "Because I want to make people laugh."I think it was this super simple answer, but at the time, if I go back and if I'm in the therapist couch, there were some times where it wasn't that funny around my house. And so I always was the guy that wanted everybody, "Hey, everybody. Watch me do this. Let's all laugh, let's all smile. Let's not go down that road, for now." So there was a whole lot of that. But also, later I also come to understand what a song can do, if I could play a song on a piano or a guitar, that somebody might... If it was a funny song, they'd laugh, or if it was something more sentimental, it might move them in some way.I guess the through line, eventually I didn't really do serious acting until I went to LA, but the through line through all of that I think I've come to find is, I want to make somebody feel something. And that's it. I want them to either laugh at Who's Line is it Anyway, or The Office, or be afraid of something from Outer Banks, or be moved and sad or heart warmed by something Nashville. That's definitely the through line, that's sort of what I get off on, is bringing an emotion to somebody that they didn't have. Barnes (33:12):Well, not that Outer Banks isn't good, but you can send a big thank you to COVID-19, because you had a captive audience that was latching on great content, and I think that gave it the booster that it needed to become one of the top shows on Netflix.   Charles Esten (33:29):Well, I couldn't really argue with you there. I think we would have had the younger audience, I think that would have been there, just by the nature of how great this young cast is. But I think you're right, I think all the families locked down. Tiger King had had it's day, so we knocked them off it's throne and Outer Banks took over. Yeah. Not that you would ever wish it on anything, but it was the timing that made this where families would sit around and watch this show. I think some of the older folks are going, "I think I like this more than I'm supposed to or thought I would." Barnes (34:03):You guys, everyone who hasn't watched it, do yourself a favor and spend those 10 hours watching it. I think you're going to enjoy it and Ward Cameron, you want to talk about a dick, Cubby. I'm just saying. Charles Esten (34:17):Spoiler alert. Barnes (34:18):Takes one to know one, right? Leslie (34:22):You were on this cultural phenomenon, which was Nashville the TV show, from ABC. I was lucky enough to work with you when we had it on CMT, but it was such a worldwide hit, and it wasn't just a TV show. You were part of these amazing musical tours, you and some of the cast members, selling out Royal Albert Hall, and O2 in London, and all of the soundtracks that came out. This wasn't just a regular show. What you guys did for the city of Nashville, putting it on the map, putting a lot of these venues on the map, literally saving the Bluebird Café. What was it like being in that moment? Charles Esten (35:03):Oh, Leslie. That job for me, that role of Deacon, it was such... They say, "My cup runs over," and sometimes you think of that, almost like a cup of coffee that has a little too much in it. This is more just like a cup under a waterfall because it was everything I had ever wanted. Look, when I got this, I was 46 and I had been in Hollywood a long time, and I've had a career that I was very happy with. I'd been on The Office, and Who's Line is it Anyway, a bunch of shows that you've heard of, but I'd never found a real home. I was always the guest star, the eight episode arc. So the fact that it came together on something of such quality, and such heart... And the music on top of that, because I was a singer, songwriter long before I was an actor. And so it's really sort of hard for me to square how wonderful that was. All I know is I loved every single moment of it.I feel very grateful for those things what we were able to... Look, all we did was turn a light on Nashville and on country music. If it hadn't been as wonderful as it is, it wouldn't have meant much. But thanks to Callie Khouri and her wonderful writing and all the great music that came out, whether it was T Bone Burnett, or Buddy Miller, or Tim Lauer. It was really something. By the way, that music is what's really cool about it because any other show, you can go back and binge Nashville like you can go back and binge anything else. But it has this body of music that I think stands up so strongly. You were talking about the international appeal, that still is a thing. Because of Nashville, I'm able to go over and be a part of festivals overseas. I, myself, got to go play the Royal Albert Hall. I swear to you, I never thought that was possible.I think there was a few things I had maybe let go, when you start getting to 42 and 43. And then at 46, this thing kicks in and all these things that I had let go came rushing back into my life. So I consider myself incredibly blessed and I'm incredibly grateful. I'm really actually very grateful to CMT because not only did we get two more seasons because of CMT, but in a real way, we sort of got to finish it, close it down, and it got to slow down a little bit. Part of the ABC-ness of it all was that intense, high energy, this wilder, more dramatic, people falling off roofs, all those things. And we could do that with the best of them, but I always thought our strongest moments were those quiet bluebird moments, those father-daughter moments, those two people in love moments, those human moments. And I think that's what draws everybody to the show. Anybody that ever got on the Nashville train never got off. I'm incredibly grateful for that. Cubby (38:03):In the current pandemic that we're just continuing to go through, it feels like it's never going to end, how is that affecting taping, for what you're doing right now? What's the protocol for taping TV shows? Charles Esten (38:16):Well we're in pre-production right now, I don't start until Monday and I can tell you that it is massive, it's a massive undertaking. You know shooting a show is already a massive undertaking, but what they're doing on top of it is extremely impressive. It's just, I can tell, a group of people, and this includes the actors guilds and Netflix and all our production that said, "This I important. We want to do this. But we want to do it safely." It's like the space program. There's so many protocols, everybody is wearing the masks. Like just to go get a wardrobe fitting today, the costume designer and the assistants have on their mask and their shield in front of their mask, and I have on a mask, and I've had my temperature taken at the door and I've answered questions. We're getting tested very often. So it's sort of like man, if we can pull this off, it will really be something. More and more I'm starting to believe that we can, just by seeing how seriously they're taking it, but they're also... They're taking it seriously so that we can do it.From what I hear also, when we're shooting it's going to be in pods, for lack of a better word. Usually everybody's all at work at one time in one place. I think this is going to be the actor and the directors come onto the set, figure out what they're going to do, then they exit the set. Now here comes lighting and camera, and they're going to do what they do. Then they're going to exit the set. Now here comes set decoration. So it is wildly intense and stringent. But with a whole lot of people saying, "Yeah. We're going to do it because we care about this and we want everybody to be safe." This will be a wonderful thing, put us in your prayers, if we can get away with this and create a season two of Outer Banks, the scripts I've read are fantastic and I think it's looking good. So we're just going to be all as careful as we can and make something as great as we can. Barnes (40:16):But can there be anything worse than being in that part of the country, at this time of the year, with a mask on your face? No. Charles Esten (40:24):We haven't shot outdoors yet, so I know what you're saying but I'm telling you, I'm that guy that's like, "Oh my gosh, what are we doing here." But when you care about something, and when you care about someone, I care about the show, I care about making it happen. Yeah. We're going to do it. We're going to make it work somehow, and I'm grateful that we get a chance to. Barnes (40:46):Well your credits are pages and pages and pages long... Party of Five, The Office, E.R.- Charles Esten (40:52):You're calling me old is what you- Barnes (40:54):[crosstalk 00:40:54] No, we're calling you successful. But all these shows, I would like to hear something in all of these auditions, somewhere in there, give me a story. And I'm not talking about, I doubt you're probably a casting couch candidate in the reverse world... Charles Esten (41:12):Never had that, no. Barnes (41:13):Give me something from an audition that stuck with you forever. Charles Esten (41:18):Well... Boy oh boy. There's been so many, and I've been really fortunate on so many of them. Probably the best one besides Nashville that I got was The Office, and the real quick story on that, and then I'll tell you one I didn't get... The Office was that I had known Rainn Wilson for a number of years because he and I shot a pilot where we played androids who solved crimes and spent maybe 30% of the show naked. So, I go to this audition and they say, "We understand you're friends with Rainn." And I go, "That is true." I go, "Did he tell you how we met?" And they go, "No." And I go, "Yeah, I bet he didn't." And then I described the show to them and I said, "Here's the thing. You give me this job, I show up day one with a DVD of that pilot." I wasn't even to my car yet and my phone was ringing, and I had the job. That's how I got on The Office. Leslie (42:17):That's a good one. Charles Esten (42:20):That pilot never aired, but it got me on The Office. But probably one of the hardest ones, every long career has your biggest disappointments and for me... I'm sure you remember that great, great mini series, Band of Brothers, HBO. Barnes (42:37):Oh yeah. Charles Esten (42:39):Yeah. It was wonderful. Tom Hanks producing on that and man, so many great actors ended up on that, great young actors playing these soldiers in World War II. So I went through all the auditions, I had a bunch of them, first you're just auditioning for the casting director, maybe she wants to see again. Now they bring in a producer, now you go back again for producers again. I swear, this many. And then I go back, and there's Tom Hanks in the room and I read with Tom Hanks. Barnes (43:09):Whoa. Charles Esten (43:10):And it goes really well. And I get a phone call later that night to go, "Well, it went really well. They really like you. They just want you to come back tomorrow for one more." And I'm like, "Oh my gosh. What do I got to do? This is killing me. I want it so bad." I wanted it so bad, you guys. And I'm thinking if Tom Hanks likes you, who needs to see you? Well I got my answer the next day when I walked in the room, and without being aware or ready for it at all, there's Tom Hanks in one chair and Steven Spielberg in the other. Barnes (43:38):Oh! Cubby (43:38):Oh, wow. Charles Esten (43:41):And that would have been enough, but basically Steven Spielberg stands up, I shake hands, and he's got a camcorder in his hand, back when that was a thing. So I'm acting out these scenes in a conference room, hiding behind a desk pretending I'm holding a rifle, then crawling across the floor, with Steven Spielberg's camcorder three feet from my face, and he's crawling with me. And I don't even know how I did it, I don't know how I crawled, I just wanted to stop at every second and go, "I really like Jaws," where do you even begin? I don't know where you begin, but I don't know what my face looked like, but inside I was imploding. And in any event, later that night or the next day, I found out that I didn't get it. Barnes (44:27):Oh. Charles Esten (44:27):And man, that one was brutal because it was such an incredible production, and on top of that, no matter what you do, it's hard not to walk away with the feeling that Steven Spielberg doesn't think I'm a good actor. Barnes (44:41):Who got it? Charles Esten (44:42):You know what? I swear to you, I couldn't tell you right now. I watched like half hour of Band of Brothers, I'm like, "I'm out. I don't care anymore." If I went back, I could find it. Leslie (44:53):I think Damian Lewis was in that show. Barnes (44:56):What was the character? Charles Esten (44:57):I know. I think it may have been him. I think it might have been that. Barnes (45:01):[Tommy's 00:45:01] going to look it up. What was the character? Charles Esten (45:03):I think it was Winter. Barnes (45:06):Winter? Charles Esten (45:07):I think that was... Colonel Winter or maybe... I think that's what it was. Barnes (45:13):We got to hear this. You were crawling around the floor? Charles Esten (45:18):I don't know what's funny about it, you guys are trying to look it up to rub my nose in this, "I'll tell you who got that job, Chip." Leslie (45:18):Yeah. Thanks a lot. Barnes (45:18):Well I think it's worked out okay for you. Charles Esten (45:29):Yeah, it took another 20 years, but I got there in the end. I tell you a sweet ending to that is that my wife, we've been together since college, so she was there, she's seen every step in the road, and I don't think I cried about it or whined too much but she saw how hard it was hitting me, in a way that most things don't. I'm a pretty easygoing guy. I never expected to get very job I read for, and I said, "I'm in this for the long haul," and no one's going to stop me because I'm not going to quit.But she could see how much this one was hurting me, and in the end, I found on my pillow a letter, a handwritten letter in an envelope basically saying, "I know how much this hurts, but you have to see it for what it is. This is a major step in your career. This is something that shows that you belong here." Just the sweetest letter about, "Your show is coming, I have no doubt you will get there."And when we were moving from LA to Nashville, I'm going through my desk and piling all my stuff, and I sit down in that chair, same chair I read it back in when I got it years