Podcasts about Anthem

America declares war on the most powerful empire on earth and almost immediately discovers it may have picked a fight it cannot win.  This is the story of how America's second war for independence erupted into disaster, humiliation, and legend.  Washington DC is engulfed in flames. Dolley Madison races to save a priceless portrait, while an unknown clerk rescues the nation's founding documents.  Francis Scott Key witnesses Fort McHenry through the smoke and writes the words that become “The Star-Spangled Banner.”  And in New Orleans, Andrew Jackson turns personal vengeance into a stunning battlefield victory that forges a stronger American identity and reshapes his own future. GLENN'S SPONSORS: My Patriot Supply: Save $100 on a 3-month food supply by going to PrepareWithGlenn.com Patriot Mobile: Get a free month of service! Go to patriotmobile.Com/beck or call 972-patriot, use promo code “Beck” and make the switch today! Byrna: Not every threat requires lethal force. Byrna's less-lethal launchers give you the ability to stop an aggressor from a safe distance. Save $100 on the Byrna L.E. Gen 2 launcher, while supplies last, by going to Byrna.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 1: Random Morning Greetings, Orange March, An Anthem for the USA Soccer Team full 2731 Fri, 26 Jun 2026 14:43:42 +0000 OW2SndQBzHgCXT6Dkf0944Pxh4i6GA1D soccer,world cup,usa,netherlands,fifa,orange march,sports Fescoe & Dusty soccer,world cup,usa,netherlands,fifa,orange march,sports Hour 1: Random Morning Greetings, Orange March, An Anthem for the USA Soccer Team Fescoe in the Morning. One guy is a KU grad.   The other is on the KU football broadcast team,  but their loyalty doesn't stop there as these guys  are huge fans of Kansas City sports and the people  of Kansas City who make it the great city it is.   Start your morning with us at 5:58am!   2024 © 2021 Audacy, Inc. Sports https://playe

Everyone has chants and songs but it seems like we need one too. What is our song? Free Bird? Party in the USA?

Profile This, TV Time with Ted and Headlines!

Big Sal gets sent to the corner but turns punishment into a party on Tundra FM. He fires up anthems torching the entire NFC North with original tracks aimed at the Vikings, Bears, and Lions. - Big Sal walks down the division with "Suck It" aimed at all rivals - "The Bears Still Suck" delivers a 100-year weather report on Chicago's futility - Jared Goff gets exposed as a "Lamb in a Lion Skin" in the cold - Sammy Hagar tribute "No Rings" roasts the Vikings' four Super Bowl trips with zero hardware Keep it loud, keep it green and gold. The North belongs to us. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Check out everything I'm building across the Packers and NFL world: NFL Draft Grades: https://nfldraftgrades.com/ Hashmarks: https://hashmarks.io/

Big Sal gets sent to the corner but turns punishment into a party on Tundra FM. He fires up anthems torching the entire NFC North with original tracks aimed at the Vikings, Bears, and Lions. - Big Sal walks down the division with "Suck It" aimed at all rivals - "The Bears Still Suck" delivers a 100-year weather report on Chicago's futility - Jared Goff gets exposed as a "Lamb in a Lion Skin" in the cold - Sammy Hagar tribute "No Rings" roasts the Vikings' four Super Bowl trips with zero hardware Keep it loud, keep it green and gold. The North belongs to us. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Check out everything I'm building across the Packers and NFL world: NFL Draft Grades: https://nfldraftgrades.com/ Hashmarks: https://hashmarks.io/

It's a special live edition of The Sports Junkies, joined by Grant Paulsen of Grant & Danny, at The Anthem in Washington DC. Hear the guys react live in real-time to the Wizards' potentially franchise-altering selection of BYU wing AJ Dybantsa with the first overall pick. Later they are joined by franchise legend John Wall, and analyze all the other picks from the top half of the first round.

In this special edition of The Sports Junkies with Grant Paulsen, the guys head to The Anthem for a live show covering the 2026 NBA Draft. The Wizards kept everyone in suspense until the very end before it was revealed they had selected BYU wing AJ Dybantsa first overall. The Junks offer up their instant reaction to the Dybantsa selection, plus their thoughts on the Utah Jazz taking Kansas star Darryn Peterson with the second pick.

