Podcasts about Film studies

Jay of the Dead'sNew Horror Movies presents… the 55th Edition of the world's greatest Zombie Movie Podcast — Dead Man Still Walking, starring Dr. Walking Dead Kyle Bishop! In this fascinating and unexpectedly subversive episode, Dr. Bishop welcomes special guest Jay of the Dead to explore the surprising horror history of “The Purple Smurfs” (yes, those Smurfs!) and their uncanny place in zombie canon. This is a must-listen for fans of zombie cinema. Likely inspired somewhat by Richard Matheson's novel, “I Am Legend” (1954) — yet before George Romero's shambling ghouls — there existed a little-known, infected-zombie narrative within the Belgian comic, Les Schtroumpfs Noirs (“The Black Smurfs”) from 1959, later wisely adapted for American audiences in 1963 as “The Purple Smurfs.” What seems like a simple children's story reveals shocking thematic roots in infection, rage, and apocalypse, complete with an urgent race to find a cure. Dr. Bishop herein declares, “Yes, the Purple Smurfs are zombies.” Also during Episode 166 here, Jay and Kyle dive deep into both the original comic source material and the adapted, 1981 TV episode — part of a Halloween special featuring “The Haunted Smurf” as well as “The Purple Smurfs” — unpacking how the latter's infection narrative even precedes films like “The Crazies” (1973), “Rabid” (1977), and “28 Days Later” (2002). They discuss the sociocultural implications, from 1980s “Satanic Panic” anxieties to the comic's troubling racial undertones in its early form. Jay playfully speculates whether the story serves as a bizarre, STD cautionary tale — and even debuts his first-ever Horror trailer for The Purple Smurfs (1981) TV episode! As for Dr. Bishop's favorite color? You just might find the answer buried somewhere in this delightfully twisted episode of Dead Man Still Walking. Gnap! Gnap! Note: This episode was recorded on July 21, 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Brooks Austin aka The Film Guy joins the show to breakdown Alabama's film (also Tennessee's) and some things to pay attention to. Also, Cody Squashes beef with Brooks??

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In their 150th episode, Anna and Derek discuss just whose parents were in on Freddy's murder, why in the world Marge would keep the glove, and much more during their breakdown of the Wes Craven masterpiece A Nightmare on Elm Street (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In this episode, Anna and Derek debate fast zombies versus slow zombies, if Ernie was indeed a Nazi in hiding, and much more during their discussion of the horror-comedy gem The Return of the Living Dead (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Episode 60 of READING McCARTHY sees the return of one of my favorite guests, Dr. Stacey Peebles. In addition to her many other roles described below, she is the preeminent expert on McCarthy's work in screenplays.  Please join us for a consideration of his various screenplays, both produced (The Counselor) and unproduced (Cities of the Plain, No Country for Old Men, Men and Whales) as well as a brief discussion of the film adaptations of his work thus far.  Stacey Peebles is the HW Stodghill and Adele H Stodghill Professor of English and Director of Film Studies at Centre College. She's the author of The War Comes With You: Enduring War in Life, Fiction, and Fantasy (Dec. 2024), Welcome to the Suck: Narrating the American Soldier's Experience in Iraq, and Cormac McCarthy and Performance: Page, Stage, Screen. She has been editor of the Cormac McCarthy Journal since 2010 and is the current President of the Cormac McCarthy Society.Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

On this episode of the podcast, host Dr Pasquale Iannone is joined by Dr Karen Pearlman. Karen is Associate Professor at MacQuarie University in Sydney and an internationally-renowned scholar of creative practice, distributed cognition and feminist film histories. Her many projects as editor and/or director include, most recently, her short film Breaking Plates (2024) which has screened at various festivals this year, including Cinema Ritrovato in Bologna. Film historian Pamela Hutchinson has written of Breaking Plates that ‘it's rare to see such joyful feminist revolution on screen, or such deep, loving engagement with silent film style. […]' Karen's books include the groundbreaking 2009 textbook Cutting Rhythms: Intuitive Film Editing, which went into its third edition this year.Pasquale spoke to Karen down the line from Sydney to discuss her other big release of 2025, a monograph on the American independent filmmaker Shirley Clarke. Like Karen, Clarke was a dancer, editor and filmmaker. She was active between the early 1950s and mid-80s, making several influential shorts as well as four daring, often controversial features on the African-American experience including The Connection (1961), The Cool World (1963), Portrait of Jason (1967) and Ornette in America (1985). Karen tells Pasquale about her approach to Clarke's work and how it challenges and critiques traditional notions of film authorship. Clarke's work is placed in context, and the discussion also explores Clarke's links to her filmmaking contemporaries Jonas Mekas and Maya Deren.Karen and Pasquale then discuss some of Clarke's features, including a title which is now acknowledged as a landmark of LGBTQ+ cinema and which was once described by legendary Swedish auteur Ingmar Bergman as ‘the most extraordinary film I've seen in my life.'Shirley Clarke (2025) by Karen Pearlman is published by Edinburgh University Press and is part of the series Visionaries: The Work of Women Filmmakers (Series editors Lucy Bolton and Richard Rushton).

