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By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe
Chris Markowski, known as the Watchdog of Wall Street, discusses various critical issues surrounding the current political and economic landscape in the United States. He critiques the leadership of President Trump, emphasizing the need for accountability and a course correction in policies. Markowski highlights the disparity between political narratives and economic realities, particularly concerning the American dream and the challenges faced by the youth. He also delves into the controversial topics of H1B visas and the impact of foreign students on the American education system, advocating for immigration reform and a reevaluation of economic policies. Throughout the conversation, he stresses the importance of morality in capitalism and the need for a more ethical approach to economic practices.
The Sound Chaser Progressive Rock Podcast is on the air. The show this time features multiple progressive rock artists and styles, new music from Ian Neal, and In Memoriam feature for Jack DeJohnette, the Symphonic Zone, and more. All that, plus news of tours and releases on Sound Chaser. Playlist1. Mostly Autumn - Walk with a Storm, from Heart Full of SkyIN MEMORIAM JACK DeJOHNETTE2. Jack DeJohnette - Priestess of the Mist, from EarthwalkEND IN MEMORIAM3. Marillion - Hope for the Future, from This Strange Engine2. David Vorhaus - Shadowlands, from White Noise IV - Inferno3. Jordan Rudess - Piece of the Π, from The Road Home4. Steeleye Span - Dark-Eyed Sailor, from The Journey5. Illusion - Isadora, from Out of the Mist6. Genesis - Harlequin, from Nursery Cryme7. Hermetic Science - Against the Grain, Part One, from En Route8. Banco del Mutuo Soccorso - Circobanda, from Canto di Primavera9. Now - Naïveté, from Everything Is Different Now10. California Guitar Trio - Red Iguana, from Whitewater11. The Picturesque Episodes - (universe), from The Best of Ambient12. Brady Arnold - Time of Flux, from Instrumentals 1: Soft SoundsTHE SYMPHONIC ZONE13. The Tangent - GPS Culture, from London or Paris, Berlin or South End on Sea14. Fish - The Field, from Field of Crows15. The Enid - Sheets of Blue, from Salome16. Ian Neal - Leonardo, from https://ianneal.bandcamp.com/track/l-e-o-n-a-r-d-o17. Yes - Words on a Page, from From a Page18. SBB - Anna, from Slovenian GirlsLEAVING THE SYMPHONIC ZONE19. Steve Tibbetts - Ur, from Yr20. Steve Tibbetts - Sphexes, from Yr21. Steve Tibbetts - Ten Years, from Yr22. Wolfstone - Teacher, from To Cry You a Song [compilation]23. Al Stewart - Antarctica, from Last Days of the Century24. Ralph Lundsten - Enchanted Forest, from Cosmic Love25. Stick Men - Improv: Moon, from Midori26. Karda Estra - Covert, from A Winter in Summertime27. Eela Craig - Yggdrasil (Auszug aus “Dimensions zwischen Pop und Klassik”) [cd bonus track] , from Eeela Craig28. O Terço - Hey Amigo, from Live at Palace with Orchestra29. U.K. - Presto Vivace, from Night after Night30. U.K. - In the Dead of Night, from Night after Night31. Sky - Xango, from Forthcoming32. Dream Theater - Through Her Eyes, from Through Her Eyes [single]33. Iona - Dancing on the Wall, from Woven Cord34. Ken's Novel - Distinctive Signs, from Domain of Oblivion
Chris Murkowski discusses the importance of financial freedom and accountability in leadership. He introduces the Greek concept of 'philotimo' as a guiding principle in his life and work. The conversation reflects on personal responsibility, the role of wisdom in financial decisions, and critiques the current political landscape. Murkowski also addresses the implications of the Epstein files, the significance of Warren Buffett's investment philosophy, and the risks associated with private equity and zombie companies.
