Podcasts about Bluegrass

This week, celebrated singer/songwriter & hometown humorist Antsy McClain with world renowned harp-guitarist Muriel Anderson recorded live at the Ozark Folk Center State Park. Also, interviews with Antsy & Muriel. Antsy McClain brings his unique blend of music and “humor with heart” to the stage, combining his original songs with a hilarious slide show, including Antsy's own life observations, social commentary and imaginary sponsors from his home town trailer park of Pine View Heights. As a master storyteller with the likes of PBS, NPR and TEDTalks under his belt, Antsy includes humorous and serious songs in his shows. Songs such as “One Less Trailer Here in Pine View Heights,” My Baby Whistles When She Walks,” and “The Junk Drawer of Your Heart,” are keenly humorous observations about love and loss, while his more serious songs, like “Field Trip,” “I'm Everyone,” or “Falling in Love in America,” are more akin to personal journal entries written in the act of living. It's this tightrope walk between humor and heart that makes Antsy McClain a true original. - http://unhitched.com/antsys-bio/ One of the world's foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson is the first woman to have won the National Fingerstyle Guitar Championship. Her CD “Nightlight Daylight” was chosen as one of the top 10 CDs of the decade by Guitar Player Magazine her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery. She has performed/recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her obvious joy of music, humor and her facility across the genres of folk, classical, jazz, bluegrass and international music is revered by guitarists worldwide. An engaging performer, Muriel's unique approach to the instrument virtually transforms the guitar into a lyrical choir, then a marching band, then a Japanese koto, then a Bluegrass band, one minute launching into a Beatles' tune and the next, a Rodrigo concerto. Her video “Why Worry” has garnered a total of over 8 million views. Muriel is host of the renowned Muriel Anderson's ALL STAR GUITAR NIGHT® and founder of the MUSIC FOR LIFE ALLIANCE charity. - http://murielanderson.com/press/bio/ In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.

In this episode, I sit down with mandolinist, composer, and bandleader Jacob Jolliff for a wide-ranging conversation about curiosity, discipline, and building a musical life that resists easy categorization. Jacob is one of those rare musicians who move fluently between bluegrass, jazz, classical, and experimental music without losing his voice in any of them. We begin by talking about his love of variety, why collaboration continues to drive his schedule, and how he follows genuine musical curiosity rather than a rigid career plan. Jacob reflects on touring, playing weekend runs versus more extended tours, and why he's motivated to say yes to projects while the travel still feels energizing.A significant focus of the conversation is Jacob's upcoming classical recording, a mandolin concerto explicitly written for him by composer Jesse Jones. Jacob walks through how the project came together, from a lifelong friendship that began when he was a child to a reunion nearly two decades later, after Jesse had become one of the most respected contemporary classical composers in the country. We talk about performing the concerto with an orchestra, recording the work, memorizing a demanding five-movement piece, and learning the nuanced skills required to follow a conductor while still maintaining musical agency. Jacob explains how the music successfully bridges contemporary classical language with bluegrass sensibilities without feeling like a caricature of either tradition.We also dive deep into Jacob's years at Berklee College of Music and the fertile Boston roots scene that shaped a generation of genre-bending acoustic musicians. Jacob reflects on studying with John McGann, the early days of what would later become Berklee's American Roots program, and coming up alongside players like Alex Hargreaves, Dominick Leslie, Sierra Hull, Julian Lage, Brittany Haas, and others. We talk about why conservatories embracing acoustic and roots instruments have changed the musical landscape and why this moment feels uniquely exciting for mandolin, fiddle, and banjo players.Jacob shares the origin story of his band, including how his time with Yonder Mountain String Band prepared him to lead a project of his own. We talk about the balance between being a sideman and a bandleader, why the best leaders often have deep experience in both roles, and how empathy grows when you've carried responsibility from both sides of the bandstand. Jacob walks through how his lineup evolved, why consistency eventually mattered more than flexibility, and how his current band came together organically around shared priorities and musical trust.We spend time talking about Jacob's jazz projects, including his standards recordings and the unusual instrumentation of mandolin, bass clarinet, snare drum, and bass. Jacob explains why learning jazz still feels like learning a second language, how making records can be part of the learning process rather than a final statement, and why exploring multiple genres keeps his playing honest. We also talk about his admiration for musicians who dedicate their lives to a single tradition, even as he continues to thrive as a musical generalist.We close with a thoughtful discussion about Jacob's practice routine, discipline, and mindset. He explains why he practices nearly every day, how consistency prevents stagnation, and why regularly confronting technical and musical walls is part of long-term growth. Jacob speaks candidly about the psychological challenges of being a driven musician, the tension between ambition and perspective, and why staying curious ultimately matters more than perfection. It's an honest, inspiring conversation about craft, patience, and the lifelong pursuit of musical depth.To learn more about Jacob, visit his website. Music from the Episode:Large Garbage Barge (Jacob Jolliff)Moose the Mooch (Jacob Jolliff)Sheerson Crosses the Rocky Mountains (Jacob Jolliff)The Good, The Bad, and the Home-Schooled (Jacob Jolliff)Stumbling Distance (The 376 Years) (Jacob Jolliff)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

This week we feature Rebekah Speer and talk with her about her life in bluegrass, her work as an audio engineer, graphic designer, songwriter and recording artist.  We'll also talk about her newest single and you will get to listen to that single towards the end of the podcast.