We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She's the author of the books: The Films of Samuel Fuller: If You Die, I'll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa's fantastic film classes and she's a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast's origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T'ang Shushuen's The Arch, which Lisa teaches in her classes. Lisa shares with us the film's unconventional transnational production context, and we have an in-depth discussion about the film's groundbreaking use of film form to portray female subjectivity. Eli highlights the film's use of deep staging, Wilson compares the film with Ann Hui's A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Send us a text message and tell us your thoughts.In the mid-20th century Caribbean, cinema became a powerful tool for nation-building, education, and political messaging through two remarkable organizations with surprisingly parallel methods but divergent ideologies. Dr. Pedro Noel Doreste Rodríguez joins us for this enchanting history in celebration of Hispanic Heritage Month. The story begins in 1949 when Puerto Rico established the Division of Community Education (DIVEDCO), creating films that taught rural communities practical skills while reinforcing cultural identity within the island's complicated relationship with the United States. Ten years later, revolutionary Cuba founded the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC), similarly using cinema to educate citizens but through an explicitly socialist lens. Both organizations deployed mobile cinema units, bringing film to remote villages alongside community discussions and educational programs. These weren't Hollywood productions seeking profit, but state-sponsored projects with clear political objectives.Perhaps most surprising is Cuba's relationship with American cinema despite the US embargo. The ICAIC organized pirated screenings of films like The Godfather, viewing them as critiques of American capitalism rather than threats to revolutionary values. This openness to global cinema influences, filtered through a revolutionary perspective, helped shape Cuba's enduring film tradition. What can these remarkable cultural experiments teach us about the power of cinema as both art and political instrument? The answer lies in understanding how these films didn't just entertain audiences—they helped shape Caribbean identities during one of the region's most transformative periods.Pedro Noel Doreste Rodríguez is Assistant Professor in Film Studies at Michigan State University and Co-Director of the Manchineel Project. He is a historian of Latin American, Caribbean, and Latinx film and media whose research surveys cinematic encounters between the global North and South, diasporic and exile filmmaking, and avant-garde film cultures in and of the Hispanic Caribbean. He is coeditor of the anthology "Vivirse la película: Methods in Puerto Rican Film Studies," forthcoming from Centro Press.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

On this Week 3 Tuesday, former Browns LB Christian Kirksey joins the program to discuss the first two weeks of the season and the upcoming TrueFan Travel trips (15:11). Jake Burns (@BrownsFilmBDN) also joins the show to break down what he saw on tape from Week 2's loss to the Ravens (50:30). You'll also go around the sports world (38:10), get One Thought from every NFL game this past weekend (1:11:14), and hear Nathan's final thoughts on the Ravens game on the Microsoft Minute (29:40).See omnystudio.com/listener for privacy information.

In this episode, Anna and Derek chat about obvious bad guys, dream sex consent, and much more during their discussion of their second Halloween Series flick, Dreamscape (1984). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film's production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield's subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film's production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield's subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film's production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield's subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film's production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield's subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Charlie Jacobs of InsideNU joins me to review the tape on Northwestern football's 2025 season to date. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's a good plan for this weekend? How about entertaining an overmatched in-state rival while potential future team members observe in person? Let's do it! Ohio State hosts Ohio U. on Saturday for what should be another beautiful evening in Ohio's state capital.  For this show, Dan Rubin, Mark Porter and new Bucknuts recruiting analyst Garrick Hodge host your infotainment journey. Who could be added to the Class of 2026? Who is visiting this weekend to see the Buckeyes battle the Bobcats? What other recruiting info do you need to move through life with aplomb? Rest assured, we have it for you. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Bill Kurelic is The Dean of Ohio State Recruiting. He's an institution. He's an inspiration. He also has big news to share with the 'Nutters. Mark Porter joins as well.  Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Best of TalkSports 9.2.25: Brooks Austin Film Study by Fanrun Radio

