Podcasts about Sculpture

Send us a textIf you're planning on walking through Lincoln Park anytime soon, you may be curious about all the statues you'll find. With the help of contributor Connie Fairbanks, we discuss the story behind many of the creations you'll see, and tell you about the ones that were once there but are no longer.You can purchase Chicago's West Loop: Then and Now by Connie Fairbanks from the author at:https://www.conniefairbanks.com/or through this Amazon link:https://amzn.to/3BzEPxtWant to help support the show? Buy me a coffee!https://www.buymeacoffee.com/chicagohistoryLeave me a voice message - just click on the microphone in the lower right corner here:https://www.chicagohistorypod.comSupport the show

durée : 00:03:32 - L'Almanach de l'étrange - par : Céline du Chéné - L'artiste Sophie Lecomte aime tisser des liens entre les règnes animal, végétal et minéral, en lien avec l'humain. Casque en épines d'acacia, buste en lichen, armure de petits cailloux ou botte en épine de rose, ses sculptures font fi des frontières et invitent à la contemplation poétique. - réalisation : Laurent Paulré

Sand Sculpture Festival : Un événement artistique sur la plage de Flic-en-Flac ce samedi by TOPFM MAURITIUS

The Minnesota State Fair began more than 165 years ago, enough time for a lot of interesting stories to accumulate. What better way to sort through it all than with trivia? Minnesota Historical Society program associate Jacob Rorem puts MPR News staff and audience members to the test with a history quiz, live from the fair.

I spoke with ReVerse Butcher & Kylie Supski about The Continuous Present as a part of my Raindance Immersive 2025 coverage. See more context in the rough transcript below. https://www.youtube.com/watch?v=DL_2L0jzUhA This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

For this brand-new episode, I travelled to Zumikon to visit Angela Thomas and Erich Schmid in their house - the Bill Haus. This house, which looks somehow unremarkable from the outside but is amazingly light, open, and welcoming and on the inside, was built by the Swiss architect and designer Max Bill in 1967–68. His second wife and widow, Angela Thomas, lives there today with her husband, the filmmaker Erich Schmid, who made a film about Bill entitled “Max Bill – Das absolute Augenmaß/The master's vision”. Max Bill established himself in art history as the architect and first director of the Hochschule für Gestaltung in Ulm, also known as HfG Ulm or Ulm School of Design. And that is exactly the reason why I also interviewed the head of the HfG Ulm archive, Martin Mäntele, regarding all questions around the official successor of the Bauhaus. Because that is what Bill intended to do in Ulm – to continue the Bauhaus as if it had never been closed in 1933. And he had Walter Gropius's blessing, too, and the financial support by the Americans. LOOK OUT FOR 2 BONUS EPISODES with the original Interviews that will be published in the next 2 weeks!

