Podcasts about Film studies

It's the first major adaptation of Tolkien's trilogy and it is…rotoscope animation? Enter Ralph Bakshi and his completely batshit vision of an animated Middle Earth!Is it a mixed masterpiece or a very audacious disaster? Either way, Bakshi's rotoscope RINGS is extremely influential for Peter Jackson, and we're celebrating its legacy this week.Next week, we complete our unofficial animated trilogy with RETURN OF THE KING (1980) from Rankin and Bass. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesForging Through The Darkness: The Ralph Bakshi VisionMiddle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonCinefantastique Production HistoryJim Hill Media Ralph Bakshi InterviewA.V. Club Ralph Bakshi InterviewThe Hollywood Reporter Production HistoryRalph Bakshi on Peter JacksonCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Complete betting recaps and key storylines from every NFL Week 13 game — plus early handicapping and analysis for the Week 14 matchups — including Thanksgiving reactions, Cowboys vs Lions preview, Texans at Chiefs Sunday Night Football, and best bets from Patrick Meagher and Mike Somich.In This Episode:Thanksgiving recap — underdogs rule the holiday slate, Packers beat the LionsCowboys beat Chiefs — Dallas looks like the better team, defense drastically improvedWeek 14 Cowboys at Lions — Mike loves Dallas +3 (likes +3.5 even more)Bengals dominate Ravens — Lamar clearly playing hurtWeek 14 Steelers at Ravens (-6.5) — Pittsburgh or pass, but Steelers trending downBears crush Eagles — Chicago resembling last year's Lions teamWeek 14 Packers -5.5 vs Bears — Mike confident in Green Bay laying pointsWeek 14 Eagles -3 at Chargers on MNF — Eagles +2.5 was best early numberTexans upset Colts — AFC South is a three-team dogfightWeek 14 Texans at Chiefs on SNF — line moving to Houston; Patrick likes Texans, Mike likes under 43.5Bucs win but fail to cover vs Cardinals — Arizona the “best bad team”Week 14 Bucs vs Saints — ideal teaser legJaguars beat Titans — sloppy game, don't overreact on JagsWeek 14 Titans at Browns — bet Cleveland's defenseWeek 14 Colts -1.5 at Jaguars — Daniel Jones injury concerning, no reason to bet nowPanthers stun Rams as 10-point underdogs — wild game defined by 4th-down swingsWeek 14 Rams at Cardinals — Mike leans over 48.5, waiting for 48Dolphins win, don't cover vs Saints — Miami alive but not a good teamWeek 14 Dolphins at Jets — play the under 42.5Jets beat Falcons — two special teams plays the difference, Jets “frisky” Week 14 Seahawks at Falcons — second teaser leg49ers beat Browns — game closer than final scoreSeahawks crush Vikings — dominant Seattle defenseWeek 14 Vikings vs Commanders — take Commanders ML regardless of QBBills cover vs Steelers — Pittsburgh couldn't stop the runWeek 14 Bengals at Bills — this game is going overChargers easy cover vs Raiders — Raiders have quit; full reset comingWeek 14 Chargers vs Eagles — lay it with PhiladelphiaWeek 14 Broncos at Raiders — Denver with confidenceMonday Night Football: Giants at Patriots previewWeek 13 overview — awful Sunday slate, incredible Thursday/Friday games, playoff race absolute chaosLane Kiffin leaving Ole Miss for LSU — NIL era in full effect VSiN Black Friday Special is still live: Get full VSiN Pro access through May 1st for just $60 — daily best bets, real-time splits, AI tools, 24/7 video, and full spring sports coverage at https://vsin.com/subscribe/Get sharp insights, betting angles, and entertaining analysis from Patrick Meagher and Mike Somich every week on the Sharp Money Podcast — new episodes drop every Monday and Thursday.VSiN is THE Sports Betting Network — delivering the latest news, analysis, and expertise about sports gambling.

Surprise! It's Thanksgiving week, but Danny had to take to the microphone to talk about Meredith's recollection (or lack thereof) of Crazy Rich Asians and the other movie she watched on a plane but can't remember, she also sits down with Britani after Britani sits down with her daughter, Heather gets rid of a mattress, and more! On Potomac, Monique is back, and Danny is also touching on the final part of the OC reunion! Happy Thanksgiving!!!!ORDER DANNY'S BOOK: https://linktr.ee/jolliestbunchDANNY'S (OTHER) BOOK: Smarturl.it/unrememberTwitter: @DannyPellegrinoInstagram: @DannyPellegrinoYouTube: www.YouTube.com/DannyPellegrino1TikTok: @DannyPellegrinoPatreon: www.Patreon.com/EverythingIconicA Very Merry Iconic Podcast is brought to you by Amazon and Acast Creative Hosted on Acast. See acast.com/privacy for more information.

