Podcasts about Marvel Comics

Good grief! We're talking Peanuts this week on the show. We also review Ancestral Recall #1 from AHOY Comics, Avengers Academy #1 from Marvel Comics, and Benjamin #1 from Oni Press. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN ANCESTRAL RECALL #1 Writer: Jordan Clark Artist: Atagun Ilhan Publisher: AHOY Comics Cover Price: $4.99 Release Date: August 6, 2025 Black History: For painter Melvin Waring, it's an actual super power! When Melvin's wife mysteriously disappears, he must call on the most important Black figures of all time to help him in his search. A gripping new saga from two Milestone Initiative members: writer Jordan Clark (Aquaman, Star Wars Adventures) and artist Atagun Ilhan (Poison Ivy, Milestone Universe: The Shadow Cabinet). [rating:4.5/5] MATTHEW AVENGERS ACADEMY #1 Writer: Anthony Oliveira Artist: Carola Borellia/Bailie Rosenlund Publisher: Marvel Comics Cover Price: $5.99 Release Date: June 11, 2025 SCHOOL'S IN SESSION! Welcome to Avengers Academy! Seeking to guide the next generation of super heroes, CAPTAIN MARVEL assembles a misfit team of super-powered teens: CAPTAIN AMERICA OF THE RAILWAYS, BLOODLINE, ESCAPADE, MOON GIRL, RED GOBLIN, and new hero on the block, KID JUGGERNAUT! But classes are the least of their concerns as they fend off super-villain attacks, make new friends - and new foes - and learn what it really means to be Earth's mightiest heroes. For the FIRST TIME IN PRINT, read issues #1-6 of Marvel's hit infinity series AVENGERS ACADEMY by rising star ANTHONY OLIVEIRA and visionary artists CAROLA BORELLI and BAILIE ROSENLUND! Featuring the first appearance of an all-new SINISTER SIX, this is one book you don't want to miss! [rating:3.5/5] RODRIGO BENJAMIN #1 Writer: Ben H. Winters Artist: Leomacs Publisher: Oni Press Inc. Cover Price: $5.99 Release Date: June 18, 2025 IN ONE L.A. MOTEL ROOM, A COSMIC QUEST IS ABOUT BEGIN.... Edgar Award nominee and Philip K. Dick Award-winner Ben H. Winters (EC's Cruel Universe, The Last Policeman Trilogy) and rising star Leomacs (EC's Epitaphs from the Abyss, Refrigerator Full of Heads) unravel a three-part, prestige format series exploring the hallucinatory second life of a brilliant author who imagined our desperate future but never imagined he'd become part of it . . More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Across 44 novels and hundreds of short stories-including the counterculture classic The Man They Couldn't Erase-Carp pushed the boundaries of literary respectability for the sci-fi genre and his readers' perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982. Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldn't exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios intensely through his fiction-and, now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself. In the tradition of Philip K. Dick's A Scanner Darkly and Thomas Pynchon's Inherent Vice comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard . . . [rating: 3/5] DISCUSSION PEANUTS 1950 Writer/Artist: Charles Schulz This first volume, covering the first two and a quarter years of the strip, will be of particular fascination toPeanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before―in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with. (Among other things, three major cast members―Schroeder, Lucy, and Linus―initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4dOo6YW CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

The Superhero Show Show #588The Rise of Marvel's Forgotten Heroes on Spider-Man: The Animated Series On this week's The Superhero Show Show, the Taste Buds dive deep into Spider-Man: The Animated Series Season 5, Episode 3: Six Forgotten Warriors Chapter 3: Secrets of the Six. This installment uncovers long-buried super-soldier secrets, Cold War betrayals, and the rise of the Six Forgotten Warriors—all while villains like Kingpin and Red Skull close in on a world-changing weapon.If you're a fan of comic-book-based TV shows, this arc combines Marvel's golden age history with Spider-Man's most emotional personal revelations.What Are the Secrets of the Six?The episode finally answers the central mystery: Who are the Six Forgotten Warriors?They're not just Cold War footnotes—they're WWII-era super-soldiers created after Captain America's disappearance. But with time, politics, and betrayal burying their legacy, these heroes faded from public memory… until now.The panel discusses how Spider-Man: TAS cleverly weaves these original characters into Marvel's mythos, creating an alternate version of events that mirrors the Super Soldier Serum storyline. The Secrets of the Six reveal how these warriors were part of a doomed experiment—and how one of them, Keene Marlow, is the key to unlocking everything.Related episode: Unclaimed Legacy – Chapter 2 RecapKingpin and Red Skull Battle for the Forgotten WeaponWhile Spider-Man uncovers the truth, Kingpin and Red Skull race to seize control of the ultimate WWII-era doomsday device—a weapon hidden by the Six decades earlier.Kingpin's criminal empire crosses paths with global politics, manipulating intelligence agencies and supervillains alike to claim the weapon. Meanwhile, Red Skull—long thought dead—reemerges as a terrifying legacy villain. Their clash raises the stakes to global proportions, giving this animated episode serious MCU-level energy.Who is Red Skull? (Marvel Fandom)Meet Kingpin in the Spider-VerseKeene Marlow Is Revealed as The DestroyerFan speculation pays off as Keene Marlow is confirmed to be a founding member of the Six—and in Marvel Comics, he's known as The Destroyer, a Golden Age hero created in 1941.In the show, Marlow is a grizzled, world-weary soldier who watched his teammates fade into history and now wrestles with the consequences of decisions made in secret. The podcast explores how this reveal deepens the show's lore and draws connections to Captain America: The First Avenger, decades before the film even existed.The Destroyer on Marvel FandomPeter Parker's Family Tied to the SixIn a shocking twist, Spider-Man learns that his parents, Richard and Mary Parker, may have worked alongside or against the Six during their Cold War missions. This haunting possibility drives Peter to question not just the history of these forgotten heroes, but the

Brian Michael Bendis gets very embarrassed whenever anyone goes on about his many, many accomplishments. So suffice it to say that he's written many of our favorite comics, and probably a whole bunch of yours too. Join him on jinxworld.com at the Powers Level for instant access to behind-the-scenes content, archived Masterclass sessions, and much more!For nearly THREE HOURS of bonus content — including 70 minutes more of our conversation with Brian and 31 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode: Marvel Treasury Special Featuring 2001: A Space Odyssey, adapted by Jack Kirby, art by Jack Kirby and Frank Giacoia, letters by John Costanza, colors by Marie Severin and Jack Kirby, edited by Archie Goodwin and Marv Wolfman, ©1976 Marvel ComicsMarvel Treasury Special Featuring Captain America's Bicentennial Battles, written by Jack Kirby, art by Jack Kirby, Herb Trimpe, John Romita, and Barry Smith, letters by John Costanza, colors by Phil Rachelson, edited by Jack Kirby, ©1976 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Good grief! We're talking Peanuts this week on the show. We also review Ancestral Recall #1 from AHOY Comics, Avengers Academy #1 from Marvel Comics, and Benjamin #1 from Oni Press. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN ANCESTRAL RECALL #1 Writer: Jordan Clark Artist: Atagun Ilhan Publisher: AHOY Comics Cover Price: $4.99 Release Date: August 6, 2025 Black History: For painter Melvin Waring, it's an actual super power! When Melvin's wife mysteriously disappears, he must call on the most important Black figures of all time to help him in his search. A gripping new saga from two Milestone Initiative members: writer Jordan Clark (Aquaman, Star Wars Adventures) and artist Atagun Ilhan (Poison Ivy, Milestone Universe: The Shadow Cabinet). [rating:4.5/5] MATTHEW AVENGERS ACADEMY #1 Writer: Anthony Oliveira Artist: Carola Borellia/Bailie Rosenlund Publisher: Marvel Comics Cover Price: $5.99 Release Date: June 11, 2025 SCHOOL'S IN SESSION! Welcome to Avengers Academy! Seeking to guide the next generation of super heroes, CAPTAIN MARVEL assembles a misfit team of super-powered teens: CAPTAIN AMERICA OF THE RAILWAYS, BLOODLINE, ESCAPADE, MOON GIRL, RED GOBLIN, and new hero on the block, KID JUGGERNAUT! But classes are the least of their concerns as they fend off super-villain attacks, make new friends - and new foes - and learn what it really means to be Earth's mightiest heroes. For the FIRST TIME IN PRINT, read issues #1-6 of Marvel's hit infinity series AVENGERS ACADEMY by rising star ANTHONY OLIVEIRA and visionary artists CAROLA BORELLI and BAILIE ROSENLUND! Featuring the first appearance of an all-new SINISTER SIX, this is one book you don't want to miss! [rating:3.5/5] RODRIGO BENJAMIN #1 Writer: Ben H. Winters Artist: Leomacs Publisher: Oni Press Inc. Cover Price: $5.99 Release Date: June 18, 2025 IN ONE L.A. MOTEL ROOM, A COSMIC QUEST IS ABOUT BEGIN.... Edgar Award nominee and Philip K. Dick Award-winner Ben H. Winters (EC's Cruel Universe, The Last Policeman Trilogy) and rising star Leomacs (EC's Epitaphs from the Abyss, Refrigerator Full of Heads) unravel a three-part, prestige format series exploring the hallucinatory second life of a brilliant author who imagined our desperate future but never imagined he'd become part of it . . More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Across 44 novels and hundreds of short stories-including the counterculture classic The Man They Couldn't Erase-Carp pushed the boundaries of literary respectability for the sci-fi genre and his readers' perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982. Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldn't exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios intensely through his fiction-and, now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself. In the tradition of Philip K. Dick's A Scanner Darkly and Thomas Pynchon's Inherent Vice comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard . . . [rating: 3/5] DISCUSSION PEANUTS 1950 Writer/Artist: Charles Schulz This first volume, covering the first two and a quarter years of the strip, will be of particular fascination toPeanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before―in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with. (Among other things, three major cast members―Schroeder, Lucy, and Linus―initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4dOo6YW CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Quarter-Bin Podcast #224DC Super-Stars of Space (of Space) 4, DC Comics, cover-dated ruary 197  ."Puzzle of the Perilous Prisons!" by Gardner Fox, with art by Carmine Infantino & Murphy Infantino. and"The Army of Interplanetary Beasts," by probably either Gardner Fox or Edmond Hamilton, with art by Jim Mooney.and"Destination Doom!" by John Broome, with art by Murphy Anderson. What happens when Professor Alan revisits a sci-fi reprint issue that he read (conservatively) a quadrillion times when he was a tween? Can he set aside nostalgia and analyze the comic in his normal cold-eyed manner?Listen to the episode and find out!  Click on the player below to listen to the episode:  Right-click to download episode directly You may also subscribe to the podcast through iTunes or the RSS Feed. Promo: Magazines & MonstersNext Episode: Champions 14 & 15, Marvel Comics, cover-dated July & September 1977.Send e-mail feedback to relativelygeeky@gmail.com "Like" us on Facebook at https://www.facebook.com/relativelygeekyYou can follow the network on Twitter @Relatively_Geek and the host @ProfessorAlanSource: unknownMusic in the episode: The Illusionist by Scott Buckley | https://soundcloud.com/scottbuckleyMusic promoted by https://www.free-stock-music.comCreative Commons / Attribution 4.0 International (CC BY 4.0)

Joining us today is a comic book legend who has been working in the comic book medium since 1978. He has written character defining runs for Deathstroke, Quantum & Woody, Superman, Conan The Barbarian, & many, many others. More impressively, he also helped co-found Milestone Comics and was one of the central architects of The Dakotaverse.Along with a recent runs on Vampirella and an upcoming Sonja: Reborn series on the way, he's also here today to discuss Marvel Knights: The World to Come—the long-awaited continuation of what many fans consider his finest work: his iconic Marvel Knights Black Panther run.It is our honor to welcome Christopher Priest onto The Oblivion Bar Podcast!---Thank you Oni Press & Endless Comics, Cards & Games for sponsoring The Oblivion Bar PodcastFollow us on InstagramFollow us on ThreadsFollow us on BlueSkyLike us on FacebookConsider supporting us over on PatreonThank you DreamKid for our Oblivion Bar musicThank you KXD Studios for our Oblivion Bar art

Two weeks in between episodes? What is this, 2014? Whatever it is, it's Al and Paul talking about Peter David, Marvel and DC's upcoming Deadpool and Batman crossovers, David Marquez's The UnChosen, Superman: The Kryptonite Spectrum and Punisher: Red Band, as well as reviews of Imperial and Be Not Afraid. The Official Handbook of the Official Handbook? I don't think they exist.

