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In unserer neuesten Episode von "We Are Fashion Revolution" tauchen wir tief in das Thema Inklusion ein und diskutieren, wie Mode mit Fokus auf Reparaturen als kraftvolles Werkzeug zur Förderung einer inklusiven Gesellschaft genutzt werden können. Diese Podcastfolge ist eine Liveaufnahme des Panels: “Inklusion und Reparatur: Warum ist das wichtig?” am 24.04. zur Fashion Revolution Week in Berlin. Sie war Teil des inspirierenden Projektes "Musik und Mode inklusiv", dass durch Aktion Mensch gefördert wurde und zeigt, wie kreative Zusammenarbeit Barrieren abbauen kann. Unsere Gäst:innen, Mick Morris Mehnert, Schauspieler und langjähriger Unterstützer des Labels Auf Augenhöhe, Max Gilgenmann von Make-a-Thek und Fashion Revolution Germany, Ulrike Ehrlichmann in ihrer Rolle als Behindertenbeauftragte von Friedrichshain-Kreuzberg und Sarah Keller von Circular Berlin und der Langen Nacht der Textilrettung, teilen ihre Erfahrungen und Visionen. Moderiert wurde das Panel von Arianna Nicoletti von Circular Berlin und dem Again Guide. Gemeinsam diskutierten unsere Panelist:innen zum Thema, was Inklusion wirklich bedeutet und welche Potenziale inklusive Reparaturen bergen und welche Hürden noch überwunden werden müssen. Unsere Gäst:innen berichten von persönlichen Herausforderungen, Hürden in der Industrie, inklusiven Veranstaltungen und zukünftigen Projekten sowie kommunalen Herausforderungen, die Menschen mit und ohne Behinderungen zusammengebracht haben. Freut euch auf spannende Einblicke und erfahrt, wie Mode und Musik als Brücken in eine gleichberechtigte Zukunft dienen können. Abonniert unseren Kanal, teilt diese Episode und seid dabei, wenn wir Inklusion gestalten! Bis zum nächsten Mal bei "We Are Fashion Revolution". Gäst*innen: Mick Morris Mehnert (Schauspieler) Max Gilgenmann (Make-a-Thek/ Fashion Revolution Germany e.V.) Ulrike Ehrlichmann (Behindertenbeauftragte Friedrichshain-Kreuzberg) Sarah Keller (Circular Berlin/ Langen Nacht der Textilrettung) Moderation: Arianna Nicoletti (Circular Berlin/ Again Guide) Audioproduktion: Philipp Blömeke (Wardrobe Voices) Weiterführende Links: Handiclapped e.V. Auf Augenhöhe Fashion Revolution Germany e.V. Förderhinweis: Diese Episode ist Teil der Programmreihe "Musik und Mode inklusiv" und wird gefördert durch Aktion Mensch. Für den Inhalt dieser Publikation ist allein Fashion Revolution Germany e.V. verantwortlich. Die hier dargestellten Positionen geben nicht den Standpunkt von Aktion Mensch wieder.
Karena Thek, the creator of Scolio-Pilates, joins us today to talk about scoliosis, what it is and her approach to working with it in the Pilates environment. Her open hearted and deeply personal approach to the work reflects over 15 years as a Pilates teacher, researcher, educator and the author of Scolio-Pilates. We know you will enjoy this inspirational conversation as much as Brian and I did!Moving Conversation Socials Email: movingconvos@gmail.comIG: @movingconvosFB: Moving ConversationsBrianIG: @fit4lifedcFB: https://www.facebook.com/brianrichey/ NoraIG: nora.s.john.7FB: https://www.facebook.com/nora.s.john.7
Australian Professional Triathlete Grace Thek shares the highs and lows of her professional triathlon career and her current journey towards recovery from an L5 vertebrae stress fracture. Grace's story is one of dedication and determination demonstrated by the challenges she's faced and overcome in her growth as a professional triathlete. A notable part of our conversation was her struggle with imposter syndrome and how she has built her confidence and belief over the past year. Looking ahead, Grace is hopeful and excited about the future. She's looking forward to the 2024 season and the opportunity to compete in the IRONMAN 70.3 World Championships in Lake Taupo. Tune in to hear more about Grace's inspiring journey. LINKS: Follow Grace on Instagram at https://www.instagram.com/gracethek/
We chat to Richard Kingsford, Coffee Club member and winner of the free race entry to the Noosa Triathlon. Dr Chiel Poffé obtained his Master's degree in Sport and Exercise Science as well as his PhD in Exercise Physiology. He is one of the lead researchers investigating ketone bodies and their role in response to exercise and training. We share excerpts from Mikki's interview with Chiel Poffé about his research. Lastly in our Coaches Catch-Up Bev and Tim discuss the recent departure of Joel Filliol from Triathlon Australia and its potential effect on athletes leading into the Paris Test Event. We chat about the line up for the upcoming PTO Open Asia race plus we bring you excerpts from our interview with Grace Thek out tomorrow. (0:11:09) – Competition for a free race entry to IRONMAN 70.3 Melbourne (0:12.38) – Richard Kingsford (0:19:16) - INFINIT Nutrition 10% discount using the code FITTER10 at https://www.infinitnutrition.com.au/ (0:21:36) – Exogenous ketones - excerpts with Dr Chiel Poffe (0:37:25) – Coaches Catch-up (1:01.19) – Grace Thek - excerpts from the full interview out tomorrow LINKS: IRONMAN 70.3 Melbourne at https://www.ironman.com/im703-melbourne Noosa Triathlon at https://noosatri.com.au/ Infinit Nutrition 10% discount using the code FITTER10 at https://www.infinitnutrition.com.au/ Note: For the code to work you need to have created an account and be logged in. Mikkipedia Episode ‘Exogenous ketones for sleep, cognition and recovery' with Chiel Poffé at https://podcast.mikkiwilliden.com/178 Follow Chiel Poffe on Twitter at https://twitter.com/chiel_poffe PTO Asia Open Singapore at https://protriathletes.org/events/pto-tour/asian-open/ Follow Grace Thek on Instagram at https://www.instagram.com/gracethek/
THEK DHANU M'UTUK MAENI TYE PA KACOU PHILIPPE by Prophète Kacou Philippe
¡HOY! En #APOYALONUESTRO a las 12MD@nohemymusik nos habla de las mujeres en la industria y su sencillo #Perdon@thekmusic se presenta mañana sábado 20 de mayo en @puntofijocba por su concierto #EsMusaNoTusa y revive su tema #SoloTu@eddiericardomusic tiene dos proyectos su sencillo #EraMentira y su Homenaje a @mannymanuellive #PDM: #PegateAMiMambo Esto y más junto a @cameraandaction Repetición mañana a las 4:00PM por @radioactivapr
Grace Thek joins the team to discuss her recent form and upcoming races (0.50), RPG Coach Clint Rowlings profiles the Ironman Port Macquarie race course (28.32), Reedy discusses salt loading (44.44) and athletes being caught doping (52.39) and Danny and Steve's sister performs the best prank call on Tim Van Berkel you will ever hear (66.10), sorry Berks!
#godisnotmadatyou #god #godsangervrsouranger #godisnotangry #perfectlove #fanofjoycemeyers Here at Thek-talks I share my highlighted moments through faith building inspirational books. To hopefully help spur a conversation among other believers and for one's personal faith journey with the Lord. May this bless you as you go about your day and feel free to use this for your small group. Let me know in comments where/ how you like to listen. And, let me know if you do plan on using videos for your small group. Thanks! Thekla Wright ps. please check out my books in Amazon. go to Redbubble.com/thekla21 for more Christian content.
#godisnotmadatyou #god #godsangervrsouranger #godisnotangry #perfectlove #fanofjoycemeyers Here at Thek-talks I share my highlighted moments through faith building inspirational books. To hopefully help spur a conversation among other believers and for one's personal faith journey with the Lord. May this bless you as you go about your day and feel free to use this for your small group. Let me know in comments where/ how you like to listen. And, let me know if you do plan on using videos for your small group. Thanks! Thekla Wright ps. please check out my books in Amazon. go to Redbubble.com/thekla21 for more Christian content.
Here at Thek-talks I share my highlighted moments through faith building inspirational books. To hopefully help spur a conversation among other believers and for one's personal faith journey with the Lord. May this bless you as you go about your day and feel free to use this for your small group. Let me know in comments where/ how you like to listen. And, let me know if you do plan on using videos for your small group. Thanks! Thekla Wright ps. please check out my books in Amazon. go to Redbubble.com/thekla21 for more Christian content.
Here at Thek-talks I share my highlighted moments through faith building inspirational books. To hopefully help spur a conversation among other believers and for one's personal faith journey with the Lord. May this bless you as you go about your day and feel free to use this for your small group. Let me know in comments where/ how you like to listen. And, let me know if you do plan on using videos for your small group. Thanks! Thekla Wright ps. please check out my books in Amazon. go to Redbubble.com/thekla21 for more Christian content.