On tonight's episode, Brooks and the boys discuss their final week one takeaways. We are also going to talk about if the Alabama Crimson Tide dynasty is dead. During the local hour, we are going to tell you why the old Georgia is back. Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV

Welcome to this season's Halloween Series! To kick things off, Anna and Derek chat about the rules of vampirism, the criminal under usage of Jenette Goldstein, and much more during their discussion of Kathryn Bigelow's Near Dark (1987).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

On tonight's episode, Brooks and the boys discuss their final week one takeaways. We are also going to talk about if the Alabama Crimson Tide dynasty is dead. During the local hour, we are going to tell you why the old Georgia is back. Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV

Send us a textToday's special episode is a conversation I had with my son Joshua about the 1926 film The General, written by, directed by, and starring Buster Keaton. Joshua recommended this film to me after he saw it in a Film Studies class in school and when I realized I'd never seen the entire thing, we decided to make a podcast episode about it.Take a listen to hear us discuss .You can watch The General on YouTube and a huge thank you to Joshua for helping me edit many podcast episodes over the last few years.Other films mentioned in this episode include:The Circus directed by Charlie Chaplin"A Horse in Motion" directed by Eadweard J. Muybridge"A Trip to the Moon" directed by Georges Méliès"The Arrival of a Train at La Ciotat Station" by the Lumière BrothersStar Wars directed by George LucasFive Nights at Freddy's directed by Emma TammiJaws directed by Steven SpielbergThe Wizard of Oz directed by Victor FlemingGone With the Wind directed by Victor FlemingCasablanca directed by Michael CurtizSnow White and the Severn Dwarfs directed by David HandOther referenced topics:The Great Locomotive Chase: A History of the Andrews Railroad Raid Into Georgia by William PittengerVariety reviewNew York Times reviewNew York Herald Tribune reviewOrson Wells quote on the Independent Cinema OfficeSupport the show

It's almost time. Texas vs. Ohio State. The Shoe. All eyes on Columbus. Let's try and get you through today first! Bill Kurelic is here. Mark Porter is here. Who do THEY think will emerge victorious on Saturday beginning at noon? What do they think of the guest list of prospects set to take it all in? Which future Buckeyes will they see on the high school gridiron on Friday night before the epic tussle and Saturday night after it? How do Cincinnati Moeller tackles K.J. Johnson and Patrick O'Brien look on film? How about future Buckeye Chris Henry, Jr.? Answers await to all those queries await! Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

In preparation for the final preseason game of 2025, it's time to take a last look at the true roster battles. Coach Evans from Sip2Tally Films helps James and Glenn break down his film analysis of the Ravens that have the most to gain and lose in the game against the Washington Commanders. #nfl #ravensflock #baltimoreravens #nfldraft #nflpreseason Join us in YouTube Membership: https://www.youtube.com/c/410SportsTalk Follow us on social media: Instagram: @410sportstalk X (Twitter): @410_sportstalk Coach Evans: X (Twitter): @CoachEvans9 Check out our merch: https://410-sports-talk.creator-spring.com/

