Podcasts about Sculpture

Jane and Louise Wilson talk to Ben Luke about their influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. Jane and Louise Wilson, born in Newcastle-upon-Tyne, UK, in 1967, have been collaborating as a duo since their student days in the late 1980s. Identical twins, they have used their connection as a means of exploring duality, mirroring, and the notion of selfhood amid complex geopolitical contexts. Primarily working in video installation, photography and sound, they have accessed loaded and atmospheric sites, from abandoned military sites to borderlands, and used diverse cultural phenomena, including specific works of art, literature and cinema, to reflect on the environments we occupy and the ways in which they are constructed physically and in terms of political and social meaning. They discuss the pronounced sense of duality and mirroring in their work, the origins of their official partnership in art, shaped by their upbringing, and the enduring relationship between photography and film in their practice. They recall the early impact of John Martin's work, and how Cindy Sherman proved a hugely significant inspiration in their student days. They discuss artists as diverse as Victor Pasmore, Rita Donagh, Carrie Mae Weems and Nam June Paik and reflect on the enduring influence of film-makers from Rainer Werner Fassbender to Jean Cocteau and Stanley Kubrick. Plus, they give insight into their life in the studio and answer our usual questions, including the ultimate: what is art for?Jane and Louise Wilson: Performance of Entrapment, London Mithraeum Bloomberg SPACE, until 10 January 2026; Dendrophiles, Leadenhall Building, Sculpture in the City, London, until spring 2026. Hosted on Acast. See acast.com/privacy for more information.

A community center that serves more than 300 families on Indianapolis's northwest side will temporarily close its doors. The Indianapolis City-County Council has announced its next steps following the investigation into the city's handling of inappropriate workplace behavior and sexual harassment allegations. The Health and Hospital Corporation of Marion County changed the name of one of its Diversity, Equity, and Inclusion committees this summer. Governor Mike Braun reappointed three members to Purdue University's board of trustees. It was gouda vibes at the Indiana State Fair last week with the unveiling of the annual cheese sculpture. Want to go deeper on the stories you hear on WFYI News Now? Visit wfyi.org/news and follow us on social media to get comprehensive analysis and local news daily. Subscribe to WFYI News Now wherever you get your podcasts. WFYI News Now is produced by Drew Daudelin, Zach Bundy and Abriana Herron, with support from News Director Sarah Neal-Estes.

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

For over a decade, a pair of huge eagles ridden by Gandalf the wizard greeted people as they arrived in the city famous for the Lord of the Rings and the Hobbit. But no longer. Today, Wellington Airport unveiled its brand new centerpiece created by Weta Workshop and it's already proving a hit with locals and visitors. Massey University journalism student Kajal Nair reports.

