Podcasts about Curzio Malaparte

Polecam dzisiaj Państwa uwadze trochę zapomnianą (chyba?) książkę Curzio Malapartego. Czytało mi się to doskonale, bo nikt tak nie zmyśla jak Malaparte. (00:25) Zamiast wstępu (04:30) Cytat na początek (07:33) Lenin jako Europejczyk (11:00) Legendy, eseje, nawiązania (16:00) Zamiast podsumowania Inne podobne poniekąd: 32. Antonio Scurati

¡Vótame en los Premios iVoox 2024! Esta noche vamos a hablar de golpes de estado más duros y más blandos, mejor planeados y peor organizados, de traiciones, fintas y trampas, y del borbonismo como una entidad parasitaria capaz de dejar caer a cualquier lacayo leal por lograr una medalla ante la opinión pública o ante su superior en EEUU. Vamos a hablar del 23 F y de los múltiples golpes de estado que convergen y colapsan para mayor gloria del enchufado por un dictador fascista que le voló la cabeza a su hermano y de la “modélica” transición como mitología fundacional del estado actual. Con @Baskerville_Gui y @desempleado666 como conspiradores informados, y @rosenthalanmg como fusilable por cualquier bando. Bibliografía: https://www.catarata.org/libro/la-transicion-contada-a-nuestros-padres_45863/ https://www.edicions.ub.edu/ficha.aspx?cod=06482 https://www.akal.com/libro/el-precio-de-la-transicion_35117/ https://traficantes.net/libros/por-qu%C3%A9-fracas%C3%B3-la-democracia-en-espa%C3%B1a https://www.akal.com/libro/el-mito-de-la-transicion-pacifica_51529/ https://www.sigloxxieditores.com/libro/soberanos-e-intervenidos_17862/ https://www.planetadelibros.com/libro-la-gran-desmemoria/115110 https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.ladefensa.com.ar/La%2520Defensa%252038/pluginAppObj/pluginAppObj_184_17/378963118-Curzio-Malaparte.pdf&ved=2ahUKEwjC66q855iJAxVuzQIHHRqGOqoQFnoECBUQAQ&usg=AOvVaw2ARChMueT6U4u4xhO6O2ii https://www.planetadelibros.com/libro-la-transicion-sangrienta/268977 https://www.casadellibro.com/libro-25-anos-sin-constitucion/9788495440358/891589?srsltid=AfmBOor-dqhbfaR2EMiuWS-bNI_ZGUCI4vDIdOMvRNuHLr6sqKF67P7Z https://www.casadellibro.com/libro-adolfo-suarez-ambicion-y-destino/9788483068342/1247010?srsltid=AfmBOooHcU4jcQS2JAXudbn14TwiGE_RIIkT9KnFs0rh_OFCVdTb1OYV https://www.casadellibro.com/libro-el-sueno-de-la-transicion-los-militares-y-los-servicios-de-intel-igencia-que-la-hicieron-posible/9788490601839/2378652?srsltid=AfmBOorBhRh5-XjAXRXbZLsF-o-VwrD77coJ5APFwDqzaAMAjk5O_MmM https://www.akal.com/libro/miseria-grandeza-y-agonia-del-partido-comunista-de-espana_35163/ https://www.editorialrenacimiento.com/biblioteca-del-exilio-serie-mayor/2572-la-gallina-ciega.html https://www.akal.com/libro/culpables-por-la-literatura_35239/ https://www.alfonselmagnanim.net/libro/simplemente-es-profesionalidad_114902/ https://www.casadellibro.com/libro-subversion-y-reversion-en-la-espana-actual/9788471400680/390836?srsltid=AfmBOoqK5Fzs2Oz2fZ8JdKwhXLUTvxsQCSvjCGDdgMwCMs0WqFarEqPS https://www.tigredepaper.cat/ca/cataleg/erat-l-exercit-de-seat https://www.anagrama-ed.es/libro/argumentos/por-una-oposicion-que-se-oponga/9788433961563/A_265 https://www.anagrama-ed.es/libro/nuevos-cuadernos-anagrama/la-carta-robada/9788433916679/NCA_52 https://www.google.com/search?client=firefox-b-d&q=un+rey+golpe+a+golpe https://www.casadellibro.com/libro-todo-que-ganar/9788416227037/2505151?srsltid=AfmBOooifRoU8J0B0SfzUAKqRBhLqz40kNhwVdM6bCWddKtP-8KKanCf https://www.akal.com/libro/el-cura-y-los-mandarines-ha-no-oficial-del-bosque-de-los-letrados_35049/ https://www.akal.com/libro/la-transicion-segun-los-espias_53767/ https://www.ivoox.com/puto-amo-ampliando-debate-29-8-2016-audios-mp3_rf_12696901_1.html https://www.nytimes.com/2015/03/18/opinion/go-ahead-ruin-my-day.html https://www.casadellibro.com/libro-las-autonosuyas-7-ed/9788432088995/286310?srsltid=AfmBOorcotsja9Myoyvz1tF7sPHQhJZ9oewXPlG-BEjeR3DAuGg_TGdR https://www.casadellibro.com/libro---y-al-tercer-ano-resucito-42-ed/9788408015949/496171?srsltid=AfmBOoqiI6j0bQb1d2RJFHPIWdGW4XnYk92G2Yxo1pX_den7OzJ0poQu https://www.filmaffinity.com/es/film968462.html https://es.wikipedia.org/wiki/Contubernio_de_M%C3%BAnich https://www.libreriaberlin.com/libro/anatomia-de-un-instante_3567 https://es.wikipedia.org/wiki/Operaci%C3%B3n_Galaxia https://ianasagasti.blogs.com/mi_blog/2013/02/recuerdos-de-sabino-fern%C3%A1ndez-campo-lo-que-pas%C3%B3-de-verdad-el-23-f.html https://efe.com/navarra/2024-06-01/un-libro-recoge-cables-diplomaticos-de-eeuu-que-matizan-algunos-sucesos-de-la-transicion-2/ https://www.planetadelibros.com/libro-franco-y-los-borbones/289191 https://www.ivoox.com/isis-estado-islamico-ampliando-debate-audios-mp3_rf_7286906_1.html https://traficantes.net/libros/ct-o-la-cultura-de-la-transici%C3%B3n http://www.radical.es/info/3528/la-cultura-ese-invento-del-gobierno-rafael-sanchez-ferlosio https://www.abc.es/espana/abci-pidio-10-millones-dolares-persia-1977-para-apoyar-suarez-202110060111_noticia.html https://www.filmaffinity.com/es/film941309.html https://www.pepitas.net/libro/operacion-ogro https://elpais.com/diario/1981/04/05/espana/355269602_850215.html https://elpais.com/diario/1981/05/07/portada/358034401_850215.html https://osalto.gal/industria-armamentistica/el-clan-de-los-cortina-del-23-f-a-la-feria-de-las-armas https://osalto.gal/industria-armamentistica/el-clan-de-los-cortina-del-23-f-a-la-feria-de-las-armas https://es.wikipedia.org/wiki/Alberto_Cortina https://es.wikipedia.org/wiki/Alberto_Alcocer_y_Ribacoba https://es.wikipedia.org/wiki/Pedro_Cortina https://www.elconfidencial.com/cultura/2021-11-18/cesid-juan-carlos-suarez-transicion_3319875/ https://www.elperiodico.com/es/politica/20210222/23f-cortina-comandante-cesid-jubilado-secretos-11537604 https://elpais.com/noticias/jose-luis-cortina/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Sieg, Niederlage, Befreiung, Untergang – es ist ein Taumel widerstreitender Gefühle, der Süditalien im Herbst 1944 heimsucht. Curzio Malapartes Neapel-Roman „Die Haut“, frisch übersetzt von Fran Heibert, zieht in den Bann als düstere Zeitdiagnose und Meisterwerk wahrhaftiger Übertreibungskunst. Rezension von Wolfgang Schneider

Sieg, Niederlage, Befreiung, Untergang – es ist ein Taumel widerstreitender Gefühle, der Süditalien im Herbst 1944 heimsucht. Curzio Malapartes Neapel-Roman „Die Haut“, frisch übersetzt von Fran Heibert, zieht in den Bann als düstere Zeitdiagnose und Meisterwerk wahrhaftiger Übertreibungskunst. Rezension von Wolfgang Schneider

