Podcasts about we got

Hey, what's that hanging on the studio wall? The guys give a huge shoutout to @BJPCreativity for the new studio sign (Thanks BJP!), talk about the recent news of explosions rocking the Kabul Airport in the wake of exiting U.S. forces, introduce a little politics and how Mike might run things if he were in charge, and dig into the COVID mandates in Australia and New Zealand before diving into ATV accidents, better Baseball, and the new twin-turbo Ford GT. Support BJPCreativity on instagram at www.instagram.com/bjpcreativity. Subscribe for more Uninfluenced: www.youtube.com/Uninfluenced Check out Mike Drop for more from Mike Ritland: www.youtube.com/MikeDrop ---------- 0:00 - Intro 1:00 - We Got a New Sign! (Shoutout to @BJPCreativity) 3:00 - Explosions at the Kabul Airport 20:30 - When's Mike Ritland Running for Office? 23:00 - Australia & New Zealand's COVID Mandates 28:00 - Millennials and Joe Biden 34:00 - Schoolyard Bullies 42:00 - Matt Drives Mike's New Car 57:00 - How To Make Baseball Fun (Again) 1:03:00 - My Biggest Backfire 1:09:00 - How Matt Flipped A 4-Wheeler 1:20:00 - A Twin-Turbo 7.3L Godzilla in the Ford GT? ---------- Support the Show: ► Support Uninfluenced on Patreon: www.patreon.com/Uninfluenced ► Official Uninfluenced Merch: www.bonfire.com/store/uninfluenced ► Check Out Our Amazon Store: https://www.amazon.com/shop/realtalkwithmatt ---------- Support Mike Ritland: ► Support Mike Drop on Patreon: www.patreon.com/MikeDrop ► Dog Treats, Training, & More at Fueled by Team Dog: www.mikeritlandco.com ---------- Stay Connected: Follow Matt Holden: www.facebook.com/realtalkwithmatt Follow Mike Ritland: www.facebook.com/mikeritlandco   Follow Zach Lewis: www.twitter.com/applezachintosh

This week Dave (https://dgshow.org/hosts/dave) and Gunnar (https://dgshow.org/hosts/gunnar) talk about the norms of dream coercion, the norms of encrypted messaging, and the norms of ransomware game theory Bo Burnham's “Inside” (https://www.youtube.com/watch?v=k1BneeJTDcU) Foo Fighters at the ICON Music Center (https://iconmusiccenter.com/) Are advertisers coming for your dreams? (https://www.sciencemag.org/news/2021/06/are-advertisers-coming-your-dreams) Silent Lucidity (https://www.youtube.com/watch?v=jhat-xUQ6dw) by Queensryche Unrelated: Sleep Sensing on Nest Hub (2nd gen) (https://support.google.com/googlenest/answer/10357288) Also unrelated: Amazon.com Wants to Monitor You in Your Sleep, for Your Benefit (https://www.bloomberg.com/news/articles/2021-07-09/amazon-com-wants-to-monitor-you-in-your-sleep-for-your-benefit) We Got the Phone the FBI Secretly Sold to Criminals (https://www.vice.com/en/article/n7b4gg/anom-phone-arcaneos-fbi-backdoor) Why everyone should use disappearing messages on WhatsApp and Signal (https://www.wired.co.uk/article/whatsapp-signal-disappearing-messages) Related XKCD (https://xkcd.com/538/) Opinion | Could Ransomware Become a Geopolitical Weapon? Game Theory Says Yes. (https://www.politico.com/news/magazine/2021/07/08/ransomware-game-theory-geopolitics-cyber-attack-498625) Cutting Room Floor * Smells Like Teen Spirit Cover In Classical Latin (75 BC to 3rd Century AD) Bardcore (https://www.youtube.com/watch?v=PbEKIW3pUUk) * Frozen's “Let It Go” Performed in Klingon (https://www.mentalfloss.com/article/606709/frozens-let-it-go-in-klingon) * “Don't Stop Believin'” Performed in Klingon (https://www.youtube.com/watch?v=uOJoOtk7Scw) * Subterranean Homesick Blues Performed in a Regional Jet Restroom (https://www.openculture.com/2021/06/the-airline-toilets-theatre-company.html) as performed by the Airline Toilets Theatre Company (and member of the Ukulele Orchestra of Great Britain (https://www.ukuleleorchestra.com/)) * ”Take on Me” Performed by Face Smacking (https://www.reddit.com/r/funny/comments/o137d0/oc_i_discovered_that_i_can_play_a_melody_by/) * Sublime Text (https://what-i-got.glitch.me/) to get What I Got We Give Thanks * The D&G Show Slack Clubhouse for the discussion topics!

EDT is one year old! Phil and Jake celebrate by ranking podcasts, ranked lists and metatextuality on the List of Every Damn Thing.If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook).SHOW NOTES: We don't talk about it in the episode, but we both watched Symbiopsychotaxiplasm, a noteworthy film dealing with metatextuality (though you could get a lot of the same effect from watching YouTube reaction videos or the Bo Burnham video where he reacts to himself). One thing that we enjoyed we enjoyed from Symbiopsychotaxiplasm was when a film crew member says that every husband and wife from the moment of birth are destined to say poorly written cliched banalities at each other and all they want to say is "you're cutting my balls off" and "you're not a real man". Phil mentioned a podcast where you can listen to old Knicks games along with commentary. He has no proof that such a podcast exists, maybe he dreamed it. He's listened to commentary of old games on Knicks Film School but not the actual audio broadcast. He's sure such a thing could exist though. Other podcasts mentioned include This American Life, Planet Money, Radiolab and WTF with Marc Maron. In one scene in Luca, the characters watch Big Deal on Madonna Street. BD on MS is a really influential crime/caper movie. Heist type movies seem like they're all either remakes of this movie or Rififi (which BD on MS itself seems like a response to). TV shows discussed include The Office, Fleabag, Moonlighting, Saturday Night Live, Frasier, Batman: The Animated Series and Watchmen. Songs discussed include “Something to Ride To” & “Freaky Tales” by Too $hort, “We Got the Beat” by The Go-Gos, “1999” by Prince, “The Ghost of Tom Joad” & “Dancing in the Dark” by Bruce Springsteen, “Tulsa Time” by Don Williams, “Hips Don't Lie” by Shakira, “Jackin' for Beats” by Ice Cube, “Don't Know What You Got (Till It's Gone)” by Cinderella, “Whiskey Bent and Hellbound” by Hank Williams, Jr. and “Ramblin' Man” by Hank Williams. We talk a bit about the Grant Morrison run on the comic series Animal Man, Phil remembers issue #5 (“The Coyote Gospel”) where Wile E. Coyote is reimagined as a Christ figure who dies over and over again in our world to redeem his own. Bonkers shit. Jake mentions issue #26 (“Deus Ex Machina”), where Morrison himself appears in the comic. Jake also talks about Morrison's The Invisibles, which he hasn't read, but has heard about it containing some magic where the author trades places with one of the characters. for the record, Phil says that Morrison uses a non-gender binary pronoun but the author's own website uses he / him / his so Jake probably isn't guilty of misgendering. Jorge Luis Borges also dealt extensively with himself as a character. Here's the short piece we mentioned. He's maybe the most meta writer. The idea of Countryman and the Cinematograph seems to be "country people don't know that movies aren't real". The idea of people not knowing movies aren't real is fun, which is probably why so many people-- including your humble hosts-- repeat the probably-urban-legend of people running for cover during early screenings of Arrival of a Train at La Ciotat. In the back of Las Meninas you can see the painter, Diego Velázquez. Phil was trying to remember the Hal Hartley movie Flirt in which the same dialogue is used three different times. He tries to remember the name of this movie a couple times a year but It's kind of boring so it's difficult. Other movies discussed include The Princess Bride, The Truman Show, Deadpool, Pee-Wee's Big Adventure, Caddyshack, Watchmen, the Star Wars movies, The Matrix, Trading Places, E.T. the Extra Terrestrial, the Wayne's World movies, Spaceballs, The Last Starfighter and Howard the Duck. ALSO DISCUSSED IN THIS EPISODE:finger quotes * parasocial relationships * jicama * tiered lists * metafiction * simulation theory * rap music * The Treachery of Images by René Magritte * Pee-Wee Herman * Duck Amuck * Watchmen (comic) * gophers * “Weird Al” Yankovic * bagels * The Three Stooges * Run the Jewels * Popeye * cubed ice * Jessica Rabbit * jorts * sriracha * Warner Bros. large-graphic cartoon t-shirts * Spinderella * Chris Gaines * McRib * Double Stuf Oreos * Cookies & Cream Oreos * Oops! All Berries * puns * nail clippers * shirtless men wearing elaborate angel wings, gold lame shorts & furry cha-cha heels * video games * saxophone in rock music * Bon Jovi * karaokeBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here):TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea Clement Street in San Francisco - location Prince - person It's-It - food Cher - person Pee-Wee Herman - fictional character Donald Duck - fictional character Hank Williams - person BOTTOM TEN:168. Jenny McCarthy - person169. Jon Voight - person170. Hank Williams, Jr - person171. British Royal Family - institution172. Steven Seagal - person173. McRib - food174. war - idea175. cigarettes - drug176. QAnon - idea177. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was edited by Jake MacLachlan, with audio help from Luke Janela. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net. 

