Podcast appearances and mentions of Edward Tufte

In the latest episode of Insights Unlocked, Richard Dalton, Head of Design for Consumer at Verizon, shares his framework for designing sustainable customer experiences from how you build the team to nurturing a customer-aware organization.  Episode web page ----------------------- >>> Insights Unlocked audience survey

Summary The purpose of business intelligence systems is to allow anyone in the business to access and decode data to help them make informed decisions. Unfortunately this often turns into an exercise in frustration for everyone involved due to complex workflows and hard-to-understand dashboards. The team at Zenlytic have leaned on the promise of large language models to build an AI agent that lets you converse with your data. In this episode they share their journey through the fast-moving landscape of generative AI and unpack the difference between an AI chatbot and an AI agent. Announcements Hello and welcome to the Data Engineering Podcast, the show about modern data management This episode is supported by Code Comments, an original podcast from Red Hat. As someone who listens to the Data Engineering Podcast, you know that the road from tool selection to production readiness is anything but smooth or straight. In Code Comments, host Jamie Parker, Red Hatter and experienced engineer, shares the journey of technologists from across the industry and their hard-won lessons in implementing new technologies. I listened to the recent episode "Transforming Your Database" and appreciated the valuable advice on how to approach the selection and integration of new databases in applications and the impact on team dynamics. There are 3 seasons of great episodes and new ones landing everywhere you listen to podcasts. Search for "Code Commentst" in your podcast player or go to dataengineeringpodcast.com/codecomments (https://www.dataengineeringpodcast.com/codecomments) today to subscribe. My thanks to the team at Code Comments for their support. Data lakes are notoriously complex. For data engineers who battle to build and scale high quality data workflows on the data lake, Starburst is an end-to-end data lakehouse platform built on Trino, the query engine Apache Iceberg was designed for, with complete support for all table formats including Apache Iceberg, Hive, and Delta Lake. Trusted by teams of all sizes, including Comcast and Doordash. Want to see Starburst in action? Go to dataengineeringpodcast.com/starburst (https://www.dataengineeringpodcast.com/starburst) and get $500 in credits to try Starburst Galaxy today, the easiest and fastest way to get started using Trino. Your host is Tobias Macey and today I'm interviewing Ryan Janssen and Paul Blankley about their experiences building AI powered agents for interacting with your data Interview Introduction How did you get involved in data? In AI? Can you describe what Zenlytic is and the role that AI is playing in your platform? What have been the key stages in your AI journey? What are some of the dead ends that you ran into along the path to where you are today? What are some of the persistent challenges that you are facing? So tell us more about data agents. Firstly, what are data agents and why do you think they're important? How are data agents different from chatbots? Are data agents harder to build? How do you make them work in production? What other technical architectures have you had to develop to support the use of AI in Zenlytic? How have you approached the work of customer education as you introduce this functionality? What are some of the most interesting or erroneous misconceptions that you have heard about what the AI can and can't do? How have you balanced accuracy/trustworthiness with user experience and flexibility in the conversational AI, given the potential for these models to create erroneous responses? What are the most interesting, innovative, or unexpected ways that you have seen your AI agent used? What are the most interesting, unexpected, or challenging lessons that you have learned while working on building an AI agent for business intelligence? When is an AI agent the wrong choice? What do you have planned for the future of AI in the Zenlytic product? Contact Info Ryan LinkedIn (https://www.linkedin.com/in/janssenryan) Paul LinkedIn (https://www.linkedin.com/in/paulblankley/) Parting Question From your perspective, what is the biggest gap in the tooling or technology for data management today? Closing Announcements Thank you for listening! Don't forget to check out our other shows. Podcast.__init__ (https://www.pythonpodcast.com) covers the Python language, its community, and the innovative ways it is being used. The Machine Learning Podcast (https://www.themachinelearningpodcast.com) helps you go from idea to production with machine learning. Visit the site (https://www.dataengineeringpodcast.com) to subscribe to the show, sign up for the mailing list, and read the show notes. If you've learned something or tried out a project from the show then tell us about it! Email hosts@dataengineeringpodcast.com (mailto:hosts@dataengineeringpodcast.com)) with your story. Links Zenlytic (https://www.zenlytic.com/) Podcast Episode (https://www.dataengineeringpodcast.com/zenlytic-self-serve-business-intelligence-episode-371) Attention is all you need (https://arxiv.org/abs/1706.03762) Transformers (https://en.wikipedia.org/wiki/Transformer_(deep_learning_architecture)) BERT (https://en.wikipedia.org/wiki/BERT_(language_model)) The Bitter Lesson (http://www.incompleteideas.net/IncIdeas/BitterLesson.html) Richard Sutton PID Loops (https://en.wikipedia.org/wiki/Proportional%E2%80%93integral%E2%80%93derivative_controller) AutoGPT (https://github.com/Significant-Gravitas/AutoGPT) Devin.ai (https://www.cognition.ai/introducing-devin) Google Gemini (https://gemini.google.com/) Anthropic Claude (https://www.anthropic.com/claude) OpenAI Code Interpreter (https://platform.openai.com/docs/assistants/tools/code-interpreter) Edward Tufte (https://www.edwardtufte.com/tufte/books_vdqi) Looker ActionHub (https://developers.looker.com/actions/overview/) OAuth (https://oauth.net/2/) GitHub Copilot (https://github.com/features/copilot) The intro and outro music is from The Hug (http://freemusicarchive.org/music/The_Freak_Fandango_Orchestra/Love_death_and_a_drunken_monkey/04_-_The_Hug) by The Freak Fandango Orchestra (http://freemusicarchive.org/music/The_Freak_Fandango_Orchestra/) / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)

In this episode, Moira is joined by fellow Modo Modo Agency Creative Team Member, Kirk Wells. They talk about getting into a creative career, the curse of the White Bull, Edward Tufte and what it means to “raise no chicken.”Support the show: https://www.nick-constantino.com/See omnystudio.com/listener for privacy information.

Who needs a rockin new year's party when you have the Three Whisky Happy Hour in peak form, dishing out on the top stories of 2023, and, in the spirit of the late financial analyst Byron Wein, offering a range of potential low-probability surprises (rather than firm predictions) for 2024.What's the difference between a prediction and a surprise? Well think about it this way: who would have predicted, at year end 2022, that right now our favorite Democratic Senator would be . . . John Fetterman? Black swans everywhere are saying, "I did NOT see that coming!"But before getting started with your 2024 Bingo card we take note of the dumbest controversy of the week, which is seeing some conservatives upset at the "Conservative Dad's Real Women of America" 2024 calendar, which features fetching photos of leading conservative heroines such as Riley Gaines in fetching outfits. Along the way we learn that somewhere in a box in her garage, Lucretia has some modeling photos from her time doing the Jane Fonda workout back in the 1980s, and so we're committing ourselves to producing a 3WHH calendar at some point. And speaking of attractive women in unattractive poses, Nikki Haley got her second strike this week (her first being the blunder several weeks ago of proposing to ban anonymous accounts on social media) when she completely flubbed the "planted" question about the cause of the Civil War. We deplore her Kamala-esque answer and attempts a cleaning it up, but are relieved that at least she didn't say "tariffs." And as befits any fast-moving party conversation, we take surprising digressions, such as a detour into the legacy of Edward Tufte, who reminds us that Stalin had the greatest Power Point presentations ("no one has bullet points like Stalin's bullet points!") and also the single greatest chart of all time.Eventually we get down to business with our picks for Story of the Year for 2023 (hint: Steve says "party like it's 1954!"), and our surprises for 2024. Get your Bingo cards ready. And also enjoy our exit bumper music this week from Spike Jones. Happy new year!

Episode #179 - The recently released article in The Atlantic, "The Great PowerPoint Panic of 2003," is the basis for a great conversation about how presentation design has evolved and PowerPoint was doomed. The article starts with "Twenty years later, the Great PowerPoint Panic reads as both a farce and a tragedy." How could we NOT have a conversation about this and look back at Edward Tufte's (in)famous pamphlet, "The Cognitive Style of PowerPoint in 2003."   Full Episode Show Notes https://thepresentationpodcast.com/2023/e179   Show Suggestions? Questions for your Hosts? Email us at: info@thepresentationpodcast.com   Listen and review on iTunes. Thanks! http://apple.co/1ROGCUq   New Episodes 1st and 3rd Tuesday Every Month

So you have some information — how are you going to share it with and present it to the rest of the world? There has been a long history of organizing and displaying information without putting too much thought into it, but Edward Tufte has done an enormous amount to change that. Beginning with The Visual Display of Quantitative Information, and continuing to his new book Seeing With Fresh Eyes: Meaning, Space, Data, Truth, Tufte's works have shaped how we think about charts, graphs, and other forms of presenting data. We talk about information, design, and how thinking about data reflects how we think about the world.Support Mindscape on Patreon.Edward Tufte received his Ph.D. in political science from Yale University. He has been a professor of public affairs at Princeton and of political science, statistics, and computer science at Yale, where he is currently emeritus professor. He is the founder and owner of Graphics Press, and his books have sold nearly 2 million copies worldwide. He is an active artist and sculptor, as well as a touring lecturer.Web siteYale web pageAmazon.com author pageWikipediaTwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we talk about the meaning of exploration, the need for a third place, and making the work visible. You can't solve a problem that you can't see. If you don't have a clear mental model of ALL THE THINGS and how they interact with each other, you can't make decisions about the next steps. That's where great tooling comes in!00:20 Intro02:13 Thanks to our supporters! (https://moneygrab.bscotch.net)02:34 Nail/Whiff36:41 Crashlands 2Things Mentioned: Book: The Visual Display of Quantitative Information by Edward Tufte (https://bit.ly/3BgTqh3)To stay up to date with all of our buttery goodness subscribe to the podcast on Apple podcasts (apple.co/1LxNEnk) or wherever you get your audio goodness. If you want to get more involved in the Butterscotch community, hop into our DISCORD server at discord.gg/bscotch and say hello! Submit questions at https://www.bscotch.net/podcast, disclose all of your secrets to podcast@bscotch.net, and send letters, gifts, and tasty treats to https://bit.ly/bscotchmailbox. Finally, if you'd like to support the show and buy some coffee FOR Butterscotch, head over to https://moneygrab.bscotch.net. ★ Support this podcast ★

#239 - Da Chi Ho ImparatoChi sono i miei ispiratori? Chi ha modellato il mio modo di vedere e di pensare alla comunicazione?Quando ho detto ad un mio allievo che non si può essere unici e originali se prima non si impara a copiare, lui ha detto: “Ah, ma allora, i miei guru, quelli a cui io guardo come i massimi esperti, chi ci li ha messi li dove sono? Da chi hanno imparato? Chi li ha ispirati? Da chi hanno copiato prima di trovare la loro strada?Robin, ma chi sono stati i tuoi maestri? Ecco una prima lista, certamente incompleta, ma significativa:• Stephen Covey - arte della disciplina personale - habits• Kenneth Blanchard & Spencer Johnson - arte del gestire in maniera semplice, ma efficace le cose complesse• Clement Mok (DADI) - strategia di design e progettazione• Saul Wurman - information architecture• Jeff Walker - strategia di vendita• Frank Kearn - fare marketing senza fare apparentemente i saputi, ma invece essendo simpatici, affabili• Edward Tufte - information design• Karen Schriver - information design• Kevin Kelly - 1000 true fans - Whole Earth Catalog • Robert Scoble - esploratore instancabile di tecnologie, gran curatore e condivisore• Jeff Jarvis - giornalismo• Doc Searls, Steve Gillmor, David Weinberger (Cluetrain Manifesto)• Ted Nelson - collective intelligence• Howard Rheingold - critical thinking• Maria Popova - curation• Rohit Barghava - curation• Harold Jarche - personal knowledge management• Alan Watts - peace of mind • Carlos Castaneda - path with a heart• Timothy Leary - evolution, psychology• John Lilly - deep mind, human-dolphin• Erich Fromm - love-------------Info Utili• Ottieni feedback, ricevi consigli sul tuo progetto online Entra nella comunità di imprenditori indipendenti di Robin Goodhttps://robingood.it • Musica di questa puntata: "Ergo" by Birocratic - disponibile su Bandcamp:https://birocratic.bandcamp.com/track/ergo• Nella foto di copertina: Gli occhi pieni di stupore e curiosità di Leo, il mio primo nipote. (2015)• Dammi feedback:critiche, commenti, suggerimenti, idee e domande unendoti al gruppo Telegram https://t.me/@RobinGoodPodcastFeedback• Ascolta e condividi questo podcast:https://www.spreaker.com/show/dabrandafriend • Seguimi su Telegram:https://t.me/RobinGoodItalia (tutti i miei contenuti, immagini, audio e video in un solo canale) • Newsletter:Robingood.substack.com (ENG) Robingooditalia.substack.com (ITA) • Per info e richieste:mailto: Ludovica.Scarfiotti@robingood.it

