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Four drummers talking about jazz music and jazz drumming, unscripted and improvised. Vosbein is joined by artist/educators Adam Nussbaum, Ed Soph, and Harold Jones as they examine the work of Grady Tate and Joe Chambers.
Jeff Hamilton, Joe LaBarbera and Ed Soph on three great early Herman drummers - Davey Tough, Don Lamond, and Jake Hanna. Lots of fun personal anecdotes.
This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra. His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.
Four drummers talking about jazz music and jazz drumming, unscripted and improvised. Vosbein is joined by artist/educators Adam Nussbaum, Ed Soph, and Billy Drummond as they examine the work of two under-appreciated drummers, Ed Blackwell and Al Harewood. More with Billy Drummond: https://www.youtube.com/watch?v=x1osi6IZ84I&list=FL2oQweHFiflFyNDInpN9PJw&index=25
Ed discusses his article, FIFTY YEARS OF RANDOM THOUGHTS ABOUT PRACTICING, PLAYING & IMPROVISING ON THE DRUM SET
Maxwell Schauf is a top call drummer that has called Nashville home since 1989. He has performed with Lonnie Mack, Clay Walker, Shelby Lynn, Ezra Mohawk and many others. He can be seen playing regularly at The famed Robert's Western World with the band Brazilbilly and many others. Some Things That Came Up: -4:10 Brazilbilly and Robert's Western World -5:58 The “Roll” in “Rock N' Roll” -7:30 Playing Consistent low volume gigs -9:00 The Wisconsin Accent -12:20 Falling through the glass window at Robert's -14:20 ALEX VAN HALEN MODERN DRUMMER HALL OF FAME with Mike Portnoy, Ray Luzier and Jay Weinberg -15:30 Shuffle Variations -17:30 The University of North Texas journey -18:40 Alan Shinn, Ed Soph, Ron Fink, Henry Okstel and Robert Schietroma -19:40 Bach Figured Bass= Number Charts -22:45 Creating Opportunities with Lonnie Mack -23:25 Opening for Stevie Ray Vaughan -23:45 Opening for Huey Lewis -26:02 Roger Hawkins and The Swampers -29:25 Having a road gig BEFORE moving to Nashville -32:40 Motto: “Whatever it takes to stay in Nashville” -33:15 Creating Opportunities! -34:20 Jam Sessions -41:15 Lower Broadway School? -46:20 Play for free and create another opportunity -56:30 Keys to Success -62:00 Diet, Exercise and Grounding -72:00 “The Fave 5” -78:00 @vintage.drum.catalogs -84:26 Leland Sklar's book “Everybody Loves Me” Follow: IG: @maxwell_schauf IG: @vintage.drum.catalogs The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich's exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com
Ed and I discuss aspects of mentorship, the younger players coming into the field, and observations about teaching.
King Diamond/Shaolin Death Squad drummer Matt Thompson talks about his history in Texas with both local gigs and studying at University of North Texas with the infamous Ed Soph, the challenges of graduating the percussion program there at the time, growing up with concert band, jazz band and marching band in New Jersey, how a modern drummer article changed his perspective on studying various styles of music, how an early interest in drummer Gregg Bissonette and seeing a young Keith Carlock coincided with his move to UNT, how Sean Reinert changed the game, learning the back catalogue and proceeding with new material with King Diamond, lessons imparted by the great Tony Williams, and much more!
This is part TWO of my interview with Joe Choroscewski. In today's chat, we discuss:Effective ways to contact drummers who are working on Broadway musicals.Getting the opportunity to sub for Tommy Igoe at The Lion King.Subbing at Avenue Q on Broadway and securing the off-Broadway chair.His experience with Heart and Lights at Radio City.How he landed the chair at The 2021 Radio City Christmas Spectacular.How he subbed on 22 Broadway musicals and juggling SIX at one time.Why Jeff Pocaro is his favorite drummer and why.What the most difficult shows he's played in his career.Joe was the drummer for the groundbreaking run of Avenue Q at New World Stages (2009-19), which carried on the legacy of the Tony Award-winning “best musical” for many years after the original Broadway run. He also had stints assuming the chairs of the Broadway productions of both Finding Neverland (2016) and Promises, Promises (2010). Joe's Broadway subbing credits are vast, comprising over twenty productions including The Lion King, Wicked, The Book of Mormon, Legally Blonde, Beetlejuice, Beautiful - The Carole King Musical, Frozen, and Newsies, to name a few. He also worked extensively with the Radio City Rockettes for four years, developing a new production show for Radio City Music Hall. On the touring front, Joe was on Joseph And The Amazing Technicolor Dreamcoat starring Patrick Cassidy, with additional tour credits on the first national productions of Avenue Q and Monty Python's Spamalot.Joe is frequently the drummer of choice for various popular entertainers such as “The Countess” Luann de Lesseps (from “The Real Housewives of New York City”), Mario Cantone, and Heather Headley. He has toured with Clay Aiken, of American Idol fame. Joe has also drummed for major concerts in theaters and renowned clubs by artists such as Sutton Foster, Cheyenne Jackson, Chita Rivera, Ryan Silverman, Natalie Weiss, Michael Urie, Becki Newton, Telly Leung, Ariana DeBose, Adam Pascal, Andrea McArdle, and Hugh Panaro. He also is the regular drummer for Sarah Stiles (TV, Broadway Tony nominee), and Kate Rockwell (Mean Girls), and appears on both of their solo album releases. On the cabaret club scene, Joe has frequently appeared with award-winning performers Natalie Douglas, Christina Bianco, and most recently in the comedy show of Michael West as “Kenn Boisinger”, as well as Natalie Joy Johnson, a.k.a. “Miss