Suite de la série qui vous emmène tout au long de l'été dans les lieux où l'art vibre et se crée sur le continent. Pour ce sixième rendez-vous direction le Kenya. Et plus précisément sa capitale, Nairobi. Le collectif Kuona y rassemble une vingtaine d'artistes, dans un groupe de containers. Sculpture, peinture, charpenterie ou encore mode, chaque créateur a son studio sur place, et il y expose.  Il est presque caché dans un jardin calme, au fond d'une rue à Nairobi. Lorsque l'on franchit le portail du collectif d'artistes Kuona, l'art envahit le regard. Des sculptures sont éparpillées un peu partout. Dans les conteneurs alignés en rang, les artistes travaillent sur leurs prochaines œuvres. Ils sont plus d'une vingtaine à y avoir aménagé leurs studios et à y exposer leurs créations. Meshack Oiro est le président du collectif. « Nous avons des sculpteurs, des graveurs sur bois, des artistes qui travaillent dans la mode, des peintres qui font de la peinture à l'eau, des encadreurs... Nous avons de tout ici à Kuona », dit-il. Meshack est lui sculpteur. Il crée à partir de métaux récupérés. « Regardez cette œuvre : le client va venir la voir aujourd'hui. On distingue bien le moule en deux parties. Je vais souder les métaux tout autour, puis une fois que je l'aurai retiré, je verrai le résultat. Ensuite, j'assemblerai les deux parties, et ça formera un buffle. Ça se voit, non ? » Un collectif aux multiples talents Dans le conteneur mitoyen, les murs sont recouverts d'œuvres colorées. Représentant des fleurs, des animaux, des portraits... Elnah Akware les peint en utilisant des planches en bois sur lesquelles elle a gravé des motifs. Elle travaille, assise à son bureau. « Une fois que j'ai esquissé l'œuvre que j'ai en tête, je grave le motif dans le bois. Parfois, je fais même le croquis directement sur la planche. Une fois que c'est prêt, j'applique la peinture sur la surface gravée, puis je transfère le tout sur une feuille de papier en utilisant des rouleaux pour bien faire adhérer la peinture. Ensuite, il ne reste plus qu'à laisser sécher », raconte-t-elle. Elnah a 27 ans, elle a rejoint le collectif Kuona en 2019, en lançant sa carrière d'artiste professionnelle. « J'ai étudié les arts à l'université, mais on ne nous a pas vraiment appris cette technique de peinture à partir de gravure sur bois. C'est en arrivant à Kuona que je l'ai découverte. J'aimais déjà beaucoup la gravure à l'école, donc ça m'a tout de suite plu. Ce que j'apprécie particulièrement ici, c'est que je peux aller voir d'autres artistes et leur dire : “Je travaille là-dessus, qu'est-ce que tu en penses ? Comment je peux m'améliorer ? Tu peux m'aider ?” Il y a énormément de solidarité. Par moments, je me demande où j'en serai dans ma vie d'artiste si je n'avais pas rejoint ce collectif. Je pense que ce serait beaucoup plus difficile de vendre mes œuvres, d'être exposée à différentes techniques, ou même de comprendre comment les artistes gèrent l'aspect commercial de ce métier », raconte-t-elle. Une meilleure visibilité Ici, des artistes reconnus côtoient des jeunes pousses émergentes. Et chacun profite de la visibilité des autres. Un des avantages d'être en communauté. Comme le reconnait Wanjohi Maina. Âgé de 39 ans, il a rejoint le collectif en 2017. « Lorsqu'une personne vient ici pour voir un artiste en particulier, les autres artistes, en bénéficient puisque cette personne découvre en même temps notre travail. Et par la suite peut même en devenir collectionneuse ! Être regroupés au même endroit nous donne une meilleure visibilité : cela permet à un plus grand nombre de personnes de découvrir nos œuvres… et parfois d'en tomber amoureuses ». Wanjohi peint sur des plaques en métal. Ces œuvres représentent des scènes de la vie à Nairobi. Des vendeurs à la sauvette notamment que connaissent bien les habitants de la capitale. « J'aime bien dire que je saisis des moments... Des moments que je vois dans la rue. La vie du quotidien avec ses défis... C'est ça que j'essaye de représenter à travers mon travail ». Presque chaque premier samedi du mois, Kuona accueille une journée d'exposition avec des concerts. Certains artistes organisent aussi régulièrement des ateliers pour faire découvrir leur technique. De quoi faire vibrer la culture de la capitale.