earlier, 11 years earlier I think, and I unfold this letter saying, "Someday you'll get your show," and here we are packing up to go to Nashville to do my show." So, that was kind of a good button to put on the end of that. But yeah, I think it was Damian Lewis' role. Cubby (46:54):Damian Lewis. Got you. Yup. Yup. Yup. There it is. Barnes (46:57):Oh, so you know it was Damian Lewis? Charles Esten (46:59):I'm looking at it now with you, I have IMBD too. Barnes (47:03):[crosstalk 00:47:03]. You lost out to an incredible actor, at least you can feel good about that. Charles Esten (47:09):Believe me, I know. That guy's as good as it gets, so absolutely. Barnes (47:11):So looking at the cast, Collin Hanks got a role. I'd go back with nepotism complaints right now and just get that all unearthed. Charles Esten (47:22):Can you imagine if he got my role, that would have hurt a little more, I'm sure. Leslie (47:27):I'm not sure if Barnes and Cubby know this or not, but Charles Esten is in the Guinness Book of World Records. Did you guys- Barnes (47:34):For what? Leslie (47:35):You didn't realize? Cubby (47:36):I read that too. I read that too. Leslie (47:38):And I was a part of this, it was an amazing time. Charles, do you want to tell them about every single Friday that you did for what, 54 weeks? Charles Esten (47:47):Yeah. It was this amazing thing... It comes down to this, Leslie, while I was doing the show Nashville, I knew that this was only going to last so long and I don't ever like to leave a situation feeling like I left anything undone, like I left anything on the table, and here I am in Music City and I'm surrounded by these great songwriters, which has always been my deepest passion, and these great musicians and producers so I thought, "Am I going to do an EP? Or am I going to do an album?" And every time it kept coming around to that, my music at that time had not focused quite down on exactly who I was, but I had a whole bunch of singles, and they were all over the place, and I just didn't know if they held together as one. To me, and album should be an album for a reason. Especially in the years that we're in now, singles are singles. You can release them when you want.So I decided what I wanted to do, I figured everybody was used to watching me once a week and I thought, "Maybe they'll be happy to hear me once a week," so I went out and held my phone up and did a selfie video where I promised to release a brand new single every week, I think I said, "Until it's stupid." And it might have already been, but I don't know because who does that? Nobody does this. Leslie knows, you don't step on your own single, you give it time, you give it love. Well this was not that. This was me wanting to be as creative as I could. I tend to succumb to paralysis of analysis an awful lot. So this is me busing through that and just going for it. And I have to say, it was a shock to me when 54 weeks later, I had 54 singles. Leslie (49:31):Unbelievable. Barnes (49:32):That's unreal. Were you writing them as you went? Charles Esten (49:36):There was all kind of stages of them. I had some already, others I wrote as I went. Some I would get out of order, some jumped to the front of the line. It was the ones that made me just the most excited. Also I had some ideas, like where they would go. One would follow the next. I didn't want them to step on each other in terms of them being too similar. Almost like a long, long album. But also, if you ever go and look at that, the other thing is we had to... Usually if you do an album, the artwork is the artwork. We had to do a new artwork for every single for every week. So between all that, it was just an insane amount of work but it was the absolute definition of a labor of love. Barnes (50:17):That's unbelievable. Cubby (50:18):Did you know you were setting a record at the time? Or did you just keep going? Charles Esten (50:21):Oh, no. I had no idea. I didn't know. No, I didn't. I just kept going, and I kept going. Do I have one? Yeah. I just promised myself I was not going to... What I didn't want was to do one if I didn't have one. Like here's a song I don't like, but I need one, I'll do that one. So I never did that. And when I go back and listen to them, I have to tell you, I'm proud. There's not one that I was sort of like ugh, I should have stopped there. I love them all. Barnes (50:51):I want to play a clip of your latest single. You've got an amazing voice, and I have to admit, I didn't know you were a singer. Leslie told me that you... I knew you as an actor, not as a singer. Usually you hear, "Oh, I'll listen to it," and you're like, "Okay, here we go. An actor singing. Okay. Hit play." But actually- Leslie (51:07):He's amazing. Barnes (51:08):You know what you're doing. Leslie (51:09):And he's a great songwriter too. Barnes (51:11):Here's a quick clip of his latest song called Sweet Summer Saturday Night Charles Esten (51:31):(singing) Barnes (51:32):How much did Michelob Light pay for that? Charles Esten (51:38):Yeah. Not much. It was hard as hell to find a Michelob Light. They have that new version of Michelob Light, what's it called now? Oh, I forget, but it's something slightly different. So I wanted a bottle for the cover, and man, that was hard to find. But no, they have not paid a cent yet. That's free to them. Cubby (51:55):Do you like Michelob Light, or did it just rhyme? Charles Esten (51:58):No, it was what we would have been drinking back then. Cubby (52:03):Oh, got you. Charles Esten (52:04):Yeah. Michelob Light was of that era. It's not like a thing though. But it does have great syllables, Michelob Light. Drinking a Coors Light doesn't quite sing the same way. Barnes (52:15):Well Charles, thank you for coming on. Look up Charles Esten where ever you get your music, where ever that shall be. And also, you've got... When is Outer Banks coming back? I know you're just starting to film it, but when is it slated to return? Charles Esten (52:26):I actually don't know that. I should find that out. I'm not even sure they know actually, but we are just at the beginning of a very long road, we have 10 episodes we're going to shoot here. We're shooting here, I'm in Charleston, South Carolina right now and we're going to actually do some shooting in the Bahamas. Barnes (52:42):Really? Leslie (52:43):Nice. Charles Esten (52:43):Which is where the gold went. So this is going to be good. I cannot complain. Barnes (52:47):He's sitting on the Royal Merchant, everybody. Well Charles, thank you very much. I cannot wait for the next season to come out. We are total fans. Leslie (52:54):Cannot thank you enough. Love to the family, and thank you. Charles Esten (52:57):Aw, thank you so much. Leslie, real quickly before we leave here, I hear them call you Fram, I want to know if I can do that? Leslie (53:03):Oh, any time. Charles Esten (53:05):I've called you Leslie, am I close enough? I can call you Fram? Leslie (53:07):Yes. That's all Barnes calls me. Charles Esten (53:09):Yeah, I've noticed that. Barnes (53:11):One syllable. It's just easier. Charles Esten (53:14):It's way easier. I'm honored to be on the Fram tram. Thank you. Leslie (53:17):Thanks, Charles. Charles Esten (53:19):Thanks, Fram. Leslie (53:20):Thank you. Charles Esten (53:21):Appreciate you guys so much. Barnes (53:22):We haven't done Barnes Bitches in a while, and I had a moment this week that made me get excited about doing this segment again. My segment, chill with the exotic grocery lists please. If I'm going to the store and I could be you, so I'm just saying, if we, people, are going to the store and your significant other or whoever says, "Oh, you're going to the store?" And then you're already in motion and they say, "I have a few things on my list." And you're like, "Okay. Whoa, whoa, whoa, whoa. It can't be anything exotic." My wife asked me to bring back skim milk and there is no skim milk anymore. Leslie (54:03):What? There's not? Barnes (54:04):So I was there for five flipping minutes staring at each of the milks, trying to find skim, I didn't see skim. Cubby (54:10):Are you sure? Barnes (54:13):I looked at every brand, I went down the whole... So much so I needed to go home and get a jacket, I was in that aisle so much. But don't ask... Maybe there's skim milk somewhere, but my Public's did not have it. And also she asked me to get celery salt. I'm like, "Whoa!" I don't know because when you got to the store, you know where your stuff is. I get the same stuff every time, bananas, non-exotics, easy things. Leslie (54:38):You can't go to the condiment section and get her some celery seed or celery salt? Barnes (54:42):Celery salt. I'm like, "What the hell is celery salt." But then they start playing, "Oh, get un-sour cream." What the hell is that? But seriously, these are exotic things. Leslie (54:52):Now wait a second, isn't- Cubby (54:53):Look, I love Heather, why isn't she doing the shopping? Barnes (54:56):We both do the shopping. I'm just saying, you got to chill with exotics. If you're sending your people to get stuff, don't come out of left field. Don't ask for, "Get seedless strawberries," what the hell? Leslie (55:09):I have to tell you, I talk to Heather about this and your, "Exotics," I mean, Barnes... Come on. Barnes (55:14):Which were what? What did she say? Leslie (55:16):So what. Because listen, if you have a recipe and it calls for celery seeds or celery salt, it's a little extra time, Barnes. Barnes (55:24):Right, but I- Cubby (55:25):I have this guy in China who's sending me seeds all the time. Barnes (55:29):That's a whole other conversation. Cubby (55:30):They're great. Barnes (55:31):It's a whole other thing. But, "Can you pick up some organic Pop Tarts?" Leslie (55:37):So you're calling this, "Exotics?" Barnes (55:40):An exotic is variable. If you're used to going to the store and you pick up your bananas, your whatever, and no Diet Coke anymore, because Dr. Oz yelled at me. I haven't had one since then. Cubby (55:50):Really? Barnes (55:50):Yup. I haven't had one. I'm on a roll. Two weeks. Leslie (55:52):I'm proud of you. Barnes (55:53):Fat free humus. Pick up some fat free humus, Cubby. If you're asking someone to go exotic for you at the grocery store, you're a big inconvenience, that's all. Leslie (56:02):Wow. Exotic. Cubby (56:03):Real quick and I'll let this go here, what about when you're behind somebody... You strike me as somebody, Barnes, that will be upset if you're behind somebody in Starbucks who's doing the elaborate order. Barnes (56:11):No, that doesn't bother me because that's different. That's them doing their order. Cubby (56:16):But it's holding you up. Barnes (56:17):It'd be if you, Cubby, ask me, "Get me a duh-duh-duh, duh-duh-duh, duh-duh-duh latte with duh-duh-duh, duh-duh-duh, duh-duh-duh." If someone says, "Do you want a burger, I'm going to where ever," you can't come out with, "Yeah. So I want one patty with cheese on it, one without cheese..." You have this long exotic list, then you're on your own. Then you go, "Nah. I'm out." You do it. Cubby (56:37):You're like a shark. I'm out. And for that, I'm out. Barnes (56:39):No, you go, you go. So that's it. Think about it. Be sensitive when you're send your people to the store. Leslie (56:46):This is a Barnes Bitch. Unbelievable. Intro (56:48):This is Cubby's pop culture throwback, a rewind into the volt of music, movies, and moments. Cubby (57:00):I thought it would be fun to go back to the first week of September in 1990. It was big year for me. I was about to leave my hometown to Virginia Beach, Virginia to do radio in Houston and the station I was working for, Leslie, you remember this, WGH in Norfolk/Virginia Beach- Leslie (57:18):Mm-hmm (affirmative). Cubby (57:18):They made the flip from top 40 to country and I wasn't very happy about that, and so I went ahead and moved to Houston. So all these songs I remember vividly. September 1st, 1990, the number one song on the pop charts this week, it was Sweet Sensation, If Wishes Came True. Sweet Sensation (57:38):(singing) Cubby (57:39):I know it's a cheesy pop song, Barnes, but do you remember it? Barnes (57:42):I don't. Cubby (57:43):Leslie? Leslie (57:43):I do not remember this at all. Cubby (57:44):This was a total Power 99, before 99X, Power 99. Leslie (57:44):Wow, I don't remember that. Cubby (57:51):The number one song on the R&B charts this week was Tony! Toni! Tone! Feels Good. Tony! Toni! Tone! (58:01):(singing) Cubby (58:04):1990 a big year for the whole new jack swing sound. On the country charts, Clint Black had a number one song, a song called Killin' Time. Clint Black (58:14):(singing) Cubby (58:14):Leslie, is this song still played in country music, or is it too old? Leslie (58:23):Some of the classic country stations. Yeah, he's doing an anniversary for that song. Cubby (58:26):Really? It's a great song. Leslie (58:28):It is. Barnes (58:30):Early 90s was good for country. With Garth, yeah... Leslie (58:35):Big resurgence now. Cubby (58:37):The number one song this week, back in 1990 on the modern rock charts, this is before Been Caught Stealing, Jane's Addiction had a song called Stop. Jane's Addiction (58:46):(singing) Barnes (58:58):Great song right there. The number one movie at the box office this week in 1990. Speaker 21 (59:02):What's happening? Speaker 22 (59:02):I think about you every minute. I feel like I can still feel you. Speaker 21 (59:10):The problem with you is you still think you're real. It's all up here now. You want to move something, you got to move it with your mind. Cubby (59:17):That would be Ghost, everybody. Number one at the box office. And finally, everybody was watching this show on TV, it was huge and you probably know the theme. Speaker 23 (59:32):(singing) Cubby (59:33):In Living Color was the big TV show this week in 1990. And that is 30 years ago this week, folks. Leslie (59:39):Wow. Barnes (59:40):I loved that show. Think about how many people's careers that show started- Leslie (59:45):A lot- Barnes (59:45):J.Lo- Cubby (59:46):Everybody- Barnes (59:47):Jim Carey, yeah everyone on the show became famous. Cubby (59:50):Huge. Yup. Barnes (59:51):Big time. Thank you, Cubby. That's it for the show. Please rate, review, and subscribe and we'll see you next week The Pop Culture Show.  