Natalie”. He has also proudly played multiple major benefit events for Broadway Cares/Equity Fights AIDS, including The Gypsy of the Year, Easter Bonnet, and Red Bucket Follies.In addition to these productions and concerts, Joe has been a guest drummer with the Princeton Symphony and Allentown Symphony and was in the showband for multiple cruise ships for both Carnival and Norwegian Cruise Lines. In regional theater, Joe has played concert presentations of famous rock musicals for ACT of Connecticut at the Ridgefield Playhouse. Over the past two decades plus, Joe has covered gigs in a vast array of venues from NYC area weddings, to children's music programs, to hard rock cover bands, to workshops of new musicals in development, to contemporary church music, to jazz trios, to name a few.On the educational front, Joe is widely recognized as a featured guest on Tommy Igoe's best-selling DVD “Great Hands For A Lifetime.” He has been a guest clinician at schools and music lesson studios in the area and has taught private lessons for 22 years. Joe has a Bachelor of Music in Jazz Studies performance from the University of North Texas College of Music, one of the nation's top programs. At UNT, Joe studied with Ed Soph for six semesters, and back in New Jersey he studied extensively with Tommy Igoe at his home studio. He feels very fortunate to have studied privately with two of the most revered drum educators in history.Joe lives in Somerset County with his wife of fourteen years, Giana, and their two boys and three dogs. Outside of music and theater, Joe is a big fan of Major League Baseball and is an avid runner.For more: https://www.drummingjoe.com/Clayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He hosts the Broadway Drumming 101 Podcast and has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.You can follow Clayton on the following social media platforms: InstagramTikTokYouTubeFor more: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Our sponsor: Houghton Hornswww.houghtonhorns.comThe GOLD Method App - Use code "GOLD21" when subscribing for your first month free!www.ryanbeachtrumpet.com/gold-method-appScott Belck's websitewww.scottbelck.comDr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet.He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding the Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet.He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera.He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions.He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur.He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters.Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.Support the show (https://thatsnotspit.com/support/)
Prolific drummer and historian talks about the growth in musical vocabulary over the years as well as dispelling age old canards.....
Brian Delaney, originally from St. Louis, MO, has been a fixture in the New York City music scene since moving there in 1994. He just finished a US/Europe summer tour with Melissa Etheridge. Brian has played with artists of all styles and flavors, playing with everyone from the New York Dolls, Lucy Woodward, Delta Goodrem, David Johansen and the Harry Smiths, Earl Slick, Buster Poindexter, Peter Cincotti, Patti Austin, Michael Brecker, Blood, Sweat & Tears, The Wu Tang Clan and many, many others, including NYC blues legends Bill Sims, Pat Cisarano, Jerry Dugger and Craig Dreyer. He's played gigs from punk rock to bebop to folk to R&B to Dixieland to country to Broadway. *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen The Rich Redmond Show is sponsored by: Big Dot Lighting - Commercial LED Lighting Specialists and Bruce Cline Home Loans & Mortgage Refinance | Movement Mortgage www.musiciansmortgage.com Brian received a Bachelor of Music in Jazz Studies from the world famous University of North Texas, where he played in the great Lab Bands. He studied with teaching greats Ed Soph, Robert Schietroma and Ron Fink and was a member of the great University of North Texas drumline. Since then, he has appeared on hundreds of albums, demos, jingles, and soundtracks as a drummer/percussionist/composer/producer. He has played all over the world including UK, Sweden, Denmark, Finland, Russia, Netherlands, Austria, Germany, France, Belgium, Switzerland, Italy, Spain, Greece, Turkey, Israel, China, Japan, New Zealand, Australia and seemingly every city in the US. He has appeared on The Late Show with David Letterman, The Tonight Show with Jay Leno, The Today Show, Late Night with Conan O'Brien, The Late Late Show with Craig Ferguson, The Jonathan Ross Show(UK), CanalPlus(France), The Henry Rollins Show(IFC) and Soundstage(PBS). Brian can be found on hundreds of videos on YouTube, appearing with the New York Dolls and Melissa Etheridge Things That Came Up: -Getting the gig with Melissa Etheridge -Rich and Brian attending UNT together -Moving to NYC having never been there -Having to move your kit around the subways -Playing with Buster Poindexter and the New York Dolls -Brian is also quite computer literate, deep knowledge of HTML -Uncomfortable drumkit setups -Drumming injuries -Playing cowbell with David Bowie -Hanging with Weckl Follow: @bdelaneyny The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich's exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com
Stepping into someone like Ed Soph’s shoes to take over his famed drumset department at UNT is no small task, but few are better equipped for it than Quincy Davis. The son of music performers and educators and a house full of musicians, Quincy learned early on what it takes to hone your craft. The […] The post 616 – Quincy Davis: Creating Originality appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..