In this special playlist of the Le Bijou comme un Bisou podcast, I present my crush jewelers from the 7th edition of Révélations, the international biennial exhibition of arts and crafts organized by Ateliers d'Art de France. Under the glass roofs of the newly reopened Grand Palais, I interviewed extraordinary jewelers, who will tell you about the jewelry they created especially for this occasion, their exceptional craftsmanship, their artisanal techniques, their precious materials, and the inspiration that drives them. Amidst the 45,000 visitors, I captured unique moments, passionate voices, and vibrant stories about contemporary jewelry, art jewelry, and innovation in these crafts. Of course, I couldn't record all the jewelers, but in this Playlist, I share with you my precious and personal selection—between passion, creation, and emotion. Welcome to the spirit of the Great Exhibitions and enjoy listening to my crush jewelers at the heart of Révélations.In this episode, Joy Harvey, co-founder of La Luce Gioielleria, tells us that she founded her jewelry house to be a joyful jewelry brand, designed for all women and easy to wear. In a new collection, she decided to use digital design to take her creations to the next level. She scanned the jewelry and its opposite to create jewelry stands that allow you to display your jewelry at home and admire it even when you're not wearing it. Because jewelry is a work of art in its own right and deserves to be admired as such. Name of this collectible jewelry are Dead flowers, Medusa, Anemone, Flower Necklace.This is her first time exhibiting at Révélations, and she is delighted to be among so many designers and artists because she has been selected to represent Italian design, which she is very honored by. I'm Anne Desmarest de Jotemps, and I give jewelry a voice. This special playlist includes nine episodes about my crush jewelers at Révélations. To continue listening, you can also find me on my two other podcasts: Il était une fois le bijou, the jewelry-themed podcast and Brillante, the podcast about women who make jewelry brilliant. To make sure you don't miss any of my upcoming interviews, stories, and discoveries, be sure to subscribe to all three podcasts on your favorite listening platform. If you enjoyed this episode, share it on your social media and introduce it to those who love jewelry, craftsmanship, and jewelry design. Until then... lots of love and bisou comme un bijou. Le Bijou comme un bisou est le podcast des histoires et de l'actualité de la joaillerie par Anne Desmarest de Jotemps, fondatrice de Il était une fois le bijouHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans cette capsule spéciale du podcast Le Bijou comme un Bisou, je vous propose mes Crush joailliers de la 7ᵉ édition de Révélations, la biennale internationale des métiers d'art et de la création, organisée par Ateliers d'Art de France.Dans cet épisode, Patrice Fabre, joaillier parisien, créateur depuis 1981, raconte son amour pour Paris et les bijoux.  Patrice Fabre s'est fait connaître dès les années 1980 avec une collection audacieuse mêlant béton armé, or et diamant — un contraste radical qui lui a valu plusieurs distinctions, notamment lors des concours internationaux DIA (Diamond International Award) organisés par De Beers.Pour sa troisième fois au salon Révélation, dans le Grand Palais restauré, un lieu qu'il considère comme profondément lié à son identité parisienne, il a imaginé une pièce emblématique : un bijou baptisé "Paris", à la fois broche et pendentif, réalisé en argent ou or, serti de diamants. Cette création est directement inspirée de l'architecture parisienne : la verrière du Grand Palais, la Tour Eiffel, ou encore la pyramide du Louvre. Un hommage vibrant à la capitale, à la fois structuré et symbolique, presque une Révélation !Parallèlement à ce travail très géométrique, il poursuit sa recherche autour de l'aluminium anodisé, un matériau qu'il affectionne pour ses couleurs franches, en particulier le rouge, difficile à obtenir autrement. Avec ce matériau, ses collections joaillières s'inspirent de la nature. Cette année, il s'inspire des paysages du Sud de la France, région où il prévoit de s'installer bientôt. Ses dernières pièces évoquent les oliviers, les cerises, les trèfles à quatre feuilles ou encore les bouquets de fleurs. Influencé par le Land Art, notamment les œuvres d'Andy Goldsworthy, il crée aussi des bijoux plus aériens et libres, comme une bague sculpturale, presque végétale, à la frontière entre nature et abstraction.Ce va-et-vient entre l'urbain et le végétal, est au cœur de son univers. Il revendique des bijoux ludiques, légers, faciles à porter, montés sur fils élastiques, sans fermoirs, pensés pour le confort autant que pour la beauté.Après avoir exposé dans le monde entier — des États-Unis au Japon — il confie que revenir à Paris, dans le Grand Palais est un moment fort, comme un retour aux sources, dans un lieu qui célèbre à la fois la mémoire, la structure… et Paris !Je suis Anne Desmarest de Jotemps, et je donne une voix aux bijoux. Cette capsule spéciale comprend 9 épisodes autour de mes Crush joailliers à Révélations. Pour continuer l'écoute, retrouvez-moi aussi sur mes deux autres podcasts : Il était une fois le bijou, le podcast thématique de la joaillerie et Brillante, le podcast des femmes qui font briller la joaillerie.Pour ne rien manquer de mes prochaines interviews, récits et découvertes, pensez à vous abonner aux trois podcasts sur votre plateforme d'écoute préférée. Si cet épisode vous a plu, partagez-le sur vos réseaux sociaux et faites-le découvrir à celles et ceux qui aiment les bijoux, l'artisanat et la création joaillière.Et d'ici là… plein de bisous comme un bijou.Le Bijou comme un bisou est le podcast des histoires et de l'actualité de la joaillerie par Anne Desmarest de Jotemps, fondatrice de Il était une fois le bijouHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

