Podcasts about Film studies

Plus: Family Sacrifice, and Bill Belichick's Early Faith in the Young Quarterback. *** Most outlets tell you what to feel. UNRELENTING – The O'Leary Review tells you what's REALLY happening. Subscribe today and join readers who prefer facts over vibes. Subscribe now **** On Tuesday morning, I interviewed New York Times bestselling author Lars Anderson about his new book, “BRADY: An American Story and the Price of Greatness” (Celadon Books, September 29, 2026), focusing on the central question of what Tom Brady was willing to sacrifice to be the best. Anderson discusses the book's chronological approach, the unexpected global fixation on a Daily Mail excerpt about the Brady–Gisele divorce (which he says wasn't his intent), and his effort to avoid harming the children. He traces Brady's childhood insecurities in San Mateo, California, a late start in football at Serra High, his early obsession with film study, and the influence of his father and sisters. We also cover Brady's Michigan choice, toughness, limited access to Brady for reporting, and Brady's relationship with Bill Belichick, including Belichick's early belief in him and key moments around Brady leaving New England. Key Moments Meet Lars Anderson Price of Greatness Theme Brady and Gisele Tradeoffs Divorce Excerpt Media Frenzy Author Perspective on Kids Why Brady Ticks Childhood Scars and Drive Serra High Rough Start Tom, Sr. Influence and Film Study Family Sacrifice and Guilt Same Era Sports Culture Michigan Origins and Pick Six Why Choose Michigan Choosing Michigan Big House Awe Brady Toughness Mindset Underdog Athleticism No Brady Access Birthday Call Story Control And Privacy Tom Versus Time Retirement Pull Could He Return? Good Family Themes Belichick Relationship Belichick Backed Brady Wrap Up And Book Plug **** Sports. Culture. Politics. History. One writer. One voice. No corporate filter. Subscribe to UNRELENTING – The O'Leary Review and see why readers keep coming back. Subscribe now **** “As an Amazon Associate I earn from qualifying purchases.”

We'll be honest; we both spent a good chunk of the 2000s watching grown men sit down at a kitchen table they'd regret, and neither of us thought much about the man holding the clipboard. Primetime, the narrative debut from Ren Faire documentarian Lance Oppenheim, does — casting Robert Pattinson as Chris Hansen, the Dateline correspondent who turned sting operations into appointment television. Bryan found it a mess; Chris found it a compelling one. However, we both left asking the same question: what does it tell us about predators, or the man with the clipboard, that the show didn't tell us first?The Kulturecast's Chris Stachiw and Movie Meltdown's Bryan Renfro meet in the middle for Kulture Meltdown to talk Oppenheim, Pattinson, To Catch a Predator, and so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

Host Dr Pasquale Iannone marks 45 years since the release of Excalibur, John Boorman's epic re-telling of the legend of King Arthur and the Knights of the Round Table. Released in 1981, the film was shot in Ireland and features Nigel Terry as King Arthur, Nicol Williamson as Merlin as well as several future Hollywood stars such as Helen Mirren, Gabriel Byrne, Patrick Stewart and Liam Neeson. Joining Pasquale to discuss Excalibur and its approach to Arthurian lore are two specialists in both history and film. Dr Ralph Moffat is Curator of European Arms and Armour at Glasgow Museums. He is responsible for the care, research and dissemination of information about the collection. He is the author of a three-volume sourcebook for the study of medieval arms and armour and recently curated the redisplay of arms and armour at Glasgow's Burrell Collection. Douglas Wilson Garry recently completed his MSc in Film Studies at the University of Edinburgh. He is also a poet and performer. Throughout his work, both academic and creative, he explores folklore, representations of nature and history.In the discussion, Ralph, Douglas and Pasquale discuss the background to the film and its approach to the legend of King Arthur. They place the film in the context of director Boorman's career, explore its starry cast, its cinematography, use of locations and its distinctive use of music.

During their 175th episode, Anna and Derek debate if Herbert killed Dan's cat (absolutely he did), why Megan didn't bolt from that gurney (you had a free hand, Meg), and much more during their discussion of the fever dream horror classic Re-Animator (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Send us Fan MailGeorge spent Saturday at Baylor-Colorado instead of Bryant-Denny, on tickets that fell in his lap from a friend on the John Paul II board. He called the game boring. Then he watched the South Carolina tape and found plenty worth talking about. Alabama won 49-18, and the number that explains it is time. Keelon Russell went 21-of-27 for 365 yards and four touchdowns at 13.5 yards an attempt, and on play after play he stood in a pocket nobody touched — two sacks and three hurries across 27 dropbacks. Alabama's passing PPA was 0.920 against a rushing PPA of 0.090. This was not a balanced win. It was a protected quarterback throwing at will. Eight plays, five on offense and three on defense. The offensive tape keeps arriving at the same place: protection bought time, and time let Alabama call things that simply do not work when the quarterback has to hurry. A long-developing concept out of a dirty bunch that JT calls fancy smash — smash with extra steps, coming from a long way away. A big-boy throw from the left hash to the far numbers, an NFL throw from a college alignment. A four-second pocket where the line passes off a twist clean. A pulled center that moves both inside linebackers the wrong way before the ball goes back the other direction. And a designed quarterback run where one motion erases a defender from the box entirely. Also on offense: why you throw to the grass and not to the receiver, how the players had to be watching film too in order to rip it that fast, and motion as a coverage tell rather than decoration. On defense: the first play of the game goes for a long run, and they spend real time working out who was actually wrong — a defensive end running at the quarterback, a three technique swimming the wrong way, two gaps left open, and whether Metz needed to loop. A disguised coverage that ends with a corner in the deep half. And the pick six, where Lanorris Sellers was throwing to Nyck Harbor and Red Morgan took it instead. Plus: why Alabama finally started fast, linebacker play that looks nothing like the last two years, coaching up Dijon Lee's press technique and why you open before you jam, teaching tackling without the hip drop, and the South Carolina ranking paradox — either Mississippi State is not as good as everybody says, or South Carolina is not as bad as everybody says. George opens the show with a message about ridiculing coaches, and it is worth the six minutes. The film clips and drawings are in the video version: https://youtu.be/qR3GaZI2w7s Just want the film? The 33-minute film-only cut is here: https://youtu.be/poNy4SMgu20 Subscribe in your podcast app for weekly film study all season.Thanks for listening! Watch the Live Show Mondays at 8:15pm CT on YouTube.MERCHANDISE: https://millions.co/products?athleteIds=0165e442-822c-4217-ab47-f63bc3aa37eaShow Website:  https://teaguestake.comLatest VOD: https://live.teaguestake.comGeorge Teague Twitter: https://x.com/Teaguefootball

