Podcasts about music directors

In this special episode, RJ Vaishnavi sits down with talented music director Rakesh Ambigapathy, whose journey is a true example of persistence and passion. Having worked in over 150 films, Rakesh shares his inspiring story — from his early struggles to becoming the music director of the much-awaited film Dawood, releasing tomorrow, November 14.Tune in as he opens up about how he connects with audiences through thrilling music, the creative process behind Dawood, and what keeps him grounded in the ever-evolving world of cinema.

Today on Artful Living, we welcome Christian Copeley and discuss his new position as Music Director at Christ the King Parish, in Concord. Join us as we discuss all the beautiful music happening at Christ the King Parish..

Greg and Dan talk to George Stelluto, Music Director of the Peoria Symphony Orchestra, about the upcoming “Handel at the Cathedral” performances on Friday, November 14th, and Saturday, November 15th at 7:30 PM inside the stunning St. Mary’s Cathedral. George shares how the cathedral’s architecture creates incredible acoustics, allowing the music to resonate beautifully and offering the Orchestra a chance to explore fresh soundscapes in a historic space. He also gives a brief look into Handel’s legacy and how his compositions continue to impact audiences worldwide. For tickets and more information, call 309-671-1096 or visit www.peoriasymphonyorchestra.orgSee omnystudio.com/listener for privacy information.

Joining us on the third episode of the "Rockabilly 2 Rachmaninoff" series, is conductor Bradley Thachuk. Maestro Thachuk, is the Music Director of the Niagara Symphony Orchestra (NSO). He has been connected to the Buffalo Philharmonic Orchestra for over 10 years, conducting occasional Pops and Rock series performances each concert season. Post-pandemic, he's served as the conductor of the Rock series, which is comprised of three concerts per season.  A versatile and diverse musician, Maestro Thachuk has also established himself globally as one of the handful of conductors who moves easily between the classical and rock worlds. He is a highly sought-after symphonic arranger, with numerous collaborations. Recent and upcoming projects include Steve Hackett of Genesis, the music of Leonard Cohen, a tribute to the Tragically Hip, Dave Mason of Fleetwood Mac and Traffic, ABC's Dancing with the Stars franchise, Tony-Award winning Heather Headley, Sarah Slean, Chantal Kreviazuk, The Beach Boys, and Air Supply. 

After chatting with our head of music, Nikki and Luttsy breakdown what the job would probably entail and how much things have changed in the past 20 years. "If Tom Cruise told you put Bullfrog Semen on your chin, you'd probably do it" - Luttsy Listen live on the Nova Player. Follow us on Facebook, Instagram & TikTokSee omnystudio.com/listener for privacy information.

This episode features key insights from Tony Sandrew of the renowned Aurora Theatre. Celebrating its milestone 30th Anniversary Season, the conversation delves into why the Lawrenceville theatrecompany has become a cultural landmark and a major draw for Atlanta professional theatre audiences, attracting patrons from far and wide.

Joining the Exchange is Dr. Jerron Jorgensen, Director of Choral Studies at SOU and Music Director of the Rogue Valley Chorale.

Join us at Town Hall Seattle for As Many Weirdos As Possible (AMWAP), an evening of storytelling and portraiture that brings to life one of the most vibrant chapters of the Pacific Northwest music scene (1985-1995). This live program will feature musicians, artists, and community members sharing personal memories, projected alongside their documentary portraits as part of the ongoing AMWAP project. Drawn from Poser Productions' mission to preserve and celebrate personal and cultural histories, this evening invites audiences to engage in a communal reflection on memory, music, identity, and place. Hosted by Nabil Ayers, President of Beggars Group U.S. and author of My Life in the Sunshine, whose work and story are deeply rooted in Seattle's independent music and cultural legacy. Nabil Ayers is a longtime Seattleite who co-founded Sonic Boom Records in 1997 and played drums in several bands — most recently The Long Winters. He now lives in Brooklyn, where he is president of the Beggars Group of record labels. Ayers is the host of the Identified podcast and the author of the memoir My Life in the Sunshine (Viking), which he launched at Town Hall in 2022. He has written about music, race, and family for The New York Times, The Guardian, Rolling Stone, GQ, and NPR. Riz Rollins has loved music since childhood, bringing joy to dance floors from clubs like Re-bar, to parties, parades and festivals. For over thirty-five years, he has shared the music that shaped his life and our community on KEXP. Marco Collins was the guy behind the mic when Seattle accidentally unleashed grunge on the world. As flagship DJ and Music Director at 107.7 The End in the '90s, he helped break bands like Nirvana, Beck, Weezer, and Foo Fighters—shaping the sound of a generation in real time. He's worked across radio, labels, VH1, and stations like KEXP, but what really sets him apart is an obsessive love of music that's never once hit the snooze button. He's also the subject of The Glamour & The Squalor, a documentary chronicling his rise, fall, and refusal to shut up about bands you haven't heard of yet. Steven Severin is co-owner of Neumos, Barboza, The Runaway Bar, and Life on Mars. He has served on Bumbershoot's Advisory Board and worked extensively with the National Independent Venue Association (NIVA) to help secure the federal Shuttered Venue Operators Grant that saved independent venues during the COVID pandemic. He recently launched Walk Don't Run, a community art event activating downtown Seattle with music, visual art, and live performance. He's also spent nearly a decade with Save Our Sonics, advocating to bring the SuperSonics back to Seattle. Paul Schurr played bass and sang backup vocals for Flop and Best Kissers in the World in the early 90s. He and his wife have four kids and live in Seattle. Sheila Locke has been a force in Seattle's music scene for over forty years as a DJ, radio host, club owner, artist manager, and co-founder of NASTYMIX Records, original home of Sir Mix-A-Lot. From her first high school gig to breaking national ground with a gold record, she has left an indelible mark on the city's music history. Chenelle "Chelly Chell" Marshall is a writer, poet, and creative spirit. She was a member of The Incredicrew, one of Seattle's earliest rap groups, who signed a multi-album deal with the label Ever Rap. Their single "He's Incredible" became a local hit and a landmark moment in Seattle's music history. Today, Chenelle continues to share her voice through poetry and storytelling and is the author of Poetic Lifeline. Her latest work, Through the Eyes of Her, is available now. Presented by Town Hall Seattle and Poser Productions. Poser Productions is fiscally sponsored by Shunpike.