In this special edition of The Sports Junkies with Grant Paulsen, the guys head to The Anthem for a live show covering the 2026 NBA Draft. The Wizards kept everyone in suspense until the very end before it was revealed they had selected BYU wing AJ Dybantsa first overall. The Junks offer up their instant reaction to the Dybantsa selection, plus their thoughts on the Utah Jazz taking Kansas star Darryn Peterson with the second pick.

It's a special live edition of The Sports Junkies, joined by Grant Paulsen of Grant & Danny, at The Anthem in Washington DC. Hear the guys react live in real-time to the Wizards' potentially franchise-altering selection of BYU wing AJ Dybantsa with the first overall pick. Later they are joined by franchise legend John Wall, and analyze all the other picks from the top half of the first round.

Welcome to Day 2890 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2890 – Wisdom Nuggets – Psalm 137:1-9 Daily Wisdom Wisdom-Trek Podcast Script - Day 2890 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2890 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The title for today's Wisdom-Trek is: Tears by the Rivers of Babylon – The Exile's Anthem of Defiant Remembrance In our previous episode on this grand, historical expedition, we stood on the absolute summit of Hebrew liturgy, exploring the magnificent, rhythmic crescendos of the Great Hallel, Psalm One Hundred Thirty-Six. Our voices joined the thunderous, ancient procession as we chanted the eternal, unyielding refrain: “His faithful love endures forever.” We celebrated the supreme Sovereign of the cosmic council, who skillfully forged the heavens, pinned down the chaotic primordial waters, and systematically slaughtered the giant rebel kings, Sihon and Og, to hand over the Promised Land as a permanent inheritance to His treasured people. We rested deeply in the comforting assurance that the God of heaven remembers us in our weakness, and fiercely pours out His fatherly compassion upon His servants. But today, my friends, as we step forward onto Day two thousand eight hundred ninety of our journey, we experience a sudden, violent, and deeply jarring shift in the landscape. We are entering into what is arguably the most heartbreaking, emotionally raw, and controversial poem in the entire Psalter: Psalm One Hundred Thirty-Seven, verses one through nine, in the New Living Translation. The triumphant, sunlit courts of Jerusalem have vanished. The glorious chords of the temple orchestra have fallen completely silent. Instead, we find ourselves sitting in the mud, weeping in the suffocating shadows of a hostile, foreign empire. The inheritance appears to be entirely lost, the holy city has been burned to ash, and the people of God are trapped inside the geographic epicenter of the cosmic rebellion. Let let us step onto this agonizing section of the trail, adjust our lenses to navigate the dark waters of sorrow, and listen to the defiant song of the exile. The first segment is: The Heavy Harps and the Cruel Taunts of Babel Psalm One Hundred Thirty-Seven: verses one, two, and three . Beside the rivers of Babylon, we sat and wept as we thought of Jerusalem. We put away our harps, hanging them on the branches of the poplar trees. For our captors demanded a song from us. Our tormentors demanded a joyful hymn: “Sing us one of those songs of Jerusalem!” The poem opens with an incredibly vivid, melancholic scene that captures the profound trauma of displacement. “Beside the rivers of Babylon, we sat and wept as we thought of Jerusalem. We put away our harps, hanging them on the branches of the poplar trees.” To fully comprehend the immense spiritual and psychological warfare embedded in these opening lines, we must view this geography through the profound lens of the Ancient Israelite divine council worldview, as masterfully taught by Doctor Michael S. Heiser. In the cosmic geography of the ancient world, Babylon was not just a powerful human political empire; it was the historical, and spiritual, womb of the cosmic rebellion. This was the territory of Babel, the exact site where humanity originally attempted to build an autonomous empire to make a name for themselves, resulting in Yahweh disinheriting the nations and placing them under the jurisdiction of lesser, rebel spiritual principalities—the fallen sons of God. To be violently dragged away from Judah, and forced to sit "beside the rivers of Babylon," meant that the Israelites were physically sitting within the occupied territory of hostile, rival elohim. The rivers of Babylon—the complex network of irrigation canals fed by the Tigris and Euphrates rivers—were symbols of the empire's economic