Do you struggle to know where to start in the wide range of Python's visualization frameworks? Not sure when to use Plotly vs. Matplotlib vs. Altair? Then this episode is for you. We have Chris Moffitt, a Talk Python course author and founder of Practical Business Python, back on the show to discuss getting started with Python's data visualization frameworks. Links from the show Chris on Twitter: @chris1610 Python Data Visualization course: talkpython.fm 10 tips to move from Excel to Python episode: talkpython.fm Escaping Excel Hell with Python and Pandas episode: talkpython.fm PB Python: pbpython.com matplotlib: matplotlib.org Seaborn example: seaborn.pydata.org Altair: altair-viz.github.io Plotly sunburst: plotly.com Plotly treemap: plotly.com streamlit: streamlit.io Dash: dash.gallery Streamlit Talk Python episode: talkpython.fm splink package: github.com redframes package: github.com Edward Tufte book: edwardtufte.com Watch this episode on YouTube: youtube.com Episode transcripts: talkpython.fm --- Stay in touch with us --- Subscribe to us on YouTube: youtube.com Follow Talk Python on Twitter: @talkpython Follow Michael on Twitter: @mkennedy Sponsors Microsoft Talk Python Training AssemblyAI

Edward Tufte (ET) is widely-considered as the guru of data visualisation. He has taught the world about how data is to be communicated. He is best known for his 5 books on data visualisation, which have had an immeasurable influence on how to reveal the story told by data, combining layers of information into clear visual representations. In this episode, Itai and Martin talk with ET about his most recent book ‘Seeing with fresh eyes - meaning space data truth', where he introduces the concept of the thinking eye, which reveals meaning from data. ET describes going into a new field as having ‘vacation eyes'; the term he uses for being able to notice things that the experts no longer can, when seeing something for the first time. He also talks about stepping into a field with the mindset of a ‘looter' as opposed to ‘getting a license', looking for good ideas to take rather than aiming to become an expert. This mindset has allowed ET to gain access to many fields, making him an impressive Renaissance mind! For more information on Night Science, visit https://www.biomedcentral.com/collections/night-science .

Computer scientist Edward Tufte says, "There are only two industries that call their customers' users': illegal drugs and software." Many of us came to know him in the film The Social Dilemma, which tackles the dark side of our addiction to social media.A really interesting concept we've come to understand is how these free platforms use us as the “product”. We've known this for a fact, but given how they've become necessary in our lives, we acknowledge the need to stay on these platforms. The challenge, therefore, is establishing the discipline of when to let our devices rule our time. We can break the cycle of addiction and get away from it.The brain can quickly lose focus with many things fighting for your attention, especially social media. You can take ownership of your day rather than it owning you by tweaking how you think when trying to implement new habits to upgrade self-discipline. The person most dangerous to you is YOU. The person that's the best coach for you is also YOU. I am here to remind you that whatever thoughts or feelings come to you at any given moment do not define or control you. Remember, you can choose whether to participate or not in your thoughts. You hold power to become the most dangerous person to you or be your own best coach.Resisting daily temptations can be tough on the path of self-improvement, especially when you are doing them alone. We help individuals inside our container become better people and bigger leaders in their organizations. It's been awesome to see everyone sharing their ideas and motivating each other in the group. Do you need support? Send us a DM, and we'd be happy to have a chat.Learn more in this new episode of the Team Engineered show Do You Really Have To Respond To All Those Alerts? And Why You're Addicted To Them! with Jade Green and Kyle Probert. ▶️00:00:01 Welcome to Team Engineered!00:01:59 The value of waking up an hour earlier than what you're used to 00:03:37 Stacking habits & waking up without an alarm00:05:54 Dopamine and motivation00:07:38 The person who can be the most dangerous & the best coach for you00:10:20 The first step is admitting you've got voices in your head00:15:18 Kyle, on the need to respond to your phone straight away00:18:18 Lessons from The Social Dilemma00:21:50 Going on tech-free days00:23:21 Deliberately set up your notifications00:29:09 Challenge yourself to go on reset ABOUT TEAM: ENGINEEREDTeam Engineered is your go-to podcast for all things team building and business scaling. With a focus on the human aspect of business rather than just numbers and statistics, hosts Jade Green and Kyle Probert will be giving you simple systems and processes that you can implement immediately to see positive growth in the culture and profits of your business. Learn more and visit www.teamengineered.com See acast.com/privacy for privacy and opt-out information.

