Podcasts about auxilium

NUNTII PRESCRIPTI’ ‘IN SERMONE LATINO’ ‘EX UNIVERSITATIS PANAMERICANAE DISCENTIBUS ET EX LUIS PESQUERA OLALDE’. News translated into Latin by the students of the Universidad Panamericana and by Luis Pesquera Olalde. ‘NUNTII IN LINGUA LATINA’ ‘INSTRUMENTUM’ ‘AD LATINUM DISCENDUM ET DOCENDUMQUE’ ‘EST’. ¡‘NUNTII IN LINGUA LATINA’ ‘EXEUNTIS ANNI *PROGRAMMA SPECIALIS QUOTANNIS’ ‘*EST’! ¡FELIX CHRISTI NATALIS! ET ¡FELIX SIT ANNUS NOVUS! ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET ANGLICA’ ‘AUDIS’! IN FEBRUARII MENSE. 1 DE BELLO ISRAËLIANO-HAMASIANO ANNI DOMINI BIS MILESIMO VICESIMO TERTIO ET QUARTO. ‘TRIGINTA *OBSIDES’ ‘*MORTUI SUNT’. ‘ISRAELIS *EXERCITUS’ ‘NOSOCOMIUM’ ‘IN GAZA’ ‘AD OBSIDUM CORPORA QUAERENDUM’ ‘*ASSULTAT’. IN CIVITATIBUS FOEDERATAE AMERICAE. ‘*SENATUM’ ‘AUXILIUM’ ‘UCRAINAM ISRAELEMQUE FERRE’ ‘*PROBAT’. ‘*EMBRYONES GELATOS’ ‘SECUNDUM ALABAMAE TRIBUNAL’ ‘INFANTES’ ‘*SUNT’. IN UCRÁINA. ‘*VLADIMIRUM ZELENS’KYJ’ ‘NOVUM MILITIAE DUCEM’ ‘*NOMINAT’. IN RUSSIA. ‘*ALEXIUS ANATOLII FILIUS NAVALNY’ ‘IN CARCERE’ ‘*PERIT’. IN RUSSIA. ‘NAVALNY *VIDUA’ ‘ACCIPERE’ ‘NAVALNY PUGNAM’ ‘*PROMITTIT’. IN HISPANIA. ‘*INCENDIUM’ ‘AEDIFICIUM QUATORDECIM CONTIGNATIONUM’ ‘IN MINUTIS’ ‘IN VALENTIA’ ‘*DEVORAVIT’. IN SALVATORIA. ‘*BUKELE’ ‘IN SALVATORIAE COMITIIS’ ‘VALDE *VICIT’. IN MARTII MENSE. IN ORBE TERRARUM. 2 ‘DE DEMOGRAPHIA’. ‘NATIVITATIS *DEMINUTIO’ ‘*ACCELERATUR’. DE BELLO ISRAËLIANO-HAMASIANO. ‘*MAHMOUD ABBAS, PRAESES CIVITATIS PALESTINAE (SIVE AUCTORITAS NATIONALIS PALESTINA),’ ‘*ABDICAT’. ‘IN GAZA’, ‘TRIGINTA MILIA *MORTUI’ ‘IAM *SUNT’. [‘*COPIAE AD ISRAELEM DEFENDENDUM (anglice I-De-eF)’ ‘*DICIT’] [*EOS TREDECIM MILIA HAMAE TOMOCRATES *OCCIDISSE ET EOS QUATTUOR MILIA ASSULTUS *FECISSE]. DEINDE, ‘*I-De-eF’ ‘QUARTO DIE’ ‘IN SHIFA’ ‘CENTUM QUADRAGINTA TERRORISTAS’ ‘*INTERFECERUNT’ ET ‘SEXCENTOS QUINQUAGINTA TERRORISTAS’ ‘*CEPERANT’. IN UCRÁINA. ‘*VLADIMIRUS ZELENS’KYJ’, PRAESES UCRAINAE,’ ‘A MORTE’ ‘*AVERTIT’ [QUIA ‘*MISSILE’ ‘CENTUM ET QUINQUAGINTA METRIS’ ‘*CADIT’]. IN CIVITATIBUS FOEDERATAE AMERICAE ‘*McCONELL’ ‘*DEPONIT ‘TAMQUAM DUX SENATI CONGREGATONIS POPULARIS REIPUBLICAE’. ‘*SENATOR OCTOGENARIUS’ ‘POST DUOS DECADAS’ ‘MUNEREM’ ‘*DEPONIT’. IN EUROPA. ‘*EUROPA’ ‘LEGEM’ [QUOD ‘*LIMITAT’ INTELLIGENTIAE ARTIFICIALIS USUM’] ‘*APPROBAT’. IN SUECIA. 3 ‘*SUECIA’ ‘AD CONSOCIATIONEM EX PACTO ATLANTICO SEMPETNTIONALE (LITTERIS COMPENDIARIIS ‘eN-A-Te-O’)’ ‘IAM *PERTINET’. IN HIBERNIA. ‘*VARADKAR’ ‘UT HIBERNIAE PRIMUS MINISTER’ ‘*ABDICAT’. ‘*ABDICATIO’ ‘IMPROVISA’ ‘*FUIT’. IN FRANCIA. ‘*TRISTITIA ET PAENITENTIA’ ‘EX FRANCIAE EPISCOPIS’ ‘ABORTUS INCLUSIONE’ ‘IN LEGE PRIMARIA REI PUBLICAE’ ‘*EST’. IN PERUVIA. ‘*ALBERTUS OTÁROLA, PERUVIAE PRIMUS MINISTER,’ ‘POST CORRUPTIONIS ACCUSATIONES’ ‘*ABDICAT’. IN BRASILIA. ‘IN PAULOPOLI,’ ‘EMERGENTIAE *CASUM’ ‘FEBRIS DENGUE’ ‘*DECLARANT’. IN APRILIS MENSE. DE BELLO ISRAËLIANO-HAMASIANO. ‘*COPIAE AD ISRAELEM DEFENDENDUM (anglice I-De-eF)’ ‘HAMAS HANIYEH DUCIS TRES FILIOS’ ‘*INTERFICIT’. ‘COPIARUM AD ISRAELEM DEFENDENDUM (anglice I-De-eF) SERVITII EXPLORATIONIS *DUX’ ‘PROPTER DEFECTUM DE SEPTEM DIE OCTOBRIS MENSE’ ‘*ABDICAT’. IN UCRANIA. ‘RUSSIAE *ASSULTUS MAGNI’ ‘CONTRA ODESSAM ET KHARKIV’ ‘*FUERUNT’. 4 IN CIVITATIBUS FOEDERATAE AMERICAE. ‘CIVITATUM FOEDERATARUM *CONGRESSUS’ ‘LEGEM AD PECUNIAM DANDUM’ ‘PRO UCRAINA, ISRAELE ET TAIVANIA’ ‘*APPROBAT’. ‘AMERICAE *INDEX FERTILITATIS’ ‘AD CIFRAM MINIMAM’ ‘*DIMINUIT’. IN BRITANNIÁRUM REGNO. ‘*BRITTANIA MEDICAMENTA’, [‘UT’ ‘*IDENTITATEM SEXUALEM PUERORUM’ ‘*MUTABIT’], ‘*FINIT’. IN EUROPA. ‘*PARLAMENTUM EUROPAEUM’ ‘*DECLARAT’ [‘QUOD’ ‘*ABORTUM’ ‘IUS HUMANUM’ ‘*EST’]. ‘POSTRIDIE’, ‘COMMISSIO EUROPAE *CONFERENTIUM EPISCOPORUM’ ‘ADVERSUM ILLAM DECLARATIONEM’ ‘*ADFIRMATUR’. IN CIVITATE VATICANA. ‘*DICASTERIUM PRO DOCTRINA FIDEI’ ‘DECLARATIONEM ‘DIGNITAS INFINITA’’ ‘DE DIGNITATE HUMANA’ ‘*EVULGAVIT’. IN SINIS. ‘*SHENZHOU DUODEVICESIMUS’ ‘FELICITER *IACITUR’. IN MAII MENSE. IN CIVITATIBUS FOEDERATAE AMERICAE. ‘PLUS QUAM DUO MILIA PRO PALESTINA *RECLAMATORES’ ‘IN CAMPIS CIRCUM’ ‘*CAPTI SUNT’. 5 IN BRITANNIÁRUM REGNO. ‘*SCHOLAE’ ‘SEXUALEM DOCTRINAM GENERIS DOGMAQUE’ ‘*VETANT’ ‘DOCERE’ ‘DISCIPULIS MINORIBUS NOVEM ANNOS’. IN SLOVACIA. ‘*ICTOS AB ARMA IGNIFERA’ ‘AD FICO, [‘*QUI’ ‘SLOVACIAE PRIMUM MINISTRUM’ ‘EST’], ‘*MITTUNT’. ‘VULNERATO IN PECTUS ET IN ABDOMEN’ ‘*FUIT’. ‘*MEDICI’ ‘*DICUNT’ ‘EUM’ ‘PRO VITA SUA’ ‘PUGNARE’. IN SINIS. ‘*BEIJING’ ‘PROPRIA STATIONEM SPATIALEM’ ‘*AEDIFICAVIT’, [‘POSTQUAM’ ‘A STATIONE SPATIA INTERNATIONALI’ ‘EXCLUSA’ ‘*EST’]. IN AUGUSTI MENSE. DE BELLO ISRAËLIANO-HAMASIANO. ‘IN GAZA, IN PALAESTINA’. ‘*ASSULTUS CUM MISSILIBUS’ ‘CONTRA SCHOLAM’ ‘CENTUM MORTUOS’ ‘*PROVOCAT’. IN UKRAINA. IN KURSK. ‘INSULTANS UCRANIAE *OPERARIOS ET MILITES’ ‘RUSSIAE’ ‘IN PROVINCIA KURSK’ ‘*COMMOVIT’. ‘TERRITORIUM RUSSICUM’ ‘INVIONABILE NON ESSE’ ‘*DEMOSTRAVIT’. IN ORIENTE MEDIO. ‘*HAMAS’ ‘DUCEM NOVUM’ ‘*HABET’. [‘YAHYA SINWAR’ ‘*NOMEN EIUS’ ‘*EST’] ET [PROXIMUS ‘AD IRANIAM’ ‘*EST’]. 6 IN IRANIA. ‘*MAHOMETUS GIAVAD ZARIFV, IRANIAE VICEPRAESIDENS PRO STRATEGEMA,’ ‘*DIMITIT’ IN IAPONIA. [‘PRIMUS MINISTER IAPONIAE, FUMIO KISHIDA’, *DECLARAVIT [‘*EUM’ ‘AD FACTIONIS SUIS COMITIA ‘NON ADFUTURUM *ESSE’] ]. IN SEPTEMBRIS MENSE. IN ORBE TERRARUM. ‘*NUMERUM EX IUVENIBUS’, ‘[‘*QUI’ , CONFICERE MUTATIONEM SEXUALEM’ ‘REDIRE’ ‘*VOLUNT’], ‘*AUGMENTAT’. ‘POST LIBANUS. ‘DUODECIM MORTUI, MILIA VULNERATORUM’. ‘*HIC’ ‘*EST’ ‘TERRIBLIS RATIO DISRUPTIIS SIMULTANEAE’ [‘*QUAE’ ‘pagers (ANGLICE) ET TELEPHONOS GESTABILES HEZBOLAE’ ‘IN VARIIS PARTIBUS LIBANI ET IN SYRIA’ ‘*AFFECIT’]. ‘*CENTUM ET CENTUM PERSONARUM’, [‘*QUAE’ ‘MULTI CIVILES’ ‘*ERANT’], ‘ISRAELIS PYROBOLORUM CONIECTIONIBUS’ ‘IN LIBANO’ ‘*MORTUI FUERUNT’. IN UCRÁINA. ‘*ZELENS’KYJ’ ‘CUM MISSILIBUS ET ‘AEROPLANIS PYRAULOCINETICIS EF-SEDECIM’ 7 ‘AD PUTIN’ ‘*RESPONDENT’. ‘*KIOVIA’ ‘CENTUM OPPIDA’ ‘*VINCIT’. IN CIVITATIBUS FOEDERATAE AMERICAE. '*REUS’ ‘*FACTUS EST’ , [‘*QUI’ 'TRUMP CONATO HOMICIDIO' ‘IN SUSPICIONEM’ ‘*CECEDIT’]. '*RYAN WESLEY ROUTH’ ‘*ACCUSATUS FUIT’ [‘POSTQUAM’ ‘*PROCURATOR SERVITII SECRETI’ ‘TELUM IGNIFERUM AK-QUADRAGINTA-SEPTEM’ ‘*CONSPEXIT’ ‘PER SAEPTUM CATENAE’ ‘EXTRA TRUMP GOLF SODALITATEM'], ['UBI PRIOR *PRAESES CIVITATUM FOEDERATARUM AMERCAE ‘*LUSIT’]. EUROPA MERIDIANA. ‘*TEMPESTAS BORIS’ ‘*IACTABAT’ ‘PLUVIAM’ ‘IN EUROPA MEDIA’ ‘IN PAUCIS DIEBUS HAEC SEPTIMANA', 'CAUSA INUNDATIONIS CALAMITOSAE' [QUAE ‘SALTEM DUO ET VIGINTI MORTES’ ‘*CEDIT’]. IN GERMANIA. ‘IN GERMANIA’, ‘*ALTERNATIVA PRO GERMANIA (abbreviation ‘A-EF-De’)’ ‘CIVITATIS PRIMA COMITIA’ ‘*VICIT’. THAILANDIA. ‘THAILANDIAE *REX’ ‘LEGEM’ ‘PRO MATRIMONIO HOMINUM EIUSDEM SEXUS’ ‘*SUBSCRIBIT’. ‘*THAILANDIA’ ‘PRIMA CIVITAS’ ‘EX ASIA MERIDIORIENTALIS’ ‘APPROBANS HOC MATRIMONII GENUS’ ‘*EST’. 8 IN OCTOBRIS MENSE. LIBANO. BERYTO. ‘ISRAELIS PYROBOLORUM *CONIECTIO’ ‘HAEC HEBDOMADA’ ‘*ASCENDIT’. ‘MULTAS PERSONAS’ ‘*INTERFECIT’ ET VICTIMAS ‘AD CIRCA DUO MILIA QUADRIGENTAS’ ‘*ADVENIT’. CIVITATIBUS FOEDERATIS AMERICAE. CIVITATIBUS FODERERATIS AMERICAE. MAGNA TEMPESTAS. ‘*HURACANUM HELENA’ ‘PLUS QUAM SEXAGINTA PERSONAS’ ‘*OCCIDIT’ ET ‘*PROVOCAVIT’ ‘QUOD ‘TRES MILIA MILIUM PERSONAS’ ‘SINE DOMIBUS’ ‘*SINT’. FRANCIA SIVE FRANCOGALIA. RESPUBLICA FRANCICA. MICHAEL BARNIER CONSILIUM. ‘*BARNIER, FRANCIAE NOVUS PRIMUS MINISTER’ ‘ANTE CONVENTUM NATIONALE’ ‘CONSILIUM’ ‘AD GUBERNANDUM FRANCIAM’ ‘*EXHIBIT’. ‘ALQUIA *PROPOSITA’ ‘*SUNT’: ‘DEFECTUM PUBLICUM DIMINUET’, ‘EROGATIONES MINUET’, ‘VECTIGALIA AUGMENTABIT’, ‘ET CETERA’. EX HEBDOMADA PAPAE. CUM VENIA EX DICASTERIO VATICANII AD COMUNICATIONEM. “DILEXIT NOS” ‘INITIALIA’ ‘*SUNT’ ‘VERBA’ ‘QUARTARUM LITTERARUM ENCYCLICARUM’ 9 ‘FRANCISCI PAPAE’ ‘AD MUNDUM’ ‘*QUI ‘COR’ ‘*AMISISSET VIDETUR’ . IAPONIA. IAPŌNIA. VETERANUS AD GUBERNANDUM. ‘*FACTIO LIBERALIS DEMOCRATICA (Pe-eL- De)’ ‘NOVUM DUCEM’ ‘*HABET’, ET ‘IAPŌNIA’, ‘NOVUM PRIMARIUM MINISTRUM’. ‘DIE VICESIMO SEPTIMO SEPTEMBRIS MENSE’ ‘ETIAM HABET’. ‘*SHIGERU ISHIBA’ ‘COMITIA INTERNA’ ‘PRINCIPALIS PARTIS DEXTERAE IAPONIAE’, QUAE ‘IN PARLIAMENTO’ ‘MAIORITATEM’ ‘HABET’, ‘*VICIT’. MEXICO. MEXICOPOLIS. PRIMI HISTORICI. ‘PRIMA *FEMINA PRAESES ET PRIMA *IUDAEA PRAESES’ ‘IN MEXICO’ ‘*EST’. IN NOVEMBRIS MENSE. HIZBULLA ‘*HIZBULLA sive HEZBOLLAH, [*QUOD FACTIO POLITICA ET MILITARIS LIBANICA *EST],’ ‘NAIM QASSEM’. ‘SICUT’ ‘NOVUM DUCEM’ ‘*ELEGIT’ [‘QUIA’ ‘*ISRAEL’ ‘HIZBULLA DUCEM ANTERIOREM’ ‘*NECAVIT’]. IRANIA. ‘ISRAELIS *AEROPLANA INSECTATORIA, [*QUAE ‘COPIARUM AD ISRAELEM DEFENDENDUM’ *SUNT],’ ‘MISSILES’ 10 ‘CONTRA IRANIAE DEFENSIONIS SYSTEMA ET MISSILIUM OFFICINAS’ ‘*DIREXERUNT’. CIVITATUM FOEDERATARUM AMERICAE COMITIA. RES ITA EST. TRUMP VICTOR. ‘*DONALDUS TRUMP’ ‘VICTORIAM’ ‘AB KAMALA HARRIS’ ‘IN COMITIIS PRAESIDENTIALIBUS AMERICAE FOEDERATAE’ ‘*REPORTAVIT’, [UT ‘*OBSIGNARET’ ‘REDITUM HISTORICUM IN DOMO ALBA’ ‘SICUT QUADRAGESIMUS SEPTIMUS PRAESES CIVITATUM FOEDERATARUM’]. ‘CUM NONNULLIS PROVENTIBUS’ ‘ADHUC *NUNTIARETUR’, ‘*TRUMP’ ‘VENTUM POPULAREM QUENDAM’ ‘*QUAESIVIT’ ‘SEPTEM ADDUCTIUS CIVITATES’ [‘*QUAE’ ‘PER TRIUMPHUM’ ‘EUM’ ‘*DUCERET’], ET ‘FORTASSE ETIAM POPULUM SUFFRAGIUM’. ‘*TRUMP’ ‘IN ORATIONE VICTORIAE’ ‘*DIXIT ’ [IMPEDIMENTA ‘*EOS’ ‘*SUPERAVISSE’] [‘QUA’ ‘*NEMO’ ‘*PUTABAT’]. BRITANNIARUM REGNO. ‘TIMES NUNTIORUM (anglice: The Times)’ ‘*DICUNT’ [‘INTERDUM’ ‘HOMINES’ ‘NON *AUSCULTARE’ ‘DUCES FACTIONUM OPPOSITIONIS]. ‘KEMI BADENOCH, [QUI DUX NOVUS FACTIONIS CONSERVATIVI ‘EST], ‘ILLA PROBLEMA’ ‘NON *HABET’. EX HEBDOMADA PAPAE. CUM VENIA EX DICASTERIO VATICANII AD COMUNICATIONEM. 11 ‘PONTIFICIA COMMISSIO DE TUTELA MINORUM’ ‘PRIMUM DE ABUSIBUS IN ECCLESIA QUINQUE CONTIENTIUM COMMENTARIUM’ ‘EXHIBUIT’. HISPANIA. PAIPORTA, HISPANIA. IRA INUNDATIONE. ‘*REGIMEN’ ‘LENTE *RESPONDIT’ . ‘*PETRUS SANCHEZ’ ‘*MISIT’ ‘DEX MILIA COPIAS’ ‘AD ADIUVANDUM’ . ‘*CENTENI’ ‘AD REGEM ET AD REGINAM’ ‘CAENUM’ ‘*IACTAVERUNT’ ET ‘*CLAMAVERUNT’ [‘HOMICIDAS’ ‘*ESSE’]. ‘NUNTII IN LINGUA LATINA’ ‘EXEUNTIS ANNI SPECIALIS PROGRAMMA QUOTANNIS’ ‘FINIENDUM EST’. ¡FELIX CHRISTI NATALIS! ET ¡FELIX SIT ANNUS NOVUS! SI NUNTII IN LINGUA LATINA TRADUCTOR ESSE VOLUERIS, QUAESO LITTERAM ELECTRONICAM AD lpesquera@up.edu.mx MITTAS’. If you would like to collaborate as a translator in Nuntii in Lingua Latina, please send an email to lpesquera@up.edu.mx