In this episode, Anna and Derek question how Eddie and Vincent never ran into each other before, the plausibility of relaxing in an unbuttoned flannel shirt, and much more during their discussion of the Paul Newman-Tom Cruise two-hander The Color of Money (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Send us a textCoach Savannah Carter breaks down the blueprint of being a great defensive guard in basketball. She explains the skills, mindset and physical makeup to be great. and shares her personal journey, highlighting how her experiences starting in HBCU transferring to Juco and finishing up at Mississippi State made her the player she was and coach that she is. We also touch on the evolution of defensive coaching and the challenges faced by young players in understanding the game.Chapters00:00 The Essence of Defensive Greatness02:59 The Journey to Attitude and Aggression05:52 Building a Defensive Mindset08:48 The Importance of Stamina and Tenacity12:07 Discipline as the Foundation14:49 Techniques of a Great Defender17:53 The Role of Footwork and Angles20:49 Lessons Learned Across Levels23:45 The Impact of Coaching and Team Dynamics27:02 Navigating Challenges and Changes29:53 Reflections on Growth and Experience33:41 The Impact of Decisions on Career Paths35:57 Choosing the Right School: A Personal Journey39:15 The Legacy of Pat Summit and Her Influence39:19 Aspiring to Coach: Challenges and Aspirations40:14 Building a Defensive Foundation in Basketball41:24 The Importance of Communication in Defense43:31 On-Ball vs. Off-Ball Defense: Strategies and Insights46:13 Understanding Ball Pressure and Its Execution49:36 Adapting Defense to Different Players51:01 Learning from Tough Matchups: Adapting Strategies55:02 Defending Against Taller Opponents58:02 Facing Star Players: Experiences and Reflections59:51 Defensive Strategies for Different Player Types01:03:25 Defensive Strategies Against Elite Players01:07:44 The Importance of Defensive Skills in Coaching01:11:37 Film Study vs. On-Court Practice01:15:10 Evolution of Defensive Techniques in Basketball01:19:57 Teaching Fundamentals to Young Players01:24:53 Preparing Players for College Basketball01:27:29 Advice for Young Players on Discipline and EnjoymentSupport the showProgress is the only Goal clotheshttps://beball-jones.myshopify.com/collections/allFollow the Podcast TikTok https://www.tiktok.com/@beballjonespodcast Follow BeBall Jones on Instagram, Twitter, TikTok and Facebook @BeBallJones Instagram: https://www.instagram.com/beballjones/Twitter: https://twitter.com/BeBallJonesTikTok: https://vm.tiktok.com/TTPdAFqYm9/Facebook: https://www.facebook.com/BeballJones0Show some support for the showhttps://www.buzzsprout.com/2008789/supporters/new

Listen up, Hobbitses! An adventure is knocking at your door! Will you answer it? Even if it's a musical?It's the first actual Tolkien adaptation of our series this week, and we are so confused that it exists. Rankin and Bass? The dudes who make the Rudolph and Frosty movies? Yes. And for some reason, Otto Preminger is in it.Next week it's Ralph Bakshi's THE LORD OF THE RINGS animated spectacular! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Middle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonJ. R. R. Tolkien: A Biography by Humphrey CarpenterThe New York Times Production HistoryTolkien Hates DisneyCinefantastique Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As always there are spoilers ahead!  You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm  Roger Corman produced hundreds of films in his lifetime and directed dozens. X: The Man with the X-Ray Eyes is a colourful, psychedelic, 1960s extravaganza with aspirations of transcendence. If you wanted to join in, you can watch the film X: The Man with the X-Ray Eyes from 1963 first. DVDs of the film are available, but it is also available to rent and watch online on Apple TV and many other platforms. You can check the Just Watch website to see where it is available in your region. Oscar winner Ray Milland (we heard a bit about him in the Panic in Year Zero! episode) stars as a mad scientist who creates a serum that will help him understand the secret of life itself. A serum that unlocks the 90% of the visible spectrum that is beyond our realm of vision. The film is fun and pacey and the tone is once again firmly in the 1960s. I have two excellent guests to help us unravel the minds and life's mysteries around what could be Corman's magnus opus. Barry Keith Grant is professor Emeritus of Film Studies at Brock University Canada. He has written/edited numerous books, articles and essays about science fiction cinema. John Wills is a Professor of American Media and Culture at the University of Kent. He has written lots about popular culture including 1950s American and Nuclear film. Chapters: 00:00 Intro 01:57 Barry's experience of watching the film on release 03:48 Eyeballs and vision 08:58 The body in sci-fi 10:57 Mad science and closing in on the Gods 12:20 Science in the 60s 15:56 LSD 17:18 A film of two halves 19:18 Diane's romantic arc 21:57 Hays Code & the Nudie Cuties 25:35 Roger Corman's 2001: A Space Odyssey comparison 31:17 Special Effects 32:41 Gurus incoming 34:48 Blunt honesty of Xavier 37:36 The music of Les Baxter 39:59 Stephen King and the ending 44:23 Legacy 51:21 Recommendations   CORRECTION: We refer to the female scientist as Diana but her name is Diane.   NEXT EPISODE! Next episode we are heading back to the Eastern Bloc with the Czech 1963 scifi Ikarie XB-1. In terms of watching it, the American version is titled Voyage to the End of the Universe and is a different edit. Although Just Watch advertises the English language title it seems to not differentiate which edit is available. The original is available on The Criterion channel and also cultpix.com.        