Curzio Malaparte. „Oda“. Vertė Toma Gudelytė, išleido leidykla „Tyto alba“.„Oda“ įvairiopai siejasi su Albert'o Camus „Maru“ ir Josè Saramago „Aklumu“. Tai tikroviška, kraupi Antrojo pasaulinio karo apokalipsės kronika, virstanti žmonijos egzistencijos alegorija. 1943-iųjų ruduo. Į Neapolį įžengia Sąjungininkai. Taip ilgai laukta laisvė, regis, turėtų prikelti bado ir skurdo nukamuotą miestą, tačiau žmonės priversti suvokti skaudžią tiesą – neapoliečiai tėra pralaimėtojai, ir su jais bus elgiamasi kaip su pralaimėtojais. Curzio Malaparte – vienas ryškiausių XX a. italų ir pasaulinės literatūros autorių. Antrojo pasaulinio karo metais Malapartė apkeliavo daugelį Europos šalių ir regėjo karo siaubą iš arti, savo knygose gilinosi į masinio smurto padarinius žmogaus psichikai ir visuomenei. Milanas Kundera pavadino „Odą“ vienu pamatinių XX a. Europos romanų. Knygos ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Vertė Toma Gudelytė, išleido leidykla „Tyto alba“.„Oda“ įvairiopai siejasi su Albert'o Camus „Maru“ ir Josè Saramago „Aklumu“. Tai tikroviška, kraupi Antrojo pasaulinio karo apokalipsės kronika, virstanti žmonijos egzistencijos alegorija. 1943-iųjų ruduo. Į Neapolį įžengia Sąjungininkai. Taip ilgai laukta laisvė, regis, turėtų prikelti bado ir skurdo nukamuotą miestą, tačiau žmonės priversti suvokti skaudžią tiesą – neapoliečiai tėra pralaimėtojai, ir su jais bus elgiamasi kaip su pralaimėtojais. Curzio Malaparte – vienas ryškiausių XX a. italų ir pasaulinės literatūros autorių. Antrojo pasaulinio karo metais Malapartė apkeliavo daugelį Europos šalių ir regėjo karo siaubą iš arti, savo knygose gilinosi į masinio smurto padarinius žmogaus psichikai ir visuomenei. Milanas Kundera pavadino „Odą“ vienu pamatinių XX a. Europos romanų. Knygos ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Vertė Toma Gudelytė, išleido leidykla „Tyto alba“.„Oda“ įvairiopai siejasi su Albert'o Camus „Maru“ ir Josè Saramago „Aklumu“. Tai tikroviška, kraupi Antrojo pasaulinio karo apokalipsės kronika, virstanti žmonijos egzistencijos alegorija. 1943-iųjų ruduo. Į Neapolį įžengia Sąjungininkai. Taip ilgai laukta laisvė, regis, turėtų prikelti bado ir skurdo nukamuotą miestą, tačiau žmonės priversti suvokti skaudžią tiesą – neapoliečiai tėra pralaimėtojai, ir su jais bus elgiamasi kaip su pralaimėtojais. Curzio Malaparte – vienas ryškiausių XX a. italų ir pasaulinės literatūros autorių. Antrojo pasaulinio karo metais Malapartė apkeliavo daugelį Europos šalių ir regėjo karo siaubą iš arti, savo knygose gilinosi į masinio smurto padarinius žmogaus psichikai ir visuomenei. Milanas Kundera pavadino „Odą“ vienu pamatinių XX a. Europos romanų. Knygos ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Vertė Toma Gudelytė, išleido leidykla „Tyto alba“. „Oda“ įvairiopai siejasi su Albert'o Camus „Maru“ ir Josè Saramago „Aklumu“. Tai tikroviška, kraupi Antrojo pasaulinio karo apokalipsės kronika, virstanti žmonijos egzistencijos alegorija. 1943-iųjų ruduo. Į Neapolį įžengia Sąjungininkai. Taip ilgai laukta laisvė, regis, turėtų prikelti bado ir skurdo nukamuotą miestą, tačiau žmonės priversti suvokti skaudžią tiesą – neapoliečiai tėra pralaimėtojai, ir su jais bus elgiamasi kaip su pralaimėtojais. Curzio Malaparte – vienas ryškiausių XX a. italų ir pasaulinės literatūros autorių. Antrojo pasaulinio karo metais Malapartė apkeliavo daugelį Europos šalių ir regėjo karo siaubą iš arti, savo knygose gilinosi į masinio smurto padarinius žmogaus psichikai ir visuomenei. Milanas Kundera pavadino „Odą“ vienu pamatinių XX a. Europos romanų. Knygos ištraukas skaito aktorius Giedrius Arbačiauskas.

Človek nujno postavlja vprašanja. To je njegova posebnost. Najpogostejše vprašanje je, zakaj Bog dopušča zlo. Hudičeva eruptivna ukana je, da se Boga bojimo bolj kot hudiča in mu pripisujemo Auschwitz, Dachau, Jasenovac, Nagasaki, Hirošimo, Srebrenico … Filozof in teolog Avguštin iz Hipona (354–430) je menil, da je dobro, da ne obstaja samo dobro, ampak tudi zlo, kajti brez zla ne bi bila dana možnost za svobodno izbiro. Ko so Alberta Einsteina vprašali, ali je možno, da bo enkrat vse tudi znanstveno dokazano, je odgovoril: »Da, verjamem, vendar to ne bo imelo nikakršnega smisla.« Nato je nadaljeval: »Če želite Beethovnovo Peto simfonijo izraziti z matematično krivuljo, ki prikazuje pritisk zraka na poslušalčeve bobenčke v ušesih, je to možno, vendar to ne bi bila več Beethovnova Peta simfonija.« Enako velja za vprašanje zla in trpljenja. Znanost ne daje odgovorov na končna vprašanja, kdo sem, zakaj živim, zakaj trpim in kam grem. Tako kot ne moremo znanstveno dokazati ljubezni, lepote, iskrenosti, vere …, znanstveno ne moremo dokazati, zakaj zlo in trpljenje. Nedojemljivost bolečine je del Božje nedojemljivosti. Če težko razumemo človeško besedo, kako težko razumemo šele Božjo Besedo. Johann Wolfgang von Goethe je zapisal: »Ljudje ne vedo, koliko časa in napora je treba, da bi se naučili brati. Za to sem potreboval osemdeset let in še ne morem reči, da mi je uspelo.« Kje torej najti smisel? Zakaj naivno verjamemo sladkobnim ponudbam zmikavtov in pozabljamo, da je brezplačni sir samo v mišelovki? Ludwig Wittgenstein (1889–1951), ki velja za enega največjih filozofov 20. stoletja, je smisel našel v krščanski veri. Glede nje je izjavil: »Ni razumljiva, ni pa nerazumljiva.« Po njegovi oceni življenje brez Boga nima namena ne cilja in je absurdno. Tudi če bi živeli večno, bi bilo življenje brez smisla absurdno. Kdor odpre srce Božji ljubezni, je rešen. Kdo bo povrnil izgubljeni položaj Bogu? Italijanski dramatik Curzio Malaparte (1898–1957), član Komunistične partije Italije, se je po spreobrnjenju v krščanstvo spraševal, kdaj se bomo pogumno dvignili proti zlu, ki nam preti – ubogim razkosanim telesom, zapuščenim v rdečem blatu nekega bojišča. Če svet trpi, trpi zaradi našega greha, ker si ne upamo braniti pravice in dobrote in se bojimo biti resnični kristjani, saj smo ob nedeljah kristjani, v ponedeljek pa ateisti.

Mengeringhaus, Maximilian www.deutschlandfunkkultur.de, Studio 9

Mengeringhaus, Maximilian www.deutschlandfunkkultur.de, Studio 9

Mengeringhaus, Maximilian www.deutschlandfunkkultur.de, Studio 9

Mengeringhaus, Maximilian www.deutschlandfunkkultur.de, Studio 9

durée : 00:28:45 - L'Entretien littéraire de Mathias Enard - par : Mathias Énard - "Il ne devra plus y avoir d'orphelins sur cette terre" est une adaptation du roman posthume "Le compagnon de voyage" de Curzio Malaparte. Rencontre avec le scénariste Aurélien Ducoudray et le dessinateur Thomas Azuélos à l'occasion de la parution de ce roman graphique aux éditions Futuropolis. - invités : Aurélien Ducoudray Scénariste de bande dessinée; Thomas Azuélos Auteur de bande dessinée, dessinateur.