S14E12-241111 ‘NUNTII PRESCRIPTI’ ‘IN SERMONE LATINO’ ‘EX UNIVERSITATIS PANAMERICANAE DISCENTIBUS ET EX LUIS PESQUERA OLALDE’. News translated into Latin by the students of the Universidad Panamericana and by Luis Pesquera Olalde. ‘NUNTII IN LINGUA LATINA’ ‘INSTRUMENTUM’ ‘AD LATINUM DISCENDUM ET DOCENDUMQUE’ ‘EST’. ‘*NUNTII EX PERIÓDICIS HEBDOMADARIIS’ A 6-XI-2024 AD 9-XI-2024 *SUNT. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET ITALICA’ ‘AUDIS’! CIVITATUM FOEDERATARUM AMERICAE COMITIA. TRANSLATIONES A CASANDRA FREIRE SUNT. RES ITA EST. TRUMP VICTOR. ‘*DONALDUS TRUMP’ ‘VICTORIAM’ ‘AB KAMALA HARRIS’ ‘IN COMITIIS PRAESIDENTIALIBUS AMERICAE FOEDERATAE’ ‘*REPORTAVIT’, [UT ‘*OBSIGNARET’ ‘REDITUM HISTORICUM IN DOMO ALBA’ ‘SICUT QUADRAGESIMUS SEPTIMUS PRAESES CIVITATUM FOEDERATARUM’]. ‘CUM NONNULLIS PROVENTIBUS’ ‘ADHUC *NUNTIARETUR’, ‘*TRUMP’ ‘VENTUM POPULAREM QUENDAM’ ‘*QUAESIVIT’ ‘SEPTEM ADDUCTIUS CIVITATES’ [‘*QUAE’ ‘PER TRIUMPHUM’ ‘EUM’ ‘*DUCERET ’], ET ‘FORTASSE ETIAM POPULUM SUFFRAGIUM’. ‘*TRUMP’ ‘IN ORATIONE VICTORIAE’ ‘*DIXIT ’ [IMPEDIMENTA ‘*EOS’ ‘*SUPERAVISSE’] [‘QUA’ ‘*NEMO’ ‘*PUTABAT’] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿In quo tempore verbum infinitivum est: praesente, praeterito vel futuro?}// QUOD DIXIT AUCTOR. ‘IN DIARIO THE DAILY BEAST’ ‘*HARRIUS LAMBERT’ ‘*DIXIT [‘*TRUMP’ ‘UNIVERSUM’ ‘CUM VICTORIAM’ ‘*AGITAVISSE’] ET ‘*QUAESTIONES FINALES’ ‘MONSTRANT QUOMODO’ ‘IS’ ‘*FECERIT’. ‘GRATIAM MULIERUM’ ‘*CAPTAVIT’. ‘*TRUMP’ ‘SEDECIM PUNCTA’ ‘ALTIORA APUD HISPANICOS’ ET ‘TRIGINTA TRES PUNCTA’ ‘INTER GENUS VIRES HISPANICOS SUPERIORES’ ‘*CONSECUTUS FUIT’, ‘DUM’ ‘DEMOCRATARUM PLUMBUM’ ‘INTER SUFFRAGATORES NIGROCOLORES’ ‘PER NOVEM PUNCTA’ ‘*SECANTUR’. ‘IN NBCNEWS.COM DIARIO THE WANTED’ ‘*STEPHANIE PERRY’ ‘*DIXIT [‘*SUFFRAGIOS’ ‘*LOQUUTUS ESSE’ ‘DE FRUSTRATIONE’ ‘CUM OECONOMICIS SUIS’ ET ‘STUDIUM DE STATU PATRIAE MORANTES’], ET ‘* SEPTEM IN DECEM’ ‘*DIXIT’ [‘*ESSE ’ TRUMP [‘* QUI’ ‘ CAUSAM DEFENDERE’ ‘*POSSET’ {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿In quo tempore verbum infinitivum est: praesente, praeterito vel futuro? ¿Quas alias orationes secundarias invenies?}// UCRAINA. RUSSIA UCRAINAM OPPUGNAT ET PROSEQUITUR. ‘*RUSSIA’ ‘ASSULTUM DUPLICEM’ ‘*IACIT’. ‘ANTE RUSSIAE IMPETU CONSTANTE’, ‘ESTONIAE EXPLORATIONIS OFFICIALIS’ ‘*DICIT’ [‘UCRAINAE *MILITES’ ‘A POKROVSK’ ‘*TRANSFUGITUROS ESSE’] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿In quo tempore verbum infinitivum est: praesente, praeterito vel futuro?}// ISRAELE. TRANSLATIO A LUCERO MAILLE EST. ‘*BINYAMIN NETANYAHU’ ‘YOAV GALLANT, MINISTRUM DEFENSIONIS SUUM,’ ‘*DIMISIT’. ‘*NETANYAHU’ ‘CAUSAM’ ‘*DEDIT’ "CRISIS FIDUCIAE" ‘INTER EOS’.// HISPANIA. PAIPORTA, HISPANIA. IRA INUNDATIONE. REGIMEN LENTE RESPONDIT. PETRUS SANCHEZ MISIT DEX MILIA COPIAS AD ADIUVANDUM. CENTENI AD REGEM ET AD REGINAM CAENUM IACTAVERUNT ET CLAMAVERUNT [HOMICIDAS ESSE] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿Quod es nomen accusativum in hac oratione?}// MOLDAVIA. MAIA SANDU, MOLDAVIAE PRAESES PRO OCCIDENTE, ALTERUM MANDATUM ACQUISIVIT. ‘EA’ ‘CUM QUINQUAGINTA QUATTUOR CENTESIMIS SUFFRAGIORUM’ ‘*VICIT’.// CANADA. CANADA. LEX DENUO DISCEPTANDA EST. ‘COLUMBIAE BRITANNICAE IUDEX’ ‘SUICIDIUM ADIUTUM’ ‘VETUIT’. ‘ACTA DIURNA ‘GLOBE AND MAIL (ANGLICE)’ ‘DICIT’ [‘IN CANADA’ ‘LEGEM’ ‘PRO SUICIDIO ADIUTO’ ‘ADHUC DISPUTAVISSE’] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿In quo tempore verbum infinitivum est: praesente, praeterito vel futuro?}// SINAE. IN SINIS, ‘CURIAE MUNICIPALIS OFFICIALES’ ‘AD MULIERES FERTILES’ ‘SINE FILIIS’ ‘*DICUNT’ [‘PLURES FILIOS’ ‘*HABERE’].// BOLIVIA. ‘EVO MORALES *ASSECULAE’ ‘DUCENTOS MILITES’ ‘DIE PRIMO NOVEMBRIS MENSE’ ‘IN COCHABAMBA’ ‘*RAPTAVERUNT.// ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET ANGLICA’ ‘AUDIS’! RUSSIA. TRANSLATIONES A SAID RAYMUNDO DELGADO SUNT. MOSCOVIA. VITORIA ELECTI TRUMP CELEBRATUR. '*DUCTORES RUSSIAE' 'GAUDIUM AD VICTORIAM ELECTI TRUMP' 'IN COMITIIS PRAESIDENTIALIBUS CIVITATUM FOEDERATARUM AMERICANAE' 'HAC HEBDOMADE' '*MONSTRAVIT'. '*PRAESES ANTERIOR DIMITRI MEDVÉDEV VOCATUR' '*DIXIT' ['ELECTUM TRUMP*' 'UTILEM NOBIS' '*POTUERIT ESSE'] QUONIAM ['*ILLUM' 'PECUNIAM' 'SOCIIS IDIOTIS' '*ODIT DONARE'] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿In quo tempore verbum infinitivum est: praesente, praeterito vel futuro?}// MOSCOVIA. CONURATIO INCENDARIA IN AEROPLANIS. '*AUCTORITATES EUROPAE' 'HAC HEBDOMADE' '*NUNTIAVERUNT' ['RUSSIAM*' 'BOMBARDAS' 'IN AEROPLANIS ONERIS' '*COLOCAVISSE']. '*MAQUINAE INCENDARIAE' 'DUAS CELLAS “DE-HA-EL”' 'UNA IN BRITANNIARUM REGNO ET ALTERA IN GERMANIA' 'IN IULIO' '*INCENDIT'. '*COLLABORATOR SECURITATIS GERMANIAE' '*DECLARAVIT' ['BOMBARDAS*' 'ACCIDENS AEREUM' '*POTUIT CAUSARE'] {De syntaxe. Quot Orationes secundarae completivae infinitivi invenis?// CANADA. IN COLUMBIA BRITANNICA, FALKLANDIA. ‘*VIGILES’ ‘HEBDOMADA PRAETERITA’ ‘FENTANYL LABORATORIUM CLANDESTINUM’ ‘IN FALKLANDIAE VICULO’ ‘*INVENERUNT’. ‘*VIGILI IN EQUO DAVID TEBOUL NOMINATUS’ ‘*DICIT’ [‘CANADAE DUPLICEM POPULATIONEM’ ‘OCCIDERE POSSE’] {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿Quod es nomen accusativum in hac oratione?}// BRITANNIARUM REGNO. TRASLATIO A FERNANDA SOLÍS EST. ‘TIMES NUNTIORUM (anglice: The Times)’ ‘*DICUNT’ [‘INTERDUM’ ‘HOMINES’ ‘NON *AUSCULTARE’ ‘DUCES FACTIONUM OPPOSITIONIS]. ‘KEMI BADENOCH, [QUI DUX NOVUS FACTIONIS CONSERVATIVI ‘EST], ‘ILLA PROBLEMA’ ‘NON *HABET’ {De syntaxe. Quot Orationes secundarae completivae infinitivi invenis?// FRANCIA. TRASLATIO AB ALISSA SOUZA EST. PICTAVIUM, FRANCIA. DE VI MEDICAMENTORUM. ‘*BRUNO RETAILLEAU, [VIR DEXTERAE PARTIS IMMIGRATIONI ADVERSUS]’, ‘HORRORE AFFECTUS’ '*DICIT' ['VIM', ‘QUAE OLIM IN LOCIS CRIMINIBUS MEDICAMENTORUM' 'NOTIS CONTINERI SOLEBAT’, 'NUNC EMERGERE']. [‘*NARCO-SCUM’ 'NEGOTIATORES MEDICAMENTORUM' 'HODIE' '*NULLOS FINES' *HABERE'] 'INQUIT'. 'ELECTIO QUAM HODIE HABEMUS' 'EST', 'AUT MOBILIZATIONEM' 'AUT MEXICANISATIONEM' 'PATRIAE’. {De syntaxe. Quot Orationes secundarae completivae infinitivi invenis?// ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET GALLICA’ ‘AUDIS’! ISRELE. ISRAELE, KIRYAT SHMONA. ‘HOC CIVITATE,’ ‘PLURIME INCOLAE’ ‘*FUGIUNTUR’ SED ‘*PAUCI’ ‘*RESISTUNT’.// SINAE. SINARUM AUTOCINETA ELECTRICA IN EUROPA. ‘*UNIO EUROPAEA’ ‘TRIBUTA’ ‘EX TRIGINTA QUINQUE CENTESIMA’ ‘COMPETITIONE INIQUA’ ‘AD SINARUM AUTOCINETA’ ‘*IMPOSUIT’.// THAILANDIA. ‘MONACHI BUDDHISTICI’ DE NARCOTICARUM MEDICAMENTORUM CONSUMPTIONE ET CRIMINIBUS VIOLENTIS, ETCERIS’ ‘ACUSSATI FUERUNT’.// COLUMBIA. ‘IN CALI SIVE IN URBE CALIENSIS,’ ‘COLLOQUIUM CIVITATUM SEDECIM (ANGLICE ‘COP 16)’ ‘AD NATURAM PROTEGENDUM’ ‘IN CHAO’ ET ‘CUM NEGOTIIS SINE SOLUTIONE’ ‘*FINIVIT’.// BOTSUANA SEU BOTSWANA. ‘MOKGWEETSI MASISI, BOTSUANAE PRAESES,’ ‘POST SEXAGINTA ANNOS’ ‘CLADEM SUAM’ ‘IN COMITIIS’ ‘AGNOVIT’.// ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET HISPANICA’ ‘AUDIS’! MEXICO. ‘TESTES’ ‘*DICUNT’ ‘ROCHA MOYA’ ‘AUXILIUM’ ‘AD MAYO’ ‘AD PRAETOREM FIENDUM’ ‘PETIVISSE’. {De syntaxe. Orationem secundariam completivam infinitivi prode. ¿Quod es nomen accusativum in hac oratione?}.// ‘BELLUM INTUS SINALOAE CHARTELLUM’ ‘A SINALOA’ ‘AD MAZATLÁN’ ‘REDUNDATUR’.// LEXICON: Aeroplanum oneris. Alterum mandatum. Assecula, -ae. Assultus duplex. Bombarda, -ae. Caenum, -i. Chartelum. Colloquium civitatum. Competitio iniqua. Copia, -ae. Curiae municipalis officiales. Disceptandus, -a, -um. Disputo. Domus Alba. Explorationis officialis. Fugio. Hispanicus, -a, -um. Idiota, -ae. Impetus, -us. Laboratorium clandestinum. Maquina incendiaria. Monachi buddhistici. Mulieres fertiles. Nigricolores. Obsigno. Oratio victoriae. Proventus, -us. Rapto. Redundo. Resisto. Suffragium, suffragii. Suicidium, -ii. Tributum, -i. Transfugiturus, -a, -um. Utilis, -e. Ventus popularis. SI NUNTII IN LINGUA LATINA TRADUCTOR ESSE VOLUERIS, QUAESO LITTERAM ELECTRONICAM AD lpesquera@up.edu.mx MITTAS’. If you would like to collaborate as a translator in Nuntii in Lingua Latina, please send an email to lpesquera@up.edu.mx