He's not just a defender; he's a phenomenon. In this episode, we unpack the incredible rise of Ronald Araújo, the Uruguayan powerhouse who has become the indispensable cornerstone of FC Barcelona's defense. We analyze his rare blend of physical dominance (standing 1.91m and excelling in aerial duels) and technical composure —a style born from his surprising background as a youth striker. Discover how his versatility allows him to excel as a center-back or right-back, his role as a leader wearing the iconic number 4, and his remarkable statistical output which includes a goal-scoring threat rarely seen in a top defender. We also look at the high-stakes moments that define his career, from decisive La Liga goals to Champions League controversy. Ronald Araújo, FC Barcelona, La Liga Defender, Uruguayan National Team, Barça Captain
Need drives technology development. A silent force slowing the development of a technology is often a lack of need. In a colony where there is a need for tech that can make computers with local and limited resources, new tech arises, utilizing DNA engineering.A boy takes computers from emulated personality dolls and networks them to make a super computer. Bio engineers make a new kind of vine that aggressively takes over the landscape for kilometers around. They make a computer that runs on little power and grows stronger by the day. If this computer continues to grow, it should become the most powerful computer in a few years.D.N.A. splicers – devices that engineer plants and organisms by directly editing genetic code.Heat pump – refurbished unit that keeps underground living spaces cool by venting heat through a chimney. Wall spray insulation – hardens to a steel-like layer that keeps heat out of rock shelters. BritLight panels and lamps – salvaged light sources that provide illumination and support plant growth. Bio-engineered environment suits – plant-derived protective suits that regulate temperature and air quality. AR glasses – augmented reality glasses for data display; broken in the story. Canal link – wearable communication device, likely subdermal or ear-based, for network access. Holo-screen – projection display used for visualizing 3D simulations in the lab. Air cleaner – high-grade filtration unit purifying air to ISO class one. D.N.A. printer – automated bioengineering device for printing modified organisms. Life simulator / 3D simulation system – allows accelerated evolution and testing of virtual lifeforms. Computer cabinet – computing unit running the life simulation, subject to wear and decay. Magique Doll – humanoid robot hosting an emulated human personality (E.P.); powerful AI in synthetic bodies. Driver pen – hand tool used to unlock or service mechanical and robotic components. Tablet – portable computing device used to interface with machines and AIs. Protein computer – second-generation analog computing system grown from synthetic biological materials. Medusa Net – surviving network infrastructure connecting isolated computing nodes and databases. Gravimeter – laser-based imaging tool that scans underground masses and visualizes buried objects in 3D. Assembler/printer cubes – modular manufacturing devices capable of printing mechanical or electronic parts. Exoskeleton work suits – wearable powered suits designed for labor and mobility in debris or heat. Lutin transmitter – wireless control system for remote-operating robots. Babe – Magique Doll AI acting as the neocortex of a networked AI cluster; evolves into an ASI. Fungi computer – hybrid bio-digital computing system grown from fungus interfaced with electronics. Sir Anthony Baker's Fungi OS – ancient experimental operating system for fungal signal processing. Supercomputers – high-capacity computing systems still in use by the colony. Network nodes – distributed processors that expand computational capacity over time. Weather armor – heat-resistant outer suit used for surface exploration. Electric sniffers – sensors that detect air quality and atmospheric conditions. Robot arms on tracks – automated lab manipulators handling DNA printing and assembly. Nucleo-stripper – lab device processing genetic material for integration into fungal computing systems. Sonic manipulator – machine that uses sound waves to manipulate or sterilize biological samples. Lattice vine – genetically engineered plant that stabilizes the environment and converts rock to soil. Fungal interface plates – biotechnological hardware allowing fungal networks to communicate electronically. Relic P.C. – pre-collapse computer reused as an interface for the fungi computer. Work-site lamp – industrial light source used in underground tunnels. Thermal transfer cables – salvaged wiring for distributing heat or electrical power in machinery. Building bots – automated construction robots found in the junkyard. Shipment drones – delivery robots buried in debris.Many of the characters in this project appear in future episodes.Using storytelling to place you in a time period, this series takes you, year by year, into the future. From 2040 to 2195. If you like emerging tech, eco-tech, futurism, perma-culture, apocalyptic survival scenarios, and disruptive science, sit back and enjoy short stories that showcase my research into how the future may play out. The companion site is https://in20xx.com These are works of fiction. Characters and groups are made-up and influenced by current events but not reporting facts about people or groups in the real world. This project is speculative fiction. These episodes are not about revealing what will be, but they are to excited the listener's wonder about what may come to pass.Copyright © Cy Porter 2025. All rights reserved.