This week, the Jamestown Community Chorus is the subject of the program with B. J. Whitehouse, Music Director. We talk about their successful season last year and listen to some selections planned for the holiday concerts that will be held Saturday, December 13th and 14th at the Jamestown Recreational Center. For more information, you can call 401-207-0771 or go to www.jamestownchorus.com

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

Host Evie Stokes talks to KEXP Music Director Chris Sanley about POP Montreal International Music Festival’s best acts, including Shn Shn and her song "Home is Another Place." Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty HenryListen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube.Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Episode summaryMusic Director and saxophonist Chris Potter joins Backstage Bay Area to preview the SFJAZZ Collective's tribute to Wayne Shorter's Native Dancer. We talk about why this album matters, how the Collective reimagined its songs for today's band, Potter's personal encounter with Shorter, and what new music is on deck.What you'll hear• Why Native Dancer remains a living blueprint for jazz–Brazilian exchange• How the Collective divided up arrangements and found fresh angles on classics like “Ponta de Areia”• A rehearsal-room story that captures Shorter's mix of imagination and precision• What to expect across the three Miner Auditorium shows (setlist variety, originals, and ensemble chemistry)• Potter's upcoming projects and where the Collective heads nextGuestChris Potter — saxophonist, composer, and Music Director of the SFJAZZ Collective.Selected quotes• “The SFJAZZ Collective comes together every year to workshop new music, and this season we wanted to make a real statement with Native Dancer.”• “We each brought in arrangements. The original album is so perfectly realized that the challenge was to find our own way through it.”• “Wayne could ask you to imagine Superman flying over the mountain—and in the next breath correct a single B-flat. That balance guided us.”• “The feeling on stage is, ‘This is a band.' Mutual respect, shared history, and material we truly love.”About the music• Wayne Shorter's 1975 collaboration with Milton Nascimento braided Brazilian songcraft with jazz harmony and studio-era rhythm—music built for reinvention.• The Collective's program features the full Native Dancer songbook alongside new originals that extend its spirit.CreditsHost/Producer: Steve Roby — Backstage Bay AreaGuest: Chris PotterMusic: Excerpts as permitted by rights holdersRecording: SFJAZZ Collective sessions & interviewLinks & ticketsEvent: SFJAZZ Collective — Tribute to Wayne Shorter's Native DancerVenue: Miner Auditorium (SFJAZZ Center, San Francisco)Dates/Times:• Saturday, Nov. 1 – 7:30 p.m.• Sunday, Nov. 2 – 3:00 p.m.• Sunday, Nov. 2 – 7:00 p.m.Tickets: https://www.sfjazz.org/tickets/productions/25-26/sfjazz-collective/More info: SFJAZZ.org

KCSU music director Ria sat down with Jared Swilley of Black Lips ahead of their Dever show at the Mission Ballroom on October 28th, 2025. On this tour the band is supporting Viagra Boys whilst performing songs from their latest album “Season of the Peach”. The two discuss the excitement of touring, the juxtaposition of telling intense stories with a lighthearted sound, and how aliens might react to bird sounds.Ria JanapatiWe are here at the Mission Ballroom, October 2[7]th, [2025]. You are Jared of the Black Lips-Jared SwilleyJared, and you are?Ria  I am Ria, Music Director of KCSU; I've got some questions. Jared  Cool. Ria  First one being: You've been doing this music thing for a hot minute now, are there things about being on the road specifically that change for you excitement level wise? Jared  Oh sure, yeah. There's a different, like, excitement level. I've been touring since I was 16. We drove- the first like US tour we ever did was pretty miserable, but it was still the funnest thing; like, by my standards today, it would be pretty miserable, but I remember  seeing the desert for the first time, and that's like, that excitement- I can remember the excitement I felt, like, the first time I saw a cactus. But like, now, you know, I slept on a pretty drive today because I've seen a lot of that stuff. So that changes. I still love being on stage and stuff. But yeah, I mean, just like, anything you do forever, things get boring. Ria  Are there any cities that you visited a first time and you, like, couldn't wait to go back? Or maybe the opposite, you were really excited, but it wasn't your fav. Jared  Oh, I won't mention any cities I didn't like, because I figure it's best not to say negative things about people or places. But there's... like, yeah, a lot of cities. I mean, talk about [the] excitement of being someplace. I remember the feeling of the first time we went to Europe to play; I couldn't believe it, like, because it was, it felt really cool. And I wanted to go back to all those cities, and I have been back to pretty much all of them. Or, like, you know, like Tokyo, like going there, I was like, "I have to come back here. It's awesome." So most, most places I would like, I, you know, there's, there's very few places I'd be like, “I never want to go there again.” So, yeah, I like most places.Ria  I've seen that you guys have come to be known for pulling some antics during live shows, especially more in the DIY spaces. Has there been anything you've really wanted to do during a live show that would just be like a fun little act that no one saw coming? Jared  There is one that we've been talking about doing... because we've done, like, all sorts of crazy stuff, and we're, like, older now, so I'm not trying to, like, make anyone upset anymore, like, do anything crazy. But like, have you ever seen the Wizard of Oz? Ria  Absolutely. Jared  So you know, like, when the Munchkins, like those guys come out as, like, the lollipop... the old guys? We want to- I guess I'm spilling the beans here, but it'll surprise people when we do it. But like, we kind of, like… We have this song that's about eating candy on our new record, and we want to just like, stop in the middle, hopefully, at a really huge show, like something like this [Mission Ballroom], or at a big festival, and, like, drop our instruments and go into the lollipop guild dance and then just start playing again. That's kind of like what we want to do.Ria  Nice. A little surprise, a little dance break. Jared  YeahRia  Yeah, awesome. You just have to get the choreography down. Jared  Yeah.Ria  And then your newest album, Season of the Peach, I noticed it takes on a lot of different genre influences. There's some rockabilly sound, there's some 60s stuff, some folk stuff going on, just all over the place. So when you're taking inspiration to create something new like that, where do you find yourself looking?Jared  I'm always looking in the past, and that's just for me. Fortunately, in this band, like all five members [contribute equally], right? So that's why it can kind of seem like it's all over the place, like musically. But, I mean, I only listen to, like, very old music, so that's kind of really what I'm pulling from; I listen to, like, old country and doo-wop and rockabilly and blues and stuff like that, so that's usually... I'm just trying to recreate stuff in a kind of, like, not as good way as the stuff I really like.Ria  Back on your 2020 album, there's a song called "Angola Rodeo", and that song really interested me in the storytelling of it. It seemed like a bit of a silly take on, like, real life events. So-Jared  YeahRia  When you're going about doing that. Where do you draw the line between like, not taking yourself too seriously?Jared  Well, you want to like, not like... or at least with me, I want to be like, if I'm talking about something very serious, and that's a very serious thing... Do you know the story of, like, the Angola rodeo? Ria  Yeah, it's a prison rodeo.Jared  Yeah, prison rodeo, and we actually went to it. I'd always wanted to go, and we went, and it's like, you know, it's pretty controversial. I happen to be in favor of it, just because it's like, if you're doing life in prison, or if you're on death row, like, it's the best day of your life when you get to do... They actually do it for like, a few months of the year. But you know, you don't want to be too preachy or too sappy, so you got to have your tongue firmly in cheek. My theory has always been, if you have, like, a really sad subject matter, make it a very poppy sounding song. And if you have really happy sounding stuff, it should be like, darker. That's kind of like how I like to do things. Ria  Yeah, just flip them on their head. Jared  And it's still, like... The lyrics are still like, kind of serious; but it's like a fun kind of sounding song. But you know, the Angola Prison is, like, one of the darkest places in the United States. It's pretty rough there.Ria  I just thought that was really interesting, because on a first listen, if you're not really paying attention, it'll just be like, "Oh, this is a fun little tune-Jared  There is, like, a big, like, stark contrast when you go to that rodeo, because you are in this just incredibly dark place. You drive in and you see death row, and you see the fields they're all working in, but then you go in there, and it's like, a really happy environment; like the prisoners... It's like, all guys on best behavior, but they've been working; like, they sell their arts and crafts that day. Their families are allowed to come in. They can actually have like, conjugal visits with their family in there. So it's like, it's super dark, ...

