Podcasts about Film studies

On this episode, host Dr Pasquale Iannone is joined by award-winning writer, critic and broadcaster Ellen E. Jones. Ellen presents BBC Radio 4's Screenshot with Mark Kermode and has written for The Guardian, The Observer, Little White Lies, Empire and many other outlets. In March this year, Ellen won the Broadcasting Press Guild Award for Best Radio Presenter for her work on Screenshot.Ellen joins Pasquale to talk about her book Screen Deep: How Film and TV Can Solve Racism and Save The World which came out in paperback via Faber in February. It's a brilliantly sharp, impassioned and entertaining look at film and TV's role in both constructing racial identities and combating racism. Works discussed include No Way Out (1950), Imitation of Life (1959), Get Out (2017), Black Panther (2018), Bridgerton (2020-), Atlanta (2016 - 2022), I May Destroy You (2020), Small Axe (2020) and Hard Truths (2024).

In this episode, Anna and Derek chat about Tom Cruise versus Wilford Brimley, casual mentions of Atlantis, and much more during their discussion of Ron Howard's Cocoon (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Kurt Warner weighs in on Caleb Williams' lack of film study guidance full 670 Tue, 20 May 2025 16:50:41 +0000 aDr4H40VOwn7cIAfvwiYEF9Tl8q05YmY nfl,chicago bears,sports Rahimi & Harris Show nfl,chicago bears,sports Kurt Warner weighs in on Caleb Williams' lack of film study guidance Leila Rahimi and Marshall Harris bring you fun, smart and compelling Chicago sports talk with great listener interaction. The show features discussion of the Bears, Blackhawks, Bulls, Cubs and White Sox as well as the biggest sports headlines beyond Chicago. Recurring guests include Bears linebacker T.J. Edwards, Pro Football Talk founder Mike Florio, Cubs outfielder Ian Happ and Cubs president of baseball operations Jed Hoyer. Catch the show live Monday through Friday (10 a.m.- 2 p.m. CT) on 670 The Score, the exclusive audio home of the Cubs and the Bulls, or on the Audacy app. © 2025 Audacy, Inc. Sports False https://player.amperwave

Emma O Kelly, Education Correspondent, reports on new Leaving Cert subject of Drama, Theatre and Film Studies.

On this episode of the podcast, host Dr Pasquale Iannone is joined by MSc Film Studies student Lauren Thompson to discuss one of the most critically acclaimed and influential films of all time. Andrei Tarkovsky's fourth feature Mirror (1975) weaves together moments in the life of dying poet in a bold, non-linear style. It's a deeply personal cinematic poem about memory, history and family, and 2025 marks its 50th anniversary.Lauren and Pasquale begin by offering their thoughts on Tarkovsky's work more broadly and then they turn to an extended discussion of Mirror, covering elements such as the use of editing and voiceover. The discussion rounds off with a consideration of the film's influence on successive generations of filmmakers, from Christopher Nolan to Claire Denis.

In this episode, Anna and Derek discuss subtle Bill Murray vs. over-the-top Bill Murray, if it's okay to shave someone's head without first telling them and much more during their discussion of Ivan Reitman's Stripes (1981). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

On this episode of the podcast, host Dr Pasquale Iannone explores the little-known early films of one of the most influential filmmakers of all time, German director Douglas Sirk. Sirk is synonymous with one particular genre. His most famous films, such as Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956) and Imitation of Life (1959) are glossy, luxurious Technicolor melodramas which would go on to inspire the likes of Rainer Werner Fassbinder, Todd Haynes and many others. But there is more to Sirk than melodrama - he made war films, crime movies, historical dramas and comedies in a career spanning over 25 years and several countries. Earlier this year, Eureka Entertainment released a box set titled Sirk in Germany (1934 - 1935), a collection which takes us all the way back to the beginning of Sirk's film career. The set includes beautiful restorations of his first three features as well as several short films, all of which were made in the early years of the Nazi regime. Alongside bonus material from noted film historians Sheldon Hall and Tim Bergfelder, there are three audio commentaries from the University of Edinburgh's very own David Melville Wingrove. David is a Teaching Fellow at the University's Centre for Open Learning where he teaches hugely popular courses on both film and literature, specialising in dark and fantastical themes and styles. He is also a prolific writer, regularly contributing to publications such as Senses of Cinema. David and Pasquale discuss Sirk's first short film Two Greyhounds (1934) and his first feature April! April! (1935), both light comedies centring on mistaken identity which skewer - mostly with affection - the mores of the German middle class. David helps to place the films in historical context and he also tells Pasquale why Sirk, who was very much one of the leading lights of the German theatre in the late 20s and early 30s, decided to make the move into filmmaking.