VIDEO: Intervista a Lenin ➜ https://www.youtube.com/watch?v=OBvlp4ih4Oo&list=PLolpIV2TSebWlrsMU4QrkYZXezTH-BCY6TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=7740IL CENTENARIO DELLA MORTE DI LENIN, UNO DEI PEGGIORI CRIMINALI DELLA STORIA di Roberto de MatteiUn'atmosfera di penombra ha avvolto il centenario della morte di Vladimir Ilich Ul′janov, noto con lo pseudonimo di Lenin, una delle figure più criminali della storia. Morto il 21 gennaio 1924 a Mosca, a causa di una paresi, era nato 54 anni prima a Simbirsk, sulla sponda occidentale del Volga. Figlio di un ispettore scolastico, Vladimir Ul′janov fu un tipico prodotto di quella Russia fine secolo, nella quale, come scrisse Curzio Malaparte, «il fanatismo piccolo borghese andava dal liberalismo marxista al cristianesimo marcio di Tolstoi» (Il buonuomo Lenin, Adelphi, 2018, pp. 22-23). La sua giovinezza fu segnata dalla vicenda del fratello maggiore Aleksandr, impiccato nel maggio 1887 per aver complottato contro la vita dello zar Alessandro III. Vladimir Ul′janov, che già cominciava a leggere le opere rivoluzionarie, si convinse dell'errore dei populisti che intendevano sollevare i contadini compiendo atti terroristici esemplari. Fondamentale fu poi l'incontro con il padre del marxismo russo Georgji Plechanov (1856-1918), esule in Svizzera. Discepolo di Marx, ma anche dello stratega prussiano Carl von Clausewitz (1780-1831), Lenin sviluppò una teoria che faceva della Rivoluzione una scienza. Nell'autunno 1895 fondò a Pietroburgo il circolo Osvoboždenie truda ("Emancipazione del lavoro"), per l'unificazione dei gruppi rivoluzionari, ma nel dicembre venne arrestato e scontò quattordici mesi di carcere e tre anni in Siberia. Esiliato nel 1900, si trasferì a Monaco di Baviera e infine a Zurigo, dove con Plechanov e Julji Martov (1873-1923), fondò il periodico Iskra ("Scintilla") allo scopo di diffondere l'ideologia comunista in Russia. Nel libro Che fare? (1902), progettò un partito comunista fortemente centralizzato guidato da «uomini la cui professione è l'azione rivoluzionaria» (Opere scelte, Progress, 947, vol. I, p. 331).Scoppiò la Prima guerra mondiale e Lenin viveva in una modesta camera della Spiegalgasse, a Zurigo, quando, nel febbraio 1917, la rivoluzione di Aleksander Kerensky (1881-1970) rovesciò il regime zarista. Lo Stato maggiore tedesco decise di inviare in Russia «i batteri della peste rossa», per fare crollare il fronte interno dell'esercito nemico. Il 17 aprile 1917, trentadue esponenti rivoluzionari, tra cui Vladimir Ul′janov, lasciarono Zurigo su un "treno piombato" alla volta di Pietrogrado.LA VIOLENZA PER CONQUISTARE IL POTEREGiunto in Russia, Lenin esortò il partito bolscevico ad assumere il potere, teorizzando in Stato e rivoluzione (1917) la conquista violenta del potere e la dittatura del proletariato, alla quale sarebbe seguito, il "deperimento" dello Stato, cioè lo spontaneo passaggio dalla fase inferiore alla fase superiore della società comunista senza classi.Quando, nell'ottobre del 1917, il partito bolscevico, guidato da Lenin riuscì con un colpo di Stato a conquistare il potere, la "undicesima tesi" di Marx su Feuerbach (1845), secondo la quale, il compito dei filosofi non è quello di conoscere il mondo, ma di trasformarlo, sembrò essersi storicamente realizzata nella sua persona. La violenza fu il metodo per conquistare il potere e per mantenerlo. Il 20 dicembre 1917 Lenin creò la Čeka, la polizia politica a cui affidò il compito di annientare la classe borghese. George Leggett calcola in 140.000 le sole esecuzioni compiute dalla Čeka tra il 1917 e il 1922 (The Cheka: Lenin's political Police, Clarendon Press, 1981, p. 467). La Čeka è stata la prima di una serie di organizzazioni, il GPU, il NKVD, il KGB, fino all'attuale FSB, che hanno raffinato, ma sostanzialmente non mutato i propri metodi. Un altro strumento di repressione creato da Lenin furono i campi di concentramento per gli oppositori, i famigerati Gulag. Nell'ottobre del 1923 erano già 315 con 70.000 prigionieri, mentre si succedevano spettacolari processi politici che portarono all'eliminazione della classe dirigente russa, degli ufficiali, degli aristocratici, dei borghesi, dei sacerdoti. Circa 100 vescovi e 10.000 preti ortodossi furono imprigionati, 28 vescovi e 1215 preti fucilati (Marco Messeri, Utopia e terrore. La storia non raccontata del comunismo, Piemme, 2003). Nella prospettiva leninista la religione, la proprietà privata e la famiglia dovevano essere estirpate alle radici. Il 17 dicembre 1917, poche settimane dopo la conquista del potere, venne introdotto il divorzio; l'aborto fu legalizzato nel 1920; era la prima volta nel mondo che ciò avveniva senza alcuna restrizione.La proclamazione dell'Unione delle Repubbliche socialiste sovietiche, il 30 dicembre 1922, fu il trionfo di Lenin. Quando il fondatore dell'Urss morì due anni dopo, divorato dal suo odio, tutto il potere venne accentrato nelle mani di Stalin, che, richiamandosi al suo compagno e maestro, condusse una feroce lotta contro due fronti: la "deviazione di destra" di Bucharin e la "deviazione di sinistra" di Trotzkj. Entrambi finirono assassinati da Stalin assieme a molti loro seguaci.MICHAIL GORBAČËV E VLADIMIR PUTINIl marx-leninismo è stato la dottrina dell'Unione Sovietica fino alla sua dissoluzione nel 1991. Anche nell'ultima fase del regime, Michail Gorbačëv (1931-2022) dichiarò che la fonte ideologica della perestrojka era Lenin, insistendo sulla necessità di ritornare allo «spirito creativo del leninismo» e «di rileggere» le opere di Lenin per comprendere in profondità il metodo leninista (La casa comune europea, Mondadori, 1989, p. 267).In quegli anni, i "teologi della liberazione" si recavano in pellegrinaggio in Unione Sovietica per venerare la mummia di "san" Lenin, esposta per volontà di Stalin nel mausoleo della Piazza Rossa. Nel 1987, descrivendo la lunga fila che attendeva per vedere «il corpo imbalsamato del grande rivoluzionario», padre Clodovis Boff lo definiva «un atto di vera devozione, di autentica venerazione, che un teologo non ha difficoltà a spiegare». Dopo aver contemplato la mummia, «tutti nella processione, con gli occhi fissi sull'eroe, si sentono obbligati ad avanzare con la testa voltata indietro per non perdere nemmeno una goccia di quell'istante di grazia» (Fede e perestroika. Teologi della liberazione in Urss, Cittadella, 1988, p. 39).Dopo l'auto-dissoluzione dell'Unione Sovietica, il mito di Lenin si è oscurato e le migliaia di statue del fondatore dell'Urss sono state demolite in tutto lo spazio post-sovietico. In Ucraina il fenomeno ha assunto contorni talmente grandi da essere indicato con il termine Leninopad, forse il maggior movimento d'iconoclastia politica del Novecento. Antonella Salomoni, storica dell'Università di Bologna, ha raccontato l'ascesa e il declino del culto di Lenin attraverso la storia del suo corpo e delle sue immagini (Lenin a pezzi. Distruggere e trasformare il passato, Il Mulino, 2024).Il nuovo zar, Vladimir Putin, considera Stalin, e non Lenin il suo campione, ma non ha espulso Vladimir Ul′janov dal Pantheon russo. La mummia imbalsamata di Lenin continua ad essere mèta di pellegrinaggio nel cuore della piazza Rossa, mentre un museo storico di Stato è dedicato al fondatore dell'Urss a 35 chilometri da Mosca. Che cosa si sarebbe detto se, dopo il 1945, fosse stato riservato uno spazio pubblico a Mussolini o a Hitler nel centro di Roma o di Berlino? Ma oggi l'anticomunismo si è dissolto e gli stessi critici di Putin, in Occidente, lo definiscono "fascista" e non "comunista". Il comunismo continua così a diffondere i suoi errori nel mondo. [...]