À Genève, devant le siège européen de l'ONU, Le Penseur de Rodin a pris un tout autre visage. Englué dans une marée de plastique — bidons, jouets, bouteilles, filets de pêche —, le célèbre sculpteur méditatif semble soudain accablé par un fardeau bien réel : la pollution mondiale.Cette œuvre n'est pas une provocation gratuite, mais une installation éphémère et évolutive signée par l'artiste et activiste canadien Benjamin Von Wong. Baptisée "Le Fardeau du penseur", elle accompagnera pendant dix jours les négociations cruciales qui s'ouvrent ce mardi 5 août à Genève. Objectif : élaborer le tout premier traité international pour mettre fin à la pollution plastique.Dans cette œuvre engagée, le Penseur tient dans une main quelques bouteilles écrasées, dans l'autre, un bébé mal en point symbolisant la prochaine génération. Un message fort destiné aux représentants des 193 pays réunis autour de la table des négociations. "Au fil des jours, nous allons ajouter davantage de plastique pour montrer le coût croissant de notre inaction", explique l'artiste à l'AFP. Pour lui, il ne s'agit pas seulement de déchets visibles, mais aussi de produits chimiques toxiques qui menacent la santé humaine. "Nous espérons un traité fort, ambitieux, pour toutes les générations à venir", martèle Von Wong. Après l'échec des discussions en Corée du Sud en décembre dernier, l'enjeu est de taille. Du 5 au 14 août, Genève devient le théâtre d'un combat diplomatique crucial. Et pendant ce temps, Le Penseur s'enfonce lentement, au rythme de notre passivité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What's the episode about? In this episode, hear Kaylee Alexander discuss the digital humanities, being a research data librarian, visual culture, cemeteries, French cemetery laws, cemetery sculpture, ethically sound data visualisation and survival bias Who is Kaylee?Dr. Kaylee P. Alexander is a Research Data Librarian at the University of Utah's J. Willard Marriott Library.  She holds a Ph.D. in Art History and Visual Culture from Duke University and specializes in nineteenth-century visual culture, monuments, and funerary material culture.  Her research is embedded in transdisciplinary practices at the intersection of visual studies, cultural economics, sociology, and data science.  You can find a list of her publications on her website. She is the author of A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804–1924 (Routledge 2024). How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Alexander, K. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 August 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.29763560What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.

Paul hears about the vandalism of the motorway cow sculptures in Fermoy, hears who Vikings are camping out in Youghal, gets on board with the Jet2Holiday meme. And more... Hosted on Acast. See acast.com/privacy for more information.

Paul talks to Lynn Kirkham who created the sculpture and is heartbroken Hosted on Acast. See acast.com/privacy for more information.