-- SOBERBIUS #144 -- -- Guest Mix 2Qimic -- -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_ CHOOSE YOUR FAVORITE PLATFORM: 🔘 https://linktr.ee/soberbius 🔘 Biografía 26imic está compuesto por Alberto Sainz y Esteban Abacete. Dis y productores de Progressive House y Melodic Techno. Llevan más de 2 décadas mezclando en la escena undergiound madrilero. Han posado por las mejores cabinas del territorio nacional y sus sesiones te transportción a otro nivel. Sus mezclos recorten las melodias más envolventes hasta la máxima contundencia que no podrás delar de bailar. Trabajando en sus sets producciones exclusivas que nunca salieron a la venta, al iqual que sus famosos remixes. Han compartido cabina con los meibres dis nacionales de su estilo y formando parte tamblén del cartel Cattaneo an tour. Trabajan con sellos de varios países (Argentino, Españo, Brasil, Alemania, UK, Holanda, Colombio, Rusio, kán, etc.). Les avalan más de 150 producciones lanzadas en los mejores plataformas de descarga y streaming digital a nivel mundial (Beatport. Spolity Apple Music, etc.). Firmaion 2 EPs de cuatro referencias con el selo discográfico Beatfreck (D.Formation) posicionando todas las pistas en top 100 de Beatport. También con el sello nacional Awen Records, posicionaron el tema 'il be next to you en el N. 7 del top 100 de Beatport Melodic House and Techno, todo un logro para un producto nacional. Han firmado 2 lanzamientos con el prestigioso selo inglés Such Records con el que han conseguido también el aval de la plataforma Mia Mendi una de los más importantes a nivel mundial de este género. A resaltar, el remix Dessert Starm que han producido para el famoso selo discogiáfico de Berin iconyc. Strange Life. Accedence, Love Stimulation, 'The rights of your post', son algunos de sus tracks llegando a posicionarlos en el top 100 (Melodic House and Techno) de Beatport. Hay que mencionar tamblen los remixes que han producido de los temas Rising Colm® "Love Stimulation y Neue Dimensionen transformándolos a su estilo [Melodic Techno). Otros de sus producciones aparecen en recopiatorios como 'Miami winter music conference, 'Metropolitan house Berlin'. 'Melodic techno essentials', 'Amsterdam Dance Event ADE. "The best of Bealfreak limited* The best of transensations, entre otros. Dueños del sello discográfico "Music Chemistry', en el cual han posicionado sus primeras referencias en el top 100 de su estilo. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Biography 26imic is composed by Alberto Sainz and Esteban Albacete, Dis and producers of Progressive House and Melodic Techno. They have been mking for more than 2 decades in the Madrid underground scene. They have possed through the best booths of the national territory and their sessions will transport you to another level. Thek mixes go through the most enveloping melodies to the maximum forcefulness that you wil not be able to stop dancing. Working in their sets exclusive productions that never went on sale, as well as their famous remixes. They have shared booth with the best national dis of their style and also being part of the Caltoneo on tour. They work with labels from several countries (Argentino, Spain, Brazil, Germany, UK, Holland, Colombia, Russia, kan. etc.). They are backed by more than 150 productions released on the best download and digital streaming platforms worldwide (Beatport, Spotify, Apple Music, etci).They signed 2 EPs of four references with the record label Beatfreak (D-Formation) positioning all tracks in Beatports top 100. Also with the national label wen Records, they positioned the track Ill be next to you' at N. 7 of Beatport Melodic House and Techno top 100, quite an achievement for a national product. They have signed 2 releases with the prestigious English label Suah Records with which they have also achleved the endorsement of the Mid Wendi platform, one of the most important worldwide in this genre. To highlight, the remix Dessert Storm' that they have produced for the famous Berlin record label Iconyc. Strange Life, 'Accedence, love Stimulation', The nights of your past, are some of their tracks reaching the top 100 (Melodic House and Techno) of Beatport. We must also mention the remixes they have produced of the tracks Rising Calm Love Stimulation and Neue Dimensionen transforming them to thei style (Melodic Techno). Other of their productions appear in compilations like "Miami winter music conference Metropolitan house Berlin', Melodic techno essentials. Amsterdam Dance Event ADE. The best of Beatteok limited The best of transensations, among others.Owners of the record label Music Chemistry, in which they have positioned their first references in the top 100 of their style. Subscribe in the 'Podcasts' app on your iPhone 📱, entering the 'Podcasts' section from iTunes on PC or Mac 💻, SoundCloud, Amazon Music, “TuneIn” Radio App. #soberbius #itunes #soundcloud #ivoox #tunein #playerfm #amazonmusic #googlepodcast #anotherconcept #podcast #electronicmusic #house #techhouse #progressivehouse #melodictechno #indiedance #tech #techno #deep #dj #producer #cultureclub #cultureclub #music #producer #deephouse #artist #techhouse #housemusic #djset #underground #techno #djlife #deejay #mendozza
Topic under discussion here whether everything is ok with Pakistan bowling or not? Is Pakistan Cricket Team struggling to bowl at the death. Apart from Haris Rauf "King of Death Bowling", Pakistan fast bowlers seem to be not at their very best. Also some words on the offer by England Cricket Board ECB to host a test series between arch Rivals India and Pakistan.Let's Discuss this and a lot more in this Live Cricket Podcast Episode of Talk Before Wicket with our Hosts Jalal & Umair.(This Podcast Episode was live streamed on our Youtube Channel)Talk Before Wicket aka TBW is a Cricket Podcast.Our goal here is to make cricket discussions more fun, stats oriented & meaningful."Let's Talk Everything about Cricket" at Talk Before Wicket!Our YOUTUBE ChannelYou can also find our content on social media pagesTwitterInstagramTikTokFacebookOur WEBSITEWe are on all Major Podcasting Platforms:Google PodcastApple PodcastSpotifyPocket Casts Support the showSHOP TOP-QUALITY CRICKET BATS AND GEARhttps://shop.talkbeforewicket.com/TALK BEFORE WICKET'S OFFICIAL CRICKET WEBSITEhttps://www.talkbeforewicket.com/ SUPPORT THE PODCASThttps://www.buzzsprout.com/2004968/supporters/newCONNECT Twitter : https://twitter.com/TalkB4WicketYoutube: https://www.youtube.com/c/TalkBeforeWicketInstagram: https://www.instagram.com/talkbeforewicket
Pakistan Squad for World T20 was announced by PCB Chief Selector Muhammad Wasim. The Question is “Kiya Sub Thek hai? (Is Everything Alright?) There is alos a controversy around the handling of Shaheen Shah's Rehab after his Injury. Some strong Criticism is being made on PCB after Shahid Afridi's interview on Samaa News.Let's Discuss this and a lot more in this Live Cricket Podcast Episode of Talk Before Wicket with our Hosts Jalal & Umair.(This Podcast Episode was live streamed on our Youtube Channel)Talk Before Wicket aka TBW is a Cricket Podcast.Our goal here is to make cricket discussions more fun, stats oriented & meaningful."Let's Talk Everything about Cricket" at Talk Before Wicket!Our YOUTUBE ChannelYou can also find our content on social media pagesTwitterInstagramTikTokFacebookOur WEBSITEWe are on all Major Podcasting Platforms:Google PodcastApple PodcastSpotifyPocket Casts Support the showSHOP TOP-QUALITY CRICKET BATS AND GEARhttps://shop.talkbeforewicket.com/TALK BEFORE WICKET'S OFFICIAL CRICKET WEBSITEhttps://www.talkbeforewicket.com/ SUPPORT THE PODCASThttps://www.buzzsprout.com/2004968/supporters/newCONNECT Twitter : https://twitter.com/TalkB4WicketYoutube: https://www.youtube.com/c/TalkBeforeWicketInstagram: https://www.instagram.com/talkbeforewicket
Welcome back!!!!!!!! We're back with another dive into the ONIPASS ONiKAI and KAMETSUNAMI are joined by a special guest; actor extraordinaire C.Denzel Coleman. Tap in as we jump into the life and activities of this dedicated craftsmen on this episode of TheK.A.M.E.House PODCAST --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thekamehouse0703/message
KACOU 151: POKOLEMBE IWI THEK DHANU by Prophète Kacou Philippe
Liebesgrüße aus dem Planwagen – Folge 86 ist da: ALLES GUUUDE ZUM 2. GEBORDSDAAACH AHEB wird 2 und das wird gefeiert: Zu Gast sind Gustl und Peter. Einer erzählt von den Liebesgrüßen aus der Lederhose und dass im Parkhaus die Nüsse klappern. Auf Bodos Spargel Farm ist man besser nah dran, als weit fott. Finch Sozial hat Wind im Bauch. Bedeutung steht in der Lappen-Legende. Ich geh an die Thek und trink n Eiweßshake mit dem Schnupftabak-Schießgerät. Überraschung ist nur ein Mal witzig. Liebesgrüße aus dem Planwagen – Folge 86 ist da: ALLES GUUUDE ZUM 2. GEBORDSDAAACH
On this week's episode Haley & Alyssa welcome back Australian pro triathlete Grae Thek, who recently finished 5th at the 2021 Indian Wells Ironman 70.3. We last heard from Grace back in February of 2018 as a newly minted pro. Since then she has had several wins and podium finishes at the 70.3 distance. In 2021 Grace decided to transition to a full time professional athlete, leaving behind her job as a physical therapist in Australia to focus on training, racing, and recovery. She talks about why this was the right decision for her at this point in her career, and what has changed in her day-to-day life since switching to a full time athlete. As an international athlete Grace has travelled all over the globe to train and race. She talks about the ups and downs of this on the go lifestyle, especially during the last 18 months. Grace is also a self-proclaimed foodie, and she talks about some of the best food stops she's had around the world while travelling for races. Follow Grace on Instagram @gracethek Listen to Grace on S4E3 of the IronWomen Podcast here. Enter to win the ultimate 12 Days of Feisty prize pack at https://livefeisty.com/12days/ **Support the Podcast** Sign up for the Feisty Triathlon Team at feistyteam.com Orca Sportswear: Code - IRONWOMEN15 = 15% off Zealios Skincare: Code - ironwomen = 15% off InsideTracker: 25% off at insidetracker.com/feisty Nuun Hydration: code StayFeisty for 30% off at nuunlife.com
Check out more of my highlighted moments in "Little Things Matter" Chapter 4 Be The Donkey You can get my book in Amazon.com search for my name and type in "Little Things Matter." Thek-talks also has an YouTube channel! Please Like and Share!