Host Evie Stokes talks to KEXP Music Director Chris Sanley about POP Montreal International Music Festival’s best acts, including WORKS and their song "Taut & Unphased." Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Welcome to The Jen Hardy Show: Fabulous Over Fifty! (merging the podcast and YouTube Channel!) Today you have the opportunity to sit down (virtually) with musical icon Ron Sowell—a singer, songwriter, producer, and longtime musical director of Mountain Stage, NPR's legendary music show now running for over four decades. Ron opens up about his eclectic musical journey from Roswell, New Mexico to West Virginia, sharing stories of backing up artists of every genre and collaborating with some of his biggest musical heroes. In this candid conversation, Ron discusses his latest album—conceived during the long days of the lockdown—and explores the philosophy behind his uplifting song "It's All Up To You," which celebrates the idea that while aging is inevitable, getting old is optional. The episode dives into the heart and humor of pursuing creative passion later in life, the joy of connecting with audiences, and how Mountain Stage has exposed him to a stunning variety of music from across the globe. Whether you're a music lover or just looking for motivation to keep pursuing what brings you joy, this is a conversation you won't want to miss. Stick around—links to Ron's music and more are included in the show notes, so you can experience his work for yourself!   Thank you for joining me today! I'm having a blast creating Fabulous Over 50 & it would be an honor to have you share it with someone who would enjoy it. Thank you! Want more? Go to the website and you'll find many ways to live your best life over 50! I'd love to hear what you think about this episode, and what you'd like to hear about in the future. Send me a message HERE. Have a blessed week, Jen   In the beginning of this episode, I talk about kidsy.co, my new discovery for affordable, quality, baby products for those adorable grandchildren! Check it out if you have children or grandchildren. You are going to find some incredible discounts! And as you know, I love finding quality things, but I don't like paying retail prices. (they are not paying for sponsorship - it's just cool!) Want to connect? You can find me in the following places: JenHardy.net Facebook Instagram LinkedIn     ABOUT RON Best known for his role as Music Director of Mountain Stage, the internationally acclaimed radio show, Ron Sowell is also a dynamic singer-songwriter, guitar & harmonica player, performer and producer. Growing up on the high deserts of Roswell, New Mexico. Ron dedicated his early years to sports and music. He learned to sing by mimicking his dad's high tenor in church and he played a mean third base for his state champion Little League team. At age 13 his life was altered forever when his mother bought him a guitar and lessons at a local music store. Buoyed by her encouragement and the revelation that "girls dig it" Ron played "till his fingers hurt" in a series of rock bands and folk groups. In high school he was crushed by the realization (and several NFL-sized linebackers) that at 5'8" and 155 pounds, a professional sports career was not in his future. So, heading off to college with a scholarship to sing in the choir in his pocket, Ron dove headlong into developing his musical skills. It was there that he began writing songs. After graduation from Eastern New Mexico University, he hit the road playing clubs and coffee houses. Four years later on a brief visit to the beautiful hills of West Virginia it felt "so right" that he unloaded his car and began putting down roots. There he formed two critically acclaimed bands "The Putnam County Pickers" and "Stark Raven" with whom he recorded four albums and clocked thousands of miles touring across the US, Germany, Turkey, Greece, Crete, Ethiopia and Greenland. About the same time Ron joined a fledgling local radio show called Mountain Stage as the resident guitar player eventually rising to the position of music director. Starting with a handful of local radio stations, Mountain Stage is now heard on almost 300 stations nationwide on NPR. As a member of the Mountain Stage Band he has played with a wide array of artists ranging from Sarah McLachlan, Lyle Lovette & Maria Muldaur to The Band, REM, Dr John & Nora Jones.  "Dance Till the Music Stops" marks the release of his 4th solo album.        

