Podcasts about Film studies

When it comes to Hayao Miyazaki, the ocean is full of mystery and calamity. But one thing is for certain: Ponyo loves ham! This week is Miyazaki's late-career “movie for five-year-olds” that somehow combines the terror of complete environmental catastrophe with… the joy of floating around in a candle-powered speedboat. And cool jellyfish! Topics discussed: delicious-looking tea, delicious-looking ramen, whether or not the mad scientist/wizard Fujimoto represents Miyazaki, the perils of painting backgrounds for Ghibli, prehistoric fish, and Frankie Jonas. Next week we take a brief detour from the late works of Miyazaki and Takahata to cover Hiromasa Yonebayashi's THE SECRET WORLD OF ARRIETTY (2010). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Five Geniuses of Ponyo Interview with Toshio Suzuki Behind the Microphone Creating Ponyo Ponyo & Fujimoto The Nursery Scoring Miyazaki The Art of Ponyo The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Turning Point by Hayao Miyazaki Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

And here we have another edition of Dead Man Still Walking, *the* Zombie Movie Podcast starring Dr. Walking Dead himself, the distinguished Dr. Kyle Bishop! For this embalmed but exhumed excursion into the murkiest depths of zombie cinema, the good doctor welcomes first-time DMSW guest Mister Watson — a man whose exceptional movie picks have earned him praise from Jay of the Dead. Naturally, Dr. Bishop rewards Watson's exemplary taste by subjecting him to a movie widely considered to be "one of the worst zombie movies ever made": Zombie Lake (1981). Set in a French village roughly 10 years after World War II, "Zombie Lake" concerns a squad of slain German soldiers whose bodies were dumped into a mysterious lake — only for the waterlogged Nazis to rise again and terrorize the townspeople. Also in Episode 187, Dr. Walking Dead and Mister Watson discuss the film's painfully poor makeup, historically questionable uniforms, gratuitous Euro-sleaze, interminable flashback and truly baffling zombie behavior. Are these creatures flesh-eating zombies, blood-drinking vampires or merely undead horndogs with an irresistible attraction to skinny-dippers? And yet, buried beneath the green face paint and woeful execution, our reviewers discover the remains of a potentially compelling movie. The mythology of a lake that demands human sacrifices, a forbidden wartime romance, a zombie father who remembers and protects his daughter, and a community haunted by the consequences of its past all suggest that "Zombie Lake" might deserve that rarest of cinematic opportunities: a remake of a bad movie. Join Dr. Bishop and Mister Watson as they attempt to find intelligent thematic possibilities in a film that stubbornly refuses to contain them! Note: This episode reveals major plot spoilers from "Zombie Lake" (1981). Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple Podcasts Spotify Deezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

We've got a super sized preview for you this week on Cube Show. Cole Cubelic breaks down the tape on Alabama's newly announced starter Keelon Russell, Vandy's Blaze Berlowitz, Arkansas's KJ Jackson, and Florida's Aaron Philo. Then he's joined by his Read & React co-host, Roman Harper, to preview the 2026 season. Tune in. PRESENTING SPONSOR KALSHI: Download the Kalshi app and use code Cube61 to get $10 when you trade $10. http://kalshi.com/r/CUBE61 ADDITIONAL SPONSORS GAMEDAY MEN'S HEALTH: Go to gamedaymenshealth.com MYSTERYBREAKS: Don't miss mysterybreaks's stream on Fanatics Live! https://get.fanatics.live/X8WW/453vgu8c Learn more about your ad choices. Visit megaphone.fm/adchoices

Howl may be the worst type of early 2000s emo hunk. But listeners…We! Can! Fix! Him!!! This week is a real doozy. Dom and Adam are not particularly effusive about Miyazaki's moody, dark magic sequel to SPIRITED AWAY. It's bewildering, it's bizarre, and some moments seem completely incomprehensible. But as an animated film, it's a spectacle to behold, and we have a lot to celebrate, too. For instance…Calcifer! Next week, it's Miyazaki's child-friendly disaster film, PONYO (2008). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features: Behind the Microphone The Birth Story of the Film Soundtrack Interview with Diana Wynne Jones Explanation of CG: How to Move Howl's Castle  The Art of Howl's Moving Castle Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Hayao Miyazaki Takes Over Howl Variety Akihiko Yamashita Interview   Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeremy Szal was raised by wild dingoes, which should explain a lot. He writes epic fantasy and dark space opera of a character-driven, morally grey nature. He sold The Common trilogy to Gollancz/Orion when he was 23, which includes STORMBLOOD, BLINDSPACE, and WOLFSKIN, about a drug harvested from alien DNA that makes users permanently addicted to adrenaline and aggression. He's the author of over fifty short stories, translated into seventeen languages, many of which appear in his short fiction collection BROKEN STARS. He was the editor for the Hugo-winning StarShipSofa until 2020 and has a BA in Film Studies and Creative Writing from UNSW. He carves out a living in Sydney, Australia with his family, where he loves watching weird movies, eating Japanese food, exploring cities, learning languages, cold weather and dark humour. Find him at https://jeremyszal.substack.com/ or @jeremyszalNarration by: Doni NicollDoni Nicoll-Duir (nickel-dar) is originally from the Western Slope of Colorado. He has lived in and out of Arizona his whole life and now finds himself settling down in Tucson, AZ. Doni works in the renewable energy sector as a design engineer and permitting specialist. When Doni isn't working on saving the planet, one rooftop at a time, or trying to keep up with his teenage daughter, he can be found cooking, hiking or playing board games with his friends at one of the local breweries.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Listeners, it's time to remember your name. We're getting Spirited Away this week to a Studio Ghibli production that is often called the most influential animated film of all time. Joining us to help purify the stink spirits and return the river gods to their kingdom is our old friend Stephen Hilger. Topics discussed this week: the enduring mystery of No-Face, why the Radish Spirit rules, whether or not SPIRITED AWAY is the TENET of Miyazaki's filmography, Ghibli's art style in the digital era, and of course, MARIO ODYSSEY. Next week, it's the most Hot Topic of Miyazaki's oeuvre, the very moody HOWL'S MOVING CASTLE (2004). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:  The Art of Miyazaki's Spirited Away Sharing a House with the Never-Ending Man by Steve Alpert Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Spirited Away Making of Documentary Time Magazine Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jay of the Dead's New Horror Movies presents the 63rd edition of Dead Man Still Walking, your favorite Zombie Movie Podcast hosted by Dr. Walking Dead Kyle William Bishop! This time, the good doctor returns to an older corner of zombie cinema with Umberto Lenzi's strange and unconventional Italian horror film "Nightmare City" (1980), a movie whose director apparently insisted was not a zombie movie, despite Dr. Bishop arriving at a very different diagnosis. And of course, as for me and my house, we will be believing Dr. Bishop's assessment. The infected creatures of "Nightmare City" are unlike your average shambling undead: They use knives, clubs, guns and even a harpoon gun; they appear capable of planning and communicating nonverbally; and instead of merely eating flesh, they sometimes stop to drink their victims' blood. That leaves Dr. Walking Dead pondering an especially unusual case of cinematic zombiism: Are these monsters zombies, infected humans, vampires or some bizarre hybrid of all three? Kyle examines the monsters' apparent resistance to gunfire, vulnerability to brain trauma and ambiguous method of spreading their condition while arguing that, regardless of Lenzi's objections, "Nightmare City" belongs in the zombie movie conversation. Dr. Bishop also places the film firmly within the post-Romero zombie boom, noting its conspicuous similarities to "Night of the Living Dead," "Dawn of the Dead" and the Italian zombie films that followed in Romero's wake. Kyle discusses the Dawn-like music, helicopter imagery, siege elements, Molotov cocktails and the movie's heavy-handed warning about nuclear power and radiation. Along the way, Dr. Walking Dead praises the score, questions the inconsistent gore effects, calls out some dated and misogynistic character behavior and identifies "Nightmare City" as the sort of cinematic oddity that may be worth seeing precisely because it is so strange. And then there is that ending. In a spoiler section, Dr. Walking Dead tackles the film's infamous last-minute narrative reset, recycled opening footage and "the nightmare becomes reality" conclusion — a twist that inspires considerably more frustration than admiration. Even so, the unusual zombie-vampire creatures and the movie's place within the history of Italian zombie cinema earn it a Low-Priority Rental recommendation rather than an outright Avoid. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Did Studio Ghibli really make a family sitcom? Kind of! It's Isao Takahata's second-to-last film, and we simply couldn't resist adding it to our series. Joining us to revel in the brilliance (and surprisingly vindictive behavior) of the man they call Paku-San (aka Mr. Munch) is our dear friend and digital producer, Nik Long! Topics covered this week: whether or not YAMADAS is more like EVERYBODY LOVES RAYMOND or MALCOLM IN THE MIDDLE, the long-standing rivalry of Miyazaki and Takahata and its similarities to the film CHALLENGERS, our nostalgia for discovering movies on television, Takahata's love of bananas, and so much more! Next week, at long last, we get SPIRITED AWAY (2001). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Secrets of My Neighbors the Yamadas Studio Ghibli: An Industrial History by Rayna Denison Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode, host Dr Pasquale Iannone is joined by film critic and historian Rachael Nisbet to discuss one of cinema's most dazzling comic book adaptations, Mario Bava's Danger: Diabolik (1968). Based on the comics written by sisters Angela and Luciana Giussani, Diabolik chronicles the escapades of the masked master criminal and his lover and co-conspirator Eva Kant. The comics have been massively influential since their first publication in 1962 and have spawned various film adaptations, including a recent trilogy of features released between 2021 and 2023 directed by Marco and Antonio Manetti. The first Diabolik picture was released in 1968 and starred John Philip Law and Marisa Mel in the lead roles. It was recently released in a beautiful 4K restoration by Eureka Entertainment and it will also be screening at Edinburgh's Filmhouse cinema in early August in all its vivid, kaleidoscopic glory.Rachael and Pasquale discuss the background to the original Diabolik comics, and how Bava's film came about. They then focus on elements such as the film's casting, set design and its brilliantly psychedelic score by Ennio Morricone.