Highlighted moments in my women's devotional "Little Things Matter." Please listen, like, and share!! YouTube me up! Yes, now in YouTube! The Thekla Wright Show or Thek-talks
Bernard is a leading financial journalist and editor with over 23 years' experience including roles with Reuters, the Financial Times Group and Fairfax Media.Bernard is a regular commentator on financial, economic and investment issues, regularly appearing on radio and television. He is host of the Spinoff podcast When the Facts Change. Bernard was heavily involved in the formation of Reuters UK, MSN and Stuff.Bernard is the founding editor of TheKākā, with commentary and newsletters covering politics and the economy in New Zealand.Bernard lives in Wellington.
- Warum es gerade jetzt so wichtig ist, #wahrhaftig zu sein - Die wilde Frau | der wilde Mann - #5D-Bewusstsein und Wahrhaftigkeit - #Telepathie: Voraussetzungen, Umsetzung, #Entwicklung - Kommunikation in der neuen Welt Höre dir auch den Podcast Aufstiegsprozess an: https://www.youtube.com/watch?v=PoCiHBIKPH4&t=320s Hierzu auch mein neues Buch: Buch INVOLUTION: https://www.theki.eu/produkt/involution-im-neuen-zeitalter/
Hi friends! Glad to be getting back into podcasting! In this episode I explain more about video recording and audio recording; and, the hard lesson I had to learn about letting go!!! In this podcast I did a clap, clap, clap thing to help in sync 2 audio waves(the not so good audio with the good audio wave) along with matching my mouth speak. I explain more in podcast and just so you know, being that it is way easier for me to cut things out in regular podcast form you will not hear the claps! However, if you go to my YouTube channel for Thek-talks you will!! Because I don't have the understanding quite yet of how to edit that out! Bare with me I am a newbie and I am still learning all the how to's! However, in all of this I learned that we need to give up on the ideal image. To stop chasing after perfect and chase after God's heart and to lean in Him, and trust that He will bring something good out of all the imperfections! I hope you enjoy today's podcast! Heads up we will be starting a new book! "Little Things Matter." By (drum roll please) Thekla Wright found in Amazon.com
- Kleiner Rückblick: Löwenmütter & Löwenväter - #Oktober: Die #Wende - Zeitlinientrennung bis 18.10. - Manifestationskraft ab 20.10. - Neuorientierung & -vernetzung statt Spaltung - Kräfte bündeln - November: #rebellisch - Dezember: #Beruhigung - Viele weitere Infos
Bald läutet es für viele Kleinen wieder zum ersten Schultag. Wichtigstes Accessoire: Der Schulthek. Der sollte aber nicht nur cool und lässig aussehen, sondern vor allem gut sitzen. Schliesslich tragen die Schülerinnen und Schüler damit so einiges mit sich herum. Hier ein paar Tipps zum Thek-Kauf. Eins vorweg: Kinder mögen einen Schulrucksack dem Thek vorziehen, weil er in ist. Gerade für kleine ABC-Schützen ist er aber nicht ideal: Er ist ergonomisch nicht an den Kinderrücken angepasst und kann zu Fehlbelastungen und Fehlhaltungen führen. Ein Schulthek ist für kleine Kinderrücken gemacht und auf jeden Fall die bessere Lösung. Der richtige Sitz ist massgebend Jedes Kind ist anders, jeder Schulthek ist anders. Daher kommt man nicht darum herum, mit den Bald-Erstklässlern im Fachgeschäft verschiedene Modelle zu probieren. Hat das Kind den Thek an, werden als erstes die Riemen richtig eingestellt. Der Schulthek sitzt richtig, wenn: * die obere Kante auf gleicher Höhe mit den Schultern ist. Ausserdem sollte der Thek nicht breiter als die Schultern sein. * er bündig am ganzen Rücken anliegt. * er fest sitzt und nicht wackelt, auch wenn sich das Kind bewegt. Hier helfen zusätzliche Brust- und Hüftriemen. Sie stabilisieren und verteilten das Gewicht regelmässig am Rücken. * er nirgends drückt. Daher sollten Rückenteil und Riemen gut gepolstert sein. Die Riemen sollten eine Breite von mindestens vier Centimetern haben. Auch der Komfort ist wichtig Achten Sie beim Kauf darauf, dass das Kind mit dem Thek gut zurechtkommt. * Es muss die Schnallen problemlos öffnen und schliessen können. * Auch die Riemen sollte es einfach verstellen können. * Trägt das Kind den Thek am Handgriff, sollten die Riemen nicht am Boden ankommen. Farbe und Sujet sollten eine untergeordnete Rolle spielen Auch wenn das zu Diskussionen mit dem Nachwuchs führen kann: Erste Priorität hat der richtige Sitz des Schultheks. Erst dann sollten Farbe und Sujet ein Thema sein. Tipps hierzu: * Farbe: Helle Farben sind zu bevorzugen, weil sie im Verkehr besser gesehen werden. Was aber auf keinen Fall fehlen darf: Reflektoren auf allen Seiten des Schultheks, damit die Sichtbarkeit auch bei düsterem Wetter garantiert ist. * Sujet: Verzichten Sie auf allzu kindliche Sujets. Sie mögen dem Kind im Moment gefallen, das kann sich aber schnell ändern. Das Gewicht des Schultheks: Wo liegt die Grenze? Hier gibt es unterschiedliche Aussagen. Häufig heisst es, der Thek sollte gefüllt nicht mehr als 12 Prozent des Körpergewichtes ausmachen. Es gibt aber auch Studien, die sagen, dass auch 20 Prozent drin liegen. Schliesslich sei das Tragen des Theks auch Training für die Rückenmuskeln. Klar ist diesbezüglich: Je leichter ein leerer Thek ist, umso besser. Mit dem Kauf ist es nicht getan: Kontrollieren Sie den Thek auch im Alltag Kinder wachsen schnell und bald kann der Schulthek nicht mehr richtig sitzen. Haben Sie daher regelmässig ein Auge auf Ihr Kind mit Thek. Nimmt der Junior beim Tragen eine komische Haltung an, ist höchste Zeit, die Riemen neu einzustellen. Kontrollieren Sie auch, ob Ihr Kind den Schulthek richtig packt: Das Gewicht des Inhalts sollte links und rechts gleichmässig verteilt sein. Schwere Bücher gehören nahe an den Rücken. Ebenfalls zu empfehlen: Prüfen Sie regelmässig den Inhalt des Schultheks. Alles Unnötige gehört raus, um Gewicht zu sparen.
- Du wählst - Die Strukturen erkennen - Systeme: Politik, Religion, Gesundheitssystem, Schulsystem, Finanzsystem,... - Das Dunkle und das Lichte - #Lebensfreundlich oder Lebensfeindlich? - Das #Lichtkollektiv - Woran merke ich, dass ich in der Angstmatrix bin? - Was kann ich tun? Du wählst. Immer. Angstmatrix oder Christusmatrix. Wähle #weise!
Inhalt des Podcasts: - Die aktuellen Energien & #Portaltage - Das Jahr der #Offenbarung 2021 - Die deutsche #Volksseele - Magnetfeld und Angstmatrix werden gelöscht - #Sommersonnwende 21.06.2021 - #Schumannwellen - Rituale mit den Elementen - Wir alle gemeinsam!
I veckans avsnitt får vi höra om en lyssnares skräckhistoria kopplat till fräscha lakan - dessutom diskuteras det körsbärsblommornas uppenbart hypnotiska dragningskraft, fusk i realityserier och hur det egentligen är att vara vuxen! Veckans låt: Gimme Gimme Gimme (A Vaccine Appointment) - Sour Pickles
¡HOY EN #APOYALONUESTRO !@karlajanidiaz nos acompaña para hablar de su quinto sencillo #Karla junto a Ismael Torres de la banda @ismaeldealgarete @barretoelshow & @thekmusic son invitados del nuevo programa @ajipicantepr y hablamos de cómo fue su experiencia y sus proyectos futuros.Además, tenemos a la anfitriona @gelmaryriveras y #RaymondTorres productor de #AjiPicante para que nos hablen de cómo surgió esta idea y los planes futuros.Por último, pero no menos importante tendremos a @carlossalgadoclass de @tertuliandoconcarlossalgado que es otro programa nuevo para la televisión boricua.Esto y más junto a @cameraandaction a las 12PM • SÁBADO 4PM por radioactivapr.com • SPOTIFY 5PM Gracias a @perfect_partners y @grandeseventospr
- Was kennzeichnet neue Beziehungen? - Wie erkenne ich die alten Muster und erhebe mich darüber? - Wie integriere ich bewusst Freiheit, Wahrhaftigkeit und Freude in meine Beziehungen? - Was kann ich tun, um in Frieden loszulassen? - Zwillingsqualitäten "Treue" und "Nicht anhaften" - Luzides Träumen - Traumebenen - Verwirrtheitszustände durch Schwingungserhöhung Mögen dir diese Impulse helfen, deine Beziehungen zu klären und dabei immer glücklicher und authentischer zu sein.