On this episode of the podcast, host Dr Pasquale Iannone is joined by film programmer, researcher and writer Camilla Baier. Camilla is a graduate of the University of Edinburgh's MSc in Film Exhibition and Curation programme and is also co-founder of the feminist film collective Invisible Women.Camilla discusses Invisible Women's latest project, a touring film season celebrating the Golden Age of Mexican Melodrama which arrives at Edinburgh's Filmhouse in late November. The rarely-screened four titles in the Stronger Than Love: ¡Too Much Mexican Melodrama! season are described as ‘emotionally explosive women's pictures' and showcase the pioneering work of women filmmakers such as Adela Sequeyro, Matilde Landeta, Ninón Sevilla and Miroslava Stern.Camilla tells Pasquale about her fascinating career in film curation which has taken her across the world, from Germany to Mexico. Discussion then turns to the four films that make up the melodrama season: Nobody's Wife (Adela Sequeyro, 1937), Streetwalker (Matilde Landeta, 1951), Victims of Sin (Emilio Fernández, 1951) and Stronger Than Love (Tulio Demicheli, 1955).The Stronger Than Love: ¡Too Much Mexican Melodrama! is currently touring the UK and will be arriving at Edinburgh's Filmhouse from 22nd November.

In this episode of Quiet Storm Sports, we react to the latest of Ravens Nation as of 11/18/2025, Be sure to share your thoughts in the live chat/comments!!.

Series premiere! This week we leave The Shire behind to embark on our journey through Middle Earth and the epic fantasy genre!In the spirit of Lord of the Rings, we've divided our miniseries into three parts, and we're starting today with Part 1: The Road to Mordor. And that road begins with, you guessed it, Ray Harryhausen!Peter Jackson's trilogy would not exist without the sword-and-sandals stop-motion action of Harryhausen – so as we voyage towards Mordor, we must first trek the scorching sands of Ancient Greece, where harpies fly, gigantic statues terrorize, and gods try to kill us out of boredom! Oh, and spooky skeletons.Next week, we spend some time with a different type kind of Hobbit in Rankin and Bass's animated THE HOBBIT. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesPeter Jackson Commentary TrackPeter Jackson on Ray HarryhausenArt UK Production HistoryRay Harryhausen/Bruce Eder Commentary Track 1992 Criterion ReleaseRay Harryhausen Talks Animating SkeletonsRay Harryhausen UK LaserDisc InterviewRay Harryhausen on Jerky MetalBruce Eder on Jason and the ArgonautsThe New York Times Ray Harryhausen FeatureInfinity Magazine Issue 41 Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the most accomplished U.S. track athletes of all time, Shannon's career longevity is unmatched. Shannon is a 3x Olympian, Olympic Bronze Medalist, 2x World Bronze Medalist, World Record holder (DMR), and American Record holder at three distances (1500m, 2 miles, 5000m). Ranked in the world's top 10 for over a decade, Shannon made history at the London 2012 Games as the first American woman ever to medal in the Olympic 1500m. Shannon is also an Emmy Award winner, recognized for her work in sports broadcasting and storytelling. She has served as a broadcaster and in-stadium announcer for CBS, World Athletics, USA Track & Field, and the NCAA, and in 2024 she made her NBC Sports debut as a Track & Field analyst for the Paris Olympics. Beyond sport, Shannon is the co-founder of Imagining More, a nonprofit that promotes arts and athletics for youth. She was selected by the U.S. Department of State as a Sports Envoy to Morocco on the topic of Women's Empowerment Through Sport. A Duke University alum, Shannon graduated magna cum laude with a B.A. in English, Theater & Film Studies, and later earned her Master's cum laude in the Humanities. She also holds executive certificates from Dartmouth's Tuck School of Business (Next Step), Harvard Business School (Crossover to Business), and IMD (Innovation in Action). Shannon lives with her husband, Pablo, and their two children in her hometown of San Francisco, CA. Shannon's InstagramShannon's LinkTree Support the show

In this episode, Anna and Derek chat about the ethics of giving a ten-year-old electroshock therapy, just how annoying a talking chicken can be, and much more during their discussion of the fever dream cult classic Return to Oz (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Aha! You're back! … But didn't we kill you already? No matter, we can just have Francesco Dellamorte do it again. Welcome back to your favorite Zombie Movie Podcast, that is, Dead Man Still Walking, for its 56th edition in which the Mercurial One, Dr. Walking Dead (Kyle William Bishop), brings you his insights and a solocast presentation on Cemetery Man (1994), (aka "Dellamorte Dellamore"), an example of an Eco-Zombie narrative from the 1990s! Directed by Michele Soavi and based on Tiziano Sclavi's novel of the same name, "Cemetery Man" stars Rupert Everett, who plays a cemetery caretaker in a small town where he finds himself having to re-bury the dead. Again. This review does contain spoilers. We hope you enjoy Episode 169 of Jay of the Dead'sNew Horror Movies, another essential listen for fans of zombie cinema, combining scholarly insight with genuine fandom from Dr. Bishop himself! Join us! Note: This episode was recorded in August 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