In this message from Daniel 5 we’re encouraged to learn from Belshazzar’s foolish, stubbornnes, and to respond in repentance and faith when ’the writing’s on the wall'. Outline Mocking God (vv1-9) A Message from God (vv10-31) Fallen, Fallen is Babylon the Great (Revelation 18-19)
In this episode of Ask, Tell, Confess, the Coven dives into a wild mix of personal stories and behind-the-scenes chaos from hotel life. From used tampons on the walls to forgotten expired milk and even a guest who went #2 in the bed (yes… really), nothing is off limits.Bunnie Xo opens up about her past struggles with drugs, how they shaped her, and why hotels still give her the ick today. The conversation shifts into deeper territory as the group talks personal growth, spirituality, and learning to let go.They also touch on the mysterious, cult-like community rumored to exist in Monteagle, Tennessee, before wrapping the episode with a powerful reminder about choosing the high road and releasing old resentments.Raw, hilarious, and surprisingly uplifting — this one has it all.Watch Full Episodes & More:YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Anna Runkle, aka @CrappyChildhoodFairy, joins Paul to share her experience of growing up in a commune, living with CPTSD, and finding new ways to heal when talk therapy wasn't working. Look for her new book Connectability: Heal the Hidden Ways You Isolate, Find Your People and Feel (At Last) Like You Belong.For more about Anna: https://crappychildhoodfairy.com https://www.youtube.com/@crappychildhoodfairy https://www.instagram.com/crappychildhoodfairy/ https://www.facebook.com/CrappyChildhoodFairy/ https://twitter.com/cchildhoodfairy https://www.hayhouse.com/shop-by-topic/relationships/parenting/connectability-hardcover?srsltid=AfmBOop3l4ofaw9DeUdvL23mV2AhKbiznZ3InNUl4I6eKHklyLKNMhAQ https://www.hayhouse.com/re-regulated-hardcover?srsltid=AfmBOoqaOonBYV6agjPSXfIEftToqSPXLocThpF0OcqUmEBB25om6bHHPaul mentioned a book that a listener recommended called A World Made By Hand by James Howard Kuntsler.Paul also mentioned a new podcast called Brain Stories. You can find it at www.BrainStoriesProductions.comThis episode is sponsored Quince. Go to www.Quince.com/mental for free shipping on your order and 365-day returns. Now available in Canada, too.This episode is sponsored by NOCD. If you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/mentalpodIf you're interested in seeing or buying the furniture that Paul designs and makes follow his IG @ShapedFurniture or visit the website www.shapedfurniture.com WAYS TO HELP THE MIHH PODCASTSubscribe via Apple Podcasts (or whatever player you use). It costs nothing. It's extremely helpful to have your subscription set to download all episodes automatically. https://itunes.apple.com/us/podcast/mental-illness-happy-hour/id427377900?mt=2Spread the word via social media. It costs nothing.Our website is www.mentalpod.com our FB is www.Facebook.com/mentalpod and our Twitter and Instagram are both @Mentalpod Become a much-needed Patreon monthly-donor (with occasional rewards) for as little as $1/month at www.Patreon.com/mentalpod Become a one-time or monthly donor via PayPal at https://mentalpod.com/donateYou can also donate via Zelle (make payment to mentalpod@gmail.com) To donate via Venmo make payment to @Mentalpod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On the latest edition of Caught Offside, Andrew and JJ give the 6 soccer stories most fixed on the radar right now. We'll hit on MLS' calendar change, Ireland's upset of Portugal and Reyna opportunity with the national team. Plus, MLS' calendar wasn't the only major change that the league experienced during the day; we'll discuss the Apple adjustments. And, we'll break down Jude Bellingham's uncertain place with England as well.For even more Caught Offside content, get on over to Caught Offside Plus right now! We've just posted an awesome mailbag addressing everything from where we'd most want to live if it couldn't be America or Ireland to the player we'd most want to clone and have play at all 11 positions. To sign up, just go to https://caughtoffside.supercast.com! Once you have access to the premium feed, be sure to go back and check out our special "welcome episode" from June 24th, 2024 (we don't think you'll be disappointed)!And for all the latest merch, get over to https://caughtoffsidepod.com/---Reddit: https://www.reddit.com/r/CaughtOffsidePod/X: https://twitter.com/COsoccerpodInstagram: https://www.instagram.com/caughtoffsidepod/Email: CaughtOffsidePod@gmail.comYoutube: https://www.youtube.com/@caughtoffsidepod Hosted on Acast. See acast.com/privacy for more information.
Hunting season is in full swing, and the stories, questions, and reports are pouring in! This episode we dive deep into concerns and questions from our loyal listeners, addressing everything from how to set up a guide rifle for grizzlies to picking a whitetail cartridge to choosing a bullet for Africa. ENJOY! FRIENDS, PLEASE SUPPORT THE PODCAST! Join the Backcountry Hunting Podcast tribe and get access to all our bonus material on www.patreon.com/backcountry Check out our new "recommended outfitters" hunt booking agency! We're super excited about this venture that allows us to share our favorite destinations around the world with our loyal listeners. We'll also be doing hosted hunts each year, which will be available first to our loyal listeners on Patreon. We have a new advertising partner! Check out Swift Bullets, known and trusted as the best of the best by most African Dangerous Game specialists. VISIT ALL OUR SPONSORS HERE: www.timneytriggers.com www.browning.com www.leupold.com www.siembidacustomknives.com www.onxmaps.com www.silencercentral.com https://www.portersfirearms.com/ https://javelinbipod.com www.swiftbullets.com
This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comFiona was an intel analyst under Bush and Obama, and then served under Trump as senior director for European and Russian affairs on the National Security Council. Currently a senior fellow at Brookings and the chancellor of Durham University, her books include Mr. Putin: Operative in the Kremlin and There Is Nothing for You Here: Finding Opportunity in the 21st Century — which we discussed on the Dishcast in 2022.For two clips of our convo — on Russia's imperial war, and a comparison of Putin and Trump — head to our YouTube page.Other topics: Fiona's recent long trip to northeast England; walking the length of Hadrian's Wall; industrial decline; mass migration; how London is increasingly non-English; the brain drain from smaller places; the revival of nationalism; the fading left-right distinction; populism as a style; the Tory collapse and Reform's rise; NATO; the Munich Security Conference and Vance; the Zelensky meeting at the White House; Soviet ideology; the Russian Empire; Putin's psyops with social media; sending North Koreans into battle; the pipeline attacks; Ukraine's innovative use of drones; the massive casualties of the attrition war; Russia's resilient economy; the new corruption scandal in Ukraine; war profiteering; Putin's attacks on civilians; his manipulation of Trump; ressentiment in the West; male resentment in the economy; white-collar job insecurity due to AI; the origins of the BBC and its current scandal; the NHS; the slowing US economy; MTG positioning herself as the real MAGA; revolutions eating their own; Epstein; the demolished East Wing; and what my latest DNA test revealed.Browse the Dishcast archive for an episode you might enjoy. Coming up: Mark Halperin on US politics, Michel Paradis on Eisenhower, Shadi Hamid on US power abroad, Jason Willick on trade and conservatism, Vivek Ramaswamy on the right, George Packer on his Orwell-inspired novel, and Arthur Brooks on the science of happiness. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.