Dans cette capsule spéciale du podcast Le Bijou comme un Bisou, je vous propose mes Crush joailliers de la 7ᵉ édition de Révélations, la biennale internationale des métiers d'art et de la création, organisée par Ateliers d'Art de France. Dans cet épisode, Thierry Vendome raconte les quatre nouveaux colliers, réalisés et présentés à Révélations. Tout d'abord une grande cravate verte, composée de dioptase du Congo, variscite, opale d'Éthiopie et uvarovite, semée de diamants. Jouant avec la transparence et les volumes, c'est une pièce spectaculaire et sculpturale.Autre bijou, un collier d'azurite accompagné de perles baroques blanches. Il s'est amusé à faire dialoguer deux matières opposées : la précision du cristal et la douceur organique des perles. L'ensemble est rehaussé de zircons bleus, de diamants, le tout monté sur du platine, un métal qu'il affectionne particulièrement en ce moment, autant pour sa noblesse que pour la richesse des possibilités qu'il offre.Il présente également un collier de turquoises d'Arménie, naturellement métallisées, associées à des roches d'or jaune brut. Une pièce entièrement articulée et souple, pensée pour le mouvement.Enfin, un collier construit autour d'azurite bleue, de tanzanites violettes et de perles baroques, dans un design très contemporain, structuré, graphique, coloré.Son travail repose avant tout sur le choix des matières, leur intensité, leur lumière. Il cherche à créer des bijoux qui ont de l'impact, qui s'imposent, sans compromis.C'est la deuxième fois que Thierry Vendome participe à Révélation, après une première exposition en 2023, mais c'est la première fois qu'il expose au Grand Palais. Un moment très fort pour lui, chargé d'émotion : en 1972, alors âgé de 7 ans, il avait accompagné son père, exposant au Salon des artistes décorateurs, dans ce même lieu. Il se souvient avec émotion de cet après-midi passé au milieu des œuvres de Vasarely, Soto, et des grandes figures du design de l'époque. Ce jour-là, il se sentait projeté dans le futur. Revenir aujourd'hui, en tant que créateur, est pour lui une très forte et belle émotion. Je suis Anne Desmarest de Jotemps, et je donne une voix aux bijoux. Cette capsule spéciale comprend 9 épisodes autour de mes Crush joailliers à Révélations. Pour continuer l'écoute, retrouvez-moi aussi sur mes deux autres podcasts : Il était une fois le bijou, le podcast thématique de la joaillerie et Brillante, le podcast des femmes qui font briller la joaillerie.Pour ne rien manquer de mes prochaines interviews, récits et découvertes, pensez à vous abonner aux trois podcasts sur votre plateforme d'écoute préférée. Si cet épisode vous a plu, partagez-le sur vos réseaux sociaux et faites-le découvrir à celles et ceux qui aiment les bijoux, l'artisanat et la création joaillière.Et d'ici là… plein de bisous comme un bijou.Le Bijou comme un bisou est le podcast des histoires et de l'actualité de la joaillerie par Anne Desmarest de Jotemps, fondatrice de Il était une fois le bijouHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week, Wes and Todd talk with Artist and Curator Max Kauffman. Max discusses the South Park premiere, the different work that he makes being like poems and songs, watercolor & gouache, anthropology, the cassette tape, his love of pattern, the importance of being in the head space for fun, analog, improvisation, growing up in Indiana, skateboarding, paying attention, murals, the ability of letting go, making dystopian work, Oakland, art & travel, scarcity, the Family Circus, socialization, being a presence, play & creativity, iconic Denver landmarks, memory & community spaces, Casa Bonita, neü folk, his current exhibition “City In A Garden”, birds, Dateline, and his idea of perfect happiness. Join us for a perspicacious conversation with Max Kauffman!Check out Max's website at www.wittybanterism.comFollow Max on social media:Instagram - www.instagram.com/wittybanterism - @wittybanterismFacebook - www.facebook.com/wittybanterism Check out Max's current exhibition:CITY IN A GARDEN: Melanie Daniels and Max KauffmanSouth Bend Museum of ArtMay 24th – August 24th, 2025https://southbendart.org Check out Max's curatorial work at the neü folk website www.neufolkshop.comFollow neü folk on Instagram - www.instagram.com/neuf0lk/ - @neuf0lkSend us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

Tony is worried what will happen to his daughter Aoife when he and his wife pass away. The ‘Bó Bainne' cow sculpture at the Moorepark Roundabout in Fermoy has been vandalised. Mary explains what happened when her son Anthony was involved in a motorbike accident. Listeners react to Government plans in relation to back garden cabins.

Episode 151.1: Larry Redux, Retirement, Top 10 Museums in US, Sculptures, Alligator Alcatraz, Backyard Skeeter Laser, and Bank Street Bourbon

Tim McMahon graduated from the Maine College of Art and Design (MECAD) with a BFA in Sculpture. He taught middle school art at North Yarmouth Academy for 15 years, before leaving the teaching world to pursue full time work in carpentry and ceramics. Tim lives in Portland with his wife and two boys. He creates all of his monster designs in his backyard studio. http://ThePottersCast.com/1153

Cet été, retrouvez le meilleur d'Au cœur de l'Histoire, avec Virginie Girod ! Dans le second épisode de ce double récit, le voyage se poursuit en Grèce, à la découverte de la statue de Zeus, à Olympie, détruite dans un incendie au Ve siècle de notre ère. En Asie Mineure, s'élevait jadis le mausolée d'Halicarnasse et, non loin, l'île de Rhodes, en mer Egée, était gardée par le colosse de Rhodes, une gigantesque statue représentant Hélios, le dieu du soleil. Le voyage se termine dans la ville d'Alexandrie, éclairée par un phare majestueux , ayant guidé les marins pendant près de dix siècles. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

They're in the books we read, the shows we watch, and the art we hang on our walls. They conjure notions of might, magic, romance, and more. Castles, perhaps as much as any other architectural structure in history, define the landscape of our fantasy and imagination. But is our imagination an accurate lens through which to view these fortresses of ol'? And why, after hundreds of years, does our culture's fascination with these structures seem to be on the rise? This hour, we speak with experts and enthusiasts about the reality and mystique of castles. GUESTS: Marc Morris: Medieval historian and author of books including Castles: Their History and Evolution in Medieval Britain Victor Lodato: Playwright, poet, and novelist whose books include Edgar and Lucy Edward Town: Assistant Curator of Paintings and Sculpture at the Yale Center for British Art Brent Bruns II: - Star of the hit National Geographic reality TV show "Doomsday Castle" The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on May 18, 2017.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A Jew cannot benefit from an object that's been used for idolatry, of course, but that extends to images too. Though the majority view maintains that images are not a problem. Also, broken shards may well be permitted - for use, benefit, and so on. But what if they were the object of idol worship? And what if the shards have the image of a hand or a foot or attached to a pedestal on which the idol stood?