Join Buzz Knight on Takin’ A Walk for an inspiring replay conversation with Grammy-nominated bluegrass virtuoso Sierra Hull, one of the most accomplished mandolin players of her generation. From performing at the Grand Ole Opry at age 10 to earning critical acclaim as a singer-songwriter and instrumentalist, Sierra shares her remarkable journey through the world of acoustic music. In this compelling episode, Sierra Hull discusses her early start in bluegrass music, growing up immersed in traditional Appalachian sounds, and how she developed her distinctive mandolin style that blends technical mastery with emotional depth. She reflects on her experiences working with legendary producer Alison Krauss, the creative process behind her acclaimed albums including “Weighted Mind” and “25 Trips,” and what it means to honor bluegrass tradition while pushing the genre forward. Sierra Hull opens up about navigating the music industry as a young female instrumentalist, the mentors who shaped her career, her approach to songwriting that connects personal storytelling with universal themes, and the evolution of contemporary bluegrass music. She also shares insights into her work as an educator at Berklee College of Music, passing on her knowledge to the next generation of acoustic musicians. Whether you’re a bluegrass enthusiast, mandolin player, aspiring musician, or music history lover, this episode offers valuable insights into artistic development, staying true to your roots while innovating, and building a sustainable career in acoustic music. Sierra Hull’s story exemplifies dedication, talent, and the timeless power of bluegrass music. Subscribe to Takin’ A Walk with Buzz Knight for more in-depth conversations with legendary musicians, Grammy winners, and music industry icons who share the stories behind the songs that shaped our lives. Like this show, share with your friends and leave a review here. Review #knight #walk #best musician interview podcast #Sierra Hull interview #inspiring music interview Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

I'm psyched to welcome Andy Hall of The Infamous Stringdusters to Roadcase!!  The Stringdusters are celebrating their 20th year as a band and they've got a new album, 20/20, coming out February 13 to mark this special occasion.Andy talks to me about the evolution of the band — their roots in progressive bluegrass, and how they all came together — and we go deep into that collaborative vibe that makes the Stringdusters so special. The Stringdusters is one of my favorite bands, and I'm delighted to have Andy on the show. You can check out this one by clicking on that link in the bio — and stay tuned for more special coverage of the Dusters coming up next week!  =======================================Episode Chapters:00:00:00 Episode Intro with Host Josh Rosenberg00:04:15 Introducing Andy Hall00:07:21 Post-Tour Recovery and Mental Decompression00:10:22 Curating a Balanced Home Life00:13:20 20th Anniversary Reflections and New Album Insights00:16:06 Song Selection and Creative Process00:19:12 The Dynamics of Band Collaboration00:21:55 Navigating the Music Industry Changes00:24:59 Business Strategies for Success00:27:53 The Energy of Live Performances00:31:11 Evolving Live Show Philosophy00:38:16 The Evolution of Bluegrass Performance00:45:13 Adapting to Different Performance Environments00:48:17 The Journey to Mastering the Dobro01:00:14 From Upstate New York to Bluegrass Stardom01:06:51 The Evolution of Jamming and Collaboration01:08:24 Living the Colorado Lifestyle01:09:45 The Influence of Colorado on Bluegrass01:10:30 Balancing City Life and Nature01:11:49 Skiing Adventures and Local Favorites01:13:38 The Intersection of Music and Skiing01:15:36 Creating Music in Beautiful Settings01:17:03 Exploring Themes of Struggle and Positivity in Music01:23:15 The Impact of AI on Music Creation01:30:32 The Joy of the Artistic Process=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Mindy's first stage was in her grandparents' basement, singing karaoke with family. Growing up in a musical household in Maryland, she performed in church, choirs, and her family's bluegrass band. At 15, a serious Lyme disease diagnosis paused her momentum, but music became her anchor, and by 16 was performing full-time. She formed her first band, recorded her debut album at 17, and toured bars, festivals and showcases. Mindy performs daily in Nashville, including her residencies and appearing at renowned venues such as the Bluebird Café and the Grand Ole Opry. She has also shared the stage with or performed for Post Malone, Jamey Johnson, Phil Vassar, and Reba McEntire. She also writes songs, records in studios, and collaborates with producers and fellow songwriters. Supported by her fiancé, Patrick, and their two kids, Mindy is ready to bring her powerful voice, resilience, and story to "The Voice" stage.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Super sweet talk with Anders Beck! Say it with an 'ah-nders' not 'and-ers'. Anders tells us jis whole musical/drug/alcohol story! Nothing left out - including the crazy intervention and playing with phil lesh! May he rest in peace! PLUS sick email from Montana in prison! (thanks Nicole!) An amazing dildo filled voicemail from Daniel G! A nice mention from Steve from New Hampshire and so much more more more!PLUS Ander's beautiful song 'Born Again' performed by Greensky Bluegrass, Anders' bonus dobro playing, Damon's 'Dopey World' and Jake from West Virginia's classic version of 'Good So Bad'ALL THAT and more, more, more on this brand new episode of that good old Dopey Show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on No Simple Road, we head north of the border to connect with Dylan Stone and Jesse Cobb from The Unfaithful Servants, the genre-bending roots outfit straight out of Vancouver Island, British Columbia. Blending folk, bluegrass, old-time, and a healthy dose of irreverent spirit, this band brings a sound that's as playful as it is deeply rooted. Aaron, Mel, and Apple sit down with the crew to talk about the origin of the band, the stories behind the songs, and what it means to build a musical life on an island where community and creativity go hand in hand. We dig into their songwriting process, the push and pull between tradition and experimentation, and how humor and honesty shape their approach to roots music. The conversation flows through touring life in Western Canada, the power of DIY scenes, and the importance of staying connected to the people who show up — night after night — to share the experience. The Unfaithful Servants reflect on how place influences sound, how collaboration fuels longevity, and why music is still one of the most powerful tools we have for connection. This episode is full of laughter, insight, and that unmistakable feeling you get when musicians are creating from a place of truth rather than trend. If you love roots music with edge, folk and bluegrass with personality, and discovering bands who are carving their own path, this one is for you. For tour info music and more head over to: www.unfaithfulservants.com Visit ⁠⁠⁠⁠⁠⁠⁠⁠nosimpleroad.com⁠⁠⁠⁠⁠⁠⁠⁠ for merch, past episodes, and community updates. Support us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/nosimpleroad⁠⁠⁠⁠⁠⁠⁠⁠ Leave a 5-star review & share this episode with a fellow music lover! -FREE SHIPPING from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop Tour Bus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use The PROMO CODE: nosimpleroad INTRO MUSIC PROVIDED BY - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Young & Sick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CIRCLES AROUND THE SUN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OUTRO MUSIC BY AND USED WITH PERMISSION OF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CHILLDREN OF INDIGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ No Simple Road is part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OSIRIS MEDIA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music.

