Canadian electronic musician
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10 episodes with Venetian Snares
7 episodes with Venetian Snares
5 episodes with Venetian Snares
2 episodes with Venetian Snares
2 episodes with Venetian Snares
2 episodes with Venetian Snares
4 episodes with Venetian Snares
2 episodes with Venetian Snares
2 episodes with Venetian Snares
Welcome to Beat Motel Podcast - Episode 121, where Andrew Laws and Dr Sam set fire to good taste and dance around the ashes.
DMC Woodstock interviews Matt Stephenson of Machine Girl and various concert-goers at Lincoln Theater (11/08/24). Topics of conversation include electronic music, annoying cars, ugliness, the U.S. presidential election, catharsis, Xavier Renegade Angel, and more!Credit to Michael Pilmer for concert audio. His Youtube channel can be found here: https://www.youtube.com/@MichaelPilmerCredit to Chalcopyrite for image. ★ Support this podcast ★
A gombaajándékok átvételének következő időpontjai:augusztus 19. hétfő 8-17 óraaugusztus 21. szerda 8-20 óraaugusztus 22. csütörtök 8-20 óraaugusztus 23. péntek 8-20 óraaugusztus 24. szombat 8-20 óra/////////////////////////////////////////////////////////////////Kimenő jel, avagy az adás előtti bemelegítés.Alain Delon szeretnék lenni.Lola T70.A fiatal Gyurcsány Ferenc.A fül csodái.A fiúk nem sírnak.Forrai Jánosné: A beton összetétele, a beton alkotóelemei.Két Venetian Snares klip: a Szamár Madár (amit bizony el is lehet dobolni), és a Szerencsétlen.///////////////////////////////////////////////////////////////////////Borítókép: Alain DelonAdászene: Venetian Snares - Rossz Csillag Alatt Született//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////A Donably oldalunkon támogathatsz minket. Ha nem szeretnél Barion tárcát regisztrálni, ez a menet:1. Kattints erre: donably.com/gombapresszo 2. Regisztrálj vagy jelentkezz be a Donablyra. 3. Válaszd ki a neked megfelelő összeget (lapozható jobbra!). 4. Kattints a "fizetés barionnal" gombra. 5. Válassz, hogy bankkártyával, Google Pay-jel vagy Barionnal fizetsz.////////A gombapresszó Twitter csatornája.Az élő adások helyszine, az MR4 csatorna.Adászene listák: 2019 / 2020 / 2021 /
Speed Dealer Moms are John Frusciante, probably best known as the guitar player from the Red Hot Chili Peppers, and Aaron Funk, aka Venetian Snares, a producer who defies your 4/4 time signatures in the name of brilliantly experimental electronic sounds. In what was their first ever joint interview, I spoke to John and Aaron about listening to music differently, 16-hour jams, friendship in music, actual speed dealer moms, jungle, Bangface and so much more. I think this interview is really a bit special so I do hope you enjoy it. PS The excellent new Speed Dealer Moms single, Birth Control Pill, is out Friday May 10.
Speed Dealer Moms are John Frusciante, probably best known as the guitar player from the Red Hot Chili Peppers, and Aaron Funk, aka Venetian Snares, a producer who defies your 4/4 time signatures in the name of brilliantly experimental electronic sounds. In what was their first ever joint interview, I spoke to John and Aaron about listening to music differently, 16-hour jams, friendship in music, actual speed dealer moms, jungle, Bangface and so much more. I think this interview is really a bit special so I do hope you enjoy it. PS The excellent new Speed Dealer Moms single, Birth Control Pill, is out Friday May 10.
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (21.08.2023) - Cette semaine, Solénoïde met à l'honneur le dub génétiquement bonifié de NORDUB (Okeh), un jumelage musical inédit entre la Norvège et la Jamaïque, avec d'un côté le duo rythmique SLY and ROBBIE et de l'autre le trompettiste NILS PETTER MOLVAER (accompagnés également de EIVIND AARSET à la guitare et VLADISLAV DELAY aux traitements numériques). Du côté de Toronto, un autre album collaboratif sera mis en lumière, un album qui voit le maniaque du breakcore VENETIAN SNARES s'acoquiner avec le renommé producteur DANIEL LANOIS. Et la cinquième œuvre intemporelle et vagabonde de l'accordéoniste FRODE HALTLI (‘Avant Folk'/ Hubro) vous évoquera certainement des ambiances de villages irlandais ou la bande-son d'une romance balkanique. Quoi qu'il en soit, cette mission 204 s'annonce des plus exaltantes !
The Saltbox is back in the saddle with Goldpny to talk about Venetian Snares' breakcore classic Detrimentalist (2008). We also touch on related artists including Squarepusher, Aphex Twin and Iglooghost. --- Support this podcast: https://podcasters.spotify.com/pod/show/thesaltbox/support
Name a genre, and you can bet that Luis Garban has tried his hand at it once or twice. Once a staple of the mid-'00s IDM and breakcore scene—think Tigerbeat6—as Cardopusher, Garban found a temporary home in the dubstep scene afterwards, before shooting off in what felt like a million directions. He might be the only artist to release on both Hyperdub and Boysnoize Records. He makes music that can sound like the future or the past, sometimes both at once, and the Venezuelan-born, Spain-based producer's name is shorthand for musical adventurism and variety. Last year, things got even wilder with the debut of Safety Trance, a new alias that explores pan-Latin club music, with a focus on collaboration and shorter, structured songs. (Artists he's worked with include Arca, Iceboy Violet and Virgen Maria.) It's some of the best and most creative work of his career, riding a larger Latin techno wave producing some of the best music around these days. If that weren't enough, returning to Cardopusher, Garban has a career-best EP on the way for EVAR Records, pulling together the various strands of the project into a multi-genre, Gen-Z-friendly raveathon. Loaded with original tracks from both projects, RA Podcast could be billed as Cardopusher vs. Safety Trance, with highlights coming from Atari Teenage Riot, VTSS and Venetian Snares, which should give you an idea for the kind of controlled chaos you're in for with this one. @cardopusher Read more at https://ra.co/podcast/867
Ein "Radioclash" ist eine 60-minütige Mischung aus Teilen von 12 oder 15 Minuten zu einem Thema. Gemacht oder Ausgesucht durch Sie oder jemanden Anderen. ## ThisIsRadioclash #022 : La Déprime (#1) #2 1. This is radioclash - Introduction Jingle ### UBIK 1. Paul Baillargeon Dean Morgan - Adieu Gasp 2. Sibelius - The lamb 3. Charles Pennequin - C'est rigolo la vie 4. Unknown - Paradis pour tous 5. Erik arnaud - Comment je vis 6. Unknown - Mafia blues 7. depression au travail - France inter 8. Unknown - France info 9. Elliott Smith - Needle In The Hay extension du domaine de la lutte 10. Litanie - psychotrope 11. Unknown - France Culture 12. Ana kanine - Prozac river 13. Doctor Flake - La thérapie ### BERNARD GRANCHER 1. Sylvie Vartan - deprime 2. Richard de bordeaux - je m'ennuie 3. Programme - la salle de jeux et la peur 4. Alesia cosmos - pat'lin de merde 5. Philippe - la ballade des gens heureux 6. Smog - Prince alone in the studio ### JACQUES CANON 1. Amália Rodrigues - Duas Luzes 2. René Binamé Et Les Roues De Secours - Personne ne m'a invitée (Cause: découverte de la dureté de la réalité) 3. Klaus Nomi - The Cold Song (Symptôme: refus de la vie ("Let me freeze to death")) 4. Malicorne - Quand Je Menai Mes Chevaux Boire 5. Les VRP - Mardi gras (Symptôme: impossibilité d'accéder à la joie) 6. Amigos De Gines - El adios (Cause: la séparation ("Quelque chose meure dans l'âme lorsqu'un ami s'en va")) 7. Nath - Lacrimas De Oro (Symptôme: pessimisme) ### CRASHTESTTAURUS 1. EDITH PIAF - La vie en rose 2. IAM - Achevez moi 3. VENETIAN SNARES - Öngyilkos vasárnap 4. BAUHAUS - Hollow hills 5. MERET BECKER - Prise de tête 6. SUPREME NTM - J'appuie sur la gachette 7. JEAN JACQUES GOLDMAN - La vie par procuration Une émission présidée par Bernard Grancher. # This is Radioclash Dieses Projekt wurde im "Musiques Incongrues Forum" nach einer Idee von Ogon Feraille geboren. Es ist alles partizipativ und interaktiv, jeder ist herzlich willkommen. Machen Sie mit oder schlagen Sie ein Thema vor. Was immer Sie wollen, wann immer Sie wollen! Sind Sie ein Profi oder nicht, Mädchen oder nicht, Roboter oder nicht, geil oder nicht! * http://www.thisisradioclash.org/ * http://www.musiques-incongrues.net/
Recorded 2021-08-10 21:59:49 DnB Radio Tracklisting: * Rob Zombie - The Beginning of the End* Paledusk - Leave Me Out* Drumcorps - Compromised* Frontierer - Exposure & Aperture* Venom Benzo - Berate* The Enemy - The Horror* Shadow Sect - Moshpit* Pythius & Thrasher - IDWD (Zardonic Remix)* Rognvald - Earldom Pollywax* Limewax - Scream War* Sound Shifter - What I Had (Duburban Remix)* DJ Hidden - The Painted Stage* Sinister Souls - Crystal Math(Enduser Remix)* Divtech - Going Down* Tekkno Kid - Escape* The DJ Producer - Losing the Mind (Producer's Kickdrum Asylum Dub)* The Teknoist, Smyla - Beastage* Embrionyc - Vitality* Counterstrike - Oumuamua* Coman Dante & Joanna Syze - Absolution* Black Sun Empire & Eye-D - Brainfreeze* Audio - Elements* Freqax, Fortitude, Hatework Machine, Triple Sickz, Brainpain - Brainpain - First Born (Hatework Machine Remix)* Gein - The Sermon* Synthakt - Redshift* Zombie - Hammer* Bong Ra - Artificial Flesh* Nanostorm - Cosmic Dark* Detest - Sleep Knowledge* BLACKPHONE666 - Immune Rejection* Tripped - What the Fork* Tripped - Enough* DJIPE - Turtle Devastation Wave* Bong Ra & DJ Producer - The Abominable* Pogo Car Crash Control - Crvve (Stazma The Junglechrist Remix)* The Satan - Crusade* Venetian Snares - 1000 Years* The Outside Agency - Edited for Content* Divtech - Spit Blood I* Drumcorps - Monuments to a Poison Logic* Code Orange - I Am King* Death Qualia - Muzzled Phenomena* Paledusk - Wind Banck* Carcass - HeartworkTracklisting:* Rob Zombie - The Beginning of the End* Paledusk - Leave Me Out* Drumcorps - Compromised* Frontierer - Exposure & Aperture* Venom Benzo - Berate* The Enemy - The Horror* Shadow Sect - Moshpit* Pythius & Thrasher - IDWD (Zardonic Remix)* Rognvald - Earldom Pollywax* Limewax - Scream War* Sound Shifter - What I Had (Duburban Remix)* DJ Hidden - The Painted Stage* Sinister Souls - Crystal Math(Enduser Remix)* Divtech - Going Down* Tekkno Kid - Escape* The DJ Producer - Losing the Mind (Producer's Kickdrum Asylum Dub)* The Teknoist, Smyla - Beastage* Embrionyc - Vitality* Counterstrike - Oumuamua* Coman Dante & Joanna Syze - Absolution* Black Sun Empire & Eye-D - Brainfreeze* Audio - Elements* Freqax, Fortitude, Hatework Machine, Triple Sickz, Brainpain - Brainpain - First Born (Hatework Machine Remix)* Gein - The Sermon* Synthakt - Redshift* Zombie - Hammer* Bong Ra - Artificial Flesh* Nanostorm - Cosmic Dark* Detest - Sleep Knowledge* BLACKPHONE666 - Immune Rejection* Tripped - What the Fork* Tripped - Enough* DJIPE - Turtle Devastation Wave* Bong Ra & DJ Producer - The Abominable* Pogo Car Crash Control - Crvve (Stazma The Junglechrist Remix)* The Satan - Crusade* Venetian Snares - 1000 Years* The Outside Agency - Edited for Content* Divtech - Spit Blood I* Drumcorps - Monuments to a Poison Logic* Code Orange - I Am King* Death Qualia - Muzzled Phenomena* Paledusk - Wind Banck* Carcass - Heartwork Download, Distribute, and Donate!