A West Auckland artist is puzzled as to exactly how thieves stole a huge galvanised steel sculpture from his studio. Artist Chris Moore spoke to Corin Dann.

KGMI's Dianna Hawryluk and Adam Smith chat about the Fourth Corner Punk Fest in Fairhaven, the York Yard Crawl in Bellingham, the Pioneer Picnic and Parade in Ferndale, the Birch Bay Sand Sculpture Competition, and Bubba Sparxxx performing at Wild Buffalo.

Episode 484 / Léni Paquet-MoranteLéni Paquet-Morante (1962) is an artist based in New Jersey. Motivated by process driven imagery in paint, sculpture, and printmaking projects, her abstractions reconfigure familiar landscape elements, extracted then rearranged in a manner that speaks to the architecture of memory. Born in Canada, Léni is a Hamilton, New Jersey based artist. Recent recognition includes a New Jersey State Council on the Arts Finalist Grant for Painting in 2024; residencies at Vermont Studio Center Residency for Painting in 2024 and Peter's Valley Visiting Artist Residency for Printmaking in 2023. Recent solo exhibitions include Princeton University Art Museum's Bainbridge Gallery scheduled for summer of 2025. She earned a BFA in painting from Mason Gross School of Art in1992 and studied bronze casting techniques at the Johnson Atelier Technical Institute of Sculpture from 1984 to1985. Her current show Extract / Abstract, Landscape a& the Architecture of Memory at the Princeton Univeristy Art Museum is up until November 9th. 

Artist and philosopher Mia Ntenta joins the podcast. Ntenta is a visual artist working across painting, sculpture, and installation. Ntenta is one of several artists I interviewed from Spring/Break Art Fair 2025.Ntenta shares how her philosophy background led her to explore ideas through painting and sculpture. Ntenta explains how her visual language and symbols clarify complex philosophical ideas.Ntenta breaks down her ongoing, expansive work 'The Omegans Project'. The Omegans Project, an expansive and ongoing series begun by Ntenta in 2019. This work reveals Ntenta's dystopian world and her symbolic language for deconstructing existence.Later, Ntenta discusses how her symbols' meanings evolve across different works.Ntenta uses art to spark curiosity and make philosophy accessible.Topics Covered:Transitioning from philosophy to visual arts as a new medium of thoughtUsing painting and sculpture to make complex ideas more approachableCreating and evolving a personal symbolic universe across artworksStrategies for communicating philosophical concepts with viewersRecent exhibitions and sharing work with the public for the first time

Artist Rosalie Smith joins the podcast. Smith reflects on developing her unique style. Smith talks about making sculptures with old technology and everyday things. Smith shares her process behind her pieces, and how recent experiences in New York and her education have shaped her approach. Smith discusses balancing the absurd and the serious. Smith describes what it means to create and teach in today's fast-paced and chaotic world. Smith, Fresh off her MFA at CUNY Hunter, also talks about recent and upcoming exhibitions that mark new chapters in her creative journey.Topics Covered:Blending tech debris and found materials to reimagine survival after collapseInfusing sculpture with both humor and weight to address environmental griefHow working in New York and completing an MFA have influenced Smith's visionTeaching art while developing a personal practiceBalancing narrative, comedy, and chaos in visual workReflecting on creative growth through education and experimentation

MLK assassination files released. Sculpture standing 30 feet tall planned in Broad Ripple. It's not your imagination. Everyone is spending. Amazon raising prices. This Late Show drama is hilariousSee omnystudio.com/listener for privacy information.