0:32 -Cody's Touchdown Memory and Sporting IdolCody Alexander recounted a funny little league experience where he scored a touchdown while his pants were around his ankles, highlighting the absurdity of the moment. He expressed his admiration for John Elway, his childhood idol, noting his strong connection to the Broncos through family ties, despite being surrounded by Kansas City fans.5:06 -Discussion on Football Strategies and Coaching InfluenceMichael Wright and Cody Alexander explored the influence of Vic Fangio's defensive schemes on the game of football. Cody highlighted Fangio's use of a two-high shell defense, which he finds aesthetically pleasing and effective in modern play. He emphasized the adaptability and strategic layering of Fangio's system, which contrasts with more aggressive or static defensive approaches.8:15 -Cultural Fit in Coaching Across American SportsMichael Wright and Cody Alexander explore the significance of cultural fit for coaches in American sports, noting that the diversity across regions can lead to mismatches between coaches and their teams. Cody reflects on his own experiences and the challenges coaches face when moving to different areas, while Michael points out that some coaches may take jobs out of urgency rather than compatibility. They both agree that understanding local culture is crucial for success.9:56 - Understanding Defensive Football StrategiesCody Alexander explains his background as a football coach and his transition to education through MatchQuarters, where he aims to simplify defensive concepts for a diverse audience. He notes the challenges of learning defensive terminology due to inconsistencies across different systems. Michael Wright shares his passion for defense and its importance in developing both defensive and attacking players.15:03 -Understanding Modern Football Defensive StrategiesCody Alexander elaborates on the significance of the number three receiver in football coverage and the shift from a running back-driven game to a quarterback-driven one. He contrasts even and odd defensive fronts, explaining how they impact the management of gaps and player personnel decisions. Alexander also notes the increasing complexity of offensive schemes, which require defenses to adapt and respond to various formations and player roles.30:19 -Player Processing and Communication in FootballCody Alexander addressed the significance of cognitive skills in football, particularly in defensive roles. He compared players like Luke Kuechly and Micah Parsons, noting that their ability to process information and communicate effectively enhances the performance of their teammates. Alexander argued that while physical attributes are important, a player's understanding of the game is essential for long-term success in the NFL.46:51 -Film Study and Coaching Approaches in FootballCody Alexander explains the varying expectations for film study among high school, college, and NFL players, highlighting that high school athletes should concentrate on curated plays relevant to their practice. He points out that at the NFL level, players often rely on coaches for film study, which can be a shock for newcomers. Alexander stresses the need for players to take initiative and ownership of their learning as they advance in their careers.52:33 -Coaching Perspectives on Youth Sports DevelopmentMichael Wright explains that younger athletes should engage in a cyclical feedback process to prepare for professional levels, contrasting this with the win-at-all-costs mentality prevalent in American college sports. Cody Alexander reflects on his sons' differing experiences in youth football, noting the emphasis on winning and the importance of focusing on skill development rather than immediate results. Hosted on Acast. See acast.com/privacy for more information.

All right! Get ready to maintain Social Distancing for this week's special, double-feature episode — the 54th Edition — of DEAD MAN STILL WALKING, with your courageous professor, Dr. Walking Dead Kyle Bishop! For this double-header, Dr. Bishop is discussing two, COVID-inspired zombie films: Corona Zombies (2020) and Zombie Reddy (2021)! And unfortunately, though these two movies are relevant to the topic, they are not the best movies. But Kyle also takes a moment to recommend the Woody Allen directorial debut Comedy, “What's Up, Tiger Lily?” (1966), and he explains what it has in common with “Corona Zombies” (2020) and “Hell of the Living Dead” (1983). Join us! Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

In this episode, Anna and Derek chat about unnecessarily awful nicknames, bully boyfriends who show up everywhere, and much more during their discussion of the Michael J. Fox starrer Teen Wolf (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

With the football season upon us, I thought it would be good to share this very encouraging discussion with Coach Terrence Brown Jr. with the University of Cal Football Team.SummaryIn this episode, Coach Terrence Brown shares his journey from a young athlete to a college football coach at the University of Cal. He discusses the importance of discipline, sacrifice, and mental preparation in both sports and life. Terrence emphasizes the need for young men to understand their worth, the significance of vulnerability, and the necessity of hard work to achieve their goals. He also reflects on the pressures of coaching and the importance of building confidence in players while maintaining high standards. The conversation concludes with encouraging words about perspective and faith in overcoming challenges.TakeawaysTerrence credits his success to God and his family's support.Discipline and dedication are crucial for young men.Preparation leads to confidence in high-pressure situations.Vulnerability is important for personal growth.First impressions matter in how one is perceived.Young men should learn to treat others with respect.Hard work is essential for achieving goals.Coaching is about building relationships and trust.Perspective can change how we view challenges.Everything works together for the good of those who love the Lord.Chapters00:00 Introduction and Background03:24 Early Years and Introduction to Football09:04 Earning a Scholarship and Playing at Stanford16:51 Playing Cornerback and the Rise of Stanford Football19:56 Handling Pressure and Staying in the Moment29:06 Preparation, Focus, and Confidence32:40 The Importance of Film Study in Football37:04 Showing Grace and Building Confidence in Players46:15 Faith and Purpose in the Journey of Becoming a Coach51:10 Developing Discipline, Respect, and Hard Work57:48 The Power of Vulnerability and Growth01:01:04 Everything Works Together for the Good