https://auxiliummusic.com/

One thing anyone who travels throughout realities, from one planet to the next in the blink of an eye, within time itself, one thing anyone who walks these paths needs is therapy. Record is one such person and it's a good thing he has a Muse that puts him in his place when needs be. Telling stories, having our stories told are two of our most healing ways of dealing with death, love, desire, desperation, and hope. 5 episode series monthly. Tune into Tin Pod Radio wherever you listen to podcasts for stories told by someone who hopefully gets something out of these sessions. Starring: Rita Amparita as Auxilium http://www.ritaremixed.com/ Ashlee Craft as Calliope http://www.ashleecraft.carrd.co/ @Ashlee_Craft on Twitter Brian C. Williams as Record Covers By Justine otherwise known as Redsreferences. You can find more on all of her work at her website: https://beacons.ai/redsreferences Stacey Taylor as The Narrator https://linktr.ee/StaceysParlour Written By Brian C. Williams Record Art By John Delmonte Theme Song Startin a War by Nevada Wild https://www.musicbed.com/ Additional Sound From: Artlist https://artlist.io/ #fiction #fictionpodcasts #podcasts #tinuniverse #record #mentalhealth #podcasters #podcasting #scifipodcasts #scifi #fantasy #horror #audiodrama #fullcastaudio

One thing anyone who travels throughout realities, from one planet to the next in the blink of an eye, within time itself, one thing anyone who walks these paths needs is therapy. Record is one such person and it's a good thing he has a Muse that puts him in his place when needs be. Telling stories, having our stories told are two of our most healing ways of dealing with death, love, desire, desperation, and hope. 5 episode series monthly. Tune into Tin Pod Radio wherever you listen to podcasts for stories told by someone who hopefully gets something out of these sessions. Starring: Rita Amparita as Auxilium http://www.ritaremixed.com/ Ashlee Craft as Calliope http://www.ashleecraft.carrd.co/ @Ashlee_Craft on Twitter Shiraz Engineer as Erato @OratrixVO on Instagram and Twitter Brian C. Williams as Record Covers By Justine otherwise known as Redsreferences. You can find more on all of her work at her website: https://beacons.ai/redsreferences Stacey Taylor as The Narrator https://linktr.ee/StaceysParlour Written By Brian C. Williams Record Art By John Delmonte Theme Song Startin a War by Nevada Wild https://www.musicbed.com/ Additional Sound From: Artlist https://artlist.io/ #fiction #fictionpodcasts #podcasts #tinuniverse #record #mentalhealth #podcasters #podcasting #scifipodcasts #scifi #fantasy #horror #audiodrama #fullcastaudio

One thing anyone who travels throughout realities, from one planet to the next in the blink of an eye, within time itself, one thing anyone who walks these paths needs is therapy. Record is one such person and it's a good thing he has a Muse that puts him in his place when needs be. Telling stories, having our stories told are two of our most healing ways of dealing with death, love, desire, desperation, and hope. 5 episode series monthly. Tune into Tin Pod Radio wherever you listen to podcasts for stories told by someone who hopefully gets something out of these sessions. Starring: Rita Amparita as Auxilium http://www.ritaremixed.com/ Ashlee Craft as Calliope http://www.ashleecraft.carrd.co/ @Ashlee_Craft on Twitter Shiraz Engineer as Erato @OratrixVO on Instagram and Twitter Brian C. Williams as Record Covers By Justine otherwise known as Redsreferences. You can find more on all of her work at her website: https://beacons.ai/redsreferences Stacey Taylor as The Narrator https://linktr.ee/StaceysParlour Written By Brian C. Williams Record Art By John Delmonte Theme Song Startin a War by Nevada Wild https://www.musicbed.com/ #fiction #fictionpodcasts #podcasts #tinuniverse #record #mentalhealth #podcasters #podcasting #scifipodcasts #scifi #fantasy #horror #audiodrama #fullcastaudio

In this episode, Isaiah Kaiser and Duane Mancini discuss the technology they spun out of University of Akron, how his PhD helped him with his entrepreneurial skills, finding non-dilutive capital, their experience with the iCorp program, working with the University so that both parties win, what he has learned so far during his early journey of entrepreneurship, and so much more. Isaiah Kiser LinkedIn Auxilium Health Website Project Medtech Website Project Medtech LinkedIn Duane Mancini LinkedIn

Dr. Jennifer Roback Morse speaks to the Auxilium Foundation in Poland on the devastating effects of the Sexual Revolution.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

https://auxiliumchristianorum.org/ More Exclusive Content Here: @DoThe_HarderThing Instagram. To grow deeper visit www.spiritualdirection.com Find more resources at www.dotheharderthing.com Disclaimer: Not all views expressed in this show by the host or any of the guests, past or future, represent Catholic Spiritual Direction or anyone associated with Catholic Spiritual Direction or the Avila Foundation, or any of its affiliates. The purpose of the show is to facilitate an engaging and thoughtful conversation with the desire and goal of deepening all aspects and understanding of the Catholic Faith. This requires asking hard questions, engaging in conversations that may be uncomfortable, intellectual honesty, and above all, full allegiance and surrender to Christ and His Church. Thank you for listening.

26-V-2023. IN ORBE TERRARUM: ‘Bellum et fames’: ‘centum septedecim milia milium personarum’ ‘in orbe terrarum’ ‘bello’ ‘famelicas’ ‘sunt’. // ‘Oxfam, organizatio re publica vacans internationalis ad auxilium humanitarium et operas socialem cum dignitate (secundum Vicipaediam)’, ‘nuntiat’ ‘duo milia ducenta milia milium dollarium’ ‘impensam militarem’ ‘anno praeterito’ ‘in orbe terrarum’ ‘fuisse’. IN CONTINENTE TERRA EUROPAE. IN EUROPA: ‘Meta’ ‘unum punctum duo milliardum eurorum’ ‘multa europaea’ ‘persolvet’. IN UCRAINA: ‘Russia’ ‘in Bakhmut’ ‘vincit’. // ‘Ucraina’ ‘Belgorod, quod Russiae territorium est,’ ‘assultat’. ‘Hic assultus’ ‘contumelia’ ‘contra Russiam’ ‘est’. ‘Post dies aliquot’, ‘Russia’ ‘cum aeroplanorum non gubertati aggressione’ ‘respondet’. ‘Deinde’, ‘Civitates Foederatae Americae’ ‘Ucrainae’ ‘contra assultus in Russia’ ‘firmiter admonet’. // ‘Prigozhin, Wagner mercenarii dux’, ‘revolutionem’ ‘in Russia’ ‘antevenit’. // ‘Zelens’kyj’ ‘assultum’ ‘contra nosocomium’ ‘in Dnipro’ ‘condemnat’. ‘Saltem’ ‘duos mortui et viginti tres vulnerati’ ‘sunt’. IN SUECIA: ‘Moscovia’ ‘Sueciae legationem’ ‘in Petropoli’ ‘in claudet’. IN BRITANNIARUM REGNUM: ‘Suella Braverman’ ‘deportare tres milia migrantes’ ‘cuiusque mensis’ ‘habet in animo’. // “Hypothecarum ratio creditorum’ ‘in coelos’ ‘iacitur’. IN HISPANIA. Translationes ex Israel García Avilés: Adventus gentium in Hispaniam quantitatem populi auget. Census semel pervenitur ad quadrigenti octo Decies centena milia personarum, post adventum gentium centum quinquaginta peregrinorum inter januarium martiumque. // Magnae detentiones in Melilla fraudatione comitiale. IN GALLIA: ‘De Clima, vel de stato caeli’: ‘Elizabetha Borne’ ‘consilium’ ‘contra carbonum’ ‘in anno Domini bis millesimo qquinquagesimo’ ‘producit’. IN BELGICA: ‘Parva civis participatio’ ‘in Belgica’ ‘est’, ‘cum intellectu’ ‘sine impactio politca’ ‘est’. // ‘Numerus natorum’ ‘in Bruxella’ ‘diminuit’. ‘Etiam’, ‘Bruxella’ incolas’ ‘perdit’. // ‘Olivier Vandecasteele’ ‘post quadrigentos quinquaginta quinque dies’ ‘liberatum est’. IN GERMANIA: ‘Inquisitores bavari’ ‘Novissimam generationem’ ‘investigant’. // ‘Germaniae Productus Domesticus Generalis (abbreviatione anglica ‘Ge-De-Pe’)’ ‘cadit’. // ‘Benzini pretium’ ‘magis quam unum punctum octo eurorum’ ‘advenit’. IN ITALIA: ‘Auxilium, duo milliardum eurorum’ ‘ad Aemiliam-Romaniam’ ‘advenit’. ‘Non satis, autem’. // ‘Úrsula de Leyen’ ‘dicit’ ‘Unionem Europeam’ ‘pro Italia et Emilia-Romagna’ ‘esse’. // ‘Infernum, id est incendium’, ‘in Emporio italiano’ ‘est’. IN GRAECIA. Translationes ex Israel García Avilés: Graecia in novam comitialem. Mitsotakis non vult fingre unionem in gubernatione. // In Graecia est gubernatio temporalis usque ad viginti quinque Iunii. IN RUSSIA: ‘Russia’ ‘viginti milia miles’ ‘in Bakhmut’ ‘perdidit’. IN TURCIA: ‘Secunda comitia’ ‘in Turcia’ ‘erunt’. ‘Erdogan’ ‘Kilicdaroglu’ ‘occurret’. IN CONTINENTE TERRAE AMERICAE. IN CIVITATIBUS FOEDERATAE AMERICAE: ‘Ron DeSanti’ ‘comitiorum expeditio’ ‘incipit’. // ‘Rhodes, Iuramenti Custodum dux’, ‘ad duodeviginti annos in carcere’ ‘condemnatus est’. // ‘Domus Alba’ et ‘Factio Republicana’ ‘ad pactum’ ‘pro debiti tecti incremento’ ‘appropinquantur’. IN MEXICO: ‘Popocatépetl’ ‘circa ducentas parvas eruptiones vulcaniae’ ‘hac hebdomada’ ‘producit’. // ‘AMLO’ ‘novam deiectionem de fundi possessionem’ ‘pro AIFA’ ‘opplebit’. // ‘AMLO’ ‘Larrea ferrivias’ ‘in meridie’ ‘invadit’. ‘Post invasionem’,’ pactiones’ ‘conflant’. ‘AMLO autem’, ‘non persovet’. // ‘Banamex’ ‘in bursa argentaria’ ‘venditur’; ‘regimini vel Larrea’ ‘non vendet’. // ‘Andreae Emmanuelis sexennium’ ‘violentissimus est’. ‘Homicidia’ ‘sexenniorum prateritorum homicidia’ ‘iam superant’. IN VENETIOLA: ‘Civitates Foederatae Americae’ ‘negotia’ ‘cum Venetiolae Petrolis’ ‘approbat’. IN GUIANA: ‘In Guiana’, ‘viginti discipulae’ ‘in incendio’ ‘in schola’ ‘mortui sunt’. IN COLUMBIA: ‘Petro’ ‘operationes militares’ ‘contra ‘E-eM-Ce’ ‘trucidatione contra indigenos’ ‘renovat’. IN PERUVIA: ‘Andreas Emmanuel López Obrador’ ‘persona non grata’ ‘in Peruvia’ ‘interventione in civilitate peruviana’ ‘est’. IN BOLIVIA: ‘In Curia’ ‘pugnant’: ‘lamentabilis’ ‘est’. IN BRASILIA: ‘Centum triginta milites’ ‘indigenorum trucidatione’ ‘indagant’. IN CILIA: ‘Ciliae Argentaria centralis’ ‘in primis’ ‘res pecuniarias’ ‘iubet’. IN URUGUAIA: ‘Lacalle’ ‘declarat’ ‘magnam erogationem’ ‘contra medicamentorum stupefactivorum dependentiam’ ‘futurum esse’. IN PARAGUAIA: ‘Tribunal Superior Iustitiae Comitialis’ ‘pro Enrico’ ‘est’. IN ORIÉNTE MEDIO. IN ISRAELE: ‘Israelis Argentaria’ ‘creditorum rationem’ ‘ad quattuor punctum septuaginta quinque’ ‘augmentat’. // ‘Knesset’ ‘pecuniae rationem controversam’ ‘approbat’. IN MEDIA ASIA: ‘In Mosocovia’, ‘Unionis Oeconomicae pro Euro-Asia conventionem’ ‘incipit’. IN IRANIA: ‘Irania’ ‘missilem novum’, ‘quod duo milia adipiscitur,’ ‘fecit’. IN PAKISTANIA: ‘Imran Khan’ ‘arma’ ‘deponit’. IN ASIA ORIENTALI. IN SINIS: ‘Sinae et Russia’ ‘auxilium mutuum’ ‘porrigunt’. IN CONTINENTI AFRICANA. IN SOMALIA: ‘Prima comitia’ ‘in Puntland’ ‘erunt’. IN AETIOPIA: ‘Clamores’ ‘contra milites exteros’ ‘in Tigray’ ‘sunt’. IN SUDANIA: ‘In Sudania’, ‘armistitum violant’ et ‘pugnas renovant’. ‘Unum punctum tres milia milium civium’ ‘fugiunt’. IN CAMARUNIA: ‘Triginta mulieres’ ‘in Camarunia’ ‘rapiuntur’.