MLK assassination files released. Sculpture standing 30 feet tall planned in Broad Ripple. It's not your imagination. Everyone is spending. Amazon raising prices. This Late Show drama is hilarious. Homelessness and Indianapolis, Indiana SAT scores up slightly. Foul Mouthed Hunter Biden, Ben Baller Gold Poker set. Trump to pull US out of UNESCO. Jefferson Starship please don't perform "We built this city" when you come to town. What are the worst songs ever made? RIP Malcolm Jamal Warner. We need to have a sponsored bracket contest of worst songs ever, and a sponsored poker contest See omnystudio.com/listener for privacy information.

Une déclaration de principes a été conclue entre le gouvernement de la République démocratique du Congo et les rebelles du M23, soutenus par le Rwanda, qui ont pris le contrôle d'une partie du territoire et de deux grandes villes plus tôt cette année. Les deux parties ont accepté de travailler vers un cessez-le-feu permanent, et de commencer des négociations sur un accord de paix durable dans un délai d'un mois.

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

Hello Podcast World!  Allow me to inttroduce you to my next podcast guest, Molly Balloons. You cannot imagine her beauty, you'll never belive how quicly you could fall in love with someone until you see her. Just sit down, and dive into the wacky and wonderful world of my dear friend, Molly Balloons.  Check out all her work www.mollyballoons.com  Chceck out her instagram it's the coolest shit ever...!! @mollyballoons  You can always find all my work at www.zoenightingale.com I'm finally editing the last year of recordings, check back i'll be posting at least twice a month!! 

Here's your local news for Monday, July 14, 2025:We consider the community-building power of public art,Learn how federal Medicaid cuts could impact a Wisconsin nonprofit that serves people with disabilities,Detail Wisconsin high schoolers' rising participation in dual enrollment programs,Share the local government's calendar for the week ahead,Celebrate George McGovern's birthday,Taste-test a Jelly Donut shot,Review two new features,And much more.

Along Vermont's interstates stand a unique collection of 16 abstract sculptures created by internationally renowned artists. more than 50 years ago. These sculptures were placed at rest areas along Interstates 89 and 91 in the early 1970s. Decades later, most of them are now hidden by forest growth. That will soon change. The collection could be described as the largest outdoor presentation of sculpture in the world. Art conservator Bob Hannum of Barre is working with the state of Vermont to clean, repair and move these sculptures into view so they can be enjoyed once again by the public. Visit happyvermont.com Support this podcast: patreon.com/c/happyvermontpodcast

Jonathan Adler's 30 year career is being celebrated at the Museum of Art & Design in a show titled "The Mad, MAD World of Jonathan Adler," which looks at his ceramic work over the past 30 years.

Matthias Garff is an artist based in Germany. His sculpture practice is 80% focused on birds. His passion for birds developed through his relationship with his grandfather, who sent poems about the birds in his garden in Buenos Aires. We spoke with Garff about his year-long International Studio & Curatorial Program Residency in New York City, where he used discarded materials to create life-sized birds of the city. Garff's goal is to "show biodiversity or...this variety of life around us.”*Leave a review. Share the episode with a friend.*—Follow Matthias Garff on his website and on Instagram.⁠Click here⁠ to learn more about the International Studio & Curatorial Program.—Creator and Host: Georgia Silvera SeamansProducer and Editor: Pod for the PeopleVocalizations: American Robin (song) https://macaulaylibrary.org/asset/151051571Blue Jay (call) https://macaulaylibrary.org/asset/107289291Pigeon (song) https://macaulaylibrary.org/asset/108565061Eurasian Jay (call) https://macaulaylibrary.org/asset/254553511

Welcome green thumbs! This week the team visits David Roberts in Sacramento to explore his beautiful collection of rare and incredible cactus and succulents. Learn the differences between these plants and how to grow them with the right soil mix and irrigation techniques.Check out the video tour on YouTube to get inspired by this special home garden: Inside a Rare Cactus & Succulent GardenCheck out your own local Cactus and Succulent Society: Sacramento Cactus and Succulent SocietyGreen Acres Garden PodcastGreen Acres Nursery & SupplyGreen Acres Garden Podcast GroupIn the greater Sacramento area? Learn how to make your yard Summer Strong and discover water-saving rebates at BeWaterSmart.info.

Happy July! Here's a quick look at our top local stories for Tuesday, July 1. Find the complete articles and much more in today's print edition and online at https://www.iolaregister.com/.

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Episode: 1396 An engineer named Calder.  Today, an engineer takes up sculpture.