Born in Ann Arbor, Michigan, Blair’s father, a world renowned classical saxophonist, and Blair’s mother, a viola player and flutist, introduced Blair to music performance at an early age. After a few years of piano and a brief stint on saxophone, Blair began playing drums at the age of 12. He attended the National Music Camp at Interlochen for five summers, learning classical percussion formally and drumset on his own. During high school, he played gigs extensively around Detroit. He also continued classical studies with students from the University of Michigan and performed with the Michigan Youth Orchestra. *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen The Rich Remond Show is sponsored by: Big Dot Lighting - Commercial LED Lighting Specialists -and- Bruce Cline Home Loans & Mortgage Refinance | Movement Mortgage www.musiciansmortgage.com After high school, Blair attended the University of North Texas, where he earned a Bachelor of Music in Jazz Performance. He studied with Ed Soph for nearly four years, and focused his studies in big band, small group jazz, and fusion music. After UNT, Blair headed west to Los Angeles, and began playing both jazz and rock gigs. His first work with a major recording artist was with Alanis Morissette, in 2001. He toured with Alanis for 5 years, and recorded three albums with her: “So Called Chaos”, ”Jagged Little Pill Acoustic” and “Flavors of Entanglement”. In 2006, Blair turned his energies to the L.A. based rock band Pedestrian, while also touring with Damien Rice and working with producer Glen Ballard. His short list of recording credits include Annie Lennox, Idina Menzel, Melissa Etheridge, James Blunt, etc. Blair’s most recent gig is with Melissa Etheridge, who just released the album “4th Street Feeling” which features Blair. He also does recording for albums, TV, film and engineering in his home studio, touring nationally and internationally and playing locally. Some Things That Came Up: -Blair’s studio, The Donkey Den -Using a 2 car garage in LA -Stressing in college -Hand hammered -Getting into songwriting from a melodic standpoint -Sticks and wires -If you had all the money in the world.... -Tribute bands -Meeting Dave Grohl -How would someone getting into the business do it today? -Burning the ships www.blairsinta.com @blairsinta @sticksandwires The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich’s exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com
Danny Gottlieb is best known as the drummer in the original Pat Metheny Group. Danny appears on over 300 CDs, including 4 Grammy winners. He has worked with Chick Corea, Herbie Hancock, Randy Brecker, and Gary Sinese’s Lieutenant Dan Band, to name just a few. Danny’s teachers include Joe Morello, Mel Lewis, Ed Soph, and Jack DeJohnette. He currently teaches at the University of North Florida, and frequently works in the Nashville music scene. Website Newsletter Become a Patron
Danny Gottlieb is best known as the drummer in the original Pat Metheny Group. Danny appears on over 300 CDs, including 4 Grammy winners. He has worked with Chick Corea, Herbie Hancock, Randy Brecker, and Gary Sinese’s Lieutenant Dan Band, to name just a few. Danny’s teachers include Joe Morello, Mel Lewis, Ed Soph, and Jack DeJohnette. He currently teaches at the University of North Florida, and frequently works in the Nashville music scene.
Steve Pruitt the Oklahoma native who moved to Texas to study with Ed Soph at University of North Texas found himself thrust into the music scene of Denton, Texas. He was one of the original drummers in Snarky Puppy and was regularly gigging with a variety of different artists. But, finding the need to reinvent […] The post 592 – Steve Pruitt: Get Your Money Right appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..
Cher drummer Jason Sutter talks about the challenges of the Cher gig, the beauty of Chris Cornell and supporting the vocalist with your performance, playing loose and being groove- focused with Foreigner, the wild ride of Marilyn Manson and the audition process that got him the gig, selling off old gear and focusing on his favorite drums, studying at UT w/ Ed Soph, grad school in Miami and studying orchestral percussion, collecting records to keep him psyched on new music, the allure of transitioning from one artist to another and the challenges that present themselves, the slow burn of networking and planting seeds, seeing Jeff Buckley live and a whole lot mo’! Drumhead Live Event Tickets featuring Jason Sutter & More: http://live.champion.biz/
Colin Hinton is an active member of Brooklyn’s creative music community. A drummer, percussionist, and composer, his music draws from the jazz and free music traditions of Henry Threadgill, Anthony Braxton, and Muhal Richard Abrams, as well as 20th century classical composers Messiaen, Scriabin, Feldman, and Grisey. He has performed in the US, Canada, Central and South America, and Asia, and has had his compositions performed in the US, Italy, and Canada. An active educator in the NYC area, Colin has taught at the City College of New York, numerous music academies, and runs a private teaching studio. He has given clinics at the City College of New York and the University of Toronto. Hinton studied drums with Ed Soph, Tyshawn Sorey, Dan Weiss, Ralph Peterson, and Ari Hoenig, and composition with Ingrid Laubrock, Tyshawn Sorey, and Eric Wubbels. He studied at the University of North Texas and City College of New York, completing a BFA in Jazz Performance and an MA in Music Performance with a focus in 20th century theory. Colin has performed with Ingrid Laubrock, Todd Neufeld, Tony Malaby, Brandon Seabrook, Michael Formanek, Lotte Anker, Jon Irabagon, Okkyung Lee, Eivind Opsvik, Tyshawn Sorey, Brandon Lopez, Jacob Sacks, Briggan Krauss, Miles Okazaki, Michaël Attias, Jesse Zubot, and Anna Webber. He performed on Jake Hanlon’s 2012 CD release “Follow” which was nominated for ECMA Jazz Recording of the Year. He has performed at notable NYC venues such as The Jazz Gallery, The Stone, Bar Next Door, Rockwood Music Hall, and Cornelia Street Café. Hinton currently leads contemporary classical/avant-jazz quintet Simulacra (Anna Webber, Yuma Uesaka, Edward Gavitt, Shawn Lovato, Colin Hinton), free-jazz/post-punk hybrid Glassbath (Peyton Pleninger, Edward Gavitt, Eva Lawitts, Colin Hinton), Aphelion (Tony Malaby, Todd Neufeld, Eivind Opsvik, Colin Hinton), and a piano trio featuring Santiago Leibson and Eivind Opsvik. Colin also co-leads Ocelot – a collaborative trio featuring Yuma Uesaka and Cat Toren whose debut recording will be released in fall 2020. Hinton is also the founder and co-curator of Off-Brand Music Series – a monthly music series hosted at Branded Saloon in Brooklyn that celebrates the avant-garde and experimental music scene. Off-Brand Music Series has been running monthly since January of 2018. For more information visit https://www.colinhinton.com/