Listen to Creative Elements: https://www.creativeelements.fm/austin-kleon/ (19 mins in)TranscriptI was like 27, or 26. At the time, these kids were probably 22. You know, so it's like, what can I be stoked on these, you know, these students? It's just absurd. And they wanted a title for the talk. And I said, Oh, it's called. I saw I looked at my blog, I was like, what's the most interesting thing I've written recently, it's called How to Steal Like an Artist. That's what it's called. And I didn't have it written or anything. Like, that sounds good. But I had this blog post that was like, all these quotes about artists talking about stealing. And then I went on this walk with my wife, and I said, you know, what do I say to these people that aren't that much younger than me? And she said, Well, the best talk I ever heard at school, was this lady got up in front of our class, and she just had a list of 10 things that she wish she had known when she was a student. I said, that's great. I'll steal that. And that's where the talk came from. The talk went over well, but you know, me being a sort of old millennial, right on the edge of, you know, I was born in 83. So it's like, I have a little bit at digital native to me, but not terribly. So it's kind of like, well, what happens to all this material after I give this talk that no one recorded? And so I thought, well, it would make a really cool blog post. And that's really the thing I posted the How to Steal Like an Artist blog post. And that went viral. And this is 2011. And it became clear, like, immediately, because I started hearing from editors is like, this is your next book. Even though you put this book out, there was a poetry book that sold okay, but like, didn't really blow any doors down. But this is like the new one. So you get a second chance.Jay Clouse 18:08This idea of being a second chance, was this the language that was told to you by the publisher?Austin Kleon 18:13No, no, no, no, no, that was just in the back of my head. You know, for the publisher, it's all. Publishers just think, is it going to be a good book or not? You know, I mean, it's a funny thing, my agent would hate it if I told this story, but which makes it even more fun to tell. But you know, Ted, my agent, there was a point after newspaper blackout came out that I wrote him an email and I said, I just realized that I really need an agent. You know, like, it would be good to have an agent, I realized that now. And he sent me this email back that was pleasant, but he was like, Look, kid, I make money by selling books. So when you got you better hope this book that you do on your own sells well. And if you got another idea for a book, then come see me. Right. So that was like, right after Newspaper Blackout came out? Well, I came to him when it was time to sell steal like an artist to publishers. So it was never the second but it almost feels like I don't know, like a bands like Nirvana puts out Bleach and then never minds the like, the major label, even though that doesn't really work because my publisher workman's independent, but it did feel like okay, this is the pop shot. This is like, this is the chance to do a book that might have a bigger audience than then the poetry book.Jay Clouse 19:32Well, I kind of blew past this. You know, a lot of people come on the show. They've self published books, some of them have gone through a publisher and they talk about it being like a miserably difficult experience to get to the point where someone says, Okay, we'll publish your book. Yeah, you publish Newspaper Blackout through a publisher. How did that happen?Austin Kleon 19:48That was just an editor that was a year younger than me. Harper Perennial, Amy Kaplan, who she's got a different name now. She said, Have you ever thought about a book I said, hell yeah, I thought about a book, let's do it, they sent me a contract, which, you know, really, in hindsight, I should have never signed. But you know, I, my, my mother in law's a lawyer, and she looked over it and it seemed fine. You know, it's like, cuz, you know, it's a poetry book. And the stakes seem very low. But I, my feeling was always with books, when people want to book from you, they'll they'll tell you, you know that that's always how I felt about it was like, it's much easier to be wanted than to try to sell something fresh or new. Now, you know, every writer now has the ability to grow an audience before they ever publish a book. But the thing is, is that you want an audience, if you want to self publish, you got to have an audience. And if you want to publish with a publisher, you need to have an audience. You know, it's kind of like, your, I think the thing that I tell people now is, it's like, it's both terrifying, and freeing the fact that you always run your own show. And it's always in your core, you are always the one doing the work. You know, I've been a published professional author for a decade now. And nobody ever comes to you and says, We're gonna do it for your kid, don't worry, we're gonna make your stuff that just doesn't happen. I mean, maybe it happens to like, a pop singer, something, you know, but it's never going to happen. Every person you see, that's like a big deal. There's just all this work that you don't see that happened before that, where they were making things happen for themselves. You know, I thought when I was younger, I'm such a genius. I'm so talented, someone will just come out of the woodwork and say bold. Here you go, kid. You know, I just I just had that stupid, wishful thinking. But you know, my agent has three things that he tells writers that I think are really, really, it's really, really good advice, I try to pass on, one, get famous first. And that sounds horrible, and terrible. But really what he's talking fame is just more people knowing you than, you know, people. So fame can be a tiny fame too. So that's just getting known in your field, like get known for something that's, I would actually change it from getting famous, I'd say get known for something, you know, first, Ted second. My second piece of advice is all publishing is self publishing. So whether you're self publishing, or whether you're going with the big five or Big Four, now, publisher, you are the one that cares the most about your work. And you're always going to be the one that pushes it and sells it and gets out in the world the best. And then three, the thing that Ted says that I think is even more true today than it was when he was saying 10 years ago is you're really CEO of your own multimedia empire to only think in terms of books is very limiting now, because you have these tools available to you now where you can just do whatever I mean, you've got the access to media now is stunning, you know, so it really becomes about what you want to do. But I always thought those three pieces of advice were really good. But I think the major thing is like don't wait on anybody. No one's going to come and night you, you know, no one's going to get out the sword and put it on both shoulders and say I knight thee you're in the club, you know, and by the time it feels like you're in the club, you don't need to be in the club. You know what I mean? So it's just so I'm always with people. I always think that young people need to get sort of the best of punk rock. earliest they can not they're like, oh Sal out there spit on us punk rock, but the real sort of the kind of punk rock that Michael Azur ad writes about in our band could be your life. These bands that got in the van, and they toured and they built audiences city by city, and they got addresses and built their mailing list. You know, that kind of great American. You know, it's the best of America punk to me, like, the band on the road. That's like, sort of the best of the American dream, you know, like building your audience slowly.Jay Clouse 24:26Yeah. I feel like there's like a, there's a lot of analogs, from music to all the online greeter stuff we talked about today, because they were just out there doing it going on the road, building this mailing list, every time they went to the city, it just got a little bit bigger. And that's not that different than what we're doing now. It's just instead of cities you have maybe internet communities, maybe you have these small pockets of culture. It's really about the same.Austin Kleon 24:52One newsletter subscriber at a time. Somebody tells their friend or his tweets that or whatever, you know, that musics interesting for me, I'm sort of a, I'm sort of a want to be, you know, music is what got me through my teenage years, I realized very early on, it wasn't going to be the lifestyle for me I wasn't going to be okay with just like being on the road and trying to entertain people, which is hilarious now because half of my job is getting up on the stage and performing for people. But music has always been an influence. And music is interesting, because musicians are always the kind of canaries in the coal mine. As far as media goes, anything bad that's going to happen will happen to musicians first. And it was true of streaming. It was well it was true of digital. It was true of Napster and all that. It was true of streaming. And it was trueThe pandemic. Musicians are really the artists, they're sort of, I can't think of another art form that's really more on the edge of whatever the world is doing. And they'll do it to them first.Jay Clouse 26:00Yeah, yeah. I thought when we started to see holograms of Tupac at Coachella, I was like, this is this is next.Austin Kleon 26:08Well isTupac. It's Gemini season right now. No one this layer, but you know, yeah, it's true. It's like, the indignities that are put upon the passed away musician.Jay Clouse 26:19Your three rules from Ted, if you believe them to be true, which it sounds like you do that number two rule of everybody is self publishing. What is the litmus test now for someone to decide if they should go with a traditional publisher? If they have the opportunity?Austin Kleon 26:34Oh, great question. I think it has a lot to do with business goals. It just depends. It depends completely on the person depends on what kind of stuff you're writing. You know, for me, my books do really well by the cash register, at the paper source or the, you know, Urban Outfitters, or wherever. Now, these books have taken a hit during the pandemic, because nobody's in person anymore. Yeah, so those books take a little bit of a hit. But, you know, like, I'm reading a book right now on how to take better notes. And I forget the guy's name. But it's like, that's a very niche.Jay Clouse 27:18Yeah.Austin Kleon 27:18Thing that most publishers probably like, take better notes. What is the you know, whatever, I'm sure this guy's probably sold a million copies, he's probably made of fortune. The thing about self publishing that I try to remind people is that it exists on a very wide economic spectrum. So like, for example, my two self publishing heroes are on one side, a guy named John Porcellino. And on the other side is a guy named Edward Tufte. Now John Porcellino has been doing this scene called King-Cat for 30 years, I think King-Cat since like, 19, you can tell I'm not good. It's late afternoon. My math skills are bad. But John's been doing this scene for 30 years at least it's it's it's one of the greatest American comics. And in my opinion, John's never gotten rich off of it. He, you know, started when he's a kid, it's so got that punk buddha, energy to it. But john, now I think he, he just started a Patreon. And I think he's just starting to be able to save enough to have a reasonable, like, lower middle class. I mean, this is just from what I've seen of him and seen of his work. He's just starting to be able to like kind of have a decent living through Patreon and his subscribers to King-Cat. So that's like one side of the economic spectrum. On the other side is someone like Edward Tufte. Edward Tufte. He was statistician at Yale. Nobody wants to publish his book called The Visual Display of Quantitative Information. Can you imagine no one wanted to publish that book. So he self published it out of his garage, took out a second mortgage on his house. Ed sold like 1.5 million copies of these books, they retail for $40. So you do the math, even if there's half I mean, this guy's made Yeah, he's made $40 $50 million. If you do the math off of of self publishing these books and he towards like the Grateful Dead, you know, he's one of those guys. He goes around with a sound system. He sets up in a Hilton ballroom, 500 people come and they sell, you know, 300 bucks ahead, and everybody gets books and he just goes around does that and makes a killing too you know, meanwhile, John's at like a comic con, hand selling King-Cat, you know, so like, both these dudes to me are our punk. You know, like they're both. They have that DIY punk spirit that the Grateful Dead had to You know, they're doing it, they're just doing it themselves, you know. But yeah, I don't have a huge opinion. I mean, the publisher thing, to me, it's still about having the muscle of distribution and getting it everywhere. And of course, the publisher takes a little bit of the risk with the printing and stuff, but that with on demand and stuff, it's changing a lot. I mean, it'll be interesting to see where you know, what happens with my next book, you know, whether I do some self publishing experiments or not, it's still worth it for me to go with a major publisher. But I have friends that say, I'm stupid, you know, I have friends who say, why would why at this point, wouldn't you self publish something, and sell it for 20 bucks and keep 10 and make a killing. But for me, it's about just being patient. I'm planning on doing this for a very long time. And so I'm just sort of patient and to be perfectly honest, I'm not very business savvy. I mean, I'm number savvy. But I'm not really interested in being a business person, which has always been a problem for me. You know, I didn't get into this. Like, if I wanted to make money, I would have gone to business school.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Philip Bump of the Washington Post, who a few weeks ago launched his newsletter How To Read This Chart. I'm a longtime fan of Bump's work at the Post; he's a really compelling writer and an outstanding blogger and has been weaving data journalism throughout his work so organically for such a long time I wanted to have him on for a podcast version of the Sunday edition to talk about the state of the art and the newsletter. We spoke about how charts took over the internet, how companies have managed to use increasing interest in data to suit their own ends in pitching mediocre polls, where the distrust of polling is coming from and the simple pleasures of weird charts.Bump can be found at the Washington Post and on Twitter, and his newsletter How To Read This Chart can be found here. This interview has been condensed and edited. You have just started this newsletter called How To Read This Chart. It's probably, what, two months old at this point? It's already off to a really great start.I appreciate it. That was the goal. Try and have it be compelling, and get people engaged. But yeah, I think about two months, which is sort of crazy how time flies.In one of the early issues, you mentioned that you were looking for a combination of breeziness and topicality. Do you want to talk a little bit about what kind of motivated you to both start a newsletter in this space and also kind of what your angle is?I do a lot of charts for my day job at the Washington Post. And one of the things that I have found is that often I will create a graph which to me seems pretty intuitive, but requires a little more explanation than I would've expected. That is absolutely a failing on my part, right? My job should be to make presentations of data that are simply intuitive enough that I don't need to have a lot of explication, but I also think that complicated charts can be visually interesting, and provide a lot of information once you dig into them a little bit.What I wanted to do was create something, create a tool, in which I encouraged people to be more open to more complicated presentations of data. To offer up interesting, visually striking data visualizations that I could then walk through, and say, "Here's how this works. Here's why this is actually a smart way to present this, even if at first it may be somewhat intimidating." Over the long term, with the goal of having people just generally feel more comfortable with looking at data visualization, understanding how to pick out their own stories from it, and understanding how it can convey a lot of information in the way that words can't.Yeah. I've enjoyed the approach and vibe of it a lot. I think that there are places on the internet that look at and evaluate and talk about charts a lot, and I think a lot of them will sometimes overengineer it. They'll be like, "Oh, look at this chart." And there are a lot of colors, there are shapes, there's a lot of stuff going on. I think that what I've really enjoyed about yours is that you very much look at this as a process where there aren't really right answers. That there are just choices that are made. Do you want to kind of expand on how you view the process of creating a chart?One of the things that I do too for my job is I do a lot of charts, right? So that means that I'm not sitting down and workshopping, A/B testing, different versions of charts. I'm like, okay, I'm doing a story on something that just broke. I need to make a chart. I did one that I included in the newsletter, which I thought was pretty good, which showed the evolution of votes for Supreme Court justices since the end of the Civil War, essentially. And so you start off, and I had different representations. I took all nine currently sitting seats and I sort of had little lines that wound their way through them with little nodes for where a new justice was added.And so at the beginning, it's just, they're all by voice vote, and so that's just a little black dot. And then eventually you start to see actual votes for it, and first all the votes are overwhelming, like 90 to 10 or whatever. And then all of a sudden you start seeing them being pretty evenly divided. That was something that I didn't have a chance to workshop because I needed to get it up because this is when Breyer announced his retirement.But I could then come back — and I didn't actually do this with this, I just sort of dropped it in a newsletter because I thought it was cool — but that's a good example of where you can say, okay, so how might you have done this in a way that provided more information? I got feedback from readers, like, this would be great if it's an interactive where you could mouse over it and see someone's name. That's absolutely true. I couldn't do that, in part because of the time crunch, but also in part because I couldn't then put it in the newsletter. There are all these boundaries and constraints. And one of the things I'm trying to do is get the voices of people who read the newsletter injected into the newsletters; I want people have feedback and thoughts to include that as well. Because part of the point is that I don't have all the answers.Yeah, I like that a lot. I like it because you really are grounded in news. Your day-to-day job is all about kind of covering the news. That comes with different constraints than doing a long term; if you had spent a week making an interactive about that, it wouldn't have actually been as effective because sometimes just getting something out sooner is better. No, exactly, you're right. I think too that one of the lessons there is that it doesn't have to be great, right? I mean you and I have experience in writing for institutions that have editors. But it is not the case that we simply write things and then let the editors clean it up. We try and write well the first time, right? This is a space where you don't have an editor. I don't have a graphics editor, right? Or when I do an interactive online, I don't have a data editor. Although I have sort of pitched that in the past as something that would be kind of cool. I mean, wouldn't it be cool if you had a lot of people who could do really basic code and then you could pass it over to a data editor, who could clean it up and make it, I mean, wouldn't that be cool? You could really expand the number of interactives you could do.Yeah, FiveThirtyEight was a shop like that. That was a really good time.There you go. But one of the things is trying to encourage people to just sort of jump into it, right? You don't have to worry about it being perfect. In the same way that I've been doing this long enough now that I can do something fairly quickly that is effective and isn't necessarily buggy. But the way you get there is by just sort of jumping into it and doing as much as you can, and having fun with it and making it. And here's the other thing that I'll say, I will put out graphics that I think are cool that I recognize are going to be complicated to people. You know why? Because I do this whole day, and sometimes I want to just have fun with it. And I think that's okay too in a lot of circumstances.Yeah. And that reminds me, a few weeks ago you had a particularly neat visualization, I pulled it up, it's a keogram, right? There was a guy who put a camera on his roof. Do you want to talk about that one?It was really cool. A guy I follow on Twitter retweeted it, it's this astronomer who lives in the Netherlands. And literally exactly what you said. He put a camera on the roof of an outbuilding in his house, and just pointed straight up with a fish eye lens and took a picture every 15 seconds for the entire length of 2021. And what results from that is you get this really cool pattern, this sort of hourglass pattern of when night falls — obviously less night over the course of the summer, more night when it gets to be winter. You can see how the sky is different colored at different times of the day. So twilight and dawn are much more blue because the sun isn't reflecting off the clouds as much. You can see when the moon is moving through. The phases of the moon are depicted in it.There's all this information. It's just this little rectangle with this little black hourglass sitting on a blue field. But when you look at it, you can pick out so much stuff. And then he, of course, as an astronomer, he finds a lot of stuff that you don't necessarily see. He goes through it and he picks out the movement of the constellations through the skies. He has this giant version of it you can get as well. And just, it's fascinating. It's just such a good use of visualizing data. It's not visualizing data intuitively. It's just a picture of the sky. But all you have to do is orient it by time of day and by time of year, and then all of a sudden you have an infographic that really tells you a lot about literally how the world works.I really loved it. Again, even as just like an art piece, it's really cool. I feel like there's been more conversation about chart crimes than it has in the past. You've been in the game a while now, and have definitely kind of seen good visualization, bad visualization, malicious visualization at times. That also seems to be a theme at some points in your newsletter. How has the internet's interactions with charts kind of evolved over the past couple years?Good question. I mean obviously it is something that's been powered by the connective capabilities of social media to a large extent. I think also there is a sort of nerdiness that emerges on social media more than in other places, just by virtue of the fact that it's grounded in technology, and age groupings and so on. And of course, you and I probably operate in nerdier circles than most people. Like my sister who spends a lot of time on Instagram, I'm not sure she sees a lot of chart crime tweets, right? Which isn't meant as a disparagement to her, she's just got different, more normal interests than you or I do.Part of it is not only the fact that you have that connectivity, which obviously we're all familiar with by now with the internet, but you also have a lot more people who are trying to present information. One of the things that's been fascinating over the course of the past decade or so is the ways in which corporations have really latched onto the idea of using data presentations to sell stuff. And so they'll do like these shitty polls, of like, "We polled 14 Airbnb members, and seven of them found that Airbnb is awesome." And they'll pitch those to Forbes contributors who go on to money laundering crimes. Alleged money laundering crimes...I didn't name names! But there's this pattern wherein corporations have figured out that people are compelled by data visualizations, and by sort of weird esoteric data points. And so they gin these up, but what that also means is that there's this big influx of visualizations and attention being paid to these things. A lot of media outlets who are trying to move from being crusty old newspapers to doing more interesting things online, there is this new attention being paid to how you present data for a lot of different reasons. I think that provides a lot more people who are skilled in this to some extent, and a lot more people who are paying attention to it, which I think is probably part of it.I love this point and I actually want to spend more time here just because it's rare that I get to be like, "Hey, you also see this, right?" It is wild just at how regularly I will see press releases, I will see corporate blogs, I will see all this kind of stuff that will either be hinged on a poll that they ran because they would like to get into the press, and they realize that's a decent way to launder a talking point. It's almost interesting kind of watching some of the techniques of data journalism kind of get co-opted a little bit by some of these corporate actors. You cover politics, and I'm sure that you see this time and time again in that space in particular too. You pointed out a LinkedIn poll a few weeks ago, that was just like, why are we talking about this? And this made it into what?It's in New York Times for God's sake, right.Is that a local newspaper? Where is that based?I live outside of New York City, and yeah, a lot of my neighbors get it. Yeah, I hope you've noticed that I go out of my way to insult The New York Times whenever I can in the newsletter. Not out of any ill will, but just because it's funny.Of course.There's one coming up in the one that's dropping this Saturday. Anyway! No, you're right, and part of that, I mean, bear in mind, you are familiar with political polls as well, but for years it's been a problem that you'll have political journalists who'll pick up internal campaign polls and treat them as serious, when those are the same thing, they're just marketing pitches using this front of data. You have that exact same factor which comes into play in doing politics reporting.You have a lot of journalists who simply don't know how to spot b******t, right? They just don't know how to be like, "I'm going to treat this with some caution." Instead they're getting pitched on, "Hey man, we have this new insight into what's going on." It's the exact same thing, it's just corporations have figured out how to do this. And it costs very, very little money for them to do it. If they find a reporter who isn't particularly savvy in assessing the validity of data collection mechanisms, then they get a bite pretty easily. "Hey, I'm going to the exclusive. LinkedIn did this poll. And we found that X." And someone's like, "Whoa, that's cool. Thanks for the exclusive. Send me the data." And then you and I get it, and we're like LOL. What the hell is this?Again, I'm not trying to judge. In the same way that if someone asked me to be an opera critic for a day, I would totally embarrass myself! I just don't know it. I don't know that world. But there's a reason why, if someone's putting on a crappy opera, they might want to have me come and do the review, right? Because they know that I'm not going to understand what's going on. And so I think we see a lot of that with corporate pitching in particular.It's great that you point out again, this isn't to knock the folks who do it because maybe they're credulous of a poll, but they're also like they take no b******t elsewhere. It's just kind of almost an expertise thing where knowing what's a rough poll, knowing what is a specious source of collecting responses, knowing what is, oh, the sponsor of this is perhaps a little sus. That is a skill. I think that your beat at the Post has been really good at kind of calling some of that out in the past.Yeah. I mean, I think it's fun, right? I mean it's fun to have to catch Tucker Carlson, who I do not assign any good faith effort on his part. It's fun to say, "Hey, actually this graph that you used is nonsense," and to call that out. I mean obviously his nightly audience is slightly larger than my newsletter audience.A little bit.You don't know. You don't know. My newsletter audience could be two million. I will say this, it's definitely a percentage of two million!Rounded to the nearest two million, sure!That's right. We're even. I think there's value in it, but also in recognizing how, through intentionality or accidentally, the people can offer you information that you should be skeptical of.I felt like at the beginning of my career, maybe 10 years ago or so, the challenge was convincing people that there was value in writing about polls, that there was value in writing about this kind of data, that there was value in making all these kind of viz and putting this investment into it. Now I feel like, battle's won, congratulations, high five, victory lap, champagne. But now the challenge is like, oh, we've got to be smart about how we actually end up using it, because those tools have also been — whether it's through a profit pursuit, or whether it's through political pursuit — we won one battle and now, oh wait, there's actually a whole lot of cleanup that we've got to keep doing.No, you're right. I think that there are a lot of ways in which data presentation right now is sort of a risky endeavor. From the visualization standpoint, it is obviously the case that we get a lot of dubious, questionable presentations that make their ways in front of us. And I think we're calling it out.I think polling itself is something that we could spend a whole half hour talking about this separately. But I think polling itself is something, that the skepticism of polling has been weaponized in the same way that say skepticism of a coronavirus vaccine has been weaponized, right?That's interesting.That you can pick out particular ways in which you can cast out in order to try and undercut the whole thing. It is much more common that we see that with polling, in part because you're always going to find a poll that gives you information you don't want. One of the things I thought has been fascinating in the course of the past several months has been this spate of new polls showing that President Biden's approval is quite low, and just the number of people, including the president, who are saying, "Oh, you can't put any stock in that." And it's just like, come on, man. How are you — and I made this point in the newsletter — you are asking us to say, here is the best information we have on the vaccine. It's imperfect. There have been mistakes that have been made. But we understand generally what things look like and we need to have confidence in that. And then on the same side, you're saying I ignore these polls because they're bad for me. It's b******t. You can't do that. That's not how it works.I think that we're seeing, and we saw Trump obviously spend a lot of time trying to downplay and denigrate polls that showed him doing poorly, and I think that's damaging. I do. Because polls are, for all the complaints about going to a diner and talking to voters, and yada, yada, yada, polls are talking to 1,000 people at one time, asking them more narrowly tailored questions, and not having a lot of space for follow up, obviously, but that's what polls do. I think for people that reject them out of hand, I think just moves us more into this space of uncertainty where all sorts of bad things can happen.There are always good polls, there are always bad polls. I will just say, in your newsletter, How To Read This Chart, one pervasive idea that I like is that it almost comes off similar to like Wirecutter where it's like you're evaluating the different tools and trying to figure out what the best way to talk about it is, and how to use it and all that kind of stuff. It's not like saying that the tools are invalid, or the tools don't work, or the tools always work, or this is a bad tool. It's acknowledging we're all coming from the position that this is a cool tool to have and a cool tool to use. Here are the best ways to use it. And also every time you make a bar chart, I get a commission, echoing the Wirecutter model. I mean, the goal is to some extent — and part of this is informed by Edward Tufte, who we are invariably going to get to as part of this conversation. He does these data visualization things and is sort of like the godfather of all this stuff. When I worked at Adobe as a designer back 20 years ago, I went to one of his seminars. And the thing that always struck me about that is that you're sitting through the seminar, and it's like the morning— Have you been to one of his seminars?I've not, no.So the morning you go through it — at least in Silicon Valley 20 years ago — but you sit through this really interesting assessment of how data visualization works. The O-ring story from the Space Shuttle Challenger, and all these various ways in which presenting data is important. And then you have a break, and then you come back in the afternoon, and it's all about how to make cool charts and PowerPoint. And at the time, I skipped it. I was like, I don't give a s**t about making cool charts for PowerPoint. But I realized it's brilliant from a business model because that's how he gets all these companies to pay to send people to his seminar, right? They go to seminar, and they say, "Hey, this is going to help me make better PowerPoint charts." And they're like, "Okay, fine. We'll pay the $1,500," or whatever. It's genius. But it's also value, that's the value he's added to people.One of the things I want do with the newsletter as well is give people, to some extent, some familiarity with the tool sets that are out there so they can broaden their approach a little bit. I will also at times slide in little recommendations. There was this spiral chart that was in the Times that got a bad rap, and I found a link to how to recreate that thing using R, which, no one that reads the newsletter is using R to make data visualizations. But A, it's there in case they do and want to, but B, it also makes them feel like, okay, I'm part of this kind of cool insider club that knows how to make visualizations in a pretty advanced way now. Which then gives people the confidence to do so, to explore it, ideally, hopefully. I don't know how many more charts I've brought into the world through my newsletter. Hopefully one or two!That's so smart. Because again, you never want to be in a course where you know everything. You never want to be in a course where it's completely out of your bound. You want to be in a course where you get a little bit of exposure to things that are a little bit beyond your grasp at the point and things that you have well in hand. I like the confidence that you put in your audience. It's just really good stuff, man. Is there any particular thing that you've had a chance to write about that you feel proudest of in the past couple weeks?I mean, the keogram one was good, just because it was not specifically news-centered. I don't know, just one of the things I try to do with the newsletter, which hopefully I succeed at to some extent, is to make it actually fun to read. It's super easy to write about a chart in a way that no one is interested in it. I'm not going to say it's hard to do it in a way that's a little more compelling, but I try and make it like I want it to be something where someone who is not really familiar with charts picks it up and at least finds it funny, even if they don't really care about charts or even if they don't really necessarily get the charts at the end of the day. I feel like I've done a pretty decent job with that. I think that that's the thing which I am probably happiest about is that people who I know aren't nerds on charts will come back and be like, "Hey, at least it's fun to read," which I think is a step in the right direction anyway.Where can folks find it? Where can folks get a chance to subscribe? Where can folks find you?Yeah. I'm on Twitter @pbump. The chart, I mean, I think if you search How To Read This Chart, I would hope it comes up pretty high in the results by now. If you go to wapo.st/readthischart, that'll actually take you directly there and you can sign up. Obviously it's free. I'd be very happy if you subscribe to the Washington Post, of course. But it's a free newsletter, it teaches a little bit about charts. And if you stick around after the break, we'll teach you how to make the excellent PowerPoint presentations, so you can send me $1,500 for this seminar too. It would be great.Sign up for Numlock News and wake up to the best stories in data every day.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips, or feedback at walt@numlock.news. Get full access to Numlock News at www.numlock.com/subscribe