A poem about loneliness in life at midddle age
In dieser Folge geht es um das Thema "Innovationen im Bereich Reitsportzubehör". Im Interview ist Thesi Thek. Wir plaudern über "damals" als ein heftiger Regen eine Bedrohung für unsere Leder-Vollbesatz-Reithose war. Aber auch über die "Zukunft" in der Reitsportzubehörindustrie. Was hat sich in den letzten 20 Jahren alles getan und wo führt die Reise in Punkto Sicherheit und Komfort hin. Über Euer Feedback würde ich mich freuen! Unter: pferdekarussell (Instagram) oder über die Homepage: horse-motion.com Viel Spaß beim anhören! Eure Silvia Sverak
First up, Grace brought me a coffee, so she wins the award for the best guest. To be fair to the other guests, I haven't recorded an episode face to face in a while, but still, COFFEE! Grace burst onto the triathlon scene when she put on a finish line performance in her debut pro race in 2018 that had the crowd screaming as she kept falling to her knees. She is still relatively new to the sport, so can come across a little shy, however, I've gotten to know her over the past couple of years, and have even let her dog-sit Henry, so she felt comfortable chatting away. She's full of energy and passion, and we talk long-distance relationships, LAN parties, racing her Dad, playing dentists (what?) and I teach her about one of the best action tv shows ever - ALIAS! Follow Grace: www.instagram.com/gracethek BECOME A WITSUP MEMBER - www.patreon.com/witsup
Volvemos a tener casa llena y con buena música. CIRCO luego de 13 años regresan con su álbum "Adios, Hola" y escucharemos Tantos Años, que es parte de esta producción. Cheryl Rivera esta devuelta con su creación "Luna Gris" y cual fue la verdadera motivación de esta canción. The K nos enseña "Solo Tú" y la importancia de querernos unos mismos ¡LO IMPORTANTE QUE ES!
Julie is a breast cancer survivor and she tells her story of how God has comforted her through her journey by connecting with people like her. Please listen to her story! Thanks!
Thekla Wright, the host for Thek-talks, interviews her mother in law about her Catholic faith. Some typical questions Connie has faced and the answers that she has concluded to some of her questions concerning the Catholic faith. Please listen and share! Thanks in advance!
James Wright is Thekla Wright's husband. Thekla Wright is the main host for Thek-talks; she and her Co-host Missi Cale have a conversation with James Wright on how to approach others, particularly to the Gay community when it comes to sharing Christ. This was a great conversation! Please share! Thanks in advance for listening!
In diesem Podcast geht es um die Adventszeit, einen kleinen Jahresrückblick, die Fragen „Was ist mein Weg? Wo gehöre ich hin? Wofür bin ich hier?“ und die Erfahrung des ALL-EINS-SEINS. Hab viel Freude damit!
Luke Thek - Reaching the Unreached - 2019 Meadorosa AUG 11-17 by Hume Ministries
Luke Thek, Dallas DeWitt - Missions - 2019 Meadow Ranch AUG 4-10 by Hume Ministries
Dallas DeWitt, Luke Thek - WED AM - 2019 Meadow Ranch JUL 28-AUG 3 by Hume Ministries
Dallas DeWitt, Luke Thek - WED AM - 2019 Meadow Ranch JUL 21-27 by Hume Ministries
Dallas DeWitt, Luke Thek - WED AM - 2019 Meadow Ranch JUL 7-13 by Hume Ministries
Dallas Dewitt, Luke Thek - WED AM - 2019 Meadow Ranch JUN 30-JUL 6 by Hume Ministries
Hello Everyone! Today on the podcast, we have Karena Thek here to talk to us about the importance of movement, elongation of the spine, and pilates. She's a Scolio-Pilates instructor, author, and founder based in Southern California. 'You really need to listen to what your body can handle. You need to dive inside and have a conversation with yourself.' For those of you who'd like to contact her on her socials, you can find her on Twitter (@karenathek), on Instagram (@karena_thek), and on Youtube (Karena Thek).
After turning pro just 15 months ago Grace Thek has hit the pro ranks in impressive style...with six Half Ironman distance podiums in her first 10 Half Ironman starts. A genuine up and comer from an elite running back ground. One to watch closely. Follow Grace's journey on Insta: @gracethek
We sat down with Grace Thek, Australian pro triathlete. Grace shares how she switched from Division 1 Collegiate runner to pro triathlete.
32Gi — This week on 32Gi Sports Nutrition we chat to an inspirational athlete out of Melbourne, Australia. Grace Thek may only be 26-years-old, but she is an ultra-triathlete on the rise, having won and been on the podium in her opening three half Ironman distance events. Thek is a name worth remembering.
Alyssa and Haley share two inspiring stories this week. First, how the gutsy Grace Thek collapsed metres from the finish line at Geelong 70.3 while leading the race in her first attempt at the distance. Then, we celebrate Black History Month with Bernard Lyles. Hear how he got into the sport and how he has helped thousands of inner city kids through triathlon since 1992. Learn more about Bernard's group here- www.tri-masters.org. February contest! Enter to win the Protein Power Pack, which contains: Krave Jerky sampler box - Choice of Whey Pure Energy or Vegan Pure Energy from F2C Nutrition To enter: follow IronWomen on Instagram, Twitter, or Facebook, then share an IronWomen post, and tag 3 of your friends and encourage them to listen, follow, like, and subscribe! **Support the podcast, use our DISCOUNT CODES** HealthIQ- Get your free quote today at www.healthiq.com/iron or mention the promo code IRON when you talk to a Health IQ agent Krave Jerky- www.kravejerky.com, Code- ironwomen = 20% off F2C Nutrition- www.f2cnutrition.com, Code- ironwomen =15% off Coffee Method – www.coffeemethod.com, Code- ironwomen = FREE bag of coffee w 3 month subscription, Code- ironwomen20 = 20% off single purchase Sound Probiotics- www.soundprobiotics.com, Code – ironwomen = 10% off Smashfest Queen- www.smashfestqueen.com, Code- ironwomen = FREE shipping Rudy Project- www.e-rudy.com, Code- ironwomen OR, go direct to our secret url – bit.ly/rudy-ironwomen
Interview with Krazy George, possibly the first professional cheerleader who began appearing at Oakland Atheletic's games in the 1980s.TRANSCRIPTSpeaker 1:[inaudible] [inaudible] Speaker 2:you're listening to KALX Berkeley 90.7 FM, university of California and listener supported radio. And this is method to the madness coming at you from the Public Affairs Department here at Calex dedicated to celebrating the innovative spirit of the bay area. I'm your host, Allen Huizar. And today we are honored. Speaker 3:I have [00:00:30] crazy George with us. Hey, crazy. George was out. You said my name. I like that last stop. Let's talk. Let's talk. So we have crazy Georgians studio. Crazy. George is famous for a lot of things, but the number one thing I think you're famous for is being the world's first and longest tenured and only full time cheerleader is, I like your title. You gave it. It's perfect. Yes, right. Summed it up perfectly. I am the only person probably in the world that makes [00:01:00] his job, makes his living cheering for teams, getting people to cheer for the team. That's what I do. And they'd pay me enough to make living. Nice. So let's talk about how you get started as a professional cheerleader. You were a sent, you went to San Jose State, is that right? That's right. Mighty San Jose state test. So what, what started to draw you to cheering? Speaker 3:Like was it something that you had always done or was it in college? How did you get started now? I was pretty quiet person but my best friend don bogged and brought a drum and a bugle to a [00:01:30] football game and I couldn't play the bugle cause that takes talent. So I started playing the drum and started pounding on it and all the students at San Jose state started following me and him. And by the end of the football season, I was just sitting in the stands. Everybody was following me. So the cheerleaders asked me to go out. So I went out and they elected me cheerleader the next year and I was a pathetic cheerleader cause I couldn't remember the routines and the words at the same time, I was really bad. So I went off on my [00:02:00] own. I started doing my own little thing with my drum, not everybody following me. Speaker 3:And over the years I just started branching out to pro teams. They loved it. They started hiring me and in 1975 after teaching for four years, I quit teaching. I had to quit those four kids. I was warping their minds. Yeah, you'd probably, screaming on a field is a little bit more of a appropriate place for you and that's right. Well, I want to ask about a lot of things, but you said that the cheerleaders, you couldn't remember [00:02:30] their kind of traditional attorney, you're like a disruptor. You're not like a normal chiller. You call yourself a cheerleader, but you weren't doing the cheerleading routines. How did they take that when you went off on your own? Well, that was the good part. I'm, since I couldn't really fit in with a squad, it was better I worked by myself or off to the side where I could get all the students and the alumni involved in the game. Speaker 3:And so that's how he sort of honed my style. And then from then, then on I was invited to go do an Oakland seals game for [00:03:00] the NHL years ago and I did one game for, for the fun of it. I was invited by a hockey team, a baseball team, went up with them and I got the whole crowd screaming. Nobody knew me. And at the end of the game, um, everybody was, was talking about me. And the next day in the paper, it was a big article on me. Nice. And one of the players said, if he comes back, I'd give him a ticket. So I called him up, he gave me a ticket. I went to another game producer and I was a regular at the Oakland Seals, [00:03:30] hockey games, Oakland seals. Where did they play? They played there in the coliseum where the warriors play a, it was great. Speaker 3:So you, um, so you were at San Jose state where you kind of found this passion. It sounds like you went, you diverted for a teaching for a little while. What were you teaching? I dumb murdered. Where were you teaching? I was teaching very little. Those poor sleep problems. The subject matter I taught wood shop, metal shop and electronics. Oh, okay. I see what shops make sense. So, um, you, uh, [00:04:00] you came back at San Jose state, you did a little Oakland schools, but wasn't it like the big place you got discovered was that the earthquakes? Is that, yes, that was, that was the first pro team I ever worked for except the open seals, which weren't paying me. They weren't paying you. So you got, when you got to check out the earthquakes. Yes. I went in there and they actually called me up and they said, would you like to open up the season for us and be with us for some of the Games? Speaker 