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

In this episode, Anna and Derek discuss just how much we need to know about EPA car standards, if Dr. Bruner was a bit of a dick, and much more during their discussion of Barry Levinson's Best Picture winner, Rain Man (1988).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Ron Higgins previews Tennessee at LSU Series @Vol_Baseball @RonHiggBrooks Austin @BrooksAustinBA joined with Film Study of Joey Aguilar, or 'Joey Football' as Tony has coined his nameThursday with John Adams @KnoxNews presented by Jennifer Morris Keller Williams nextmovesmokymountains.comHour 3 Overtime presented by TLD Logistics tldlogistics.com @Drive4TLD Tony got in his feels in the third hour and got mad at Josh Heupel for his handling of Nico Iamaleava saga#Vols

TalkSports Hr1 4-23-25 Joey Aguilar Film Study by Fanrun Radio

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

The movie musical died a long, slow death a long time ago. Right? Well, except that there’s Wicked. And Spielberg’s West Side Story. And Hamilton and In the Heights and Tick, Tick… Boom! And Encanto and Moana 2 and Mufasa. Oh, and Elvis and A Complete Unknown. And those are just from the last five years. And I could keep going. This hour, a long look at the long-dead movie musical. Long live the movie musical. GUESTS: Jeanine Basinger: Founder of the Department of Film Studies at Wesleyan University and the author of many books on film; her latest is Hollywood: The Oral History Steve Metcalf: Founder and director of the Garmany concert series at the University of Hartford’s Hartt School The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired March 5, 2020.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Filmmaker Madhuja Mukherjee joins moderator Bishnupriya Ghosh of UCSB's English and Global Studies Department to discuss Deep6. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

Filmmaker Madhuja Mukherjee joins moderator Bishnupriya Ghosh of UCSB's English and Global Studies Department to discuss Deep6. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

Filmmaker Madhuja Mukherjee joins moderator Bishnupriya Ghosh of UCSB's English and Global Studies Department to discuss Deep6. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

Filmmaker Madhuja Mukherjee joins moderator Bishnupriya Ghosh of UCSB's English and Global Studies Department to discuss Deep6. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

04/17 Hour 3: Commanders Face Criticism For Their Recruiting - 1:00 Nic Dowd Joins The Junkies - 17:00 EB's Commercial Break Film Study - 30:00

If you've ever fancied seeing film classics such as ‘Lawrence of Arabia' & 'Ryan's Daughter' in their full wide-screen glory, The Irish Film Institute is offering you the opportunity to do so. They are holding a 2-month, 16-film celebration of 'The Films of David Lean' this April and May.Dr Ruth Barton is a Professor of Film Studies in Trinity College, and joins Seán to discuss.

04/15 Hour 2: Five NFC Teams That Must Crush The Draft - 1:00 America's About To Become One Giant Yard Sale - 15:00 EB's Commercial Break Film Study - 32:00

In this episode, Anna and Derek discuss lightning in a bottle casting, anti-John Hughes depictions of teen life, and much more during their chat of the seminal flick Fast Times at Ridgemont High (1982).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Here are all the segments: Commenting on Pat McAfee Return of Mike Edwards Film study on Janarius Robinson Justin Simmons to KC?! Chiefs getting disrespect JD talks pre-draft visit experiences Use promo code CHIEFCONCERNS to claim your Free Pick + First Time Deposit offer up to $1,000 in bonus cash! https://play.underdogfantasy.com/p-chief-concerns NEW CHIEF CONCERNS Jason Dunn Jersey – https://www.chief-concerns.com/merch/p/otro-quest-t-shirt-6ga92 USE LINK BELOW & PROMO CODE SODALOVE FOR 15% OFF OLIPOP ORDER https://tinyurl.com/OliPopChiefs Track Your Bets & Get Free Money NOW – Promo Code: Chiefs https://links.pikkit.com/user/chiefconcerns 50% welcome bonus on your first deposit – Promo Code: Bleav https://www.betonline.ag/