Guest Sumit Sehgal of Armis, and Boston Medical's former CISO, comes on the show to discuss the uptick in cyberattacks on healthcare institutions and why it is no longer an option not to have cyber insurance, Ben takes a closer look at a specially modified Android phone, and Dave discusses how the Trump Administration's Department of Justice got creative in trying to ferret out leakers of classified information.  While this show covers legal topics, and Ben is a lawyer, the views expressed do not constitute legal advice. For official legal advice on any of the topics we cover, please contact your attorney.  Links to stories: We Got the Phone the FBI Secretly Sold to Criminals Trump Justice Dept. effort to learn source of leaks for Post stories came in Barr's final days as AG, court documents show Got a question you'd like us to answer on our show? You can send your audio file to caveat@thecyberwire.com or simply leave us a message at (410) 618-3720. Hope to hear from you. 

We Got the Unit (Uncanny X-Men (2011) #10) Reminder that you can read along with and ahead of the show by subscribing to Marvel Unlimited (we don't get paid for you doing that, so it's not an ad, it's just a cool service). You can also use Comixology, or buy the trades from your local comic book shop (the preferred method, if we're being honest). Be sure to check with your local library to see if they have them there! You can find one using this site (https://www.comicshoplocator.com/) Gary is on Twitter (https://twitter.com/garybuh), and Jeremy is too (https://twitter.com/jggreer). Duckfeed is on Patreon (https://patreon.com/duckfeedtv), which is a great place to support the show. Keep up with the podcast by checking out our Schedule Page (https://daysoffuturecast.com/schedule). Music by Gary, podcast art by our friend Wayne (https://twitter.com/onsideseven)

Hello Runners, It is July! Summer is moving at lightning speed and soon, fall race season, however that will look, will be in full swing. That means you must be in full training if you are doing a fall race. My guest in this episode is Letty Lundi, co-host with her husband Ryan, of the https://www.marathonrunning.us/ (Marathon Running Podcast by We Got the Runs.) Letty started running in her mid-20s and started marathoning in 2009 during law school and completed about 20 of them all around four hours. She became an immigration attorney and kept running marathons here and there, and started taking running seriously after her second child because she wanted to qualify for Boston. She sought out a coach and started really training for the first time and ran a 3:23 at the 2019 https://mountains2beachmarathon.com/ (Mountains 2 Beach Marathon). Later that same year, she PRd with a 3:18 at the https://podcasts.apple.com/us/podcast/marathon-running-podcast-by-we-got-the-runs/id1516403452 (Chicago Marathon) and she plans to meet or exceed that time this fall in https://www.baa.org/ (Boston)! Me, your host, is also getting serious about running and training for a half marathon in August at altitude and a whole lot of downhill. Feels good to finally have a running goal. Now if my body will only feel that good!!! Oh yeah, https://runningmagazine.ca/sections/runs-races/crocs-wearing-runner-posts-10633-half-marathon-in-utah/ (Benjamin Pachev) ran a 1:06:33 half-marathon at the https://www.utahvalleymarathon.com/ (Utah Valley Half-Marathon) last month. And he ran them in those funny-looking clogs, https://www.crocs.com/ (Crocs.) And the whole family wears them. This is amazing. Thank you for listening to the https://feelgoodrunning.com/ (Feel Good Running Podcast), and please share this with your running friends and on your social media platforms. I would very much appreciate it. Train hard, run harder, and be well. And remember to be kind to others, even if some are not kind to you. It's good for the soul! ~ Jim   SHOW NOTES Letty Lundi - https://podcasts.apple.com/us/podcast/marathon-running-podcast-by-we-got-the-runs/id1516403452 (Marathon Running Podcast) - https://www.marathonrunning.us/ (Website) - https://www.facebook.com/travelletty (FB Page) - https://www.instagram.com/travelletty/?hl=en (Instagram) Benjamin Pachev (Wearing Crocs) - https://www.runnersworld.com/uk/news/a36406163/5000m-wearing-crocs/ (Runners World Article) - https://runningmagazine.ca/sections/runs-races/crocs-wearing-runner-posts-10633-half-marathon-in-utah/ (Canadian Runner Article) - https://magazine.byu.edu/article/running-with-crocs/ (Y Magazine Article) https://www.youtube.com/watch?v=-6eQtITh3XM (Video from Utah Half-Marathon) - https://www.youtube.com/watch?v=ysI179Gp5N0 (5000 Meters Video)   Inspirational Running Quote "That's what running does to lives. It's not just exercise. It's not just achievement. It's a daily discipline that has nothing to do with speed, weight, social status, sexual orientation, political affiliation, where you live, what car you drive, or whether anyone anywhere loves you. It's about the slow and painful process of being the best you can be." ~ Martin Dugard   Communicate  Listener feedback is essential to Feel Good Running. Is there a guest you would like us to feature? Do you have any suggestions on how to improve the podcast? Whatever it is, we would like to hear from YOU! Send a personal email to host Jim Lynch.   Subscribe Get on our email list for the Feel Good Running Newsletter. You will receive a gift of 101+ Running-Related Links. All the necessary running links you will need right at your fingertips: Apparel, Podcasts, Training Programs, Publications, and more! Get on the list today! https://feelgoodrunning.us8.list-manage.com/subscribe?u=79dc810cc4ed20954f08e82dc&id=74f871b78f (Click Here!)   Share "Feel Good...

WE GOT 1 GAME IN AXIE INFINITY Jason Trio @bittrio #Health #Family #Bitcoin

Kiddy Pink was live. 3d · Loc'T & Loaded ; UNpretty pt. 2 Last week this conversation was necessary because cosmetic surgery was trending due to K Michelle's new face! A majority agreed that black men and white society were the biggest influence to beauty standards and the ones who feel as though they are able to tell us what's lady like or inappropriate, mind you none of them have a vagina.... anyway today I wanna discuss/acknowledge the recent comments on Chloe Bailey's Juneteenth performance as well as Sha'carri Richardson's image instead of celebrating these young black ladies A MAJORITY OF OUR COMMUNITY DID THE OPPOSITE!!!!!! We Got a few surprise guests dropping in tonight! So make sure you are tuned in!!!! set your reminders! WE ARE LOC'T & LOADED! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/kiddypinkradio/message

Durand Jones & The Indications hit the summer jam sweetspot, Tall Black Guy invokes a higher consciousness on "We Got to Do Better" and Paul Jackson shows off his bass finesse with Herbie Hancock. Plus boogaloo jazz from Jimmy Sabater and Ramsey Lewis, necksnapping boombap from Black Moon and De La Soul, and a red hot 2-stepper from the Isley Brothers. View the full playlist for this show at http://www.wefunkradio.com/show/1077 Enjoying WEFUNK? Listen to all of our mixes at http://www.wefunkradio.com/shows/

GP and Geoff discuss some pretty disturbing animal stories, Grizzlies and more in Hour 2 + WE GOT  A BRAND NEW DATELINE  See omnystudio.com/listener for privacy information.

This week we are happily joined by a fellow creator. Christopher Stricklen is a photographer, an ambassador to some of the best brand in cycling, and he hosts the "We Got to Hang Out" podcast. More important for you, he is a great storyteller and this week, he shares his story with us. Photo: Jeff Masamori. @jffmsmri Visit Photo Pace Subscribe to The Gravel Lot. Social Media: Patreon - Facebook - Instagram - Twitter - YouTube - Twitch - Streamlabs The Art of Being a Pebble: A TGL Manifesto Be Free Ride Bikes: The best kit on the market, customized to YOUR specifications. Grimpeur Brothers Coffee: Purchase Viewer Mail or Hello Cyclocross Friends Espresso and support WAP today! Handup Gloves: Use code "PEBBLE$" for 10% off EVERYTHING in store. The Ritual All Natural Skincare: Handmade, small-batch chamois cream made exclusively for your shop or team. BioWheels Fit Studio and Workshop Visit The Gravel Lot website for our latest podcast, Real Talk videos, Bonus Content, shop, social media, and everything in between. Support The Gravel Lot on Streamlabs Or Donate to TGL here Our intro and outro music is from Wataboi, so many thanks to him for the jams, check him out on all the major platforms! https://soundcloud.com/wataboi Special Thanks to Justin Balog and Mixed Media Machine

In this episode we do a race review or race recap of the Keys100 ultra marathon relay which we completed this May, 2021 with our 6 member co-ed team called “We Got the Runs”. This event is a 100-mile point-to-point running race from the island of Key Largo to the southernmost point in Key West for individuals or teams. Our team members all made wonderful memories and learned a lot of lessons along the way. If you enjoy race recaps or if you are considering part-taking in a relay, this episode is for you. In the episode we also briefly touch base with Bob Becker, the race organizer. (if you want to hear more about him, we interviewed him in episode 34). The website to the event is www.keys100.com Our instagram is @runningpodcast Our facebook group is https://www.facebook.com/groups/220352729337114/ And our NEW website is www.runningpodcast.us --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/marathonrunningpodcast/support

I know we're not perfect, but we've never done a pod for no one! In this ep, Mat and Tim celebrate the first blockbuster album release of the year: SOUR by Olivia Rodrigo. Why does her teenage angst work so well? Why does she remind Tim of Blue October? And should Joshua Bassett be fired into the sun? Grab your strawberry ice cream, take a car ride to Malibu, and find out with us![Note: This episode contains explicit language.]SONGS PLAYED:Olivia Rodrigo - happierOlivia Rodrigo - drivers licenseAs Tall As Lions - Love, Love, Love (Love, Love)Olivia Rodrigo - grossTaylor Swift - Begin AgainJoshua Bassett - Lie Lie LieSabrina Carpenter - SkinOlivia Rodrigo - deja vuBlue October - Hate MeOlivia Rodrigo - good 4 uThe Go-Go's - We Got the BeatOlivia Rodrigo - brutalSHOW AND TELL:Mat: Olivia Rodrigo & Paramore - good 4 ur misery business (Mashup)Tim: As Tall As Lions - CirclesSponsored by High School Musical: The Musical: The Series.