In this episode, Anna and Derek debate just how sympathetic they want to feel toward a serial killer, if Brian Cox deserves more Hannibal love, and much more during their discussion of the Michael Mann classic Manhunter (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Before you listen to this episode, please join us in reciting the Ghibli prayer: Oh nameless god of rage and hate, we bow before you! This week we contend with what is unquestionably one of the greatest films ever made, animation or otherwise. It's a period epic that encapsulates everything we know and love about Studio Ghibli while also somehow raising the bar even higher. And hey, there's even a kaiju! Next week, it's a last-minute addition to the series: Isao Takahata's penultimate film, MY NEIGHBORS THE YAMADAS (1999). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier The Guardian Hayao Miyazaki Interview Neil Gaiman on Scripting Princess Mononoke Cinefantastique Vol 31 No 4 Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Great documentary films can teach people about the world. But the strength of the medium is that it doesn’t just explain facts, it can also reveal emotional truths. One recent documentary film that does so is called The Librarians. It takes a look at book bans in U.S. public schools and shows how librarians have reacted to them. Another is Missing In Brooks County. It explores what happens when people go missing after they cross the U.S.-Mexico border. This hour, we talk to some of the people who made those films possible. GUESTS: Kim. A Snyder: Oscar-nominated film director and producer. Her documentary Newtown won a Peabody Award. Her new film is The Librarians. Martha Hickson: Retired New Jersey librarian. She’s featured in the film The Librarians as one of the librarians fighting to prevent books from being banned. In 2022, Martha received the Lemony Snicket Prize for Noble Librarians Faced with Adversity. Jeff Bemiss: Peabody Award-winning filmmaker who co-directed and co-produced Missing in Brooks County. He is also Professor of the Practice in Film Studies at Trinity College. Lisa Molomot: Peabody Award-winning filmmaker who co-directed and co-produced Missing in Brooks County. Photo Source: Engel EntertainmentSee omnystudio.com/listener for privacy information.

Jay of the Dead's New Horror Movies presents the 62nd edition of Dead Man Still Walking, the Zombie Movie Podcast hosted by Dr. Walking Dead himself, Dr. Kyle Bishop! This episode offers a cinematic zombie twofer, beginning with Christopher Landon's irreverent teen comedy, "Scouts Guide to the Zombie Apocalypse" (2015), followed by the main event: Destry Allyn Spielberg's dystopian Gothic thriller, "Please Don't Feed the Children" (2025). First, Dr. Bishop briefly ventures into the realm of gross-out humor, zombie strippers and scouting skills put to apocalyptic use. Although the film offers a surprisingly earnest message about friendship, loyalty, and resisting peer pressure, Kyle finds its juvenile sex jokes, scatological comedy and deliberately ridiculous zombies considerably less rewarding. There is, however, some praise for David Koechner's performance. Then, Dr. Walking Dead turns his attention to "Please Don't Feed the Children," a slow-burning post-apocalyptic thriller in which young people are immune to a mysterious viral outbreak but are persecuted as suspected carriers. A group of fugitive teenagers takes refuge in an isolated farmhouse owned by the seemingly compassionate Clara, played by Michelle Dockery. Naturally, the safety of the house proves deceptive, and the movie's cleverly misleading title takes on a much darker meaning. Dr. Kyle Bishop examines the film as a COVID-inspired narrative about disease, social paranoia, generational conflict and the dangerous rumors that accompany public-health crises. He also considers its Gothic atmosphere, solitary zombie, exploration of motherhood and obsessive love, as well as its depiction of the "monstrous mother." And what exactly is "Biddy Horror"—and how does it differ from Hagsploitation? Join the good doctor for a smart, spoiler-filled discussion of zombies, secrets, family, life, death and the unfortunate consequences of keeping an infected loved one locked in the basement. Note: This episode contains major plot spoilers for both films, particularly "Please Don't Feed the Children." Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Country roads, take us home! Of the many, many movies that use the famous John Denver song, who would've expected the DEFINITIVE one to be about about a couple kids in Western Tokyo who fall in love with a really cool cat statue?  This week our old friend Stephen Hilger of the very great Into the Aether podcast is filling in as guest host! Topics explored by Dom and Steve: Zelda games (of course), Les Mis (obviously), doing improv comedy for no one (what?), learning to love yourself as an artist, and for some reason, pro wrestling! What an episode! Next week we worship at the altar of PRINCESS MONONOKE (1997). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Behind the Microphone Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Studio Ghibli: The Complete Works 2nd Edition Cartoon Brew Atsushi Okui Interview John Lasseter Whisper of the Heart Introduction Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jazz Tangcay of Variety joins us to discuss The Odyssey. We talk through the box office and enjoy her review for about 25 minutes more of Non-Spoilers before we dive into each of the film's major set pieces in our Spoiler Section. Make sure to follow Jazz Tangcay on social media, on Rotten Tomatoes, and of course, enjoy all of her work at Variety. https://variety.com/author/jazz-tangcay/ And if you want to listen to a much longer Non-Spoiler section, then go back to Part 1 of our Film Study on The Odyssey where we go a full 75 minutes of Non-Spoilers and Oscars Lens discussions. NON-SPOILER REVIEW SECTION: Rewatch Experiences - 2:26 Updated Reception Scores - 6:16 Box Office - 9:12 Jazz Tangcay's Review - 16:38 What's the early Oscar buzz? - 19:04 Her process and plans to cover the film this season - 22:41 SPOILER FILLED REVIEW: The Prologue - 26:33 Cyclops Puppets & The Practice Effects Imperative - 31:08 Troy & Popcorn Buckets & Production Design - 36:56 Laestrygonians, Dolphins & Hot Tickets - 42:05 Circe, Dolby Sound Mix Scares & Samantha Morton Hype - 47:36 Hades & His Stylistic Statement - 51:37 The Sirens, Damon Superlatives & A Tom Holland Defense - 54:50 Charbydis & Scylla and Understanding VFX - 58:18 Modern Day Themes & Smart Decisions - 1:01:08 Filming Techniques Used In That Finale - 1:08:21 OUTRO: Two nitpicks - 1:11:26 Re-Ranking The Acting Performances on Rewatch - 1:13:10 The last few nitpicks - 1:15:20 Final Grades - 1:22:19 The Words of Wisdom today are to follow Jazz Tangcay on Instagram: https://www.instagram.com/jazzt21/ Follow her on X/Twitter: https://x.com/jazzt And make sure to subscribe to her podcast alongside Clayton Davis & Co at Variety's Awards Circuit. https://variety.com/t/awards-circuit-podcast/ Also please follow us on Letterboxd. We just joined Letterboxd, but we already have 2 reviews and 5 lists posted with a whole lot more coming. https://letterboxd.com/MikeMikeOscarAM/