In this episode, I sit down with singer, songwriter, bassist, and musical innovator Scott Mulvahill for a wide-ranging conversation about curiosity, collaboration, and building creative worlds. We start by talking about Scott's recent trip to Lafayette, Louisiana, where he performed Paul Simon's Graceland in a profoundly meaningful way, including sharing the stage with original Zydeco musicians who appeared on the album. Scott explains why Graceland was such a formative record for him as a teenager, how it shaped his love of songwriting, groove, and global musical connections, and why revisiting that music continues to teach him something new every time he performs it.We talk about Scott's busy life as a touring musician and collaborator, from solo performances to regional shows, symphonic work with Cody Fry, and juggling multiple projects at once. Scott reflects on saying yes to opportunities, spinning multiple creative plates, and why he's drawn to work that keeps him challenged rather than comfortable. He shares the story behind his band Slap Dragon, how the group came together organically, and why playing in a band scratches a different creative itch than performing solo. We also explore the balance between solitude and community in music, and how collaboration continues to fuel his artistic growth.A significant part of the conversation centers on Scott's experience as a singing bassist. We dig into the technical and musical challenges of singing while playing bass, especially in groove-heavy music, and how performing complex material like Graceland forces constant growth. Scott explains how difficulty, discipline, and repetition sharpen his musicianship and why pushing himself technically ultimately leads to deeper musical freedom.We also spend time talking about Scott's years playing with Ricky Skaggs, an experience he describes as musical graduate school. Scott shares what it was like to step into a bluegrass tradition without a drum set, how time feels differently in that genre, and why it took nearly a year to feel comfortable in the band. He reflects on learning directly from masters, developing an intuitive sense of rhythm, and why that experience shaped him as a musician in lasting ways.Finally, we dive deep into one of Scott's most ambitious projects, the Database. Scott explains the origin and evolution of this custom-built upright bass with integrated MIDI triggers and sampling, how it works technically, and why it allows him to expand his sonic world without sacrificing creativity or authenticity. We talk about technology as a tool rather than a gimmick, the balance between production and performance, and how the Database has reshaped his approach to songwriting, arrangement, and live shows. It's a thoughtful, inspiring conversation about experimentation, craftsmanship, and following curiosity wherever it leads.To learn more about Scott, visit his website.Music from the Episode:Begin Againers (Scott Mulvahill)Fighting for the Wrong Side (Scott Mulvahill)Survive (Scott Mulvahill)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

This week we feature mandolin player Wayne Benson and talk with him about his long career in bluegrass music, the recent recorded collaborations with his wife Kristin Scott Benson and his YouTube channel for mandolin players.   You'll also hear a some music from Wayne and Kristin.

My guest this week is Tony Trischka, who returns to chat about the New York bluegrass scene in the early 1970s.New York and the surrounding area played a huge role in the development of bluegrass and in the genesis of what would become known as New Acoustic music. Tony talks about the early days of his career, including the bands Country Cooking and Breakfast Special and the overlap between that scene and the birth of Rounder Records. We also chat about some of the musicians who came out of the New York scene in the 1960s and 70s, including David Grisman, Andy Statman, Stacy Phillips, Russ Barenberg and Bela Fleck, and how those players began to collaborate with the musicians emerging from the San Francisco Bay Area and Nashville scenes.Tony also talks about his early solo albums, including Banjoland, Hill Country and (a personal favourite of mine) A Robot Plane Flies over Arkansas.It was, as always, a treat chatting with Tony. I hope you enjoy this one.If you missed the David Grisman Quintet episodes we mention, you'll find them here:Part 1 (Darol & Mike) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000711133817Part 2 (Todd) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000712407689Part 3 (David) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000713402530 Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Brent & Johnny welcome hit songwriter, Thom Shepherd, to The Challenge. Thom has five #1's singles, including "Redneck Yacht Club", "Riding With Private Malone", and "My Texas", over 10 radio singles, two Grammy nominated songs, and has had over 100 songs recorded by Blake Shelton and George Jones, Pat Green, Kevin Fowler, Easton Corbin, Montgomery Gentry, Craig Morgan, Colt Ford, and many more. He's currently a songwriter, video host, and content creator at 8-Track Entertainment in Nashville. About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens and more with #1 singles in Country, Southern Gospel & Bluegrass. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show we catch up with The Replacements' Let It Be Deluxe Edition box set, wake up to records we slept on from Jeff Tweedy and Hayley Williams and pour one out some musical icons who left us in the last quarter of 2025. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Tune your banjo and join Sidra Mahmood, as they tell us about their unexpected passion for bluegrass music. Despite a musical journey through heavy metal, punk rock, and electronic music, they found a strong connection to bluegrass with its themes of labor solidarity, poverty, and anti-capitalism, being played with incredible speed and precision through improvisation. Sidra notes the genre's diversity problem, as 95% of bluegrass concert audiences are white and significantly older, despite contemporary bluegrass artists becoming more diverse, and recommends modern acts that blend punk and rock elements into the traditional sound.Guest BioSidra Mahmood (they/them) is a government product and service designer who currently builds data products at the federal government of Canada. Sidra knows we're not supposed to talk about work on this podcast but they can very happily talk about it all day. With a deep deep love of government transparency and civic tech, Sidra's been designing things people can use to make government suck less for over a decade. In their spare time, they can be found DJing, hanging out with their two senior retired greyhounds, and being mean to billionaires on the internet. After living in four continents, they call Toronto home.LinksSidra's Instagram: https://www.instagram.com/sidramatik/Sidra's bluegrass playlist: https://open.spotify.com/playlist/7fY1eYqnDart624M6rLu4wCreditsCover design by Raquel Breternitz.

This week we feature banjo player Russ Carson.  We'll talk about his early years in bluegrass in his home state of Pennsylvania, his work with Audie Blaylock and his becoming the banjo player for Ricky Skaggs and Kentucky Thunder.  We'll also talk about his new CD and you'll hear a few cuts from the recordings.

(Jan 14, 2026) We break down the biggest topics highlighted in Gov. Kathy Hochul's State of the State speech; the North Country's Republican lawmakers react to the governor's 2026 policy agenda, and we have a conversation with renowned bluegrass guitarist Jake Eddy, who is teaching a class and performing in Saranac Lake next week.