Kelli Goto's Web ReDesign:https://www.powells.com/book/web-redesign-20-workflow-that-works-9780735714335Gen Z Searches For Online Content Differentlyhttps://blog.hubspot.com/marketing/how-gen-z-searches-for-contentEli Parser's Filter Bubbles TED Talk:https://www.ted.com/talks/eli_pariser_beware_online_filter_bubbles?language=enJames Burke's The K-Webhttp://k-web.org/O'Reilly's Information Architecture (The Polar Bear Book)https://www.oreilly.com/library/view/information-architecture-4th/9781491913529/Ask A Librarian:https://ask.loc.gov/Stuart Brand's How Buildings Learnhttps://www.powells.com/book/-9780140139969/17-4Jessie James Garret's The Elements of UXhttp://www.jjg.net/elements/#:~:text=Jesse%20James%20Garrett%20gives%20readers,create%20a%20successful%20user%20experience.Edward Tufte:https://www.edwardtufte.com/tufte/books_vdqi

This week, YouTube superstar Grady Hillhouse from Practical Engineering jumps on the show! Grady is a geography college graduate, turned professional civil engineer, turned successful content creator with way more than 1+ million views per video. Yeah…what a journey! Tune in to learn about his engineering background, how he started the channel as a hobby, and much more! What You'll Learn: From Geography to Civil Engineering: Grady's Unusual Path into the Field The Importance of Geotech Classes―Regardless of Your Area of Expertise The Biggest Value of an Engineering Degree Most Engineers Don't Recognize Grady's Studying Habit on Sunday Mornings That Helped Him Pass the PE Exam How His Desire to Learn Woodworking Skills Got His Channel Started How He Scaled His Famous YouTube Channel as a Side Project After Work The Power of Feedback to Improve Yourself in Whatever You Do How to Balance Technical and Comprehensive Content for a Large Audience Grady's Top Tips for Those Who Also Want to Start Something of Their Own Creative and Illustration Resources That Helped Him With His Channel How the 100-Year-Old American Civil Engineer's Handbook Can Help You Today A Surprising Announcement by Grady for 2022 Our Partner: School of PE - http://www.civilengineeringacademy.com/sope Resources Mentioned: CEA Facebook Community - https://ceacommunity.com Engineer to Entrepreneur - https://engineer2entrepreneur.net Practical Engineering Website - https://practical.engineering Practical Engineering YouTube Channel - https://www.youtube.com/c/PracticalEngineeringChannel What Really Happened During the Texas Power Grid Outage? - https://www.youtube.com/watch?v=08mwXICY4JM How Do Sinkholes Form? - https://www.youtube.com/watch?v=e-DVIQPqS8E Edward Tufte - https://www.edwardtufte.com The Visual Display of Quantitative Information, by Edward Tufte - amzn.to/3wACGh4 David Macaulay - https://davidmacaulay.com Underground, by David Macaulay - amzn.to/3qqJ0Xz CEA Website - https://civilengineeringacademy.com The Ultimate Civil PE Review Course - https://civilpereviewcourse.com CEA Newsletter - https://civilengineeringacademy.com/join-our-newsletter Reach out to Isaac - isaac@civilengineeringacademy.com --- Send in a voice message: https://anchor.fm/civilengineeringacademy/message

"La question de l'intelligence artificielle éclipse celle de la donnée. On parle beaucoup de produit à base d'IA mais c'est souvent un abus de langage. Pour la plupart, les projets d'IA sont des projets data." Comment fonctionnent les Produits centrés sur la donnée ? Comment construire un bon Produit data centric ? Cette mission impacte-t-elle la structure et l'organisation des équipes ?  Eglantine Schmitt est Head of Product de Citio, un éditeur de logiciel SaaS B2B orienté data permettant aux opérateurs et aux municipalités (AOM) d'améliorer les transports publics par la donnée. Diplômée de Sciences Po Paris et titulaire d'un doctorat en philosophie des sciences sur les big data, elle vulgarise pour nous les dessous des Produits data driven. Ensemble, nous avons notamment évoqué :