In this episode, Anna and Derek debate if Mookie deserves to be on the receiving end of Tina's wrath, why Pino is just the worst, and much more during their discussion of the Spike Lee masterpiece Do the Right Thing (1989).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Department of Art History and Film Studies at the University of Sydney Dr Bruce Isaacs joined Ross Stevenson and Russel Howcroft to discuss the Hollywood blockbuster film 'The Odyssey'.See omnystudio.com/listener for privacy information.

We're back! Joining us after our one week hiatus is returning champion, the one, the only... Griffin Newman! We have so much to talk about this week, including: raccoon dogs, Isao Takahata's hatred of modernity, the history of “serious” animation, Operation Goblin, Star Wars(?), Mr. Belvedere(??), Dave Matthews Band(????), and also How To “Ball Up” a Pipeline! Next week it's our first non-Miyazaki/Takahata Ghibli entry, WHISPER OF THE HEART (1995) directed by Yoshifumi Kondō. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Blu-Ray Booklet Studio Ghibli: The Complete Works 2nd Edition Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert TCM Pom Poko Production History Pom Poko Influences Hoppers Band Inspiration Toshio Suzuki Incorrectly Anticipates Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To coincide with the recent big-screen release of The Odyssey (Christopher Nolan, 2026), the final Fantasy/Animation archive episode of the summer looks back the filmmaker's science-fiction blockbuster Inception (Christopher Nolan, 2010) that featured as its special guest Todd McGowan, Professor of Film Studies in the Film and Television Studies Department at the University of Vermont. Todd is the author of a number of books on psychoanalytic film theory, film comedy and popular media, including The Real Gaze: Film Theory after Lacan (2007) and The Fictional Christopher Nolan (2012), and joined Chris and Alex back in 2021 to discuss the fantasy of dreams, Inception's rhizomatic, mazelike narrative structure, and Nolan's commitment to puzzling plotlines, the reconstitution of beginnings, and practical effects imagery. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Associate professor Bruce Isaacs - Senior Lecturer in Film Studies and co-host of the Film Versus Film podcast - joins Matthew Pejkovic on the Matt's Movie Reviews Saturday Conversation show to talk about the career and legacy of Robert Redford. Follow Film Vesus Film Podbean: https://filmversusfilm.podbean.com/ Instagram: https://www.instagram.com/filmversusfilmpodcast/ Matt's Movie Reviews Podcast listed in FeedSpot's Top 100 Movie Podcasts  Support Matt's Movie Reviews PayPal TeePublic Amazon Follow Matt's Movie Reviews Website  Youtube Facebook Instagram  Rumble

