Podcasts about autotune

For months, events surrounding Iran have moved at a relentless pace. In the midst of that, some remarkable conversations had to wait their turn. This is one of them. In this episode, Jian Ghomeshi welcomes acclaimed composer, producer and arranger Ramin Zamani to the Roqe studio for a fascinating discussion about music, exile, creativity, discipline and authenticity. Long before he became one of the key architects of modern Persian pop music, Ramin Zamani left Iran to pursue classical guitar and composition. His dream was not chart success but film scoring. Yet through a series of unexpected turns, including a chance encounter with Kamran of Kamran & Hooman, he found himself helping shape the sound of Persian music for a generation. The conversation explores: • Life under the Islamic Republic • Leaving Iran for artistic freedom • Classical music and creative discipline • The dream of film composition • The making of Persian pop music • Collaborations with Shahbal Shabpareh and Dariush • The role of mentorship • The creative process • Autotune and authenticity • Artificial intelligence and the future of music The episode also features Jian's opening essay: WE ARE BETWEEN CHAPTERS Sponsored by: • Stellar Law - stellarlaw.ca Hosted by Jian Ghomeshi. Produced by Roqe Media.

There's also episodes on the Patreon: https://www.patreon.com/c/jdfmccannThis episode is sponsored by Better Help -  https://BetterHelp.com/CATAMARANThis episode is sponsored by MUDWTR - https://mudwtr.com/CATAMARAN 

The Drain Gang cofounder talks about mysticism, Gen Z and his new album, Sulfur Surfer. Bladee's work as a founding member of the Swedish collective Drain Gang has shaped a new generation of underground music. The group's sound, which is rooted in cloud rap and Auto-Tune experimentation, and pulls from trance, noise, metal, goth and grunge, has earned them an enormous following of fans—AKA "drainers"—overwhelmingly under 30. Bladee has long been one of Drain Gang's most prominent voices, building a prolific solo career alongside the collective's output. His work engages with mysticism through vulnerable, diaristic lyrics about his state of mind. On his new album, Sulfur Surfer, he presents an autobiographical figure caught between "letting go and holding on"—a continuation of his longstanding interest in spirituality and the occult. He draws on the story of St. George, the Swedish painter Hilma af Klint and the occultism of British group Current 93, whose frontman David Tibet makes a guest appearance. In this RA Exchange, Bladee talks about making honest music, the role Drain Gang has played in pushing him to find his voice, his ambivalence about fame and his collaboration with Skrillex. Sulfur Surfer is out now on Trash Island. Listen to the episode in full.

The Drain Gang cofounder talks about mysticism, Gen Z and his new album, Sulfur Surfer.Bladee's work as a founding member of the Swedish collective Drain Gang has shaped a new generation of underground music. The group's sound, which is rooted in cloud rap and Auto-Tune experimentation, and pulls from trance, noise, metal, goth and grunge, has earned them an enormous following of fans—AKA "drainers"—overwhelmingly under 30. Bladee has long been one of Drain Gang's most prominent voices, building a prolific solo career alongside the collective's output. His work engages with mysticism through vulnerable, diaristic lyrics about his state of mind. On his new album, Sulfur Surfer, he presents an autobiographical figure caught between "letting go and holding on"—a continuation of his longstanding interest in spirituality and the occult. He draws on the story of St. George, the Swedish painter Hilma af Klint and the occultism of British group Current 93, whose frontman David Tibet makes a guest appearance.In this RA Exchange, Bladee talks about making honest music, the role Drain Gang has played in pushing him to find his voice, his ambivalence about fame and his collaboration with Skrillex. Sulfur Surfer is out now on Trash Island. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

An in-depth retrospective analysis of one of the most polarizing yet highly influential eras in modern music history. The episode chronicles the perfect storm of personal tragedy and creative isolation that forced Kanye West away from his triumphant, stadium-status "Graduation" sound and into a bleak, electronic wilderness. It breaks down how the sudden, devastating passing of his mother, Donda West, combined with the painful breakdown of his long-term engagement to Alexis Phifer, left the superstar in a state of severe emotional distress. Unable to communicate his grief through traditional hip-hop lyricism, West turned his back on soulful samples and triumphant braggadocio, pivoting instead to a stark, minimalist landscape driven by the Roland TR-808 drum machine and heavy, distorted Auto-Tune.The report unpacks the initial heavy backlash and widespread confusion from the hip-hop community upon the album's 2008 release, where critics and fans alike questioned his vocal choices and the abandonment of pure rap elements. However, the episode shifts its focus to the profound legacy of this transition, proving how "The Road Leading To 808s" ultimately built the foundation for the entire modern wave of melodic, vulnerable, and emotionally driven hip-hop. By examining the album's cold, synth-heavy production and raw, exposed lyricism, the documentary style breakdown illustrates how West's personal heartbreak normalized vulnerability in a historically hyper-masculine genre, directly clearing a path for future superstars like Drake, Kid Cudi, Juice WRLD, and Lil Uzi Vert.