Priscila Oliveira and Mark Story join the panel to discuss the recent transition at Sentry from vanilla JavaScript to React and TypeScript. The show starts out with the panelists nerding out over Sentry and how they use it, then they dive into the code transition and the things that they learned from their conversion to TypeScript. Panel Aimee Knight AJ O'Neal Dan Shappir Steve Edwards Guest Mark Story Priscila Oliveira Sponsors JavaScript Error and Performance Monitoring | Sentry Dev Influencers Accelerator Links Slow and Steady: Converting Sentry’s Entire Frontend to TypeScript GitHub | markstory/vim-files webinstall.dev/vim-essentials GitHub | billyvg/dotfiles Twitter: Sentry ( @getsentry ) Twitter: Mark Story ( @mark_story ) Twitter: Priscila Oliveira ( @priscilawebdev ) Picks Aimee- Inner Engineering AJ- GitHub | coolaj86/await-catch.md AJ- GitHub | dadoomer/markdown-slides Dan- Fall of Civilizations Podcast Dan- Sir Humphrey Appleby on the Proper Function of Government - YouTube Mark- Edward Tufte Mark- GitHub | neoclide/coc.nvim Priscila - GitHub | clauderic/dnd-kit Steve- Episode 142: Sketch Notes in Tech with David Neal Contact Aimee: Aimee Knight – Software Architect, and International Keynote Speaker GitHub: Aimee Knight ( AimeeKnight ) Twitter: Aimee Knight ( @Aimee_Knight ) LinkedIn: Aimee K. aimeemarieknight | Instagram Aimee Knight | Facebook Contact AJ: AJ ONeal CoolAJ86 on GIT Beyond Code Bootcamp Beyond Code Bootcamp | GitHub Follow Beyond Code Bootcamp | Facebook Twitter: Beyond Code Bootcamp ( @_beyondcode ) Contact Dan: GitHub: Dan Shappir ( DanShappir ) LinkedIn: Dan Shappir Twitter: Dan Shappir ( @DanShappir ) Contact Steve: Twitter: Steve Edwards ( @wonder95 ) GitHub: Steve Edwards ( wonder95 ) LinkedIn: Steve Edwards

Priscila Oliveira and Mark Story join the panel to discuss the recent transition at Sentry from vanilla JavaScript to React and TypeScript. The show starts out with the panelists nerding out over Sentry and how they use it, then they dive into the code transition and the things that they learned from their conversion to TypeScript. Panel Aimee Knight AJ O'Neal Dan Shappir Steve Edwards Guest Mark Story Priscila Oliveira Sponsors JavaScript Error and Performance Monitoring | Sentry Dev Influencers Accelerator Links Slow and Steady: Converting Sentry’s Entire Frontend to TypeScript GitHub | markstory/vim-files webinstall.dev/vim-essentials GitHub | billyvg/dotfiles Twitter: Sentry ( @getsentry ) Twitter: Mark Story ( @mark_story ) Twitter: Priscila Oliveira ( @priscilawebdev ) Picks Aimee- Inner Engineering AJ- GitHub | coolaj86/await-catch.md AJ- GitHub | dadoomer/markdown-slides Dan- Fall of Civilizations Podcast Dan- Sir Humphrey Appleby on the Proper Function of Government - YouTube Mark- Edward Tufte Mark- GitHub | neoclide/coc.nvim Priscila - GitHub | clauderic/dnd-kit Steve- Episode 142: Sketch Notes in Tech with David Neal Contact Aimee: Aimee Knight – Software Architect, and International Keynote Speaker GitHub: Aimee Knight ( AimeeKnight ) Twitter: Aimee Knight ( @Aimee_Knight ) LinkedIn: Aimee K. aimeemarieknight | Instagram Aimee Knight | Facebook Contact AJ: AJ ONeal CoolAJ86 on GIT Beyond Code Bootcamp Beyond Code Bootcamp | GitHub Follow Beyond Code Bootcamp | Facebook Twitter: Beyond Code Bootcamp ( @_beyondcode ) Contact Dan: GitHub: Dan Shappir ( DanShappir ) LinkedIn: Dan Shappir Twitter: Dan Shappir ( @DanShappir ) Contact Steve: Twitter: Steve Edwards ( @wonder95 ) GitHub: Steve Edwards ( wonder95 ) LinkedIn: Steve Edwards

Priscila Oliveira and Mark Story join the panel to discuss the recent transition at Sentry from vanilla JavaScript to React and TypeScript. The show starts out with the panelists nerding out over Sentry and how they use it, then they dive into the code transition and the things that they learned from their conversion to TypeScript. Panel Aimee KnightAJ O'NealDan ShappirSteve Edwards Guest Mark StoryPriscila Oliveira Sponsors JavaScript Error and Performance Monitoring | SentryDev Influencers Accelerator Links Slow and Steady: Converting Sentry's Entire Frontend to TypeScriptGitHub | markstory/vim-fileswebinstall.dev/vim-essentialsGitHub | billyvg/dotfilesTwitter: Sentry ( @getsentry )Twitter: Mark Story ( @mark_story )Twitter: Priscila Oliveira ( @priscilawebdev ) Picks Aimee- Inner EngineeringAJ- GitHub | coolaj86/await-catch.mdAJ- GitHub | dadoomer/markdown-slidesDan- Fall of Civilizations PodcastDan- Sir Humphrey Appleby on the Proper Function of Government - YouTubeMark- Edward TufteMark- GitHub | neoclide/coc.nvimPriscila - GitHub | clauderic/dnd-kitSteve- Episode 142: Sketch Notes in Tech with David Neal Contact Aimee: Aimee Knight – Software Architect, and International Keynote SpeakerGitHub: Aimee Knight ( AimeeKnight )Twitter: Aimee Knight ( @Aimee_Knight )LinkedIn: Aimee K.aimeemarieknight | InstagramAimee Knight | Facebook Contact AJ: AJ ONealCoolAJ86 on GITBeyond Code BootcampBeyond Code Bootcamp | GitHubFollow Beyond Code Bootcamp | FacebookTwitter: Beyond Code Bootcamp ( @_beyondcode ) Contact Dan: GitHub: Dan Shappir ( DanShappir )LinkedIn: Dan ShappirTwitter: Dan Shappir ( @DanShappir ) Contact Steve: Twitter: Steve Edwards ( @wonder95 )GitHub: Steve Edwards ( wonder95 )LinkedIn: Steve Edwards Special Guests: Mark Story and Priscila Oliveira.

Priscila Oliveira and Mark Story join the panel to discuss the recent transition at Sentry from vanilla JavaScript to React and TypeScript. The show starts out with the panelists nerding out over Sentry and how they use it, then they dive into the code transition and the things that they learned from their conversion to TypeScript. Panel Aimee KnightAJ O'NealDan ShappirSteve Edwards Guest Mark StoryPriscila Oliveira Sponsors JavaScript Error and Performance Monitoring | SentryDev Influencers Accelerator Links Slow and Steady: Converting Sentry's Entire Frontend to TypeScriptGitHub | markstory/vim-fileswebinstall.dev/vim-essentialsGitHub | billyvg/dotfilesTwitter: Sentry ( @getsentry )Twitter: Mark Story ( @mark_story )Twitter: Priscila Oliveira ( @priscilawebdev ) Picks Aimee- Inner EngineeringAJ- GitHub | coolaj86/await-catch.mdAJ- GitHub | dadoomer/markdown-slidesDan- Fall of Civilizations PodcastDan- Sir Humphrey Appleby on the Proper Function of Government - YouTubeMark- Edward TufteMark- GitHub | neoclide/coc.nvimPriscila - GitHub | clauderic/dnd-kitSteve- Episode 142: Sketch Notes in Tech with David Neal Contact Aimee: Aimee Knight – Software Architect, and International Keynote SpeakerGitHub: Aimee Knight ( AimeeKnight )Twitter: Aimee Knight ( @Aimee_Knight )LinkedIn: Aimee K.aimeemarieknight | InstagramAimee Knight | Facebook Contact AJ: AJ ONealCoolAJ86 on GITBeyond Code BootcampBeyond Code Bootcamp | GitHubFollow Beyond Code Bootcamp | FacebookTwitter: Beyond Code Bootcamp ( @_beyondcode ) Contact Dan: GitHub: Dan Shappir ( DanShappir )LinkedIn: Dan ShappirTwitter: Dan Shappir ( @DanShappir ) Contact Steve: Twitter: Steve Edwards ( @wonder95 )GitHub: Steve Edwards ( wonder95 )LinkedIn: Steve Edwards Special Guests: Mark Story and Priscila Oliveira.

Priscila Oliveira and Mark Story join the panel to discuss the recent transition at Sentry from vanilla JavaScript to React and TypeScript. The show starts out with the panelists nerding out over Sentry and how they use it, then they dive into the code transition and the things that they learned from their conversion to TypeScript. Panel Aimee Knight AJ O'Neal Dan Shappir Steve Edwards Guest Mark Story Priscila Oliveira Sponsors JavaScript Error and Performance Monitoring | Sentry Dev Influencers Accelerator Links Slow and Steady: Converting Sentry’s Entire Frontend to TypeScript GitHub | markstory/vim-files webinstall.dev/vim-essentials GitHub | billyvg/dotfiles Twitter: Sentry ( @getsentry ) Twitter: Mark Story ( @mark_story ) Twitter: Priscila Oliveira ( @priscilawebdev ) Picks Aimee- Inner Engineering AJ- GitHub | coolaj86/await-catch.md AJ- GitHub | dadoomer/markdown-slides Dan- Fall of Civilizations Podcast Dan- Sir Humphrey Appleby on the Proper Function of Government - YouTube Mark- Edward Tufte Mark- GitHub | neoclide/coc.nvim Priscila - GitHub | clauderic/dnd-kit Steve- Episode 142: Sketch Notes in Tech with David Neal Contact Aimee: Aimee Knight – Software Architect, and International Keynote Speaker GitHub: Aimee Knight ( AimeeKnight ) Twitter: Aimee Knight ( @Aimee_Knight ) LinkedIn: Aimee K. aimeemarieknight | Instagram Aimee Knight | Facebook Contact AJ: AJ ONeal CoolAJ86 on GIT Beyond Code Bootcamp Beyond Code Bootcamp | GitHub Follow Beyond Code Bootcamp | Facebook Twitter: Beyond Code Bootcamp ( @_beyondcode ) Contact Dan: GitHub: Dan Shappir ( DanShappir ) LinkedIn: Dan Shappir Twitter: Dan Shappir ( @DanShappir ) Contact Steve: Twitter: Steve Edwards ( @wonder95 ) GitHub: Steve Edwards ( wonder95 ) LinkedIn: Steve Edwards

Peter Turchi takes the art and act of writing as an irresistible analog for the art and the act of living. His work is part of a long tradition of fascination with processes of writers and he is among the masters at relating that process in a way that reaches all domains of society. For anyone who has ever thought about writing - the craft of it, its centrality in the human experience, its analog for life itself - this conversation is for you.Show Notes:How he began writing (04:30)Dealing with rejection (12:00)Richard Russo writer (18:00)Maps of the Imaginations: The Writer as Cartographer (18:30)The Power of Maps by Dennis Woods (21:30)Other brilliant books on mapsJorge Luis Borges (19:00)Origins - Melanie Mitchell (28:30)Lisa Feldman Barrett (28:45)The Atlas of Cyberspace by Rob Kitchin (29:30)The Visual Display of Quantitative Information by Edward Tufte (30:15)Origins - Giorgia Lupi (31:20)Origins - Matt Russo (31:30)MFA Program at Warren Wilson (34:40)Productivity-driven culture (38:15)Alison Gopnik - Explore/Exploit paradigm (41:30)Charles Ritchie artist (45:30)E.O. Wilson - “A lifetime can be spent in a Magellanic voyage around the trunk of a single tree” (46:40)A Muze and a Maze (46:00)The Book of Sand by Borges (51:30)Joan Dideon “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear” Peter's daily routine (53:45)Lightning round (58:00):Book: Lolita by Vladimir Nabokov Passion: MusicMaking heart sing: Sonoran DesertFind guest online:http://www.peterturchi.com/'Five-Cut Fridays’ five-song music playlist series  Peter’s playlist

Ben Milton is behind the popular YouTube channel Questing Beast where he does reviews and flip throughs of RPGs and OSR books and zines. Watching his reviews, I've been struck by the constant attention he has for the layout or the design choices of the books, and how these choices might affect the playing experience. Ben is the author of Maze Rats and Knave, two rules-light RPGs, that had a great influence on the OSR scene. Ben recently published the Waking of WIllowby Hall, a fairy-tale med fan adventure in a Haunted Manor. In this episode, we talk about mathematician Edward Tufte, teaching Game Mastering to kids, an angry cloud giant, Ben's obsession with rules, and how a childhood bool can affect game design choices. Find Ben Milton's games here https://questingbeast.itch.io --- --- --- --- You can follow the BROKEN LUCK zine Kickstarter here https://www.kickstarter.com/projects/thelostbay/broken-luck