On this episode of the podcast, host Dr Pasquale Iannone talks to award-winning British filmmaker Paul Andrew Williams about his new film Dragonfly.Built around two powerful performances by Oscar-nominated actors Brenda Blethyn and Andrea Riseborough, the film is set in Yorkshire and tells of elderly widow Elsie (Blethyn) who lives alone in her semi-detached bungalow with occasional help from carers. Living next door to Elsie is Colleen (Riseborough), a young woman who lives with her dog. When Colleen sees that Elsie's needs aren't being met by the overworked carers, she introduces herself to her neighbour and offers to help out. Colleen's motives start to come under scrutiny, especially on the part of Elsie's absent son (Jason Watkins).Pasquale spoke to Paul a few weeks after Dragonfly's UK premiere at the Edinburgh International Film Festival in August. They discuss the background to the film, the casting of Brenda Blethyn and Andrea Riseborough, Paul's decision to shoot on 16mm film, his collaboration with composer Raffertie and much more.Dragonfly is released in cinemas on 7th November.

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

VYS0052 | Goddamn Shit-sucking Vampires - Halloween 2025: The Lost Boys - Vayse to Face with Sorcha Ní Fhlain - Show Notes "Sleep all day. Party all night. Never grow old. Never die." - Sounds exhausting. This is not how Hine and Buckley do Halloween anymore. So, instead of re-living their twenties, or the Lost Decade, as they call it, they talk to Dr Sorcha Ní Fhlainn about the greatest horror movie of the 1980s, or the Lost Boys, as they call it. Sorcha is a film critic, a writer, an academic - a Reader in Film Studies with a specialism in American Film at Manchester Metropolitan University specialising in Gothic Studies and Horror Cinema, with a particular focus on Vampires - and an all-round legend who helps Hine and Buckley get their teeth stuck deep into Joel Schumacher's 1987 masterpiece without getting lost in the gory details (but never over-looking the Corey details). The Lost Boys stands up well to scrutiny (well, mostly...kind of...) and Sorcha leads a discussion ranging from the transplanting of vampiric folklore from dark-ages Europe to MTV-era USA, the history of the vampire as a metaphor in literature and cinema, the way in which the Lost Boys and contemporary 1980s vampire movies, Near Dark and Fright Night contributed to queer horror, exactly what it is that makes the Lost Boys one of the greatest movies of all time... and what's the deal with the greased up, pumped up, beach-party thrusting sax-player and why is it that he's brilliant? (recorded 6 October 2025) Dr Sorcha Ní Fhlainn Sorcha's Website (https://www.mmu.ac.uk/staff/profile/dr-sorcha-ni-fhlainn) Sorcha's Instagram (https://www.instagram.com/vampiresorcha/?hl=en) Sorcha's Twitter (https://www.instagram.com/vampiresorcha/?hl=en) Dr Sorcha Ní Fhlainn - Wikipedia (https://en.wikipedia.org/wiki/Sorcha_N%C3%AD_Fhlainn) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Visions of the Vampire: Two Centuries of Blood-sucking Tales, Edited by Dr Sorcha Ní Fhlainn and Xavier Aldana Reyes - Good Reads (https://www.goodreads.com/book/show/54578546-visions-of-the-vampire) Clive Barker: Dark imaginer, Edited by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/35083074-clive-barker) The Worlds of Back to the Future: Critical Essays on the Films, Edited by Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/8514388-the-worlds-of-back-to-the-future) The Lost Boys Lost Boys Trailer - YouTube (https://www.youtube.com/watch?v=Q786UsnOcsY) Lost Boys - Wikipedia (https://en.wikipedia.org/wiki/The_Lost_Boys) Back to the Future Trailer - YouTube (https://www.youtube.com/watch?v=qvsgGtivCgs) Back to the Future - Wikipedia (https://en.wikipedia.org/wiki/Back_to_the_Future) Kiefer Sutherland - Wikipedia (https://en.wikipedia.org/wiki/Kiefer_Sutherland) Lost Boys - Michael Super Cut (https://www.youtube.com/watch?v=6kX3GmaUuvs) Jason Patric - Wikipedia (https://en.wikipedia.org/wiki/Jason_Patric) Corey Feldman - Wikipedia (https://en.wikipedia.org/wiki/Corey_Feldman) Corey Haim - Wikipedia (https://en.wikipedia.org/wiki/Corey_Haim) Alex Winter - Wikipedia (https://en.wikipedia.org/wiki/Alex_Winter) Vampire - Wikipedia (https://en.wikipedia.org/wiki/Vampire) Clive Barker - Wikipedia (https://en.wikipedia.org/wiki/Clive_Barker) The X-Files Trailer - YouTube (https://www.youtube.com/watch?v=8HKAR9MYvsQ) The X-Files - Wikipedia (https://en.wikipedia.org/wiki/The_X-Files) Fright