Barbara dives deep into a meaningful conversation with Amanda on motherhood, finances, and navigating life after a divorce or widowhood. 1. Barbara's perspective on what motherhood is and isn't about2. Navigating the realities of being a divorced and widowed mother 3. Practical advice for overcoming financial challenges in divorce and widowhood4. Society's definition of success and happiness for womxn and the importance of freeing yourself from these notions5. Powerful advantages of womxn supporting womxn Resources mentioned in this episode How to be Happily Divorced by Barbara Norman, CFP®, ChFC®, CDFA® | Paperback Finding Your Life Passion with Jeffrey Bornman | Apple Podcast and Spotify About Barbara NormanBarbara began her career in financial services in 1986. She is the CEO and Founder of Sage Path Solutions, a boutique firm that offers financial planning and wealth management. She is a graduate of UCSD, a Certified Financial Planner™, a Chartered Financial Consultant®, and a Certified Divorce Financial Analyst®. Barbara is a fee-only advisor and adheres to the CFP Board's strict fiduciary standards of putting her customers' needs first.In 2011 Barbara founded the Women's Financial Academy™, a California non-profit foundation that is dedicated to the education of women who are going through vulnerable life and financial transitions. She wrote a robust curriculum that offers hands-on education for investments, financial planning, taxes, estate planning, and caring for elderly loved ones. She aims to help women take control of their assets and feel confident in their decisions.Barbara is a member of The North County Estate Planning Council, The SoCal Compliance Group, The San Diego Family Law Bar Association, Auxilium, and a past member of Ed Slotts' Master Elite IRA Advisor Group.She volunteers for the Scripps Health Foundation - Gift Planning Advisory Board, she is a frequent speaker and volunteer instructor at Oasis, and she is a guest speaker for numerous educational, non-profit, and women's organizations.Connect with Barbara Website: Sage Path Solutions Support the show! Want to learn more about us? Visit our website at www.periodtopause.com or send an email to amanda@periodtopause.comFollow us on Instagram: @periodtopauseFollow our Facebook Page: Period to Pause

Today's Topics: 1, 2, 3, 4)  What are the do's and don'ts of how to use the www.auxiliumchristianorum.org prayers?

From the Handbook of Prayers for the association of the Auxilium Christianorum, the principal aims of these prayers and association are: to provide prayers for priests associated with the AC, so that they are efficacious in driving out demons and for the protection of the priests.

From the Handbook of Prayers for the association of the Auxilium Christianorum, the principal aims of these prayers and association are: to provide prayers for priests associated with the AC, so that they are efficacious in driving out demons and for the protection of the priests.

From the Handbook of Prayers for the association of the Auxilium Christianorum, the principal aims of these prayers and association are: to provide prayers for priests associated with the AC, so that they are efficacious in driving out demons and for the protection of the priests. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

From the Handbook of Prayers for the association of the Auxilium Christianorum, the principal aims of these prayers and association are: to provide prayers for priests associated with the AC, so that they are efficacious in driving out demons and for the protection of the priests. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

From the Handbook of Prayers for the association of the Auxilium Christianorum, the principal aims of these prayers and association are: to provide prayers for priests associated with the AC, so that they are efficacious in driving out demons and for the protection of the priests. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The daily prayers in union with those who pray them for the good of protection. To be the Church Militant. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

2-IX-2022: IN ORBE TERRARUM: ‘Secundum iudicium sapientium’, ‘sine dubio’ ‘maris gradus’ ‘augmentabit’. IN CONTINENTE TERRAE EUROPAE: ‘Europa’ ‘migrantium reditum maximum’ ‘audet’. ‘Hispania et Germania’ ‘Galiam’ ‘premunt’ ut ‘gasiductum’ ‘supersit’. ‘Inflatio pretiis’ ‘in Eurozona’ ‘ad novem punctum centesimas’ ‘pervenit’. IN UCRAINA: ‘Ucraina’ ‘aggreditur contra’ ‘ut Kherson’ ‘reciperet’. ‘Ucraina’ ‘HIMARS’ ‘utitur’ ut ‘Russiam’ ‘eludat’. ‘In Kiovia’, ‘tormenta rochetarum’ ‘in Zaporizhia regio’ ‘cum quattuordecim inspectoribus’ ‘auget’. IN BRITANNIA: ‘Oblectamenta antequadragesimalia (id est carnaval)’ ‘ad Notting Hill’ ‘redit’. ‘In Mare Septentrionale’ ‘ad petroleum extrahendum’ ‘festinantur’. ‘Cibum copia’ demittunt’ et ‘temor esurio’ ‘augmentat’. ‘Timent’ ‘Servitium Nationale Salutis Publicae (id est NHS)’ ‘hoc hieme’ ‘ne valeat’. ‘Familae tralaticiae exemplar’ ‘declinat’: ‘parentes soli’ ‘augmentant’. IN GERMANIA: ‘In Europa’ ‘gasium carisimum’ ‘est’. ‘Fabricae’ ‘Russiae gasii penuria’ ‘cessant’. IN GALLIA: ‘Ante inflationem’ ‘crediti rationis incrementum’ prosequitur. ‘Gazprom’ ‘gasii missum’ ‘in Galia’ ‘frenat’. IN HISPANIA: ‘Hispania’ ‘in Cuba’ ‘pecuniam collocabit’. ‘Hispania’ ‘gasii emptionem’ ‘ex Russia’ ‘duplicat’. ‘Regimen’ ‘gasii Tributum Plus Valore (id est IVA)’ ‘a viginti unus centesimas’ ‘ad quinque centesimas’ ‘diminuit’. IN ITALIA: ‘Inflatio’ ‘ad octo punctum quattuor centesimas’ ‘advenit’. IN RUSSIA: ‘Gorbachev’ ‘mortuus est’: ‘requiescat in pace’. IN CIVITATIBUS AMERICAE UNITAE: ‘Reditio ad schola’ ‘maxime impensius’ ‘est’. ‘Administratio Nationalis Artis Aerospatialis et Spatii (id est NASA)’ ‘rochetam’ ‘ad lunam’ ‘denuo mittet’. ‘Simiae variola (id est Monkeypox)’: ‘minores partes’ ‘accipere vaccina’ ‘minus possunt’. ‘Alimentorum et Medicamentorum Administratio (id est FDA)’ ‘vaccinum contra Omicron’ ‘approbat’. ‘Biden’ ‘periculum’ ‘Trump’ ‘vocat’. ‘In Alasca’, ‘Maria Peltola’ ‘ad Sara Palin’ ‘vincit’. IN AMERICA MERIDIONALI: ‘In Venetiola, ‘Nicolaus Maduro’ ‘Columbiae legatum novum’ accepit. ‘In Peruvia, praesidentis circulus intimus’ corrptionis accusatus est. ‘In Chilia, ‘pugnae’ ‘in viis’ ‘de Lege primaria Rei Publicae (id est Constitución)’ ‘sunt’. ‘In Argentina, ‘impetum vanum’ ‘contra Christinam’ ‘investigant’. IN ORIENTE MEDIO: ‘In Syria’, ‘incursio aeria iudaica’ contra ‘Beroeam aeriportum’ fuit. IN ASIA CENTRALIS: ‘Irania’ ‘plus quam licet uranium’ ‘auget’. ‘In Pakistania’, ‘milia et centum mortua’ ‘inundationibus’ ‘sunt’. ‘Institutum Nummarium Orbis Terrarum (id est FMI)’ ‘Pakistaniae’ ‘cum uno puncto uno miliardum dollarium’ ‘auxiliabit’. ‘In Bagdado’, ‘violentia’ ‘erumpit’ quia ‘clericus politicus’ ‘abdicat’. ‘In Bagdado’, ‘circa vigintri tres mortua’ et ‘trescentos quinquaginta vulnerata’ ‘sunt’. ‘Sri Lancae prasidens’ ‘impensae consilium’ ‘contra nummariam discrimen’ ‘nuntiat’. ‘Institutum Nummarium Orbis Terrarum (id est FMI)’ ‘Sri Lancae’ ‘cum duo puncto novem miliardum dollarium’ ‘auxiliabit’. IN ASIA ORIENTALIS: ‘In Iaponia’, ‘Kishida’ ‘triginta milliardum dollariorum’ ‘pro Africa’ ‘pomittit’. ‘Consociatio Nationum (id est O-eN-U)’ ‘Sinis’ ‘abusionis’ ‘in Xinjiang’ ‘accusat’. IN CONTINENTE TERRAE AFRICAE: ‘In Lybia, in Tripoli’, ‘saltem triginta duae personae mortui sunt’ et ‘plures quam centum vulnerata’ ‘in pugna inter militias’ ‘sunt’. ‘In Respublica Congensis’, ‘quattuordecim victimae’ ‘violentia’ ‘sunt’. ‘In Madagascaria’, ‘vigiles publici’ ‘undeviginti ‘personas vigilantes’ ‘occiderunt’. ‘In Angolia’, ‘factio politica regnans’ ‘victoriam’ ‘in comitiis generalibus’ ‘postulat’. IN MEXICO. AUXILIUM IN FODINA: Familiae auxilii consilium accipent. ‘Auxilium’ ‘pro metallicorum corporibus’ ‘deserent’. DE REGIMINIS IMPERITIA: ‘Duarum Aperturarum (id est Dos Bocas) pretium’ ‘duplicatur’. DE INSECURITATE: ‘Matrem quarentem filium’ ‘in Sinaloa’ ‘rapiunt et interficiunt’. ‘Reformationem’ ‘circa Praesidium Nationalem’ ‘mittunt’. DE EDUCATIONE: ‘Discipulorum triginta milia milium’ ‘ad scholas’ ‘in persona’ ‘redunt’. DE POSIBILI CORRUPTIONE: ‘Ilicitum reditum’ ‘ex viginti septem milia milium nummorum mexicanorum’ ‘ad García Luna’ ‘probant’. ‘Vargas’, ‘Factio Actio Nationalis (id est PAN) sodalis’, ‘diaetam’ ‘septuaginta milia miliun nummorum mexicanorum’ emit. ‘Quartae Transformationis dives hedi (id est juniors)’ ad officia maiora occupandum eunt. IN CURIIS: Curia Senatorum Mexici praesidentem novum habet: Alexander Armenta Mier est. ‘Curia Repraesentantium Mexici’ ‘etiam novum praesidentem’ ‘habet’: Iacobus Creel est. DE GUBERNATIONIS NUNTIO QUARTO: ‘AMLO gubernationis nuntio quarto (id est cuarto informe de gobierno)’ ‘altera data’ vel ‘diversa data’ ‘refulgent. DE OECONOMIA: ‘Generationis electricitatis pretium’ ‘circa ducentas centesimas’ ‘augmentat’. ‘Detrimentum commerciale (id est déficit comercial)’ ‘ad cifram maximam’ ‘statera petroleis (id est balanza petrolera)’ ‘advenit’. ‘Detrimentum commerciale (id est déficit comercial)’ cifram maximam pervenit. ‘Mexici Argentaria (id est Banxico)’ ‘incrementi oeconomici prognosem’ ‘ad unum punctum sex centesimas’ ‘deducit’. ‘Petrolei crudi et metallorum pretia’ ‘deducuntur’ et ‘granorum pretia’ ‘augmentatur’. ‘Compendia pecuniae migrantium mexicanorum (id es remesas)’ ‘cifram maximam’ ‘denuo perveniunt’.

Global Product Management Talk is pleased to bring you the next episode of... Product Mastery Now with host Chad McAllister, PhD. The podcast is all about helping people involved in innovation and managing products become more successful, grow their careers, and STANDOUT from their peers. About the Episode:  Today we are talking about using a modified version of Scrum for hardware projects. Many teams have tried adopting Scrum for developing hardware products, not always successfully. This is such as big topic, we have not one but two guests to help us with it—Dorian Simpson and Gary Hinkle. They think they have the answer for applying Agile principles to hardware projects, and they call it the Modified Agile for Hardware Development (MAHD) Framework. Dorian has a deep background in product development, starting in engineering and then moving to business leadership roles.  These include roles at Motorola and AT&T along with dozens of companies as an innovation and product development consultant. He's also the author of The Savvy Corporate Innovator, which is about applying Agile principles to idea development in organizations. Gary also has an extensive background in product development with senior roles at SAIC and Tektronix. He has held R&D leadership roles and founded Auxilium in 2002 to help companies improve their R&D and leadership practices and transform their new product development using Agile practices.