Manu Gavassi conta de sua parceira com Gloria Groove que está quebrando tudo, Black Pink com Selena se unem em um super hit, além das novidades de CNCO, Melim e Outro Eu e muito mais! Ouça agora!

#Musikpanelet er tilbage efter sommeren med de udvalgte sange fra #newmusicfriday. Vi taler om sommerens store hits og lyden af i dag sammen med vores gæst producer og sangskriver Hennedub. De udvalgte sange er ny dansk rapper SZIM. Vi taler om den nye Calvin Harris & The Weeknd sang "Over Now". Natasja er tilbage med en sang som har ligger gemt i 13 år "Til Banken" sammen med Tessa og Karen Mukupa og Branco klar med ny single "Tempo". Vært: Michael Bernhard. Produceret for DR af Munck Studios København.

Diplo hatte die große Ehre, die Afterparty beim Parteitag der US-Demokraten zu spielen. Steve Aoki hat sich eine Sauna bestellt und die gleich mal bei 115 Grad getestet. Topic kommt nach 5 Wochen Malle zurück nach Deutschland. Der gemeinsame Song von The Weeknd und Calvin Harris kommt am Freitag und heißt "Over Now". Oliver Heldens hat verkleidet als Pablo Escobar eine neue Single angekündigt.

Meghan Thee Stallion hat in einem Live-Video bekannt gegeben, dass US-Rapper Tory Lanez sie Mitte Juli nach einer Party in den Hollywood Hills angeschossen hat. BTS haben mit ihrer neuen Single "Dynamite" den YouTube-Rekord des meist geklickten Videos in 24 Stunden gebrochen. Billie Eilish hat in einem Interview gesagt, es kotzt sie total an, wie Rapper heutzutage auf Insta mit ihrem Schmuck und ihrer Kohle prollen. Der gemeinsame Song von The Weeknd und Calvin Harris kommt am Freitag und heißt "Over Now".

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring CD WoodburyThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!LeRoux,Don't Rescue Me,One Of Those DaysLeRoux,One Of Those Days,One Of Those DaysJon Strahl Band,The Weight I Feel,Heartache and ToilJon Strahl Band,The Right Thing,Heartache and ToilRachel Huggins,Feels So Good,Rachel Huggins,Do Better,Anthony Geraci,Love Changes Everything,Daydreams In BlueAnthony Geraci,Dead Man's Shoes,Daydreams In BlueGerald McClendon,It's Over Now,Can't Nobody Stop Me NowGerald McClendon,You Can't Take My Love,Can't Nobody Stop Me NowMark May,Invisible Man,Deep Dark DemonSmoke Wagon Blues Band,Matapedia River Blues,The Ballad of Albert JohnsonSmoke Wagon Blues Band,Mescaline,The Ballad of Albert JohnsonCD Woodbury,Walk Around Music,World's Gone CrazyCD Woodbury,Follow The River Home,World's Gone Crazywww.makingascene.org,CD Woodbury,CD Woodbury,Can't Eat That Stuff No More,World's Gone CrazyCD Woodbury,Hey Joe,World's Gone CrazyToo Slim & the Taildraggers,Snake Eyes,The RemedyKenny Blues Boss Wayne,Don't Want To Be The President,"Go, Just Do It!"Gregg Martinez,Snatching It Back,MacDaddy MojeauxGregg Martinez,Just Stay Gone,MacDaddy MojeauxEric Hughes Band,08 Come See About Me,Postcard From Beale StreetEric Hughes Band,05 Homesick Angel,Postcard From Beale StreetJohnny Burgin,One Day You're Gonna Get Lucky,No Border BluesJohnny Burgin,Sweet Home Osaka,No Border BluesMandalyn,Wrecked,MandalynHurricane Ruth,Late Night Red Wine,Good LifeHurricane Ruth,Good Life,Good LifeJohnny & The Mongrels,Just Keep Walking,Creole SkiesJohnny & The Mongrels,Louisiana Girl,Creole SkiesMark Telesca,15 Black Dress,Higher VibrationsMick Hayes,01_Sweet To Me_M2_16 copy,Evelyn Rubio,What A Way to Go,Crossing BordersMichael Mills Band,Big Black Car,Stand UpVintage Dixon,Nothing New Under the Sun,The Real McCoyCrystal Shawanda,New Orleans Is Sinking,Church House BluesMarie Martens & the Messarounds,Keep On Loving Me,TravelledTony Holiday,08 Ol’ Number Nine,Jose Ramirez,Gasoline and Matches,Here I ComeEliza Neals,Never Stray (feat. Derek St. Holmes),Black Crow MoanThe Nighthawks,Chairman Of The Board,Tryin' To Get To You 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Johnny and the MongrelsThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!LeRoux,Don't Rescue Me,One Of Those DaysJon Strahl Band,The Weight I Feel,Heartache and ToilJon Strahl Band,The Right Thing,Heartache and ToilRachel Huggins,Feels So Good,Anthony Geraci,Love Changes Everything,Daydreams In BlueThe Nighthawks,Chairman Of The Board,Tryin' To Get To YouMark Telesca,15 Black Dress,Higher VibrationsGerald McClendon,It's Over Now,Can't Nobody Stop Me NowGerald McClendon,You Can't Take My Love,Can't Nobody Stop Me NowMark May,Invisible Man,Deep Dark DemonCrystal Shawanda,New Orleans Is Sinking,Church House BluesSmoke Wagon Blues Band,Mescaline,The Ballad of Albert JohnsonJohnny & The Mongrels,Saturday Night In Oak Grove Lo,Creole SkiesJohnny & The Mongrels,Mama Said,Creole Skieswww.makingascene.org,Johnny and the Mongrels,Johnny & The Mongrels,Louisiana Girl,Creole SkiesJohnny & The Mongrels,Just Keep Walking,Creole SkiesToo Slim & the Taildraggers,Snake Eyes,The RemedyKenny Blues Boss Wayne,Don't Want To Be The President,"Go, Just Do It!"Gregg Martinez,Snatching It Back,MacDaddy MojeauxEric Hughes Band,08 Come See About Me,Postcard From Beale StreetJohnny Burgin,One Day You're Gonna Get Lucky,No Border BluesMandalyn,Wrecked,MandalynCD Woodbury,Hey Joe,World's Gone CrazyCD Woodbury,Can't Eat That Stuff No More,World's Gone CrazyHurricane Ruth,Late Night Red Wine,Good LifeHurricane Ruth,Good Life,Good LifeMick Hayes,01_Sweet To Me_M2_16 copy,Evelyn Rubio,What A Way to Go,Crossing BordersMichael Mills Band,Big Black Car,Stand UpVintage Dixon,Nothing New Under the Sun,The Real McCoyTony Holiday,08 Ol’ Number Nine,Marie Martens & the Messarounds,Keep On Loving Me,TravelledJose Ramirez,Gasoline and Matches,Here I ComeEliza Neals,Never Stray (feat. Derek St. Holmes),Black Crow Moan 