3:And I said, well, sure, I'd love it. And in essence he said, well, how much do you want to get paid? And I said, well, how about 35 bucks a game? [00:04:30] And yes, they gave me 35 bucks a negation asked for more. Well, I did. After about three days, I'm realizing maybe I should ask for more. This crowd reaction was the greatest crowd reaction you could ever see in your life. It just revolutionized soccer up until that point. That was nobody growing over 7,000 people. A game for professional soccer. That game first game 16,000 and they were mayhem there. The fans became fanatics and like [00:05:00] one, well it's not quarters in there, but before the first half everybody was going nuts and I was on full time with that team. Who was, what year was that? 1974 first year. The quakes that I started, I'm still with the earthquakes and I'm opening up their new stadium on the 22nd of March. Wow. Did you say 1974 74 that is for those guys to the math. That's 40 plus years I scares. Yes. Yeah. That's amazing. So your first professional gig of 35 bucks a game. [00:05:30] It was for the earthquakes and then I think I read somewhere that Lamar Hunt. Yeah. [inaudible] Speaker 3:Kansas City chiefs know this is the NFL. The big boys, big boys. He saw you whip this crowd into a frenzy. I see that he saw me doing this earthquake game. The first game. He couldn't believe the reaction that it was his league there. Earthquakes were part of his league. This was not the mls. This is an old league. Right. What the name of that [inaudible] I think what a memory guy. [00:06:00] Yeah, it's amazing. So he saw me there and somehow over the next year he said, I would really like to see George at a football game at Kansas City. And the manager were arranged it and I went in and this was a greatest. And now I'm actually with a really glamorous team. The Kansas City chiefs. Yeah, I'd go in unannounced. Unknown. Nobody knew me. Arrowhead was, it was arrow. It was, wow. It was 60,000 people, 60 70,000 people. Speaker 3:[00:06:30] I went in before the first quarter. I started working the crowd. By the first quarter I had shares going anywhere. By the first half I had back and forth. Kansas City. Oh No. Casey Gay. See back and forth across the stadium. They couldn't believe it. The whole game. They stayed off. Seven 60,000 people stayed and they lost 45 to nothing and wow. And they still stayed in Lamar? I couldn't believe it. He said, when we have a game like this, nobody's here [00:07:00] at the end of the game. And they stayed. I want you full time. Wow. So you got hired full time, full time for the whole season for them. Wow. So you had a $35 per game and in the soccer, what would you be? Well now it went up to 500 a day. Wow. That was good. And that's pretty sweet. Yes. So you're starting to see, you're like, wow, I can, is this the first time when you're like, I could do this for a living? Speaker 3:Well, it started off a little earlier than that. When the [inaudible], the St Louis Blues called me back in like 1972 [00:07:30] and offered me a full time contract. This guy was like a renaissance guy. He owned the blues. He saw me at the, at the Oakland Seals Games. He thought it was so great. He wanted to hire me, he wanted me to quit teaching, come there, and he was going to pay me 12,000 bucks to do the 40 home games. I was making 9,000 a year full time. [inaudible] Lau. I couldn't believe it. So he made the offer, but it had to be in, can it only would it go [00:08:00] out and the offer would be effective if the Oakland seals folded? They were folding my, they were kept there for two more years. And both years you made the offer? Third Year came around, I was ready to go. I was ready to quit teaching and he got ill. Speaker 3:And you stopped working with the, uh, St Louis Blues. So I lost out of that, but it gave me the idea that somebody might pay me that much. So how'd you get to the first kind of, did you ever get a gig where it was like a whole season? Like after the Kansas [00:08:30] City? That was, was that for the chiefs? Did you do the whole, and the Kansas Cassidy, she's already the same time. The Colorado Rockies ice hockey hired me. The BC lions, Canadian football hired me. And that was all in 1975 76. So I was making enough money. I could quit teaching. Nice. So we're talking to crazy George who is the world's only full time professional cheerleader here on [inaudible] at professional male model. I like to think of myself like that. I'm sorry, I forgot that part. Okay. This is a method to the medicine. Speaker 3:KLX Berkeley 90.7 [00:09:00] FM. I'm your host deleon Huizar and so George, you got this crazy idea that you could do this for a living. Now I have a question. First of all, you've talked a lot about different sports. Is there a different tactics that you use in different sports? Actually not really. I act like a fe and wants to react. That's why I'm successful when I go into a game. Well maybe it wasn't that 45 and nothing Kansas City chiefs game that I've did [00:09:30] first, but I do the as many fan cheers as the fans want and I react like a fan wants to. I just stand up. The secret is I stand up, I turn around, I look at the feds, they look down and say, Hey, must be our leader. Cause I'm looking at them and said in the field, well you also have a loud drum that helps. Speaker 3:Well, I don't want to admit it, but 90% of my success is my drum. Don't give away all the secrets right here is the secret. Actually, without the drum getting people's [00:10:00] attention, I would have never been affected. That's my, my secret. I hit that drum. Everybody looks down at me. I wait for the action to die down so I can make them do what I want to do. They understand what I want to do. I get totally attention. I wait for the moment when the cheer should be done. I do that. Your everybody reacts. How do you get, I get like 99% reaction from the fans. So, um, you, you say that the, it's really, it sounds like it's like, um, you're locked into kind of like a vibe with [00:10:30] the fans. It's like it doesn't matter what the sport is, you're kind of playing back for them. Speaker 3:What they want to do. Right. And every sport is pretty similar except for the basketball. It's a tough sport for me to work because the action never stops. It's just up and down up there and they score like every 20 seconds. So with every 20 seconds, if I had to do a cheer, I would die at the end of the game. So basketball's a little tough for me to work. But all the other sports, they are just great. There's a lot of stoppage of the action, [00:11:00] you know, the, in the huddles, whatever they're doing, baseball, they're warming up. It's just great. So I can get in the cheers I need to get in. So what about um, the cheers themselves or is it more, are you like a like, um, you know, a improvisational master of just coming to you or do you come and prepare? Speaker 3:Like you have some cheers you're going to do no matter what? No matter what, I never practice. I never think about it. That was great. From the time I started that first game at San Jose State [00:11:30] with my drum and that my partner handed me. It was just a natural sense, I think. I don't know why I had it. I'm a fan, I guess, of sports, but you know, I just knew when to cheer, when not to cheer, what type of chairs, and I just made 'em up, never think about him. I'm watching the game. I'm thinking about the game. I'm looking at the action. I go, what type of shirt do we need here? And it just comes to me. I do the, it's always the right chair. It's always appropriate, never off colored. I've never done it off cover cheering my life. And, and [00:12:00] another secret why I'm successful is most of these other people that have come along and that in the later years, they get to these outlandish outfits. Speaker 3:They look like they're from Mars sometimes. Well, people don't want to cheer from a guy from Mars. They want to cheer. For me, a human know who that guy, he looks human and not, well maybe not quite human, but close. So they go, oh Geez, George is one of us. And He, they see me sweating. They, they see I'm working harder than the players, man. I get comments from the [00:12:30] fans the third quarter they'll go, George, you're working harder than the players. You're sweating. I sweat so much during the game. So I do see like the Jean shorts seem to be the signature look for you. Is that, is that like a, it had a signature is my signature and I had my Levi shorts on for the last 50 years. I think cheering, always wear the same old raggedy cutoff shorts. Yup. Nice. Okay. Speaker 3:So, um, let's talk about, you know, this [00:13:00] show's about innovation and of course being the first full time mail filtering cheerleader in the world is innovation enough, but you also created maybe the signature crowd move. Now I know it's a linear contention. We don't have to go there, but I'm going to accredit it to you. You, yes, I have it accredited by s, what is it called? New York Times credited me when they credited the paper of record is accredited. Crazy George the way ESPN. ESPN. So the wave [00:13:30] you invented, the way that I invented, the way I gotta die, the way my boat I invented at the Oakland A's, New York Yankee playoff game, October 15th, 1981. When Billy Martin was the manager, I literally bought the building longer. So you were there as a playoff game. People were excited. A's Yankees. Now, how'd you, how'd you come up with this idea of coordinating these like 50,000 people in the stadium? Speaker 3:There was 47,000 fans [00:14:00] and unfortunately for the other places that I actually was doing a pre wave, I was doing waves at other places. Fine. Fortunately there were smaller practice with national TV. There wasn't a lot of witnesses, so I don't, I really could take credit even earlier than that. But the Oakland A's game, I have it on video three separate times. Billy Martin was here, but Joe Garagiola was the Nancy announcer who's famous announcer and he, uh, he had testifies that was the first and best [00:14:30] wave he's at, he's ever, ever saw. So that's why I say that's the day I invented. But it took a process of about four years starting with a three section shear of San Jose state. Okay. Each section of the student body would stand up and just sell San Jose state. And from that idea, as as the years went by as a professional cheerleader, I had a lot of opportunity to do these three section chairs at different places, changing the name. Speaker 3:And finally I got to the Colorado Rockies [00:15:00] and I had to go Rockies, go chair three sections and it was looking good and a section over there wanting to get involved a little. So I tried to do go Rockies, go Rockies four sections