Night Trailer - YouTube (https://www.youtube.com/watch?v=PMRH0RIEjnc) Fright Night - Wikipedia (https://en.wikipedia.org/wiki/Fright_Night) Interview With the Vampire Trailer - YouTube (https://www.youtube.com/watch?v=sCmYN6TLd8A) Interview With the Vampire - Wikipedia (https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film)) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Near Dark Trailer - YouTube (https://www.youtube.com/watch?v=VllIQYnC20s) Near Dark - Wikipedia (https://en.wikipedia.org/wiki/Near_Dark) Twilight Trailer - YouTube (https://www.youtube.com/watch?v=uxjNDE2fMjI) Twlight - Wikipedia (https://en.wikipedia.org/wiki/Twilight_(2008_film)) True Blood - Trailer (https://www.youtube.com/watch?v=3Wk3HSiX-vQ) True Blood - Wikipedia (https://en.wikipedia.org/wiki/True_Blood) Thomas Ligotti - Wikipedia (https://en.wikipedia.org/wiki/Thomas_Ligotti) Dracula - Wikipedia (https://en.wikipedia.org/wiki/Dracula) Zombie - Wikipedia (https://en.wikipedia.org/wiki/Zombie) John William Polidori - Wikipedia (https://en.wikipedia.org/wiki/John_William_Polidori) The Vampyre - Wikipedia (https://en.wikipedia.org/wiki/The_Vampyre) Lord Byron - Wikipedia (https://en.wikipedia.org/wiki/Lord_Byron) Frankenstein - Wikipedia (https://en.wikipedia.org/wiki/Frankenstein) Mary Shelley (https://en.wikipedia.org/wiki/Mary_Shelley) Nosferatu - Wikipedia (https://en.wikipedia.org/wiki/Nosferatu) F. W. Murnau - Wikipedia (https://en.wikipedia.org/wiki/F._W._Murnau) I Am Legend by Richard Matheson - Wikipedia (https://en.wikipedia.org/wiki/I_Am_Legend_(novel)) Dracula (1931) Trailer - YouTube (https://www.youtube.com/watch?v=VoaMw91MC9k) The Hunger Trailer - YouTube (https://www.youtube.com/watch?v=7a6YFwC2zKA) The Hunger - Wikipedia (https://en.wikipedia.org/wiki/The_Hunger_(1983_film)) Whitley Strieber - Wikipedia (https://en.wikipedia.org/wiki/Whitley_Strieber) Michael Chapman (cinematographer) - Wikipedia (https://en.wikipedia.org/wiki/Michael_Chapman_(cinematographer)) Buffy the Vampire Slayer (TV Series) - Wikipedia (https://en.wikipedia.org/wiki/Buffy_the_Vampire_Slayer) Joel Schumacher - Wikipedia (https://en.wikipedia.org/wiki/Joel_Schumacher) St. Elmo's Fire (film) - Wikipedia (https://en.wikipedia.org/wiki/St._Elmo%27s_Fire_(film)) St. Elmo's Fire Trailer - YouTube (https://www.youtube.com/watch?v=j9Z0Aq8VrN0) Bram Stoker's Dracula (1992 film) - Wikipedia (https://en.wikipedia.org/wiki/Bram_Stoker%27s_Dracula_(1992_film)) Bram Stoker's Dracula Trailer - YouTube (https://www.youtube.com/watch?v=cpAfqCUaVwg) Dianne Wiest (https://en.wikipedia.org/wiki/Dianne_Wiest) Tim Cappello - Wikipedia (https://en.wikipedia.org/wiki/Tim_Cappello) I Still Believe by Tim Cappello (https://www.youtube.com/watch?v=PdaaGlyu7EQ) "30 Years Ago, The Lost Boys Introduced Me to Queer Cinema" by Alcy Leyva - Bright Wall/Dark Room (https://www.brightwalldarkroom.com/2017/12/01/30-years-ago-lost-boys-introduced-queer-cinema/) "The Night Has its Price: The Queer Fangs of ‘Near Dark'" by Brant Lewis - Dread Central (https://www.dreadcentral.com/editorials/432422/the-night-has-its-price-the-queer-fangs-of-near-dark/) "THE BOYS NEXT DOOR: The Homoeroticism of Fright Night and how it saved my life" by Glenn McQuaid - Gayly Dreadful (https://www.gaylydreadful.com/blog/2019/6/19/the-boys-next-door-the-homoeroticism-of-fright-night-and-how-it-saved-my-life) Family Ties - Wikipedia (https://en.wikipedia.org/wiki/Family_Ties) Sorcha's Recommendations Let the Right One In by John Ajvide Lindqvist (https://uk.bookshop.org/p/books/let-the-right-one-in-john-ajvide-lindqvist/2304399?ean=9781848423749&next=t) Let the Right One In Trailer - YouTube (https://www.youtube.com/watch?v=ICp4g9p_rgo) Let the Right One In (film) - Wikipedia (https://en.wikipedia.org/wiki/Let_the_Right_One_In_(film)) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Celluloid Vampires: Life After Death in the Modern World by Stacey Abbott - Good Reads (https://www.goodreads.com/book/show/1960941.Celluloid_Vampires) Queer for Fear: Horror Film and the Queer Spectator by Heather O. Petrocelli - University of Wales Press (https://www.uwp.co.uk/book/queer-for-fear-petrocelli/) Vayse online Website (https://www.vayse.co.uk/) Twitter (https://twitter.com/vayseesyav) Bluesky (https://bsky.app/profile/vayseesyav.bsky.social) Instagram (https://www.instagram.com/vayseesyav/) Bandcamp (Music From Vayse) (https://vayse.bandcamp.com/) Ko-Fi (https://ko-fi.com/vayse) Email: vayseinfo@gmail.com Special Guest: Sorcha Ní Fhlainn.