The RI Civic Choral and Orchestra is the subject of this week's program with Dr. Joshua Rohde, Music Director. We talk about their upcoming concerts and listen to some of the music being presented on Saturday November 8th in Providence and November 9th in Cumberland. For more information you can call 401-521-5670 or go to www.ricco.org

"Sacred Guardians of This" Sunday, October 26, 2025, 10:50 am Through history a lot has changed. The building we have met in has changed a few times, how we have explained our theology has changed, how we have worship has changed a bit, what we sing has changed, what our ministers have looked like has gotten more diverse, and how people find us and even access our Sunday morning services has, for some, changed. There are a few things that haven't changed. And one role, in particular, that we play that I don't think gets talked about enough but matters greatly. See you for service, for the luncheon and celebration, and for the auction! Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Gregory Stevens, Worship Associate; Linda Enger, Vice Moderator, Board of Trustees; Gino Fortunato with Mick Del Rosario, Legislative Aide to Shephen Sherill; Reiko Oda Lane, organist; UUSF Choir led by Mark Sumner, Music Director; Maggie McGrann; Nancy Munn, soloists; Wm. García Ganz, pianist Jonathan Silk, Communications Director; Eli Boshears, Camera Operator; Jose Matias Pineda, and Francisco Castellanos, Sextons; Carrie Steere-Salazar, Flowers; Linda Messner, Head Usher

"Sacred Guardians of This" Sunday, October 26, 2025, 10:50 am Through history a lot has changed. The building we have met in has changed a few times, how we have explained our theology has changed, how we have worship has changed a bit, what we sing has changed, what our ministers have looked like has gotten more diverse, and how people find us and even access our Sunday morning services has, for some, changed. There are a few things that haven't changed. And one role, in particular, that we play that I don't think gets talked about enough but matters greatly. See you for service, for the luncheon and celebration, and for the auction! Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Gregory Stevens, Worship Associate; Linda Enger, Vice Moderator, Board of Trustees; Gino Fortunato with Mick Del Rosario, Legislative Aide to Shephen Sherill; Reiko Oda Lane, organist; UUSF Choir led by Mark Sumner, Music Director; Maggie McGrann; Nancy Munn, soloists; Wm. García Ganz, pianist Jonathan Silk, Communications Director; Eli Boshears, Camera Operator; Jose Matias Pineda, and Francisco Castellanos, Sextons; Carrie Steere-Salazar, Flowers; Linda Messner, Head Usher

HarmonyTALK is thrilled to welcome Dan Micciche, the Music Director and Conductor of WICKED on Broadway. With over nine years working on this iconic production, Dan offers a unique look behind the curtain at what it takes to keep one of the world’s biggest shows running. Host Lisa Champeau dives into Dan's impressive career journey, from his start on Broadway in CHICAGO to his work across international tours, and the moments that led him to this incredible role. Whether you're a theater lover, a WICKED fan, or simply curious about the inner workings of Broadway, this episode will leave you spellbound! Key Takeaways: Behind the Scenes of WICKED: Dan shares what it takes to conduct and direct music for one of Broadway's most beloved productions, plus the unique challenges and joys of leading the show. Broadway Journey: Hear about Dan’s transition from performer to conductor, starting as the youngest actor to play Mary Sunshine in CHICAGO to becoming a key member of WICKED's casting and music team. Building Connections Through Music: Dan’s insights on creating memorable performances and his passion for coaching emerging talent through his work with the International Music Theatre Academy and Hit It Productions Inc. FOLLOW HARMONYTALK PODCAST @harmonytalkpodcast Join Our Mailing List: https://www.harmonytalkpodcast.com/signup Instagram: https://instagram.com/harmonytalkpodcast Facebook: https://www.facebook.com/harmonytalkpodcast YouTube: https://youtube.com/@HarmonyTALKPodcast LinkedIn: https://www.linkedin.com/company/harmonytalkpodcast https://harmonytalkpodcast.com/ Follow Host, Lisa Champeau: https://www.instagram.com/lisachampeau/ Email harmonytalkpodcast@gmail.com for sponsorship and guest opportunities! See omnystudio.com/listener for privacy information.

The Music Director at Radio Western says: I'm just so grateful to have you guys on our station, to have Outlook here on our programming, and congratulations on reaching your 300th episode. Note at this point: we are a radio show first, as our theme states, and then become this podcast, if anyone was unaware of how and where we started/start each week - 94.9 on the dial locally, streaming audibly live at radiowestern.ca, at 11 AM EST weekly. Bird's eye view, an Outlook. It was a bird's eye view of our show with this one, as we were on Twitch, just for this particular episode and only for the live version. We love the irony to that as we discuss things like our pet peeve that many podcasts these days feel they need to have a visual component to them, even if podcasting is an audio art form so naturally we thought we'd “try” going live on Twitch for this. Irony or hypocrisy - you decide. This podcast episode still retains all the best bits, even if you've missed the live version. We are joined by those, we joked, who are forced to listen to Outlook every Monday, live, the staff from Radio Western in London, Ontario where we originally broadcast live from every Monday morning at eleven Eastern. To celebrate show 300 and our seven year mark we spoke with Radio Western Music Director (essentially Music Librarian) Ian, Marketing Director (Whirlwind) Elijah, and (new) News and Spoken Word Director Ryan and BF Barry (our sometimes third co-host) from Ireland. It turned out as a fun-filled and highly humorous discussion with friends and friends of the show about the last seven years, the history of Outlook On Radio Western, and what we want to highlight without claiming to speak for “all blind people” here. We talked wrongful interpretations of what blindness is in media while noting the correcting of that with things like book “There Plant Eyes: A Personal and Cultural History of Blindness” by Leona Godin and sharing a bit about sibling dynamics from everyone around the table. This sibling radio show/podcast celebrates that relationship with 300/7. And that's all contained here and not just live, even if you can't watch us, you could listen to Radio Western and/or on our show streaming there on Monday's. Elijah from Radio Western says to brother/co-host Brian: We all try to make this place as welcoming as possible. This is a place where everybody can feel as though they have a platform especially when you and Kerry are using this platform for good and to get such a positive message out and understanding…an a knowledgeable message, an informing message. Check out Ian's show Thursday mornings from 8:30 AM to 11,A Person Disguised As People and Elijah and Ryan's show Outside The Frame Tuesdays at 6 PM.