In this episode, Kathy Jones and Liz Ann Sonders discuss some recent investor' questions involving credit risks, government debt, and the potential for an AI bubble. Then, Mike Townsend, Schwab's Washington-based political analyst, joins the show to discuss the end of the government shutdown. He and Liz Ann and Kathy cover the provisions within the agreement to reopen the government, including the potential extension of subsidies for the Affordable Care Act. They also discuss the upcoming Supreme Court ruling on tariffs and how the government might take a while to get caught up on data releases involving employment and inflation information. Kathy and Liz Ann routinely answer questions about the effects of government debt and deficits, and they ask Mike Townsend for his thoughts on how and when that issue might be resolved. Finally, they address upcoming changes to the tax code and the political fallout of the shutdown.You can keep up with the latest developments out of Washington—and learn how they might affect investors—by following Mike Townsend on X and LinkedIn. You can also listen to and follow his podcast, WashingtonWise.On Investing is an original podcast from Charles Schwab. For more on the show, visit schwab.com/OnInvesting. If you enjoy the show, please leave a rating or review on Apple Podcasts.Important DisclosuresThis material is intended for general informational and educational purposes only. This should not be considered an individualized recommendation or personalized investment advice. The investment strategies mentioned are not be suitable for everyone. Each investor needs to review an investment strategy for his or her own particular situation before making any investment decisions.All expressions of opinion are subject to change without notice in reaction to shifting market, economic or political conditions. Data contained herein from third party providers is obtained from what are considered reliable sources. However, its accuracy, completeness or reliability cannot be guaranteed.Past performance is no guarantee of future results.Investing involves risk, including loss of principal. Fixed income securities are subject to increased loss of principal during periods of rising interest rates. Fixed income investments are subject to various other risks including changes in credit quality, market valuations, liquidity, prepayments, early redemption, corporate events, tax ramifications, and other factors. Lower rated securities are subject to greater credit risk, default risk, and liquidity risk.All names and market data shown above are for illustrative purposes only and are not a recommendation, offer to sell, or a solicitation of an offer to buy any security.This information is not a specific recommendation, individualized tax or investment advice. Tax laws are subject to change, either prospectively or retroactively. Where specific advice is necessary or appropriate, individuals should contact their own professional tax and investment advisors or other professionals (CPA, Financial Planner, Investment Manager, Estate Attorney) to help answer questions about specific situations or needs prior to taking any action based upon this information.Indexes are unmanaged, do not incur management fees, costs, and expenses and cannot be invested in directly. Forecasts contained herein are for illustrative purposes only, may be based upon proprietary research and are developed through analysis of historical public data.The policy analysis provided by Charles Schwab & Co., Inc., does not constitute and should not be interpreted as an endorsement of any political party.(1125-9E27) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Join Josh Davis on 'Watchman on the Wall,' a daily outreach of Southwest Radio Ministries, as he delves into current events with a prophetic perspective. Today's episode covers Ohio's proposed legislation against AI marriages, exploring the implications of AI in society and faith. Additionally, discover why a UK university has placed trigger warnings on biblical texts. This episode offers insights into how technology and faith intersect in today's world.