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge. Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster's inside account of Volodymyr Zelensky's war. But, beating Shuster by a fortnight, is Yaroslav Trofimov's Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent "Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger". Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban's takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book. *The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices

DEVOCIÓN MATUTINA PARA MUJERES 2023“HIJA MÍA, NO TENGAS MIEDO”Narrado por: Sirley DelgadilloDesde: Bucaramanga, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church  18 DE NOVIEMBRE PRIVILEGIOS DE CIUDADANOSLos soldados que iban a azotarlo, al oír que Pablo era ciudadano romano, se apartaron de él. El mismo comandante tuvo miedo de haberlo encadenado. Hechos 22:29, NVI.Cuando Pablo visitó Jerusalén por segunda vez, sus enemigos levantaron el rumor de que permitía que gentiles incircuncisos se sentaran en la sala de la sinagoga reservada solamente para ciudadanos judíos. Eso era un insulto a la comunidad judía. Con indignación desorbitada lo arrastraron fuera del recinto, planeando apedrearlo hasta matarlo. El gobierno romano, sospechando una insurrección, envió soldados armados para tomar cautivo a Pablo, quien en perfecto griego anunció su ciudadanía romana, su ciudad de origen y pidió permiso para hablar al pueblo en su defensa, en idioma hebreo. Aseguró que fue designado por Dios para llevar el mensaje a los gentiles. Al escucharlo, la muchedumbre alborotada pidió su muerte.El tribuno no entendió el discurso hebreo, pero dedujo que Pablo era culpable de algún delito, y ordenó que fuera azotado. El azote era una táctica para obtener respuestas del reo. El látigo tenía tres cuerdas: una de piel de buey y dos de piel de asno, secas y retorcidas. El extremo de cada cuerda llevaba una bola de plomo y cada bola le adosaban trozos de hierro o de hueso, para aumentar el sufrimiento. La víctima era desnudada de la cintura para arriba, y atada a un poste con ambas manos unidas. Los golpes eran tan lacerantes y brutales que las venas, los tendones y los músculos quedaban a la vista; algunas veces hasta los intestinos se salían al exterior. La ley de Moisés permitía un máximo de 40 latigazos; los judíos lo redujeron a 39 para no transgredir la ley si por error contaban mal.Los ciudadanos romanos estaban exentos de ese castigo, aunque algunos gobernantes no respetaban ese privilegio y hacían azotar a los ciudadanos romanos de pueblos pequeños o provincias. Pablo defendió su derecho, y aclaró que no era de una provincia lejana, sino de la gran ciudad de Tarso. Ya estaba atado con correas para ser azotado cuando se declaró ciudadano romano, acusando al tribuno de abuso de poder, lo que podía costarle el puesto y ser encarcelado. El tribuno tuvo miedo.Conoce tus derechos y hazlos respetar; quienes los violan se llenarán de miedo. Curzio Malaparte dijo: "El miedo hace que los hombres crean lo peor". Este miedo solo ataca a quien no está haciendo lo correcto. El gran privilegio como ciudadana del reino eterno es que no necesitas tener miedo.

Robin Monotti discusses how people are slowly wrapping their heads around the growing authoritarianism of the past few years and are coming to understand deep politics at different times with different subjects (e.g. 9/11, climate, pandemic, empire). For Robin it began with the assassination of Aldo Moro (e.g. Operation Gladio and the strategy of tension). He explains one reason people suffer cognitive dissonance when it comes to accepting the reality of state terrorism. Nothing will be resolved at the top-down political level, so the responsibility is now on all of us to resist and do what we can to defend our rights. We also touch on "team no virus", the digital control grid, health and the spiritual dimension, the permanent (bio)security state, the green agenda, and his latest film production, River of Freedom, which shares the inside story of the New Zealand Convoy and Parliament protest. Watch On BitChute / Brighteon / Rokfin / Rumble / PentagonTube Geopolitics & Empire · Robin Monotti: From Gladio to the Pandemic & Climate, a Strategy of Tension #385 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.comDonate https://geopoliticsandempire.com/donationsConsult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopoliticseasyDNS (use code GEOPOLITICS for 15% off!) https://easydns.comEscape The Technocracy course (15% discount using link) https://escapethetechnocracy.com/geopoliticsPassVult https://passvult.comSociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.comWise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Book of Vision film https://www.parklandentertainment.com/movie/the-book-of-vision?whereToWatch=watch-at-home River of Freedom film https://riveroffreedom.nz Twitter https://www.twitter.com/robinmonotti Telegram https://t.me/robinmg No Place Without Spirit https://nulluslocussinegenio.com About Robin Monotti Robin Monotti Graziadei is a London based architect (Yacht House, Tbilisi Spiral Tower), designer (Watering Holes), architectural, urban, film & cultural theorist (writings available on this site and in international journals listed below) and commentator, published translator (Curzio Malaparte, Woman Like Me), former University lecturer (London Metropolitan University & University of Greenwich) and current film producer (The Book of Vision, produced with Terrence Malick) who was born in Rome, where he began his career by working with Professor Vittorio De Feo on projects which included the new Italian Embassy in Berlin. Work that Robin completed for De Feo is now held in the collection of the MAXXI Museum of XXI Century Arts in Rome, some of it having already been restored. Robin obtained a distinction in the MA in Histories and Theories of Architecture from the Architectural Association in London where he studied the relationship of space to psychoanalysis with Mark Cousins, space and politics with Paul Hirst, and space and culture with Robert Maxwell, former Dean at Princeton. He worked in Milan with Gino Valle and Ennio Brion, client of Carlo Scarpa's Brion cemetery, on the Nuovo Portello urban regeneration plan. Robin taught a postgraduate Diploma Unit with Rik Nys from David Chipperfield Architects at London Metropolitan University between 2001-2007, and within this period also taught a Degree Unit at Greenwich University with Thomas Goodey and Ioana Marinescu. From 2016 to 2019 he acted as external examiner to the new Moscow School of Architecture (MARCH), on behalf of London Metropolitan University. In 2006 thanks to a grant from the London Consortium doctoral program in Cultural Studies Robin wrote an introduction to and published the first and only English translation of Curzio Malaparte's book Woman Like Me (Donna Come Me) (Troubador Italian Studies)...

Naples, 1943. Malaparte, grand correspondant de guerre et officier de liaison auprès des Alliés, se joint aux troupes américaines venues libérer le pays. Là où beaucoup voient dans les affres de la guerre un mal nécessaire, la force de l'auteur réside dans son indignation face à l'horreur et de la brutalité de l'histoire en marche. Loin d'un jugement moral simpliste, il exprime par une prose incisive, parfois teintée de poésie, toute la complexité de son sentiment sur l'Italie en proie à la misère et au chaos. Il poursuit là son entreprise de témoignage commencée quelques années plus tôt avec Kaputt. Le texte de ce fragment est à retrouver sur le site fragmentslus.com Curzio Malaparte, La peau – Éditions Denoël 1949 (traduit de l'italien par René Novella) Crédits musique : Calore Umano - Redo Lucchetti ©Picci 1972

Curzio Malaparte. „Oda“. Knygą išleido leidykla „Tyto alba“. Vertė Toma Gudelytė. Romano ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Knygą išleido leidykla „Tyto alba“. Vertė Toma Gudelytė. Romano ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Knygą išleido leidykla „Tyto alba“. Vertė Toma Gudelytė. Romano ištraukas skaito aktorius Giedrius Arbačiauskas.

Curzio Malaparte. „Oda“. Tai tikroviška, kraupi Antrojo pasaulinio karo apokalipsės kronika, virstanti žmonijos egzistencijos alegorija. 1943-iųjų ruduo. Į Neapolį įžengia Sąjungininkai. Taip ilgai laukta laisvė, regis, turėtų prikelti bado ir skurdo nukamuotą miestą, tačiau žmonės priversti suvokti skaudžią tiesą – neapoliečiai tėra pralaimėtojai, ir su jais bus elgiamasi kaip su pralaimėtojais. Knygą išleido leidykla „Tyto alba“. Vertė Toma Gudelytė. Romano ištraukas skaito aktorius Giedrius Arbačiauskas.