Season 2 Episode 771 X-Manhunt Part 2: Sean and Jim are exploring the X-men crossover, X-Manhunt, in a multipart series continuing with Storm 6, X-men 13, X-Factor 8/300. DC High Volume https://www.dc.com/highvolume Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: Turtles of Grayskull Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Summer of Superman, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   2:59 X-manhunt Part 2 1:29:25 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

This week we head back into the archives to bring you the history behind Spider-Woman, Spider-Girl, and Madame Web! The secret story behind how and why Marvel Comics RUSHED to create Spider-Woman, the battle with their competitors, and the Spider-Woman TV show that suddenly found itself in legal trouble! We also unravel the tale of Mayday Parker, Spider-Man's daughter from the future, and how she launched an entire line of new Marvel Comics! This clips is taken from our massive episode on Madame Web https://open.spotify.com/episode/0QdRdclUohY6IAJHc8512k Support the show and get awesome bonus episodes at https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Note: We like our language NSFW salty, and there be spoilers here...Face Front, True Believer! Diabolu Frank & Odell Abner Dracula talk about the late, great, Writer of Stuff-- Peter David! Then we cut in with Frank's interview of David almost exactly ten years ago, including material not featured on that first Amazing Heroes Interviews podcast! No one was expecting a Barry Bostwick cameo! We'll chat about Spectacular Spider-Man, Incredible Hulk, New Universe, Atlantis Chronicles, Despero, and Martian Manhunter with PAD, while Dell talks Dreadstar and other reading experiences! Excelsior!#MarvelSHPFriend us on FacebookRoll through our tumblrEmail us at rolledspinepodcasts@gmail.comTweet us as a group @rolledspine, or individually as Diabolu Frank & Illegal Machine. Fixit don't tweet.If The Marvel Super Heroes Podcast Blogger page isn't your bag, try the umbrella Rolled Spine Podcasts Wordpress blog.Spider-Man, Marvel Comics Podcast, Marvel Comics, Mark Hazzard, Hulk, Justice, New Universe, Aquaman, Atlantis Chronicles, Martian Manhunter, Image Comics

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSStreet Sharks is coming to IDWThe Unchosen is coming to Image Comics (and more detail)Image Comics celebrates 10, 20, 30 year milestones with facsimile issues'The Man Who Dreamt the Impossible' honors Jack Kirby in August 2025Jason Aaron returns for ‘Uncle Scrooge: Earth's Mightiest Duck' #1Marvel dishes new details on ‘Marvel Swimsuit Special' out July 9Marvel announces new 2025 Stormbreakers classTop 50 Comics May 2025Our Top Books of the WeekDave:Resurrection Man: Quantum Karma #3 (Ram V, Butch Guice)Amazing Spider-Man #5 (Joe Kelly, Pepe Larraz)Chris:​​The Moon Is Following Us #10 (DWJ, Riley Rossmo)Jumpscare #4 (Cullen Bunn and Danny Luckert)Standout KAPOW moment of the week:Chris - The Moon Is Following Us #10 (DWJ, Riley Rossmo)Dave - Ghost Rider vs. Galactus #1(J. Michael Straczynski, Juan Ferreyra)TOP BOOKS FOR NEXT WEEKChris: Batman: Dark Patterns #7 (Dan Watters, Hayden Sherman)Dave: Giant-Size Amazing Spider-Man #1 (Various)JUDGING BY THE COVER JR.Dave: Eddie Brock: Carnage #5 (Juan Ferrerya)Chris: Death of the Silver Surfer #1 (Tradd Moore Variant)Interview: Sam Humphries Interview about New Avengers #1 (June 11):Let's start with the surprising MCU connection, titled New Avengers it was originally solicited as Thunderbolts, does this mean you were in on the MCU connection from the start?This team lineup—Winter Soldier, Black Widow, Carnage, Hulk, Namor, Clea, and Wolverine—reads like a powder keg. What's the dynamic like between these “loners,” and how do you keep them from exploding on each other before they can even face a threat?Can you walk us through the creation of the Killuminati? What makes these Illuminati clones more dangerous—or more unhinged—than the originals?You've worked with teams and antiheroes before. What unique storytelling opportunities does this specific mix of personalities and power sets offer that you haven't tackled before?You mentioned in the announcement there are many surprises ahead—can you tease one upcoming twist, without giving the game away?Fans are always down for romance, how hot and heavy are we getting with this new team?Ton Lima's art brings serious energy to the series. What was it like collaborating with him, and how do his visuals shape the tone of New Avengers?Character & Fan EngagementWhich team member surprised you the most once you started writing them in this group dynamic?Did any of them take on a larger role than you expected?Fun/Silly QuestionLet's say the New Avengers are forced to compete in a bake-off against the Killuminati. Who burns their cookies, who makes a mean soufflé, and who tries to assassinate the judges? 

The 81st Observance of D-Day, the Allied liberation of France on the beaches of Normandy.  Dana explains why you don't have to take a side in the Trump vs. Musk debate. Trump announced a new travel ban and restrictions from 19 countries. ICE officers are STUCK in a Djibouti shipping container with dangerous deported migrants. Media Research Center President David Bozell joins us to discuss his fight to defund PBS and NPR, the Trump vs. Musk feud, and more. Dana breaks down the timeline of the Trump vs. Musk beef and how this will play out in the future of the party. Is this the biggest Republican fight since 2009? Are people still going to vandalize Tesla's? Critics are freaking out about the possibility of Marvel Comics introducing a new White Black Panther named Ketema. Thank you for supporting our sponsors that make The Dana Show possible…Ruff Greenshttps://ruffgreens.com/danaJumpstart your pet's health with a FREE bag from Ruff Greens. Just cover shipping. Use promo code DANA today!Relief Factorhttps://relieffactor.com OR CALL 1-800-4-RELIEFTurn the clock back on pain with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Goldcohttps://DanaLikesGold.com Protect your financial future with my trusted gold company—get your GoldCo 2025 Gold & Silver Kit today, and you could qualify for up to 10% in bonus silver.Byrnahttps://byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off. Patriot Mobilehttps://patriotmobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANA.HumanNFind both the new SuperBerine and the #1 bestselling SuperBeets Heart Chews at Sam's Club!KelTechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - KelTec Innovation & Performance at its bestAll Family Pharmacyhttps://AllFamilyPharmacy.com/DanaCode Dana20 for 20% off your entire order.Angel Studioshttps://Angel.com/danaStream King of Kings, check out fan-picked shows, and claim your member perks.

Dana breaks down the timeline of the Trump vs. Musk beef and how this will play out in the future of the party. Meanwhile, Critics are freaking out about the possibility of Marvel Comics introducing a new White Black Panther named Ketema.Thank you for supporting our sponsors that make The Dana Show possible…Ruff Greenshttps://ruffgreens.com/danaJumpstart your pet's health with a FREE bag from Ruff Greens. Just cover shipping. Use promo code DANA today!Relief Factorhttps://relieffactor.com OR CALL 1-800-4-RELIEFTurn the clock back on pain with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Goldcohttps://DanaLikesGold.com Protect your financial future with my trusted gold company—get your GoldCo 2025 Gold & Silver Kit today, and you could qualify for up to 10% in bonus silver.Byrnahttps://byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off. Patriot Mobilehttps://patriotmobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANA.HumanNFind both the new SuperBerine and the #1 bestselling SuperBeets Heart Chews at Sam's Club!KelTechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - KelTec Innovation & Performance at its bestAll Family Pharmacyhttps://AllFamilyPharmacy.com/DanaCode Dana20 for 20% off your entire order.Angel Studioshttps://Angel.com/danaStream King of Kings, check out fan-picked shows, and claim your member perks.

   It's just absurd that Elon Musk and Donald Trump are having a very public fight but I guess this is what you get when you try to keep a couple whales in your farm pond.  Let's hope this cools off quickly.    Missouri politicians take a victory lap all day long Thursday as they are now totally convinced the Chiefs and Royals are staying in the Show Me state.    North Kansas City wants to party and they are willing to pay you $400 to do it.  The new Black Panther is white in Marvel Comic's new series.  A straight Ohio woman wins a SCOTUS case against her gay boss with a 9-0 decision.  This is huge.   In sports, the Royals split a double header but should have won both.  Manager Q and Cole Ragans have awful days but several players did not.    Aaron Rodgers signs with the Steelers, the NBA Finals begin with a buzzer beating shocker and your song of the week is an ode to great Americans.