Wall of Annoyance
Een derde van de waarde is verloren gegaan sinds de piek van het aandeel Oracle in september. Toen explodeerde de koers nog na een deal met OpenAI. Dat ging voor 300 miljard dollar aan clouddiensten afnemen, en daar waren beleggers nogal blij mee. Maar in de afgelopen weken lijken ze van gedachten veranderd. Er is wat twijfel geweest over de hoge waarderingen van techaandelen, er is wat gesnoeid in die waarderingen ook. En Oracle komt er niet best uit: die daalt het hardst van allemaal. Zijn ze de enige, of de eerste die het te verduren krijgen? Het antwoord op die vraag hoor je in deze aflevering. Verder hebben we het ook over het dubbele afscheid van de week. Warren Buffett schreef een afscheidsbrief, en de beruchte Michael Burry sluit de deuren van zijn investeringsfonds. We vertellen je welke lessen je van deze 2 gurus moet onthouden. Je hoort over de eerste kwartaalcijfers van CVC Capital sinds hun intrede in de AEX. Die eerste paar maanden zijn niet fantastisch geweest. Het aandeel lijkt dit jaar alleen maar te kunnen verliezen. Terwijl CVC zelf juist nog nooit zo veel geld binnenharkte. En we hebben ook nog twee sappige verhalen voor je. Want twee grote klanten van Nvidia blijken keihard te lobbyen voor wetgeving die Nvidia liever niet van kracht ziet worden. En bij Aston Martin blijkt de bestuursvoorzitter op eigen houtje gesprekken te voeren om het bedrijf van de beurs te laten halen.See omnystudio.com/listener for privacy information.
Recording inside an open air vent inside the two metre-thick wall of the concrete bunker building that forms the Boros Collection. The space has a fascinating past as a shelter, a prison for political prisoners, and a techno and sex club - and now it hosts a conceptual art exhibition. The sound captures both the muffled sounds of museum-goers on one side, and the passage of air and the sounds from Berlin outside on the other. Recorded by Cities and Memory, September 2025.
Nights' resident screen critic joins Emile Donovan to review Spinal Tap II: The End Continues (in cinemas), East of Wall (paid streaming) and Blackbird (free, YouTube).
Two things everyone is talking about right now: Toy Story 5 and the final season of Stranger Things. Sue and Kendra talked with Academy Award winning Disney/Pixar filmmaker and Rockport native Andrew Stanton. He co-wrote and directed Finding Nemo, Finding Dory, Wall.E. He also guest/directed episodes in Stranger Things season 2!
Seamus, Phil, Ian, & Brett are joined by Noah Wall to discuss reports Trump held an emergency meeting over the House planning on voting to release the Epstein files, MAGA outraged after Trump says America needs H-1B Visa workers, Trump denying the economic woes in America, and a socialist winning the mayoral race in Seattle. Noah Wall is the President and Founder of the State Leadership Initiative (SLI), a conservative organization dedicated to advancing policies in red states that counter progressive ideologies such as ESG and DEI. Hosts: Seamus @FreedomToons | http://twistedplots.com/ Phil @PhilThatRemains (X) Brett @PopCultureCrisis (everywhere) Ian @IanCrossland (everywhere) Serge @SergeDotCom (everywhere) Guest: Noah Wall @NoahWWall (X)
The Alan Cox Show
The Alan Cox ShowSee omnystudio.com/listener for privacy information.
Graeme Wall, the Conservation Director of the Rushworth Field and Game Branch of Field and Game Australia, is an enigma. We first learned about Graeme and his branch last year and celebrated all the things they do for conservation because they love to duck hunt. During Robbie's tour down under, he managed to stop in and see Graeme in Rushworth. Graeme joined Robbie on the podcast to discuss his tiny little town of just 1,000 people in the middle of nowhere—Victoria, Australia—and his role as the spear tip of conservation in his community. The two discuss Rushworth's rural success in conservation, all recorded on location in the middle of an Australian wetland in the middle of nowhere (check out the YouTube video). Get to know the guest: https://www.dailymaverick.co.za/article/2025-10-31-rhino-horn-harvested-from-captive-breeding-operations-can-be-exported-high-court-rules/ Do you have questions we can answer? Send it via DM on IG or through email at info@theoriginsfoundation.org Support our Conservation Club Members! Camino Real Hunting Consultants: https://www.crhunting.com/ Mirim Enterprises: Arkansas Black Bear Collaring: https://theoriginsfoundation.org/conservation-projects/arkansas-black-bear-collaring/ See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io This podcast is brought to you by Bushnell, who believes in providing the highest quality, most reliable & affordable outdoor products on the market. Your performance is their passion. https://www.bushnell.com This podcast is also brought to you by Silencer Central, who believes in making buying a silencer simple and they handle the paperwork for you. Shop the largest silencer dealer in the world. Get started today! https://www.silencercentral.com This podcast is brought to you by Safari Specialty Importers. Why do serious hunters use Safari Specialty Importers? Because getting your trophies home to you is all they do. Find our more at: https://safarispecialtyimporters.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Southwest Radio Ministries' 'Watchman on the Wall' for an in-depth look at the Book of Revelation with Pastor Donald Perkins. Explore the themes of the 144,000, the sun-clothed woman, and the great red dragon in this verse-by-verse study. Also, gain insights into the theory of the Lost Tribes of Israel with Pastor Larry. Perfect for Bible study groups and those interested in prophecy.