Kevin Evers is a Senior Editor at Harvard Business Review, where he shapes groundbreaking research and develops award-winning and bestselling books on high performance, creativity, innovation, marketing, and digital disruption. He's also written popular essays on brain science, persuasion, unpredictability, and the power of storytelling.Kevin holds degrees in English and Film Studies, and his forthcoming book with HBR Press, There's Nothing Like This, offers a strategic analysis of Taylor Swift's unmatched ability to evolve her brand without losing her audience.Episode Highlights & Timestamps00:00 - IntroductionAlyssa Cohn introduces Kevin Evers and the topic of Taylor Swift's strategic genius.00:01:55 - Building Intimacy with FansDiscussion on how Taylor Swift creates a close relationship with her fans.00:02:04 - Controversies and SuccessOverview of Taylor's famous fights and controversies and their impact on her career.00:03:04 - The Idea Behind the BookKevin explains the inspiration for his book on Taylor Swift.00:13:05 - Inner Compass and DriveExploration of Taylor's determination and her "killer instinct."00:20:25 - The Kanye West IncidentAnalysis of the infamous VMA moment with Kanye West and its implications.00:34:14 - Collaboration and GrowthDiscussion on Taylor's collaborations with producers and her evolution as an artist.00:39:34 - The Importance of RiskKevin shares insights on the importance of taking calculated risks in business.00:44:37 - Re-recording Old MusicDiscussion on Taylor's strategy to re-record her old albums and its significance.00:48:34 - Antifragility ConceptKevin explains the concept of antifragility and how it applies to Taylor's career.00:53:25 - Advice for FoundersKevin offers advice to startup founders based on insights from Taylor's career.00:54:10 - ConclusionResources & References

Chris and Alex are back in the warm embrace of Pixar Animation Studio, looking at their tenth computer animated film Up (Pete Docter, 2009) - a real high point in the company's run of critically and commercially successful animated features, and a film that comes almost at the midway point between Pixar today their debut with Toy Story (John Lasseter, 1995) 30 years ago. To discuss whether adventure really is ‘out there,' Chris and Alex are joined by special guest Dr Tom Brown, Senior Lecturer in Film Studies at Kings College London. Tom is the author of the monographs Spectacle in “Classical” Cinemas: Musicality and Historicity in the 1930s (2016) and Breaking the Fourth Wall: Direct Address in the Cinema (2012), as well as co-editor of The Biopic in Contemporary Film Culture (2014), Film Moments: Criticism, History, Theory (2010) and Film and Television After DVD (2008). Topics for this episode include how Pixar's computer-animated work can be understood according to a “classical” register via its meaningful construction and solidity of animated space; computer-animated staging and how meaning is carried in the studio's expressive use of mise-en-scène; Up as a stylistic ‘sweet spot' between photorealism and caricature; links between Pixar and both Classical Hollywood filmmakers like Frank Capra and the category of the middlebrow; what it means to be imprisoned by time in fantasy storytelling; and what Up's particular combination of the silly and the profound has to say about the weight of grief. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

OK, “Gentle Listeners,” Dr. Walking Dead has shown up for work for us with this week's special double-feature show. In this 49th Edition of DEAD MAN STILL WALKING, your intrepid professor, Dr. Walking Dead Kyle Bishop, graciously took at least one cinematic bullet for the listeners, metaphorically speaking… The two movies that Dr. Bishop examines during this episode include the 1970s odd couple of double features, I Drink Your Blood (1971) and I Eat Your Skin (1971) — the latter, a G-rated, black-and-white movie that was actually produced in 1964. Dr. Bishop brings his usual astute analysis to these proceedings, informing us of actual onscreen murder of an animal, and therefore, which instance(s) of blood in the film is real blood. And speaking of blood, we learn about meat pies being injected with infected, rabid dog blood, thereby constituting a very early example of “the infected zombie” narrative. And Kyle even goes so far as to tell us about a Horror movie where the evil characters “treat people poorly.” And that's only his notes on the first film! Wait until you hear what he has to say about the second! Join us! Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Season 1, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com, or call and leave us a voicemail at (801) 980-1375. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

04/01 Hour 3: Entertainment Page - 1:00 Jon Allen Comments On His Release From Washington - 19:00 EB's Commercial Break Film Study - 29:00

In this episode, Anna and Derek discuss whether rom needed to be part of this com, if Cyn was actually a good friend to Tess or not, and much more during their chat of Mike Nichols' Oscar-lauded flick Working Girl (1988).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

From 03/26 Hour 4: EB grades Shedeur Sanders' college football film ahead of the NFL draft.

03/26 Hour 4: EB's Commercial Break Film Study - 1:00 Entertainment Page - 16:00 Dating Girls That Are Taller Than You - 33:00

Seth and Sean discuss the Coogs advancing to the Sweet 16, the Rockets losing to a Nuggets team without Jokic, how Seth's feeling about OT Cam Robinson after his film study, and go through the day's Headlines.

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Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Anna and Derek debate what people may know of Salieri's actual legacy, whether this Oscar winner needed to be trimmed up a bit, and much more during their discussion of Milos Forman's Amadeus (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

This week, Bills LB Terrel Bernard joins us to break down his film study process, offseason work, and key defensive plays.

From 03/05 Hour 4: EB completes his first commercial break film study of the year.

03/05 Hour 4: Entertainment Page - 1:00 This NFL Prospect's Stock Is Falling - 19:00 EB's Commercial Break Film Study - 30:00