might, and the apparent supremacy of their gods. The captives sat by these waters, completely crushed, and they wept. They were not just homesick; they were experiencing a profound theological crisis. Their temple was destroyed, the Ark of the Covenant was gone, and it appeared to the watching world that the rebel gods of Babylon had successfully triumphed over Yahweh. In their deep grief, they performed a symbolic act of architectural silence: they hung their beautiful, stringed harps upon the branches of the weeping poplar trees lining the canals. The music that had once filled the cosmic center of Mount Zion was intentionally shut down. The harps became dead weights, swaying in the foreign wind. The pain of this silence is violently exacerbated by the psychological cruelty of their captors in verse three: “For our captors demanded a song from us. Our tormentors demanded a joyful hymn: ‘Sing us one of those songs of Jerusalem!'” This was not a polite request for cultural exchange or musical entertainment. This was an act of aggressive, mocking spiritual intimidation. The Babylonian soldiers, acting under the dark inspiration of their territorial deities, wanted to humiliate the broken exiles. They wanted the Israelites to perform their sacred, liturgical temple hymns—the grand songs of Zion that celebrated Yahweh's absolute supremacy over the nations—as a circus act for the amusement of the conquerors. It was a cruel taunt, designed to force the captives to admit defeat, to mock the apparent helplessness of their God, and to pressure them into assimilating into the pagan culture of the empire. The enemy wanted to weaponize their own sacred music against their souls. The second segment is: The Oath of the Unbending Tongue Psalm One Hundred Thirty-Seven: verses four, five, and six. But how can we sing the songs of the Lord while in a pagan land? If I forget you, Jerusalem, let my right hand forget how to play the harp. May my tongue stick to the roof of my mouth if I fail to remember you, if I don't make Jerusalem my greatest joy. The text responds to the cruel mockery of the captors with a fierce, defiant, and completely unyielding refusal. “But how can we sing the songs of the Lord while in a pagan land?” To the ancient Israelite, singing the shir Yahweh—the song of the Lord—was an act of high, localized covenant sanctuary. The sacred songs were designed exclusively for the cosmic mountain, the holy space where the presence of the Creator uniquely dwelt. To perform these holy liturgies for the amusement of a pagan audience, within the defiled, demonically supervised territory of Babylon, would be an act of supreme spiritual treason. It would be an acknowledgment that Yahweh could be domesticated, transformed into a minor, defeated deity who exists merely to entertain the proxies of the rebel council. The exiles draw a hard, non-negotiable line in the mud. They choose silence over sacrilege. The psalmist then seals this refusal by swearing a terrifying, double-sided personal oath of absolute, multi-generational remembrance in verses five and six. “If I forget you, Jerusalem, let my right hand forget how to play the harp. May my tongue stick to the roof of my mouth if I fail to remember you, if I don't make Jerusalem my greatest joy.” The writer is a temple musician, an artist whose entire livelihood, status, and identity depend on his right hand's ability to skillfully pluck the strings of the harp, and his tongue's ability to articulate the beautiful melodies of the liturgy. He deliberately invokes a self-malediction, a curse upon his own biological tools of expression. He says, “If I ever allow the comfort, the wealth, and the seductive luxury of Babylon to make me complacent, if I ever forget the cosmic center of Mount Zion, if I ever assimilate into this pagan empire and lose my distinct identity, then let my right hand instantly wither, and lose its muscle memory! Let my tongue become paralyzed, permanently sticking to the roof of my mouth, so that I can never sing another note of any song for the rest of my life!” This is a magnificent display of spiritual resilience. The psalmist realizes that the ultimate danger of the exile is not physical death, but cultural and spiritual amnesia. Babylon wants the exiles to forget who they are, to forget the covenant, and to forget the cosmic blueprint of the Creator. By making Jerusalem his “greatest joy”—even while it sits in smoldering ruins—the exile is performing an act of fierce, defiant loyalty. He anchors his mind to the unshakeable reality of God's future restoration, refusing to let the temporary success of the rebel principalities redefine the true focus of his...