Birds, bugs, beasts, grass, trees, AND flowers? All in a single film??!This week we take the leap of life with Isao Takahata and his final masterpiece. It's an extraordinary work that epitomizes the Studio Ghibli philosophy… and completely shatters all expectations with its singular visual style. So yes, I guess you can say we liked it!Next week we explore the 2016 Ghibli co-production, THE RED TURTLE. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:Special FeaturesIsao Takahata and his Princess KaguyaAnnouncement of the Completion of the FilmKingdom of Dreams and MadnessJapanese Policy Forum Toshio Suzuki InterviewIndieWire Isao Takahata InterviewIsao Takahata Reveals His Next FilmCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

You're gonna need a bigger boat. This week on Required Viewing, we wade into Steven Spielberg's Jaws (1975) — the film that invented the summer blockbuster, emptied the beaches of an entire generation, and pulled it off precisely because the shark wouldn't work. We get into the happy accident at the center of it: a malfunctioning mechanical fish that forced a 27-year-old Spielberg to hide his monster, turning technical catastrophe into pure Hitchcockian dread — that, and two notes from John Williams.We dig into the real horror beneath the horror (a town that keeps the beaches open for the money), the perfect Brody–Quint–Hooper triangle, Robert Shaw's Indianapolis speech, and how one problem-plagued shoot rewired Hollywood's entire business model in a single summer. Man versus nature, man versus man, and the blockbuster's original sin — from every angle.Media scholar Dr. David D. Perlmutter and Chris Stachiw, the Doctor of Podcasting, go in the water. New episodes every Thursday.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

I'll be honest; I've never expected much from a video game movie, and the Resident Evil franchise alone has given me seven reasons not to. However, Zach Cregger, the director behind Barbarian and Weapons, has done the unthinkable — he's thrown out Leon, Claire and the games' plots entirely, and sent Austin Abrams' medical courier Bryan into Raccoon City for one very long night. The result is a lean, nasty, genuinely scary horror film, and for the first time in the franchise's history, the game isn't the better version.Bryan Renfro of Movie Meltdown (no relation to the courier) joins the show to talk Cregger, Capcom, and so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

Send us Fan MailJT goes solo again. The Monday show got bumped by a softball game, and by the time Tuesday came around his dad wasn't available — so it's one host and the film. Alabama beat Florida State 50-36. JT was in New York, checking the score at dinner, watching it sit at 21-6 and wondering whether this was Kentucky all over again or whether Florida State just had Kalen DeBoer's number. Then he watched the tape. Thirteen plays, and the argument is simple: Alabama has a run game. It doesn't look like it in the first half. It looks like it by the end of the second quarter, when the offensive line made Florida State quit. Most of this episode is about how small the difference is. A down block where the lineman gets a half-step too far in front. A center losing three feet of ground and muddying the running back's read. The same play that goes for negative one goes for twenty when the hand placement is right. Plus the best blocking tight end room in the country, single-double-triple O-line communication, outside zone convoys, pin and pull, and what it must feel like to escort a freshman running back untouched into the end zone. On defense: 36 points and too many big plays. A screen Alabama should have read and tackled better, a 56-yard cover two bust where the safety sits down instead of climbing the hash and picking up trash, a 40-yard gain that turns into a race to space because nobody got hands on at the line. Spill versus box, and why the sideline is the best tackler on any team. Then two interceptions — one serendipitous, one earned, because the ball finds effort. The film clips and drawings are in the video version: https://youtu.be/6VKfrU5PU-8 Subscribe in your podcast app for weekly film study all season.Thanks for listening! Watch the Live Show Mondays at 8:15pm CT on YouTube.MERCHANDISE: https://millions.co/products?athleteIds=0165e442-822c-4217-ab47-f63bc3aa37eaShow Website:  https://teaguestake.comLatest VOD: https://live.teaguestake.comGeorge Teague Twitter: https://x.com/Teaguefootball

The 94WIP Morning Show discuss concerns over the Eagles' mediocre offensive line and debate Jalen Hurts' place in franchise history. They later participate in a contest to crown the best television episode of all time, with "The Rains of Castamere" edging out classics from Seinfeld and The Sopranos.(00:01:10) Time's Yours Feedback(00:03:46) Film Study and Protection(00:05:44) Best TV Episode Contest

Is it even a movie? That's the question Barry Lyndon has provoked since 1975 — three hours of scenes so composed they look less like cinema than oil paintings that happen to breathe. This week on Required Viewing, Dr. David D. Perlmutter — "the Prof" — drags Stanley Kubrick's most beautiful, most divisive film to the table: the one even Kubrick devotees can't agree is a film at all.We get into the candlelight Kubrick captured with lenses built for NASA, a production that practically rebuilt a filmmaking industry to exist in 1975, and a static, painterly style that would ripple forward into The Favourite. We wrestle with Ryan O'Neal's passive, buffeted Barry, the narrator who condemns him before he can charm us, and a film so often called "beautiful but empty" — asking whether the emptiness is the whole point. Class as a cage, a scoundrel with no moral agency, and a technical achievement so singular it's a genre of one that simply couldn't be made today.Media scholar Dr. David D. Perlmutter and Chris Stachiw, the Doctor of Podcasting, take it apart from every angle. New episodes every Thursday.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