It was a nightmare of the most divine sort to have to pick the artist-per-show maximum of four XTC songs. I could pick almost any four XTC songs from 1980 onwards, from Drums and Wires (1979) to Wasp Star (2000) and do about 100 of these shows filled with a too-short slice of excellent pop masterpieces. But I picked four. ANY XTC record, in my opinion, has at least three or four moments that put most other more popular artists to shame.  XTC - Across This Antheap (1989) War planes go over but no wages go 'round.A sign goes up to say hey we're twin towned.The dough is rising but no bread will be baked.The fur is genuine but the orgasm's faked.We're spending millions to learn to speak porpoise,When human loneliness is still a deafening noise. XTC - Funk Pop A Roll (1983) Funk pop a roll consumes you wholeGulping in your opium so copiously from a discoEverything you eat is wasteBut swallowing is easy when it has no taste XTC - This World Over (1984) Will you tell them about that far off and mythical landAnd how a child to the virgin came? Will you tell them that the reason why we murderedEverything upon the surface of the worldSo we can stand right up and say we did it in his name? XTC - Wrapped In Grey (1992) Some folks pull this life like a weightDrab and dragging dreams made of slateYour heart is the big box of paintsAnd others, the canvas we're dealtYour heart is the big box of paintsJust think how the old masters felt, they call Awaken you dreamersAsleep at your desksParrots and lemursPopulate your unconscious grotesquesPlease let some outDo it todayBut don't let the loveless ones sell youA world wrapped in grey --------------------------------------------- The Beatles - Eleanor Rigby (strings only) (1966) The Beatles - Golden Slumbers/Carry That Weight (orchestra only) (1969)  The Beatles - Something (strings only) (1969) The Beatles - She's Leaving Home (strings only) (1967) Gilbert Neal and Ken Ray Wilemon - It's Ok (2019) The Beach Boys - Life is For The Living (1977) Adult/Child (sometimes typeset as Adult Child) is an unreleased studio album by American rock band the Beach Boys, intended to follow the group's 1977 The Beach Boys Love You. Like The Beach Boys Love You, it is virtually a Brian Wilson solo project with other group members serving mainly as additional vocalists. After it was rejected by Reprise Records, the band released the 1978 M.I.U. Album in its place with an almost entirely revamped song list. A few projected tracks for Adult Child were eventually released on later albums and compilations. Currently, the album is available only as a bootleg recording. The Beach Boys - Our Team (1978) When a song isn't good enough for The MIU Album, there's a problem.  The Beach Boys - It's Over Now (1977) Listen for Marilyn Wilson of The Honeys singing the "middle 8". Terribly.  The Beach Boys - Hey, Little Tomboy (1977) "...now shave your legs for the first time..."  Donna Summer - Wassermann (Aquarius) (1968) From the original German cast of Haare.  Moody Blues - Had To Fall In Love (1978)  Gary Hoffar - Hank's 715th (1974)  The Hans Staymer Band - Come Together (1972) Johnny Cash and Rosie Nix - Father and Daughter (1972) Nix-Adams and bluegrass musician Jimmy Campbell were found dead on a bus in Montgomery County, Tennessee, on October 24, 2003. The deaths were initially called "suspicious" by law enforcement authorities but were subsequently ruled to be accidental, caused by carbon monoxide from a propane space heater, used without ventilation, in the bus. Nix-Adams was 45 years old. Wilt "The Stilt" Chamberlain - Easy To Say (1960) The Millennium - There Is Nothing More To Say (1968)  Genesis - Apocalypse In 9/8 (From Supper's Ready) (1972)

ULTRA NATÉ: Free [A Peace-Bisquit 30th Anniversary 'Best Of' Ultra Naté Megamix] 1990-2020. Ultra Pride! "It’s surreal listening to so many songs I’ve released over the years all in one mix! There are many great moments and memories attached to each one. For me this mix is a collection of snapshots in time that forever capture the essence and evolution of dance music! I’m super proud of the body of work I've released over the last 30 years! It has made people feel love, happiness, powerful, sexy, thankful and so much more. After nine studio albums and various collaborations under my belt - somehow I’m still looking to the future and enjoying the process of making my 10th record while in the mist of these extremely challenging times. So many need this energy to inspire them and push them forward and so I continue...At a time when it’s needed most - we may not be able to dance together globally right now but we can raise our voices in solidarity and sing “your free to do what you want to do”!” - Ultra Naté *Tracklist Get It Up (The Feeling) Freak On w/ StoneBridge Love’s The Only Drug (Adam Rios Shelter Mix) Scandal (Craig C. Mix) I Don’t Understand It Turn It Up Faster Faster Pussycat (Let’s Go!) w/ DJ King Tutt Found A Cure Automatic Twisted New Kind Of Medicine Feel Love Pretender Party Girl (Turn Me Loose) If You Could Read My Mind w/ Amber & Jocelyn Enriquez Rejoicing (Deee-liteful Stomp Mix) Divine Love Joy Brass In Pocket (DJ Karizma Mix) Desire Unconditional Waiting On You (Frankie Knuckles & Eric Kupper Mix) w/ Michelle Williams Hey (House N HD Mix) How Long (Farley & Heller Fire island Mix) Free > encore: It’s Over Now *live w/ Kenny Muhammed the Human Orchestra http://www.ultranate.com/ https://www.facebook.com/ultranatemusic https://www.instagram.com/ultranatemusic/ "Free (Live Your life) (B-Sights Remix 2020) Out 6/26 - ingroov.es/free-live-your-life

How would David Ellefson compare making a Megadeth album in 2020 to recording during the band’s early years? Did Nick Menza introduce Ellefson to outdoor sports and a healthier lifestyle while recording “Rust In Peace”? How did he reconnect with longtime Megadeth producer Max Norman? Did the bassist give up playing golf in high school for a life in heavy metal?    Find out in a new episode of “Tell The Truth (And A Lie)” - an interview series where musicians share two obscure facts about themselves and one fib that could fool even a diehard fan. Matt and Zach then have to use their music knowledge to determine which 2 facts are true and which is a lie. And listen to part 1 of our chat with David in “There Goes My Hero” - where the bassist discussed why Megadeth insists on recording their new album in-person versus remotely, what Post Malone thinks of him covering “Over Now,” and how he hopes his “School’s Out” initiative will continue to help both new and established artists during the COVID-19 pandemic. Stream it here: https://youtu.be/JNPGcnWknl0

Hi we are talking about the hidden meaning on 112 song “It’s Over Now” . This is a flash black to the 90’s and the early 2000’s --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wallstalking/message