It's a special live edition of The Sports Junkies, joined by Grant Paulsen of Grant & Danny, at The Anthem in Washington DC. Hear the guys react live in real-time to the Wizards' potentially franchise-altering selection of BYU wing AJ Dybantsa with the first overall pick. Later they are joined by franchise legend John Wall, and analyze all the other picks from the top half of the first round.

In this special edition of The Sports Junkies with Grant Paulsen, the guys head to The Anthem for a live show covering the 2026 NBA Draft. The Wizards kept everyone in suspense until the very end before it was revealed they had selected BYU wing AJ Dybantsa first overall. The Junks offer up their instant reaction to the Dybantsa selection, plus their thoughts on the Utah Jazz taking Kansas star Darryn Peterson with the second pick.

It's a special live edition of The Sports Junkies, joined by Grant Paulsen of Grant & Danny, at The Anthem in Washington DC. Hear the guys react live in real-time to the Wizards' potentially franchise-altering selection of BYU wing AJ Dybantsa with the first overall pick. Later they are joined by franchise legend John Wall, and analyze all the other picks from the top half of the first round.

In this special edition of The Sports Junkies with Grant Paulsen, the guys head to The Anthem for a live show covering the 2026 NBA Draft. The Wizards kept everyone in suspense until the very end before it was revealed they had selected BYU wing AJ Dybantsa first overall. The Junks offer up their instant reaction to the Dybantsa selection, plus their thoughts on the Utah Jazz taking Kansas star Darryn Peterson with the second pick.

Donna & Steve open the show talking about how Taylor Swift & Ella Langley surprised fans with a performance in Nashville, Tom Hanks giving credit to Robin Williams for inspiring the animation industry and great backhanded compliments.In hour two, we play the Jason Bateman edition of the College of Pop Culture Knowledge, why M&Ms might start looking different soon and Little Caesars is introducing the "Webberoni" pizza.Finally, Will Smith and Jada Pinckett Smith made a rare public appearance together, the new Jackass movie is coming out this weekend and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the 159th episode of I AM HARDSTYLE Radio by Brennan Heart. Tracklist: 0:00:00 | I AM HARDSTYLE Radio intro 0:00:34 | Showtek - The Colour Of The Harder Styles (2026 Rework) 0:04:16 | 4444 OF A KIND - Waiting 4 0:07:46 | Galactixx - When You're Gone 0:10:22 | TNT - 2001 0:13:33 | Miia Solar - Take Control 0:15:50 | Hardwell & Dyro - Not Alone (Bass Modulators Remix) 0:19:52 | Adrenalize - Superstar 0:23:10 | Ran-D - A Thousand Years 0:26:45 | Hard Driver - BODY MOVE 0:29:17 | Brennan Heart - Get Wasted (Defqon.1 Anthem 2007) (Blademasterz Remix) 0:30:26 | Headhunterz - Scrap Attack (Defqon.1 Anthem 2009) 0:31:07 | Headhunterz & Wildstylez vs Noisecontrollers - World Of Madness (Defqon.1 2012 Anthem) 0:32:24 | Audiofreq & Code Black & Toneshifterz - Dragonblood (Defqon. Australia Anthem 2016) 0:33:52 | Frontliner - Weekend Warriors (Defqon.1 2013 Anthem) 0:34:47 | Frequencerz - Victory Forever (Defqon.1 2017 Anthem) 0:36:17 | Ran-D ft. Skits Vicious - No Guts, No Glory (Defqon.1 2015 Anthem) 0:38:02 | Vertile - Dancing In The Moonlight 0:41:02 | Zatox - New Style 0:43:33 | Coone feat. Diss Reaction - Jiiieehaaaa (Warrior Workout 2026 OST) 0:45:44 | Da Tweekaz x The Straikerz - Dancefloor Therapy 0:49:14 | Primeshock & Cryex - Higher Rush 0:52:20 | D-Block & S-te-fan & Dual Damage - Tomorrow Can Wait 0:55:27 | Testarossa - END GAME 0:59:42 | Audiofreq - Watching The Sunrise 1:02:12 | Adaro & Unresolved - Original Gangsters (Raw And Mean) 1:06:27 | Titan - Synchronized 1:09:05 | Aversion & BIG K - DANCE PARTY!!! 1:11:25 | AniMe - Make It Break

06/23 Hour 4: Andrew Sharp Joins The Junkies - 1:00 Wizards Might Shock Everyone Tonight - 19:00 Junks Draft Party At The Anthem Tonight - 31:00

Full show 6/23/26: Grant & Danny are Live from The Anthem on The Wharf Ahead of the Wizards Draft Party and the NBA Draft, where the Wizards are set to make the Number 1 Overall Pick. Plus, Nats All-Star OF James Wood joins us in studio, and the Caps make a major trade to acquire a 30+ goal scorer from the St. Louis Blues.

Wizards radio voice Glenn Consor joins G&D ahead of the draft to discuss what the Wizards might do at No. 1.