In the Year 2000, Canadian Electronic Musician, Venetian Snares released a song titled All The Children Are Dead. The song featured audio sampled from an interview on Coast To Coast AM. During the interview, an unnamed caller tells a chilling tale of the murder of 75 children in his hometown. Is his story true? If so, where did it happen? Who committed this crime? Beer of the week Busted Knuckle by Quaff On Brewing Co. Follow us online: https://twitter.com/GrowlNGremCast https://www.instagram.com/growlngremcast/ https://facebook.com/GrowlNGremCast https://growlersandgremlins.com/ Intro Music: Mechanolith by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4031-mechanolith License: http://creativecommons.org/licenses/by/4.0/
Bertram Malle, PhD teaches social cognitive science and social psychology at Brown University, he’s the author of dozens of articles and has focused his recent work on how humans feel about robots, and researches how the etiquette and facial abilities of robots impact how we perceive them. His research indicates that the more human-looking a robot is – especially in its “face” – the more humans are likely to attribute emotions or moral codes to them. Bertram’s work reminds us that the context we experience robots in influences the relationships we build. Maybe more importantly, Bertram reminded us that robots must be designed to exist in very specific contexts. The appearance and communication abilities of a robot that checks us into a doctor’s office needs to be very different from the robots we use to assist us with making an airline reservation. While that may be intuitive on one level, it highlights the remarkable complexity required in the design and manufacturing of these robots. Each one needs to be built for a specific purpose – there is no one-size-fits-all with robots. Bertram reminded us that it’s difficult to imagine that robots will ever reach the complexity and flexibility of their human counterparts. We also parsed out the differences between hope and optimism. This topic was particularly important to because we’re too often conflating the two. Hope, Bertram explained, is something we have when we lack confidence or influence in the outcome. And optimism exists where we might have some degree of influence over the outcome. We hope you enjoy our conversation with Bertram Malle. © 2021 Behavioral Grooves Links Bertram Malle, PhD email: bfmalle@brown.edu Social Cognitive Science Research Lab (Brown University): http://research.clps.brown.edu/SocCogSci/index.html Bertram Malle, “Theory of Mind”: https://nobaproject.com/modules/theory-of-mind Bertram Malle & Patty Bruininks “Distinguishing Hope from Optimism and Related Affective States”: https://www.researchgate.net/publication/226421327_Distinguishing_Hope_from_Optimism_and_Related_Affective_States Bertram Malle Selected Publications: http://research.clps.brown.edu/SocCogSci/Publications/publications.html ABOT: http://www.abotdatabase.info/ MIT Lab on Automated Vehicles: https://www.media.mit.edu/research/?filter=everything&tag=autonomous-vehicles “Her” film: https://en.wikipedia.org/wiki/Her_(film) “Ex Machina” film: https://en.wikipedia.org/wiki/Ex_Machina_(film) TAY: https://en.wikipedia.org/wiki/Tay_(bot) Isaac Asimov: https://en.wikipedia.org/wiki/Isaac_Asimov Jóhann Jóhannsson: https://en.wikipedia.org/wiki/J%C3%B3hann_J%C3%B3hannsson Hildur Guðnadóttir: https://en.wikipedia.org/wiki/Hildur_Gu%C3%B0nad%C3%B3ttir Fritz Heider, PhD & Marianne Simmel, PhD, “An experimental study of apparent behavior”: https://psycnet.apa.org/record/1945-01435-001 Common Biases and Heuristics: https://docs.google.com/document/d/1XHpBr0VFcaT8wIUpr-9zMIb79dFMgOVFRxIZRybiftI/edit?usp=sharing Minnesota Timberwolves: https://en.wikipedia.org/wiki/Minnesota_Timberwolves Musical Links Radiohead “Hail to the Thief”: https://www.youtube.com/watch?v=8MdwaUtW_D4 Esbjörn Svensson Trio “Seven Days of Falling”: https://www.youtube.com/watch?v=D7KXq6RJ0PA Bill Dixon “Motorcycle ‘66”: https://youtu.be/ZcO8zfp-FLg Tyshawn Sorey “Unfiltered”: https://tyshawn-sorey.bandcamp.com/album/unfiltered Sigur Ros “Brennisteinn”: https://www.youtube.com/watch?v=Oc6zXSdYXm8 Hildur Gu∂nadottir “Unveiled”: https://www.youtube.com/watch?v=zzaxVFc9oIs Anders Hillborg “Violin Concerto No. 1”: https://www.youtube.com/watch?v=jrJ7rhQDjsE Daniel Lanois with the Venetian Snares: https://www.youtube.com/watch?v=q9u93SDxNsk Daniel Lanois with Parachute Club: https://www.discogs.com/The-Parachute-Club-Rise-Up/release/1209691 The Bad Plus “Never Stop II”: https://thebadplus.bandcamp.com/album/never-stop-ii Iceland Symphony Orchestra, “Recurrence”: https://nationalsawdust.org/thelog/2017/02/16/playlist-9/ David Chesky, “Jazz in the new harmonic”: https://chesky.com/products/jazz-in-the-new-harmonic-david-chesky-download Kings of Leon, “Sex on Fire”: https://www.youtube.com/watch?v=RF0HhrwIwp0 “Annihilation” soundtrack: https://www.youtube.com/watch?v=M9eidResq9g “Tenet” soundtrack: https://www.youtube.com/watch?v=aVMkvCTT_yg
Queer, Mexican-American artist Chris Conde strives to relate to his audience through an honest communication of his personal narrative of overcoming drug addiction, internalized homophobia and self-acceptance. Whether rapping in full drag to a produced beat, singing with a fully-backed orchestration or simply crooning alongside a few acoustic instruments, Conde's unabashed dialogue of acceptance is a common theme. chrisconde.com
Cohosts Roy Aguillon, Andrea Fernandez, Chad Hankins, Kimiya Factory, and Ryan Thompson review the three propositions on San Antonio's November 2020 ballot and invite you all to join them at the Back Lot Bop this coming Saturday to celebrate the power of our voices and our votes with music, food, speeches and lots of fun. It's covid safe - just drive-in, park, and watch the show. Music: " Apathy & Rage ft. Venetian Snares", by Chris Conde
Mantis Radio 311 + BRICKS US trio BRICKS select some grindcore and noise favourites. Mike plays music from Doormouse, Code Orange, Salford Electronics, Sonic Terror, PETRICK, Gojira, Overlook, Replicant, Employed to Serve, Luke Lund, Crystal Cage, Primitive Knot, and Venetian Snares. Travesing the sounds of breakcore, dnb, metal, industrial, noise, mutant dub, post rock, powerviolence, darkgaze, progressive death metal and ambient. Show playlist available at Darkfloor.