Suite de la série qui vous emmène tout au long de l'été dans les lieux où l'art vibre et se crée sur le continent. Pour ce sixième rendez-vous direction le Kenya. Et plus précisément sa capitale, Nairobi. Le collectif Kuona y rassemble une vingtaine d'artistes, dans un groupe de containers. Sculpture, peinture, charpenterie ou encore mode, chaque créateur a son studio sur place, et il y expose.  Il est presque caché dans un jardin calme, au fond d'une rue à Nairobi. Lorsque l'on franchit le portail du collectif d'artistes Kuona, l'art envahit le regard. Des sculptures sont éparpillées un peu partout. Dans les conteneurs alignés en rang, les artistes travaillent sur leurs prochaines œuvres. Ils sont plus d'une vingtaine à y avoir aménagé leurs studios et à y exposer leurs créations. Meshack Oiro est le président du collectif. « Nous avons des sculpteurs, des graveurs sur bois, des artistes qui travaillent dans la mode, des peintres qui font de la peinture à l'eau, des encadreurs... Nous avons de tout ici à Kuona », dit-il. Meshack est lui sculpteur. Il crée à partir de métaux récupérés. « Regardez cette œuvre : le client va venir la voir aujourd'hui. On distingue bien le moule en deux parties. Je vais souder les métaux tout autour, puis une fois que je l'aurai retiré, je verrai le résultat. Ensuite, j'assemblerai les deux parties, et ça formera un buffle. Ça se voit, non ? » Un collectif aux multiples talents Dans le conteneur mitoyen, les murs sont recouverts d'œuvres colorées. Représentant des fleurs, des animaux, des portraits... Elnah Akware les peint en utilisant des planches en bois sur lesquelles elle a gravé des motifs. Elle travaille, assise à son bureau. « Une fois que j'ai esquissé l'œuvre que j'ai en tête, je grave le motif dans le bois. Parfois, je fais même le croquis directement sur la planche. Une fois que c'est prêt, j'applique la peinture sur la surface gravée, puis je transfère le tout sur une feuille de papier en utilisant des rouleaux pour bien faire adhérer la peinture. Ensuite, il ne reste plus qu'à laisser sécher », raconte-t-elle. Elnah a 27 ans, elle a rejoint le collectif Kuona en 2019, en lançant sa carrière d'artiste professionnelle. « J'ai étudié les arts à l'université, mais on ne nous a pas vraiment appris cette technique de peinture à partir de gravure sur bois. C'est en arrivant à Kuona que je l'ai découverte. J'aimais déjà beaucoup la gravure à l'école, donc ça m'a tout de suite plu. Ce que j'apprécie particulièrement ici, c'est que je peux aller voir d'autres artistes et leur dire : “Je travaille là-dessus, qu'est-ce que tu en penses ? Comment je peux m'améliorer ? Tu peux m'aider ?” Il y a énormément de solidarité. Par moments, je me demande où j'en serai dans ma vie d'artiste si je n'avais pas rejoint ce collectif. Je pense que ce serait beaucoup plus difficile de vendre mes œuvres, d'être exposée à différentes techniques, ou même de comprendre comment les artistes gèrent l'aspect commercial de ce métier », raconte-t-elle. Une meilleure visibilité Ici, des artistes reconnus côtoient des jeunes pousses émergentes. Et chacun profite de la visibilité des autres. Un des avantages d'être en communauté. Comme le reconnait Wanjohi Maina. Âgé de 39 ans, il a rejoint le collectif en 2017. « Lorsqu'une personne vient ici pour voir un artiste en particulier, les autres artistes, en bénéficient puisque cette personne découvre en même temps notre travail. Et par la suite peut même en devenir collectionneuse ! Être regroupés au même endroit nous donne une meilleure visibilité : cela permet à un plus grand nombre de personnes de découvrir nos œuvres… et parfois d'en tomber amoureuses ». Wanjohi peint sur des plaques en métal. Ces œuvres représentent des scènes de la vie à Nairobi. Des vendeurs à la sauvette notamment que connaissent bien les habitants de la capitale. « J'aime bien dire que je saisis des moments... Des moments que je vois dans la rue. La vie du quotidien avec ses défis... C'est ça que j'essaye de représenter à travers mon travail ». Presque chaque premier samedi du mois, Kuona accueille une journée d'exposition avec des concerts. Certains artistes organisent aussi régulièrement des ateliers pour faire découvrir leur technique. De quoi faire vibrer la culture de la capitale.

Jane and Louise Wilson talk to Ben Luke about their influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. Jane and Louise Wilson, born in Newcastle-upon-Tyne, UK, in 1967, have been collaborating as a duo since their student days in the late 1980s. Identical twins, they have used their connection as a means of exploring duality, mirroring, and the notion of selfhood amid complex geopolitical contexts. Primarily working in video installation, photography and sound, they have accessed loaded and atmospheric sites, from abandoned military sites to borderlands, and used diverse cultural phenomena, including specific works of art, literature and cinema, to reflect on the environments we occupy and the ways in which they are constructed physically and in terms of political and social meaning. They discuss the pronounced sense of duality and mirroring in their work, the origins of their official partnership in art, shaped by their upbringing, and the enduring relationship between photography and film in their practice. They recall the early impact of John Martin's work, and how Cindy Sherman proved a hugely significant inspiration in their student days. They discuss artists as diverse as Victor Pasmore, Rita Donagh, Carrie Mae Weems and Nam June Paik and reflect on the enduring influence of film-makers from Rainer Werner Fassbender to Jean Cocteau and Stanley Kubrick. Plus, they give insight into their life in the studio and answer our usual questions, including the ultimate: what is art for?Jane and Louise Wilson: Performance of Entrapment, London Mithraeum Bloomberg SPACE, until 10 January 2026; Dendrophiles, Leadenhall Building, Sculpture in the City, London, until spring 2026. Hosted on Acast. See acast.com/privacy for more information.