We dive into the Week 1 Tennessee Titans tape against the Jets: Cam Ward's pocket presence and footwork. Why is he missing open receivers? The offensive line gave up pressure but was it as bad as we all thought? The Titans defense couldn't stop the run: Why? Anthony Hill, JC Latham, Kevin Winston and more on our Week 1 Film Study class. Then we dive into Faizon Brandon comparisons: Andrew Luck, Jordan Love, Drake Maye. NFL Draft 2027 Week 2 Stock Report: Bama's defense, depth in the QB class, Charlie Becker and Reed Harris and more. James Foster and Braden Gall talk Tennessee Titans and NFL Draft football. Support Nashville's great local taprooms:

If you missed last week's Rob Zombie goes Haddonfield edition of the show, this week should make as little sense to you as someone watching this movie without having seent the first one. On this episode of the Kulturecast, Movie Meltdown's Bryan Renfro joins the show to continue talking about Rob Zombie's foray into mainstream horror along with discussions about so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

Host Dr Pasquale Iannone discusses the upcoming Iberodocs Film Festival which opens this week across various venues in Scotland.IberoDocs is an annual showcase of the most exciting and innovative documentaries from Spain, Portugal and Latin America. This year, the festival runs between 16th and 26th September and it will open with the Scottish premiere of Argentinian filmmaker Lucrecia Martel's Nuestra Tierra (Landmarks)(2025).Joining Pasquale to explore some highlights from IberoDocs 2026 is Marketing Manager Luna Carmona. Films discussed include feature documentaries Flamingos: Life After the Meteorite (Lorenzo Hagerman, 2025), Flowers for Antonio (Elena Molina and Isaki Lacuesta, 2025), Ritas (Oswaldo Santana, 2025), Remember My Name (Elena Molina, 2023) as well as shorts Aqueronte (Manuel Muñoz Rivas, 2023) and Waiting to Sea (Jorge Peña Martín, 2026).IberoDocs 2026 runs between 16th and 26th September at various venues around Scotland. For more information, go to iberodocs.org.

In this episode, Anna and Derek debate the geographic logistics of the Colony, using a romance score during a werewolf hookup scene, and much more during their discussion of the Joe Dante lycanthrope horror classic The Howling (1981). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Send us Fan MailGeorge's internet got cut by a crew digging at his neighbor's house, so JT goes solo. The show goes on. Alabama beat Kentucky 45-17, but the first half was an abject disaster: pick six, fumble, field goal, field goal, interception. Then the second half was 32-0. Four sacks allowed before halftime, zero after, and Kentucky finished 1-for-14 on third down. Thirteen plays — ten on offense, three on defense — aimed at the question everybody is asking: is it Keelon Russell, is it the play calling, or is it the offensive line? The answer keeps showing up the same way, on run plays and pass plays alike: linemen running past the man they are supposed to block. Plus the flood concept and why you don't eat the green bean, fourth-and-one big boy football, and what good pass protection actually looks like when the quarterback finally gets time. On defense: the pick six, a simulated pressure with a hug rush, and a fourth down stop. The film clips and drawings are in the video version: https://youtu.be/BBBljQ2FKcs Subscribe in your podcast app for weekly film study all season.Thanks for listening! Watch the Live Show Mondays at 8:15pm CT on YouTube.MERCHANDISE: https://millions.co/products?athleteIds=0165e442-822c-4217-ab47-f63bc3aa37eaShow Website:  https://teaguestake.comLatest VOD: https://live.teaguestake.comGeorge Teague Twitter: https://x.com/Teaguefootball

Inside this Episode with your host, Mitch HamptonWith this exciting new publication of a book, Hollywood Renegade, Todd Berliner has for the first time in his career put the focus on one particular artist and one of her movies - Elaine May and Mikey And Nicky. I have been a fan of the film for as long as I have known it; while not as fortunate to have seen the initial debut in 1975 I saw the more famous rerelease in the mid 1980s. Berliner has been one of our leading scholars of film and I can't think of anybody better to write on this particular subject. Like the spirit of our podcast overall he sees movies as an art form more than anything else and accordingly gives that kind of care and attention to May's unique film, unique even for a decade that was and is defined for uniqueness. I've seen thousands of movies, possibly hundreds of 70s movies and I have never seen a film like Mikey And Nicky and there are few movies in fact from any era as good as it is. It was a joy to discuss this with Berliner and his book and upcoming in person introductions for screenings in New York, North Carolina and elsewhere gives me hope for the future of film and art in general.About his new, wonderful book :  Hollywood Renegade Elaine May, Mikey and Nicky, and the Making of a MasterpieceExamines the career and unorthodox filmmaking practices of director Elaine May, whose Mikey and Nicky, over a span of fifty years, transformed from a fiasco to a masterpiece of seventies cinema.Elaine May's Mikey and Nicky stands out in the history of Hollywood. After a troubled production, massive cost overruns, and lawsuits between May and the studio, the film received scathing reviews and failed at the box office. But the very qualities that initially alienated viewers and reviewers led later generations to regard the film as an overlooked masterpiece.Written and directed by the period's only female New Hollywood filmmaker, Mikey and Nicky has not received the attention given to other unconventional films of the 1970s. But May worked for years to give each moment of the movie multiple areas of interest. She made every character, even peripheral ones, nuanced and memorable. And she designed every scene, even minor ones, as a performance event. Her lead actors, Peter Falk and John Cassavetes, thrived under her unorthodox directing style, earning acclaim even from reviewers who hated the movie. Decades in the making—years of scriptwriting, a shoot that spanned ten months, and three years spent editing—Mikey and Nicky shows us what Hollywood cinema can accomplish when talented filmmakers challenge Hollywood's limited notion of professionalism, rejecting the harsh time pressures of commercial filmmaking in order to get the most out of every scene.Links to his many amazing  books, socials*Books Linked HereMore on Professor BerlinerTodd Berliner is Professor of Film Studies at the University of North Carolina Wilmington, where he teaches film aesthetics, narration, and style, and American film history. He is the author of HOLLYWOOD INCOHERENT: NARRATION IN SEVENTIES CINEMA (University of Texas Press, 2010), HOLLYWOOD AESTHETIC: PLEASURE IN AMERICAN CINEMA (Oxford University Press, 2017), and HOLLYWOOD RENEGADE: ELAINE MAY, MIKEY AND NICKY, AND THE MAKING OF A MASTERPIECE (University of Texas Press, 2026). Professor Berliner was the founding chair of UNCW's Film Studies Department and the recipient of two Fulbright Scholar awards, including the prestigious Distinguished Chair Award, Fulbright's highest honor. He holds masters and doctorate degrees from the University of California, Berkeley.