4 decades of making music. Over 400 albums. 14 Grammy nods. 4 Grammy wins. 1 big heart of a teacher. Danny Gottlieb is an American drummer best known as the original drummer of the Pat Metheny Group and the co-founder of the group Elements with Mark Egan. He was also a member of the Gil Evans Orchestra until Evans's death in 1988. He also toured and recorded with the Blues Brothers Band, the George Gruntz Concert Jazz Band, and the WDR, NDR, SWR, and HR Radio bands of Germany. In 2004 he became the drummer for Gary Sinise’s Lt, Dan Band. ****Listen to this episode and subscribe at www.richredmond.com/podcasts With teachers like, Mel Lewis, Joe Morello, Ed Soph, Gary Chester, and Jack DeJohnette, it's no wonder Danny continues a tradition of pouring on his hard-gained drumming knowledge. Topics covered: - The cello started it all - Why Nashville? - "Feather in your cap" studios - Impressions of the movie, "Whiplash" The Rich Redmond Show is now sponsored by The School of Rock Nashville and Franklin! https://locations.schoolofrock.com/nashville https://locations.schoolofrock.com/franklin The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-S…/…/ref=sr_1_2… Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com
Toshi Clinch is a renowned Australian arranger, performer and educator currently located in Melbourne, Australia. His works have been performed globally in Europe, America, Asia and Australia by artists such as the Glenn Miller Orchestra, Tommy Dorsey Big Band, Dick Oatts, Danilo Perez, James Morrison, various X Factor and Australian Idol finalists, West End vocalists, and many other ensembles. In 2016 Clinch graduated with a degree in Jazz Arranging from the prestigious University of North Texas where he studied under Grammy Nominated composer Richard DeRosa and Grammy Award Winning bassist Lynn Seaton. Following his studies he recorded his debut big band album Vesuvius that featured an all American version of the Toshi Clinch Big Band. As a bassist Clinch has performed alongside Vincent Gardner, Dick Oatts, Ed Soph, and Pat Coil, and is currently an arranger for Royal Caribbean Cruise Lines. In 2018 Clinch directed the inaugural Big Band Through The Ages Jazz Festival in Melbourne, Australia to great acclaim. The festival featured artists from the USA working with hundreds of Australian students and educators over a period of two weeks. During the final performance, chief artist Richard DeRosa titled Clinch as “the Quincy Jones of Australia” referencing the production work undertaken to run such a large event. In 2019 the festival grew to accommodate a yearlong youth jazz program, and looking into the future, Clinch looks to develop the organization further. Thanks for listening and keep thriving! Show notes: www.SpenserLiszt.com/blog/TMP34 4 Simple Steps to Save an Emergency Fund (FREE PDF Download): www.SpenserLiszt.com/EmergencyFund Join the Thriving Musicians closed Facebook group: www.Facebook.com/groups/ThrivingMusician Email questions, comments or nominate a Thriving Musician to spenser@spenserliszt.com Follow Spenser online: Facebook: www.Facebook.com/SpenserLiszt Twitter: www.Twitter.com/SpenserLiszt Instagram: www.Instagram.com/SpenserLiszt
Subscribe: Apple Podcasts | Android | RSS This episode originally aired on the podcast February 16, 2015In this podcast I interview drummer and educator, Ed Soph. Ed, who is currently a Professor in the Jazz Studies and Performance divisions of the College of Music at the University of North Texas has made his name for serving as the drummer for Clark Terry, […] The post 505 – Ed Soph: Teaching drummers how to make a living playing music. (re-release) appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..
Corey Christiansen is becoming recognized as one of the preeminent jazz guitarists in the world. In the fall of 2008 Corey assumed duties teaching at Utah State University and the famed Jacobs School of Music at Indiana University. Because of his life in the music business he brings a “real world” environment to the classroom. Even with a busy academic schedule, Corey still tours and continues to record. This professional experience enhances his teaching as he is able to bring real-world experiences to his students. He is also an artist-in-residence at Atlanta Institute of Music (Atlanta, GA), and Broadway Music School (Denver, CO). Corey Christiansen has a number of publications with Mel Bay and has conducted countless guitar clinics and concerts across the country and beyond including Europe, South Africa and Australia. He has also performed at many notable festivals and venues including John Pisano’s Guitar Night in Los Angeles, the Smithsonian Institution in Washington, D.C., the Umbria Jazz Festival in Perugia, Italy, the Lionel Hampton Jazz Festival, the Clearwater Jazz Festival, the Monterey Next Generation Festival, the Daytona Beach Jazz Festival, the Syracuse Jazz Festival, the Park City Jazz Festival, and the St. Louis Jazz Festival. He has also performed and/or recorded with many outstanding jazz artists including James Moody, Jeff Coffin, John Benitez, Terreon Gully, Steve Davis, Eric Alexander, Matt Jorgensen, Byron Stripling, Jeff Hamilton, Alan Pasqua, Randy Brecker, Jeff Coffin, Peter Erskine, John Pisano, Willie Akins, Dr. Lonnie Smith, Jim White, Steve Houghton, Steve Allee, Pat Harbison, Jack Wilkins, Ambrose Akinmusire, Ed Soph, Jim White, Christian McBride, Keyon Harrold, George Duke, Terri Lyne Carrington, John Riley, Dave Pietro, Danny Gottlieb, and many, many others. Thanks for listening and keep thriving! Show notes: www.SpenserLiszt.com/blog/TMP26 Free list of potential tax deductions: www.SpenserLiszt.com/p/TaxDeductions Join the Thriving Musicians closed Facebook group: www.Facebook.com/groups/ThrivingMusician Email questions, comments or nominate a Thriving Musician to spenser@spenserliszt.com Follow Spenser online: Facebook: www.Facebook.com/SpenserLiszt Twitter: www.Twitter.com/SpenserLiszt Instagram: www.Instagram.com/SpenserLiszt