In this week's episode of the PolicyViz Podcast, I am reposting my 2015 interview with Edward Tufte, one of the pioneers of data visualization and author of seminal books like The Visual Display of Quantitative Information. At the time, Tufte was a well-known and hugely influential figure in the field. Over time, his influence has waned, and I find that fewer and fewer people are aware of his work and his impacts on the field of data visualization. Before closing up this season next week, I thought it worth looking back to this interview and listen to Tufte as he reflects on analytical thinking, visual reasoning, and the intersection of art and science. We discussed his sculpture work, the evolution of information design, the power of high-resolution displays, and the importance of clarity and excellence in presenting data. The conversation spans from Tufte's early teaching days to his vision for the future of data communication, offering a rich mix of philosophy, design, and practical insight.Keywords: Edward Tufte, data visualization, The Thinking Eye, PolicyViz Podcast, Jon Schwabish, analytical thinking, visual reasoning, sculpture, design excellence, high-resolution graphics, information design, flatland, Galileo, data storytelling, maps moving in timeSubscribe to the PolicyViz Podcast wherever you get your podcasts.Become a patron of the PolicyViz Podcast for as little as a buck a monthFollow me on Instagram, LinkedIn, Substack, Twitter, Website, YouTubeEmail: jon@policyviz.com

Tabloid Trash | Rhino Sculpture full 1205 Mon, 16 Jun 2025 15:44:40 +0000 jmegTb3AwGvLrHgXnSAalOvSiw6cxudD society & culture BJ & Jamie society & culture Tabloid Trash | Rhino Sculpture Irreverent, funny, and real-life radio, BJ & Jamie kick off the day with topical, trending stories and relationship topics that often cross the line of dysfunctional and unbelievable, yet they’re always hilarious. Hear BJ & Jamie weekday mornings from 5:30-10a on Alice 105.9 | KALC-FM! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%

Adam creates a hypnosis session to unleash a new level of living and authenticity using metaphors of farming and a sculpture. Great if you have big plans and challenging goals.  For a free course by Adam to transform your life in 7 days, which includes 21 hypnosis downloads, please click this link: https://courses.adamcox.co.uk/free7daycourse  WORKING WITH ADAM DIRECTLY:  To book a free 30-minute consultation call to consider working with Adam, go to: https://go.oncehub.com/AdamCox If you want to work with Adam on a one-to-one basis on hypnosis sessions or see prices, visit here: https://courses.adamcox.co.uk/sessions  ABOUT ADAM Adam Cox is one of the world's most innovative hypnotists and is known for being the hypnotherapist of choice for Celebrities, CEO's and even Royalty. Adam's rates for hypnotherapy in pounds and US dollars are here: https://courses.adamcox.co.uk/sessions  You can contact Adam at adam@adamcox.co.uk Further information on Adam is here: https://linktr.ee/AdamCoxOfficial  Tags: Adam Cox, the hypnotist, NLP, asmr, hypnosis, hypnotherapy, hypnotist, stress, sleep, worry, meditation, guided meditation, hypnotism, future, empathy, anxiety, joy, purpose, quest, better quality of life, growth, self worth, worthiness, self love, self respect, anxiety, panic hypnosis, phobia hypnosis, stress hypnosis, abundance hypnosis, 

