Podcasts about chicago lyric opera

Website: https://thefuriousbongos.com/ US/CA/EU Booking, Music Director, general info Conrad St. Clair thefuriousbongos [at] gmail.com / +1 608-220-1963 EU/UK Booking Chris Huntington / Head On Entertainment headonent [at] gmail.com / +1 410-903-8634 Management Tommy Wilson tommyhawkwilson [at] gmail.com / +1 718-473-256 We're only in it for the money. HAHAHAHA OK, OK...we're just a bunch of professional musicians with pretty diverse backgrounds who decided to take on a pretty big challenge and have some fun in the process.  Now, you might ask, “Oh yeah? Professional musicians, eh? What makes you think you can play Frank's music as well as [insert Zappa family/band member here]?” Well, maybe you haven't heard of us individually, but  "we're pretty good musicians"  and you probably have heard of the folks on our resumes:  BB King, Mick Fleetwood, Vinnie Colaiuta, Googoosh, Dweezil Zappa, LA Philharmonic, Arthur Barrow, Munich Philharmonic, Bryan Beller, Popa Chubby, Yo Yo Ma, Limelight: A Tribute To Rush, Pinetop Perkins, Chicago Lyric Opera, Madison Opera, blah blah blah....you get the idea. As for Frank's music, he was constantly changing things, both for his own creative choices and to adapt to the different musicians he had over the years. He also understood that his live performances were entertainment: it's supposed to be a rock show, not a piano recital. With all that in mind, we don't think playing Song X from Album Y note-for-note while staring at our shoes is the proper way to go about this. The result of that approach (combined with a lot of homework) is a show that pays respect to Zappa's legacy, but is also new and different and dangerous and FUN, with lots of eyebrows. Kinda like Frank.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

Neil Armfield AO is a leading Australian director of theatre, opera and film. Alongside Rachel Healy, Neil was Artistic Director of Adelaide Festival between 2017 and 2022. Prior to that, Neil was the inaugural Artistic Director of Belvoir St Theatre, which he also co-founded, for 17 years.   As Artistic Director of Belvoir, and for other companies, Neil has directed well over 100 productions, with a focus on new and Indigenous writing, Shakespeare, David Hare and Patrick White.  Some highlights include; The Tempest, Hamlet, Up the Road, Summer of the Seventeenth Doll, Keating!, Toy Symphony, Dallas Winmar's Aliwa, Angels in America, A Cheery Soul, Signal Driver, The Blind Giant is Dancing and Things I KnowTo Be True. Neil's production of Arthur Miller's Death of a Salesman opened in late 2023 to glowing reviews. Produced by GWB Entertainment and Red Line Productions at Her Majesty's Theatre in Melbourne, it starred Anthony LaPaglia and Alison Whyte. After the success of the Melbourne season, the play will be presented at the Theatre Royal Sydney in May/June 2024.   In 2022, Neil directed the world premiere of the oratorio Watershed: The Death of Dr Duncan by Joseph Twist at the Adelaide Festival, and Glyndebourne Festival's production of Brett Dean's Hamlet at the Metropolitan Opera in New York. Neil directed the same production of Hamlet at Munich's Bayerische Staatsoper in July 2023. For the 2021 Adelaide Festival, Neil directed the Australian premiere of A German Life by Christopher Hampton, starring Robyn Nevin, as well as Britten's A Midsummer Night's Dream in the Festival Theatre. Later that year he directed an acclaimed production of Rameau's comic masterpiece Platée for Pinchgut Opera. In addition to his extensive work in Australia, many of Neil's productions have played internationally. These include Cloudstreet (toured to London, Dublin, Zurich, New York), The Diary of a Madman (with Geoffrey Rush, toured to Moscow, St Petersburg, New York), Exit The King (Broadway), The Book of Everything (toured to New York), The Judas Kiss (toured Australia with Bille Brown, London, New York and Toronto with Rupert Everett), The Secret River (adapted by Andrew Bovell, toured to Edinburgh Festival and London) and the world premiere of David Hare's I'm Not Running for National Theatre in London. Neil frequently collaborates with major opera companies, having directed productions at The Metropolitan Opera, English National Opera, Royal Opera House Covent Garden, Chicago Lyric Opera, Zurich Opera, Bregenz Festival, Washington National Opera, Opera Australia, Pinchgut, Canadian Opera, Welsh National Opera, and Houston Grand Opera. In addition to classics by Mozart, Britten and Wagner, Neil directed the premieres of Frankie and The Eighth Wonder by Alan John, Whitsunday by Brian Howard, Love Burns by Graeme Koehne and Bliss and Hamlet by Brett Dean. For screen, Neil directed and co-wrote the feature film Candy, starring Heath Ledger and Abbie Cornish, which screened at over twenty international films festivals including In Competition at the Berlinale. Neil was awarded Best Adapted Screenplay at the AFI Awards and an AWGIE for Best Screenplay. Neil's second feature film Holding the Man premiered at Sydney Film Festival in 2015. For television, Neil directed miniseries Edens Lost for ABC (AFI Award Best Director and Best Mini-Series), The Fisherman's Wake (by Andrew Bovell), which won an ATOM Award for Best Original TV Production, and Coral Island (by Nick Enright). Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. He holds Honorary Doctorates from Adelaide, Sydney and NSW Universities, and in 2007 was appointed Officer of the Order of Australia. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

Today is a very special episode for me because we have with us, the inimitable Dr. Renee-Paule Gauthier, Violinist, Performance & Life Coach for Musicians, Host of the Mind Over Finger Podcast She is a passionate performer, teacher, and high-performance coach whose career has taken her across the United States and Canada as a soloist, recitalist, chamber musician, orchestral leader, and clinician.  Dr. Gauthier performs with some of Chicago's finest ensembles, including the Chicago Symphony and the Chicago Lyric Opera orchestras, Music of the Baroque, and the Chicago Philharmonic. She blogs about creating a meaningful practice at her website, Mind Over Finger, and hosts the Mind Over Finger podcast.  One of the most popular classical music shows, The Mind Over Finger Podcast offers discussions on mindful music-making, efficient practice, and building a purposeful career with the performers, pedagogues, and innovators who are shaping the classical music world today.  Dr. Gauthier presents masterclasses and clinics on the topics of mindful practice, audition preparation, and anxiety management to audiences across the world.   An accomplished concert artist, Renée-Paule Gauthier was mentioned as “one of the best violinists of her generation" in the book Violin Virtuosos, from Paganini to the 21st Century.  Dr. Gauthier has won awards in several competitions, including the exclusive three-year loan of the Taft Stradivari violin through the 2009 edition of the Canada Council for the Arts' Musical Instrument Bank Competition.  She made her Kennedy Center solo debut in April 2014.  She was Concertmaster of the New World Symphony, in the first violin section of the National Arts Centre Orchestra in Canada, Assistant Concertmaster of the Calgary Philharmonic, and is the Founder and former Artistic Director of the Rendez-vous Musical de Laterrière, a chamber music festival in the province of Québec.  Download your free Quarterly Retreat Planning Guide.  Book a free 30-minute discovery call with Kate.   If you enjoyed today's episode, please don't forget to subscribe, rate, review, and share it with your friends!  Want more Tales From The Lane content? Check out the TFTL Blog, with 6+ years of past articles and interviews!  Let's hang out! IG: https://www.instagram.com/kkayaian FB: https://www.facebook.com/groups/Talesfromthelane Twitter: https://twitter.com/kkayaianwright Website: KateKayaian.com  