Jeffrey Madoff is, as you will discover, quite a fascinating and engaging person. Jeff is quite the creative entrepreneur as this episode's title says. But he really is so much more.   He tells us that he came by his entrepreneurial spirit and mindset honestly. His parents were both entrepreneurs and passed their attitude onto him and his older sister. Even Jeffrey's children have their own businesses.   There is, however, so much more to Jeffrey Madoff. He has written a book and is working on another one. He also has created a play based on the life of Lloyd Price. Who is Lloyd Price? Listen and find out. Clue, the name of the play is “Personality”. Jeff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year.   My conversation with Jeff is a far ranging as you can imagine. We talk about everything from the meaning of Creativity to Imposture's Syndrome. I always tell my guests that Unstoppable Mindset is not a podcast to interview people, but instead I want to have real conversations. I really got my wish with Jeff Madoff. I hope you like listening to this episode as much as I liked being involved in it.       About the Guest:   Jeffrey Madoff's career straddles the creative and business side of the arts. He has been a successful entrepreneur in fashion design and film, and as an author, playwright, producer, and adjunct professor at Parsons School of Design. He created and taught a course for sixteen years called “Creative Careers Making A Living With Your Ideas”, which led to a bestselling book of the same name . Madoff has been a keynote speaker at Princeton, Wharton, NYU and Yale where he curated and moderated a series of panels entitled "Reframing The Arts As Entrepreneurship”. His play “Personality” was a critical and audience success in it's commercial runs at People's Light Theater in Pennsylvania and in Chicago and currently waiting for a theater on The West End in London.   Madoff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. Ways to connect Jeffrey:   company website: www.madoffproductions.com LinkedIn: https://www.linkedin.com/in/b-jeffrey-madoff-5baa8074/ www.acreativecareer.com Instagram: @acreativecareer   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone. Welcome to another episode of unstoppable mindset. We're glad to have you on board with us, wherever you happen to be. Hope the day is going well for you. Our guest today is Jeffrey Madoff, who is an a very creative kind of person. He has done a number of things in the entrepreneurial world. He has dealt with a lot of things regarding the creative side of the arts. He's written plays. He taught a course for 16 years, and he'll tell us about that. He's been a speaker in a variety of places. And I'm not going to go into all of that, because I think it'll be more fun if Jeffrey does it. So welcome to unstoppable mindset. We are really glad you're here and looking forward to having an hour of fun. And you know, as I mentioned to you once before, the only rule on the podcast is we both have to have fun, or it's not worth doing, right? So here   Jeffrey Madoff ** 02:13 we are. Well, thanks for having me on. Michael, well, we're really glad   Michael Hingson ** 02:17 you're here. Why don't we start as I love to do tell us kind of about the early Jeffrey growing up, and you know how you got where you are, a little bit or whatever.   Jeffrey Madoff ** 02:28 Well, I was born in Akron, Ohio, which at that time was the rubber capital of the world. Ah, so that might explain some of my bounce and resilience. There   Michael Hingson ** 02:40 you go. I was in Sandusky, Ohio last weekend, nice and cold, or last week,   Jeffrey Madoff ** 02:44 yeah, I remember you were, you were going to be heading there. And, you know, Ohio, Akron, which is in northern Ohio, was a great place to grow up and then leave, you know, so my my childhood. I have many, many friends from my childhood, some who still live there. So it's actually I always enjoy going back, which doesn't happen all that often anymore, you know, because certain chapters in one's life close, like you know, when my when my parents died, there wasn't as much reason to go back, and because the friends that I had there preferred to come to New York rather than me go to Akron. But, you know, Akron was a great place to live, and I'm very fortunate. I think what makes a great place a great place is the people you meet, the experiences you have. Mm, hmm, and I met a lot of really good people, and I was very close with my parents, who were entrepreneurs. My mom and dad both were so I come by that aspect of my life very honestly, because they modeled the behavior. And I have an older sister, and she's also an entrepreneur, so I think that's part of the genetic code of our family is doing that. And actually, both of my kids have their own business, and my wife was entrepreneurial. So some of those things just carry forward, because it's kind of what, you know, what did your parents do? My parents were independent retailers, and so they started by working in other stores, and then gradually, both of them, who were also very independent people, you know, started, started their own store, and then when they got married, they opened one together, and it was Women's and Children's retail clothing. And so I learned, I learned a lot from my folks, mainly from the. Behavior that I saw growing up. I don't think you can really lecture kids and teach them anything, yeah, but you can be a very powerful teacher through example, both bad and good. Fortunately, my parents were good examples. I think   Michael Hingson ** 05:14 that kids really are a whole lot more perceptive than than people think sometimes, and you're absolutely right, lecturing them and telling them things, especially when you go off and do something different than you tell them to do, never works. They're going to see right through it.   Jeffrey Madoff ** 05:31 That's right. That's right. And you know, my kids are very bright, and there was never anything we couldn't talk about. And I had that same thing with my parents, you know, particularly my dad. But I had the same thing with both my parents. There was just this kind of understanding that community, open communication is the best communication and dealing with things as they came up was the best way to deal with things. And so it was, it was, it was really good, because my kids are the same way. You know, there was always discussions and questioning. And to this day, and I have twins, I have a boy and girl that are 31 years old and very I'm very proud of them and the people that they have become, and are still becoming,   Michael Hingson ** 06:31 well and still becoming is really the operative part of that. I think we all should constantly be learning, and we should, should never decide we've learned all there is to learn, because that won't happen. There's always something new,   Jeffrey Madoff ** 06:44 and that's really what's fun. I think that you know for creativity and life at large, that constant curiosity and learning is fuel that keeps things moving forward, and can kindle the flame that lights up into inspiration, whether you're writing a book or a song or whatever it is, whatever expression one may have, I think that's where it originates. Is curiosity. You're trying to answer a question or solve a problem or something. Yeah,   Michael Hingson ** 07:20 and sometimes you're not, and it's just a matter of doing. And it doesn't always have to be some agenda somewhere, but it's good to just be able to continue to grow. And all too often, we get so locked into agendas that we don't look at the rest of the world around us.   Jeffrey Madoff ** 07:41 I Well, I would say the the agenda in and of itself, staying curious, I guess an overarching part of my agenda, but it's not to try to get something from somebody else, right, other than knowledge, right? And so I guess I do have an agenda in that. That's what I find interesting.   Michael Hingson ** 08:02 I can accept that that makes sense.   Jeffrey Madoff ** 08:06 Well, maybe one of the few things I say that does so thank you.   Michael Hingson ** 08:10 I wasn't even thinking of that as an agenda, but just a way of life. But I hear what you're saying. It makes sense. Oh, there are   Jeffrey Madoff ** 08:17 people that I've certainly met you may have, and your listeners may have, also that there always is some kind of, I wouldn't call it agenda, a transactional aspect to what they're doing. And that transactional aspect one could call an agenda, which isn't about mutual interest, it's more what I can get and or what I can sell you, or what I can convince you of, or whatever. And I to me, it's the the process is what's so interesting, the process of questioning, the process of learning, the process of expressing, all of those things I think are very powerful, yeah,   Michael Hingson ** 09:03 yeah, I hear what you're saying. So for you, you were an Akron did you go to college there? Or what did you do after high school? So   Jeffrey Madoff ** 09:11 after high school, I went to the University of Wisconsin, ah, Madison, which is a fantastic place. That's right, badgers, that's right. And, and what really cinched the deal was when I went to visit the school. I mean, it was so different when I was a kid, because, you know, nowadays, the kids that my kids grew up with, you know, the parents would visit 18 schools, and they would, you know, they would, they would file for admission to 15 schools. And I did one in my parents. I said to them, can I take the car? I want to go check out the University. I was actually looking at Northwestern and the University of Wisconsin. And. And I was in Evanston, where Northwestern is located. I didn't see any kids around, and, you know, I had my parents car, and I finally saw a group of kids, and I said, where is everybody? I said, Well, it's exam week. Everybody's in studying. Oh, I rolled up the window, and without getting out of the car, continued on to Madison. And when I got to Madison, I was meeting somebody behind the Student Union. And my favorite band at that time, which was the Paul Butterfield blues band, was giving a free concert. So I went behind the Student Union, and it's a beautiful, idyllic place, lakes and sailboats and just really gorgeous. And my favorite band is giving a free concert. So decision made, I'm going University of Wisconsin, and it was a great place.   Michael Hingson ** 10:51 I remember when I was looking at colleges. We got several letters. Got I wanted to major in physics. I was always science oriented. Got a letter from Dartmouth saying you ought to consider applying, and got some other letters. We looked at some catalogs, and I don't even remember how the subject came up, but we discovered this University California campus, University California at Irvine, and it was a new campus, and that attracted me, because although physically, it was very large, there were only a few buildings on it. The total population of undergraduates was 2700 students, not that way today, but it was back when I went there, and that attracted me. So we reached out to the chair of the physics department, whose name we got out of the catalog, and asked Dr Ford if we could come and meet with him and see if he thought it would be a good fit. And it was over the summer between my junior and senior year, and we went down, and we chatted with him for about an hour, and he he talked a little physics to me and asked a few questions, and I answered them, and he said, you know, you would do great here. You should apply. And I did, and I was accepted, and that was it, and I've never regretted that. And I actually went all the way through and got my master's degree staying at UC Irvine, because it was a great campus. There were some professors who weren't overly teaching oriented, because they were so you research oriented, but mostly the teachers were pretty good, and we had a lot of fun, and there were a lot of good other activities, like I worked with the campus radio station and so on. So I hear what you're saying, and it's the things that attract you to a campus. Those count. Oh,   Jeffrey Madoff ** 12:35 yeah. I mean, because what can you really do on a visit? You know, it's like kicking the tires of a car, right? You know? Does it feel right? Is there something that I mean, sometimes you get lucky and sometimes you do meet a faculty member or someone that you really connect with, and that causes you to really like the place, but you don't really know until you're kind of there, right? And Madison ended up being a wonderful choice. I loved it. I had a double major in philosophy and psychology. You know, my my reasoning being, what two things do I find really interesting that there is no path to making a good income from Oh, philosophy and psychology. That works   Michael Hingson ** 13:22 well you possibly can from psychology, but philosophy, not hardly   Jeffrey Madoff ** 13:26 No, no. But, you know, the thing that was so great about it, going back to the term we used earlier, curiosity in the fuel, what I loved about both, you know, philosophy and psychology used to be cross listed. They were this under the same heading. It was in 1932 when the Encyclopedia Britannica approached Sigmund Freud to write a separate entry for psychology, and that was the first time the two disciplines, philosophy and psychology, were split apart, and Freud wrote that entry, and forever since, it became its own discipline, but the questions that one asks, or the questions that are posed in Both philosophy and psychology, I still, to this day, find fascinating. And, you know, thinking about thinking and how you think about things, I always find very, very interesting.   Michael Hingson ** 14:33 Yeah, and the whole, the whole process, how do you get from here to there? How do you deal with anything that comes up, whether it's a challenge or just fulfilling the life choices that you make and so on. And philosophy and psychology, in a sense, I think, really are significantly different, but they're both very much thinking oriented.   Jeffrey Madoff ** 14:57 Oh, absolutely, it. And you know, philosophy means study of life, right? What psychology is, yeah, so I understand why they were bonded, and now, you know, understand why they also separated. Yeah,   Michael Hingson ** 15:15 I'll have to go look up what Freud said. I have never read that, but I will go find it. I'm curious. Yeah,   Jeffrey Madoff ** 15:23 it's it's so interesting. It's so interesting to me, because whether you believe in Freud or not, you if you are knowledgeable at all, the impact that he had on the world to this day is staggeringly significant. Yeah, because nobody was at posing those questions before, yeah,   Michael Hingson ** 15:46 yeah. And there's, there's no doubt that that he has had a major contribution to a lot of things regarding life, and you're right, whether you buy into the view that he had of a lot of things isn't, isn't really the issue, but it still is that he had a lot of relevant and interesting things to say, and he helps people think that's right, that's right. Well, so what did you do? So you had a double major? Did you go on and do any advanced degree work? No,   Jeffrey Madoff ** 16:17 you know it was interesting because I had thought about it because I liked philosophy so much. And I approached this professor who was very noted, Ivan Saul, who was one of the world Hegelian scholars, and I approached him to be my advisor. And he said, Why do you want me to be your advisor? And I said, because you're one of the most published and respected authors on that subject. And if I'm going to have an advisor, I might as well go for the person that might help me the most and mean the most if I apply to graduate schools. So I did in that case certainly had an agenda. Yeah, and, and he said, you know, Jeff, I just got back from the world Hegelian conference in Munich, and I found it very depressing as and he just paused, and I said, why'd you find it depressing? And he said, Well, there's only one or two other people in the world that I can speak to about Hegel. And I said, Well, maybe you want to choose a different topic so you can make more friends. That depressing. That doesn't sound like it's a mix, you know, good fit for life, right? But so I didn't continue to graduate studies. I took graduate courses. I started graduate courses the second semester of my sophomore year. But I thought, I don't know. I don't want to, I don't want to gain this knowledge that the only thing I can do is pass it on to others. It's kind of like breathing stale air or leaving the windows shut. I wanted to be in a world where there was an idea exchange, which I thought would be a lot more interesting. Yeah. And so there was a brief period where I thought I would get a doctorate and do that, and I love teaching, but I never wanted to. That's not what I wanted to pursue for those reasons.   Michael Hingson ** 18:35 So what did you end up doing then, once you got   Jeffrey Madoff ** 18:37 out of college? Well, there was a must have done something I did. And there's a little boutique, and in Madison that I did the buying for. And it was this very hip little clothing store. And Madison, because it was a big campus, you know, in the major rock bands would tour, they would come into the store because we had unusual things that I would find in New York, you know, when I was doing the buying for it, and I get a phone call from a friend of mine, a kid that I grew up with, and he was a year older, he had graduated school a year before me, and he said, Can you think of a gig that would earn more than bank interest? You know, I've saved up this money. Can you think of anything? And I said, Well, I see what we design. I mean, I see what we sell, and I could always draw. So I felt like I could design. I said, I'll start a clothing company. And Michael, I had not a clue in terms of what I was committing myself to. I was very naive, but not stupid. You know, was ignorant, but not stupid. And different. The difference between being ignorant and being stupid is ignorant. You can. Learn stupids forever, yeah, and that started me on this learning lesson, an entrepreneurial learning lesson, and there was, you know, quite formative for me. And the company was doubling in size every four months, every three months, and it was getting pretty big pretty quick. And you know, I was flying by the seat of my pants. I didn't really know what I was doing, but what I discovered is I had, you know, saleable taste. And I mean, when I was working in this store, I got some of the sewers who did the alterations to make some of my drawings, and I cut apart a shirt that I liked the way it fit, so I could see what the pieces are, and kind of figure out how this all worked. So but when I would go to a store and I would see fabric on the bolt, meaning it hadn't been made into anything, I was so naive. I thought that was wholesale, you know, which it wasn't and but I learned quickly, because it was like you learn quickly, or you go off the edge of a cliff, you go out of business. So it taught me a lot of things. And you know the title of your podcast, the unstoppable, that's part of what you learn in business. If you're going to survive, you've gotta be resilient enough to get up, because you're going to get knocked down. You have to persevere, because there are people that are going to that you're competing with, and there are things that are things that are going to happen that are going to make you want to give up, but that perseverance, that resilience, I think probably creativity, is third. I think it's a close call between perseverance and resilience, because those are really important criteria for a personality profile to have if you're going to succeed in business as an entrepreneur.   Michael Hingson ** 22:05 You know, Einstein once said, or at least he's credited with saying, that the definition of insanity is doing the same thing over and over again and expecting different results, right and and the reality is that good, resilient. People will look at things that didn't go right, and if they really look at them, they'll go, I didn't fail. Yeah, maybe I didn't go right. I may have made a mistake, or something wasn't quite right. What do I do to fix it so that the next time, we won't have the same problem? And I think that's so important. I wrote my book last year, live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And it's all about learning to control fear, but it's also all about learning from dogs. I've had eight guide dogs, and my wife had a service dog, and it's all about learning from dogs and seeing why they live in an environment where we are and they feed off of us, if you will. But at the same time, what they don't do is fear like we do. They're open to trust, and we tend not to be because we worry about so many things, rather than just looking at the world and just dealing with our part of it. So it is, it is interesting to to hear you talk about resilience. I think you're absolutely right that resilience is extremely important. Perseverance is important, and they do go together, but you you have to analyze what it is that makes you resilient, or what it is that you need to do to keep being resilient.   Jeffrey Madoff ** 23:48 Well, you're right. And one of the questions that you alluded to the course that I taught for 16 years at Parsons School of Design, which was my course, was called creative careers, making a living with your ideas. And I would ask the students, how many of you are afraid of failing? And probably more than three quarters of the class, their hands went up, and I said to them, you know, if that fear stops you, you'll never do anything interesting, because creativity, true creativity, by necessity, takes you up to and beyond the boundaries. And so it's not going to be always embraced. And you know, failure, I think everyone has to define it for themselves. But I think failure, to me, is and you hear that, you know, failure is a great way to learn. I mean, it's a way. To learn, but it's never not painful, you know, and it, but it is a way to learn if you're paying attention and if you are open to that notion, which I am and was, because, you know, that kind of risk is a necessary part of creativity, going where you hadn't gone before, to try to find solutions that you hadn't done before, and seeing what works. And of course, there's going to be things that don't, but it's only failure if you stop doing what is important to you. Yeah,   Michael Hingson ** 25:39 well, I think you're absolutely right. And one of the things that I used to do and still do, but it started when I was working as program director of our radio station at UC Irvine, was I wanted people to hear what they sounded like on the radio, because I always listened to what I said, and I know it helped me, but getting the other radio personalities to listen to themselves was was well, like herding cats, it just wasn't doable. And what we finally did is we set up, I and the engineer of the radio station, set up a recorder in a locked cabinet, and whenever the board went on in the main studio, the microphone went on, it recorded. So we didn't need to worry about the music. All we wanted was what the people said, and then we would give people the cassettes. And one of the things that I started saying then, and I said it until, like about a year ago, was, you know, you're your own worst critic, if you can learn to grow from it, or if you can learn to see what's a problem and go on, then that's great. What I learned over the last year and thought about is I'm really not my own worst critic. I'm my own best teacher, because I'm the only one who can really teach me anything, and it's better to shape it in a positive way. So I am my own best teacher. And so I think you're right. If you really want to talk about the concept of failure, failure is when you won't get back up. Failure is when you won't do anything to learn and grow from whatever happens to you, even the good stuff. Could I have done it better? Those are all very important things to do.   Jeffrey Madoff ** 27:19 No, I agree. So why did you think it was important for them to hear their voice?   Michael Hingson ** 27:25 Because I wanted them to hear what everyone else heard. I wanted them to hear what they sounded like to their listeners. And the reality is, when we got them to do that, it was, I say it was incredible, but it wasn't a surprise to me how much better they got. And some of those people ended up going into radio broadcasting, going into other kinds of things, but they really learned to hear what everyone else heard. And they they learned how to talk better. They learn what they really needed to improve upon, or they learn what wasn't sounding very good to everyone else, and they changed their habits.   Jeffrey Madoff ** 28:13 Interesting, interesting. So, so part of that also helps them establish a certain on air identity. I would imagine finding their own voice, so to speak, right,   Michael Hingson ** 28:30 or finding a better voice than they than they had, and certainly a better voice than they thought they had. Well, they thought they had a good voice, and they realized maybe it could be better. And the ones who learned, and most of them really did learn from it, came out the better for it.   Jeffrey Madoff ** 28:49 So let me ask you a personal question. You have been sightless since birth? Is that correct?   Michael Hingson ** 28:56 Yeah, I've been blind since birth. And   Jeffrey Madoff ** 28:59 so on a certain level, I was trying to think about this the other night, and how can I phrase this? On a certain level, you don't know what you look like,   Michael Hingson ** 29:15 and from the standpoint of how you look at it, yeah, yeah.   Jeffrey Madoff ** 29:19 And so, so two, that's two questions. One is so many of us for good and bad, our identity has to do with visual first, how do you assess that new person?   