Deborah CoxDeborah Cox (born July 13, 1974) is a Canadian singer, songwriter, actress, and record producer. Born and raised in Toronto, Cox began performing on television commercials at age 12, and entered various talent shows in her teenage years before becoming a professional backing vocalist for Celine Dion. In 1994, she relocated to the United States and was signed to Arista Records by Clive Davis, releasing her self-titled debut album the following year. Her second studio album One Wish (1998) was certified platinum in the United States and was marked by the commercial success of the pop crossover single "Nobody's Supposed to Be Here", which would become Cox's most successful entry on the Billboard Hot 100 chart, peaking at number two and remaining there for eight consecutive weeks. Cox signed with J Records for her third studio album The Morning After (2002), which saw moderate commercial success.Cox ventured into acting in the 2000s, making her film debut in the Canadian drama film Love Come Down (2000) and her stage debut in 2004, in the title role in the Broadway musical Aida. She has since appeared in smaller films and several musical productions, including the horror-drama Jekyll & Hyde, the biographical musical Josephine and the musical adaptation of The Bodyguard. Cox's most recent studio albums, Destination Moon (2007) and The Promise (2008), have been released through her own independent record label, Deco Recording Group. In 2017, her single "Let the World Be Ours Tonight" became her 13th number-one hit on Billboard's Dance Club Songs over the span of three consecutive decades.[1] In 2016, Billboard listed Cox at 23rd on its list of the Greatest of All Time Top Dance Club Artists.[2] An eight-time Juno Award nominee, she has won four awards and is often cited as Canada's top R&B artist.[3] Deborah Cox was born in Toronto to parents of Afro-Guyanese descent, grew up in Scarborough, Toronto and attended John XXIII Catholic Elementary School and Earl Haig Secondary School.[3] She began singing on TV commercials at age 12, and entered various talent shows including an appearance on Tiny Talent Time.[4] She performed in nightclubs as a teenager, and began to write music around the same time.[5] Cox entered the music industry in the early 1990s, performing as a backup vocalist for Celine Dion for six months.[3][6] After receiving many rejection letters from Canadian record labels that claimed their "quota" had been reached, Cox moved to Los Angeles in 1994 with producer and songwriting partner, Lascelles Stephens.[3][6]Career[edit]1995–1999: Debut and One Wish[edit]In 1995, label executive Clive Davis signed Cox to Arista Records. Featuring production from Dallas Austin, Keith Crouch, Tim & Bob, and Kenneth "Babyface" Edmonds, she released her self-titled debut album the same year. A middling commercial and critical success, the album peaked at number 102 on US Billboard 200 but emegered as a steady seller, eventually receiving a gold certification by the Recording Industry Association of America (RIAA), while going platinum in Canada. Lead single "Sentimental" entered the top five on the US Hot R&B/Hip-Hop Songs, while follow-up "Who Do U Love" attained worldwide success, becoming a top twenty success in Australia, New Zealand and the US, also reaching the top of Billboard's Dance Club Songs.[7] In 1996, Deborah Cox won Cox a Juno Award for Best R&B/Soul Recording at the annual award ceremony and earned her a Best Soul/R&B New Artist nomination at the 1996 American Music Awards.Cox contributed the non-album song "Things Just Ain't The Same" to the soundtrack to the 1997 film Money Talks. A dance remix of the song, produced by Hex Hector, became her second number-one hit on Billboard's Dance Club Songs chart and was included on her second album, 1998's One Wish. As with her self-titled debut album, her sophomore effort was once again executive-produced by Davis, but featured more uptempo, contemporary R&B, and a slew of new producers and personnel to incorporate dance and club music, including Montell Jordan, Anthony "Shep" Crawford, Rodney "Darkchild" Jerkins, and DJ Quik. One Wish peaked at number 72 on the Billboard 200 and earned a platinum certification from the RIAA, while reaching gold status in Canada. The album capitalized on the crossover success of lead single "Nobody's Supposed to Be Here" which became Cox's most successful entry on the Billboard Hot 100, peaking at number two, and remaining there for eight consecutive weeks, making it one of the longest stays at number two in chart history. The song also reached number one on the Hot R&B/Hip-Hop Songs, spending a then record-breaking 14 weeks at number one, while the third single "We Can't Be Friends," a duet with R. L. Huggar, reached the top ten, with "It's Over Now" and "I Never Knew" become chart-toppers on the Dance Club Songs chart.2000–2005: The Morning After and acting career[edit]After One Wish, Cox collaborated with singer Whitney Houston on her single "Same Script, Different Cast" from the compilation album Whitney: The Greatest Hits. Incorporating a backing track of Ludwig van Beethoven's "Für Elise" during the intro, it was released as a radio-only promo single and became a minor hit on Billboard Hot 100, peaking at number 70 while reaching number 14 on Hot R&B/Hip-Hop Songs. In 2000, Cox made her acting debut when she starred in Clement Virgo's Canadian drama film Love Come Down, playing a nightclub singer. The film garnered eight nominations at the 21st Genie Awards, including two Best Original Song nominations for Cox's songs "29" and "Our Love". In 2001, Cox then recorded "Absolutely Not", for the soundtrack to Dr. Dolittle 2 which became her sixth number one hit on Billboard's Dance Club Songs.Cox's third album The Morning After was released in November 2002 on J Records following a frustratingly long departure from Arista. It marked the Cox's first record under Clive Davis's label, with Davis, once more serving as executive producer.[8] Keen to build on the success of her previous album One Wish, he enlisted the help of producers such as Jimmy Jam and Terry Lewis, Jermaine Dupri, Rodney "Darkchild" Jerkins, and Shep Crawford as well as up-and-coming producers Warryn Campbell, Johntá Austin and Alex Richbourg to work with Cox. A blend of urban R&B and adult contemporary songs with additional dance/house tracks, it became her highest-charting album on the US Billboard 200 and Billboard's Top R&B/Hip-Hop Albums yet, debuting and peaking at number 38 and number seven, respectively. Commercially, the album was less successful than her previous album, however, though it produced two singles on the US Dance Club Songs chart, including "Mr. Lonely" and "Play Your Part".[8]In February 2004, Cox made her Broadway debut in the Elton John-Tim Rice musical Aida when she replaced singer Michelle Williams in her role of the Nubian princess. Her four-month engagement earned largely positive reviews.[9] The same year, she recorded and released a dance remix of the musical's theme song "Easy As Life" as a promotional single.[10] In 2005, Cox starred in the films Blood of a Champion and Love on Layaway. Also that year, her voice was featured in the movie Hotel Rwanda in the song "Nobody Cares". To sustain demand for Cox's club appearances, while focused on her family and new album projects, she released a dance single titled "House Is Not a Home" on Nervous Records in January 2006. Later in the year, her song "Definition of Love" was used in the movie Akeelah and the Bee, but was not released as a single.2006–2009: Destination Moon and The Promise[edit]Between 2005 and 2006 Deborah recorded her fourth album, called Destination Moon, arranged and produced by Rob Mounsey. A tribute album to jazz singer Dinah Washington, Cox noted it a concept album that she had in mind for years.[11] Most of the album was recorded live with a forty-piece orchestra with Rob Mounsey arranging. Eventually released by Decca Records in June 2017, Destination Moon peaked at number three on the Billboard Top Jazz Albums. The same year, Cox co-starred alongside Golden Brooks and Darius McCrary in Leslie Small's film A Good Man is Hard to Find. Based on the musical stage play of the same name, the comedy depicts the story of three women who each undergo romantic crises that challenge their personal and spiritual relationships.[12] In 2008, Cox performed the Canadian national anthem at the NBA All-Star Game in New Orleans, receiving rave reviews.[13] She also contributed the song "This Gift" to the soundtrack of the 2008 romantic drama film Meet the Browns, directed by Tyler Perry, and served as a supprting act on Cyndi Lauper's True Colors Tour 2008.[14]Also that year, Cox finished work on her sixth studio album The Promise, released on November 11, 2008, through Deco Recording Group, Cox's own independent label, with distribution handled by Image Entertainment. A breakaway from her previous album, it marked her return to R&B music and saw her working with a wider number of songwriters and producers on the album, including The Avila Brothers, Jimmy Jam and Terry Lewis, Devo Springsteen, Big Jim, and Shep Crawford.[15] The Promise debuted at number 106 on the US Billboard 200, number 14 on the Top R&B/Hip-Hop Albums, and number 95 on the Canadian Albums Chart. Earning generally mixed to positive reviews from music critics,[16] it was nominated for R&B/Soul Recording of the Year at the 2009 Juno Awards. It second single "Beautiful U R" marked her biggest hit since "Nobody's Supposed to Be Here," becoming a top ten hit in Canada, where it was certified platinum by Music Canada, as well as her tenth chart-topper on the Billboard' Dance Club Songs. In support of the album, Cox joined forces with American R&B singer Kenny Lattimore for the joint Timeless Promise Tour in July 2009.[17] Also in 2009, she was featured on the single "Leave the World Behind", a house track produced by four DJs Axwell, Steve Angello, Sebastian Ingrosso and Laidback Luke.[18]2010–present: The Queen Project, dance music and Broadway[edit]Cox performing at the Capital Pride in Washington, D.C. in 2012.In 2010, it was announced that Cox would be joining fellow R&B singers Kelly Price and Tamia to form a supergroup.[19] While the trio recorded several tracks together, their joint album The Queen Project eventually failed to materialize due timing issues and label politics.[20] In 2011, Cox released the dance-heavy single "If It Wasn't for Love" through Deco Entertainment.[21] It became her eleventh chart topper on Billboard's Dance Club Songs and was to precede a new studio album which remained unreleased.[22] In September 2012, Cox gave her inaugural performance as the female lead Lucy in a revival of the musical Jekyll & Hyde which toured North America for twenty-five weeks. While the show enjoyed a limited Broadway run only, Cox received positive reviews for her performance.[22] Also in 2012, she collaborated with rapper Akon on the song "No Labels", the official anthem of the same-titled American bipartisan political organization.[23] The following year, Cox collaborated with DJ Paige on the non-album single "Higher". Released through Electronic Kingdom Records, it became her twelfth number-one hit on the US Dance Club Songs chart.[21] In 2014, Cox was one of the performers at the opening ceremonies of WorldPride in Toronto, alongside Melissa Etheridge, Tom Robinson and Steve Grand.[24]In 2015, she provided vocals for the made for television biographical film Whitney, directed by Angela Bassett based on American recording artist Whitney Houston.[25] Cox performed all of Houston's vocals in the film, including "I Will Always Love You", "I'm Your Baby Tonight", and "The Greatest Love of All."[25] The same year, she released the deep house-influenced "Kinda Miss You",[26] as well as the ballad "More Than I Knew" as singles.[27] Both were set to appear on her sixth album Work of Art, initially announced for an August 2015 release through Deco and Primary Wave Music.[28] However, after several delays, the album remained unreleased.[29] In 2016, Cox played the lead role of Josephine Baker in the Broadway-bound musical Josephine, which chronicled the singer's life between the years of 1939 and 1945, and starred as Rachel Marron in the North American Tour of the musical The Bodyguard based on the 1992 film of the same name. In support of the musical, Cox released the EP I Will Always Love You on Deco and Broadway Records, containing cover versions of seven Whitney Houston originals and Whitney Houston's cover of Dolly Parton's "I Will Always Love You."[30] In June 2017, she released an uptempo dance single "Let the World Be Ours Tonight" during LGBTQ pride season on Radikal Records and Galactic Media. It marked her 13th single to top Billboard's Dance Club Songs.[1]On June 25, 2019, The New York Times Magazine listed Deborah Cox among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[31]Personal life[edit]Cox currently lives in Miami, Florida. She is married to her high school sweetheart and manager, Lascelles Stephens.[32] They have three children: son, Isaiah (born July 1, 2003), and two daughters, Sumayah (born June 29, 2006), and Kaila Michelle (born February 23, 2009).[33]Discography[edit]Main article: Deborah Cox discographyDeborah Cox (1995)One Wish (1998)The Morning After (2002)Destination Moon (2007)The Promise (2008)Awards and nominations[edit]1996Won: Juno Award for Best R&B/Soul Recording (Deborah Cox).Nominated: American Music Award for Favorite New Artist – Soul/Rhythm & Blues.1997Nominated: Juno Award for Best Female Vocalist.1998Won: Juno Award for Best R&B/Soul Recording ("Things Just Ain't the Same").Won: Soul Train Award for Best R&B/Soul Single – Female ("Nobody's Supposed to Be Here").1999Won: Juno Award for Best R&B/Soul Recording (One Wish).Nominated: Juno Award for Best Female Vocalist.Won: Soul Train Lady of Soul Award for Best R&B/Soul Song of the Year ("Nobody's Supposed to Be Here").2000Nominated: Genie Award for Best Original Song ("Our Love" and "29" from Love Come Down).Nominated: Soul Train Award for Best R&B/Soul Single – Group, Band or Duo ("Same Script, Different Cast" feat. Whitney Houston).Nominated: Image Award for Outstanding Female Artist ("We Can't Be Friends")2002Nominated: Juno Award for Best Dance Recording ("Absolutely Not").2008Nominated: Juno Award for Vocal Jazz Album of the Year (Destination Moon).Nominated: Grammy Award Best Engineered Album, Non Classical ("Destination Moon").Received a star on walk of fame, in Toronto's Scarborough Town Centre.2009Nominated: Juno Award for R&B/Soul Recording of the Year (The Promise).https://www.instagram.com/deborahcox/ See acast.com/privacy for privacy and opt-out information.