Hermann Ebbinghaus is remembered mostly for discovering the forgetting curve. Open any psychology textbook, any blog devoted to a flashcard app or any study-tips listicle, and you’ll find his name alongside a distinctive graph. Memory expert Tony Buzan called it the most important graph in the world. That’s because its iconic line shows memory plummeting within hours of learning something new, then flattening out over days. Countless discussions of how to reduce forgetting give you the same tidy recommendations. Usually they tell you to review your study materials at intervals, just at the point you’re starting to forget. That way, many authors promise, you’ll beat the curve. The problem, just one of many you’ll discover today, is this: Ebbinghaus didn’t discover the forgetting curve. He discovered his forgetting curve. He was one man, testing his own memory, on one kind of material, using one method. And although the forgetting curve is indeed one of the most repeatable and reproducible principles in the history of scientific studies, reproducibility in laboratory settings does not mean you’ll stop forgetting by using the conventional recommendations. Besides, here’s something almost no one else will tell you: The deepest principles the Ebbinghaus experiments revealed were already written down more than two thousand years earlier by Aristotle. You’ll find them in a short treatise that describes something remarkably close to using a Memory Palace in combination with the same kind of serial positioning Ebbinghaus described as a means for reducing forgetting. So today I’m going to cover a few aspects of the forgetting curve all serious users of memory techniques need to know. These are points I’ve been putting off writing about for a long time. However, a few emails and comments I’ve received over the past few years have convinced me that now is finally the time. Especially since I’ve spent decades memorizing poetry, scripture, mantras, complex terms, the names of people from various backgrounds and vocabulary and phrases in multiple languages. And I’ve done this all while teaching thousands of students to do the same. From where I sit as a practitioner, the forgetting curve is real, useful and badly misunderstood. But treated correctly, it’s an invitation to success. First, however, for the uninitiated, let’s make sure we’re on the same page about the definition of this term. That way, you’ll be able to discover your own curve and work on reducing its impact in your learning life. https://www.youtube.com/watch?v=V_qwUkfO65M   What Is the Forgetting Curve? In 1885, Ebbinghaus published Über das Gedächtnis (Memory: A Contribution to Experimental Psychology). In this monumental work, he reported years of experiments he had run on a single subject: himself. He memorized lists of sinnlose Silben, the German term for nonsense syllables. These were consonant-vowel-consonant combinations like ZOF and KEB. After committing lists of such invented words, he then tested how much effort it took to relearn them after various delays. Notice two things. First, these were invented words. Nothing with any meaning. Second, pay attention to the word relearn. Ebbinghaus did not measure memory only by asking whether he could reproduce an entire list perfectly. He also measured what he called “savings” in the context of relearning. This study goes quite deep into the nuances and implications of this particular concept for memory. To get the concept in brief, suppose it initially took you 20 repetitions to learn something. If it took only 10 repetitions to relearn it later, some trace of the original learning clearly remained. Your inability to reproduce the information perfectly would not mean the memory had disappeared completely. Keep this idea of “savings” in mind. It matters more than the famous graph, and we’ll return to it when I show you what happened to a long Sanskrit mantra I intentionally abandoned for years. It also connects to some concepts in memory introduced by Richard Semon and studied more recently by Dr. Paul Garrett in relation to the role of fuzzy memory. Back to Ebbinghaus, the  result of his experiments is what we now call the forgetting curve. It shows how retention drops steeply at first, then the decline slows. He also documented what we now call the spacing effect. It describes how reviews distributed over time preserve more in long-term memory than the same number of reviews crammed together. All of what Ebbinghaus found replicates, so his science is not in question here. What’s in question is what you and I should actually do with his findings.  And that’s where things really start to get interesting. Ebbinghaus Was an Early n=1 Memorizer Notice what Ebbinghaus actually was: A practitioner running experiments on his own memory. In today’s language, he was doing n=1 self-experimentation. He had skin in the game, memorized real material with his own mind, and measured what happened. I took his actions as both a lesson and an inspiration. It’s just that rather than memorize nonsense (apart from a bit of Kurt Schwitters’ “Ursonate”), I’ve focused on applying memory techniques to Chinese, scripture, poetry and facts related to law school. But you will never see the results you can achieve by reading about Ebbinghaus. You’ll only see it by memorizing information yourself and paying attention to what happens next. Tony Buzan was great about splitting the difference during his ThinkBuzan seminars. He taught memory techniques, but also had participants draw their own graph of the forgetting curve. Here’s mine: In sum, reading about the forgetting curve while never memorizing anything is like reading about swimming while refusing to get wet. Is There Such a Thing As Too Much Scientific Literacy? Years ago, Harry Lorayne coached me on becoming a successful memory coach. I followed just about everything he said, except one thing. He said, “whatever you do, don’t tell ’em about the science.” The reason I ignored the advice is that: I’m very interested in memory science Studying it has helped me discover many powerful memory activities and brain exercises The only problem I’ve seen is that about a year ago, students of all ages started writing to me in the language of science at an increasing rate. And for many, the various terms and memory statistics available online have created anxiety and perfectionism I don’t think needs to exist. For example, a medical student taking the Magnetic Memory Method Masterclass recently emailed multiple times with worries about whether his review schedule was set to properly combat the “decay function.” Now, obviously, the research on memory genuinely matters. I cite it often and terms like this can be useful for forming a solid practice with using mnemonics. But Lorayne’s warning has started to take on a strange and unexpected sense because something strange happens when the vocabulary of science replaces practice. After all, science is mostly there to describe, not proscribe. We can certainly use scientific findings to improve our practice, but it’s not helpful to let techniques that have been used happily for thousands of years become the source of anxiety thanks to scientific papers. Don’t Let These Terms Interfere With Your Memory Training It’s not only beginners with memory techniques or medical students who would tend towards scientific verbiage when contacting me. I regularly hear from people fluent in the terminology, sometimes with publications to their name. A published researcher wrote me recently and had thoroughly reasoned himself into genuine paradox. Amongst other things, he wanted to know what a trained mnemonist’s memory does “without any technique.” Now, you certainly can get a swimmer to demonstrate what a particular stroke looks like without the water. And in the context of memory training, the question can sound rigorous. But in my view, this kind of question suggests that the researcher has lost contact with the very thing he’s asking about. This is because someone with a trained memory can’t isolate a ‘raw baseline’ without risking cognitive paradox. I would have to reflect on my use of mnemonic methods while not using them. And since he immediately followed-up with a pseudo-scientific claim about photographic memory, I knew he was not taking Ebbinghaus’ n=1 practice as an example by actually using the techniques himself. After all, photographic memory has been thoroughly debunked and I’ve demonstrated many times over that it not only does not exist. The term itself makes zero sense. So this is where some nuance about the forgetting curve is very important to the serious user of memory techniques. No matter who you are, you need to make contact with actual remembering. Aristotle Described the Core Principle Two Thousand Years Ago Actually studying and practicing a wide variety of memory techniques will get you insight far more interesting and impactful than any psychology textbook could hope to provide. In De Memoria et Reminiscentia, Aristotle describes recollection as movement through an ordered series. At one point in the book, he uses a sequence like the letters of the alphabet and gives strikingly practical advice that deeply inspired what I call Recall Rehearsal. This is a form of spaced repetition applied specifically to the Memory Palace technique. As Aristotle puts it, if you forget something, don’t start over from the beginning. Start from the middle of the series and move outward from there. Richard Sorabji, in his landmark study Aristotle on Memory, admits that he doesn’t understand what