A community center that serves more than 300 families on Indianapolis's northwest side will temporarily close its doors. The Indianapolis City-County Council has announced its next steps following the investigation into the city's handling of inappropriate workplace behavior and sexual harassment allegations. The Health and Hospital Corporation of Marion County changed the name of one of its Diversity, Equity, and Inclusion committees this summer. Governor Mike Braun reappointed three members to Purdue University's board of trustees. It was gouda vibes at the Indiana State Fair last week with the unveiling of the annual cheese sculpture. Want to go deeper on the stories you hear on WFYI News Now? Visit wfyi.org/news and follow us on social media to get comprehensive analysis and local news daily. Subscribe to WFYI News Now wherever you get your podcasts. WFYI News Now is produced by Drew Daudelin, Zach Bundy and Abriana Herron, with support from News Director Sarah Neal-Estes.

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

For over a decade, a pair of huge eagles ridden by Gandalf the wizard greeted people as they arrived in the city famous for the Lord of the Rings and the Hobbit. But no longer. Today, Wellington Airport unveiled its brand new centerpiece created by Weta Workshop and it's already proving a hit with locals and visitors. Massey University journalism student Kajal Nair reports.

What's the episode about? In this episode, hear Kaylee Alexander discuss the digital humanities, being a research data librarian, visual culture, cemeteries, French cemetery laws, cemetery sculpture, ethically sound data visualisation and survival bias Who is Kaylee?Dr. Kaylee P. Alexander is a Research Data Librarian at the University of Utah's J. Willard Marriott Library.  She holds a Ph.D. in Art History and Visual Culture from Duke University and specializes in nineteenth-century visual culture, monuments, and funerary material culture.  Her research is embedded in transdisciplinary practices at the intersection of visual studies, cultural economics, sociology, and data science.  You can find a list of her publications on her website. She is the author of A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804–1924 (Routledge 2024). How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Alexander, K. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 August 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.29763560What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.

Paul talks to Lynn Kirkham who created the sculpture and is heartbroken Hosted on Acast. See acast.com/privacy for more information.

Paul hears about the vandalism of the motorway cow sculptures in Fermoy, hears who Vikings are camping out in Youghal, gets on board with the Jet2Holiday meme. And more... Hosted on Acast. See acast.com/privacy for more information.

This week, Wes and Todd talk with Artist and Curator Max Kauffman. Max discusses the South Park premiere, the different work that he makes being like poems and songs, watercolor & gouache, anthropology, the cassette tape, his love of pattern, the importance of being in the head space for fun, analog, improvisation, growing up in Indiana, skateboarding, paying attention, murals, the ability of letting go, making dystopian work, Oakland, art & travel, scarcity, the Family Circus, socialization, being a presence, play & creativity, iconic Denver landmarks, memory & community spaces, Casa Bonita, neü folk, his current exhibition “City In A Garden”, birds, Dateline, and his idea of perfect happiness. Join us for a perspicacious conversation with Max Kauffman!Check out Max's website at www.wittybanterism.comFollow Max on social media:Instagram - www.instagram.com/wittybanterism - @wittybanterismFacebook - www.facebook.com/wittybanterism Check out Max's current exhibition:CITY IN A GARDEN: Melanie Daniels and Max KauffmanSouth Bend Museum of ArtMay 24th – August 24th, 2025https://southbendart.org Check out Max's curatorial work at the neü folk website www.neufolkshop.comFollow neü folk on Instagram - www.instagram.com/neuf0lk/ - @neuf0lkSend us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

Tony is worried what will happen to his daughter Aoife when he and his wife pass away. The ‘Bó Bainne' cow sculpture at the Moorepark Roundabout in Fermoy has been vandalised. Mary explains what happened when her son Anthony was involved in a motorbike accident. Listeners react to Government plans in relation to back garden cabins.