In this episode, Hayley and Amy chat with performer and writer Jerusha Cavazos about cultivating equitable and supportive theatrical spaces, the boundless complexity of womanhood, the need for nuanced Black women characters, the virtues of showering, and more! Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Jerusha CavazosMusic: Chloe Geller Episode Resources: Check out Jerusha's music on Spotify! Guest Bio: Jerusha Cavazos (she/her) has appeared on Broadway in The Prom and Off-Broadway in Between The Lines. Regional (select): The Muny, Dr. Phillips Center, Pennsylvania Shakespeare Festival, Chicago Lyric Opera, Barrington Stage Company, Gateway Playhouse. TV: Atlanta on FX & FBI on CBS. Jerusha's original music is streaming on all platforms. @jerushacavazos Find Jerusha Online: Website: www.jerushacavazos.comInstagram: @jerushacavazos Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Here Are This Week's Good Vibes:City of Boston Announces Gender Equity Updates to Marriage LicensesBank of America to Raise Minimum Wage to $23 an Hour in OctoberNetflix, Bollywood, and India's Biggest Companies Take a Stand for LGBTQ InclusionEmpowering Black-Owned Businesses: Wayfair's Supplier Diversity InitiativeLyric Opera's Soundshirt — A New Way Deaf, Hearing-Impaired Patrons Can Experience MusicCall to Action:Tune in to Diversity: Beyond The Checkbox hosted by Jackie Ferguson. Explore a world of diverse insights and perspectives shared by influential figures in the realms of business, executive education, and diversity & inclusion on this compelling podcast. Subscribe and listen on all major podcast platforms.Read the full blog here: theequalityinstitute.com/equality-insights-blog/5-things-who-asks-whoMake sure to connect with Rhodes Perry on Linkedin. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes in DEI every Saturday morning. https://5thingsdei.com/

Welcome to episode 13 of "Then, A Moment"! A podcast where two life-long storytellers talk about stories! On today's episode, Pavi, Colin, and special guest Sammi Grant break down West Side Story. West Side Story follows the story of Tony and Maria as they fall in love despite their associations to rival gangs (Jets & Sharks.) West Side Story was inspired by Shakespeare's Romeo and Juliet and gives it a modern spin - taking place in West Side Manhattan in the 1950s. Originally produced in 1957, there have been multiple movies and reproductions made with today's group discussing the June 2023 production at the Chicago Lyric Opera. Sammi Grant is a dialect coach who worked on the 2023 Chicago Lyric Opera production. You can learn more about her and what she does at www.SammiGrant.com Your Hosts: Pavi Proczko is an audiobook narrator (Defiance of the Fall, Edens Gate), Writer (Brugum's Labyrinth, The Nightly), Actor and Singer (Chicago Shakespeare theater, Paramount Theater, Chicago Fire), and Game Master (D&D). Colin Funk is a Childhood Development Expert (Erikson Institute), Teacher (Stages Chicago), Actor and Singer (Porchlight Music Theater, Metropolis Theater), and Crafter (knitting, cross stick, Embroidery, watercolors). “With our unique lenses, we talk about a specific piece of storytelling each episode: What works? What doesn't? And the magic moments of story!” Pavi & Colin are married and live in Chicago. ❤️ Be sure to SUBSCRIBE and FOLLOW us for more! @Thenamomentpod

Jenni Bank was born in Johannesburg, South Africa, grew up in Binghamton, New York, & studied at Peabody Conservatory. She has worked with Seattle Opera, Opera Theatre of Saint Louis, Chicago Lyric Opera, New York City Opera, Anchorage Opera, Opera Delaware, Des Moines Metro Opera, Florentine Opera, Wolf Trap Opera, Tri-Cities Opera, Knoxville Opera, Hawaii Opera Theatre, Bard Summer Music Festival, Ash Lawn Opera, Amarillo Opera, Baltimore Concert Opera, Annapolis Opera, Mid-America Productions at Carnegie Hall, Alabama Symphony Orchestra, Royal Stockholm Philharmonic, Bergen Filharmoniske Orkester, Seoul Philharmonic, Los Angeles Philharmonic, & the BBC Symphony Orchestra. Performances include Marcellina (Marriage of Figaro), Samira (Ghosts of Versailles), Mrs. De Rocher (Dead Man Walking), The Mother (The Consul), 3rd Lady (Magic Flute), Ruth (Pirates of Penzance), Buttercup (H.M.S. Pinafore), Mrs. Twist (Brokeback Mountain), Emilia (Otello), Mrs. Lovett (Sweeney Todd), Mary (Flying Dutchman), Old Lady (Candide), Mrs. Peachum (Threepenny Opera), Golde (Fiddler on the Roof), Azucena (Il Trovatore), Witch (Hänsel und Gretel), Quickly (Falstaff), Dryad (Ariadne auf Naxos), Frugola (Il Tabarro), Principessa (Suor Angelica), Zita (Gianni Schicchi), Martha (Faust), Giulietta (Hoffmann), Marquise (Daughter of the Regiment), Petra (A Little Night Music), Fairy Queen (Iolanthe), Katisha (The Mikado), Filipyevna (Eugene Onegin), Verdi Requiem, Mozart Requiem, Haydn's Lord Nelson Mass, & Beethoven's 9th Symphony. She is the leading interpreter of the Duchess in Unsuk Chin's Alice in Wonderland, created the role of Firdaus Noman in Shalimar The Clown & is featured on the Cast Recording, won the Sullivan Foundation Award, is a Metropolitan Opera Competition semi-finalist, & is the Artistic Advisor for Tri-Cities Opera. Jenni is also the Analysis Operations Team Lead at the fast-growing tech startup DoWhatWorks and lives in Upstate New York with her husband and two adorable dogs (@theharleyandeo on instagram). Find Jenni at www.JenniBank.com & @jenni_bank My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Jenni Bank.