Hour 3: 06/23/2026 - Beltway Blitz: Wizards, NBA, Nationals - What's the Best and Worst Case Scenario for Darryn Peterson? - Wizards Radio Voice Glenn Consor Previews Wizards Draft Party at The Anthem

TRACKLIST: 01. Matt Fax - Tomorrow 02. M.O.S. & Into The Ether — One Day Soon 03. AÏA, Roger Shah — In A Rush (Extended Mix) 04. Christian Burns, Little_Foot - I Will Follow 05. Cvmrn - Folding Light (Club Mix) 06. HelSlwed - Cant Let You Go (Extended Mix) 07. Ferry Corsten, Haliene - Wherever You Are (Helslowed Extended Reprint) 08. Dennis Sheperd, Daniel Simon & Luke Coulson - Rescue Me (Aldor Extended Remix) 09. LTN & Davva - Rising Faith 10. Grum, Amba Shepherd - Slow Motion 11. Roman Messer - Here & Now (Suanda 550 Anthem) 12. DJ T.H. x Jarviis x Jake x Amara - Shy 13. Sneijder x Kinetica — Echoes Rise (Extended Mix) Pravda Music еженедельная авторская музыкальная программа DJ / продюсера M.Pravda. Каждую неделю обзор новой музыки и эксклюзивных треков. В рамках программы выходят тематические выпуски: "Лучшие треки месяца", "Vocal Trance", "Deep Space Progressive", "Psytrance Special" и другие. ▶ band.link/PravdaMusicRadio ▶ Огромное спасибо за ваше кофе и донаты ;) Поддержать автора проекта: pay.cloudtips.ru/p/a811f671 __________ #trance #pravdamusic #progressive #prog #melodic #pravda #vocal #underground #electronic #trancemission #radiorecord #tech #trancevocal #trancefamily #mpravda #mix #dj #nonstop #uplifting #euphoric #djset #continuous #radioshow #trancemusic #vocaltrance #tranceset #tranceradio 01. Matt Fax - Tomorrow 02. M.O.S. & Into The Ether — One Day Soon 03. AÏA, Roger Shah — In A Rush (Extended Mix) 04. Christian Burns, Little_Foot - I Will Follow 05. Cvmrn - Folding Light (Club Mix) 06. HelSlwed - Cant Let You Go (Extended Mix) 07. Ferry Corsten, Haliene - Wherever You Are (Helslowed Extended Reprint) 08. Dennis Sheperd, Daniel Simon & Luke Coulson - Rescue Me (Aldor Extended Remix) 09. LTN & Davva - Rising Faith 10. Grum, Amba Shepherd - Slow Motion 11. Roman Messer - Here & Now (Suanda 550 Anthem) 12. DJ T.H. x Jarviis x Jake x Amara - Shy 13. Sneijder x Kinetica — Echoes Rise (Extended Mix)

TRACKLIST: 01. Matt Fax - Tomorrow 02. M.O.S. & Into The Ether — One Day Soon 03. AÏA, Roger Shah — In A Rush (Extended Mix) 04. Christian Burns, Little_Foot - I Will Follow 05. Cvmrn - Folding Light (Club Mix) 06. HelSlwed - Cant Let You Go (Extended Mix) 07. Ferry Corsten, Haliene - Wherever You Are (Helslowed Extended Reprint) 08. Dennis Sheperd, Daniel Simon & Luke Coulson - Rescue Me (Aldor Extended Remix) 09. LTN & Davva - Rising Faith 10. Grum, Amba Shepherd - Slow Motion 11. Roman Messer - Here & Now (Suanda 550 Anthem) 12. DJ T.H. x Jarviis x Jake x Amara - Shy 13. Sneijder x Kinetica — Echoes Rise (Extended Mix) ▶ https://band.link/PravdaMusicRadio __________ #trance #pravdamusic #progressive #prog #melodic #pravda #vocal #underground #electronic #trancemission #radiorecord #tech #trancevocal #trancefamily #mpravda #mix #dj #nonstop #uplifting #euphoric #djset #continuous #radioshow #trancemusic #vocaltrance #tranceset #tranceradio

Text: Romans 1:24-27For more resources and information from Anthem Church, visit us at https://www.anthemcolumbia.com/