Our hosts discuss Stuart Gordon's passing, and talk about the initial reaction to the Resident Evil 3 remake, & how opinions surrounding the game are presented and received on the Internet. Plus, brief news about ComicsHub! Also, streaming picks for April, and another round of ON THE SPOT!Follow the show & hosts on Twitter: @ItsThemDamn, @EvlIntentions, @GriffmoyJoin us on Discord: https://discord.gg/yCXzMKG .. and we're on Instagram! Music for this episode includes:03:45 - Richard Band - Re-Animator Theme05:48 - Killer Mike - "Don't Die" / "Butane"11:20 - DJ Shadow - "Enemy Lines"16:26 - Mono Memory - "Resident Evil 1 Save Room (Remix)" / "Nemesis Save Room (Remix)"26:00 - Marilyn Manson - "Seizure of Power"29:27 - binarydreamz - "Friday the 13th NES Cabin (Extended Remix)"30:48 - The Dust Brothers, "Chemical Burn" / "Marla"37:15 - Venetian Snares, "P"39:06 - Aphex Twin, "[windowsill]"40:07 - Whodini, "Friends (Instrumental)"
The dudes dive into some heavy heavy electronic music. Voicemail - (631) 837-3274 Music Featured: Grim Reaper - Dead on Arrival Rotator - Jump da Fuck Up Rotator - Damage The Winstons - Amen Brother Rebel MC (Featuring Tenor Fly) - The Wickedest Sound (Don Gorgon Mix) Aphrodite - Stalker Christoph de Babalon - If You're Into It, I'm Out of It Libido Airbag - Schokopforte Libido Airbag - Rectal Blasthole Libido Airbag - Recycled Robocum Venetian Snares - There's Punk Kids Out There Venetian Snares - Befriend A Child Killer (Remix) Venetian Snares - Hajnal Ultraviolence - Psycho Drama Datach'i - Mmale and Ffemale Flashbub - Lawn Wake IV Rotator - Dissident Sound Maniak Lady Scraper - Wolves Genghis Tron - Board Up the House Gigantic Brain - The Invasion Discography Bong-Ra - Stereohype Heroin Hooker Wormskull - Nosebleed Drumcorps - Grist Drumcorps - Altered Beast - Demo with Animosity Igorrr - Nostril Igorrr - Hallelujah Igorrr and Ruby My Dear - Maigre EP Whourkr - Concrete End.user - Not So Distant Drums Squarepusher - Come On My Selector Luna Sol - Below The Deep 22 - Flux Knocked Loose - A Different Shade of Blue Buzzcocks - Peel Sessions
"Professor Pizzagate" Mike joins Tom and Don to answer as many of your questions as we can fit into this oversized episode. The third in our series on conspiracy. Mentioned: The CIA Doctors by Colin A. Ross, Opperman Report, visup.blogspot.com Intro music by auntie004. Outro: Americanized by Venetian Snares.
Mantis Radio 294 + Inge K Dropping some foundational breakcore we welcome back to the show Inge K. Before her session music by Boylan & Flowdan, TAKA, Raven Sigh, Dax J, UVB, Gobsmacked, Voitax, James Ruskin, Rhythmic Theory, THRDEYEVSN, and Section27. playlist → show archives. support the show → become a patron.
Mantis Radio 294 + Inge K Dropping some foundational breakcore we welcome back to the show Inge K. Before her session music by Boylan & Flowdan, TAKA, Raven Sigh, Dax J, UVB, Gobsmacked, Voitax, James Ruskin, Rhythmic Theory, THRDEYEVSN, and Section27. Show playlist available at Darkfloor.
This week we haven’t been able to record a new show because Anthony has been very ill for the past few weeks. He is on the mend now and should be back for a show next week. Instead of us putting in another repeat, we thought we would give you the chance to listen to one of our Patron-only bonus shows. This one has been available to them for over a year, and we thought it’d be good to give you a taste of what you’re missing out on. This first one is us talking about some music that was formative to us and to this podcast. Hope you enjoy it. And if you do, please consider supporting the podcast - patreon.com/independentmusicpodcast. Tracklisting Coachwhips - You Gonna Get It (Narnack Records, USA) Aaron Neville - Hercules (Mercury, USA) Roots Manuva - Join the Dots (Big Dada, UK) Fever Ray - Dry and Dusty (Rabid Records, Sweden) Venetian Snares - Öngyilkos Vasárnap (Planet Mu, UK) The Congos - Ark of the Covenant (Black Art, Jamaica) JahYu - To The End Of The Earth And Sea (Trigrams, UK) Basa Basa - African Disco Power (Sofrito Edit) (Sofrito Specials, UK) Love - The Red Telephone (Elektra, USA) Part Chimp - Trad (Rock Action Records, UK)
[Intro: 17:30] In this episode, I speak with author, journalist, and political researcher Shane Burley. We discuss the recent mass shooting in Christchurch, New Zealand, in which an Australian white supremacist targeted Muslim worshippers at two separate mosques, leading to the deaths of 50 people — the largest in the nation’s history. We place this event within Shane’s larger analysis of far right ideology and insurgency, which has been thoroughly examined in Shane’s journalism on the subject, as well as in previous interviews I have had with him.* In this discussion with Shane, we touch on an Op-Ed Alexander Reid Ross and Shane very recently co-wrote for The Independent, titled ‘How to defeat the cretinous ‘great replacement’ theory at the heart of the Christchurch mosque attack,’ in which they respond to the recent mass shooting in Christchurch by self-proclaimed white supremacist Brenton Tarrant. Aside from embodying the most vile and insurgent aspects of white supremacist ideological violence, Tarrant live-streamed the mass killing of 50 Muslim worshippers at the Al Noor and Linwood mosques on platforms such as Facebook and YouTube. Along with his eagerness to share his violent acts with the world, Tarrant left a "manifesto" of sorts, which clearly defines what his motivations were for the targeted attacks, including the highly dubious claims that the "white race" is being systematically replaced and displaced from their position of dominance in European and European-in-origin societies (United States, Australia, New Zealand, and the like) by "Non-European" races through mass migration and high birthrates.** We place this mass shooting in Christchurch within Shane's robust analysis of the patterns of far right insurgent violence, as demonstrated by the long and growing list of so-called ”lone wolf" attacks on minority groups in predominantly European and European-in-origin societies over the past several decades, and especially in the past five years or less. What is fueling these attacks, and how do we combat these horrible ideologies that embolden individuals to "take matters into their own hands"? We examine possible answers to this question by identifying the root of the anxiety inherent in white identity in the modern era, including the role late-stage capitalism and ecological collapse plays in giving rise to these outbursts of violence around the world. Shane Burley is a writer and filmmaker who regularly reports on far-right movements in the US, as well as anti-fascist resistance, workers rights, and class struggle. He is the author of ‘Fascism Today: What It Is and How to End It’ from AK Press, and his work has appeared in numerous publications, such as Jacobin, Truthout, and Commune Magazine. *http://bit.ly/BehindEveryLoneWolf **http://bit.ly/2FygvQ5 Episode Notes: - Read Shane and Alexander Reid Ross’ recent op-ed in The Independent: https://ind.pn/2uwtF9X - Read Shane’s recent work in Truthout: http://bit.ly/2OjOHSd - Learn more about Shane and his work at his website: https://www.shaneburley.net - Follow Shane on Twitter: https://twitter.com/shane_burley1 - Pick up Shane’s book ‘Fascism Today: What It Is and How to End It’ from AK Press: http://bit.ly/BurleyFT - The songs featured in this episode are “Öngyilkos Vasárnap” and “Hajnal” by Venetian Snares from the album Rossz Csillag Alatt Született. WEBSITE: https://www.lastborninthewilderness.com PATREON: http://bit.ly/LBWPATREON STORE: http://bit.ly/LBWmerch DONATE: Paypal: http://bit.ly/LBWPAYPAL DROP ME A LINE: (208) 918-2837 FOLLOW & LISTEN: SoundCloud: http://bit.ly/LBWSOUNDCLOUD iTunes: http://bit.ly/LBWITUNES Google Play: http://bit.ly/LBWGOOGLE Stitcher: http://bit.ly/LBWSTITCHER RadioPublic: http://bit.ly/LBWRADIOPUB YouTube: http://bit.ly/LBWYOUTUBE NEWSLETTER: http://bit.ly/LBWnewsletter SOCIAL MEDIA: Facebook: http://bit.ly/LBWFACEBOOK Twitter: http://bit.ly/LBWTWITTER Instagram: http://bit.ly/LBWINSTA
The guys are on holiday until 14 January, so in the meantime here's a cracking episode from early last year. There's music from industrial pioneer Chris Carter (ex Throbbing Gristle / Chris & Cosey) and breakcore pioneer Venetian Snares. There's also exceptional contemporary sounds from Russian jazz punks Сольвычегодск and spoken word dub from Leslie Winer and Jay Glass Dubs Tracklisting Warmduscher – Big Wilma (The Leaf Label, UK) Chris Carter – Blissters (Mute Records, UK) Solo Banton – Super Lyrics (Reality Shock Records, UK) Paper Dollhouse – Haze (MoonDome, UK) Сольвычегодск – Ко мне (self-release, Russia) UUUU – Verlagerung, Verlagerung, Verlagerung (Editions Mego, Austria) Leslie Winer and Jay Glass Dubs – Woodshedded (Bokeh Versions, UK) Golden Retriever – Thread of Light (Thrill Jockey, USA) Bisk – Neo-noir (self-release, UK) Venetian Snares – The Shriek She Made When She Died Was Erased By The Sound of Lightning (Mute Song, UK) Support
Stormfield Our 61st In Session mix was recorded at Soundcrash presents Venetian Snares with Afrodeutche and Stormfield, September 15th 2018 at Hanger London Fields. Tracklist & more available at Darkfloor.