‘Cuarteles de invierno', inspirado por Hemingway, Eliseo Alberto, Curzio Malaparte by Joaquín López-Dóriga

Deze keer een speciale aflevering met verschillende gasten over de laatste ontwikkelingen in en rond Oekraïne, én over de EU-uitbreidingsagenda die door de oorlog urgenter is dan ooit. Mathieu en Anke Truijen (Annette moest helaas vanwege corona verstek laten gaan) ontvingen Kati Piri, buitenlandwoordvoerder van de PvdA, en Bob Deen, Veiligheid en Defensie expert én Oost-Europa kenner van Instituut Clingendael in een volle zaal in Nieuwspoort. Ook schakelden ze met Derk Marseille en Eveline Bijlsma, onze vaste correspondenten in Berlijn en Parijs. Tips in deze uitzending:Kati Piri raadt het boek ‘Het achtste leven' van Nino Haratischwili aan https://www.bol.com/nl/nl/f/het-achtste-leven/9200000066191171/ Bob Deen tipt ‘Bloodlands' van Timothy Snyder https://www.bol.com/nl/nl/f/bloodlands/30519509/ En Mathieu raadt ‘Kaputt' aan van Curzio Malaparte https://www.bol.com/nl/nl/p/kaputt/1001004002581395/?bltgh=un5nV-Iph8W-z0rKuaZJhQ.2_6.8.ProductTitle Over Café Europa: - Mathieu Segers en Annette van Soest bespreken elke aflevering met een gast de achtergronden bij het Europese nieuws. Ook bellen zij elke keer met Eveline Bijlsma - correspondent in Parijs voor oa RTL Nieuws, Han Dirk Hekking - Europaverslaggever FD, of Derk Marseille - correspondent in Duitsland voor oa BNR Nieuwsradio- Annette van Soest is presentator en journalist oa voor Haagsch College en BNR Nieuwsradio- Mathieu Segers is hoogleraar hedendaagse Europese geschiedenis en Europese integratie aan Maastricht University - Freek Ewals is de oprichter en programmamaker van Haagsch College en doet de redactie van Café EuropaCafé Europa is een initiatief van Haagsch College en Studio Europa Maastricht

Wybitna ksiażka Malaparte - reportaże z drugowojennej Europy. Noc św. Bartłomieja / "Królowa Margot" https://www.youtube.com/watch?v=Fs_Tp_QluSA (https://www.youtube.com/watch?v=Fs_Tp_QluSA) A do dyskusji o książce, zapraszam na YouTube: https://youtu.be/p3TgVfSYNKE (https://youtu.be/p3TgVfSYNKE)

SEGUNDA, 02/05/2022: Os atos de 1º de maio realizados ontem tiveram público abaixo do esperado tanto nas manifestações das centrais sindicais com Lula quanto nos protestos dos golpistas com Bolsonaro. O baixo público deixa evidente que, neste momento, a cinco meses do dia 2 de outubro, só políticos, jornalistas e militantes muito apaixonados só pensam naquilo: a eleição.Mas os atos do Dia do Trabalho e dos trabalhadores e das trabalhadoras também deixaram outros indicativos. O principal ficou evidente nas telas divididas das televisões de notícias durante todo o domingo. De um lado, o ato com Lula, de outro, com Bolsonaro. A tal polarização está consolidada e, de agora até outubro, a discussão vai ser entre defensores e detratores desses dois personagens.Lula vai ter que redobrar o cuidado com o que fala. No final de semana ele se envolveu em uma polêmica por causa de uma gafe cometida no sábado. Lula disse que Bolsonaro gosta mais de policial do que de gente, o trecho foi repercutido fortemente pelos bolsoanristas e o ex-presidente usou o ato do 1º de maio para pedir desculpas e fazer um carinho desproporcional nas polícias.Os atos de ontem também evidenciam o caráter golpista de parte importante dos eleitores do Bolsonaro. Eles voltaram a pedir o fechamento do STF e intervenção militar. O presidente chegou a ir ao ato em Brasília, mas desistiu de discursar porque pegaria mal. Sem contar o sósia do vicking do Capitólio que apareceu em uma manifestação no Rio de Janeiro, indicando que a ideia dos bolsonaristas, quando derrotados, é mesmo copiar o que fizeram os apoiadores de Trump nos Estados Unidos.Com esses sinais, os bolsonaristas deixam bem óbvias suas intenções. Espero que depois que o caldo entornar, não apareça comentarista de política fazendo a sonsa e dizendo…BALBÚRDIA CAFÉ, com Maria Clara Carneiro e Lielson ZeniA pedidos da Comunidade do Primeiro Café, os balbúrderes apresentam um pequeno histórico de quadrinhos que adaptaram "livros de verdade": literatura, poesia e outros textos clássicos que foram transformados em HQs. A menção honrosa da coluna vai para Kaputt (WMF, 2014), de Eloar Guazelli (@eloarguazzelli), que adapta a crônica de guerra do jornalista italiano Curzio Malaparte.SAIBA MAIS: https://primeiro.cafe/APOIE: https://apoia.se/primeirocafe

Booker Prize winning author Damon Galgut goes head to head with author and translator Adrian Nathan West in a war of the words. Damon discusses his Booker winning novel, The Promise, and how he reached a point in his career where he didn't care what anyone else thought. Nate talks about the relationship between author and translator, and how he navigated writing a fictional memoir. In the Book Off they pit "Kaputt" by Curzio Malaparte against J.R. Ackerley's "My Dog Tulip" - but which one will win? See acast.com/privacy for privacy and opt-out information.

2 marzo 2022 - Lucrezia Ercoli - “Credevo di essere arrivato in porto e sono stato rigettato in mare aperto” ha scritto Leibniz sintetizzando il senso stesso dell'impresa filosofica. La metafora della navigazione in mare aperto attraversa l'intera storia del pensiero, da Platone a Nietzsche, da Lucrezio a Pascal, fino agli epigoni della filosofia del Novecento. Oggi – in un mondo in tempesta, sprovvisto di bussole e di rotte prestabilite – la filosofia ci invita a una nuova navigazione in mare aperto, ci chiama a un viaggio rischioso e coraggioso, onda su onda, esposto alla minaccia della burrasca e al rischio della bonaccia. Docente di Storia dello spettacolo presso l'Accademia di Belle Arti di Bologna, Lucrezia Ercoli ha insegnato anche a Reggio Calabria e a Macerata. Dal 2011 è direttrice artistica del festival “Popsophia. Filosofia del contemporaneo”. È editorialista del quotidiano nazionale “Il Riformista”. Ha conseguito un dottorato di ricerca in filosofia presso l'Università degli Studi di Roma Tre. Tra le sue ultime pubblicazioni: “Dieci passi all'inferno” (Il lavoro editoriale, 2021); “Chiara Ferragni. Filosofia di una influencer” (Il Melangolo, 2020); “Che la forza sia con te! Esercizi di Popsophia” (Il Melangolo, 2017); “Filosofia della crudeltà. Etica ed estetica di un enigma” (Mimesis 2014); “Filosofia dell'Umorismo”(Inschibboleth, 2013); “Philosophe Malgrè Soi. Curzio Malaparte e il suo doppio” (Roma, 2011).

Curzio Malaparte romaną „Oda“ Milanas Kundera pavadino vienu pamatinių XX a. Europos romanų. Tai knyga apie Antrojo pasaulinio karo pabaigos Neapolį, apie pralaimėjusiuosius ir tuos, kurie laimėjo. Apie moralinį ne tik Neapolio, bet ir visos Europos žlugimą, apie rasizmą ir tai, ar įmanomas tokiais laikais tikėjimas į Dievą? Groteskiška, įtaigi, šiurpą kelianti ir cinizmu persmelkta knyga. Apie ją šioje laidoje su knygos vertėja Toma Gudelyte kalbasi „Perskaitymų“ vedėjai Audrius Ožalas ir Jūratė Čerškutė.

Kodėl apie italų žurnalistą ir rašytoją C. Malaparte yra sakoma, jog pastarojo žmogaus „labai patogu neapkęsti“? Kaip būtų galima nusakyti santykį tarp dviejų svarbiausių C. Malaparte romanų „Kaput“ ir „Oda“ ? Kokiais būdais romane „Oda“ kuriamas ryšį tarp kalbos ir smurto, kurį patyrė Antrojo pasaulinio karo metu Europos bei Italijos visuomenė? Ar pasakodamas mums apie sudėtingus, skaudžius, ribinius dalykus C.Malaparte palieka erdvės vilčiai?„Odą“ Milanas Kundera yra pavadinęs vienu pamatinių XX a. Europos romanų. O kodėl pastarąjį romaną reikia skaityti šiandien?Pokalbis su romano „Oda. Mažoji Neapolio apokalipsė“ vertėja Toma Gudelyje.Ved. Aurimas Švedas

La mascherina sul viso prima del tempo è certo un cortocircuito pretestuoso, una forzatura casuale, una coincidenza che parla piò del presente che del passato. Ma se c’è una figura che da 63 anni reca un’impressionante attualità, persino fotogenica, ecco, questa figura è Curzio Malaparte (1898-1957), che fu grande giornalista e grandissimo scrittore, ma soprattutto maiuscolo Personaggio straordinariamente mutevole, come d’altra parte richiesto dall’odierna cultura pop.