American composer Missy Mazzoli joins us from her home in New York for this latest episode of Composing Myself. It's a customarily broad-ranging chat with Wise Music CEO Dave Holley and Creative Director Gill Graham. Topics on today's conversational menu include Missy's childhood obsession with Beethoven and learning to play on a piano bought in a flea market, how writing made her feel like she was “putting the world in order”, getting stuck in to the Pennsylvania Riot Grrrl scene as a teenager, her long-standing collaboration with librettist Royce Vavrek, and how the COVID-19 pandemic impacted the creation of her most recent opera The Listeners.https://missymazzoli.com/Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times) and “Brooklyn's post-millennial Mozart” (Time Out NY), Missy Mazzoli has had her music performed by the New York Philharmonic, Atlanta Symphony, the Philadelphia Orchestra, the BBC Symphony, the Cincinnati Orchestra, the National Symphony, LA Opera, Scottish Opera, eighth blackbird, Kronos Quartet and many others. In 2018 she became one of the first two women, along with Jeanine Tesori, to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of Best Classical Composition. From 2018-2021 She was Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Upcoming commissions include works for Opera Philadelphia, Chicago Lyric Opera, Norwegian National Opera and Third Coast Percussion. In 2016, along with composer Ellen Reid, she founded Luna Composition Lab, a mentorship program for young female, nonbinary and gender nonconforming composers. Her works are published by G. Schirmer. Hosted on Acast. See acast.com/privacy for more information.

Tonight is your last chance to see Drake Wunderlich as The Fiddler in "Fiddler on the Roof" at the Chicago Lyric Opera! Drake shares with Steve and Jane how he prepares on a show day, what it is like to perform on stage every day, and what he plans on doing after the show ends. See omnystudio.com/listener for privacy information.

Broadway veteran David Benoit works all over the country, including the current Chicago Lyric Opera production of Fiddler on the Roof and the recent world premiere musical Bruce at Seattle Rep. David discusses the various paths he's taken to some of his favorite roles; how he considers the audition the job; learning lessons from Susan Stroman; how to partner in the dance between actor and director; the importance of avoiding cutesy pogroms; manifesting roles as far back as third grade; and how Jaws nerdery leads to work! (Length 21:33) The post Actor/Singer David Benoit appeared first on Reduced Shakespeare Company.

Colin Aikins , tenor, presents his Senior Recital June 8 at 7pm in a free concert at Carnegie Hall in Oakland which he previews with Jim Cunningham. Colin is on to Juilliard in New York next year after completing his degree at the Curtis Institute of Music in Philadelphia. He has invited soprano Sarah Fleiss to sing Monteverdi with him. She is also a singer from the vocal department at Curtis and also studies with Julia Faulkner of Chicago Lyric Opera.. Mezzo Soprano Alexandria Zallo will join in the program and the accompanist is Djordje Nesic pianist. Colin is a Central Catholic graduate who has won fans in western Pennsylvania including soprano Marianne Cornetti. He has performed at the Aspen Music Festival and in Europe at Salzburg, at Chautauqua, Las Vegas and other cities along the  way winning multiple awards at prestigious competitions..The plan for the program is operatic dazzlers, favorite Italian songs by Tosti and Cole Porter at the end of the evening.

Annemieke Bosman praat met regisseur Jetske Mijnssen over haar regie van Gaetano Donizetti's opera "Anne Bolena" voor de Nationale Opera.  Jetske Mijnssen is een van Nederlands toptalenten in de internationale operaregie en winnaar van de ‘Grand Prix de la Critique' in 2016,  ze debuteert bij De Nationale Opera. De muzikale leiding is in handen van de Italiaanse dirigent Enrique Mazzola, de nieuwe chef-dirigent van de Chicago Lyric Opera. Hij wordt wereldwijd erkend als de belcantospecialist bij uitstek en leidt in Amsterdam het Nederlands Kamerorkest. Anna Bolena heeft het leven van Anna Boleyn, de moeder van koningin Elizabeth I, tot onderwerp. Zij is de tweede vrouw van Hendrik VIII en wordt door hem aan de kant geschoven voor zijn nieuwe minnares Jane Seymour. Het is een opera over macht, passie, eer en kwetsbaarheid met dodelijke gevolgen en dat alles in een woelig tijdperk.

Today's guest and my very first guest on the Thriving singer podcast is non-other than the great David Jones, who has developed an international career as an author, vocal pedagogue, teacher of singers, and teachers in Europe and the U.S.  David is celebrating 50 successful years of teaching the fall of 2022 He has trained singers performing at opera houses and festivals such as the New York City Opera, San Francisco Opera, the Metropolitan Opera, Chicago Lyric Opera, Berlin Staatsoper, Vienna Staatsoper, Opera North U.K. the Royal Opera House at Covent Garden, the Glyndebourne Opera Festival, Salzburg Festival, and L'Opera Bastille in Paris. David Jones is a graduate of Texas Christian University with graduate research at the University of North Texas. Having also researched at the Groningen University Hospital (Groningen, The Netherlands) and the Laboratoire de la Voix Voice Clinic in Paris, he has had the opportunity to study how Old World concepts can be therapeutic in treating voice disorders. He also works in conjunction with the practice of Laryngologist Dr. Benjamin Asher in New York. In 1979, he studied with internationally known vocal pedagogue Allan R. Lindquest (1891-1984), founding member of NATS and the Amercian Academy of Teachers of Singing. It was through Mr. Jones' study with Lindquest that he learned the concepts of Lindquest's teachers, which included Enrico Caruso, Mme. Ingebjard-Isene (teacher of Flagstad), Joseph Hislop, Maestro Rosati (teacher of Gigli), and Mme. Novikova. Additional instructors of the Lindquest concepts with whom David Jones studied include Virginia Botkin, Dr. Suzanne Hickman, and Dr. Barbara Mathis, who performed scientific research on the therapeutic benefits of the exercises. It was through this study that Mr. Jones studied the concepts of the Swedish-Italian School of singing. In 1982, Mr. Jones studied with Dixie Neill, the primary teacher of Ben Hepner, and later with Dr. Evelyn Reynolds. Dr. Reynold's teachers included Lola Fletcher (student of Herbert Witherspoon), tenor Hollis Arment, William Vennard, author of “Singing: The Mechanism and the Technique”, and Ralph Erolle, instructor of the well-known soprano Arleen Auger. David Jones has trained singers performing at such opera houses and festivals as the New York City Opera, San Francisco Opera, the Metropolitan Opera, Chicago Lyric Opera, Berlin Staatsoper, Vienna Staatsoper, Opera North U.K. the Royal Opera House at Covent Garden, the Glyndebourne Opera Festival, Salzburg Festival, and L'Opera Bastille in Paris. Mr. Jones has been published by both European NATS and Classical Singer Magazine. Presenting seminars for teachers twice yearly in New York City and in Europe, he now dedicates his energy toward sharing information with teachers, writing articles, and teaching in his New York Studio and in Europe. In our interview we travel far and wide, exploring how he got into the world of singing and how he gathered and refined the concepts he now teaches.  We talk about vocal trauma and what causes it, the importance of sensations in singing, diagnosing Fach, and what a voice type consists of. We talk about collaborative teaching, and problem-solving together with the student, making them aware of the process.  We dive into the realm of feeling safe in a voice lesson and what not to put up with. How some teachers might be qualified in their information but not in the psychology of teaching. Connecting mind and body through work such as Feldenkreis or Alexander Technique and the importance of identifying and releasing tension whatever the cause may be. And last but not least how to work with different coaches while keeping your technique. And many other things connected to healthy singing. Links to resources mentioned: Connect with David Jones david@teacher.com | Facebook : The David Jones Voice Studio | Website : voiceteacher.com Article: Taking a professional coaching and protecting your voice David's Book: A modern guide to old world singing Janet William's Book: Nail your next audition David's CD: An introductory lesson with David Jones Ingela Onstad's website: courageousartistry.com Carl Stough: Dr.Breath - Breathing Coordination Lynn Martin: perriinstitute.com/lynn-martin Shirley Tennyson: https://www.rosemarydesloge.com/provider/shirley-tennyson-ma-edm-ccc-slp Because we talked a great deal about breath I would like to recommend the book "Breath" by James Nestor for anyone interested in diving deeper into the subject!