01:26 | 01. Coone & Diss Reaction - Jiiieehaaaa 04:01 | 02. Hard Driver - BODY MOVE 06:39 | 03. Testarossa - END GAME 10:10 | 04. KELTEK - One Tribe (SEFA END) 13:31 | 05. Atmozfears and Demi Kanon - circles 16:41 | 06. Brennan Heart - Free Your Mind 19:59 | 07. Sub Zero Project - Our World 22:57 | 08. D-Sturb & E-Life - Sacred Oath (Defqon.1 2026 Anthem) 27:43 | 09. DÂVINØ - The Temple 31:22 | 10. Frontliner - Weekend Warriors 33:53 | 11. Primeshock and Cryex - Higher Rush 36:22 | 12. Ran-D - No Guts No Glory (feat. Skits Vicious) [Defqon.1 Anthem 2015] 40:03 | 13. D-Block & S-te-Fan - Save The Day 41:44 | 14. Malua - Solution 43:14 | 15. DÂVINØ & Stef Classens - In The Fire 44:52 | 16. Wildstylez - Timeless 47:03 | 17. Zatox - Alles Verbrennt 48:54 | 18. Vertile - Dancing In The Moonlight 51:51 | 19. Paul Elstak & Warface - To The Stars 55:29 | 20. Hard Driver - Rise Again (Defqon.1 2022 Closing Theme)

In this special World Cup episode, we break down "Somos Más," the official Telemundo anthem for the 2026 FIFA World Cup, performed by Carlos Vives (Colombia), Emilia (Argentina), Wisin (Puerto Rico), and Xavi (Mexico).We'll break down the song lyrics and review vocabulary for talking about sports, emotions, and coming together as a community.In this episode, you'll learn:⚽ Essential fútbol vocabulary that every Spanish speaker uses during the World Cup

Every FIFA World Cup has at least one banger anthem. However, Breakfast with Martin Bester decided to take matters into their own hands and create this one-of-a-kind proudly South African version.

Is America back, baby? It sure feels like it. From the noise of the arena to the perfection of pitch, that Anthem was one of the best, and we're playing it here.

Text: Romans 1:21-23For more resources and information from Anthem Church, visit us at https://www.anthemcolumbia.com/

America was supposed to turn 250 this year. One man turned it into his own 80th birthday party instead: a cage fight on the people's lawn, a beer sponsor, party lights bright enough to blind a pilot on approach, and a twelve-thousand-dollar coin with his face on one side and We the People on the other. Lyrics:South Lawn's got a ninety-foot clawEighty-seven-foot cage where the rose garden wasBud Light logos on every wallMonster Energy sign bigger than GodSeventy-nine going on eightyTurns the whole country into his birthday partyPay-per-view, eight-ninety-nine a monthWhile pilots scream "I can't see the runway, cunt!"They said it was America's two-fiftyBut it's just one old man and his UFC griftCommodores bailed, Young MC dippedVanilla Ice is the only one left on the shipOCTOGENARIAN OCTAGON!His face on the coin, We the People on the back!OCTOGENARIAN OCTAGON!Autopen signed it, he was too busy to sign!You turned the Mall into a parking lot brawlAnd called it freedom, you senile asshole!OCTOGENARIAN OCTAGON!Happy birthday to you, America's gone!Ring girls in flag bikinis on Flag DayViolating federal code in the most American way"Respect the flag!" they screamed for ten years straightNow it's ass cheeks and stars on the Octagon Girls stageCrypto dot com and Bud Light holding handsTKO stock in the president's pantsSixty million dollars, seven agencies deepWhile North Carolina can't afford to show up and weepThey starved the real commission, funneled the cashTo a cage fight and a coin with his face on the stashEleven-thousand-nine-hundred-and-ninety-nineFor a chunk of gold that's worth half that timeOCTOGENARIAN OCTAGON!His face on the coin, We the People on the back!OCTOGENARIAN OCTAGON!Autopen signed it, he was too busy to sign!You blinded the pilots over Reagan at nightSixty-seven died there, but the lights were too bright!OCTOGENARIAN OCTAGON!Happy birthday to you, America's gone!Jane Fonda's eighty-eight throwing a real showPatti Smith, Bette Midler, five thousand rooms saying NOWhile you're in a chair watching men grapple for cashOn ground soaked in marches and blood from the pastThey tore up the reflecting pool like it was nothingMade the Washington Monument your corporate backdropYou wanted your name on the Kennedy Center tooJudge said "scrape it off" and thirty-five thousand cheered while it flewOCTOGENARIAN OCTAGON!We the People are watching you lose!OCTOGENARIAN OCTAGON!Your grift's showing, motherfucker, choose!Bud Light cage, Monster sign, coin made of shameStates walked out, musicians bailed, only the grifters remained!OCTOGENARIAN OCTAGON!This ain't a birthday, this is a con!OCTOGENARIAN OCTAGON!We're burning it down before the next one!Happy two hundred and fifty, you geriatric clownThe cage comes down MondayBut the receipts? They're staying around.OCTOGENARIAN OCTAGON!Become a supporter of this podcast: https://www.spreaker.com/podcast/we-saw-the-devil-unfiltered-political-analysis--4433638/support.Website: http://www.wesawthedevil.comPatreon: http://www.patreon.com/wesawthedevilDiscord: https://discord.gg/X2qYXdB4Twitter: http://www.twitter.com/WeSawtheDevilInstagram: http://www.instagram.com/wesawthedevilpodcast.