It's Goro Day! This week we are going deep on the embattled, tragic, and nonetheless fascinating collaboration between Hayao Miyazaki and his fledging director son. Whatever you think of Goro's movies, you've got to admit… the story of Studio Ghibli is incomplete without him!But it's not just the rift between father and son this week. POPPY HILL is an impressive movie in its own right, and we have much to discuss. And it just so happens that fathers and sons also factor heavily into the film. Coincidence?Next week it's the penultimate (?) film of Hayao Miyazaki, THE WIND RISES (2013)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special Features10 Years with Hayao MiyazakiPost-Fukushima Earthquake Staff Speech and Press ConferenceBehind the MicrophoneInterview with Goro MiyazakiFilm4 Goro Miyazaki InterviewLA Times Goro Miyazaki InterviewThe New York Times Making OfReuters Goro Miyazaki InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It was the most expensive movie ever made, the punchline of a thousand headlines, and a flop so infamous it got its own nickname. This week on Required Viewing, we bail out Kevin Reynolds and Kevin Costner's Waterworld (1995) and study it from every angle — separating the film that's actually on screen from the runaway-budget legend that swallowed it whole.We get into Mad Max on the open ocean, the world-building that still holds up, Dennis Hopper chewing more scenery than the Smokers could ever burn, the environmental anxieties it was early to, and why a movie everyone "knows" was a disaster has quietly floated toward cult reappraisal. Was it the trainwreck history says, or did we all just enjoy watching it sink? Let's find dry land.Media scholar Dr. David D. Perlmutter and Chris Stachiw, the Doctor of Podcasting, navigate this one.New episodes every Thursday.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

The Knight Report Podcast is back, as host Mike Broadbent is joined by David Anderson of the Rutgers Realm to break down the Rutgers defense versus UMass and go in depth on some of Travis Johansen's past performances at South Dakota. 0:00 – Intro + Thoughts for Steve Pikiell 1:47 – What Happened to Travis Johanson's Defense? 3:01 – Rutgers' Pad Level & Technique Problems 4:34 – South Dakota vs. Wisconsin Tape Breakdown 7:29 – How Johansen Varied His Defensive Fronts 14:43 – Disguising Pressure & Confusing the Offense 20:22 – Making Defensive Adjustments Between Drives 26:46 – What South Dakota Did Right vs. Wisconsin 29:19 – Rutgers vs. UMass Tape Breakdown Begins 31:51 – Rutgers' Blitz & Pressure Problems 34:46 – Breaking Down Rutgers' Slow Substitutions 39:22 – UMass Starts Dictating the Defense 40:29 – Breaking Down UMass' First Touchdown 44:46 – Soft Coverage & Missed Tackles 49:01 – How UMass Exploited Rutgers With Play Design 50:42 – Why Rutgers Kept Giving Up Easy Throws 56:38 – Edge-Setting & Assignment Problems 61:27 – Breaking Down the Wide-Open UMass Touchdown 64:54 – Can Rutgers' Defense Be Fixed Quickly? 68:18 – Communication, Cohesion & Creating Big Plays 70:42 – Rutgers Needs to Play More Aggressively 71:36 – Final Thoughts & Outro Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailAlabama beat East Carolina 48-10, and the box score says the run game is fixed. The tape says something more interesting. Labor Day practice and a late film delivery pushed this one off Monday night, so JT goes solo and goes straight to the tape. The first five snaps of the Alabama offense: a DeBoer and Grubb formation from snap one, a CT counter with the center pulling, a muddy four-eye read, and an empty protection with six coming and only five to block it. Then the part that actually matters — five linemen pointing, talking, IDing the mic, and moving people off the ball. Plus one defensive play by request: the big pass Alabama gave up, and why it's eye discipline rather than a blown assignment. If he's even, he's leaving. The film clips and drawings are in the video version: https://youtu.be/ycw9C89HyOA Subscribe in your podcast app for weekly film study all season.Thanks for listening! Watch the Live Show Mondays at 8:15pm CT on YouTube.MERCHANDISE: https://millions.co/products?athleteIds=0165e442-822c-4217-ab47-f63bc3aa37eaShow Website:  https://teaguestake.comLatest VOD: https://live.teaguestake.comGeorge Teague Twitter: https://x.com/Teaguefootball

The last thing the world needs in 2026 is yet another Halloween film but, to be fair, the last thing the world needed in 2007 was yet another Halloween film, especially one directed by Rob Zombie. Given that the film does in fact exist, Movie Meltdown's Bryan Renfro joins the Kulturecast for the first time to talk all about the finer points of reboots, Rob Zombie, and a whole lot more in this oversized part one of a two part series covering the Zombie reboot series.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

EPISODE 201 PART 1: Artificial intelligence has changed the way we find information. What once required a simple Google search can now produce an instant, personalized answer—but how do we know whether that answer is accurate, unbiased, or appropriate for our children? In this episode of Homeschool Your Way, we're exploring how to help students navigate AI thoughtfully and responsibly within their homeschool education. We'll discuss how parents can understand these rapidly changing tools, establish practical safeguards, and teach children to question, verify, and evaluate the information AI provides. The goal isn't simply to help students use AI effectively. It's to prepare them to move confidently through an AI-driven world without losing the ability to think critically, solve problems independently, retain what they learn, or remain grounded in the principles their families value.AI will continue to shape how our children learn, work, and communicate. Let's talk about how we can prepare them to use it as a tool—without allowing it to do their thinking for them. ABOUT OUR GUEST | Veldorah J. Rice is the owner and director of Write from the Heart. Her background includes three bachelor's degrees and a dual master's degree in English and Film Studies. Veldorah has spent her career designing rigorous, student-centered instruction. Her curriculum centers on developing critical thinkers through collaborative learning that meets students where they are. In her free time, she enjoys reading, knitting, and analyzing movies. She is proud to say that she has watched every film that has ever won an Academy Award for Best Picture, Best Director, and Animated Feature. You can find out more here; https://writefromtheheart.org/aiworkshopThanks to show sponsor BookShark. Request a homeschool curriculum catalog or download samples at bookshark.com.If you'd like to share an aha moment, an inspirational quote, a homeschool hack, a book you're loving, or a suggested podcast topic/guest, send an email to info@bookshark.com. We'd love to feature your reflection on a future episode.