An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work.  Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera's impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It has helped bring our global society closer together but also driven us desperately apart. It can teach us or deceive us, show us the furthest reaches of space, or the closest representations of matter itself. It is these contrasting realities that exist within photography, which inspire my works of contemporary art.” Being born with no peripheral vision or depth perception, decades of vision therapy led Hershman to his lifelong fascination with the complex nature of the visual system and the science of light and optics. By using cameras themselves as frames for his experimental photographic processes, he asks us to look more closely into the simple act of taking a photograph. His work focuses on the significance that film and photography have played on the development of contemporary global culture.  More recently Hershman's work has focused on the torus — the most common shape found in galaxy formations and human cellular biology. His series, Messier Objects, was named after the French astronomer Charles Messier, who famously catalogued anomalous objects that confused his search for comets in the night sky. Originally from Colorado, Hershman was born in 1981 and first began working with glass at the age of 17. In 2004, he graduated from the Craft and Design Program at Sheridan College in Ontario, Canada. In 2008, he went on to earn a BFA with Distinction from the California College of the Arts in Oakland, California. Most recently, he completed the Master's program at the New York State College of Ceramics at Alfred University in Sculptural/Dimensional Studies.  In 2009, Hershman had his first solo exhibition at Pismo Glass in Denver and went on to participate in many group exhibitions and art fairs including Sofa Chicago, the Armory Show, Art Hamptons, SF Art Market, the Habatat Invitational, and many others. He loves to teach and has led workshops and lectures at California College of the Arts, Public Glass in San Francisco, Pittsburgh Glass Center, and at D&L Glass Supply in Denver. Hershman has received numerous awards, was included in the Bullseye Emerge international glass competition, Young Glass 2017, and can be found in numerous private collections. His work is included in the permanent collection of the Ebeltoft Museum in Denmark, The National Liberty Museum in Philadelphia, and Museum of Glass, Tacoma (MOG). In fact, MOG exhibited Hershman's sculpture in the nation's first LGBTQ+ glass exhibition titled Transparency. He has been invited to participate in several artist-in-residence programs including North Lands Creative Glass in Scotland, D&L Art Glass in Colorado, the Appalachian Center for Craft in Tennessee, and most recently completed a semester-long residency at Southern Illinois University at Carbondale. The artist worked for Berengo studio in Murano, Italy, where he made work for the world's leading contemporary artists. Living and operating a private studio in Los Angeles, California, Hershman makes his personal work and also operates the Glass Foundry, which provides casting and coldworking services to other artists. Additionally, he is employed at Judson Studios, where he's currently working on a large-scale architectural glass project for James Jean. “Casting glass was something I could do in isolation in my studio which was a huge advantage during the pandemic. Without the need for a furnace or lots of facilities, this process allowed me to make a highly challenging sculpture without the need for a team of assistants or expensive equipment. I think what draws me most to lost wax casting is the constant challenge and problem solving that is required to get a high-quality casting.”

Any Austin has carved a unique niche for himself on YouTube: analyzing seemingly mundane or otherwise overlooked details in video games with the seriousness of an art critic examining Renaissance sculptures. With millions of viewers hanging on his every word about fluvial flows in Breath of the Wild or unemployment rates in the towns of Skyrim, Austin has become what Tyler calls "the very best in the world at the hermeneutics of infrastructure within video games." But Austin's deeper mission is teaching us to think analytically about everything we encounter, and to replace gaming culture's obsession with technical specs and comparative analysis with a deeper aesthetic appreciation that asks simply: what are we looking at, and what does it reveal? Tyler and Austin explore the value of the YouTube algorithm, what he notices now about real-world infrastructure, whether he perceives glitches IRL, why AI-generated art is getting less interesting, how the value of historical context differs between artistic forms, an aesthetic abundance agenda for nuclear power, the trajectory of video game quality since the 80s, whether the pace of seminal game releases has slowed, the relative value of commentary to the games themselves, why virtual reality adds nothing meaningful to the gaming experience, what's wrong with most video game analysis, what to eat in New Orleans, Tyler's gaming history, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated CWT channel. Recorded March 7th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

In this episode of PhotoWork with Sasha Wolf, Sasha sits down with photographer Harlan Bozeman to discuss his artistic evolution—from the casual nature of street photography to the immersive, collaborative, and activist approach he brings to his ongoing documentary series, Out the E. They also explore his newer project, Failure to Appear, a more introspective and formally abstract investigation into memory and Black culture. Harlan is thoughtful, honest, and generous as he reflects on both the triumphs and challenges of his complex artistic practice. https://www.harlanbozeman.com/ https://www.instagram.com/harlanbozeman/ Harlan Bozeman is an artist based in Central Arkansas, whose work confronts the erasure of Black legacies and centers on how this exploration influences one's personhood. He received his M.F.A at the University of Arkansas, his Bachelor's in Journalism at DePaul University, and attended the Skowhegan School of Painting and Sculpture in 2023. Harlan is a 2024 Catch Light Global Fellow and is currently participating in the Magnum Foundation's Counter Histories fellowship. Harlan Bozeman is Professor of Practice at Tulane University.

David is an art history professor. For the last year, he has been researching an early 20th-century American impressionist named Agnes Millen Richmond. He's started buying her paintings… and they're expensive. Susan says they have too many already! She says her husband is obsessed! Who's right? Who's wrong?We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/OldTechNewSpecs for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!