This week on Kettle, Simon is away in the desert so Ben is rejoined by Matt B to play new tunes and chat about music production with modular synths (Simon played one of his tracks back on #207.) Enjoying the show? Please support BFF.FM with a donation. Playlist 8′00″ Bodys by Car Seat Headrest on Twin Fantasy (Matador Records) 11′35″ Mainland by Rolling Blackouts Coastal Fever on Hope Downs (Sub Pop) 16′17″ Me And My Husband by Mitski on Be The Cowboy (Dead Oceans) 17′01″ Under the Sun by DIIV on Is The Is Are (Captured Tracks) 27′52″ Repeating Patterns by We Were Promised Jetpacks on The More I Sleep The Less I Dream (Big Scary Monsters) 31′41″ Mothers by Steady Holiday on Nobody's Watching (Barsuk) 35′20″ Small Spaces by Micah P. Hinson on Small Spaces (Full Time Hobby) 44′35″ Glimpse Of Hope (Joe Goddard Remix) by Nils Bech on Echo EP (DFA Records) 51′23″ Cop Killer by John Maus on We Must Become the Pitiless Censors of Ourselves (Ribbon Music) 55′00″ Happy Ending by Alex Cameron on Jumping the Shark (Secretly Canadian) 65′11″ The Ghost Ship by Farao on Pure-O (Western Vinyl) 67′38″ Guilty Pleasures by Georgi Kay on Guilty Pleasures (Monoki) 71′24″ Dive Down by Mile Me Deaf (Siluh) 75′00″ Dark Heart by Tunng on Songs You Make At Night (Full Time Hobby) 82′35″ God(s) by Jean-Michel Blais on Dans Ma Main (Arts & Crafts) 84′36″ Four Years Later by David Holmes on Mosaic OST (Touch Sensitive) 98′17″ Moons Apart by Ann Annie on Atmospheres, Vol. 2 (Modularfield) 100′15″ Perdonare by Alessandro Cortini on AVANTI (Point of Departure) 104′55″ Everything About You Is Special by Venetian Snares on Traditional Synthesizer Music (Mutesong) 108′34″ Earth-Sinking-Into-Water by Surgeon on Luminosity Device (Dynamic Tension) 117′18″ Solarised Sound by Cavern of Anti-Matter on Hormone Lemonade (Duophonic) Check out the full archives on the website.
Estéreo360º propicia un diálogo entre novedades y reediciones recientes buscando nexos en común y puntos de discusión, diferencias y convergencias. Cómo The Ex chocó con Wire; Empire trepó a una Columna; The Residents se inmolaron junto a Chris Carter; Sister Rosetta Tharpe -en la fotografía- gritó Amnesty; Crosby & Nash conocieron a Herlop; Searmanas fue estepa helada con Hunn-Huur-Tu; Ornette Coleman les sopló la libertad a Venetian Snares y Daniel Lanois. Y otras increíbles historias narradas por DJFlow junto a Elysia Crampton. Estéreo360º se estrena los domingos a las 14h en M21 Radio (88.6 FM y https://www.m21radio.es/programas/estereo360o) y el lunes siguiente a las 14h también en Radio Círculo (http://www.circulobellasartes.com/radiocirculo/programas/estereo-360o/).
Aaron Funk has released a vertiable shed load of albums throughout his illustrious career. This, his 15th, is considered his definitive work. Weaver brings it to the table and tries to convince Mark and Chris that it is worthy of inclusion in our discography? Chris and Mark had never heard anything like this before, and thus approached it, and its frankly ridiculous concept, with a certain amount of trepidation. However, the sheer amount of work, and the general composition was enough to win them over. Weaver gives a pretty comprehensive overview of Venetian Snares' career and offers some thoughts on the breakbeat genre as a whole. Which makes pretty fascinating listening, we feel. But what do you think? Is this Aaron Funk's best work? Let us know by voting on Facebook!
Fresh off The Nut Button™ sponsorship, the Dedicated Slackers are selling out hard. We contemplate whether murder will affect our sponsorships in the future. Uber Edd also joins us and he’s very quiet. But don’t worry, Tanner asks him some key questions to get the scoop. Tanner also gives his Blazed Movie review, while Erek reviews the album My So Called Life by Venetian Snares. More importantly, Erek gives us the lowdown on his upcoming Patreon-exclusive cookbook that will feature a ravioli cooking alternative that makes use of a park slide on a hot summer’s day. Finally, the Slackers tell some Webster Hall stories. RIP. RIPIP. RIPIPPB. Oh, and we may have accidentally made up a racial slur. It’s not what you think, but we’re still sorry in advance. Theme song is taken from “Face to Face” by Sunset from their EP “i can’t sleep” Go listen to those slappers if you dig it
Mantis Radio 257 + Elementz Of Noize Releasing jungle, drum n bass, and that glorious techstep sound since the mid 90s, this week all up on the session we've Elementz Of Noize. Before that DVNT plays tracks from Dom & Roland, Alice Coltrane, Venetian Snares, new Darkfloor, DeFeKT, Blush Response, Len Faki and Japanese noise machines BORIS. Show playlist available at Darkfloor.
Mantis Radio 257 + Elementz Of Noize Releasing jungle, drum n bass, and that glorious techstep sound since the mid 90s, this week all up on the session we've Elementz Of Noize. Before that DVNT plays tracks from Dom & Roland, Alice Coltrane, Venetian Snares, new Darkfloor, DeFeKT, Blush Response, Len Faki and Japanese noise machines BORIS. playlist → show archives. support the show → become a patron.
Bibio; Wiklow; Building Castles out of Matchsticks; SubtractiveLad; Bing & Ruth; Sontag Shogun; Venetian Snares / Daniel Lanois; Holzkopf; Meat Beat Manifesto; Cares; Locust Toybox; Secret Pyramid; Caracoa; Kreidler; Earthen Sea; Tim Hecker; Mouse on Mars; Kaitlyn Aurelia Smith; James Holden & the Animal Spirits; Oval; Efrim Manuel Nemuck; Ought; Marlon Williams; Cold Specks; Ken; Milk & Bone & Blue Hawaii.
WHOA-B guest mix + new music from VENETIAN SNARES, SEVEN DAVIS JR. + BIOME on the latest ABSTRACT SCIENCE podcast, hosted by CHRIS WIDMAN. WIDMAN collects overlooked bandcamp + December 2017 releases (that missed our best of deadline) to bookend a drum n' bass guest mix from Chicago's veteran UK bass music specialist WHOA-B. [aired... The post whoa-b – absci radio [as1023] appeared first on abstract science >> future music chicago.
Old favourites and some new ones this week as Canadian breakcore stalwart Venetian Snares returns with a new record of glitchy beats and elongated track titles. We also have a debut release from Paper Dollhouse and the latest in the monthly series from Moscow avantgarde quintet Сольвычегодск Tracklisting Warmduscher - Big Wilma (The Leaf Label, UK) Chris Carter - Blissters (Mute Records, UK) Solo Banton - Super Lyrics (Reality Shock Records, UK) Paper Dollhouse - Haze (MoonDome, UK) Сольвычегодск - Ко мне (self-release, Russia) UUUU - Verlagerung, Verlagerung, Verlagerung (Editions Mego, Austria) Leslie Winer and Jay Glass Dubs - Woodshedded (Bokeh Versions, UK) Golden Retriever - Thread of Light (Thrill Jockey, USA) Bisk - Neo-noir (self-release, UK) Venetian Snares - The Shriek She Made When She Died Was Erased By The Sound of Lightning (Mute Song, UK)
Mantis Radio 253 + Barks Rodz Konez latest signing Barks steps into the session hotseat this week. Before that, DVNT plays music from Logical Disorder, Clark, Max Richter, new Subsist, Armageddon Dildos, Burial, DJ Skull and Venetian Snares. playlist → show archives. support the show → become a patron.
Mantis Radio 253 + Barks Rodz Konez latest signing Barks steps into the session hotseat this week. Before that, DVNT plays music from Logical Disorder, Clark, Max Richter, new Subsist, Armageddon Dildos, Burial, DJ Skull and Venetian Snares. Show playlist available at Darkfloor.
FIRE AT WORK is an electronic music combo based in Rome , founded by Fabrizio Rossi and Fabio Recchia in 1999 and focused on experimental and industrial electronic music ; the aim is to violate perimeters between different genres , but always keeping same deep dark and mental atmospheres. The first release dates back to 2001 , a 12 " vinyl for IDROSCALO DISCHI involving some of the biggest names on the international electronic scene (Venetian Snares, M.Passarani, D'Arcangelo to name a few), followed by many releases, often in collaboration with other notable artists and in constant relation and comparison with international proposals. IRE AT WORK is one of the key projects of the underground rave scene ( although mostly experimental oriented ) at the turn of the old and the new millennium. Member of the collective of Spaziokamino (the legendary altar of the Roman techno) and its sound system OSTIA RIOTER has represented for many years the bridge between the Roman and international industrial scene thanks to collaborations with members of C8 circuit, HEKATE sound system in London, DarkMatter sound system in the United States, the collective BOGOTRAX in South America and UTEROZZZAAA in Japan. SC : https://soundcloud.com/fire-at-work FB : https://www.facebook.com/fireatwork/
Every season we have one or two theme-free shows where we bring you some of our favourite recent discoveries. For this first show of “likes” in Season 3, we have synthwave, darkwave, retrowave, lollywave, breakcore, j-pop and no doubt many … Continue reading →
On reçoit Tambour en entrevue pour parler de son projet et de son spectacle du 26 octobre prochain. En musique, on écoute quelques-unes de ses influences, un long bloc IDM et un peu de post-punk. Molestien / Niels Lyhne LøkkegaardFarewell Museum (feat. Pietro Amato) / TambourComptine d'un autre été / Yann TiersenEscape / Johann JohannsonSays / Nils FrahmGlider / TychoAeroport 2 Autoroute / CFCFNot Above That / Machinedrum & DawnThousand Mile Stare / Venetian SnaresExpérience cybernétique des signes de la main / Organ MoodMemory / PreoccupationsDon't Leave Me In The Dark / Vesuvio SoloToday More Than Any Other Day / OughtA Story Of This World / Circuit des YeuxChicken Picken / Jackie Lynn
A special Fundrive edition of More Than Human featuring top tunes from Moomin, Powell, Venetian Snares, D. Tiffany and many more. Plus a chance to grab test pressings of the new vinyl releases by Pye Corner Audio and Boreal Network when you donate to the CiTR 2016 Fundrive. Philanthropic.