Ep. 66: We Got a Friend in Mo (feat Amazelife) by Pilot Talk Podcast

Brooklyn Nets fans, Keith and Hudson, are "Talkin' Nets" basketball at the end of the best regular season ever! The Nets franchise best winning percentage, highest avergage points per game, finishing 25 games over 500. Most importantly, we're healthly...assuming Joe Harris is good to go this weekend. We talk hit the news and narratives first. We talk Spencer's Forbes article, Mike James remaining with the team, and Kyrie's historic 50/40/90 season. We play your voicemails and quickly run through these last three games. WE GOT 3 REVIEWS! We read them on the pod so if you're reading this now go leave a review! We also hit 10k on Twitter as we returned to Barclays for the first time in well over a year. Celebrations all around. This is the best time ever to be a Nets fan and we thank you for joining us on this ride. We're on to the Playoffs and the road to the NBA Finals now. We're winning this thing and bringing a chip back to New York. Our world, Nets world. Tell a friend to tell a friend we're Talkin' Nets! Thanks again for listening...subscribe, rate 5 stars, and leave us a review! Call and leave a voicemail: (201)870-0461 Buy some Talkin' Nets merch https://shop.jomboymedia.com/collections/talkin-nets Follow us on Social Media https://twitter.com/talkinnets https://twitter.com/Keith_McPherson https://twitter.com/HudsonFlynn_ https://www.instagram.com/talkinnets/ https://www.instagram.com/keithmcpherson/ https://www.instagram.com/hudsonflynn_/