Finally, a movie about a Pod who casts!This week we are putting the “mini” in miniseries for the Hiromasa Yonebayashi cottagecore classic that is equal parts HONEY I SHRUNK THE KIDS and TOY STORY. And yes, the dad's name is Pod and he does at one point cast out a fishing line!Next week it's Goro Miyazaki's FROM UP ON POPPY HILL (2011). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:Special FeaturesInterview with Hayao MiyazakiInterview with Hiromasa YonebayashiThe Art of The Secret World of ArriettyIGN Hiromasa Yonebayashi InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How does FC Barcelona prospect Diego Kochen project as the future number one goalkeeper for the USMNT? In Episode 359 of Inside the 18, host Michael Magid and goalkeeper analyst Bill Reno step into the video review room to deliver a complete tactical match film analysis of the young American starlet. We break down raw game tape to evaluate Kochen's shot-stopping mechanics, footwork velocity, and distribution range under heavy pressing systems. To lock down elite, game-realism goalkeeper training in the local Los Angeles area, click our calendar link to book your private 1-on-1 evaluation session here: upperhand.io 00:00 - Inside The 18 Intro: The Diego Kochen Scouting Files 2:15 - Who is Diego Kochen? (La Masia & FC Barcelona Global Pipeline) 06:40 - Technical Analysis: Diego Kochen's Elite Shot-Stopping Mechanics 13:10 - The Danish Superliga Loan: Analyzing Game-Tape Pressure at Lyngby BK 21:45 - Modern GK Distribution & Building Out Under Heavy Pressing Systems 30:20 - Tactical Positioning: Spatial Awareness and Box Command Failures 38:55 - High-IQ Realism vs. Over-Scripted Training Drills 44:10 - USMNT Long-Term Projections & The Future Number One Jersey 52:35 - Summary: How Young Keepers Apply the Kochen Matrix Natively 57:15 - Outro: Inside the 18 Network Announcements ACCESS THE UNION GK ACCELERATOR PROGRAMS: BOOK 1-ON-1 PRIVATE LA LESSONS: Stop running cookie-cutter cone drills. Secure an elite, customized private evaluation session on our physical Los Angeles training calendar here: https://app.upperhand.io/customers/219-la-goalkeeping-academy/events/3678-private-lessons-with-staff APPLY FOR GLOBAL VIRTUAL MENTORING: Get an expert, high-IQ video match film breakdown and a personalized mental strategy blueprint from anywhere on Earth: https://app.upperhand.io/customers/219-the-union-gk-community-la-goalkeeping-academy/events/30340-union-gk-mentor-sessions JOIN THE UNION GK COMMUNITY APP: Stream our exclusive technical archives, training programs, and network locker room drops natively on your phone: https://www.theunionsports.com/ ABOUT INSIDE THE 18 GOALKEEPER PODCAST: Hosted by professional coach Michael Magid and leading goalkeeper analyst Bill Reno, Inside the 18 is the ultimate global media network for elite goalkeeper training drills, sports psychology mechanics, and raw locker room culture. For brand collaborations, live network tour requests, or elite academy camp inquiries, contact our media desk directly via DM at @goalkeeperpodcast or email us. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the United Basketball Plus Coaching and Leadership Podcast, we sit down with Jonathan Zapinski of Elmhurst University men's basketball for a deep conversation on coaching, player development, recruiting, film study, and the modern game. Jonathan shares his path from playing at Elmhurst to coaching at the college level, along with the lessons he learned from mentors, teammates, and his own journey through the game. We also dive into the details that separate good teams from great ones — from teaching bigs to play through contact, to using film and feedback effectively, to understanding what coaches should really look for in recruits. Whether you coach high school or college basketball, this conversation is packed with practical ideas on leadership, systems, and how to help players grow the right way. If you love basketball, coaching, and development, this one is for you.Coaches! Plan some personal time and personal development this offseason. Plan to attend the 2026 Hoosier Gym Coaches Clinic in Knightstown, Indiana on September 11 & 12! Sign up here:  https://unitedbasketballplus.com/united-basketball-hoosier-gym-coaches-clinic/United Basketball+ is a resource for coaches, teachers, players, and leaders. If you want to improve your knowledge as a coach, teacher, player or leader, join the community today! https://unitedbasketballplus.com/register/ub-plus-annual-membership/Let's Grow the Game!

In this episode, Anna and Derek debate possible faulty security around patient zero, the science behind space slug incubation, and much more during their discussion of this year's first Halloween Series selection, Fred Dekker's Night of the Creeps (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Send us Fan MailKeelon Russell has the job. The offensive line in front of him is the question — and East Carolina's front is the first real test of it. George Teague and JT open season seven with the numbers, then the tape: ECU's 28.5% stuff rate, 31 rushing touchdowns, a plus-10 turnover margin, and a defensive front that changed its look on nearly every snap of its bowl game. Plus what an Alabama line replacing a third of its room has to identify before it can block anybody. George also has news — he's been named a 2026 Bryant Alumni Athlete Award winner, one of two honorees this year, and will be recognized at Bryant-Denny on Saturday. The film clips and drawings are in the video version: https://youtu.be/_REIc4jtpPQ Subscribe in your podcast app for weekly film study all season.Thanks for listening! Watch the Live Show Mondays at 8:15pm CT on YouTube.MERCHANDISE: https://millions.co/products?athleteIds=0165e442-822c-4217-ab47-f63bc3aa37eaShow Website:  https://teaguestake.comLatest VOD: https://live.teaguestake.comGeorge Teague Twitter: https://x.com/Teaguefootball