The Brown Bag team are taking over the pitch with the world premiere of their official World Cup anthem, and the crew is convinced it's a bigger hit than the Thriller album! ⚽

Welcome back to When Words Fail, Music Speaks – the podcast where we explore how sound can lift us out of the darkness and into healing. I'm your host, James Cox, a lifelong music‑lover who's turned his own battles with depression into a mission: to help others find solace through melody.In today's episode we sit down with the genre‑defying artist Elvira Kalnik – a classically trained vocalist who's turned the studio into a laboratory of emotion, weaving opera, electronic beats, vivid visuals, and field recordings (think birdsong turned into synth textures). From performing at the United Nations Humanity Gala to the deeply personal single “Water knows,” Elvira shows us how music can be a conduit for grief, acceptance, and transformation.We'll hear the story behind “Water knows” – a song born from the heart‑wrenching experience of watching her father's memory slip away with dementia, and how she poured that pain into the river, letting the water carry her sorrow. We'll discuss why she believes music is a universal language that transcends words, how she captures natural sounds and reshapes them into ambient electronic landscapes, and what it means for her to be both storyteller and visual artist.Stay tuned for a lightning‑round of rapid‑fire answers, a glimpse into her “Magical Child” album that once saved a listener from the brink, and a reminder that, whether you're listening through headphones or feeling the bass in a live venue, the right vibration can speak directly to your soul.Grab your headphones, open your heart, and get ready—because when words fail, Elvira's music will say it all.

Episode 155

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The first sitting U.S. president to attend an NBA Finals game received a strong reaction from fans in New York City. Correspondent Gethin Coolbaugh reports.

AP Washington correspondent Sagar Meghani reports President Trump is blowing off the unwelcome reception fans gave him before last night's NBA Finals game in New York.

The Second Sunday after Pentecost ORISON: Now cheer our hearts this eventide – Nathan Jensen (b. 1968)  PSALM 33:1-12 – Peter R. Hallock (1924-2014)  HYMN: O God of Bethel (Tune: Dundee) – mel. from The CL Psalmes of David, 1615; harm. The Psalmes of David in Prose and Meeter, 1635 [H40 497]  NUNC DIMITTIS – Plainsong, Tone VII; harm. Thomas Morley (1557-1602)  ANTHEM: In pace – John Sheppard (c. 1515-1558)  Jeremy Matheis, director • Scott Fikse, reader • Joel Bevington, cantor 

Text: Romans 1:18-20For more resources and information from Anthem Church, visit us at https://www.anthemcolumbia.com/

FAITH IS… with Pastor Rick Stevens – Psalm 8 inspires worshipful reflection on God's majesty, faithful prayer, and courageous hope. Questions about UFOs, persecution, church structures, history, and leadership become invitations to trust Scripture, seek repentance, pursue reconciliation, support pastors, pray for the suffering, and build communities shaped by mercy rather than fear today with steady faith...