Moore & Moore were thrilled to be on the Country Music Cruise with Shenandoah and sit down with lead singer, Marty Raybon to talk about his amazing career in Country, Bluegrass and Gospel music.  Listen in to hear more about his early days with Shenandoah, to singing as a solo artist, and with his brother Tim as the duo, "The Raybon Brothers", then resuming his career with Shenandoah in 2014 with success following him all along the way -  to the tune of 26 singles on Billboard's Hot Country Songs chart and over a dozen #1 records!

With the 2026 season less than a month away, we're full speed ahead. On today's episode of In The Circle, powered by SixFour3, Kentucky head coach Rachel Lawson discusses hosting the SEC Tournament and some of the rule changes for the upcoming season. Plus, you'll hear a portion of our conversation with Brown head coach Mary Holt-Kelsch from earlier this fall.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mark Rubin, Jew of Oklahoma is an Okie making music that’s mostly Americana and Bluegrass with a hint of Klezmer, Eastern European, and Middle Eastern flavors. His songs are often political, seeking to reach people’s hearts and minds with messages of conscience.  His new album is Dispatches: Songs from a World Gone Mad. Mark is a direct communicator.  Talking with him, listening to his music, one never has to wonder what he’s saying, he is as clear as a bell in his messaging.  His intentions shine brightly! Musically he’s about as down home as you’re going to find anywhere. • Mark Rubin on YouTube Music by: Mark Rubin The post Mark Rubin – “Dispatches: Songs from a World Gone Mad” appeared first on Paradigms Podcast.

In this episode, I sit down with bassist and vocalist Keith Horne, and it feels like reconnecting with a player I've admired for decades. I talk about the first time I experienced Keith live in 1996, when I was a freshman at Belmont University, and he was on the road with Peter Frampton. I still remember the impact of his touch, time, and musical confidence. From there, Keith and I dig into how his musical life started as a kid playing bluegrass with his dad, how flatpicking shaped his speed and articulation, and why being a multi-instrumentalist gave him an unusually complete view of the bandstand. We talk about his left-handed approach to playing guitar, how he learned guitar upside down, how he originally played drums left-handed, and why he eventually switched to a right-handed kit to survive the reality of shared backlines and sit-ins.Keith tells some incredible stories about chasing complex instruments, including the moment he finally found a left-handed pedal steel, how watching great steel players for years taught him the mechanics before he ever owned one, and how quickly he was able to apply that knowledge once the instrument was in front of him. We also trace the exact moment bass became his leading voice, when a bassist in his dad's band left his instrument at the house, and Keith quietly learned it without telling anyone, then shocked his dad by switching instruments mid-gig at age twelve and never looking back. That leads to a bigger conversation about why starting on drums is a superpower for a bassist, how it teaches you the unspoken communication between rhythm section players, and why Keith's time feel became one of his calling cards, including a compliment from Dennis Chambers that still stands out as one of the biggest of his life.Keith and I go deep on the singing bassist problem, how to keep vocals expressive while staying locked on bass, and how harmony singing often becomes the secret weapon that gets you the gig. He shares how his range and high harmony work opened doors, how constant performing strengthened his voice over time, and how he learned to shift between full voice and falsetto through heavy gigging and demanding material. We talk about the artists and songs that shaped his bass worldview, from Earth, Wind & Fire and Verdine White to Bernard Edwards, Stanley Clarke, Marcus Miller, Chuck Rainey, and Jaco. Keith tells the story of hearing Stanley Clarke for the first time and having his entire concept of the instrument explode overnight.A significant highlight is Keith's time in the Virginia fusion band Secrets, a band he calls the best musical situation he's ever been in. He tells the story of sitting in on Jeff Lorber's Tune 88, getting a standing ovation for a bass solo, and then immediately being offered the gig. We talk about how quickly great players elevate your musicianship, how his first night in the band was also Carter Beauford's first night, and the feeling of instant chemistry that made it seem like they'd been playing together forever. Keith also shares stories of opening for the Yellowjackets, becoming friends with Jimmy Haslip, and the surreal mirror-image moment when the band watching their soundcheck saw an upside-down bassist and an open-handed drummer and realized they were looking at a parallel-universe version of themselves.From there, we follow Keith's move to Nashville, living with the Wooten Brothers early on, playing jam nights seven nights a week, and building a reputation fast because he could authentically cover multiple genres on demand. He breaks down how his first major Nashville gig came through the Stockyard, leading to Tanya Tucker, and how the road unfolded from there with Waylon Jennings, Peter Frampton, and Trisha Yearwood, including singing Walkaway Joe with Trisha and what it's like to work with singers so accurate they can survive monitor failures in arenas without losing pitch. We also spend time on Hot Apple Pie, the magic of that record, why it still sounds fresh, and the frustration of how label shifts and industry timing kept the band from reaching the level the music deserved.We wrap with what Keith is doing now in Florida at the Orange Blossom Opry, what makes the venue unique, how the band tailors its opening set to match each headliner, and why the schedule can be intense during the season but still sustainable because the owners take care of the musicians in a rare way. It's a wide-ranging conversation about musicianship, time feel, harmony, career longevity, and the kind of stories you only get from someone who has genuinely lived on bandstands for decades.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

This week we feature Nick Hornbuckle, the banjo player with John Reischman and the Jaybirds.  In addition to talking with Nick about his career in bluegrass to date—which includes how he had to go from playing Scruggs three-finger style banjo to producing the same sound using only two fingers, due to a physical issue—we will also talk with Nick about the Jaybirds newest recording. 

Welcome to this month's Bluegrass Briefing, a monthly series of episodes taking a look at what's going on in the world of bluegrass.Here are the links to stuff mentioned in this episode.Pod newsHighlights from the first 500 episodesInspiration for Musicians episodeNews and announcements - church street news Dawg at 80 on NugsBilly Strings Tiny Desk ConcertNPR Tiny Desk ContestOld Settler's Music FestivalReleases (The Grass is New)Sam Grisman ProjectCarolina Chocolate DropsAlasdair Fraser & Natalie HaasMichael Daves EPScroll on BuddyIs Bluegrass Too Fast?Other bitsFull list of interviewsCollings GuitarsHappy picking.Matt Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Bluegrass-folk trio Damn Tall Buildings released their latest album The Universe Is Hungry this fall. We sit down with Avery Ballotta to talk about growing up in Montana, early musical influences, and how a love for music—and the fiddle—started at a young age. We dive deep into the inspiration behind the album, recording process, and the band's commitment to staying truly independent—self-producing, self-managing, and even running their own music school in Brooklyn.Avery shares stories from studying at Berklee College of Music, meeting bandmates Max Capistran and Sasha Dubyk, and how the group's journey began with busking on the streets of Boston before evolving into a decade-long partnership rooted in friendship, craftsmanship, and creative freedom. He also talks about touring with the U.S. State Department, performing bluegrass during cultural exchanges in Ethiopia and Saudi Arabia, and reimagining Roy Orbison's “Blue Bayou” through a bluegrass lens. Plus, we discuss the band's one-microphone live setup, how they decide vocal leads without a frontman, favorite songs to perform on stage, unforgettable moments from 2025, and what fans can expect from Damn Tall Buildings in 2026.Jonathan's Drinking: McKenzie Straight Bourbon Whiskey

We put the rockaholics to the test!

This week we feature singer, songwriter and multi-instrumentalist Shawn Lane of Blue Highway.  We'll talk with Shawn about how he got his start in bluegrass, the bands he performed with early in his career, his work with Blue Highway over the past 30 years and performing with his talented sons Grayson and Garrett. 

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Happy New Year from The Gospel Jubilee!   This week on The Gospel Jubilee Chip & Denny will be counting down the top 20 Southern Gospel songs for 2025.   Here are all of the ways you can listen to the Gospel Jubilee On your Echo device say, Alexa, play the Gospel Jubilee on Apple podcast. For a direct download go to: https://api.spreaker.com/v2/episodes/69241740/download.mp3       Ocean Waves Radio ... every Wednesday at 5:00 PM Eastern time., www.OceanWavesRadio.com   Thursday afternoons at 4:00 PM and Sunday mornings at 9:30 AM  EST on Southern Branch Bluegrass Radio, www.sbbradio.org   Playlist:   Artists |Song Title   01. The LeFevre Quartet (Featuring Joseph Habedank) - Troubled   02. The Kramers - He remembers my sin no more   03. Gold City - When It's gone for good   04. the Whisnants - If not for Christ   05. Triumphant Quartet - Big ole stone (Victory)   06. Joseph Habedank (Featuring Chris Blue) - Jesus walked in   07. The Kingsmen - I just stopped by on my way home   08. The Kingdom Heirs - No better time   09. The Mark Trammell Quartet - Can He, could He, would He,   10. The LeFevre Quartet - The things we cannot change   11. Jeff & Sheri Easter (Featuring The Archers) - Sunshine on a cloudy day   12. Legacy Five - Bigger on the inside   13. Ernie Haase & Signature Sound - 99-and-a-half   14. Our mystery artists of the week - Journey now   15. The Down East Boys - Mercy River   16. "I Am The New Year"   17. Tribute Quartet - Come on let's go to that Land   18. The Inspirations - My name's already there   19. The Guardians - Kick up my heals and sing   20. Karen Peck & New River - That's what faith looks like   21. The Nelons - God won't   22. Gold City - Rise up   Outro – Purple Hull – Auld Lang SyneHappy New Year from The Gospel Jubilee!   This week on The Gospel Jubilee Chip & Denny will be counting down the top 20 Southern Gospel songs for 2025.   Here are all of the ways you can listen to the Gospel Jubilee On your Echo device say, Alexa, play the Gospel Jubilee on Apple podcast. For a direct download go to: https://api.spreaker.com/v2/episodes/69241740/download.mp3       Ocean Waves Radio ... every Wednesday at 5:00 PM Eastern time., www.OceanWavesRadio.com   Thursday afternoons at 4:00 PM and Sunday mornings at 9:30 AM  EST on Southern Branch Bluegrass Radio, www.sbbradio.org   Playlist:   Artists |Song Title   01. The LeFevre Quartet (Featuring Joseph Habedank) - Troubled   02. The Kramers - He remembers my sin no more   03. Gold City - When It's gone for good   04. the Whisnants - If not for Christ   05. Triumphant Quartet - Big ole stone (Victory)   06. Joseph Habedank (Featuring Chris Blue) - Jesus walked in   07. The Kingsmen - I just stopped by on my way home   08. The Kingdom Heirs - No better time   09. The Mark Trammell Quartet - Can He, could He, would He,   10. The LeFevre Quartet - The things we cannot change   11. Jeff & Sheri Easter (Featuring The Archers) - Sunshine on a cloudy day   12. Legacy Five - Bigger on the inside   13. Ernie Haase & Signature Sound - 99-and-a-half   14. Our mystery artists of the week - Journey now   15. The Down East Boys - Mercy River   16. "I Am The New Year"   17. Tribute Quartet - Come on let's go to that Land   18. The Inspirations - My name's already there   19. The Guardians - Kick up my heals and sing   20. Karen Peck & New River - That's what faith looks like   21. The Nelons - God won't   22. Gold City - Rise up   Outro – Purple Hull – Auld Lang Syne

Singer, songwriter and guitarist Billy Strings has one foot in traditional bluegrass and another in improvisational jam music. He has a new album, ‘Live at the Legion,' and he brought his guitar to our studio. He spoke with Sam Briger about healing himself through songwriting.Also, Icelandic jazz-pop star Laufey spoke with Terry Gross about her classical training in cello, breaking out online during COVID, and her first arena tour. Her recent album is ‘A Matter of Time.' Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Jeffersontown Police Department, in collaboration with the Kentucky State Police and the Drug Enforcement Administration, executed a significant drug operation resulting in the seizure of 55 pounds of methamphetamine disguised as Christmas presents.See omnystudio.com/listener for privacy information.

This week we feature fiddler Jimmy Mattingly and talk with him about his career playing in fiddle contests as a young fiddler, performing in bluegrass band such as Spectrum, the Osbourne Brothers and the Grascals and working with country music acts such as Dolly Parton, Garth Brooks, Reba McEntire, Trisha Yearwood and others.  We will also talk about him being the fiddle instructor at the Bluegrass Unlimited Workshop Weekend in February 2026 in Owensboro, Kentucky. 

[REBROADCAST FROM October 20, 2025] Both Steve Martin and Alison Brown share a love of the banjo. Videos of the two playing together have gone viral online, and Martin's banjo videos during the pandemic were particularly comforting to many. Brown and Martin talk about their new album, Safe Sensible and Sane, and perform live in the studio.

Merry Christmas Everyone from The Gospel Jubilee   This week on The Gospel Jubilee Chip & Denny will be playing music by Southern SonLight, Lauren Talley, Real Truth Revival, Steve & Maegan Ladd, Carrie Underwood, CeCe Winans & Cody Johnson, Alabama, The Collingsworth Family, and Tate Emmons.   Here are all of the ways you can listen to the Gospel Jubilee On your Echo device say, Alexa, play the Gospel Jubilee on Apple podcast. For a direct download go to: https://api.spreaker.com/v2/episodes/69185318/download.mp3   Ocean Waves Radio ... every Wednesday at 5:00 PM Eastern time., www.OceanWavesRadio.com   Thursday afternoons at 4:00 PM and Sunday mornings at 9:30 AM  EST on Southern Branch Bluegrass Radio, www.sbbradio.org   Playlist:   Artists |Song Title   01. The Whisnant's - Go tell   02. The Blackwood Brothers - When I cross to the other side of Jordan   03. Southern SonLight - All things are possible God   04. Lauren Talley - Say yes I Am   05. Gold City - Born this happy morning   06. The Browns - Angels medley   07. Real Truth Revival - Gloria in Excelsus   08. Steve Ladd (Featuring Maegan Ladd) - No other child   09. Southbound - Imagine a world without Christmas   10. The Mylon Hayes Family - Who is He in yonder stall   11. Carrie Underwood - Mary did you know   12. The Down East Boys - Cradle in Bethlehem   13. Karen Peck & New River - I speak Jesus   14. CeCe Winans & Cody Johnson - Come Jesus come   15. Triumphant Quartet - He's Books of the Bible song   16. Sounds of Jericho - Move that mountain (Live)   17. Alabama - Remember Me   18. The Collingsworth Family - The story of the first Christmas   19. Tate Emmons - Would you like to see my baby   20. The Perrys - We wish you a Merry Christmas   Outro – Kevin Williams – Joy To the World

Bourbon Lens welcomes Jennifer Brian, "Cocktail Evangelist" and founder of Make & Muddle, to discuss her upcoming book, The Classic Cocktail Revival, which released in September 2025 from the University Press of Kentucky. Born in the Bluegrass and shaped by deep family roots in Eastern Kentucky, Jennifer's earliest memories of hospitality, food traditions, and gracious gatherings laid the foundation for her 25-year career in the hospitality industry. From luxury catering and event planning to becoming a nationally recognized cocktail evangelist, her work centers on collaboration, education, and making cocktails approachable for everyone. In this episode, Jennifer shares the inspiration behind The Classic Cocktail Revival, exploring why timeless cocktail recipes are experiencing a resurgence and how classic techniques continue to resonate with modern drinkers. We also dive into the story behind Make & Muddle, Jennifer's craft syrup and shrub company designed to simplify beverage making without sacrificing quality. Whether you're a professional bartender or a home host, Jennifer explains how thoughtful ingredients and a collaborative spirit can elevate any cocktail experience. You can purchase the book wherever books are sold, including at Carmicheal's in Louisville.   We encourage you to support your local independent bookstore this holiday season.   Stream this episode on your favorite podcast platform, and if you enjoy what you hear, we'd love for you to leave us a review. We're incredibly grateful for your continued support over the past six years. A special thank you goes out to our amazing community of Patreon supporters—your support helps keep Bourbon Lens going strong! If you're enjoying the podcast, consider leaving a 5-star rating, writing a quick review, and sharing the show with a fellow bourbon enthusiast. You can follow us @BourbonLens on Instagram, Facebook, LinkedIn, and X. Want to go a step further? Support us on Patreon for exclusive behind-the-scenes content, Bourbon Lens swag, access to our Tasting Club, and more. Have questions, feedback, or guest suggestions? Drop us a line at Info@BourbonLens.com. Explore BourbonLens.com for blog posts, the latest whiskey news, our full podcast archive, and detailed whiskey reviews. Cheers, Scott & Jake Bourbon Lens  

In this episode, I sit down with bassist Jeff Picker to talk about the winding road from jazz to roots music, and how his time with Ricky Skaggs became a real-world education in feel, note choice, and serving the song. Jeff shares how he went from New York to Nashville, how that Skaggs connection opened doors at the Opry, and why bluegrass bass is simple in concept but not easy in execution.We also dig into electric country bass and the influence of players like Joe Osborn, including what it means to think about voice leading, “flop” bass, and why subtle choices can be the difference between good and great. Jeff explains how he approaches being a hired gun, adapting to different bands, and why your individuality comes through without forcing it.Finally, Jeff walks me through his solo records, what pushed him to start writing, how the first project gained traction on SiriusXM, and what it was like working with Victor Krauss as a co-producer. We wrap by talking about sessions, life as a working musician in Nashville, the Opry staff band, and the reality of raising a puppy while keeping your calendar full.To learn more about Jeff, visit his website.Music from the Episode:The Winds of Spring (Jeff Picker)Ricky's Run (Jeff Picker)Night Terrors (Jeff Picker)The Unfinished Path (Jeff Picker)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Blood on the Bluegrass, Part Two (Chapters 4–6) Episode Title: Blood on the Bluegrass — Part Two In the conclusion of this two-part series, fantasy collapses into murder, the manhunt and trial reshape the lives of everyone involved, and the lingering aftermath reveals the true cost of a story believed too deeply. CHAPTERS Chapter Four — “The Double Murder Inside the Wendorf Home” Rod steps into a quiet Florida home and commits an act of violence that shatters two families and destroys the world his followers thought they understood. Chapter Five — “The Vampire on Trial” The justice system confronts Rod's mythmaking as prosecutors dismantle the Vesago persona and seek the harshest penalty allowed. Chapter Six — “The Appeal of the Damned” From death row to life without parole, Rod's myth erodes under the weight of time as the surviving clan members search for lives beyond the story that defined their youth.

Our guest is George Padilla who plays a key role in multiple exciting Japanese restaurant and hospitality businesses in New York, including Rule of Thirds (https://www.thirdsbk.com/), Bin Bin Sake (https://linktr.ee/bin.bin.sake) and Teruko (https://hotelchelsea.com/dining-and-bar/teruko) at The Hotel Chelsea. George's passion for and profound understanding of Japanese culture is impressive. Since he joined the tiny yet influential Japanese restaurant Okonomi in Brooklyn in 2014, he has been one of the most inspiring people in the Japanese food industry. He joined us with his chef partner JT at Rule of Thirds, in Episode #236 in August 2021, and shared his idea of Japanese food and food culture. He recently took another trip to Japan, which was packed with unique experiences and discoveries. In this episode, we are going to discuss all about them, such as his visit to the oldest izakaya in downtown Tokyo, the standing sushi bars he enjoyed and his stay at a traditional foodway retreat in Yamanaka Onsen. We will also talk about traditional manufacturers and breweries he visited, Japan's fermentation culture and much, much more!!! ＊＊＊ Places mentioned: Shinsuke izakayahttps://www.tripadvisor.com/Restaurant_Review-g1066442-d1688850-Reviews-Shinsuke-Bunkyo_Tokyo_Tokyo_Prefecture_Kanto.html Kagiya izakayahttps://www.tripadvisor.com/Restaurant_Review-g1066461-d9930321-Reviews-Kagiya-Taito_Tokyo_Tokyo_Prefecture_Kanto.html Tachiguizushi Akira (standing sushi bar)https://tachiguizushi-akira.com/en Hakko Department (fermentation retail shop)https://allabout-japan.com/en/article/11155/ Hannah Kirshner's Yamanaka retreathttps://www.instagram.com/hanamurasaki_official/ Harappa Aizu (cotton textile)https://www.harappaaizu.com/en/indtop.html Heritage Radio Network is a listener supported nonprofit podcast network. Support Japan Eats by becoming a member!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's page, Zevachim 95, the rabbis continue their careful discussion of how sacred garments are cleaned in the Temple. We take a Chanukah pause with a song from Nefesh Mountain, because nothing launders our hearts and our minds and makes them fresh again quite like music. When the details of ritual start to pile up, where do you turn to feel renewed? Listen and find out. Join Nefesh Mountain tonight at the Brooklyn Bowl for a very special Love & Light show! Doors open at 6pm, there's a pre-show candle lighting at 7pm, and the show starts at 8pm. Get tickets here. To support Tablet and make a tax-deductible donation, click here.

25 years ago this month, the Coen brothers' Americana Odyssey "O Brother, Where Art Thou" was released in theaters. While the movie saw a paucity of award recognition, its soundtrack managed to land a Grammy for Album of the Year, giving rise to a major revival of American roots and bluegrass music in the mainstream. Music writer Allison Hussey discusses the soundtrack and its legacy as part of our Silver Liner Notes series, and listeners share their feelings about the film, and the soundtrack.

This week we feature Jaelee Roberts, the lead singer and guitar player for Sister Sadie.  We talk with Jaelee about growing up in a prominent bluegrass family, performing with an award-winning band, recording her solo albums and performing on the Grand Ole Opry.  You will also hear a couple of songs from Jaelee's newest solo album.

Blood on the Bluegrass Part One (Chapters 1–3) Episode Title: Blood on the Bluegrass — Part One We begin the story of Rod Ferrell and the so-called Vampire Clan by exploring the myth he built, the vulnerable teenagers he pulled into it, and the road trip that carried them from fantasy into imminent tragedy. CHAPTERS Chapter One — “The Vampire of Murray, Kentucky” A lonely teenager crafts an identity powerful enough to mask his wounds and attract followers who see him as something larger than life. Chapter Two — “The Lost and the Searching” Rod gathers a circle of fragile, impressionable teens who mistake his certainty for purpose and mistake his mythology for truth. Chapter Three — “Crossing the Threshold” The clan leaves Kentucky for Florida on what they believe is a rescue mission, unaware that they are driving toward irrevocable violence.

If you were listening last week, you'll know that my interview with Trey Hensley about Flatt and Scruggs at Carnegie Hall was the 500th episode of Bluegrass Jam Along.To celebrate I thought I'd put together an episode with a few of my highlights and favourite moments from those first 500.You'll hear from:Alison Krauss, on two different car journeys with Tony RiceWyatt Rice, on recording Church Street BluesBryan Sutton, on the journey all musicians go onGabe Witcher, on leaving Punch BrothersBrittny Haas, on joining Punch BrothersChris Eldridge, on Bela Fleck's Drive albumBryan Sutton (again), on Doc Watson and his influenceSarah Jarosz, on her album Blue Heron SuiteSara Watkins, on I'm With Her's Wild and Clear and Blue and Mike Marshall, on playing with Tony Rice and what he learned from other musiciansThis journey has been a lot of fun and I can't wait to get stuck into the interviews I already have lined up for the next set of episodes.Thanks to all my guests and to all of you who've listened over the past four and a half years.If you want to hear a bit more about my journey with the podcast, check out this interview I did with Daniel Patrick from the Mandolins and Beer podcast.Finally, if you know anyone who you think would like this episode, please share it with them!Matt Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

The Devil's Ledger — Week of December 15 Welcome back—and happy holidays. It's that special time of year filled with forced cheer, soft lighting, and quietly wondering whether leftovers have crossed from festive into forensic. Whether you're decking halls, dodging relatives, or just surviving December, we're glad you're here. This week's Ledger is packed with folklore, fanaticism, lost idealism, and a reminder that some remakes exist solely to make us feel ancient.

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights VI - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Welcome to the 500th episode of Bluegrass Jam Along!My guest this week is Trey Hensley, who joins me to celebrate the very first record he bought - Flatt and Scruggs at Carnegie Hall.This historic album was a pivotal moment for bluegrass and also served as a personal intro to the music for many fans.We chat about why Flatt & Scruggs' performance at Carnegie Hall, on December, 1962 was groundbreaking, the initial skepticism from the press, the audience's enthusiastic reception and some of the famous (and soon to be famous) face in the crowd on the night.We also talk about the pivotal role Lousie Scruggs had, not just in getting this performance recorded, but in putting Flatt and Scruggs (and bluegrass music) in front of a new, younger audience.This one was a real treat!For more info on Trey check out www.treyhensley.com===If you're a Flatt and Scruggs fan and missed the Earl Scruggs 100th birthday episodes I put together last year (including Trey as a guest!) you'll find them here:Earl Scruggs 100th Birthday Tribute:Part 1 - Tony Trischka, Kristin Scott Benson and Alan MundePart 2 - Jerry Douglas, Alison Brown and Tim O'BrienPart 3 - Trey Hensley, Kyle Tuttle (Molly Tuttle and Golden Highway) & Willow OsborneJim Mills on Earl Scruggs and pre-War Gibson banjosJerry Douglas celebrates Earl Scruggs' 100th Birthday Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

This week's Bitesize episode celebrates one of the most important dates in bluegrass music - December 8th. The main reason this date is so important is that it marks the first time Earl Scruggs joined Bill Monroe at The Opry, on December 8th 1945, leading many people to describe it as 'the birth of bluegrass'. That makes 2025 the 80th anniversary of bluegrass!Fast forward to December 8th 1962 and we have another Flatt and Scruggs milestone - their performance at New York's Carnegie Hall, which was released the year after as Flatt and Scruggs Live at Carnegie Hall, a record that went on to become a firm favourite of bluegrass fans the world over.To celebrate that record, I'll be joined by Trey Hensley in the next episode of the podcast...which is also Bluegrass Jam Along's 500th episode! If you missed the Earl Scruggs 100th birthday episodes I put together last year, you'll find them here:Jerry Douglas celebrates Earl Scruggs' 100th BirthdayEarl Scruggs 100th Birthday Tribute:Part 1 - Tony Trischka, Kristin Scott Benson and Alan MundePart 2 - Jerry Douglas, Alison Brown and Tim O'BrienJim Mills on Earl Scruggs and pre-War Gibson banjos Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Mischke interviews Bob Eckstein, author of "The Illustrated History of the Snowman." Then he calls down to Florida and meets a former punk rocker into Bluegrass and Baseball.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mischke interviews Bob Eckstein, author of "The Illustrated History of the Snowman." Then he calls down to Florida and meets a former punk rocker into Bluegrass and Baseball.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to this month's Bluegrass Briefing, a monthly series of episodes taking a look at what's going on in the world of bluegrass.Here are the links to stuff mentioned in this episode.News and announcements - church street news European Bluegrass Summit registrationAlison Krauss & Union Station - Live - vinyl reissueBela Fleck Jingle All the Way tour dates and vinyl reissueIBMA WebinarThursday, December 4, from 12-1PM ESTFrom the Table to the DSPs and Back Again: How To Make Money Without Selling RecordingsZoom link to joinReleases (The Grass is New)Hildaland (Bandcamp)The Grass is (mostly) New 2025 playlist (Spotify)Scroll on BuddyBéla Fleck's My Bluegrass Heart & Punch Brothers - Holiday Medley (live)WatchOther bitsThe Grass is (mostly) New 2025 playlistFull list of interviewsCollings GuitarsHappy picking.Matt Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Ad Free at www.patreon.com/dopeypodcastBilly Strings sits down for one of the rawest, heaviest, and most honest conversations ever recorded on Dopey. In this replay, Billy talks openly about growing up in chaos, losing his dad to heroin at age two, his mom's crack and meth addiction, violence in the home, poverty, hunger, couch-surfing, and the wild, psychedelic, musical household that shaped him. He walks through the exact moments his childhood shifted from love and music into danger, raids, labs, dealers, and watching addiction take over everyone around him.Billy tells stories about tweaking with his parents, smoking meth for the first time with his mom, first acid trips, playing guitar for 48 hours straight, metal bands, coke, crack dreams, and the insane scenes he lived through as a kid and teen.He talks about leaving home at 13, being homeless, trying coke and meth after swearing he'd never do hard drugs, the traumatic first time he did heroin, panic attacks, confronting childhood sexual abuse in therapy, and getting sober from alcohol nine years ago.Billy also goes deep on losing his mom in 2024, learning she died from meth intoxication, how he found out through the death certificate while on tour in Australia, the confusion, denial, anger, heartbreak, poems she left behind, and the letter from his biological father he discovered after her death — the first time he ever saw his father say he loved him.He shares what Trey told him about Al-Anon, how he's been listening to meetings, how his understanding of addiction has completely changed, and his desire to help kids growing up in houses like his.This is Billy Strings telling his story exactly as he lived it — no hiding, no sugarcoating, and no shame. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 www.patreon.com/dopeypodcast This Week on Dopey! Billy Mother Fucking Strings comes on to share his truth! But first Dave meditates, reads spotify reviews, reads an email about premature ejaculation, and a voicemail from Dopey OG Alex on meth, fent and needing makeup! Then Billy joins Dave on Dopey to talk openly about addiction shaping his entire life—from his dad dying of a heroin overdose when he was two, to growing up in houses full of meth use, crack dealers, and chaos, to smoking meth and tripping on acid with his mom as a teenager. He describes leaving home at 13, couch surfing, dropping out of school, playing in metal bands, smoking crack, and eventually getting pulled back toward bluegrass.Billy talks about how his parents' addiction destroyed stability, how meth “fucked everything up” in his hometown, how he stayed awake for four-day binges while playing guitar with his dad, and what finally made him leave. He also describes the first time he did heroin, why he stopped drinking nine years ago, and how addiction still affects him through dreams and cravings.He reflects deeply on his mother's recent death from methamphetamine intoxication, discovering his dad was using too, attending Al-Anon meetings, reading his mom's poems, and trying to break the cycle for his own son. He also talks about touring arenas, the pressure of success, therapy, panic attacks, being molested as a child, and wanting to help others impacted by addiction.All that and much more on a wall to wall traumatic tale of how secrets can make us sick! This week and forever on the good old Dopey show!Happy Thanksgiving! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.