Steve Denker, most recently Vice President of Marketing and Digital for Turner Classic Movies, chats with Rob at the virtual 2021 South by Southwest. In this interview, he gives his perspective on what he looks for when “working with agencies.”  In the mid-90s, Steve worked for Aramark at Fulton County Stadium/Turner Field, managing relationships with the brands and products that were part of that stadium experience. He observed how fans interacted with Coca-Cola and highlighted opportunities for Coke to increase sales and strengthen the link between the experience and the product. Coca-Cola liked his approach and brought him onboard to develop the experiential look and feel of Coca-Cola in a wide variety of venues.  After a while, Steve understood that Coca-Cola was large enough that it would be a long time before he would have the opportunity to manage people, explore the emerging field of digital marketing, and gain product sales experience.  He took a position with RentPath, leading the marketing and advertising outreach for apartment guide publications at Apartment.com. From 2001 to 2008, Steve worked directly with companies that “touched” the rental process . . . selling digital advertising to utilities, renters' insurance companies, and movers and helping people find the right place to live. “Moving is an incredibly stressful time,” Steve says. In 2011, Steve joined Relocation.com, doing lead generation and business development out of New York. He connected with an individual who owned the Beach.com domain. Together, they planned to build the world's largest and most comprehensive database of beach and beach destination information. When heavy competition from Travelocity and Expedia prevented Beach.com from getting the desired level of traffic and sales, Steve decided it was time to move again. He values his involvement in this “failed venture.” “I can't tell you the lessons learned from that experience I have taken through everything else I've done, both personally and professionally.” All that “good stuff” found its place when Steve joined a consulting firm in Atlanta. (Steve's Beach.com partner still manages the reimagined site.) In 2016, an old buddy from his Coca-Cola days invited him to build a marketing department at Turner Classic Movies. Steve was at TCM for 4-1/2 years. Outsiders may think large organizations have such a wealth of internal resources that they don't need help from agencies. Far from the truth, Steve says. Agencies are important for their unique talents, expertise, efficiencies, and ability to help “execute the vision.” Steve describes what he looks for in agencies. Once agencies get past the first cut of “Do they have the ability to do what we need them to do?”, he needs to know that they “either already understand our business and who our customers are or have the capacity to understand that in a very short period of time.” He thinks organizational leaders need to have a laser focus on what they are trying to accomplish and understand both functional and emotional business priorities. Steve recently started thefasttimes.net, a weekly culture e-zine for Gen-Xers and wannabes, and reaching out on Instagram and Facebook and Twitter. Transcript Follows: ROB: Welcome to the Marketing Agency Leadership Podcast. I'm your host, Rob Kischuk, and continuing in our South by Southwest series, I am speaking today with a friend, a friend of the podcast, and not an agency owner but a marketer with a tremendous history that I think we will all benefit greatly from. My guest is Steve Denker. Steve was most recently Vice President of Marketing and Digital for Turner Classic Movies. He's based in Atlanta like me, but we are still in COVID quarantine, talking online. Welcome to the podcast, Steve. STEVE: Thank you, Rob. Thanks for having me. It's been great running into you at local marketing and industry events over the past probably 8+ years, and at South by. Hopefully I'll have a chance to work with Converge and/or Bellwood Labs in the future. ROB: I appreciate that. I think I met you one fine day when you wandered into the Flashpoint Startup Accelerator here in Atlanta in the season of Beach.com. At least, that's a memorable moment in your career. But you've done a great deal of things. Why don't you start off by running through your journey and path in marketing, to give us an idea of the context you come to us from? STEVE: Sure, thank you. And I do remember that day when we met downtown. I started out – I'll back the train up a couple of stops. I grew up in Philadelphia and went to school in New York and came down to Atlanta in the mid-90s for a company called Aramark that was responsible for the concessions, the merchandise, and general operations at stadiums and arenas around the country, among some other businesses that they're in. I started working at Fulton County Stadium and eventually what became the new Turner Field. My position really was more in an operations role, but I was responsible for the relationships with all of the brands and products that were part of that stadium experience. I was working with the Budweisers and Starbucks and Bluebell Ice Cream, Coca-Colas of the world. Any product that was looking to get in front of those fans. It's interesting how I eventually used that relationship to transition to a role at Coca-Cola because I was watching the fans and seeing what they were doing at every game. I had the opportunity to watch their behaviors and see their traffic paths and their buying habits and so forth. So when Coca-Cola brought a team down once or twice a season to take a look at their assets, I had the opportunity not just to nod my head and say, “Yeah, the umbrellas are faded” or “We need new menu boards,” but really share with them what was going on and how the fans were interacting with Coca-Cola and how it was part of the experience to watch a Braves game. By putting together some plans and sharing with them where I thought they could not only accelerate sales, but also make the brand more part of the experience, I caught the attention of a few folks within that sports and marketing group, at the time called Presence Marketing. Not long after the Olympics, I transitioned over to that group at Coca-Cola and was then part of that experiential look and feel of Coca-Cola at stadiums and arenas, Disney, Universal, and so forth, in a creative capacity. It was a terrific move. The group was run by Steve Koonin, who is just Atlanta royalty and the CEO of the Hawks and State Farm Arena. He really was bringing so many innovations to this group and to the way that Coke was marketed. I was really fortunate to be part of that team and that group. From there, a couple of years later, I had an opportunity to go to a company most recently called RentPath. At the time it was called PriMedia. Also here in Buckhead. What was missing at Coke at that time when I left – I think there were three things I was really looking for that were going to take a while. I was looking to manage people and learn how to do that. I felt that was a good next step for my career. That would've taken a while within that multinational structure. Digital was something that, in the early 2000s, was really the forefront of what the next part of marketing was. Coke wasn't paying as much attention to it as other companies were. Then finally, I was looking for something that would give me real sales experience, not just internally and working with other groups, but actually selling products. Again, I thought that would be something at the early stage of my career that I would learn and use for the rest of my days in terms of working in any capacity. So RentPath offered those and more, and I went over and led the marketing and advertising for the apartment guide publications at Apartment.com. This was early on lead gen and getting folks into and around their apartments, their living situations. It was really interesting, because it was working directly with any company that has to do with that process, whether it's your utilities and your phone, renter's insurance, physically moving – anything like that were opportunities for myself and my team to sell advertising to. These were the early days of digital advertising, if you can imagine: banner ads with CPMs of $60-75 and relatively no accountability. Not even serving accountability. Forget about click-through rates; did you actually serve the ads I just paid for? That was even, at the time, a little murky. Companies just wanted to be part of it. As long as they went onto the website and saw their ad, they said, “Keep serving it.” It was really interesting to see the growth of the industry from, again, banner ads and text ads to what it is today – particularly at that time of 2001 through 2008, when it really exploded into the framework of what we see today with data and analytics and accountability. It was exciting to see that grow. I left for a company called Relocation.com, which was lead generation and business development out of New York. I'd spend a week a month in New York and then back to Atlanta again. I connected with someone in New York who owned the Beach.com domain, and we had plans to build the world's largest database of beach information. Not just every beach in the world, but hotels, vacation rentals, restaurants, activities, local information, local concierge services – really anything that would have to do with a beach destination or vacation, and build out this massive portal. At the time in 2011, this is when people really were using Travelocity and Expedia. There was heavy competition from these other sites. We went ahead and raised some money, built a plan, and it just didn't take off. It didn't get to the level in terms of traffic and converting users into revenue and sales that we had hoped for. All shook hands a few years later, back in 2013, and the site is still live right now. My partner at the time is still running it with a couple of different objectives. But I can't tell you the amount lessons learned from that experience I have taken through everything else I've done, both personally and professionally. I look back at that and have no regrets on taking that business risk. I think if we had done a couple of things differently – many things differently – we would've had a different outcome. But again, we pivoted. A lot of key learnings from that that I've been fortunate enough to share with other folks. That's what I did after that at a consulting firm here in Atlanta and had some great client relationships with companies like PDS and a company called AGRO Merchants Group, a healthcare company, we did some work with Blackstone. Eventually, one of my earliest relationships from Coca-Cola, a woman named Jennifer Dorian, who is a mentor and a friend and could not be a bigger rock star – she's now the CEO over at Atlanta Public Broadcasting & Radio. She was on Steve Koonin's team as well. I worked with her in the Coca-Cola days and had stayed in touch with her really for 20 years. We were having coffee or lunch once or twice a year just to catch up and so forth. She at the time was general manager of Turner Classic Movies and gave me a call and said, “Hey, we're looking to build a marketing department and expand what we've been doing.” This was in late 2016. She said, “Would you like to come over and interview with a bunch of people?” I did that, and a couple of months later I had moved over to Turner and had an amazing four and a half years there. ROB: It's quite a journey. I think it's interesting to point out that all the way through Beach.com, and probably a little bit after that as well, you were in early on the customer journey. Moving, to an extent, is kind of the ultimate customer journey. You combined that in the digital space. You mentioned the high CPM, but the customer lifetime value is also quite high if you can get somebody into an apartment for a couple of years. STEVE: Absolutely. That's a great point. Not only is it part of that initial customer journey – wherever that came from and whatever company claimed to own that verbiage and so forth, it was the beginning of that – but it was also, I think, a very critical time when working with customers. I was working in industries where you really can't screw it up. In other words, moving is an incredibly stressful time. If someone doesn't find the right apartment, if you haven't given them all the information – and again, we were the connector. We weren't the apartment complex, but we were certainly helping them find that right place. But if they didn't move into the right place, if they found out it was an hour commute from where they worked and they didn't realize that, or if they moved into a place in Alpharetta and their friends were all in Buckhead and they didn't realize it was a 45-minute drive, not 10 – all of these different things, they looked back and they were upset with us and the recommendations we made. And on the moving side, same thing. Again, it's very stressful. If that moving truck doesn't show up on time – think about all the things physically connected to moving your stuff. You're trying to time everything out on a particular moving day. It could be hooking up utilities or having to be out of one place and into another. If something isn't right and you realize that all of your possessions are now on an 18-foot U-Haul and that is broken down on the side of a road, it's not good. So I think it's understanding how important it is to take care of the customer and really understand what it is emotionally they're going through when they're finding a place to live, when they're physically moving. At Beach.com, it was your vacation. Most people have two weeks a year, and that vacation is very important for them to recharge and connect with family or friends. It's an important part of your life. If somehow I was part of an organization that screwed that up, it was on me, and it was something that I took very seriously. ROB: Definitely a lot at stake there. Steve, one thing I think you can shed particularly interesting light on is maybe your time at TCM. You have a unique perspective for a guest on this podcast. You're kind of on the other side of the table from the marketing agency, so I think it would be interesting to explore TCM through the lens of what that brand–agency relationship can look like. STEVE: Sure. Absolutely, I'd love to do that. At TCM, we really looked at ourselves as part of the larger Warner Media portfolio. I think every brand looks at themselves as their own business, and we were certainly no different in that we had a very clear set of objectives and goals in terms of growing our brand to the audience, making sure that people not only tuned in and watched, but also couple participate in other ways if they didn't have TCM on cable. Now there's HBO Max and ways to watch, but also, there are a lot of other events and other enterprise businesses that TCM was a part of. Running all these events, I think some people from the outside may look at a company like Warner Media, AT&T being the parent, and say, “Oh, there's got to be so many resources within the company that there wouldn't be a need to tap into agencies.” That couldn't be further from the reality. I've worked with agencies for a very long time; they bring unique talent to a company like Warner Media and particularly TCM. We would work with agencies for their expertise, for their efficiencies, and for them to help us execute the vision. They were a very important part of what we did. We had a couple of different ways we could structure relationships. Certainly, there were some contractors or freelancers that could come in for some very small projects or very specific projects that maybe had to do with production or one part of a creative execution. But for the most part, working with agencies was something that we did, and we worked with a couple of Atlanta agencies that really knocked it out of the park for us. On the TCM side, early on when I started, we had a product called FilmStruck, which was this amazing streaming service of independent, foreign, and arthouse films. It was the first streaming service that Turner had launched, and eventually it was shut down to make