This week we have the exclusive first play of former Jaga Jazzist member Norwegian experimental guitarist Stian Westerhus’ new track. We’ve also got two from Japan with the insatiable techno-esque sounds of Japanese trio Nisennenmondai and the experimental work from Keiji Haino. Two too from Canada with Venetian Snares and Poirier. There’s Cameroonian disco from Pasteur Lappé, experimental Italian jazz from Piero Umiliani, and modern soul from Adrian Younge
Let’s give the ol’ Square Waves FM BEEP salute to our awesome guests Robert Menes and Edgar Valasco who join us this week to talk about nostalgic stuff from our childhoods. The song at the end of this week’s podcast, despite a certain co-host’s protestations, is Twelve by Venetian Snares. Show notes: Nostalgia Roadtrip podcast […]
Muuuuu! Muuuuu! We’d like to take you to Planet Mu. It’s their 20th Anniversary year, so we thought we’d better play loads of their tunes. You could call it an homage, except we’re too amateur for flattery to be meaningful. You could call it a celebration, except Winky has a bit of a moan in the middle of it. So let’s just call it a “Thank you, Planet Mu” from The Stain, which Winky joins in with. **Apologies for Winky’s awful mic technique throughout** Joseph Nothing – A Shine on Your Head µ ziq – Hasty Boom Alert µ ziq – XT Slag Boom Van Loon – Poppy Seed (Boards of Canada Remix) Venetian Snares – Epidermis Jega – Manic Minor Milanese (feat. Virus Syndicate) – Dead Man Walking John Wizards – Iyongwe Bizzy B – Bad Boy Sound Vex’d – Killing Floor Hrvatski – Insect Digestion Melancholy Electronic Music Composer – Suggested Surgery Rude Ass Tinker – U Can’t Touch This Kid Spatula – Come On Board Traxman – Let There Be Rockkkkk Ital – Doesn’t Matter (If You Love Him) Konx-Om-Pax – Let’s Go Swimming
The brand new Venetian Snares record gets an airing this week, but that’s not the only new track we’re playing. We’ve got an exclusive first play of the new track from Drumcunt, we also have a listen to forthcoming releases from brilliant London punk band Shopping, new Scottish hip-hop duo CARBS, and a track from American duo Ratatat’s fifth record. There’s also a track from the vinyl release of Italian funk band The Bank’s latest record and from the long-awaited vinyl release of Hackney Collier
After literally minutes of labour, Winky and the Stain are delivered of a fresh bundle of joy. Come and see The Stain kicking and screaming, while Winky views everything with the innocent eyes of a child. Our Birth special features more painfully honest confessions; also, pleading, petulance, confusion and regret. Venetian Snares & Speedranch – Unborn Baby Blue Ducks – Some Girls Are Just Born With Glitter in Their Veins Harmonia & Eno – When Shade Was Born Tangerine Dream – Birth of Liquid Plejades Cannibal Corpse – Born In A Casket Cancerous Womb – Born of a Cancerous Womb Sizzla – Born A King Whore’s Skeleton – Birthing Ritual Loren Mazzacane Connors & Kath Bloom – The Breeze, My Baby Cries Frank Sidebottom – Born In Timperley Ultramagnetic MCs – Mechanism Nice (Born Twice) Caribou – Paul’s Birthday U-Roy – True Born African
1. The Twilight Sad (UK) - "Theres a girl in the corner" CD "Nobody wants to be here and nobody wants to leave" (Fat Cat) 2. Madame Baheux (Austria/Serbia/Bosnia/Bulgaria) - "The moving on song" CD "Madame Baheux" (Lotus) 3. Irmler & Liebezeit (Germany) - "Washing over me" CD "Flut" (Klangbad) 4. David Woodcock (UK) - "Same things" CD "David Woodcock" (Blow Up) 5. Nios du Brazil (Italy) - "Essenghelo tropical" CD "Novos misterios" (Hospital) 6. Venetian Snares (Canada) - "10th circle of Winnipeg" CD "My love is a bulldozer" (Planet Mu) 7. Venetian Snares (Canada) - "Too far across" CD "My love is a bulldozer" (Planet Mu) 8. Ljom (Norway) - "Kortkauken" CD "Seterkauk" (KKV) 9. Glass Ghost (USA) - "Wait a second" CD "Lyfe" (Western Vinyl) 10. 9Bach (UK) - "Lliwian" CD "Tincian" (Real World) 11. Wildest Dreams (UK/USA) - "Rollerskates" CD "Wildest Dreams" (Smalltown Supersound) 12. Wildest Dreams (UK/USA) - "Pleasure swell" CD "Wildest Dreams" (Smalltown Supersound) 13. The Ghost Wolves (USA) - "Dangerous moves" CD "Man, woman, beast" (Plowboy) 14. Diego El Cigala (Spain) - "Sevillana de Juan Antonio" CD "Vuelve el flamenco" (Artist release) 15. Ibibio Sound Machine (UK/Nigeria) - "Lets dance" CD "Ibibio Sound Machine" (Soundway) Страница программы на оф. сайте Сообщество программы Вконтакте
Our first official podcast of 2015 is with Tarekith (Erik Magrini), who is a professional mixing and mastering engineer from the US. Tarekith is owner of Inner Portal Studio, a Seattle-based studio focused on providing mastering and mixdowns for electronic musicians around the world. With over 15 years experience mastering releases from producers like Autechre, John Tejada, Venetian Snares, and Ben & Lex, Inner Portal Studio was also featured in the September 2011 issue of Electronic Musician magazine.
"Hunger" by The Soft Moon from Feel; "Theme Number Seven" by Pye Corner Audio from Black Mill Tapes Vol.4 Dystopian Vectors; "Cyclone" by Mono from The Last Dawn; "Ascension" by the Bug from Angels and Devils; "Far Away" by tiiiza from Sometimes; "Kerosene" by Jack Dice from Sip Paint; "BasedWorld" by Ryan Hemsworth from the bittorrent released Hemsworth Country; "Wet Pet" by Weird Universe from Unicorn Hard-On; "No Pantomime" by Klaus Layer from For The People Like Us; "10th Circle of Winnipeg" by Venetian Snares from My Love is a Bulldozer; "To Overthrow" by Torn Hawk from Through Force of Will; "Sing Sang" by Vintage Cucumber from Sing Sang Sung
"Hunger" by The Soft Moon from Feel; "Theme Number Seven" by Pye Corner Audio from Black Mill Tapes Vol.4 Dystopian Vectors; "Cyclone" by Mono from The Last Dawn; "Ascension" by the Bug from Angels and Devils; "Far Away" by tiiiza from Sometimes; "Kerosene" by Jack Dice from Sip Paint; "BasedWorld" by Ryan Hemsworth from the bittorrent released Hemsworth Country; "Wet Pet" by Weird Universe from Unicorn Hard-On; "No Pantomime" by Klaus Layer from For The People Like Us; "10th Circle of Winnipeg" by Venetian Snares from My Love is a Bulldozer; "To Overthrow" by Torn Hawk from Through Force of Will; "Sing Sang" by Vintage Cucumber from Sing Sang Sung
Intro / Outro
Electronic Music - Summer 2014 01 - WEEKNIGHT_Hallowed Ground (0'00) (Post-Everything / Hand Draw Dracula / 2014) 02 - COLD CAVE_Nausea, The Earth & Me (3'50) (Full Cold Moon / Heartworm Press / 2014) 03 - VENETIAN SNARES_10th Circle Of Winnipeg (9'40) (My Love Is A Bulldozer / Planet Mu / 2014) 04 - ALEX BANKS_Sheya (14'40) (Illuminate / Monkeytown Records / 2014) 05 - EOMAC_Spectre (20'10) (Spectre / Killekill / 2014) 06 - SZARE_Meanwhile, On The Mountain Side (24'30) (Carved In Those Dancing Gravestones / Frozen Border / 2014) 07 - DMX KREW_Keuswask (27'40) (Standing Stones / Mystic & Quantum Records / 2014) 08 - YouAND:THEMACHINES_Drift (STEVE BUG Rmx) (31'10) (Behind Lp Reshaped / Ornaments / 2014) 09 - KIDKANEVIL_Inakuranu (37'50) (My Little Ghost / Project : Mooncircle / 2014) 10 - ANSWER CODE REQUEST_By The Bay (41'00) (Code / Ostgut Ton / 2014) 11 - GLITTERBUG_1st Of July (45'10) (Dust / Notown / 2014) 12 - MARTYN_Glassbeadgames (feat FOUR TET) (50'30) (The Air Between Words / Ninja Tune / 2014) 13 - INIGO KENNEDY_Plaintive (56'20) (Vaudeville / Token / 2014)
"An Event (helicopter_passing-(edit)" by Jason Forrest from The Unrelenting Songs Of The 1979 Post Disco Crash; "10th Circle of Winnipeg" by Venetian Snares from My Love is a Bulldozer; "Aontas" by Sadsic from Sells-Cells; "Later" by Daif from 2017; The title track from Parallax by Massimo Discepoli; "Icehead" by Alex G from DSU; "Kid Glow" by Arild and Joseph from Egoaccipio (Instrumentals); "Rustic Fog" by Watter from This World; "Charm" by The Allenhime Soda Dispensers from Rough; The title track from Friendly Bacteria by Mr. Scruff; "Temporal, eponymous" by Ambarchi, O'Malley, Dunn from Shade Themes from Kairos.
"An Event (helicopter_passing-(edit)" by Jason Forrest from The Unrelenting Songs Of The 1979 Post Disco Crash; "10th Circle of Winnipeg" by Venetian Snares from My Love is a Bulldozer; "Aontas" by Sadsic from Sells-Cells; "Later" by Daif from 2017; The title track from Parallax by Massimo Discepoli; "Icehead" by Alex G from DSU; "Kid Glow" by Arild and Joseph from Egoaccipio (Instrumentals); "Rustic Fog" by Watter from This World; "Charm" by The Allenhime Soda Dispensers from Rough; The title track from Friendly Bacteria by Mr. Scruff; "Temporal, eponymous" by Ambarchi, O'Malley, Dunn from Shade Themes from Kairos.