Xi’an of Eight Rivers. China is made of earth, of sun-dried mud. In this part of China everything is made from the earth: the houses, the walls around cities, and villages, the tombs scattered over the countryside. Even the people. There are hills below that appear to be piles of mud set out to dry in the sun, naked, without a single tree or bush. They crowd around the landscape like the coils of bulging intestines tossed on the ground outside butchers' shops, slowly unraveling. Sometimes we fly so low that we almost touch them. And then I notice that the wind has brushed some kind of pattern into the earth: a mysterious alphabet written in the mud, struggling to communicate something precise. But there is not a single animal or human being in the yellow desert below. Not a single village. Suddenly we are landing: Xian, the geographic center of China, where Chinese civilization was born, in the cradle of the Yellow River. In front of the terminal, three children are playing with a lump of earth: they are bundled up in jackets and brightly printed cotton trousers. I join them in their game until a young woman comes out of the terminal to call me in for dinner. One of the children grabs me by my overcoat, to keep me from leaving. So do the other two, clinging to me, asking me not to go. The young woman comes out again, and yells at them to stop. They let go, disappointed. One of them calls to me as I turn away: Come back soon! We eat quickly and then prepare to take off for Lanchow. My three new friends wave goodbye to me. The littlest one gives me a present: a pebble, a precious gift. In this part of China there are no stones. You have to go to Karelia to find stone, very far north; or to the Caucasus; or to southern Siberia, along the slopes of the Pamir, slanting toward the steppes of Central Asia. I put the pebble in my pocket, to take back home, to show what a precious gift I was given by a little Chinese girl: a pebble from the cradle of Chinese civilization. A civilization made of earth, a civilization without bones, without a skeleton for support. A civilization of assembled customs, which suddenly unravel, dissolving into thousands of separate gestures, thousands of calligraphic icons, thousands of smells, colors, flavors, thousands of different shades. And then just as suddenly they solidify again into tradition, memory, habit. It is this absence of stone, of solid, durable material, which makes China such an exquisite thing. Everything is reflected: an unimaginable number of movements, of patterns, thoughts, images, of which we see the copies in immense numbers, but never the originals. The originals were destroyed long ago. Here are the four elements out of which China is made: Earth, Wood, Porcelain, Silk. The most durable of these is Silk. I should add a fifth element: Poetry, which is the most durable of all.

L'amore per la sua città Malaparte lo visse per tutta la vita e lo rese immortale nel libro uscito nel 1956, Maledetti toscani, e i luoghi simbolo della vita di Malaparte sono spalmati per tutta la città di Prato. Dalla casa dove nacque si vede lo Spazzavento, in un rincorrersi di vita e morte alquanto suggestivo. E vediamo piazza Duomo, che lo stesso poeta descrive come “la più ariosa e chiara, forse di tutta la Toscana”. Qui fu protagonista di un celebre episodio accaduto quando si inaugurò la statua a Gaetano Magnolfi, personaggio illustre di Prato, benefattore e filantropo che cambiò il volto della città con numerose opere di beneficenza, tra cui l'ospizio, l'asilo e un orfanotrofio tecnologico dove i ragazzi potevano imparare un mestiere. A Curzio non piacque per nulla e scrisse un articolo per invitare i suoi concittadini a buttarla giù, dopo che lui l'aveva già legata con pesanti funi. Incontrò per strada lo scultore che l'aveva realizzata, Oreste Chilleri, che lo voleva prendere a bastonate, ma Curzio scappò. Per arrivare infine al suo mausoleo, in cima allo Spaccavento. Fu lui stesso a voler essere sepolto qui: “… e vorrei avere la tomba lassù, in vetta allo Spazzavento, per sollevare il capo ogni tanto e sputare nella fredda gora del tramontano”. ©Editoriale Programma – Alessandra Artale

Narciso, istrione, egocentrico, emblematico, cinico, voltagabbana: molti sono gli epiteti con cui è stato definito Curzio Malaparte, scrittore, giornalista, poeta, soldato, ma soprattutto era un pratese, anche se girò tanto per l'Italia. “Io son di Prato, m'accontento d'essere di Prato, e se non fossi nato pratese vorrei non essere venuto al mondo. E dico questo non perché son pratese, e voglia lisciar la bazza ai miei pratesi, ma perché penso che il solo difetto dei toscani sia quello di non essere tutti pratesi”: eccola la sua dichiarazione di amore incondizionato per la città natale. Fascista prima e comunista dopo, Malaparte era anche un adorabile tombeur de femmes, amato e adorato dalle donne che per lui arrivavano anche al suicidio. Ma fu anche spesso in carcere per le sue idee politiche, perché, contrariamente dalle donne, dagli uomini era odiato più della peste. Nasce a Prato in via Magnolfi 56, con il vero nome di Kurt Erich Suckert il 9 giugno del 1898. Cambierà il suo cognome nel 1925 dopo aver letto un libretto in cui si parlava dei Bonaparte che, secondo l'autore di quel libello, nel Medio Evo si sarebbero chiamati Malaparte e che cambiarono cognome solo per concessione papale. Curzio in una famosa battuta disse a Benito Mussolini: “Ho scelto Malaparte perché Bonaparte è finito male, a me invece andrà certamente meglio”. ©Editoriale Programma – Alessandra Artale

This week, Liberty and Tirzah discuss Latitudes of Longing, Beach Read, The Ballad of Songbirds and Snakes, and more great books. This episode was sponsored by Book Riot Insiders, the digital hangout spot for the Book Riot community; BookCon 2020; and Best Fiends. Pick up an All the Books! 200th episode commemorative item here. Subscribe to All the Books! using RSS, iTunes, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. BOOKS DISCUSSED ON THE SHOW: The Undocumented Americans by Karla Cornejo Villavicencio Beach Read by Emily Henry Latitudes of Longing: A Novel by Shubhangi Swarup We Are Not From Here by Jenny Torres Sanchez The Prettiest Star by Carter Sickels Real Men Knit by Kwana Jackson The Ballad of Songbirds and Snakes (A Hunger Games Novel) by Suzanne Collins Happy and You Know It by Laura Hankin WHAT WE’RE READING: The House in the Cerulean Sea by TJ Klune The Blue Castle by Lucy Montgomery The Scotland Yard Puzzle Book: Test Your Inner Detective by Solving Some of the World’s Most Difficult Cases by Sinclair McKay MORE BOOKS OUT THIS WEEK: Sex Matters: How Male-Centric Medicine Endangers Women’s Health and What Women Can Do about It by Alyson McGregor Yeah, No. Not Happening.: How I Found Happiness Swearing Off Self-Improvement and Saying F*ck It All—and How You Can Too by Karen Karbo Amora: Stories by Natalia Borges Polesso and Julia Sanches Stray: A Memoir by Stephanie Danler The Sunday Girl: A Novel by Pip Drysdale America’s First Female Serial Killer: Jane Toppan and the Making of a Monster (The Mind of a Serial Killer, True Crime, and for Readers of Mary Flora Bell or Mindhunter) by Mary Kay McBrayer Kill the King: A Novel (Caselli and Torre Series Book 3) by Sandrone Dazieri Un-American: A Soldier’s Reckoning of Our Longest War by Erik Edstrom How Innovation Works: And Why It Flourishes in Freedom by Matt Ridley The Somerset Girls: A Novel by Lori Foster Here We Are: My Friendship with Philip Roth by Benjamin Taylor Creative Care: A Revolutionary Approach to Dementia and Elder Care by Anne Basting Troop 6000: The Girl Scout Troop That Began in a Shelter and Inspired the World by Nikita Stewart New Bad News (The Linda Bruckheimer Series in Kentucky Literature) by Ryan Ridge The Wife Stalker: A Novel by Liv Constantine Weird but Normal: Essays by Mia Mercado The Tree and the Vine by Dola de Jong, Kristen Gehrman (translator) This Coven Won’t Break by Isabel Sterling Brown Album: Essays on Exile and Identity by Porochista Khakpour Drawing on Walls: A Story of Keith Haring by Matthew Burgess, Josh Cochran So Forth: Poems by Rosanna Warren Diary of a Foreigner in Paris by Curzio Malaparte, Stephen Twilley (translator) How We Change: (And Ten Reasons Why We Don’t) by Ross Ellenhorn What Happens Next by Claire Swinarski No, You Shut Up: Speaking Truth to Power and Reclaiming America by Symone D. Sanders Gods of War: History’s Greatest Military Rivals by James Lacey, Williamson Murray The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s by Maggie Doherty Shooting Down Heaven by Jorge Franco, Andrea Rosenberg (translator) Atomic Women: The Untold Stories of the Scientists Who Helped Create the Nuclear Bomb by Roseanne Montillo Summer at Meadow Wood by Amy Rebecca Tan The New Girl: A Novel by Harriet Walker Drifts: A Novel by Kate Zambreno Just a Boy and a Girl in a Little Canoe by Sarah Mlynowski Breath Like Water by Anna Jarzab Date Me, Bryson Keller! by Kevin van Whye Keep Saying Their Names: A novel by Simon Stranger To Wake the Giant: A Novel of Pearl Harbor by Jeff Shaara The Laundress: A Novel by Barbara Sapienza One Mighty and Irresistible Tide: The Epic Struggle Over American Immigration, 1924-1965 by Jia Lynn Yang Rodham by Curtis Sittenfeld On Ajayi Crowther Street by Elnathan John, Alaba Onajin Cryptography: The Key to Digital Security, How It Works, and Why It Matters by Keith Martin Things You Would Know If You Grew Up Around Here by Nancy Wayson Dinan Boys of Alabama: A Novel by Genevieve Hudson Know Your Price: Valuing Black Lives and Property in America’s Black Cities by Andre Perry These Women by Ivy Pochoda The Silence: A Novel by Susan Allott A Week at the Shore: A Novel by Barbara Delinsky The Next Great Jane by K.L. Going Brave Girl, Quiet Girl: A Novel by Catherine Ryan Hyde Tropic of Violence: A Novel by Nathacha Appanah, Geoffrey Strachan (translator) A Taste of Sage: A Novel by Yaffa S. Santos The Queen’s Secret: A Novel of England’s World War II Queen by Karen Harper The Golden Thirteen: How Black Men Won the Right to Wear Navy Gold by Dan Goldberg My Vanishing Country: A Memoir by Bakari Sellers Chefs’ Fridges: More Than 35 World-Renowned Cooks Reveal What They Eat at Home by Carrie Solomon, Adrian Moore Dark Mirror: Edward Snowden and the American Surveillance State by Barton Gellman The Stringbags by Garth Ennis and PJ Holden Empire of the Black Sea: The Rise and Fall of the Mithridatic World by Duane W. Roller