The first Roxy Music album brings together a patchwork of inspirations and influences from across the decades. In the second episode of Ghost Echoes, we stroll spontaneously into the movie theatre of the mind and examine a few of them. Here's looking at you, kid. Music and Sound Notes: - All of the Roxy Music tracks heard here for illustrative purposes are from their debut album. They include: “Re-Make/Re-Model”, “Virginia Plain”, “Bitters End”, “Chance Meeting", and “2HB”. - The recording of Rachmaninov's second piano concerto near the start is by an anonymous soloist and symphony orchestra, from Musopen. The excerpt from Brief Encounter itself features a recording of the same concerto by Eileen Joyce with the National Symphony Orchestra, conducted by Muir Matheson. The Noël Coward song heard shortly after is “The Party's Over Now,” from the musical Words and Music. - The segment on pop art features excerpts from Buddy Holly's “Everyday” and David Bowie's “Andy Warhol.” The section about musicians who went to art school features tiny extracts from “All Your Love” by John Mayall and the Bluesbreakers; “Imagine” by John Lennon; “Brown Sugar”, “Some Girls”, and “Honky Tonk Women” all by the Rolling Stones; “Whole Lotta Love” by Led Zeppelin; “Pinball Wizard” by the Who; “Tubular Bells, Part 1” by Mike Oldfield; “Bike” by Pink Floyd; “Layla” by Derek and the Dominos; “The Village Green Preservation Society” by the Kinks; “Seaside Rendezvous” by Queen; “Your Love is King” by Sade; “Common People” by Pulp; “You're So Great” by Blur; “Man-Size” by PJ Harvey; “Paper Planes” by M.I.A.; “Kiss With A Fist” by Florence and the Machine; and “London Calling” by the Clash. - The recording of Wagner's “Ride of the Valkyries” used here is by the Slovak Radio Symphony Orchestra conducted by Uwe Mund. The brief excerpt from the start of Das Rheingold is the Staatskapelle Dresden conducted by Marek Janowski, and the horn call from Götterdämmerung is the Royal Concertgebouw Orchestra conducted by Riccardo Chailly. - The music that finishes the episode off is from the end of Max Steiner's score for Casablanca. Further reading, watching: - The two main sources for biographical information were Michael Bracewell's Re-Make/Re-Model and Simon Reynolds' Shock and Awe. The Brief Encounter section is loosely inspired by Roland Barthes' essay “Leaving the Movie Theatre” from The Rustle of Language. The list of art school alumni who went on to pop stardom comes from Pretentiousness: Why it Matters by Dan Fox. - The BBC documentary at the beginning of the pop art section is “Pop Goes the Easel,” an episode of Monitor, hosted by Huw Wheldon and directed by the great Ken Russell. The interview clips with Ferry are taken from a Channel Four documentary called This is Tomorrow. - The images in this blog post were the main source for my descriptions of the Roxy Theatre. - Other film and television clips come from Brief Encounter; What's Opera, Doc?; The Wizard of Oz; Casablanca and Now, Voyager.

Michael Raphael has composed music for over 1,000 television and film projects, including Adam Sandler films. He has also co-written songs with various types of artists and received platinum and gold records. Recently, he worked with Disney Records as a songwriter/producer, which included Miley Cyrus records and Disney Mania projects. He was signed to Capital Records with his band Jailhouse in 1988 (which is still in rotation on VH-1 Classic). In 1999, he was signed by Randy Jackson to Columbia records with his band Neve, leading to a hit song, “It's Over Now,” which placed on the Billboard charts. Neve also toured with acts like KISS, Rage against the machine, The Black Crowes, and many more. Throughout his career as a professional musician, Michael has toured the U.S. numerous times and also performed extensively in Japan and Europe. As a producer and engineer, Michael has worked with dozens of up and coming artists and has just completed two pop/rock projects for Columbia/Sony. He has also worked side by side with platinum producer Don Gilmore (Linkin Park, Avril Lavigne, Escape the fate). For more info on Michael Raphael visit his FB page! https://www.facebook.com/mikeraphaelKiller Tracks profileAPM profile

Michael Raphael has composed music for over 1,000 television and film projects, including Adam Sandler films. He has also co-written songs with various types of artists and received platinum and gold records. Recently, he worked with Disney Records as a songwriter/producer, which included Miley Cyrus records and Disney Mania projects. He was signed to Capital Records with his band Jailhouse in 1988 (which is still in rotation on VH-1 Classic). In 1999, he was signed by Randy Jackson to Columbia records with his band Neve, leading to a hit song, “It’s Over Now,” which placed on the Billboard charts. Neve also toured with acts like KISS, Rage against the machine, The Black Crowes, and many more. Throughout his career as a professional musician, Michael has toured the U.S. numerous times and also performed extensively in Japan and Europe. As a producer and engineer, Michael has worked with dozens of up and coming artists and has just completed two pop/rock projects for Columbia/Sony. He has also worked side by side with platinum producer Don Gilmore (Linkin Park, Avril Lavigne, Escape the fate). For more info on Michael Raphael visit his FB page! https://www.facebook.com/mikeraphael Killer Tracks profile APM profile

Michael Raphael has composed music for over 1,000 television and film projects, including Adam Sandler films. He has also co-written songs with various types of artists and received platinum and gold records. Recently, he worked with Disney Records as a songwriter/producer, which included Miley Cyrus records and Disney Mania projects. He was signed to Capital Records with his band Jailhouse in 1988 (which is still in rotation on VH-1 Classic). In 1999, he was signed by Randy Jackson to Columbia records with his band Neve, leading to a hit song, “It's Over Now,” which placed on the Billboard charts. Neve also toured with acts like KISS, Rage against the machine, The Black Crowes, and many more. Throughout his career as a professional musician, Michael has toured the U.S. numerous times and also performed extensively in Japan and Europe. As a producer and engineer, Michael has worked with dozens of up and coming artists and has just completed two pop/rock projects for Columbia/Sony. He has also worked side by side with platinum producer Don Gilmore (Linkin Park, Avril Lavigne, Escape the fate).https://www.facebook.com/mikeraphael@thecareermusician@nomadsplace

Michael Raphael has composed music for over 1,000 television and film projects, including Adam Sandler films. He has also co-written songs with various types of artists and received platinum and gold records. Recently, he worked with Disney Records as a songwriter/producer, which included Miley Cyrus records and Disney Mania projects. He was signed to Capital Records with his band Jailhouse in 1988 (which is still in rotation on VH-1 Classic). In 1999, he was signed by Randy Jackson to Columbia records with his band Neve, leading to a hit song, “It's Over Now,” which placed on the Billboard charts. Neve also toured with acts like KISS, Rage against the machine, The Black Crowes, and many more. Throughout his career as a professional musician, Michael has toured the U.S. numerous times and also performed extensively in Japan and Europe. As a producer and engineer, Michael has worked with dozens of up and coming artists and has just completed two pop/rock projects for Columbia/Sony. He has also worked side by side with platinum producer Don Gilmore (Linkin Park, Avril Lavigne, Escape the fate). https://www.facebook.com/mikeraphael

In Part 2 of our very first two part series, Chelsie goes on a second date with our Grey's Anatomy themed man. What happened will leave you speechless. The post Reasons why I'm Single – Episode 154 …But It's Over Now first appeared on PodcastDetroit.com.

James Elizabeth is one of Northern California's latest rising Music stars , hailing from one of the bay area's near by cities Of Santa Rosa California James Elizabeth is making a name for  for herself with her soulful R&B , Pop and Hip Hop Sound James has caught the ears and eyes of some of music's biggest  Entertainers. James Elizabeth has worked alongside superstars Snoop Dogg , Jeremih , E-40 and Too Short Just to name a few in order to create a phenomenal upcoming Debut Album, which has spawned her first single entitled “OVER NOW” that features Latin rap star Snow Tha Product.

Segment 1: Bracing for more of the same. Segment 2: Fair to expect more adjustments at this point? Segment 3: Taggart scoreless in 21 of 48 quarters as a P5 coach vs. P5 teams.   Music: 112 - It's Over Now, R.E.M. - Everybody Hurts, Johnny Cash - Hurt

http://maxrykov.com/Squash the Beef Hotline: https://wsvn.com/news/special-reports/squash-the-beef-community-leaders-work-to-put-an-end-to-violent-disputes-through-mediation/Operation Step-Up: http://www.al.com/news/birmingham/index.ssf/2018/03/operation_step_up_birmingham_t.htmlBroken Window Theory: https://en.wikipedia.org/wiki/Broken_windows_theoryApp-Based Parking Meters: https://ieeexplore.ieee.org/document/7583962/?reload=trueJohn Archibald column(s): http://www.al.com/opinion/index.ssf/2017/08/black_people_cant_win_until_th.htmlhttp://www.al.com/opinion/index.ssf/2016/03/birminghams_failure_was_not_ge.htmlOpinion Response by Ben Baxter: http://www.al.com/opinion/index.ssf/2017/08/black_businesses_hindered_but.htmlThe Awesome Foundation: https://www.awesomefoundation.org/enDetroit Soup: http://placemaking.mml.org/how-to/detroit-soup/Ava Davis Bus Shelter: http://b-metro.com/funding-awesome/34410/Office of Social Innovation and Civic Participation: https://obamawhitehouse.archives.gov/administration/eop/sicpBirmingham Education Foundation: https://edbirmingham.org/The Touch of Greatness documentary: http://www.imdb.com/title/tt0285324/The Bald Soprano: http://www.paololandi.it/theater/testi/Bald%20Soprano.pdfTragic City Rollers: https://www.tragiccityrollers.com/Alabama Environmental Council: https://aeconline.org/Growing Kings: https://www.growingkings.org/4/20 - 50th Annual Green Tie Affair @ Sloss Furnace for Alabama Environmental Council4/21 - Chucks and Tucks Fundraising for Growing Kings4/12 - Chrysopoeia - Transmutation of Black Identity @ The Jaybird - Presented by Micah Althea, 6oldie, Carey Fountain, D.Horton, Steven Mark, Joi Black, Socially Awkward and DoReMe (D.R.M). 4/14 - Andrea Dillingham Yard Sale4/22 - Dan Sartain Barbering Grand Opening Cookout - Carl SR- Darren Deicide, Battito @ the Nick- Road Soda, Spray Tan @ SRB4/19 - Alabama Spring Skies @ Christenberry Planetarium4/20 - The Next Appointed Hour / Airpark / Frozen Yogurt @ Ghost Train Brewery 8pm4/28 - Magic City Art Connection - the Dizzy5/10 - EH Live Podcast @ Thomas Jefferson Tower5/29 - The Residents @ Variety Playhouse6/21 - Aviie, Burning Moon, Ben Ricketts, JC (Location TBA)0.00.00 - Welcome to the Mission Statement0.04.32 - Here are the Dates!0.11.21 - "Network News" and Upcoming Shows0.16.25 - Witch's Wall Live @ Soft Rock Bungalow ("It's Over Now," "Witch's Wall")0.29.02 - Bar Sticker Segment: 0.31.57 - The Heavy Children - "The Less You Know"0.34.16 - Interview with Max Rykov1.28.50 - "Parent's Song" - KCW