In this week's episode, I welcome Aunia Kahn! Aunia is a true jack-of-all-trade artist. She has excelled in many different art forms, from a painter, graphic designer, and website developer, to podcast host, speaker, and writer--with a brief stint as a one-woman band. She shares her artistic journey and lots of sage advice in her delightful episode. (Fun fact: the cover image for this podcast is one of Aunia's original paintings!)   Get in touch with Aunia Kahn: https://auxiliumhaus.com/ | https://auniakahn.com/ Enroll in Lindsey's dance and wellness courses: www.elevateart.thinkific.com  Support Artfully Told: www.paypal.me/elevateart Artfully Told links: www.facebook.com/artfullytold | www.artfullytold.podbean.com | elevateartskc@gmail.com Get a free audiobook through Audible!  http://www.audibletrial.com/ArtfullyTold Schedule your own interview as a featured guest with Artfully Told! https://calendly.com/artfullytold/podcast-interview   Episode 67 - Aunia Kahn [00:00:00] Lindsey Dinneen: Hello, and welcome to Artfully Told, where we share true stories about meaningful encounters with art. [00:00:06] Krista: I think artists help people have different perspectives on every aspect of life. [00:00:12] Roman: All I can do is put my part in to the world. [00:00:15] Elizabeth: It doesn't have to be perfect the first time. It doesn't have to be perfect ever really. I mean, as long as you, and you're enjoying doing it and you're trying your best, that can be good enough. [00:00:23] Elna: Art is something that you can experience with your senses and that you just experiences as so beautiful. [00:00:31] Lindsey Dinneen: Hi friends, whether you are just getting started or you're a seasoned professional looking to up your game, I have an exciting opportunity for you. Did you know that I am actually the creator of 10 different courses online that range from ballet, jazz, tap. They also include a mindset detox course and two Stretch and Tone courses. So if you're looking to start a new hobby or get a little bit fitter, or you're looking to do a deep dive into your mindset, really perform a true detox, I have the course for you, and I would love to help you out with that. So if you go to elevateart.thinkific.com, you will see all of the different courses I've created. [00:01:26] You don't have to step in a classroom to take your first dance class. I teach a signature 20 Moves in 20 Days course that allows you to learn 20 steps in just 20 days. It's a lot of fun. We have a great time together. And I think you're going to absolutely love the different courses. And Artfully Told listeners get a little something from me. So if you go, you'll sign up and use the promo code "artfullytold," all one word, and when you do so you'll get 15% off the purchase of any and all your favorite courses. All right, listeners, enjoy that. Again, it's elevateart.thinkific.com. See you there. [00:02:11] Hello, and welcome back to another episode of Artfully Told. I'm your host Lindsey, and I am very excited to have as my guest today, Aunia Kahn. She is a creative entrepreneur extraordinaire. I feel like that's maybe a good summary there. So many different things that she has dabbled in and obviously is an expert in, so everything from podcasting to graphic design to writing, I believe, and I would say probably a whole smattering of things in between. So thank you so much for joining us today on your I'm so excited to have you here. [00:02:53] Aunia Kahn: Thank you. And yes, I do. [00:02:56] Lindsey Dinneen: Very good. Okay, good. I thought so. All right. Well, I would love if you would just share with us a little bit about your background, kind of maybe how you got started, if you're okay with that. [00:03:06] Aunia Kahn: Yeah, totally. So I kind of came into art in a very strange way. A lot of people come into art because that's what they just want to do. And I didn't come on to art that way. I grew up in a family where I wasn't really supported artistically and I was really encouraged to do like, quote unquote, normal job. And so that's the direction that I went with. My life is studying psychology and other things completely outside of art, but I had always been somebody who just loved art and enjoyed it, but never thought it could be a career. And then I got really sick around the age of 19 and started to have some pretty extensive health crisises, crisis's crazy. Anyway, it's a weird word. Health, health concerns, health issues. And I ended up turning to art as a way to work through those challenges. And because I was always a really driven individual, I've always been very goal oriented and like check off the boxes kind of person in my life that in doing so I felt like I needed to do something with it, not just make the art, but maybe do something with it. [00:04:27] And one day I was out of my house, which I didn't go out very much. I mean, I was very housebound. I went out to this little park and it was this art thing for kids, and I was there and I was at a little table and I was doing some watercolor pencils. And some gentleman walked up to me and said, "Can I take a picture of you?" And I was like, "Mm. Yeah, no, like who are you?" And he said, "Well, I'm a local, you know, photographer for the local newspaper and we're doing a little thing." And we ended up talking, becoming friends and down the road, he is the person that talked me into first exhibiting my art and putting it out there publicly. And that's how it all started. I started to submit to exhibitions. I started to win awards. I started to get into ,shows but that's kind of how I got started in the world of exhibiting art. [00:05:25] Graphic and web design I was doing prior to 'cause I was really interested in music and doing music covers and websites well before the art stuff, just for fun. But that's kind of how I got into art and how I got kind of pushed into a place that I really didn't think that could ever support me or that I'd ever be good at, or I'd ever really have success. I just, I was like, oh, okay. This is kind of weird, but I felt connected, Lindsey. I felt really connected with people because I would put my artwork and shows and I would have people make really intense reactions to the work because the work back then was a lot more dark. It had a lot to do with childhood trauma and other really difficult situations. So it was hard for me to even put that stuff on a wall, let alone deal with people's reactions to my work from a distance, but I realized that it was cathartic. [00:06:23] And since I'd always been somebody who is interested in psychology, I kind of learned that I couldn't be a therapist because of my illness and because I'm too empathetic, but in a way I'm inadvertently helping people by working with trauma and challenging situations through my art, where other people can relate to them and be able to work through it on their own as well. So that's kind of it in a nutshell. And of course it goes on from there, but that's, that's the nutshell over the last 15 years. [00:06:56] Lindsey Dinneen: Perfect. So, well, I love the nutshell. That definitely that is so cool. It encapsulates so many different experiences and wow, what an amazing story to go from this like random chance encounter to then that's what kind of sparked your, your creative journey to a different level. Like you said, you were already a graphic designer and so you had that artistic bent, but then too, Oh, my word. Just take it and run through meeting this stranger who asks you this awkward question? I really love that story. [00:07:32] Aunia Kahn: And I was just going to say it was the same with the graphic design element. I ended up having a friend who had an extra computer and he was just like, "do you, do you want it? It has Photoshop and all this stuff on it. And I know you were interested in web stuff for the band that you were doing." And I said, "yes." And now we're 15 years later and I'm, I do web design, websites and graphic stuff and all that kind of stuff, you know, for a living alongside my art. So two chance encounters, really two, two very different situations and two very different people who I've definitely let them know, like, "thank you." I wouldn't be here today without you, kind of changed my life. [00:08:12] Lindsey Dinneen: Yeah. That's, that's awesome. Sometimes I think it only takes, you know, one person, whether it's a chance encounter or someone you happen to know or whatever, but they just say the right thing at the right moment. And then it like launches something you, you wouldn't have ever expected. I mean, I've had that experience too. It's special. It's, it's-- you never know when you're going to be that person to somebody else too. So always, you know, pointing people in an encouraging direction, and I'm going off on a tangent here. I'm just recognizing the fact that sometimes those individuals don't realize how much of a difference they're making in the moment. So, yeah, I think it's cool that you go back in and say thanks. [00:08:51] Aunia Kahn: Yeah. People don't know. I mean, how many times has people's lives been changed by one person and that one person doesn't ever have any clue. [00:08:59] Lindsey Dinneen: Yeah, exactly. Okay. So you had mentioned graphic design and website design, but then you had sort of snuck in this thing about having a band. What was that? [00:09:11] Aunia Kahn: I don't anymore. This was, this was a long time ago. I did, I did music. I had my own, like a project that was the best way that I could explain it for like the layman, is I was kind of like a female Nine Inch. So I did all the percussion. I did all of the vocals. I did all the mastering of the tracks. I did all the work. I am not at all successful like Nine Inch Nails. So I'm not comparing it like that, like I was amazing. Just kind of like the similar, how, you know, music is constructed. I really didn't have other people with me. It was really just my own thing. And I also ran a small record label along with it, with other bands in the same genre. So it was Gothic industrial synth pop kind of music. Had to quit that because of my illness, unfortunately, but that's kind of where I started to, you know, create album covers and all that. That's kind of where it started. So it was a lot of fun and I miss it. I really do. I've been thinking about revisiting that part of my creativity again, but I haven't sure. [00:10:13] Lindsey Dinneen: Yeah. Oh, how fun. Well, and I know you also are a podcast host. I'd love to hear about what, what is your podcast about and all of that. [00:10:23] Aunia Kahn: Sure. So I do two different podcasts. I have one called the Auxilium House podcast, which is my graphic and web design business. So I give businesses tips and tricks about web design, marketing cause I do a lot of marketing and branding as well. So I run that and then, and that's just kind of like here and there. And then I've had the Creighton Inspire podcast since 2013, 14-- I think 14 and that's been kind of an on and off thing where it's just really about helping artists, giving, giving them ideas about, you know, same thing, kind of like crossover-- marketing, websites how to navigate social media, how to deal with challenging times, how to get into art galleries. Just basically like how to, and then it's kinda coupled like with my blog now where I have blogs and I have videos that I do on YouTube with like the same content. So I'm doing the podcast from time to time, probably like once or twice a month, videos about once a week. And so there's probably like two or three blogs being posted a month with information with, like I said, tutorials, helpful information to really just help inspire artists, and then also dealing with artists in the challenging aspects of a career, feeling really bad about yourself, you know, feeling challenged by other artists that are better than you, feeling like you're worthless. [00:11:50] I mean, there's just so many things that artists go through because art is such intrinsic-- what's the other word I want to say like, oh, just like deep experience for a lot of people, you know, when people are creating things, whether it's music, art, Anything that they're creating. I mean, you could just be like, you know, I don't know, remodeling a car when you put your energy into something that you're creating. There's a lot of soul that goes into it. And there's a lot of feeling of uncomfortability. Is there going to be social validation? Am I going to be supported? Are people going to make fun of me? So I really try to help artists work through that. [00:12:25] Lindsey Dinneen: I, I love that. And that is so important because I think that happens so often where it's not just the actual work that you're creating. It's all of the mental work that goes into it as well. And it is, it's an undertaking and it is something where, you know, you, you, you put your best out there and you hope that it's good. You hope that it resonates with someone and a lot of it is just like, well, we'll see. So learning to be comfortable with that is is challenging, but can be really, really cool too, to see the end result of that. So, yeah. That's great that you do that. I love that. Your podcasts sound fantastic. Yeah. I'm super excited to check them out. [00:13:09] Aunia Kahn: Thanks. [00:13:10] Lindsey Dinneen: Of course. And so then, okay. So I guess what all keeps you busy these days? Cause I obviously feel like you're so multi-talented, so what are all the different things that you're, that you're doing like regularly today? [00:13:27] Aunia Kahn: Oh, boy. [00:13:30] Lindsey Dinneen: I know. [00:13:30] Aunia Kahn: There's, there's, you know, it's one of those things I think, I think there's just different types of creators and I'm just somebody who just really has a hard time not doing things. And being kind of still, I think partially because I lost so many years with my illness, that I'm still trying to catch up with time and I'm also fast anyway. So I've always, and I'm always doing something. Like I like, I like to expand. And I, I think the biggest thing that I'm doing right now is challenging myself to not be in a box because over the last 15 years, I've had a career as an artist that does a specific type of art. And people know me for that art. They just do. That's my name is connected with that and, and I want to bring up my illness cause this is really challenged and change those last few months for me is, over the last couple of years, I finally got a diagnosis after almost 20 years. And I finally got medication, which has helped support my system, and I'm allergic to everything. So that's what my disease is. I'm basically like allergic to things like most foods, even water at times. [00:14:39] So it has meant for me as an artist that I couldn't touch physical mediums, so I couldn't paint. I had to do everything digitally. I couldn't work in colored pencil because I could have a life-threatening allergic reaction touching something. So over the last numerous years of my career, since 2005, I have primarily been a digital artist. I could deal with graphite from time to time. So I did do that. But other than that, I haven't been able to, and with the pandemic happening in May of last year, not this year. So we're coming up on a year anniversary of this. I was able to work in color pencil for the first time and I didn't have any reaction. And then I slowly in November moved into watercolor. And so I'm exploring all of these new mediums. I have some projects as well, but I'm exploring new mediums and they're not as refined as my other work. And it's very scary to put it out there and know that people are going to hate and they're going to judge it because like anything, when we are used to it. [00:15:40] I mean, think of bands, Lindsey, like, oh yeah, this band, we know it for this music. And then if they change their style, people are like, "This is stupid. I hate it. This is not what I'm used to." And I understand that we enjoy the feeling of knowing what we're going to get from somebody, because that's why we followed them, right? Like we know the kind of music they're going to. If a band is playing metal music, and then all of a sudden they become country singers, it's like, well, that's not my kind of music I like. I mean, you know, but I, but I want to encourage that that's great. Like do what you want to do. Like, I think it's amazing when bands and artists shift themselves completely, I think it's, it's prolific, but for me as a person who's done it, it's been very hard. I, I kind of knew who I was. I knew where I stood. I kind of understood my career. And now I'm like, "Who am I? I don't know who I am," you know, putting out art that's completely different. [00:16:33] So one of the ways to remedy this was to create a project called the Portrait Project, which I know is just a general name, but I didn't have anything special. And the idea is people were able to submit pictures of themselves to me. And I was going to randomly pick people through this pool to paint them so that I could master --not really master, cause I don't believe anybody's a master-- but get better, improve in the mediums that I'm working in using realistic faces of people who perhaps couldn't pay me for our commission or maybe wouldn't have had the opportunity to, to be in an, a piece of artwork. So we're talking, you know, different sexes, different races, different ages. So I'm using all people of the world. And this gives me the ability to grow and all artwork once completed is donated to the subject and they have an opportunity to pay me with a donation or if they are unable to do so they don't have. But they can, or people who are not a part of the project can donate to the project. And I also have an Amazon wishlist that has products like tape and, you know, paper and things that I use to ship the artwork. So that's one of the ways that I'm, I'm remedy, remedying it by creating a community connection. I'm healing and I want the community to be a part of it. So that's the real big focus and project that I'm currently working in. [00:17:59] And then I'm working on commissions on a regular basis. I'm doing some book covers. I'm obviously have graphic and web design clients that I work with on a regular basis that are primarily in numerous industries. So I, you know, have had people in HR and I have artists and I have all these wonderful clients that I'm working with. I'm working on a bird book. So I love birds and I started to paint birds in these mediums. And so I'm creating a bird book with these really cool stories about each of them birds. There's probably like 20 different things that are going, but I think those are the biggest things that are happening. And then of course my exhibition schedule, working with different galleries that I work with yearly for different shows. And podcasting and popping on podcasts and writing blogs and doing videos and just doing the thing. [00:18:53] Lindsey Dinneen: Yeah. Oh my goodness. Just doing lots of things. Do you sleep? [00:18:56] Aunia Kahn: No. And then people often ask, do I drink coffee or do drugs? And neither, like, I can't do anything. Like, you know, like I'm allergic to everything. I just, I run on, I run on passion for life, really. Like, I'm glad to be here. I think that's why I have so much energy because I didn't think I was going to make it here and to this part of my life. I really didn't. And I'm, I'm glad to be alive. And so I think that there there's just a lot of passion behind that. Like I saw, I have gray hair now, like a good streak in my hair. Good witchy streak on both sides of my temples. And most people would be like, "ew yeah." And I'm like, I love it. I'm alive, I'm here. And so that's where the energy comes from. Just the passion of losing a large chunk of my life, but also just, I'm really glad to be alive. [00:19:45] Lindsey Dinneen: Yeah, of course. Well, thank you for sharing that story because that's incredibly powerful and it is so interesting to hear how you've adapted and just, you know, gone with what you did have. And, and it sounds-- I don't mean to diminish anything that you've been through, but I, I also commend you for, for looking for the positive and looking for what you can do. I think that's would be a very challenging thing to do when you feel like you've lost a lot. And so I think it's so amazing what you're producing and just, you know, your, your passion, your energy, your drive for life, and then what you've been able to do as a result of, of that, and bring a very unique viewpoint to the world. So, man, kudos to you. My word! [00:20:30] Aunia Kahn: I appreciate that. I think that's one of the things I love to encourage in other people is finding what you can do. It's hard-- I mean, especially now with the pandemic, it's hard for us not to, you know, think about, "oh, I can't do that. I can't do that." And when we realized the things that we can do, it really does help lift our spirits. I think it's an important refrain for almost anybody who's dealing with anything challenging. It's like, what, what can you do? I mean, I did that when I became allergic to all of my jewelry. Like I couldn't wear any of my jewelry anymore because I'm a highly allergic to metals. And I used to just look at my jewelry and I used to be somebody who wore rings on every finger. I mean, I was just very much into jewelry. I remember the day that I was like, I can't do this. I can't look at it anymore. It just reminds me of the can'ts. So I put it all away. And then I remember going online and finding acrylic jewelry and beaded jewelry and doing all that. And it really just shifted that feeling. And so I'd love to encourage other people because everybody's going through something right now, everybody who's listening I'm sure is, has gone through something or is going through something and just kind of, it's not always that feeling of-- people say, "oh, find the good in it." It's like, sometimes you can't find the good in it sometimes really you can't, you need to sit with those feelings, but what can you do? What, what can you do to adapt to the current situation? [00:21:55] Lindsey Dinneen: Yeah. Yeah. I love that perspective. Thank you for sharing that. I think that is just so inspiring, but so incredibly important and you're right. People can relate to that and, and I, I've been more recently sort of tuned into the whole, you know, it's okay to sit with those feelings. I think for a long time, I sort of had a, oh, you know, just trying to find the bright side. And sometimes, like you said, there's not a bright side or it's not immediately known, you know? And so it's hard if you don't let yourself just process, like, yes, this is, this is not fun. This is not ideal. But what can I do? Yeah. I love that. Yeah. So, okay. Well, good gravy. You are amazing and inspiring and I-- no, I mean it, I, I, you know, and I think especially your idea of the, you talked about sort of switching gears and, and going to this, this new way of doing art and, and, and so also kudos to you for being brave, because I also know what that's like is when you've like kind of established who you are and then you veer in a different direction. And sometimes people don't like it, but being true to yourself is really important. So kudos to you for that. So this community project is, do you-- is part of it that you are