Robert Meffe, Head of the SDSU MFA Musical Theatre Program, spent twenty-two years in New York City as a professional conductor, music director, keyboardist, orchestrator, arranger and music copyist. His Broadway credits include: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, The 25th Annual Putnam County Spelling Bee, Grey Gardens, and Bombay Dreams.National Tour credits include Music Director of Evita (2012 revival) and The Phantom of the Opera, Associate Conductor of Les Misérables, Little Women, and Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, Gutenberg! The Musical!, and music arrangements for Disenchanted. TV: Encore! (Disney+), Earth To America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Las Vegas: Associate Conductor of Avenue Q, keyboards for Mamma Mia and Hairspray. Williamstown Theatre Festival: Ten Cents a Dance (directed by John Doyle). Paper Mill Playhouse: Peter Pan (Music Director), Forum, Thoroughly Modern Millie (Associate), A Wonderful Life, Seven Brides for Seven Brothers(keyboards). San Diego credits include a nomination for Best Musical Direction for Fun Home (San Diego Rep), keyboards for Wicked, Waitress, Beautiful and Priscilla, Queen of the Desert (San Diego Civic Theatre), Bright Star, Looking for Christmas, How the Grinch Stole Christmas (The Old Globe), Kiss My Aztec, Fly (La Jolla Playhouse) and Far Away Places, a one-night cabaret show with Patti Lupone (Balboa Theatre).Robert served as Music Prep Supervisor/Orchestrator for the benefit concert, You've Got a Friend at the Dolby Theatre in Los Angeles honoring legendary singer/songwriter Carole King. New orchestrations included “I Feel the Earth Move” for Alicia Keys and “It's Too Late” for Amy Grant.Mr. Meffe serves as the Head of the Faculty for the Musical Theatre Studio at the Trentino Music Festival in Mezzano, Italy. For this festival he has music directed Godspell, Evita, Into the Woods, and Rent.A champion of new works, Mr. Meffe has music directed many workshops and reading of new musicals including Postcard American Town by Lynne Shankel and Crystal Skillman,  'Til Death Do Us Part, by Bobby Cronin and Caroline Prugh, Mister Doctor and Mr. Holland's Opus, both written by B.D. Wong and Wayne Barker, We Foxes and Darling, both written by Ryan Scott Oliver, Quanah by Larry Gatlin and Tony Dodge, College: The Musical by Drew Fornarola and Scott Elmegreen, A Lasting Impression by Zoe Sarnak, Factory Girls by Sean Mahoney and Creighton Irons and I Capture the Castle by Cara Reichel and Peter Foley. SDSU New Musical InitiativeOver the course of two years, MFA students will rehearse and develop to full production a new work of musical theatre under the guidance of faculty director Stephen Brotebeck and faculty music director (and Head of MFA Program) Robert Meffe. Brotebeck and Meffe have years of Broadway experience developing new musical works for the stage including shows such as Peter and the Starcatcher, Ghost and Little Women. Past artists have included Derek Gregor, Phoebe Kreutz, T.C. Lind, Lynne Shankel, Crystal Skillman, Bobby Cronin, Caroline Prugh, Ryan Scott Oliver, BD Wong, Wayne Barker, Michael Federico and Home for Hovercraft band members Seth and Sean Magill. Our plan is to collaborate with a creative team in three stages from reading to workshop to full production. We are looking for completed scripts and scores from a team that is interested in developing their work in conjunction with our graduate students. The committee considers a host of factors in the selection process, including representation of writers and stories from a range of cultural, ethnic, racial, and other affinities, as well as the gender balance of the writers whose work is presented in a given theatrical season.

Day 1,332.Today, as President Zelensky meets Donald Trump at the White House, we unpack Vladimir Putin's emergency – if predictable – intervention: an unscheduled call with the US President that may have derailed Kyiv's hopes of securing Tomahawk missiles. Then, in a special cultural dispatch, we dive into the world of Ukrainian classical music.Contributors:Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.With thanks to Hobart Earle, Music Director and Principal Conductor of the Odesa Philharmonic Orchestra.MORE TICKETS JUST RELEASED FOR 'UKRAINE: THE LATEST' LIVE, IN-PERSON:Join us for an in-person discussion and Q&A at the distinguished Honourable Artillery Company in London on 22nd October starting at 7pm.Our panel includes General Sir Richard Barrons, former head of UK Joint Forces Command and latterly one of the authors of Britain's Strategic Defence Review, and Orysia Lutsevych, head of the Ukraine Forum at the Chatham House think tank. Tickets are open to everybody and can be purchased at: https://www.squadup.com/events/ukraineliveSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Francis's Odesa Documentary featuring Hobart Earle:https://www.youtube.com/watch?v=28HqbQLYGMM ‘Animals in war' winners, suggested by listeners:https://x.com/FrancisDearnley/status/1978856072648499329 Trump to meet Putin in Hungary (The Telegraph):https://www.telegraph.co.uk/us/news/2025/10/16/trump-holds-phone-call-putin-tomahawks/ Trump meeting Putin in Budapest is blow to Europe (The Telegraph):https://www.telegraph.co.uk/world-news/2025/10/16/trump-meeting-putin-budapest-blow-europe-hungary-orban/ North Korean troops helping to direct Russian strikes into Ukraine (Kyiv Independent):https://kyivindependent.com/russia-now-using-north-korean-troops-to-attack-inside-of-ukraine-general-staff/?mc_cid=ccbf455194&mc_eid=08d0680a95 How Vladimir Putin's history rant in Alaska nudged Donald Trump closer to Ukraine (Financial Times):https://www.ft.com/content/7af3b49e-c4da-405b-8199-3e12957b78c2 Hosted on Acast. See acast.com/privacy for more information.