Aristotle is talking about in this passage. That’s a courageous confession, as many scholars would just make something up or speculate. As a practitioner of memory techniques with decades of experience, I can tell you what I believe Aristotle is describing. It’s either: An alphabetically labeled Memory Palace An early description of serial positioning and spaced repetition Or a description that provided the inspiration for creating this kind of Memory Palace practice. It’s genuinely difficult to say which. But either way, the principle and how it reduces unwanted forgetting is unmistakable to anyone who has actually run the technique. In case you have never used a Memory Palace, it involves ordered locations, deliberate starting points, and strategic entry into the middle of a sequence as part of several spaced repetition patterns that establish substantial retention. Modern Practitioners Who Know How to Beat the Forgetting Curve  You can trace this practitioner lineage forward through Peter of Ravenna, Jacobus Publicius, Robert Fludd, Giordano Bruno, and in our own time, mnemonists like myself and Lynne Kelly (especially in her book, Memory Craft). Our combination of fieldwork and daily personal practice in particular sets the standard for studying these techniques. Certainly Frances Yates deserves credit for reviving scholarly interest in mnemonics through her book, The Art of Memory, but she acknowledged never practicing the techniques herself. Frankly, it shows. Her treatment of memory wheels, for example, creates the impression they were used as Memory Palaces, which is possible but unlikely. Practice changes what you can see in the Memory Palace books you read. Why does the Aristotle passage matter for the forgetting curve? Because his advice that you should “start from the middle” of a sequence of information you keep forgetting is serial positioning in action. And serial positioning is the key to defeating the curve. My Own Forgetting Curve, Observed in the Wild The reason I’ve never tried to reproduce Ebbinghaus’s experiment formally by memorizing nonsense is precisely because you see advice on how to beat the forgetting curve thousands of years before he conducted his research. That said, I have watched my own forgetting curve operate over years, and the observations I’ve made are instructive. For example, I worked daily with one long-form mantra built from a few dozen Sanskrit phrases for many years: the Song Celestial. Then I deliberately let it lapse with no rehearsal at all for approximately two years. I was not as deliberate as I could have been in terms of tracking like Ebbinghaus would have. But since the research is so heavily reproducible and we know why Memory Palaces work, I was happy to be casual about it. When I finally came back to this mantra, I was shocked by how much I could still recall. The forgetting curve had certainly caused some “decay.” But it was nothing like what Ebbinghaus’s graph would predict for material of that length after that much neglect. In Ebbinghaus’s own terms, the “savings” were enormous. And the relearning cost me a fraction of the original effort, because the trace was never gone. It was waiting for me. The question is, why? After all, I can’t sing songs I used to know by heart when I was a kid? Part of the answer is that I never stopped reciting the other three Sanskrit mantras I have memorized. They have very similar meanings, and in many cases, some of the same words. The meaning element in particular suggests that I partly benefitted from stronger retention due to what scientists call context dependence. Because I never left the realm of reciting Sanskrit entirely, that must explain the higher rate of retention. Compare this to my previous career as a Film Studies professor. I hardly watch movies anymore, let alone read theoretical books about them or lecture for weeks on end during a traditional university semester. The lack of context has accelerated the force of the forgetting curve and deskilled my chops as a film scholar. Memory Palaces: Structured Spaced Retrieval Systems That Beat Forgetting Apart from context-dependent memory benefits, another reason I could recall so much of a mantra despite not reciting it for years has to do with how I memorized it: using the Memory Palace technique. Not as a party trick, but as a structured spaced retrieval system. To learn more about how it works, check out my Complete Guide to the Memory Palace technique. In brief, the key is to place information tethered to associations along the stations of a Memory Palace and then practice Recall Rehearsal following patterns no software like Anki can guide you through. Titus Andronicus and Recall Rehearsal in Action My favorite demonstration where I show you Recall Rehearsal in action involves Shakespeare, specifically a passage from Titus Andronicus I memorized for my case study of how Anthony Hopkins memorizes his scripts. https://www.youtube.com/watch?v=nhjIkGu32CA I’ve retained the passage ever since running it through Recall Rehearsal with minimal repetition. Or better said, I repeat these lines often, but now it’s performance, not just recitation. But the interesting thing isn’t really that I can recite this passage. Anyone can chain words together through brute force rote learning and recite lines like these forward. The proof of the power of Recall Rehearsal is that I can recite the lines out of order: Jumping between sections Running lines in reverse Reciting the odd-numbered lines and then the even numbered lines It’s now probably my favorite demonstration because it makes the power of serial positioning visible. Even better: I’m not alone in enjoying the benefits of improved retention. Magnetic Memory Method Students Who Have Bent the Curve I’ve watched this play out in my students for years, and two cases capture it especially well. Jeannie Koh spent years learning Koine Greek using rote learning during years of what she said were filled with tears and pain. But after learning to encode with Memory Palaces, she found memorizing “much less painful, and much more enduring over time,” now recalling whole passages in that ancient language with an ease she says feels almost suspicious. Same brain, same language, two encoding methods, two completely different forgetting curves. She’s a one-person controlled experiment. For more success stories, including physicians who used these methods to retrieve high-volume, complex information under exam pressure months after encoding it, check out my testimonials page. The pattern is always the same: the forgetting curve is not destiny. So long as you’re using memory techniques optimally, you can resist it, if not beat it. Should You Reproduce Ebbinghaus’s Experiment? One problem I see time and again is that many people want the exact steps needed to measure their progress. Especially when they hear me discuss how rigorously I use journaling as part of my memory activities. I’m sorry, but the demand for “exact steps” is mostly a desire installed by content marketing. The truth is that there isn’t one exact path. There are several and the real lesson in Ebbinghaus’ story is that you need to get involved in creating your own. You can journal manually by simply memorizing real words or nonsense words. Note the dates, and test yourself over time. What matters is that you work inside projects that matter to you. Whether that’s language learning, poetry, mantras, scripture, use a memory journal to help you test what holds and what fades as you use memory techniques. If you’re competitive, you can study how memory athletes use journaling to sharpen their game. My podcast conversation with Johannes Mallow, in which he explains how journaling improved his competitive standing, will be useful in that regard. Often Forgetting Is Actually a Crisis of Commitment If there’s one thing I’ve noticed over the years, it’s that people often take on learning projects connected to lives they do not actually want. They study for a qualification because they believe they should, or to please a family member. As a result, they struggle to memorize information for a job they already suspect will make them miserable. Then they interpret their resistance as a defective memory, when the deeper problem is in fact a conflict of purpose. I’ve had to face this in my own law-school experiment. I could not know in advance exactly what studying law would involve or how well the field would suit me. The saving grace is that trying it has given me greater insight into what’s involved. But now that I’ve seen some of the field from within, I have to ask a different question: Just because I am a mnemonist who can memorize legal Latin quickly and an upcoming presentation I have to give does not mean I must continue pursuing every possible outcome associated with the degree. The ability to remember something does not prove that it deserves years of my life. As I know from my studies in polymathy, memory mastery must include the development of careful selection parameters. In other words, one of the best “meta level” ways to beat the forgetting curve is to decide whether the material deserves a place in your memory at all. If you’d like help picking what to memorize on top of using the Memory Palace technique and Recall Rehearsal, my new training “The System” can help you pick a first project you actually care about. Once you have a learning goal you love, keep a journal as you memorize. Not to reproduce a nineteenth-century experiment, but to watch yourself break the forgetting curve, one piece of info at a time.