putting your finished artwork in some kind of a, I know you said you, you'll give it to the subject themselves. But do you also, is this like a gallery project that you've been working on or putting it towards like a portfolio, or is there like a public facing version of this? [00:23:34] Aunia Kahn: You know, the one thing that I was thinking about doing, because doing, I thought about doing a gallery show, but since the final products aren't currently with me, I mean, I could do digital versions, but one of the things I definitely wanted to focus on is to create a book about it. And to put these portraits of these different people. Of course, some of them have different stories. So I mean, not everybody does, right? Like, or maybe nobody, or maybe some of the people don't want to share their story. But sometimes I have in random picked people who have had stories, like I had a submission where one of the people lost their sister and I actually didn't understand that the person had passed away. I actually thought it was a submission of herself because there was no information and she was randomly chosen and come to find out she had passed away, I believe in 2019, by falling asleep at the wheel of a car. And so when I posted that portrait, we tried to focus on the advocacy aspects of it. [00:24:36] So that's one of the things I'm really trying to focus on and trying to figure out, like how can I incorporate that into a book or into something in the end that people can acquire, but also recognize that, you know, some people's stories don't want to be told, but maybe their faces are important like for us to look at that person, recognize that there are human beings. They're a part of our world and you know, maybe their story is their story, but other people have stories that are, that are public. So that's kind of what I'm thinking. I'm not sure about, I'm always have something that, you know, I want to do like big, like no, do something huge, but I also want to make sure that there's a lot of integrity to it. And that there's a lot of, like, it's not about fanning who I am or, or promotion of myself. It's really for me to like heal and connect. So how can I do that? How could I offer something to the community where it is affordable or, you know, those, all those kinds of things that you, you think about in that aspect? Cause it's just different, you know, it's a different kind of situation and it humbles me. It really humbles me to meet so many different people across the world and all different walks of life. [00:25:49] Lindsey Dinneen: Yeah, absolutely. I think that's really powerful. So I know before we started recording, you had mentioned also having opportunities to speak at colleges and universities. So I'm guessing that being a public speaker is part of your repertoire of extensive skills. So I'd love to hear more about that. [00:26:11] Aunia Kahn: Oh, for sure. I absolutely adore public speaking and in the same breath, I absolutely hate it because everybody does. I don't care if you're good at it or not. There is this level of fear that comes with it. " Am I going to mess up, you know, am I going to stumble over my words? Do I have, you know, a fly on my head?" I don't know that that feeling of strangeness to it. And it's the biggest fear. Like people would, people would rather die. Like there's like psychology that says people would rather die than public speak. Like that's how big the fear is for public speaking. So I thought I'd share that if anybody thinks about it and has nervous nervousness around it, I absolutely love going out and doing it. And I talk about various different topic matters, which is a lot of fun. So over the years I have done things like at Washington University School of Medicine in St. Louis, where I have been a part of their mental health outreach project. So creating art and speaking on a panel there. I do things to encourage artists. So, you know, do community support like in Eugene, Oregon, working with Lane Arts Council, where I've been on panels as well. I have gone to numerous places to talk about my background in challenging things in my, in my younger years like bullying and challenging upbringing. So I've talked in various psychology classes, like abnormal psychology and general psychology classes about those kinds of things and, you know, discussing bullying and what it does to people and, and discussing what childhood trauma can do and how it actually affects your immune system. So, those kinds of things. [00:27:55] And then of course, like mentorship. So I'm working on a local mentorship right now with Lane Arts Council, where I'm working with high school students and we're doing projects in graphic design to see if they might be interested in doing that for future. So that's really fun. So it's just, it's really I think the, the overall arching aspect of what I like to do is really just inspire people and help them to work through challenges or work through kind of where they want to go with it. I think that's really just what I love doing and I wish I could do it more. Of course COVID has changed that for me, but also has brought different opportunities with Zoom, especially since it is hard for me with my disease to go places. Prior to COVID, it was very challenging, but I would, I would push myself because I really loved it so much. It's just something, it's just something that feels really natural to me. And I think the feedback that I get afterwards always feels like it gives me confirmation that I'm in the right space. And I think that's kind of where I, I sit with it, but it's always about inspiration of some sort and I like to talk. So that's the other thing. I just do. Ever since I was little it's like my, my report cards used to say she's an A student, but she won't shut up. Stop talking to her. Then the kids next to her, I'm like, I'm just helping them with their homework. Stop it. Oh. [00:29:21] Lindsey Dinneen: Oh, I love that. It's fantastic. [00:29:24] Aunia Kahn: It's inbred. It's inbred in me. [00:29:26] Lindsey Dinneen: Right, right. No, that is wonderful. I love that. Well, I'm sure that you have moments that kind of stick out in your memory, but I always love to hear about, you know, things that just really made an impact on you, whether you were viewing or participating in someone else's art or whether you watched them witness something of yours, but just this like thing that you go, man, I have to tuck this away because this is important. This is something to remember about this encounter with art. [00:29:57] Aunia Kahn: I think, I think encounters with art for me, I, it really, you know, I think because I've, I was a gallerist. At one point I ran a gallery and also being an artist myself, where I've shown in museums and galleries and things like that, where I've been in the professional aspects of art. The one thing that always sticks to me is when somebody says to me like, "who's your favorite artist?" I think we always kind of want to go to these specific people. And I always say "children" because they're just not-- they don't have any reservation about their creativity. They just do the thing. And obviously being a gallerist for a period of time, it was important for me to judge artwork that was high quality that would keep my business open that I could sell. I would always integrate other people into it though, that I knew that couldn't, or didn't have opportunities, marginalized groups of people I would always invite that are people who've never shown or whatever. But the reason I bring that up is I think really the experience of art for me is just being able to be open and non-judgmental. [00:31:04] Like there's so many people that are like, "that's ugly" or "you, you don't know how to draw this," or there's so much hate around what's good and what's bad art. And I understand that there's a professional aspect of it where we can judge it on its merit. We can judge it on its quality. But I also feel from a guttural experience where I'm not somebody who ever came into this because I wanted to be where I am today. I was not like, I'm going to be an artist. You know, I'm going to have 350,000 people follow me on Facebook and I'm going to be amazing. Like, no, like that's not at all why I did it. I did it because I needed to survive. I did it because it felt good to. And that was even when I was a kid, I did it as a survival technique. Creativity was this way for me to stay connected, to stay grounded, to stay healthy, to work through challenges. And I really feel that art is like that and that we need to lose judgment of it. [00:31:59] And you can roll your eyes at, you know, Rothko and go "that's not art," but really, I know people who've cried in front of a Rothko. And if people don't know what Rothko is, it's just, go look it up. I'm not going to explain it. And you'll understand what I'm saying. It's, it's just really simple. And people are like, "oh, that's not art." It's like, art is art. Art is a form of creativity. It doesn't matter what it is. I don't care if you're sewing buttons on shirts. I don't, I don't care what you're doing, if you're gardening. The idea of creating something or doing something with our hands, the idea of being a maker, the idea of all of that is just, I just feel like it's so-- and I have a hard time with judgment and I'm really big about like, let's not judge, let's just be, let's just enjoy, let people, let people do what they want to do. Like why do we always have to be so judgmental? You know, I get it in the industry. There's a reason to be judgmental because there is a professionalism in certain aspects of showing in a gallery. I get that galleries can't just go, "well, we're just going to show whoever, because we're not going to get our bills paid then." [00:33:04] But overall the general aspect of creativity, the general aspect of human, the human condition to create from, you know, centuries ago is just a soul. And that's the thing I always try to remember in every aspect. And that's why I'm able to kind of like move into some other thing, because it's like, I don't want to just be known for one thing, because that makes me feel good about myself. I was like, no, I want to be known for somebody who's willing to take risks, who's willing to try and actually almost destroy my career because I'm willing to be vulnerable and actually show my face. You know, I do that a lot on my Facebook page where I show things I totally screwed up because I want people to not see a curated version of me. I want us to realize we're all human and creativity is his soul. And so I'm preaching, but it's so important to me. Like it's so important for me to nurture that. And, and everybody that I know. [00:34:00] Lindsey Dinneen: Well, I love that. And yes, I think you went into professor mode and I adore it. No, that was perfect and so inspirational. And, fully, fully agree with you. And I love how you kind of, you know-- I think this is an important distinction-- I love the way that you, you talked about it in that, you know, art can be so many different things. There's so many different people and it doesn't have to be judged. I mean, it's just, there's a place, there's a lot of place for that. And there is a place when you're paying bills based off of the art where, you know, a certain level of professionalism needs to come into play, but I like the fact that you separated them and they're both valid. I think that's such an important thing is, you know, sometimes we talk about how, "oh, you can't call yourself an artist unless you've sold your work" or something like that. And it's like, "well, no, you know, you are an artist." I think humans are inherently creative and it just depends on the outlet you choose to express that. [00:35:06] Aunia Kahn: Absolutely. [00:35:07] Lindsey Dinneen: Yeah. And you kind of already answered my first question, but I'll let you elaborate it anyway just in case that you want to add to it, because a lot of what you had just said was sort of answering it, but do you mind if I ask you a couple of my favorite questions? [00:35:23] Aunia Kahn: Yeah, of course. [00:35:24] Lindsey Dinneen: Okay. [00:35:24] Aunia Kahn: I told you I like to talk! [00:35:26] Lindsey Dinneen: Very true. Okay. So, and again, you can choose to elaborate it or just say, you know what, I think I've covered it, but the first one is how do you personally define art or what is art to you? [00:35:38] Aunia Kahn: I love it. So, you know, art, art is whatever it wants to be. And I, I'm really in love with all aspects of creativity. There's so many things that I'm sure that even people that are listening to that don't recognize as art or things that are going on that people aren't seeing, performance art being one of them, the collage community. I mean, there's just so many different types of art and it can be whatever it can be, whatever it wants to be, whatever you want to call art. If I want to put a, a rock on my desk and put a little hair clip on top of it, and I want to call it a sculpture, like, that's what I feel art is. I feel art is really anything you want it to be and anybody can be outside and go, yeah, that's a hair clip in a rock. Like that's not art, you know? And that's fine. Like, that's fine. But what we feel is it, how, how are we expressing ourselves? And if that makes me feel something, it's putting that hair clip on that rock does something for me, that's all that it really matters because art is really not about the viewer. It's more about the person doing it. Now, I know there's plenty of people who create art as you know for social justice and political reasons. Like I get that, like, it is more for the viewer. Like I get it. And maybe the people are doing it or having a really great experience around it as well. [00:37:04] But when I think of art, I think about the core aspects of how is the person creating it, feeling about it? What are they getting from it? And that is really all that should matter to an artist. First of course, there could be other layers, like an onion on top of it, of how they want to take that out into the world. And if they want to take it out into the world, because there's a lot of people out there who are doing art that nobody even knows exists. Like my partner is also a gallery artist. And over the last year, he's decided he's not doing public art anymore. He's-- not public art, like, you know, public art in public places, but putting his art into galleries. And he has been doing a really private study of his own work and totally changed his style as well. And there's plenty of artists out there that we'll never see, we'll never get to experience, but it's all about the experience for ourselves while we're creating the work. [00:38:00] Even if we're creating it just for commerce. And that's fine too. If you want to be an artist and you want to create it for commerce and you know what people like, and you know how to sell it, good for you. You know your reason behind it, it doesn't make it any less art than somebody who's creating something for galleries or creating something, you know, just for themselves or maybe even for their parent or their best friend. So that's kind of what art is to me, the experience of creating something. What it does, how, how we experience it, and then the decision of how we're going to take that further if we want to take it further. [00:38:36] Lindsey Dinneen: Yeah. Oh, I love that. I love that definition. Perfect. And then what do you think is the most important role of an artist? [00:38:45] Aunia Kahn: The most important role of an artist is to not worry about what everybody thinks. The most important role of an artist is to do what they want to do in, in themselves, what feels right for them and to not cater to anybody else. Unless of course they're catering for a reason, like I said you know, a minute ago, like, you know, I want to sell my work and I know this kind of stuff sells, and this is what I'm creating, because I know I can make a dollar and pay my bills. That's great. You know, but I-- the role of an artist is to be who they want to-- I think the role of anybody, I think the role of an artist is the role of anybody, really, to be who you want to be without explaining yourself. Of course, unless you're harming people, that's a whole other thing, but, you know, be who you want to be, express how you want to express, live how you want to live, without the expectations and pressures of society and other people. That's how I feel artists and people not should-- cause I don't like the word should-- but would benefit in living life, being free, free of, free of all of that, to just be what you want to be, do what you want to do. Say what you want to say. [00:40:02] Lindsey Dinneen: I love that. Yeah. That's so important. That's absolutely so important. Okay. [00:40:08] Aunia Kahn: Yeah. You know, we're pack animals. When we get rejected, there is a, there a, a visceral deep primal feeling that we're going to die. You know, when we are not accepted by the group and people feel bad, you know, feel bad about that. Like, oh, well I feel rejected. I shouldn't feel this way. It's like, no, there's actually a primal reason that we stay in packs or we stay in groups or we need community. So it's really hard for people to step against that, push against that and being willing to risk being rejected. Cause there's a lot more, there's a lot, it's a lot deeper than people believe it to be, right? [00:40:47] Lindsey Dinneen: Yeah. No, that makes sense. And I think that, that, that's nice to think about because it allows you to give yourself some grace too, when you're like, oh, I shouldn't feel this way. Well, there's a very natural reason you feel this way and that's okay. And you know, we can also choose to move beyond it, but it is okay. Yeah. Okay. And my third question, my final question is, and I'll kind of define my terms a little bit, but do you think that art should be inclusive or exclusive? And what I mean by that is inclusive referring to an artist who puts their work out into the world and provide some context behind it, whether it's program notes or a title, or the inspiration, just something to give people a little bit of background. Versus exclusive referring to an artist who puts their work out there and doesn't provide the context so it's left solely up to the viewer to decide what they will. [00:41:40] Aunia Kahn: I think that's a really great question. I really do. I think that-- kind of backing onto what I said, I think it's whatever. Do you know what I mean? Like, I feel like it's just like, whatever the artist wants to do. And however they want it to be. I mean, there's so many artists out there who will put stuff out there and people are like, "what does that mean?" And they're like, "I don't know. You tell me what it means. Like it's not for me to tell you." And then there's other artists out there who are willing to write elaborate stories about why they created a piece. And I think it's really left to the artists to decide how they want to present that because really in a world of putting art out there, it doesn't matter if you put context behind it or you do not put context behind it. People are going to digest that work in their own way. We look through life in our own lens, from our own experiences, our own cultural biases are, how our family structure is, where we live. All of these things give us a lens to view things through and doesn't matter if somebody puts context to something or not. The people who are going to consume it are going to consume it the way they're going to consume it. So there's almost no way to really guarantee it by putting context to something that it's going to land the way that you want it to. So it's, I think it's just being open as an artist to go, like, "do I want to add context and do I not want to add context, but I have to understand if I don't add context that people can feel into it and pretty much add anything to it." But on the other side, if I do add context, the same thing's going to happen. You know, it's the same thing. People are going to judge it. So I think it's really up to them. [00:43:22] Lindsey Dinneen: Yeah. Yeah. Great. I agree. I love that answer. Well, my goodness, you are so incredibly inspiring and I just love hearing your stories and, and just all the wonderful things that you bring to the world. I think the way that you have chosen to produce art, the way that you've chosen to live your life and to bring this beauty and inspiration to the world is just fantastic. And I feel like I'm just kind of repeating myself cause I'm really inspired. [00:43:54] Aunia Kahn: I love that, though. That's really sweet and I feel the same about you. I feel, you know, that your questions and, and the way that you conduct what you do is very genuine and inspiring as well. It's, it's very helpful. And I think a lot of people get value from what you do. [00:44:10] Lindsey Dinneen: Well, thank you. I appreciate that. Well, and I know there are going to be lots of our listeners who are super interested in what you do. And I'm curious if there's a way that they can connect with you, either through websites, social media, whatever you're comfortable sharing. I know that we'd love to follow your journey, maybe listen to your podcast. [00:44:29] Aunia Kahn: Great. So you can find me with my art on auniakahn.com, A U N I A K H A N.com. I am on all social media, Instagram, Facebook, TikTok, I'm very active there with the people that I engage with. I love engaging with my followers and supporters. If you guys are interested in my graphic design work, it's Auxilium. A U X I L I U M house spelled in German, H A U S.com. And that's pretty much, you can find me anywhere just by putting my name in. [00:45:07] Lindsey Dinneen: Perfect. Awesome. Thank you. Well, again, of course thank you so very much for being here. I really appreciate your time today and just excited to share your artwork and your love and passion for life with the world. So thank you so much for that. And thank you so much to everyone who has listened to this episode. And if you're feeling as inspired as I am right now, I'd love if you'd share this with a friend or two and we will catch you next time. [00:45:39] If you have a story to share with us, we would love that so much. And I hope your day has been Artfully Told. [00:45:49] Hi friends. I wanted to share with you another podcast that I think you're going to fall in love with just as I have. It's called Harlem with a View, and it is hosted by Harlem Lennox, who was a previous guest of mine on Artfully Told and a dear friend. Just because it looks easy doesn't mean it is. There is so much that goes into the work of your creative. She wants to know how the artists got into their line of work, what inspires them, but most importantly, what keeps them going? She'd asked them about how they make it through the blood, sweat, and tears. She wants to know what it's like to live this creative life: the good, the bad, the ugly, and even the magical. So she goes behind the scenes with creatives, from different genres and she explores their history, their take on life and talks about the business of art and the dedication of making art. She has a brilliant, brilliant platform. I think you will fall in love. I highly recommend that you search for Harlem with a View. Thanks!