Watch on YouTubeJoin us on The Worship Keys Podcast. A special guest, Marcus Perry! He shares his journey from piano beginnings to becoming Music Director at Mt. Zion Church, one of the largest congregations in the U.S. Marcus talks about leading with excellence and humility, building community through music, and keeping the choir alive in today's church culture.Hear behind-the-scenes stories from the Choir Room, lessons from playing behind Fred Hammond, and practical advice for worship keys players and aspiring MDs. Plus, Marcus gives a sneak peek at his upcoming projects and a full Logic Pro breakdown coming soon.marcusgperrySupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

It is our absolute pleasure to welcome distinguished conductor, Pola Benke to The Hamilton Review Podcast! Pola was was recently appointed Music Director of the Santa Monica Symphony and Assistant Conductor of the Pacific Symphony, continuing to build a dynamic and impactful presence across Southern California. In this conversation, Pola shares her story of discovering music as a young child growing up in Poland. She also talks about how she got into conducting, as well as the best ways to guide, nuture and support children in their musical journey. You'll also hear about what kinds of music that Pola listens to when she isn't working - her answers will surprise and delight you!   Don't miss this wonderful and informative discussion on The Hamilton Review.   Pola Benke is a distinguished conductor celebrated for her innovative approach to orchestral leadership and her commitment to standardizing diverse programming in the modern symphonic repertoire. She was recently appointed Music Director of the Santa Monica Symphony and Assistant Conductor of the Pacific Symphony, continuing to build a dynamic and impactful presence across Southern California. Previously, she served as Assistant Conductor for both the Long Beach Symphony and the Riverside Philharmonic, where she earned a reputation for her clarity, musicality, and ability to foster meaningful connections with musicians and audiences alike. Born in Poland, Pola's journey began with a strong foundation in performance, leading to Master's degrees in both cello performance and orchestral conducting. Her dual expertise equips her with a rare perspective—combining the analytical skills of a conductor with the empathetic understanding of a performer. Pola believes that orchestras should serve as a reflection of the diverse world we live in. She is a committed advocate for thoughtful, inclusive programming that honors a wide spectrum of voices—seamlessly integrating cherished masterworks with compositions by historically underrepresented artists. With a deep sensitivity to narrative and context, she curates programs that invite personal connection and collective reflection. Whether through imaginative repertoire choices, compelling storytelling, or fresh interpretive insight, Pola aims to create concert experiences that are artistically vibrant, emotionally resonant, and genuinely welcoming to all. Her professional path has been shaped by collaborations with leading conductors and ensembles, including Neeme Järvi, Sian Edwards, and Paavo Järvi. Her participation in prestigious programs such as the Järvi Academy in Estonia, the Dartington Music Festival in England, and the Cabrillo Festival of Contemporary Music has further refined her craft, earning her recognition as a forward-thinking and impactful conductor. Her leadership style is marked by kindness, collaboration, and the ability to inspire musicians of all generations to perform at their best. Whether leading a large-scale symphonic work or rehearsing an intimate chamber ensemble, Pola brings energy and precision that elevates every performance. Influenced by composers like Joseph Haydn, Krzysztof Penderecki, Jennifer Higdon, and Igor Stravinsky, Pola blends a deep respect for tradition with a spirit of curiosity and openness to new ideas. At the heart of everything she does is a love for sharing music with others.   How to contact Pola Benke:   Pola Benke Official Website   Pola Benke on Instagram   Pola Benke's email address     How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/  

The legendary composer, arranger, musician and penny whistle player, David Amram, will be in conversation with Academy Award documentary filmmaker Barbara Kopple at the Woodstock Film Festival on Sunday, 10/19 12 noon. The venue is the Kleinert/James Art Center, 34 Tinker St, Woodstock. David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford. In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years. Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965. From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall (1964) and Incident at Vichy (1966). Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time. For tickets & details: https://woodstockfilmfestival.org/2025-all-events?eventId=68c4216f81b8e06c5bb8c1fc

The Connecticut Gilbert and Sullivan Society is the subject of this week's program with Dr. John Dreslin, Music Director. We discuss the upcoming event to be held at Valley Regional High School in Deep River, Connecticut, and listen to some of the music from “Iolanthe”, which will be performed on October 25th and 26th. For more information, you can call 860 554-1256 or go to www.CTGandS.org

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

Tora Manwa Kyon GhabrayeSitaray Raah Taktay HainMaine Chand Aur Sitaron Bhul Sakta Hai Bhala KaunAaj ki raat nahinTu Mere Pyar Ka Phool HaiSambhal Ay DilMain Tumhi Se Yeh Poochhti HoonNashe Mein Hum, Nashen Mein TumSupport the show

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

Goldylocks Productions presents Musical Life with Elif AhmadElif Ahmad studied classical piano starting at an early age at the New School of Music in Cambridge, Massachusetts, along with one year of duet at the Longy School of Music in Cambridge, Massachusetts. Including in her ten years of music education, Elif also included 3 years of singing. Then, at the age of 17, after performing at the honor's recital at the New School of Music, Elif's life took a drastic turn resulting in her inability to continue playing piano. It was only during the covid pandemic that Elif made the decision to return to playing piano after continuous “pulls” from her soul. Currently, Elif studies under the care of the Music Director of the First Congregational Church of Madison, in Connecticut. Elif is also a Reiki Master Teacher and has incorporated Sound Healing into her Reiki Sessions, using tuning forks, and Tibetan Bowls to help people with their own healing. https://www.facebook.com/musicalLife2025 Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/goldylocksproductions Hosted on Acast. See acast.com/privacy for more information.

What is the role of art in today's political reality—comfort, challenge, escape… all of the above? In this wide-ranging, candid conversation, conductor Alyssa Wang joins Kate to wrestle with the big questions artists, leaders, and audiences are asking right now: Does art really “bring people together”—and what does that actually mean? How do we reconcile fundraising language with tangible community impact? Can programming be both an invitation to joy and a catalyst for reflection? Where does an artist's responsibility begin and end—in the hall, on the podium, or in civic life? How can leaders speak authentically without polarizing their communities? Alyssa shares openly about purpose, impact, and leadership in an era of stress, censorship, and escalating tension—and why empathy, community building, and honest dialogue may be our most essential artistic tools. About Today's Guest: Alyssa Wang is a passionate and versatile conductor, violinist, and composer. She is the Co-founder/Artistic Director/Principal Conductor of the Boston Festival Orchestra, the Music Director of the Cincinnati Ballet, and Music Director of the Cape Symphony (MA). Her honors include the 2024 New Music USA Creator Fund, 2023 Solti Foundation Career Assistance Award, and 2022 St. Botolph Emerging Artist Award. As a performer and composer, Alyssa has soloed with ensembles across the U.S., premiered her own violin concerto Swept Away, and recorded on Grammy-nominated projects (including Carlos Simon's Requiem for the Enslaved). In this episode, we discuss: The long game of artistic impact: what ripples are real vs. rhetoric “Bringing people together”: beyond bodies in seats to shared experience Escapism vs. engagement: why Pops can be active community-building Programming with integrity: reflecting a community without stopping there Leadership under pressure: speaking to humanity, not partisanship The artist as citizen: where civic action may satisfy the need for tangible impact Stress, doomscrolling, and giving audiences a place to listen and feel Balancing institutional voice and personal convictions as the public face of an org Connect with Alyssa Instagram: @AlyssaWang1895 More from Kate Book: Beyond Potential — practical frameworks to realign your work and life Sign up for Kate's Newsletter: The Weekend List — weekly sparks for high achievers Connect on Instagram: @kkayaian Enjoyed this conversation? Share it with an artist or leader in your life who's navigating purpose, programming, and impact right now. And hit follow/subscribe so you never miss an episode of Tales from The Lane.