Reflexão sobre a frase de Edward Tufte, citada no documentário O Dilema das Redes

Edward Tufte said, "There are only 2 industries that call their customers 'users': illegal drugs and software." In today's episode we welcome our sister, Meredith to talk about the Social Media dilemma that we and our kids face. There is simultaneous goodness and danger at our fingertips and we talk about how to navigate that for ourselves and future generations.  --- Send in a voice message: https://anchor.fm/fromthemouthsofbabes/message Support this podcast: https://anchor.fm/fromthemouthsofbabes/support

  On this week's episode, Mark's guest is Steve Dickman, CEO of CBT Advisors, a strategic consultancy supporting the biotech industry.  Topics discussed during the episode include: How Steve made the transition from working at Science and at  Nature - where he founded and ran the first Nature news bureau in Germany, among other responsibilities - to thriving in the ecosystem of VCs, Private Equity, and startups The obstacles Steve faced as he shifted his professional focus and how he overcame them How Steve develops and delivers persuasive, impactful stories for his clients, with examples from the startup environment of stories he felt were particularly compelling Steve's advice for listeners thinking about trying to break into the startup ecosystem, and, for those already working within it, what qualities and approach Steve has found to be hallmarks or similarities of successful entrepreneurs Common blindspots or areas for further development that Steve and his team frequently see in the field How Steve and his firm provide feedback, particularly when a business plan, for example, may be way off the mark During this period of historic uncertainty and flux, what challenges and opportunities Steve sees on the horizon, and his career advice for scientists and engineers looking to start or shift careers Useful resources The works of statistician, data visualizer, and artist Edward Tufte on communicating data using graphics. Described by The New York Times as the 'Leonardo da Vinci of data,' and Bloomberg as the 'Galileo of graphics', Tufte taught data analysis and policy making at Princeton and Yale for 32 years and authored five books Michael Gilman’s blog post on choosing your VCs https://lifescivc.com/2015/04/five-questions-to-ask-your-investors-before-you-take-their-money/  Gilman's blog post on risk reduction in biotech startups: https://lifescivc.com/2014/05/risk-a-users-guide-for-drug-developers/ and why it’s good to be virtual https://lifescivc.com/2016/01/the-virtues-of-virtual-and-why-were-devirtualizing/.  Jeff Bussgang's book on how VCs operate reviewed by Steve Dickman: https://bostonbiotechwatch.com/2010/04/26/vc-from-both-sides-mastering-the-vc-game-by-jeffrey-bussgang/ How data science is influencing life science VC investing,  https://a16z.com/2020/01/13/bio-newsletter-january-next-decade/ and https://a16z.com/2020/01/08/komodo-health/ Steve Dickman's post on Vijay Pande https://www.forbes.com/sites/stevedickman/2016/02/02/can-biology-even-drug-discovery-be-clouded-its-early-but-andreesen-horowitz-vc-thinks-so/#4c16d6955a16 and his portfolio company Benchling https://www.forbes.com/sites/stevedickman/2017/11/08/lab-notebook-software-bypassed-by-biologists-poses-tough-challenge-for-software-developers/#55c1c5ed1804 Steve Dickman's post describing Baillie Gifford: https://www.forbes.com/sites/stevedickman/2017/04/12/the-long-game-in-life-sciences-181-billion-fund-baillie-gifford-invests-big-in-private-companies/#1907f7334d89 Books recommended for listeners interested in biotech and the startup ecosystem:  Invisible Frontiers by Stephen Hall  Making PCR by Paul Rabinow  Hackers by Steven Levy (re the original hackers at MIT, one of whom, Tom Knight, is a co-founder and executive at Ginkgo, a synthetic biology unicorn) Bad Blood Lake Success by Gary Shteyngart (recent novel, topical for those interested in the money business) Market Wizards by Jack Schwager (how individuals make money in all sorts of markets – a classic – deeply relevant)

It’s not as if I didn’t know this already. We are, without a doubt, collectively addicted to the Internet. It doesn’t matter how many digital detoxes you go on, or how many times you delete all the social media apps from your phone (to include WhatsApp, Messenger, Telegram), you will always come back. Resistance is futile. The FOMO is too strong. There’s a transitional quote in the new Netflix documentary – The Social Dilemma – in which, Edward Tufte says: "There are only two industries that refer to their customers as ‘users’: illegal drugs and software." The Internet is our soma: Soma is a drug that is handed out for free to all the citizens of the World State. In small doses, soma makes people feel good. In large doses, it creates pleasant hallucinations and a sense of timelessness. The citizens of the World State are encouraged to take soma by “hypnopaedic” sayings like “A gram is better than a damn.” When they experience strong negative emotions, citizens take a soma “holiday” to distract them from the unpleasant feelings. John sees soma as a tool of social control. He says that taking soma makes the citizens of the World State “slaves.” Brave New World (read it and have your mind expanded) Lord knows I want to kick the habit. I want to real bad, but nothing short of a zombie apocalypse, where all the technology lay in dust and ruin like Oyzimandia’s statue, will stop me from coming back to this filthy habit. As Hunter Thompson once described politics and journalism, it’s “a habit worse than heroin”. But what can we do? We’ll never be able to put the cat back in the bag now that’s out. The Social Dilemma is worth watching if you haven’t seen it already. I don’t think it’ll tell you anything you don’t already know or are at least aware of, but it has made me reflect on my own philosophical stance on the dilemma of social media and the apps that fuels our phone all of which are designed to keep pumping dopamine into your system. C

This episode explores the six principles of analytical design, as described by Edward Tufte, and how to apply them to content. Resources mentioned in this episode:Edward Tufte tips for successful presentations: https://www.edwardtufte.com/tufte/advocate_flatland2Edward Tufte Seminar: https://www.edwardtufte.com/tufte/courses Edward Tufte Sculpture: https://www.edwardtufte.com/tufte/sculpture

Hello there, it's episode sixty-four of The Presentation Boss Podcast. Way back when Thomas started listening to podcasts about presentations, he came across one called ‘The Presentation Podcast' (Yes, the similarity of the name is noted). It has since become his most listened to podcast. Nolan Haims is one of the co-hosts of that show and is a master in presentations, data-visualisation and PowerPoint design.More recently, Kate has jumped on board the Nolan Haims fan-train and were both excited to have a conversation with him about this topic. There's a load of valuable conversation about charts and graphs use, where design fits into presentation preparation, and how you can start to move from average data presentation towards something better for communication.About Our Guest With more than 20 years of experience in the field of visual communications, Nolan Haims helps individuals and organisations tell better stories with fewer words. He has created thousands of presentations including keynote addresses for Fortune 500 CEOs, TED Talks and multi-million dollar winning agency pitches.In a past life, Nolan was an award-winning magician and juggler and performed with the Moscow Circus and Vermont's Circus Smirkus before turning to theatre. He directed and wrote professionally, creating stories on stages in New York and around the USA for a decade.As Vice President and Director of Presentation for Edelman, the world's largest PR firm, he founded and ran a department dedicated to raising the agency's bar on visual communication.He runs his own visual communications consultancy in Montclair, New Jersey. Nolan trains organisations to think visually, speaks at national conferences, writes about visual storytelling at PresentYourStory.com, and is a co-host of The Presentation Podcast. As one of only 35 Microsoft PowerPoint MVPs in the world, he regularly advises the PowerPoint development team.What You'll Learn• What the difference is between using different graphing software to present your data• How using PowerPoint is exactly the same as using Prezi, Keynote, Google Slides or Canva• Why you should create graphs with quick comprehension in mind• How you can move your team/organisation from how they currently present data, to an objectively better way• How to build better data presentations• The debate around pie charts vs. bar charts• If you're just getting started, how you can begin to create better designed slides• Loads more – seriously, you have to just listen in!Mentioned In The Show• The podcast that Nolan co-hosts (and Thomas loves): The Presentation Podcast• Nolan Haims' blog: PresentYourStory.com• Nolan Haims' corporate website: NolanHaimsCreative.com• Edward Tufte's booksResources and Links • Email us: podcast@presentationboss.com.au• The Presentation Boss Podcast: https://presentationboss.com.au/podcast/• Kate on LinkedIn: https://www.linkedin.com/in/kate-norris/• Thomas on LinkedIn: https://www.linkedin.com/in/thomas-krafft/• Presentation Boss on facebook: https://www.facebook.com/presentationboss/• Presentation Boss on LinkedIn: https://www.linkedin.com/company/presentation-bossQuotes from the Show• “No presentation has ever been made better by adding a bullet point”

스탠다드아웃 80번째 로그에서는 팬데믹 이후의 업무 환경, 아이폰 SE 2세대, 베어 에디터 2.0 알파 등에 대해 이야기를 나눴습니다. 참가자: @nacyo_t, @raccoony, @ecleya 정기 후원 - stdout.fm are creating 프로그래머들의 팟캐스트 | Patreon 쇼노트 팬데미 이후의 업무 환경 / 시각화 / 접지 깃랩 르르르 꼰대 성향 검사 (KKDTI) The Work of Edward Tufte and Graphics Press seungho kim on Twitter: “판세 분석에 지도를 사용하면 지역 크기 때문에 시각적인 왜곡이 발생하는데, 이렇게 목록화하니까 더 괜찮아 보인다. 터미널엔 롯데리아, 동네에 맥도날드, 강남에 버거킹..? – OpenLook 아이폰 SE 2세대 iPhone SE - Apple (KR) iPad Keyboards - Apple Sidecar 기능을 이용하여 iPad를 Mac의 보조 디스플레이로 사용하기 - Apple 지원 Astropad Duet Display 베어(Bear) 앱 에디터 2.0 알파 Alpha Page | Bear’s Editor Future Evolutions | Bear App

0:00:45 Topic Introductions: Translational research, the role of research, and is there an article for everything? 0:03:31 Check out Dixon et al. (2016) Stimulus Preference and Reinforcement Effects of the Madagascar Hissing Cockroach (Gromphordahina Portentosa): A Case of Reverse Translational Research 0:03:34 Check out Jarmolowicz, D. P., Lemley, S. M., Mateos, A., & Sofis, M. J. (2016). A multiple‐stimulus‐without‐replacement assessment for sexual partners: Purchase task validation. Journal of Applied Behavior Analysis, 49, 723-729. 0:04:40 Check out Carl Binder and his contributions 0:06:08 Check out the video of Skinner's APA Convention keynote address in 1990 0:07:09 Topic Change: What is research? What kind of research is out there? 0:09:55 Check out Linda Hayes and her contributions 0:09:57 Check out the Parrott Hayes Lab at the University Nevada Reno 0:15:50 Topic Change: Ryan and Dimitri discuss when and how they search the literature 0:19:08 Check out the podcast Why We Do What We Do 0:21:20 APA Handbook of Behavior Analysis edited by Gregory Madden 0:24:58 Check out T. V. Joe Layng and his contributions 0:28:49 Shout out to Mark Malady! 0:29:35 World Hypotheses: A Study in Evidence by Stephen Pepper 0:30:40 Learning and Complex Behavior by John Donahoe and David Palmer 0:34:45 Topic Change: Dimitri and Ryan share their tips on critically evaluating and consuming the research 0:39:53 Retzlaff et al. (2020) A translational evaluation of potential iatrogenic effects of single and combined contingencies during functional Analysis 0:41:17 Check out Greg Hanley and his contributions 0:43:38 Hayes, Hayes, & Reese (1988) Finding the philosophical core: A review of Stephen C. Pepper's World Hypotheses: A Study in Evidence 0:46:40 Check out Steven Hayes and his contributions 0:46:42 Check out Mark Dixon and his contributions 0:46:43 Check out Mark Sundberg and his contributions 0:46:45 Check out Pat McGreevy's bio 0:53:45 Check out Rick Kubina and his contributions 0:54:34 The Visual Display of Quantitative Information by Edward Tufte 1:01:28 Check out Sham and Smith (2014) Publication bias in studies of an applied behavior‐analytic intervention: An initial analysis 1:08:24 Topic Change: So is there an article for that? Is there in other fields? 1:08:45 Food Dudes (Repeated Tasting Research Reference) 1:13:10 Check out these Acceptance and Commitment Therapy (ACT) Bootcamps 1:13:51 Check out the WWDWWD podcast episode on Berserkers 1:13:54 Check out the WWDWWD podcast episode on Zombie Ants 1:14:19 Tom Buqo 1:15:50 From AI to Zeitgeist: A Philosophical Guide for the Skeptical Psychologist by N. H. Pronko 1:20:35 Check out the What Works Clearinghouse 1:22:50 What Is Evidence-Based Behavior Analysis? by Tristram Smith 1:23:26 medical article with tiers/criteria? 1:25:58 Check out Edward Morris and his contributions --- Send in a voice message: https://anchor.fm/thecontroversialexchange/message

#Navjunk = is excessive ornamentation of navigation systems that distracts from actually helping people find directions #navjunk is Edward Tufte's #chartjunk, applied to direction systems. #UX Post ends with example of an excellent hospital patient navigation system "The Route Navigation" at Radbound UMC Article: http://www.gregoryschmidt.ca/writing/navjunk-vs1

What are the processes that a UX Team must go through to transform individual data points into user expectations? This second episode will explore storytelling, Edward Tufte, virtual reality approaches to data visualisation and Napoleon’s Russian campaign.