Oh what a lovely April. Whilst we sneak a quick break from the sunshine and tiling we manage to bring you yet another generous helping of Punky with 9 great songs from The Darts, The Drunk Nuns, The Routes, Death Party UK, King Kurt, Blind Butcher, The Witchdoktors, Scotland Yardies and Cut.Phoenix AZ, additional material, Poetry Corner, Spike Milligan, clean shaven, unexpected vagina, Tony has your Facebook comments, Death Party UK, last week, mo' tiling, Paul's gig at the Dukes Arms!, Facebook, From the Vaults, Tony's International Gig Guide, John Lydon, Happy Birthday Oonagh, the week ahead, Paul's upcoming gigs, back to the warehouse, 420?, paint sniffing, IzzaClutchingAtStraws, First Aid and thanks to the Internet stations which carry us.Song 1: The Darts – I Wanna Get You OffSong 2: The Drunk Nuns – It’s Over NowSong 3: The Routes – Peeling FaceSong 4: Death Party UK – She DevilSong 5: King Kurt – Oedipus RexSong 6: Blind Butcher - FireSong 7: The Witchdoktors – Mad ElaineSong 8: Scotland Yardies - NeuroticSong 9: Cut – Automatic Heart

Episode three of Hulu’s 11.22.63 miniseries brings us Other Voices, Other Rooms. Jake returns to Texas and embarks on a double life as school teacher and Oswald tracker. But he must contend with an unexpected partner in Fort Worth, and a budding romance in Jodie. In this podcast, hosts Skipper Martin and Christopher DeFilippis discuss episode three of the Hulu event series, and how they feel about the expanded role of Bill Torcotte, the return of Sadie Dunhill and the introduction of Daniel Webber as Lee Harvey Oswald. We’re also proud to bring you an EXCLUSIVE interview with actor Tonya Pinkins, who debuts in this episode as Mia “Miz Mimi” Corchoran. Tonya speaks to us about her career on stage and screen, her love of Stephen King’s works, and her approach to playing Miz Mimi – a white character in the novel who was turned into an African American woman for the Hulu series adaptation. We've also got radio sightings, listener feedback, a giveaway and much more. Come help us chaperone this dance! SHOW RUNDOWN 00:00:01: Intro/Skip Sings! 00:03:10: Other Voices, Other Rooms Synopsis 00:04:10: Initial Impressions 00:06:05: The Real Jake Finally Arrives 00:08:16: Tangent: Too Many Tweaks 00:14:12: The Good, The Bad and The Bill Turcotte 00:28:28: Introducing Sadie, Deke and Mimi 00:30:25: Tonya Pinkins and Exploring Race Issues 00:41:08: Silent Mike Sergeant Pete 00:44:40: An Intriguing Lee Harvey Oswald 00:56:27: Audio Bandits, Attic Doors and the Obdurate Past 01:02:55: Al Templeton, Voice of A Generation 01:05:30: Dubious Easter Eggs 01:07:15: Reintroducing de Mohrenschildt and Conspiracies 01:17:40: Bloody Frank Dunning 01:21:46: Thinking Outside The Long Box Promo 01:22:35: The Signal Promo 01:23:37: Bryan MacMahn ID 01:23:47: Welcome Back: A Musical Interlude 01:25:21: The Dance 01:28:07: Speculations 01:34:05: 11.22.63 Radio Sightings 01:41:42: Introducing Tonya Pinkins 01:46:00: Tonya Pinkins Interview 02:02:27: Exploring Interview Philosophies 02:07:50: Bobby Vinton’s “Over and Over” Now on iTunes 02:09:22: Chris Stuckmann, YouTube and an X-Files Tangent 02:12:00: Listener Feedback 02:51:48: 11.22.63 Prize Giveaway 02:53:03: Final Thoughts 02:57:52: Preview of Episode 1.4: The Eyes of Texas 02:59:10: Skipper’s Gift to Fans: Free Short Fiction 03:00:20: Read Chris’s Novella The Seeker 03:01:26: Thank You Albie! Thank You Juan! 03:02:40: Check out Barren Space Productions 03:03:18: Contact Us! Subscribe! 03:05:30: Support Our Show Through Patreon 03:06:28: Support Our Show Through Amazon 03:07:28: Goodbyes 03:07:49: Credits Let us know what you think! Leave us a voicemail at (707)847-6682. E-mail thoughts, theories, feedback and MP3s to 112263podcast@gmail.com. Follow us on Facebook, Twitter and Instagram. :D

One Year Readings from 1 John 2:1-17, Psalm 120:1-7, and Proverbs 28:25-26. Devotion from Alex Uoery. Music from Chris Tomlin and Lauren Daigle - Noel, R Kelly - The Storm is Over Now, Trisha Yearwood - Take a Walk Through Bethlehem, Danny Gokey - Hope in Front of Me, and Kristen DiMarco - It is Well.

One Year Readings from 2 Thessalonians 2:1-17, Psalms 84:1-12, and Proverbs 25:15. Testimonies from Russel Blankenship and Zach Vance. Music by Switchfoot - Stars, Nicole Nordeman - The Unmaking, R. Kelly - The Storm is Over Now, Toby Mac - This is not a test, and Amanda Cook - You Make me Me Brave.

Let’s Play!   A bit of background:   Location: household, Melbourne, Australia. Date: 19-09-15 first day of mid-term holidays. Temper Gauge: immediate risk of major family breakdown!   First day of holidays and tempers were at breaking point! Kids complaining they were bored, Spouse close to losing it having to pick up everyone’s mess lying around, pleading for help and getting blank hostile gazes as only responses... I propose to put some music on.. The communal answer I get is: “You haven’t done anything fun for aaaages “.. Daggers straight to my parental, spouse and music lover heart!   I rig up the full DJ set-up, connect the lasers and lights, pump up the volume and start playing something I had half put together during my travels..   Having in mind that they wanted something new but not just new, that they NEEDED something fun and uplifting, sing-a-long and dance-a-long tunes, I shifted to trusted classics of 2007/2009, chose those uplifting progressive trance keys which induce wellness and movement, span and watched…   Devices were slowly put down, lips started humming and eventually singing and when I saw my wife’s hands starting to move to the music I knew I had them on the correct path of unplugging from their chores,  IPhones, IPads and IMacs to just PLAY and enjoy the moment.   They were hearing tracks they knew and some they didn’t. Got their ears full of the Chicane, Kaskade, Deadmau5, Calvin they are perfectly entitled to ache for but also willingly discovered new tunes they were dancing to with a smile on their faces.   Crisis averted.   This is what music does… it heals..   Playlist:     2015 The Bridge (Anjunadeep 07 Mix). Jody Wisternoff feat. Sian Evans 2015 The Bridge (Chicane Rework) [Xtian Added Keys Edit]. Jody Wisternoff feat. Sian Evans               2008 Come Fly Away (Soha And Adam K Remix). Benny Benassi feat. Channing                        2008 Deep At Night (Adam K  Soha Remix). Ercola & Heikki L 2007 Finished Symphony (Deadmau5 Remix) (Xtian Hallelujah Edit feat. Candi Staton]. Hybrid 2008 4 AM (Adam K  Soha Mix). Kaskade 2008 Angel on My Shoulder (EDX's Belo Horizonte at Night Remix). Kaskade 2009 Saltwater 2009 (Paul Ricon Remix). Chicane feat Marie Brenhan 2009 Bruised Water (Michael Woods Full Vocal vs. Mischa Daniels Club Remix). Chicane feat. Natasha Bedingfield 2013 Phantom (Original Mix) [Xtian God is a DJ Edit]. Fehrplay 2015 Insomnia 2. 0 (Avicii Extended Remix) {Xtian Shifty Edit]. Faithless      2015 How Deep Is Your Love (Disciples & Unorthodox Remix vs. Extended Mix) [Xtian Mash]. Calvin Harris & Disciples 2015 Over Now (Darone Remix). eSquire feat. Polina Griffith               Highlights: I will start with Adam K & Soha.. Two Canadian producers and remixers with a distinct trance/prog uplifting feel. The right touch and the perfect keys to turn a good tune into greatness! I could very well have dropped their recent “ I Need to Feel Loved” remix but thought trusted and less current tracks would do the job nicely. You cannot listen to their remixes and not want to move!  Internet resources: https://www.facebook.com/adamkandsoha https://www.mixcloud.com/Soha/ http://djadamk.com/ https://soundcloud.com/adamk   “The Bridge” from Jody Wisternoff. I have written it previously and will repeat that is it most probably the best progressive track of the year. AnjunaDeep and Chicane on the re-rub. I had a bit of a play on the fly with the Anjuna keys on top of the amazing Chicane remix, worked a treat on the intro but shifted a bit on the next break. Pity about that but DO NOT MISS the Chicane remix, it is pure bliss!   Deadmau5 “Finished Symphony”: dropped it for the kids, added the Candi Staton dub on top and it worked!!! I could see they knew what they were listening to in the background and one day I will actually use this setup live to get into the Larse remix on this amazing tune. Can’t wait to see how vintage clubbers would react!   Not writing anything on the Kaskade and Chicane jams, dropped them because the family loves them and what I had on the original playlist was too hard for my purpose.   From there I wanted to shift back to current tunes. The Fehrplay tune bridged the set towards Avicii’s take on Faithless’ Insomnia to peak into Tranceland.. God is a DJ indeed J.   From there had to bring it down, with lo and behold my first EVER Calvin Harris drop, his new single “How Deep is Your Love”. Mashed up the two main remixes to give a bit of extra flavour and quietly daydreamed of Gigi Haddid moves... Not that I do not like the Calvin but obviously we are not connecting that much. My kids absolutely loved it, Viv thought it sounded a bit R&B but she was still smiling!   Wrapped it up with the Darone’s remix of “Over Now”, maybe pushing it to an overly commercial closing but they were all humming the main chorus, so mission accomplished.   I have a few sets tucked away I really should upload and therefore will be back in true house mode very shortly.   Hope I bring a smile to your faces and Let’s Play!   A bientot   Xtian

TONIGHT 04/24 09:00PM CDT - "Current News and Analysis" - We will be covering some of the current New and Analsys. Such topics, as Obama's comments that "War of Terror is Over Now", "the continued push to circumvent Congress", and a new release of Predator Drone launch sites located throughout the US as publiished by Google, and the President welcoming the Muslim Brotherhood to assist in developing small business.  The beating of a young man in Mobile, AL as, 'Justice for Trayvon'., and much, much more.  -Please join us for the latest. 