Chris Sanley, KEXP’s music director, joins host Evie Stokes to talk about the upcoming Pop Montreal music festival and one of the acts she looks forward to seeing there – Thanya Iyer. The two talk about Iyer’s new song “I am here now” from her album TIDE/TIED, out now on Topshelf Records. Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Seattle Symphony has a new music director… And she’s breaking new ground. Xian Zhang is the first woman and the first person of color to direct the Symphony in its more than 120-year history… And she’s here to talk about what brought her to Seattle after conducting orchestras around the world. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.

Chris Sanley, KEXP’s music director, joins host Evie Stokes to talk about the upcoming Pop Montreal music festival and one of the acts she looks forward to seeing there – Hand Habits. The two also talk about Hand Habit’s collaborations with tons of KEXP mainstays, like Perfume Genius and Kevin Morby. They also discuss how the L.A.-based singer-songwriter is coming into their own on their new song “Wheel of Change.” Hand Habit’s new album Blue Reminder is out now on Fat Possum. Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

"Revisiting Stories: The Prodigal Son and Belonging" Sunday, September 14, 2025 We talk about the importance of sacred stories. They come in many forms. The gentle ones whose wisdom goes down sweet and easy and the ones that require a lot more work. In my experience the Prodigal Son, a story told in the Gospel of Luke, is one that a lot of people want to toss aside. It pricks our notions of fairness, our own sibling rivalries. On Sunday we will roll up our sleeves and lean into it and see what wisdom it has to offer. It is a story particularly relevant to the question of belonging. This Sunday we will also ritual confer on the Rev. Alyson Jack the title of Minister Emerita with a reception to follow!   Rev. Vanessa Rush Southern, Senior Minister, preaching; Rev. Laura Shennum, Minister of Congregational Life; Rev. Margot Campbell Gross, Minister Emerita; Rev. Alyson Jacks, Minister Emerita; Carmen Barsody, Worship Associate; Mark Caswell, Ministerial Intern; Linda Enger, Vice Moderator, Board of Trustee; Reiko Oda Lane, organist; UUSF Choir led by Mark Sumner, Music Director; Wm. García Ganz, pianist Shulee Ong; Camera Operator; Desired Effect, Sound; Jonathan Silk, Order of Service; Kelvin Jones, Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

"Revisiting Stories: The Prodigal Son and Belonging" Sunday, September 14, 2025 We talk about the importance of sacred stories. They come in many forms. The gentle ones whose wisdom goes down sweet and easy and the ones that require a lot more work. In my experience the Prodigal Son, a story told in the Gospel of Luke, is one that a lot of people want to toss aside. It pricks our notions of fairness, our own sibling rivalries. On Sunday we will roll up our sleeves and lean into it and see what wisdom it has to offer. It is a story particularly relevant to the question of belonging. This Sunday we will also ritual confer on the Rev. Alyson Jack the title of Minister Emerita with a reception to follow!   Rev. Vanessa Rush Southern, Senior Minister, preaching; Rev. Laura Shennum, Minister of Congregational Life; Rev. Margot Campbell Gross, Minister Emerita; Rev. Alyson Jacks, Minister Emerita; Carmen Barsody, Worship Associate; Mark Caswell, Ministerial Intern; Linda Enger, Vice Moderator, Board of Trustee; Reiko Oda Lane, organist; UUSF Choir led by Mark Sumner, Music Director; Wm. García Ganz, pianist Shulee Ong; Camera Operator; Desired Effect, Sound; Jonathan Silk, Order of Service; Kelvin Jones, Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

All Home Care Matters and our host, Lance A. Slatton were honored to welcome esteemed author Eliezer Sobel as guest to the show.   About Eliezer Sobel:   Eliezer is the author of The Silver Lining of Alzheimer's: One Son's Journey Into the Mystery, as well as two picture books for people with Alzheimer's disease and other forms of dementia, Blue Sky, White Clouds: A Book for Memory-Challenged Adults, and L'Chaim! Pictures to Evoke Memories of Jewish Life. He has also published Minyan: Ten Jewish Men in a World That is Heartbroken, selected by National Book Award winner John Casey as the winner of the Peter Taylor Prize for the Novel, among 400 entries.   Also, The 99th Monkey: A Spiritual Journalist's Misadventures with Gurus, Messiahs, Sex, Psychedelics and Other Consciousness-Raising Experiments; Wild Heart Dancing: A One-Day Personal Quest to Liberate the Artist & Lover Within; The Dark Light of the Soul/Encounters with Gabrielle Roth; an e-book titled Why I Am Not Enlightened, and he blogs for PsychologyToday.com.   Eliezer has also led creativity workshops and silent meditation retreats around the U.S.; he is a certified teacher of Gabrielle Roth's 5Rhythms® conscious movement practice; has served as a hospital chaplain; was the publisher of two magazines, The New Sun and the Wild Heart Journal; served as Music Director for several children's theater companies on both coasts, and taught music in two alternative high schools. Also an amateur painter, he and Shari reside in Red Bank, New Jersey with their two cats, Shlomo and Nudnick.