Award-winning composer Jimmy López Bellido has been performed by leading orchestras and his music has been heard in some of the world's most prestigious venues. His opera based on the bestselling novel “Bel Canto” was premiered by Chicago Lyric Opera to great acclaim and he served as the Houston Symphony's Composer-in-Residence from 2017 until 2020. Seth Boustead talks with him about his new album Aurora & Ad Astra featuring Andrés Orozco-Estrada, Leticia Moreno, and the Houston Symphony.

Joining Michael, Sky, and Sui-Lin on the podcast today is the Principal percussionist of the Kansas City Symphony, published author, teacher, performer, arranger? (more on that later in the episode) and overall great guy Josh Jones! A native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric Opera member Douglas Waddell. He earned his Bachelor's in Music from DePaul School of music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. In 2020, Josh joined the Kansas City Symphony as Principal Percussionist. Josh has been featured at Carnegie Hall, on radio and television, and has had two short documentaries made about his musical development and experience. He also authored a percussion method book series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring young musicians and traveling. In this episode of the show, we talk about Josh's time in the Percussion Scholarship Program, a program for young percussionists in Chicago that our very own Sui-Lin was a member of. We also discuss his career in other symphonies such as an apprentice in the Detroit Symphony, the principal percussionist in the Calgary Symphony, and the principal in the Kansas City Symphony. Also mentioned are some ideas about auditioning including how to overcome anxiety and what to bring, the documentary Josh was featured on in 2016, the books that Josh has been writing "Spatial Studies for Hitting Things", and many more interesting and engaging topics. Still not sold on watching this episode? Here are a few wonderful quotes from our guest on the topic of auditioning: "Don't play it accurately, play it musically." "How do you play this to make YOU go... yeah" Thank you to our supporters on Patreon: Ellie You :) Thank you for your continued support! If you want to join them, you can click the link in our Instagram bio @tamspercpodcast to find all of our resources, including different ways to watch the show and ways to donate to us. Thank you for reading this, and enjoy the episode!

For Video Edition, Please Click and Subscribe Here: https://youtu.be/BsFCkds8WUQ Ken has designed nearly 100 Broadway productions including Act One, Chaplin, Hugh Jackman Back on Broadway, The Scottsboro Boys, Sondheim on Sondheim, [Title of Show], The Search for Signs of Intelligent Life in the Universe starring Lily Tomlin, Footloose, Candide (1997), Annie (1997), Annie Warbucks, Inherit the Wind, Moon Over Buffalo, The Red Shoes, Fiddler on the Roof (1990, 81,76), Lettice and Lovage, Tru, Meet Me in St. Louis, On the 20th Century, Side by Side by Sondheim among others. He has been honored with seven Tony award nominations and received the 1997 Tony Award for his work on Chicago.  For a complete list of Broadway shows go to www.idbd.com. For a more complete list go to www.lortel.org/lla_archive Ken works in all forms of theatrical lighting including opera, dance, concerts and spectaculars. 13 productions for the NY City Opera including: Candide, the American premiers of Silverlake, The Voice of Ariadne and Ashmedai. Other companies include Dallas Opera, Chicago Lyric Opera, San Francisco Opera, La Scala, Theatro Real in Madrid and Teatro Colon in Buenos Aires. Some of the great entertainers that Ken has lit include Hugh Jackman, Ann-Margret, Shirley MacLane, Liberace, Sigfried and Roy, Juliet Prowse, Chita Rivera and Lisa Minelli to name just a few. For 27 years the Radio City Music Hall Christmas Spectacular had lighting by Ken Billington as well as the annual Easter Show. Other spectaculars include the relighting of Jubilee at Bally's Las Vegas in 2004, Fantasmic! at Disneyland, Shamu Night shows at the Seaworld Parks and Illuminights at Busch Gardens Williamsburg. 

One of Mark's earliest performing experiences was actually on stage for the Metropolitan Opera in Aida as a supernumerary, or as others might say, an actor, little knowing that he would go on to become a Metropolitan Opera Finalist Winner just a few years later. His first ambition however, was to become a Catholic Priest and despite having begun his training, he pivoted to studying voice at Indiana University. From an apprenticeship at Santa Fe Opera to becoming an ensemble member at Chicago Lyric Opera, singing at The Met and on to performing internationally, Mark's career took off at an exceptional speed. Now, having performed one hundred roles in over sixty houses worldwide, and won a whole host of awards, Mark shares the twists and turns of his extraordinary career. Find out more about Mark on his website here or through his agent here You can follow Mark on Twitter @marksdoss and Instagram @marksdoss Watch Fachtually Correct and Heart & Soul on his Facebook page here  

La mezzosoprano Cecilia Duarte @cecilia_duarte_mezzo_soprano con sede en Houston, sobresale en una variedad de géneros; abarcando música antigua, jazz, música clásica y contemporánea en todo el país e internacionalmente. Es versátil, moldeable . Es mexicana, de perfecto inglés. De dulce voz y brillo en el escenario, talento que le ha valido aplausos y reconocimientos en numerosas presentaciones nacionales e internacionales. Fue solista en el álbum ganador del Grammy Duruflé: The complete Choral Works . Cecilia ha sido reconocida por crear el papel de Renata en la primera ópera con música de Mariachi 'Cruzar la Cara de la Luna', al lado de el famoso Mariachi Vargas de Tecalitlán, y que fué comisionada por Houston Grand Opera en 2010. Ha interpretado esta ópera en los escenarios de Houston Grand Opera,  el teatro Châtelet, en Paris, Francia; Chicago Lyric Opera, San Diego Opera, Arizona Opera, La ópera de Fort Worth, El Teatro Nacional Sucre, en Quito, Ecuador, New york City Opera, y la ópera de El Paso, TX.   . Hoy nos cuenta su historia de realización por más de 18 años en los Estados Unidos para el #podcast #InpiraciónHispana

Join us as we head to Chicago, IL, to talk with the gorgeous voiced American Bass Baritone, Craig Colclough, about his glorious last minute debut with Chicago Lyric Opera as Macbeth, his career path, how the pandemic affected his life , singing in masks, and finding our way forward. http://www.craigcolclough.com/ www.screamingdivas.com  

Today's guest grew up the daughter of two prominent Chicago attorneys and the youngest of three siblings immersed in the arts. Everyone welcome: Cassidy Freeman. Her poise, work ethic and determination to constantly challenge herself quickly paid off. She embraced her old soul and let go of her aspirations of being an ingénue which immediately led to her first big break. Not knowing what a "stand in" or a "#2 on a call sheet" might deter other folks, but not Cassidy. She used that experience on her first big show as her TV Acting grad school. You've definitely seen her in the star turning role as "Tess Luthor" on SMALLVILLE and she continued to THE PLAYBOY CLUB, VAMPIRE DIARIES, LONGMIRE and THE RIGHTEOUS GEMSTONES. But before blazing the small screen with these credits, she had to learn some hard lessons along the way that led her to have fun when acting...especially for auditions. We go from 7 year old Cassidy gracing the stage of The Chicago Lyric Opera to performing at The Atlantic Theater in New York City at 22 years old, with some sound advice from a close Broadway novice that completely shifted her dreams to Broadway by way of TV. She shares her appalling experience of auditioning for a prominent Casting Director who gave her advice that she still thinks about to this day. You will hear why acting is the one art form you can't do in a vacuum since we have to listen in order to be present which is why she still takes classes at Playhouse West to this day. This is why she continues to redefine success to this day by loving life by living it. Guest links: IMDB: Cassidy Freeman INSTAGRAM: @hatface TWITTER: @cassidyfreeman For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me (@alyshiaochse)! Show Links: THE NEW TRIPLE THREAT: Script Analysis Class CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Credits: WRITER: Juan Francisco Villa SOUND DESIGN: Zachary Jameson WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Bebe Katsenes

Learn more about Tom Potter by visiting his website. Check out Tom's performance of Georgia on My Mind here.Want to learn more about growing your brand and career? Check out The Private Music Studio . Follow us on social media:Instagram: @gretapopeFacebook: The Private Music StudioTwitter:  @gretapope

Rod Gilfry is a two-time Grammy nominee, singer and actor, and has performed in all the world's music capitals, and appears on over 30 commercial recordings. He was born and raised in Southern California, and earned degrees from California State University Fullerton, and the University of Southern California. From 1987 to 1989 he was a member of the Frankfurt Opera ensemble, and from 1989 to 1994 he was a member of the Zurich Opera ensemble. Rod is acclaimed world-wide in opera, musicals, recitals and cabaret. An important part of his 75-role repertoire are the 12 leading roles he has created in new operas. Recent performances include the Los Angeles Opera productions of David Lang's solo opera the loser, Matthew Aucoin's Crossing, and Eurydice; and Jake Heggie's It's a Wonderful Life at the San Francisco Opera. He was recently Claudius in Brett Dean's Hamlet at the Glyndebourne and Adelaide Festivals, a role he will reprise at the Metropolitan Opera next year. His tour with Renée Fleming in Kevin Puts’s The Brightness of Light began with concerts at the Tanglewood Festival, Colorado Symphony and the Kennedy Center, and will resume with the Dallas Symphony, Los Angeles Opera and Chicago Lyric Opera. Mr. Gilfry is in his 12th year as a Professor of Vocal Arts at the University of Southern California Thornton School of Music in Los Angeles.

Josh's website - www.drummojo.comJosh's Instagram - www.instagram.com/joshjonesdrumsA native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric Opera member Douglas Waddell. He earned his Bachelor’s in Music from DePaul School of music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. Before his appointment to the Kansas City Symphony, he was the principal percussionist of the Calgary Philharmonic Orchestra. Josh has been featured at Carnegie Hall, on radio and television, and has had two short documentaries made about his musical development and experience. He also authored a percussion method book series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring young musicians and traveling.Support the show (https://thatsnotspit.com/support/)

ALL THINGS OAK PARK (PODCAST) RSSHenry Griffin has an unusual and fascinating story that at 20 years old has lead him to be an aspiring opera singer and a bird watching tour guide. Henry grew up in Oak Park in a house of music. His dad plays for the Chicago Symphony Orchestra and his mom plays for the Chicago Lyric Opera. So, it is no surprise that Henry is now a classical voice major at The Manhattan School of Music. Henry talks about how he developed a love of music and of bird watching. Henry reminisces about one great non music related Oak Park tradition he is grateful for. Henry also gives his Oak Park recommendations.

Join us as we get to know Anthony Freud, General Director, President and CEO of Lyric Opera of Chicago, over cocktails.  https://www.lyricopera.org/