La vita del più camaleontico degli scrittori italiani fu un gioco di equilibrismo tra potere e libertà. Perseguitato da Hitler e Mussolini, odiato da Trotskij, allievo rinnegato di D’Annunzio, fascista intransigente, amante della Cina maoista, comunista antidogmatico, animalista, isolano, icona di eleganza maschile: mille maschere che ruotano intorno al suo genio. Ve lo raccontiamo nella prima puntata di Segnalibri.

Ian Buruma on the twentieth-century Italian writer Curzio Malaparte, a fascist and a fabulist with a hunger for war and a remarkable way of capturing it; Sue Stuart-Smith on gardening in the trenches of the First World War and the concept of horticultural therapy; to mark the 75th anniversary of VE Day, the TLS's history editor David Horspool talks us through a range of books, articles and essays covering the Second World WarSelected booksDiary of a Foreigner in Paris, by Curzio Malaparte, translated from the Italian and the French by Stephen TwilleyThe Well-Gardened Mind: The restorative power of nature, by Sue Stuart-SmithDresden: The fire and the darkness, by Sinclair McKayThe Volunteer: The true story of the resistance hero who infiltrated Auschwitz, by Jack Fairweather See acast.com/privacy for privacy and opt-out information.

INICIO QUIÉNES SOMOS SERVICIOS DE ASESORÍA SERVICIOS JURÍDICOS BLOG CONTACTAR PATROCINIOS BlogCrónicas de un abogado de oficio20. HELLRAISER (II) 20. HELLRAISER (II) 27 febrero, 2018Posted by: Anselmo Carrasco MerloCategoría: Crónicas de un abogado de oficio “El miedo hace a los hombres creer lo peor” – Curzio Malaparte. “La creencia en algún tipo de maldad sobrenatural no es necesaria. Los hombres por sí solos ya son capaces de cualquier maldad” – Joseph Conrad. “Creer es más fácil que pensar. He ahí la razón de que haya más creyentes” – Albert Einstein. – Buenos días, Pedro. Le quería preguntar por qué compró un disco en vinilo, cuando eso ya casi no se lleva. – No lo compré yo. Me lo regalaron unos primos de Valencia. Sabían que yo tenía una pletina nueva y me gustaba este grupo. Y estos discos se están poniendo otra vez de moda. – Pues no lo sabía. Bien, y ¿cómo se le ocurrió escuchar el disco al revés?

Registrazione realizzata dai ragazzi della classe 2.0 (3ª B) della scuola Curzio Malaparte di Prato nell’ambito del progetto “Festa della Toscana 2018’’. In classe è stato approfondito l’argomento attraverso ricerche di gruppo sulla pena di morte nel mondo e in seguito gli alunni si sono immedesimati in tre possibili personaggi e situazioni: quella del boia, quella del condannato a morte colpevole e quella della condannata a morte innocente. Per la registrazione è stato utilizzato l'iPad e l'app #GarageBand; gli effetti in sottofondo sono della libreria suoni di #Logic.

Registrazione realizzata dai ragazzi della classe 2.0 (3ª B) della scuola Curzio Malaparte di Prato nell’ambito del progetto “Festa della Toscana 2018’’. In classe è stato approfondito l’argomento attraverso ricerche di gruppo sulla pena di morte nel mondo e in seguito gli alunni si sono immedesimati in tre possibili personaggi e situazioni: quella del boia, quella del condannato a morte colpevole e quella della condannata a morte innocente. Per la registrazione è stato utilizzato l'iPad e l'app #GarageBand; gli effetti in sottofondo sono della libreria suoni di #Logic.

Registrazione realizzata dai ragazzi della classe 2.0 (3ª B) della scuola Curzio Malaparte di Prato nell’ambito del progetto “Festa della Toscana 2018’’. In classe è stato approfondito l’argomento attraverso ricerche di gruppo sulla pena di morte nel mondo e in seguito gli alunni si sono immedesimati in tre possibili personaggi e situazioni: quella del boia, quella del condannato a morte colpevole e quella della condannata a morte innocente. Per la registrazione è stato utilizzato l'iPad e l'app #GarageBand; gli effetti in sottofondo sono della libreria suoni di #Logic.

Mit seiner Fähigkeit, sich die Schaltstellen der Macht für seine Zwecke gefügig zu machen, war der Italiener Curzio Malaparte ein Prototyp des modernen Medienintellektuellen. Von Maike Albath (Produktion 2008)

Olivier Bréchard, ancien directeur du World Innovation Summit for Education (WISE) explique ce qui fait pour lui de Blaise Cendrars un auteur exceptionnel : "il est peu de livres qui, comme ceux de Cendrars, m'ont procuré la sensation de vivre plus intensément, plus pleinement que jamais. Des livres qui, plus qu'au lecteur et à son esprit en éveil, s'adressent à l'homme tout entier, le prennent aux tripes et en viennent à le marquer en profondeur". Frédéric-Louis Sausser, dit Blaise Cendrars (1887-1961), né à La-Chaux-de-Fond, fut d'abord apprenti horloger à St Pétersbourg en 1904. Après études de médecine interrompues en Suisse, Cendrars s'installa à New York où il vécut dans une bibliothèque, lisant nuit et jour... Il se lança dans l'écriture comme on rentre en transe : pour lui, l'acte de création artistique a lieu lorsque le poète est tel une braise, qui se consume au cours de la création, puis s'éteint pour se transformer en cendres (raison pour laquelle il choisit son pseudonyme Blaise comme braise, et Cendrars comme cendre). De retour en Europe, engagé dans la Légion étrangère pendant la guerre de 1914-1918, il fut amputé du bras droit en septembre 1915 et devint le "poète de la main gauche"... Son œuvre (poésie, romans, reportages et mémoires...), est placée sous le signe du voyage, de l'art, de l'aventure et de la célébration d'un monde où l'imaginaire se mêle au réel de façon souvent inextricable. Aux côtés de Blaise Cendras, Olivier Bréchard dévoile le panthéon de ses auteurs favoris (Maxime Gorki, Jack London, Henry de Monfreid, Victor Serge, George Orwell, Curzio Malaparte, Ernest Hemingway, B. Traven, Joseph Kessel, Henry Miller, Panait Istrati, Nikos Kazantzaki, Jean Malaquais, Louis Calaferte, Jacques Yonnet, Julien Blanc...). Autant d'écrivains qui, selon Olivier Bréchard, "témoignent d'un grand courage devant la vie, prenant des risques, allant au bout de leurs rêves, vie et rêves étant inextricablement liés. Ils ont une vaste expérience du monde, ayant exercé toutes sortes de métiers plus ou moins avouables ; connu à eux tous la guerre, la misère, la prison ; sillonné la planète et fréquenté tous les milieux ; écrit sans cesse, avec passion, aiguillonnés par la nécessité de partager leurs folles aventures et leur connaissance chèrement payée des hommes, qu'ils aiment parfois envers et contre tout..."