Man, am I ever a lucky guy. Keith Carlock has been one of my drumming heroes for many years. Ever since I saw the 1999 Marciac Jazz Festival video on YouTube, featuring Keith, Wayne Krantz, and Tim Levebre, I have been a big fan of these musicians. That video had a very profound effect on me as a young musician who was trying to find something new that I would connect with for the rest of my musical life. Since then, I have wandered cyberspace to find other examples of Keith’s playing in that context that I could also connect with but unfortunately, high fidelity content featuring Keith online is not in abundance. This is one of the big reasons I was excited to see Keith perform and teach his concepts at Drumeo. To witness that in person was a pleasure of the highest order. Moreover, to interview such a modern legend in the Drumeo studio was something I never EVER thought would ever be in my future. So first and foremost, I owe an enormous thank you to the wonderful team at Drumeo for this opportunity and to Keith for giving me his undivided attention and time after a full day of filming lessons at Drumeo. Keith Carlock is a favorite of mine because he has such a firm grasp of having a distinct sound. In addition to that, he has managed to forge an incredibly nice career for himself too. Working with such acts as Steely Dan, Toto, James Taylor, Oz Noy, Wayne Krantz, Sting, and John Mayer to name a few. He also released his own instructional DVD through Hudson Music titled The Big Picture: Phrasing, Improvisation, Style, and Technique. Over the years he has also received many accolades through the Modern Drummer’s readers poll, managing to win a few and make it to the top three in several categories many times over. Too many drummers, Keith is held in high regard for his smooth delivery, musical style, and untouchable groove. Can You Unlearn? Keith studied at North Texas State University in their acclaimed jazz program in the early ’90s. Taught by Ed Soph, Keith went to the University of North Texas to learn jazz. It would prove to be nearly impossible to consume and digest all of the materials covered in school. Keith sat upon that material for a few years to process what he had taken in. There also came a point where Mr. Soph approached Keith’s mother to inform her that he felt that Keith no longer had to continue his studies. Ed felt that Keith would be just fine if he stopped going. I suppose it is fair to say that Mr. Soph possessed some exceptional foresight. At one point in the interview, I asked Keith if he ever wished that he could unlearn some of the stuff he learned in school. This curiosity spawned because of a very interesting point made by Mark Guiliana on episode 108 of DrumeoGab. Mark had declared that while school was great, sometimes he kind of missed how he used to play before he learned all of this stuff in school. This point of view struck me as a very interesting point made in that interview with Mark. Keith had said that he went to school to learn and be a sponge. How he characterized his sound has much to do with the time spent with guitarist, Wayne Krantz. It is how I found Keith originally, after all. Keith regards those early years in NYC, specifically with Krantz, as the years that he really found his sound. That must have been amazing times for Keith. If you watch any of their stuff, you will notice the wonderful mix of searching for the high and getting there. Wayne with Tim and Keith at the 55 bar playing their asses off is something I wish I could have seen when they were playing there all the time. Time Away From Home Keith is a father and a husband — and a musician. Being a musician seems to be both isolating and social, which seems like a dichotomy. When your life also encompasses your family and friends, I have to think about how the pleasure of the road changes. I would personally find that very challenging. For any small length of time that I have been away from my family, I end up missing them quickly and I find that it takes a day or two to adjust when I return home. I can imagine how difficult long periods of time for touring drummers would be when their family is at home. Like anything, people adapt and find their ways to make it work though. Todd Sucherman had said in episode 101, he just slides into the groove that is happening and adjusts to them. Time away from loved ones will always be hard though. It is the life a musician chooses to live. It is one of those sacrifices, if you do in fact see it that way. I want to share a quick story. This is abrupt, but hang in there. This is a great perspective I was given by a stranger that applies to this. While I was staying in Abbotsford at the Sandman hotel, I popped outside for a bit of fresh air and found myself having a nearly forty-minute conversation with someone who was also staying at the hotel. He was a European man, middle-aged, who was in town because he and his team set up the scoring system screens for horse racing tracks. I can’t remember all of the details of his job, but what I do recall was the fact that he and his team spend upwards of 300 days per year on the road. His name was Tom. Tom told me an amazing story about how he was a musician in Europe during his teens and into his twenties. He became quite popular in Germany and other parts of Europe with his music. He got into electronica towards the end of his music career and had the best management in Europe handling his act at the time. This same management was working for Sigfried Fischbacher. Yes, the world-renowned magician. Well, as it turns out, Tom and Sigfried became very good friends. Sigfried eventually told Tom that he should incorporate magic into his musical show to bedazzle his audience and add something that no one was doing at the time. Eventually, Tom’s act became solely a magic show. He bought a caravan and toured all over Europe performing his magic. He eventually gave that up and began this gig with the scoreboard systems. This is, of course, the cliffs notes version of the story he told me but there was something very interesting that he talked to me about. A perspective that helped me understand a lot more about what some musicians who tour for most of their lives might go through. Tom had said that after a week at home, as much as he loved his home (which he showed me a picture of on his phone and it is absolutely lovely looking) he gets very antsy after a week. Willie Nelson comes to mind. What I was getting from Tom was that even though he did miss home when he was away, he was just so used to the life of being in different, far away places all the time. Tom began touring very young. So, really -- it is all he knows. He probably feels more at home on the road than at home. Starting late with a career that involves travel might be a totally different story for some people. I just find this idea of detachment from a physical home base really fascinating about musicians, or any entertainment based careers. I wonder how many musicians began playing an instrument because of the appeal of potentially touring? Could that be why some musicians began playing? This is why I think some people are built for the road. There must be so many costs and perks to touring. The adventure! I mean, c’mon, when you are young it would be amazing! This must be a dream for a person who is, other than to him/herself and music, not committed to anything too significant. Pack up and go whenever you want. Eventually though, I think it is hard to not notice the pressure to conform to adult society. House, married, stable job, financial freedom, kid(s) and on it goes. I am bringing this up because I know some musicians that never