Today on the show, I'm so excited to speak with the incredible and globally celebrated soprano Sondra Radvanovsky! In our conversation, Sondra covers a variety of topics, including how she prepares for a role, the importance of understanding how we learn, how to perform at our best, and the importance of kindness in our field. She also expands on: The importance of understanding how and how quickly we learn When it's good to walk away and hit reset in order to learn faster How a desire to please and to express emotions can negatively affect the quality of our performance The importance of being in the moment during a performance How she prioritizes her health while maintaining a heavy performing schedule involving lots of travel Sondra has wonderful insight in store for you, and I know you will enjoy this episode!   Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     More about Sondra Radvanovsky: Website: https://www.sondraradvanovsky.com/: Youtube: https://www.youtube.com/results?search_query=sondra+radvanovsky Facebook: https://www.facebook.com/Sondra-Radvanovsky-43465428333/ Instagram: https://www.instagram.com/sondraradvanovsky/ Twitter: https://twitter.com/SondraRadvan?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Sondra at The Met: https://www.metopera.org/discover/artists/soprano/sondra-radvanovsky/   Soprano Sondra Radvanovsky is a globally celebrated artist. The depth and exquisite color of her voice are matched by her dramatic acting ability and versatility across a remarkable range of repertoire, from the title roles in Rusalka and Lucrezia Borgia, to Roxanne in Cyrano de Bergerac and the title role in Manon Lescaut. She is widely regarded as one of the premiere Verdi sopranos alive today, as well as one of the premiere interpreters of bel canto. Radvanovsky begins the 2019-20 season in the title role of a production of Sir David McVicar's Rusalka at the Canadian Opera Company. She then performs in concert and recital in Vancouver, San Juan (Puerto Rico), Ã Coruña (Spain) and Baden-Baden (Germany). Radvanovsky will sing a concert titled “The Three Queens” at the Chicago Lyric Opera, a concert featuring the last act of each of the three Queens trilogy. This will be followed by a concert version of Il Pirata at the Palais Garnier in Paris. In February 2020, the soprano will be singing Liza in Pique Dame at the Chicago Lyric Opera. This is followed by both the title role in Aida and Liza in Pique Dame at the Deutsche Oper Berlin. The season ends with Sondra Radvanovsky singing the title role of Aida at the Staatsoper in Vienna. She has performed in every major opera house in the world, including the Royal Opera House, Teatro alla Scala, Opernhaus Zürich, and numerous others. Her signature interpretations of Verdi's heroines include the title roles in Aïda and Luisa Miller, Elvira in Ernani, Elena in I Vespri Siciliani, Elisabeth de Valois in Don Carlo, Amelia in Simon Boccanegra, and Lina in Stiffelio, among others. She trained at the Metropolitan Opera in the late 1990s in the Lindemann Young Artist Development Program. After performances in smaller roles there, Radvanovsky caught the attention of critics as Antonia in Les Contes d'Hoffmann and was singled out as a soprano to watch. On the concert platform, she has sung with the Boston Symphony Orchestra and the Verbier Festival Orchestra, both with James Levine; with the Chicago Symphony and David Zinman; with the San Francisco Symphony and James Conlon, and with the Bayerische Staatsoper and Zubin Mehta. Radvanovsky's debut recording, Verdi Arias, was released in April 2010 on the Delos label. The album quickly became a critical hit and made several season-best lists, including those of NPR and The New Yorker. In 2011 Delos released a CD of Verdi opera scenes with Radvanovsky and her frequent artistic partner Dmitri Hvorostovsky to coincide with the pair's return to the Met stage in Il Trovatore. The disc was recorded with the Philharmonia of Russia and Constantine Orbelian. Radvanovsky is no stranger to the screen. She stars in a Naxos DVD of Cyrano de Bergerac alongside Plácido Domingo, and in Il Trovatore, Un Ballo in Maschera, and Roberto Devereux for the wildly popular “Met: Live in HD” series. She has also been an enthusiastic host for the “Live in HD” transmissions of La Fanciulla del West, Otello, and Francesca da Rimini. Born just outside Chicago, Radvanovsky now makes her home with her husband near Toronto and has dual citizenship.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Today I'm really excited to speak with internationally recognized conductor James Gaffigan.  I think you will resonate with James' message and I hope that you walk away as inspired as I did after speaking with him! In this episode, James discusses: How he learns a score, from first glance to performance How he likes to approach rehearsing with musicians and how their perspective on a work influences his own interpretation His advice to young musicians on how to succeed as an orchestra member (and why he always looks at the back of the section!) What he means by “Trust creates magic” and how important it is for him to create trusting relationships with all artists   NEW ON THE WEBSITE: A Resources page! You can find my favorite websites, cds, as well as the other podcasts I like to listen to and the amazing books recommended by my podcast guests! Visit www.mindoverfinger.com/resources! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!   More about JAMES GAFFIGAN: Website: https://jamesgaffigan.com/ Instagram: https://www.instagram.com/james.gaffigan/ YouTube: https://www.youtube.com/channel/UCljnsdbDEHbGLjTA1I1VkVg   Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings. In recognition of this success his contract has been further extended until 2021. James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia. The 2019/20 season features re-invitations to the Chicago, San Francisco and Detroit Symphony Orchestras, Orchestre National de France and Czech Philharmonic, as well as debuts with Orchestre Symphonique de Montreal, Melbourne Symphony and the Swedish Radio Symphony Orchestra. He undertakes four major opera productions in the United States including La Cenerentola at the Metropolitan Opera in New York, Ernani at San Francisco Opera, Don Giovanni at Lyric Opera Chicago and Tristan and Isolde at Santa Fe Opera. The 2018/19 season saw James make his debut with the Symphonieorchester des Bayerischen Rundfunks and return to the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, WDR Sinfonieorchester and BBC Symphony Orchestra. In the US he made house debuts at Metropolitan Opera for La bohème and San Francisco Opera for Carmen while European productions included a new production of La Fanciulla del West and Don Giovanni at Bayerische Staatsoper and Porgy and Bess at Dutch National Opera. Regularly conducting at major opera houses around the world, James' recent appearances include La bohème, Don Giovanni, La Traviata and Le nozze di Figaro at the Wiener Staatsoper; Così fan Tutte, La Cenerentola and Falstaff at the Glyndebourne Festival; Salome for Hamburg Opera; La bohème for the Opernhaus Zurich and Così fan tutte for Chicago Lyric Opera. James also works internationally with many leading orchestras and recent guest appearances include the Royal Concertgebouw Orchestra, London Philharmonic, Münchner Philharmoniker, Orchestre de Paris, Orchestre National de France, Orchestra of the Age of Enlightenment, Rotterdam Philharmonic, Deutsches Symphonie-orchester Berlin, Dresden Staatskapelle, Wiener Symphoniker, Salzburg Mozarteum Orchestra, Zurich Tonhalle, Seoul Philharmonic and Tokyo Metropolitan. In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Ken (kbany.com) has designed nearly 100 Broadway productions including Act One, Chaplin, Hugh Jackman Back on Broadway, The Scottsboro Boys, Sondheim on Sondheim, [Title of Show], The Search for Signs of Intelligent Life in the Universe starring Lily Tomlin, Footloose, Candide(1997), Annie (1997), Annie Warbucks, Inherit the Wind, Moon Over Buffalo, The Red Shoes, Fiddler on the Roof (1990, 81,76), Lettice and Lovage, Tru, Meet Me in St. Louis, On the 20th Century, Side by Side by Sondheim among others. He has been honored with seven Tony award nominations and received the 1997 Tony Award for his work on Chicago. His Tony nominations include: Sunday in the Park with George(2008), The Drowsy Chaperone (2006), End of the World (1984), Foxfire(1982), Sweeney Todd (1979), Working (1978), and The Visit (1973). For a complete list of Broadway shows go to www.idbd.com. Off-Broadway he has many productions to his credit including Nikolai and the Others, Fame, The Thing About Men, Sylvia, London Suite, Annie Warbucks, Lips Together, Teeth Apart, The Lisbon Traviata, Snoopy and Fortune in Men’s Eyes. For a more complete list go to www.lortel.org/lla_archive Ken works in all forms of theatrical lighting including opera, dance, concerts and spectaculars. 13 productions for the NY City Opera including: Candide, the American premiers of Silverlake, The Voice of Ariadne and Ashmedai. For the Houston Grand Opera 31 productions including the world premier of Willie Stark and Aida for the opening of the Worthem Center Brown Theatre. Other companies include Dallas Opera, Chicago Lyric Opera, San Francisco Opera, La Scala, Theatro Real in Madrid and Teatro Colon in Buenos Aires. Some of the great entertainers that Ken has lit include Hugh Jackman, Ann-Margret, Shirley MacLane, Liberace, Sigfried and Roy, Juliet Prowse, Chita Rivera and Lisa Minelli to name just a few. For 27 years the Radio City Music Hall Christmas Spectacular had lighting by Ken Billington as well as the annual Easter Show. Other spectaculars include the relighting of Jubilee at Bally’s Las Vegas in 2004, Fantasmic! at Disneyland, Shamu Night shows at the Seaworld Parks and Illuminights at Busch Gardens Williamsburg. Ken has been received many awards including the Ace Award for Television Lighting, the Luman Award for Architectural Lighting and many theatre awards including the Tony, NY Drama Desk, Los Angeles Drama Critics and Boston Drama Critics, to name a few.

Music offers one of the most potent spiritual metaphors that exists, and Patrick Summers, the artistic and music director of the Houston Grand Opera, has plenty to say about the subject of spirituality and music. He positions the operatic voice as the expression of a unique sonic vocal print that vibrates atoms between the singer and the listener's ears. In his book, The Spirit of This Place: How Music Illuminates the Human Spirit, he writes, “But precisely because music is both an intellectual and an aesthetic pursuit, it is the perfect metaphor for how I believe one must live: with vast respect for provable knowledge and genuine expertise, but never at the expense of the deep joy and wonder of that knowledge, using what can be learned to marvel at what can never be explained” (2018, p. 147). The science and theory of music notes that an E flat played anywhere at any time in the world is still an E flat, but the infinite ways in which this note can be contextualized and performed open the notes, timbre, rhythm, beat, and melody to communicate that which cannot be reduced to the former collection of sounds and spaces. Patrick is a champion for struggling against the dominance of our culture's tendency to force art and aesthetic practices into a transactional container. As it would appear that the only justification for an arts program today is the capacity to measure the ways in which art increases math skills, which it does; but I would argue that nobody brought to tears listening to a piece of music or by reading a beautiful poem considers the utility of the quadratic formula in that moment. We discuss the fact that while the arts in education may not teach a person how to get a job, they may, and often do, help a person discover who they are and how to be in the world. Summers graduated from the Jacobs School of Music of Indiana University with a bachelor's degree in music in 1986. Upon graduation, he participated in the San Francisco Opera's Merola Opera Program as an apprentice coach in 1986 and 1987, and won the Otto Guth Memorial Award for excellence in vocal coaching both years. Summers' first professional engagement, with San Francisco Opera's Western Opera Theater, was conducting La bohème in their 1986/87 season. In 1989, Summers began his tenure as the music director of the San Francisco Opera Center, a training program for young singers; his first mainstage production, Die Fledermaus, was in 1990. In 1998, Summers was made Music Director of Houston Grand Opera, a position he has held since. 1998 also saw Summers' Metropolitan Opera conducting debut in Johann Strauss's Die Fledermaus. As Music Director of Houston Grand Opera, Summers oversaw the foundation and development of the HGO Orchestra. Prior to the orchestra's foundation, HGO hired outside orchestras for its productions. Since 1998, Summers has conducted over 50 productions at Houston Grand Opera, including seven world premieres (notably Carlisle Floyd's Cold Sassy Tree in 2000). In 2011, following Anthony Freud's move to Chicago Lyric Opera, Summers was named Houston Grand Opera's Artistic and Music Director. In 2002, he won a Grammy Award for his audio recording Bel Canto, with soprano Renée Fleming and the Orchestra of St. Luke's. Summers's book The Spirit of This Place: How Music Illuminates the Human Spirit released in 2018 from University of Chicago Press. https://www.houstongrandopera.org Theme music provided by: http://www.modernnationsmusic.com Band of the Week: Renee Fleming and Patrick Summers, Bel Canto Music Page: https://music.apple.com/us/album/ren%C3%A9e-fleming-bel-canto-scenes/1452542018 Learn more about this project at: http://www.thesacredspeaks.com Instagram: https://www.instagram.com/thesacredspeaks/ Twitter: https://twitter.com/thesacredspeaks Facebook: https://www.facebook.com/thesacredspeaks/

Early in the development of Adam Guettel and Craig Lucas’ extraordinary The Light in the Piazza it was thought that Chicago Lyric Opera might be tendering a commission for the piece. It wasn’t to be. Broadway beckoned. But this most sophisticated of hybrids has a foot in both worlds and the presence of RENÉE FLEMING … [Read More]

Merri Sugarman is a casting director with Tara Rubin Casting and talk about it all. Merri shares her journey into casting, what brought her to the west coast and back! This conversation takes some wonderful twists and turns as we discuss what's important in life, what to have perspective on, and what Merri has learned as a result. Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld, then Liberman/Patton Casting, working on such shows as "NewsRadio", "The Larry Sanders Show" and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie. In 2000, Merri moved to Dreamworks Studios as the Casting Executive in chargeof TV Pilots and Series- including "Spin City", and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of "Alias", "NYPD Blue", "The Practice" and the 'made for television movies’ "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few. Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Casting Director position where she’s been happily ensconced ever since, working on, among many others - the Broadway productions, touring and international companies of SPAMALOT, JERSEY BOYS, THE PHANTOM OF THE OPERA, LES MISERABLES, HOW TO SUCCEED…, SCHOOL OF ROCK, MISS SAIGON & A BRONX TALE and the upcoming AIN'T TOO PROUD for Broadway. Her Off-Broadway casting credits include Clueless the Musical for New York's Signature Theater and Joe Iconis' The Black Suits for Center Theater Group in L.A. She also casts for many theaters regionally – including Chicago Lyric Opera, The Old Globe and The LaJolla Playhouse. She is the very proud CD of the critically acclaimed web series SUBMISSIONS ONLY and also boasts many TV & film projects, workshops and readings – including the new musical TREVOR – based on the Oscar winning short film.   In other news, she has been a Big Sister to Jenny via the amazing Big Brothers/Big Sisters program for the last 18 years, is an alumni officer of the professional sorority Kappa Gamma Chi (BFA in Musical Theater - Emerson College), a member of Who’s Who in American Colleges and Universities, has been a Tony Voter for the past four years and is a proud member of CSA (Casting Society of America).     Enjoy! 