In this episode of the ASC Podcast with John Goehle we discuss the latest news in the ASC industry, recent survey experiences, debrief from ASCA 2026, review the new Anthem policy on out of network providers, discuss Cardiac Ablations in the ASC environment and in our focus segment interview Becky Ziegler-Otis Assistant Executive Director at the ASC Quality Collaboration.    This episode is sponsored by Surgical Information Systems, RFX Solutions, Medserve and  Ambulatory Healthcare Strategies.   Notes and Resources from this Episode: ASC News- May 11, 2026 - Anthem Expands Out of Network Policy: https://ascnews.com/2026/05/hospitals-take-aim-at-anthem-as-insurer-expands-out-of-network-policy-whats-at-stake-for-ascs/?spMailingID=198771&puid=4098726&E=4098726&utm_source=newsletter&utm_medium=email&utm_campaign=198771 ASC News - May 27th - Cardiac Ablations Moving to ASC's https://ascnews.com/2026/05/this-is-better-for-patients-doctor-details-advocacy-push-best-practices-for-cardiac-ablations-in-ascs/?spMailingID=201106&puid=4098726&E=4098726&utm_source=newsletter&utm_medium=email&utm_campaign=201106 ASC Quality Collaboration: Website: https://ascquality.org/ 4th Quarter Quality Report: https://ascquality.org/wp-content/uploads/2026/04/ASC-Quality-Collaboration-Quality-Report-Fourth-Quarter-2025.pdf ASC Safety & Quality Assessment: https://ascquality.org/asc-safety-quality-assessment/ Flyer for the Assessment: https://www.dropbox.com/scl/fi/l038sdgdmsu33ub7ujm8v/ASC-Safety-Quality-Assessment-Flyer-2026.pdf?rlkey=au3vzvt62hs4zmifroufq6do9&dl=0 INFORMATION ABOUT THE ASC PODCAST WITH JOHN GOEHLE ASC Central, a sister site to http://ascpodcast.com provides a link to all of our bootcamps, educational programs and membership programs! https://conferences.asc-central.com/ Join one of our Membership Programs! Our Patron Program: Patron Members of the ASC Podcast with John Goehle have access to ASC Central - an exclusive membership website that provides a one-stop  ASC Regulatory and Accreditation Compliance, Operations and Financial Management resource for busy Administrators, nurse managers and business office managers.  More information and Become Member The ASC-Central Premium Access Program A Premium Resource for Ambulatory Surgery Centers including access to bootcamps, education programs and private sessions More Information and Become a Premium Access Program Members Today! Important Resources for ASCs: Conditions for Coverage: https://www.ecfr.gov/cgi-bin/text-idx?c=ecfr&rgn=div5&view=text&node=42:3.0.1.1.3&idno=42#se42.3.416_150 Infection Control Survey Tool (Used by Surveyors for Infection Control) https://www.cms.gov/Regulations-and-Guidance/Guidance/Manuals/downloads/som107_exhibit_351.pdf Updated Guidance for Ambulatory Surgical Centers - Appendix L of the State Operations Manual (SOM) https://www.cms.gov/Regulations-and-Guidance/Guidance/Manuals/downloads/som107ap_l_ambulatory.pdf https://www.cms.gov/medicareprovider-enrollment-and-certificationsurveycertificationgeninfopolicy-and-memos-states-and/updated-guidance-ambulatory-surgical-centers-appendix-l-state-operations-manual-som Policy & Memos to States and Regions CMS Quality Safety & Oversight memoranda, guidance, clarifications and instructions to State Survey Agencies and CMS Regional Offices. https://www.cms.gov/Medicare/Provider-Enrollment-and-Certification/SurveyCertificationGenInfo/Policy-and-Memos-to-States-and-Regions Other Resources from the ASC Podcast with John Goehle: Visit the ASC Podcast with John Goehle Website Books by John Goehle Get a copy of John's most popular book - The Survey Guide - A Guide to the CMS Conditions for Coverage & Interpretive Guidelines for Ambulatory Surgery Centers

Raise your flag. Honor our heroes. Thank God for freedom. "Raise Your Flag and Let It Fly" is a tribute to the American spirit and the blessings of liberty.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

We are kicking off our Summer at Bethlehem series with a head-first dive into the life-changing power of God's Word. The Bible is not just ancient information; it is living, active, and timely. In this raw and deeply personal message, Pastor Jason opens up about his own years-long battle with anxiety to expose a universal truth: the biggest battle of your life is won and lost in the six-inch real estate between your ears - your MIND.   Preaching from Philippians 4:4-9, a passage written from the depths of a Roman prison rather than an Instagram motivational seminar, Pastor Jason teaches us that a healthy mind requires an intentional spiritual diet. If you have been trapped on an island of worry, playing out worst-case scenarios, this message serves as a practical guide to stop stuffing your emotions and start discipling your mind.  

The Visitation of the Blessed Virgin Mary  ORISON: Virgin born, we bow before thee (Tune: Mon dieu, prête-moi l'oreille) – mel. Loys Bourgeois (c. 1510-1559); harm.  Claude Goudimel (c. 1514-1572) PSALM 113 – Jason A. Anderson (b. 1976)  HYMN 269: Ye who claim the faith of Jesus (Tune: Den des Vaters Sinn geboren) – Johann Anastasius Freylinghausen (1670-1739)  NUNC DIMITTIS – Plainsong, Tone I; harm. Thomas Morley (1557-1602)  ANTHEM: Ave Maria […]