In the finale of this year's Halloween Series, Anna and Derek chat about the irresistible allure of Dr. Challis, the ethical implications of chiseling Stonehenge, and much more during their discussion of the cult classic horror flick Halloween III: Season of the Witch (1982). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Jay of the Dead'sNew Horror Movies presents… the 55th Edition of the world's greatest Zombie Movie Podcast — Dead Man Still Walking, starring Dr. Walking Dead Kyle Bishop! In this fascinating and unexpectedly subversive episode, Dr. Bishop welcomes special guest Jay of the Dead to explore the surprising horror history of “The Purple Smurfs” (yes, those Smurfs!) and their uncanny place in zombie canon. This is a must-listen for fans of zombie cinema. Likely inspired somewhat by Richard Matheson's novel, “I Am Legend” (1954) — yet before George Romero's shambling ghouls — there existed a little-known, infected-zombie narrative within the Belgian comic, Les Schtroumpfs Noirs (“The Black Smurfs”) from 1959, later wisely adapted for American audiences in 1963 as “The Purple Smurfs.” What seems like a simple children's story reveals shocking thematic roots in infection, rage, and apocalypse, complete with an urgent race to find a cure. Dr. Bishop herein declares, “Yes, the Purple Smurfs are zombies.” Also during Episode 166 here, Jay and Kyle dive deep into both the original comic source material and the adapted, 1981 TV episode — part of a Halloween special featuring “The Haunted Smurf” as well as “The Purple Smurfs” — unpacking how the latter's infection narrative even precedes films like “The Crazies” (1973), “Rabid” (1977), and “28 Days Later” (2002). They discuss the sociocultural implications, from 1980s “Satanic Panic” anxieties to the comic's troubling racial undertones in its early form. Jay playfully speculates whether the story serves as a bizarre, STD cautionary tale — and even debuts his first-ever Horror trailer for The Purple Smurfs (1981) TV episode! As for Dr. Bishop's favorite color? You just might find the answer buried somewhere in this delightfully twisted episode of Dead Man Still Walking. Gnap! Gnap! Note: This episode was recorded on July 21, 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

On this episode of the podcast, host Dr Pasquale Iannone talks to recent University of Edinburgh filmmaking graduate Maryam Haddadi about her documentary self-portraits Accused Number 41 (2024) and Between Us (2025).Maryam studied the MA in Film Directing at Edinburgh College Art and her graduate film Accused Number 41 focuses on an incident that happened in her native Iran when she was arrested by Guidance Control (better known as the morality police) and falsely accused of dressing provocatively. The film was recently shortlisted for the 2025 Student Oscars - the only film from a Scottish University to make the finals.Commissioned by the Scottish Documentary Institute's Bridging the Gap scheme, Between Us is a tender portrait of motherhood focusing on Maryam and her four year old son Masih. The film recently screened at the Edinburgh International Film Festival, with more screenings to come in Glasgow and Inverness.Maryam tells Pasquale about her first experiences of filmmaking in Iran and then reveals how her approach to documentary filmmaking was shaped by her time at ECA. Discussion then turns to Accused Number 41 and Between Us.More information on Maryam's work is available via her Instagram profile (@maryamhaddadi.films)