Today's guest built an audience of millions before she was old enough to sign a record deal, turned a 30-minute crying freestyle into her debut single, and made one of Gen Z's defining breakup anthems out of a phrase that became its own internet language. But her real story isn't the viral fame or the streams. It's the part that plays like a runaway and teaches like a masterclass: how she left home at 17 to chase music, what it costs to become a person in public, and everything about the business nobody explains until you've already survived it.And The Writer Is... Nessa Barrett!In this episode of And The Writer Is, we go deep on:• Why she ran away from home at 17 — a 4AM ticket, six school bags, cops on her trail — to make music• The truth about "i hope ur miserable until ur dead": she didn't write it, it's not her favorite, and why she sang it anyway• "pain" — the 30-minute freestyle she cried through in the booth that became her first single• Why she can't record with Auto-Tune — and what she learned the first time someone handed her a finished song to cut• Signing to Warner Records on Zoom during Covid — and the messy contract she had to escape first• "All of my confidence comes from my fans" — the performer who still gets embarrassed easily• The childhood trauma and the generational cycle she says she's trying to break• Why she closes her eyes every time she records, and writes a song like she's building a movie• The lowest point of her career — and how prayer, faith, and going back to her core brought her out of it• "I've never loved my music as much as this — and I didn't know it could feel this way"And much more...

Vad är Enhanced games för Musiker? Autotune?Kompressor? ÄR det fusk eller nödvändigt?Hur bra kan egentligen Michael Jackson filmen vara?Skall du ha Medveten Inkompetens, eller Omedveten Kompetens på ett gig, eller på en oljerigg?Visste du också att Musik gör oss sårbara och vi pratarom begreppet FLOW!Förbannat festligt att just du lyssnar!Vill du ha din låt uppspelad direktmed tillhörande analys.Maila oss låtlänk + info om projektet till: Musiksnacket@iwm.seLänk till Spellista:https://open.spotify.com/playlist/25dSufz7mpKXI0vbMclpgz?si=77c7b74518db43fdYoutubekanal:https://www.youtube.com/channel/UCRWilvJuy0i6VnwoPj2mjjAoch Patreon:www.patreon.com/musiksnacket#recension #analyser #musik #analys #spotify #Podcast #podd #musiksnacket #Artist #Musiker #scen #studio #AI

"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."

Here it is:

"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."

"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."

"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."

Corey's Worst Look: Has Corey Feldman outdone himself with his worst look ever? Let's break this down.Today Show and Adrien Skye: We revisit Corey Feldman's first Today Show apperance as we break down single Corey which leads us to single Adrien Skye on her socials.Corey's Penthouse Interview: Back during COVID lockdowns, Corey Feldman decided to promote his child rape documentary on Penthouse's Instagram page.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREY FELDMAN SHOW!, JERK OFF!, CUMMING!, GOONS!, JEFF'S BIRTHDAY!, GIFTS!, MASKS!, COMICS!, BATMAN HAT!, BIRTHDAY!, DENNIS MILLER!, RONROSSMAN!, LISA LACOMBE!, SUBLIMINATION!, FELDDOGSUMMER2!, NO EVENTS!, EXODUS!, ROB DUKES!, TOXIC WALTZ!, SEPULTURA!, ALL ACCESS!, BACKSTAGE!, NO CLUE!, CALLERS!, GRAPE!, NMAN!, COREY FELDMAN!, 15 MINUTE INTERVIEW!, ADRIEN SKYE!, WHO'S ON THE LINE!, BAD TRUMP!, KESHA!, CHROMEO!, WORST LOOK!, CHAINMAIL!, TANK TOP!, TODAY SHOW!, GO 4 IT!, PERFORMANCE!, SNOOP DOGG!, DOC ICE!, ADRIEN SKYE!, PEACH!, THIRST TRAPS!, SINGING!, LADY GAGA!, SOCIAL MEDIA!, AUTOTUNE!, WAKE UP!, GROW THE FUCK UP!, GOBLIN GHOUL!, DOING THE BIT!, BAYLEN LEVINE!, FRICK VAPE!, ELLIOT PAIGE!, PENTHOUSE!, MY TRUTH!, COVID!, LOCKDOWN!, TRAFFICKING!, WHAT THEY SAY!, COURTNEY!, CONSENSUAL!, PEDDLE!, SMUT!, PISSING!, JOE DANTE!, CHRIS KATTAN!, WOLF PACK!, RIP COREY HAIM!, GINGER LYNN!, CHARLIE SHEEN!, HDM!, SAMMI!, MARCIE HUME!You can find the videos from this episode at our Discord RIGHT HERE!