October ends, but HORTOBERFEST continues. The Good Guys take all their candy and head to Midian to divvy it up. The one where The Good Guys watch Nightbreed.-The Good Guys: Regan, Rob, and Ryan -Producer: Eric 'e0n' Chung -Engineers: Regan & Eric -Social Media Strategist: E -Background Music and FX courtesy of Karl Casey @ White Bat Audio - -Do It Clive -The Breed -Pain - - -Featured background music playlist: Ad Infinitum, Data, Mantra, Symbolic, Vintage, and Arcadia by White Bat Audio -Background music for POP Quiz and Trailer is Dark Angel by White Bat Audio - Theme music is Battle (Boss) by BoxCat Games and is licensed under CC BY 3.0 - Additional music is Against the Wall by BoxCat Games and is licensed under CC BY 3.0 -
We are with Kimani discussing what is the state of Vanstray Designs.
BT & Sal ignite the offseason discussion, declaring Cody Bellinger the "linchpin" for the Yankees' success and arguing that both New York teams need to abandon "fair market value" for a necessary, "irrational" approach to win. They dive into a shocking report from Joel Sherman suggesting the Mets are "spitballing" a trade of Brandon Nimmo—a move that could clear salary and upgrade defense, but signals a major philosophical shift for David Stearns. The focus then pivots to the NFL for their Week 11 Power Up Rankings. Sal shocks by putting the Patriots at No. 5 and leaving the Chiefs out, while BT puts the Patriots at No. 1 due to their consistent winning and coaching, dropping the Chiefs to No. 4. The guys debate whether the Broncos and Rams have done enough to earn top spots, and predict a crushing loss for the Jets against the Patriots tonight.
Send us a textOn this episode we discuss some rock releases expected in the month of December, The Rock and Roll Hall of Fame 2025 Induction, new music from new artist Stanley Simmons, and most importantly Doug's service to our country as this episode was recorded on Veteran's Day. We also play MixTape and climb the Wall of Tunes for a band that is in both of our top 5 favorites. #rrhf #veteransday #bigheadtoddhttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug
Is the agency world in trouble?Despite the current landscape of layoffs, restructuring and acquisitions, agencies are still consistently producing a stunning 20% return on equity. It's a number that explains why private equity firms are continuing to invest in agencies, but also fueling a tension between making money and making bold moves.On this episode of Campaign Chemistry, Brian Wieser, CEO and principal of Madison and Wall, and Olivia Morley, founder of Fusion Front Media, join to discuss the current state of agency business affairs and what the industry can expect in 2026. The group debates the future of independent agencies in the age of PE funding, dissect the right way to invest in AI and talent and challenge the idea that creativity is more than a means to an end. AI Deciphered is back—live in New York City this November 13th.Join leaders from brands, agencies, and platforms for a future-focused conversation on how AI is transforming media, marketing, and the retail experience. Ready to future-proof your strategy? Secure your spot now at aidecipheredsummit.com. Use code POD at check out for $100 your ticket! campaignlive.com What we know about advertising, you should know about advertising. Start your 1-month FREE trial to Campaign US. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
39 procent. Dat is hoeveel winstgroei Disney ziet bij hun streamingafdeling. 12,5 miljoen mensen kozen afgelopen kwartaal voor een abonnement op Disney+ of Hulu. Ook bij de afdeling die over de pretparken, de cruisereizen en de merchandise gaat is het feest. Dus deelt Disney cadeautjes uit. Meer aandeleninkoop, en meer dividend. Maar toch zijn beleggers niet tevreden. Die zien vooral een terugloop in advertentie-inkomsten bij de tv-kanalen. Zijn beleggers verwend? Dat vragen we ons deze aflevering af. Dan gaat het ook over modehuis Burberry. Dat heeft eindelijk de smaak weer te pakken. Sinds de pandemie verschraalden de verkopen in China, maar er is weer sprake van groei! Maar is dat te danken aan de nieuwe strategie van Burberry, of hebben ze gewoon weer de wind in de rug in de hele sector? En je hoort over de zorgen van de Autoriteit Financiële Markten. Die ziet 'grote, complexe en ondoorzichtige risico's' door de enorme invloed van techbedrijven op die markten. En tot slot nog een prettig bericht, want je hoeft voorlopig het woord 'shutdown' niet meer te horen. See omnystudio.com/listener for privacy information.
In this episode of Hebrew Voices #224 – "The Hero's Journey Toward Recovery": Part 1, Nehemia is joined by his uncle, addiction medicine specialist Dr. Michael Cowl Gordon, as they walk through the steps of The Hero's Journey to find … Continue reading → The post Hebrew Voices #224 – The Hero's Journey Toward Recovery: Part 1 appeared first on Nehemia's Wall.