Film curators Michelle Baroody and Maggie Hennefeld join moderator Patrice Petro for a discussion of their program “Archives of Anonymous Labor: From Farce to Liberation.” The program juxtaposes five films that about anonymity and labor, from silent films that show the invisible labor of housemaids and film editors to films that highlight the erased labor of decolonial struggle. This program is part of the Carsey-Wolf Center annual conference Anonymous Labor in Film and Media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40920]

In this episode, Anna and Derek chat about grand gestures of movie love, Mrs. Robinson vibes, and much more during their discussion of Martha Coolidge's Valley Girl (1983).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In this episode, host Sandra Abrams sits down with Chaz Ebert, for a lively discussion about her book, It's Time To Give A FECK. FECK stands for forgiveness, empathy, compassion and kindness. She also shares insights into the many projects she is working on including a documentary, Wellness Warrior, about the life of 103-year old Deborah Szekley, founder of the Rancho La Puerta spa. In addition to directing and writing, Ms. Ebert is the CEO of Ebert Digital LLC and is the legal adviser and TV and movie producer at Ebert Productions. For 24 years, she shared a life with Pulitzer-prize winner and film critic, Roger Ebert, who passed away in 2013. Together, they established the Ebertfest film festival and the Roger Ebert Center for Film Studies at the University of Illinois. Learn more about the book giveafeck.com ---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We review The Fantastic Four: First Steps in this Oscars Profile Film Study. The Non-Spoiler Section builds to an Oscars Lens, where we predict if this movie will get any nominations, and then we discuss the plot in its entirety in our 2nd Half Spoiler Section. NON-SPOILER REVIEW: Which of the Fantastic Four are we? - Top of the Show Place in the MCU Phase 6 and that Kevin Feige interview - 2:56 No Homework - 4:28 The Reception Thus Far + Early Box Office - 5:23 Our Expectations & Common Problems People Have - 8:54 What if James Gunn stayed? + Handling the Origin Story - 12:21 Pacing Problems & We Wanted More Time To Hangout - 15:17 But we do get meaningful stakes + rounded, charming characters - 17:17 Review of the Performances & Was Pascal Miscast? - 19:29 Super Strong Production Values - 23:54 The Oscar Lens on VFX, Original Score, Costumes & Production Design - 26:57 SPOILER WARNING - 34:22 SPOILER FILLED REVIEW: Talking Galactus - 35:13 The biggest win for this movie - 37:40 How The Movie Met or Did Not Meet Mike1's Predictions - 38:57 The Most Asinine Complaint about the middle action sequence - 41:51 The biggest problem with the pacing, but we like the dilemmas in play - 43:06 Leaving us wanting more - 47:52 The Retro-Futuristic of it all & The Post Credit Scenes - 49:10 Final Grades - 52:48 OUTRO: Heavy breathing into the microphone distracts Mike1 while he's trying to remember the Outro and belly drums as Mike2 hints at his NYC movie watching weekend. We continue to avoid discussing what's coming next on the show so as not to jinx Mike1's health. But do please follow us on our socials and rate & review our show: https://linktr.ee/mikemikeandoscar And we do recommend our previous MCU Playlists on Soundcloud, which you can enjoy here. As always, thanks for listening. Marvel Cinematic Universe Series Review https://soundcloud.com/mikemikeandoscar/sets/mcu-series-review-1 Avengers Endgame Coverage https://soundcloud.com/mikemikeandoscar/sets/avengers-endgame-coverage

06/24 Hour 3: Washington's Bringing Back Their Old School Uniforms - 1:00 Barry Svrluga Joins The Junkies - 18:00 EB's Commercial Break Film Study (Wizards Edition) - 32:00

06/23 Hour 4: Entertainment Page - 1:00 EB's Commercial Film Study (Wizards Edition) - 17:00 Junkies Break Down EB's Sleeping Problems - 32:00