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   Are we typecasting our presence by using too much AI technology?  Plus…advertisers and ad agencies are facing some stiff competition because everybody thinks they can do it.  Not true…   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   Are we typecasting our presence by using too much AI technology?  Plus…advertisers and ad agencies are facing some stiff competition because everybody thinks they can do it.  Not true…   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."

"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."

UNBREAKABLE! In what felt like a revelation when it premiered on a streamer back in 2015, we revisit the pilot of The Unbreakable Kimmy Schmidt from Tina Fey and Robert Carlock of 30 Rock fame. Tune in as we discuss cancelled celebrity jump scares, Autotune the News, the allure of Dylan's Candy Bar and whether or not dancing really is all about butts now. It's a brand new episode of TV Pilot's License!With:Geoff KerbisMax SingerThanks To Riverside For Sponsoring The Pod! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click this link to learn more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."

„Autotune máš, ne?“V záznamu druhé poloviny deváté Headliner půdy se Milan Cimfe, Michal „Amák“ Šťastný a Tomáš Fröde dostali ke konkrétním historkám, které se dějí za sklem režie hudebního studia. Začalo to nevinným přespáváním v nahrávací místnosti. Došlo i na smrt pod klimatizací mixpultu, práci s velkými jmény, šamanství Ricka Rubina i na otázku, co se děje s hudbou, když ji začne řídit software a umělá inteligence.Milan Cimfe vzpomíná na natáčení s Davidem Bowiem, Julianem Lennonem nebo Living Colour. Amák poutavě líčí, jak Jaz Coleman staví písničku z patnáctiminutového synťákového dronu. A na příkladu Hoziera, proč největší hvězdy často bývají nejpracovitější. Tomáš Fröde se rozpovídal o mladých kapelách, demáčích a o tom, jak se z dobrého sluhy může stát zlý pán, když muzikanti ve studiu narazí na vlastní hráčské limity a netrumfnou technologie.Mluvilo se i o umělé inteligenci Suno, referenčních nahrávkách, které stály celý majlant, o technologii vinylu, Spotify, CDčkách i AirPodech. A taky o tom, proč je největší kouzlo hudby právě v tom, že ji ještě pořád hrají lidé.„Umělá inteligence ti nabídne průměr všeho. A chybí ten lidský element, který dělá ty čáry,“ říká Milan Cimfe. A věta k zamyšlení? Tu napsal americký producent Rick Rubin, jehož kniha nemohla na Půdě chybět. „Někdy nejlépe pokročíme vpřed, když ukročíme vzad.“ Co tím myslel, sice nikdo neví, ale zní to tajemně!A vy jste srdečně zváni na další Headliner půdu už 25. května v Malostranské besedě s tématem Manažerky. O své zkušenosti se přijdou podělit Ludmila „Dydla“ Karlíková, která se stará o Vypsanou fixu, Kateřina Žbirková a Rozálie.Projekt Headliner půda vzniká za podpory OSA, Ministerstva kultury a Prahy 1.

Letzte Woche Little Simz neue 4-Track-EP „Sugar Girl“, die klar Richtung Club zielt. Der Sound ist direkt, energetisch und auf Bewegung ausgelegt, mit starken Stilwechseln zwischen den Tracks. Die Songs funktionieren weniger als klassische Albumstücke, sondern eher als einzelne Momente für DJ-Sets, Streifzüge durch verschiedene Hip-Hop-Sub- und Randgenres.Alle Features auf „Sugar Girl“ sind weiblich: JT auf der Electro-Strip-Club-Nummer „Game On“, DEELA auf „Open Arms“ und 070 Shake auf „Telephone“. Statt selbstanalytischer Exkurse geht es diesmal eher ums Ass-Shaken zum Lieblingssong inklusive stellenweise großzügigem Einsatz von Autotune. Der Hip Hop Lesekreis über „Telephone“ mit 070 ShakeFM4 Homebase 12.06.2026 20 Uhr

This is a bonus episode! Never-before-aired as a podcast, Ian Fidance joins the fun and talks about punching out a Nazi in Austin. Ian is barely Jewish but he does get into scrapes because of his looks. One time he was tackled and injured outside the Comedy Cellar in NYC. | Kanye West performed at SoFi Stadium in L.A. and Jay is amused that Ye complains in autotune for half the show. A new trend with rappers is singing over the actual studio track with the words in it. | Ian gets a good laugh after hearing Jay get booed in one of his first stand-up recordings. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."

"The International Federation of the Phonographic Industry has released its 2026 State of the Industry Report. There are some pretty big take aways including stances on AI and the fact that the music industry is now more profitable than ever before. We will explore the findings."