way for HBO Max. But as we launched it, we worked with Nebo here in Atlanta. This team really dove into that customer journey and what the needs were, really end-to-end, of generating subscriptions and long-term value from those users, and ways to distribute and share what we were offering and get it out there. Again, these were not things that internally we had access to. I think a lot of us had pieces of the puzzle in our backgrounds and we had some very good folks internally that had acquisition experience, subscription acquisition experience even. But tying it all together – if you think about every customer touchpoint from copy for the website, both the frontend and the backend, things like thank you emails, things like the weekly newsletters and drip campaigns to get people excited about new content and new programming coming, ways to reengage folks, knowing how much time they're spending on the service and ways to get them excited about spending more time, sharing with friends, seasonal deals like “Hey, get this for someone for Mother's or Father's Day or a holiday subscription” – all of these different occasions to buy and reasons to stay are things that they helped us with in terms of those campaigns. ROB: How did you think about the agency selection process? Did you have a bake-off of some sort? Did you know what direction you were leaning? Because knowing the Turner/Warner Media ecosystem – I know local shops who have built web games for Falling Skies; I know global agencies on the PR side who've done analytics work for TBS and TNT. So you could really run the spectrum. How did you approach that selection process? STEVE: Right now – and this wasn't available for a couple of years while I was there, but has come on – there's now a database within Warner Media. Folks that work with agencies all around the country or international ones put in – it's not a scoring process and you look for the 90s or above, but it's more or less, “Hey, I had an experiential agency work on a large outdoor event with us. They did an amazing job. Here's the contact information, here's what they did, here are some pictures.” That exists now. So that's certainly a tool that I think some folks at Warner Media are using. When we selected Nebo – and more recently 9Rooftops, which has a great office here in Atlanta, that did some great work for us as well – so much of it is word of mouth and being in the Atlanta community, being part of AMA. That's exactly what I did. I reached out to a good friend of mine, Joe Koufman, at a company called Setup, and said to Joe, “Listen, I'm looking for an agency. This is what we need them to do. This is an outline of the project. What do you recommend?” He came back with three or four really strong recommendations, and that's where I started. Then from that, we sat down with the agencies – and I'm not a fan of having agencies do work for free. I don't think that's right. I don't think that's a way to start the relationship. So we didn't ask any agency to produce work; we really just had conversations with them to share ideas. We said, “Here's what we're looking to do. Come with some ideas.” Each of them got a time slot, and we, again, just had a conversation with them. For Turner Classic Movies – and I imagine this is the case with a lot of either networks or other brands – the number one thing that I look for in an agency is that they either already understand our business and who our customers are or have the capacity to understand that in a very short period of time. Certainly the agencies that I spoke with all got it. They came to the table with ideas around that. Now, they don't know all of our business, and that's completely to be expected. We didn't expect anyone to understand some of the internal ways that we connect with our audience. Those are things that as soon as we awarded the business, very early on we sat down and shared that. It may have even been at a late stage pitch that we shared it. But we're looking for an understanding of what we do and why we do it. If an agency gets that – because every agency we're talking to already has the technical capabilities. There's no doubt. There's a ton of talent. But it's a matter of, do you understand what we're trying to do? And then really understanding the logistics of who's going to be working on this and your process, the best way to establish how we communicate together, how we discuss the deliverables together, and who leads that on each side. ROB: That's a great client-side perspective. The empathy required, the value of reputation, the value of community engagement. It's so interesting. I'm in this mode now where people we're talking about working with – people still want to get together for lunch. In spite of, and maybe especially because we've all been in our houses for the most part for the past year, people are like “Let's catch lunch outdoors.” That's in bounds for me right now; some people are holed up. But geography, it seems, is still going to matter quite a lot. At least people will say, “I want a company with a local presence.” Nobody really even knows what that means sometimes, but it's what we want. STEVE: Again, there's so much talent in Atlanta. I think looking outside of Atlanta in most cases is really not necessary. The talent is here. It is really nice to have face-to-face meetings. We all know they'll be coming back. Even now, I've had several meetings outside at large picnic tables at a park or a restaurant with folks. That's really how you get to connect with people you're working with, especially on these types of relationships where it's really important that everyone understands what the objectives are together. I'm just a believer in face-to-face when it comes to things like that. I know certainly working remote right now has worked for many people, and even if agencies are local, they may have folks on your account that are in other cities. We worked with a company and that was the case; someone happened to be very talented on the digital team that worked out of South Carolina. And that worked out fine as well, but it was still nice to be able to have some reviews together in person. Again, I'm such a believer in Atlanta being this epicenter of culture and talent and tech, and that's who I want to work with. ROB: That's something for us all to think about as we start to emerge. Steve, you had some thoughts on some key lessons you've learned along your journey as a leader, as a marketer, as an executive. What would you reflect on if you could talk to your younger self about what to think about as you develop? STEVE: [laughs] I don't know where I'd start. That's funny. I think looking back, Rob – and it's such a great thing to do every once in a while, even if you're not talking about it to other people, but just to reflect on things you've learned. I can think of several in particular, and a lot of them are coming out of the Beach.com experience I had, but I think some of these apply throughout my career. Certainly engaging with customers to understand what it is they want, how they want to receive your information, when they want to receive it – you remember the beginning of that whole integrated marketing push? That's what people said integrated was. I think there's a through-line to everything we do now. There are so many different ways to receive information, so many platforms. But at the end of the day, if you don't understand what your customer wants and how they're going to react to what you're sharing with them, what that call to action is, then I think there's always going to be a miss. That's something I've learned that I took with me from those days on throughout the consulting and throughout my time understanding our audience at Turner Classic Movies and HBO Max. Next, I would say having someone that has either domain or IP expertise on your team or advising your team is so critical because again, that's the type of experience – when I was at Beach, we really would've benefited from having someone in the travel and hospitality business being a close advisor to us. I think we all thought because we were customers, we knew what other customers wanted, but we weren't seeing the big picture. I was just seeing it at the time for myself, married and two young kids, “This is how I vacation so everyone probably vacations like this. This is how we plan,” not knowing that that's a very small segment of how it's done. So I think having that advisor or having someone baked into the company that really understands – that domain expertise is critical. I would say probably the most important thing I've learned over time is just having a laser focus on what it is you're working on and really understanding both the functional and the emotional priorities of the business. And that focus isn't just for entrepreneurs; I think it's just as important in mid-size and large multinational companies. It's a challenge when you manage high-achieving and creative people. They always want to bring new ideas and new innovations to the table, and that's a great thing. That's what you look for as a leader. But I can't tell you how many times I said to my manager at Turner, “Look, this is only going to take 5 minutes” when nothing takes 5 minutes. What a lot of people don't realize, and it took a while for me to learn, is that it doesn't just take time away from what you're currently working on; there's an opportunity cost as well when you try to veer off the course – even to do something that wasn't necessarily in your plans, but eleventh hour, something popped up and you thought to yourself, “We should add this in.” Sometimes you need to make concessions and figure out a way to make it work, but I would say most of the time, all it's going to do is create a distraction. It's easy for that to happen. You could have marketing plans and then something like Clubhouse pops up and you're like, “We need to be on Clubhouse. We should create a room and get some experts to join us and talk about our product or service.” That might be a great part of the strategy, but if that's not what you were initially planning to do, then 9 times out of 10, it's better to continue to focus on what it is you were doing and then work that in as your next objective. I think that focus – I had on a whiteboard in my office at Turner the word “focus” for all 4 years before we got shut down and everyone worked from home. The word “focus” was in my office, and I saw that word every single day. Of everything that was written and erased and written and erased on the whiteboard, that was the one consistent thing. Never erased it. That was my constant reminder that nothing takes 5 minutes and that you've got to really keep driving those clear objectives and deliverables and not create unnecessary distractions. ROB: Right. It's such a good practice to, number one, not do something that's going to blow up in your face, and number two, not discard the thing you've already been very intentional about putting together. Steve, we normally wrap these conversations with a couple of different questions. I think they tie together for you. Number one is typically “Where should people connect with you?”; number two is “What are you excited about that's coming up marketing-wise?” I think you have those things linked together where we can get a much bigger dive into your mind and connect with you as well. STEVE: Sure. Again, this has been such a fun conversation. I would say in terms of the future and what I see, I don't think marketers should be thinking about things ever going back to normal. I think how we play and consume media, entertainment, food, healthcare, all of this, this whole sense of community is being redefined in front of our eyes. It's a generational opportunity that's going to impact customer behaviors from now on. It's not a trend; it's really a seismic shift that's going to resonate across the culture and economy and all of our personal and professional relationships. It opens up an opportunity to be more creative and more innovative than ever before, and I think there's going to be some things we've done in the past that we're going to have to decide to let go. Other things we're going to hold on to. Those are some of the things that excite me right now. I do think as a society, we need to get a little bit higher up right now. I think we need to work on making people feel less isolated and part of a community. I don't think that's going to go away when people can start gathering in small groups. The pandemic has exposed a real ripple in people feeling alone, and that's something that I think marketing can play a big role in: really helping people find their community or communities. Personally, I've had a lot of meaningful conversations since I left TCM and Warner Media, exploring high growth in entrepreneurial opportunities, looking to where I can create long-term value at scale and really do good. So that's what's on the horizon for me in terms of what I'm looking for. And then on the side, I started something really fun with my wife and some good friends of ours. We started an e-zine called The Fast Times. We always talk about how Generation X, which I'm a part of, sometimes gets the short end of the stick. We weren't born with a cellphone in our hands, and we certainly didn't save the world like the Greatest Generation. We just listened to really cool music and watched really fun movies and were latchkeys and came home to an empty house and made the microwave dinners and so forth. So we thought, what could we do to really have some fun with Gen X and the fringe on each side of younger Boomers or older Millennials? So we created this e-zine. We're sending it out once a week, and then a special edition on Mondays. It's taking a look at culture and how it intersects with both nostalgia from the '80s and early '90s and having this modern lens on things that are happening today. It's kind of with this smart snark, I would call it. It's the fun voice of the '80s, voice of that Gen X. Lots of sections in it like “We Got the Beat” and “Channel Z” and “Parents Just Don't Understand,” all very brand-driven throughout it. Ultimately, this may be a vehicle for sponsors and advertisers as our subscription base grows. But right now, we're doing it – I love reading. I read probably at least an hour a day and love writing, and it's a fun way to stay sharp and create something. Again, we'll see where it goes. ROB: Congratulations on that launch. Where do we go to find that? STEVE: You can sign up for that at thefasttimes.net. Even the address is nostalgic, the .net. Go ahead and sign up and give it a shot. We also are having a little bit of fun on social platforms, on Instagram and Facebook and Twitter. We hope you like it. ROB: That's excellent. Steve, thank you for coming on the podcast. Thank you for sharing. I certainly look forward to connecting back in person. I look forward to seeing what else you take on next. It seems like it'll be a natural continuation of a really good story, so thank you for sharing with us. STEVE: Thanks again, Rob, for having me. As I said, I really believe you're the epitome of this. Everything that people are reading about in terms of the surge in Atlanta, in the tech space, in the companies interested in coming to Atlanta, you're the epitome of this. You started Converge bringing in outside investment and then growing it here in Atlanta and being part of the innovative labs and teams here. This is exactly what it's all about and what everyone is hoping this unwritten story of Atlanta is, and you are a very early author of it. Thanks for having me. ROB: I appreciate that. You're very kind. There is a lot of good stuff going on here in Atlanta, and we'll keep on sharing it. Thanks so much for coming on, Steve. STEVE: Thank you. ROB: Take care. Bye. STEVE: Bye. ROB: Thank you for listening. The Marketing Agency Leadership Podcast is presented by Converge. Converge helps digital marketing agencies and brands automate their reporting so they can be more profitable, accurate, and responsive. To learn more about how Converge can automate your marketing reporting, email info@convergehq.com, or visit us on the web at convergehq.com.