Episode 151.1: Larry Redux, Retirement, Top 10 Museums in US, Sculptures, Alligator Alcatraz, Backyard Skeeter Laser, and Bank Street Bourbon

Tim McMahon graduated from the Maine College of Art and Design (MECAD) with a BFA in Sculpture. He taught middle school art at North Yarmouth Academy for 15 years, before leaving the teaching world to pursue full time work in carpentry and ceramics. Tim lives in Portland with his wife and two boys. He creates all of his monster designs in his backyard studio. http://ThePottersCast.com/1153

Cet été, retrouvez le meilleur d'Au cœur de l'Histoire, avec Virginie Girod ! Dans le second épisode de ce double récit, le voyage se poursuit en Grèce, à la découverte de la statue de Zeus, à Olympie, détruite dans un incendie au Ve siècle de notre ère. En Asie Mineure, s'élevait jadis le mausolée d'Halicarnasse et, non loin, l'île de Rhodes, en mer Egée, était gardée par le colosse de Rhodes, une gigantesque statue représentant Hélios, le dieu du soleil. Le voyage se termine dans la ville d'Alexandrie, éclairée par un phare majestueux , ayant guidé les marins pendant près de dix siècles. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

They're in the books we read, the shows we watch, and the art we hang on our walls. They conjure notions of might, magic, romance, and more. Castles, perhaps as much as any other architectural structure in history, define the landscape of our fantasy and imagination. But is our imagination an accurate lens through which to view these fortresses of ol'? And why, after hundreds of years, does our culture's fascination with these structures seem to be on the rise? This hour, we speak with experts and enthusiasts about the reality and mystique of castles. GUESTS: Marc Morris: Medieval historian and author of books including Castles: Their History and Evolution in Medieval Britain Victor Lodato: Playwright, poet, and novelist whose books include Edgar and Lucy Edward Town: Assistant Curator of Paintings and Sculpture at the Yale Center for British Art Brent Bruns II: - Star of the hit National Geographic reality TV show "Doomsday Castle" The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on May 18, 2017.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A Jew cannot benefit from an object that's been used for idolatry, of course, but that extends to images too. Though the majority view maintains that images are not a problem. Also, broken shards may well be permitted - for use, benefit, and so on. But what if they were the object of idol worship? And what if the shards have the image of a hand or a foot or attached to a pedestal on which the idol stood?

A West Auckland artist is puzzled as to exactly how thieves stole a huge galvanised steel sculpture from his studio. Artist Chris Moore spoke to Corin Dann.

KGMI's Dianna Hawryluk and Adam Smith chat about the Fourth Corner Punk Fest in Fairhaven, the York Yard Crawl in Bellingham, the Pioneer Picnic and Parade in Ferndale, the Birch Bay Sand Sculpture Competition, and Bubba Sparxxx performing at Wild Buffalo.

Episode 484 / Léni Paquet-MoranteLéni Paquet-Morante (1962) is an artist based in New Jersey. Motivated by process driven imagery in paint, sculpture, and printmaking projects, her abstractions reconfigure familiar landscape elements, extracted then rearranged in a manner that speaks to the architecture of memory. Born in Canada, Léni is a Hamilton, New Jersey based artist. Recent recognition includes a New Jersey State Council on the Arts Finalist Grant for Painting in 2024; residencies at Vermont Studio Center Residency for Painting in 2024 and Peter's Valley Visiting Artist Residency for Printmaking in 2023. Recent solo exhibitions include Princeton University Art Museum's Bainbridge Gallery scheduled for summer of 2025. She earned a BFA in painting from Mason Gross School of Art in1992 and studied bronze casting techniques at the Johnson Atelier Technical Institute of Sculpture from 1984 to1985. Her current show Extract / Abstract, Landscape a& the Architecture of Memory at the Princeton Univeristy Art Museum is up until November 9th. 

Artist and philosopher Mia Ntenta joins the podcast. Ntenta is a visual artist working across painting, sculpture, and installation. Ntenta is one of several artists I interviewed from Spring/Break Art Fair 2025.Ntenta shares how her philosophy background led her to explore ideas through painting and sculpture. Ntenta explains how her visual language and symbols clarify complex philosophical ideas.Ntenta breaks down her ongoing, expansive work 'The Omegans Project'. The Omegans Project, an expansive and ongoing series begun by Ntenta in 2019. This work reveals Ntenta's dystopian world and her symbolic language for deconstructing existence.Later, Ntenta discusses how her symbols' meanings evolve across different works.Ntenta uses art to spark curiosity and make philosophy accessible.Topics Covered:Transitioning from philosophy to visual arts as a new medium of thoughtUsing painting and sculpture to make complex ideas more approachableCreating and evolving a personal symbolic universe across artworksStrategies for communicating philosophical concepts with viewersRecent exhibitions and sharing work with the public for the first time