"Jedes Jahr ziehen 120.000 Menschen in die US-Metropole Dallas, große Unternehmen siedeln sich an und die Gehälter steigen", sagt Alexander Knopf. Der Geschäftsführer von Auxilium hat die Entwicklung der letzten Jahre mit eigenen Augen verfolgt. Wie steht es aber um den US-Immobilienmarkt, nachdem dort vor über zehn Jahren eine Blase geplatzt ist? "Seit der Finanzkrise sind die staatlichen Anforderungen drastisch gestiegen. Deswegen lassen wir jeden Darlehensnehmer durch einen staatlich-lizensierten Makler prüfen und wir fokussieren uns auf Familien. Das hat sich als sicherer Hafen erwiesen", sagt Auxilium-Geschäftsführer Scott Harvel zugeschaltet aus Dallas. Alle Informationen auch auf www.auxilium-invest.de

Today's Topics: 1) Who can pray the Auxilium Christianorum. Let's talk about Dad & Mom (optimal) www.auxiliumchristianorum.org. 2, 3, 4) Jesus says all believers will cast out demons (Mark 16:17). Why, then, can only a Priest perform exorcisms, but not the laity? You also have other Exorcist that were not the 12 apostles casting out demons and Our Lord allowed them to do so (cf. Mark 9:38-40 RSV) ‘John said to him, "Teacher, we saw a man casting out demons in your name, and we forbade him because he was not following us. But Jesus said, "Do not forbid him; for no one who does a mighty work in my name will be able soon after to speak evil of me. For he that is not against us is for us.’ Protestants will take this verse and absolutize it by saying, “all believers can expel demons.” 

Doreena Hermula (mysterious huntress) - Regina Herminius Rusticus (cunning finder) - Niels Malachi ben Zakai (reliable bodyguard) - Jesse Macrion (the scholar) – John Keeper - Oscar Rios Once the gatehouse is secured our investigators enter the city to deliver the supplies and check in on the doctor. The town is in a miserable state with the stench of death and decay in the air. Rats run freely through the streets as townsfolk remove dead bodies from homes. The mayor tells them that the doctor has been holed up in a warehouse that’s been converted into a hospital and that no one has seen him for days. Upon entering the “hospital” the stench is overwhelming and flies have been busy at work. There are many dead bodies but the faint sounds of those who still cling to life can be heard within. They make their way carefully through the “hospital” and go upstairs to find the doctors quarters. The room is filthy but seems to have been used but the doctor is not there. As they move further into the ward they discover the terrible truth of what has transpired….... www.goldengoblinpress.com https://www.birdscoffeecompany.com/coffees/legends-of-tabletop-legendary-brew Use Code Legends10 to get 10% off your order https://www.patreon.com/legendsoftabletop Theme music created by Brett Miller http://www.brettmillermusic.net/

Doreena Hermula (mysterious huntress) - Regina Herminius Rusticus (cunning finder) - Niels Malachi ben Zakai (reliable bodyguard) - Jesse Macrion (the scholar) – John Keeper - Oscar Rios Our investigators have been summoned to the estate of Fidelious Apher. When they arrive on the scene the estate is a hive of activity as wagon are being loaded with all manner of supplies but mostly food and water. Apher explains that Venta Icenorum, a town to the north, has had an outbreak of plague and is being quarantined. His brother in law is the doctor there and he wants the supplies taken immediately to help relieve the town. The trip North takes two days and turns out to be quite pleasant and uneventful. When approaching the town however the smell of death and decay hangs in the air. There are bodies of civilians and legionaries littered outside the city. The centurion of the legion recognizes Doreena and Herminius and explains that some of the soldiers staged a rebellion along with some of the townsfolk in an attempt to leave the area. He tells them the city is locked down and that the remaining rebels hold the gatehouse. Attempting to prevent any further bloodshed and complete their mission the investigators try to negotiate with the rebels to allow the supplies to enter the town. www.goldengoblinpress.com https://www.birdscoffeecompany.com/coffees/legends-of-tabletop-legendary-brew Use Code Legends10 to get 10% off your order https://www.patreon.com/legendsoftabletop Theme music created by Brett Miller http://www.brettmillermusic.net/

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Today's Topics: 1-2) How to use the auxilium prayers    3-4) 12 spiritual warfare principles - https://www.catholicace.com/12-spiritual-warfare-principles/    

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Today's Topics: 1) Questions and answers on Angels 2, 3, 4) How to use the Auxilium Christianorum prayers

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Consult your spiritual director or confessor before taking on this prayer regimen. Be sure you are in a state of grace for maximum efficacy. Expect demonic assault and fortify yourself with prayer and fasting. --- Support this podcast: https://anchor.fm/radio-free-catholic/support

Welcome to the Cuppa Coffee Podcast. This was recorded on August 22nd 2020 as part of our weekly property networking group. Presented by your host, Tom Dylan. Topic "Hints and Tips to Help Kick-start Your Social Housing Journey" Who spoke - Kristy Brown and Simon Kerr from Auxilium Property Sourcing And here is what happened on the clock: 0:04 - An introduction from your host 2:00 - Simon and Kristy speak 31:25 - Q&A begins 55:15 - Wrap up Here is the link to the slides.https://drive.google.com/file/d/1Qw25GX28T5WROdayZQwfvBYz4rMMJVry/view?usp=sharing

Today's Topics: 1) Who can pray auxilium christianorum prayers? 2-4) What is the jurisdiction of the imposition of hands?

Interpretare le norme sull'utilizzo dei DPI e attuare le buone prassi igieniche e di comportamento da adottare nella nostra vita quotidiana

Can you build a successful business in less than a year without a business degree? Is it possible to overcome past trauma and live in a way that sets your heart on fire? Can you overcome failures and see them in a positive light?    In today’s episode, I have two amazing ladies on the show who will prove you can!  I am sitting down with Britney Thornton and Hannah Kates who are the inspirational entrepreneurs behind Auxilium Virtual.      Britney and Hannah met early in their careers at the Naval Academy and in their business today, they continue to play off each other’s strengths.  They reveal the hard lessons they learned, the bumps they encountered along the way, and the accomplishments they have seen through it all.  Britney and Hannah pride themselves in providing exceptional service and strive to create meaningful relationships with their clients.    I am excited for you to meet the two ladies who I am lucky to have as a part of my team! Be sure to tune in!    If you haven't joined the Leading Ladies Facebook Group , check it out!  We would love for you to join us!   For the full show notes visit www.leadinglady-coaching.com/podcast

Arjan en Joris doen hun tiende podcast samen met John Weerdenburg van Auxilium. Ze bespreken toetsingen, de jaarrekening en veranderingen in het publiceren van jaarrekeningen. - Artikel John Weerdenburg: https://www.accountant.nl/opinie/2019/11/weg-met-de-publicatieplicht-voor-micro-entiteiten/ - Artikel Joris Joppe: https://www.accountant.nl/opinie/2019/12/ik-wil-het-niet-weten/ - Artikel rechtbank uitspraak: https://www.accountant.nl/nieuws/2019/12/geen-wwft-melding-6-mille-boete-voor-administratiekantoor/

Kann Virtual Reality die Erwachsenenbildung revolutionieren? Das Projekt "ViRAL Skills" zielt nicht nur darauf ab, den Erwachsenenbildungssektor mit fortschrittlicheren Bildungssektoren gleichzustellen, sondern noch einen Schritt weiter zu gehen und Virtual Reality (VR)-Funktionen in die Erwachsenenbildung, insbesondere in die Nutzung dieser technologischen Vorteile für gering qualifizierte Lernende zu integrieren. Philip Webersink im Gespräch mit Prof. Dr. Elke Gruber (Universität Graz) und Dr. Georg Müllner (Auxilium).  Shownotes Auxilium:  http://www.auxilium.co.at/projekte/ Arbeitsbereich Erwachsenen- und Weiterbildung:  https://erziehungs-bildungswissenschaft.uni-graz.at/de/institut/arbeitsbereich-erwachsenen-und-weiterbildung/ --- Send in a voice message: https://anchor.fm/urbi-ebpod/message

I’m joined today by Alex Hughes. Alex is the owner Auxilium Administration Services, providing a range of admin services to support businesses remotely or on premise. What’s unique about Alex is how she draws from her experience in corporate banking, to provide a friendly outsourced admin service that lets business owners review processes, procedures, projects and tasks - helping them get back on track with their admin. And be sure to listen to the end, where Alex shares some interesting insights into what a good administration function should look like in a small business.  So whether you are interested in knowing more about how you could outsource your firm’s admin function or want to know more about what it takes to run a successful independent business - then I hope you enjoy this episode of the Inside Kingston™ podcast.   ~ LINKS & RESOURCES ~ Auxilium Admin - Website Alex Hughes - LinkedIn    ~ YOUR HOST ~  Hi, I'm Amyr Rocha-Lima. I’m a partner at Holland Hahn & Wills, a financial planning and wealth management firm based here in Kingston. As an active member of our business community, I want to help other businesses get their story out there and see them succeed and flourish.   ~ HELP US SPREAD THE WORD ~ If you know someone who should be a guest on our show, and has a great story worth sharing, please feel free to get in touch. I would also love it if you would give us a review and a 5-star rating. We work hard to bring on some great guests, and getting a review from you is one way to help the podcast rate well, so others can find and enjoy the show.

Tune in to Kris' weekly painting/hobby Q&A show to maybe learn a thing or two about everyone's favorite hobby.

Painting Auxilium will now be available in podcast form from now on!  Kris comes at us Live from the MiniWarGaming Bunker to bring us another Q&A painting show.

Auxilium Christianorum – A prayer for men This episode is sponsored by http://catholicman.liturgy.online/ (The Liturgical Institute). Use this link with the code “catholicman20” to get 20% off!https://thecatholicmanshow.com/wp-content/uploads/2019/05/LI_Mobile_Banner2.jpg () Like the shows where we have guests in studio? Join us on http://www.patreon.com/thecatholicmanshow (Patreon), so we can continue! 100% of the support we receive goes back into the show. About our drink: Oppidan http://www.oppidanspirits.com/home/Smoke+Sea.html (Smoke + Sea) is a combination of their 4 Grain Straight Bourbon and Solera Aged Bourbon mash bills, finished in French oak and peated Islay scotch barrels. The French oak adds structure and dark fruit notes while the Islay casks add a layer of smoke, earth, and sea to the already malty and chocolaty bourbon. Bourbon on the nose and front palette with a briny and peaty finish. Because this was batch number 2, we know that the whiskey was placed in either https://www.ardbeg.com/en-US (Ardbeg) or http://www.laphroaig.com/‎ (Laphroaig) barrels! About the gear: Although the first cufflinks appeared in the 1600s, they did not become common until the end of the 18th century. Their development is closely related to that of the men’s shirt. Men have been wearing shirt-like items of clothing since the invention of woven fabric 5,000 years BC. Although styles and methods of manufacturing changed, the underlying form remained the same: a tunic opened to the front with sleeves and collar. By the middle of the 19th century the modern cufflink became popular. The shirt front, as well as collar and cuffs covering areas of the most wear, were made sturdier. This was practical but when clean and starched, collars and cuffs underscored the formal character of the clothing. However, they could be too stiff to secure the cuffs with a simple button. As a consequence, from the mid 19th century onward men in the middle and upper classes wore cufflinks. The industrial revolution meant that these could be mass-produced, making them available in every price category. Check out http://olarmory.com/accessories/catholic-cufflinks/ (Our Lady’s Armory) for some custom Catholic cufflinks! Use code “TCMS15” for 15% off all products with no minimum order! About our topic: Auxilium Christianorum has 2 principal aims of the association: 1) To provide prayer for priests associated with Auxilium Christianorum so that their apostolate in driving out demons is efficacious. 2) To provide prayers for the members – priests, laity, family and friends – so that they are not adversely affected by the demonic. About the Auxilium Christianorum: The Church teaches us that it is divided into the Church Triumphant (which includes the members of the Church in heaven), the Church Suffering (this includes the members of the Church in purgatory), and the Church Militant (this refers to those members of the Church who are alive in this world). Because we are part of the Church Militant, we are in a spiritual warfare and this spiritual warfare requires that we recognize, as Saint Paul teaches us “For our wrestling is not against flesh and blood; but against principalities and powers, against the rulers of the world of this darkness, against the spirits of wickedness in the high places.” (Ephesians [6:12]) The members of the Auxilium Christianorum should always bear in mind the reality of our state as members of the Church living in this world. Despite St. Paul's teaching, many Catholics do not take seriously their obligation to wage war against the demonic forces. It is, for this reason, the Association of the Auxilium Christianorum was founded. Learn more by going to the http://auxiliumchristianorum.org/ (official website.) Drinking: Oppidan Smoke + Sea Gear: Cufflinks Discussing the Auxilium Christianorum prayer If this is your first time listening to The Catholic Man Show, we do 3 things almost Support this podcast

L'intervista al giornalista de La Stampa Domenico Latagliata sulla vicenda dell'Auxilium, esclusa dalla Lega Basket in seguito alla cessione della società all'imprenditore russo Gerasimenko.

Is there a demonic attack against priests? Why emphasize prayer rather than action during this turbulent time in the Church? Join Dan Burke and Melissa Elson as they speak with author, Kathleen Beckman about her book, Praying for Priests to address these questions and more.  Topics/Questions Covered in the Show: What is the Foundation of Prayer for Priests and how can one spiritually adopt a priest or bishop? Why is prayer for priests so important? Why is the priesthood attacked by the demonic spirits more frequently, deliberately and intensely? Why should we spend time in prayer about the crisis in the Church rather than taking action? What weapons do we have in the Church to combat the demons? What is Auxilium Christianorum? What resources are offered at Foundation of Prayer for Priests? Resources: Spiritualdirection.com - website Avila Institute for Spiritual Formation Sophia Institute Press Praying for Priests by Kathleen Beckman Foundation of Prayer for Priests Auxilium Christianorum Questions? Send an e-mail to Questions@myavila.com or call 818-646-7729. Please leave your name, location, and question(s).

Basket: decima sconfitta per la Fiat Torino nel campionato di serie A1. A castigare i torinesi la Grissin Bon Reggio Emilia che vince 89-82 e riduce al minimo le possibilità dei gialloblu di qualificarsi ai play-off.Hockey prato: nello scontro al vertice l'Hc Valchisone perde contro Città del Tricolore ma mantiene la testa della classifica con un punto di margine sugli emiliani. Ai nostri microfoni il presidente villarese Paolo Dell'Anno analizza le cause della sconfitta e si prepara ad affrontare il finale di stagione. E sabato c'è il derby contro il Rassemblement di Torino, reduce da tre vittorie consecutive.