and the first section wanted to do it and it kept going a little bit. And from there I said, well it's too complicated going, go Rockies go. So I just say stand up and yell, go. Yeah. So back then I was thinking of it more like the goat share, but they just go, go in. And when I started that and went all the way around the [00:15:30] Colorado Rockies arena, and so that really was about as close as to a wavy she'd get. Unfortunately. And it was, they loved it. But the Colorado Rockies only drew about 5,000 people in a 15,000 seat arena. Speaker 3:So it was very few opportunities to do it in. It was never televised. I never had it on video. So that's the idea of where it started. But the color from there I came, I brought it back and started to Oakland. That's the day I invented. [00:16:00] So at the A's game, um, how hard was it to communicate to the fans? Cause you now everybody knows how to do away. That's right. How did, how did you like telepathically tell 47,000 people to stand up at the right times? A lot of coordination involved in a wave. Yes. See, I know the power of booing. Okay. So I went to three sections and got them organized and by then I'd already been doing the wave at high school rallies. What was continuous, they didn't have, they didn't have aisles, so I had to just [00:16:30] do it continuously. So I knew what I wanted. Speaker 3:So I went to these three second, I said, well you guys stand up. And as they, as it comes around the next day, I want you to stand up. Then I went to the next section. I was screaming and yelling and then I went back to them and said, they understand what you're going to do. You stand up. Then you guys stand up. Then you guys, while I'm yelling so loud at him and I'm preparing this and this all started like in the fourth inning, but I hadn't started yet, but I told him what I wanted, but then I said, when we start this people down there, [00:17:00] we'll not know what they're supposed to do or even see it coming so when it dies and it will die, boom. And so they are already, and I waited for a break of the action and you had to wait for a foul ball or something to give a couple of, you know, 30 40 seconds of break. Speaker 3:So it came and I don't know what the break of action was, but I got the three sessions going, I they started, it would've been since I was yelling so loud at these three to get them organized. I'd say the next four or five could hear me and they sort of got [00:17:30] the idea what they wanted to do. So I started, went about seven, eight sections and died right out. And I had my three or four sections blue and it was a great bu I started a second time. This time it went all the way around. I started way out in the left field and I started it. It came around and went all the way to behind home plate and died again. Now everybody booed and this was a great book. Now everybody in the state have figured out, [00:18:00] oh, we see what he wants. Speaker 3:Started the third time. And it just started rolling and all three decks did it. It was marvelous. They kept coming around with all the way to the outfield all the way back, gets back to upstanding. Everybody in the three sections stands up in unison and applauds. And I'm going, no, you don't get some times to this. It's supposed to gave going. So I started the fourth time, all three deck scape and when it came by, my section [00:18:30] was like a locomotive. I mean it just ripped on by kept long going, went around about seven, eight times. Cloud Whitten nuts. Joe Garagiola was up there and the booth going crazy. Get that on video, that thing. And they didn't know how to film with all the cameraman. The first couple of shots you see the wave all you see as a couple of people, the far right of the screen sort of sitting down. Speaker 3:Everybody else is just sitting cause they're behind it. But they finally got a good shot of it. Nice. [00:19:00] So we're the, we're talking to crazy George here on Kale expert cleans method to the madness. I'm murals telling Huizar and he's telling us about how he invented the wave as the first glorious appearance of the wave on this planet. And now it's pretty much all. Everybody does it everywhere. Oh, everywhere. Everything. Everywhere is the world and the world calls it the Mexican wave. What? Yes, the whole world. It's not the crazy wave. And I have a Seattle trying to claim it, but they did it two weeks. They don't. I finally have them shutting up most of the time, but it's hard to take on [00:19:30] the world. But it went down to the World Cup in an 86 a Mexico had it and they'd already seen the wave up here. Speaker 3:They took it down and they were doing it. All the venues in Mexico for the World Cup game, the whole world saw it. Now the whole world calls it the Mexican wave. So in the A's game, what did the players do as a playoff game? Was like a really high pressure game and all of a sudden the crowd goes nuts. Been for nothing on the field today. Did, was there any comments afterwards? Oh, I mean, the fans loved it. I mean, I, I think I've had 50,000 [00:20:00] fans come at me. Say they were there when it was only 47,000 week. Oh, I was there George. And we saw it. It was the greatest thing. Cool. Well, um, that's like your probably your signature cheer. Like [inaudible]. Everybody knows it, but it's not my signature cheer for when I know I've had the fans in my hand and I know I've succeeded. Speaker 3:That's my back and forth cheer across the stadium with I do KC if it's Kansas City and [00:20:30] I the first, the first Houston oil game I ever did, but Adams hired me because he saw how great I was in Kansas City and he said, George, he says, how long is it going to take you to get Houston Oilers back and forth the game? How many games? And I said, I'll do it the first game. No. And then he says, he says, well, I'm going to get a microphone for you so you can tell everybody. I said, I don't use a microphone. How's it asked you? Have you used a bullhorn or anything? No, not until the last couple of years. [00:21:00] I use a Mike some of the time up till like five years. I never used a microphone. Just your disappear, my voice. But then I says, he said, oh, the advertise you. Speaker 3:I want to advertise. Everybody knows you're here. And I said, no, I don't need advertising. I'll come in unknown. I don't want any microphone. Why? What, how? What do you think about it that way? What? Well, you don't want any help. What does it more way? No, it's, it's, maybe I'm a coward because I don't want the burden of everybody expecting something from me and [00:21:30] I just go in and they really, they don't know who I am. They're just sitting there and all at once, or is this crazy guy in this thing? There's a crazy psi in the next session and an hour later I've hit 40 sections and everybody's going, who is this guy? And they're not thinking about following me yet. Maybe for the first 2040 minutes I'm getting each little section cheering, but every, every section I do, I get a chair. The next section I get allowed to cheer. Speaker 3:Next session allowed a chair next to the point where I can now tie in four or five [00:22:00] sections to a really loud share for the third of the place. And I keep getting work in every section everywhere. So I'm up close and personal. I'm threatening their lives and then it gets to the point, I tell one side, I'm going to the other side and I'm going to yell, Kay, what do you think you're supposed to say? And I, and about 20 minutes later on the other side of the Sam setting up, we're yellingK , but of course not that many people on the c sides ready to go. But once I do, theK is [00:22:30] so loud and then like pointed the other side, I'm waiting, it doesn't come back very loud. The boom comes here and they all boom. When the next one I do k when I point to that, see it's twice as loud as the k and they go nuts over. Speaker 3:But once it starts, it just adds energy to each side. They want to outdo each other's competition in the stands and then I know the team is going to bring me back. All right. So that's, that's the victory you've got. Um, [00:23:00] the wave is the signature thing, but it's really the call and response when you feel like you really oh yeah. Once I rated that back and forth share across the state, they've never, nobody's ever, ever even saw something like that ever. I mean, and now they're seeing this huge, massive response from all the fans and the owner of the team usually comes up after the game says, Oh, want to hire you? Well, let me ask you about, that's like the height. What about like as a professional cheerleader, you've probably had some lows. Like what was, can you give us a story of [00:23:30] you tried something you thought it was like the greatest idea ever? Speaker 3:I know. Just like you couldn't get them to do it and nope. Nope. Never happened. Really. I, I've had one out of hundreds and hundreds and hundreds of games I've done, uh, over a teams, well over a hundred teams, but some of the teams I've done 50, 60 times. So I don't know what that multiplies out to, but I have been lots of games. I just never added them up. But I did add up. I've appeared in front of 25 million [00:24:00] fans in front of them. Wow. Out on TV. So it's been a bit more TV. I mean, you've been to playoff games and lots of people have seen you. Right? Wait, I lost track. What was I answering? A quick question. Was I answering well, you said I stumped you. I asked you, have you ever flopped to say, oh well I did have one bad experience and w I still want to kill the group. Speaker 3:It was a, I don't know what the team was. It was a football team and they're bringing me in. I'm going in the same way. I always go in on announce unknown, no microphone. [00:24:30] And some PR guy comes up to me before the game says, you know what, we get George, we've got a big ad campaign going and we're gonna have 12 lookalikes like you carry in drums and then we're going to give them a ward. Who's the, who's the best crazy George. So they got 12 guys looking like me running around and nobody's ever, ever saw me work to start with. I've never been there and I could have killed this guy. Bad idea. It was a terrible idea. And I at the end of the game, [00:25:00] the only solace I have is a, say they awarded some guy, you know, the prize for being the best crazy George look like. Speaker 3:And I had like 10 people standing by me when they awarded. They said, Whoa, crazy George, you're better than them. Why didn't you, you should have got the award. They were pathetic. They were great and I wasn't great. That was so much distraction. That was me. A failure. You're, you know, you're an artist. You can't, they shouldn't be trying to mess with your process. But