This week on the Queer News podcast, our top story covers Sam Nordquist's accused torturer pleads guilty to all charges. In politics, the supreme court votes 6-3 in west virginia vs b. p. j a case that determines the future of trans athletes ability to participate in sports. In sports, the women's pro baseball league reveals the first four teams and we provide a guide to WNBA's All Star Weekend. In culture and entertainment, GLAAD releases their where we are in film study. Let's get into it! Want to support this podcast?

Colorado Buffaloes' quarterback Julian Lewis sparks controversy, admitting last season's “high school free-balling” approach meant neglecting film study and defensive prep. Can Colorado rebound from this unorthodox strategy, or are deeper coaching issues at play? Brian Smith spotlights Julian Lewis's blunt admission, questioning the program's culture under Deion Sanders and whether this approach doomed Colorado's chances in the Big 12. Recruiting buzz intensifies as recent commitments see BYU, LSU, Oklahoma, and others secure top prospects. Key discussion points include the Buffaloes' renewed focus on high school recruiting versus the transfer portal, the impact of Big Ten quarterback situations, and whether bluebloods like Ohio State, Michigan, and USC are primed for title runs, and which Big 10 teams are headed for spoiler roles. Brian Smith also fields rapid-fire questions on offensive line talent, defensive strategies, and the nation's most intriguing recruiting hotbeds—making this a must-listen for college football fans. Support us by supporting our sponsors! Odoo Great organizations win because operations matter. And that's why you should get Odoo. Try for free today at https://Odoo.com/lockedon. Indeed Listeners of this show get a $75 Sponsored Job Credit to help give your job the premium placement it deserves at http://Indeed.com/podcast FanDuel Today's episode is brought to you by FanDuel. Right now new customers can bet just five dollars and get one-hundred and fifty dollars in bonus bets if your first bet wins. Visit https://FANDUEL.COM to get started — Play Your Game. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expire in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Anna and Derek chat about how everything is Binx's fault, the unexpectedly poignant socioeconomic issues presented, and much more during their discussion of the "fair is fair" manifesto The Legend of Billie Jean (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Farewell to freedom in the Adriatic and days of wild abandon! We're soaring back over the sea this week to hang out with our close personal friend, Porco Rosso! This is… the best movie ever made, right? Topics discussed this week: whether or not Han Solo is just Porco in space, Italian antifascism, French antifascism, fascism in general, Looney Tunes, and of course, cool planes. Next week it's all about raccoons as we go long on Isao Takahata's POM POKO (1994)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Interview with Toshio Suzuki Behind the Microphone The Art of Porco Rosso Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Minions & Monsters is the movie we Mikes NEED right now, and therefore, we are proud to do a film study, especially because of how fun this movie was and what a terrific homage it was to film history. NON-SPOILER REVIEW: Reception & Box Office Discussions - 3:11 WHY WE NEED THIS MOVIE SO DESPERATELY - 8:38 A Pierre Coffin & Co-Filmmakers Profile - 10:22 General Thoughts & Rave Reviews - 13:21 Performance Notes & More General Thoughts - 17:50 A Review of the Production Values - 22:17 An Oscar Lens & Overview of the Animated Feature Race - 24:23 SPOILER WARNING - 26:30 SPOILER FILLED REVIEW: A Tribute To Hollywood History ONLY the Minions could pull off - 27:15 The only legitimate complaint Mike1 has - 30:19 The Framing Device & Why these A & B Storylines work so well together - 32:17 Mike1's Screenwriting Lesson - 39:25 That Ending & Stinger Scenes - 41:14 What's Next for the Minions & Despicable Me Franchises? - 47:13 Disney vs Illumination Round 2 - 48:53 Box Office Over/Unders for Moana + Minions & Monsters - 50:24 OUTRO: Stay tuned for more 2026 Film Study Episodes on The Invite, The Odyssey, Spider-Man: Brand New Day, etc. We're also going to enjoy more episodes of Oscar Race Checkpoint including our Top 10 Films of the Year Thus Far + Fall Festival Lineup Announcements. Plus, we'll soon be diving into to our Summer Series including our Alejandro Gonzalez Inarritu Rewatch Series and Mid-Year Oscars Report. Aaaand we discuss Obsession and oh by the way our final grades. https://linktr.ee/mikemikeandoscar

Host Dr Pasquale Iannone is joined by author Caroline Young to discuss her new book Fashioning Hitchcock (Bloomsbury, 2026).Caroline is a prolific author and critic based in Edinburgh. Specialising in fashion, pop culture and classic cinema, her previous books include The It Girls: Glamor, Celebrity and Scandal (2025), Single & Psycho: How Pop Culture Shaped the Unhinged Woman (2025), Crazy Old Ladies: The Story of Hag Horror (2022) and Hitchcock's Heroines (2018).Spanning more than fifty years of film history, Caroline's new book provides fascinating insight into the use of costume in films by the legendary Master of Suspense. Caroline tells Pasquale about the beginnings of the book and the reasoning behind its structure. They discuss the way Alfred Hitchcock used costume in his silent and early sound films before turning to his years in Hollywood with classics such as Rebecca (1940), Notorious (1946), Rear Window (1954), Vertigo (1958), Psycho (1960) and many more. Caroline tells Pasquale about the crucial role of acclaimed costume designer Edith Head in crafting unforgettable pieces for actors such as Ingrid Bergman, Grace Kelly, Cary Grant, Kim Novak and Tippi Hedren.Edinburgh Film Podcast was nominated and Highly Commended in the Arts and Culture category at the inaugural Scottish Podcast Awards, which took place in Glasgow in June 2026. EFP was presented with a certificate 'in formal recognition of exceptional merit and distinction, placing this production among the highest tier of its category.'

This lecture will focus on independently produced Chinese documentary cinema as it has entered the Anglophone industry market. Using “Plastic China” by the award-winning director Wang Jiuliang as a case study, I will explore what the implications of cross-border collaborations are for documentary form and content, and how this may encourage a particular set of viewer responses. This will allow me to locate the documentary form in relation to broader liberal arguments over China's place in the world system and assess the limitations of this approach to “going global” for independent Chinese documentary.This lecture was recorded by Luke Robinson on the 27th of May 2026Luke Robinson is a Senior Lecturer/Associate Professor in Film Studies in the Faculty of Media, Arts, and Humanitiies, University of Sussex.He is the author of Independent Chinese Documentary: From the Studio to the Street, and the co-editor of two further collections on Chinese film culture: (with Chris Berry) Chinese Film Festivals: Sites of Translation and (with Chris Berry, Lydia Wu and Sabrina Yu) Chinese Independent Cinema: Past, Present, and a Questionable Future.His writing has appeared in books and journals including DV-made China, The New Chinese Documentary Movement, Vocal Projections, Screening China's Soft Power, positions: Asia cultures critique, Film Studies, Screen, and Journal of Chinese Cinemas.Between 2019 and 2025 he was co-investigator on the AHRC-funded project, “Independent Cinema in China: State, Market, and Film Culture”. One of the outcomes of this grant was the establishment of the Chinese Independent Film Archive, located at Newcastle University.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/chinese-documentaryGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Get ready to reconnect with your 10-year-old self. Because we're about to face some of the most embarrassing (and transcendent) childhood memories in movie history! Topics discussed this week: dividing fractions, the questionable taste of unripe pineapples, Takahata and Miyakazi's legendary beef, uncanny animated facial muscles, the weather, and whether or not ALADDIN still holds up. Next week we take to the skies with PORCO ROSSO (1992). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Making of Only Yesterday Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Starting Point by Hayao Miyazaki Sharing a House with the Never-Ending Man by Steve Alpert Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Anna and Derek debate the believability of Superman giving up his superpowers for Lois, why Christopher Reeve is the definitive Man of Steel, and much more as they tackle both the Richard Lester AND Richard Donner cuts of Superman II (1980)... And 2006 if you're being nitpicky!Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Finally, an animated film about how the gig economy is BAD but dirigibles are COOL! This week we hang out with the snarkiest cat around, Jiji, and his very cool familiar, a little witch who dreams of something better than eating pancakes for every meal. Even if you're not a freelancer, this film speaks volumes, because work/life balance is impossible and Kiki's about to find out why! Next week, it's another Takahata gem, ONLY YESTERDAY (1991). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Creating Kiki's Delivery Service Scoring Miyazaki Kiki & Jiji Art of Kiki's Delivery Service Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For this second archive episode, Chris and Alex revisit Episode 138 of the podcast that gave listeners their first taste of Pixar's Toy Story (1995-) franchise thanks to this look at the 1995 original. The discussion of Pixar's debut feature featured as its special guest Lucy Fife Donaldson, who is now Professor of Film Studies at the University of St Andrews and whose work focuses on film and television style, audiovisual design and 'below-the-line' labour, performance and the body. Topics in this episode included a closer look at the textures, surfaces, and scuff marks of Toy Story and its peripheral detail rendered in pristine computer graphics; worldhood and the toys' own journey through digital space; play and plasticity; and the stylistic potential of registers of miniaturisation and magnification. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