Host Dr Pasquale Iannone is joined on this episode by Edinburgh filmmaker Louis Paxton to discuss his feature debut, folk comedy The Incomer (2026).The film tells of thirty-something brother and sister Sandy and Isla who live on a remote Scottish island. The pair live cut off from society in a state of arrested development. One day, the local authorities decide to send one of their workers to the island to serve notice of eviction. But the siblings won't give up their home without a fight.Starring Domhall Gleeson as council worker Daniel, Grant O'Rourke as Sandy and Gayle Rankin as Isla, The Incomer was the Opening Night Film at this year's Edinburgh International Film Festival after having its world premiere at the Sundance Film Festival in January. While this is Louis' feature debut, he has been making eye-catching films for many years. He grew up in Edinburgh and his older sister Ruth is also an acclaimed writer-director. In their wide-ranging discussion, Louis tells Pasquale how he and Ruth first got into films - it turns out the three of them all used to rent movies from the same Marchmont video shops.They discuss his short films and work in TV before moving on to The Incomer. Louis tells Pasquale about his use of locations, the idea behind the distinctive look of the film and his approach to music.The film will be released in the UK on Friday 4th September and in the US later in the month.

When it comes to Hayao Miyazaki, the ocean is full of mystery and calamity. But one thing is for certain: Ponyo loves ham! This week is Miyazaki's late-career “movie for five-year-olds” that somehow combines the terror of complete environmental catastrophe with… the joy of floating around in a candle-powered speedboat. And cool jellyfish! Topics discussed: delicious-looking tea, delicious-looking ramen, whether or not the mad scientist/wizard Fujimoto represents Miyazaki, the perils of painting backgrounds for Ghibli, prehistoric fish, and Frankie Jonas. Next week we take a brief detour from the late works of Miyazaki and Takahata to cover Hiromasa Yonebayashi's THE SECRET WORLD OF ARRIETTY (2010). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Five Geniuses of Ponyo Interview with Toshio Suzuki Behind the Microphone Creating Ponyo Ponyo & Fujimoto The Nursery Scoring Miyazaki The Art of Ponyo The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Turning Point by Hayao Miyazaki Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

And here we have another edition of Dead Man Still Walking, *the* Zombie Movie Podcast starring Dr. Walking Dead himself, the distinguished Dr. Kyle Bishop! For this embalmed but exhumed excursion into the murkiest depths of zombie cinema, the good doctor welcomes first-time DMSW guest Mister Watson — a man whose exceptional movie picks have earned him praise from Jay of the Dead. Naturally, Dr. Bishop rewards Watson's exemplary taste by subjecting him to a movie widely considered to be "one of the worst zombie movies ever made": Zombie Lake (1981). Set in a French village roughly 10 years after World War II, "Zombie Lake" concerns a squad of slain German soldiers whose bodies were dumped into a mysterious lake — only for the waterlogged Nazis to rise again and terrorize the townspeople. Also in Episode 187, Dr. Walking Dead and Mister Watson discuss the film's painfully poor makeup, historically questionable uniforms, gratuitous Euro-sleaze, interminable flashback and truly baffling zombie behavior. Are these creatures flesh-eating zombies, blood-drinking vampires or merely undead horndogs with an irresistible attraction to skinny-dippers? And yet, buried beneath the green face paint and woeful execution, our reviewers discover the remains of a potentially compelling movie. The mythology of a lake that demands human sacrifices, a forbidden wartime romance, a zombie father who remembers and protects his daughter, and a community haunted by the consequences of its past all suggest that "Zombie Lake" might deserve that rarest of cinematic opportunities: a remake of a bad movie. Join Dr. Bishop and Mister Watson as they attempt to find intelligent thematic possibilities in a film that stubbornly refuses to contain them! Note: This episode reveals major plot spoilers from "Zombie Lake" (1981). Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple Podcasts Spotify Deezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

From suburban horror to the back end of the Cretaceous, the American genre picture keeps finding new ways to burn down the cul-de-sac. The End of Oak Street, the latest from It Follows director David Robert Mitchell, is a studio tentpole carrying an arthouse thesis, offering Anne Hathaway and Ewan McGregor as a marriage coming apart at the seams while something much older comes down the street. Along with a fleet of dinosaurs shot without an ounce of reverence, it takes to task suburban rot, willful ignorance, and the family unit under pressure, to largely successful effect.Mike White of The Projection Booth joins the show to talk David Robert Mitchell, dinosaur cinema, and so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

Two guys, a week in wine country, and a whole lot of avoidance. This week on Required Viewing, we uncork Alexander Payne's Sideways (2004) and study it from every angle — why a shaggy road-trip comedy about a failed novelist and a fading actor became the defining midlife-male-sadness movie of its era, and what it's really pouring underneath the pinot.We get into Payne's gift for making you laugh at people you'd never want to be, Miles as a portrait of self-sabotage dressed up as good taste, wine as the film's central metaphor (yes, that merlot line), and how a small character comedy quietly reshaped an entire industry. Great movie, terrible role models — let's swirl it around.Media scholar Dr. David D. Perlmutter and Chris Stachiw, Doctor of Podcasting, pour this one out.New episodes every Thursday.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

The difference between a good big man and a great one is not height. It is IQ, patience, and the willingness to ask the right questions. Elmhurst assistant coach Jonathan Zapinski reveals the modern post play blueprint that helps bigs thrive in a perimeter-centric game - and why the best coaches are building players who can think, not just score.Jacob Durdan and co-host Jeremy sit down with Zapinski for a sharp, wide-ranging conversation on coaching, player development, recruiting, and what it really takes to become a college basketball coach. Zapinski shares the path from Dallas to Elmhurst, the coaching influence that sparked his love for the game at age six, and the lessons he carried from playing at Elmhurst College and now coaching back at his alma mater. Coaches! Plan some personal time and personal development this offseason. Plan to attend the 2026 Hoosier Gym Coaches Clinic in Knightstown, Indiana on September 11 & 12! Sign up here:  https://unitedbasketballplus.com/united-basketball-hoosier-gym-coaches-clinic/United Basketball+ is a resource for coaches, teachers, players, and leaders. If you want to improve your knowledge as a coach, teacher, player or leader, join the community today! https://unitedbasketballplus.com/register/ub-plus-annual-membership/