that was one game out of thousands I've done. Okay, well let me ask a [00:25:30] different question. What's the most dangerous cheer you done? I was looking at some videos of you like balancing and like have you, seems like you're pushing the envelope a little bit. Is there any anyone that's a dangerous thing that got dangerous was my entrances. I made a lot of entrances when I got with the San Jose earthquakes. Um, I started doing, uh, working with Dick Berg, the general manager. Speaker 3:He says, well, want you to bring the ball in the first game? Our opening game in 74 so he had me come, coming in, the ambulance hitting in the back and the whole, the whole crowd [00:26:00] went dead silent years. This ambulance coming in, pulls up in front of the player's bench. They think some player, it died. It's the first day and they didn't know what was going on. They pull a Gurney out, I'm under the blanket. I pull it off and they go nuts. And that's how the game started. Then I had to topic, yeah, every game on a helicopter. One day it's a copter was fun and I'd belt the buckle, but I'd stand on the outside rail. But it was like us standing out you that I came in and Ferrari's. I came in, I came in with a lie and now this is why it gets [00:26:30] absurd. Speaker 3:I came in with a full grown for 150 pound lion and the trainer we get to, we'd get the center field that trainer trips a lion attacks him. No, this, she has life long friends. There are earthquakes. No, no. This was in Dallas, that Dallas Tornado, and now underneath the line he is bleeding. He's getting mauled. I'm 10 feet from an old in my drum and I, when I was with the lion trainer, he told me, never, ever hit your drum around [00:27:00] the lion. I said, good advice. Well, now he's underneath me, underneath the lion and out from underneath that line, I hear the stupidest comment I ever heard. He yells, damn off me. He can't be talking to me. I thought, and I look around the only other guy on the field, and then he had the gall to say it again, get him off me. Speaker 3:Well, what could I do? I took my drum and I went and the lion stopped eating him to try to eat you. This spun right [00:27:30] around and looked at me. I did not like this, but I had to do psych. I don't know if I had to do it, but I hit it when it took like four or five seconds. And by the end the other lion trainer that was off the saw what was happening and by the time that all happened he had already come to the seat and grabbed the other line and helped the guy off and he had to go to the hospital cause he was bleeding well. So you're also, we'll add that to the resume line line trainer nine Tamer. I was a very good line train for four seconds. All right, so [00:28:00] we're talking to crazy George here on KLX Berkeley. Speaker 3:You've got a couple more minutes. So we talked about the earthquakes. So it's coming full circle. You're starting the New Year of Christening the new stadium, right? What's going on with a lot of things going? Yes. I'm Chris sitting in the new stadium on March 22nd that's their first game at home. We're going to christen that. I'm going to be the Grand Marshall of the Rose White and blue parade in San Jose with 35,000 people on the 4th of July. Nice. Yeah, they asked me to be the Grand Marshall. [00:28:30] I'm an, I'm practicing my queen wave and I've been doing corporate meetings. I've been, and my gut, my book, God, you got to talk about my book. So how did this book come about? Oh, my book, my book is called Crazy George. Still crazy after all these cheers and all the fans, just Kevin asking me to write it. And then I did have a controversy with the Seattle about the wave and I wanted to document that in the book. Speaker 3:So I documented that. And then also from writing the book, I found [00:29:00] out I was a huge factor in the 12th man factor for the Santos, for the NFL Seahawks ball for the Seahawks. So I had that strand. But yeah, I, I've loved the book. I took it. I, in fact, I don't know if I'm prejudice, but I think it's maybe the greatest sports book ever written. It could be. It's likely excellent cover. I have it in my hands here. And thankfully, you know, you've cheered for a lot of teens, but you kept it real with the A's or that's who you're representing on the cover. So thank you. [inaudible] [00:29:30] because I invented their wave there and a lot of the articles are about the wave where a lot of book is about the waivers. And so I thought that was very appropriate. I had the greatest time with the A's, the Haas family. Speaker 3:Kepi just treated me great. It was fabulous. So it's called crazy George, the inventor of the wave still crazy after all these cheers. Can you find it on Amazon or something like that? That's on Amazon and it's on a kindle and it's on my website. Crazy. george.com and if you don't look at my website, I'll slash your tires. Yeah. [00:30:00] So there you have a threat from one and only crazy George. It starts with a k. That's how you spell a z. Y. That's right. She's never been a teacher. Yeah. Well you're a shop teacher, so, right. So crazy. george.com yes, that's my website. And then it just like it in the book. I have a lot of pictures on it. Yeah. And lots of pictures. There's videos, there's some really great stuff up there. And so I really wanna thank you for coming in today. Speaker 3:Crazy. George was great to meet you and hear the stories about your 40 plus years of being [00:30:30] the world's only full time professional cheerleader. I like that they got myself professional male model and professional [inaudible] and nominee from people's sexiest man alive, self nominated. And um, that's all the time we have for today. Um, and it's going to be the 35th anniversary. Actually, just a mention of the wave being created this next summer. You can go to the ace and love to go to the ace 35th anniversary. So Mr. Wolf, if you're here, [00:31:00] if you're listening to this, let's get on that. Get Crazy George out to the Colosseum and you are listening to methods of madness on KALX Berkeley 90.7 FM. Thanks again for coming in and crazy Jordan. Everybody have a great Friday. See acast.com/privacy for privacy and opt-out information.
In this latest electrifying episode Do and Co conquer their sporadic boners and do the goose step to heaven. -- NOTE: Not for the easily offended and NSFW -- Donall, Sean, Steve & Matt Discuss: -... A comedy podcast in which a great bunch of lads from Dublin Ireland talk randomly and openly about all manner of subjects from 80s,Sci-Fi to News etc. NSFW and Not for the easily offended.
Do and Co horse around in the latest adventure! -- NOTE: Not for the easily offended and NSFW -- Donall, Steve & Matt ride on out following some strange paths of discussion, Topics include: -... A comedy podcast in which a great bunch of lads from Dublin Ireland talk randomly and openly about all manner of subjects from 80s,Sci-Fi to News etc. NSFW and Not for the easily offended.
In this exciting installment Do & Co put the rings of their big bottoms together to summon fear boners! -- NOTE: Not for the easily offended and NSFW -- Donall, Sean, Steve & Matt discusss: -... A comedy podcast in which a great bunch of lads from Dublin Ireland talk randomly and openly about all manner of subjects from 80s,Sci-Fi to News etc. NSFW and Not for the easily offended.
Paul Thek. Werkschau im Kontext zeitgenössischer Kunst | Werkvorstellung Jon Kessler spricht über sein Werk »The Palace at 4AM« (2005/07), das im Rahmen der Ausstellung "Paul Thek. Werkschau im Kontext zeitgenössischer Kunst" 15.12.2007-30.03.2008 im ZKM | Museum für Neue Kunst zu sehen war. Der amerikanische Künstler Paul Thek (1933-1988) genießt unter den zeitgenössischen Künstlern Kultstatus – durch sein spannungsreiches Œuvre, in dem er Themen und Symbole aus Religion, Kunst, Theater und Literatur aufgreift, nimmt sein Werk bis heute bedeutenden Einfluss auf die Gegenwartskunst. Zeichnung, Malerei, Skulptur, Installation und raumgreifende Environments gehören gleichermaßen zu Theks Ausdrucksmitteln. Seine Kunstwerke zeigen sich mystisch, religiös und kritisch sozialen Ungerechtigkeiten wie auch der Kunstwelt gegenüber, wobei er mitunter widersprüchlich zwischen nomadieserendem Hippietum und verklärendem Charismatiker pendelt, aber auch nicht selten eine Portion Melancholie und Humor in seine Werke mit hinein spielt. Bekannt wurde Paul Thek mit der Serie Technological Reliquaries (Technologische Reliquienschreine) – Plexiglaskästen mit realistisch anmutenden Fleischstücken aus Wachs, die er zum ersten Mal 1964 in New York ausstellte. Mit Hilfe der Kontraste von Material und Inhalt bewegt sich Thek mit diesen Objekten - wie auch mit der legendären Installation Tomb (1967) - gleichzeitig zwischen dem scheinbar Realem und dem offensichtlich Artifiziellem. Kuratiert von Roland Groenenboom, freier Kurator, Gregor Jansen, ZKM | Museum für Neue Kunst und Harald Falckenberg, Sammlung Falckenberg, Hamburg, unter besonderer Beteiligung von Axel Heil und Margrit Brehm. /// Jon Kessler talks about his work »The Palace at 4AM« (2005/07) which was shown as a part of the exhibition »Paul Thek in the Context of Today's Contemporary Art«, ZKM | Museum of Contemporary Art Dec 15th 2007-March 30th 2008 Paul Thek (1933–1988) is considered an artist with cult status. The hitherto most comprehensive retrospective of his oeuvre focused on the phenomenal effect of his work on contemporary art and established Thek's historical significance, from legendary outsider to the founder and center of an art movement. It has been possible to bring together more than 300 of Thek’s works, which are largely in private ownership and therefore only seldom publicly shown. In their anti-heroic diversity and multimediality, and with their references to art, literature, and religion, his works (painting, photography, video, sculpture, and extensive environments) are among the central sources for the revolt and eruption of art in the 1960s. It is mainly for this reason that one of the early theoretical masterpieces of this epoch, Susan Sontag's Against Interpretation (1962), was dedicated to him. The mold castings, also those of his own body parts, wax replicas of human tissue, hair, teeth, and bones in Plexiglas cases, which he produced between 1964 and 1967 as Technological Reliquaries, in their mixture of desire and repulsion, decay and pathos, held up the truth of the body to the world of commodities and the transfiguration of the everyday, as well as the idealization and dramatization of corporative minimal art. Curated by Roland Groenenboom, freelance curator and Thek expert, Gregor Jansen, ZKM | Museum of Contemporary Art and Harald Falckenberg, Hamburg, with the assistance of Axel Heil and Margrit Brehm.