I’ve got sounds for every occasion... And today’s featured mix is unlike any other previously showcased on Headphone Commute. Actually, nuits, has already appeared on our podcast with his Jungle Fusion mix, to which you guys have responded very well. And so I’m treating you to a follow up. I’m positive that among you exist, like myself, fans of Squarepusher, Aphex Twin, Wisp, Venetian Snares and The Prodigy. I’m hoping that this mix will kick off a great new week, and perhaps even a whole new chapter in your life. Why not today, right? Come to daddy! Please enjoy responsibly and support the featured artists! For full track listing and more information about this mix, please visit headphonecommute.com
7 марта в 23:00 по Москве на DirtLabAudio.com - HELL KITCHEN RADIOSHOW | Special Guest - AINADA [KIEV / UKRAINE].AINADA – первая девушка, которая побывает в гостях у Hell Kitchen. Ainada занимается музыкой с 7 лет, закончила музыкальную школу и музыкальный колледж им.Глиера, а в прошлом году - консерваторию. Уже в 13 лет слушала metal, industrial, punk rock, играла в группах black metal. Позже проявилась любовь к мероприятиям готической направленности, на которых она была частым гостем. Последние 4 года увлекается электронной музыкой, пробует себя в написании треков. Свое вдохновение ищет в лице таких продюсеров и проектов, как Bong-Ra, Limewax, Tech Itch, BSE, Loop Stepwalker, Venetian Snares, Satan, Counterstrike, Hecq, Matta, Noisia. soundcloud.com/ainada / promodj.com/ainadaМузыка: DarkStep, NeuroFunk, AINADA - Guest Mix.
7 марта в 23:00 по Москве на DirtLabAudio.com - HELL KITCHEN RADIOSHOW | Special Guest - AINADA [KIEV / UKRAINE].AINADA – первая девушка, которая побывает в гостях у Hell Kitchen. Ainada занимается музыкой с 7 лет, закончила музыкальную школу и музыкальный колледж им.Глиера, а в прошлом году - консерваторию. Уже в 13 лет слушала metal, industrial, punk rock, играла в группах black metal. Позже проявилась любовь к мероприятиям готической направленности, на которых она была частым гостем. Последние 4 года увлекается электронной музыкой, пробует себя в написании треков. Свое вдохновение ищет в лице таких продюсеров и проектов, как Bong-Ra, Limewax, Tech Itch, BSE, Loop Stepwalker, Venetian Snares, Satan, Counterstrike, Hecq, Matta, Noisia. soundcloud.com/ainada / promodj.com/ainadaМузыка: DarkStep, NeuroFunk, AINADA - Guest Mix.
Imogen Heap, Ebo Taylor, Dizzee Rascal, Venetian Snares, London Electricity, Tina Grace vs Stanton Warriors etcCorporate takeover. Chinese Communist Billionaires, Raping externalities, activist democratic involvement, female exclusion, messy democracy.
Certain Songs #07 (right click, save as, Aphex acid) Put your skronky breakcore hats on, folks, because it’s time for Sam to dive into the world of Venetian Snares. Sam and John will have a long chat about this cheeky … Continue reading →
Edited to add 1/19/10: The follow up to Lightbreaker, called Heartland is coming out soon and true to form, Mark has posted a soundtrack. Check it out!Listen to the interview here!Tell me a little about yourself and your writing.I'm more of a long form writer than a short fiction guy. Farrago's Wainscot serialized my hypertext novel, The Oneiromantic Mosaic of Harry Potemkin, in 2007 (and the expanded edition of it can be found here), and the print arm, Farrago Press, will be putting out the sequel/resolution, Psychobabel, in 2009. In September, my first print novel will be out from Night Shade Books. Entitled Lightbreaker, it is the first part of Codex of Souls, a multi-book romp through Western esoteric thought and occult history in an urban fantasy setting. Both are ambitious projects for the early part of a writer's career, but they seem to be the way my brain wants to tell stories, and I'm going along with it. I'm just a delivery vehicle for the Muse, really. Yes, that's my excuse. Though, honestly, I am at that point in my career when I still have a full-time job, and so I have the luxury of producing material that excites me foremost without necessarily being beholden to market forces. This is the way new writers find their way in, I think, by creating material that is filled with the passionate excess of their naiveté. Or, at least, that's the other excuse I keep using. Tell me about the story that you've created a soundtrack/playlist for.Lightbreaker is divergent from the nominal definition of "urban fantasy." There are no werewolves or vampires, and the magick is based more in actual occult history and practices than Dungeons & Dragons rules. I've never been comfortable with the reliance upon vampires and werewolves as fantasy tropes because their historical definitions don't hold up well in a modern setting. They are predators, really, and we are cattle, and I could never quite world-build them well enough that humanity wouldn't have gotten their shit together and wiped them out. It's a blind spot for me, and I didn't try to make it work. Besides, I'm fascinated with mythology, magico-religious belief structures, and whatever it was that Aleister Crowley was really trying to accomplish with all of his writings. He was either a complete nut or he knew something special, and I think his efforts--like a lot of metaphysical and religious thought--are worth examining. If I can do that while providing an entertaining story with lots of sex and death, then everybody wins. The book itself, in a few words, is the story of a guy, Markham, who has returned to Seattle, searching for a girl, Katarina, who, a decade ago, touched his soul and left it . . . damaged. What he stumbles upon when he gets to town is the girl's new friends, who are playing with very dark magick. These guys are a secretive cabal who are attempting to punch a hole through heaven, and make mischief with what they find. Markham must (to quote the marketing copy) "delve deep into his past, calling on every aspect of his occult training for there to be any hope of a future. But delve he must, for Markham is a veneficus, a spirit thief, the Lightbreaker . . ."Just so everyone has some reference points. I am, after all, about to geek out on a bunch of songs no one has heard in reference to a book no one has read, and I'm going to try to do so without offering spoilers. Yeah, good luck with that, I know. What is your playlist? (Why did you choose these songs?01. "Our Solemn Hour" - Within Temptation02. "Collide" - Detritus03. "Missing Link (Screaming Bird mix)" - Curve04. "Voiceover" - Darrin Verhagen 05. "Acidburn Aesthetic" - Stone Glass Steel06. "." - Darrin Verhagen 07. "Black Star" - Peccatum08. "Lethe" - Detritus09. "Agnus Dei" - Shinjuku Thief10. "Quest" - 302 Acid11. "Greater Than The Sun" - Covenant12. "Shadow Path" - Shinjuku Thief13. "The Great Destroyer" - Nine Inch Nails14. "With Small Shards of Glass" - E.P.A.15. "Uthul Khulture" - Sephiroth16. "Colorless" - Venetian Snares17. "Heaven's Blade" - Coil18. "Procession of Souls" - Shinjuku Thief19. "Shroud (Exordium") - Fields of the Nephilim20. "Straight To The Light" - Fields of the NephilimPlaylist Discussion1. "Our Solemn Hour" Within Temptation (The Heart of Everything)I used to write trailers for my books--big splashy write-ups done in screenplay style where I threw together enough of the high points of the book that I could remember what it was all about six months later, and to give myself a thematic overview of what I was trying to accomplish. For a long time, Carl Orff's "Carmina Burana" and Peter Gabriel's "The Rhythm of the Heat" were my go-to songs for trailers, but "Our Solemn Hour" is much more fitting for Lightbreaker. Especially the first big explosion of sound that kicks everything off. Yes, this is the way the world sounds. 2. "Collide" Detritus (Fractured)The book starts with a bang, and it's chapter four before we even slow down enough to really introduce our characters, which is either going make readers love me for not boring them from the start or piss them off mightily. Detritus' "Collide" is a drum 'n' bass symphonic overture, and meshes nicely with a chase that starts in the woods, runs through a small town, and climaxes on the lower deck of a vehicle ferry.3. "Missing Link (Screaming Bird Mix)" Curve (Blackerthreetrackertwo EP)Toni Halliday's voice has always been something of an obsession for me--both in its husky weariness and its seductive allure. It's the voice of a siren who has grown tired of summoning men to their doom, but she knows no other way to find love. The "Screaming Bird Mix" was done by Trent Reznor (of Nine Inch Nails fame), and he adds a layer of noisy guitars to an already caustic bombast. Markham's search for Katarina is a search for his missing link, and the combination of the relentless claustrophobia of the instrumentation and Toni's voice sums up the psychological history of his quest. 4. "Voiceover" Darrin Verhagen (D/Classified)6. "-" - Darrin Verhagen (Zero-Stung)9. "Agnes Dei" Shinjuku Thief (Medea)12. "Shadow Path" - Shinjuku Thief (The Witch Hunter)18. "Procession of Souls - Shinjuku Thief (The Witch Haven)Darrin Verhagen has a number of pseudonyms, and so his presence on the soundtrack is heavier than it appears at first glance. His choral and orchestral work is superb, and his ability to blend ethnic instrumentation and pure noise anarchy are just the sort of sonic impact I'd love to have in a film. The tracks picked out for the soundtrack are more subdued, but no less powerful. Well, other than the E.P.A. track, but there's no way to soften that blow, really. 