Michael Hingson ** 29:39 I don't look at it from a visual standpoint as such. I look at it from all the other senses that I have and use, but I also listen to the person and see how we interact and react to. Each other, and from that, I can draw pretty good conclusions about what an individual is like, so that I can decide if that's a a lovely person, male or female, because I'm using lovely in the sense of it's the kind of person I want to know or not, and so I don't obviously look at it from a visual standpoint. And although I know Helen Keller did it some, I'm not into feeling faces. When I was in college, I tried to convince girls that they should let me teach them Braille, but they had no interest in me showing them Braille, so we didn't do that. I actually a friend of mine and I once went to a girls dorm, and we put up a sign. Wanted young female assistant to aid in scientific Braille research, but that didn't go anywhere either. So we didn't do it. But so Braille pickup. Oh, Braille pickup. On the other hand, I had my guide dog who was in in my current guide dog is just the same chick magnet right from the get go, but, but the the reality is that visual is, I think there's a lot to be said for beauty is only skin deep in a lot of ways. And I think that it's important that we go far beyond just what one person looks like. People ask me all the time, well, if you could see again, would you? Or if you could see, would you? And my response is, I don't need to. I think there's value in it. It is a sense. I think it would be a great adventure, but I'm not going to spend my life worrying about that. Blindness isn't what defines me, and what defines me is how I behave, how I am, how I learn and grow, and what I do to be a part of society and and hopefully help society. I think that's more important.   Jeffrey Madoff ** 31:53 You know, I agree with you, and it's it's also having been blind since birth. It's not like you had a you had an aspect that you lost for some reason, right?   Michael Hingson ** 32:04 But I know some people who became blind later in life, who attended centers where they could learn about what it was like to be blind and learn to be a blind person and and really adapted to that philosophy and continue to do what they did even before they lost their their eyesight, and were just as successful as they ever were, because it wasn't so much about having eyesight, although that is a challenge when you lose it, but it was more important to learn that you could find alternatives to do the same things that you did before. So   Jeffrey Madoff ** 32:41 if you ever have read Marvel Comics, and you know Daredevil has a heightened sense of a vision, or you know that certain things turn into a different advantage, is there that kind of in real life, compensatory heightened awareness of other senses.   Michael Hingson ** 33:08 And the answer is not directly. The answer is, if you choose to heighten those senses and learn to use them, then they can be a help. It's like SEAL Team Six, or Rangers, or whatever, they learn how to observe. And for them, observing goes far beyond just using their eyesight to be able to spot things, although they they certainly use that, but they have heightened all of their other senses because they've trained them and they've taught themselves how to use those senses. It's not an automatic process by any definition at all. It's not automatic. You have to learn to do it. There are some blind people who have, have learned to do that, and there are a number that have not. People have said, well, you know, could any blind person get out of the World Trade Center, and like you did, and my response is, it depends on the individual, not necessarily, because there's so many factors that go into it. If you are so afraid when something like the World Trade Center events happen that you become blinded by fear, then you're going to have a much harder time getting out than if you let fear be a guide and use it to heighten the senses that you have during the time that you need that to occur. And that's one of the things that live like a guide dog is all about, is teaching people to learn to control fear, so that in reality, they find they're much more effective, because when something happens, they don't expect they adopt and adapt to having a mindset that says, I can get through this, and fear is going to help.   Jeffrey Madoff ** 34:53 That's fascinating. So one I could go on in this direction, I'll ask you, one, one other. Question is, how would you describe your dreams?   Michael Hingson ** 35:08 Probably the same way you would, except for me, dreaming is primarily in audio and other interactions and not using eyesight. But at the same time, I understand what eyesight is about, because I've thought about it a lot, and I appreciate that the process is not something that I have, but I understand it, and I can talk about light and eyesight all day. I can I when I was when it was discovered that I was blind for the first several years, I did have some light perception. I never as such, really even could see shadows, but I had some light perception. But if I were to be asked, How would you describe what it's like to see light? I'm not sure how I would do that. It's like asking you tell me what it's like to see put it into words so that it makes me feel what you feel when you see. And it's not the excitement of seeing, but it's the sensation. How do you describe that sensation? Or how do you describe the sensation of hearing their their senses? But I've yet to really encounter someone who can put those into words that will draw you in. And I say that from the standpoint of having done literally hundreds or 1000s of speeches telling my story about being in the World Trade Center, and what I tell people today is we have a whole generation of people who have never experienced or had no memory of the World Trade Center, and we have another generation that saw it mainly from TV and pictures. So they their, their view of it was extremely small. And my job, when I speak is to literally bring them in the building and describe what is occurring to me in such a way that they're with me as we're going down the stairs. And I've learned how to do that, but describing to someone what it's like to see or to hear, I haven't found words that can truly do that yet. Oh,   Jeffrey Madoff ** 37:15 fascinating. Thank you.   Michael Hingson ** 37:20 Well, tell me about creativity. I mean, you do a lot of of things, obviously, with with creativity. So what is creativity?   Jeffrey Madoff ** 37:29 I think that creativity is the compelling need to express, and that can manifest in many, many, many different ways. You have that, you know, just it was fascinating here you talk about you, describing what happened in Twin Towers, you know. And so, I think, you know, you had a compelling need to process what was a historic and extraordinary event through that unique perception that you have, and taking the person, as you said, along with you on that journey, you know, down the stairs and out of the Building. I think it was what 78 stories or something, right? And so I think that creativity, in terms of a trait, is that it's a personality trait that has a compelling need to express in some way. And I think that there is no such thing as the lightning bolt that hits and all of a sudden you come up with the idea for the great novel, The great painting, the great dance, the great piece of music. We are taking in influences all the time and percolating those influences, and they may come out, in my case, hopefully they've come out in the play that I wrote, personality and because if it doesn't relate to anybody else, and you're only talking to yourself, that's you know, not, not. The goal, right? The play is to have an audience. The goal of your book is to have readers. And by the way, did your book come out in Braille?   Michael Hingson ** 39:31 Um, yeah, it, it is available in Braille. It's a bit. Actually, all three of my books are available in with their on demand. They can be produced in braille, and they're also available in audio formats as well. Great.   Jeffrey Madoff ** 39:43 That's great. So, yeah, I think that person, I think that creativity is it is a fascinating topic, because I think that when you're a kid, oftentimes you're told more often not. To do certain things than to do certain things. And I think that you know, when you're creative and you put your ideas out there at a very young age, you can learn shame. You know, people don't like what you do, or make fun of what you do, or they may like it, and it may be great, but if there's, you know, you're opened up to that risk of other people's judgment. And I think that people start retreating from that at a very young age. Could because of parents, could because of teachers, could because of their peer group, but they learn maybe in terms of what they think is emotional survival, although would never be articulated that way, at putting their stuff out there, they can be judged, and they don't like being judged, and that's a very uncomfortable place to be. So I think creativity is both an expression and a process.   Michael Hingson ** 40:59 Well, I'll and I think, I think you're right, and I think that it is, it is unfortunate all too often, as you said, how children are told don't do this or just do that, but don't do this, and no, very few people take the next logical step, which is to really help the child understand why they said that it isn't just don't. It should be. Why not? One of my favorite stories is about a student in school once and was taking a philosophy class. You'll probably have heard this, but he and his classmates went in for the final exam, and the instructor wrote one word on the board, which was why? And then everybody started to write. And they were writing furiously this. This student sat there for a couple of minutes, wrote something on a paper, took it up, handed it in, and left. And when the grades came out, he was the only one who got an A. And the reason is, is because what he put on his paper was, why not, you know, and, and that's very, very valid question to ask. But the reality is, if we really would do more to help people understand, we would be so much better off. But rather than just telling somebody what to do, it's important to understand why?   Jeffrey Madoff ** 42:22 Yeah, I remember when I was in I used to draw all the time, and my parents would bring home craft paper from the store that was used to wrap packets. And so they would bring me home big sheets I could do whatever I wanted on it, you know, and I would draw. And in school I would draw. And when art period happened once or twice a week, and the teacher would come in with her cart and I was drawing, that was when this was in, like, the middle 50s, and Davy Crockett was really a big deal, and I was drawing quite an intricate picture of the battle at the Alamo. And the teacher came over to me and said she wanted us to do crayon resist, which is, you know, they the watercolors won't go over the the crayon part because of the wax and the crayon. And so you would get a different thing that never looked good, no matter who did it, right? And so the teacher said to me, what are you doing? And I said, Well, I'm drawing. It's and she said, Why are you drawing? I said, Well, it's art class, isn't it? She said, No, I told you what to do. And I said, Yeah, but I wanted to do this. And she said, Well, you do what I tell you, where you sit there with your hands folded, and I sat there with my hands folded. You know I wasn't going to be cowed by her. And I've thought back on that story so often, because so often you get shut down. And when you get shut down in a strong way, and you're a kid, you don't want to tread on that land again. Yeah, you're afraid,   Michael Hingson ** 44:20 yeah. Yeah. And maybe there was a good reason that she wanted you to do what she wanted, but she should have taken the time to explain that right, right now, of course, my question is, since you did that drawing with the Alamo and so on, I'm presuming that Davy Crockett looked like Fess Parker, right? Just checking,   Jeffrey Madoff ** 44:42 yeah, yep, yeah. And my parents even got me a coon   Michael Hingson ** 44:47 skin hat. There you go, Daniel Boone and David Crockett and   Jeffrey Madoff ** 44:51 Davy Crockett and so there were two out there. Mine was actually a full coon skin cap with the tail. And other kids had it where the top of it was vinyl, and it had the Disney logo and a picture of Fess Parker. And I said, Now I don't want something, you know, and you are correct, you are correct. It was based on fess Barker. I think   Michael Hingson ** 45:17 I have, I had a coons kid cap, and I think I still do somewhere. I'm not quite sure where it is, but it was a real coonskin cap with a cake with a tail.   Jeffrey Madoff ** 45:26 And does your tail snap off? Um, no, yeah, mine. Mine did the worst thing about the coonskin cap, which I thought was pretty cool initially, when it rained, it was, you know, like you had some wet animal on your Well, yes, yeah, as you did, she did, yeah, animal on your head, right? Wasn't the most aromatic of the hub. No,   Michael Hingson ** 45:54 no, it's but Huh, you got to live with it. That's right. So what is the key to having great creative collaborations? I love collaborating when I wrote my original book, Thunder dog, and then running with Roselle, and then finally, live like a guide dog. I love the idea of collaborating, and I think it made all three of the books better than if it had just been me, or if I had just let someone else do it, because we're bringing two personalities into it and making the process meld our ideas together to create a stronger process.   Jeffrey Madoff ** 46:34 I completely agree with you, and collaboration, for instance, in my play personality, the director Sheldon apps is a fantastic collaborator, and as a result, has helped me to be a better writer, because he would issue other challenges, like, you know, what if we looked at it this way instead of that way? What if you gave that power, that that character, the power in that scene, rather than the Lloyd character? And I loved those kinds of challenges. And the key to a good collaboration is pretty simple, but it doesn't happen often enough. Number one is listening. You aren't going to have a good collaboration if you don't listen. If you just want to interrupt and shut the other person down and get your opinion out there and not listen, that's not going to be good. That's not going to bode well. And it's being open. So people need to know that they're heard. You can do that a number of ways. You can sort of repeat part of what they said, just so I want to understand. So you were saying that the Alamo situation, did you have Davy Crockett up there swinging the rifle, you know? So the collaboration, listening, respect for opinions that aren't yours. And you know, don't try to just defeat everything out of hand, because it's not your idea. And trust developing a trust with your collaborators, so that you have a clearly defined mission from the get go, to make whatever it is better, not just the expression of one person's will over another. And I think if you share that mission, share that goal, that the other person has earned your trust and vice versa, that you listen and acknowledge, then I think you can have great collaboration. And I've had a number of great collaborators. I think I'm a good collaborator because I sort of instinctively knew those things, and then working with Sheldon over these last few years made it even more so. And so that's what I think makes a really great collaboration.   Michael Hingson ** 49:03 So tell me about the play personality. What's it about? Or what can you tell us about it without giving the whole thing away?   Jeffrey Madoff ** 49:10 So have you ever heard of Lloyd Price?   Michael Hingson ** 49:14 The name is familiar. So that's   Jeffrey Madoff ** 49:16 the answer that I usually get is, I'm not really sure. Yeah, it's kind of familiar. And I said, Well, you don't, probably don't know his name, but I'll bet you know his music. And I then apologize in advance for my singing, you know, cause you've got walk, personality, talk, personality, smile, oh yeah, yeah. I love that song, you know. Yeah. Do you know that song once I did that, yes, yeah. So Lloyd was black. He grew up in Kenner, Louisiana. It was he was in a place where blacks were expected to know their place. And. And if it was raining and a white man passed, you'd have to step into a mud puddle to let them pass, rather than just working by each other. And he was it was a tough situation. This is back in the late 1930s and what Lloyd knew is that he wanted to get out of Kenner, and music could be his ticket. And the first thing that the Lloyd character says in the play is there's a big dance opening number, and first thing that his character says is, my mama wasn't a whore. My dad didn't leave us. I didn't learn how to sing in church, and I never did drugs. I want to get that out of the way up front. And I wanted to just blow up all the tropes, because that's who Lloyd was, yeah, and he didn't drink, he didn't learn how to sing in church. And, you know, there's sort of this baked in narrative, you know, then then drug abuse, and you then have redeemed yourself. Well, he wasn't like that. He was entrepreneurial. He was the first. He was the it was really interesting at the time of his first record, 1952 when he recorded Lottie, Miss Claudia, which has been covered by Elvis and the Beatles and Bruce Springsteen and on and on. There's like 370 covers of it. If you wanted to buy a record by a black artist, you had to go to a black owned record store. His records couldn't get on a jukebox if it was owned by a white person. But what happened was that was the first song by a teenager that sold over a million copies. And nobody was prejudiced against green, which is money. And so Lloyd's career took off, and it The story tells about the the trajectory of his career, the obstacles he had to overcome, the triumphs that he experienced, and he was an amazing guy. I had been hired to direct, produce and direct a short documentary about Lloyd, which I did, and part of the research was interviewing him, and we became very good friends. And when I didn't know anything about him, but I knew I liked his music, and when I learned more about him, I said, Lloyd, you've got an amazing story. Your story needs to be told. And I wrote the first few scenes. He loved what I wrote. And he said, Jeff, I want you to do this. And I said, thank you. I want to do it, but there's one other thing you need to know. And he said, What's that? And I said, You're the vessel. You're the messenger, but your story is bigger than you are. And he said, Jeff, I've been waiting for years for somebody to say that to me, rather than just blowing more smoke up my ass. Yeah. And that started our our collaboration together and the story. And it was a great relationship. Lloyd died in May of 21 and we had become very close, and the fact that he trusted me to tell his story is of huge significance to me. And the fact that we have gotten such great response, we've had two commercial runs. We're moving the show to London, is is is really exciting. And the fact that Lloyd, as a result of his talent and creativity, shattered that wall that was called Race music in race records, once everybody understood on the other side that they could profit from it. So there's a lot of story in there that's got a lot of meat, and his great music   Michael Hingson ** 54:04 that's so cool and and so is it? Is it performing now anywhere, or is it? No, we're   Jeffrey Madoff ** 54:12 in between. We're looking actually, I have a meeting this this week. Today is February 11. I have a meeting on I think it's Friday 14th, with my management in London, because we're trying to get a theater there. We did there in October, and got great response, and now we're looking to find a theater there.   Michael Hingson ** 54:37 So what are the chance we're going to see it on Broadway?   Jeffrey Madoff ** 54:41 I hope a very good chance Broadway is a very at this point in Broadway's history. It's it's almost prohibitively expensive to produce on Broadway, the West End has the same cache and. Yeah, because, you know, you think of there's that obscure British writer who wrote plays called William Shakespeare. You may have heard of   Michael Hingson ** 55:07 him, yeah, heard of the guy somewhere, like, like, I've heard of Lloyd Price, yeah, that's   Jeffrey Madoff ** 55:15 it. And so I think that Broadway is certainly on the radar. The first step for us, the first the big step before Broadway is the West End in London. Yeah,   Michael Hingson ** 55:30 that's a great place to go. It is.   Jeffrey Madoff ** 55:32 I love it, and I speak the language, so it's good. Well, there you   Michael Hingson ** 55:35 are. That helps. Yes, well, you're a very creative kind of individual by any standard. Do you ever get involved with or have you ever faced the whole concept of imposter syndrome?   Jeffrey Madoff ** 55:48 Interesting, you mentioned that the answer is no, and I'll tell you why it's no. And you know, I do a fair amount of speaking engagements and that sort of thing, and that comes up particularly with women, by the way, imposter syndrome, and my point of view on it is, you know, we're not imposters. If you're not trying to con somebody and lying about what you do, you're a work in progress, and you're moving towards whatever it is that your goals are. So when my play became a produced commercial piece of theater and I was notarized as a playwright, why was that same person the day before that performance happened? And so I think that rather than looking at it as imposter, I look at it as a part of the process, and a part of the process is gaining that credibility, and you have to give yourself permission to keep moving forward. And I think it's very powerful that if you declare yourself and define yourself rather than letting people define you. So I think that that imposter syndrome comes from that fear, and to me, instead of fear, just realize you're involved in the process and so you are, whatever that process is. And again, it's different if somebody's trying to con you and lie to you, but in terms of the creativity, and whether you call yourself a painter or a musician or a playwright or whatever, if you're working towards doing that, that's what you do. And nobody starts off full blown as a hit, so to speak. Yeah,   Michael Hingson ** 57:44 well, I think you're absolutely right, and I think that it's all about not trying to con someone. And when you are doing what you do, and other people are involved, they also deserve credit, and people like you probably have no problem with making sure that others who deserve credit get the credit. Oh, absolutely, yeah, I'm the same way. I am absolutely of the opinion that it goes back to collaboration. When we're collaborating, I'm I'm very happy to talk about the fact that although I started the whole concept of live like a guide dog, carry Wyatt Kent and I worked on it together, and the two of us work on it together. It's both our books. So each of us can call it our book, but it is a collaborative effort, and I think that's so important to be able to do,   Jeffrey Madoff ** 58:30 oh, absolutely, absolutely, you know, the stuff that I was telling you about Sheldon, the director, you know, and that he has helped me to become a better writer, you know, and and when, as as obviously, you have experienced too, when you have a fruitful collaboration, it's fabulous, because you're both working together to create the best possible result, as opposed to self aggrandizement, right?   Michael Hingson ** 59:03 Yeah, it is. It is for the things that I do. It's not about me and I and I say it all the time when I'm talking to people who I'd like to have hire me to be a speaker. It's not about me, it's about their event. And I believe I can add value, and here's why I think I can add value, but it's not about me, it's about you and your event, right? And it's so important if, if you were to give some advice to somebody starting out, or who wants to be creative, or more creative and so on, what kind of advice would you give them?   Jeffrey Madoff ** 59:38 I would say it's more life advice, which is, don't be afraid of creative risk, because the only thing that you have that nobody else has is who you are. So how you express who you are in the most unique way of who you are? So that is going to be what defines your work. And so I think that it's really important to also realize that things are hard and always take more time than you think they should, and that's just part of the process. So it's not easy. There's all these things out there in social media now that are bull that how people talk about the growth of their business and all of this stuff, there's no recipe for success. There are best practices, but there's no recipes for it. So however you achieve that, and however you achieve making your work better and gaining the attention of others, just understand it's a lot of hard work. It's going to take longer than you thought, and it's can be incredibly satisfying when you hit certain milestones, and don't forget to celebrate those milestones, because that's what's going to give you the strength to keep going forward.   Michael Hingson ** 1:01:07 Absolutely, it is really about celebrating the milestones and celebrating every success you have along the way, because the successes will build to a bigger success. That's right, which is so cool. Well, this has been a lot of fun. We've been doing this for an hour. Can you believe it? That's been great. It has been and I really appreciate you being here, and I I want to thank all of you who are listening, but please tell your friends to get into this episode as well. And we really value your comments, so please feel free to write me. I would love to know what you thought about today. I'm easy to reach. It's Michael M, I C H, A, E, L, H i at accessibe, A, C, C, E, S, S i b, e.com, or you can always go to our podcast page, which is Michael hingson, M, I C H, A, E, L, H i N, G, s o n.com/podcast, where you can listen to or access all the of our podcasts, but they're also available, as most likely you've discovered, wherever you can find podcasts, so you can get them on Apple and all those places and wherever you're listening. We do hope you'll give us a five star review. We really value your reviews, and Jeff has really given us a lot of great insights today, and I hope that you all value that as well. So we really would appreciate a five star rating wherever you're listening to us, and that you'll come back and hear some more episodes with us. If you know of anyone who ought to be a guest, Jeff, you as well. Love You to refer people to me. I'm always looking for more people to have on because I do believe that everyone in the world is unstoppable if you learn how to accept that and move forward. And that gets back to our whole discussion earlier about failure or whatever, you can be unstoppable. That doesn't mean you're not going to have challenges along the way, but that's okay. So we hope that if you do know people who ought to be on the podcast, or if you want to be on the podcast and you've been listening, step up won't hurt you. But again, Jeff, I want to thank you for being here. This has been a lot of fun, and we really appreciate your time. Thank   Jeffrey Madoff ** 1:03:16 you, Michael, for having you on. It was fun. You   **Michael Hingson ** 1:03:23 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