What started as a wall full of hats turned into a reminder that growth doesn't have to be perfect.In this short episode, I share how my impatient self decided to hang my cowboy hats around our mirror (even though I've been banned from hanging things
Ralph Gastelum grew up in Tucson, Arizona, and never experienced much of a winter before joining the U.S. Marine Corps. His first real winter would be spent in Korea in some of the most bitterly cold temperatures that American forces have ever experienced - at Chosin Reservoir in Korea.In this edition of Veterans Chronicles, Sgt. Gastelum recalls the Inchon Landing. He also explains what urban combat was like in those early days and along the front lines in more rural areas. He also tells us how he survived at Chosin Reservoir by playing dead as the Chinese attacked and how he later discovered which of his fellow Marines saved his life there.Finally, Gastelum talks about his return trip to Korea decades and what the Wall of Remembrance at the Korean War Veterans Memorial meant to him at the time of its dedication.
It is stories that link on your Wall Pass Wednesday and SDH AMWe go in depth into the announcement of NWSL to ATL for 2028. We hear from Arthur Blank and NWSL Commissioner Jessica Berman Scarves N Spikes Tyler Pilgrim joins to talk about the announcement, the landscape, and what to anticipate going forward...Corpus Christi FC is getting ready for their own maiden voyage in USL League One- Director of Comms, Eran Hami, and Operations Director Marissa Trevino talk about the build and what's left before they hit the ground running for 2026
The Her Hoop Stats Podcast: WNBA & Women’s College Basketball
A preview of UConn vs Loyola Chicago, the first game on truTV this season, a deep look into the Big East, and much more with Christy Winters Scott and Cindy Brunson. HerHoopStats.com: Unlock better insight about the women's game.The Her Hoop Stats Newsletter: https://herhoopstats.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Today, the Church celebrates the Memorial of St. Josaphat, a bishop and martyr who gave his life for the unity of the Church — a unity founded in Christ Himself, who “is our peace, He who made both one and broke down the dividing wall of enmity through His flesh” (Eph 2:14).In today's Gospel, we encounter the ten lepers who call out to Jesus from a distance. Only one returns to give thanks — a Samaritan, a foreigner. Yet it is this “outsider” who draws near, falls at Christ's feet, and glorifies God. His gratitude becomes worship. The Greek word used here is eucharisteo — to give thanks — the same root of our word Eucharist. In that moment, the healed man “Eucharisted” Jesus, showing us that true thanksgiving is communion with God Himself.Fr. Tyler reflects on how this healing foreshadows what Christ accomplishes in the Eucharist: God drawing near to the outcast, uniting what was divided, and restoring communion through His Body and Blood. Just as the Samaritan crossed the barrier between distance and intimacy, Christ crosses the infinite divide between heaven and earth, destroying the walls that sin has built.St. Josaphat lived this mystery to the end. In a time of bitter division between East and West, he longed for the unity of all Christians under the successor of Peter. For this, he was martyred — his blood becoming the seed of reconciliation. His life echoes the very prayer of Christ in John 17: “That they may all be one, as You, Father, are in Me and I in You.”Let us pray today that, like St. Josaphat, we may become instruments of unity — people who heal, reconcile, and draw others toward the Eucharist, where all division is destroyed and all hearts are made one in Christ.Watch today's Daily Homily with Fr. Tyler on DivineMercyPlus.org or the free DM+ app.#frtyler #stjosaphat #unity #eucharist #onenessinchrist #catholicunity #bodyofchrist #massreflection #dailyhomily #divinemercy #thedivinemercy #marian #marians #marianfathers #marianhelpers #catholic #catholicism #romancatholic #romancatholicism #catholictiktok ★ Support this podcast ★
Voting for Bihar elections has ended, results of exit polls are out and the verdict will be declared on Friday. In today's edition of #WritingsOnTheWall, ThePrint Editor-In-Chief takes you back to what he observed in Bihar in 2015 - the success & failures of 10-year-Nitish rule, how the state changed & decline of caste-based empowerment politics. Read the 2015 Writings on the Wall here: https://theprint.in/sg-writings-on-the-wall/gen-gana-mana-of-youth/544361/
Join Southwest Radio Ministries for 'Watchman on the Wall,' featuring insights from Dr. Lonnie Shipman on understanding and studying the Bible. Explore the Guidebook to the Incomparable Bible, which offers practical methods for studying, teaching, and preaching Scripture. This episode also includes updates on the Onesimus Prison Ministry, showcasing the impact of spreading the gospel to inmates. Be inspired by stories of transformation and learn how to engage with the Bible more deeply.
The Spaghetti Festival @ The Elysian represents a wholly rejuvenating spark of imagination and creativity as it puts up never-before-seen, never-before-produced works from some of the most original voices in and around comedy in LA. For this week's TCB Field Report, we get into the all the many works and workings of the festival with Elysian Artistic Director Jacquelyn Landgraf as well as Spaghetti Festival artists Emily Browning, Emily Westheimer, Reshma Meister, Clowns of Color, and Madi Hart. Get all details and tickets for Spaghetti Festival here and follow @elysiantheater. Produced by Jake Kroeger Music by Brian Granillo Artwork by Andrew Delman and Jake Kroeger Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Julie Jordan, with Affton Americans Hockey, joins Megan Lynch to detail a plan to honor Colin Brown, who was shot while traveling home from a hockey game. The club is looking for donations of used sticks for a tribute wall in a new gathering space at Affton Ice Rink.