1. American Dream - L.A. Style 2. X, Y & Zee (Sensory Amplification Mix) - Pop Will Eat Itself 3. W.F.L. (Think About the Future Mix) - Happy Mondays 4. Never Let Me Down (Aggro Mix) - Depeche Mode 5. It's Over Now - Cause & Effect 6. Again ('90 Remix) - Do Piano 7. Prisoner to Desire - Psyche 8. Don't Argue (Dance) - Cabaret Voltaire 9. Hyperreal (Remix) - The Shamen 10. Life on Your Own (Extended) - The Human League 11. Hip Hop Be Bop (12" Mix) - Man Parrish 12. State of the Nation - New Order 13. Around My Heart (Razormaid! Mix) - Sandra 14. It's Alright Now (Back to Basics) - Beloved 15. State of Shock (L'Pool Edit) - Revenge   Notes and other random things: Greetings from Charlotte, NC. I'm DJ Tintin and this is my retro podcast. Glad you've found it. Feel free to stay as long as you like. Sorry for the re-introduction, but I've been away for so many weeks between my last podcast and this one that I almost feel like stranger to many of you. If you're tuning in for the first time, I am. And if you are, in fact, a newbie, I recommend going back and re-reading the first sentence, making sure to apply a tone of sincerity to the voice in your head instead of a sarcastic one. Before you do, however, I need to add a few more adjectives. That first sentence should read: Greetings from bread-less, milk-less, power generator-less Charlotte, NC. What the hell am I talking about? Well, for those listeners in the U.S., (and possibly abroad) you are probably well aware of the recent hurricane that hit the eastern seaboard over the past week. (If you're not, may I suggest the internet?) As such, there is neither bread, nor milk, nor power generator to be found anywhere as these are the desirable items for which panic-stricken residents spend hours in check-out lines hoping to buy the week leading up to the event.  Now, as a mid-west transplant living in the Carolinas for 14 years, I get the fear associated with hurricanes. I do. They are analagous to the fear we mid-westerners have in regards to tornadoes. The difference is you have about 10-15 minutes maximum to prepare for a tornado as opposed to a week or so for a hurricane. What that means is after a tornado passes, I can at least emerge from the twisted pile of tinder that used to be my house, go down to the local market (if it’s still standing) and celebrate my continuing to live with a bowl of cereal. In the Carolinas, that’s an impossibility because the shelves have been completely wiped out.   If I were a guy who actually bothered to prepare for catastrophe instead of worrying about posting his next podcast, I'd actually scoop up all the lunch meat, cereal and lightbulbs from the nearby food emporium at the first word of impending doom. Surely, someone with bread, milk and a power generator would be willing to barter for shelter should I be left homeless. Methinks the guy with the cache of mustard or mayo would probably be sitting pretty as well. On to the music … L.A. Style make their first appearance on CRC. They were a rave group that toured extensively between 1991 and 1995, when they eventually split up. The group was founded by radio host Wessel van Diepen, also the most successful dance-pop producer in Dutch history having assembled the groups Nakatomi and the Vengaboys as well. The band was fronted by Frans Zid Merkx, a multi-tool artist going by the moniker FX. Best known for their huge club hit James Brown is Dead, L.A. Style were the first group to land a rave track on Billboard’s Hot 100 Airplay chart. The song here, American Dream, is the last track on L.A. Style’s self-titled album from 1993. The sample contained within comes from the first inaugural speech of President Richard M. Nixon, delivered Monday, January 20, 1969. See the excerpt below: “The American dream does not come to those who fall asleep. But we are approaching the limits of what government alone can do. Our greatest need now is to reach beyond government, and to enlist the legions of the concerned and the committed. What has to be done, has to be done by government and people together or it will not be done at all. The lesson of past agony is that without the people we can do nothing; with the people we can do everything.” Pop Will Eat Itself have appeared a couple times in earlier CRC episodes (#13 and #20) and both times the tracks used were taken from their Cure For Sanity album circa 1990. If you believe the past is a good indicator of the future, you won’t at all be surprised to learn that X, Y & Zee, the track here, also appeared on that amazing album. I say amazing because I have vivid memories associated with it, trucking home from Texas to Kansas over fall break my sophomore year in college. I took my roommate to see the Kansas/Kansas State football game and then we stayed in Manhattan (also called "The Little Apple", which is home to the KSU campus) with friends drinking and carousing well into the night after a KSU victory (though truth be told I’m a KU fan). This album received heavy rotation on that 1200-mile round trip and deservedly so, though you won’t find much agreement among those haters of what was called the “grebo” movement. Mostly a product of the music media who have an unfailing compulsion to label clusters of similar-sounding music, grebo started in the late 80s and continued on into the early 90s before “Brit Pop” took over. PWEI were forerunners of the subculture, which encompassed bands whose sound blended garage rock, hip hop, pop and electronica. Dreads, partially shaved heads and high ponytails, torn jeans, boots, lumberjack shirts, army surplus clothing, and eclectic hats defined the fashion (if you can call it that), a look dubbed by the Trouser Press as “slimy-looking lowlifes playing retrograde raunch”. Ned’s Atomic Dustbin, Jesus Jones, The Wonder Stuff and others were all part of that short-lived movement. The remix appearing here, though taken from the single, also appears as a hidden track at the end of the Cure for Sanity CD. A little PWEI trivia: the band was headed by Clint Mansell, a fine musician who has gone on to score many Hollywood films including the Darren Aronofsky films Pi and Requiem for a Dream, The Wrestler and Black Swan. Music writing credits on PWEI albums are all listed as Vestan Pance, a pseudonym for the entire band. At one time, after the addition of drummer Robert “Fuzz” Townshend to their line-up, they proposed the name Vestan Pance and Socks, which was summarily rejected by their label RCA. Speaking of heading up an artistic movement, The Happy Mondays would most certainly qualify. Lead by one-time smack user Sean Ryder, the Mondays charged headlong into what would become the Ecstasy-fueled club scene in Manchester, England. Dubbed “Madchester” by those who were there, the Mondays became poster boys for the “haves” of the sonic landscape, diving into excess so severely that they nearly drove their label, Factory Records, into financial oblivion. The whole thing is pretty well-chronicled in the excellent film 24-Hour Party People, directed by Michael Winterbottom, which is sort of a dramatized account of Factory Records head man, Tony Wilson, and the rise of Joy Division, with some attention given to other Factory bands including: New Order, A Certain Ratio, The Durutti Column and, of course, the Mondays. The track here, W.F.L. (which stands for Wrote For Luck) was remixed by Paul Oakenfold and appears on the mini-album Hallelujah. Hallelujah was originally a four-song EP called the Madchester Rave On EP, but was renamed after three bonus dance mixes were added before its release in the U.S. For Erasure buffs, a Vince Clarke remix of W.F.L. also appears on the CD version of the Mondays’ second full-length album called Bummed. When close-knit bands lose a member to tragic circumstances there exists a time of deep reflection followed by a re-evaluation period where remaining members make the critical decision to fold up the tent or to carry on. After losing singer Ian Curtis to suicide on the eve of their first U.S. tour, Bernard Sumner, Peter Hook and Stephen Morris of Joy Division decided to continue on, though they decided a name change was in order to escape the long shadow left by Curtis. Out of the ashes came New Order. For Rob Rowe of Cause & Effect, the untimely death of friend and co-founder Sean Rowley too put his hopes for the future in serious doubt. The tragic loss in many ways eclipsed the success of their self-titled debut album on Exile Records (which was later re-issued as Another Minute by BMG). That album spawned two top ten dance singles, including You Think You Know Her, which stands as the group’s pop chart high point. Unlike Joy Division, Rob made the decision to move forward under the C&E banner. He enlisted Keith Milo, a California-based electronic musician and, along with drummer Richard Shepherd, the band released their second full-length album, Trip, in 1994.             “Performing the tribute to Sean at the KROQ Acoustic Christmas Show in LA was a turning point,” explains Rowe in the band’s Offical bio, “The overwhelming support from the fans and audience made me realize that giving up just wasn’t an option.” “Coming in to Cause and Effect after Sean’s death was a scary thing to do,” adds Milo. “There was so much uncertainty. Sean was a genius with melody, he was irreplaceable. I think there was solace in the fact that we became a very different band at that point and we all felt that we were doing the right thing by continuing on.” Produced by the great Martyn Phillips, Trip contains the brilliant track appearing here, It’s Over Now. It ultimately climbed to #7 on Billboard’s modern rock charts, and was the band’s fourth release to appear on Billboard Hot 100 singles chart. The last artist I want to touch upon this go-round is Man Parrish. An Andy Warhol, Club 54 “freakazoid”, Man Parrish is responsible for a couple of the most enduring, innovative and influential tracks in the history of electronic music. I say a couple because as quickly as he arrived he vanished once again into relative obscurity. Arriving right at the juncture of the evolutionary electronic music tree where legendary producers like Arthur Baker and John Robie split from the Kraftwerk-infused trunk to create a portion of the hip-hop foundation with Soul Sonic Force’s track Planet Rock, Manny Parrish would split the other way, building upon the notes of Kraftwerk’s Autobahn that were no doubt trapped somewhere in his brain. Using a Roland TR-808 drum machine and two keyboards, he crafted Hip Hop Be Bop in his bedroom. In doing so, he became one of the early producers-turned-artists on the electronic music scene. In an interview, Man said of the track, “It was played in a really wide spectrum: in black hip-hop clubs, in white underground places like Danceteria, in after-hours clubs. The radio station pumped it like crazy because I did vocoder spots for them and in exchange for payment, they put my stuff into heavy rotation. When you first hear it, you think, ‘Huh, weird instrumental track.’ But the more you listen to it, it's like, 'This is really interesting.' It even happened to me: I used to hate it at first." Hip Hop Be Bop went on to sell over two million copies, but Parrish received almost nothing for his groundbreaking efforts. Much like innovation, ripping off artists was commonplace back then. As Parrish explains, “When I first started out I was so broke I made this song called Heatstroke as a soundtrack for a porno movie. Some DJ had sampled it off the movie, made an acetate, and somebody told me, ‘Hey they're playing your music at this club.’ I ran down to the club and all of a sudden my song came on. I asked the DJ, ‘Wait a minute, where'd you get that record? It's my music.’ He told me, ‘That's your music? Come down to the record company, they'll sign you on the spot.’" He goes on to say, “I got nothing--it was the classic first record rip-off deal. I would go to the label and literally beg for rent. The guy who owned it bought a plane, a house in Vermont, and a Porsche with a hand-carved dashboard. It was how everyone did it back then.” After suffering so many disappointments and massive burn-out, Parrish ended up a male prostitute for a spell to pay the bills. As many musicians as were influenced by him, Man Parrish inadvertently may have influenced thousands of lawyers as well as his story reads like a textbook case of copyright infringement, an issue which would come to the forefront of music as technology and sampling began to take hold during the 80s. That’s it for this episode. Thanks to everyone for tuning in and be sure to support the artists as they make this all possible. Barring any more hurricanes, I’ll be back soon with another episode. Cheers!