Artist Rosalie Smith joins the podcast. Smith reflects on developing her unique style. Smith talks about making sculptures with old technology and everyday things. Smith shares her process behind her pieces, and how recent experiences in New York and her education have shaped her approach. Smith discusses balancing the absurd and the serious. Smith describes what it means to create and teach in today's fast-paced and chaotic world. Smith, Fresh off her MFA at CUNY Hunter, also talks about recent and upcoming exhibitions that mark new chapters in her creative journey.Topics Covered:Blending tech debris and found materials to reimagine survival after collapseInfusing sculpture with both humor and weight to address environmental griefHow working in New York and completing an MFA have influenced Smith's visionTeaching art while developing a personal practiceBalancing narrative, comedy, and chaos in visual workReflecting on creative growth through education and experimentation

MLK assassination files released. Sculpture standing 30 feet tall planned in Broad Ripple. It's not your imagination. Everyone is spending. Amazon raising prices. This Late Show drama is hilariousSee omnystudio.com/listener for privacy information.

MLK assassination files released. Sculpture standing 30 feet tall planned in Broad Ripple. It's not your imagination. Everyone is spending. Amazon raising prices. This Late Show drama is hilarious. Homelessness and Indianapolis, Indiana SAT scores up slightly. Foul Mouthed Hunter Biden, Ben Baller Gold Poker set. Trump to pull US out of UNESCO. Jefferson Starship please don't perform "We built this city" when you come to town. What are the worst songs ever made? RIP Malcolm Jamal Warner. We need to have a sponsored bracket contest of worst songs ever, and a sponsored poker contest See omnystudio.com/listener for privacy information.

Une déclaration de principes a été conclue entre le gouvernement de la République démocratique du Congo et les rebelles du M23, soutenus par le Rwanda, qui ont pris le contrôle d'une partie du territoire et de deux grandes villes plus tôt cette année. Les deux parties ont accepté de travailler vers un cessez-le-feu permanent, et de commencer des négociations sur un accord de paix durable dans un délai d'un mois.

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

It's time once again for our Best of the Midwest feature! Are you trying to come up with some vacation ideas that are only a quick getaway from the Chicago area? Well, John Williams has some great recommendations for your trip! Today, we head to Michigan and welcome Charles Burke, President and CEO of Frederik Meijer […]

Hello Podcast World!  Allow me to inttroduce you to my next podcast guest, Molly Balloons. You cannot imagine her beauty, you'll never belive how quicly you could fall in love with someone until you see her. Just sit down, and dive into the wacky and wonderful world of my dear friend, Molly Balloons.  Check out all her work www.mollyballoons.com  Chceck out her instagram it's the coolest shit ever...!! @mollyballoons  You can always find all my work at www.zoenightingale.com I'm finally editing the last year of recordings, check back i'll be posting at least twice a month!! 

Here's your local news for Monday, July 14, 2025:We consider the community-building power of public art,Learn how federal Medicaid cuts could impact a Wisconsin nonprofit that serves people with disabilities,Detail Wisconsin high schoolers' rising participation in dual enrollment programs,Share the local government's calendar for the week ahead,Celebrate George McGovern's birthday,Taste-test a Jelly Donut shot,Review two new features,And much more.

Along Vermont's interstates stand a unique collection of 16 abstract sculptures created by internationally renowned artists. more than 50 years ago. These sculptures were placed at rest areas along Interstates 89 and 91 in the early 1970s. Decades later, most of them are now hidden by forest growth. That will soon change. The collection could be described as the largest outdoor presentation of sculpture in the world. Art conservator Bob Hannum of Barre is working with the state of Vermont to clean, repair and move these sculptures into view so they can be enjoyed once again by the public. Visit happyvermont.com Support this podcast: patreon.com/c/happyvermontpodcast

Jonathan Adler's 30 year career is being celebrated at the Museum of Art & Design in a show titled "The Mad, MAD World of Jonathan Adler," which looks at his ceramic work over the past 30 years.