Msgr. Deutsch- "We Got the Goods!" by Saint Patrick Parish Homilies

Jeff and Colleen discuss their experience of getting their first dose of the Pfizer Covid-19 vaccine. The post We Got our 1st Pfizer Vaccine Dose – Ep. 113 appeared first on Ride Along with Jeff and Colleen.

We Back and We Got the Bros with us on this one. We get into the Adam Toledo killing and Minneapolis protests and Derek Chauvin Trial. And we share our Rap Days and how we used to make music together and performing in local clubs. It was definitely a time of our lives to always remember . Hope y'all rock with it , this is definitely an important thing we wanted to share with y'all. Stay Blessed Mi Gente.    Pura Cultura , Sin Censura 

Ginger Boyd is returning for her second round on We Got To Hangout! Since her last visit Ginger has spread her wings as a creative and stepped away from her role at Machines for Freedom. Ginger is still focused on making sure that she is able to tell stories of people from all walks of life. We talked about her decision to take the leap, her ability to be successful and why LA has one of the best taco offerings in California. It is an honor to have Ginger back on the We Got to Hangout. Enjoy.

FOR SOME REASON WE LOST 25 MINUTES OF UNRECOVERABLE AUDIO! WE APOLOGIZE IT HAPPENS AROUND 25 MINUTES IN AND WE LEFT SOME DEAD AIR IN TO INDICATE IT! WE GOT 95% OF THE TOPIC IN THE EPISODE THOUGH! This week James and Hunter talk about a potential Deathstroke show, the Loki trailer, the Long Halloween Part One trailer, DC's newest Asian hero, Predator's delay, Invader Zim's final issue, and Marvel's move to Penguin random house. For this week's topic the James & Hunter talk about Superman parodies & talk about most and least favorites! Book reviews this week; PROJECT PATRON W: Steve Orlando A: Patrick Piazzalunga P: Aftershock THE SILVER COIN W: Chip Zdarsky A: Michael Walsh P: Image GEIGER W: Geoff Johns A: Gary Frank P: Image Grab Some T-Shirts & More at www.teepublic.com/user/androidsamazingpodcast Facebook: Android's Amazing Comics Twitter: @androidscomics Instagram: @androids_comics & @androidsamazingpodcast Website: www.androidscomics.com Don't forget to RATE, REVIEW and SHARE with a friend!

OBS! KLIPPT VERSION!STÖTTA OSS PÅ PATRON OCH FÅ HELA AVSNITTEN. TOTALT 2H GOTT SNACK VARJE VARDAG.https://www.patreon.com/gottsnackRecension av Bianca Ingrosssos deep-fejkade porrvideo.Kändisarnas vidriga troféjakt.Varför man unnar tjockisar framgång.Schiaffino Musarra om sin briljanta idé för We Got this som ängsliga SVT stoppade och den nya internationella storsatsningen han skriver på nu. See acast.com/privacy for privacy and opt-out information.

Paul Fishkin worked at the famed Bearsville Records label when the roster had Todd Rundgren and Foghat among many others. This episode goes back to those days at the beginning of both bands careers and we find out the the song "We Got to Get You a Woman" was written for Paul because he and Todd where roommates!!!  This is episode 1 of 2 because Paul went on to start the record label Modern Records where he had bands like Poe and a woman named Stevie Nicks as a solo artist!    Recommended Music: Todd Rundgren: "Hello its Me" Todd Rundgren: "We Got to Get you a Woman" Todd Rundgren: "I saw the Light" Foghat: "Slow Ride" Foghat: "Fool for the City" Foghat: "I just want to make love to you" Todd Rundgren: "A Dream goes on Forever" 

We Got an Email from a Listener all the way in over in Norway, who Just yesterday received a Christmas Card From Christian!

14:36 Latter-day Saint missionary dies in Nigeria 16:10 Boise State keeps team chaplain away from game after atheists protest postgame prayer with BYU 18:21 Inside the recruiting changes BYU's Jasen Ah You has made to turn the tide for the... The post We Got a Scoop AoN Ep. 480 The Cultural Hall appeared first on The Cultural Hall Podcast.

The Go Go's rose to fame in the early 80's. The album Beauty and the Beat rose to #1 and stayed for 6 consecutive weeks. With Hits like "Vacation", "Our Lips are Sealed"  "We Got the Beat" the all female band rose to the top of pop culture with the help of MTV and Much Music.  Bass Player Kathy Valentine joins the INDUSTRY 45 Show to talk about her new book "ALL I EVER WANTED" a Rock and Roll Memoir , We chat about the new Go Go's Documentary out on Showtime, the single Club Zero (With No Fucks Given), the Role of MTV and what getting into the Rock and Roll Hall of Fame would mean.https://kathyvalentine.com

Join me as we take a reflective walk through 2020 and strategize on how to better care for ourselves in the coming year.  This episode features a variety of questions that serve as journaling prompts  that inspire self reflection.  ________ Song of the day (played at episode conclusion): We Got a Love Thang by CeCe Peniston __________ Let's connect: join me on Instagram or send me an email at hello@thebewellsis.com ! Be well, Sis. 

We Got the chance to talk with Angela Kim a tramatic brain injury survivor. She is a life coach and career coach and her passion is working with the disabled. We go in to detail about her journey into coaching. 

Like many podcasts, we too have the internet clap! Doesn’t mean we aren’t still discussing Star Wars Squadrons, Spider-Man: Miles Morales, ever more Destiny 2 and briefly touch on the most meaningless of game awards – The Game Awards. Subscribe here! We also have a weekly live play Dungeons & Dragons podcast called Rolling Reckless! … Continue reading TR 342 – We Got the Clap → The post TR 342 - We Got the Clap first appeared on Talking Reckless (A Gaming Podcast).

We Got some Thanksgiving goodies everybody come check us out.

Over the course of being an adult, we still find ourselves asking....Why? And it be for the most common knowledge things, but who's to say that's the "correct" way? A book made up 1000's of words showing big ass expensive words like "Champagne" and then to tell us it's pronounced like Cham-pain (It's probably way more complex but you get the point). Look here I am FB ranting when I should be giving a description...Time stamps should suffice.Timestamps1:10- Branch Binging, we gonna try to avoid Spoilers5:30- Yo why y'all parents be letting kids shoot guns so young? 10:00- Driving While Jamming can cause increase of speeds and Obnoxious Singing15:50- Autocorrect don't work with pens, so Forkq isn't a word; I hate silent letters...and English18:15- Dem damn Acronyms is back20:15- Butt washer? Y'all ever use a Butt Washer?21:15- Toilet Paper Drought of 2020 didn't hurt me, Tuh23:50- Kids don't wipe man24:45- Wrap that Sh- Up B!25:15- We Got a Schedule!!! New Episodes Every Mon, Wed, and Fri at 5amCheck out our Facebook Page to leave any comments or feedback.https://www.facebook.com/Jones2BranchOut

Episode 53 - We Got a Win The birds get over the hump and come out of San Francisco with a W. The Sixers hire Doc Rivers. The Phillies fire Matt Klentak. Does this make you feel good about Philly sports again? Apple Podcasts | Spotify | Google Podcasts | Soundcloud | Stitcher Follow us on Instagram, Twitter and Facebook - @Fourfeitpod Email us at fourfeitpod@gmail.com

The Collatz Conjecture could have a solution before Cincinnati answers their hanging question at right guard. Paul and Jay jive over one of the many aching spots along the Bengals' offensive line, and suggest replacements that would probably only serve to partially stem the hemorrhaging. Cincinnati's D.J. Reader and Zac Taylor describe the challenge of learning how to win. Why is such a universal concept so hard for a team to learn? In what ways did the team demonstrate their losing ways against Philadelphia? What will it take for this team's culture to change for the better? As Carl Lawson's role within the defense expands, what does it mean for Carlos Dunlap? You want stats?! No? Oh...well...we already went through the trouble of researching an all so important coin flip stat, so just hang tight. Rundown: (6:00) Right Guard Conundrum (18:30) Concept of Winning (26:15) Lawson's Role Increasing (29:30) Stats! We Got 'em! Follow Paul on Twitter: @pauldehnerjr Follow Jay on Twitter: @JayMorrisonATH Join The Athletic for just a $1 a month! Visit: theathletic.com/hearthatpodcastgrowlin Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Sal's Investment Syndicate: Click Here As a venture capitalist Fred Bamber helped build such successful companies as Interleaf, Q1 Labs and Volt Server. Now working as an angel investor Fred is invested such exciting companies as SQZ Biotech, Pixability, ViralGains and Streamroot (exited). In his self-effacing and modest way, Fred reveals deep wisdom gained from 75 investments in his career as a VC.  Topics include: Fred Bamber Finds His Career Path  Avoiding the Military Draft Led Him to Work for His First Startup Fred Bamber & Friend Found a Venture Fund – Consulting vs. Venture Capital IPOs Then & Now Investment in Interleaf Makes His First Fund a Success! Two Ways of Connecting in the World of Venture Capital – Via Success & Via Failure Several Losing Investments in Companies Seeking to Exploit the Piezoelectric Effect Themes In Angel Investing – Investing in Brand New Fields i.e. White Spaces  ‘…Oracle has a huge go-to-market cost, and engineering is a tiny bit of it.’  Technology Causing Convergence of Consumer & Enterprise Businesses Startups with Jeff Weiss - The Perils of Being Early – Early Augmented Reality (AR) Rich Lane & Reflection Technology – Augmented Reality-like – Projecting Text into the Eye Progress of Technology Is Painful – “Thread Across The Ocean” by John Steele Gordon Michael Lewis & Drama in Business – Paul English & “A Truck Full of Money” Paul English Finds His Inner Entrepreneur after Interleaf Robert P. Smith & “Riches Among the Ruins” – Not Made for Working In Large Companies VCs Should Be Humble Fred Bamber Talks About His Investment in Volt Server Uber & Washington, D.C. Cabs Peter Thiel’s Critique of Entrepreneurship – “We Were Promised Flying Cars and We Got 140 Characters” SQZ Biotech & Massachusetts Materials Technology What Fred Bamber Looks For In a Startup – Technology, Coachability, Tenacity, Openess – VC vs Angel Startups Should Report Frequently – Reports Should Tie In to Previous Reports i.e. Close the Loop Angel Investor Should Be Father Confessor without the Ave Marias Bettina Hein & Pixability – Example of Determination Combined with Openess Beth Marcus’ Test For Listening Fred Bamber’s Suggestion of the Perfect Number of Angel Investments in a Portfolio Why Sal Daher Is Invested In About 42 Companies The Role of a Board of Directors – Father Confessor Fred Bamber’s Favorite Pivot – Q1 Labs (IBM) Fred Bamber Also Like Streamroot’s Pivots Q1 Labs Pivot Runs Counter the Received Wisdom of Startups Needing a Narrow Focus to Succeed “Crossing the Chasm” by Geoffrey A. Moore “Why Knowledge Matters” by E.D. Hirsch, Jr.