Paul Thek. Werkschau im Kontext zeitgenössischer Kunst | Werkvorstellung De holländische Künstler Zeger Reyers spricht in der Ausstellung über die Arbeit Zeger Reyers / Lee Ranaldo: »Träge Thorens« (2001-2007) Der amerikanische Künstler Paul Thek (1933-1988) genießt unter den zeitgenössischen Künstlern Kultstatus – durch sein spannungsreiches Œuvre, in dem er Themen und Symbole aus Religion, Kunst, Theater und Literatur aufgreift, nimmt sein Werk bis heute bedeutenden Einfluss auf die Gegenwartskunst. Zeichnung, Malerei, Skulptur, Installation und raumgreifende Environments gehören gleichermaßen zu Theks Ausdrucksmitteln. Seine Kunstwerke zeigen sich mystisch, religiös und kritisch sozialen Ungerechtigkeiten wie auch der Kunstwelt gegenüber, wobei er mitunter widersprüchlich zwischen nomadieserendem Hippietum und verklärendem Charismatiker pendelt, aber auch nicht selten eine Portion Melancholie und Humor in seine Werke mit hinein spielt. Bekannt wurde Paul Thek mit der Serie Technological Reliquaries (Technologische Reliquienschreine) – Plexiglaskästen mit realistisch anmutenden Fleischstücken aus Wachs, die er zum ersten Mal 1964 in New York ausstellte. Mit Hilfe der Kontraste von Material und Inhalt bewegt sich Thek mit diesen Objekten - wie auch mit der legendären Installation Tomb (1967) - gleichzeitig zwischen dem scheinbar Realem und dem offensichtlich Artifiziellem. Kuratiert von Roland Groenenboom, freier Kurator, Gregor Jansen, ZKM | Museum für Neue Kunst und Harald Falckenberg, Sammlung Falckenberg, Hamburg, unter besonderer Beteiligung von Axel Heil und Margrit Brehm. /// Paul Thek (1933–1988) is considered an artist with cult status. The hitherto most comprehensive retrospective of his oeuvre focused on the phenomenal effect of his work on contemporary art and established Thek's historical significance, from legendary outsider to the founder and center of an art movement. It has been possible to bring together more than 300 of Thek’s works, which are largely in private ownership and therefore only seldom publicly shown. In their anti-heroic diversity and multimediality, and with their references to art, literature, and religion, his works (painting, photography, video, sculpture, and extensive environments) are among the central sources for the revolt and eruption of art in the 1960s. It is mainly for this reason that one of the early theoretical masterpieces of this epoch, Susan Sontag's Against Interpretation (1962), was dedicated to him. The mold castings, also those of his own body parts, wax replicas of human tissue, hair, teeth, and bones in Plexiglas cases, which he produced between 1964 and 1967 as Technological Reliquaries, in their mixture of desire and repulsion, decay and pathos, held up the truth of the body to the world of commodities and the transfiguration of the everyday, as well as the idealization and dramatization of corporative minimal art. Curated by Roland Groenenboom, freelance curator and Thek expert, Gregor Jansen, ZKM | Museum of Contemporary Art and Harald Falckenberg, Hamburg, with the assistance of Axel Heil and Margrit Brehm.
Paul Thek. Werkschau im Kontext zeitgenössischer Kunst | Werkvorstellung Jon Kessler spricht über sein Werk »The Palace at 4AM« (2005/07), das im Rahmen der Ausstellung "Paul Thek. Werkschau im Kontext zeitgenössischer Kunst" 15.12.2007-30.03.2008 im ZKM | Museum für Neue Kunst zu sehen war. Der amerikanische Künstler Paul Thek (1933-1988) genießt unter den zeitgenössischen Künstlern Kultstatus – durch sein spannungsreiches Œuvre, in dem er Themen und Symbole aus Religion, Kunst, Theater und Literatur aufgreift, nimmt sein Werk bis heute bedeutenden Einfluss auf die Gegenwartskunst. Zeichnung, Malerei, Skulptur, Installation und raumgreifende Environments gehören gleichermaßen zu Theks Ausdrucksmitteln. Seine Kunstwerke zeigen sich mystisch, religiös und kritisch sozialen Ungerechtigkeiten wie auch der Kunstwelt gegenüber, wobei er mitunter widersprüchlich zwischen nomadieserendem Hippietum und verklärendem Charismatiker pendelt, aber auch nicht selten eine Portion Melancholie und Humor in seine Werke mit hinein spielt. Bekannt wurde Paul Thek mit der Serie Technological Reliquaries (Technologische Reliquienschreine) – Plexiglaskästen mit realistisch anmutenden Fleischstücken aus Wachs, die er zum ersten Mal 1964 in New York ausstellte. Mit Hilfe der Kontraste von Material und Inhalt bewegt sich Thek mit diesen Objekten - wie auch mit der legendären Installation Tomb (1967) - gleichzeitig zwischen dem scheinbar Realem und dem offensichtlich Artifiziellem. Kuratiert von Roland Groenenboom, freier Kurator, Gregor Jansen, ZKM | Museum für Neue Kunst und Harald Falckenberg, Sammlung Falckenberg, Hamburg, unter besonderer Beteiligung von Axel Heil und Margrit Brehm. /// Jon Kessler talks about his work »The Palace at 4AM« (2005/07) which was shown as a part of the exhibition »Paul Thek in the Context of Today's Contemporary Art«, ZKM | Museum of Contemporary Art Dec 15th 2007-March 30th 2008 Paul Thek (1933–1988) is considered an artist with cult status. The hitherto most comprehensive retrospective of his oeuvre focused on the phenomenal effect of his work on contemporary art and established Thek's historical significance, from legendary outsider to the founder and center of an art movement. It has been possible to bring together more than 300 of Thek’s works, which are largely in private ownership and therefore only seldom publicly shown. In their anti-heroic diversity and multimediality, and with their references to art, literature, and religion, his works (painting, photography, video, sculpture, and extensive environments) are among the central sources for the revolt and eruption of art in the 1960s. It is mainly for this reason that one of the early theoretical masterpieces of this epoch, Susan Sontag's Against Interpretation (1962), was dedicated to him. The mold castings, also those of his own body parts, wax replicas of human tissue, hair, teeth, and bones in Plexiglas cases, which he produced between 1964 and 1967 as Technological Reliquaries, in their mixture of desire and repulsion, decay and pathos, held up the truth of the body to the world of commodities and the transfiguration of the everyday, as well as the idealization and dramatization of corporative minimal art. Curated by Roland Groenenboom, freelance curator and Thek expert, Gregor Jansen, ZKM | Museum of Contemporary Art and Harald Falckenberg, Hamburg, with the assistance of Axel Heil and Margrit Brehm.
Paul Thek. Werkschau im Kontext zeitgenössischer Kunst | Werkvorstellung De holländische Künstler Zeger Reyers spricht in der Ausstellung über die Arbeit Zeger Reyers / Lee Ranaldo: »Träge Thorens« (2001-2007) Der amerikanische Künstler Paul Thek (1933-1988) genießt unter den zeitgenössischen Künstlern Kultstatus – durch sein spannungsreiches Œuvre, in dem er Themen und Symbole aus Religion, Kunst, Theater und Literatur aufgreift, nimmt sein Werk bis heute bedeutenden Einfluss auf die Gegenwartskunst. Zeichnung, Malerei, Skulptur, Installation und raumgreifende Environments gehören gleichermaßen zu Theks Ausdrucksmitteln. Seine Kunstwerke zeigen sich mystisch, religiös und kritisch sozialen Ungerechtigkeiten wie auch der Kunstwelt gegenüber, wobei er mitunter widersprüchlich zwischen nomadieserendem Hippietum und verklärendem Charismatiker pendelt, aber auch nicht selten eine Portion Melancholie und Humor in seine Werke mit hinein spielt. Bekannt wurde Paul Thek mit der Serie Technological Reliquaries (Technologische Reliquienschreine) – Plexiglaskästen mit realistisch anmutenden Fleischstücken aus Wachs, die er zum ersten Mal 1964 in New York ausstellte. Mit Hilfe der Kontraste von Material und Inhalt bewegt sich Thek mit diesen Objekten - wie auch mit der legendären Installation Tomb (1967) - gleichzeitig zwischen dem scheinbar Realem und dem offensichtlich Artifiziellem. Kuratiert von Roland Groenenboom, freier Kurator, Gregor Jansen, ZKM | Museum für Neue Kunst und Harald Falckenberg, Sammlung Falckenberg, Hamburg, unter besonderer Beteiligung von Axel Heil und Margrit Brehm. /// Paul Thek (1933–1988) is considered an artist with cult status. The hitherto most comprehensive retrospective of his oeuvre focused on the phenomenal effect of his work on contemporary art and established Thek's historical significance, from legendary outsider to the founder and center of an art movement. It has been possible to bring together more than 300 of Thek’s works, which are largely in private ownership and therefore only seldom publicly shown. In their anti-heroic diversity and multimediality, and with their references to art, literature, and religion, his works (painting, photography, video, sculpture, and extensive environments) are among the central sources for the revolt and eruption of art in the 1960s. It is mainly for this reason that one of the early theoretical masterpieces of this epoch, Susan Sontag's Against Interpretation (1962), was dedicated to him. The mold castings, also those of his own body parts, wax replicas of human tissue, hair, teeth, and bones in Plexiglas cases, which he produced between 1964 and 1967 as Technological Reliquaries, in their mixture of desire and repulsion, decay and pathos, held up the truth of the body to the world of commodities and the transfiguration of the everyday, as well as the idealization and dramatization of corporative minimal art. Curated by Roland Groenenboom, freelance curator and Thek expert, Gregor Jansen, ZKM | Museum of Contemporary Art and Harald Falckenberg, Hamburg, with the assistance of Axel Heil and Margrit Brehm.
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