Dom Moorhouse is a business advisor, angel investor and serial entrepreneur. In 2004 Dom founded Moorhouse Consulting which he grew from nothing to a business that he sold for c.£20,000,000 less than 5 years later. After leaving Moorhouse Dom set up his advisory business ‘the 5 year entrepreneur' to provide mentorship and guidance for owners of Professional Services firms on how they can achieve the same success that he did. Dom is also an advisor and board member to multiple Professional Services firms and is currently focusing on his latest venture, Method Grid (www.methodgrid.com), which we discuss further in the Podcast. We cover so many topics in this episode including: The importance of life and career planning and how it has helped Dom achieve what he has How Dom founded, grew and sold Moorhouse Consulting The importance of cultural values that your team actually buy in to Building high performance teams and some of the pitfalls to watch out for as your Consultancy grows What you can do to ensure that the next Consultancy you move to is the right place for you The importance of health and relationships in building a successful Consulting career And so much more! You can find out more about Dom on his Linked In page – www.linkedin.com/in/dom-moorhouse-2abb6a/ and his personal website www.DomMoorhouse.com Specific things we discuss in the show: The Definitive Business Plan by Sir Richard Stutely - http://amzn.eu/fpJZhpI Managing The Professional Services firm by David Maister - http://amzn.eu/b695YsR Strength In Depth - Pairs CrossFit race - https://strengthindepth.com Tim Wigham - https://timwigham.com Perpetual Insights (PI) Recruitment - http://www.perpetualinsights.com Bath CrossFit - http://crossfitbath.com Why We Sleep by Mathew Walker - http://amzn.eu/eHQbDhc A C Grayling - http://www.acgrayling.com Growth Mindset - Mindset - Updated Edition: Changing The Way You think To Fulfil Your Potential by Dr Carol Dweck - http://amzn.eu/8UBerxb Show Me The Numbers by Steven Few - http://amzn.eu/aFgbpQ2 The Visual Display of Quantitative Information by Edward Tufte's - http://amzn.eu/6TSIR91 Paul Collins - https://www.linkedin.com/in/pecollins/ Getting Things Done: The Art of Stress Free Productivity By David Allen - http://amzn.eu/aC2KDRg The Primal Blueprint: Reprogramme your genes for effortless weight loss, vibrant health and boundless energy by Mark Sisson - http://amzn.eu/8Tx47Sd Method Grid – www.methodgrid.com

This week, we discuss Slavoj Zizek’s analysis of Kung Fu Panda, political activation in the Trump era, lessons from user experience design, civic engagement app ideas, cannabis legality in California, and to stay on top of your to-do lists. — About Apple Pie — Megumi (SF) and Eva (NYC) have weekly calls about how to balance ethics and hustle in a post-post-modern world. Click "Show more" for timestamps + topics. — Show Notes — 0:15 - Criminal Minds and Career Goals 2:05 - Kung Fu Panda Philosophy 16:50 - “Intense Laser Beam of Judgment” and Political Activation 19:45 - Police should talk to citizens 20:45 - Slack is not easy to use—what? 23:56 - Indivisible and activism 26:16 - Be cautious with appeals to emotions 27:16 - Change incentives. Sustainable food wins when you can buy it anywhere. 29:46 - Ending apathy with UX. “Fast food voting” 34:14 - Congress needs to get on ZenDesk 35:08 - Edward Tufte. “He’s a data viz GOD” 37:09 - Real life bat signal. “It’s gonna be like snapchat” 39:10 - Weed and politics. Call on your MOC to renew the Rohrabacher Farr Amendment (HR 975) 40:22 - It’s all about being woke. 40:49 - Task management masochism. 41:41 - We who cut mere stones must always be envisioning cathedrals. — Links — Follow us on Anchor for unedited calls: https://anchor.fm/s/a63b14 Soundcloud: http://soundcloud.com/applepiefyi Twitter: https://twitter.com/applepiefyi Instagram: http://instagram.com/applepiefyi Website: http://applepie.fyi/ Inquiries: applepiefyi@gmail.com Have a question about how to get a job in data science or ux design? Email us at applepiefyi@gmail.com

In Episode 9 of The Rights Track, Todd talks to professional lawyer and human rights researcher Professor Meg Satterthwaite from New York University about human rights advocacy. They discuss what it's like working across academia and practice, the challenges around evidencing impact and the role of data visualisation in communicating findings effectively. 0.00-04.10 mins Meg's dual role as lawyer and researcher - what it means to have a foot in both camps The sort of research Meg is looking at - which methods are most likely to create change - why there is a gap in knowledge and understanding around the outcomes and impact of human rights advocacy work. The increasing pressure from funders of NGOs etc to evaluate and show impact. The importance of quantitative research in the context of achieving and demonstrating impact. 04.10-08.15 Meg discusses work she is involved with on the right to water in gold mining areas in Haiti. She explains how local people get involved and ‘own' the research, and the importance of balancing that with ensuring rigorous, robust methods that can be trusted. Why ‘comparable' questions from other household surveys are used so that results from the project can be used in wider research in this area. The challenges of setting up this type of survey in a country like Haiti. 08.15 - 12.30 How can human rights research be communicated most effectively to different audiences? The role and process of visualising data. The importance of making sure you don't accidentally mislead people so making sure you have the right visualisation set in clear context to enable them to understand the data Meg gives an example of a data visualisation she used in research in Haiti on water use to make the issue relevant to her audience and help them understand it better Todd talks about how comics have been used to communicate injustice in Brazil. 12.30-15.15 The dangers of misleading people - how Meg and data visualisation colleagues have designed an online experiment to look at how people can be deceived with data visualisation - see the project website Discussion of how some media outlets have distorted data deliberately but also how some misleading representations of data are used unwittingly by human rights groups for example 15.15- 22.20 Tips on what advocates should think about to try to avoid pitfalls. Important to have someone who knows how to work with data either on the team or as consultant Meg refers to recent Rights Track episode with Patrick Ball on the importance of knowing when a data visualisation might be inherently misleading perhaps because the data isn't good Question the data before using it. Understand target audience and how they like to consume data - Meg shares interesting findings from her research on this. Wider discussion about the different ways of presenting data, what can work/not work with a general audience. The importance of accompanying narrative/additional information, clarification of what a data visualisation tells us. Mention of a book by Edward Tufte which is a great starting point for non academics interested in using data visualisation effectively 22.20-end Meg's new work on the negative impacts that human rights work can have on human rights workers' mental health Other useful links provided by Meg Satterthwaite Data Visualization for Human Rights Advocacy The Persuasive Power of Data Vizualization How Deceptive are Deceptive Data Vizualizations? Mental health functioning in the human rights field: Findings from an international internet-based survey The persuasive power of data visualisations Website of the Data Viz project I discussed It gives names etc of all collaborators in this project and info on our work, as well as resources for those interested in using DV in their HR work Podcast co-hosted by colleague and collaborator Enrico Bertini on data viz: Data Stories Ten Challenges to the Use of Data Visualization in Human Rights Blog post by Meg's colleague and collaborator John Emerson on ethical issues in HR data viz. Crowd-sourced list of data visualisation examples - please feel free to add! Suggested links from our partners at OpenGlobalRights Doubling down on human rights data Data-driven optimism for global rights activists Why framing matters—and polls only give you so much Research-based messaging changes public support for human rights Quantitative data in human rights: what do the numbers really mean? Violence data: what practitioners need to know

We tackle data visualization in its full technicolor glory! Kenneth, Kevin & Len are joined by Jeff Fletcher from IS Research & Innovation to talk about data visualization. Jeff has been working in the internet business for quite some time, from JINX to Telkom, Antfarm to IS, UUNet to 365 and finally back to R&I at Internet Solutions. We met Jeff a few years ago at Jozi.rb where he gave a D3 talk that blew everyone away. Since then Jeff has studied the art of successful data visualization and shares with us all the intricacies of generating effective graphics to communicate complex ideas. We got a history lesson on the origins of data visualization, starting with cartography and Florence Nightingale! We learn how visualization helped stop a cholera outbreak too! Jeff freely shared his knowledge and resources with us and we hope you can use all this to improve your own visualizations. Follow Jeff online: - https://twitter.com/fletch_jeff - http://limn.co.za Here are some resources mentioned during the show: * D3 at Jozi.rb - http://www.meetup.com/joziruby/events/180219732/ * Hype Cycle - https://en.wikipedia.org/wiki/Hype_cycle * D3.js - https://d3js.org/ * Tableau - http://www.tableau.com/ * QlikView - http://www.qlik.com/products/qlikview * Highcharts - http://www.highcharts.com/ * Cartography - https://en.wikipedia.org/wiki/Cartography * Nightingales's Graph - http://www.uh.edu/engines/epi1712.htm * John Snow's Cholera Map - http://www.theguardian.com/news/datablog/2013/mar/15/john-snow-cholera-map * Edward Tufte - http://www.edwardtufte.com/tufte/ * Ben Fry - http://benfry.com/ * Mike Bostock - https://bost.ocks.org/mike/ * Protoviz (predecessor to D3) - http://mbostock.github.io/protovis/ * Three.js - http://threejs.org/ * C3.js - http://c3js.org/ * Stephen Few - https://www.perceptualedge.com/ * Stephen Few's Show Me The Numbers - http://bit.ly/1N7e3zq * WTF Visualizations - http://viz.wtf/ * Data-Ink Ratio - http://www.infovis-wiki.net/index.php/Data-Ink_Ratio * iPhone Pie Chart trick - http://www.wired.com/2008/02/macworlds-iphon/ * ColorBrewer 2.0 by Cynthia Brewer - http://colorbrewer2.org/ * ColorBrewer with D3 - https://bl.ocks.org/mbostock/5577023 * Gestalt Principle - https://en.wikipedia.org/wiki/Gestalt_psychology * RStudio - https://www.rstudio.com/ * Wazimap - http://wazimap.co.za/ * Data Visualization and Communication with Tableau - https://www.coursera.org/learn/analytics-tableau * CS171 Visualization (Harvard) - http://www.cs171.org/2016/index.html * Dana Wong - http://donawong.com/ * Dana Wong's Wall Street Guide to Information Graphics - http://bit.ly/1oVndUa * Information is Beautiful - http://www.informationisbeautiful.net/ * Dear Data - http://www.dear-data.com/all * Visualize This - http://book.flowingdata.com/ And finally our picks Kevin: - Episode 26 - Open Data and Civic Hacking with Jason Norwood-Young - http://bit.ly/1T2km6w Kenneth: * Information is Beautiful - http://www.informationisbeautiful.net/ * Minard's visualization of Napoleon's March - https://en.wikipedia.org/wiki/Charles_Joseph_Minard * Among the Oscar Contenders, a Host of Connections - http://nyti.ms/1N7dVzP Len: - Johannesburg Clojure Meetup - http://www.meetup.com/Johannesburg-Clojure-Meetup/events/230015106/ Jeff: - The Visual Display of Quantitative Information - http://www.edwardtufte.com/tufte/books_vdqi - OECD Better Life Index - http://www.oecdbetterlifeindex.org/ - Real time global wind map - http://earth.nullschool.net/ Thanks for listening! Stay in touch: * Socialize - https://twitter.com/zadevchat & http://facebook.com/ZADevChat/ * Suggestions and feedback - https://github.com/zadevchat/ping * Subscribe and rate in iTunes - https://itunes.apple.com/za/podcast/zadevchat-podcast/id1057372777