really settled down. When you are young it must be fun, but it seems lonely when you’re older. Props to any musician that has a family at home and with the support of their spouse, manages to find a routine or norm within their family unit. Just something to create some stability. That mustn’t come easy. The thing we love isn’t easily compatible with the idea of settling down. IF, you want to make it your life. Finding Your Voice I see a lot of chatter online, and I am certain it has been discussed within this podcast before, that we as musicians need to learn as many styles as possible in order to establish a more reliable career. Before I continue, I do not disagree with this at all because it has been stated many times by many industry professionals. But the quality of that message is determined by how it is interpreted. It could be possible that the wrong approach to this idea leads to a generic sound. Even with a generic sound, as long as the drumming is tight, and you have yourself put together professionally, that could be just fine. However, I still feel like there is something to be said for recognizable musicians. So I asked Keith what he thought about this, after basically answering my own question, and he made a very good point in particular. He used an example of some African music that he was asked to perform once where the artists sang the parts for him to play, which was very helpful he had mentioned. Keith wasn’t born in Africa, nor did he grow up there with their music, so there is a limit to the authenticity. He managed to play the music and they actually called him back even though he may not have been the most ideal musician to play the music. But the most important thing he had said in regards to all of this, in my opinion, was that with any musical style it is important to find your voice in it. What is it that you can connect with and project your true self through the music? This is such a cool point I think. Not just the notes, but the attitude, the spirit, creativity, and flow. I think this is a strong point made by Keith that should be considered by everyone when they get called to perform. How can you inject your voice into something pre-existing and let your sound be heard without taking anything away from the music? To Conclude This opportunity to speak with one of my heroes is one that I will never forget and certainly a highlight with this podcast. Keith is an incredibly nice guy. What is nice is when you meet one of your heroes and they turn out to be a person that you really like. It was a very important and special time that I will be telling my kid about one day. So, I hope that you enjoy some good vibes and the thoughts of a truly great player in this episode. It was an absolute treat. Thank you again for all of your comments in the Drumeo Edge section, DM’s and emails sent to me to show your love and support to this podcast. I appreciate every single one of you. Keith’s Socials Instagram Facebook Website Drumeo Gab’s Socials Instagram Facebook
Born, raised and currently living in DFW TX, Jacob Smith is a local top call Acoustic and Electric Bass player. From 2007-2011 he attended the University of North Texas and played in the prestigious One O'Clock Lab Band. From 2011-2013 he was a member of the late Bob Belden's fusion group, Animation. He recorded the album "Transparent Heart" with them, and toured America, London and Spain. He also has performed with artists including Jimi Tunnell, Kurt Rosenwinkel, Jimmy Cobb, Dennis Durick, Darcy James Argue, George Colligan, Stockton Helbing, Ed Soph, Ingrid Jensen, and more. Music has been his main drive and passion since the age of 9 and continues to motivate him daily in support of his family. He has studied with John Adams, Lynn Seaton, Dominique Di Piazza and Matthew Garrison. Jacob Smith plays Fodera Basses, Epifani Amps, Analysis Plus Cables and 1964 Audio in-ear monitors. His music is available on Bandcamp and all streaming services. Thanks for listening and keep thriving! Show notes: www.SpenserLiszt.com/blog/TMP24 Free list of potential tax deductions: www.SpenserLiszt.com/p/TaxDeductions Join the Thriving Musicians closed Facebook group: www.Facebook.com/groups/ThrivingMusician Email questions, comments or nominate a Thriving Musician to spenser@spenserliszt.com Follow Spenser online: Facebook: www.Facebook.com/SpenserLiszt Twitter: www.Twitter.com/SpenserLiszt Instagram: www.Instagram.com/SpenserLiszt
David Anderson is another drummer who came to us through our interview with legendary drum educator, Ed Soph. A student of Lee Rucker at the University of Central Oklahoma, David would also drive three hours to Denton, TX to study privately with Soph. Between Rucker and Soph, along with inspiration from his brother -- the late William Salter, a professional drummer twenty years his senior -- David made it out to LA where he is still flourishing as a working drummer and drum educator. David has toured and recorded with some incredible musicians, including Eddie Harris, Dionne Warwick, The Rippingtons, Tom Scott, Hubert Laws, Chaka Khan, and Larry Carlton, to name just a few. For listeners serious about drumming, David is a wonderful inspiration. He had a dream from a very young age, knew what he wanted to do, and, despite his doubts, stuck with it. And that’s what being a pro takes, regardless of what you’re doing. It’s hours and hours of practice, chasing down lessons three hours away with the best teacher you can get, knowing that the practice and learning never ends, and ultimately, having a belief that you can do it. And all of that takes courage, because devoting to something you really want takes courage. For those of us who have less ambituous dreams, like being able to play locally without embarrassing ourselves too, too much, well, that takes courage, too. And time. And practice. And a belief in yourself. For all his success, David strikes me as an incredibly humble, grateful person; he was kind enough to share stories of his history, work, and approach to drums.
Originally from Connecticut, drummer/drum educator Craig Pilo graduated from the University of North Texas in 1995 and began life as a working musician in LA a year later. One of his earliest gigs was with trumpeter Maynard Ferguson! He’s also worked with Pat Boone, Edgar Winter and was on tour for several years with rock and roll Hall of Fame’s Frankie Valli. Craig continues to work with the group Little Fish, as well as Player, which became famous for the song "Baby, Come Back." He also keeps a busy schedule recording and teaching, including a faculty position with the California School of Music. Having studied with Alan Dawson, Ed Soph, Dave Weckl and Jeff Hamilton, to name just a few, Craig’s professional work and lifelong teaching and learning makes for a wonderful interview for Contraption’s new and returning drummers.