Matthias Garff is an artist based in Germany. His sculpture practice is 80% focused on birds. His passion for birds developed through his relationship with his grandfather, who sent poems about the birds in his garden in Buenos Aires. We spoke with Garff about his year-long International Studio & Curatorial Program Residency in New York City, where he used discarded materials to create life-sized birds of the city. Garff's goal is to "show biodiversity or...this variety of life around us.”*Leave a review. Share the episode with a friend.*—Follow Matthias Garff on his website and on Instagram.⁠Click here⁠ to learn more about the International Studio & Curatorial Program.—Creator and Host: Georgia Silvera SeamansProducer and Editor: Pod for the PeopleVocalizations: American Robin (song) https://macaulaylibrary.org/asset/151051571Blue Jay (call) https://macaulaylibrary.org/asset/107289291Pigeon (song) https://macaulaylibrary.org/asset/108565061Eurasian Jay (call) https://macaulaylibrary.org/asset/254553511

Welcome green thumbs! This week the team visits David Roberts in Sacramento to explore his beautiful collection of rare and incredible cactus and succulents. Learn the differences between these plants and how to grow them with the right soil mix and irrigation techniques.Check out the video tour on YouTube to get inspired by this special home garden: Inside a Rare Cactus & Succulent GardenCheck out your own local Cactus and Succulent Society: Sacramento Cactus and Succulent SocietyGreen Acres Garden PodcastGreen Acres Nursery & SupplyGreen Acres Garden Podcast GroupIn the greater Sacramento area? Learn how to make your yard Summer Strong and discover water-saving rebates at BeWaterSmart.info.

Happy July! Here's a quick look at our top local stories for Tuesday, July 1. Find the complete articles and much more in today's print edition and online at https://www.iolaregister.com/.

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Episode: 1396 An engineer named Calder.  Today, an engineer takes up sculpture.

Adam creates a hypnosis session to unleash a new level of living and authenticity using metaphors of farming and a sculpture. Great if you have big plans and challenging goals.  For a free course by Adam to transform your life in 7 days, which includes 21 hypnosis downloads, please click this link: https://courses.adamcox.co.uk/free7daycourse  WORKING WITH ADAM DIRECTLY:  To book a free 30-minute consultation call to consider working with Adam, go to: https://go.oncehub.com/AdamCox If you want to work with Adam on a one-to-one basis on hypnosis sessions or see prices, visit here: https://courses.adamcox.co.uk/sessions  ABOUT ADAM Adam Cox is one of the world's most innovative hypnotists and is known for being the hypnotherapist of choice for Celebrities, CEO's and even Royalty. Adam's rates for hypnotherapy in pounds and US dollars are here: https://courses.adamcox.co.uk/sessions  You can contact Adam at adam@adamcox.co.uk Further information on Adam is here: https://linktr.ee/AdamCoxOfficial  Tags: Adam Cox, the hypnotist, NLP, asmr, hypnosis, hypnotherapy, hypnotist, stress, sleep, worry, meditation, guided meditation, hypnotism, future, empathy, anxiety, joy, purpose, quest, better quality of life, growth, self worth, worthiness, self love, self respect, anxiety, panic hypnosis, phobia hypnosis, stress hypnosis, abundance hypnosis, 

Any Austin has carved a unique niche for himself on YouTube: analyzing seemingly mundane or otherwise overlooked details in video games with the seriousness of an art critic examining Renaissance sculptures. With millions of viewers hanging on his every word about fluvial flows in Breath of the Wild or unemployment rates in the towns of Skyrim, Austin has become what Tyler calls "the very best in the world at the hermeneutics of infrastructure within video games." But Austin's deeper mission is teaching us to think analytically about everything we encounter, and to replace gaming culture's obsession with technical specs and comparative analysis with a deeper aesthetic appreciation that asks simply: what are we looking at, and what does it reveal? Tyler and Austin explore the value of the YouTube algorithm, what he notices now about real-world infrastructure, whether he perceives glitches IRL, why AI-generated art is getting less interesting, how the value of historical context differs between artistic forms, an aesthetic abundance agenda for nuclear power, the trajectory of video game quality since the 80s, whether the pace of seminal game releases has slowed, the relative value of commentary to the games themselves, why virtual reality adds nothing meaningful to the gaming experience, what's wrong with most video game analysis, what to eat in New Orleans, Tyler's gaming history, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated CWT channel. Recorded March 7th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

David is an art history professor. For the last year, he has been researching an early 20th-century American impressionist named Agnes Millen Richmond. He's started buying her paintings… and they're expensive. Susan says they have too many already! She says her husband is obsessed! Who's right? Who's wrong?We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/OldTechNewSpecs for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!