This episode marks the HALFWAY point in the original Classic Marvel Star Wars series that ran from 1977-1986! We break down Issue 54: “STARFIRE RISING” from September 1981, which serves as a continuation of repurposed JOHN CARTER, WARLORD OF MARS artwork created for the cancelled comic series. Not wanting to waste unused artwork which was done by the same artists as the Star Wars series, Chris Claremont was brought in to write a new Star Wars story based on that existing art. Then Walter Simonson adapted art to fit these issues 53 and 54, and Viola you have new Star Wars!    We are not sure why this issue is called STARFIRE RISING, but it should have been called CRUSH ON LEIA, since the story revolves around Aron Peacebringer (John Carter) having an existential crisis over his adulterous thoughts on Princess Leia. You can tell the moment the art switches from repurposed John Carter to Star Wars towards the end of the issue. Please enjoy.   Today in Star Wars History - May 29, 2019   After a thirty-three-year hiatus, Marvel Comics continues their classic Star Wars series with the release of issue #108 - Forever Crimson. We covered this issue in episode 495 since it was a direct continuation of issue #50: Crimson Forever which came out in 1981. Forever Crimson, published in celebration of Marvel's 80th anniversary, encompasses five short stories that feature Jaxxon, Amaiza Foxtrain, and the droid-hating Valance the Hunter.     #54 “STARFIRE RISING"   Release Date: September 22, 1981 Writer: Chris Claremont Artwork: Walt Simonson, Carmine Infantino Coloring: Glynis Wein Cover Art:  Walt Simonson   Imperial General Sk'ar captures Aron Peacebringer and Princess Leia. As the two heroes struggle against their bonds, Aron discovers that his friend Delois, has turned traitor and joined forces with Sk'ar. Now Delois and Skar plan to bomb Aron's government - The Calian Confederacy.    When all seems lost, Luke Skywalker, Chewbacca, Lando Calrissian, and Aron's best friend Kéral Longknife arrive to fight the Imperials. Leia finds Sk'ar's anti-matter bomb and begins defusing it, but will she diffuse it in time or will this world be wiped out just like Alderaan?    We take our Facebook Group Comments on the cover into account as we analyze this issue. Become a part of our Facebook Group to contribute!     Contact Us   Instagram: http://instagram.com/skywalkingpod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Join us every week on YouTube for a behind-the-scenes look at our show. We also bring you to Disneyland, Red Carpet Events and Theme Park Openings.   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.

The New Capes & Lunatics Ep #11 (LGY #366): Superman & Fantastic Four Popcorn Buckets, Classic Comic Book Reviews This week your team of Phil, Lilith and Kristen discuss the popcorn buckets that have been revealed for this summer's Superman and Fantastic Four movies and review classic comic books from 1977, 1978, 1985, and 1986.   Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!    Capes & Lunatics Links  → Bluesky https://bsky.app/profile/capeslunatics.bsky.social → Twitter https://twitter.com/CapesLunatics → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/capesandlunatics → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

This episode marks the HALFWAY point in the original Classic Marvel Star Wars series that ran from 1977-1986! We break down Issue 54: “STARFIRE RISING” from September 1981, which serves as a continuation of repurposed JOHN CARTER, WARLORD OF MARS artwork created for the cancelled comic series. Not wanting to waste unused artwork which was done by the same artists as the Star Wars series, Chris Claremont was brought in to write a new Star Wars story based on that existing art. Then Walter Simonson adapted art to fit these issues 53 and 54, and Viola you have new Star Wars!    We are not sure why this issue is called STARFIRE RISING, but it should have been called CRUSH ON LEIA, since the story revolves around Aron Peacebringer (John Carter) having an existential crisis over his adulterous thoughts on Princess Leia. You can tell the moment the art switches from repurposed John Carter to Star Wars towards the end of the issue. Please enjoy.   Today in Star Wars History - May 29, 2019   After a thirty-three-year hiatus, Marvel Comics continues their classic Star Wars series with the release of issue #108 - Forever Crimson. We covered this issue in episode 495 since it was a direct continuation of issue #50: Crimson Forever which came out in 1981. Forever Crimson, published in celebration of Marvel's 80th anniversary, encompasses five short stories that feature Jaxxon, Amaiza Foxtrain, and the droid-hating Valance the Hunter.     #54 “STARFIRE RISING"   Release Date: September 22, 1981 Writer: Chris Claremont Artwork: Walt Simonson, Carmine Infantino Coloring: Glynis Wein Cover Art:  Walt Simonson   Imperial General Sk'ar captures Aron Peacebringer and Princess Leia. As the two heroes struggle against their bonds, Aron discovers that his friend Delois, has turned traitor and joined forces with Sk'ar. Now Delois and Skar plan to bomb Aron's government - The Calian Confederacy.    When all seems lost, Luke Skywalker, Chewbacca, Lando Calrissian, and Aron's best friend Kéral Longknife arrive to fight the Imperials. Leia finds Sk'ar's anti-matter bomb and begins defusing it, but will she diffuse it in time or will this world be wiped out just like Alderaan?    We take our Facebook Group Comments on the cover into account as we analyze this issue. Become a part of our Facebook Group to contribute!     Contact Us   Instagram: http://instagram.com/skywalkingpod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Join us every week on YouTube for a behind-the-scenes look at our show. We also bring you to Disneyland, Red Carpet Events and Theme Park Openings.   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.

Always five, fighting as one! This week, we look at the Gatchaman series from Mad Cave Studios, and we discuss which Spider-Man foe would be a great foil for Batman. Plus, we review Be Not Afraid #1 from BOOM! Studios, Ghost Rider vs. Galactus #1 from Marvel Comics, and Blue Palo Verde #1 from Mad Cave Studios. Subscribe to the Major Spoilers Podcast Network Master Feed!

In this episode, we get Radioactive, ride a Kill Train to Larazursville, blog with Mommy, and examine the Arsehole Pyramid! We also review Karate Kid: Legends, binge-read some comics, and discuss the comic book crossovers that never were!Books: Radioactive OGN, Unstoppable Wasp, I, Zombie Vol. 1, Lessons in Chemistry, Giant Sized X-Men #1, We're Taking Everyone Down With Us #3, Power Fantasy #9, Mommy Blog, Kill Train #5, Fantastic FOur #20-23, The Power Fantasy #1-5Other Stuff: Karate Kid: LegendsHere is the link for Bob's GoFundMe: https://tinyurl.com/nhkns658The Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, and John Burkle who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast and you can email us at podcast@talkingcomicbooks.com.

The Superhero Show Show #586The Insidious Six Reunite on Spider-Man: The Animated Series Insidious Six Return in Spider-Man: Unclaimed Legacy – The Superhero Show Show RecapListen Now – On this episode of The Superhero Show Show, the Taste Buds break down Spider-Man: The Animated Series Season 5, Episode 2, Six Forgotten Warriors Chapter 2: Unclaimed Legacy, and the high-stakes return of the Insidious Six.Insidious Six Take Center Stage in Unclaimed LegacyThe Insidious Six regroup in this action-heavy episode, amplifying their threat level under the ever-watchful eye of Wilson Fisk. With the Cold War mystery unraveling, the team's activities escalate from tactical strikes to global power plays. This isn't your average villain team-up—it's calculated chaos.They break down how this animated version of the Insidious Six compares to their comic book counterpart, the Sinister Six, and why this interpretation raises the stakes for Spider-Man both physically and emotionally.Learn more about the Sinister Six in Marvel Comics.Kingpin Pulls the Strings Behind the Insidious SixFew characters operate from the shadows quite like Kingpin. In Unclaimed Legacy, he once again proves that brute strength isn't his only weapon—intelligence is. The podcast explores how Wilson Fisk uses the Insidious Six as pawns in a much larger geopolitical scheme, manipulating international agencies and forgotten heroes alike.They also compare this animated version of Kingpin to Vincent D'Onofrio's live-action portrayal in Daredevil, and how the cartoon laid the groundwork for the modern, multi-layered Kingpin we know today.Richard and Mary Parker: Spies, Heroes, or Traitors?One of the most gripping mysteries in Spider-Man: The Animated Series resurfaces here: the truth about Richard and Mary Parker. Peter's investigation uncovers cryptic clues suggesting that his parents may have been caught in the same Cold War web that gave birth to the Six Forgotten Warriors.Are they spies? Victims? Or something more complicated? The crew dives deep into how the show uses their legacy to emotionally tether Peter to the larger conspiracy, one that might link directly to Kingpin's past and the origins of the Insidious Six.Curious about Peter's parents in the comics? Read Marvel's backstory on Richard and Mary Parker.Keene Marlow: A Living Link to Marvel's Golden AgeKeene Marlow continues to intrigue in this episode. The podcast examines how his cryptic warnings and vague connections to the super soldier program suggest he's much more than just a war vet.Comic fans might recognize Keene Marlow as the alter ego of The Destroyer, one of Marvel's earliest patriotic heroes. The hosts speculate on how the show uses his character as a proxy for a Cold War-era Captain America—an aging warrior caught in the modern-day crossfire of villains like the Insidious Six.FAQ: The Insidious Six in Spider-Man: The Animated SeriesQ: Who are the Insidious Six?A: The Insidious Six are the animated version of the Sinister Six, featuring villains like Doctor Octopus, Mysterio, Chameleon, and more. Censorship rules led to the name change.Q: Is Kingpin the leader of...

Every other week, we'll be focusing on a Marvel series that sits partially or entirely outside of mainstream Marvel continuity. The first episode of every new series that we cover will be available on the public feed. The rest of the episodes will be exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode: "The War of the Worlds!" - Amazing Adventures #18, written by Gerry Conway, art by Neal Adams, Howard Chaykin, and Frank Chiaramonte, letters by John Costanza, colors by Petra Goldberg, edited by Roy Thomas, ©1973 Marvel Comics"The Sirens of 7th Ave" - Amazing Adventures #19, written by Gerry Conway, art by Howard Chaykin and Frank McLaughlin, letters by John Costanza, colors by Petra Goldberg, edited by Roy Thomas, ©1973 Marvel Comics"The Warlord Strikes!" - Amazing Adventures #20, written by Marv Wolfman, art by Herb Trimpe and Frank Giacoia, letters by John Costanza, colors by Glynis Wein, edited by Roy Thomas, ©1973 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.) 

Always five, fighting as one! This week, we look at the Gatchaman series from Mad Cave Studios, and we discuss which Spider-Man foe would be a great foil for Batman. Plus, we review Be Not Afraid #1 from BOOM! Studios, Ghost Rider vs. Galactus #1 from Marvel Comics, and Blue Palo Verde #1 from Mad Cave Studios. Subscribe to the Major Spoilers Podcast Network Master Feed!

The epic crossover they said was impossible! In 1996, both DC and Marvel Comics collaborated on a blockbuster summer event that saw the two universes clash and temporarily merge into one hybrid mashup -- the Amalgam Universe! THRILL to the exploits of The Dark Claw, Super-Soldier, Doctor Strangefate, X-Patrol, and more!---Join our Patreon for bonus episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/theveryfinecomicbookpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you're enjoying The Very Fine Comic Book Podcast, please take the time to Rate it [on Spotify], Rate+Review it [on Apple Podcasts], Follow/Subscribe, and tell a friend!Follow us on Instagram at @theveryfinecomicbookpodcast, and send us questions to potentially read on-air via IG DM or via email at theveryfinecomicbookpodcast@gmail.comMail us things c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, CanadaThanks for listening! Keep reading comics!---

Episode 66 - Murdock and Marvel: 2004 Part 1 2004 was a relatively quiet year in comics, but there were some critical developments that made waves into the future.  Big movies, heroes back from the dead, and some important new faces! The Year in Comics  Comics in Other Media DC Comics Other Publishers Sales & Industry Information Beginnings & Endings Eisner Awards Dan's Favorite The Year in Marvel TOTAL SERIES: 292 TOTAL NEW SERIES: 197  TOTAL ENDING SERIES: 173 THIS YEAR'S EVENT(S): Avengers Disassembled (34 issues) and Secret War (starts) BEST SELLING COMICS: New Avengers #1 Events & Happenings New Titles (Ongoing and Limited) New Characters Series Ending Who's in the Bullpen/Passings ROOKIE OF THE YEAR: Greg Pak Dan's Favorite   Next week: 2004 Part 2 - The year in Daredevil    Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

Season 2 Episode 770 X-Manhunt Part 1: Sean and Jim are exploring the X-men crossover, X-Manhunt, in a multipart series starting with X-men 11 and NYX 9. We also have some casual chat on the various ways we are enjoying comics these days. DC High Volume https://www.dc.com/highvolume Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: Turtles of Grayskull Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Summer of Superman, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:05 Casual chat about the various ways we are interacting with physical, digital and apps, oh my… 23:05 X-manhunt Part 1 1:27:00 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

DC Comics teases a fall event. AHOY Comics launches Toxic Crusaders. New What If...? novel coming from Marvel.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve, Andrew & Kevin are joined by fellow Indie Comic Book Noise co-host Phil for a Recent Reads Roundtable that includes the Fantastic Four/X-Men Free Comic Book Day issue as well as One World Under Doom #3, Fantastic Four #30, Fantastic Four Fanfare #1, Red Hulk #3, Thunderbolts – Doomstrike, Marvel Premiere #33 (starring Solomon … Continue reading "Marvel Noise Episode 454 – Recent Reads Roundtable with Phil"

The New Capes & Lunatics Ep #10 (LGY #365): Time Travel Extravaganza This week your team of Phil, Lilith, Justin and Kristen discuss some of their favorite time travel stories from Marvel, DC Comics, the larger comics universe, and tv shows and movies. Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!  Capes & Lunatics Links  → Bluesky https://bsky.app/profile/capeslunatics.bsky.social → Twitter https://twitter.com/CapesLunatics → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/capesandlunatics → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

Today we shared 4 of our favorite quotations and discussed them on their own and in relation to each other. We quoted Dorothy Parker, Lex Luthor, Friedrich Nietzsche, Bob Dylan, Marvel Comics, Richard Rorty, Moby Dick, Ru Paul, Jacques Derrida, Ludwig Wittgenstein, and Franz Kafka. 

This week, the Bandwagon is stripped down again as the dynamic duo of Dave and Tunney guide you through the week around the Nerdosphere. Netflix had its annual fan event and mega-preview party, Tudum. The event has become notorious for dumping a slew of trailers for almost all of Netflix's upcoming projects for the next 9-12 months. This year was no exception, and we received trailers for eagerly anticipated projects like Frankenstein, Squid Game Season 3, Happy Gilmore 2, and the long-awaited announcement about Stranger Things Season 5, along with the release dates for the separate volumes of the final season. Amazon Prime, not wanting to be left out, dropped a trailer for Season 2 of Gen V. The guys then examine the significant drop in viewers for the season finale of The Last of Us and question whether the series could be at risk of cancellation. This fate befell another popular franchise as The Wheel of Time was canceled by Prime. Are there hidden similarities between the two shows that should concern fans of HBO Max's most popular series of all time? As if HBO Max didn't have enough problems, we've been informed that the three lead roles for the Harry Potter reboot have been cast. Do these kids stand a chance, or will they be crushed by the inevitable comparison to the original three actors from the movie franchise? In much better news, though, DC and Marvel Comics are on the verge of releasing the first crossover event in over 20 years. With the two comics' super-powers working together, Dave and Tunney ponder what other crossovers they might want to see. @AttitudeAgg@WrestlngRealist@itsReyCash@PCTunney@itsmedpp@ViolentAesop@TheMindlessPod@therealcplatt@ChairshotMedia@BandwagonNerdsPROWRESTLINGTEES.COM/TheChairshot - Makes a GREAT GIFT!!!About Bandwagon NerdsJoin Patrick O'Dowd, David Ungar, PC Tunney, Rey Cash, and DPP as they keep everyone up on all things nerd and maybe add some new nerds along the way. It's the Bandwagon Nerds Podcast!About Chairshot Radio NetworkChairshot Radio NetworkLaunched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find!MONDAY - Bandwagon Nerds (entertainment & popular culture)TUESDAY - 4 Corners Podcast (sports)WEDNESDAY - The Greg DeMarco Show (wrestling)THURSDAY - POD is WARFRIDAY - DWI Podcast (Drunk Wrestling Intellect)SATURDAY - The Mindless Wrestling PodcastSUNDAY - Keeping the news ridiculous... The Oddity / The Front and Center Sports PodcastCHAIRSHOT RADIO NETWORK PODCAST SPECIALSAttitude Of Aggression Podcast & The Big Five Project (chronologically exploring WWE's PPV/PLE history)http://TheChairshot.com PRESENTS...IMMEDIATE POST WWE PLE REACTIONS w/ DJ(Mindless), Tunney(DWI) & FriendsPatrick O'Dowd's 5X5Support this podcast at — https://redcircle.com/chairshot-radio-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this heartfelt episode of Set Luting Bruce, host Jesse Jackson and guest Keith DeCandido discuss the life and legacy of beloved writer Peter David. Known for his impactful work in comic books, science fiction, and fantasy, David's influence touched many facets of pop culture, from Marvel Comics and 'Star Trek' novels to original works like 'Tigerheart' and 'Artful.' Join us as we celebrate his contributions, delve into personal stories, and explore the profound impact of his work on fans and fellow creators alike. Whether you're new to Peter David's work or a longtime fan, this episode offers a comprehensive look at one of pop culture's most cherished writers. http://decandido.net/ https://www.gofundme.com/f/help-peter-david 00:00 Introduction to the Podcast 00:19 Remembering Peter David 00:48 Guest Introduction: Keith's Background 01:30 Keith's New Series: Supernatural Crimes Unit 02:24 Peter David's Early Work and Influence 03:17 The Chronic Rift TV Show 05:39 Collaborations and Conventions 13:23 Mystery Trekky Theater 3000 14:10 Memorable Convention Stories 17:01 Humor in Fantasy and Science Fiction 17:54 Personal Encounters with Peter David 19:48 Discussing Peter's Writing Style 21:24 Peter's Impact on Comic Book Characters 23:22 Peter's Contributions to Star Trek Novels 24:53 The Success of New Frontier 28:38 Peter's Original Works and Legacy 33:10 Personal Reflections and Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

TJ Pistilli, aka Fat Thor of Agents of Fandom, sits down with Storm comic book writer Murewa Ayodele to talk all about the MAJOR upcoming Marvel event, THUNDER WARS! Ayodele also discusses the history of Marvel Comics, the character progression of legendary X-Men member Storm through the years, and more Marvel cosmic secrets yet to come.Become a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

NEWSWriter Peter David has died'Deadpool/Batman' and 'Batman/Deadpool coming late 2025Mark Millar's ‘Psychic Sam' comic and movie announced'Skullkickers' returns with Oni Press Compact Attack Editions in 2026'Nightmare Before Christmas' novel gets graphic novel in June 2025Toxic Crusaders #1 announcedDark Horse celebrates Jack Kirby with ‘The Art of Fantastic Four' out September 2025‘Masters of the Universe: The Sword of Flaws' announced for September 2025Our Top Books of the WeekDave:Absolute Martian Manhunter #3 (Deniz Camp, Javier Rodriguez)The Power Fantasy #9 (Kieron Gillen, Caspar Wijngaard)Chris:​​Feral #13 (Tony Fleecs, Tone Rodriguez, Trish Forstner)Green Arrow #24 (Chris Condon, Montos)Standout KAPOW moment of the week:Chris - Absolute Martian Manhunter #3 (Deniz Camp, Javier Rodriguez)Dave - Absolute Wonder Woman #8 (Kelly Thompson, Hayden Sherman)TOP BOOKS FOR NEXT WEEKChris: The Moon Is Following Us #10 (Daniel Warren Johnson, Riley Rossmo)Dave: DC Pride 2025 #1 (Various)JUDGING BY THE COVER JR.Dave: Amazing Spider-Man #5 (Pepe Larraz)Chris: Imperial #1 (Javier Garron Connecting Variant)Interview: Co-writer Adrian Wassel and artist Nathan Gooden about Big Rig #1 July 9 - FOC June 9What was the spark that lit the fire for Big Rig?How did this story evolve from Post Malone's original idea into the medieval demon-slaying road trip we see in Chapter 1?How did the collaboration with Post Malone work on a day-to-day level?Was he sending notes from the studio? Storyboarding demon fights on tour?The idea of an 18-wheeler crashing into medieval Europe is wild in the best way.How did you work to ground that concept emotionally and thematically?What makes her essential to the story, and how does she play off Trucker?What kind of research or inspiration shaped the design of The Rig itself?Did you draw from real-life trucking culture, heavy metal, religious iconography, or all of the above?This book is described as Evil Dead meets Fury Road.What's your approach to balancing horror, action, and dark comedy on the page?Nathan, your art often feels like it's in motion even when the panels are still.What visual challenges or opportunities did Big Rig present compared to something like Barbaric?What was most important to you both in setting the tone for this first chapter?⚙️ Segment Break: "Load It or Leave It"Purpose: A rapid-fire segment where they say whether the following elements are "loaded" onto The Rig (i.e., present in the series) or "left behind" (not part of the story). This lets you transition into a worldbuilding breakdown in a fun way.You say the element, they say "Load It" or "Leave It" — and optionally expand briefly.Examples:RomanceChainsawsHoly relicsTime travelInterdimensional truck stopsTalking weaponsDemon pukeFlashbacksPost Malone cameosGodWrap up the segment by picking one they said “Load It” on and asking them to expand:“Okay, you said ‘Load It' to talking weapons. Tell us more.”Final Questions(Fun one) If Trucker had a mixtape in the Rig's cab, what three songs would be on it — and does Post have to be on there at least once?

Episode 65 - Murdock and Marvel: 2003 Part 2 It was a crazy year in America, with the Gulf War and the Patriot Act in the news, and over a billion dollars spent on comic-based movies.  But in the actual world of American comics, 2003 was that most beautiful to things – a stable, productive year filled with fantastic and influential stories.    This is part 2 of the podcast. that will feature the year in Daredevil, the Spotlight story and the Takeaway for 2003.   The Year in Daredevil  Appearances:  Daredevil #39-53, Daredevil: The Target #1, Ultimate Daredevil and Electra #1-4, Daredevil: The Movie #1, Paradise X #7-11 and X, Exiles #20 and #25, Alias #18 and #24, Marvel Universe: The End #1-6, Ultimate X-Men #36, Captain America #19 and Punisher #33-34  Writing: Brian Michael Bendis (#39-50), David Mack (#51-53)   Pencils: Manuel Gutierrez (#39), Terry Dodson (#40), Alex Maleev (#41-50), David Mack (#51-53)  Inks: Manuel Gutierrez (#39), Rachel Dodson (#40), Alex Maleev (#41-50), David Mack (#51-53) The year begins with the named story that started at the end of 2002 “The Trial of the Century” but this isn't the trial we've had story leaning up to. Instead, Luke Cage urges and eventually convinces Matt Murdock to defend Hector Ayala aka the White Tiger who recently get back into the costume and in a failed attempt to stop a robbery get arrested for a police officer who was shot and killed.  The trial doesn't go particularly well despite the fact Ayala is innocent. Murdock's defense included calling superheroes like Reed Richards, Luke Cage, and Jessica Jones before Ayala himself takes the stand. During cross examination, Ayala loses his cool and lashes out in anger and frustration about how no one understands (superheroes).   This story tragically comes to an end with Hector Ayala convicted of murder. Dismayed over the conviction and assurances by Murdock he will go free, Hector attempts to flee the courthouse rather than being taken into custody and is gunned down by police on the stairs of the courthouse.  Starting in March, we get the storyline Lowlife in which The Owl has taken over part of the Kingpin's old territory and is selling a drug MGH (Mutant Growth Hormone). He's also trying to get incriminating evidence on Matt Murdock/Daredevil. Also, in this story we meet Milla Donovan, a blind woman Daredevil saves from get hit by a truck – who falls for the hero and befriends Matt Murdock (since he's Daredevil)  Uri Rosenthal, the Globe newspaper owner whom Matt Murdock is suing is found dead at home and Murdock is taken into custody for questions during his date with Milla. Matt tries to apologize to Milla for their interrupted date, takes down the Owl as Daredevil and learns that the Kingpin is back in town.  This then leads directly into the story “Hardcore” and the return of Typhoid Mary. Kingpin is amassing power again and needs a distraction for Matt Murdock / Daredevil so he pulls Mary for her “normal” life as a soap opera star. Her distraction, it turns out, is showing up during Milla and Matt's walk for lunch and setting Matt on fire. Jessica Jones and Luke Cage help Matt subdue Mary while keeping Milla safe. With Mary in jail, Bullseye talks Kingpin into giving him another shot at Daredevil which turns out to be a shot at Milla. Daredevil saves her (and carves a crosshair tattoo into Bullseye's forehead) and angrily turns his sights on Kingpin.  This culminates in another epic showdown between Kingpin and Daredevil in issue 50 of Daredevil worthy of our spotlight this week.  The year ends with writer/artist David Mack along with character Maya Lopez's Echo returning in the first three parts of the Echo storyline that we'll be saving for next year.  This Week's Spotlight: Daredevil volume 2 #50 October 2003 “Hardcore Part 5” Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway Even as we leave behind the grimdark of the ‘90s, Marvel's Supreme Power, DC's Red Son and Image's Invincible lead us from an age of sex and violence into an age of cynicism and moral ambiguity. Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

In episode 243 of Reel Therapy, Daniel and Donavon dive into Marvel Studios' Thunderbolts — exploring where it fits in the broader MCU, how it handles themes of trauma and redemption, and what the film says about mental health in today's culture.They also take a step back to examine Hollywood's responsibility in telling stories about mental health, and how films like Thunderbolts can either help or harm the conversation.A thoughtful breakdown packed with insight, emotion, and a little chaos — just like the Thunderbolts themselves.TABLE OF CONTENTS --00:00:00 - About the Episode00:00:41 - Thunderbolts*00:45:00 - Final Thoughts00:54:31 - Before We GoABOUT THE MOVIE --Thunderbolts brings together a team of morally complex anti-heroes and reformed villains from across the Marvel Cinematic Universe, including Yelena Belova, Bucky Barnes, Red Guardian, U.S. Agent, and more. Tasked with carrying out covert missions too messy for the Avengers, the group must confront their own inner demons while learning to trust one another.Directed by Jake Schreier, with a script by Eric Pearson, Thunderbolts explores themes of trauma, redemption, and identity against the backdrop of high-stakes action and espionage. The film continues Marvel's Phase 5 and dives deeper into the gray areas of heroism — where not every mission has a clean ending, and not every hero wears a cape.FIND US --For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook: https://www.facebook.com/reeltherapypod

The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship.What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation.Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach.Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo Drewhttps://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

The New Capes & Lunatics Ep #9 (LGY #364): Jackson Lanzing & Collin Kelly This week your team of Phil, Lilith and Kristen chat with returning guests Jackson Lanzing and Collin Kelly about their work on Thunderbolts: Doomstrike, Star Trek, Giant Size X-Men, some of their previous works, hints at things to come, and secrets of the comic book industry! Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!    Capes & Lunatics Links  → Bluesky https://bsky.app/profile/capeslunatics.bsky.social → Twitter https://twitter.com/CapesLunatics → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/capesandlunatics → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

Nick is back from Vacation and we got fully stuffed episode for you! Avengers delays, Harry Potter Casting, gaming records and more. Plus Pokémon gets a release date, Xbox brings the classics and Batman and Deadpool are teaming up. And I finally weigh in on the Battlefront shenanigans, that and more in this weeks episode!

THE FANTASTIC POUR Brett welcomes The Rick of Jeff and Rick Presents: Unpacking the Power of Power Pack: Rick Heinichen to the Fantasti-Lounge to talk Cyclops! We enjoy a Blueberry Mojito and read The Uncanny X-Men #176. Join us in the Fantasti-Lounge as we discuss if Cyclops is better off without Jean Grey, Rick's all-time X-Men team, the best Marvel pilots, not messing with hippos, and much, much more! Secret Pour-igins: The Mojito Cocktail: Blue Summers Ingredients (per drink): 2oz White Rum 75oz Fresh Lime Juice 5oz Blueberry Simple Syrup 8–12 Fresh Mint Leaves Club Soda Instructions In a large glass or mason jar, add 2 scoops vanilla ice cream. Add a shot of Irish cream Add some chocolate syrup Slowly pour in Guinness Top with whipped cream Dash of nutmeg and/or chocolate shavings Stir it up and enjoy Garnish Mint Sprig 3 blueberries Glassware Collins or basically any type of glassware Blueberry Simple Syrup Recipe 1 cup blueberries 1 cup lemon juice 1 cup warm water 1 cup white granulated sugar Mix blueberries, water, and sugar together using a whisk in a small saucepan over low heat until sugar is dissolved, about 5 minutes. Increase heat to medium and bring a gentle boil, stirring often, until syrup is thickened, about 15 minutes. Whisk lemon juice into syrup; serve immediately or cool. Instructions Add the mint, lime juice and simple syrup to a glass and gently muddle. Add the rum and fill the glass with ice. Top with club soda and give an easy stir Garnish with a big mint sprig and blueberries Non-Alcoholic version of Blue Summers Follow all other instructions above, just replace White Rum with additional Club Soda. Comic: The Uncanny X-Men #176, Marvel Comics, 1983 Have a question or comment? E-MAIL: fwpodcasts@gmail.com You can find The Fantastic Pour on these platforms: Apple Podcasts Amazon Music Spotify The Fantastic Pour podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Fire & Water website: http://fireandwaterpodcast.com Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

In this week's episode, Aaron goes Beyond the Gates and below the foundation of Vatican City, Bob's has a bone to pick with The Thing, Steve's Dept. of Truth dreams come true, and Dr. Carolyn Cocca serves up comics about delicious food!Additionally, the crew pays tribute to the great Peter David, waxes rhapsodic about characters loved and lost, and discusses proper concert etiquette.Books: Vatican City #1-2, Sleep #1, Killer: Affairs of the State, Oishinbo, Food Wars, She Loves to Cook and She Loves to Eat, Wakakozake, Ms. Koizumi Loves Ramen Noodles, Bug Wars #2-4, Dept. of Truth #30, Bitter Root: The New Movement #3, The Vision & The Scarlet Witch #1, The Thing #1, Fantastic Four #32, Fantastic Four vs. Galactus TPB, Silver Surfer (Dan Slott)Other Stuff: Sessanta Ver. 2.0 (Puscifer, A Perfect Circle, Primus)Check out the Aces and Aros: An Asexual and Aromantic Comic Book Anthology Kickstarter Campaign:https://tinyurl.com/55dpnzhxThe Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, and John Burkle who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast and you can email us at podcast@talkingcomicbooks.com.

Chris Gethard is a very funny and talented comedian, actor, author, and podcaster, who you've seen in everything from The Office to The Other Guys. He's also the creative mind behind Wellness Together's Laughing Together program, which brings comedy workshops into schools as a low-impact, destigmatized entry point into conversations regarding mental health. Learn more at https://laughingtogether.orgFor more than TWO HOURS of bonus content — including 45 minutes more of our conversation with Chris Gethard and 20 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode: "Step Into My Parlor..." - Amazing Spider-Man Annual #10, written by Len Wein and Bill Mantlo, art by Gil Kane, Frank Giacoia, and Mike Esposito, letters by John Costanza, colors by Petra Goldberg, edited by Len Wein, ©1976 Marvel Comics"Nova" - Nova #1, written by Marv Wolfman, art by John Buscema and Joe Sinnott, letters by Joe Rosen, colors by Michele Wolfman, edited by Marv Wolfman, ©1976 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

In this episode, Craig and Olivia sit down with Eve L. Ewing—author, scholar, poet, comic book writer, and professor—to talk about her newest book, Original Sins: The (Mis)Education of Black and Native Children and the Construction of American Racism. Eve shares the inspirations behind the book, the emotional toll of writing it, and the active role imagination plays in justice and systemic transformation. Read the full transcript: Use promo code: SWITCH when signing up for a new Libro.fm membership to get two additional credits to use on any audiobooks—meaning you'll have three from the start. About Eve L. Ewing: Eve L. Ewing is a writer, scholar, and cultural organizer from Chicago. She is the award-winning author of four books: Electric Arches, 1919, Ghosts in the Schoolyard, and Maya and the Robot. She is the co-author (with Nate Marshall) of the play No Blue Memories: The Life of Gwendolyn Brooks and has written several projects for Marvel Comics. Photo credit: Jaclyn Rivas Get Eve's Book: Original Sins 1919 Maya and the Robot Ghosts in the Schoolyard Books discussed on today's episode: The Serviceberry by Robin Wall Kimmerer Fundamentally by Nussaibah Younis Sunrise on the Reaping by Suzanne Collins Codename: Pale Horse by Scott Payne

An odd little selection of issues this time round, as Paul and Al look at Thunderbolts issues 63 and 64, and Thunderbolts: From The Marvel Vault. Want to know what Zemo's sulky face looks like? Want to know what Nomad sings to himself to when he's wandering the highways? Want to know how many gratuitous instances of nudity one issue can contain? Well then this might just be the episode for you!

Description Returning guest Christopher “Mav” Maverick joins Joe to discuss a classic Marvel Comics story, “Kraven’s Last Hunt.” Written by J.M. DeMatteis with pencils by Mike Zeck and inks by Bob McLeod, this storyline tells about Kraven’s final hunt (for … Continue reading →

We back on this memorial day talking Superman, Batman, trailers and more! Come join the convo

Sweet Christmas! This week we bring you a deep-dive Marvel's first black star - Luke Cage! One of the most controversial characters in the history of Marvel Comics, we'll take you behind-the-page to examine Shaft and the blaxploitation movies of the 1970's that inspired Luke's creation, his status as the black Marvel character to have their own series, as well as the controversial real-world medical experiments that influenced his powers and his backstory! Support the show and get awesome bonus episodes at https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

We continue our Monthly Spotlight on Young Avengers with a discussion on Civil War Young Avengers and Runaways  and Young Avengers Presents limited series by various creators including Zeb Wells, Stefano Caselli, Ed Brubaker, Matt Fraction, Alan Davis and many others. Marvel Comics, MCU, Marvel Boy, Captain America, Hawkeye. You can follow us on Bluesky @comicsdiscourse114.bsky.social, Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, and Facebook: Facebook Comics Discourse 114 Also, please leave us a 5-star review at your favorite podcast platforms.  

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSNew ‘X-Men Hellfire Gala Vigil' #1 costume designs revealedMarvel Comics Solicitations August 2025!Doctor Strange #450 milestone issue!Venom symbiote increases the danger in 'Godzilla Destroys the Marvel Universe' #2 Marvel teases a rock will save the Marvel universe in 'Fantastic Four' #1Ultimate Hawkeye scores one-shot in September 2025Frank Castle returns in 'Punisher: Red Band' #1DC GO! is leveling up this July with six bold new digital-first webcomicsEXCLUSIVE: 'Blink and You'll Miss It' unravels romance and reality this summerDC and Gaylord Texan Unite for ‘Universe of Light: Lost in the Pages' comic experienceFind Krypto's Golden Biscuit, win a trip to the ‘Superman' premiereNew space opera ‘Red Vector' announced for August 2025Skybound reveals new Act 4 Wally Wood and Hellboy Artist EditionsOur Top Books of the WeekDave:Amazing Spider-Man #4 (Pepe Larraz, Joe Kelly)Into the Unbeing (2024): Part Two #4 (Zac Thompson, Hayden Sherman)Alex:​​Absolute Flash #3 (Jeff Lemire, Nick Robles)Doom Academy #4 (Mackenzie Cadenhead, Pasqual FerryJoao M.P. Lemos)Standout KAPOW moment of the week:Alex - Fantastic Four #34 (Ryan North, Cory Smith)Dave - Robowolf #1 Jake SmithTOP BOOKS FOR NEXT WEEKAlex: We're Taking Everyone Down With Us #3 (Rosenberg, Landini) and Magik #5 (Allen, Peralta)Dave: Mr. Terrific Year One #1 (Al Letson, Valentine De Landro)JUDGING BY THE COVER JR.Dave: Absolute Wonder Woman #8 (Stephanie Hans)Alex: Martian Manhunter #3 (Shawn Crystal Variant)Interview: Mark Russell Interview:Polis is out this week from AWA, can you tell us what it's about?Polis is part of The Protopias Collection. Could you elaborate on the concept of 'protopia' and how it influences the narrative and themes within Polis?How did your collaboration with artist Laci and colorist Marco Lesko shape the visual storytelling of Polis? Were there specific elements you emphasized to bring the floating city of Miragua to life?​AWA Studios future projects?On the reverse side your X-Factor run has also had satirical elements from current events like social media and corporate negligence, are there any other themes you explored in X-Factor I'm missing?There's some new mutants in X-Factor as well, went went into creating them with Bob Quinn?Your run on X-Factor balanced biting commentary with genuine emotional depth—was there a theme or character arc you didn't get to fully explore in the ten issues that you wish you had more time with?Out May 07, each issue of Vanishing Point is a standalone story—how did that format influence the way you approached worldbuilding and character development in the first issue, particularly with Jim's psychological arc?The story captures the emotional toll of isolation and obligation in a haunting way—were there any personal experiences or real-world parallels that shaped Jim's descent or the overall tone of the series?