In partnership with RENDR Festival and supported by the National Talent Academy for VFX, we are delighted to present this very special speaker series. Recorded live at RENDR 2026 in Banana Block, Belfast, we spoke with CG Supervisor for Sony Pictures Imageworks, Katherine Jones who served as CG Supervisor on K-Pop Demon Hunters and In Your Dreams. With over a decade in VFX and animation, Katherine has helped bring some of the industry's most iconic films to life. Her credits include Spider-Man: Across the Spider-Verse, Spider-Man: Into the Spider-Verse, The Mitchells vs. the Machines, Vivo, Spider-Man: Homecoming, Mad Max: Fury Road, Jurassic World, Avengers: Age of Ultron, Guardians of the Galaxy, Captain America: The Winter Soldier, Godzilla, Terminator Genisys, Teenage Mutant Ninja Turtles and Thor: The Dark World.We spoke with Katherine about her impressive career journey, the importance of strong storytelling, and the films that have meant the most to her.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.https://www.filmireland.net/podcast-katherine-jones-cg-supervisor-at-sony-imageworks-k-pop-demon-hunters-spider-man-franchiseThis series was recorded in The Spinners Mill Studio, a podcast and DJ studio based in Banana Block offering tailored solutions for DJ sessions, small-scale events and podcasting from concept to final distribution. Follow them on Insta / Facebook / TikTokKatherine Jones Katherine is a CG Supervisor at Sony Pictures Imageworks, where she supervised the animated features K-Pop Demon Hunters and In Your Dreams.With more than a decade of experience in visual effects and animation, Katherine has contributed to some of the industry's most acclaimed films. Her credits at Imageworks include the Academy Award®-nominated Spider-Man: Across the Spider-Verse, The Mitchells vs. the Machines, Vivo, the Academy Award®-winning Spider-Man: Into the Spider-Verse, Spider-Man: Homecoming, Smallfoot, Storks, and The Emoji Movie.Before joining Imageworks, Katherine held several leadership roles at Stereo D, including VFX Supervisor, FX Stereo Supervisor, Stereo Lead, and Compositing Artist. During her time there, she worked on major blockbuster productions including Mad Max: Fury Road, Jurassic World, Avengers: Age of Ultron, Guardians of the Galaxy, Captain America: The Winter Soldier, Godzilla, Terminator Genisys, San Andreas, Teenage Mutant Ninja Turtles, Hercules, Need for Speed, Thor: The Dark World, and Truth. Katherine began her career at Angel Studios as a Digital Compositor, contributing to projects including La Vaca – Holy Cow.Originally from Osceola, Indiana, Katherine studied Fine Arts and Film Studies at the University of Oregon before earning a degree in Computer Animation from Full Sail University. She is also an active member of Women in Animation.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios, and Epic Games among others.National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fís Éireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent. Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

We've got a super sized preview for you this week on Cube Show. Cole Cubelic breaks down the tape on Alabama's newly announced starter Keelon Russell, Vandy's Blaze Berlowitz, Arkansas's KJ Jackson, and Florida's Aaron Philo. Then he's joined by his Read & React co-host, Roman Harper, to preview the 2026 season. Tune in. PRESENTING SPONSOR KALSHI: Download the Kalshi app and use code Cube61 to get $10 when you trade $10. http://kalshi.com/r/CUBE61 ADDITIONAL SPONSORS GAMEDAY MEN'S HEALTH: Go to gamedaymenshealth.com MYSTERYBREAKS: Don't miss mysterybreaks's stream on Fanatics Live! https://get.fanatics.live/X8WW/453vgu8c Learn more about your ad choices. Visit megaphone.fm/adchoices