5. "Acidburn Aesthetic" Stone Glass Steel (Dismembering Artists) Markham suffers from a bit of schizophrenia via a noise of voices that keep him company, and the "recontextualized" sound of Stone Glass Steel is fitting accompaniment. Phil Easter (SGS) builds his music by sampling and cutting from other works, building something new with elements that trigger other memories and associations in your mind. The mix of industrial noises, dark ambient drones, churning metal guitar, and atmospheric disturbances is schizophrenic enough, and the hints of nearly recognizable riffs from other artists is an added layer of identity confusion 7. "Black Star" Peccatum (Lost in Reverie)This one will be more obvious in retrospect after reading Lightbreaker, but if you read Irhiel (the female voice) as Katarina and Ihsahn (the male voice) as Markham's shadow and the whole song as being told from Markham's view, then it all makes sense. Really. "I am the black star, hostess of your dead heart sun." Some relationships are just doomed, you know, just flat out doomed. 8. "Lethe" Detritus (Fractured) 10. "Quest" 302 Acid (005)These two are mood music, downtempo tracks that try to capture some of the ghostly ambience of the book. The sort of thing you hear as backdrop during one of those rapid-time sequences in CSI where the team makes with the science and solves the crime. You don't want to cut this stuff because it's important to let the audience know that Things Are Being Done, but you certainly don't want it to drag by. A good bassline makes grunt work seem sexier than it really is. 11. "Greater Than The Sun" Covenant (Skyshaper)It's the rolling rhythmic line that really gets me. There are several introspective moments through the book, and the persistent rotation of the world around Markham is mirrored by the looping motion of "Greater Than The Sun." The more I listen to this song, the more I realize it encapsulates Markham's journey through Lightbreaker, right down to the way the bass drops away as Eskil Simonsson sings the chorus, each recitation more fragile and naked than the last. And the title. Yeah, the title is perfect. So, in a nutshell, this is the book. 13. "The Great Destroyer" Nine Inch Nails (Year Zero)Every villain needs a theme song, and this one is probably overly dramatic and heavy-handed, but the sonic breakdown into Autechre beat-fuckery about two minutes into the song is a great aural representation of what happens when you let a guy try to reshape the world in his image. 14. "With Small Shards of Glass" E.P.A. (Black Ice)There is a scene in the book where the phrase "a chattering echo of a thousand knives being sharpened" is used. E.P.A.'s Black Ice is the power electronics CD of Darrin Verhagen's three-part Black | Mass. Yeah, it's an hour of howling, wailing feedback and noise. With subtle variations, of course. And the one "With Small Shards of Glass" seemed about right. 15. "Uthul Khulture" Sephiroth (Draconian Poetry)And, when the world is burning down around you, what do you need? Apocalyptic drums and dark ambient monster noises. The fact that the band is called "Sephiroth" is just a bonus. 16. "Colorless" Venetian Snares (My Downfall) This record is a departure from the drill ‘n' bass that Venetian Snares has been putting out over the last few years, and I think it's a fantastic new facet to his sound. "Colorless" is suffused with melancholy, but it's not quite despair. Not yet. It's mood music for the bleak part of the early morning when your protagonist has to face what he has done, and what he is about to do. "Our hands betray what we have done." 17. "Heaven's Blade" Coil (The Ape of Naples)You can't write a book about magick (with a ‘k') and not have Coil on the soundtrack. That's like showing up to a secret furry convention without a costume. Everyone knows you don't belong. The trick wasn't a Coil song, but WHICH Coil song. The ephemeral fragility of "Heaven's Blade" is well suited for the penultimate scenes of the book. 19. "Shroud (Exordium)" & 20. Straight To The Light" - Fields Of The Nephilim (Mourning Sun) Mourning Sun was on the master playlist for writing the book, and it was always welcome when it showed up on the rotation. "Shroud (Exordium)" and "Straight To The Light," especially (and, really, the first is a long intro to the second). The way the sound builds across the breadth of "Shroud (Exordium)" to that final angelic chorus is just incredible, and I wish--every day--that I had the money to buy an obscenely huge sound system just so I could experience that progression in the bone-shaking way it was meant to be heard. The transition to "Straight To The Light," that opening guitar riff, is the end of the book, that instantaneous cut to black, and if it was up to me, the screen would stay black until the song was over before the credits ran. What does music mean to you? To your writing?It's critical. Both as a means of fueling the muse, and a means of adding texture. We are ultimately responsible for how the words make the scene work, and being able to find music that suits the intent and the impression of a scene enables me to better articulate what I'm trying to do and to find an emotional kicker to the text. Some film directors are more aware of the music than others, and they understand that it's another layer of meaning--much like the lighting and the framing of individual shots--and to poorly execute this layer is to dress the film shabbily. Ridley Scott, with Bladerunner; Michael Mann, with Miami Vice and Heat (really, the whole Miami Vice phenomena came out of marrying sound to visuals); David Lynch, with nearly everything he's done, but especially Twin Peaks; early Eric Serra, with some of Luc Besson's early films (The Big Blue, La Femme Nikita); Peter Gabriel's work for Birdy and The Last Temptation of Christ: these guys have all done great work marrying soundtracks to the visual presentations. When I used to story-storm late at night, I would put on some film filled with eye-candy, turn down the sound, and put the headphones on. Total sensory overload, and every time I'd stop writing in my notebook and look up, my brain would have to parse the music and the visuals. It would always keep me off-balance, always seeing and hearing something not-quite-right but always exciting. Occasionally, I'd find marginalia in my notes that would record songs for scenes, pairings that worked well and left me with the germ of an idea. Music, like film, is communicating via a different sensory avenue than the word, and frankly, we don't steal from it enough. We're happy to heist stylistic tics from other writers, but I don't think we pay enough attention to rhythm (or lack thereof) or visual cues in other media. 5. What kind of music do you like to write to?Writing music is very different from soundtrack music. My primary writing space is the commuter train, and the music serves two functions: propelling me forward and drowning out the constant chatter of the other three people at the small table I'm sitting at. The playlist is noisy, metallic, and operatic: filled with things that are labeled Teutonic Industrial (Rammstein, mostly), Big Broken Beat (Clark, Detritus, Enduser), Rhythmic Noise (Tarmvred, Iszoloscope, Empusae, and Ah Cama-Sotz), Symphonic Metal (Within Temptation, Nightwish, After Forever, Sirena), Tribal Illbient (Monolith, Sephiroth, and This Morn' Omina), Black Metal (Fields of the Nephilim, mostly), and Industrial Angst (Nine Inch Nails, Ministry, Otep, Die Warzau). The current playlist has about 700 songs, and I just let it spin on random. If this story was made into a movie, who would you want to do the soundtrack?Either Darrin Verhagen or David Dando-Moore. Verhagen writes these evocative film scores and dance company soundtracks that are a combination of ambient soundscapes, tribal raves, cataclysmic waves of emotional angst rendered as chaotic noise, and cinematic downtempo stuff. A lot of the first draft of the Lightbreaker soundtrack was huge chunks of his records, under his own name and his various aliases (Shinjuku Thief, Shinjuku Filth, E.P.A.). His work always evokes a lot of imagery and wild scenarios. Dando-Moore records as Detritus, and his latest record, Fractured, is an smashing collection of Big Beat downtempo instrumentals that make Massive Attack look like a bunch of octogenarians noodling around with primitive tape loops. I wish Hollywood would discover him for the next Bond film, as his tracks would add an extra level of aural eroticism and bang 'n' snap to every scene. I just watched Michael Mann's Miami Vice again the other night and was quite taken with how Mann used his soundtrack in place of actual scene sound. Having the right guy providing "mood music" can create an emotional impact of a scene that doesn't require words.Anything else you'd like to say about music and writing/creating?One of the ideas that I've never been able to figure out how to accomplish effectively is a series of novellas and EPs. Writer and musician produce an object that is a story with a soundtrack. You listen to one while you read the other. Brian Evenson did a spoken word disc for Ant-Zen a couple of years ago called Altmann's Tongue. He read from his stories and Xingu Hill and Tamarin made creepy dark ambient noises underneath. It's a very cool disc. But I'd like to separate the two a little more, and have the music be a pure soundtrack to the reading experience, and not marry it quite so closely to the text. Package it all up in an overly thick DVD case (CD on one side, short book on the other, much like the current PC game cases). I think both writer and musician, provided the pairing is good, could find fuel in the creative efforts of the other. That's what it's really about anyway: fuel for the creative engine. Nicolas Chevreux at Ad Noiseam has just made available a PDF magazine to accompany Raoul Sinier's latest record, Brain Kitchen. Formatting aside, it's exactly the marriage of art, word, and sound that I was thinking about. Visit the Brain Kitchen.To learn more about Mark, visit his website.Next week, I interview author Mandy Roth.