Watch on YouTubeJoin us on the Worship Keys YouTube channel as Carson welcomes husband-and-wife duo Anaji and Kaci Powell from Faith Church in Rochester, New York. In this episode, they share their journey in music and ministry, from how they met to serving God together through worship. Kaci talks about her experience as a female organist in a male-dominated field, while Anaji gives insight into the role of a Music Director and leading with sensitivity to the Holy Spirit. They also discuss the balance between planned setlists and spontaneous worship, and share practical advice for musicians who want to grow in both skill and spirit. Don't miss their love story, their passion for ministry, and the wisdom they bring to worship. Don't miss out—watch the latest episode and share with a friend who loves worship!Anaji PowellKaci Edlin PowellDonate to The Worship KeysSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

"Raindrops, Rivers, Oceans: An Annual In Gathering to Community" Sunday, September 7, 2025 We will be regathered into community for another year in our annual Water Communion Service this Sunday. Separateness is an illusion. We were meant to meet and merge and make a life together. And so we begin our new year. Bring your waters from your travels, your garden spigot, or the ocean around the corner, or use some of ours.  Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Rev. Seanan Fong, Community Minister; Mark Caswell, Ministerial Intern; Galen Workman, Moderator, Board of Trustee; Reiko Oda Lane, organist; Morgen Warner, Kate Offer, soloists; UUSF Choir led by Mark Sumner, Music Director; Wm. García Ganz, pianist Jonathan Silk, Communications Director; Dan Barnard, Facilities Manager; Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

"Raindrops, Rivers, Oceans: An Annual In Gathering to Community" Sunday, September 7, 2025 We will be regathered into community for another year in our annual Water Communion Service this Sunday. Separateness is an illusion. We were meant to meet and merge and make a life together. And so we begin our new year. Bring your waters from your travels, your garden spigot, or the ocean around the corner, or use some of ours.  Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Rev. Seanan Fong, Community Minister; Mark Caswell, Ministerial Intern; Galen Workman, Moderator, Board of Trustee; Reiko Oda Lane, organist; Morgen Warner, Kate Offer, soloists; UUSF Choir led by Mark Sumner, Music Director; Wm. García Ganz, pianist Jonathan Silk, Communications Director; Dan Barnard, Facilities Manager; Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

Welcome to the Nothing Shocking Podcast episode 295 with our guest Peter Stroud of Close Enemies and Sheryl Crow.  We discuss his new band Close Enemies featuring Peter, Tony Brock, Trace Foster, Chasen Hampton and Tom Hamilton.  Check out their new singles featuring More Than You Could Ever Know, and full length album coming soon.  We also discuss his role as touring guitarist and music director for Sheryl Crow and more!    For More Information: https://closeenemiestheband.com/about/ https://www.facebook.com/StroudRock/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on X at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping local at   Big Stricks Vinyl Records and Sports Cards - https://www.facebook.com/p/Big-Stricks-LLC-61560351678007/

Ann talks with the Music Director of the Waco Symphony, Larry Loh. We get Music by Zachry Hill, and Elizabeth Riley brings us Act Locally Live! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stuart Malina is entering his 26th season as music director of the Harrisburg Symphony Orchestra (HSO), a milestone he admits still surprises him.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

What if you could experience a story so vivid it feels like stepping into a movie? That's the magic behind Caretaker, a star-studded audiobook created by R.J. Halbert. Tune in to hear how authors R.J. Halbert brought this cinematic adventure to life!Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comR.J. Halbert is the dynamic husband and wife team behind Caretaker: The Goodpasture Chronicles.Jason Halbert is an Emmy and Grammy Award-winning producer and songwriter. His songs have reached millions of listeners worldwide through multiple #1 and Platinum selling albums. In addition to his 20+ year career as Music Director and Producer for The Kelly Clarkson Show and several other notable artists, he has left his unique creative mark on numerous works in film and television. After homeschooling their two children around the world on a tour bus, Rhonda Halbert, has spent the past 10 years as a successful music and television manager, guiding her clients' relationships with labels, networks, and producers. She is also a published photographer, music supervisor, passionate cook, garden enthusiast, and spiritual practitioner. https://www.rjhalbert.com Order the Audiobook on Audible: https://a.co/d/6mPBug4 For more show information visit: https://www.mariannepestana.com/

What if we told you that behind some of the greatest musicians in the world is a Filipino music director?This week, we're joined by the incredibly talented Troy Laureta: musical director, arranger, producer, and musician for some of the biggest names in the business — from Ariana Grande, David Foster, Katy Perry, and Andrea Bocelli to Filipino icons like Regine Velasquez.Troy shares his journey as a Filipino American artist, including how his whole family moved from Hawaii to California to pursue the Hollywood dream. He opens up about what it's really like working at the highest levels of the music industry, how his heritage continues to inspire his work, and the journey of embracing his identity and truly finding himself in his 30s.We also dive into the creative process behind arranging and producing, the unforgettable moments from his career, and his new album Harana: The Sound of Us — a heartfelt tribute to Filipino music (featuring AJ!).

Between a matinee and evening performance, musical director Andy Einhorn talked with Kyle about his relationship with Audra McDonald, revivals, and the decisions that were made in crafting the latest cast recording of Gypsy.Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Is classical music “entertainment”? Timothy Myers, conductor and music director of the Austin Opera, argues that it's an antidote to entertainment. Here, he shares his story of how he became a conductor and discusses what he finds inspiring about orchestral performance.In this clip from the Beauty at Work podcast, host Brandon Vaidyanathan speaks with Timothy Myers, acclaimed conductor and Music Director of the Austin Opera. Myers shares deeply personal stories—from his early musical memories at a powwow in Oklahoma to the transformative moment of hearing Rimsky-Korsakov's Scheherazade live. He reflects on the collaborative nature of conducting, the aesthetic principles behind orchestral sound, and why live performance is more than entertainment—it's a sacred act of communal enchantment.For the full interview see: https://www.buzzsprout.com/2043099/episodes/14411268For the broader project, visit: https://www.beautyatwork.netSupport us on Patreon: https://www.patreon.com/BeautyatWorkPodcast #TimothyMyers #BeautyAtWork #ClassicalMusic #OrchestralMusic #AustinOpera #LivePerformance #MusicAndBeauty #Conducting #ArtisticLeadership #MusicPodcast #EnchantmentThroughArt #BrandonVaidyanathan #SacredArt #PowerOfSound #MusicalJourney #ModernClassicalSupport the show