Howl may be the worst type of early 2000s emo hunk. But listeners…We! Can! Fix! Him!!! This week is a real doozy. Dom and Adam are not particularly effusive about Miyazaki's moody, dark magic sequel to SPIRITED AWAY. It's bewildering, it's bizarre, and some moments seem completely incomprehensible. But as an animated film, it's a spectacle to behold, and we have a lot to celebrate, too. For instance…Calcifer! Next week, it's Miyazaki's child-friendly disaster film, PONYO (2008). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features: Behind the Microphone The Birth Story of the Film Soundtrack Interview with Diana Wynne Jones Explanation of CG: How to Move Howl's Castle  The Art of Howl's Moving Castle Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Hayao Miyazaki Takes Over Howl Variety Akihiko Yamashita Interview   Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeremy Szal was raised by wild dingoes, which should explain a lot. He writes epic fantasy and dark space opera of a character-driven, morally grey nature. He sold The Common trilogy to Gollancz/Orion when he was 23, which includes STORMBLOOD, BLINDSPACE, and WOLFSKIN, about a drug harvested from alien DNA that makes users permanently addicted to adrenaline and aggression. He's the author of over fifty short stories, translated into seventeen languages, many of which appear in his short fiction collection BROKEN STARS. He was the editor for the Hugo-winning StarShipSofa until 2020 and has a BA in Film Studies and Creative Writing from UNSW. He carves out a living in Sydney, Australia with his family, where he loves watching weird movies, eating Japanese food, exploring cities, learning languages, cold weather and dark humour. Find him at https://jeremyszal.substack.com/ or @jeremyszalNarration by: Doni NicollDoni Nicoll-Duir (nickel-dar) is originally from the Western Slope of Colorado. He has lived in and out of Arizona his whole life and now finds himself settling down in Tucson, AZ. Doni works in the renewable energy sector as a design engineer and permitting specialist. When Doni isn't working on saving the planet, one rooftop at a time, or trying to keep up with his teenage daughter, he can be found cooking, hiking or playing board games with his friends at one of the local breweries.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Anna and Derek debate if Van Horne pulls off being the capital D Devil, why Alex, Jane, and Sukie didn't lean more into their witchy powers, and much more during their discussion of the George Miller romp The Witches of Eastwick (1987).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Listeners, it's time to remember your name. We're getting Spirited Away this week to a Studio Ghibli production that is often called the most influential animated film of all time. Joining us to help purify the stink spirits and return the river gods to their kingdom is our old friend Stephen Hilger. Topics discussed this week: the enduring mystery of No-Face, why the Radish Spirit rules, whether or not SPIRITED AWAY is the TENET of Miyazaki's filmography, Ghibli's art style in the digital era, and of course, MARIO ODYSSEY. Next week, it's the most Hot Topic of Miyazaki's oeuvre, the very moody HOWL'S MOVING CASTLE (2004). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:  The Art of Miyazaki's Spirited Away Sharing a House with the Never-Ending Man by Steve Alpert Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Spirited Away Making of Documentary Time Magazine Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jay of the Dead's New Horror Movies presents the 63rd edition of Dead Man Still Walking, your favorite Zombie Movie Podcast hosted by Dr. Walking Dead Kyle William Bishop! This time, the good doctor returns to an older corner of zombie cinema with Umberto Lenzi's strange and unconventional Italian horror film "Nightmare City" (1980), a movie whose director apparently insisted was not a zombie movie, despite Dr. Bishop arriving at a very different diagnosis. And of course, as for me and my house, we will be believing Dr. Bishop's assessment. The infected creatures of "Nightmare City" are unlike your average shambling undead: They use knives, clubs, guns and even a harpoon gun; they appear capable of planning and communicating nonverbally; and instead of merely eating flesh, they sometimes stop to drink their victims' blood. That leaves Dr. Walking Dead pondering an especially unusual case of cinematic zombiism: Are these monsters zombies, infected humans, vampires or some bizarre hybrid of all three? Kyle examines the monsters' apparent resistance to gunfire, vulnerability to brain trauma and ambiguous method of spreading their condition while arguing that, regardless of Lenzi's objections, "Nightmare City" belongs in the zombie movie conversation. Dr. Bishop also places the film firmly within the post-Romero zombie boom, noting its conspicuous similarities to "Night of the Living Dead," "Dawn of the Dead" and the Italian zombie films that followed in Romero's wake. Kyle discusses the Dawn-like music, helicopter imagery, siege elements, Molotov cocktails and the movie's heavy-handed warning about nuclear power and radiation. Along the way, Dr. Walking Dead praises the score, questions the inconsistent gore effects, calls out some dated and misogynistic character behavior and identifies "Nightmare City" as the sort of cinematic oddity that may be worth seeing precisely because it is so strange. And then there is that ending. In a spoiler section, Dr. Walking Dead tackles the film's infamous last-minute narrative reset, recycled opening footage and "the nightmare becomes reality" conclusion — a twist that inspires considerably more frustration than admiration. Even so, the unusual zombie-vampire creatures and the movie's place within the history of Italian zombie cinema earn it a Low-Priority Rental recommendation rather than an outright Avoid. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Required Viewing: A 360° Film Study is a brand new sub-feed within The Kulturecast main feed where Dr. David D. Perlmutter and The Kulturecast's Doctor of Podcasting Chris Stachiw talk all about filmic topics through the lenses of a different film, tv series, or pop culture topic each Thursday.On this Episode Zero: Syllabus, the good doctors sit down to discuss the thesis behind the show, what might cause something to meet the criteria of "required viewing", and what you might expect to hear in the coming episodes of "Required Viewing: A 360° Film Study".———Every film says more than whether it was good. On Required Viewing: A 360° Film Study, media scholar Dr. David D. Perlmutter and Chris Stachiw, the Kulturecast's Doctor of Podcasting, take one movie apart from every angle — theme, craft, and cultural fallout — and throw out the star-ratings entirely. New episodes every Thursday.A sub-feed of The Kulturecast, from Weirding Way Media. Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecastBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

From Train to Busan to the far-flung future with cloning and fascism, Korean cinema spans the genre gamut. Mickey 17, the latest film from Parasite's Bong Joon Ho, is the latter, offering a look into the future with Robert Pattinson playing two roles as Mickey 17 and Mickey 18. Along with a cavalcade of character actors, it attempts to take to task fascism, biotech abuse, and more, to unsuccessful effect.Texas Tech's Dr. David D. Perlmutter and K-drama anthropologist Miranda join the show to talk Korean cinema and so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.———The Kulturecast is a film and culture podcast from Weirding Way Media, hosted by Chris Stachiw, the Doctor of Podcasting, alongside a rotating table of guest co-hosts. Each week digs into where film and culture meet — and how each one bends the other. Now home to sub-feeds including Required Viewing: A 360° Film Study with Dr. David D. Perlmutter.New episodes weekly.Subscribe on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-kulturecast/id931361376Spotify → https://open.spotify.com/show/5wjxip9XVYapYuY12yEaGY.Back the show: https://www.patreon.com/cw/kulturecast

Did Studio Ghibli really make a family sitcom? Kind of! It's Isao Takahata's second-to-last film, and we simply couldn't resist adding it to our series. Joining us to revel in the brilliance (and surprisingly vindictive behavior) of the man they call Paku-San (aka Mr. Munch) is our dear friend and digital producer, Nik Long! Topics covered this week: whether or not YAMADAS is more like EVERYBODY LOVES RAYMOND or MALCOLM IN THE MIDDLE, the long-standing rivalry of Miyazaki and Takahata and its similarities to the film CHALLENGERS, our nostalgia for discovering movies on television, Takahata's love of bananas, and so much more! Next week, at long last, we get SPIRITED AWAY (2001). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Secrets of My Neighbors the Yamadas Studio Ghibli: An Industrial History by Rayna Denison Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Anna and Derek debate just how sympathetic they want to feel toward a serial killer, if Brian Cox deserves more Hannibal love, and much more during their discussion of the Michael Mann classic Manhunter (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Before you listen to this episode, please join us in reciting the Ghibli prayer: Oh nameless god of rage and hate, we bow before you! This week we contend with what is unquestionably one of the greatest films ever made, animation or otherwise. It's a period epic that encapsulates everything we know and love about Studio Ghibli while also somehow raising the bar even higher. And hey, there's even a kaiju! Next week, it's a last-minute addition to the series: Isao Takahata's penultimate film, MY NEIGHBORS THE YAMADAS (1999). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier The Guardian Hayao Miyazaki Interview Neil Gaiman on Scripting Princess Mononoke Cinefantastique Vol 31 No 4 Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.