"Wave" is the first of a two part an auditive "guided fantasy" ("Ring" being the second part). A mix of ambient music, soundscapes and other musical surprises, created in 2006. No track is played completely, but the interaction of the fragments creates a completely new structure.... Which, in fact, is true for all ambient mixes of course... These two mixes were part of a 4-hour radio broadcast that were thematically related to Icelandic music. At least: the first and the last were mostly. The first of these four programs was a compilation of the (magnificent) album 'Spellewauerynsherde' by Akira Rabelais, the fourth part was a compilation of music from Iceland. I guess it's safe to assume that this also probably is the first (and possibly single) ambient music collage containing Venetian Snares music! (read more for complete paylist) --- originally published on Ambientblog --- WAVE PLAYLIST: Akira Rabelais - 1300 cursor M. 2699 (34) His Fader Nineti and Nine That Day- unreleased, 2004Eyvind Kang - Circle of Fair Karma- The Story of Iceland, Tzadik 7059, 2000"Readmittance will be denied"from "Twelve Monkeys", Terry Gilliam, Universal Pictures, 1995Hans Tutschku - …Erinnerung…- Moment, Empreintes Digitales 9947, 1999Coph Nia - Veil- That Which Remains, CMI 85, 2000Venetian Snares - Contain- Meathole, Planet Mu 99, 2005Michel Banabila - intro (instrumental)- Vuka! Vuka!, unreleased, 2005Jorge Reyes - The Body Song- Solar: A Music Travelogue Volume 1, Soleilmoon Recordings, 1997Djinnestan - RainI (darkdrone edit)- The Darkdrone Mix, Webbed Hand WH050, 2005 Andrey Dergatchev - Rain- The Return, ECM 1923, 2005Carl Stone - Mound Ridlight- Sampling Neurosis, 2000Hafler Trio - The Most Beautiful breath (extract)- And I'll be the Wind, Soleilmoon Recordings, 2003Dwight Ashley - Untitled- Four, Orchard 809236, 2005Aquaboogie - The Queen's Birthday- The Noise and the City, autres directions mounlin008, 2004Deathprod - Deerstalker- Money will Ruin Everything, Rune Grammophon rcd 2032 , 2003Bolander - The Center of the Lake on a Quiet Afternoon- Drone Download Project, tzpdc 07, 2005Faultline - Mystery track- Closer Colder, Leaf 12, 1999Eliane Radigue - Kailasha- Trilogie de la Mort, XI 119, 1998Kjartan Ólafsson - Völuspá- Vóluspá, Erki Tónlist 9, 2003Akira Rabelais - 1300 cursor M. 2699 (75) His Fader Nineti and Nine That Day- unreleased, 2004"Hoosh Ritual"from "The Story of the Weeping Camel" - HFF/BR, 2003David Darling - Two or Three Things- Cello ECM 1464 1992Yannick Dauby - Chant de Dune- Le Silence de Sirènes, 1999Richard Chartier - Component- Two Locations, Line 013, 2003James Plotkin & Mark Spybey - Vord Lae- A Peripheral Blur, Kranky 32, 1998Yuval Ron - Reve d'Eternite- In the Shallows, CDBaby, 2003Llips - Flux- Dos Partes, U-Cover 007, 2001Michel Banabila - My Mother's Voice- Vuka! Vuka!, Unreleased, 2005 Akira Rabelais - 1300 cursor M. 2699 (39) His Fader Nineti and Nine That Day- private collection n.v.t. 2004Carmen Baier - Spelle- Spellewauerynsherde: Interpretations Various & Sundry, Bremstrahlung TRANS001, 2004Biosphere - From a Solid to a Liquid- Dropsonde,Touch TO:66, 2006Andrey Dergatchev - Underwater- The Return, ECM 1923, 2005310 - More North than Portland- Recessional, Leaf 33, 2003Brannan Lane - Sonic Pillow- Sleep Cycle, BLM 501CD, 2003 Deadbeat - Habitat for Heavy Hearts- New World Observer, ~scape 27, 2005Akira Rabelais - Gymnopedie No. 2- Eisotrophobia, Ritornell 14871, 2001Akira Rabelais - 1671 Milton Samsom 1122- Spellewauerynsherde, Samadhisound SS003, 2004
"Wave" is the first of a two part an auditive "guided fantasy" ("Ring" being the second part).A mix of ambient music, soundscapes and other musical surprises, created in 2006. No track is played completely, but the interaction of the fragments creates a completely new structure.... Which, in fact, is true for all ambient mixes of course... These two mixes were part of a 4-hour radio broadcast that were thematically related to Icelandic music. At least: the first and the last were mostly. The first of these four programs was a compilation of the (magnificent) album 'Spellewauerynsherde' by Akira Rabelais, the fourth part was a compilation of music from Iceland. I guess it's safe to assume that this also probably is the first (and possibly single) ambient music collage containing Venetian Snares music! (read more for complete paylist) --- originally published on Ambientblog ---
V snares Venetian Snares is the main performing alias of Canadian electronic musician Aaron Funk (born January 11, 1975). PLUS A CAST OF MANY INCLUDING FRANK ZAPPA STAR WAR'S SAUL WILLIAMS From Winnipeg, Manitoba, Canada, Funk is known for making electronic music often in odd numbered time signatures (mostly 7/4). He is an unusually prolific artist, having released records on the History of the Future, Isolate/DySLeXiC ResPonSe, Addict, Zod, Distort, Sublight, Low-Res, Planet Mu and Hymen record labels.Funk debuted on a record label in 1999 with the 12" vinyl EP, Greg Hates Car Culture. Prior to this, he self-released material on cassette tape as early as 1992.[1]
"Breathe.Something/Stellar Star" by Flying Lotus from Los Angeles; "Bebikukorica Nigiri" by Venetian Snares from Detrimentalist; "Tidal Wave" by Grouper from Dragging a Dead Deer Up a Hill; "The World is Awaiting" by Sunset for The Glowing City; "Serpent" by Bones of Seabirds from Sacrament; "A House with No Mirrors" by Elektro4 from Keystroke One; "Mysteries of the Organ" by Burning Star Core from Challenger; "Stoned at the Taj Again" by Grails from Take Refuge in Clean Living; "Text Message from Beyond" by Fricara Pacchu from Stories of Old; "On the Beach" by Eden Express from Que Amors Que; "Moerkret" by Ondo from Mahavishnu
"Breathe.Something/Stellar Star" by Flying Lotus from Los Angeles; "Bebikukorica Nigiri" by Venetian Snares from Detrimentalist; "Tidal Wave" by Grouper from Dragging a Dead Deer Up a Hill; "The World is Awaiting" by Sunset for The Glowing City; "Serpent" by Bones of Seabirds from Sacrament; "A House with No Mirrors" by Elektro4 from Keystroke One; "Mysteries of the Organ" by Burning Star Core from Challenger; "Stoned at the Taj Again" by Grails from Take Refuge in Clean Living; "Text Message from Beyond" by Fricara Pacchu from Stories of Old; "On the Beach" by Eden Express from Que Amors Que; "Moerkret" by Ondo from Mahavishnu
"Zum Schweigen Verdammt" by Sankt Otten from Wir Koennen Ja Freunde Bleiben; "Tea Dream" by Wizard Prison from II; "Yksi Hirvi, Miljoona Metsastajaa" by Sunburned Circle from The Blaze Game; "Top of the Spot" by Acid Eater from Virulent Fuzz Punk A.C.I.D.; "Scavenger" by Black Dice from Load Blown; "Bombswamp" by Kiln from Vaporbend; "Asleep at the Wheel" by Working for a Nuclear Free City from Businessmen and Ghosts; "Wintertime" by Yeasayers from All Hour Cymbals; "Potentialities" by Arp from In Light; "Lovely Allen" by Holy Fuck from the Holy Fuck LP; "Integraation" by Venetian Snares from My Downfall; "8.1? by Supersilent from Supersilent 8
"Zum Schweigen Verdammt" by Sankt Otten from Wir Koennen Ja Freunde Bleiben; "Tea Dream" by Wizard Prison from II; "Yksi Hirvi, Miljoona Metsastajaa" by Sunburned Circle from The Blaze Game; "Top of the Spot" by Acid Eater from Virulent Fuzz Punk A.C.I.D.; "Scavenger" by Black Dice from Load Blown; "Bombswamp" by Kiln from Vaporbend; "Asleep at the Wheel" by Working for a Nuclear Free City from Businessmen and Ghosts; "Wintertime" by Yeasayers from All Hour Cymbals; "Potentialities" by Arp from In Light; "Lovely Allen" by Holy Fuck from the Holy Fuck LP; "Integraation" by Venetian Snares from My Downfall; "8.1? by Supersilent from Supersilent 8
"You Don't Know Me" by Apparat from Walls; "Mystic Prism" by White Rainbow from Prism of Eternal Now; "Nutmik" by Venetian Snares from Pink and Green; "Upmann" by the Octopus Project from Hello Avalanche; "Radio Ghosts" by Tim Catlin from Radio Ghosts; "St. Apollonia" by Beirut from The Flying Club Cup; "Stofstuk (Mark Templeton Remix)" by Machinefabreik from Kruimeldief; "Triceratops" by Health from their self-titled CD; "Gone" by Mono from Gone: A Collection Of Eps 2000-2007; "The Resonance of Goodbye" by The Angelic Process from Weighing Souls with Sand; "The Hard Hit" by Moolah from Woe Ye Demon Possessed; "Joy/Grim" by Godheadscope from A City Out of Site
"You Don't Know Me" by Apparat from Walls; "Mystic Prism" by White Rainbow from Prism of Eternal Now; "Nutmik" by Venetian Snares from Pink and Green; "Upmann" by the Octopus Project from Hello Avalanche; "Radio Ghosts" by Tim Catlin from Radio Ghosts; "St. Apollonia" by Beirut from The Flying Club Cup; "Stofstuk (Mark Templeton Remix)" by Machinefabreik from Kruimeldief; "Triceratops" by Health from their self-titled CD; "Gone" by Mono from Gone: A Collection Of Eps 2000-2007; "The Resonance of Goodbye" by The Angelic Process from Weighing Souls with Sand; "The Hard Hit" by Moolah from Woe Ye Demon Possessed; "Joy/Grim" by Godheadscope from A City Out of Site
Franco Godi, Fennesz Sakamoto, Strategy, Alexsi Perala, Substance & Vainqeuer, KK Null, Yellotone, Selda, Joe Colley & Jason Lascalleet, Lasse Marhaug, Venetian Snares and more....
Franco Godi, Fennesz Sakamoto, Strategy, Alexsi Perala, Substance & Vainqeuer, KK Null, Yellotone, Selda, Joe Colley & Jason Lascalleet, Lasse Marhaug, Venetian Snares and more....
Selda, Prince Douglas, Various Artists, The Caretaker, Opto, Yellow Swans, Secondo, Guiseepe Ielasi & Howard Stelzer, KTL, Venetian Snares, The Blow and more....
Selda, Prince Douglas, Various Artists, The Caretaker, Opto, Yellow Swans, Secondo, Guiseepe Ielasi & Howard Stelzer, KTL, Venetian Snares, The Blow and more....
Noah had DJ Skye in with him for the last show of the year. New stuff from Breakestra, DJ Brokenwindow, Venetian Snares and a bunch of 2005 favorites. Playlist
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