Een paar maanden geleden was het nog ABN Amro zelf die op de snijtafel lag. Het Belgische KBC zou het willen overnemen. Maar nu zijn de rollen omgedraaid, en is ABN degene die het opslokken doet. Voor een kleine miljard euro nemen ze het Haagse NIBC over van eigenaar Blackstone. Een kans om ABN Amro sterker te maken in de Nederlandse markt. En zeker geen beschermingsconstructie tegen een mogelijke overname door KBC, zegt topvrouw Marguerite Bérard. Maar of ze de waarheid spreekt? Dat zoeken we deze aflevering uit. We hebben het ook over de S&P 500. Die heeft voorlopig z'n beste jaren wel even gehad, denkt zakenbank Goldman Sachs. Ze denken dat de Amerikaanse index een mager decennium tegemoet gaat, met maar zo'n 6 procent stijging per jaar. Daarmee zou de VS bij de slechtst presterende regio's horen. Verder hoor je over het volgende topdiner in het Witte Huis. Daar komen hoge piefen van Wall Street langs bij Donald Trump om te luisteren naar wat zijn wensen zijn. En we vertellen je over een topman die al naar die wensen heeft geluisterd, en daarom met radicale eisen voor zijn eigen leveranciers komt.See omnystudio.com/listener for privacy information.
More than 20 miles of gigantic wall, out in the ocean, are hoping to defend Jakarta, Indonesia's capital and Southeast Asia's biggest mega-city, from rising seawater. Also, US foreign direct investment in Africa has surpassed China's for the first time since 2012. And, New Delhi and Islamabad were both hit with bombs, killing at least 20 people between them, and both Indian and Pakistani officials are trying to find out the exact cause of the explosions. Plus, the genre-bending American band Deerhoof releases its first single, “Immigrant Songs,” a playful take on a serious issue.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices
In this powerful sermon, Pastor Dawn Raley calls the congregation to rise and take action as spiritual watchmen, drawing inspiration from the story of Nehemiah. Through scripture and personal anecdotes, Pastor Dawn emphasizes the importance of spiritual warfare, prayer, and the urgency of rebuilding and defending the faith. This message is a rallying cry for believers to stand firm and activate their God-given authority to bring revival and restoration.
On an abbreviated Sports Talk, Lance talks with Rick Wall of the Reds Hall of Fame about the new class of nominees for the Hall.
On an abbreviated Sports Talk, Lance talks with Rick Wall of the Reds Hall of Fame about the new class of nominees for the Hall.See omnystudio.com/listener for privacy information.
In this enlightening and deeply relatable episode, Michelle Ford sits down with Dr Helen Wall - GP, women's health advocate and neurodiversity specialist — to unpack why so many women are being diagnosed (or self-diagnosing) with ADHD in midlife.Together, they explore how fluctuating hormones, juggling life in the sandwich generation, and seeing their children diagnosed are prompting many women to finally recognise traits in themselves. But this isn't about “jumping on a trend” - it's about understanding how ADHD can show up differently in women, and why it's been hidden for so long.Dr Helen shares how similar symptoms in peri menopause - like forgetfulness, mood swings and overwhelm - can make things even more confusing, and offers surprising insight into how your old school reports might actually hold the key to telling the difference.From practical advice on getting the most out of your GP appointment to discovering the positives of an ADHD brain - creativity, energy and empathy - this conversation is empowering, informative and full of lightbulb moments.If you've ever wondered whether your struggles with focus, organisation or burnout could mean more than “just hormones,” this episode will help you make sense of it all - and take practical steps toward understanding yourself better.
After a few weeks break, we're back with another playlist episode. Enjoy these new tracks from Philadelphia artists, and remember to check out the clickable playlist below. Go support the bands and artists you love! Cadre Noir- Beach Dance Rob Rapp- To the Flag Laura Feigin- Attic Kat Rivers and the Second Sight- RED The Blackburns- Chances On Love Sun Within- Synthesis + Realization Marielle Kraft- What Do I Do With Happy? Justin Kerecz- True Love Will Find You In the End The Circus Hearts- Why Should The Devil have All the Fun? The Dawn Drapes- Counterweight Zoe Lemon w. Ahna Ell & Abigail Dempsey- Summer's Over (Who's Gonna Tell You?) Parts Work- No Flowers Steve Gunn- Hadrian's Wall
There's been new developments in Mercedes' love life with Boston Man...so Ben is sitting down for an emergency episode to get all the details! Has Mercedes found "the one", or is she still famously available??See omnystudio.com/listener for privacy information.