The catbus is here and we're off to explore the (friendly) haunted forest! This week we're worshipping the ancient woodland spirit and face of Studio Ghibli — our good, personal friend, Totoro! But heads up, Adam and Dom have completely different takes on this one, so if you're looking for a real Siskel & Ebert type disagreement, this is the episode for you. Next week, we take to the skies with KIKI'S DELIVERY SERVICE (1989). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Behind the Microphone Creating My Neighbor Totoro Creating the Characters The “Totoro” Experience Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit The Art of My Neighbor Totoro: A Film by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Totoro's Limited Animation Team Guillermo Del Toro - 2013 Studio Ghibli Masterclass - TIFF Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome back to the Alt Goes Mainstream podcast.We went to a mecca of football to film the latest episode. This conversation takes us to Turin, Italy, where we were in the Juventus Creator Lab with Italian football (I mean soccer for the Americans) legend and one of the best defenders of all time Giorgio Chiellini.Giorgio's career and playing style were defined by Juventus' very motto, fino alla fine (“until the end”). It's also a mentality that he brings to every aspect of life on and off the pitch. After an illustrious playing career at one of the world's biggest clubs, Juventus, and a career that also included two World Cup appearances for Italy and winning the Euro 2020 as the Captain of Italy, Giorgio came back home to Turin rejoin the club where he starred for 17 years: Juventus. Giorgio has gone from the pitch to the boardroom, helping to lead Juventus as the Director of Football Strategy. He has brought the player's perspective to the business side of football, balancing the nuances of sports and business.Despite the demands that Giorgio faced on the field as a player to maintain a standard of play at the highest levels of the game, he found time during his career to pursue his passion for business. He received his MBA while playing for Juventus and also was involved in the player development side in his final years as a player at LAFC. More recently, he became an investor in LAFC and in Mercury13, a multi-club investor in women's football teams, including FC Como. He's also an active investor in the European startup community.Giorgio and I had a wide-ranging and fascinating conversation that covered several dimensions of the business of sport. We discussed:How teams, owners, and investors can balance both the sport and business aspects of the game.What it means for sports now that players can have bigger social followings than their clubs or leagues.How Juventus has built and amplified its brand through initiatives like the Creator Lab.How clubs like Juventus can help players build their off-field brand while maintaining a high-quality on-field product.How Giorgio's work off the field while playing informed how he wanted to spend his time post-career in business.What Giorgio's day-to-day is like as Director of Football Strategy for Juventus.Why Giorgio invested in LAFC and what he thinks about the future of the MLS.What American owners and investors can learn from European soccer clubs and owners, and what European clubs and owners can learn from American owners and investors.Thanks, Giorgio, for sharing your wisdom, expertise, and enthusiasm at the intersection of sports and business.Note: this episode was filmed in October 2025 with a plan to publish the conversation around the World Cup.Show Notes00:00 Split Second Decision01:06 A Message from Our Sponsor, Ultimus02:10 Meet Giorgio Chiellini04:17 What Is the Juventus Creator Lab04:36 Building Fans Through Content05:27 Football Brand Goes Global06:15 Revenue From Winning06:43 Two Hearts One Club07:52 Winning Versus Storytelling08:40 Fans Everywhere Now09:27 Too Many Games Problem09:51 Stakeholders and Calendar11:00 Owner Advice Communication11:28 From Kid to Club 14:12 Film Study for Matches15:02 The Saka Tactical Foul17:26 Social Media and Mental Health29:32 US World Cup Reality29:45 Grassroots Long Game30:09 MLS and USL Momentum30:14 Stadiums and Growth30:20 MLS Season vs Playoffs30:46 Supporters Shield Incentives31:11 Travel and Rest Mentality31:33 Europe Stakes Comparison31:54 Highlights Era Question32:24 Bite-Sized Sports Culture33:40 Choosing What to Watch33:55 Sports Must Adapt34:33 Owners Business View35:15 TV Rights and Strategy36:05 Institutional Money Trend36:42 Why Funds Love Sports37:04 Balancing Profit and Emotion38:12 Fiduciary Duty vs Winning39:15 Permanent Capital Advantage40:42 Mission Values Legacy41:54 Juventus DNA and Family44:31 Leadership Lessons Learned45:38 From Captain to Executive47:05 Humanity and Energy48:21 Player to Business Challenges50:00 Investing in Italian Startups51:47 How He Picks Investments52:43 Innovation and AI in Sport53:16 Favorite Alternative Investment54:34 Profitability and Winning55:21 ClosingA Word from Our Sponsor, UltimusThis episode of Alt Goes Mainstream is brought to you by Ultimus, the full-service fund administrator and transfer agent powering asset managers in private and public markets. As alts go mainstream, you need real expertise to handle complex fund structures, connect with key distribution partners, and handle sophisticated compliance, reporting, and transparency demands.That's Ultimus: high-tech, high-touch solutions for over 450 clients and 2,500 funds with $775B in assets under administration. Backed by an expert team of over 1,200 employees, they place client service at the core of their business, helping you navigate complexity during your fund structuring or launch and then supporting you through every stage of growth. Whether you're already in the market or thinking about entering private wealth, you can trust their team's deep expertise in retail alternatives to help you reach your goals.Learn more at ultimusfundsolutions.com or email info@ultimusfundsolutions.com.We thank Ultimus for their support of alts going mainstream.Editing and post-production work for this episode was provided by The Podcast Consultant.

In the episode, Anna and Derek chat about Wayne being the weak link of the Szalinski family, Quark as the flick's furry hero, and much more during their discussion of the family film hit Honey, I Shrunk the Kids (1989).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

This week, we pay tribute to one of the most devastating (and life-affirming) movies ever made. It's our very first Takahata film, and… it's a doozy. We simply couldn't do a Studio Ghibli series without honoring this masterpiece. **Please be aware that this episode includes some distressing themes around children and violence. We tried our best to celebrate the brilliance of the film but inevitably the conversation turned dark at times. Next week, we get a (much-needed) big, fuzzy hug from MY NEIGHBOR TOTORO (1988). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit Studio Ghibli: An Industrial History by Reyna Denison Animerica Isao Takahata & Akiyuki Nosaka Interview Studio Ghibli Movies Isao Takahata Interview Anime New Network Hirokatsu Kihara Interview Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Watch the full episode here: https://renderingunconscious.substack.com/p/ru402-mani-king-sharpe-on-psychoanalytic RU402: DR. MANI KING SHARPE ON PSYCHOANALYTIC FILM THEORY Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Rendering Unconscious welcomes Dr. Mani King Sharpe to the podcast! Rendering Unconscious episode 402. On this episode, Mani discusses his research in film studies, highlighting the importance of psychoanalytic concepts like castration anxiety and the mirror stage in understanding cinema. He reviews his work on psychological trauma as portrayed in films, such as Alain Resnais' Muriel, or The Time of Return (1963) and Ingmar Bergman's Hour of the Wolf (1968). He also looks at the work of Laura Mulvey and her concept of the male gaze, and explores the use of psychoanalysis in non-Western cinema, including Algerian national cinema. Mani emphasizes the relevance of psychoanalytic theories in film studies despite criticisms, and the potential of psychoanalysis to engage students and promote public understanding. Mani King Sharpe, PhD is Lecturer in Film Studies / Director of Film Studies at the University of Leeds. https://ahc.leeds.ac.uk/languages/staff/2142/dr-mani-sharpe Facing the Mind: https://facingthemind.leeds.ac.uk New edited collection: War Faces on Screen: https://www.bloomsburycollections.com/monograph?docid=b-9798765129227 RU News & Events: Sunday, June 7th, Emmalea Russo will continue her wildly popular series on poetry and psychoanalysis with REPETITION, RETURN, REBIRTH: On the psychoanalytic poetry of Cynthia Cruz and the Summer Solstice. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2152623 Saturday, June 13th, my Introduction to Psychoanalysis course continues! n the previous class, we reviewed Freud's later works, including Group Psychology and Civilization and its Discontents. In this next class, we'll be looking at Anna Freud, Melanie Klein, and the Controversial Discussions, as well as revolutionary psychoanalysts Wilhelm Reich and Otto Fenichel. On Wednesday, June 24th, join Freudian cinephile Mary Wild for The Man Who Fell Into Himself: David Bowie's 1970s Transformations. https://www.eventbrite.co.uk/e/the-man-who-fell-into-himself-david-bowies-1970s-transformations-tickets-1986912621136 All paid subscribers to RU Center for Psychoanalysis will receive the zoom links to attend these events live and the recordings will be archived at Substack. https://rucenterforpsychoanalysis.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