In January 2017, when Drum! Magazine published “10 Drumming Educators Share Their Number One Piece Of Advice For Students,” they talked with a veritable who’s who of those at the very top of their field. Among them, today’s most honored guest, Ed Soph, whose work as a professional drummer, clinician, and ground-breaking college professor has made him one of the most respected people in drumming today. Soph enjoyed a career playing with such greats as Stan Kenton and the Woody Herman band. You may have even played along with him as the drummer on a number of the Jamey Abersold play-along records. In 1987, after twenty years on the East coast, Ed and his wife returned to his alma mater, the University of North Texas, where he eventually became the first tenured professor of drumset at any public university in the US. Some of Ed’s students have become famous in their own right, including Jazz drummer Ari Hoenig, LA-based Jason Sutter, and the legendary Dave Weckyl. Born in California and raised in Houston, Ed—like so many of the drummers we’ve talked with in this series, began at age four or five, when his father, who enjoyed playing ragtime piano, came home with a wood block and encouraged Ed to play along. Drum lessons soon followed with teacher Elder Mori. Soon Ed was playing gigs and learning from the older, more experienced member of the band. Recently retired from UNT, students still learn from his books and YouTube videos, including a series of Quick Tips he made for Evans. A new series of videos is coming soon to The Drum Channel.
Joining us this week is drummer Stockton Helbing. He has accomplished much to be so young: several albums of his own music, countless tours with big name artists, and studying under then teaching beside Ed Soph at UNT. We really enjoyed our time with Stockton and learned a lot about the history of drum set and recorded music - he's a well-informed, articulate speaker.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 intro and hello2:40 Background6:55 Lessons learned from Ed Soph? 16:16 Your composition style? 19:50 Ben: Baby Dodds & some drumset history42:00 Scott Charvet: What are the things you like to see from incoming students?48:30 How has the market changed in creating albums?53:10 Your approach to recording drums?57:00 Upcoming projects?59:15 Your name?
Favorite excerpts taken from shows presented in 2017. 22 drummers in 33 minutes, including Peter Erskine, Todd Sucherman, Ed Soph, Dennis Mackrel, Paul Wertico, Stanton Moore, Akira Tana, Bun E. Carlos, Rikki Rockett, Roy McCurdy and others. Remember, each of these artists have a entire episode. You can find them all archived alphabetically at http://drummernation.podbean.com/ Happy New Year! Website Newsletter Become a Patron
Steve Pruitt the Oklahoma native who moved to Texas to study with Ed Soph at University of North Texas found himself thrust into the music scene of Denton, Texas. He was one of the original drummers in Snarky Puppy and was regularly gigging with a variety of different artists. But, finding the need to reinvent […] The post 337 – Steve Pruitt: How to develop a strong conceptual foundation appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..
Dreamers2Makers Podcast | Guest: Dan Haerle - JAZZ HALL OF FAME / JAZZ EDUCATORS NETWORK 'Legend of Jazz Education' Hosted by Mike Dawson (Songwriter, Composer, STEAM Advocate) EP007 Jazz pianist/composer educator Dan Haerle was inducted into the International Association of Jazz Education Hall of Fame in 2003. He was awarded the Jazz Educators Network "Legend of Jazz Education" distinction in 2012 along with co-recepients Jamey Aebersold, Jerry Coker, and David Baker. He was a Professor of Music in the Jazz Studies Division of the College of Music at the University of North Texas. Haerle has written important jazz education text books (The Jazz Sound, Jazz Fundamentals) and has performed with some of the world's greatest jazz artists including Pat Metheny, Freddie Hubbard and Clark Terry. His new book Questions and Answers - Insights on Being a Better Jazz Musician has just be published by Jamey Aebersold Jazz. tinyurl.com/Dan-Haerle Music Tracks Triste (Jobim) Smoke Gets In Your Eyes (Harbach/Kern) from the album The Dan Haerle Quartet - Live at Luminous Sound Dan Haerle, piano | Brad Leali, sax | James Driscoll, bass | Ed Soph, drums Peace (Silver) from the album Dan Haerle - Standard Procedure Dan Haerle, piano | Bob Bowman, bass | Jack Mouse, drums Theme music "Rio San Juan" by Mike Dawson, Mitch Paliga from the album "Dawson's New Rage - When the Bell Rings" roarelectra.com twitter.com/mikedawsonmusic
Dreamers2Makers Podcast | Guest: Dan Haerle - JAZZ HALL OF FAME / JAZZ EDUCATORS NETWORK 'Legend of Jazz Education' Hosted by Mike Dawson (Songwriter, Composer, STEAM Advocate) EP007 Jazz pianist/composer educator Dan Haerle was inducted into the International Association of Jazz Education Hall of Fame in 2003. He was awarded the Jazz Educators Network "Legend of Jazz Education" distinction in 2012 along with co-recepients Jamey Aebersold, Jerry Coker, and David Baker. He was a Professor of Music in the Jazz Studies Division of the College of Music at the University of North Texas. Haerle has written important jazz education text books (The Jazz Sound, Jazz Fundamentals) and has performed with some of the world's greatest jazz artists including Pat Metheny, Freddie Hubbard and Clark Terry. His new book Questions and Answers - Insights on Being a Better Jazz Musician has just be published by Jamey Aebersold Jazz. tinyurl.com/Dan-Haerle Music Tracks Triste (Jobim) Smoke Gets In Your Eyes (Harbach/Kern) from the album The Dan Haerle Quartet - Live at Luminous Sound Dan Haerle, piano | Brad Leali, sax | James Driscoll, bass | Ed Soph, drums Peace (Silver) from the album Dan Haerle - Standard Procedure Dan Haerle, piano | Bob Bowman, bass | Jack Mouse, drums Theme music "Rio San Juan" by Mike Dawson, Mitch Paliga from the album "Dawson's New Rage - When the Bell Rings" roarelectra.com twitter.com/mikedawsonmusic