Growing up in Malaysia, where arts and culture often faced censorship issues due to political sensitivities, I had limited exposure to unfiltered cultural reporting. That changed significantly when I discovered BFM, a business station that took the bold initiative to report, analyze, and bring Malaysia's arts and culture scene to the masses. So in 2022 (yes, that long ago), I spoke with one of the most distinct and inspiring voices behind this transformation: Sharmilla Ganesan.Sharmilla, with a BA in Media Studies from Murdoch University and an MA in Communication, Film Studies from RMIT University, is a writer, journalist, moderator, emcee as well as arts & culture critic with over 15 years of experience covering Malaysian culture. At BFM 89.9, she's been the voice behind numerous shows that explore arts, literature and film. Highlights include anchoring the Evening Edition, the station's drivetime current affairs show which covers a huge variety of topics including politics, economy and human rights. Now, she plays an essential role as Content Manager at the Creador Foundation, where she helps pioneer innovative solutions for social impact in South and Southeast Asia - most notably, the Cipta Seni Incubator, which provides Malaysia-based performance artists with creative development resources, mentorship, and networking opportunities.In this episode, we discuss the key nuances between radio broadcasting and podcasting, the role of media in preserving culture, and Sharmilla's personal approach to sustaining her multi-faceted career with exceptional quality and consistency. While many things have changed in these last three years, one thing remains - radio will always have a place in the arts. Welcome to Episode 5 of Season 3, Podcast Killed the Radio Star.Sharmilla GanesanCipta Seni Incubator ASEF Guest Podcast Soundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkRocket - QTM Support the showLike our offers? S2 Summer SALE! Check out our new Dance Masterclass YouTube review Sign up for Dance Masterclass Choreographing Your Dance Career by Janaea Rose Lyn Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Brooks Austin aka The Film Guy joins the show to breakdown Alabama's film (also Tennessee's) and some things to pay attention to. Also, Cody Squashes beef with Brooks??

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In their 150th episode, Anna and Derek discuss just whose parents were in on Freddy's murder, why in the world Marge would keep the glove, and much more during their breakdown of the Wes Craven masterpiece A Nightmare on Elm Street (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]

Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]

Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 14 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. Kicking off our show this week Carly Arebalo sits down with Gianna Verde, a Public Relations trainee at Christian Dior in New York City. Originally from a small coastal town in New Jersey, Gianna always dreamed of working in fashion, a passion that took her to the Fashion Institute of Technology (FIT). Through multiple internships, she discovered her love for public relations and followed that path to Dior, one of the world's most prestigious luxury fashion houses. In this conversation, Gianna reflects on her journey from creative childhood to young professional, offering a candid look at the challenges of breaking into the fashion industry. She shares honest advice for students and recent graduates about resilience, determination, and the importance of taking on responsibility. Wrapping up the episode today is a conversation with Nick Weihe, a Baltimore-based visual artist and clothing designer who speaks with Sidney Karjian about his creative journey. Raised in Seattle, Nick studied Fine Art Photography and Film Studies at Seattle University before earning his MFA in Photographic and Electronic Media at the Maryland Institute College of Art. Weihe talks about starting out at Youth in Focus, a photography program in Seattle and how it sparked his lifelong interest in telling stories through images. In their discussion, Nick reflects on how his work evolved from darkroom photography and graffiti to his current work with hand-stamped fashion designs. Weihe also discusses the balance of emotional storytelling and experimentation in his work, and the challenges of sustaining a creative practice. He offers advice on trusting your instincts, staying motivated, and continuing to create—even when it feels imperfect.

This episode of the podcast explores prison films, with a special focus on Swedish filmmaker Mai Zetterling's lesser-known drama Scrubbers from 1982.Scrubbers stars Chrissie Cotterill as Annetta, a young mother serving a prison sentence at a female borstal. The film features many familiar faces, including Kathy Burke and Eva Mottley as Annetta's fellow prisoners as well as Miriam Margoyles, Pam St Clement and Robbie Coltrane as prison staff.Joining host Dr Pasquale Iannone to discuss Scrubbers and the prison film more generally is Dr Jamie Bennett. Jamie is Research Associate at the University of Oxford's Centre for Criminology and an internationally-renowned scholar of media representations of prison. He has worked in prisons for three decades in a variety of senior positions and is currently group director for contracted prisons in HM Prison & Probation Service. Jamie has held the position of Governor at various prisons, including HMP Morton Hall in Lincolnshire which, at the time, was a women's prison with a diverse international population.Jamie's recent publications include 2021's Prisoners on Prison Films (co-authored with Victoria Knight) and Managing Prisons: Managerialism, Austerity and Moral Blindness (2024).In a wide-ranging discussion, Jamie and Pasquale discuss the history of prison movies and TV shows - from 1930's pre-code film The Big House to Alan Clarke's controversial 1979 drama Scum to Jimmy McGovern's recent BBC series Time (2021). They then look at Scrubbers in detail, exploring the film's representation of life in a women's prison. They draw on sources such as director Zetterling's memoir and contemporary reviews of the film from the likes of Barbara Kruger.

Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]

Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]

In this episode, Anna and Derek debate fast zombies versus slow zombies, if Ernie was indeed a Nazi in hiding, and much more during their discussion of the horror-comedy gem The Return of the Living Dead (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Episode 60 of READING McCARTHY sees the return of one of my favorite guests, Dr. Stacey Peebles. In addition to her many other roles described below, she is the preeminent expert on McCarthy's work in screenplays.  Please join us for a consideration of his various screenplays, both produced (The Counselor) and unproduced (Cities of the Plain, No Country for Old Men, Men and Whales) as well as a brief discussion of the film adaptations of his work thus far.  Stacey Peebles is the HW Stodghill and Adele H Stodghill Professor of English and Director of Film Studies at Centre College. She's the author of The War Comes With You: Enduring War in Life, Fiction, and Fantasy (Dec. 2024), Welcome to the Suck: Narrating the American Soldier's Experience in Iraq, and Cormac McCarthy and Performance: Page, Stage, Screen. She has been editor of the Cormac McCarthy Journal since 2010 and is the current President of the Cormac McCarthy Society.Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She's the author of the books: The Films of Samuel Fuller: If You Die, I'll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa's fantastic film classes and she's a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast's origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T'ang Shushuen's The Arch, which Lisa teaches in her classes. Lisa shares with us the film's unconventional transnational production context, and we have an in-depth discussion about the film's groundbreaking use of film form to portray female subjectivity. Eli highlights the film's use of deep staging, Wilson compares the film with Ann Hui's A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro

Send us a text message and tell us your thoughts.In the mid-20th century Caribbean, cinema became a powerful tool for nation-building, education, and political messaging through two remarkable organizations with surprisingly parallel methods but divergent ideologies. Dr. Pedro Noel Doreste Rodríguez joins us for this enchanting history in celebration of Hispanic Heritage Month. The story begins in 1949 when Puerto Rico established the Division of Community Education (DIVEDCO), creating films that taught rural communities practical skills while reinforcing cultural identity within the island's complicated relationship with the United States. Ten years later, revolutionary Cuba founded the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC), similarly using cinema to educate citizens but through an explicitly socialist lens. Both organizations deployed mobile cinema units, bringing film to remote villages alongside community discussions and educational programs. These weren't Hollywood productions seeking profit, but state-sponsored projects with clear political objectives.Perhaps most surprising is Cuba's relationship with American cinema despite the US embargo. The ICAIC organized pirated screenings of films like The Godfather, viewing them as critiques of American capitalism rather than threats to revolutionary values. This openness to global cinema influences, filtered through a revolutionary perspective, helped shape Cuba's enduring film tradition. What can these remarkable cultural experiments teach us about the power of cinema as both art and political instrument? The answer lies in understanding how these films didn't just entertain audiences—they helped shape Caribbean identities during one of the region's most transformative periods.Pedro Noel Doreste Rodríguez is Assistant Professor in Film Studies at Michigan State University and Co-Director of the Manchineel Project. He is a historian of Latin American, Caribbean, and Latinx film and media whose research surveys cinematic encounters between the global North and South, diasporic and exile filmmaking, and avant-garde film cultures in and of the Hispanic Caribbean. He is coeditor of the anthology "Vivirse la película: Methods in Puerto Rican Film Studies," forthcoming from Centro Press.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

On this Week 3 Tuesday, former Browns LB Christian Kirksey joins the program to discuss the first two weeks of the season and the upcoming TrueFan Travel trips (15:11). Jake Burns (@BrownsFilmBDN) also joins the show to break down what he saw on tape from Week 2's loss to the Ravens (50:30). You'll also go around the sports world (38:10), get One Thought from every NFL game this past weekend (1:11:14), and hear Nathan's final thoughts on the Ravens game on the Microsoft Minute (29:40).See omnystudio.com/listener for privacy information.

In this episode, Anna and Derek chat about obvious bad guys, dream sex consent, and much more during their discussion of their second Halloween Series flick, Dreamscape (1984). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Charlie Jacobs of InsideNU joins me to review the tape on Northwestern football's 2025 season to date. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's a good plan for this weekend? How about entertaining an overmatched in-state rival while potential future team members observe in person? Let's do it! Ohio State hosts Ohio U. on Saturday for what should be another beautiful evening in Ohio's state capital.  For this show, Dan Rubin, Mark Porter and new Bucknuts recruiting analyst Garrick Hodge host your infotainment journey. Who could be added to the Class of 2026? Who is visiting this weekend to see the Buckeyes battle the Bobcats? What other recruiting info do you need to move through life with aplomb? Rest assured, we have it for you. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Bill Kurelic is The Dean of Ohio State Recruiting. He's an institution. He's an inspiration. He also has big news to share with the 'Nutters. Mark Porter joins as well.  Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Best of TalkSports 9.2.25: Brooks Austin Film Study by Fanrun Radio

On tonight's episode, Brooks and the boys discuss their final week one takeaways. We are also going to talk about if the Alabama Crimson Tide dynasty is dead. During the local hour, we are going to tell you why the old Georgia is back. Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV

It's almost time. Texas vs. Ohio State. The Shoe. All eyes on Columbus. Let's try and get you through today first! Bill Kurelic is here. Mark Porter is here. Who do THEY think will emerge victorious on Saturday beginning at noon? What do they think of the guest list of prospects set to take it all in? Which future Buckeyes will they see on the high school gridiron on Friday night before the epic tussle and Saturday night after it? How do Cincinnati Moeller tackles K.J. Johnson and Patrick O'Brien look on film? How about future Buckeye Chris Henry, Jr.? Answers await to all those queries await! Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices