Podcasts about power why

Have you ever sat through a sales pitch thinking you knew what was coming... only to be hit with a $50,000 price tag?

Al Roxburgh and Jenny Sinclair talk with David Fitch about what it means to follow Jesus in the culture of our day.  Fitch sees power as the primary force shaping our culture, one that, as God's people, we have to confront. Dave draws attention to the ways power has infiltrated the church, issuing a call for church leaders everywhere to confront their own use of worldly power, and to turn instead to godly power. He argues that this power is of a God who is not coercive, but whose power is one of presence for which we have to make space.David Fitch, “Fitch” to his friends, is the founding pastor of Life on the Vine Christian Community, a missional church in Chicago. He describes himself as “a neo-Anabaptist holiness Pentecostal” and is on the pastoral staff of Renew Church in Westmount, Illinois. Fitch is Professor of Evangelical Theology at Northern Seminary, a member of the Jesus Collective and writes and speaks on cultural engagement, leadership and theology. His latest book is Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power.- Links -For Alan J Roxburgh:http://alanroxburgh.com/abouthttps://www.themissionalnetwork.com/author/alan-roxburgh/X.com/Twitter: https://x.com/alanjroxburgh?lang=enFacebook: https://www.facebook.com/alan.roxburgh.127/Facebook: https://www.facebook.com/thecommonsnetworkJoining God in the Great Unraveling https://www.amazon.ca/Joining-God-Great-Unraveling-Learned/dp/1725288508/ref=sr_1_Leadership, God's Agency and Disruptions https://www.amazon.ca/Leadership-Gods-Agency-Disruptions-Confronting/dp/1725271745/refJoining God, Remaking Church, Changing the World: The New Shape of the Church in Our Time https://www.amazon.ca/Joining-Remaking-Church-Changing-World/dp/0819232114/ref=sr_1_3?crid=2NHGW8KB7L0SQ&keywords=Alan+J+Roxburgh&qid=1687098960&s=books&sprefix=alan+j+roxburgh%2Cstripbooks%2C130&sr=1-3For Jenny Sinclair:Website: https://togetherforthecommongood.co.uk/from-jenny-sinclairLinkedIn: https://www.linkedin.com/in/jenny-sinclair-0589783b/X.com/Twitter: https://x.com/homeFacebook: https://www.facebook.com/TogetherForTheCommonGoodUKInstagram: https://www.instagram.com/t4cg_insta/For David Fitch: Links neededReckoning with Power: Why the Church Fails When It's on the Wrong Side of PowerSubstack:X.com/Twitter: https://twitter.com/fitchest?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorFacebook: https://www.facebook.com/fitchestNorthern Seminary: dfitch@faculty.seminary.edu Get full access to Leaving Egypt at leavingegyptpodcast.substack.com/subscribe

When dogs meet they often sniff each other. It appears we humans do the same thing (to other humans, not dogs). This episode begins with an explanation of how people judge other people based on how they smell. And we do it all subconsciously. https://www.sciencedaily.com/releases/2022/06/220627125010.htm Do you consider yourself resilient? Are you able to bounce back after a big challenge? Can you become more resilient? There is little doubt that being resilient is important to your personal and professional success. Listen to my conversation with Stephen Magness. He has been a consultant for NASA, the Houston Rockets and other major organizations and has written for Runner's World and Sports Illustrated. He has been featured in The New Yorker, Wall Street Journal, The New York Times, and Men's Health. Stephen is author of the book Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness (https://amzn.to/3OSE3Qb). It is harder and harder to protect your privacy. It is clear that data is being collected about you that is extremely sensitive and personal. For example, what you search for online, your religious beliefs, your sexual preferences, how well you sleep, what organizations you belong to and so much more has likely been captured, recorded and stored away somewhere. And it gets worse, as you will hear from my guest Carissa Veliz. She is an associate professor at the Faculty of Philosophy and the Institute for Ethics in AI, as well as a tutorial fellow at Hertford College, at the University of Oxford and editor of the Oxford Handbook of Digital Ethics. Carissa is author of the book, Privacy is Power: Why and How You Should Take Back Control of Your Data (https://amzn.to/3nqHIsX). Cooking on the grill is great but it can get a little boring if it is always hot dogs, hamburgers, chicken breasts and steaks. But it doesn't have to be. Listen as I reveal how to cook some things on the grill you never imagined that taste great – for example, pineapple, avocado, watermelon and pound cake. https://www.rd.com/list/7-food-you-didnt-know-you-could-grill/ PLEASE SUPPORT OUR SPONSORS! Indeed is offering SYSK listeners a $75 Sponsored Job Credit to get your jobs more visibility at https://Indeed.com/SOMETHING Go to https://Shopify.com/sysk now to grow your business - no matter what stage you're in! We love the Think Fast, Talk Smart podcast! https://www.gsb.stanford.edu/business-podcasts/think-fast-talk-smart-podcast eBay Motors has 122 million parts for your #1 ride-or-die, to make sure it stays running smoothly. Keep your ride alive at https://eBayMotors.com We really like The Jordan Harbinger Show! Check out https://jordanharbinger.com/start OR search for it on Apple Podcasts, Spotify or wherever you listen! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Unleash the Power of Prayer!This week in the series "At This Table," we explore the incredible impact of prayer in our lives. Discover:• The "Summer of 1000 Tables" Challenge: How to share your faith by inviting people to your table.• The Secret Weapon of Jesus' Ministry: How Jesus used meals to connect with people and bring them closer to God.• Unlocking God's Power: Why faith is essential for miracles to happen (Matthew 9:27-31).• Do People Still Get Healed Today? Powerful testimonies of physical and emotional healing through prayer.• How to Pray with Confidence: Practical tips to overcome awkwardness and pray for your friends (in any setting!).Is someone you know struggling? Learn how to offer support and pray for healing, just like Jesus did.

Lord Acton famously said, “Power corrupts and absolute power corrupts absolutely.” Was he right? Mike Erre is back to discuss the way Christians think about power, and why he believes our pursuit of power over the world is not the way of Jesus. Then, author Elizabeth Oldfield talks with Kaitlyn about her new book, “Fully Alive,” which uses the Seven Deadly Sins as a bridge for introducing secular people to the wisdom of Christianity. Also this week—the verdict in the Trump trail, a very unique fossil museum opens in Arizona, and Phil creates a fun new game for Christians called “Is It Persecution?”   0:00 - Intro   2:09 - Show Starts   4:15 - Theme Song   4:37 - Sponsor -  AG1 - Heavily researched, thoroughly purity-tested, and filled with stuff you need. Go to https://www.athleticgreens.com/HOLYPOST   5:56 - Sponsor -  Sundays Dog Food - Get 35% off your first order of Sundays. Go to www.SundaysForDogs.com/HOLYPOST or use code HOLYPOST at checkout.   7:09 - Wearing Cicadas   9:13 - News of the Pooseum   13:11 - New Game: Am I Being Persecuted?   18:55 - Donald Trump Martyr Complex   29:15 - Mike on Politically-Driven Spiritual-Malformation   34:13 - Fitch and The Ontologically-Rooted Corruption of Power   52:37 - Sponsor - Go to https://www.songfinch.com/HOLYPOST and start your original song!   53:55 - Sponsor - Better Help - Get 10% off your first month at www.betterhelp.com/holypost   54:55- Interview   56:26 - Elizabeth Oldfield's Faith Background   1:00:39 - Writing with a Secular Audience in Mind   1:03:48 - What Radicalized the Republican Voter Base?   1:12:13 - PLM Syndrome   1:18:53 - Attention vs. The Deadly Sin of Sloth   1:24:17 - Why Save God for the End of the Book?   1:29:39 - End Credits     Links Mentioned in the News Segment:   Pooseum: https://pooseum.com.au/ Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power by David Fitch: https://a.co/d/e1NdqoZ   Other resources: Fully Alive: Tending to the Soul in Turbulent Times by Elizabeth Oldfield: https://a.co/d/iYZICBv   Holy Post website: https://www.holypost.com/ Holy Post Plus: www.holypost.com/plus Holy Post Patreon: https://www.patreon.com/holypost Holy Post Merch Store: https://www.holypost.com/shop     The Holy Post is supported by our listeners. We may earn affiliate commissions through links listed here. As an Amazon Associate, we earn from qualifying purchases.

Send us a Text Message.In this episode of the Christian AF Podcast, hosts Jen, Jesse, and Evan sit down with David Fitch, an author, professor, and pastor, to discuss his new book, "Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power." The conversation covers a range of topics including the dynamics of power within the church, the impact of Christian nationalism, and the importance of humility and community in church leadership. Fitch shares insights into his theological journey and the concept of neo-Anabaptism, emphasizing the need for the church to return to a more authentic, grassroots form of community and leadership. Tune in for a thought-provoking discussion on how the church can navigate the complexities of power in today's world.EPISODE DRINKING NOTES:PAVO REAL - Prairie Street Brewing Co.Rockford, ILMexican Lager | 5.7%Undisclosed "Beverage"RECKONING WITH POWERhttp://bakerpublishinggroup.com/books/reckoning-with-power/389820DAVID FITCH SUBSTACKhttps://davidfitch.substack.com/Support the Show.––––––––LINKS AND SOCIAL MEDIAWebsite • Facebook • InstagramEmail: christianafpodcast@gmail.com

Dr. David Fitch (Ph.D Northwestern University) is the Betty R. Lindner Chair of Evangelical Theology at Northern Seminary and has pastored for 30 years, and has been involved in 8 church plants over the course of his ministry. He is married to Rae Ann and they have one son named Max. He is an ordained pastor in the Christian and Missionary Alliance. He's coached hockey for the YMCA USA Hockey program for seven years. David teaches, speaks, and writes within the fields of Neo-Anabaptist theology, missiology, culture studies, political theory, and ethics. He writes from time to time on his own page at Missio Alliance, on his own substack, for Christianity Today, Outreach Magazine, ChurchLeaders.com, EthicsDaily, and multiple other sites, magazines and journals. He leads discussion on his facebook page (fitchest) and on twitter at @fitchest. He is co-host of the Theology of Mission podcast. His most recent book is Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power, which forms the backdrop for our conversion. Donate today to join OneHope and local church leaders in our mission to bring God Word's to 25,000 children who have never known a hope that surpasses all understanding. onehope.net/TITR Support Theology in the Raw through Patreon: https://www.patreon.com/theologyintheraw

In this episode, Caleb talks with David Fitch about his book, Reckoning with Power, and more.Links MentionedDavid Fitch on SubstackReckoning with Power: Why the Church Fails When It's on the Wrong Side of Power by David FitchCaleb's Substack

David E. Fitch - “Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power” Learn more at: bakerpublishinggroup.com faithandjusticebookgroup.com

David Fitch, a professor of evangelical theology at Northern Seminary and a member of the pastoral staff at Peace of Christ Church in Westmont, Illinois, talks with Word&Way President Brian Kaylor about his new book Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power. He also discusses politics, megachurches, and privilege. Find Fitch on Facebook and Substack. Note: Don't forget to subscribe to our award-winning e-newsletter A Public Witness that helps you make sense of faith, culture, and politics.

Chris hosted a lively and interactive conversation between first-time guest David Fitch and returning guest Myles Werntz concerning the thesis of David's brand-new book from Brazos Press, the use of power in ministry and the institution of the church, whether power and conflict can be leveraged healthily in community, and of course what they are currently reading.Books Mentioned in this Episode:If you'd like to order any of the following books, we encourage you to do so from Hearts and Minds Books(An independent bookstore in Dallastown, PA, run by Byron and Beth Borger) Reckoning with Power: Why the Church Fails When it's on the Wrong Side of Power by David FitchFrom Isolation to Community: A Renewed Vision For Christian Life Together by Myles WerntzSanctorum Communio: A Theological Study of the Sociology of the Church by Dietrich BonhoefferLife Together: The Classic Exploration of Faith in Community by Dietrich BonhoefferMyles' SubstackMyles' Review of 'Reckoning with Power' for Christianity TodayPachinko by Min Jin LeeShadow Work by Ivan IllichThe Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For, and Believe by Richard RohrGod's Israel and the Israel of God: Paul and Supersessionism by Michael Bird and Scot McKnightFive Lies of Our Anti-Christian Age by Rosaria ButterfieldGender as Love: A Theological Account of Human Identity, Embodied Desire and Our Social Worlds by Fellipe do Vale

Use the pause to emphasize your message when speaking Solo show featuring George Torok  In this show we offer 10 reasons to make tactical use of the pause in your speaking George Torok is known as the Speech Coach for Executives. He coaches executives to deliver more powerful and confidence presentations. https://www.speechcoachforexecutives.com/ He trains professionals to deliver Superior Presentations. ----- Excerpts from this episode about the pause: Pause for Power: Why you need to become comfortable with silence! Do you remember that cliché “Silence is Golden”? There are times when you might appreciate some silence in your life. On the other hand, silence can feel disquieting, disturbing and anxiety ridden. When you are speaking to an audience you might consider silence the enemy or the sign of a bad presentation. Imagine that you get lost in your thoughts and stop speaking. You go silent and anguish while trying to recover and start speaking again. You might even feel that any noise is preferable to silence. That's when the umms and ahhs escape your lips. Don't panic. Consider the positive benefits of pauses in your presentation. Even an unplanned pause can be perceived as a positive light. Imagine how you can improve the power of your presentation by inserting tactical pauses throughout the presentation. The ability to pause might be the most important technique that all speakers need to learn. It might sound simple but like many simple lessons, it's not easy. It can be extremely difficult to pause when you are delivering a presentation. You might feel compelled to speak because you believe silence is the enemy. You perceive pausing as a sign of weakness. The reality is that silence could be your most powerful communication tool. Perhaps you're not convinced. That's understandable. Consider these examples and reasons to pause during your presentation. Let's follow the advice from Simon Sinek and start with the why. Listen to these 10 reasons to use the pause in your presentation.  

In this episode of The Shaun Tabatt Show, Shaun sits down with David Fitch to discuss his new book Reckoning with Power: Why the Church Fails When It's on the Wrong Side of Power. To connect with David Fitch, visit: davidfitch.substack.com Facebook Twitter

Introduction 'I was sold a story about the modern world. I was told that I could connect with friends for free and that I could have everything conveniently tailored to my tastes. I was also promised I'd be kept safe from those who wished to attack me and my values. All in all, I was told I would be empowered to live my life as I saw fit. In time, I began to hear another story. I started to hear that what I had shared with friends was actually a product that social media sold to others. I was told that some of my wants and desires were, in reality, the wants and desires of people whom I had never met. I was made aware that the promise of safety came at a cost which appears never to have been proven worthwhile. The power, as it turns out, was not really with me – it was with those who sold me the original story. The choices I made when I knew no better helped them understand me and others like me better. They could do this because they were watching. When I wanted them to stop watching, they told me that if I had nothing to hide, then I had nothing to fear.' Contents Part I. Privacy is Power Part II. Privacy in Peril Part III. Further Analysis and Discussion Links Kirstie Ball, Kevin Haggerty, and David Lyon, Routledge Handbook of Surveillance Studies (book). Danielle Keats Citron, The Fight for Privacy: Protecting Dignity, Identity and Love in the Digital Age (book). Rhodri Jeffreys-Jones, We Know All About You: The Story of Surveillance in Britain and America (book). Neil Richards, Why Privacy Matters (book). Edward Snowden, Permanent Record: A Memoir of a Reluctant Whistleblower (book). Carissa Véliz, Privacy is Power: Why and How You Should Take Back Control of Your Data (book). Raymond Wacks, Privacy: A Very Short Introduction (book).

Introduction 'I was sold a story about the modern world. I was told that I could connect with friends for free and that I could have everything conveniently tailored to my tastes. I was also promised I'd be kept safe from those who wished to attack me and my values. All in all, I was told I would be empowered to live my life as I saw fit. In time, I began to hear another story. I started to hear that what I had shared with friends was actually a product that social media sold to others. I was told that some of my wants and desires were, in reality, the wants and desires of people whom I had never met. I was made aware that the promise of safety came at a cost which appears never to have been proven worthwhile. The power, as it turns out, was not really with me – it was with those who sold me the original story. The choices I made when I knew no better helped them understand me and others like me better. They could do this because they were watching. When I wanted them to stop watching, they told me that if I had nothing to hide, then I had nothing to fear.' Contents Part I. Privacy is Power Part II. Privacy in Peril Part III. Further Analysis and Discussion Links Kirstie Ball, Kevin Haggerty, and David Lyon, Routledge Handbook of Surveillance Studies (book). Danielle Keats Citron, The Fight for Privacy: Protecting Dignity, Identity and Love in the Digital Age (book). Rhodri Jeffreys-Jones, We Know All About You: The Story of Surveillance in Britain and America (book). Neil Richards, Why Privacy Matters (book). Edward Snowden, Permanent Record: A Memoir of a Reluctant Whistleblower (book). Carissa Véliz, Privacy is Power: Why and How You Should Take Back Control of Your Data (book). Raymond Wacks, Privacy: A Very Short Introduction (book).

Introduction 'I was sold a story about the modern world. I was told that I could connect with friends for free and that I could have everything conveniently tailored to my tastes. I was also promised I'd be kept safe from those who wished to attack me and my values. All in all, I was told I would be empowered to live my life as I saw fit. In time, I began to hear another story. I started to hear that what I had shared with friends was actually a product that social media sold to others. I was told that some of my wants and desires were, in reality, the wants and desires of people whom I had never met. I was made aware that the promise of safety came at a cost which appears never to have been proven worthwhile. The power, as it turns out, was not really with me – it was with those who sold me the original story. The choices I made when I knew no better helped them understand me and others like me better. They could do this because they were watching. When I wanted them to stop watching, they told me that if I had nothing to hide, then I had nothing to fear.' Contents Part I. Privacy is Power Part II. Privacy in Peril Part III. Further Analysis and Discussion Links Kirstie Ball, Kevin Haggerty, and David Lyon, Routledge Handbook of Surveillance Studies (book). Danielle Keats Citron, The Fight for Privacy: Protecting Dignity, Identity and Love in the Digital Age (book). Rhodri Jeffreys-Jones, We Know All About You: The Story of Surveillance in Britain and America (book). Neil Richards, Why Privacy Matters (book). Edward Snowden, Permanent Record: A Memoir of a Reluctant Whistleblower (book). Carissa Véliz, Privacy is Power: Why and How You Should Take Back Control of Your Data (book). Raymond Wacks, Privacy: A Very Short Introduction (book).

En el episodio de hoy del podcast "Innovación Sin Barreras" tenemos como invitada a Cecilia Danesi, profesora e investigadora en Inteligencia Artificial, Tecnologías Emergentes, Derecho, Diversidad y Género. Cecilia abrió la primera asignatura de la Facultad de Derecho de la Universidad de Buenos Aires en Inteligencia Artificial. Además, ha publicado el libro “El imperio de los algoritmos” que deja al desnudo las consecuencias del nuevo imperio de la inteligencia artificial evidenciando cómo impacta en nuestros Derechos Humanos. En este episodio hemos conversado sobre los tres ejes centrales del libro de Cecilia: La perspectiva de género, la reivindicación de la identidad iberoamericana y el humanismo tecnológico. Además, reflexionamos sobre el impacto que tienen en nuestras vidas los algoritmos, si es que discriminan y si es que existe la ética de la inteligencia artificial.Enlaces de interésPágina web y libro de Cecilia DanesiEl dilema de la inteligencia artificial | Cecilia Celeste Danesi | TEDxComodoroRivadavia

The Convert's Power Why is the story of Yisro so compelling? (Parshat Yitro)

We've all seen how dogs sniff each other – and it appears we humans do the same thing. (Not to dogs but to other humans). I begin this episode explaining how people make judgements about others based on how they smell. And it all happens subconsciously. https://www.sciencedaily.com/releases/2022/06/220627125010.htm Are you resilient? Do you bounce back after facing a big challenge? Can we learn to be more resilient? These are just a few of the things I discuss with with Stephen Magness. He has been a consultant for NASA, the Houston Rockets and other major organizations and has written for Runner's World and Sports Illustrated. He has been featured in The New Yorker, Wall Street Journal, The New York Times, and Men's Health. Stephen also hosts a couple of podcasts (The Growth Equation and Magness and Marcus On Coaching) . He is also author of the book Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness (https://amzn.to/3OSE3Qb). If you think protecting your privacy is mostly about passwords, account numbers and your social security number, you are missing something really important. Data is being collected about you that is extremely sensitive and personal. For example, what you search for online, your religious beliefs, your sexual preferences, how well you sleep, what organizations you belong to and so much more. Listen and be amazed by how much is known about you as I speak with  Carissa Veliz. She is an associate professor at the Faculty of Philosophy and the Institute for Ethics in AI, as well as a tutorial fellow at Hertford College, at the University of Oxford and editor of the Oxford Handbook of Digital Ethics. Carissa is author of the book, Privacy is Power: Why and How You Should Take Back Control of Your Data (https://amzn.to/3nqHIsX). Cooking on the grill is great but it can get a bit monotonous. You can only eat so many hot dogs, hamburgers, chicken breasts and steaks. Listen as I tell you how to cook some things on the grill you never imagined that taste great – like pineapple, avocado, watermelon, pound cake and more! https://www.rd.com/list/7-food-you-didnt-know-you-could-grill/ PLEASE SUPPORT OUR SPONSORS! Indeed' is doing something no other job site has done. Now with Indeed, businesses only pay for quality applications matching the sponsored job description! Visit https://Indeed.com/SOMETHING to start hiring now. Hometap is the smart new way to access your home's equity and pay for life's expenses without a loan! Learn more and get a personalized estimate at https://HomeTap.com With Avast One, https://avast.com you can confidently take control of your online world without worrying about viruses, phishing attacks, ransomware, hacking attempts, & other cybercrimes! The magic is waiting! Download Harry Potter: Puzzles & Spells, for free, from the iOS App Store or Google Play today! Learn more about your ad choices. Visit podcastchoices.com/adchoices

What you'll learn in this episode:   Why we often have more information about gold than any other decorative object The difference between material culture and material studies, and how these fields shaped the study of art and jewelry What John wants visitors to take away from “Gold in America: Artistry, Memory and Power” Why history is much more global than we may think What it really means to curate, and why it's an essential job   About John Stuart Gordon   John Stuart Gordon is the Benjamin Attmore Hewitt Curator of American Decorative Arts at the Yale University Art Gallery. He grew up among the redwoods of Northern California before venturing East and receiving a B.A. from Vassar College, an M.A. from the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, and a PH.D. from Boston University. He works on all aspects of American design and has written on glass, American modernism, studio ceramics, and postmodernism. His exhibition projects have explored postwar American architecture, turned wood, and industrial design. In addition, he supervises the Furniture Study, the Gallery's expansive study collection of American furniture and wooden objects. Additional Resources: Yale University Art Gallery Website Yale University Art Gallery Instagram John Stuart Gordon Instagram Photos available on TheJewelryJourney.com   Transcript:   Perhaps more than any other metal or gem, gold brings out strong reactions in people (and has for all of recorded history). That's what curator John Stuart Gordon wanted to explore with “Gold in America: Artistry, Memory, Power,” a featured exhibition now on view at the Yale University Art Gallery. He joined the Jewelry Journey Podcast to talk about why people have always been enchanted by gold; what he discovered while creating the exhibit; and why curation is more that just selecting a group of objects. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. Today, my guest is John Stuart Gordon, the Benjamin Attmore Hewitt Curator of American Decorative Arts at the Yale University Art Gallery. Welcome back.    I'm curious; I know you recently had a group from Christie's studying jewelry that came to visit your exhibit. I'm curious if they asked different questions, or if there's something that stood out in what they were asking that might have been different from a group studying something else.    John: Every group is different. I love them all, and I learn so much from taking groups of visitors through because you start looking at objects through their lens. Recently a group of makers came through and, wow, that was a wonderful experience, because I could make a reference to, “Oh, look at the decoration on this,” and then, “Is it chaste or is it gadroon?” “What kind of anvil are they working with?” We have to answer these questions. There are some things I can't answer but a maker can identify easily, so I'm learning things.    Maybe someone who's a collector or an appraiser is thinking about objects in a very different way, wanting to know how rare it is, if there are only a handful, where they are, how many are still in private collections, what's in the museum collection. One of my favorite tours was with a small group of young children who had a completely different set of preconceived notions. I had to explain what an 18th century whistle and bells would have been used for because they'd never seen one before. I had to talk about what kinds of child's toys they remembered from when they were kids, trying to relate. Every group has a slightly different lens, and you can never anticipate the questions they're going to ask.   Sharon: Yes, they're coming at you from the weirdest angles. In putting this together, what surprised you most about gold in America? What surprised you most about putting this exhibit together? What made you say, “Gosh, I never knew that,” or “I never thought about that”? There's a lot, but what's the overriding question, let's say.    John: It's such a nerdy answer, and I apologize for being such a nerd, but what surprised me the most was an archival discovery. Mind you, this all takes place against the background of lockdown and having way too much time on our hands and looking for distractions. I pulled a historical newspaper database that the library subscribes to, and I typed in the word “gold” and pushed enter. There were about three million responses that came back, and I just started reading my way through. Not all of them were interesting, but I was struck by the frequency with which people were discussing gold, and I was struck by the global knowledge at a very early period. I would find articles written in the 1720s in colonial Boston talking about the Spanish fleets leaving Havana Harbor with amounts of silver and gold onboard. They would describe how much gold, how much silver, was it coins, was it bars, was it unrefined. There was a newspaper report coming out of New York in the 1750s talking about a new gold strike at a mine in Central Europe. That was truly unexpected: to realize that this material was of such importance that people were talking about it on a daily basis, and that it was newsworthy on this global scale. People weren't just talking about what was going on in colonial Boston or colonial Philadelphia. They were talking about what was going on in Prussia and Bogota. I think we often think of early history as very insular, and we think of our present day as global. History has always been global, and it was a lovely reminder of how global our culture always has been.   Sharon: That's interesting, especially talking about global. I just reread Hamilton. They're talking about Jefferson and Madison and everybody going over to France and coming back. I think about the boats, and I think, “Oh, my god.” I think of everybody as staying in place. You couldn't get me on one of those boats. What a voyage. But that was global. Everybody was communicating with everybody else. So, yes, it always has been that way, but it's very surprising, the movement that has been there for so long. We could go on and on about that.    Let me ask you this: Yale Art Gallery just received a donation from Susan Grant Lewin of modern jewelry, art jewelry, on the cutting edge. At the museum and gallery, is the emphasis more on jewelry as part of material culture and decorative arts? Not every museum or art gallery would have been open to it. What's the philosophy there?   John: Yes, we just received a gift of about two dozen pieces of contemporary jewelry from Susan Grant Lewin, who is a collector and scholar. We've also received a gift from the Enamel Arts Foundation, which is a foundation that collects and promotes enamel objects and jewelry. We have a long history of collecting jewelry, and it's based on historic collections. The core of the American decorative arts collection is the Mabel Brady Garvan Collection. It started coming to the art gallery in 1930. It's this rather storied collection. It covers everything you can imagine: furniture, glass, ceramics, textiles, you name it.    It was assembled by a man named Francis P. Garvan, who was a Yalee. He graduated in the late 19th century and he gave it in honor of his wife. His main love, after his wife and his family, was silver, and the collection at Yale is probably the most important collection of early American silver in any museum. Silversmiths and goldsmiths, the names are interchangeable, and it is mostly men at that period who were making silver objects and gold objects. They're also making jewelry. As you take the story forward, it doesn't change a lot. People who are trained as metalsmiths often will make holloware and/or jewelry. The fields are very closely allied, and the techniques are very closely allied. So for us, it makes complete sense to have this very important historical collection of metalwork go all the way up to the present.   We have a lot of 20th century jewelry, now 21st century jewelry. We also have contemporary holloware because we like being able to tell a story in a very long arc. The way someone like Paul Revere is thinking about making an object and thinking about marketing himself is related to how someone graduating from SUNY New Paltz or RISD are thinking about how to make an object and how to market themselves. Often it's the same material, the same hammers, the same anvils. So, it's nice to show those continuities and then to bring in how every generation treats this material slightly differently. They have their own ideas and their own technologies.    So, the Susan Grant Lewis Collection is a very experimental work. She has said she doesn't like stones, so you're not going to see a lot of gem setting and a lot of diamonds and rubies set in gold. There's nothing wrong with them, but she's more interested in people who are more out there, thinking about how you turn 3D printing into art or how you use found materials and construct narratives and make things that are more unexpected.   Sharon: I just want to interrupt you a minute.  SUNY New Paltz is the New York State University at New Paltz?   John: State University of New York at New Paltz. Sorry, I gave you the shorthand.   Sharon: I know RISD is the Rhode Island Institute—   John: We're going to have to submit an index on how to understand all my acronyms. Yes, RISD is the Rhode Island School of Design. There are a handful of institutions that have really strong jewelry departments and really strong metalworking departments, among them Rhode Island School of Design, State University of New York at New Paltz. You can add Cranbrook, which is outside of Detroit. There's a whole group of them that are producing wonderful things.   Sharon: So, you studied decorative arts. What was your master's in?   John: I was an art historian. I was very lucky in college to have a professor who believed in material culture, and I asked, “Do I have to write about paintings?” and she said, “No, you don't.” I was very lucky to find that in college. Then I went to the Bard Graduate Center in New York. It was a much longer title, the Graduate Center for Material Culture and Design. It changes its name every two years. My master's was in kind of a history of design and material culture. Then to get a Ph.D., there are very few programs that allow people to focus on material culture. Luckily, there are more with every passing year. When I was going to school, Yale is one that's always focused on decorative arts and material culture. Boston University, their American studies program is a historically strong program that allows you to look at anything in the world as long as you can justify it. So, that's where I went.   Sharon: Was jewelry like, “Oh yeah, and there's jewelry also,” or was jewelry part of the story, part of the material culture, the material objects that you might look at? Was it part of any of this?   John: It was. I am at core a metals person. My master's thesis was written on the 1939 New York World's Fair, looking at one pavilion where Tiffany, Cartier and a few others had their big exhibition of silver, gold and, of course, jewelry. My entry into it was silver, but I had to learn all the jewelry as well. So, jewelry has always been part of my intellectual DNA, but it didn't really flourish until I got to Yale, and that would be because of my colleague, Patricia Kane. She has a deep knowledge and interest in jewelry. We have done a few jewelry exhibitions in the past, and she has seen it as part of the collection that should grow. I arrived at Yale as a scrappy, young curator seeing what was going on in the landscape, and the jewelry is amazing. One of my first conferences I went to was a craft conference. I met jewelers and metalsmiths, and it's a really approachable group. They're very friendly. They like talking about their ideas. They like talking about their work, which is really rewarding.   Sharon: What were your ideas when you started as a curator? Did you have the idea, “Oh, I'd love to do exhibition work”? Curate has become such a word today. Everybody is curating something.   John: Yes, my head is in my hands right now. One of my pet peeves is that people talk about curating their lunches. The word curate actually means to care for, so I think about the religious role of a curate. It's the same role. Our job is really to care for collections. If you care for your lunch, you can curate it, but if you're just selecting it, please use a different word.    That idea of caring for objects, that's what really excited me as a curator; the idea that so much of what we do is getting to know a collection, to research it, to make sure it's being treated well, that things are stable when they go on loan, that when things need treatment, you work with a conservator or a scientist. I was really excited by that.    Over the course of my career, I've become much broader in my thinking. When you come out of graduate school, you've spent years focusing down deeper and deeper on one small, little subject. I was still very focused on a very narrow subject when I became a curator. That was early 20th century design. I love it dearly, but over the years my blinders have come off. I love American modernism. I also love 17th century metalwork. I love 21st century glass. You realize you love everything in the world around you.   Sharon: Would you say your definition of curate is still to care for? I'm thinking about when I polish my silver. I guess it's part of curating in a sense, taking care of things.    John: Polishing your silver or your jewelry is actually one of the best ways to get to know it. We're one of the few collections where it's the curators who polish the silver. We hold onto that task because we don't do it very often, because it's better to leave things unpolished if you don't have to. But when it comes time to polish something, the opportunity to pick something up, to turn it over, to feel the weight of it, to look closely at the marks and the details, that's a really special thing, to get to know your objects so well by doing it. I give a hearty endorsement of silver polishing. It's also a great emotional therapy if you've had a tough day. But to your question, I even more strongly believe that the role of a curator is someone to care for their collections.   Sharon: I really like that. It gives me a different perspective.   John: Yeah, because what we're doing is not just physical care; it's emotional care. In today's culture we talk so much about self-care and these kinds of tropes, but that's a lot of what we're doing. We're understanding history through our objects. We're understanding the objects better to have something preserved for posterity, so it can tell future generations stories.   Sharon: That's interesting. John, thank you so much. By the way, the exhibit ends in July, but the Susan Grant Lewin Collection is open through September. You'll be busy, it sounds like.   John: “Gold in America: Artistry, Memory, Power” closes July 10. The Susan Grant Lewin Collection of American Jewelry will be up through the fall. If you miss both of those or you're in a place where you can't get to New Haven, our collections are all online. All you have to do is go to our website, and you can just click through and spend a day looking at objects from the comfort of your living room.   Sharon: Yes, and very nice photos. As I said, I was looking at them before we started. I was very interested. What was that used for? Where did it come from? I guess being in Los Angeles, I'll have to do that. I'll be doing that from my living room. John, thank you so much. This is very, very interesting. I learned a lot and you have given me a lot to think about, so thank you so much.   John: Thank you for having me.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode: Why we often have more information about gold than any other decorative object The difference between material culture and material studies, and how these fields shaped the study of art and jewelry What John wants visitors to take away from “Gold in America: Artistry, Memory and Power” Why history is much more global than we may think What it really means to curate, and why it's an essential job   About John Stuart Gordon   John Stuart Gordon is the Benjamin Attmore Hewitt Curator of American Decorative Arts at the Yale University Art Gallery. He grew up among the redwoods of Northern California before venturing East and receiving a B.A. from Vassar College, an M.A. from the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, and a PH.D. from Boston University. He works on all aspects of American design and has written on glass, American modernism, studio ceramics, and postmodernism. His exhibition projects have explored postwar American architecture, turned wood, and industrial design. In addition, he supervises the Furniture Study, the Gallery's expansive study collection of American furniture and wooden objects. Additional Resources: Yale University Art Gallery Website Yale University Art Gallery Instagram John Stuart Gordon Instagram Photos available on TheJewelryJourney.com   Transcript:   Perhaps more than any other metal or gem, gold brings out strong reactions in people (and has for all of recorded history). That's what curator John Stuart Gordon wanted to explore with “Gold in America: Artistry, Memory, Power,” a featured exhibition now on view at the Yale University Art Gallery. He joined the Jewelry Journey Podcast to talk about why people have always been enchanted by gold; what he discovered while creating the exhibit; and why curation is more that just selecting a group of objects. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week.    Today, my guest is John Stuart Gordon, the Benjamin Attmore Hewitt Curator of American Decorative Arts at the Yale University Art Gallery. The Yale University Museum and Gallery is the oldest art museum in the western hemisphere associated with the university. John is going to be telling us today about one of the gallery's current feature exhibitions, “Gold in America: Artistry, Memory, Power.” We'll hear all about the exhibit and John's journey today. John, welcome to the program.   John: Thank you. Thank you for having me. I apologize; my endowed title is a total mouthful.   Sharon: No, no. Who is Benjamin Attmore Hewitt?   John: Benjamin Attmore Hewitt was a clinical psychologist who helped bring the idea of statistical study to psychology, and he was also a collector. He was an avid collector of federal furniture, and he was associated with the art gallery. He, in the early 80s, was a guest curator on an exhibit on card tables that we did called “The Work of Many Hands.” In the incredibly small world department, I'm joining you from my living room, where if I turn and look out my window, I'm looking at the house that he used to live in across the street from me.   Sharon: Wow! Was that an old house that was built on federal plans or is it a modern house, the one he built or that that he has?   John: It is a beautiful, Georgian-style house. It's quite gorgeous, and you can imagine it was perfect for his federal period collection.   Sharon: It sounds gorgeous.   John: It's just one of those small-world things, right? I ended up moving across the street from person who endowed my job.   Sharon: Sounds gorgeous. So, tell us about your career path. Tell us how you ended up at the Yale University Art Gallery.   John: Yes, it was a dream job for me. I grew up in San Francisco. I grew up in a household that loved art, so I'm one of those lucky people that grew up from childhood thinking art isn't scary; art isn't strange; art is something to be enjoyed. I always knew I wanted to be in the art world somehow. I went to Vassar College in Poughkeepsie for the history of art program. When I graduated, I didn't know what I wanted to do, but my first job was at Christie's auction house, and that was an amazing experience. You see everything when you work in an auction house. It's the fabulous things that get the headlines in the paper, but it's everything else that gives you an education. That was an incredible training for my eye.    I'm a slow thinker. I like taking my time. I like spending time with objects. The constant hustle and bustle of the auction world was a little too much for me, so I went to grad school. I went to the Bard Graduate Center in New York and got my master's. Then I had an internship at the Metropolitan Museum of Art. One of my colleagues there, the curator Amelia Peck, once said that if you would like a job at one of the great collections, you need a Ph.D. So, I said, “O.K.,” and I went to Boston University for a Ph.D. in American Studies.    The whole time I was thinking, “I want to get a Ph.D. so I can get a job at a place like the Yale University Art Gallery,” because its collection is legendary. It was the collection that so many of my professors used when they were teaching their survey courses. It was a collection I knew, and it was my aspirational job. One day while I was studying for my orals, my college professor called me and said, “A job has opened up at the Yale University Art Gallery. You need to apply for it.” Being a grad student, I was like, “Oh, I'm a little busy right now. Maybe next week,” and she was like, “John, don't be stupid. These jobs don't come up very often. You really need to apply.” I was very lucky. I got the job. That was 15 years ago, and I have been there ever since.   The collection is extraordinary. The museum was founded in 1832. It was one of the oldest museums in the country. Its American decorative arts collection formed very early on but really got going in 1930, so it's also a very old collection. In the 1970s, one of the former curators, Charles Montgomery, felt it needed to go clear up to the present. So, our collection really spans centuries, and with that kind of span, you never get tired.    Sharon: It does. I was looking at your exhibit of gold online and I'm going, “Oh my god, this is going back.” I was looking at the gold collar you have and I thought, “This is really old.” What was that? The 3rd or 5th century or something like that? I can't even remember.   John: The museum's collections are encyclopedic. It goes from ancient Babylon up to the present day. Luckily, my slice of it is just the American, which is enough of a handful. There are two of us in our department, Patricia Kane and myself, and between the two of us, we need to cover pre-contact to the present in every medium. So, it's enough to make your head spin some days.   Sharon: What is it about the decorative arts that attracted you as opposed to another area of history that you could also go into museums for?   John: That's a great question. I loved the idea that decorative arts are like a lens into our world. Everything we make and own is a lens, but decorative arts have a way of telling you stories about the way we used the technology that went into making them, what a particular culture or a time period found important, as you make objects to fulfill needs and to fulfill aspirations. I loved the idea that you could take anything from a necklace or a teapot or a chair, and if you look at it enough ways, you could know a lot about the goals and dreams and technologies and resources of a given time period. I loved that idea, reverse-engineering culture through objects.   Sharon: That's interesting, yes. How did the gold exhibit come about? Was that something you and Patricia had been thinking about, or was that a directive from on high? How did that come about?   John: The gold exhibition came about because of the pandemic, to be completely honest. Two years ago, the museum closed down, like many museums did at the beginning of the pandemic, and our exhibition calendar went out the window. Loans were cancelled, exhibitions were cancelled, and the director of the Yale University Art Gallery, Stephanie Wiles, put out a call for in-house exhibitions, exhibitions we could work on in our spare time. We didn't know how long this was going to last. We thought we were going be home for a few weeks, and she wanted exhibitions that would be easy to slot into the calendar when the museum reopened and that would really shine a light on our collections, because those would be easier for the curators to research.    When I arrived at Yale in 2006, sitting on the shelf above my desk was a slim, little catalogue to an exhibition called “American Gold” that was done in 1963. I loved that little catalogue. I read it many times. I loved the material. Much of the material was drawn from Yale's collections because Yale has one of the strongest collections of early American gold. I thought, “Someday, maybe I'll revisit this.” It seemed amazing that no one had revisited this idea of gold since the 1960s because so much had changed about we think about the world, how we think about objects, what kind of theoretical models we use, and I thought I would do that exhibition at some point in the distant future. Then when our director said, “Are there are any ideas out there?” I said, “O.K., maybe I could do this now.” I suggested it, and it was a real treat. So, it was something that grew out of a spontaneous need but became a wonderful, wonderful research project.   Sharon: So, the objects for the most part are taken from your collection as opposed to loans, O.K. Tell us about the exhibit “Gold in America: Artistry, Memory, Power.” Tell us more about the whole exhibit. What do you want people to learn from it?   John: I was fascinated by the idea that gold is so compelling and so entrancing. There is something about this material that has been fascinating to humans for millennia. You think about the Egyptian pharaohs with their coffins covered in gold. Gold is the reason for so many wars and invasions, and all this is a sign of status. What is it about this material that has so much weight? I started talking to many of my colleagues, asking about the gold in their department, and we realized we could do a global show. It could be gigantic. It started getting away from me, and I realized, “O.K., let's just focus on one very narrow portion of this global story. We'll just focus on colonial American experience.”    As I started looking at those objects, I was struck by something rather uncanny. In the history of decorative arts, most objects are anonymous. We don't know who made them. We don't know who owned them. We don't know how they traveled through time. With metalwork, we do tend to know a bit more because there are makers' marks. There's a whole history of guild systems that are looking at the purity of metals, and with gold we know even more information. I think probably more than almost any other material, we know who made gold objects and who owned them, and it's because they often are inscribed or engraved somehow, or family histories come down with them. I found that so fascinating. That became the structure for the show, really thinking about these objects that have histories and why they were owned, why they were made, why they were cherished, thinking about this important material and how it intersects with human life over the span of a few centuries. That's what I want visitors to take away.    Most people think—well, we can actually do this right now. Sharon and everyone listening, just to yourself, think of three words that come to mind immediately when I say gold. Free associate. What are those words that come to mind? Sharon, I'm going to put you on the spot. What three words come to mind?   Sharon: It's like a blue elephant. What do I think? Shiny, valuable and decorative. In terms of jewelry, I think decorative. Those are the words that come to mind.   John: Shiny, valuable, decorative. I asked this question of a lot of people. Everyone I met for a while got that question, and value came up a lot. Then there were a lot of judgment terms, things like beauty or tacky. They were either positive or negative terms. People have an emotional, visceral reaction to gold. What I want people who visit the show to do is to move beyond those initial associations. We're drawn to it because it's valuable and we think it's beautiful, or we're skeptical of it because we think it might be gaudy. But I want them to really look at the objects and learn why someone might own something or why someone might want an object made out of this material. It's to move beyond those initial words into words about legacy and heritage or patriotism or pride, to get to that second layer. It's to let people know O.K., I'm going to think twice about what a gold ring might symbolize because I've looked at a gold ring that was all about mourning and commemorating the dead, or I've looked at something like a gold spoon that seemed a little flashy, but we know it was made by a Huguenot craftsman escaping religious persecution in New York, yet it was owned by someone who made their money selling slaves. Ideas of freedom and persecution are wrapped up in this material. There are so many stories that, once you start asking the objects, the stories come back to you in a way that I hope makes people pause when they leave the museum and see something else in their life. “Oh, that's an interesting idea.”   Sharon: I think what strikes me is the fact that when you're talking about gold, artistry, memory and power over the years, the wars that have been fought, I think of the Aztecs and Incas, where it was so cherished. We talked a little about this. Material culture, material studies. You'll have to explain the difference. That sounds like something I didn't grow up hearing. Maybe because you're in that world, it's something you've heard about for a long time. But what is material culture and material studies, and how does it relate to this?   John: That is such a big question. I'll try to do some honor to it. The idea of material culture as an academic field—and I'm sorry; I have to put on my dorky academic for a second—but the idea of material culture really came out in the 1960s and 1970s with this larger idea of a new history, a way of looking at the reinterpretation of historical sources, historical stories, questioning who has the right to tell history. It was a way to get away from just looking at the histories of wars and rulers, documenting dead white men written by more dead white men. Material culture is a way of looking holistically at the objects that are produced by a civilization and thinking about the everyday person or the person not on the throne. What can be learned from the things that are not just the dates of rules and wars? That field really transformed art history, history, American studies, anthropology, archaeology. It opened up various fields of study so that you could write an entire book about the development of the Coke bottle and have a valid historical discussion about everyday objects.    What's been fascinating—I grew up in this world. To me, material culture is my language. I grew up being taught by people who were on the front wave of this, so I'm totally indoctrinated. In recent years, I've seen a subfield emerge just called material studies. It makes chuckle a bit because it's like material culture with the culture taken out, which is probably not true, but it's really just going into the actual “thinginess” of objects: thinking about the marble that a statue was carved from, or thinking about the wood used to make a chair and diving deep into this elemental level of what the material of our world is, where it comes from and what stories it tells.    In terms of gold, your mentioning the Incas is, I think, a rather important reference, because where was the gold coming from? If we take an Inca material studies approach to this, we think about how, for many years, the Mediterranean in Europe, they weren't reusing and melting down and recycling the gold that was coming out of a very limited number of mines. Then suddenly, the Spanish discover or stumble across the New World, and they see these cities with temples filled with gold and palaces filled with gold, and they start looting them. As the conquistadors are conquering Central and South America, they're stripping the gold out, and then that gold is being melted down and being sent back to Europe. What does it mean to have this material that's so inherently fraught with conflict?    What does it mean for a silversmith in Boston in the 18th century? He's sitting on the edge of an empire working a small amount of gold that's incredibly valuable because he has to get it from London. He's aware that the Spanish have all this access to gold through the New World, and it's circulating around him. Then how does all of this change when gold is discovered at Sutter's Mill in California in 1849, and suddenly there's a whole new and incredibly large source of gold? It's augmented by further strikes in Colorado, and the West begins creating more gold. Think about this material, how its rarity is tied to conquest and imperial control.   There are some scientists who have been thinking, “Can we do tests on material to find out if there are little isotopes in the metal that can tell you whether the ring you're wearing today is gold that was from Northern California or from Afghanistan? Can we begin to map out the world and map out trade routes all based on scientific inquiry and matching scientific testing with archival research?” Your very quick dive into material culture versus material studies, it's endlessly fascinating.   Sharon: I know people get their doctorates in material studies around things like that. I should have asked you this at the beginning. Did you consider yourself an artist when you grew up with all this art? Before art history, were you creative? Were your parents in the creative end of the arts or were they teaching?   John: Being an artist was option number one, and I pursued that. Making art was a really important part of my childhood and developing a sense of identity. Then I learned about art history. I just loved art history, and I had to make that decision: would I go to art school or would I go to a liberal arts college? For me, art history won. I loved being able to parse out these stories and to look at objects and paintings and sculptures and think about all the different references. But having that history of making, I think, is very important. I have a lot of empathy for the skill and the creativity that goes into making.

This week, host Jason Jefferies is joined by Carissa Véliz, associate professor at the Faculty of Philosophy and the Institute for Ethics in AI at the University of Oxford.  Her new book is Privacy is Power: Why and How You Should Take Back Control of Your Data, which is published by our friends at Melville House Publishing.  Topics of conversation include the surveillance economy, 1984, what nefarious purposes our data is being used for, smart TVs, what happens when you look at your phone first thing in the morning, Facebook, Cambridge Analytica, crises, whether kids will end up suing their parents over Facebook posts, what we can do to take power over our data back, and much more.  copies of Privacy is Power can be ordered here with FREE SHIPPING.

Every moment of every day, we are using technologies that require we exchange personally identifiable information just to be able to use them. Have we lost the power of control for our personal data? Can we get it back?We discuss this highly complex societal and technological problem with author Dr. Carissa Véliz, using her book, Privacy is Power: Why and How You Should Take Back Control of Your Data, as the backdrop for the conversation.We hope it makes you think about the relationship between technology, data, privacy, control, and power.About The BookThe moment you check your phone in the morning you are giving away your data. Before you've even switched off your alarm, a whole host of organisations have been alerted to when you woke up, where you slept, and with whom. As you check the weather, scroll through your ‘suggested friends' on Facebook, you continually compromise your privacy.Without your permission, or even your awareness, tech companies are harvesting your information, your location, your likes, your habits, and sharing it amongst themselves. They're not just selling your data. They're selling the power to influence you. Even when you've explicitly asked them not to. And it's not just you. It's all your contacts too.Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power and democracy, we must protect our privacy.What can we do? So much is at stake. Our phones, our TVs, even our washing machines are spies in our own homes. We need new regulation. We need to pressure policy-makers for red lines on the data economy. And we need to stop sharing and to adopt privacy-friendly alternatives to Google, Facebook and other online platforms.Short, terrifying, practical: Privacy is Power highlights the implications of our laid-back attitude to data and sets out how we can take back control.____________________________GuestDr Carissa VélizOn LinkedIn | https://www.linkedin.com/in/carissa-véliz-a5781555/On Twitter | https://twitter.com/CarissaVeliz____________________________ResourcesBook | Privacy is Power: Why and How You Should Take Back Control of Your Data: https://www.amazon.com/Privacy-Power-Should-Take-Control/dp/1787634043Why you might want to think twice about surrendering online privacy for the sake of convenience: https://theconversation.com/why-you-might-want-to-think-twice-about-surrendering-online-privacy-for-the-sake-of-convenience-71021Watch the live (or on-demand) panel for Data Privacy Week 2022 on ITSPmagazine: https://youtu.be/0CSIX7JJF9E____________________________This Episode's SponsorsBugcrowd

An MIT study showed that fake news travels six times faster on Twitter than real news. Different phenomenons occurring online are a powerful weapon and a fertile territory for spreading information based on a bias. Is AI a dehumanization weapon in the wrong hands or just a progressive tool? What is the cost of creating machine learning and similar algorithms? A grown and wild digital ecosystem based on an attention economy, engaging business model and behavioral advertising is editing reality thus becoming a vital policymaker. The utopic idea of the Internet and the existing perceptions of AI and robots, or as Meredith Broussard coined it Technochauvinism, is being challenged and rethought. Where lies a link between technology and justice? Is a relationship between competition and privacy laws on a good path? Why is ethics an important factor in the digital surroundings?In a new episode of the k/talks podcast with Ivana Bartoletti, a Technical Director at Deloitte and an internationally recognised thought leader in the field of responsible technology, we are discussing these and many more questions and concepts. Enjoy!More info about our guest at www.ivanabartoletti.co.uk Exclusively to our listeners, please see the discount code (KTALKS) for the purchase of the book “An Artificial Revolution” by Ivana Bartoletti (paperback, eBook or paperback and eBook bundle).This episode is in English.Books:Bartoletti, Ivana, “An Artificial Revolution”, The Indigo Press (2019) Broussard, Meredith, “Artificial Unintelligence: How Computers Misunderstand the World”, MIT Press (2018) Crawford, Kate, “Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence”, Yale University Press (2021)Dignum, Virginia, “Responsible Artificial Intelligence”, Springer (2019) Eubanks, Virginia, “Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor”, St Martin's Press (2018) Pasquale, Frank, “The Black Box Society”, Harvard University Press (2016) Veliz, Carissa, “Privacy is Power: Why and How You Should Take Back Control of Your Data”, Transworld Publishers (2020)Movies:“Coded Bias“ – Director: Shalini Kantayya (2020) “Social Dilemma“ – Director: Jeff Orlowski (2020) “iHuman” – Director: Tonje Hessen Schei (2019)

Featuring "More Money, More Power?" Written By: Darcie Elizabeth Tune Into The Episode to Learn: *How to break down the false belief that Money equals Power*Why true wealth comes from within you * How reprogramming your money beliefs help reshape how we collectively use and create wealth around the worldShow Notes: https://mappingthroughlife.com/024Enrollment for 8 Weeks of Action: https://mappingthroughlife.com/action 

In this episode we're in conversation with Gilbert Hill. Gilbert is a privacy technologist and he's talking at the 2021 Summit in May.Most recently Gilbert was CEO and Advisor to Tapmydata, a start-up building consumer-grade tools for people to exercise data rights, with blockchain keeping score.  Before becoming CEO of TapMyData, Gilbert founded Optanon and, as the MD, grew it to become the market leader in the provision of website auditing and cookie compliance solutions in the UK and EU. Gilbert is a Fellow and Senior Tutor on Privacy and Ethics at the Institute of Data and Marketing.During our conversation Gilbert explains how, after graduating from Cambridge University with a degree in anthropology and archaeology, he became a privacy technologist. We discuss how he conceives of privacy and we talk about Tapmydata and how it enables consumers to exercise their data rights — contrary to popular opinion at the time that people didn't care about their data — and the advantage for companies who hold it.Gilbert talks about the growing movement to re-emancipating citizens in terms of their data and its value, and the concept of data unions, which is enshrined in the EU's Digital Markets Act. We also discuss the role that blockchain and crypto have to play in data privacy. Lastly, Gilbert shares some of his recommended reads and why he's looking forward to the summit.Follow Gilbert on Twitter @GilbertHill and read his writing at gilberthill.medium.com.Mentioned in our conversation:Covid-19 and the cult of privacy by Daniel MillerAn Artificial Revolution: On Power, Politics and AI by Ivana BartolettiThe End of Trust (McSweeney's 54) - features an interview with Ed Snowden explaining blockchain to his lawyer.Privacy is Power: Why and How You Should Take Back Control of Your Data by Carissa VélizThe Cryptocurrency Revolution: Finance in the Age of Bitcoin, Blockchains and Tokens by Rhian LewisAnd lastly enjoy comedian Stevie Martin's funny video, which is a biting commentary on the “accept all” cookie option.

Global crises cause big changes and reveal deep structural weaknesses.  In this special interview series from the RSA its chief executive, Matthew Taylor, puts a range of practitioners on the spot - from scholars to business leaders, politicians to journalists - by asking for one big idea to help build effective bridges to our new future.Carissa Véliz is an Associate Professor at the Faculty of Philosophy and the Institute for Ethics in AI at Hertford College, at the University of Oxford. Her new book is Privacy is Power: Why and How You Should Take Back Control of Your Data. A Tempo & Talker production for the RSA.  In this time of global change, strong communities and initiatives that bring people together are more invaluable than ever before. The RSA Fellowship is a global network of problem solvers. We invite you to join our community today to stay connected, inspired and motivated in the months ahead. You can learn more about the Fellowship or start an application by clicking here.

She experienced a devastating earthquake and, only a few weeks later, doctors had to amputate her leg due to a cancer diagnosis. But these situations did not stop her. Our guest chose to see life in a positive way and kept moving forward, even playing a golf tournament only two months after her amputation. She is a former professional golfer turned speaker and mindset trainer, and she shared with us how we can move forward in life by focusing on the things that make us happy. This is my conversation with Caroline Mohr. Originally from Forshaga, Sweden, Caroline works as a keynote speaker and is a former golf professional. For several years she has been a Global Allianz Ambassador and also an ambassador for Star For Life, a foundation created by Dan Olofsson. In 2011 Caroline achieved her dream of playing golf professionally. Only two months later she survived an earthquake in New Zealand. Just over a month after the natural disaster, she was diagnosed with cancer of her knee, after which she had to amputate her leg to survive. Life's dreams were paused but Caroline refused to give up living life to the fullest. Since then, Caroline has inspired thousands of people and companies around the world, setting meaningful goals, handling change and becoming strong mentally. She holds a NLP Master degree and has been nominated top 10 best speaker in Sweden 2018. Since 2017, she has sponsored her own school within the Star For Life program in South Africa. Caroline has been interviewed in Fox News, The Times, Sky Sports, ESPN and Forbes to name a few. You can connect with Caroline here: Website: www.carolinemohr.eu Facebook: https://www.facebook.com/carolinelarssonenterprise/  Twitter: https://twitter.com/Carolinemohr88 Instagram: https://www.instagram.com/carrospirit/ Workbook - Craft your Power Why: www.carolinemohr.com The Passion Accomplished podcast with Alberto Sardiñas is available on www.PassionPodcast.com

Embodied Activist Taylor Winterstein of the global Tays Way Movement joins us to explore possibilities for the liberation of humanity as we step into a new era, and what it will take for us to grow into The New Way. This chat covers: - True Leadership as an energetic practice - Embodying Peace as the most essential Power - Why we need to choose LOVE over fear in uncertain times - Refining the relationships in your life to reflect and support your growth - The importance of Integrity in leading ourselves and each other - Intuition as a means of Integrity and Leadership - Feeling Empowered and at peace within, despite external conditions - Practical tips and tools to keep your vibration high and stay in alignment Connect with Tay on Instagram @tays_way_ or visit her website https://tayswaymovement.com.au/where you can learn more about her latest Families for Freedom mentorship offering.

Dr. Juli LaRocca worked 100+ hour weeks when the suicidal thoughts crept in. The WORST part? She had everything she wanted. Yet she still. wasn't. happy. But then she made a decision that changed everything... ... and switched careers after spending 13 years to become board certified in family medicine. Today, Juli helps people like YOU to uncover and overcome invisible barriers to achieve effortlessness and velocity in their lives. In this episode of the 7-Figure Millennials podcast, you'll learn:

Carissa Véliz discusses her new book 'Privacy is Power', focusing on the importance of understanding how our data is used and how we can protect our privacy. Have you ever been denied insurance, a loan, or a job? Have you had your credit card number stolen? Do you have to wait too long when you call customer service? You might have the data economy to thank for all that and more. Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power, and our democracy, we must take back control of our personal data. Surveillance is undermining equality. We are being treated differently on the basis of our data. But what can we do? Join the author of Privacy is Power: Why and How You Should Take Back Control of Your Data, Carissa Véliz and Professor Rasmus Nielsen, Lead Researcher on the Oxford Martin Programme on Misinformation, Science and Media, as they discuss the need to understand the power of data better, how we can start protecting our privacy and how we need regulation. It is time to pull the plug on the surveillance economy.

Carissa Véliz discusses her new book 'Privacy is Power', focusing on the importance of understanding how our data is used and how we can protect our privacy. Have you ever been denied insurance, a loan, or a job? Have you had your credit card number stolen? Do you have to wait too long when you call customer service? You might have the data economy to thank for all that and more. Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power, and our democracy, we must take back control of our personal data. Surveillance is undermining equality. We are being treated differently on the basis of our data. But what can we do? Join the author of Privacy is Power: Why and How You Should Take Back Control of Your Data, Carissa Véliz and Professor Rasmus Nielsen, Lead Researcher on the Oxford Martin Programme on Misinformation, Science and Media, as they discuss the need to understand the power of data better, how we can start protecting our privacy and how we need regulation. It is time to pull the plug on the surveillance economy.

Carissa Véliz discusses her new book 'Privacy is Power', focusing on the importance of understanding how our data is used and how we can protect our privacy. Have you ever been denied insurance, a loan, or a job? Have you had your credit card number stolen? Do you have to wait too long when you call customer service? You might have the data economy to thank for all that and more. Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power, and our democracy, we must take back control of our personal data. Surveillance is undermining equality. We are being treated differently on the basis of our data. But what can we do? Join the author of Privacy is Power: Why and How You Should Take Back Control of Your Data, Carissa Véliz and Professor Rasmus Nielsen, Lead Researcher on the Oxford Martin Programme on Misinformation, Science and Media, as they discuss the need to understand the power of data better, how we can start protecting our privacy and how we need regulation. It is time to pull the plug on the surveillance economy.

Carissa Véliz discusses her new book 'Privacy is Power', focusing on the importance of understanding how our data is used and how we can protect our privacy. Have you ever been denied insurance, a loan, or a job? Have you had your credit card number stolen? Do you have to wait too long when you call customer service? You might have the data economy to thank for all that and more. Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power, and our democracy, we must take back control of our personal data. Surveillance is undermining equality. We are being treated differently on the basis of our data. But what can we do? Join the author of Privacy is Power: Why and How You Should Take Back Control of Your Data, Carissa Véliz and Professor Rasmus Nielsen, Lead Researcher on the Oxford Martin Programme on Misinformation, Science and Media, as they discuss the need to understand the power of data better, how we can start protecting our privacy and how we need regulation. It is time to pull the plug on the surveillance economy.

Can the West live without China? Would decoupling from China inflict greater damage to the American and British economies than it would hurt China? Graham Stewart talks to Stewart Paterson, research fellow at the Hinrich Foundation and author of China, Trade and Power: Why the West's Economic Engagement Has Failed about whether disengagement is an act of self-harm or a sensible stitch in time.   -- Right now we're offering 3 months for just £5. Go to thecritic.imbmsubscriptions.com/ for details. -- Image: Photo by Zhang Ping/China News Service via Getty Images Music: "Modern Jazz Samba" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License creativecommons.org/licenses/by/4.0/ See acast.com/privacy for privacy and opt-out information.

Can the West live without China? Would decoupling from China inflict greater damage to the American and British economies than it would hurt China? Graham Stewart talks to Stewart Paterson, research fellow at the Hinrich Foundation and author of China, Trade and Power: Why the West's Economic Engagement Has Failed about whether disengagement is an act of self-harm or a sensible stitch in time. -- Right now we're offering 3 months for just £5. Go to thecritic.imbmsubscriptions.com/ for details. -- Image: Photo by Zhang Ping/China News Service via Getty Images Music: "Modern Jazz Samba" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License creativecommons.org/licenses/by/4.0/

“COVID-19 is not just an epidemic, but a highly complex emergency”.  The implications of the coronavirus pandemic are still unclear. But the looming global recession and direct impact of containment measures on livelihoods make this an unprecedented crisis for Africa. Furthermore, the U.S., once an important ally in times of health crises, has turned its back on the continent, especially after President Trump’s “reckless” decision to terminate funding for the World Health Organization. Worst-hit countries are now faced with the prospect of major food shortages, political fragility, and major economic dislocation.  Alex de Waal, an expert on the continent who has written extensively on the effects of pandemics on political power, joins Alan this week to discuss the international system’s ability to respond to the new crisis in Africa and the value of community-led strategies to help blunt the impact. Articles on COVID-19:New Pathogen, Old Politics (Boston Review)COVID-19 in Africa: “Know your Epidemic, Act on its Politics." (African Arguments)Governance Implications of Epidemic Disease in Africa: Updating the Agenda for COVID-19 Books discussed: AIDS and Power: Why there is no Political Crisis - YetThe Real Politics of the Horn of AfricaMass Starvation: The History and Future of Famine

What are China’s grand ambitions? Did the United States get China “wrong”? And what policies should the United States adopt against a newly assertive China? What Western strategists are on the Chinese Communist Party’s reading list? Professor Aaron Friedberg and Brad Carson discuss these issues and much more in the new episode of “Jaw-Jaw.” If you'd like to read a full transcript of the episode, click here.    Biographies Aaron L. Friedberg is professor of politics and international affairs at Princeton University, where he has taught since 1987, and co-director of the Woodrow Wilson School’s Center for International Security Studies. He is also a non-resident senior fellow at the German Marshall Fund of the United States and a senior advisor to the National Bureau of Asian Research. Friedberg is the author of The Weary Titan: Britain and the Experience of Relative Decline, 1895-1905 and In the Shadow of the Garrison State: America's Anti-Statism and its Cold War Grand Strategy, both published by Princeton University Press, and co-editor (with Richard Ellings) of three volumes in the National Bureau of Asian Research's annual "Strategic Asia" series. His third book, A Contest for Supremacy: China, America and the Struggle for Mastery in Asia, was published in 2011 by W.W. Norton and has been translated into Japanese, Chinese, and Korean. His most recent monograph, Beyond Air-Sea Battle: The Debate Over U.S. Military Strategy in Asia was published in May 2014 as part of the International Institute for Strategic Studies’ Adelphi Paper series. Brad Carson is a professor at the University of Virginia, where he teaches in the Batten School of Leadership and Public Policy. He served in the U.S. House of Representatives from 2001 to 2005 and was undersecretary of the Army and acting undersecretary of defense for personnel & readiness in the Obama administration. He welcomes comments at brad.carson@warontherocks.com.   Links James Mann, The China Fantasy: Why Capitalism Will Not Bring Democracy to China, (Penguin Book, 2008) Stewart Patterson, China, Trade and Power: Why the West's Economic Engagement Has Failed, (London Publishing Partnership, 2018) Lynne Olson, Troublesome Young Men: The Rebels Who Brought Churchill to Power and Helped Save England, (Farrar, Straus, and Giroux, 2008)   Music and Production by Tre Hester

Lo Gro$$ (Skeetaah) and Guest Host from the Keep It Trill Podcast, Bigg Joe Fasho discuss the following topics: -The Ringers' Top 20 Southern Albums of All Time -Our Thoughts on Bun B's interview on Drink Champs -The impact of UGK -Is Travis Scott underappreciated in Houston -A discussion on how Houston is a launching pad for artists careers -Thoughts on who won the Kyrie/IT trade -Predictions for the Houston Texans this season -Who Will be the starting QB, Watson of Savage -Predictions for the Houston Rockets this season -Discussion on the latest episode of Power -Why is the show Ray Donovan so underrated -An In-Depth discussion on the importance of Brotherhood and Family Featured Independent Music: Playa C- Use Me Up Tony DelFreshco ft EDF- Money Machina Plaza Boy Cash- Got It Penny Boi Fresh- Whipping the Foreign Jimmy Fuchette- Steez Str8 Money K Dogg- I Stay Lit

How to experience more joy in your life, how the “Power Why” can give you a mental edge on fitness, and the one thing you can do today to make your life better.What You'll Learn in this Episode: Why you need to get off the gerbil wheel of life and touch base with yourself throughout the day. Why it's important to really understand what brings you joy in life. How to gain a mental edge to stay on track with your fitness needs by understanding your “Power Why.” Why we should focus on real world fitness instead of six-pack abs. High Five Highlights: Favorite Book: The Four Agreements. Advice she would give her younger self: Busy does not = Productive. Favorite health app: Headspace. Favorite artist that gives her a lift: Moby. Share the Show! If you enjoyed this show, please rate it on iTunes and write a brief review. That would help us tremendously in getting the word out and raising the visibility of the show. Sponsors: audible.com - get a FREE audiobook download and 30 day free trial at www.audibletrial.com/whichwayislife

How to experience more joy in your life, how the “Power Why” can give you a mental edge on fitness, and the one thing you can do today to make your life better.What You’ll Learn in this Episode: Why you need to get off the gerbil wheel of life and touch base with yourself throughout the day. Why it’s important to really understand what brings you joy in life. How to gain a mental edge to stay on track with your fitness needs by understanding your “Power Why.” Why we should focus on real world fitness instead of six-pack abs. High Five Highlights: Favorite Book: The Four Agreements. Advice she would give her younger self: Busy does not = Productive. Favorite health app: Headspace. Favorite artist that gives her a lift: Moby. Share the Show! If you enjoyed this show, please rate it on iTunes and write a brief review. That would help us tremendously in getting the word out and raising the visibility of the show. Sponsors: audible.com - get a FREE audiobook download and 30 day free trial at www.audibletrial.com/whichwayislife

How to experience more joy in your life, how the “Power Why” can give you a mental edge on fitness, and the one thing you can do today to make your life better.What You'll Learn in this Episode: Why you need to get off the gerbil wheel of life and touch base with yourself throughout the day. Why it's important to really understand what brings you joy in life. How to gain a mental edge to stay on track with your fitness needs by understanding your “Power Why.” Why we should focus on real world fitness instead of six-pack abs. High Five Highlights: Favorite Book: The Four Agreements. Advice she would give her younger self: Busy does not = Productive. Favorite health app: Headspace. Favorite artist that gives her a lift: Moby. Share the Show! If you enjoyed this show, please rate it on iTunes and write a brief review. That would help us tremendously in getting the word out and raising the visibility of the show. Sponsors: audible.com - get a FREE audiobook download and 30 day free trial at www.audibletrial.com/whichwayislife

How to experience more joy in your life, how the “Power Why” can give you a mental edge on fitness, and the one thing you can do today to make your life better.What You’ll Learn in this Episode: Why you need to get off the gerbil wheel of life and touch base with yourself throughout the day. Why it’s important to really understand what brings you joy in life. How to gain a mental edge to stay on track with your fitness needs by understanding your “Power Why.” Why we should focus on real world fitness instead of six-pack abs. High Five Highlights: Favorite Book: The Four Agreements. Advice she would give her younger self: Busy does not = Productive. Favorite health app: Headspace. Favorite artist that gives her a lift: Moby. Share the Show! If you enjoyed this show, please rate it on iTunes and write a brief review. That would help us tremendously in getting the word out and raising the visibility of the show. Sponsors: audible.com - get a FREE audiobook download and 30 day free trial at www.audibletrial.com/whichwayislife

Tune in to the final 5 Exercise Tips of Kristy Jo's Top 50! She will teach you effective ways to improve your fitness level and be more efficient in what you're doing! In this episode, you'll learn about: Posture and how to begin correcting it Which lifts to over-exaggerate an open chest How to maximize Rest Pause Sets for more Power Why you need to Foam Roll and do Myofascial Release How to plug in your programs at the gym on your phone How to stay motivated and never give up! Be sure to listen to the previous Exercise Tips on this podcast or on www.body-buddies.com/podcast! Reach Kristy Jo at KristyJo@body-buddies.com www.body-buddies.com