Spazio al nuoto, con il torinese Alessandro Miressi che trionfa nei 100 m e nella staffetta 4x100 agli Assoluti di Riccione e si guadagna un posto per gli Europei di Glascow ad agosto.Poi la "Tutta Dritta": si corre domenica la 10 km organizzata da Team Marathon sul classico percorso interamente rettilineo che parte da Piazza San Carlo e arriva alla palazzina di Stupinigi.Infine gli appuntamenti clou del week-end sportivo: dal basket, con l'Auxilium Torino che si gioca le ultime chances in chiave play-off nell'incontro casalingo contro Bologna, al volley, con l'inizio dei play-off di serie A2 femminile in cui sono impegnate ben 4 formazioni piemontesi.

Basket: di nuovo sconfitta la Fiat Torino in serie A1. I gialloblu battuti dalla capolista Milano e fuori dalla zona playoff. Nel femminile finisce la stagione per la Pallacanestro Torino eliminata ai quarti di finale dei play-off da Venezia. Calcio: l'aggiornamento sui campionati di serie D ed Eccellenza e il consueto racconto di Giuliano Imbriani sul cammino delle sue Black Stars nel campionato amatoriale del pinerolese.

Riprende la stagione outdoor dell'hockey su prato: nella prima giornata di ritorno di serie A2 maschile l'HC Valchisone batte Pistoia 2-1 e si conferma al secondo posto.Nel basket terza sconfitta consecutiva della Fiat Torino contro Cantù che mette a repentaglio la qualificazione ai play-off. Nel femminile si conclude la regular season per la Pallacanestro Torino che chiude con una vittoria su Vigarano. Nel primo turno di play-off le pantere biancostellate affronteranno Venezia.

Si apre la terza edizione di "Si yo fuera Maradona", ciclo di incontri che si propone di affrontare importanti temi sociali attraverso il linguaggio universale del calcio. Il primo appuntamento, martedì 21 marzo alle 21 al Caffè Basaglia, prevede la proiezione del docufilm "Crazy for football" vincitore del premio Donatello 2016. A seguire interverranno il regista del documentario Volfango De Biasi, lo psichiatra Ugo Zamburru e Luca Dalvit della UISP. Per la presentazione della serata e del ciclo di incontri è stato ai nostri microfoni il responsabile dell'iniziativa Rocco Albanese.Basket: seconda sconfitta consecutiva per la fiat Torino in serie A1 maschile battuta a Cremona e raggiunta Bologna e Sassari in classifica. Nella serie A1 femminile Pallacanestro Torino raggiunge l'obiettivo salvezza grazie alla vittoria su Caserta. Coach Massimo Riga ci racconta la gara e l'approccio al proibitivo impegno nei play-off.

Basket: la Fiat Torino sconfitta in casa da Venezia per 82-90, mantiene il quinto posto in classifica. Nella serie A1 femminile la Pallacanestro Torino ottiene un'importante vittoria a Broni nella seconda giornata della fase 2 e compie un'importante passo verso la salvezza.Calcio: i risultati e le classifiche dei campionati di serie D ed Eccellenza e il consueto resoconto di Giuliano Imbriani sul cammino delle Black Stars nel campionato amatoriale.

Basket: in serie A1 maschile Fiat Torino vincente su Capo d'Orlando mantiene la scia positiva dopo la conquista della Coppa Italia. In serie A1 femminile prima giornata della fase 2 con la sconfitta della Pallacanestro Torino sul campo del Fila San Martino Lupari. Ai nostri microfoni l'analisi del tecnico Massimo Riga.Bocce: La Perosina chiude al secondo posto la regular season per effetto della sconfitta con BRB Ivrea. Nella semifinale del 17 marzo ad Alassio affronterà Gaglianico.

Basket: la Fiat Torino sconfitta dallo Zenit San Pietroburgo dice addio all'Euro Cup.Atletica leggera: le medaglie degli atleti piemontesi ai Campionati Italiani Indoor Juniores e Promesse.Volley: Fenera Chieri e Cus Barricalla Collegno eliminate dalla Coppa Italia rispettivamente da Mondovì e Battistelli San Marignano. Il coach delle collegnesi Michele Marchiaro ci racconta la sconfitta della sua squadra, arrivata comunque a un traguardo storico.

Approfondimento dedicato alla partnership tra HC Valchisone e SKF Italia: l'azienda sponsorizzerà la società villarese per i prossimi tre anni. Paolo Dell'Anno, presidente della società sportiva, ci racconta i risvolti e le prospettive di questa collaborazione.Basket: la Fiat Torino sconfitta dal Bayern Monaco in Euro Cup per 107-81 e, nell'ultimo turno, dovrà vincere con almeno 12 punti di scarto contro lo Zenit San Pietroburgo.Si è corsa la seconda edizione di Pragelato Snow Run, dominata dall'atleta della Podistica Torino Manuel Berton.Hockey ghiaccio: vittoria record della Valpeagle a Varese con il punteggio di 23-1.Ginnastica ritmica: Eurogymnica apre l'anno con 13 medaglie di cui 8 d'oro

Twintig jaar geleden richtte Joris met zijn jeugdvriend softwarebedrijf Auxilium op. Maar twee kapiteins op 1 schip werkte niet; de compagnon verliet het bedrijf midden in de groeifase. Toen heeft Joris een omslag gemaakt om meerdere rollen op zich te nemen. Hij leidde zijn bedrijf door een financiële crisis en bleef in zijn eigen kracht staan. Kees de Jong en Joris praten over wat je doet als in een kwartaal je omzet met 60% daalt. Dat er hoop is zolang de rechter geen faillissement uitspreekt, en dat je klanten het altijd voelen wanneer je vanuit de verkeerde reden iets aan ze probeert te verkopen.

Twintig jaar geleden richtte Joris met zijn jeugdvriend softwarebedrijf Auxilium op. Maar twee kapiteins op 1 schip werkte niet; de compagnon verliet het bedrijf midden in de groeifase. Toen heeft Joris een omslag gemaakt om meerdere rollen op zich te nemen. Hij leidde zijn bedrijf door een financiële crisis en bleef in zijn eigen kracht staan. Kees de Jong en Joris praten over wat je doet als in een kwartaal je omzet met 60% daalt. Dat er hoop is zolang de rechter geen faillissement uitspreekt, en dat je klanten het altijd voelen wanneer je vanuit de verkeerde reden iets aan ze probeert te verkopen.

Il 22 aprile è uscito in edicola con Tuttosport il docufilm "Auxilium, la fede continua" che racconta la lunga storia della prima squadra di basket torinese. Guido Passi, che insieme ad Angelo Santovito ha realizzato questo lavoro, lo racconta ai microfoni di Pentathlon.

Bellus Health is left reeling as its lead drug Kiacta fails its Phase 3 clinical study, Vancouver based QLT inks a merger deal with Aegerion Pharmaceuticals and looks to a fresh new start, and Biotechnology Focus relaunches its Hot Button Issue Survey. We have this and more on this weeks show! Show Notes: We kick things off this week with some bad news on both the business and the clinical trial front with BELLUS Health the rare disease drug development firm reporting top line results from its Phase 3 study of KIACTA™ (eprodisate) as a treatment of AA amyloidosis. The disease is characterized by secondary to severe chronic inflammation or infection leading to the formation and deposition of amyloid fibrils in organs, often resulting in end-stage renal disease and death. Currently there are no therapies available that target the disease directly. According to company CEO Roberto Bellini, KIACTA™ failed to meet its primary efficacy endpoint in slowing renal function decline. The news, announced on June 20, was somewhat surprising to both the company and its investors. Shares for the company on the TSE under the trade symbol BLU plummeted, going from $2.42 on June 17, to around $0.39 on the day of the announcement, holding at .40 cents today. Many investors had rallied to the company over the past year due to the drug being in later stages of clinical trial development. Moreover, the science seemed sound as in earlier studies, KIACTA™ was shown to significantly delay the disease.  In both earlier studies and even in the failed trial, it was found to be safe and well tolerated over treatment periods of greater than four years. The confirmatory Phase 3 study of KIACTA™ was a global study across more than 70 sites in more than 25 countries that randomized 261 patients to receive either 800mg dose of KIACTA™ twice daily or placebo. The  study was an event driven study that lasted five years meeting its completion target of 120 patient events linked to the deterioration of kidney function in January 2016. The company added that further analysis of the data is ongoing, and a more detailed data set of the KIACTA™ Phase 3 study will be presented July 6 at the XV International Symposium . Roberto Bellini, president and CEO of the company adds that while Bellus is disappointed that the Phase 3 study did not meet the primary efficacy endpoint, the full data set will be assessed to determine the best path forward. The company says in the aftermath of the failed trial, it will continue working on a number of other projects in its portfolio,  including its study of KIACTA™ as a treatment for sarcoidosis (set to enter Phase 2 trials), clinical development of Shigamab™ as a treatment for STEC-related Hemolytic Uremic Syndrome (sHUS), and the company’s research-stage project for AL amyloidosis. We go from negative news to the more positive, as QLT Inc., once upon a time Canada’s hottest biotech company, and a company long-entrenched as a in the BC- biotech community inking a strategic merger agreement with Cambridge-based Aegerion Pharmaceuticals, Inc. The proposed deal has been approved by the board of directors of both companies, and is expected to close late in the third quarter or during the fourth quarter of 2016. Upon closing, QLT says it plans to change its name to Novelion Therapeutics Inc. adding that its common shares will trade on the NASDAQ Global Select Market and the Toronto Stock Exchange. QLT’s current market cap is approximately $110 million (CDN) and Aegerion has a market cap of approximately $70 million (CDN) giving the new combined company a market value of approximately $180 million. This isn’t QLT’s first attempt to merge with another company, having been thwarted in the past in prior merger arrangements with Endo International, Auxilium Pharmaceuticals and InSite Vision. The planned merger with Endo International was terminated in October 2014, and likewise, Auxilium had also been carrying out plans to merge with QLT but chose instead to be bought by the aforementioned Endo International in a separate deal valued at $2.6 billion. Likewise, last year, QLT and InSite announced a merger, but that deal fell through after InSite changed its mind and accepted a higher merger offer from Sun Pharmaceutical Industries. This time QLT won’t be left at the alter so to speak, and likewise both companies under the Novelion Therapeutics Inc. banner will get a much needed rebrand and fresh start. The new company will also have quite a diversified portfolio consisting of Aegerion’s two commercially branded products, Juxtapid® (lomitapide) capsules and Myalept® (metreleptin), and QLT’s QLT091001 (Zuretinol Acetate or Zuretinol), a Phase 3-ready Ultra-Orphan Fast Track and Orphan Drug designated asset being developed for the treatment of Inherited Retinal Disease caused by underlying mutations in RPE65 or LRAT genes (IRD), which indication comprises Leber Congenital Amaurosis (LCA) and Retinitis Pigmentosa (RP). Aegerion’s CEO, Mary Szela, will serve as CEO of Novelion following the close of the transaction. Additionally, an investor syndicate comprised of both new investors and existing shareholders of both companies has  committed to invest via a private placement approximately $22 million in QLT. The investment will be funded prior to the transaction close and is expected to provide Novelion with additional capital to support future operations and the potential opportunity for targeted business development initiatives. In futher business news, TVM Life Science Ventures VII a venture capital fund domiciled in Montréal, Québec, has closed the fund’s eleventh investment, establishing Mediti Pharma Inc., a company based in Montréal, Québec. The new company is developing a Phase 2 ready compound, MP-101, originally discovered by Eli Lilly and Company for the treatment of Alzheimer’s disease (AD) psychosis. The behavioral symptoms associated with AD psychosis, include hallucinations, delusions and aggression. The company is managed by CEO Dr. Ivan Shaw, formerly with Merck Frosst, Aptalis and Actavis and neurobiologist and experienced drug developer and CFO Mark Cipriano, a Boston-based highly experienced and networked executive. As for the fund itself, and its initial association with the drug, it comes about as part of a unique arrangement between TVM Capital Life Science and numerous limited partners, which includes Eli Lilly and Company.  The goal of the fund is to finance and access innovation while managing risk and sharing reward. Staying in Montreal, on the clinical trial front Montreal InVivo , the city’s economic development organization with a focus on life sciences and health technologies (LSHT) sector. is partnering with Canadian Clinical Trails Coordinating Centre(CCTCC) to enhance Canada's clinical research capabilities. The partnership will result in the addition of Quebec clinical trial investigators "data from Montreal Goes Clinic to the Canadian ClinicalTrials Asset Map (CCTAM) and real-time updates down the line. The Montreal Goes Clinic itself is an initiative by Greater Montreal's life sciences"; cluster that aims to make the region a world-class centre of expertise in early stage clinical trials.  The goal of this initiative is to improve Greater Montreal's business environment by helping pharmaceutical, biotech, contract research organizations (CRO's) and medical device companies perform high quality clinical trials and run clinical proofs-of- concept, thus  increasing patient access to new treatments and improving medical practices by allowing clinicians to work with technologies of tomorrow and the best equipment. Frank Béraud, CEO of Montréal InVivo adds that the portal will create more visibility for Quebec's researchers and investigators throughout Canada, and will also showcase the province's capabilities in clinical research. Dr. Shurjeel Choudhri, senior vice president and head, Medical and Scientific Affairs Bayer Inc. and the current Chair of the CCTCC Executive Committee adds that the CCTAM is a great example of the collaboration of multiple stakeholders from across Canada, including representatives from the Federal and Provincial governments, industry, the Canadian Institutes of Health Research and HealthCareCAN. He calls the addition of clinical investigator data from Montreal Goes Clinic an important step towards making the CCTAM a truly comprehensive inventory of Canada's clinical research assets. If you could have a face-to- face conversation with government to discuss the life science industry, both the good and the bad what would you say? A number of years ago Biotechnology Focus used to run a special Hot Button Issue survey which gave our readers the opportunity to engage with government to get their concerns before the right people and have their voices heard. Well, with the Justin Trudeau government coming up to its ninth month in office, we thought the timing was right to do it all again. The survey kicked off yesterday and will run to July 15, 2016. Similar to our past “Hot Button” issue surveys, we want your feedback on such things as regulatory policy including reimbursement of new technologies, funding challenges, intellectual property protection, the state of the industry and much more. This survey is open to everyone in the industry, from the business sector, to research institutions, and at all levels, essentially, if your field is biotech, bioscience or life science in general we want to hear from you. This already is vibrant industry, with strong representation at major research and knowledge translation institutions, a large base of Canadian biotech SMEs and MMEs, and we’re home to many of the world's largest and leading pharmaceutical companies. Moreover, the timing for this survey couldn’t be better as the Federal government as mentioned in last week’s podcast has just launched the “Innovation Agenda”, an action plan to both redesign and redefine how we as a nation support innovation and growth. They have embarked on this Innovation Agenda in partnership and coordination with the private sector; provinces, territories and municipalities; universities and colleges; and the not for-profit sector and they have also already taken the first steps in this plan already with Budget 2016, providing support for health research, genomics, regenerative medicine, brain research and drug development and committed $800 million to support innovation networks and clusters. So there’s obviously lots that government is doing right to make Canada a friendly environment for our industry, but can we do more? Canada’s Minister of Innovation, Science and Economic Development Navdeep Bains has asked us all to step up and voice our opinions, to help further shape the future of Canada’s knowledge based economy. And our Hot Button Issue survey is your chance to do that! Your answers will be featured in a special high profile issue that will be poly-bagged with our sister publication Canadian Government Executive magazine and sent to Deputy Ministers, Assistant Deputy Ministers, Cabinet, Directors and Generals, working in Health Canada, Industry Canada, Agriculture & Agri-Food, Foreign Affairs & Internationals trade, the Privy Council as well as other public sector executives in federal and provincial departments. So here is your chance to help influence the Innovation Agenda. And remember, by taking only a couple of minutes to complete our survey, you’re helping us grow Canada’s knowledge-based economy, one answer at a time. You can access the survey by clicking the link below this podcast. That wraps up this weeks show, you can find us online at www.biotechnologyfocus.ca. Likewise, we’re always looking for feedback, story ideas and suggestions so we’d love to hear from you. Simply reach out to us on twitter: @BiotechFocus , email at biotechnology_focus@promotive.net For all of us here at Biotechnology Focus, thank you for listening.

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