Dr. Mark Yarbrough, president of DTS and professor of Bible Exposition, begins the fall semester with an encouraging message about achieving the mission and priorities of DTS. The post We Got a Job to Do appeared first on DTS Voice.

Dr. Mark Yarbrough, president of DTS and professor of Bible Exposition, begins the fall semester with an encouraging message about achieving the mission and priorities of DTS. The post We Got a Job to Do appeared first on DTS Voice.

WE GOT the SAUCE! We talk sauce, pay homage to fallen giants, welcome in the new guard, and Yelp review clap-back is back baby! Check out the site for the gnome! They have arrived! https://www.thegnomepub.com Interested in hearing from one of the best? Check out Gavin Kaysen's recurring article on the counter here--- https://thecounter.org/the-shutdown-notebook-coronavirus-minneapolis-gavin-kaysen-spoon-and-stable/

March 17-23, 1984 This week Ken welcomes writer, former MTV VJ, editor, performer and all around good dude Dave Holmes to the show. Ken and Dave discuss Dave's COVID-19 negative test result, Duff, cutting the line, Tickling Priscilla Presley, ruined childhoods, Gilbert and Sullivan, The Tennis Pro career of Kent Golden, Tom Villard, more tickling, confusing Jeff Goldblum for Eddie Deezen, the "lost" Hollywood Squares, Gallagher's ID, Night of the Dribbler, Fred Travalena, We Got it Maid, Price is Right, the satisfying colors of Tattletales, being over Diff'rent Strokes, Joel Higgin's love life, Martin Mull, Maggie Briggs, Mid-season replacements, Rich Little: Female Impersonator, Hot Hits, V66, Friday Night Videos, Linda Lavin in a challenging duel role, drawing Jack Nicholson, why The Sure Thing is the best movie ever, being not the Gary Cooper who is dead, athletes having plates of drugs for breakfast, TV's Bloopers and Practical Jokes, Foul Up, Bleeps and Blunders, how Kate & Allie is truly great, Cagney and Lacey, trying to impress boys by pretending you like AKA Pablo, Sting's acting career, Hart to Hart, Real People, The Facts of Life, Dynasty, America's Australian fever, Thicke of the Night, SCTV, Gimme a Break, Dolph Sweet, missing the Cosby Show, Simon and Simon, Webster and Benson, The Funny Boys, the sophistication of Season 2 of Double Trouble, The New Show, Game Shows that never happened, and believing Jack Palance OR ELSE.

Champs! I got a question for you… Have you ever wished you could be featured on a Magazine, a TV Show or a HUGE account and have your content go viral? Well if that’s you… our guest today is an EXPERT in the field! In this episode Natasha Dressler… my PR Queen and HYPE Woman extraordinaire! Tash has helped her clients get more eyes on their products and services by upping their PR game big time! We Got to cover how really honing in on your Brand Uniqueness makes all the difference, what the biggest publications are looking for on YOUR Social Media , why you NEED to be publishing on Linked In and the ULTIMATE Cure for imposter syndrome and y’all know I ask every guest the ONE question at the end to see their take on what is means to BE a champion and her answer was pure gold! I hope you guys love this episode as much as I did… get ready for some goodness bc This is where we build… Network Marketing Champions! Enjoy!! Grab Natasha’s 'What is PR? - Get Ready" Checklist over at: https://www.natashadressler.com Instagram: www.instagram.com/natashaislegit  LinkedIn: https://www.linkedin.com/in/natashadressler/ To contact Natasha Dressler direct, Email: hello@natashadressler.com


We Got a guest pick YAYA with the movie Lucky Number Slevin. This modernized who done it flick is filled with action-romance and a twist you might not see coming. Listen to our take if this 2006 movie holds up on Bar Room Movies

As bassist for iconic band The Go-Go’s, Kathy Valentine and her girl gang became the first multi-platinum-selling, all-female band to play their own instruments, write their own songs, and have a number one album. Their 1981 debut Beauty and the Beat, spent six weeks at the top of the Billboard charts and featured the hit songs “We Got the Beat,” and “ Our Lips are Sealed,” and Valentine wrote the band’s subsequent hits “Vacation” and “Head Over Heels.” This past April, she debuted All I Ever Wanted: A Rock and Roll Memoir as well as a supercool original soundtrack based on the book. The book is bursting with raucous girl-powered sex, drugs, and rock and roll, but is also heroically honest, with chapters detailing childhood trauma, sexual assault, and struggles with addiction. In this episode of BUST’s Poptarts podcast she describes the rise and fall of her boundary-breaking band in riveting detail, answers all our probing questions about groupies, and shares her memory from touring that remains her “biggest regret.”

CHONK BOIS UNITE! On this episode of the Podcast, We Got our boi Mike aka O.G geek to come on! we talk about all kinds of shit, especially what the lengths people go to for these god damn collectibles. oh yeah Fuck Target.

Hal Lublin (Tights and Fights, We Got this) and Gabriel Urbina (Wolf 359, Zero Hours) join int he most bonus point-filled episode yet to catch some crooks in three Scooby Doo mysteries! Just remember, the "L" stands for "mystery."  Cases: Go Away Ghost Ship, The Diabolical Disc Demon, The Warlock of Wimbledon Clues & Evidence: Gritty reboots, Robert Frost, The Optimized Newspaper, Funky Winkerbean, night breakfast, Flatliners, ghost pirate stew, KISS, Jimmy Neutron, tennis in the 70s — Thanks for listening to Meddling Adults! If you want to help the prize pool grow, become a member of our Patreon. If you want to learn more about the show or interact with us online, check out the links below: WEBSITE: meddlingadults.com TWITTER: twitter.com/meddlingadults INSTAGRAM: instagram.com/meddlingadults FACEBOOK: facebook.com/meddlingadults — CREDITS Creator/Host/Producer: Mike Schubert Co-producer: Multitude Editor: Percia Verlin Music: Bettina Campomanes Art: Maayan Atias Web Design: Mike & Kelly Schubert

The Brain That Wouldn't Die Portland Horror Film Festival, the Pacific Northwest’spremiere horror genre film festival, is going virtual! Horror Fans cansoak up over 60 short and feature films over the 6 night eventbeginning June 10th with the first shorts block and a preview of thefestival’s upcoming features. The terror continues June 17-21st withmore short and feature films from around the world. Central Dental In the midst of this pandemic, some businesses are finally starting tore-open, but there is no way to know when theaters in Portland willfinally open, and how many people will be allowed inside once they do.Many events have had to postpone again and again due to this uncertaintimeline. First Night Festival Directors Brian and Gwen Callahan believe the right thing todo is follow the lead of amazing festivals like Fantasia and CFF, andpresent Portland Horror Film Festival as a dynamic streaming event forhorror fans all over the US. While going virtual creates challengesfor the festival, independent filmmakers, and distributors, thedirectors believe it is important to continue to evangelizeindependent film and show the year’s best horror films to thecommunity. Rather than cancel or postpone the festival until thingsare “safe”, which only increases the stress and uncertainty of thesetimes, going forward with a streaming event offers important reliefand a sense of stability to horror fans who are stuck at home. Beyondhelping horror filmmakers and fans, ticket sales will also benefit thehistoric non-profit Hollywood Theatre, the seat of independent cinemain Portland, which is currently closed due to the pandemic. Karaoke Night All films will be integrated into carefully curated nightly shows andsecurely streamed during limited event hours for ticketed audiencemembers. Because a film festival is more than just watching movies,nightly programming will feature both pre-recorded and live content,including film introductions, interviews with horror icons, and livefilmmaker Q&As that the audience can take part in. “Our goal is tofoster the sense of community that makes our fest so magical, with afun and eventful stage and screen show... just on a virtual stage,”said Brian Callahan. Little Willy This year’s feature film lineup opens on Wednesday, June 17th withWild Boar, starring Augie Duke and Daniel Roebuck as geocachers whoquest for a legendary treasure, only to end up as fodder for mutantpig-men. Wild Boar was written and directed by Oscar winner BarneyBurman, known for his makeup effects on JJ Abrams’s Star Trek,Zombieland: Double Tap, and the TV series Grimm. Thursday’s doublefeature kicks off with Sunset on the River Styx, a surrealist andcontemplative story of two lovers who fall into a vampire death cult,from writer/director Aaron Pagniano, winner of the Funny Bone Awardfor last year’s horror comedy short “We Got a Monkey’s Paw.” Come forthe vampires, but stay for the zombies! Witness Infection is ahilarious tale of mobsters and zombies directed by Andy Palmer,written by Carlos Alazraqui (Reno 911) and Jill-Michele Meleán (MadTV,Reno 911), who star alongside Robert Belushi, Vince DonVito, ErinnHayes (Children’s Hospital), and Tara Strong (Rick and Morty). Don’tmiss fan-favorite Justin Harding’s Making Monsters, The Curse ofValburga from Slovenia, with its hilarious splatterfest ofinternational tourist stereotypes and jaw dropping kill scenes, UnclePeckerhead with its punk-rock demon action, written and directed byMatthew John Lawrence, winner of the 2016 Funny Bone Award for hishorror comedy short “Larry Gone Demon,” and the World Premiere of TheBrain That Wouldn’t Die, a crowdfunded love letter to the 1962B-movie, filmed here in Portland. Making Monsters Short film offerings include a wide variety of seriously terrifying,thoughtful, funny, and Weird films from all over the world, includingthe Czech Republic, Russia, Poland, Italy, Portugal, Iran, TheNetherlands, France, Spain,