It's time for your favorite Zombie Movie Podcast brought to you by Jay of the Dead's New Horror Movies, which is here to present another fascinating edition of Dead Man Still Walking with Dr. Walking Dead Kyle Bishop! This time, Dr. Bishop journeys back to 1974 for a double-feature exploration of two very different zombie films: Dead of Night (also known as "Deathdream") and Sugar Hill. One is a somber, politically charged meditation on the lingering trauma of the Vietnam War, while the other is a colorful blend of Blaxploitation cinema, voodoo lore, revenge storytelling, and classic raised-dead zombies. In this episode, Kyle examines how Dead of Night uses zombiism as a powerful metaphor for veterans struggling to return home after war, creating one of the most emotionally devastating zombie narratives of the 1970s. He also discusses Sugar Hill as a noteworthy revival of the voodoo zombie tradition, connecting it to earlier zombie cinema while highlighting its campy entertainment value, memorable Baron Samedi character, and undead revenge squad. Along the way, Dr. Walking Dead reflects on the evolution of zombie films during the years between Night of the Living Dead and Dawn of the Dead, offering historical context for this episode's two overlooked entries in zombie movie history. Note: This episode contains spoilers for both Dead of Night (1974) and Sugar Hill (1974). Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Get in, losers, we're going to Laputa! This week we take flight with Pazu, Sheeta, and a gang of pirates with some seriously questionable motives to find the mythical land in the clouds where cool robots take care of birds (and shoot lasers). It's the first true Ghibli film, and, man, does it set the bar pretty high. Also... what the hell is going on with the English dub of this film? Next week, it's our very first Takahata film, GRAVE OF THE FIREFLIES. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Creating Castle in the Sky Scoring Miyazaki Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How is preparing for a game show like playing in the NFL? What's the first rule of "Jeopardy!" Fight Club? And why would you bet zero dollars with a million on the line? Plus: Katie Nolan's secret pep talk, Daily Double brain glitch, Spygate... and a buzzer bibliography.Previously on PTFO:• "Celebrity Jeopardy!" Film Study with Mina Kimes and Timothy Simons• Behind the Scenes of Pablo's History-Making "Family Feud" AdventurePlus:• Subscribe to "The Mina Kimes Show featuring Lenny"• Subscribe to "The Domonique Foxworth Show"• Support SELAH Neighborhood Homeless Coalition Hosted on Acast. See acast.com/privacy for more information.

In this episode, Anna and Derek chat about the underrated talent of Tatum O'Neal and Kristy McNichol, why Gary did literally everything wrong, and much more during their discussion of the summer camp romp Little Darlings (1980).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Calling all Tolmekians: it's a series premiere!!!! Today we take flight with the Princess of the Valley of the Wind for our new Studio Ghibli series. What a dream (of madness)! For the next few months we'll be fully devoted to the works of Miyazaki, Takahata, and the entire Ghibli collective. We hope you'll join us in the Sea of Decay! The water is fine (it's only mildly acidic and poisonous). Next week, it's the first true Studio Ghibli film, CASTLE IN THE SKY (1986). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Nausicaä Continues On Behind the Microphone The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Starting Point by Hayao Miyazaki Sharing a House with the Never-Ending Man by Steve Alpert Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Hideaki Anno Wants to Remake Nausicaä of the Valley of the Wind The Sydney Morning Herald Mai Fujisawa Interview A Real Glider A Real Glider Part 2 Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

AUDIO NOTE: We apologize for technical difficulties with Braden's mic, James was fine, though! We take a deep film dive into the four big Titans free agents. Can Wandale Robinson change the offense? Can John Franklin-Myers dominate next to Big Jeff? Can Alontae Taylor and Cordale Flott fix the cornerback room? James Foster and Braden Gall talk Tennessee Titans. Be sure to watch the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠440 Sports YouTube channel.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Please take ⁠⁠this five minute survey⁠⁠ to help Middle Tennessee provide the best possible local coverage and journalism. It's anonymous. In Nashville? Support great local taprooms and breweries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Yazoo Brewing Company⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on the river in Madison Elite food and beer from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tennessee Brew Works⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ downtown ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠East Nashville Brew Works⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in Wilson County and the Eastside

It's our film study of Curry Barker's film - Obsession, and yes, we debate some Oscar / other Awards chances here for this new horror smash hit. NON-SPOILER REVIEW OF OBSESSION: Production Profile + Reception & Scores - 2:22 Theater Going Stories + Composition Thoughts - 8:46 Performance Reviews - 17:15 More Writing Thoughts + Original Screenplay Oscar Category Forecast - 21:48 Production Value Reviews & Why Comedians Make Good Horror - 27:51 Final Oscar Lens Debate - 32:52 Spoiler Warning - 38:16 SPOILER REVIEW OF OBSESSION: A Fun Love Square - 38:28 MMO Love Advice for all Humanity - 46:45 Who is Wish Nikki? Real Nikki?? - 49:41 Escalations & Curiosities & Objections - 53:39 That Ending, Elevated Horror? & Drawing From The Classic Romances - 59:33 What's next for Barker, this “franchise?” - 1:05:10 Final Grades - 1:06:19 OUTRO: This may indeed be an Oscars contender. Irregardless, we love covering the best in horror year round, building to our Scaries: Horror Movie Awards Show on Halloween. So stay tuned to our feed for more horror movie reviews incoming. Otherwise, we'll be covering the Cannes Film Festival from our perch here in Hollywood East. So you should also stay tuned for all of the Reviewing the Reviewers and Timing the Ovations that we love to hate to love every spring in upcoming Cannes episodes of Oscar Race Checkpoint! https://linktr.ee/mikemikeandoscar

How does the game-show game clock move so fast? Why do you become 30% dumber when the cameras roll? And is Mina part of a sociopathic conspiracy with Ken Jennings? Plus: Andy Richter, button analytics, the dais height advantage, Daily Double anxiety, tanking board games for your kids... and a Stat Boy cameo.• Subscribe to "The Mina Kimes Show featuring Lenny"• Watch "Nobody Wants This" with Timothy Simons on NetflixPreviously on PTFO: • Share & Jeopardy! & Tell with Mina Kimes and Dan Le Batard• Behind the Scenes of Pablo's History-Making "Family Feud" Adventure• How "Veep" Predicted Trump, with the Real-Life Jonah Ryan Hosted on Acast. See acast.com/privacy for more information.