Interview with Jim White from 2017 JEN conference. The title is taken from Jim's reference to a vocal instructional recording from Baby Dodds (see link below). Jim also discusses his early years studying with Ed Soph at UNT, his stint with Maynard Ferguson, and his teaching position at the University of Northern Colorado. https://www.youtube.com/watch?v=WWsXf3V0trM Website Newsletter Become a Patron
Interview with Jim White from 2017 JEN conference. The title is taken from Jim's reference to a vocal instructional recording from Baby Dodds. See link below. Jim also discusses his early years studying with Ed Soph at UNT, his stint with Maynard Ferguson, and his teaching position at the University of Northern Colorado. https://www.youtube.com/watch?v=WWsXf3V0trM Website Newsletter Become a Patron
Mark Stepro is a Los Angeles-based musician originally from Ohio. He has performed on every continent except Antarctica and has appeared on The Late Show With David Letterman, The Tonight Show With Jay Leno, Conan O'Brien, Craig Ferguson, and Carson Daly. Since 2010, Stepro has been touring and recording with singer-songwriter-producer Butch Walker, performing not only on Walker's own records and tours but also playing on records produced by Walker (Train, Keith Urban, Gavin Degraw, The Wind And The Wave, Brian Fallon of The Gaslight Anthem, etc.). Stepro appears on Walker's most recent release, "Stay Gold" (Dangerbird Records) and recently completed a six-week tour with Butch and the rest of the band. Stepro also performs with singer Mary McBride under the auspices of the U.S. Department of State as a Cultural Ambassador, presenting American music overseas. The group has logged performances in twenty-three countries such as Russia, Pakistan, Afghanistan, and Indonesia, appearing in schools, hospitals, prisons, women's shelters, orphanages, and places of worship. He has also performed or recorded with Panic! At The Disco, Hayes Carll, Ben Kweller, Jackson Browne, Courtney Love, Corb Lund, Sara and Sean Watkins of Nickel Creek, Morgan Kibby of M83, Sara Bareilles, Jakob Dylan of The Wallflowers, Mike Viola, Joe Pug, Robert Ellis, Aaron Lee Tasjan, Adam Levy, and Tim Easton. A passionate student, he has studied with teachers Ed Soph, Steve Houghton and Glenn Kotche of Wilco. Stepro lives in Atwater Village, Los Angeles with his television writer wife and their one-year-old son William. He enjoys cooking, running and reading.
This week the Groovecast is delighted to publish an exclusive interview with Joel Rosenblatt. Most of you know Joel from his work with Michel Camilo and later with Spyro Gyra. In this episode we discuss his early flirtations with trumpet and a chance encounter with drums. From there we get to his college studies with Ed Soph and Randy Jones which helped prepare him for his first major gigs. We then cover the gigs with: Matt Murphy, Pure Prairie League, Michel Camilo, and Spyro Gyra. We spend a good amount of time talking about Joel's early adoption of the home studio. We also discuss Joel's grip/technique change and his personal teaching practice including his own set of play along tracks. Finally he falls victim to the DWG personality test...We'd also like to send our condolences to the Allman Brothers family on the sudden loss of founding member, Butch Trucks. In the outro (under a bed of the ABB's "Hotlanta") we discuss Butch's influence and importance. Join us every Monday for a brand new podcast. We're available on Itunes, Google Play Podcasts, Stitcher and all of your favorite podcast apps. Subscribe today!
Todd Strait was into jazz from the very start and has played with some of its biggest names over his a 35-year... The post 074 – Todd Strait: Studying with Ed Soph & Joe Morello, Cutting His Teeth in New York, Playing Behind Singers, Splitting Time Between Portland and Kansas City appeared first on Working Drummer Podcast.
Ed Soph is internationally recognized as an author, teacher, and musician. As a performer and recording artist, Ed has played with the big bands of Stan Kenton, Woody Herman, Bill Watrous, and Clark Terry. Small group credits include Joe Henderson, Bobby Shew, Randy Brecker, David Liebman, Lee Konitz, Carl Fontana, Bill Evans, Clark Terry, Marvin Stamm, Bill Mays, and Eddie Gomez. Ed’s most recent publication, in both book and DVD format, is MUSICAL TIME, published by Carl Fischer. Other publications include THE BIG BAND PRIMER , and ESSENTIAL TECHNIQUES FOR DRUMSET (Meredith Music).Ed has been the recipient of lifetime achievement awards in education from the Yamaha Corporation and the Percussive Arts Society and was inducted into the Percussive Arts Society’s Hall of Fame in 2016. He was also recognized as a “LeJENd in Jazz Education” by the Jazz Education Network.In addition to recording and touring, Ed is a professor of jazz studies in the College of Music of the University of North Texas, and an Artist Clinician for Yamaha drums, Zildjian cymbals, Innovative Percussion, and Evans drumheads.Some of Ed’s students have literally changed the world! Here’s a short list…Jason Sutter, Jim Riley, Keith Carlock, Ari Hoenig, Matt Wilson, Blair Sinta, Rich Redmond, Earl Harvin, Peter Erskine, Brian Delaney, Ross Pederson and a youngster named John Robinson!For more information about Ed see www.music.unt.edu/percussion
In this podcast I interview drummer and educator, Ed Soph. Ed, who is currently a Professor in the Jazz Studies and Performance divisions of the College of Music at the University of North Texas has made his name for serving as the drummer for Clark Terry, Bill Watrous and Woody Herman, as well as the small groups […] The post 089 – Ed Soph: Teaching drummers how to make a living playing music. appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..