This week we share our test results of the 2020 Buick Encore GX and compare how this 3-cylinder SUV stacks up to its competitors in the Luxury segment. We talk about the virtual unveiling of the 2021 Toyota Sienna and Venza, both of which will only be available with a hybrid powertrain. Also, we discuss the rebates some car insurers are offering due to the reduced number of drivers on the road during the coronavirus pandemic, and wrap up the episode with audience questions.   ----------------------------------- Have a question for our experts? Leave a comment on this episode, or reach out to us directly!   From your iOS device, iMessage us at TalkingCars@icloud.com to send a photo, video, or text directly to the Talking Cars team!   We love to feature our viewers on the show, so submit video questions at https://www.consumerreports.org/cars-talking-cars/   Subscribe to Talking Cars on Spotify: https://open.spotify.com/show/4Jr8wJRJyN9v8T6LC1fQQ6     SHOW NOTES ----------------------------------- 00:46 - Car Insurance Rebates During Coronavirus Crisis 07:12 - 2021 Toyota Sienna Hybrid Unveiled 13:24 - 2021 Toyota Venza Hybrid Unveiled 17:19 - 2020 Buick Encore GX Test Results 23:52 - Question #1: Why did the 2017 Buick Regal’s reliability drop and what are the issues? 26:39 - Question #2: Are automakers phasing out built in navigation systems? 32:17 - Question #3: Why two virtually identical vehicles, Kia Telluride and Hyundai Palisade, have different frontal crash test scores?   ----------------------------------  Car Insurers Are Giving Customers Breaks Due to Coronavirus. We Got the Details for You https://www.consumerreports.org/car-insurance/car-insurance-rebates-payment-deferrals-during-coronavirus-pandemic/   Coronavirus Resource Hub https://www.consumerreports.org/coronavirus/coronavirus-covid-19-updates/   Preview: 2021 Toyota Sienna Hybrid Is Versatile and Curvaceous https://www.consumerreports.org/minivans/2021-toyota-sienna-review/   Preview: 2021 Toyota Venza Hybrid Packs Safety and Convenience Tech https://www.consumerreports.org/hybrids-evs/2021-toyota-venza-hybrid-review/   2019 LA Auto Show: 2020 Buick Encore GX https://www.youtube.com/watch?v=QqCbD4SRB9Q   2013 Buick Encore first drive https://www.youtube.com/watch?v=kNGg_A_VlOg   Toyota Venza review https://www.youtube.com/watch?v=VAV6MdAv8LQ   2014 Buick Regal Review https://www.youtube.com/watch?v=tD3uqAl_MBY   2020 Kia Telluride Quick Drive https://www.youtube.com/watch?v=eBNhy1Putrs   2018 LA Auto Show: 2020 Hyundai Palisade https://www.youtube.com/watch?v=uFbbBDcCYYg   NHTSA Crash Calculator https://www.regulations.gov/document?D=NHTSA-2019-0088-0021   ----------------------------------- Check out http://www.ConsumerReports.org for the latest reviews, tips, and recommendations and subscribe to our YouTube Channel: http://bit.ly/1Nlb1Ez    Follow Us on Social: Facebook: http://on.fb.me/1IQ2w5q Twitter: http://bit.ly/1Yf5Fh2 Pinterest: http://bit.ly/1P37mM9 Instagram: http://bit.ly/1I49Bzo Google+: http://bit.ly/1Md3gfQ

This week we share our test results of the 2020 Buick Encore GX and compare how this 3-cylinder SUV stacks up to its competitors in the Luxury segment. We talk about the virtual unveiling of the 2021 Toyota Sienna and Venza, both of which will only be available with a hybrid powertrain. Also, we discuss the rebates some car insurers are offering due to the reduced number of drivers on the road during the coronavirus pandemic, and wrap up the episode with audience questions.   ----------------------------------- Have a question for our experts? Leave a comment on this episode, or reach out to us directly!   From your iOS device, iMessage us at TalkingCars@icloud.com to send a photo, video, or text directly to the Talking Cars team!   We love to feature our viewers on the show, so submit video questions at https://www.consumerreports.org/cars-talking-cars/   Subscribe to Talking Cars on Spotify: https://open.spotify.com/show/4Jr8wJRJyN9v8T6LC1fQQ6     SHOW NOTES ----------------------------------- 00:46 - Car Insurance Rebates During Coronavirus Crisis 07:12 - 2021 Toyota Sienna Hybrid Unveiled 13:24 - 2021 Toyota Venza Hybrid Unveiled 17:19 - 2020 Buick Encore GX Test Results 23:52 - Question #1: Why did the 2017 Buick Regal’s reliability drop and what are the issues? 26:39 - Question #2: Are automakers phasing out built in navigation systems? 32:17 - Question #3: Why two virtually identical vehicles, Kia Telluride and Hyundai Palisade, have different frontal crash test scores?   ----------------------------------  Car Insurers Are Giving Customers Breaks Due to Coronavirus. We Got the Details for You https://www.consumerreports.org/car-insurance/car-insurance-rebates-payment-deferrals-during-coronavirus-pandemic/   Coronavirus Resource Hub https://www.consumerreports.org/coronavirus/coronavirus-covid-19-updates/   Preview: 2021 Toyota Sienna Hybrid Is Versatile and Curvaceous https://www.consumerreports.org/minivans/2021-toyota-sienna-review/   Preview: 2021 Toyota Venza Hybrid Packs Safety and Convenience Tech https://www.consumerreports.org/hybrids-evs/2021-toyota-venza-hybrid-review/   2019 LA Auto Show: 2020 Buick Encore GX https://www.youtube.com/watch?v=QqCbD4SRB9Q   2013 Buick Encore first drive https://www.youtube.com/watch?v=kNGg_A_VlOg   Toyota Venza review https://www.youtube.com/watch?v=VAV6MdAv8LQ   2014 Buick Regal Review https://www.youtube.com/watch?v=tD3uqAl_MBY   2020 Kia Telluride Quick Drive https://www.youtube.com/watch?v=eBNhy1Putrs   2018 LA Auto Show: 2020 Hyundai Palisade https://www.youtube.com/watch?v=uFbbBDcCYYg   NHTSA Crash Calculator https://www.regulations.gov/document?D=NHTSA-2019-0088-0021   ----------------------------------- Check out http://www.ConsumerReports.org for the latest reviews, tips, and recommendations and subscribe to our YouTube Channel: http://bit.ly/1Nlb1Ez    Follow Us on Social: Facebook: http://on.fb.me/1IQ2w5q Twitter: http://bit.ly/1Yf5Fh2 Pinterest: http://bit.ly/1P37mM9 Instagram: http://bit.ly/1I49Bzo Google+: http://bit.ly/1Md3gfQ

We Got the absolute pleasure to talk to Chris Shary Artist of many punk bands and main artist for The Descendants. We talked about lots of stuff, being a teacher in the midst of the breakout, how hes staying positive, and most importantly Curb your Enthusiasm.https://bifocalmedia.com/Bifocal_Medi... https://www.instagram.com/chrisshary/ Follow us www.facebook.com/Getheavypodcast www.instagram.com/getheavypodcasttwitter.com/getheavypod Email us at: getheavypodcast@gmail.comPlease Enjoy Craig, Jon --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/getheavypodcast/support

We Got the Shish Kabob: Chubby spins a yarn about not getting coffee at a coffee-advertised joint, then both he and Stick talk about bizarre restaurant experiences from late-night fuel runs to getting the meats. Download this Episode Subscribe to Chubby & Stick! Music by Michael Bard. Credits voiced by Joe Jewett and Deborah Benner. Follow […]

We Got the Shish Kabob: Chubby spins a yarn about not getting coffee at a coffee-advertised joint, then both he and Stick talk about bizarre restaurant experiences from late-night fuel runs to getting the meats. Download this Episode Subscribe to Chubby & Stick! Music by Michael Bard. Credits voiced by Joe Jewett and Deborah Benner. Follow […]

Derek hosts another Facebook Live show to give his thoughts on the 92nd Academy Awards, as well as his review of the four-time Oscar winning film “Parasite” (1:19). Finally, co-writers Aaron Pagniano and Zack Ogle join the show to chat with Derek about what inspired them to work in film, meeting each other at the FSU Film School, the process of making their short film “We Got a Monkey's Paw,” and advice for aspiring filmmakers (28:04).