Moniz's previous credits include: Broadway: GREASE - Sandy & Rizzo. Regional: FOLLIES - Sally (Chicago Shakespeare Theater); OCTOBER SKY -Elsie (world premier); PEGGY SUE GOT MARRIED - Peggy (world premier); KISMET (Joseph Jefferson Award); INTO THE WOODS, 9 TO 5, CAROUSEL, (Marriott Theatre); THE MERRY WIDOW, THE SOUND OF MUSIC, (Chicago Lyric Opera); HOT MIKADO (Ford's Theatre); PHANTOM, CHITTY CHITTY BANG BANG (Fulton Theatre); SHADOWLANDS, THE SPITFIRE GRILL, (Provision Theatre); EVITA, BIG, (Drury Lane Theatre). TV: "CHICAGO PD;" "ROMANCE, ROMANCE" (A&E). This interview was recored in October of 2016 when she was just starting out on the road as Helen Bechdel in the national tour of FUN HOME. Follow Kare Reviews at www.karereviews.com and on Twitter: @KareReviews Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor, Apple, Google, SoundCloud, Spotify, Breaker, Overcasts, Pocket Casts, and RadioPublic. --- Support this podcast: https://anchor.fm/jeffrey-kare/support

Thanks for joining us on this week's episode of the Everyday Musician Podcast! This week we have conductor and music historian, Kedrick Armstrong. Kedrick is an active musician in the Chicagoland area with groups such as the Chicago Sinfionetta and Chicago Lyric Opera. We talk about how diversity is important to keeping concertgoers engaged and creating operas that are relevant to our time. You can find what Kedrick is up to on Instgram @withkeddy.  This week's episode is brought to you by, Bandzoogle. Sign up today to get a 14-day trial by clicking here. 

Soprano Elaine Alvarez is singing the title role in Daniel Catan's Florencia en el Amazonas. In this conversation with Dr. Nic she talks about her exciting operatic debut at Chicago Lyric Opera as Mimi in La boheme, under the direction of renowned diva Renata Scotto, and her approach to the lyrical, challenging music of Daniel Catan. We can't wait to hear and see her at the opening of this wonderful opera on Saturday, March 17th!!

Welcome to Harp Column Podcasts, where we go behind the stories in Harp Column with your host Kristina Finch. In this episode, Kristina chats with Marguerite Lynn Williams, author of “Trial by Fire Music,” in our November-December 2017 issue. Lynn tells what it’s like to pay in the pit as principal harpist with the Chicago Lyric Opera. For more practical [...] The post Harp Column Podcast Episode 30 appeared first on Harp Column.

Welcome to Harp Column Podcasts, where we go behind the stories in Harp Column with your host Kristina Finch. In this episode, Kristina chats with Marguerite Lynn Williams, author of “Trial by Fire Music,” in our November-December 2017 issue. Lynn tells what it’s like to pay in the pit as principal harpist with the Chicago Lyric Opera. For more practical [...] The post Harp Column Podcast Episode 30 appeared first on Harp Column.

Paris-born stage director Olivier Tambosi is directing his own production of Verdi's Falstaff, a production which originated with Chicago Lyric Opera. In this fascinating interview he gives us his understanding of the essence of this opera, which is a celebration of life and laughter (from the pen of an 80-year-old composer!) Enjoy!

Fresh from the Ryan Center for young artists at Chicago Lyric Opera, Kentucky native Anthony Clark Evans is a singer with a big career ahead of him. He's making his role debut as Sharpless, the American consul, in Madama Butterfly. In this interview with Nic Reveles he talks about his experience as a singer so far and assesses the role in approaching it as a young artist. 

Tom Crown, owner and founder of Tom Crown Mutes and trumpet with the Chicago Lyric Opera for 30 years, is our special guest on this episode. Tom talks about his long career in Chicago as a professional trumpet player and teacher. He also discusses how he got into the mute business that is now known around the world. Learn more about Tom at www.tomcrownmutes.com. The show notes for this episode are at www.bobreeves.com/29.

The Music Division of the Library of Congress and the American Musicological Society, in joint partnership, presented another in a series of lectures highlighting musicological research conducted in the division's collections. Steven Swayne of Dartmouth College discussed William Schuman's Seventh Symphony. Commissioned by the Boston Symphony Orchestra in the fall of 1954, the symphony premiered in the fall of 1960, nearly five years after the 75th anniversary of the BSO. Schuman's correspondence unexpectedly reveals that much of the Seventh Symphony was written not for Boston, but for the Philadelphia Orchestra. Only when the Philadelphia commission collapsed did Schuman repurpose the already-composed music for Boston. Still more intriguing is the presence of a 12-tone row as the opening subject of the first movement. While others have noted the presence of 12-tone harmonies in Schuman's music, to Swayne's knowledge no one has ever remarked on this unusual appearance of a 12-tone melody. The manuscript of the Seventh Symphony in the Koussevitzky Collection of the Library of Congress solves the puzzle about the Philadelphia-Boston connection. Speaker Biography: Steven Swayne teaches courses in music from 1700 to the present day, opera, American musical theater, Russian music and American music at Dartmouth College. He has received fellowships from the Woodrow Wilson National Fellowship Foundation and the National Endowment for the Humanities. His articles have appeared in The Sondheim Review, the Journal of the Royal Musical Association, American Music, Studies in Musical Theatre, the Indiana Theory Review and The Musical Quarterly. He has contributed to commentaries on Sondheim developed by the John F. Kennedy Center and the Chicago Lyric Opera. His first book, "How Sondheim Found His Sound," was published in 2005. He is an accomplished concert pianist, with four nationally distributed recordings currently in release and a performance with the San Francisco Symphony and Michael Tilson Thomas to his credit. In addition to his work at Dartmouth, he has taught at the San Francisco Conservatory of Music and at the University of California at Berkeley.

2005 Winner of the BBC Singer of the World Competition, Nicole Cabell drops in on the African American Voice in Classical Music, Patrick D. McCoy to discuss her flourishing career as one of the world's leading sopranos