章节（时:分:秒）： 00:00:00 开场。《IT 公论》会员计划 00:01:28 听众反馈 00:06:42 互联网技术圈耻辱柱 00:12:35 快播庭审 00:22:13 反恐法 00:31:03 联想在 CES 2016 发布的一些新产品 00:37:12 Smartisan T2 01:02:02 Netflix 全球扩张 01:10:33 平板电子杂志的衰亡 01:16:35 Oculus Rift 开始接受预订 01:34:10 尾声 本期会员通讯将于稍后发至各位会员邮箱。每月三十元，支持不鸟万如一和 Rio 把《IT 公论》做成最好的科技播客。请访问 itgonglun.com/member。若您无意入会，但喜欢某一期节目，也欢迎用支付宝或 PayPal 支付小费至 hi@itgonglun.com，支付宝用户亦可扫描下方二维码： 我们推荐您使用泛用型播客客户端订阅收听《IT 公论》，但您也可以在喜马拉雅、荔枝 FM 或网易云音乐收听。 相关链接 《IT 公论》博客 IPN 播客网络 Telegram 听众群列表 关于 Edward Tufte 的读音 六公司关于抵制流量劫持等违法行为的联合声明 Smartisan T2 关于 Mac 团队早期历史的 Folklore.org Criterion Collection Joel on Software Joel Spolsky Maciej Cegłowski Pinboard Plurk 关于美国国家杂志大奖取消「平板杂志」类别的文章 美国杂志发行公信会 General Magic IPN 播客网络常见问题解答 人物简介 不鸟万如一：字节社创始人 Rio: Apple4us 程序员

章节（时:分:秒）： 00:00:00 开场。《IT 公论》会员计划 00:01:28 听众反馈 00:06:42 互联网技术圈耻辱柱 00:12:35 快播庭审 00:22:13 反恐法 00:31:03 联想在 CES 2016 发布的一些新产品 00:37:12 Smartisan T2 01:02:02 Netflix 全球扩张 01:10:33 平板电子杂志的衰亡 01:16:35 Oculus Rift 开始接受预订 01:34:10 尾声 本期会员通讯将于稍后发至各位会员邮箱。每月三十元，支持不鸟万如一和 Rio 把《IT 公论》做成最好的科技播客。请访问 itgonglun.com/member。若您无意入会，但喜欢某一期节目，也欢迎用支付宝或 PayPal 支付小费至 hi@itgonglun.com，支付宝用户亦可扫描下方二维码： 我们推荐您使用泛用型播客客户端订阅收听《IT 公论》，但您也可以在喜马拉雅、荔枝 FM 或网易云音乐收听。 相关链接 《IT 公论》博客 IPN 播客网络 Telegram 听众群列表 关于 Edward Tufte 的读音 六公司关于抵制流量劫持等违法行为的联合声明 Smartisan T2 关于 Mac 团队早期历史的 Folklore.org Criterion Collection Joel on Software Joel Spolsky Maciej Cegłowski Pinboard Plurk 关于美国国家杂志大奖取消「平板杂志」类别的文章 美国杂志发行公信会 General Magic IPN 播客网络常见问题解答 人物简介 不鸟万如一：字节社创始人 Rio: Apple4us 程序员

2016 年第一期，我们请来 Huffington Post 的 China Editor 周宗珉和大家谈论美国的新新闻媒体图景。 本期《IT 公论》无章节功能。 本期会员通讯将于稍后发至各位会员邮箱。每月三十元，支持不鸟万如一和 Rio 把《IT 公论》做成最好的科技播客。请访问 itgonglun.com/member。若您无意入会，但喜欢某一期节目，也欢迎用支付宝或 PayPal 支付小费至 hi@itgonglun.com，支付宝用户亦可扫描下方二维码： 我们推荐您使用泛用型播客客户端订阅收听《IT 公论》，但您也可以在喜马拉雅、荔枝 FM 或网易云音乐收听。 相关链接 《IT 公论》博客 IPN 播客网络 Telegram 听众群列表 《IT 公论》第一六零期 Huffington Post Jay Rosen 纽约大学新闻学院 Studio 20 Google News Lab fellowship Google 的 AMP Project NICAR Edward Tufte The Visual Display of Quantitative Information 2015: The Year in Visual Stories and Graphics What is programmatic advertising? The mobile adblocking apocalypse hasn’t arrived (at least not yet) 最早用图表形式呈现统计结果的苏格兰工程师 William Playfair (1759–1823) If it bleeds, it leads 周宗珉的 Twitter @ZongminChow 周宗珉的新浪微博 @周宗珉 IPN 播客网络常见问题解答 人物简介 不鸟万如一：字节社创始人 周宗珉：Huffington Post 的 China Editor

On this, the 21st episode of The PolicyViz Podcast, I am very excited to welcome Edward Tufte to the show. As you might expect, I was excited to talk with Professor Tufte, so this episode is quite a bit longer than... The post Episode #21: Edward Tufte appeared first on PolicyViz.

Hi everyone! We have designer and activist Mushon Zer-Aviv on the show today. Mushon is an NYU ITP graduate and instructor at Shenkar University, Israel. mushon_bw-pic_2015He wrote the very interesting Disinformation Visualization piece for Tactical Tech's Visualizing Information for Advocacy and we decided to invite him to discuss the million different facets of disinformation through visualization. Is data and data visualization bringing some truth or should it always be considered an argument? Is there a way we can mitigate or even prevent disinformation? What strategies can designers use to make their opinions more apparent? These are some of the questions we discuss on the show. And don't miss the part on "data obfuscation," that is, how to use disinformation to increase our privacy! Enjoy this thought-provoking show! This episode is sponsored by Tableau Software, helping people connect to any kind of data, and visualize it on the fly - You can download a free trial at http://tableau.com/datastories – check the new Tableau 9! LINKS Mushon Zer-Aviv - http://mushon.com Shual Design Studio - http://shual.com Eyebeam / ShiftSpace - http://eyebeam.org Mushon’s Article: Disinformation visualization - How To Lie With Data Visualization Enrico et al.’s papers on vis persuasion and deception: How Deceptive are Deceptive Visualizations?: An Empirical Analysis of Common Distortion Techniques. A. V. Pandey, K. Rall, M. Sattarthwaite, O. Nov, E. Bertini. Proc. of ACM CHI Conference on Human Factors in Computing Systems (CHI), 2015. The Persuasive Power of Data Visualization. A. V. Pandey, O. Nov, A. Manivannan, M. Satterthwaite, and E. Bertini. IEEE Transactions on Visualization and Computer Graphics (Proc. of InfoVis), vol. 20, no. 12, pp. 2211 - 2220, 2014. Encoding / Decoding Model of Communication (wikipedia page) Edward Tufte’s Book: Beautiful Evidence Weinberger’s Book: Too Big To Know ISVIS http://www.isvisshenkar.org/ (israeli data visualization conference) Visualizing the Israeli Budget - oBudget.org AdNauseam - http://adnauseam.io (data obfuscation tool) Floodwatch - https://floodwatch.o-c-r.org (privacy vis tool from OCR) Columbia Professor Laura Kurgan NYU Professor Helen Nissenbaum Artist and Researcher Daniel C. Howe

Bonni and Dave Stachowiak talk about how to make your PowerPoint (or other) slides more effective. Podcast notes 2010 headlines: “US Army makes the world's worst PowerPoint slide” “We have met the enemy and he is PowerPoint.” Conflict in Afghanistan: Why developing a clear strategy was challenging. PPT in the crosshairs Edward Tufte (2006 publication) The […]

Summary Designer Brian O'Neill tells me what it takes to make a well designed piece of software. Details who he is and what he does; role as a designer vs developer; how to find out what is needed, getting feedback, including engineers in feedback process; what is great design, invisible interface, task flow, google as an example of good design, good task flow example, db tables should not dictate the view; who is responsible for good design; bridging the gap between designers and developers, learning design; steps in making a good design from the perspective of a designer and an engineer, laddering, sketch on whiteboards rather than using fancy software, user testing; why not to start from the data model; flexibility vs usability; engineers should be involved in user testing, self reflection; agile, incrementing rather than iterating, lack of user representative is common, design runway – designers stay ahead of engineers by a sprint, validation loops, don't worry about what people like about an interface only what they do; definitions of success from different perspectives; working as an insider rather than as an external contractor; conflicts between engineers and designers, justifying decision making and intuition, sum of design errors reflect on overall product, building respect between engineers and designers; just because the big boys do it doesn't mean you should; Brian's music; author recommendations, Edward Tufte, Stephen Few.

Ben talks to developer Joanne Cheng about lessons learned from the conference circuit, as well as the subject of her latest conf talk, Data-Driven-Documents within JavaScript, and trends in dashboard design. D3 Interactive Data Visualization for the Web Edward Tufte Why Most Dashboards Fail- Stephen Few FlowingData Overtone Let's Talk About Dials Joanne on Twitter AirConf

In this episode: AM's field report from the Edward Tufte one-day course Huge InDesign Magazine issue coming up, all about Adobe DPS Interview with Ben Schott, author of Miscellany and Schottenfreude Hidden uses for Live Preflight Obscure InDesign Feature of the Week: Entry End   News and special offers from our sponsors: >> PePcon: The Print + ePublishing Conference is the place to be to learn more about using Adobe InDesign for print, PDF, epub, and tablet publication projects. Come to Chicago June 15–18 and join us and hundreds of your hard-working colleagues from around the world, from all sorts of companies and universities, all there for the same purpose: to learn, to share, and be inspired. Special for InDesignSecrets podcast listeners: Use the coupon code CH73G to receive $50 off your PePcon registration! >> The long-running InDesign Conference is now part of the InDesignSecrets family, and plans are in the works for the next event. We'll make an announcement in the upcoming few months. Keep an eye on the blog and in your email's inbox!   Links mentioned in this podcast: Edward Tufte's books on Amazon InDesign Magazine InDesignSecrets membership Ben Schott's site and Wikipedia page Blog posts on dotted tab leaders here and here How to convert to outlines when exporting EPS Check out all our posts on preflight in InDesign David's Blatner Tools has a Quality Assurance module Other Preflight utilities: Zevrix's InPreflight and Markzware's Flightcheck  Here are some of examples of Ben Schott's writing and artwork (click each thumbnail to enlarge):        

Nikhil is now obsessed with Neo4J and other graphing databases, Java is the bane of our existence, Stephen Few and Edward Tufte know that practice makes pretty. Update on 3D printed glasses, so hip that hipsters aren’t even doing it yet. Princeton shoehorns Facebook into a disease model, and Nikhil might be a teenager because he uses Snapchat and Instagram.

Author Laura Lemay (@lemay) spoke with Elecia (@logicalelegance) about writing books, APIs, code, and science fiction.  Laura wrote many of the Teach Yourself ... in 21 Days books: her bibliography on Amazon. Laura's blog includes short stories.  November is National Novel Writing Month, see the NaNoWriMo site Edward Tufte wrote the amazing Envisioning Information (among many other beautiful and informative books) Neal Stephenson wrote Diamond Age Laura suggests Patrick Ness' The Knife of Never Letting Go

This week it's the new Apple announcements, new Image compression tools, and Edward Tufte's Slippery Slopegraphs.

Listen to the audio interview of Edward Tufte, from Maitri Erwin, as they talk about 3D cities, mobile platforms, and the future of information visualization in the web2.0 era

This week we cover SIGGRAPH2009, An upcoming interview with Edward Tufte, outsourcing VFX to India, and augmented reality on mobile devices.

Peter has a conversation with UX Week 2009 presenter Scott McCloud, best known for his book Understanding Comics, and more recently for the comic explaining Google Chrome. They discuss comics, visual expression, Edward Tufte, and the importance of believing in the message.

Dave talks about giving ourselves permission to draw, about how the printing press led us to communicate in a particular way, and about how that can limit our communication in a digital environment, about how PowerPoint can be both inhibiting and comforting, and about how where we are with video today is where we were with PageMaker 20 years ago.Dave says 'You don't have to be an expert to start - you just have to start'.There are several references in this episode:Dave's blog is Communication Nation (http://communicationnation.blogspot.com/).His company is Xplane (http://www.xplane.com/).Edward Tufte's inspirational book is 'The Visual Display of Quantitative Information' (http://tinyurl.com/27dw8s). Betty Edwards' book 'Drawing on the Right Side of the Brain' can teach you to draw - even if you don't think you can (http://tinyurl.com/36jbxj).The culture map is Dave's representation of the culture at his company Xplane (http://tinyurl.com/3a27bp).Dave's 'ListMania' booklist is on Amazon.com (http://tinyurl.com/25jqas).I mentioned Lee Brimelow of Frog Design. One of his sites is the WPF blog - it contains his presentation to the Microsoft Remix conference. (http://www.thewpfblog.com/)(References to individual books on this webiste are links to Amazon.com - we earn a small commission on any purchases you make on following such links).Duration: 30:57File size: 14.2MB