El tema de Egipto ocupa la mayor parte del programa de hoy en el que contamos con las corresponsalías de Londres (Julio Arasanz) y Varsovia (Jose María Alonso) que nos ayudan a enfocar noticias desde una perspectiva más amplia. Los trágicos acontecimientos de Egipto suscita a Don Antonio García-Trevijano a explicar y ejemplificar el concepto de golpe de estado basado, entre otros, en las ideas de Curzio Malaparte. Se expone cuál ha sido durante todo este tiempo la actitud de los Estados Unidos de América y cuál ha sido la respuesta del ministro español de Exteriores, Jose Manuel García-Margallo. Repasamos brevemente las confusas noticias sobre Gibraltar referentes a la construcción de un cable submarino que lo conectaría con el Reino Unido y los bloques de hormigón arrojados al mar. Vemos cómo ha tratado la prensa británica el asunto del Peñón. Nos acercamos al denominado “caso Bárcenas” con las declaraciones del también extesorero del PP, Álvaro Lapuerta. Su delicada situación de salud no le ha impedido afirmar que Bárcenas no será un problema para el partido popular. Además, vemos cómo ha enfocado el periódico El País las últimas declaraciones de los dirigentes populares. Volviendo a internacional, nuestro corresponsal desde Polonia no cuenta la rectificación sobre la noticia del encuentro entre Putin y Rohani. Ya no será en Irán sino en Kirguistán, país miembro de la Organización de Cooperación de Shanghai. Se introduce la importancia de esta organización a nivel mundial sumada a las intensas relaciones de sus miembros entre los que se encuentran la misma Rusia, Irán o China. Ha conducido el programa Jesús Murciego con la ayuda técnica de Jacobo Olmedo y Manuel Ramos.

El tema de Egipto ocupa la mayor parte del programa de hoy en el que contamos con las corresponsalías de Londres (Julio Arasanz) y Varsovia (Jose María Alonso) que nos ayudan a enfocar noticias desde una perspectiva más amplia. Los trágicos acontecimientos de Egipto suscita a Don Antonio García-Trevijano a explicar y ejemplificar el concepto de golpe de estado basado, entre otros, en las ideas de Curzio Malaparte. Se expone cuál ha sido durante todo este tiempo la actitud de los Estados Unidos de América y cuál ha sido la respuesta del ministro español de Exteriores, Jose Manuel García-Margallo. Repasamos brevemente las confusas noticias sobre Gibraltar referentes a la construcción de un cable submarino que lo conectaría con el Reino Unido y los bloques de hormigón arrojados al mar. Vemos cómo ha tratado la prensa británica el asunto del Peñón. Nos acercamos al denominado “caso Bárcenas” con las declaraciones del también extesorero del PP, Álvaro Lapuerta. Su delicada situación de salud no le ha impedido afirmar que Bárcenas no será un problema para el partido popular. Además, vemos cómo ha enfocado el periódico El País las últimas declaraciones de los dirigentes populares. Volviendo a internacional, nuestro corresponsal desde Polonia no cuenta la rectificación sobre la noticia del encuentro entre Putin y Rohani. Ya no será en Irán sino en Kirguistán, país miembro de la Organización de Cooperación de Shanghai. Se introduce la importancia de esta organización a nivel mundial sumada a las intensas relaciones de sus miembros entre los que se encuentran la misma Rusia, Irán o China. Ha conducido el programa Jesús Murciego con la ayuda técnica de Jacobo Olmedo y Manuel Ramos.

Walter and Aggie Murch The Bird that Swallowed its Cage: The Selected Writings of Curzio Malaparte ~Co-presented by KWMR and Point Reyes Books~ Join us for a reading and conversation between Walter and Aggie Murch about Walter’s recently published book, The Bird that Swallowed its Cage: The Selected Writings of Curzio Malaparte. Walter Murch Working within the growing Bay Area film community, Murch settled his family in West Marin in 1972. Since that time Murch has been honored by both British and American Motion Picture Academies, winning BAFTA and Oscar awards and nominations for The Conversation, Apocalypse Now, The English Patient, Julia, and Cold Mountain. Murch wrote In the Blink of an Eye (2001), which has been translated into ten languages. The Bird that Swallowed its Cage (2012) is Murch’s selected translation of work by the Italian poet and novelist Curzio Malaparte (1899-1956). Between films, he pursues interests in the science of human perception, cosmology and the history of science. Muriel (Aggie) Murch Aggie graduated as a nurse in England in 1964 and obtained a BSN from San Francisco State in 1991. In 1965 she married Walter Scott Murch and from 1972 raised their four children on Blackberry Farm in Bolinas. She is a founder of of KWMR(FM) radio in West Marin, and author of Journey in the Middle of the Road, One Woman’s Journey through a Mid-Life Education. Muriel continues to write stories and poetry while working as an independent radio producer for KWMR. When not traveling with Walter, Aggie runs the small organic Blackberry Farm, which remains the Murch home Find out more about The New School at tns.commonweal.org.

Biblioteket med Kriminellt. Italienaren Curzio Malaparte var publicist, fascist och kommunist. Som krigskorrespondent följde han med fälttåget mot Ryssland 1941. Han bevittnade tyskarnas pogromer i Rumänien, och den ohyggliga behandlingen av judarna. Han skrev en grym, surrealistisk bok Kaputt 1944 om vad han sett under kriget. Det blev en stor succé och boken har nu åter givits ut på svenska. I Kriminellt med Anna Tullberg träffar vi flera framgångsrika deckarpar, bl a miljonsäljande duon Anders Roslund och Börge Hellström. Curzio Malaparte var publicist, fascist och briljant stilist. Under andra världskriget var han korrespondent för tidningen Corriere della Sera och följde fälttåget mot Ryssland 1941. Han bevittnade pogromer i Rumänien och åt flotta middagar med tyska officerare i Warszawa. Han förutsade Tysklands nederlag och sattes i fängelse. Kaputt från 1944 är hans surrealistiska och märkliga krigsskildring som genast blev en internationell succé. Kaputt är inte minst en tidig rapport om förintelsen. Maarja Talgre berättar om Kaputt och dess författare med hjälp av Mikael Timm, Mikael van Reis och uppläsaren Ludvig Josephson. Kriminellt Är det bättre att vara två hjärnor som skriver istället för en? Allt fler väljer att skriva deckare ihop. I Kriminellt möter Anna Tullberg de framgångsrika franska systrarna som kallar sig Claude Izner - och gör ett arbetsplatsbesök hos miljonsäljande författarduon Anders Roslund och Börge Hellström.

Una casa come me - ett självporträtt i sten och glas handlar om det hus författaren Curzio Malaparte byggde på Capri under andra världskriget, ett hus som brukar kallas världens vackraste. Arkitekten och filmaren Andreas Kassel reste dit och mötte ett hus som samlar på berättelser. I veckan kommer också Malapartes roman Kaputt ut i nyöversättning på svenska. Curzio Malaparte (1898-1957) var journalist, författare, krigskorrespondent, dramatiker, fotograf, regissör och arkitekt. Han rörde sig fritt mellan samtliga av de politiska och kulturella etablissemang som florerade under första halvan av 1900-talet. Efter att ha kritiserat både den italienska fascistregeringen och nationalsociallisterna i Tyskland fängslades Malaparte. Isolerad från omvärlden kreerade han tankarna om att bygga ett hus som ett självporträtt - Una casa come me. Längst ut på en isolerad klippa på Capri förverkligade han huset om sig själv. Casa Malaparte blev förutom en spegelbild av honom själv en homerisk farkost, fylld av berättelser, fiktiva och dokumentära. Människan blev arkitektur. Likt en magnet drar huset nyfikna besökare till sig. Men dess ägare har hermetiskt slutit huset för omvärlden. Andreas Kassel berättar om den hypnotiserande kraft arkitekturen innehar, om några av de berättelser som utspelar sig i Casa Malaparte och i de farvatten som omger huset och om hur han lyckades ta sig in i det. I veckan kommer också Malapartes roman  från 1944 ut på svenska i  nyöversättning av Viveka Melander.